2015-2018 My branded design process is a ' mark and trace ' and includes all the processes that include time.
02
Marks of Natural makes the trail
Time Flows. All worn jean space,Leaving traces that represent it. A picture of a trace 01-05 Traces of her.
Everything has its mark and time.
I always enjoy the study of time and all its tracks. And it connects with all of the design process to create projects.
Kunsthalle Bremen Fraunhofer Institut, Darmstadt Polizeipräsidium, Darmstadt Hessisches Landesmuseum, Darmstadt City art collection, Darmstadt City art collection, Frankfurt Deutsche Bank collection, Frankfurt Museum für Kunst und Gewerbe, Hamburg Hamburger Kunsthalle, Hamburg Kunsthalle zu Kiel City art collection, Leinfelden International Art Collection Junij, Architekturni Muzej, Ljubljana, Slovenia 04 Wilhelm-Hack-Museum, Ludwigshafen City art collection, Mainz Kulturreferat of the city of Munich City art collection, Rüsselsheim Video art collection of the city of Salzgitter Schleswig-Holsteinisches Landesmuseum, Schloß Gottorf,
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O ld , I g iv e them the passage of time spa
Marks of Time
tra c e
‘TIME F L OWS. ALL WORN JEAN S LE A VING T R A CES TH A T REPRESENT I Annegret Soltau
time
This phenomenon happened a
toppe d .
It is ring on behalf of the traces of the trees as time passed.
01
b rand name whithin its s
T his phenomenon happened a makes the t rail
c e th reshold
For one's mark
.
o v er beau t y
Marks of Color
Project keyword Artist and ‘trace’
R E
“Her most important aim is to include bodily processes in my work and to use myself as a modelbecause I can go the furthest with myself” -Annegret Soltau
05
Marks of Handwriting Marks of Footprint
T ime in the same
02 Brand Collection Annegret Soltau 2018
found .
Write time proves it to appear in front of, the more she wrote.
fte
Rainy and L OWS. ALL dusty. WORN JEAN S PA C E ,
‘TIME F C ELE, A VING T R A CES TH A T REPRESENT I
T.’
T.’
Brand Mock-up Images.
Trace
Trace series calling card The design is based on the brand slogan " Leave traces. "
series
poster 01 Traces of dust Posters of Dust, a trace of time, are based on the concept. 02 Traces of rain Posters based on traces of rain after it stopped raining.
T his phenomenon happened a
. .
Leave a trace
fter s tool
tool
Brand Poster Image representing item (raining and dusty) The formation of dust and rain.
OR COLL WITH BLAC THR
Annegret Soltau Mother with daughter, Photos of faces ANNEGRET SO
Always reworked !
LT AU
02 02
Project
mit Tochter motherhood 1977-86 Mutter-Glück (Motherhood) photo restitchings
collage of grotesque family portraits.
AGED
CK EAD sewn back in again
The eyes, noses and mouths are always reworked –
Permanente Demonstration (permanent demonstration) 19.1.1976
A series of works
ties 1975-76
t
i
es
Verbindungen (Ties) Permanente Demonstration (permanent demonstration) 19.1.1976
19 75-6 7
Verbindungen (Ties) Permanente Demonstration (permanent demonstration) 19.1.1976
VER-BINDUNGEN 19.5.1976
In the mid70s
Verbindungen (Ties), Heidelberger Kunstverein In the mid-70s, etched lines on the metal plate became drawings that could be experienced with the body.
Installation "Vatersuche", Mathildenhöhe 2006 father search 2003-07 KörperÖffnungen All of The materials I used in this work were documents involved in my (Body my long and Openings) fruitless search sewn for my missing father. The work photographs is she? consists of 69 self-portraits and a film, “Gespräch mit Who Mutter” have a Mutterpass II (“Conversation with my Mother”). I sewed the original(private letters Collecface tion) into the photo of my face – letters from agencies such as the personal identity and Red Cross and the agency responsible for notifying the rela2003-14 a reverse tives of the Wehrmacht soldiers killed in the war. In this way, Personal idenside. beginning in the unredeemed story of the time after World War II tity, becomes 2003 photo sent restitcha part of my self-portrait; these formally phrased letters, ings in answer to my queries, remain to me a place of emptiness, In this series of a white space. works in progress, I examine Installation "N.Y.FACES", Mathildenhöhe 2006 the question of personal identity in the age of digital information. The series shows a search for biographical traces in selfportraits with sewn-in original documents, beginning with my birth certificate and continuing on to the SIM cards that are in everyday use and in which my Self is saved in digital format. The conclusion to this series will be a collage including my death certificate, to be put together by one of my surviving family members.
The attack of September 11, 2001 on the World Trade Center in New York was what triggered the series entitled N.Y.FACES. These works are composed of passport photos and close-ups of my dental On the25.10.2007 reverse sides, I Vatersucheoperation. 25.10.2007 Vatersuche Vatersuche 25.10.2007 father search 2003-07 father search 2003-07 father search 2003-07 included news reports from the period of the attack that I had The materials I used in this work were documents involved in my long and fruitless searchpapers. for my missing father. torn out of the The mouth, especially, plays an impor1. The work consists ofand 69 tant role in revealing pain and violence, here I purposely self-portraits and a film, “Gespräch mit Mutter” (“Conversation with my Mother”). I sewed the original show a mouth, wide open, as an expression of the most inletters into the photo of my face tense feelings. 2. materials I used in this work The continuation of generativ isThe the series were documents involved of in mytransgender long and fruitless search for my missing father. works that I began in 2004, in which I have also used the male contour in my restitchings.3.Ithesewed Iphoto tear apart the original letters intothe male and of my face – letters agenciesredistribute such as the Red female body parts and genitaliafrom and these photo Cross and the agency responsible for notifying the relatives of the soldiers killed in the fragments among the membersWehrmacht war.of the family: mother, father, daughter and son. This reveals KörperÖffnung # Nase and sustains the many conbodyopenings 2011-17 nections between the family members – at the same time as
2018
The silhouette
The absence of her father and wounds she made he wounds of her art. her background in?
father’ . . s ab s is
affected here.
The“It calls absence of her father and wounds into question the optimisation logic of today s life designs and nurtures the hope of change: an ever greater number of women with children opt out of the complex, -”
Her own body and face sewn over.
“She received her childhood wounds, they look happy family of friends who opposed her will come closer to the wound. In this part of me that was connected by keyword absence of the father, the exposure of women.”
The absence of her father. this is my inspiration and design keyword!
I do not know whether the absence of the father of her childhood was how much impact on her work in her work I thought it would be a fected in part that women are more toxic appearance.
02-1
About design keyword
father’s absence:
Fabric development reference -Development of Sewing Material 01
“ Was her father if there was this look like? ”
02-1 Father’s
(f)
(f) [process-1]
[process-2]
I want to see “ Dad shop to warm your heart.” Miss you
precious
“ Stuff lot daughter are you?”
-Mit Tochter und Soh motherhood 1977-86n
“ Stuff lot daughter are you?”
-Concept study.
-Rough drawing Process.
father search 2003-07
[process-3]
What is the absence of her childhood father?
If this part is missing ? Like her loneliness deleted.
father search 2003-07
“ Although there currently is not her father , but the father had wanted once wrapped her warmly. ”
-Development of Sewing Material 03
-Concept study.
-Mutterpass III (private Collection) personal identity 2003-16 -Development of Sewing Material 02
“ Age still needed father. ” “ Blank is a simplified symbol of her father's absence. ”
Simplification of the silhouette!
“ The contrast and harmony of female and male silhouette. ”
“ If you're a father to her in real life try to imagine if I can be of any warmth.”
Oversized silhouette
Why?
Designed through the silhouette of women and men
The absence of my father?
rival and harmony through her father’s absence and the exposure of women. [process with keywords]
design collage process
(1)
The woman she had in her mind. And the absence of her childhood father. Therefore, I make a silhouette from her imaginary father's appearance and performs a design based on the features of the women in the work.The goal is to propose a new design by comparing the existing wonen’s and men's clothes. (2)
(3)
(4)
(5)
01.02+ The harmony of the new silhouette, and-Small numbers refer to keywords. Comparison with the harmony of the overall silhouette.
02-2
About design keyword
explosure women:
?
lack of
exposure # Suggestion of a concept on the exposure of women using PVC materials. “ Exposure and why the image of women that appear scary for her work in the women could have some connection ? ”
express extreme
-Concept study.
“ Most women are tricked her work is the appearance of the female figure of exposure.”
Full exposure and recombination!
02-2 omen’s explosure
(w) -Concept study.
“ Her lack of exposure. and The range of exposure is a reminder of her childhood deprivation. ”
“ Her mother , was andand herher childhood “ Herdid mother didwith , wasGrandma with Grandma childhoodwas was like?” like?”
“ Women look up to her representation is scary.”
“ Blank (
) is another sense of her lack. ”
02
01 “ Women in the work seems to suffer . Look ugly and seemingly harmonious look of women are horribly uncomfortable view.” -Installation: female trouble, Berlin 2005 hybrids 1999-2010 Hybrids – Scancollages
“
# Mund bodyopenings 2011-17
“ This somewhat lacking part is transmitted through exposure to women.”
SOMETIMES WOMEN WHO LOOK SCARY AND SOMETIMES HURT.
?
-transgenerativ, SOHN doppelt - mit Tochter (Geschwister), 58
“ How beautifully expressed by utilizing the concept of exposure , such as a woman she is seeing ?”
Fabric development-02>>
Summer wool, 03 three button and sewing
Fabric development
Menswear jacket and reconstruction
PVC and exposure
Inspiration her artwork
Absense space process! Chiffon-02
Inspiration her artwork
Using chiffon
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Using fabric and exposure
01
[LOOK 1-1] Shirts
02
[LOOK 2-1] Acc
03
04
07
05
06
[LOOK 4-1] Coat
[LOOK 5-1] Coat
[LOOK 6-1] Jumpsuit
[LOOK 7-1]
[LOOK 4-2] Top
[LOOK 5-2] Pants
[LOOK 6-2] Jacket
[LOOK 7-2] Pants
[LOOK 4-3] Jacket
[LOOK 5-3] Skirt
[LOOK 6-3] Knit inner
[LOOK 7-3] Vest
[LOOK 4-4] Shirts
[LOOK 5-4] Skirt
[LOOK 6-4] Jacket
[LOOK 7-4] Knit inner
[LOOK 3-1] Skirts
polyester-03
01
[LOOK 1-2] Inner
[LOOK 2-2] Dress
[LOOK 1-3] Shirts
[LOOK 2-3] Inner
[LOOK 3-2] Pants
02
19 03
[LOOK 3-3] Pants
[LOOK 1-4] Jacket
Wool-04 [croquis Variations exposure of women-01]
01 Sewing concept fabric development 02 Materials of buttons 03 Main fabric-pin stripe wool
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[LOOK 2-4] Skirts
[croquis Variations exposure of women-02]
Design Final illustration/02
[color combinations?]-* Based on her work in women exposed to water color , stimulating colors, color selection containing the masculine.