https://issuu.com/yusophie/docs/portfolio
Link
PORTFOLIO
By Xing Yu 2014--2016
Xing Yu (Sophie) Master of Architecture, 2016 Tel: 774-232-9694 E-mail: sophie.xingyu@gmail.com Address: 1565 Lemoine Ave #2G, Fort Lee, N.J. 07024
Content Resume
1
2015 fall - 2016 fall
Link Interaction (Thesis)
2
2014 fall
Transition between mundaneness and sacredness
16
2014 fall
Order & Complexity in Harmony
28
2015 fall
Flight
34
2015 fall
Feng Zikai's Stairs
38
Arts
42
Documents
44
http://scholarworks.umass.edu/masters_theses_2/383/
EDUCATION 09/2013--05/2016
UNIVERSIT Y OF M ASSACHUSET TS A MHERST Degree: Master of Architecture (M.Arch) GPA: 3.9/4
09/2008--07/2012
NORTH CHINA ELECTRIC POWER UNIVERSIT Y Degree: Bachelor of Engineering (B.E.) GPA: 3.5/4
INTERNSHIPS 02/2016--04/2016
ARCHITECTURE EL, INC. EAST LONGMEADOW, MA Drawing import, sheet set-up, and assistance with floor plan drawings
06/2015--08/2015
AYA ARCH BEIJING, CHINA Communicate with client, concept design, design development, presentation, visual animations
AWARDS 05/2016
Awarded “The AIA School Medal” and “The Certificate of Merit” in Umass Amherst
03/2016
Nominated for membership in the Tau Sigma Delta National Honor Society (the only national honor society in architecture).
05/2015
Won “Nate Hadley scholarship” from the Department of Architecture, Umass Amherst
2014--2015
Got “Tuition Waiver” (for International students) successively for 3 semesters from the Department of Architecture, Umass Amherst
PROFESSIONAL SKILLS Sof t ware: AutoCAD, SketchUp, Revit, Rhino, 3ds Max, Illustrator, Photoshop, In-design,
eQuest, Grasshopper, Ecotect Techniques: Drawing, Painting, lasercutter, Router, Manual Model Language: Chinese, English
PORTFOLIO LINK https://issuu.com/yusophie/docs/portfolio
1
INTER ACTION (Thesis)
Rongcheng, Weihai, Shandong Province, China
Weihai
h
e
ea
riv e 1h Drive
a i
r. Airport hD 0.5 High-speed Train Station
SITE rea
i e W
nD
To South Kor
Harbor
riv
Ko
mi
To South Korea
th
Train 1 Station h 20
hD
ou
1.5
a Kore Korea To South To Japan
To S
ali an C To D
Harbor
outh
To S
Harbor
To South Korea
Rongcheng
To S
outh Kor ea To Ja pa n uth
pan
o To S
To Ja
In the fast process of stepping towards urbanization, many traditional villages in Rongcheng, where villagers know each other quite well, are being demolished without almost any old things left. With hope for new life, many things are being ignored. But what is the most essential thing for local culture and people? This thesis try to find out the lost essential thing, and try to bring it back by architecture.
ity
Shandong Province
a
Kore
In a typical medium-rise residential building in city, In order to study lifestyles in local traditional buildings and villages, I chose a typical village, Leng Jia Cun, as my focus; it shows the history of local traditional buildings clearly. Inside the village, I chose a blank site for my newly-designed buildings.
Cit y and Villages SITE
Climate: Clement Moving Market SITE rive d ar in c m 0City Eco 2 re Co Newly-built Asphalt Road
Water Mountain
in -m 10
e driv car
Average Precipitation
Typical village: Leng Jia Cun
15 -m in car driv e
Average Max. & Min. Temperature
Local Eco Core
Entertainment Beach Relative Humidity
Private Fields
Sunhours
SITE Private Fields
2
Private Fields
Almost all villagers have their own fields.
Link
http://scholarworks.umass.edu/masters_theses_2/383/
3
SITE ANALYSIS TYPE I
Grocery
TYPE II Grocery
Village Committee
Village Public
Blank site Well Drainage system
TYPE III
Earthy Drainage Ditch Living space Flat roof &Storage space Couryard Private Garden Village Park changed from Private Garden
4
TYPE I: Before 1980s TYPE II: 1980--now TYPE III: 1980--now
Storage w./ flat roof
Main House w./ pitched roof
Main House w./ pitched roof Main House w./ pitched roof
Wing House w./ flat roof
Entrance
TYPE II
Old
New
Entrance
Entrance
TYPE I
TOPO - 5 ft increments
Aging
Storage w./ flat roof
TYPE III
Transportation
Human Activity Distribution
Two-level One-level
Business Village Community Office Residential Buildings
No. of Levels
Function
5
P
roblem?? of a thriving city/place
Villages
Renovated Villages
City “Villages”
Good things from the old villages are being ignored.
“
..,we believe that human interaction and communication are the essential reasons for the city’s very existence.
”
--THE CHARTER OF MACHU PICCHU
DRIVING FORCES
1) Government
2) Society
There are barely no regulations about village.
Rongcheng Impression / Key words
Current regulations for village development-three guidelines: •
•
•
6
City-center Villages: renovate the villages to integrate them into Chinese international style city. Further Villages: encourage residents to resettle in the developed new buildings. (with traditional houses demolished). Remote Villages: renovate existing conditions to achieve clean and tidy villages.
7
INTER ACTION analysis INTER ACTION Human Interation & Communication includes: ① People’s interactions inside one space. ② People’s interactions among spaces Architecture works to define one space① and connect different spaces②.
① People’s interactions inside one separated space. It depends on people’s relationship inside.
Self-private
Family-private &Family-public
Guest-public 1
Private
Public
Family member Non-family member Space
Guest-public 2
Outside-public
Nature
Outside-public
For FAMILY building specifically
Possible Activities
② People’s interactions among spaces.
Separated experience spaces
8
Layered spatial organization
Spatial interactions
P
roblem..
①
Good things from the old villages are being ignored.
“
..,we believe that human interaction and communication are the essential reasons for the city’s very existence. --THE CHARTER OF MACHU PICCHU
MISSING
MISSING ②
For a typical medium-rise residential building in city:
Spatial Organization
Spatial interactions Private
Public
I remember many times when I walk fast in the staircase in order to get out of that space quickly. Most people entering a building need to pass through a staircase, but we don’t see enough interactions corresponding to the frequency of passing-through.
9
DESIGN INTENTION
My design intention is to design a new kind of building that is respectful of local traditional lifestyle and integrated with contemporary lifestyle.
• • • •
Respect of important traditional culture-related activities. Offer people freedom / flexibility to choose their own balance states in interaction during different periods. Help people to understand diversity of life. Welcome new-comers.
NEW DESIGN Circulation space as Interaction space
One “Route”
Combined routes
One “Route”
Combined four routes
Typical Block
Offset routes to create “breathing space”
Get more sunshine
FLEXIBILIT Y
inside
?
outside
Slope Site Adaptation
10
Stairs: outside
inside
8
A
5
3
4
UP
UP
B
C
2
1
D
E
7
F
6 2
G
2
3
H
UP
UP
I
5 8 7 6 5
4 3
2 1
SITE PL AN
1. Service Center 2. Family Unit 3. Scooter Parking 4. Outdoor Exercise 5. Vehicle Parrking 6. Yard for dancing & Drying Grains during harvest season. 7. Stone (Rich local material) Paving 8. Traditional village buildings
STRUCTURE
Cast-in-place reinforced concrete column, beam and slab.
Column
Column and beam
Column, beam and slabs
11
Tr adition’s Inter action
T YPICAL PL AN 3
Living Inside Yard
1
4
2
Dry grains Entrance & Flatroof & Storage
Type II traditional building
Planting & Livestock & Storage
5
Outside Yard / Street
6
UP
7 9
9
9
10
8
9
Outside Yard / Street
Flat Roof
Grape Vines
1. Living room & bedroom 2. KANG--bedroom 3. Bedroom 4. Kitchen 5. Balcony 6. Courtyard 7. Washing Room 8. Restroom 9. Storage 10. Livestock Sky
Cooking/Heating System & Heated Bed:
Scenery
“K ANG”
ED
To Chimney Grape
Hot
Livestock South
ke Smo
Street
CH PIT
Wind Neighbors Grain
Watching TV
Tea Eat Chat Entertain
sun-dry clothes
OF
RO
FLAT ROOF
GATE
KANG Dearth
INTER ACTION
Rain, Snow, Fog...
MAIN HOUSE
CORRIDOR INSIDE YARD
OUTSIDE YARD / STREET
North
Combustible Materials
① People’s interactions inside one separated space.
GATE OUTSIDE YARD / STREET
GATE OPEN
MAIN HOUSE
FLAT ROOF
GRAPE
ANOTHER FAMILY UNIT
CORRIDOR
INSIDE YARD
GATE
People’s interactions ② among spaces & ① inside one space.
12
ANOTHER FAMILY UNIT
GATE
GATE
GATE CLOSED
Kang
Newdesign’s Inter action
T YPICAL PL AN
2
2
4
1 6
5 8
9 10
Stair & Entrance
1. Balcony 2. Bedroom 3. “Kang” Area 4. Deep “Kang” Area / Study Room 5. Dining Area
6. Kitchen 7. Bathroom 8. Parlor Room 9. Entrance 10. Traditioinal Wood Gate
Family-public
①
Guest-public
② & ① FA MILY-PUBLIC
② & ① GUEST-PUBLIC
Balcony
Dining Area & “Kang” Area
Korean “Kang” Recreation Make food
Gate Open Gate Closed
13
A
Public Stairs Parlor Room Guest-public Dining Kitchen Family-public Space Study Private Bedroom Room
Entrance
B
C
D
E
F
G
H UP
1
2
3
4
DN
5
6
7
8
SECOND FLOOR PL AN
Scale 1:200
A
A
B
B
C
C
D
D
E
E
F
F
G
G
H
H
DN
1
2
3
4
5
6
7
8
1
THIRD FLOOR PL AN
2
3
4
FIF TH FLOOR PL AN
Scale 1:200
14
3
4
5
6
7
8
FOURTH FLOOR PL AN
Scale 1:200
1
2
Scale 1:200
5
6
7
8
A
A
B
B
C
C
D
D
E
E
F
F
G
G
H
H
1
2
3
4
SIX TH FLOOR PL AN
Scale 1:200
5
6
7
8
15
TRANSITION between MUNDANENESS and SACREDNESS
North Lane, MA, Massachusetts, US
CLUSTER
MISSION
COOPER ATION
The site is located on the Connecticut riverside. (Red piece)
For our group, we have 4 people: Albert Sanchez, Kylie Laudrey, Amy Carbone and me. Our site is the middle part (Yellow Piece)(Right page).
The whole class (10 students) was divided into 3 groups and each group needed to design “a cluster” for a part of the whole site. Each person in the group needed to design a 20ft * 20ft * 20ft residential “unit” and all units in the group connect together forming a whole cluster. Students are allowed to “design” their clients.
16
In this cooperation, I worked out the concept and concept model for our cluster first. With the suggestions of our professor Kathleen, we worked out a detailed cluster design together, and then we worked on our own unit separately following our cluster concept.
ft
GROUP SITE
220ft-230
lking Trail
GROUP SITE SITE
Flat
38ft
a Original W
17
CONCEPT
SACREDNE ROAD NET WORK& ACTIVITIES
SITE
Neighborhood
Walking trail
Rail
ll Sma
farm
Neighborhood
In-between (SI
trail
MUNDANENE CONCEPT MODEL In a beautiful afternoon, my friends and I went to the site for about three hours. During that period, we met jogging people, people walking their dogs and people who took their telescopes to enjoy the scenery specially. Standing on the site, with one side being houses behind the trees and passing cars on the road, and another side being beautiful scenery and people who are experiencing that, I felt a natural “transition” or “coexistence” of Mundaneness and Sacredness. I hope our cluster could keep the good qualities of both side, help to strengthen the good experience and help the transition between the two states.
Mundaneness
Sacredness Sacredness
Mundaneness
18
CLUSTER SITE (GROUP SITE)
ESS
ITE)
ARTIST (MINE)
ESS
PAINTER
COUPLE
THER APIST
SITE PL AN
HOME OWNERS:
• • • •
Artist (My client) Painter A couple Therapist (and 2 patients)
THER APIST
COUPLE
PAINTER
ARTIST (MINE)
NORTH ELEVATION
19
ng ceedi
Pro
Stop
Proceeding
Proceeding
Stop
Experience sacredness is a process (route), with “proceeding” and “stops”. Wall and site design help strenghten the feeling by guiding people in position, view direction and view distance.
ROUTE
SACREDNESS • P PROCEEDING
HIGH/ LOW/ FRONT/ REAR
20
roceeding
VIEW DIRECTION
VIEW DISTANCE
21
SACREDNESS • S STOPS with various experiences
Light from SUNRISE, SUNSET and WATER REFLECTION helps strengthen the sacredness of the cluster site.
CATCH SUNRISE
(June 22)
CATCH SUNSET
(June 22)
22
top
The MOST SACRED position
23
UNIT
RULE: Bring the language and experience
HOUSE FOR ONE ARTIST WHO HAS ART WORKS TO SHOW AND SELL TO PEOPLE, AND HAS A LOT OF FRIENDS TO COME SOMETIMES.
CONCEPT DIAGR A M
of the cluster site into the unit design.
RESTRICTION: 20’ x 20’ x 20’ dimension.
The ground floor is for life with a “dining yard” to welcome friends; The second floor is for work with an entrance for customers and work space & meditation space for the artist; Both floors have nap/rest spaces.
SACRED SACRED MUNDANE
MUNDANE
The MOST SACRED point
24
PROCEEDING
1 4
1
4
2
5
3
6
1ST LEVEL 1
1. Dining Yard &Garden 2. Kitchen 3. Living Room 4. Bedroom 5. Built-in Bed 6. One-person Dining 7. Work Space 8. Meditation Space 9. Nap/Rest Space 10. Storage
First Floor Plan 1/2" = 1'-0"
7
8
9
DN
DN
10
DN
2ND LEVEL 1
Meditation level 1/2" = 1'-0"
25
NORTH ELEVATION
SOUTH ELEVATION
26
SECTION
123 4 1. 2nd floor entrance 2. Work space 3. Meditation space (entrance) 4. Work space
27
ORDER & COMPLEXIT Y
in harmony Waltham, Boston, MA, US
URBAN SUSTAINABILIT Y: THREE “E”S Economy - Economic activity should serve the common good, be self-renewing, and build local assets and self-reliance. Ecology - Human are part of nature, nature has limits, and communities are responsible for protecting and building natural assets. Equity - The opportunity for full participation in all activities, benefits, and decision-making of a society. -- http://archive.rec.org/REC/Programs/SustainableCities/What.html
CONCEPT “Order may be defined as the degree and kind of lawfulness governing the relations among the parts of an entity.” “Complexity is the multiplicity of the relationships among the parts of an entity.” ---- Mihalko, Cheryl The design tries to use ORDER to explain COMPLEXITY better, which means both order and complexity work for the HARMONY of the site. Our design is making the site more than a sustainable community that provides people experience and understanding about agriculture as well as the concept of sustainability, but also recreational space for people, especially residences living nearby to enjoy and rest. With acknowledge of various kinds of users with COMPLEX intentions in the site (varying from Pedestrians or Bikers who pass by or through our site, Volunteers who work on the field, Employees who manages the farm and CSA business to Visitors who come to pick up or experience agricultural work), we use our design to provide ORDER for all these people with all their activities in the site in HARMONY.
28
MISSION
The site is the south parcel (28 Acres) of an old Umass Center for urban sustainability in Waltham. It was called “an undervalued ‘green’ jewel”, so our mission is enlarge its value to create a Center for Urban Sustainability. There are a few buildings on the site, but they are all really old. So in this project, we need to consider the needs of the center, but we don’t need to consider the existing old buildings. Our design will be collected in a booklet to act as design suggestions for further development of this ‘green’ jewel.
RESPONSIBILIT Y
The graduate students of Landscape Architecture and Architecture cooperated to finish this project. Each group has one L.A. student and one Arch. student. In my group, Shu Liu, a L.A. student, was mainly responsible for the landscape design. I was mainly responsible for the architecture design. We worked out the whole system together.
29
Path Bikeline Secondary Road Main Road ALTITUDE
PROPOSAL CIRCUL ATION & BUILDINGS
Community Garden Community Farm Climate Change Study Area Fly Ash Experiment Site Learning Garden Rose Garden EXISTING PL AN
EXISTING CIRCUL ATION &BUILDINGS
16 4
3 1
13
9 8
7
12 5
6 6
2
10
17
15 2 11
14
30
1 Community Garden 2 Farm Field 3 Administration Building 4 Public Activity Building 5 CSA &Barn &Wash station 6 Green House 7 Public Shower&Rest Station 8 Rose Garden 9 Cleansing Biotope 10 Demonstration Orchard 11 Walking trail 12 Learning Garden 13 Demonstration Agriculture Farm 14 Linear Herb Garden 15 Expanded Parking (Permeable Surface) 16 Rain Garden 17 Bioswale
Community Garden Field 1 Demonstration farm land Field 2 Demonstration Orchard Learning Garden Rose Garden PROPOSAL PL AN
Private Administration
In-between Transition
Public Dynamic
CIRCUL ATION Building Circulation
2
1
1 3 5 5 4 4
4
1 6
6
6
6
7
Demonstration Agriculture Farm
8
10
9
Learning Garden
16
17 18
1
5 5 1
1 1 1 1 6
21 6
11
12 13 14 15
1 Office 2 Gym 3 Storage 4 Meeting Room 5 Restroom w./shower 6 Classroom 7 Greenhouse Showcase 8 Food Service 9 Demonstration &Commercial Kitchen 10 Workshop 11 Auditorium 12 Public Lounge 13 Public Restroom 14 Locker 15 Public Shower 16 Food Market 17 Farmers’ Lounge 18 Food Storage 19 Equipment Storage 20 Wash Statioin 21 Lab 22 Green House 23 Green Roof
19 20
21 22
23
31
Walking people
Green way
Employee’s Route
Residents’ Garden
Food Pick-up
SUSTAINABILIT Y STR ATEGY PV Panel Green Roof Rain Garden Cleaning Biotope Bioswale Used Brick Pavement (Permeable) Wind Turbine (Grid-connected) Stormwater Collection System Permeable Parking lot Natural Ventilation Passive Daylighting System
Demonstration Agriculture Garden
32
Plant Shelter
Solar Panel
Wedding
Farmers
Volunteer Gathering
Kids Learning Garden
Big Activity
CONCEPT DIAGR A M
Auditorium Yard
Food Market
Green House Canopy
Demonstration Agriculture Garden
Learning Garden
Green Roof
Administration Building PV Panel Rain Garden
n tatio dium ter ard Me o le Fil Soil Geotexti ainage B Barrier brane Dr f Mem Root rproo Wate
e Veg
33
FLOCKING FLIGHT • S AGENT
Valley Peak Stick Area
34
Valley Peak
wan
Five type pieces come from the same piece of triangular agent with same creases. The difference is only the glued position.
In this design, I use my “flight pieces” to mimic the different phases of Swan’s flight. In order to show the dynamic flying process from static&close to dynamic&open, I organized my pieces in a sequence forming a direction from low to high. At the highest point, the “swan” “flies” out of the rectangular frame directing to freedom and hope.
35
Original Photo from Flocking project
Metamorphous photos by Photoshop Taking-of f Fragments
FLIGHT
Hand drawing from Metamorphous photos
In the Flocking project above, it mimics the swan’s flight. In this design, it is a series of works showing taking-off fragments in a more abstract way. Different from the “suspended flight” last time, this design intends to show a kind of “growing flight”. In order to express the upward trend, this work uses magnet to offer the force of its fragments’ flight, which reduces supportings a lot. It also uses density difference--from bottom to top--to show the trend, which is realized by arranging the metal sheet and wires with different thickness in binding or layering way.
36
37
Feng Zikai’s
STAIRS : REFERENCE
38
For Children and Himself
Kaufman Conference Center, Alvar Aalto
“In these recent years, my heart has been occupied by four things: deities and stars in the sky, as well as art and children on human earth. My children, who resemble swallows, share the deepest destiny with me, and possess equal standing with deities, stars and art in my heart.” --Feng Zikai Feng’s cartoons, or manhua doesn’t quite fit today’s impression of comic strips. It is much more complex and far richer in content. Besides, most were drawn with Chinese ink brushes. That was his signature style. From deep philosophy to everyday life, his work touches matters on all levels: personal, political and universal. But in their simplicity, his work is impressive in its conciseness. --Szeto Yuan-kit Curator (Xubaizhai), Hong Kong
FENG ZIK AI An influential Chinese Cartoon (Manhua) artist, painter, music and painting educator, calligrapher and proser. Simple but complex and accurate --children heart --philosophy --love for life and children --Peace --Chinese ink brush --Education --Humble
FENG ZIK AI’S WORKS
39
A
B
C
1
Top view 3/16” = 1’
B-B
3/16” = 1’
40
A
Front view 3/16” = 1’
B
C
A-A
3/16” = 1’
C-C
3/16” = 1’
1
Handrail Details 1” = 1’
41
FLY • DELICATE HOPE 02/2016-04/2016; Watercolor
1 2 3
42
1. 08/2012; Watercolor 2. 07/2012; Pen & Colored Pencil 3. 08/2012; Watercolor
ARTS
1
2 3 45
1. LIFE IN MOUNT LU; 09/2012; Pen & Marker 2. STREET IN MOUNT LU; 09/2012; Pen 3. 09/2011; Colored Pencil 4. 09/2011; Pencil 5. 07/2012; Watercolor; House Entrance Rendering
43
44
8" sheathing
over rigid insulation
Girder Beam
Open-web steel joist
4" Concrete over metal deck
Plywood under oak floor Steel angle
4
1
R-19 batt insulation installed with wire stays or twince or netted cellulose
Hurricane anchor
Batt insulation
Stone sheathing
Metal scissor truss @ 24" O.C. over Metal studs
Roof sheathing
R-5 rigid insulation
3
First floor details SCALE: 2" = 1'-0"
Roof Details SCALE: 2" = 1'-0"
Rigid insulation
6 MIL VAPOR BARRIER ON 6" GRANULAR 'A'
6" CONCRETE SLAB C/W WELDED WIRE MESH
2-15mm Top continuous
12" Compact concrete
Concrete cover
3-15mm Continuous
Column Pier and footing beyond
15M DOWELS @ 24" C/C 6"x18"
2'-0" 2" INSULATION AROUND EXTERIOR PERIMETER ON 1' CONCRETE FOUNDATION WALL
12" Conpact concrete
Rigid insulation
5
Window Head details SCALE: 3" = 1'-0"
Underground details SCALE: 2" = 1'-0"
Window Frame
2
Steel Beam Rigid insulation
Backer rod
Batt insulation
Flexible anchor
Girder Beam
Steel Angle Stone sheathing
Caulk
Zinc flashing & drip
Metal stud
4" Concrete over Metal deck
Plywood above under oak floor
3
Second floor details SCALE: 2" = 1'-0"
Wood studs
Gypsum board
Flo
Scale
1/8"=1'-0"
Checked By
Drawn By
A
Project Number Date
D
O Proje
No.
Consultant Address Address Phone Fax e-mail
Consultant Address Address Phone Fax e-mail
Consultant Address Address Phone Fax e-mail
Consultant Address Address Phone Fax e-mail
Consultant Address Address Phone Fax e-mail
www.a
82'
12'-3"
22'-4"
47'-5"
9'-5"
1
104
1101B
5'-2"
1'-3"
1
1
1
1
85°
DN
106C
Stairs
UP
106C
9'-7"
106G
ELEV.
104
Vestbule
104
1100
Atrium
1
1
3'-1"
1
3'-1"
33'-7"
1
1101
Office
1
9'-7"
102B
106E
UP
106E
Stairs
1
102B
102A
Restroom
102A
Restroom
1110
Restaurant
1112
1112
1
1111
1
Kitchen
1111
1
1'-8"
Restroom
1110
4'-1"
1
75°
39'-4"
1
9'-5"
2
2
1
2
1
1
1
2
1
1
1
2
1
1
1109
Retail
1
Grocery Store 1205
108'-9"
2
1102B
11"
2'-9"
6'-9"
1
1
15'-8"
2
1101A
1'-7"
1
35'-10"
127'
2
2' 2
1
1
2
2
8'-6"
2
1
1
14'-5"
1
2
2
1
1
1205A
1'-9"
26'-1"
84'-2"
45'-2"
1205B
2
1102
1
31'-2"
1109
Office
40'-3"
1
2'-3"
1'-9"
2
2
2'
1
1
2
1
2
1
1
1
2
1
1204
2
1
1
12'-4"
1204B
28'-1"
19'-5"
1
2
1
2
2
1204A
9'-6"
1203B
2
2
1
1
2
31
1
106F
5'-10"
1203A
2
ELEV.
9'-3"
Flower Shop 1203
6'-6"
1103A
4'-9"
1
2
2
1103B
107
9'-2"
100
Cafe
1
1200B
36'-9"
1
107
Corridor
2'
8'-11"
9'-5"
1
4'-6"
1107B
10'-3"
3'-4"
Community Office 1103
1108
1107B
Restroom
1107A
1
4'-6"
1107A
Restroom
Retail
100A
1
25'-6"
10°
39'-11"
1
24'-7"
1108
Laundry
1
105'-1"
2
1102A
6'-4"
1'-10"
1
1
50'-6"
1'-4"
1
1
2
9'-3"
1
1202B
1
1
1'-4"
1
1104
Retail
2
106B
Stairs
100B
12'-3"
1'-8"
106B
UP
1
9'-3"
2
2
1
1
5'-4"
1
2
2
1
1
1
2
2
1
5'
1104A
1104B
1
5'-11"
16'-2"
1
2
2
1206
Retail
1202
Office
2
1
137'-9"
2
1
1
1
1'-4"
1'-3"
52' 2
1
1
2
2
24'-2"
1
1105
1
Retail
1
29'
98'-11"
1
9'
1202A
2
18'-7"
2
1
3'-3"
2
9"
2
1
1206
101A
1207B
1207A
4'-3"
10'-4"
1207B
8'-9"
1
1
14'-6"
26'-2"
1
1
1208
8'-11"
9'-5"
116'-3"
101B
Restroom
101A
Restroom
1
1106
Retail
1
9'-7"
1'-2"
1'-2"
101B
2
1106A
1
1'
Restroom
1207A
Restroom
1201B
2
2
1'-1"
1105A
5'-7"
9"
1
1105B
8'-3"
25'-7"
1
1106B
13'-2"
1201
Office
1
103
103
1
Vestbule
DN
1
1200
Atrium
UP
1
1
1
1
1
8"
21'-11"
57'-1"
1208
Restaurant
1
106D
106D
Stairs
1
106H
1
105
1105
1106
UP
1
Vestbule
106A
Stairs
9"
ELEV.
9'-7"
7'-2"
9'
1
1 1201A
1
10"
9'-6"
1200A
7'-5"
17'
1
6'-3"
1
35'-2"
8'-5"
1
23'-7"
44'-10"
76'-9"
DOCUMENTS
45
A
B
UP
UP
C
D
E
F
G
H UP UP
I
8 7
6 5 4
3 2 1
Tel: 774-232-9694 E-mail: sophie.xingyu@gmail.com Address: 1565 Lemoine Ave #2G, Fort Lee, N.J. 07024