Hi! You can call me Rial. I’m a highly responsible, creative and curious person who seeks particular ways of finding solutions, within our near context (district) or a spesific place.
Getting to know how much urbanism and architecture affects our daily lives is my motivation to design spaces that makes a difference for our environment and the future we are build.
For this reason i’m excited to continue working and learning in this important and interesting field.
Architectural - Street Photography, Music, RadioPodcast, Travelling, Reading
Others
• Registered member of Indonesian Institute of Architect
• Director of Photography in National Scientific Work Conference of Indonesian Architecture Students XXXV
• Student Contributor of TEXTURE Architecure Exhibition 2019
• Instagram Account @yvsrilbhakti
Professional Experience
2024 January-Present
Zamara Architecture & Build // Bali, ID
Architectural Designer
• Resolved the drawings for various housing projects, developed and edited the 3D model of the design from conceptual stage to implementation // Produced the renderings for several projects and participated in client presentations
2023 April-December
Suasana Studio // Jakarta, ID
Architectural Intern
• Developed ideas, 3Ds model and construction drawings for several projects and coordinated the design process
// Produced the renderings using Enscape and Photoshop and presented the architectural solutions in client meeting
// Participated in professional networking and community outreach endeavors
2022 November-December
Adisukma Land // Yogyakarta, ID
Mandatory Intern
• A mandatory program for the Integrated Project Delivery course from Architect Professional Program. I learned about how a project process runs, workflow and studied the company’s master budget as a comparison with the IPD system
2022 June
The New National Capital City (IKN) Design Concept Competition // Ministry of Public Works and Housing
Competition Entry - National Competition
• Participated in a competition held by the Indonesian Ministry of Public Works and Housing. Developed ideas for the new vice president’s office
2021 December
“The Future of Tradition” Competition // Warmadewa University
Finalist - National Competition
• I participated in a competition held by Warmadewa University. The theme is “The Future of Tradition in Architectural Practice”
2021 December
Dwi Matra Architecture and Planning // Yogyakarta, ID
Mandatory Intern
• A mandatory program for the Management Business Architecture course from Architect Professional Program. From this course I learned about the management process in several projects, from processing documents to conducting tenders
2021 February-June
Wasnadipta Architect // Yogyakarta, ID
Architectural Intern
• Assisting the design process with the principal architect starting from pre-eliminary documents until making the presentations board to clients
2018 August
Shelter Design Competition // Pesona Indonesia
Semi Finalist - National Competition
• Participated in a competition held by the Indonesian Ministry of Tourism. The theme is the design of shelters for tourism, especially rafting tours. Ended up in the semi-final
and Bar
UNIVERSAL DESIGN APPROACH AGED CARE
FACILITIES
Indonesia is still far from having an environmental condition that can be said to be elderly friendly. Therefore, elderly-friendly facilities also support elderly health management using a life cycle approach, especially in the elderly phase. Indonesia experienced an increase in the number of elderly people from 18 million people (7.56%) in 2010, to 25.9 million people (9.7%) in 2019, and is expected to continue to increase until 2035 to 48.2 million soul (15.77%). *Source: DIY Health Service, 2013
The background to the design of this Elderly Care Facility is that Indonesia is still far from having an environmental condition that can be said to be elderly friendly. Considering the increasing number of elderly people in Indonesia, development in the field of elderly services needs to consider their needs along with the decline in body metabolism in order to provide a sense of comfort and security for the elderly both physically and psychologically. So there is a great need for health service facilities for the elderly in Indonesia that can meet their needs.
125,880
(30,95%)
The location background is based on the percentage of elderly people in Yogyakarta which occupies the highest position out of 34 provinces in Indonesia. Head of the Yogyakarta Social Service, Untung Sukaryadi, said that the number of neglected elderly people in Yogyakarta is still 15 percent of the total population. In the Yogyakarta Province, the service coverage of government-owned elderly care facilities is still inadequate, there are only two facilities, namely in the Pakem and Bantul areas, so additional facilities are needed. With this, the Yogyakarta City Government will prepare a “YOGYAKARTA CITY REGIONAL ACTION PLAN TOWARDS AN ELDERLY FRIENDLY CITY”, so that it is hoped that in 2023 Yogyakarta will achieve an Elderly Friendly City.
YOGYAKARTA GOVERNMENT
ONLY HAS 2 (TWO)
SOCIAL FACILITIES
Mlati District in Sleman Regency is a potential area to build an elderly care facility, because its position is in the middle between the two exist facilities, and this location has the potential for integration with other public facilities, integration with the nearest hospital, road conditions that are easily accessible by vehicles, and land conditions that are safe from disasters.
Diagram of the Elderly Population in Indonesia(%)
UNIVERSAL DESIGN
Equitable Use
Flexibility in Use
Simple and Intuitive Use
Perceptible Information
Tolerance for Error
Low Physical Effort
Size and Space for approach and use
One aspect of the quality of life of the elderly is health facility/ nursing home services. Apart from being a place of refuge, health facility services must also be safe and comfortable. Elderly facility services What is suitable to live in is a facility that protects its residents from danger and meets the criteria for a healthy facility. These needs is expected to increase resilience the lives of the elderly. It’s important to use a universal design approach because it is principles that make it easier for the elderly and people with disabilities to achieve comfort and health in all aspects of life. This makes it easier to reach all the facilities available at the Aged Care Facility service.
The concept of mass is taken from the image of the Kawung batik motif which has four oval patterns and one center. This motif symbolizes the meaning of mutual cooperation and harmony The kawung motif is also
leaves symbolizes long life and purity.
The mass composition is made into a square box as the initial form of a composition before displaying the local image.
A B Main Entrance 360 Evacuation System C Greenery
In total there are 2 main management zone, the entrance is on the east side, while the entrance to the senior living zone is on the west
The evacuation system itself creates a path around the site, so that emergency vehicles such as
reach the entire mass of the building
Vegetation is increased in the southern part of the site, this responds to noise and also pollution f rom vehicle exhaust so as to reduce air and sound pollution.
Then it is divided into 4 parts according to the core shape of kawung batik, this is also used according to each zoning
Furthermore, the mass composition is shaped like kawung batik and responds to the direction of the wind circuladirection of the view of the building mass.
the mass of the building is increased according to space requirements, in the illustration beside the mass it is pulled up into as clinic building.
BR EA TH
Boundaries between the mass is using for assembly point and also as the garden, the elder can do farming as they want, fill the flower, feel the area without anxious, there are had seating area, we do the same pattern as the pot line but making the seat zone with different elevation which is floating the garden.
The public facilities area at Agedcare Facilities is a support elderly activities, disability access in each building allows the Seniors with limited conditions can access each building effortless.
The top floor of the office building area is specifically for nurses who ‘serve’ for elderly facilities. These floors are also connected directly to the clinic area in the eastern part of the site
The picture beside is one of the care home units in the Aged Care Center which is equipped with a check counter to monitor each elderly person in the unit. Each room door in this care home has window access which allows nurses to monitor the condition of the room occupants visually, so that supervision in this home is sufficient to meet the safety of each elderly person.
Every units are oriented towards a spacious central living area where residents can meet, play cards, chat and eat together. Private living environments can be designed individually. Each unit is crafted with warm colors, tactile materials, carpets and wood creating a harmonious and homely atmosphere where seniors feel comfortable. Access to the park is barrier-free for all living groups.
Contrasting color pattern of the floor serves as a circulation marker for the elderly so they can easily recognize the path. Equipped with handle bars in each corner of the room as an effort to approach this elderly home concept. The floor surface in the Elderly House is covered with soft medium carpet material which makes it comfortable for residents to walk and also allows wheelchairs to move.
The goal was to create a homely and cheerful atmosphere for the residents, featuring bright rooms that foster social interaction and spaces for privacy and retreat. This was achieved without relying on typical design elements from the care and hospital sectors. Despite the limited budget, high architectural quality was maintained, providing an exemplary living environment for less affluent seniors in Yogyakarta.
Making the move into residential aged care can be a hugely challenging and emotional transition for the family and loved ones. So I’m committed to making this process seamless and as comfortable as possible. The bedroom is one of the most private and sacred spaces for the residents, and I believe it is important to create a bedroom space that feels familiar and comfortable.
The functional and scale-appropriate layout and very clear access routes determine the character of the building. Easy orientation and short distances are important, especially for older people, but also for their caregivers. This allows the seniors a more autonomous daily life and the staff more effective workflows and a good overview. Many residents have a high level of care needs. In their single rooms with low window sills, they can look out into the greenery even while lying in bed. On request, residents, such as couples, can flexibly combine their rooms into a two-room unit.
Bokong Semar. A cultural heritage site that is starting to be forgotten as time goes by. The erosion of memory of the history of the Cepuri Fort Site makes us afraid of the intervention of modernization which continues to erase memory. This Public Space is a response to all events in the transient world. This fragment of Cepuri Fort seems to be the ‘monsieur’ of the design that we present, as a destination for visitors who will visit this fort.
One of the important components of ancient Kotagede is the fort with a jagang which functions as defense and security infrastructure. Started to be built in 1585 AD. Cepuri Fortress/Cepuri Wall is present as a component in traditional urban areas which functions as a barrier to the outside world (jaba beteng) between the people’s community and the community of the king’s relatives (jeron beteng).
One of the fragments that is still in good condition is located in the southeast corner of the fort. Its shape is curved so that the local people call it the semar’s buttocks, like Semar’s buttocks, namely a chubby clown who looked after the king’s sons in the wayang storypandhawa.
Viewing area on the side of Fort Cepuri Visitors can comfortably enjoy the surrounding atmosphere without having to climb to the top of Fort Cepuri as before.
Paviliun
Pendopo Viewing Deck
The final design attempts to balance the cultural and recreational aspects of the area by considering the criticisms outlined previously.
Zone II contains the development of existing facilities in Zone I. The viewing deck from Zone I continues following the curve of the plaza below. The pavilion and supporting facilities in the form of toilets, changing rooms and storage are included. The store was made spacious and typical Kotagede ornaments were added to the facade. Pavilions and sitting areas are provided for relaxing. The Alas Mentaok Corridor in Zone 1 continues along the edge of the fort.
The Zone I design plan focuses on responding to the shape of the fort fragments in the curved Bokong Semar area. The amphitheater is placed in the fort arch area, with fragments of Bokong Semar as the background. The viewing deck was created so that visitors can enjoy the fort from a height.
MSMEs (Micro, Small, Medium Enterprises) outlets, seating areas and toilet facilities were added to increase visitor comfort. The bridge was built to connect Zone I with the Alas Mentaok corridor and Bokong Semar Field.
ZONE II 1700 M2
ZONE I 601 M2
This scene leads to the Viewing Deck area so that visitors can more freely see the Cepuri Fort site area from a wider distance
The stall station in the Benteng Cepuri area is a form of the management’s commitment to displaying local MSME products, especially Kotagede itself, so that visitors who come from outside can also try out original products from local residents.
TAHFIDZ IBNU BATUTAH SCHOOL & DORMITORY
Madiun, East Java
Team : Bimo Khairul Fuadi Vanidia Vegantara Kinanti Syafira Yusril Bhakti M. Ady Wicaksana
Supervisor : Ar. Baritoadi Buldan RR, ST., MA., IAI., GP
It is a design that focuses on design as a basic leadership skill in the practice of the architectural profession (design for the architectural profession), specifically on the aspect of participation in design (participatory design). This process provides architects with the ability to design with other parties (clients/communities/society/ stakeholders) in an agile and adaptable manner and emphasizes the role of architects in society in managing effective communication and collaboration in designing, in order to accommodate the interests of owners and users, in the form of a design that has a relationship to non-architectural factors (social/economic/cultural/political). Located in Madiun, in this case, the design being carried out is a Tahfidz educational area which consists of a school in the form of Tahfidz Ibnu Batutah High School and a boys’ dormitory as well as other accompanying supporting functions.
Bridging Tradition and Innovation
a serene school garden unfolds, bathed in gentle sunlight. The garden is meticulously landscaped with lush, verdant grass that stretches out in a carpet-like expanse. A few well-placed benches offer quiet spots for reflection, shaded by the trees and flowering plants. The air is filled with the soft rustle of leaves and the occasional chirp of birds, adding to the tranquil atmosphere. In one corner, a small, bubbling fountain provides a soothing backdrop of gentle water sounds, enhancing the garden’s peaceful ambiance. The overall scene evokes a sense of calm and invites a moment of peaceful contemplation away from the bustle of school life.
circulation
secondary skin
avoid overheating and maximize natural ventilation take advantage of natural light and create a cool outdoor area
By adding jalousie or ventilation to the building to accompany the windows, air exchange can easily carried out so that the comfort and health of the air in the room is maintained.
The grille and roster act as secondary skin which is useful as a barrier to excess sunlight entering, especially at critical times. Considering the orientation of the mass and site which face directly to the west and east. especially the main facade which faces the west side. These elements are also applied to reduce the massiveness of the building.
greenery spot
There are several green areas along the edge of the corridor in front of each school room. In the form of pots and hanging plants, it is hoped that they can give a cool impression to each room and also act as a barrier to the entry of excess light.
blooming plants make the room and heart peaceful
In the heart of this tranquil communal space, a cozy atmosphere invites reflection and peace. Soft, ambient lighting casts a warm glow over the garden, highlighting the rich textures of comfy seating arranged in a gentle, welcoming layout. an intimate setting where individuals can comfortably gather or find their own quiet corner. Alongside delicate, serene decor that enhances the space’s spiritual ambiance. The overall environment is designed to foster contemplation and connection, offering a serene sanctuary for reading Al-Qur’an and self reflection.
The drainage system in the dormitory inner court itself uses poreblock material, where PoreBlock is a porous paving block with an infiltration rate 100x faster than ordinary paving blocks. So it is hoped that there will be no excessive flooding during the rainy season.
ventilation ceiling
drainage system poreblock create quality sleep with fresh air like the morning beach breeze say no to floods, muddy and wet
PoreBlock T=6cm
The student room module utilizes air flow around the room. By using ‘ceiling ventilation’ in the room, the aim is to maximize cross circulation in the room itself. This is applied because the interior layout of the rooms is quite compact, so the opening area in the walls tends to be minimal. The application of cross circulation in this module is very important so that the air in the room with a capacity of 10 people can exchange with fresh air from outside the room without being supported by any electronic equipment.
This spacious, semi-outdoor food court within the Ibnu Batutah school complex blends the best of indoor comfort with the refreshing openness of the outdoors. Expansive, open areas are sheltered by elegant, tall canopies that provide shade while allowing natural light and fresh air to permeate the space. Comfortable, weather-resistant seating is arranged in both communal and intimate settings, featuring wooden accents that enhance the cozy ambiance. Lush greenery and tasteful cozy-inspired decor, including intricate geometric patterns and calming colors, create a serene and inviting environment. The gentle hum of conversation and the pleasant background of nature sounds make this food court a vibrant yet peaceful haven for relaxation and socializing.
Ibnu Batutah
PEKALONGAN GENERAL SURGICAL HOSPITAL
Pekalongan, Central Java
Name : Yusril Bhakti
Supervisor : Ar. Agus Setiawan, ST., M.Arch., IAI., GP
Pekalongan General Surgical Hospital is a General Hospital with excellent medical service facilities and capabilities. This health facility was created with quality building design that prioritizes health quality, comfortable air quality and social quality. So residents don’t feel like they are seeking treatment at a health facility in general but like they are ‘visiting’ a ‘future hospital’ where patients and nurses have a good sense of giving and care in the midst of a transition period from a pandemic to an endemic.
MEDICAL GAS
CENTRAL ROOM
WASTE WATER TREATMENT
WASTE STORAGE MORTUARY BASEMENT ENTRANCE POLYCLINIC DROP OFF
GARDEN PARKING AREA POWER HOUSE CAR PARKING CAR PARKING
OUTPATIENT DROP OFF BIKE PARKING PARKING AREA
EMERGENCY DROP OFF
Heart Rate is a symbol that is a measure of heart rate intensity. I took this symbol as a metaphorical concept in the secondary skin of this building. Heart rate becomes the hope of many people when this abstract line becomes weak. It is hoped that a line that marks a person’s life and death will become an ‘identity’ for the Pekalongan Surgical Hospital, so that patients have the hope of life and recovery when they seek treatment at this hospital.
Doctor’s Lounge
Death Body Room
Operating Room (OR)
Medicine-Equipment Storage
Nurse Station
Observation Room
Non-surgical Treatment Room
Medical Triage Room
Visual Triage Room
Surgical Room
Resuscitation Room
Spoelhoek Room
Isolation Room
Preparation Room Toilet
Decontamination Room
Ante Room
Administration Counter Lounge
NGLANGGERAN MUSEUM
Nglanggeran, Special Region of Yogyakarta
Name : Yusril Bhakti
Judges : Ar. Eko Agus Prawoto, IAI (alm)
Ar. Yori Antar, IAI
Ar. I Putu Edy Semara W.P, IAI
Museums are the best place for learning about history, where the things contained in them show cultural significance. The Nglanggeran Museum is a response to the silent history of ancient volcanoes. Visitors will be provided with insight and experience from a museum in the one of world’s best tourist village.
Nglanggeran
Won the Title of the
World’s Best Tourist Village
The Nglanggeran tourist village in Patuk District, Gunung Kidul Regency, Special Region of Yogyakarta was officially selected as the best tourist village in the world by the World Tourism Organization (UNWTO). This achievement was obtained after Nglanggeran Tourism Village was included in the UNWTO Best Tourism Village 2021 list on December 2.
Nglanggeran Tourism Village has many tourist attractions. Some of them are ancient volcanoes, embungs, and Kedung Kandang Waterfall. In this village there is interesting potential for visiting tourists , such as learning about processing chocolate, Etawa goat’s milk, and witnessing cultural arts in the local village. This triggered me to choose Nglanggeran Tourism Village as the selected site for the Warmadewa Cultural Museum Competition this time. It is hoped that the choice of location for the museum in Nglanggeran Village can become a history book for visiting tourists and become a supporting attraction for branding Nglanggeran village.
The Nglanggeran Village area has an area of 762,0990 ha with land use mostly for agricultural land, plantations, fields and yards. The land ownership pattern is dominated by village treasury land. The distance of Nglanggeran Village from the district capital is 20 km and from the provincial capital it is 25 km.
I choose the location of the site not far from the popular tourist location in Nglanggeran Village, located at coordinates 7°51’01.9”S 110°31’36.2”E, the site location is empty land with a fairly contoured site, but this problem can turned into an opportunity for museum design. Apart from that, the site has potential views specifically in the southern part of the site which can be utilized without destroying this potential.
S.W.O.T ANALYSIS
strenghts, weakness, opportunities, threats
The historical strength of the Ancient Volcano and other interesting natural attractions can be a new chapter for visitors who travel to this village. Activities such as learning about chocolate processing and witnessing cultural arts are also good potential.
The weakness of this tourist village is the low level of education and there is no historical learning media around here so that the museum can be a good support for the Nglanggeran tourist village.
Some of the opportunities that exist at the site and its surroundings include road access that is quite good because the road to the site is fairly good, making it easier for tourists to reach the museum and also a good view is a focus point in the museum design.
Contoured sites are a problem for museums, but this can be used as a good opportunity with proper space management.
Potential View
Contour Issue
Nglanggeran Village Meeting Hall
Camping Ground
Kedung Kandang Waterfall
K.A Purba Milk Laboratory
Nglanggeran Chocolate House
Banyunibo Waterfall
Mt. Gredak Gedoro
Embung Nglanggeran
Nglanggeran Ancient Volcano
Top of The Nglanggeran Ancient Volcano Watu Bantal Nglanggeran
SITE
The focal point of this backyard is a striking set of huge concrete stairs. These stairs are designed not only a visual centerpiece but also a functional space for visitors to gather and enjoy the view, featuring clean lines and a smooth, matte finish. The concrete has been weathered just enough to blend seamlessly with the natural surroundings, might offer panoramic views of the backyard, providing a perfect spot for relaxation or reflection.
Gandok Tengen
Pawon
Gandok Kiwa
Senthong Tengen
Ndalem
Senthong Kiwa
Pringgitan
Pendopo
The existing site has a contoured site with an area of approximately 6000m2, the access road in front of the site is asphalt.
The second stage is the laying of the core mass zones, namely pendopo, ndalem, senthong, gandok and pawon. Then these masses are connected using the pringgitan zone as access between space zones. The pringgitan in question is a hallway or stairs.
GANDOK TENGEN
SENTHONG TENGEN
PAWON NDALEM
GANDOK KIWA
SENTHONG KIWA
PRINGGITAN
PENDOPO
Pendopo Porch
Pringgitan Hallway
Ndalem Main Area
Senthong Lounge
Gandok Storage
Pawon Kitchen
A Entrance
B Lobby (Pendopo)
C Front Office/Ticketing
D Main Gallery (Ndalem)
E Stairs
F Gamelan Stage
G Storage
H Lavatory
I Hallway (Pringgitan)
J Side Gallery
K Lounge (Senthong Kiwo)
L Courtyard
M Storage (Gandok Kiwo)
N Restaurant (Pawon)
O Kitchen (Gandok Tengen)
P Outdoor Area
Q Seating Area
R Backyard (Senthong Tengen)
S Souvenir Shop
T Exit
U Bus & Officer Parking Lot
V Visitor Parking
W Green Open Space
The design of this museum building takes the function and spatial zoning layout of a traditional Javanese house. Where each room in the museum is applied based on the zoning of traditional Javanese houses.
The last one is the placement of green open space in the western part of the site to prevent excessive afternoon heat.
WEST ELEVATION
Nglanggeran museum dedicated to Javanese culture and ancient volcanoes, and enveloped in an atmosphere that beautifully merges cultural heritage with architectural grandeur. The interior boasts a high, expansive ceiling that draws inspiration from the traditional Joglo roof—a classic Javanese architectural style.
The flooring throughout the museum complements the architectural style, featuring traditional Javanese tile patterns or polished stone that reflects the earthy tones of volcanic rock. Subtle, ambient lighting accentuates the high ceiling and showcases the exhibits, ensuring that every detail is visible and engaging.
On one side, you might find detailed dioramas and artifacts showcasing traditional Javanese craftsmanship, from batik textiles and gamelan instruments to intricate wood carvings. These exhibits are thoughtfully curated to offer a deep dive into Javanese heritage, each piece telling a story of its own.
Overall, the museum is a harmonious blend of cultural reverence and architectural splendor, offering visitors a captivating journey through Javanese history and the aweinspiring natural forces that have shaped it.
For us, it is interesting to understand the project as an organism that will exist within another organism. This project is located on the 2nd & 3rd floors of one building, the 1st floor is owned by another client with the function of a furniture showroom and food and beverage tenant. In this way, we tried to create a bar facade with materials that contrast with the surrounding context. Something new is coming to the city, a strange shape that attracts the attention of the locals, creating a sense of provocation. Pedestrians, natural wood doors, large frames, black metal railings and terracotta bricks warmly welcome passersby at the main facade.
NU CHINA
The project is located in Kemang Raya, South Jakarta, Indonesia. It is a complete renovation of a Chinese bar and lounge, we tried to rebrand starting from the facade. The new facade tries to combine past and future into an old Chinese theme with a touch of electric running text as a billboard to represent the present.
KEMANG- SOUTH JAKARTA
BAR & LOUNGE
ROSTER ROUNDED 20X20cm
MAIN SIGNAGE METAL PLATE COL. GOLD HAIRLINE, THICKNESS.15MM
PLASTER SEMI KAMPROT COL. GRAY
LED RUNNING TEXT FONT COL. WHITE & RED
TEXT LIGHTBOX, THICK. 50MM FRAME COL. RED LIGHT COL. RED
PIVOT DOOR w/ CORRUGATED GLASS & ALUMINIUM FRAME COL. RED DOFF
This building has 2 accesses for the bar and lounge, the lounge access which is the primary door is made quite a contrast from the 2nd floor bar access next to it. The primary access is made into a hallway with a Chinese frame pattern accent on the ceiling. Meanwhile, the bar access itself was made more calm, but we included “hóng sè” lighting as a representation of Chinese colors, the color red was chosen according to the meaning of that color and is often associated with fire. This color symbolizes luck and joy.
...the journey is not finished yet. See you in another project!
