PORTFOLIO BY WILL YOU
WILL YOU (WEIHAN YU) PHONE / 1 (517) 580-2919 EMAIL / yuweihanwill@hotmail.com WEB / www.mrwillyou.com
ACADEMY OF ART UNIVERSITY 601 Brannan Street, San Francisco, CA 94105 DIRECTOR / Archana Myer INSTRUCTOR / Chamindri Wijemanne Leonarda Tamayo COURSE / IAD 450 Portfolio Preparation PAPER / IKON TYPEFACE / PMN Caecilia, Avenir SOFTWARE / Adobe Creative Suit 6, Revit, Autodesk CAD, 3d Max PHOTOGRAPHY / Will You, Pinterest CAMERA / Nikon D7000, D810 PRINTER / Happy Print 79 New Montgomery Street, San Francisco, CA 94105 BINDERY / Key Bindery 5851 Ocean View Drive, Oakland, CA 94618
COPYRIGHT Š WILL YOU 2015 All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or any other information storage or retrieval system, without express permission from Will You (Weihan Yu) the designer.
“If you do it right, it will last forever.” - Karl Lagerfeld
[ W I L L YO U ] R E ST R AU N T D E S I G N
WILL YOU I come from the world’s largest rice bowl, China. I named myself Will, not only because of the similar pronunciation of my Chinese name, Wei, but also the wish of becoming a strong-minded Spartan, and find my way. I come to U.S. because my parents, much as the first time riding on my papa’s shoulders to see more. I started my journey in Michigan. Although some idiots count Michigan as Canada, I still love it. However, that is the place where I met my buddies and learned about American culture. Later, I transferred from Michigan State University to Academy of Art University in San Francisco for interior design, because I felt that bigger cities, like San Francisco, will give me more design inspirations. As I felt, I have done many cool projects in college and some freelancing projects in China. Now, I am about to graduate. I can’t wait to use what I learn for this picturesque city to give my client pleasure and sustainable spaces to stay and live.
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Restaurant Drink Bar
Residential
1
2
3
4
Early Spring Chinese Cuisine
Ernest Residence Garden Units
Ernest Residence Lower Unit
Ernest Residence Upper Unit
8,680 S.F.
2,248 S.F.
2,248 S.F.
2,248 S.F.
A Chinese Restaurant located at 449
Ernest Residence is a remodel multi-fam-
Ernest Mariotto, the co-owner of the
The third floor units of Ernest Residence
Powerwell Street, near China Town, San
ily home located in 13 Wood Street, San
house will move to the second floor unit
is occupied by another co-owver, Ernest
Francisc, which services Cantonese Dish-
Francisco. The ground floor unit of the
of the Ernest Residence. He is a Senior
Mariotto's lawyer sister, and her actor
es and Bubble Teas.
house, which will be occupied by Ernest
Interior Design, who designed the existing
husband.
Mariotto's young Naphew after remodeling.
space of the whole house.
Commercial Exihibition Retail Hospitality Medical
Furniture
Appendices
5
6
7
8
National Geographic SF Office
SOMA Senior Center Sustainable Living
The Alps Lounge Bench
Other Skills
20,400 S.F.
90,000 S.F.
National Geographic picks old ADP Com-
SOMA Senior Center is a sustainable
A furniture design project creates a multi-
- Pen, Pencial, Watercolor,
munication Centre as their new SF office.
senior living complex, which located in the
ple seating bench for hotel and commer-
Gouache, and Maker Drawings.
The building located in 43 Graham Street
588 Mission Bay Boulevard North, San
ical Lobby.
- Wall Paintings.
in the Presidio Park, which was a military
Francisco. The building provides health-
- Photographic Shootings.
base in past. The park is near the Golden
care services and senior residency for the
- Textile Designs
Gate Bridge and full of mission colonial
elder people, and it is Alzheimer friendly.
architecture.
Early Spring Chinese Cuisine I
Mission Statement
II
Concept Statement
III
Floor Plan
IV Renderings
A Chinese Restaurant located at 449 Powerwell Street, near China Town, San Francisc,
which
services
Dishes and Bubble Teas.
Cantonese
449 Power St I SITE ANALYSIS The building located in downtown San Francisco, facing to Union Square, near Chinatown. Lots of hotel and shopping malls are around the building. There quiet a lot luxurious brands and many faster food restaurants. However, there is not enough high-end restaurant, especially Asian one.
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Early Spring I CONCEPT STATEMENT Unbolting windows and doors, let the early sunshine lit up your room. Eying melting snow run into a stream, let the fresh air dance between your hair. Burying death leaves into the land, and tracing the bunny along furrows. Listening to the birdsong, smelling the flower and grass. Cuddling newborns, and taste the early spring.
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[ W I L L YO U ] R E ST R AU N T D E S I G N
Cantonese Cuisine I BUSINESS TYPE Cantonese cuisine comes from Guangdong province and is one of the Eight Culinary Traditions of Chinese cuisine. Its prominence outside China is due the numbers of emigrants from Guangdong. Chefs trained in Cantonese cuisine are highly sought after throughout China. When Westerners speak of Chinese food, they usually refer to Cantonese cuisine.
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1
Waiting Area
9
Kitchen
2
Cashier
10
Cold Room
3
Stool Seating (1 people)
11
Storage
4
Party Seating (6 people)
12
Storage
5
Booth Seating (Various)
13
Private Office
6
Table Seating (4 people)
14
Women's
7
Dating Seating (2 people)
15
Janior
8
Party Room
16
Men's
Furniture & Finishes I FLOOR PLAN The reception desk and waiting are on the right of the entrance. After waiting, the guest will be guided by the waiter to different area and take seat. The restaurant have a drink bar area, a private party room and various dinning areas, which can serves 174 people as the same time.
[ W I L L YO U ] R E ST R AU N T D E S I G N
Booth Seating/ Cashier/ Waiting Area I EAST ELEVATION
Party Room Couch I NORTH ELEVATION
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Party Room Dinning I WEST ELEVATION
[ W I L L YO U ] R E ST R AU N T D E S I G N
Waiting Area I UPPER FIGURE In the early spring, snow starts to melt and bunny comes out. Crystle Pendent Light are reminding the melting ice, and the white painted table and walls give a scene of snow.
Cashier Area I LEFT FIGURE Blue green display cooler for showcasing daily special dim sum, which is convient for to go order. PAG E I 1 6 - 1 7
[ W I L L YO U ] R E ST R AU N T D E S I G N
Drink Bar I SEATING OPTIONS The drink bar is for buble tea and cantonese drinks, which have two seating options. One is the stools, the other is the party tables which is easy to seat down, enjoy the drinks and chill.
Drink Bar I LIGHTING SELECTION The pedent light for the drink bar is the new OLED lighting panels, which is LEED certified for energy saving. It can turn into different color to create images or special scene. PAG E I 1 8 - 1 9
[ W I L L YO U ] R E ST R AU N T D E S I G N
Booth Seating I UPPER FIGURE Flesh Pink Marble tables and clear plastic chairs carry the early spring concept to the booth seating area. On the other hand, Chinese dividers and Green Plants divide the space into smaller area, but still keep each area relates to each other.
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[ W I L L YO U ] R E ST R AU N T D E S I G N
Booth Seating I FIGURE'S LEFT The square tables of Booth Seating Area are flexible. They can put together become a bigger one for more people, and can also stay individually for 2 people.
Table Seating I FIGURE'S RIGHT The large tables is for 4 people to dine in. Considering about Chinese love to sharing dishes so these tables are necessary.
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[ W I L L YO U ] R E ST R AU N T D E S I G N
Party Room I UPPER FIGURE At the south eastern corner, a party for dinner party. The side glass of the room is a large piece of smart glass, which can be transparent or reflective by turning the swith.
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room with TV and couch, is perfect
Ernest Residence Lower Unit I
Programming
II
Concept Statement
III
Floor Plan
IV Rendering
Ernest Mariotto, the co-owner of the house will move to the second floor unit of the Ernest Residence. He is a Senior Interior Design, who designed the existing space of the whole house.
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13 Wood Street I CLIENT PROFILE The first three projects is to remodel a three stories townhouse into three different condoes in different levels. The ground floor will be occupied by a graduated student; the lower floor with be dedicated a senior interior designer; the upper floor will be designed for a senior couple, one is a layer and her husband is a actor.
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[ W I L L YO U ] R E ST R AU N T D E S I G N
13 WOOD ST I Site Analysis
13 WOOD ST I Building Analysis
The project is located in 13 Wood Street, San
The building is a three stories townhouse,
Francisco, which is a lovely neigbourhood
facing east. It is a balloom wood framing
on a small hill, called Laurel Heights. Also,
house, which built decades years ago. It have
the site is closed to Geary Boulevard, one
unique wood-burning fireplaces on each
of main traffic road in San Francisco, so it is
floors, which U.S. government not allow to built
convinient to get to other places in the city.
anymore in order to protect the enviornment.
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ZEN CIRCLE I Watercolor
TA
[ W I L L YO U ] R E ST R AU N T D E S I G N
ZEN I Concept Statement Zen is an oriental concept, which popular by it simplicity and asymmetry, but balance feeling. In order to carry the concept to the color theme and finishes. I decided to choose oriental materials, like bamboo, and some pleasure color, like Sakura pink. So, I end up to mainly use light brown bamboo and black limestone and get Sakura paint and Milky White materials for decoration.
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"
PARTITION AND FINISH PLAN
KITCHEN
UP
LIVING ROOM
FOLYER
BATHROOM GARAGE
OFFICE
BED DEM
CLOSET
The facade and back of this townhouse use curtain walls in order to bring more sunlight into the space. Japanese Zen backyard gives nice view to whole space.
[ W I L L YO U ] R E ST R AU N T D E S I G N
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Bamboo Flooring Peddle Stone Reclaimed Marble
LIVING ROOM
Color Pencil Rendering
MAIN LIVING SPACE I Garden Unit White painted wall, bamboo finishes furniture and black limestone flooring, following the domain color chips I chose. The pink color used as focusing decoration pedant sulpture for the space, which breaked the rules and enhanced a asymetrial feeling, but still keep the balance sense.
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Pink Painted Pedant Sculpture designed with pink painted decorative parts. White Tiles Living space applied milky white hexagon tiles, and white paint to the wall. Reclaimed Bamboo Bamboo flooring created a visual zen circlar wayfinding for the space. Black Limestone The sleeping deck used stone finish and raised 11 inches high to prevent dust.
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KITCHEN
Free Hand Sketch
KITCHEN & DINNING I Garden Unit Simple wiring pedant light on one side, enhance the kitchen space with asysmetrial sense.
Vibia LED Lighting is 2015 new trend minimal lighting series.
[ W I L L YO U ] R E ST R AU N T D E S I G N
Pendend Light
White Marble Snow white marble counter follows the color theme.
Reclaimed Bamboo Bamboo flooring created a visual zen circlar wayfinding for the space. Black Limestone The sleeping deck used stone finish and raised 11 inches high to prevent dust.
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Digital Elevation
[ W I L L YO U ] R E ST R AU N T D E S I G N
Revit DocumentaryI GARDEN UNIT The building is a three stories townhouse, facing east. It is a balloom wood framing house, which built decades years ago. It have unique wood-burning fireplaces on each floors, which U.S. government not allow to built anymore in order to protect the enviornment.
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Ernest Residence Upper Unit I
Programming
II
Concept Statement
III
Floor Plan
IV Rendering
The third floor units of Ernest Residence is occupied by another co-owver, Ernest Mariotto's lawyer sister, and her actor husband.
DIAMOND GEOMETRIAL I Digital Art
[ W I L L YO U ] R E ST R AU N T D E S I G N
Diamonds I CONCEPT STATEMENT Lower Units is occupied Ernest Mariotto, who is a senior designer. Diamonds are one kind of the most desirable things in the world. They are famous by their balanced shape and luxurious shine. However, diamonds are not born with geometrical shapes. They need to be shaped carefully and precisely by craftsmen. Likewise, my client practiced in the design field for decades with hardworking attitude and creative ideas, to offer his client balanced and brilliant works and services, like diamonds. I wish my design of this condominium will also be like a diamond to my client, so I chose diamond as my concept.
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PARTITION AND FINISH PLAN
OFFICE LIVING ROOM HALLWAY GALLERY
KITCHEN POWDERROOM
BEDROOM
GARDEN
BATHRROOM CLOSET
The facade and back of this townhouse use curtain walls in order to bring more sunlight into the space. Japanese Zen backyard gives nice view to whole space.
[ W I L L YO U ] R E ST R AU N T D E S I G N
PAG E I 4 6 - 4 7
Bamboo Flooring Peddle Stone Reclaimed Marble
Finish Wall
[ W I L L YO U ] R E ST R AU N T D E S I G N
Reclaimed Marble
Reclaimed Copper Boards for the fireplace
LED Pedant Light
LED Wall-mounted Light
LIVING SPACE I Upper Unit I mainly used white color for the space, to enhance the copper place in the corner. In order to give a luxurious taste to the space, I chose white leathered, mrable, copper, PAG E I 4 8 - 4 9
brass, and carpet as finishings.
Light
[ W I L L YO U ] R E ST R AU N T D E S I G N
LED Wall-mounted
Rough Concrete Finish Wall & Island
Reclaimed Marble Finish Couteriop
KITCHEN & DINNING I Upper Unit In order to have a streamline and clean looking as the client preferred, I designed this U-shaped kitchen with a hidden range, which is able to pop-out from the counter many cookwares, so I decided to take out the upper cabinet to make the kitchen look more grand and minimal.
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when needed. Since, my client don't have
Light
[ W I L L YO U ] R E ST R AU N T D E S I G N
LED Wall-mounted
Rough Concrete Finish Wall & Island
Reclaimed Marble Finish Couteriop
MASTER BATHROOM I Upper Unit Basically, I designed a drawer, which can serve as seating in the space, with hidden toilet and bidets, in order to bring more minimal and geometrical feeling to the bathroom. Also, white ceramics sink, set on the vanity, is able to gather grey Additionally, a concrete finished bathtub by the windows, provides a good option to the client to relax, instead of showering and wasting lots of water.
PAG E I 5 2 - 5 3
water for flushing the toliet to save water.
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FIREPLACE OPTIONS I Upper Unit The coal burning fireplace is a unique features for this kind oftraditional houses, since the government prohibit to make new coal burning fireplace. So, I sketched some different ideas for my client to choose, in order to give him a most satisfied answer.
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Ernest Residence Upper Unit I
Programming
II
Concept Statement
III
Floor Plan
IV Rendering
The third floor units of Ernest Residence is occupied by another co-owver, Ernest Mariotto's lawyer sister, and her actor husband.
CONCEPT STATMENT
SEA WAVE I Photography
[ W I L L YO U ] R E ST R AU N T D E S I G N
Winter Shore I CONCEPT STATEMENT A long walk on a secluded beach. The cool wind in your hair. The shore appears in light brown; the water reflects mint blue; the spray looks warm white. The sky, water, and land come together and draw this harmony view. These are the elements of living creatures in the earth. All the animals need to follow the rules of the land and live along with these items. Likewise, our society has leaders, works, resources. We need to obey rules to make them cooperate in a harmony. Our client is one the lawyers who believe in laws and norms and regualtions. Consequently, I choose “natural elements“ as my design concept.
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PARTITION AND FINISH PLAN
LIVING ROOM
MASTER BEDROOM
OFFICE SITING ROOM DINING ROOM
HALLWAY LIBRARY GUEST BEDROOM
KITCHEN
POWDER
BALCONY GARDEN
BATHRROOM CLOSET
The facade and back of this townhouse use curtain walls in order to bring more sunlight into the space. Japanese Zen backyard gives nice view to whole space.
[ W I L L YO U ] R E ST R AU N T D E S I G N
PAG E I 6 0 - 6 1
Bamboo Flooring Peddle Stone Reclaimed Marble
Main Living Space I UPPER UNIT The building is a three stories townhouse, facing east. It is a balloom wood framing house, which built decades years ago. It have unique wood-burning fireplaces on each floors, which U.S. government not allow to built anymore in order to protect the enviornment.
[ W I L L YO U ] R E ST R AU N T D E S I G N
Lighting I UPPER UNIT The building is a three stories townhouse, facing east. It is a balloom wood framing house, which built decades years ago. It have unique wood-burning fireplaces on each floors, which order to protect the enviornment.
PAG E I 6 2 - 6 3
U.S. government not allow to built anymore in
Kitchen & Dinning I UPPER UNIT The building is a three stories townhouse, facing east. It is a balloom wood framing house, which built decades years ago. It have unique wood-burning fireplaces on each floors, which U.S. government not allow to built anymore in order to protect the enviornment.
[ W I L L YO U ] R E ST R AU N T D E S I G N
Reclaimed Copper
Happer Pendant Light
Boards for the
$ 760.00
fireplace
20.3" H x 16.7" W
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[ W I L L YO U ] R E ST R AU N T D E S I G N
Skyblue Fabric
Marble Pattern Carpet
LED Pedant Light
LED Wall-mounted Light
Master Suit I UPPER UNIT The building is a three stories townhouse, facing east. It is a balloom wood framing house, which built decades years ago. It have unique wood-burning fireplaces on low to built anymore in order to protect the enviornment.
PAG E I 6 6 - 6 7
each floors, which U.S. government not al-
National Geographic SF Office I
Mission Statement
II
Concept Statement
III
Floor Plan
IV Renderings
National Geographic picks old ADP Communication Centre as their new SF office. The building located in 43 Graham Street in the Presidio Park, which was a military base in past. The park is near the Golden Gate Bridge and full of mission colonial architecture.
The picture, titled Afghan Girl, appeared on the June 1985 cover of National Geographic. The image of her face, with a red scarf draped loosely over her head and her eyes staring directly into the camera it became one of the most famous photo of the National Geographic. The photograph was taken by photographer Steve McCurry. McCurry originally took the photo while covering refugee camps during the Soviet occupation of Afghanistan and then later reconnected with her in 2002.
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
National Geographic I CLIENT RESEARCH National Geographic Society has a rich history of 128
archeology, natural science, environment, world culture
years old. Founded in 1888, it is one of the largest
and history to the people in various parts of the world.
scientific and educational institutions in the world.
In October of the same year, the Society published its
Originally, the Society was a result of a group of 33
first National Geographic Magazine. The magazine
men who were explorers, teachers, geographers,
did not gain many readers until 1899 when Gilbert
lawyers, cartographers, military officers and financiers
H. Grosvenor became the chief editor. Since then,
coming together. All of these unique individuals all
readership increased from around 1,000 to 2 million
share a great interest in geographical knowledge. The
thanks to more captivating topics accompanied by
group elected a member to become their Society’s
breathtakingly captured photographs. From then on,
President, and this person was Gardiner Greene
the National Geographic Magazine got well-known
Hubbard. He was a lawyer and philanthropist who can
for being pioneer in the photography of the vast
represent the Society well and help it to reach out to
natural world. Following the success of the magazine,
other communities.
National Geographic Channel is launched in 2001 to deliver mind-blowing documentaries and program that entice wide range of audience from kids to adults. The
a time when Americans were becoming more curious
Society’s revenues are spent in supporting professional
and interested in the world around them. The Society’s
researches, projects and educational programs in
mission was to bring knowledge of geography,
relation to the subjects of interest of the Society.
PAG E I 7 0 - 7 1
The birth of the National Geographic Society was at
National Geographic developed the Global Exploration Fund to support exploration and discovery since 1888, they try to inspire people to care about the plant and every living creatures. They also support groundbreaking scientific fieldwork and critical expeditions through grant programs and public projects.
Company Culture They believe in the power of science, exploration and storytelling to change the world. They have offices around the world and they are the one of the largest scientific and educational institutions. They want people who could work hard to achieve their mission in a collaborative and inclusive culture, because you are going to work with diverse people, ideas, interest and skills. They want you being inclusive and respectful, curious and innovative, empowered and accountable, proactive, and team players. In 1995, National Geographic began publishing in Japanese, its first local language edition. Today, the magazine is currently available in more than 25 languages. The National Geographic Society works with publishers around the world to produce foreign-language editions.
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
History The Naional Geographic society focuses on educating
organization also has established a “Conservation Trust�,
people about their planet with a various techniques,
which is a grant program that supports the development
such as their documental television network, movie
of sustainable approaches to global challenges. NatGeo
documentaries, magazine, games, internet databases,
Society holds events for schools, such as the National
and interactive events. Their journalism is one of the
Geographic Bee for students in the fourth to eighth
best for education with thousands of articles with in
grades across the United States, which encourages an
depth about explorations around and through the Earth.
interest for the world.
NatGeo is also an incredible source for designers in strengthening their ecological literacy to ensure
Their website is the hotspot source for everything
sustainable design decisions. Because designers are
NatGeo. They have categories to create a pleasant
responsible for specifying materials, products, and
and organized navigating experience through the
furnishing it’s important to research the impacts that our
website. When exploring the categories for example,
built urban environment has on the natural environment.
their
environmental
section
includes
information
about climate change/global warming, sustainability in The organization itself uses their fundraising to support
design and life, global impacts (positive and negative)
science research, and environmental/social justice
examples, and etc. Their wildlife section has to be one
campaigns. NatGeo hosts campaigns, such as the
of the most interesting and exciting from all the footage
Big Cat Initiative, Pristine Seas (marine conservation),
and experiences shared with the world from interactions
and Change the Course (water conservation). The
with the millions of different species.
PAG E I 7 2 - 7 3
Departments
Magazine Print/Digital Subscriptions
Mobile Apps/Games
Books
National Geographic Bee & Other Competitions
Career Opportunities
National Geographic Channel, International Programming, NatGeo Wild
Donations
National Geographic Expeditions
Education
National Geographic in Local Language Editions
Explorer Classroom Magazines
NG Live! Events
General National Geographic Information
Our Museum
Genographic Project
Online Store/Catalog
Home Entertainment DVD club
Press Inquiries - for members of the media only
Letters to the Editor
Stock Photography & Footage
Maps
Technical Support/Website
Miscellaneous
Magazine Print/Digital Subscriptions
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Workspace
Logo Design
Their headquarter building became the first existing buildings in the
The National Geographic’s logo is one of
US to receive LEED-EB certification in 2003. They tried to be green
the most iconic and recognizable logo in
on everyday tasks. They care about Recycling&composing, lighting,
the history and world. It use the simple
water, heating, printing, business travel, green cleaning, commuting
yellow portrait frame which is timeless and
options, cafeteria practices, and daily communications.
elegant. The yellow color represents the sun which shines everywhere in the world.
For example for their pringting, for internal printing, employees
The yellow border on the cover is a enlarge
are encouraged not to print if it can be avoided. All our black-and-
logo and it will attract people’s attention
white copiers are also able to scan material and email it instead, so
from the book store. Another version is
recipients can print just the pages they need. When printing can’t
saying that they wanted people see the
be avoided, employees use 50 percent post-consumer content
world through their camera, and the yellow
paper whenever possible. The changes in our printing attitudes have
frame means the camera lens.
decreased our print load in-house by almost half—from a historical high of 13 million photocopies to less than 8 million photocopies a year. In the fall of 2012, we installed new print management software allowing employees to access print jobs anywhere in the complex but only printing the jobs out when the employee is at the printer, reducing the likelihood of jobs being printed but not picked up. Printing defaults to double-sided rather than single-sided, and all office waste paper is recycled.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Presidio of SF I SITE ANALYSIS The National Geographic Bay Area Office project is located in the Presidio of San Francisco, which is a neighbor carries Bay Area’s past and now. Historically, San Francisco is a small village before Spanish exploration. The overland party led by Don Gasper de Portolà, arrived on in 1769. This is the beginning of European colonization in Bay Area. Seven years later, the Spanish established the Presidio of San Francisco as a foothold on California, followed by Mission San Francisco de Asís (Mission Dolores). Later, after Spanish Mexican passed California to United States, the Presidio turns into an active Military Base in 1989. After World War II, it transferred to the National Park Service, ending 219 years of military use and beginning to service as a public and commercial space to benefit the neighborhood. Although time flies and it is not domain by Spanish, the colonial buildings and mission spirits bury exploration, we now have our lovely city San Francisco.
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deeply in this land. Thank for Spanish
Sun Paths and Wind Direction I SITE ANALYSIS CLIMATE of contrast explains the geologic fact of Presidio,
Site
where a Mediterranean Climate oc¬curs in the mid-latitudes throughout the world. These regions are characterized by temperate, wet winters contrasted with warm, dry
Summer Wind
summers. Rainfall mostly occurs between November and April. Winter storm can be rain over several days but summer rains are rare which can last up seven month.
S
Summer Sunrise
During summer, San Francisco receives significant moisture
S
Summer Sunset
S
Summer Noon
W
Winter Sunrise
W
Winter Sunset
W
Winter Noon
and cooling from the coastal fog. Consequentially, the warmest weather of the year is so often found during fall and spring. This complex climate condition of San Francisco Bay area has a significant impact on the region’s ecology. Indeed, it has contributed to the high species diversity and to the number of endan¬gered species at the Presidio.
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
LEED Certification I SITE ANALYSIS Presidio Park is the first neighborhood that is certified as LEED Neighborhood Development in 2009. The location are vrery close to tourist attraction which are Golden Gate Bridge, Palace of Fine Arts, Walt Disney Museum, therefore this are offer a scenic drive. it is close to the main highway which is 101 and 1.
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NEIGHBORHOOD I Site Analysis SF NATIONAL CEMENTERY PET CEMENTERY Route 101 & Route 1 Residio Dance Theatre Presidio Bowl Presidio Trust Walt Disney Museum
SF Film Center US Post Office (EAST) - PALACE OF FINE ARTS (NORTH) - CRISSY FIELD (NORTH) - FORT POINT (NORTH) - GOLDEN GATE BRIDGE (WEST) - BAKER BEACH (SOUTH) - RESIDENTIAL AREA
DEMOGRAHPIC I Site Analysis
Presidio Golf
Presidio neighborhood, San Francisco,
Tennis Court
California has a population of 3,309. There are 1,732 male residents living in Presidio and 1,577 female residents. The total number of households is 1,163 with 2.84 people per household on
Bowling Alley Total: 1,163 Income: $109,406 White Collar: 2,237
average. Total household expenditures in
Blue Collar: 938
Presidio are above the national average.
Female: 1,577
The median age of the current population
Male: 1,732
is 30.20 with 450 people being married and 1,442 being single.
Total: 3,309 Median Age: 30.2
The employment numbers show that there are 70% white collar employees and 30% blue collar employees in Presidio.
Bike Trails Weekly Event off the Grid Pinic
North
GRAHAM ST
North - East
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
WALT DISNEY MUSEUM
THE BAY SCHOOL OF SAN FRANCISCO
THE PRESIDIO TRUST
North - West
KACO SOLAR INC.
THE SAN FRANCISCO FILM CENTER
South-East
ANZA ST OFF THE GRID
PAG E I 8 0 - 8 1
Presidio Transit Center
Bus Stop PresidiGO Downtown PresidiGO Crissy Field PresidiGO Hills Route
Hiking Trail Highway
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
PRESIDIO'S TRANSPORTATION I Site Analysis This area is very quiet and there is low traffic on regular ba-
Parking Lot Parking
sis, however there is an OFF The Grid event every Sunday
Parking in this area are pretty accessible. There a big park-
and Thursday which might increase the traffic in the park.
ing lot in front of Anza St, and there are few others parking
Building Site
lot near by the location. Parking would not be an issue for The lines on the upper map show PresidiGO service route
employee on daily basis, however during Thursday night
that is provided by the area. There are 3 main routes that
and Sunday it might get crowded for OFF The Grid that is
will loop around every 5- 10 minutes depending on the
held in one of the grass field.
traffic. It is a free service for residents and employee who lives in that area. For non-residents, they will need a MUNI
Hiking The total area of the park is 2,347 sq mi, therefore it is best
PresidioGO is free for alll.
for pedestrian to take public transportation or bike. For nature lover, the park offer 12 hiking trails with beautiful
For people who are coming from downtown San Francisco, they also able to take MUNI bus No. 45, 43, and 101. Bus 43 will take you to Presidio Transit Center.
nature and scenic view.
PAG E I 8 2 - 8 3
Passport to be able to use this service. On the weekend,
Pre-1776
1822 Mexico assumes control of the Presidio.
History of PresidioI SITE ANALYSIS Native Americans (Ohlone) inhabited the area and harvested local resources to provide for food and shelter. Archealogical evidence indicates their presence at the site dates back to 740 A.D.
1846 1776
U.S. Army takes over, transforming dunes into a vibrant military community.
El Presidio de San Francisco established by the Spanish. El Presidio and Mission Dolores are the first institutions to be built.
1996 Presidio Trust created by Congress to preserve the area’s cultural, scenic, and recreational resources, and with the goal of financial self-
1962 Refugee camps support residents displaced by earthquake. Presidio soldiers deployed to downtown SF to
sufficiency by the year 2013.
Presidio is designated as a National
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
1906
Historic Landmark with over 350 historically significant buildings.
maintain order during fires.
1989 Army announces Presidio will close.
1972
1994 Army base closes. Ownership of Presidio transferred to National Park Service, becomes part of the Golden Gate National Recreation
1950s Pet cemetery started by residents.
Area. Golden Gate National Recreation Area (GGNRA) created; Presidio included in GGNRA boundaries.
PAG E I 8 4 - 8 5
PRESIDIO'S ARCHITECTURE I Site Analysis
1840-1860 Greek Revival and 1860-1880 Italianate
1880-1890 Queen Anne
1880-1940 Colonial Revival
1910-1940 Mission Revival
Greek Revival: columns, pediments,
Angled roof brackets, turrets, wrap-around
Simple clean lines, minimal applied
Silhouettes inspired by Spanish
cornices.
porches
decoration, symmetry, classical
Missions, stucco surfaces with deep
elements like columns.
windows and door openings, minimal
Italianate: low roofs, long overhanging eaves, decorative brackets, cupolas,
exterior ornamentation, red clay tile
arcade porches.
roofs.
Buildings 86 & 87, cavalry barracks,
Building 59, officer’s quarters,
Building 105, infantry barracks,
Building 1204, barracks at Fort Scott,
built 1862. Photo circa 1924-1938.
built1885. Photo taken 1924-1938.
built 1897. Photo taken 1924-1938.
built 1912. Photo taken 1924-1938.
Buildings 86 & 87 today.
Building 106, band barracks,
Buildings 59 & 58 today.built 1909. Current photo.
A barracks at Fort Scott today.
1940-1945 World War II Era
1945-Present Post-War Era/Modern
1860-Present Utilitarian
Flat roof, boxy shape, simple
Quick & inexpensive construction,
Simple design, function over form,
Practical, inexpensive,
stucco
horizontal wood siding, asphalt-
glass, concrete.
limited details.
exterior, decorative
shingled roofs.
horizontal frieze.
Building 35 , barracks, built
Building 40, bachelor
Building 924, maintainance facility,
1912. Photo taken in 1919.
officers’ quarters, built 1941.
built 1959. Photo taken in 1998.
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
1920-1940 Mediterranean & Italian Renaissance Revival
Building 1163--a warehouse in the Letterman Complex Building 35 today.
Building 37, built in 1941 as
Lettermam Army Medical
temporary administrative office.
Center, completed 1969
warehouse, built 1919.
Replaced by Letterman Digital Arts complex.
PAG E I 8 6 - 8 7
Southeast corner of Building 34, ADP Communications Center built in 1968, and noncontributing NHLD resource.
PRESIDIO'S TRANSPORTATION I Site Analysis Main entrance of the building is located on the South side of the building on Owen Street. The fire escape / emergency exit is located North of the building. In terms of requirements and meeting code regulations the two exits need to be available for access in a workplace to permit prompt evacuation of employees and other building occupants during an emergency. The exit routes must also be located as far away as possible in code standard so that in case of emergencies or a fire, employees can exit and evacuate using two different routes.
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Weight-bearing Structures
Main Entry and Emergent Exit
PAG E I 8 8 - 8 9
Room Name
Required Sq.ft
O.L.F
O.L.
Office Area Reception
600
N/A
3
Regional Mananger
200
1/100
2
Senior Editor
175
1/100
2
Senior Web Editor
175
1/100
2
Art Director
150
1/100
2
Controller
150
1/300
2
Marketing Director
150
1/100
2
Accounting
200
1/100
2
Marketing
200
1/100
2
Membership
200
1/100
2
Design/Production
400
1/100
4
1,200
1/100
12
Office Manager
150
1/100
1
HR Office
250
1/100
2
Small Conference
100
1/100
1
Medium Conference
200
1/100
2
Large Conference
500
1/100
5
Pantry
100
1/300
1
Supplies
200
1/300
1
Office Space
Editorial Stall
5,300
50
Building Support Loading Dock
600
1/200
2
Security
100
N/A
1
Storage
1,500
1/300
5
Mechanical
800
1/300
3
Electrical
400
1/300
1
Telephone/Data
180
1/300
1
Janitor
120
N/A
1 14
3,700
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Occupancy Load I BUILDING ANALYSIS Occupany load is an important data to demine the egress of emergencies and the design of restroom facilities.
PAG E I 9 0 - 9 1
Inspiring by the colonial buildings around
layout of the space, material selection is
project site, my design carries Spanish
also an essential consideration of sustain-
Mission spirits as its concept, reflecting
ability. Rather than using concrete walls,
the exploration mission of the National
rammed earth walls is considered in prior
Geographic Society. In order to explore the
in my design, which made of natural raw
treasure of Bay Area, Spanish colonies ex-
material and have better air, moisture, tem-
pend 72 years hardworking to dig out the
perature, and noise control abilities. The
beauty of San Francisco. Likewise, Na-
rough surface and texture are also simi-
tional Geographic put lots effort to explore
lar to the Adobe wall, which used by the
unknown beauty in the earth and sharing
Spanish colony. Moreover, a pleasure roof
happiness to people.
garden with solar panels will be added to
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Mission Colony I CONCEPT STATEMENT
the office building for solar energy gaining In order to give a taste of mission colony
and people relaxing.
instead of copying the design of traditional Spanish mission architectures, the office
For the interior, on the other hand, a
building expresses the elements of mis-
minimal design with creamy white and or-
sion style in a modern and sustainable
ange brown applies in the space, recalling
way.
the white washing walls and red tile roof of Spanish colonial buildings. The other
Architecturally, an atrium in the center of
reason to use neutral and light color is to
the building serves as a vertical circulation
enhance the yellow framing logo of Na-
of the whole building, which not only re-
tional Geographic Society. Also, Spanish
minds the patios in mission churches, but
patterns and moldings may transfer into an
also brings sunlight and fresh air into the
abstract and minimal design elements into
office in a “green� way. All the functional
the furniture and finishes.
areas, office, exhibition and retail, are distributed around the atrium. Besides the
PAG E I 9 2 - 9 3
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
NG SF OFFICE I Design Overview The building has 3 stories, basement, ground floor and upper office. I designed the exhibition, utilities, storage, dark room and record room in the basement, because these space don't need sunlight.I put the cafe, gift shop, event rooms and manager offices on the first floor for convinient access. Lastly, the upper floor will be the open and private offices.
PAG E I 9 4 - 9 5
PAG E I 9 6 - 9 7
Parapet 31' - 8" Roof Cut 30' - 1" ROOF 27' - 0"
A
B
C
D
E
Parapet 31' - 8" Roof Cut 30' - 1"
UPPER LEVEL 14' - 0"
ROOF 27' - 0"
GROUND LEVEL 0' - 0" UPPER LEVEL 14' - 0"
BASEMENT LEVEL -10' - 8"
9
2
3
1
GROUND LEVEL 0' - 0"
EXTERIOR
4
Section 1 3/16" = 1'-0"
BASEMENT LEVEL -10' - 8"
9
EXTERIOR
GROUND LEVEL 0' - 0"
VERTICAL CIRCULATION I Building Section 1
2
BASEMENT LEVEL -10' - 8"
5
EXHIBITION 3/16" = 1'-0"
2
C
CAFE 3/16" = 1'-0"
D B
GROUND LEVEL 0' - 0" ROOF 27' - 0"
7
LOBBY 3/16" = 1'-0"
GROUND LEVEL 0' - 0"
6
D
GIFT SHOP 3/16" = 1'-0"
E ROOF 27' - 0"
R LEVEL 14' - 0"
8
2
1 ROOF 27' - 0"
INTERIOR
3D CONSTRUCTION I Building Section UPPER LEVEL 14' - 0"
3
4
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N A MEN'S
WOMEN'S
113
114
161 SF
149 SF
A DN
MULTIPURPOSE ROOM 102
UP
LOADING/ EMERGENCY EXIT
REF.
ROOM LEGEND
609 SF
UP
ARCHIVE
269 SF
ATRIUM CAFE
GIFT SHOP 410 SF
108
B B DN
H.R. OFF.
B24
100
799 SF
1688 SF
JAN
A104
C
A104 -
7
LOADING/ EMERGENCY EXIT LOBBY MEN'S
DN
DN
MULTIPURPOSE ROOM OFFICE MANAGER
OFF.
OFFICE RECEPTION
CLOAKROOM WO/MEN'S 118
C
2- CAFE Copy 1
HALLWAY OFFICE RECEPTION
ATRIUM
692 SF
6-
GIFT SHOP
CAFE 110 Redundant Room
LOBBY
A104 -
CLOAKROOM
DN
LOBBY
109
GIFT SHOP Copy 1
112
117
55 SF
REF.
5' - 0"
DN
61 SF
REGIONAL MANAGER
UP
JAN 116
HALLWAY
75 SF
S. CONF. 106
122 214 SF
TELE/ DATA 115 86 SF
D
UP
D
S. CONF. TELE/ DATA WO/MEN'S
102 SF
WOMEN'S
ARCHIVE
REGIONAL MANAGER
OFFICE MANAGER OFF.
H.R. OFF.
107
105
104
103
526 SF
212 SF
146 SF
256 SF
E E
True North 1
1
1
GROUND FLOOR SPACE PLAN 1/8" = 1'-0"
2
2
1 A104
GROUND FLOOR FURNITURE FINISH PLAN 1/8" = 1'-0"
3
2
1 A104
3
4
4
3
GROUND LEVEL 1/8" = 1'-0"
NG SF Office I BUILDING SECTIONS I basically seperated the building into three main function area, public space, office space, and utitlies. PAG E I 9 8 - 9 9
A DN
ROOM LEGEND
UP
DN
LOADING/ EMERGENCY EXIT
PANTRY 123
CAFE
109
138 SF
A104 -
CLOAKROOM
DN
410 SF
GIFT SHOP
CAFE 110 Redundant Room
LOBBY
ATRIUM
108
B24
100
692 SF
799 SF
1688 SF
6-
A104
EDITORIAL STALL 215
216
122 SFA104 -
7
LOADING/ EMERGENCY EXIT
TELE/ DATA
HALLWAY
75 SF
115
122
S. CONF.
86 SF
214 SF
106 102 SF
ARCHIVE
REGIONAL MANAGER
OFFICE MANAGER OFF.
H.R. OFF.
107
105
104
103
526 SF
212 SF
146 SF
256 SF
MARKETING
218 148 SF
DN
MARKETING MANAGER
DN
OFF.
MEMBERSHIP
OFFICE RECEPTION
EDITORIAL STALL
REGIONAL MANAGER
UP
M. CONF.
MEMBERSHIP
OFFICE RECEPTION
116
JAN C L. CONF.
454 SF
122 SF
MULTIPURPOSE ROOM
JAN
HALLWAY
205
LOBBY
CLOAKROOM WO/MEN'S 117
L. CONF.
MEN'S
2- CAFE Copy 1
LOADING/ EMERGENCY EXIT
OFFICE MANAGER
61 SF
ATRIUM CONTROLLER B DESGIN/ PRODUCTION
WOMEN'S
192 SF
JAN
DN
118
217 55 SF
183 SF
MEN'S
55 SF
121 594 SF 214 DN
DN
ART DIRECTOR
SUPPLY
212
HALLWAY
ACCOUNTING JAN
HALLWAY
M. CONF.
H.R. OFF.
OFFICE RECEPTION
204 205 SF
REF.
283 SF
ATRIUM
GIFT SHOP
203 161 SF
209
200
1429 SF
324 SF
S. CONF.
MEN'S
87 SF
WO/MEN'S
SENIOR DESIGNER
WOMEN'S
207
DESGIN/ PRODUCTION 208
211
SENIOR DESIGNER SENIOR EDITOR SUPPLY
146 SF
WOMEN'S
206 145 SF
E 1
1
SPACE PLAN I Ground Floor
1
2
3
A104
1
2
4
A104
1
SPACE PLAN I Upper Floor
GROUND FLOOR FURNITURE FINISH PLANFLOOR SPACE PLAN UPPER 2 2 = 1'-0" 1/8"1/8" = 1'-0"
GROUND FLOOR SPACE PLAN 1 1/8" = 1'-0"
A1
4' - 10"
TELE/ DATA
ART DIRECTOR
391 SF
150 SF
4 EDITORIAL STALL
D PANTRY
120
TELE/ DATA
A104
OFFICE RECEPTION
UP
TELE/ DATA
SENIOR EDITOR
3' - 3"
269 SF
202 163 SF
213
ARCHIVE
112
201 201 SF
3' - 3"
609 SF
REF.
ROOM LEGEND
MARKETING
3' - 3"
LOADING/ EMERGENCY EXIT
MARKETING MANAGER
CONTROLLER
5' - 0"
102 UP
ACCOUNTING
3' - 1"
MULTIPURPOSE ROOM
GIFT SHOP Copy 1
114 149 SF
4' - 0"
WOMEN'S
113 161 SF
LOBBY
MEN'S DN
GROUND LEVEL 3 1/8" = 1'-0"
3 2
UPPER FLOOR FURNITURE FINISH PLAN 1 1/8" = 1'-0"
A
STORAGE B01
UP LOADING/ EMERGENCY EXIT
UP
1518 SF
B21
ROOM LEGEND
233 SF
DARK ROOM
B
ELECTRICAL ROOM EXHIBITION
UP
LOADING DOCK
B10
B02
163 SF
MECHANICAL ROOM
B11
1911 SF
C
LOADING/ EMERGENCY EXIT
417 SF
MEN'S
B08
161 SF
MEN'S RECORD ROOM B03 157 SF
RECORD ROOM
A104
5
SECURITY
OFFICE RECEPTION
UP
OFFICE RECEPTION
EXHIBITION
52 SF
EXHIBITION
LOADING DOCK
UP
STORAGE
B00 270 SF
TELE/ DATA
UP
TELE/ DATA
7' - 9 1/2"
B09
UP
JAN
WOMEN'S
JAN
WOMEN'S
UP
D
B03 62 SF
SECURITY MECHANICAL ROOM B07 814 SF
B04
ELECTRICAL ROOM
106 SF
B06 404 SF
DARK ROOM B05 167 SF
E
True North
SPACE PLAN I Basement 2
BASEMENT SPACE PLAN 1/8" = 1'-0"
1 BASEMENT FURNITURE FINISH PLAN 1 1/8" = 1'-0"
2
1 A104
3
4
1 BASEMENT LEVEL 3 1/8" = 1'-0"
2
1 A104
3
4
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
PAG E I 1 0 0 - 1 0 1
A A
A DN
A
DN
UP
REF.
5' - 0" 5' - 0" A104 A104 -
GIFT SHOP GIFT SHOP Copy 1 Copy 1
UP
66-
REF.
B B
B B
DN DN
C
A104 A104
LOBBYLOBBY
2- CAFE Copy 1
7
2-- CAFE Copy 1 A104
C
A104 -
C
C
7
DN DN
D
UP
D
D
UP
D
E E
E E 1
2
A104
1
2
A104
GROUND FLOOR FURNITURE FINISH PLAN 1/8" = 1'-0"FLOOR FURNITURE FINISH GROUND PLAN 2 1/8" = 1'-0" 2
1 1
FURNITURE PLAN I Ground Floor
3
4
3
4
2
A104
1
2
A104
1
CEILING PLAN I Ground Floor
GROUND LEVEL 1/8" = 1'-0" GROUND LEVEL 3 1/8" = 1'-0" 3
1
1
3
4
3
4
WOMEN'S
113
114
161 SF
149 SF
DN
MULTIPURPOSE ROOM 102
UP
LOADING/ EMERGENCY EXIT
REF.
ROOM LEGEND
609 SF
UP
5' - 0"
MEN'S
269 SF
ATRIUM CAFE
GIFT SHOP 410 SF
6-
DN
H.R. OFF.
2- CAFE Copy 1
HALLWAY JAN
OFFICE RECEPTION
ATRIUM
108
B24
100
692 SF
799 SF
1688 SF
A104
A104 -
7
LOADING/ EMERGENCY EXIT LOBBY MEN'S
DN
117 61 SF
REGIONAL MANAGER
UP
JAN 116
HALLWAY
75 SF
S. CONF. 106
122 214 SF
TELE/ DATA 115
REGIONAL MANAGER
OFFICE MANAGER OFF.
S. CONF. TELE/ DATA
86 SF
WO/MEN'S
102 SF
ARCHIVE
OFF.
OFFICE RECEPTION
CLOAKROOM WO/MEN'S 118
DN
MULTIPURPOSE ROOM OFFICE MANAGER
55 SF
WOMEN'S H.R. OFF.
107
105
104
103
526 SF
212 SF
146 SF
256 SF
1 GROUND FLOOR SPACE PLAN 1/8" = 1'-0"
R
GIFT SHOP
CAFE 110 Redundant Room
LOBBY
A104 -
CLOAKROOM
DN
LOBBY
109
GIFT SHOP Copy 1
ARCHIVE
112
1
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
DN
SPACE PLAN I Ground Floor
True North
2
1
2
A104
GROUND FLOOR FURNITURE FINISH PLAN 1/8" = 1'-0"
3
PAG E I 1 0 2 - 1 0 3
A
WOMEN'S 114 149 SF
DN
MULTIPURPOSE ROOM 102
UP
LOADING/ EMERGENCY EXIT
REF.
ROOM LEGEND
609 SF
UP
ATRIUM CAFE
GIFT SHOP
CAFE
108
B DN
H.R. OFF.
2- CAFE Copy 1
HALLWAY JAN
OFFICE RECEPTION
ATRIUM
692 SF
6-
GIFT SHOP
110 Redundant Room
LOBBY
A104 -
CLOAKROOM
DN
B24
100
799 SF
1688 SF
A104
7
LOADING/ EMERGENCY EXIT LOBBY MEN'S
DN
DN
MULTIPURPOSE ROOM OFFICE MANAGER
OFF.
OFFICE RECEPTION
CLOAKROOM WO/MEN'S 118
C
A104 -
LOBBY
109 410 SF
GIFT SHOP Copy 1
ARCHIVE
112 269 SF
117
55 SF
REF.
5' - 0"
113 161 SF
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
MEN'S DN
61 SF
REGIONAL MANAGER
UP
JAN 116
HALLWAY
75 SF
S. CONF. 106
122 214 SF
TELE/ DATA 115 86 SF
UP
D
S. CONF.
C
D
TELE/ DATA
WOMEN'S
ARCHIVE
REGIONAL MANAGER
OFFICE MANAGER OFF.
H.R. OFF.
107
105
104
103
526 SF
212 SF
146 SF
256 SF
E E
True North 1
1 GROUND FLOOR SPACE PLAN 1/8" = 1'-0"
B
WO/MEN'S
102 SF
1
A
2
GROUND FLOOR FURNITURE FINISH PLAN 1/8" = 1'-0"
2
1 A104
3
2
1 A104
3
4
4
3
GROUND LEVEL 1/8" = 1'-0"
VISITOR LOBBY I Ground Floor Walk into the builing from the west side, here comes the public reception lobby for the visitors. Besides the white painted arches, a black boxy staircase with yellow inner walls, which indicates the logo of National Geographic Society, will lead you to the exhibition space at the basement.
PAG E I 1 0 4 - 1 0 5
A
A
B
B
C
C
D
D
E
E
UP
UP
A104
EXHIBITION
XIT
5
7' - 9 1/2"
UP
1
1
2
UP
1 A104
FURNITURE PLAN I Basement
BASEMENT FURNITURE FINISH PLAN 1/8" = 1'-0"
3
4
1
3
2
CEILING PLAN I Basement
BASEMENT LEVEL 1/8" = 1'-0"
1 A104
3
4
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
STORAGE B01
UP LOADING/ EMERGENCY EXIT
UP
1518 SF
B21
ROOM LEGEND
233 SF
DARK ROOM ELECTRICAL ROOM EXHIBITION
UP
LOADING DOCK
B10
EXHIBITION
LOADING/ EMERGENCY EXIT
417 SF
MEN'S
B08
LOADING DOCK
B02
163 SF
MECHANICAL ROOM
B11
1911 SF
161 SF
MEN'S RECORD ROOM B03
A104
5
SECURITY
OFFICE RECEPTION
UP
OFFICE RECEPTION RECORD ROOM
157 SF
EXHIBITION
B09 52 SF
UP
STORAGE
B00 270 SF
TELE/ DATA
UP
TELE/ DATA
7' - 9 1/2"
JAN
UP
JAN
WOMEN'S
WOMEN'S
B03 62 SF
SECURITY MECHANICAL ROOM B07 814 SF
B04
ELECTRICAL ROOM
106 SF
B06 404 SF
DARK ROOM B05 167 SF
1 2
BASEMENT SPACE PLAN 1/8" = 1'-0"
SPACE PLAN I Basement
2
1 A104
True North
1
BASEMENT FURNITURE FINISH PLAN 1/8" = 1'-0"
3
PAG E I 1 0 6 - 1 0 7
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
A
A
B
B
C
C
D
D
STORAGE B01
LOADING/ EMERGENCY EXIT UP
UP
1518 SF
B21
ROOM LEGEND
233 SF
DARK ROOM ELECTRICAL ROOM EXHIBITION
UP
LOADING DOCK
B10
B02
163 SF
LOADING DOCK LOADING/ EMERGENCY EXIT
417 SF
MEN'S
MECHANICAL ROOM
B11 161 SF
MEN'S RECORD ROOM B03 157 SF
OFFICE RECEPTION RECORD ROOM
A104
5
SECURITY
OFFICE RECEPTION
UP
EXHIBITION
B09
B08 1911 SF
UP
STORAGE
B00 270 SF
TELE/ DATA
UP
TELE/ DATA
7' - 9 1/2"
JAN 52 SF
EXHIBITION
UP
JAN
WOMEN'S
WOMEN'S
UP
B03 62 SF
SECURITY MECHANICAL ROOM B07 814 SF
B04
ELECTRICAL ROOM
106 SF
B06 404 SF
DARK ROOM B05 167 SF
E
E
True North 1 2
BASEMENT SPACE PLAN 1/8" = 1'-0"
1
BASEMENT FURNITURE FINISH PLAN 1/8" = 1'-0"
2
1 A104
3
4
1
3
2
1 A104
3
4
BASEMENT LEVEL 1/8" = 1'-0"
EXIHIBITION SPACE I Basement The exhibition space will have different sizes and forms of arch, which depicts new expression or colony arcade. The huge wax depend lighting with timber historical roughness and reminding the sandy texture of the whitewashed adobe walls.
PAG E I 1 0 8 - 1 0 9
wooden benches, enhancing a taste of
A
A
B
B
C
C
D
D
E
E
3' - 1"
3' - 0"
4' - 0"
4' - 0"
3' - 1"
DN
3' - 3"
XIT
3' - 3"
DN
A104
3' - 3"
A104
4' - 10"
1 1
UPPER FLOOR FURNITURE FINISH PLAN 1/8" = 1'-0"
DESIGN/ PRODUCTION
4 EDITORIAL STALL
3
3' - 3"
2
5' - 0"
1 A104
FURNITURE PLAN I Upper Floor
3
1
4 3
UPPER LEVEL 1/8" = 1'-0"
2
CEILING PLAN I Upper Floor
1 A104
3
4
CONTROLLER
MARKETING MANAGER
MARKETING
201
202
203
204
201 SF
163 SF
161 SF
205 SF
213
HALLWAY
JAN
121
217
594 SF
55 SF
PANTRY
ROOM LEGEND ACCOUNTING
283 SF
ATRIUM CONTROLLER
214
138 SF
DN
ART DIRECTOR
SUPPLY
123
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
DESGIN/ PRODUCTION
183 SF
EDITORIAL STALL
212
WOMEN'S
MEN'S
192 SF
215
216
122 SF
122 SF
L. CONF.
HALLWAY
205
JAN
454 SF
4' - 0"
L. CONF.
3' - 1"
M. CONF.
3' - 1"
DN
LOADING/ EMERGENCY EXIT
ACCOUNTING
LOADING/ EMERGENCY EXIT
MARKETING
218 148 SF
MARKETING MANAGER
DN
MEMBERSHIP
1429 SF
MEN'S OFFICE RECEPTION
120
SENIOR EDITOR
SENIOR DESIGNER
SUPPLY
207
211 150 SF
208 391 SF
4 EDITORIAL STALL
SENIOR DESIGNER
87 SF
SENIOR EDITOR
146 SF
UPPER FLOOR SPACE PLAN 1/8" = 1'-0"
SPACE PLAN I Upper Floor
A104
4' - 10"
3
3' - 3"
TELE/ DATA
ART DIRECTOR
WOMEN'S
206 145 SF
1 2
A104
PANTRY
TELE/ DATA
DESGIN/ PRODUCTION
3' - 3"
200 324 SF
3' - 3"
209
DESIGN/ PRODUCTION
OFFICE RECEPTION
EDITORIAL STALL
3' - 3"
M. CONF.
MEMBERSHIP
True North
1
2
1 A104
UPPER FLOOR FURNITURE FINISH PLAN 1/8" = 1'-0"
3
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
A ACCOUNTING
MARKETING MANAGER
MARKETING
202
203
204
163 SF
161 SF
205 SF
ACCOUNTING JAN
HALLWAY
213
121
217
594 SF
55 SF
283 SF
PANTRY
214
ATRIUM B
EDITORIAL STALL
M. CONF. 192 SF
ART DIRECTOR
DESGIN/ PRODUCTION
183 SF
212
DN
CONTROLLER
SUPPLY
123 138 SF
ROOM LEGEND
WOMEN'S
L. CONF.
MEN'S
215
216
122 SF
122 SF
205 454 SF
HALLWAY JAN
3' - 0"
4' - 0"
C
4' - 0"
L. CONF.
3' - 1"
LOADING/ EMERGENCY EXIT
CONTROLLER
201 201 SF
3' - 1"
DN
LOADING/ EMERGENCY EXIT
218 148 SF DN
OFFICE RECEPTION
TELE/ DATA 120 87 SF
SENIOR DESIGNER 207
SENIOR EDITOR 211 150 SF
DESGIN/ PRODUCTION 208 391 SF
DN
MEN'S
146 SF
ART DIRECTOR 206
A104 4 EDITORIAL STALL
PANTRY SENIOR DESIGNER SENIOR EDITOR
A104
SUPPLY
4' - 10"
D
DESIGN/ PRODUCTION
324 SF
3' - 3"
1429 SF
MARKETING MANAGER
3' - 3"
209
200
MARKETING
MEMBERSHIP
OFFICE RECEPTION
EDITORIAL STALL
M. CONF.
3' - 3"
MEMBERSHIP
C
D
3' - 3"
5' - 0"
TELE/ DATA WOMEN'S
145 SF
E
E
1 UPPER FLOOR SPACE PLAN 1/8" = 1'-0"
B
3
True North
2
A
1
2
1 A104
3
1
4
UPPER FLOOR FURNITURE FINISH PLAN 1/8" = 1'-0"
3
2
1 A104
3
4
UPPER LEVEL 1/8" = 1'-0"
WAITING AREA I Upper Floor Exit the elevator and turn left is the upper floor office's waiting area. You can sit here and get your documents prepare with your laptop and enjoy the view of the atrium.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
A ACCOUNTING
MARKETING MANAGER
MARKETING
202
203
204
163 SF
161 SF
205 SF
ACCOUNTING JAN
HALLWAY
213
121
217
594 SF
55 SF
283 SF
PANTRY
214
ATRIUM B
EDITORIAL STALL
M. CONF. 192 SF
ART DIRECTOR
DESGIN/ PRODUCTION
183 SF
212
DN
CONTROLLER
SUPPLY
123 138 SF
ROOM LEGEND
WOMEN'S
L. CONF.
MEN'S
215
216
122 SF
122 SF
205 454 SF
HALLWAY JAN
3' - 0"
4' - 0"
C
4' - 0"
L. CONF.
3' - 1"
LOADING/ EMERGENCY EXIT
CONTROLLER
201 201 SF
3' - 1"
DN
LOADING/ EMERGENCY EXIT
218 148 SF DN
OFFICE RECEPTION
TELE/ DATA 120 87 SF
SENIOR DESIGNER 207
SENIOR EDITOR 211 150 SF
DESGIN/ PRODUCTION 208 391 SF
DN
MEN'S
146 SF
ART DIRECTOR 206
A104 4 EDITORIAL STALL
PANTRY SENIOR DESIGNER SENIOR EDITOR
A104
SUPPLY
4' - 10"
D
DESIGN/ PRODUCTION
324 SF
3' - 3"
1429 SF
MARKETING MANAGER
3' - 3"
209
200
MARKETING
MEMBERSHIP
OFFICE RECEPTION
EDITORIAL STALL
M. CONF.
3' - 3"
MEMBERSHIP
C
D
3' - 3"
5' - 0"
TELE/ DATA WOMEN'S
145 SF
E
E
1 UPPER FLOOR SPACE PLAN 1/8" = 1'-0"
B
3
True North
2
A
1
2
1 A104
3
1
4
UPPER FLOOR FURNITURE FINISH PLAN 1/8" = 1'-0"
3
2
1 A104
3
4
UPPER LEVEL 1/8" = 1'-0"
OPEN OFFICE SPACE I Upper Floor Walk down to the space along the arcade to the left, here comes the open office. This is the editorial stall and design deparment. Most of the people will works in this area. This is the reason why this area located at the south corner of the building, where have the best quality of sunlight. On the other hand, open offices get noisy easily. In order to have a quiet and pleasure space, acoustic title ceiling is applied to the whole space, except the arcade. For furnitue selection, I chose the lower booksheves to divide the arcade and the work space, which bring more solid feeling to the arcade, but still make two spaces be connected.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
A ACCOUNTING
MARKETING MANAGER
MARKETING
202
203
204
163 SF
161 SF
205 SF
ACCOUNTING JAN
HALLWAY
213
121
217
594 SF
55 SF
283 SF
PANTRY
214
ATRIUM B
EDITORIAL STALL
M. CONF. 192 SF
ART DIRECTOR
DESGIN/ PRODUCTION
183 SF
212
DN
CONTROLLER
SUPPLY
123 138 SF
ROOM LEGEND
WOMEN'S
L. CONF.
MEN'S
215
216
122 SF
122 SF
205 454 SF
HALLWAY JAN
3' - 0"
4' - 0"
C
4' - 0"
L. CONF.
3' - 1"
LOADING/ EMERGENCY EXIT
CONTROLLER
201 201 SF
3' - 1"
DN
LOADING/ EMERGENCY EXIT
218 148 SF DN
OFFICE RECEPTION
TELE/ DATA 120 87 SF
SENIOR DESIGNER 207
SENIOR EDITOR 211 150 SF
DESGIN/ PRODUCTION 208 391 SF
DN
MEN'S
146 SF
ART DIRECTOR 206
A104 4 EDITORIAL STALL
PANTRY SENIOR DESIGNER SENIOR EDITOR
A104
SUPPLY
4' - 10"
D
DESIGN/ PRODUCTION
324 SF
3' - 3"
1429 SF
MARKETING MANAGER
3' - 3"
209
200
MARKETING
MEMBERSHIP
OFFICE RECEPTION
EDITORIAL STALL
M. CONF.
3' - 3"
MEMBERSHIP
C
D
3' - 3"
5' - 0"
TELE/ DATA WOMEN'S
145 SF
E
E
1 UPPER FLOOR SPACE PLAN 1/8" = 1'-0"
B
3
True North
2
A
1
UPPER FLOOR FURNITURE FINISH PLAN 1/8" = 1'-0"
2
1 A104
3
1
4 3
2
1 A104
3
4
UPPER LEVEL 1/8" = 1'-0"
PRIVATE OFFICE CUBE I Upper Floor This is the appliances and office furniture I chose for the private office space. This system furniture is very flexible and equity in use. At first, the dividers and furniture are easy to install and relocate. Also, it doesn't have high hanging shelving, which handicaps can't reach.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Lounge Chairs I Furniture Selection Lounge furniture in the lobby gives people immediate impression to the space. So, I carefully selection some pieces to express new image of colonial arts. They all have ancient taste in modern form, and well match with the color theme I decided.
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SOMA Senior Center I
Mission Statement
II
Concept Statement
III
Floor Plan
IV Renderings
SOMA Senior Center is a sustainable senior living complex, which located in the 588 Mission Bay Boulevard North, San Francisco. The building provides healthcare services and senior residency for the elder people, and it is Alzheimer friendly.
[ W I L L YO U ] R E ST R AU N T D E S I G N
Eden Residence I SITE ANALYSIS Mission Bay neighborhood is located near downtown San Francisco, which was full of factories and storage. It was dirty and massy before, the government tried to turn it into a biomedical and sustanainle living neighborhood. At present, the University of California San Francisco, a famous medicial school, have already moved into the area, and many biotech office are incoming. Also, there are many new residential apartment and codominium building are raising up from the ground.
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[ W I L L YO U ] R E ST R AU N T D E S I G N
Eden Residence I BUILDING ANALYSIS The building site is located in 690 Long Bridge Street, San Francisco. The site is in between two parks, which will gives the building nice sunlight and pleasure view. Transportation For pedestrians, there are Muni Bus Stop in 5 miniutes walks and Cal-Train Station in 15 minutes walks. For drivers, hight acess in 5 minitues drive at 6th street and a paasager ferry in 5 minitues drive at AT&T park. Shopping & Easting There is grocery stores, retail stores, cafes and resturants around.
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Stitching I CONCEPT STATEMENT Stitch by stitch, a tailor sew up fabric to
the space. Also, Streamline Moderne is
make a dress. Likewise, a doctor sew up
a style emerged in 1930s-1950s, which
injury to heal a cut. Besides clothes and
may recall the old memory of the seniors.
injury, we may also need to sew up the
On the other hand, I believe streamline
lost memory.
space will be more safe and comfortable for senior to travel and live inside, which is
This senior living complex project is
minimal and straightforward without sharp
dedicated to the seniors and Alzheimer,
edges and angles.
who need helps and friends. They are the people the lovely person who dedicated their life and golden age to their family and contry. They should be take care of when they are sick and dementia. The complex will be a place to stitch up the lost memory of the dementia and a place to stitch social connection and make new firends. Thinking about stitching, thread will be the first things come up to my mind. So, I applied Streamline Moderne design into
I chose the pantone 2016 new released
Also, I customized some furniture in Rose
colors, Rose quartz and Serenity as the
Quartz and Serenity. These strong color
domain color in my color theme. I decided
make the focus as the focus point in every
to use them is not only because they are
space, and also let senior easy to see the
hot and popular in fashion and design this
furniture easily and prevent hit and fall to-
year, but also because they are recalling
wards the furniture.
[ W I L L YO U ] R E S I D E N T I A L A N D H E A LT H CA R E
Rose & Serenity I COLOR THEME
my concept and this project. On the other hand, I add Cannoli Cream Rose Quartz, gives people warm and flesh
and Rice Brown Color to my color palette,
impression, representing healthy living
which enhances warm feeling to the space.
experience the residents will gain in this
Seniors are easy to feel cold, so make the
complex. Contrastingly, Serenity carries a
space warmer by using colors, I believe, it
cool and fresh feeling, suggesting intellen-
is very important.
gent medicial facilities the residents can access to in this complex.
I maily used Cannoli Cream color for the walls and Rice Brown for the carbinet fin-
I applied strong colors, Rose Quartz and
ishes, in order to give a clean and warm
Serenity, to the edges of the space, to give
welcoming impression to the residents.
seniors, who probably do not have a sight, a clear wayfinding hint.
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HenryBuilt I CABINET SELECTION HenryBuilt is a kitchen carbinet supplier, which make gorgeous carbinets with flexible customized options. Also, they provides nice and clever organizing system inside the carbinet and flexible hanging system on the walls. Finally, I chose their bamboo finishes for the carbinet. Bamboo is a sustainable material because of their fast-growing capability. Also, the light brown color of natural bamboo matches my color theme pretty well.
I picked the Homogeneous Conductive Tile by ColoRex as one of my flooring materials, because it has many advantages. First of all, this tile is made by
[ W I L L YO U ] R E S I D E N T I A L A N D H E A LT H CA R E
ColoRex I FLOORING
Linoleum,
which is a LEED certified flooring material. Secondly, It is durable and abrasion resistant, which are good for public spaces where have high traffic flows. More Importantly, it is softer than hard wood flooring, which prevent terriable injury when seniors fall. Also, it has high fire resisted capability, which gives senior more time to escape when fire emergencies come. Moreover, it enables safe electrostatic discharge through the whole thickness of the title, which helps to prevent electrostatic phenomena in machanical and medicial laboraties by rubbing. Finally, I chose the creamy white and sky blue color options, in order to match my color PAG E I 1 2 8 - 1 2 9
theme.
Bitangra is luxurious furniture brand, which prduces unique and brilliant furniture.
[ W I L L YO U ] R E S I D E N T I A L A N D H E A LT H CA R E
Bitangra I FURNITURE
They have many color options of each furniture piece. Luckily, they offers new collection with Rose quartz and Serenity color. So, the client no need to customized these unique color furniture.
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ON GOING PROJECT I To be continued
The Alps Lounge Bench I
Mission Statement
II
Concept Statement
III
Floor Plan
IV Renderings
A furniture design project creates a multiple seating bench for hotel and commerical Lobby.
[ W I L L YO U ] F U R N I T U R E D E S I G N
TONY RIVIERA I CLIENT PROFILE The client of our high-end food market is Tony Riviera. He wants to open a space in SOMA, which will sell pre-prepared food and carry specialty organic food and sustainable products. In order to attract young professionals and foodie hipsters with high salaries, he will aim for the store to emphasize his high quality products in a classic and classy design. He will try to communicate with his customers in a gentle and elegant way, and give them an approachable and affordable shopping experience. As Tony described, there will be three main areas: a food market, a prepared food area, and a cafĂŠ. I guess Tony would love to have a wine tasting area in the store. He requires open kitchens with walk-in refrigerators and Pizza Ovens for the prepared food area. He also wants a private office, which cannot be seen by his customers and the store should be ADA accessible. Personally, Tony prefers de-saturated colors and geometrical shapes with concrete, wood, and marble finishes, which he believes will give his customers a relax and classy shopping experience.
THE APLS I INSPIRATION The Apls is a pure and clean mountain. It gives me an organic and fresh feelling, which similar to what Tony trys to deliever to his client. So, I decided to create the market design and customized PAG E I 1 3 4 - 1 3 5
lounge chair piece with the concept, "the stream of the apls".
The Alps I CONCEPT STATEMENT AND SKETCH In order to match “green” farm and high-end style of Tony’s market,
market never stops to improving their customer service and man-
I decided to choose“stream” as my concept with contemporary
aging towards satisfied smiles on their customers’ faces.
style in simple shapes and minimal forms.When I close my eyes and think about a stream, I see a skyline, water drops, grass, flow-
Like blood, which transports nutrients throughout the body, a
ers and fruits. I will use design elements from streams and my
stream transports natural resources, nourishing and strengthen-
associations with streams, such as green and sky blue, and wood
ing. Likewise, Tony’s market transports high quality products and
and glass.
produce, nourishing and strengthening his customers.
Like the sky, which is clean and clear, a stream is transparent and
Like a highway, which connects different cities together, a stream
pure. Likewise, Tony’s food market provides fresh and organic food
connects various places and regions, exchanging and commu-
in good condition.
nicating. Tony’s market provides different styles of prepared food and worldwide specialty products, linking and matching different
Like water, which always runs downhill, a stream always runs towards the vast ocean, continuing and gathering. Likewise, Tony’s
culture together.
[ W I L L YO U ] F U R N I T U R E D E S I G N
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Research Notes I CASE STUDY AND
PRACTICE
Before finializing the design and documentary, study about joints and wood species is necessary to accomplish the project. Besides reading books and watching video, I also went out and looked for some real chairs which similar to my project. I studied their design and joints and tried to make CAD drawing for them.
[ W I L L YO U ] F U R N I T U R E D E S I G N
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Drafting and CAD Drawing I Documentary After finalizing the design, I started to hand draft the dimensions and joints of my design, and make a full size testing model for review by using cheap poplar wood. During making the model, I decided what kind joints will be suitable for the design. During review, I set up the suitable height and comfortable curve by testing seating. After reviewing, I finished the detail workshop drawing by using AutoCAD. Then, I caculated how much Timber I need, and make sure everything are in 200 USD buget before ordering for the woodyard. Also, I started to make the glue-up order and operation schedule following the experience for making the test model.
Alps Lounge Bench
AUG 17 2016: Plane the Timber and do rough cut AUG 18 2016: Cut the parts and joints AUG 21 2016: Shape the parts and joints AUG 24 2016: Sand the parts and match the joints AUG 25 2016: Glue-up parts into a whole piece AUG 28 2016: Sand the whole piece AUG 31 2016: put on finishing and wire the string
Glue-up Order I The
Alps Lounge Bench
[ W I L L YO U ] F U R N I T U R E D E S I G N
Operation Schedule I The
PAG E I 1 4 0 - 1 4 1
PRODUCTION I The
Alps Lounge Bench
I slected Maple because its silky white texture and pattern, which match my concept. At first, I cut the timber into panels by the table saw. Then, I used differen tools, hand saw, table saw, and the HCI machine, to get the parts and joints done following demsions. Finally, I clue the joints together with climbs. Then I painted it and wired it with mint blue string.
[ W I L L YO U ] F U R N I T U R E D E S I G N
PAG E I 1 4 2 - 1 4 3
The Alps Lounge Bench I
Pencil & Pen Sketches
II Color Pencil Rendering III Marker Rendering IV Others
- Pen, Pencial, Watercolor, Gouache, and Maker Drawings. - Wall Paintings. - Photographic Shootings. - Textile Designs
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Home Theater I PENCIL SKETCH This is a home theater with Philips HUE lighting, which can change color temperature and create various light effect. The decorative board on the wall is acoustic tiles, which absorb noise.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Colonial Breakfast Nook I SKETCH This is a dinette near the kitchen with classical elements in it, which serves as a breakfast nook for quick dining in the morning.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Modern Family Room I SKETCH This is a modern family room with simple traditional furniture. The floor to ceiling windows brings sunlight and nice view into the space.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Vitorian Sitting Room I PEN SKETCH This is a Vitorian sitting room for master bedroom. I placed one fabric wing chair and a bench next to the window for relaxing and reading. In order to contrast with the traditional elements in this room. I chose a transparent coffee table for the space.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Grande Foyer I PEN SKETCH This is a grande foyer for a mansion. A angled staircase goes along with the walls of this hexagon space. I used marble as flooring material, and fabric as the ceiling material, in order to bring a luxrious taste to the space.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Bauhaus Office Lobby I SKETCH This is a Bauhaus lobby for an office. I used black and white marble as the flooring material and streamline style handrail for the stair. I designed the circle and narrow windows for the space to give more taste of Bauhaus to the room.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Modern Bathroom I SKETCH This is a modern Bathroom in space ship scene. I chosed wall-mounted vanity and carbinet, toilet, and bidet, in order to create a flow feeling to the space. I also applied linear LED lighting within the mirror and the carbinet, to bring a modern and furniture feeling to the room.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Church Atrium I SKETCH This is a atrium for an Christian church. I designed a hanging crossing and golden painted ceiling, to create a holy scene. A indoor water fountain is the focus point of the space, which prayers can see and listen to the water falling from different corner of the hallway around the atrium.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Kitchen I COLOR PENCIL RENDERING This a residential kitchen with dark green cabinet and copper appliances. For durable consideration, I chose black limestone tiles for the wall. In order to make it easy to clean, I chose white marble as the counter.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Cafe Reception I QUICK MARKER This a cafe reception with cork wallpaper and rubber tile flooring, which give an industrial feeling to the people who walk into the cafe, so that people know that this is a quick grab and go cafe. I designed kitchen behind the cashier with curtain wall so that the customer can see the tasty food vividly, as a promotion for the food and products.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Grande Ballroom I MARKER RENDERING This is a ballroom for a hotel. Red curtain and carpet bring a happy and active feeling to the ballroom, which are suitable for any events. The crystal chandeliers and cherry wood finish walls make the room feel more brilliant and luxurious.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Music Room I MARKER RENDERING This is a music room with black wallpaper and green sofa. I added the golden painted drawing frames to decorate the walls. I also placed a rose color chair near the fireplace to contrast with the green sofa, and chose white marble for the fireplace to contrast with the dark wallpaper.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Italianate House I WATERCOLOR This is a Italianate architecture near the Golden Gate Park. Granite stone wall and arches are nice and classical. It also has typical Italianate hipped tile roof and brackets, which are well matching with walls and tranditional arches.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Interest I PHOTOGRAPHY I usually drive my car and take a trip with my camera and catch the amazing moment of my life. I love it.
Fly I PHOTOGRAPHY I took this photo at the Michigan State University Main Library building.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Life Paint I GOUACHE
Life Paints of various objects.
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Space I WALL SPRAY A volunteer project for a drink bar.
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Kitty Hawk I SCULPTURE This is a sculpture project I did for fun. I put it in my living room from decoration. However, one of my friend like it so much so I give to him as gift.
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when he first saw it in my place,
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Melting Drink Bar I Ceiling Remodeling This is a real practice I did a years ago in China. I was asked to help my friend to remodel his drink bar in a low buget. I chose "melting" as my concept for the drink bar. I drew the sketches and details. Then, I ordered the materials and hired constructors to finish the project. Although it is a low buget and simple project, I learned a lot, which I will never read from a textbook.
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[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
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MORE WORKS I upon request
WILL YOU LOGO I Concept Statement The logo is basically combining my initial letters, "W" and "Y", together. It appears in a classical arch and acade visual, but in a modern streamline form. This representing my design philosophy, which is to reborn classic beauty in a modern way.
I designed this portfolio with line works
[ W I L L YO U ] O F F I C E / R E TA I L / E H I B I T I O N
Portfolio I CONCEPT STATMENT and monochramtic mental gold color with grey color, which I believe will carries my design philosophy and match my logo and shelf identity design.
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WILL YOU (WEIHAN YU) PHONE / 1 (517) 580-2919 EMAIL / yuweihanwill@hotmail.com WEB / www.mrwillyou.com
ACKNOWLEDGEMENTS I would like to dedicate this book to my parents who are always supporting me. Raising a child, it is tough and sweating. I also want to thank my instructors who have shaped me into who I am today, and the friends who have given me help and shoulders. And lastly, I want to thank you for your time to read my book and design story. Sincerely, Will You 2016.06.06
COPYRIGHT Š WILL YOU 2015 All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or any other information storage or retrieval system, without express permission from Will You (Weihan Yu) the designer.
WILL YOU INTEIROR DESIGNER