ALPHABET Of EMOTIONAL RESPONSES IN ARcHITEcTURE
‘BLESSED MOOD’ -- SPIRITUAL RELATIONSHIP WITH NATURE
STEPPING INTO THE LIGHT is a powerful metaphor for consciousness, for the birth of the knowing mind
SENSE OF SELF INTO THE WORLD OF THE MENTALITY transition from innocence and ignorance to knowingness and selfness
frail old man make his way toward a ferry it is time about to depart
time is short, but his gait is slow wind makes him bend like a lone tree in an open field
the old man’s discomfort, perhaps humiliation consciousness makes mind wonder and consider that
he seems to be safely where he should be worry is over the ship departs
entirely circular, gray-painted examining room impairment of consciousness absence seizure he is absent without leave a place
1. emotion 2. the feeling of that emotion 3. knowing that we have a feeling of that emotion 1. state of emotion -- non consciously 2. state of feeling -- non consciously 3. state of feeling made conscious -- organism is having both emotion and feeling
the problems of consciousness first is about how the brain engenders the mentall patter second -- how the brain also engenders a sense of self in the act of knowing
image is a mental pattern in any of the sensory modalities
object -- entities as diverse as a person, a place, a melody, a state of bliss
consciousness is an entirely private first-person phenomenon part of private mind
consciousness and mind are closely tied to external behaviors public behaviour
brain’S function does make intricate linkages among private mind and public behavior brain structure brain activity
warm/ friendly/ sense of ownership space is, totally, a matter of feeling it is a practice that engages psychic change in relation to movement place with some slight borders -- shadow, fence -give you the feeling that you own this place just for yourself
element of surprise not knowing which kind of reaction to expect from consciousness
corridor as an element of public circulation where everyone subconsciously be secure, closed to nature and not isolated from people
defining private and public space
secure connection to the outside world where inderect and direct relation to the nature have a place
landscape is a work of the mind
architectural journey is indeed an emotional voyage
motion pictures are about where places change shape
mental architecture: a pensive state of mind
mind without consciousness consciousness gives the sense of self and knowing
SENSE OF SELF INTO THE WORLD OF THE MENTALITY
mind - to hide facts
minds to hide a part of our beings
SENSE OF SELF INTO THE WORLD OF THE MENTALITY
SENSE OF SELF INTO THE WORLD OF THE MENTALITY
SENSE OF SELF INTO THE WORLD OF THE MENTALITY
conscious creates call a feeling without even knowing that the feeling is taking place feeling at the end - that we don’t expect to have at the beginning
no amount of natural beauty could compensate for the negative emotion (by bad manner or appeArance)
feeling can have a grade from weak to strong feeling - emotion comes next emotion can educate it is impossible to suppress
the variety of feelings - from weak to strong - can teach how to control emotion
stairs as representation the grade in emotional response
sound control
emotional responses profound changes have strong emotional power rapid changes cause changes in feelings of emotion
background emotions - regulating life itself we have a choice when we don’t want to make decision we let emotions to make it - instinctive emotion
emotions are survival oriental behaviors we are under control of emotions in case of strange situation choice where to go - in darkness or light is one of them
extreme fear standing on the precipice limitation of space to move and have other choice control emotion - reason not much escape from emotion - nature had prepared for us already
calm security and shelter creates the feeling of peace of mind
deceit shadows on the wall create a game of light with space
feigning shadows already perform as an actor sound and seashell as deeper into the space as different sound perfomance can occur
show who is a bosS - sharply put in new patient
control the impression immediately control appearance in public
place is suitable for control’s preparation appearance in public in the middle of crowd effect of surprise or eliminating
‘we come into the world as individuals, achieve charCTER, AND BECOME PERSONS’ BEGINING OF THE ROUTE TO HOSPITAL - CLARIFY what will happen to them or who they are
way through the series of spaces as a walk through life’s stages at the end of route person achieves his/her own entity
social front is a first what emphasize/give impression what it is given mask for initial role
place can perform differently from image of social front when you will actually get in and see other internal way how place works
social front cover from the outside gives first impression about the place or person gates as sign of secured place front sign as forced explanation of the place
idealization perfomance is ‘socialized’, moulded, and modified to fit into the understanding and expectations of the society in which it is presented high lights as representation of celebrity
house - shelters day dreaming - protects the dreamer - allows one to dream in peace the house is a completion of nature
memories are motionless more securely they are fixed in space the sounder they are place of solitude
road as a symbol and image of an active, varied life
mechanics of emotion enclosed systems are related to separate emotional patterns
training emotional responce through manipulation on conscious by light appearance to have fear to have no fear
have no fear cannot protect against simple and complex social risks high level of vulnerability low level of independency
architecture - our space lies not upon the earth but between walls shadows are representation of lie between architecture and nature
our specifically human space assimilates into homogeneous order of nature
one wall - just a position of second large halfspace two walls - architectOnic sPace is born
relativity of time now - separates past and future past - earth future - air knowing the past but not the future interface between air and earth - now experience space
‘rationalized’ fear - attic never definitive fear - cellar
henri bosco under the house in ‘l’antiquaire’ labyrinthine dreams - corridors - air is ‘heavy’ rotunda as representation of sanctuary of the secret
mystery of the secret wall with hided doors
‘this shiver is no longer human fear; this is cosmic fear, an anthropo-cosmic fear that echoes the great legend of man cast back into primitive situations.’ from a constructed to a dreamed world reality and dream now from whole ‘cosmicity’ and daydream
‘this is the ideal tower that haunts all dreamers of old houses: it is ‘perfectly round’ and there is ‘brief light’ from ‘a narrow window’. vaulted ceiling is a great principle of the dream of intimacy
stretches from earth to sky the verticality of the human being the verticality of the tower rising from the most earthly, waterly depths, to the adobe of a soul that believes in heaven
‘blessed mood’ - spiritual relationship with nature
nature will be part of you until die increased amount of good memories from nature