Ariela Yaqi Zhang_Portfolio_2023

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SELECTED WORKS //PORTFOLIO. SYRACUSE UNIVERSITY 2018-2023
ARIELA YAQI ZHANG

//PROLOGUE

“Buildings are deeply emotive structures which form our psyche”

And,

Spaces are provocatively tangible spirits which reflect the trajectory of sensation.

Special thanks to my beloved parents who are far crossed seas on the other side of the planet, offering all the support generously for me to feel and experience this world.

THE THREAD _ MUSEUM OF THE AMERICAN QUILTS I

Ariela Zhang/Nicholas Chung/Weiwei Lei

A mark of women’s collaboration in great art-works, the pride of female contribution.

PENGUIN PARK II

Ariela Zhang/Nicholas Chung/Weiwei Lei

The articulation between different habits and various modes of collectivity.

COPIED IN BEIJING + CASA DE METALLICA III

16 Students in Beijing Studio+ Ariela Zhang/Yian Liu

The Complete Map of Capital Beijing “copied” Qing Dynasty era map of the city.

THE LAST OASIS IV

Ariela Zhang/Yian Liu

Archiving data and the species that rely on mangroves ecological systems.

Cyberutopia Disorder POOL V

Exploring Organic disorder in virtuality and reality

The spatiality of entropy through analyze fermentation in the methodology of physical modeling and digital inputs.

Caitang Villa VI

Work in NaturalBuild

A escape into nature and exploration of interior materiality.

OTHER WORKS VII

Ariela Zhang

Small Projects - Kitchen City, Analytical Drawing of Leca Swimming Pool. Jewelry Design - Infinity Sense, The Consciousness of Virus. Gaming Design - Immersive 360 Space, Arena Shooting Game. Fine Art - Buddha of Dunhang Murals, Still life, Angel in Ecstasy of St. Theresa.

I

THE THREAD

Museum of the American Quilt

1st Place King+King Jury Prize, Design Studio Competition

Site: Downtown Seneca Fall, NY

ARC409 Comprehensive Studio: Spring2022_Syracuse University

Instructor: Terrence Goode

Partner: Weiwei Lei

Contribution: Architecture design, Digital Modeling, Drawings

Quilt, except for the utilitarian value, is also an instrument of women’s socialization as a collaborative effort. “All men are created equal” are declared in this convention at Wesleyan Methodist Chapel in Seneca Falls, which is right across the site.

The Thread - the Museum of the American Quilt Should be a comprehensive landmark in Seneca Falls, presenting an analogy between a quilt and architecture that carefully determined and resulting in extraordinary beauty.

The Thread expects to respond to the site and surrounding Historical buildings by creating continuous circulation around the central atrium to gain rhythmical experience of view

The female gesture of it, floating, light, and fluent. The continuous aluminum shades and glazing transparent public space, cooperating with the river view and park.

It is a mark of women’s collaboration in great artwork, the pride of female contribution..

Views and Activities

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Seneca Falls located in upstate New York with flourishing industrial-based and canal-water-based powered mill systems. Seneca Falls hosted the world’s first convention for women’s rights in Wesleyan Chapel at the corner of Fall St. Every year around Jun to Sept, the population and activities in Seneca Falls are increased through tours. 1. It’s a Wonderful Life Bridge 2. Ludovico Sculpture Trail 3. Women’s Rights National Historical park Center 4. Women’s Rights National Historical park 5. Weslyan Methodisr Chapel 6. A Wonderful Life Museum 7. Center for the Voice of Humanity 8. Seneca Museum of Waterway and Industry 9. National Women’s Hall of Fame
3 1 2 4 5 7 6 8 9 3 1 2 4 5 6 8 9 7
Views in the building includes all the monumental historical landmark in Seneca Falls

从宏观上看,建筑整体被分成三部分,两边的体块由中 间的中庭以及走道相连,因此构成实-虚-实关系,并一一 对应了街对面Wesleyan教堂(实)女权主义国家公园(虚 )和游客中心(实)所产生的体块关系。

从宏观上看,建筑整体被分成三部分,两边的体块由中 间的中庭以及走道相连,因此构成实-虚-实关系,并一一 对应了街对面Wesleyan教堂(实)女权主义国家公园(虚 )和游客中心(实)所产生的体块关系。

从宏观上看,建筑整体被分成三部分,两边的体块由中 间的中庭以及走道相连,因此构成实-虚-实关系,并一一 对应了街对面Wesleyan教堂(实)女权主义国家公园(虚 )和游客中心(实)所产生的体块关系。

Decreased Building Footprint

因此,两条街道也被建筑本身连接了起来。该项目还 响应了市中心发展倡议,该倡议旨在拓宽人行道从而 重振市中心街道环境。建筑首层的玻璃外墙被南北双 向往内侧推移。

Increased Visual Transparency

为了处理南北两条街4.6米的高差,大厅被放置在两 街的中间层,由于两侧都是同等重要的入口,所以 两边的人都可以相互出入建筑内部。

为了处理南北两条街4.6米的高差,大厅被放置在两 街的中间层,由于两侧都是同等重要的入口,所以 两边的人都可以相互出入建筑内部。

从建筑内部看,走道用于连接各个错层空间,并与中庭 环境建立空间上的对话,提供给游客观赏悬挂于中庭的

Increased Publicity

为了处理南北两条街4.6米的高差,大厅被放置在两 街的中间层,由于两侧都是同等重要的入口,所以 两边的人都可以相互出入建筑内部。

To deal with the slope of 15 feet difference, the lobby is placed at the mid-level between Fall street and Water street so that people on both sides have mutual access to the building given that both sides are equally significant as an entrance. The project also aims at revitalizing the Downtown environment by actively widening the sidewalks by offsetting the ground plan on both sides of the street.

The Building is considered as a integrated space

The gallery space is lifting up, and the ground floor become the public space

The Atrium goes through all the floors Programs are arranged on the wings.

The circulation spiral around the atrium.

The shape of building is determined by the views of historical buildings

Both side of circulation could see ‘ People’s Park and Womens’ Right national Park’

Site and Formal Strategies

Vertical circulation is placed on the center, and egress are on sides

Following the solid-void-solid relationship generated by Wesleyan Chapel, Women’s Rights National Park, and the Visitor Center across the street, the building volume is divided into three parts, which is an atrium in the center(void)and programs on both sides (solid).

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从建筑内部看,走道用于连接各个错层空间,并与中庭 环境建立空间上的对话,提供给游客观赏悬挂于中庭的 艺术织物的种种角度。 北侧(Fall street),行人的流动性得到了更好的增强, 博物馆本身也更加开放。南侧(Water 来区域成为了开放的室外广场,可以改造为人民公园 的延伸部分。
因此,两条街道也被建筑本身连接了起来。该项目还 响应了市中心发展倡议,该倡议旨在拓宽人行道从而 重振市中心街道环境。建筑首层的玻璃外墙被南北双 向往内侧推移。
从建筑内部看,走道用于连接各个错层空间,并与中庭 环境建立空间上的对话,提供给游客观赏悬挂于中庭的 艺术织物的种种角度。 北侧(Fall street),行人的流动性得到了更好的增强, 博物馆本身也更加开放。南侧(Water 来区域成为了开放的室外广场,可以改造为人民公园 的延伸部分。
因此,两条街道也被建筑本身连接了起来。该项目还 响应了市中心发展倡议,该倡议旨在拓宽人行道从而 重振市中心街道环境。建筑首层的玻璃外墙被南北双 向往内侧推移。
建筑外形分析图
艺术织物的种种角度。 北侧(Fall street),行人的流动性得到了更好的增强, 博物馆本身也更加开放。南侧(Water 来区域成为了开放的室外广场,可以改造为人民公园 的延伸部分。

Office Room

Gallery Space Traveling

Gallery Space Permanent

Office Room

Gallery Space

Traveling

Quilting Room

Museum Shop

Reception Shipping

Receiving Workroom Storage

Loading Dock

Locker Workshop

Water St Cafe

Mechanical Room

Egress Fall St

Lecture Room

Gallery Space Traveling

Staff Circulation

Water St Entrance

The Grand stair Main Gallery

Lobby Archive

Intro to Seneca Falls Gallery

Quilt Conservation

Admin Area

Quilt Storage

Programs and Arrangements

The ground and the second level accommodate the communal events, the third and fourth levels are quiet, private, and exclusive for the gallery. The underground level is accessible for staff, used for conservation and mechanical.

Elevator Public

Fall St Entrance

Elevator Staff Egress Water St

Circulation

Program

Conversation Archive Storage

Mechanical

Shop Lobby Office Workshop

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Universal Accessibility

The quilts are hanging in the central atrium and people could appreciate them in different angles and space. Ramps are made to connect the program space and create mutual relationships with the atrium environment. At the same time, they made the building universally accessible that follow the ADA requirment.

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The Quilting Room/Auditorium faced People’s/Women Park.

The project also responds to the Downtown Development Initiative by offsetting the ground floor plan on both sides of the street. On the Fall street side, the mobility of pedestrians is better enhanced and the building is positioned in a more welcoming gesture.

On the Water St, the space transformed into an extension of Peoples’ Park to embrace the public events.

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Hosts for gallery, including balcony to experience exterior. Ground Floor - Fall St. Ground Floor - Water St. Second Floor Third Floor

Centralized Circulation

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The grand stair is placed at the center of the building which will activate the activity of people as both a leisure resting area and main circulation. The interior circulation of the building will spiral up through the atrium space. The oversize quilts will be hanging on the roof. Visitors are able to appreciate the artwork from different angles at a different heights.

Louvers fixed at various angles could effectively reduce the damage to the displayed quilt caused by southern sunlight.

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The Sunlight projected from southern direction near the lake side, and Northern side desires more sun-lighting invade. The glass walls contrast the publicity and openness on the ground level and tranquil environment above. The Louvre are denser on the south facade and much less dense on the north since they received little sunlight annually.
1. Coping 2. Sealant 3. Waterproof Membrane 4. Foam Board Insulation 5. Cavity Insulation 6. Gypsum Panels 7. Steel Stud 8. Window Frame 9. Window Flashing 10. Air/Vaper Barrier 11. Rigid Continuous Insulation 12. Limestone Cladding 13. Linear Drain 14. Mechanical Unit For Radiator 15. Concrete Slab Finish 16. Concrete Slab 17. Metal Deck 18. Electric Wire Hange 19. Light Fixture 20. Air Duct 21. Linear Air Vent 22. Sealed Glazing Unit 23. Drop Ceiling Steel Structure 24. Gypsum Board 25. Concrete Foundation Wall 26. Pagecoat 27. Reinforced Concrete Footing 28. Rebar
Angle
Hours South Facade South Facade Ground Floor Glazing 1 2 3 1 2 3
Sunlight
and

Envelops and Interior

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With respect to envelop, horizontal louvers are introduced to the upper-level glazing elements. The continuous louvers clearly indicate the circulation inside. The facade of the upper building volume is cladding with limestone panels.

Cantilever Structure

Steel beams and columns offers more opportunity to constructed a dynamic space. The building structure is using steels to fulfill the load as the cantilever system which could create the sense of lifting and lightness.

System Organization

In order to deal with the condensation issue, radiator unites are specially installed at the bottom of the glazing elements. The building also applies a rainwater collection system by taking advantage of the partly slopes roof.

OVERALL SYSTEM DIAGRAM 1/8”=1’-0” AIR INTAKE WATER RADIATOR GRAY WATER RAIN WATER - 14 -
Primary Beans Secondary Beams Peripheral Beams SYSTEM AXON WITH PROGRAMS 1/16”=1’-0” HVAC PROTOTYPE 1 IN LECTURE ROOM HVAC PROTOTYPE 2 UNDER RAMPS HVAC PROTOTYPE 3 IN GALLERY SPACE HVAC PROTOTYPE 4 IN OFFICE SUPPY RETURE CHILLER WATER AIR INTAKE WATER RADIATOR RAIN WATER GRAY WATER PRIMARY BEAMS SECONDARY BEAMS PERIPHERAL BEAMS ZOOM IN BEAMS AND HVAC WATER TANK COOLING TOWER BOILER FRESH AIR INTAKE CHILLER SYSTEM AXON WITH PROGRAMS 1/16”=1’-0” HVAC PROTOTYPE 1 IN LECTURE ROOM HVAC PROTOTYPE 2 UNDER RAMPS HVAC PROTOTYPE 3 IN GALLERY SPACE HVAC PROTOTYPE 4 IN OFFICE CHILLER WATER AIR INTAKE WATER RADIATOR RAIN WATER GRAY WATER WATER TANK COOLING TOWER BOILER FRESH AIR INTAKE CHILLER PRIMARY BEAMS SECONDARY BEAMS PERIPHERAL BEAMS Lorem ipsum Underground First Floor Second Floor Roof Duck Patterns
1. Boiler OILER 2. Air Conditioner 3.Chiller HILLER 4.Fresh Air Intakes 5. Cooling Tower 6. Grey Water Processor 7. Water Tank 8. Chilling Water Pump
Central Ventilation

System, Structure And HVAC

The system and beams structure are carefully separately considered by different functions. Air-forced system is arranged in the center, and other mechanical bumps are hidden on the left side near bathroom.

- 15Primary Beans Secondary Beams Peripheral Beams Supply Return Chiller Water Air Intake Water Radiator Rain Water Gray Water IN LECTURE ROOM SUPPY RETURE CHILLER WATER WATER RADIATOR RAIN WATER GRAY WATER PRIMARY BEAMS SECONDARY BEAMS PERIPHERAL BEAMS HVAC PROTOTYPE 1 IN LECTURE ROOM HVAC PROTOTYPE 2 UNDER RAMPS HVAC PROTOTYPE 3 IN GALLERY SPACE HVAC PROTOTYPE 4 SUPPY RETURE CHILLER WATER AIR INTAKE WATER RADIATOR RAIN WATER GRAY WATER PRIMARY BEAMS SECONDARY BEAMS PERIPHERAL BEAMS ZOOM IN BEAMS AND HVAC HVAC PROTOTYPE 1 IN LECTURE ROOM HVAC PROTOTYPE 2 UNDER RAMPS HVAC PROTOTYPE 3 IN GALLERY SPACE HVAC PROTOTYPE 4 SUPPY RETURE CHILLER WATER AIR INTAKE WATER RADIATOR RAIN WATER GRAY WATER PRIMARY BEAMS SECONDARY BEAMS PERIPHERAL BEAMS ZOOM IN BEAMS AND HVAC HVAC PROTOTYPE IN LECTURE ROOM RAMPS 3 IN SPACE PROTOTYPE IN OFFICE SUPPY WATER INTAKE RADIATOR RAIN WATER GRAY WATER BEAMS PERIPHERAL ZOOM IN BEAMS HVAC
HVAC Prototype 2 In the Gallery Space HVAC Prototype 1 In the Office HVAC Prototype 3 Under Ramps HVAC Prototype 4 In the Lecture Room
Zoom In HVAC

II

PENGUIN PARK

Strategies of Inter-human/Inter-species/Inter-urban

Site: Near Nanjing Train Station, Hongshan Forest Zoo, Xuanwu, Nanjing, China

ARC408 Visiting critic studio: Fall2021_Shanghai Visit Critics

Instructor: Ziyue Liu (SANAA)

Partner: Weiwei Lei,Nicholas Chung

Contribution: Schematic design, Handcraft Modeling, Drawings

The exploration of edges between nature and humans is constantly explored by designers. For city zoos, the idea of creating the natural sphere become necessary and how could integrate the action of human without affecting the environment and disturbing to animals. The abstract of Penguin Park is to propose a new animal enclosure for the Hongshan Zoo in Nanjing, which itself is a segmented piece of nature in the heart of the city.

The site is in between the zoo and the Nanjing transportation, one of the most populated and busy areas in the city. This project is seeking an architectural strategy to respond to the complex site conditions with the respect to animal habits.

Mangelic penguin, a temperate South American animal, has the ability to live in the outdoor temperature and humidification in Nanjing. Humans have more opportunities to be active and engaged with the Mangelic Penguins.

We were intrigued by the parallel between how they traverse sociologically between amphibian habitats and how humans occupy the cityscape to recreate and work.

Given that the site parcel is an edge condition between the city and nature, we wanted to leverage it as an interface of inter-human, interspecies, and interurban transactions.

Exhibit in Tongji University and Shenzhen Architecture Biennale

Tigers More horizontal landscaping to offer variety Encourage exploration Elevated base for visibility of humans and ‘prey’

Koala Interior climate control Less human interaction Less ground vegetation

Monkeys Prevent from escaping High degree of customiz-ability Horizontal and vertical play

Giraffe

Less horizontal Tall Enablevegetation food baskets to be lowered from above

Elephant Headroom Horizontal movement Water and vegetation

Aviary Maximum Verticality Netting or glass to define boundary Vegetation should offer variety of enclosure

KangaroosHorizontal field Requires headroom Sparse ground vegetation

Petting zoo Closed scale Soft boundary

Panda Terrain change ClimbingBambooplatforms height

Gorilla Load consideration Ground and elevated occupation Dense ground vegetation resource

Zoo Typologies - Animal Inhabitation

Zoos as a type has historically shifted from a menagerie to novelties, accessible only to societal elites, to a picturesque landscape that mimics the ecological condition as a means to educate or condition into the public consciousness a scientifically idealized scientific rationalization and dichotomy of nature/human.

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Boundary become dynamic and blurred

Dynamic Boundary - The Threshold between Animals and Humans

Spatially, a boundary is defined as “a line that marks the limits of an area; a dividing line”. In nature, instead of a linear defined edge, the boundary emerges as an irregular organic cumulus, expanding towards various directions, that imply all possible actions, movements, and emotions between humans and animals.

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Path of Monkey Path of People Human cannot see Animal Animal cam see Human Human can see Animal Animal cannot see People Human can see Animal Animal can See Human The more distance the object to the frosted glass, the more blur or boundary with related. Boundary of Plants, Animal, and human is segregated by mirror and frosted glass The visibility of frosted glass redefined the boundary of humans and animal. Visible Range Frosted Glass Mirror Wall Frosted Glass Frosted Glass
- 20The Adjacency of Zoo and City Buildings Hongshan Zoo Programs Train Station Programs Park Area Main Urban Circulation Train Road Circulation

Mangelic penguin have fixed Social Framework, habitual and spatial patterns.

Living in sand

Hunting in Water

Human Tangent

Mangelic penguin require an amphibian environment that separates their recreation and productivity. Much like how humans live in suburbs and go into cities to work.

Amphibious Habitats. Establish living sand habitat and hunting diving habitats for penguins.

8 Hour - Zoo Tickets Required Circulation

Extended from the zoo’s walkway to form the circulation of the first roof floor.

Intersected Interior Program

The bubbles set between two habitats and visitors could see penguins’ activity.

Penguin Highway

A bridge is created for daily hunting of penguins to connect between the two habitats.

24 Hour - Free Public Circulation

The second floor’s walkable roof connect adjacent urban roadway and city mall.

City and Nature Division

Vertical Circulation

Visitors are able to switched to different floor at the critical intersections.

Schematically, the project serves as a tangential line that bifurcates the 2 penguin habitats where human programs occur. These pathways are delayer into an enclosed route for the zoo and a route that bleeds back out into the city, linking the station, the zoo, and the new plaza or mall complex.

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24” - 30” | 61 - 76cm 8.3” - 10.6” 21 - 27cm
Human Outdoor Space Human Program Penguin Habitat I Penguin Habitat II Human Circulation Penguin Circulation
Circulation Intersection Live Play and Hunt

Penguin Habitat I - Playing and Predation

Penguin Habitat II - Living and Incubation

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Section of the Main
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Site Model Main Exhibition Space
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Penguin Highway and Outdoor Theater

The trajectory intersection point of two Habitats and human main exhibition space becomes the amphitheater allows for the daily ritual of migration to devolve into a spectacle for human (and in a more morbid criticality, for penguin) consumption.

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Ground Floor Second Floor Roof Floor

Intervention and Integration

Human and penguin circulations are equally considered and intersected with two habituations, Living/incubation, and playing/predation. Because of the design, the scenes between sand and water become much more playful and diverse for both animals and humankind.

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Photoshop-ed Interior Model - Exhibition Space Photoshop-ed Interior Model - Ocean Cafe
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Menu of “Ocean Cafe” Penguin Park Seasonal Posters

Branding and Graphic Design

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Penguin Park is named OSO, and the Logo, O S O, are designed by semi-cycle. Two O represented the two penguin habitats and S means the connecting highway between them. Under the logic of the cycle. I designed a set of graphic outputs and products for the branding of this architecture, O(Orbit), S(Social), O(Observe) Way-findings of Restroom Way-findings of the Exhibition space Copied in Beijing - Copied in Beijing - Diorama Drawing

III

COPIED IN BEIJING

Based on the Map of City in Qing Dynasty

Special Mention Recipient_ Annual One Drawing Challenge_2021

Shortlisted_ The Architecture Drawing Prize, l_2021

Site: Beijing, China

ARC408 Visiting critic studio: Spring2021_Beijing Visit Critics

Instructor: Li Han and Hu Yan, Drawing Architecture Studio (DAS)

Diorama drawing: 408 Class(14 Students)

Contribution: Drafting Composition, UCCA and Case de Matellica

The Complete Map of Capital Beijing is based(Shanzhai) on Qing Dynasty era map. Shanzhai山寨 (Chinese word for copycatting) is a complicated concept. Shanzhai architecture is found everywhere in China.

The diorama consists of a two-dimensional, 1:100 scale ‘copy’ of an original Qing Dynasty map, as well as models made by using style-transfer algorithms to collage building sources drawn from both contemporary Western architecture and contemporary Beijing vernacular sources

The contempt, laughter, and abuse from architects couldn’t stop the masses’ love for those knock-offs. They often become news spots. This studio will be a radical adventure focused on Shanzhai 山寨 architecture.

Diorama Drawing
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Casa de Metallica uses as its source the Umlauftank or ‘Pink-pipe’ designed by Ludwig Leo built in Berlin in the 1970s. It is designed as a contemporary art gallery for Beijing. We were intrigued by Leo’s use of color to transform an industrial building situated in a dreary harbor landscape into a pop art-inflected playful, vibrant form. Casa de Metallica Back Facade - Umlauftank Back Facade - Casa de Metallica Urban village Front Facade - Casa de Metallica Front Facade - Umlauftank Sketching of Facade
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Installation in E-park Co-Work Space Models+Drawing Installation - Shanzhongtian Art Center

IV

THE LAST OASIS

Biological Archiving Space

Site: The estuary of Panama City, Panama, Central and South America ARC208 Landscape Studio: Spring2020_Syracuse University

Instructor: Julie Larsen

Partner: Yian Liu

Contribution: Research, Conceptual Exploration, Design, All Drawings

Because of the various wide ranges of threats – civil strife, war, natural catastrophes, poor management, lack of adequate funding, shifting local weather patterns, equipment failures, and disuse by farmers…., the species and seeds collections becomes necessary as an insurance policy for world supply under such vulnerable conditions.

The Vessels from different continents and has docked in Panama City, the central location worldwide, becoming the Oasis that preserving seeds and animals, and dropping off tourists, scientists and farmers.

They have landed at the ‘Doomsday Living Archive’, facing the earthquake occasion. This project protect humans, animals, and environments, increasing the world’s safety net as insurance for the world’s resources.

The goal is to provide a safe and secure environment for the storing of precious natural resources, seeds, local species, or cultural artifacts in a particular region and to allow some, in limited quantity, to be on display for tourists to peruse the showcased storage facility. The size of the archive is equivalent to the original vessel volume

Disaster Happened_100 Years

The

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This project locates at the estuary of Panama City, which surrounded by a bizarre highway. Panama City used to have the most mangroves in Central America. Through the impacts of global warming, the doomsday follows up with the rise of sea level, and Mangrove become the ideal defender in this circumstance. Panama - Global Center
Atlantic Ocean Pacific
Atlantic Ocean Pacific
Indian
Panama is famous for the Panama Canal which connects the Atlantic Ocean and the Caribbean Sea to the north of the Pacific Ocean as the join point of the Planet. Ocean Ocean
Ocean
Vessels landed to the Site and Formed Oasis
Sea Level Rise in 50 Years later Asian Europe North America South America Australia Africa Middle East Caribbean Indian Ocean
Doomsday by Earthquake

Mangrove - the Protector of the City

Due to the roots of Mangroves, these plants sequester carbon, stabilize shorelines with trapped sediment, and buffer coasts against erosion from storm waves, tides, and sea-level rise. Mangroves protects the coast line, breeding and nurseries the land and species of fish, birds, and etc.

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Mangrove forests are an important barrier to hurricanes along tropical and subtropical coasts. The roots can break up the force of a storm surge, soaking up some of its energy coasts from cyclone damage. Hurricane Mangrove City

The

After 50 years Long Section of the Oasis

The Merging “Vessels” Becomes the Oasis

After 100 years

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Space Prototype - Oasis “Vessel” Oasis land is formed by thousand of Vessels which are composed of concretes hollow infrastructures providing gaps for mangroves to grow on and species to inhabit. There are pavilion space for people and birds to habituate on the Vessels’ top. “Ship” from Other Continents Land in Panama Protector - Mangrove Pavilion - “Spiders” Carrier - Concrete Vessel
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Exterior - Underwater Ecology Interior - The Growing Mangrove Exterior - Doomsday Ink Stamp of Baguette

VCYBERUTOPIA DISORDER

The Stage of Disorder in the Paradoxes of Virtual and Real

ARC505 Thesis Preparation: Fall2022_Syracuse

Instructor : Britt Eversole, Julie Larsen, Jean-Francois Bedard

Partner: Yukun Zhuang

Contribution: Research, Handcraft Modeling, Drawings

As the energy constantly increasing in the universe with the prove of theory of entropy, it shows that the unavoidable ultimate result from order to disorder. This research specifically studies and analyzes Fermentation as a drive to simulate environments in virtual setting with the involvement of entropy.

Fermentation is a metabolic process that produces chemical changes in organic substrates. In our case the act of yeast producing carbon dioxide via consuming water and sugar.

The process would create a chaos/disorder that transforms both the physical and chemical properties. We use flour to capture fermentation, because the gluten bond will visualize the physical characteristic of the fermentation’s transformation, which also reflects entropy.

Fermentation as the changing process on flour is bound to remain Micro. However, we consider that the action of itself is not limited to food scale. We interpreted the concept into what we could eat, we could see, and we could live.

Fermentation and Spacial Imagination

Limitation of the material is obvious. In the process of testing and scaling up, the material would break, collapse, shatter. Based on the physical production of bread, we recreate them into something that recalled human sense of cosmos, into something tangible and lively, into something familiar in the natural land like Stalactite.

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Physical Space of “Bread” Concept Stamp of Entropy Physical Model of Entropy

Virtual Simulation and Visualization

In the virtual, these forms are not just scanned and thrown into. It was created through the fundamental elements of the digital world, codes and particles. It’s similar to the process of using flour and yeast to create bread. However, through technology, we are able to walk through and visualized the micro space.

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The coded action is the fermentation process in the virtual creation. The act of entropy is still happening via codes that randomize movements of the particles in Point-clouded Houdini. Point Cloud of Fermentation - 3D Scan and Houdini

VICAITANG VILLA

A Quiet Escape Away from the City

Site: Nanjing, China

Work in NaturalBuild: Summer2021_Shanghai

Project Leader: Yongjun Zhou

Architect: Yanfei Shui

Contribution: Interior Design and Final Stage Drawings

Caitang Villa is a Private Hotel that specifically host artists and art events. The design means to keep a close touch with nature and vernacular characteristic in Nanjing countryside scenery, integrated logistical functions and arrange them on a streamlined circulation.

The Building proposed the idea of embracing nature, cooperating the Nanjing Mountain view into the space. The circulation of visitor will be switching between the rooms, interior courtyard and water front.

Instead of seeing the building constructed on the ground, the villa is the part of nature that grow out from.

Typology 1

20-30m²

(5 rooms)

Typology 2

50-55m²

(4 rooms)

Typology 3

65m²

(1 room)

System forward to stabilize plan

房内运用隔墙和家具,来强调平面的框架结构,并在现有的面积内, 达到更佳的客房体验 (共10间客房)

Upper Floor Plan 616m²

Ground Floor Plan 820m²

- 46NANJING CAITANG VILLA 南京菜塘项目

South Side Entrance

The south side of the villa is adjacent to the road and walkway. People have a direct entrance to the facility. The building blocked the view from the roadside, creating an isolated atmosphere.

North Side Garden

The north side of the villa is embracing the nature view, which set a bunch of view spots. The formal logic of building has a fluid rhythmic formal language with the slope of the mountain.

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Private Bathroom
1
2
Living Room Typology
Typology
Public Dinning Area

Interior Design - Living Room

The Interior design is inspired by the style of Wabi-Sabi and Zen atmosphere. It explored the beauty of simple and imperfection that bring a sense of peacefulness. It is not decorated but expected to create a illusion of frozen time that people can be chill to talk, read, to appreciate artworks

The building is an art of respecting nature. The texture of micro cement gives the soft diffuse light reflection, the sunlight becomes warmer and softer. Most of the furniture is made of cherry wood creating a sense of irreproducible beauty.

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VII

OTHER WORKS

Small Project, Art Work, Jewelry, Virtual Reality, Gaming

Kitchen City

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Ground Floor Structure
ARC 307: Fall 2020_Syracuse , Site: Bedford-Stuyvesant, NY, Instructor: Thomas Ryan
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The Commercial Kitchen Kitchen Alfresco The Habitation Culinary
ARC 307: Fall 2020_Syracuse , Site: Bedford-Stuyvesant, NY, Instructor: Thomas Ryan
Kitchen City
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ARC208 - PJ1, Spring2020 - Syracuse, Instructor: Julie Larson Analytical Drawing of Leca Swimming Pool 2016-2021, Charcoal, Oil Painting
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Art Work
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ARI 243: Fall 2020 - Syracuse University Instructor: Jaroslava Rihodova Infinity Sense - Necklace and Ear Accessory ARC500 Immersive Infrastructure, Summer2022 - Syracuse University, Instructor: Amber Bartosh, Partner: Kjo Zhuang Arena Shooting Game - Unreal Engine ARC500 Immersive Infrastructure, Summer2022 - Syracuse University, Instructor: Amber Bartosh, Partner: Kjo Zhuang Immersive 360 Space - Virtual Reality
Thank You for Your Time and Consideration Ariela Yaqi Zhang yzhan371@syr.edu (315)849-7295

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