Theory, Criticism, Pedagogy
Conference Programme
Thursday, 23 February 2017
08:00–10:00
Registration
Entrance hall
10:00–10:30
Welcome address
Auditorium, Room 60, 2nd floor
10:30–11:30
KEYNOTE LECTURE
Auditorium, Room 60, 2nd floor
Kamilla Elliott, University of Lancaster // Theorizing Adaptation/Adapting Theorization 11:30–11:45
Coffee break
Room 58, 2nd floor
11:45–13:00
SESSION 1a, Room 66, 2nd floor
SESSION 1b, Room 46, 1st floor
Chair: Jasna Poljak Rehlicki
Chair: Jadranka Zlomislić
• George Prokhorov // From Eyewitness
Narratives to Retellings and Literary Adaptations: Russian Time of Troubles in Early Modern Europe
• Stipe Grgas // The Use-Value of
Adaptation and Censorship in Weimar Cinema
• Marijan Krivak // Metastases of Croatian
Reality in the Novel by Ivo Balenović (2006) and Film by Branko Schmidt: A Discourse on Fascist Tendencies
Literature
• Kirsten A. Bartels // Just Felix:
Adaptations in Morris Gleitzman’s Protagonist across Literary and Literal Time
13:00–15:00
• Christiane Schönfeld // Interventions:
Lunch break
1
• Demir Alihodžić // Revisioning
Shakespeare, Narrating the Nation: A Case Study of Edward Bond’s Lear
15:00–16:15
SESSION 2a, Room 66, 2nd floor
SESSION 2b, Room 46, 1st floor
Chair: Ljubica Matek
Chair: Sonja Novak
• Lisa Sternlieb // Co-Evolution and Co-
Authorship in Adaptation
• Ljubica Matek and Jelena Pataki // From
• Victoria de Zwaan // “I’ve Written
Myself into My Screenplay”: Narrative, Genre, and Meta-Commentary in Adaptation
“Crash!” to Crash: Adapting the Adaptation
• Saša Lovrić // Narratological Approach to
Janica Tomić // Nordic Crime Fiction and Its Transculturation: “Bestsellers to Blockbusters” and TV Series
• Dina Koprolčec and Tihomir Živić // The
the Film Adaptation of the Novel: An Introduction
Adaptation of Ivana Šojat’s Modernist Novel Unterstadt
16:15–16:30
Coffee break
Room 58, 2nd floor
16:30–17:45
SESSION 3a, Room 66, 2nd floor
SESSION 3b, Room 46, 1st floor Chair: Biljana Oklopčić • Željko Uvanović // Changing Values of
Johanna Spyri’s Heidi (1880/1881) and Its Film Adaptations (1937-2015) within the American, British, and German-Speaking Cultures
• Biljana Oklopčić // Adapting the
Adapted: The Black Rapist Myth in E.R. Burroughs’ Tarzan of the Apes and Its Film Adaptations
• Selma Veseljević Jerković // Being
Divergent: The Representation of Race and Gender in Adaptations of Young Adult Dystopian Fiction
18:00–20:00
Conference dinner
Room 25, 1st floor
Friday, 24 February 2017 09:00–10:15
SESSION 4a, Room 66, 2nd floor
SESSION 4b, Room 46, 1st floor
Chair: Jasna Poljak Rehlicki
Chair: Jadranka Zlomislić
• Anđelka Raguž // “Till This Moment I 2
• Lidija Mustapić // Subtitling
Never Knew Myself”: Adaptations of Pride and Prejudice • Shirley A. (Holly) Stave // Emma
Extralinguistic Cultural References – Translation or Adaptation? • Tihana Klepač and Katja Radoš
Liberated
• Željka Flegar // A Tale within a Tale: Mise
en Abyme Adaptations of the Twenty-First Century
Perković // The Croatian Version of Eric Idle's Spamalot: Hommage to a Translator
• Katerina Perdikaki // Adaptation as
Intersemiotic Translation: Towards a Translation-Derived Model for the Analysis of Film Adaptation
10:15–10:30
Coffee break
Room 58, 2nd floor
10:30–11:45
SESSION 5a, Room 66, 2nd floor
PhD SESSION a, Room 46, 1st floor
Chair: Sonja Novak
Chair: Jelena Pataki
• Vanja Polić // Margaret Atwood's Hag-
• Božena Pandža-Mandurić // Aspects of
• Sonja Novak // Comprehending Rather
• Branko Marijanović // Adaptation in the
Seed, or William Shakespeare's The Tempest Retold
Than Apprehending Adaptations: The Case of Friedrich Dürrenmatt’s Der Besuch der alten Dame
Death in the Film Adaptation (2013) of Markus Zusak's The Book Thief (2005)
Absence of One's Own Civilizational Frame in Golding's Lord Of the Flies and Achebe's Things Fall Apart
• Iva Polak // Adapting Cultural Trauma in
The 7 Stages of Grieving: The Power of “Feeling Nothing”
12:00–13:00
KEYNOTE LECTURE
Room 54, 2nd floor
Chair: Ljubica Matek •
Laurence Raw, Baskent University // Pedagogies of Adaptation
13:15–15:00
Lunch break
15:00–16:30
PhD SESSION b, Room 66, 2nd floor
PhD SESSION c, Room 46, 1st floor
Chair: Biljana Oklopčić
Chair: Jelena Pataki
• Tomislav Kuna // Is This an Adaptation I
See Before Me?: Macbeth on the Big Screen
• Kristijan Stakor // Julie Taymor’s Visual
Leitmotifs in Her Adaptations of Shakespeare’s Titus Andronicus and The Tempest
• Davorka Ljubenkov // What Goes
Around, Comes Around: Cycles and Repetition in A Clockwork Orange (1962,
3
• Mario Penavić // Three Faces of Carrie
White: Analysis and Comparison of Alienation and Femininity in Three Adaptations of Stephen King’s Carrie (1974)
• Giuseppe Barbuscia // Who Watches
Watchmen? Film Adaptation and the Sequential Art
• Nada Kujundžić // The Power of
Wishes, Promises, and Kisses: The
1971) 17:00–18:00
Disneyfication of Jacob and Wilhelm Grimm’s “Der Froschkönig”
FILM PROJECT PRESENTATION
Auditorium, Room 60, 2nd floor
Željko Uvanović // Osijek Sweet Osijek (in German with English subtitles) 19:00
FILM SCREENING // Moonlight, dir. B. Jenkins (2016) – optional, entrance fee 18 kn
Urania Cinema, Vjekoslava Hengla 1, Osijek
Saturday, 25 February 2017 09:00–10:00
KEYNOTE LECTURE
Auditorium, Room 60, 2nd floor
Chair: Željko Uvanović • Kamilla Elliott, University of Lancaster // The Adaptation as Critic: Creative Critical
Modes of Assessment in Adaptation Pedagogy
10:00–10:15
Break
10:15–11:25
Student projects and presentations
Auditorium, Room 60, 2nd floor
Chair: Željko Uvanović • Amela Ćurković and Students // Herr der Staubfilter – Lord of the Filters, film project • Amra Hodžić // Prof. Uvanović's Difficulties in Making Adaptations and Adventurous
Adaptations to Circumstances
• Miroslav Dikanović // Setting the Tune in Osijek Sweet Osijek and Professor Romulus Geht
in die Rente: The Making of
11:25–11:50
Closing discussion and farewell address
Auditorium, Room 60, 2nd floor
Filozofski fakultet Osijek, 2017 4