Fine Netsuke, Sagemono & Okimono

Page 1

Fine Netsuke, Sagemono & Okimono AUCTION Saturday, November 2nd 2019

AUCTION

Fine Netsuke, Sagemono & Okimono Saturday, November 2nd 2019, at 1:00pm CET CATALOG NE1119

VIEWING www.zacke.at

IN OUR GALLERY PREVIEW VIENNA: 7.10.2019 - 20.10.2019 and 30.10.2019 - 2.11.2019 Monday - Friday 10am - 6pm Day of the sale: 10am - 1pm and by appointment HIGHLIGHTS PREVIEW PARIS (INS CONVENTION): 25.10.2019 - 28.10.2019

GALERIE ZACKE MARIAHILFERSTR ASSE 112 1070 VIENNA AUSTRIA Tel +43 1 532 04 52 Fax +20 E-mail office@zacke.at

IMPORTANT INFORMATION

According to the general terms and conditions of business of Galerie Zacke Vienna, Founded 1968, SZA Versteigerungs & Vertriebs GmbH, 1070 Wien, online at www.zacke.at ABSENTEE BIDDING Absentee bids are carried out under the regulations of the terms of business of Galerie Zacke, SZA Versteigerungs & Vertriebs GmbH, which requires written submission of your purchase limit. Orders without purchase limits cannot be processed. Only the submitted lot number of the auction lot is binding for the processing of the absentee bid. The place of jurisdiction is Vienna, Austrian Law and Austrian jurisdiction are exclusively applicable for all legal questions arising from the business relationship. Absentee bids for this auction will be accepted until the day of auction by 10:00 a.m. We regret that absentee bids received after the time stated above will not be processed until after the auction. PLEASE SEND ABSENTEE BIDS FOR THIS AUCTION TO: Fax: +43 1 532 04 52 20 or Email: office@zacke.at or Mail: Galerie Zacke, Mariahilferstrasse 112, Stiege 1, 2. Stock, 1070 Wien, Austria, Europe WE ACCEPT THE FOLLOWING METHODS OF PAYMENTS: Č? &DVK Č? &HUWLILHG RU SHUVRQDO FKHFN Č? %DQN WUDQVIHU SOHDVH LQTXLUH WR UHFHLYH our bank account information) Č? &UHGLW FDUG 9LVD 0DVWHU&DUG $PH[ 'LQHUV &OXE

TELEPHONE BIDDING It is generally possible to bid by telephone during the auction. Please fill out the absentee bidding form enclosed in this catalogue and include your telephone number at which you can be reached during the auction. In the “bid in euro� column please write “TEL� and then send us the completed absentee bidding form. We will contact you by telephone during the auction, whereby you will be able to bid directly. Please keep in mind that such telephone bids are always classified as a bid equivalent to the estimate. Should no other person bid for the specified lot, you will automatically win the bidding and the respective lot will be knocked down at the estimate price. ESTIMATES AND STARTING PRICES The auction will begin with the starting price and written bids will be accepted only with a minimum amount equivalent to the starting price. SHIPPING AND TRANSPORT INSURANCE For domestic shipping Galerie Zacke (hereinafter called “the company�) charges in average EUR 15,- to EUR 50,- per item, depending on size and weight. These fees cover the costs of packing and shipping. Fees for bulky or fragile items, or international shipping will be quoted upon request. The purchased goods are transported at the risk of the customer following handover of the packaged item to the post office or another carrier which the customer agrees to through his/her submission of the purchase order. According to the specific wish of the customer, the auctioned goods may be insured for the value of the purchase price (highest bid and all surcharges). This insurance fee is 3% of the purchase price. For any lots with purchase prices exceeding EUR 350,- the transport insurance will be automatically arranged by the

company if it does not expressively receive the purchaser´s written denial of this service. Payments due to the company under the insurance contract will be charged to the customer. The company is also entitled to assign claims under the insurance contract to the customer providing the terms of the insurance contract do not prevent this. In any case, the company is only required to make payment to the customer specifically if payment has effectively been received from the insurance company. COLOR AND CONDITION Auction lots will be exhibited for viewing prior to the auction, thus offering all interested customers the opportunity to examine the quality and condition of the works exhibited. The catalogue illustrations are intended to assist customers during such preview. In illustrations, printed colors do not correspond exactly to the originals. The printed catalogue images are not representative for the condition of the illustrated pieces. Flaws and damages are therefore always indicated in the catalogue. The illustrations in the online catalogue can be strongly magnified, so that damages and restorations are usually well recognizable. ENDANGERED SPECIES / CITES INFORMATION Many items in this catalogue may consist of material such as for example ivory, rhinoceros-horn, tortoise shell, coral or any rare types of tropical wood, and are therefore subject to the Convention on International Trade in Endangered Species of Wild Fauna and Flora [CITES]. Such items may only be exported outside the European Union after an export permit in accordance with CITES has been granted by the Austrian authorities. We would like to inform you that such licenses are typically not granted. For Objects which have a low ivory content or have been proven beyond doubt to be in the EU before 1982 (lots 44, 131, 144, 147, 169, 229, 254 and 267) please contact our office for more information on how to obtain a CITES license. COMPLAINTS At its auctions, Galerie Zacke sells consigned lots on behalf of third-party consignors. For this reason, any complaints related to purchased lots must be reported to Galerie Zacke within 6 weeks after the receipt of such lot. Our complete general terms and conditions of business can be found on our website www.zacke.at THE ART LOSS REGISTER All items starting above 2.000,- EUR have been checked by the Art Loss Register. FURTHER IMAGES More images of all lots can be found at: www.zacke.at

ABSENTEE BIDDING FORM FOR THE AUCTION Fine Netsuke, Sagemono & Okimono NE1119 ON DATE NOVEMBER 2 ND 2019, AT 1:00 PM CET

LOT NR.

LOT TITLE

%Ζ' Ζ1 (852

PLEASE CALL ME WHEN A HIGHER %Ζ' 7+$1 0Ζ1( +$6 %((1 5(&(Ζ9('

3/($6( 5$Ζ6( 0< %Ζ' %< 21( %Ζ''Ζ1* INCREMENT (ca. 10%) IF NECESSARY IMPORTANT NOTICE: %LGV GR QRW LQFOXGH EX\HUvV SUHPLXP DQG RU 9$7

MY PHONE NUMBER

TELEPHONE BIDS: ΖI \RX OLNH WR ELG E\ WHOHSKRQH SOHDVH VWDWH Ȇ7(/ȇ LQ WKH Ȇ%Ζ' Ζ1 (852ȇ FROXPQ LQVWHDG RI D (XUR DPRXQW *DOHULH =DFNH ZLOO FDOO \RX RQ WKH GD\ of the auction, on the telephone number provided, 5 lots before the lot you are bidding on and the bidding will commence at the starting price, as stated in the catalog. If Galerie Zacke cannot reach you during the auction, Galerie Zacke will bid up to the estimate on your behalf. TERMS OF PAYMENT, SHIPPING AND COLLECTION:

NAME

EMAIL

ADRESS

POSTCODE

With the signature on this form, the client instructs the auctioneer to bid on his behalf. The Euro amount up to which the auctioneer shall bid on behalf of the client is either stated in this form or will be communicated to the auctioneer via telephone during the auction. All absentee bidding shall be governed by the terms and conditions [AGB] of Galerie Zacke. The client agrees with his signature that he has read, understood and fully accepted the AGB of Galerie Zacke. Galerie Zacke, founded 1968, is a registered brand of SZA Versteigerungen & Vertriebs GmbH, Vienna, Austria.

PHONE NUMBER

DATE & SIGNATURE

CITY, COUNTRY

CREDIT CARD PAYMENT PLEASE CHECK THE DESIRED CARD COLLECTION BY CLIENT WITH PAYMENT ON THE PREMISES IN CASH, BY CERTIFIED CHEQUE OR CREDIT CARD INVOICE PAYMENT VIA BANK WIRE AFTER RECEIPT OF INVOICE SHIPPING AFTER RECEIPT OF PAYMENT EXPRESS PARCEL SERVICE REQUIRED (ACCORDING TO TERMS AND CONDITIONS OF GALERIE ZACKE)

AMEX

DINERS

MASTERCARD

VISA

NAME

ADDRESS

CARD NUMBER

EXPIRY DATE

SECURITY CODE

SHIPPING INSURANCE REQUIRED (ACCORDING TO TERMS AND CONDITIONS OF GALERIE ZACKE) GALERIE ZACKE Mariahilferstrasse 112, 1070 Vienna, Austria Email: office@zacke.at Tel: +43-1-532 04 52 Fax: +43-1-532 04 52 20

IMPORTANT NOTICE: At its auctions, Galerie Zacke sells consigned lots on behalf of third-party consignors. For this reason, any complaints related to purchased lots must be reported to Galerie Zacke within 6 weeks after the receipt of such lot.

ABSENTEE BIDDING FORM FOR THE AUCTION Fine Netsuke, Sagemono & Okimono NE1119 ON DATE NOVEMBER 2 ND 2019, AT 1:00 PM CET

LOT NR.

LOT TITLE

%Ζ' Ζ1 (852

50 YEARS GALLERY ZACKE

HOW TO FIND US ON MARIAHILFERSTRASSE:

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BY PUBLIC TRANSPORT: 2-3 minutes from the U3 station ZIEGLERGASSE 3-5 minutes from the U3/U6 station WESTBAHNHOF

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Mittelgasse

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112

Mariahilferstr aße

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GALERIE ZACKE

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Apollogasse

Schottenfeldgasse

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Neubaugürt

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Westbahnhof

BY CAR: %HVW URXWH WDNH WKH *¾UWHO WR WKH :HVWEDKQKRI DQG WXUQ RQWR Mariahilferstraße; house number 112 is just after the Kaiserstraße. Access is possible by car, with loading and unloading all day as well as short term parking. Multiple garages directly nearby ADDRESS: Mariahilferstr. 112 1070 Vienna STAIRCASE 1, 2nd FLOOR (ELEVATOR)

Further images of all lots at: www.zacke.at

TERMS OF AUCTION

§ 1) The auction shall be carried out in accordance with the provisions of the rules of procedure of GALERIE ZACKE ©, SZA VERSTEIGERUNGS UND VERTRIEBS GMBH, MARIAHILFERSTRASSE 112, 1070 WIEN (hereinafter referred to as the company) as well as in accordance with sections 244-246 of the GEWERBEORDNUNG [Industrial Code] of 1994. The auction shall be carried out on commission. The auctioneer shall be entitled to withdraw lots exceptionally, to conduct the auction deviating from the order of the catalogue numbers and to offer lots jointly. In the event of any dispute concerning a double bid or if the auctioneer has missed a bid, the auctioneer shall be entitled to revoke acceptance of a bid and to continue auctioning the item. The figures stated in the catalogue shall be the highest bid in Euro (€) expected by the respective expert. As a rule, the bid shall be increased by 10% of the last bid. (See table of the bidding increments). § 2) The acceptance of a bid shall be granted to the highest bidder unless a hidden reserve has been agreed upon with the consignor of the item in question. Such a hidden reserve (also called limit or just reserve) shall be the minimum price under which the item will not be sold during the auction. This reserve will be disclosed upon request only and may exceed the estimate. The auctioneer will in this case bid on behalf of the seller against all other bidders until the reserve has been reached. If a reserve is not reached during the auction, the auctioneer will knock down the item to the highest bidder at the final bid, but the sale will be conditional of the acceptance of this final bid by the seller. In this case the highest bidder shall be bound to his/her last bid for a term of 8 days starting with the day of the knockdown. If the winning bidder does not receive a written cancellation notice within this term of 8 days, the knockdown becomes unconditional and the sale is final. Typically, only a minority of all items in an auction have a hidden reserve. § 3) All items shall be subject to differential taxation. A uniform surcharge of 26.4% inclusive the value added tax shall be added to the achieved highest bid (final and highest bid). For online bids an additional 5 % will be charged. § 4) In the event of sales abroad, the value added tax will be repaid if the item is sold to a country which is not a member country of the European Union (third country), the legal requirements are met, and the proof of exportation is provided. The value added tax shall not be shown separately on the invoice. § 5) The auction buyer must pay the purchase price immediately upon acceptance of the bid (final and highest bid plus 22% surcharge, plus the value added tax applicable to the surcharge to the amount of 20%). However, the company may grant the auction buyer a respite for the payment of the purchase price in whole or in part in individual cases. If a respite is refused, the acceptance of the bid may be revoked, and the item may be reoffered. In the event of revocation of the acceptance of the bid, the company shall be entitled to accept the last bid from the underbidder. § 6) In the event of respite in whole or in part, the company shall be entitled to charge default interest (12% p.a.) as well as storage charges (2.4% pf the final and highest bid per month commenced) after 14 days upon acceptance of the bid. The item purchased at auction shall be handed over exclusively upon full payment of the purchase price including all costs and charges accrued since the acceptance of the bid. § 7) The buyer can take acquired items in possession, as far as possible, immediately or after the end of the auction. Items which have been fully paid for shall be handed over in our show rooms in GALERIE ZACKE, MAIAHILFERSTRASSE 112, 1070 VIENNA. If a deferred purchase price is not paid within the set period, the company shall be entitled to auction the item again in order to recoup its claim from the defaulting auction buyer. In this case, the defaulting auction buyer shall be liable to the company for the total loss of commission incurred by the company due to the re-auctioning as well as for any default interest and storage charges. § 8) The company shall be entitled to a lien on all items of the buyer irrespective of whether the buyer bought them within the scope of an auction or in free sale or the company secured ownership of these items otherwise. This lien shall serve to secure all current and future, qualified, limited and unmatured claims to which the company is entitled and which result from all legal transactions concluded with the buyer. § 9) The items received for auction will be exhibited and may be viewed prior to the auction. In doing so, the company shall give everyone the opportunity to check the nature and the condition of the exhibited items to the extent deemed possible within the scope of the exhibition. Every bidder shall be deemed to act on its own behalf uncles it provides a written confirmation saying that it acts as a representative of a well-known principal. The company may refuse bids; this shall particularly apply if a bidder who is unknown to the company or with whom the company has no business connections yet does not provide security by the beginning of the auction at the latest. However, in principle there shall be no claim to accept a bid. If a bid has been refused, the previous bid shall remain effective. § 10) The company’s experts evaluate and describe the items received for auction and determine the starting prices uncles otherwise stated in the catalogue or expert opinion. The information concerning production technique or material, state of preservation, origin, design and age3 of an item is based on published or otherwise generally accessible (scientific) findings concluded by the company’s expert with the necessary care and accuracy. The company shall warrant to the buyer according to §22 of the AGB (General Terms and Conditions) that properties are correct provided that any possible complaints referring to this are made within four weeks upon their taking into possession. Subsequent complaints shall be excluded in principle. The company shall not be liable for any further information in the catalogue and expert opinion as well. This shall also apply to illustrations in the catalogue. The purpose of these illustrations is to guide the potential buyer during the preview. They shall not be authoritative for the condition or the characteristics of the pictured item. The catalogue and the expert opinions shall only mention defects and damage affecting the artistic or commercial value significantly. Complaints concerning the price shall be excluded upon acceptance of the bid. The company reserves the right to amend catalogue information prior to the auction. These amendments shall be made either by a written notice at the place of auction or orally by the auctioneer immediately prior to offering of the respective item. In this case, the company shall be liable for the amendment only. All items offered may be checked prior to the auction. These items are used. Any claims for damages exceeding the liability named above and resulting from other material defects or other defects of the item shall be excluded. When making the bid, the bidder confirms that it has seen the item prior to the auction and has made sure that the item corresponds to the description.

§ 11) If a customer is not able to participate in an auction personally, the company shall accept purchase orders. These orders may be placed in writing, via email or fax. In the case of a purchase order placed by phone or orally, the company shall reserve the right to make the performance dependent on a confirmation from the principal communicated in writing, via email or fax. Furthermore, the company shall not be liable for the performance of purchase orders. Purchase orders with equal top bid limits will be considered in the order of their receipt. Bids which are only one increment above the starting price shall be exhausted totally. Bids which do not correspond to the increments determined by the company (see bidding increment) in tabular form will be rounded up to the next higher increment. The table of these increments can be sent upon request. In the case of lots auctioned “without any limits”, bids below the estimated price shall be exhausted totally. The written bid (purchase order) must include the item stating the catalogue number and the offered top bid limit which is quoted as the amount of the acceptance of the bid without buyer´s commission and without value added tax. Ambiguities shall be carried by the bidder. A purchase order which has already been placed may only be cancelled if the written withdrawal is received by the company at least 72 hours prior to the beginning of the auction. § 12) The company may refuse to process a purchase order without explanation until offering or make this dependent on payment of a deposit. In the event of an unsuccessful order, such a deposit will be reimbursed by the company within 5 working days. Processing of purchase orders is free of charge. § 13) Every contributor shall in principle be entitled to withdraw the items offered for auction until the start of the auction. Therefore, it is impossible to assume liability or to give warranty for the actual offering. § 14) Items paid must be collected within 30 days of payment. Items which have not been collected may be delivered without further communication at a starting price from the recent auction reduced by 50% after 30 days from the respective auction date. Items which have not been collected within 3 (three) working days after the auction or for which the company does not receive any proper shipping instructions stating the type of shipping and the address of dispatch (independent of a possibly placed purchase order) within 3 (three) working days after the auction shall be stored at the owner´s risk. Furthermore, the company shell be entitled to store item which have been purchased at auction and paid but not collected at the buyer´s risk and expense, including the costs for an insurance, with a forwarding agency. It shall be understood that the provision concerning the re-auctioning of unpaid and paid but not collected items must also apply to items not exhibited or stored on the premises of the company. The ownership shall be transferred the buyer at the time of handing over the delivery note. § 15) In the case of mixed lots with a starting price of less than EUR 350.00, the company shall not warrant for the completeness or correctness of the individual items within a mixed lot. § 16) A registration for a bid by telephone for one or several items shall automatically represent a bid at the starting prices for these items. If the company cannot reach the bidder by telephone, it will bid on behalf of the bidder by phone up to the starting price when the respective auction lot is called. § 17) Payments made to the company by mistake (through the payer´s fault) (e.g. due to miscalculation of the exchange rate by the payer) or payments made to the company for the same invoice several times shall be compensated in form of a credit note for goods for an indefinite period of time. The repayment of such payments in cash shall be excluded. § 18) In the case of individual auction lots, it may happen that they are delivered several times. In such a case, the auctioneer may accept a second or third etc. bid from the underbidder(s) In this case, the text om the catalogue and not the illustration in the catalogue shall also be exclusively binding with regard to the warranty (relating to these auction lots). § 19) When making a bid, whether personally, in writing or by telephone, the bidder shall acknowledge these terms of auction, the AGB (General Terms and Conditions) as well as the rules of procedure and the schedule of fees (as amended) of the company. § 20) The place of performance of the contract brought about between the company on the one hand and the seller as well as the buyer on the other hand shall be the place of business of the company. The legal relationships and contracts existing between the company, the sellers and the buyers shall be subject to the Austrian substantive law. The company, the sellers and the buyers shall agree to settle all disputes resulting from, concerning and in connection with this contract before the territorially competent court of Vienna. § 21) The export of art objects from Austria, when indicated, shall require a permit from the Bundesdenkmalamt [Federal Monuments Office]. In any event, the company shall orally provide information about art objects for which an export permit will probably not be granted at the beginning of the auction. § 22) The company reserves the right to assign to the customer all rights and obligations resulting from the contractual relationship between the company and the contributor by a way of a respective declaration, as well to assign to the contributor all rights and obligations resulting from the contractual relationship between the company and the customer by way of a respective declaration, in each case in terms of a complete assignment of contract with the result that the contractual relationship-following the submission of the aforementioned declarations by the company – shall exclusively be between the contributor and the customer, which is in accordance with the basic model of the commission agreement. Customers and contributors shall already now give their explicit consent to this contract assignment.

CONTENT

Preface. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

An Insight into the Gabor Wilhelm Collection A Selection of Collections

Lots 1 to 88. . . . . . . . . . . . . 10

Lots 89 to 331

Animals of the Japanese Zodiac Lots 89 - 147 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 Sennin, Chinese Influence & Immortals Lots 148 - 163 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 Gods & Religion Lots 164 - 184 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 Folklore & Scenes from Daily Life Lots 185 - 210. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154 Animals other than the Zodiac Lots 211 - 230 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 171 Mythical Beings – Fantastic Creatures of Divine Creation Lots 231 - 247. . . . . . . . 186 Wonders of Stag Antler & Asakusa School Lots 248 - 264. . . . . . . . . . . . . . . . . . . . . . . . . . . . 203 Fine Kagamibuta – Metalworkers Entering the New Age Lots 265 - 269 . . . . . . . . . 217 Lacquer Netsuke Lots 270 - 276 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220 Masks Lots 277 - 302 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224 Contemporary Netsuke Lots 303 - 312 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240 Inro Lots 313 - 320 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 248 Sagemono Lots 321 - 325 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255 Okimono Lots 326 - 331

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259

Signature Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266

Dear Collectors of Netsuke Art! In our third netsuke sale in one year, we are proud to present to you a varied catalog full of netsuke and related objects! This time we have split the catalog into two sections. The catalog starts off, guns-ablazing, with ‘An Insight Into The Gabor Wilhelm Collection’, consisting of 88 lots. The remainder of the catalog is made up of property from various collections – this section is titled ‘A Selection of Collections’, and is curated in our usual manner, showing the variety of subject matter in the repertoire of our beloved netsukeshi. AN INSIGHT INTO THE GABOR WILHELM COLLECTION Gabor Wilhelm, now 93, has been a collector of netsuke for almost 50 years (!). He has published and contributed to many publications, and has written countless articles for the International Netsuke Society – the most well-known and loved amongst journal enthusiasts is surely ‘On the continent’, where Gabor reported on the various sales in Europe, with knowledge and most importantly wit, which we have come to cherish. Exactly this wit and humor is present in this selection of 88 pieces from his large collection. $IWHU EHLQ $IWHU EHLQJ HQWUXVWHG ZLWK WKLV VDOH Ζ KDYH YLVLWHG *DERU WZLFH LQ 3DULV %RWK WLPHV we sat down dow at his clothed table and viewed piece by piece from his collection, each one came with a little anecdote, a hidden meaning, a humorous twist! In fact, each n netsuke in this sale came with a short description. Lot 23 came with a note ‘two elephants in high spirits telling jokes’. Perhaps this little note sums it up b best – not only was the humor intended by the artist important, but also n it – the joy of collecting! Gabor Wilhelm was always the humor one sees in a ccollector of modest means, and though his collection is nothing short of ma asterpieces, there are are different ‘guiding lines’ which formed his collection. masterpieces, Pie eces exhibiting wear r, where you can see that Pieces wear, by generations, are theyy have been loved b prominent. i t Furthermore, F th anything thi curious, unusual or enigmatic would be a likely candidate. I hope to bring the closeness which h I have enjoyed to this collection nearer to you in this introduction and the following catalog. A SELECTION OF COLLECTIONS This is our pick from various collectio collections ns throughout Europe, and we have split this section n into thirteen further categories, as detailed in the table of contents. This selection begins with a strong Zodiac with exam mples from netsukeshi examples across the schools of Japan – Kyoto, Tanba, Tsu, Nagoya – to name a few. In the middle we have ttwo very special categories Č‚Č‚ 0\WKLFDO %HLQJV IHDWXULQJ D VSHFWDFXODU ΖZDPL .LULQ ORW 0\WKLFDO %HLQJV IHDWXULQJ D VSHFWD DFXODU ΖZDPL .LULQ ORW

and Wonders of Stag antler and Asa kusa school, featuring our Asakusa title piece (lot 253). A strong finish is provided by our selection of okimono, notably the massive okim okimono mono of an eagle with two foxes (lot 327) and the beautiful sleep ping lady (lot 331). For our sleeping contemporary collectors we have a closely closely curated and fine selection of pieces from contempora ry masters across the world, contemporary particularly interesting is the juxtaposition juxtapossition of the ghosts by Japanese artist Hideyuki and AustrianAustrian-born -born Georges Weil (lots 308 and 309). For our scholars we have included a sign nature index and image signature reproductions of all signatures (pages 2 266 – 272). We hope you will enjoy browsing throu ugh our catalog, and for any through questions we remain at your disposal! Of course, as always, further images of each lot are available online at www.zacke.at. Lukas Zacke

8

An Insight into the Gabor Wilhelm Collection

Lots 1 to 88

9

1 |

AN EARLY IVORY NETSUKE OF TWO CHINESE WRESTLERS

Unsigned Japan, early 18th century, Edo period (1615-1868)

Set on a large, thick rectangular base and surmounted by two Chinese wrestlers grabbing and pulling at each other. Their faces are crafted with good detail, conveying the struggle very well. Large himotoshi through the base. Excellent and smooth orange honey patina throughout. HEIGHT 5.4 cm Condition: Very good condition, with beautiful patina and expected age cracks. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.000,Starting price EUR 500,-

2 |

A RARE AND EARLY IVORY NETSUKE OF RIHAKU

Unsigned Japan, early to mid-18th century, Edo period (1615-1868)

$Q HDUO\ LYRU\ QHWVXNH RI WKH SRHW 5LKDNX LQ &KLQHVH /L %DL VKRZQ seated on a base leaning on a scholarly table. He is wearing a traditional Chinese cap and a flowing, well-carved Chinese robe. His facial features are crafted extraordinarily well indicating his happy mood, probably after drinking some wine – a popular subject of KLV SRHPV %HDXWLIXO GHHS \HOORZ DQG KRQH\ SDWLQD DQG H[FHOOHQW himotoshi through the under- and backside of the rectangular base. This netsuke belongs to a group of early ivory netsuke set on bases (catalog nos. 1-4), though usually the details are not as refined as in the present example, making this carving exceptionally rare. HEIGHT 4.3 cm Condition: Very good age-related condition with expected age cracks and stunning patina. Provenance: The Gabor Wilhelm Collection. /LWHUDWXUH FRPSDULVRQ &RPSDUH WR %DUU\ 'DYLHV 7KH 5REHUW 6 +XWKDUW &ROOHFWLRQ RI 1RQ ΖZDPL 1HWVXNH QR %DUU\ 'DYLHV GDWHV this piece late 17th/early 18th century. /L %DL Ȃ ZDV D IDPRXV SRHW GXULQJ WKH 7DQJ G\QDVW\ RIWHQ referred to as China’s golden age of poetry. In 724 AD he set out from his home region of Shu and began a life of roaming— visiting Daoist sites, meeting many scholars, and leaving behind hundreds of poems about his travels, his solitude, his friends, the moon, and especially the pleasures of drinking wine. Estimate EUR 1.500,Starting price EUR 750,-

10

3 |

AN EARLY IVORY NETSUKE OF A NAKED MAN SLEEPING ON A BAG

Unsigned Japan, mid-18th century, Edo period (1615-1868)

A compact and beautifully rounded ivory netsuke with superb aji (patina). Depicted is a naked man, his supple smooth buttocks shown in the back, leaning on one elbow and sleeping atop a large tied bag. In one hand he holds the rope which ties up the bag. The subject matter is unclear; Gabor Wilhelm suggests he is guarding his money (this type of bag is typically associated with Hotei’s WUHDVXUH %HDXWLIXOO\ ZRUQ IHDWXUHV KRQH\ SDWLQD DQG W\SLFDOO\ large, generous himotoshi through the back and underside. HEIGHT 3.8 cm Condition: Good and worn condition with beautiful patina. Small, old chip to the edge of the rope. Provenance: The Gabor Wilhelm Collection. Estimate EUR 800,Starting price EUR 400,-

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AN EARLY IVORY NETSUKE OF A CHINESE MAN SLEEPING ON AN OPIUM BED

Unsigned Japan, early 18th century, Edo period (1615-1868)

Depicting a Chinese man dressed in Chinese clothes and sleeping, with his head rested on a pillow, on a traditional Chinese opium bed of Kang form. Set on a base, with large central himotoshi through the underside. The man is in a deep slumber, smiling and visibly inebriated from the opium smoke. HEIGHT 4.3 cm Condition: Good condition with appealing patina and many expected age cracks. Provenance: The Gabor Wilhelm Collection. Estimate EUR 800,Starting price EUR 400,-

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A GOOD IVORY NETSUKE OF HOTEI

Unsigned Japan, Kyoto, late 18th century, Edo period (1615-1868)

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A LARGE AND UNUSUAL WOOD NETSUKE OF DAIKOKU

Unsigned Japan, early 18th century, Edo period (1615-1868)

The lucky god Hotei is seated, pot-bellied, with a shiny bald head and typically large earlobes, indicating his enlightenment. His robe is finely carved with accentuated garment folds and he has one hand rested on his knee, with the other flat on the ground supporting himself, visible on the underside. The decorations on his robe are worn, but still visible and finely executed. Hotei has a quite amusing expression – it looks as if he was struggling to smile DQG KLV PLQXWHO\ FDUYHG WHHWK DUH YLVLEOH %HDXWLIXO KRQH\ SDWLQD wear consistent with age and coherent large himotoshi through the under- and backside.

Depicting the god of wealth and patron of the merchants Daikoku, with large earlobes, smiling, wearing his typical hat and holding his mallet up high. The reverse shows a scoop-like structure, the inside partially with remains of old black lacquer and a central bridge where the himotoshi is located. A rustic, old and very functional wood netsuke with worn-down features and a beautiful aji (patina) from many years of use and handling. The shape of the netsuke probably depicts a kind of wall hanging used to dispel oni from temple sites.

HEIGHT 4.5 cm

HEIGHT 6.2 cm, LENGTH 4.4 cm, WIDTH 3 cm

Condition: Very good condition with beautiful patina, coherent wear and expected age cracks. Provenance: The Gabor Wilhelm Collection.

Condition: Good condition with signs of age and wear. Possibly one very old and worn-down chip to the upper edge of the backside. Provenance: The Gabor Wilhelm Collection.

Estimate EUR 1.500,Starting price EUR 750,-

Estimate EUR 1.000,Starting price EUR 500,-

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A LARGE AND EARLY WOOD NETSUKE OF A CHINESE COURT OFFICIAL

Unsigned Japan, early 18th century, Edo period (1615-1868)

A very large wood netsuke of a standing Chinese court official with a beautiful patina. The man is wearing a large courtly hat, holding a fan and leaning on a long stick, which extends almost to the top of his hat. His facial features are worn, though still recognizable and show a deeply focused expression. His robe is detailed showing many deep and accentuated folds. The large himotoshi are angular and found on the backside and side, showing significant wear. A functional netsuke, large but not too heavy and significantly worn with a beautiful patina, showing that this was a well-loved and used netsuke. HEIGHT 13 cm Condition: Very good age-related condition. The wood is worn and shows a good patina, with minor old smooth chips to the edge of the robe, minor scratches, cracks and nicks. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.500,Starting price EUR 750,-

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AN EXCELLENT TALL IVORY NETSUKE OF ASHINAGA AND TENAGA

Unsigned Japan, late 18th century, Edo period (1615-1868)

A tall ivory netsuke of Ashinaga (long legs) and Tenaga (long arms). The pair from the Kyushu islands work together as fishermen. Ashinaga is standing in the water supporting Tenaga on his back while he pulls out a well-carved seabream with his long arms - a remarkable feat of complimenting strengths. Amusingly, the two are struggling with their ‘normal limbs’ as Ashinaga barely can hold Tenaga with his stumpy arms, while the latter is struggling to support himself with his short legs. This strain is evident in their expressions. The eyes are inlaid and glaring, the ivory is smooth and is pleasing to the touch with spots of honey patina. The backside, with excellent himotoshi, is covered in a beautiful shimmering honey patina. HEIGHT 11.4 cm Condition: Very good condition with expected age cracks and very appealing patina. Minor losses to the inlay of the eyes of Tenaga. Provenance: The Gabor Wilhelm Collection. Estimate EUR 3.000,Starting price EUR 1.500,-

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A RARE 17TH CENTURY DRIFTWOOD NETSUKE OF A LARGE FISH

Unsigned Japan, 17th century, Edo period (1615-1868)

A netsuke made from natural flattened driftwood in the shape of a large stylized fish. Only the eyes and area around the mouth are carved, the rest has remained as it was found, only altered by centuries of use and handling, giving it a beautiful aji (patina). It is well documented that the earliest netsuke were basically any objects which would be suitable as sagemono, like natural gourds or pieces of wood, etc. The present netsuke belongs to this rare group of the earliest netsuke known to man. An agate ojime is attached to the cord which is attached to the natural himotoshi through the mouth. LENGTH 16 cm Condition: Excellent condition worn over centuries of use and handling. Provenance: The Gabor Wilhelm Collection. Estimate EUR 800,Starting price EUR 400,-

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A RARE IVORY NETSUKE OF AN OCTOPUS

Unsigned Japan, early 19th century, Edo period (1615-1868)

The octopus (tako) is crafted with a large and smooth bulbous head with elongated bulging eyes, his head resting on his tentacles which extend far behind him. The tentacles have pierced holes for suckers and form a dense bundle, overlapping and curling around. The composition of this octopus is quite unique. The underside with himotoshi through one S-shaped tentacle. Excellent patina, worn in all the right places. LENGTH 6.5 cm Condition: Very good complete condition, with expected age cracks and beautiful patina. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.500,Starting price EUR 750,-

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AN IVORY NETSUKE OF AN OCTOPUS INSIDE A MORTAR

Unsigned Japan, probably Osaka, early to mid-19th century, Edo period (1615-1868)

The octopus (tako) shown with a pronounced head and bundled tentacles, starkly contrasting to the finely ribbed surface of the concave mortar (suribachi). The underside of the mortar is smooth, with a fine honey-patina and intentionally carved cracks, showing the age of the mortar which has been lying on the seabed offering a home to the octopus. Irregular oval and circular himotoshi. DIAMETER 4 cm Condition: Very good condition, the pupils of the octopus are possibly lost. Provenance: The Gabor Wilhelm Collection. The tako is also called the physician of the sea and the suribachi was used to grind herbs and medicine – therefore this netsuke serves as a charm of good health. Auction comparison: Compare to an almost identical netsuke sold at Van Ham, Asiatische Kunst, 8 December 2016, Cologne, lot 2453. Estimate EUR 1.500,Starting price EUR 750,-

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A FINELY STAINED WALRUS IVORY TWO-PART MANJU NETSUKE OF A CRAB

Unsigned Japan, Osaka, early to mid-19th century, Edo period (1615-1868)

A walrus ivory netsuke stained immaculately in Osaka style, not far from the skill of Mitsuhiro. The netsuke consists of two parts, the top section shows the crab (kani) with eyes and pincers. The base shows the underside of the carapace - the eight legs are carved with an incredible sense of realism. The cord channel on the underside is ringed in silver and the inside shows a central peg for himotoshi. Interestingly, a wooden peg is fitted on the side, so that the netsuke could also be used as a pill box. The inside is stained deep red. Netsuke of crabs are incredibly rare. DIAMETER 3.1 cm Condition: Very good condition. There are a few tiny scratches on the inside of the upper part. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.500,Starting price EUR 750,-

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A FINE AND RARE IVORY ASHTRAY NETSUKE WITH DRAGON

Unsigned Japan, 19th century, Edo period (1615-1868)

Carved as a bowl decorated in high relief with an image of a scaly, roaring celestial dragon (tatsu) amidst beautifully carved swirling clouds. The bowl has an elegant shape and functions as an ashtray netsuke. The central himotoshi is surrounded by concentric swirls and the crisply carved claws of the dragon. Ashtray netsuke were often quite simple objects of daily use, and rarely carved to this detail. DIAMETER 4.2 cm Condition: The peg that was fitted inside the himotoshi is lost. Otherwise very good condition with an attractive, fine patina. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.500,Starting price EUR 750,-

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AN IVORY NETSUKE OF A SHISHI ROLLED INTO A BALL

Unsigned Japan, 19th century, Edo period (1615-1868)

An ivory netsuke of perfectly rounded form depicting a shishi holding a brocade ball firmly between its paws – even its tail supports the ball, so it doesn’t roll away. The shishi has an amusingly playful expression with inlaid eyes rolling towards each other and the mouth wide-opened, with a loose ball inside, showing its teeth and rolled up tongue. The lion dog has floppy ears, bushy curls and a flowing mane – all wonderfully carved. Natural himotoshi through the mouth and an old drilled hole on the underside, so it could be mounted on a cane. The composition is an accomplished counterpart to the famous Masanao rat. HEIGHT 3.4 cm Condition: Good and complete condition. Some wear to the drilled hole on the underside. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.000,Starting price EUR 500,-

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A RARE IVORY RYUSA MANJU NETSUKE WITH MANY BATS

Signed Japan, late 19th century

Finely carved in openwork with many bats, nine to be exact, depicted in various attitudes, some of them with inlaid eyes of dark horn. The bat is a symbol for luck, longevity and prosperity, often used to decorated wedding presents. Many openings possible for himotoshi. Signature in an oval reserve, however illegible. LENGTH 4.6 cm Condition: Excellent condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.200,Starting price EUR 600,-

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A WOOD NETSUKE OF A RETRACTED TORTOISE

Unsigned Japan, 18th century, Edo period (1615-1868)

This early netsuke depicts a tortoise with its head, legs and tail completely retracted inside its carapace. The surface has a very appealing patina and is smooth to the touch from centuries of handling. Ideally compact shape. Good and well-hollowed out himotoshi through the underside. HEIGHT 4.2 cm Condition: Very good condition with excellent patina. Old crack on the underside. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.200,Starting price EUR 600,-

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A RARE AND ELEGANT WOOD NETSUKE OF A CRANE

Unsigned Japan, 18th century, Edo period (1615-1868)

A wood netsuke of a slightly stylized crane, with more consideration given to the elegant shape than to pure naturalism. The long neck of the crane is curved with its beak touching its bulbous body. The long-beaked bird shows neatly incised feathers to the tip of WKH ZLQJV DQG WDLO WKH UHVW RI WKH ERG\ OHIW SODLQ %HDXWLIXO SDWLQD smooth to the touch, and coherent irregular himotoshi through the underside. HEIGHT 3.9 cm Condition: Very good and complete condition; the wood shows signs of age and wear. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.200,Starting price EUR 600,-

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A KUROGAKI WOOD NETSUKE OF AN OX

Unsigned Japan, early 18th century, Edo period (1615-1868)

An early netsuke carved from kurogaki wood (black persimmon) depicting an ox with a raised head. The material is a beautiful shimmering black with a dark brown area. Large himotoshi through the side and underside. LENGTH 5.1 cm Condition: Very good and complete condition with faint cracks typical for the material. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.200,Starting price EUR 600,-

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AN EARLY EBONY WOOD NETSUKE OF A WELL-FED CAT ON A BASE

Unsigned Japan, early 18th century, Edo period (1615-1868)

An early kokutan (ebony) wood netsuke depicting a bulky cat (neko) reclining on a rectangular base. The cat has full cheeks, an arched back and a tail which curls around its body. It has slits for eyes and an amusingly satisfied expression, probably it has just finished a hearty meal. It is wearing a collar around its neck, which identifies the cat as a spoiled house cat, which further explains its physical well-being. Large himotoshi through the base. HEIGHT 4 cm Condition: Good condition with wear and associated cracks. Provenance: The Gabor Wilhelm Collection. Cats are feared by Taoists who regard it as a demon who has taken the place of an old woman. Estimate EUR 1.200,Starting price EUR 600,-

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OKATORI: A RARE AND EXCELLENT EBONY WOOD NETSUKE OF A HUNGRY RAT

%\ 2NDWRUL VLJQHG 2NDWRUL Japan, Kyoto, late 18th to early 19th century, Edo period (1615-1868)

Carved from a sublime piece of ebony wood with red hues and depicting a seated rat nibbling at a fruit. The fur is minutely incised and smoothly polished from centuries of handling. The rodent has a charming expression with slightly raised ears, large eyes inlaid in lustrous black horn and a well-carved tail which curls around underneath the rat, the right paw grasping the tail tightly, forming the himotoshi. The image of the feeding, hungry rat is masterfully achieved. Signed in a rectangular reserve OKATORI ᛂ籃. HEIGHT 2.8 cm, LENGTH 4.4 cm &RQGLWLRQ 9HU\ JRRG ZRUQ FRQGLWLRQ %RWK HDUV ZLWK YHU\ PLQRU wear to the edges. Provenance: The Gabor Wilhelm Collection. Okatori was an important member of the Kyoto school and brother to Yamaguchi Okatomo. Wood netsuke are very rare by the artist, and ebony netsuke even rarer. Auction comparison: For another rat by Okatori in ivory see %RQKDPV 7KH -XOLXV DQG $UOHWWH .DWFKHQ &ROOHFWLRQ RI )LQH 1HWVXNH Part II, 10 May 2017, London, lot 48. For a dark wood study of rat by Okatomo see The Julius and Arlette Katchen Collection of Fine Netsuke Part III, 6 November 2018, London, lot 36. Estimate EUR 3.000,Starting price EUR 1.500,-

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A CHARMING MARINE IVORY NETSUKE OF A RAT HOLDING ITS TAIL

Unsigned Japan, 19th century, Edo period (1615-1868)

A marine ivory netsuke of a small chubby rat with big bulging eyes inlaid in lustrous deep-black horn. The round ears are curiously raised. The well-carved tail on the underside, which the rat firmly holds with its large paws in front of it, curls around forming a loop in front of the rat. Deep and large himotoshi on the underside; beautiful shimmering yellow patina. LENGTH 4.3 cm Condition: Very good and complete condition. Provenance: The Gabor Wilhelm Collection. The rat (nezumi) is the first animal in the zodiac and a symbol of wealth, as when there was plenty of food there would be plenty of rats – therefore the rat is also the companion of Daikoku, patron of the merchants and god of wealth. Estimate EUR 2.000,Starting price EUR 1.000,-

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AN IVORY NETSUKE OF A SHAGGY DOG ON A ZABUTON

Unsigned Japan, 19th century, Edo period (1615-1868)

This lovely netsuke shows a shaggy dog (muku inu type) on a cushion (zabuton) with its head resting on its finely carved paws. The dog has big excited eyes and long groomed fur which elegantly runs along its body. The cushion is two-layered and provides a cozy place for the dog to rest on. The curvature of its body aligns with the circular cushion – the dog seems to have found just the right position to fit fully on the pillow! The ears are big, and the body language indicates a deep satisfaction. Large himotoshi on the underside with a beautiful yellow patina. DIAMETER 3.6 cm Condition: Good condition. Very few age cracks in the fur of the dog and on the cushion. A tiny nick in between the two layers of the cushion. The patina is slightly worn. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.500,Starting price EUR 750,-

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A RARE AND EARLY IVORY NETSUKE OF AN ELEPHANT AND BAKU

Unsigned Japan, early 18th century, Edo period (1615-1868)

An ivory netsuke set on a base surmounted by an elephant and a baku. The elephant with a typically long trunk and large ears has its head lowered and is touching the bushy tail of the other baying animal that resembles a tapir, though with tusks. It is known that WKH DSSHDUDQFH RI WKH %DNX ZDV KHDYLO\ LQIOXHQFHG E\ WKH WDSLU which was treated in Chinese art as early as the Han-dynasty. Extraordinary patina typical for an early and well-loved piece. Central himotoshi on the underside. HEIGHT 3 cm Condition: Very good age-related condition with expected age cracks and stunning patina. Provenance: The Gabor Wilhelm Collection. The baku is known to consume nightmares and was therefore considered a talisman against bad sleep. Estimate EUR 1.200,Starting price EUR 600,-

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AN EARLY IVORY NETSUKE OF A WOLF WITH HAUNCH

Unsigned Japan, Kyoto, 18th century, Edo period (1615-1868)

A good old ivory netsuke depicting a hungry wolf devouring a haunch of venison. The expression of the hungry wolf looks satisfied as it tries to rip the meat from the bone of the deer. The piece was probably worn by several generations as the patina reveals the age of the netsuke showing age cracks and a deepyellow worn patina, giving the piece a unique appeal. Natural himotoshi through the feet of the wolf. LENGTH 4.6 cm, HEIGHT 3 cm Condition: Signs of age and wear with age cracks on one side. The other side shows a deep-yellow worn patina. Despite its age it is in very good and complete condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 2.000,Starting price EUR 1.000,-

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A FINE IVORY NETSUKE OF TWO RESTING BOARS

Unsigned Japan, Kyoto, 18th century, Edo period (1615-1868)

A finely carved netsuke depicting an adult boar with young resting on a bed of autumn leaves. The adult is peacefully sleeping, his left front leg resting under his body. The adult boar’s expression emits tranquility and is carved serenely. Unusually, the young boar seems to be awake, his eyes opened, and one fears he may wake the adult up. One larger leaf and thin grasses extend up the adult’s back, worn down from centuries of handling. This is exactly what makes this netsuke special! The patina is superb throughout - shimmering honey orange, worn in all the right places. One can immediately see that this is a worn and well-loved netsuke. Large himotoshi through the underside. LENGTH 4.4 cm Condition: Good worn condition with expected age cracks and beautiful patina. Old damage to the side of the leaf bed. Provenance: The Gabor Wilhelm Collection. Estimate EUR 3.000,Starting price EUR 1.500,-

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MASAYUKI: A FINE IVORY NETSUKE OF A BOAR SCRATCHING ITS EAR

%\ 0DVD\XNL VLJQHG 0DVD\XNL Japan, Osaka, early 19th century, Edo period (1615-1868)

Finely stained and carved as a boar (inoshishi) seated on a bed of autumn leaves and lifting its left hindleg to scratch its ear. The boar has an amusing expression with its head and snout turned upwards. To its side is a rock with autumn grasses extending over its back. The underside is especially well-carved with good himotoshi and signature MASAYUKI ȢÇ„. HEIGHT 3.3 cm Condition: Very good condition, minor expected wear. Provenance: The Gabor Wilhelm Collection. This Masayuki is the fifth carver mentioned in MCI, who carved mostly ivory in the style of Anraku of Osaka and often used a kakihan. Literature comparison: Another netsuke of a boar scratching its ear XQLOOXVWUDWHG DQG H[ : / %HKUHQV LV LQ ) 0HLQHUW]KDJHQ 0&Ζ 3DUW A, New York, 1986, page 496. Estimate EUR 3.000,Starting price EUR 1.500,-

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AN UNUSUAL IVORY NETSUKE OF A RUNNING BOAR

Unsigned Japan, 18th century, Edo period (1615-1868)

A very unusual netsuke of a running boar, specifically the surface which is in part due to extensive handling of the piece. The surface appears almost like ceramic – from the gloss of the material to the natural flaws of the ivory, appearing like firing faults, and the somewhat crude, yet charming details of the carving. Perhaps this is intentional and is imitating ceramic. However, the carving is ivory and shows a fat boar, galloping with a humoristic expression; the eyes are inlaid with black horn. The large, used and irregular himotoshi further illustrate that this is an early netsuke. LENGTH 5 cm Condition: Good and worn condition. Provenance: The Gabor Wilhelm Collection. Auction comparison: A Kyoto ivory netsuke of a running boar was VROG DW %RQKDPV )LQH 1HWVXNH IURP WKH $GULHQQH %DUEDQVRQ Collection, 13 May 2013, London, lot 25. Estimate EUR 1.000,Starting price EUR 500,-

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AN AMUSING WOOD NETSUKE OF A MONKEY HOLDING DOWN A FROG

Unsigned Japan, Gifu, 19th century, Edo period (1615-1868)

A comical wood netsuke of a monkey holding down a frog. The monkey is visibly amused, its inlaid ivory eyes and mouth opened wide and tongue sticking out with great excitement. The fur is well-carved with an unusually rough, though very appealing texture. The monkey is grabbing the frog with both of its hands and places one foot on the poor amphibian; the other one is angled under his body. On the contrary, the frog is considerably less amused as the monkey puts its weight on it, effectively flattening the frog - its visible inlaid eye looks to almost pop out of its head. The struggling frog reaches with its left front limb between the monkey’s arm and leg, trying to release the pressure; its fingertips are visible underneath the monkey’s arm. The underside reveals the characteristic features of a frog, as the webbed hind and front feet are visible. This netsuke is attributable to the school of Tomokazu of Gifu. Natural himotoshi. HEIGHT 3.9 cm Condition: Very good condition. Natural imperfection in the wood plugged near the head of the monkey. Provenance: Sotheby’s, Art D’Asie, 18 December 2012, Paris, lot 260. Afterwards, The Gabor Wilhelm Collection. Estimate EUR 2.500,Starting price EUR 1.250,-

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TOMOKAZU: AN EXCELLENT WOOD NETSUKE OF A MONKEY EATING PERSIMMONS

%\ .DQR 7RPRND]X VLJQHG 7RPRND]X Japan, Gifu, 19th century, Edo period (1615-1868)

This exceptional wood netsuke shows a monkey (saru) right before taking a bite into a persimmon (kaki) while the fruit is still attached to an exquisitely carved branch, with further fruits, which the monkey holds in front of his body between his legs. The monkey is leaning forward holding the kaki in both of its hands and placing its teeth on it. His mouth opens wide and his lip arches over the fruit – the resulting facial contortion is achieved masterfully. The expression of the monkey is enhanced by glowing eyes of pale and dark horn. The wood is well-worn and smooth to the touch showing a shimmering reddish-brown tone. The underside reveals the male gender of the monkey. Natural himotoshi through one leg and the signature TOMOKAZU ƤÄ‚ in a rounded reserve on one of the thighs. HEIGHT 3.8 cm Condition: Excellent condition with a very appealing patina; one eye is replaced. Provenance: The Gabor Wilhelm Collection. Tomokazu from Gifu is regarded as one of the greatest animal netsuke carvers of all time and often lived in seclusion to study the animals very closely and sometimes took as much as one or two months to finish a carving. The monkey is the ninth sign of the Japanese Zodiac and used to be considered to dispel ill will, ease births and be a messenger to the gods. $XFWLRQ FRPSDULVRQ $ QHDU LGHQWLFDO QHWVXNH ZDV VROG DW %RQKDPV The James A. Rose Collection of Netsuke and Sagemono, 17 September 2013, New York, lot 2019. Estimate EUR 4.000,Starting price EUR 2.000,-

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A RARE WOOD NETSUKE OF A SNARLING TIGER

Unsigned Japan, 19th century, Edo period (1615-1868)

A compact wood netsuke of a snarling tiger, quite unusual in its appearance and dynamic. One paw is placed in front and the body bends around as it lets out a humorously insecure snarl. The thick tail curls around almost touching its ear. Neatly incised fur with expressed tiger stripes, and the paws on the underside are very well-carved. Natural himotoshi through the two right legs which are tucked together. Fine patina and good color to the wood. HEIGHT 3.6 cm Condition: Excellent condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 2.000,Starting price EUR 1.000,-

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MIWA: A RARE WOOD NETSUKE OF CHAJIN

%\ 0LZD Ζ <XNDQ VLJQHG 0LZD ZLWK NDNLKDQ Japan, Edo, mid-18th century, Edo period (1615-1868)

A rare netsuke from the pioneer of netsuke carving in Tokyo/Edo. Depicted is a seated Chajin (tea ceremony master) holding a tea jar in his lap. He is almost completely enveloped in his robe and has a powerful expression, enigmatic, earthly and unusual – idiosyncratic RI WK FHQWXU\ 0LZD %HDXWLIXO SDWLQD RI WKH ZRRG ZKLFK VHHPV to be finished with a thin coat of lacquer. Large, generous himotoshi on the underside next to the signature MIWA Ć â€Ť ڿ‏and characteristic kakihan, identifying this as Miwa I. HEIGHT 3.4 cm Condition: Excellent condition with stunning patina. Provenance: The Gabor Wilhelm Collection. Probably acquired at Lempertz, 28 November 1986, no. 656. Estimate EUR 1.500,Starting price EUR 750,-

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MASAYOSHI: A TALL WOOD NETSUKE OF ONO NO KOMACHI

%\ 0DVD\RVKL VLJQHG 0DVD\RVKL Japan, early 19th century, Edo period (1615-1868)

The poetess is standing and holding a cane and tattered hat in front of her. Her expression is very well carved, signifying wisdom but also showing her great age, with masterfully carved facial features and wrinkles. She is wearing a kimono, revealing her chest and emaciated rib cage. Her long hair is finely carved and tied at the back. Another fine detail is her tattered robe, with a torn section at the bottom flowing downwards to her feet. Large and worn himotoshi through the backside, separated by her obi, above the signature MASAYOSHI Řˆྪ. It is evident that this netsuke was used and worn, very much fitting to this subject of the old and worn-out Komachi. HEIGHT 9 cm Condition: Good, worn condition. One thin age crack by the side and small nicks, adding very much to the appeal of the netsuke. The himotoshi are worn. Provenance: The Gabor Wilhelm Collection. Ono no Komachi was one of the great six poets of the ninth century (also referred to as the Rokkasen). Not only was she an incredibly talented poetess, but also celebrated for her beauty and vibrancy in her youth. Later in life she became old and is often depicted begging for food on the side of the road. Her beauty had faded, and she became a symbol for the evanescence of life. It is unclear which Masayoshi is the carver of this netsuke. It is possible that this is an early work of the famous metalworker Iwama Masayoshi (1763-1837), due to the peculiarity of the Masa Řˆ kanji. Estimate EUR 3.000,Starting price EUR 1.500,

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HIDEHISA: A RARE WOOD NETSUKE OF A THIEF STEALING THE MAGIC TANUKI KETTLE

%\ +LGHKLVD VLJQHG +LGHKLVD 6KXN\X

Japan, early 19th century, Edo period (1615-1868) Published: Lazarnick, George, Netsuke and Inro Artists, Honolulu 1982, p. 458.

A lightly stained, finely carved and expressive wood netsuke GHSLFWLQJ WKH OHJHQG RI WKH %XPEXNX &KDJDPD EDGJHU WHD NHWWOH According to Japanese folklore a poor man sets a tanuki free, which in return transforms into a kettle, so that the man can perform with it on the street and become wealthy. This netsuke is quite unusual, as instead of being shown happy or surprised (as usually depicted), the man is quite possessive of the tanuki, fiercely grabbing on to it. The man is a thief, who is trying to steal the magic kettle and enrich himself. The front is inscribed ‘Toyo Fuku’ (great fortune), which the man is trying to acquire. Angular himotoshi in the back. Signature on the reverse on the left leg of the thief in a wavy reserve HIDEHISA (Shukyu) লÎ…. HEIGHT 4.4 cm Condition: Good condition. Some plugged sections in the wood. Very attractive patina. Provenance: The Gabor Wilhelm Collection. Estimate EUR 3.000,Starting price EUR 1.500,-

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SHOKO: A RARE WOOD NETSUKE OF URASHIMA TARO WITH TURTLE

%\ 6KRNR VLJQHG 6KRNR Japan, Takayama, Hida school, 19th century, Edo period (1615-1868) Published: Lazarnick, George, Netsuke and Inro Artists, Honolulu 1982, p. 967.

Finely carved from wood with darkened and accentuated areas, depicting Urashima Taro holding a large gourd filled with sake and offering it, in a sakazuki cup, to a little turtle crawling over his shoulder. Urashima is nursing the turtle back to health with sake, the drink of the immortals. Very finely carved details such as the turtle’s carapace, Urashima’s hair, his sandals and the straw apron – surely an allusion to the minogame (straw raincoat turtle). %RWK KDYH PLQXWHO\ LQODLG H\HV RI GDUN KRUQ 1DWXUDO KLPRWRVKL and signature on the underside SHOKO Ö&#x;Öż. A pupil of Matsuda Sukenaga. HEIGHT 4.2 cm Condition: Excellent condition, very appealing patina. Provenance: The Gabor Wilhelm Collection. According to legend Urashima Taro saved a little minogame (straw-raincoat turtle) from an ill fate, which subsequently turned out to be the daughter of the dragon king. The next day a giant turtle appeared and brought Urashima to the underwater palace of the dragon god. Urashima stayed there for a few days and received a box and was told not to open it. When he returned, everyone he knew was gone and everything had changed, so in his bewilderment he opened the box and suddenly turned into an old man. He then heard a whisper from the sea telling him he was told not to open the box, in it was his old age‌ Estimate EUR 4.000,Starting price EUR 2.000,-

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A LARGE WOOD FIGURE OF A TARTAR ARCHER

Signed Tomokazu 20th century

The wood of a reddish tone and powerfully carved as large tartar archer (dattanjin) holding a bow in his left hand and an arrow in the other. His finely incised robe is decorated with cloud patterns and shows boldly executed and accentuated folds with flowing sleeves. The archer has a large trifurcated beard and grimly looks out from his finely carved, large and wide hat. The backside shows a dragonheaded quiver. There are no openings for himotoshi. Signature TOMOKAZU ƤÄ‚ on the underside of one foot. The work is of defined sculptural quality. HEIGHT 11.5 cm Condition: Excellent condition. Provenance: The Gabor Wilhelm Collection. This work appears to be an exact copy of the ivory tartar archer in the Trumpf collection illustrated in Patricia Jirka Schmitz, Netsuke, fig. 6. However, the illustrated netsuke has himotoshi between the dragon-headed quiver. Estimate EUR 5.000,Starting price EUR 2.500,-

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RYOMIN: A VERY FINE IVORY NETSUKE OF A BOY WITH HOBBY HORSE

%\ 2QR 5\RPLQ VLJQHG 5\RPLQ ZLWK NDR Japan, Edo/Tokyo, second half of 19th century

An incredibly detailed, finely stained and carved miniature masterpiece depicting a young boy riding a hobby horse. The boy must be from a wealthy background as he is wearing elaborately worked clothing with inlays of red and green-stained horn. A little pouch is tied to his obi. The expression and mane of the horse are finely carved and the little wheel, which also shows horn-inlay, emerges from the underside. Minutely engraved signature RYOMIN ႂΌ with kao on the underside. Himotoshi seem to be absent, though there are natural possibilities. HEIGHT 4.2 cm Condition: Superb condition. Provenance: The Gabor Wilhelm Collection. Literature comparison: A similar netsuke with two boys and hobby KRUVH LV VKRZQ LQ ) 0HLQHUW]KDJHQ 0&Ζ 3DUW % 1HZ <RUN page 658. Auction comparison: For a comparable netsuke by Ono Ryomin see Christie’s, Arts Asiatiques, 19 November 2003, Paris, lot 54. Ono Ryomin of Tokyo, born in 1833, was a student of Ho Rakumin. He was known, amongst others, for his extremely fine depictions of children. Estimate EUR 2.000,Starting price EUR 1.000,-

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CHIKUYOSAI TOMOCHIKA: A MAGNIFICENT IVORY NETSUKE OF A MOTHER WITH CHILD

%\ &KLNX\RVDL 7RPRFKLND VLJQHG 7RPRFKLND Japan, Edo, mid-19th century, Edo period (1615-1868)

A rather large ivory netsuke depicting a mother supporting her child on her back DQG KROGLQJ D ODUJH WHD NHWWOH 7KH ZRPDQ LV D %LMLQ EHDXWLIXO ODG\ È‚ D V\PERO RI eroticism, as the netsuke has light shunga undertones, the mother’s sensitively crafted breasts are revealed. Furthermore, she represents fertility and devotion, as she carries her child and a tea kettle, presumably to her husband. The robes of the two are carved exquisitely, adorned with geometrical motifs. Good himotoshi in the back as well as the signature TOMOCHIKA Ƥʡ in a slightly polished reserve. HEIGHT 6.6 cm Condition: Very good condition with slightly worn features and faint age cracks. Provenance: The Gabor Wilhelm Collection. Probably one of the finest netsuke by Tomochika to grace our rooms. Estimate EUR 4.000,Starting price EUR 2.000,-

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AN IVORY NETSUKE OF A DUTCHMAN WITH DRUM

Unsigned Japan, late 18th century, Edo period (1615-1868)

Depicting a seated Dutchman wearing a large hat and holding a drum in front of him, one hand resting on the drum and another holding a mallet. Excellent himotoshi through the under- and backside. The entire surface is covered in a beautiful honey patina. HEIGHT 3.8 cm Condition: Very good, worn condition. Expected age cracks and excellent patina. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.500,Starting price EUR 750,-

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MASAHIRO: A VERY RARE IVORY NETSUKE OF A BUTTERFLY DANCER, KOCHO NO MAI

%\ 0DVDKLUR VLJQHG 0DVDKLUR Japan, late 19th century, Meiji period (1868-1912)

The butterfly dancer performing the kocho no mai is shown in a dancing posture, one leg raised, holding a drum in one hand with another swinging upwards. His wings, neatly incised with circular patterns, are spread and two garlands surround him, flowing downwards to his legs. Finely carved facial features and good staining. Small himotoshi in the back and signature on the left foot MASAHIRO ȢĐ—. HEIGHT 5.2 cm Condition: Excellent condition. Provenance: The Gabor Wilhelm Collection. Literature comparison: For another example of this very rare subject see Karl M. Schwarz, Netsuke Subjects, no. 290. Estimate EUR 2.000,Starting price EUR 1.000,-

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AN EARLY AND FINE IVORY NETSUKE OF A SHISHIMAI DANCER

Unsigned Japan, late 18th century, Edo period (1615-1868)

Carved as a boy with a drum tied to his obi in front him, holding a pair of drumsticks and wearing a festive cloak incised with three different geometrical patterns. He is lifting his Shishimai mask, revealing his face. The boy has very finely crafted facial features with full cheeks, a sensitively crafted nose and a charming smile. The Shishi mask at the top is equally well-carved with expressive features and finely carved curls. The icing on the cake is the patina – honey orange in the back and coherently worn in just the right places, indicating a well-used and loved piece. The generous himotoshi, as well, are perfect. HEIGHT 7.6 cm Condition: Expected age cracks, beautiful patina. One foot is restored very well. Provenance: The Gabor Wilhelm Collection. The Shishimai festival was imported from China during the Tang dynasty and is celebrated during the New Year to bring good luck and ward off evil spirits. The subject is commonly treated in netsuke art; however, this quality is very rare. Estimate EUR 2.000,Starting price EUR 1.000,-

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KINRYUSAI: AN IVORY NETSUKE OF KAN’U BEING MASSAGED BY A BLIND MAN

%\ .LQU\XVDL VLJQHG .LQU\XVDL ZLK VHDO Japan, Edo, mid-19th century, Edo period (1615-1868)

The Chinese general Kan’U (in Chinese Guan Yu), also known as the god of war, is leaning on a table with one knee and KROGLQJ KLV EHDUG ZLWK D VWHUQ IDFHG H[SUHVVLRQ %HKLQG KLP LV a blind man giving him a massage, holding his arm and working on it with his elbow. A large pot with a coral branch is carved behind them. Cleverly placed himotoshi through the table and backside of Kan’U. The manner of carving and staining is very much in the manner of the Tomochika school of Edo. Signed and sealed on the underside of the table KINRYUSAI චȸ᤮. HEIGHT 4.1 cm Condition: Very good condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.000,Starting price EUR 500,-

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OKURA: A RARE IVORY NETSUKE OF KANNINBUKURO

%\ 2JXUD 7RPR\XNL VLJQHG 2NXUD Japan, Edo, mid-19th century, Edo period (16151868) Published: Karl M. Schwarz, Netsuke Subjects, 1992, no. 239.

A rare depiction of Kanninbukuro (the sack of patience) which relates to the amount of patience one has to muster from being insulted and offended and tying this up in an invisible bag. This is represented in this netsuke by a kneeling old man, visibly strained, tying up a huge bag in front of him, inscribed in the front ‘Kannin’ (patience). One fears the bag is about to burst and one more drop may be too much for him too bear. Finely stained and carved details. Himotoshi on the underside and signature in a wavy reserve OKURA Ň๦, for Ogura Tomoyuki, and considering the style most likely of the Tomochika school. HEIGTH 4.3 cm Condition: Good condition, the himotoshi shows some wear. Provenance: The Gabor Wilhelm Collection, previously collection Karl. M Schwarz. Estimate EUR 1.200,Starting price EUR 600,-

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A FINE WOOD NETSUKE OF RAIJIN

Unsigned Japan, probably Gifu, early 19th century, Edo period (1615-1868)

A well-carved wood netsuke of a wide-eyed and grinning Raijin shown resting his hands on a pair of geta – a classic attribute since the geta are also associated with rainy weather. The thunder god has his drum, which he uses to create thunder, strapped to his back. The eyes and horns are inlaid in ivory. He is seated crossing his legs and wearing a tiger skin loincloth, typical for devils (oni). Good himotoshi through the under- and backside. HEIGHT 3.3 cm Condition: The netsuke has been reattached at the midsection. Otherwise good condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.500,Starting price EUR 750,-

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HO RAKUMIN: A FINE IVORY NETSUKE OF JIZO WRESTLING AN ONI

%\ +R 5DNXPLQ VLJQHG +R 5DNXPLQ ZLWK NDR Japan, 19th century, Edo period (1615-1868) Published: Lazarnick, George, Netsuke and Inro Artists, Honolulu 1982, p. 473.

A fine ivory netsuke of Jizo, wearing earrings and naked except for a loincloth, wrestling with an oni on top of a lotus leaf. Jizo holds on to the oni’s tiger-skin loincloth with both hands, while the little devil, confidently smiling, has one hand over the monk’s shoulder and another supporting himself on the leaf. Finely carved details, especially of the individual facial expressions, and finely stained – a prime example from this important Edo artist, perhaps only rivalled by his contemporary Hojitsu. The underside with the veiny structure of the lotus leaf and a central himotoshi, as well as the signature neatly inlaid with a gold tablet HO RAKUMIN Ç?ÎŚ with kao. HEIGHT 2.3 cm, LENGTH 3.6 cm Condition: Very good condition. The nick on the lotus leaf is intended. Provenance: The Gabor Wilhelm Collection. -L]R LV D %RGGKLVDWWYD SDWURQ RI GHFHDVHG FKLOGUHQ DQG KDV WKH ability to open the gates of hell – typically amusing of the netsuke carver to show him wrestling with an oni. Literature comparison: For a similar netsuke signed Rakumin see F. Meinertzhagen, MCI Part A, New York, 1986, page 160. Estimate EUR 3.000,Starting price EUR 1.500,-

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TOMOTAKA: AN IVORY NETSUKE OF TWO ARM WRESTLING NIO ON A WARAJI

%\ 7RPRWDND VLJQHG 7RPRWDND Japan, Edo, ca. 1860, Edo period (1615-1868)

An Edo-school ivory netsuke depicting two Nio, their eyes inlaid with black horn, engaged in the sport of udezumo (arm wrestling), on top of a giant waraji (sandal). The netsuke is an emblem of endurance and strength. Finely carved details and very good staining. Signature TOMOTAKA ƤƬ in a wavy reserve on the underside above a central himotoshi. Tomochika school. LENGTH 5.2 cm Condition: Excellent condition, two very faint age cracks. Provenance: The Gabor Wilhelm Collection. Nio are athletic temple guardians, whose sculptures are seen by WKH HQWUDQFH JDWHV RI %XGGKLVW WHPSOHV ΖW ZDV WKRXJKW WKDW RIIHULQJ a sandal to their sculptures would heal the exhausted feet from the long pilgrimages to the temples. Estimate EUR 1.500,Starting price EUR 750,-

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A WOOD NETSUKE OF TWO WRESTLERS

Unsigned -DSDQ HDUO\ WKbFHQWXU\ (GR SHULRGb

Carved from cherry wood and lightly stained depicting two wrestlers on their knees trying to grab each other by the belt with one hand, performing ottsuke (arm-clamp down), the other hand SUHYHQWLQJ WKH FRXQWHUSDUW IURP UHDFKLQJ WKH EHOW %RWK IDFLDO expressions are quite amusing. The underside further underlines their symmetrical movement, showing four chubby legs divided by a central himotoshi. HEIGHT 5.2 cm Condition: Excellent condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.200,Starting price EUR 600,-

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GYOKURIN: AN AMUSING WOOD NETSUKE OF RAIJIN WITH RAITARO

%\ *\RNXULQ VLJQHG *\RNXULQ Japan, early 19th century, Edo period (1615-1868) Published: Lazarnick, George, Netsuke and Inro Artists, Honolulu 1982, p. 426.

The thunder god Raijin is depicted as a muscular oni, with long curly hair and wearing a thin loincloth, tightly curled into a ball and holding his knees as if he was rocking back and forth in agony. His expression is amusing, completely worn out and stressed, as his son Raitaro is mischievously grinning and banging on his back, trying to gain his attention. Raijin is often caricaturized in netsuke art, and in the present netsuke he is shown as the worn-out father – the powerful thunder god dejected by something very humanly, one does feel for this poor deity‌The carving is sublime, bold and powerful, and the patina is superb, smooth and shimmering and worn in all the right places. Large himotoshi through Raijin’s buttocks. Signed underneath the right foot GYOKURIN ৿‍ڄ‏. HEIGHT 4.2 cm, LENGTH 4.4 cm Condition: Very good condition with excellent patina. Provenance: The Gabor Wilhelm Collection. Estimate EUR 2.500,Starting price EUR 1.250,-

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A RARE IVORY NETSUKE OF RAIJIN WITH RAITARO ARMED WITH FISH HEADS

Unsigned Japan, 18th century, Edo period (1615-1868) Published: INSJ, Volume 23, No.3 (2003), page 27 (Gabor Wilhelm, 7KH 2II %URDGZD\ &ROOHFWRU 3DUW

Depicting the thunder god Raijin carrying his son piggyback. The design is bold and powerful, dictated by the restrictions placed on the artist by the thick triangular shape of this precious material, and the artist has managed masterfully! Raijin has a large, powerfully carved head, facing up and giving the design a powerful upwards trajectory imbued with movement from one of Raijin’s raised, clawed feet. His son Raitaro is hanging over his shoulder, one leg trailing down his father’s back, and he is grimly facing straight forward, giving the juxtaposition of the individual expression a powerful dynamic. Most interestingly perhaps and presenting us with an enigma (as Gabor Wilhelm put it in his article), are the two drumsticks Raijin is holding, which resemble fish carcasses with their heads still attached. The himotoshi in the back are perfectly placed to ensure the netsuke hangs correctly from the obi. HEIGHT 7.2 cm Condition: Very good condition with expected age cracks and spots of honey patina. Provenance: The Gabor Wilhelm Collection. Estimate EUR 4.000,Starting price EUR 2.000,-

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MASAKAZU: IVORY NETSUKE OF A KARAKO SCARING A YOUNG MONK

%\ 0DVDND]X VLJQHG 0DVDND]X Japan, Osaka, early 19th century, Edo period (1615-1868)

A finely carved and lightly stained ivory netsuke of a frightened and cowering young monk with his face in his hands. A mischievous karako is standing on a box behind and looming over him, wearing an eerily grinning oni mask and holding a Kanabo (iron war club) with both hands. Amusingly it appears he has two pairs of horns, as the little inlaid black horn tufts of hair, characteristic of karako, look similar to the horns of the oni mask. Good himotoshi through the back and the signature MASAKAZU ȢÄ‚ in an oval reserve on the box. HEIGHT 4.4 cm Condition: One horn on the oni mask is possibly restored very well. Otherwise in excellent condition. Provenance: Collection Paul Corbin, then The Gabor Wilhelm Collection. Estimate EUR 1.500,Starting price EUR 750,-

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MASAYUKI: A WOOD NETSUKE OF A MASK CARVER IMITATING USUFOKI MASK

%\ .DWR 0DVD\XNL VLJQHG 0DVD\XNL ZLWK NDR Japan, Edo/Tokyo, mid to late 19th century

Finely crafted as a mask carver, wearing an elaborately folded robe and cap, and holding a chisel and the mask of Usufoki. Amusingly, he is imitating the distorted facial features of Usufoki – perhaps he is gaining inspiration from the act. The underside well-carved with large himotoshi and the signature MASAYUKI and kao ȢƼ. HEIGHT 3.5 cm Condition: Very good condition with miniscule scratches and wear to the wood. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.000,Starting price EUR 500,-

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HOMIN: AN IVORY NETSUKE OF TWO BOYS AS MUSICIANS

%\ +RPLQ VLJQHG +RPLQ ZLWK NDR Japan, Edo/Tokyo, mid to late 19th century

An ivory netsuke depicting a joyously drumming karako next to another boy dressed as a Kabuki actor wearing the mask of Usofuki and holding a fan and bell tree. Small himotoshi and signature HOMIN ɲáş› with kao on the underside. HEIGHT 3.8 cm Condition: Good condition with a worn patina on the back. The toes of the actor are ever so slightly chipped. Provenance: The Gabor Wilhelm Collection. Estimate EUR 800,Starting price EUR 400,-

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DORAKU: AN IVORY NETSUKE OF A MASK BOX WITH USOFUKI

%\ 'RUDNX 6DL VLJQHG 'RUDNX Japan, Osaka, 19th century, Edo period (1615-1868)

Finely stained and carved as a mask box with the mask of Usofuki on the lid. The underside with himotoshi and signature DORAKU Ć…Ç?. Doraku(Sai) was a member of the Osaka school and a famous student of Mitsuhiro. HEIGHT 2 cm, LENGTH 3.3 cm Condition: Excellent condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 800,Starting price EUR 400,-

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A RARE STAG ANTLER SHUNGA NETSUKE OF OKAME AND TENGU MASKS

Unsigned Japan, 19th century, Edo period (1615-1868)

Carved as the mask of the Shinto goddess Okame behind the mask of a long-nosed tengu. Okame is suggestively grinning at the phallic shape of the exaggeratedly long nose. The use of the material is superior. A branch section of antler was used, with the long nose resembling a natural branch, brilliantly utilized. The central section is hollow. Only the underside really shows the characteristic porous surface of the antler, the rest appears like beautifully stained ivory. One pierced himotoshi and the other natural through the hollow section between the two masks. HEIGHT 3.3 cm, LENGTH 6.3 cm Condition: Very good condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 2.500,Starting price EUR 1.250,-

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A WOOD NETSUKE OF A TENGU STIRRING MISO

Unsigned Japan, 19th century, Edo period (1615-1868)

A wood netsuke of a tengu holding his amusingly long nose in both hands to stir miso in a bowl held between his feet. He is wearing a tokin cap, and his long hair and the wings in the back are carved with extraordinary detail. Appealing patina to the dark accentuated wood. Good, irregular himotoshi on the underside. HEIGHT 3.5 cm Condition: Very good condition. Provenance: The Gabor Wilhelm Collection. The tengu are mythical forest dwellers, led by their king Sojobo and can take on a fully human form. They are often associated with erotic netsuke (shunga) due to their long nose, and often depicted together with the naughty Shinto goddess Okame. Estimate EUR 1.200,Starting price EUR 600,-

55 |

A FINE WOOD NETSUKE OF THREE MUSHROOMS

Unsigned Japan, probably Nagoya, early 19th century, Edo period (1615-1868)

A group of three mushrooms (take) of ascending size, their broad caps elegantly overlapping. The surface of the caps is smooth and beautifully stained. The underside carved with meticulous detail and an incredibly sense of naturalism, showing the stems and ribbed surface of the underside of the caps. Natural himotoshi. The quality of the carving could suggest a Nagoya artist, such as Tadatoshi. HEIGHT 2.5 cm, LENGTH 4.5 cm Provenance: The Gabor Wilhelm Collection. Condition: Excellent condition. Due to the phallic shape of mushrooms, they are often seen as erotic netsuke (shunga). Estimate EUR 1.500,Starting price EUR 750,-

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TOMOMASA: AN AMUSING WOOD NETSUKE OF A TANUKI WITH GIANT SCROTUM

%\ 7RPRPDVD VLJQHG 7RPRPDVD Japan, early 19th century, Edo period (1615-1868)

The tanuki is a magical shapeshifting creature which resembles a raccoon dog. Here he is shown with distinct human features, such as his human arms and legs and the loincloth and headband he is wearing. The tanuki is struggling to hold up his gigantic wrinkly scrotum, which is pressed onto his face. According to legend, this creature utilized its distended scrotum to suffocate hunters, as seen in catalog no. 57. The wood of a very good tone with a fine natural patina and the eyes of the tanuki are inlaid in dark horn. Good himotoshi through the tanuki’s behind and abbreviated signature on the side of the loincloth TOMOMASA ƤȢ. HEIGHT 5.2 cm Condition: Very good condition with appealing patina Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.500,Starting price EUR 750,-

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SHUNGETSU: IVORY NETSUKE OF A TANUKI SUFFOCATING A HUNTER WITH HIS SCROTUM

%\ 6KXQJHWVX VLJQHG 6KXQJHWVX Japan, Tokyo, late 19th century, Meiji period (1868-1912)

A well-carved, finely stained and compact ivory netsuke of a tanuki suffocating a hunter with his gigantic scrotum. Tanuki are known to have magical powers and are mischievous creatures. Though not always dangerous, they are especially hostile to hunters, as they beguile them by drumming on their bellies, subsequently crushing them with their enlarged testicles. The tanuki has well-carved fur and a smoothly polished scrotum with sparsely incised hair. The hunter is quite helpless and squirming in agony. Small himotoshi and signature SHUNGETSU Ô›Ęƒ on the underside. HEIGHT 3.3 cm, LENGTH 4 cm Condition: Very good condition. Provenance: The Gabor Wilhelm Collection. Shungetsu, active in the early Meiji period, was born in 1841 and was a pupil of Shunkosai Chogetsu. Estimate EUR 1.200,Starting price EUR 600,-

58 |

A RARE WOOD ‘DOUBLE SHUNGA’ NETSUKE OF A MOTHER AND CHILD

Unsigned Japan, 18th century, Edo period (1615-1868)

A highly suggestive and early shunga netsuke carved as a mother, with chubby cheeks and a high forehead like Okame, holding up her son, revealing his genitals. The underside further reveals her female genitals. A rare and rustic ‘double shunga’ netsuke. Good patina and cleverly placed himotoshi in the back. HEIGHT 6.4 cm Condition: Good condition with an appealing patina. One tiny chip to the side of the boy’s genitals. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.200,Starting price EUR 600,-

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AN IMPORTANT WOOD AND IVORY SHUNGA NETSUKE OF A CHINESE LADY WITH SHISHI CENSER ATTRIBUTED TO KANJURO

Unsigned, attributed to Kanjuro Japan, Osaka, mid to late 18th century, Edo period (1615-1868)

A tall wood netsuke of Chinese lady with inlaid ivory hands and a sensitively crafted ivory face with her hair neatly tied into a top knot, the details lacquered in black. The ornately crafted robe is made from wood with powerfully accentuated garment folds, finely incised cloud designs and a neat floral collar. In front of her she KROGV D FHQVHU ZLWK D VQDUOLQJ %XGGKLVW OLRQ RU 6KLVKL FDUYHG RQ top. Externally, this is already a fine and powerful netsuke, however internally there is a surprise which lifts this netsuke to a new level – an ingenious hidden mechanism, way ahead of its time! The bottom section is removable, revealing her naked body. The long thin legs are carved from pale ivory, appearing very sensitive. Her genitals are revealed when tilting the netsuke. The lady would be completely enveloped in her robe when worn outside in public, only her ivory features would give a subtle clue to the ambiguity of the design. Inside, perhaps after a good round of sake, the hidden interior could be revealed. Large himotoshi through the back, one of them through the naked ivory body. HEIGHT 10.5 cm Condition: Very good, complete condition. The mechanism is fully functional. A bolt which had been put into place to hide the inner mechanism has been removed. Some minor wear to the lacquered details. Provenance: The Gabor Wilhelm Collection. Kanjuro (MCI page 307) specialized and probably originated the method of carving figures in wood with hands and feet in ivory – the extension of that being a hidden interior carved from ivory, perfectly lending to the idea of shunga netsuke, which emerged from the increased popularity of shunga designs in woodblock prints. Kanjuro is one of the few names mentioned in the Soken Kisho and is only known by his real name, therefore it is assumed he never signed his netsuke. Netsuke attributed to Kanjuro are extremely rare, and the artist was clearly ahead of his time, making this netsuke an important artefact. Literature comparison: Compare to a netsuke of Seiobo with the same hidden mechanism and attributed to Kanjuro, sold by Zacke, Netsuke und Inro aus Japan – Austellung 1985, Vienna, no. 35. Another similar netsuke, this time with the same depiction, is illustrated in the journal of the International Netsuke Collector’s Society, volume 3, no. 1, page 9. Estimate EUR 10.000,Starting price EUR 5.000,-

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60 |

RAKUMIN: A RARE WOOD AND IVORY NETSUKE OF A VISITING COURTESAN

%\ +R 5DNXPLQ VLJQHG 5DNXPLQ Japan, 19th century, Edo period (1615-1868)

A fine inlaid wood netsuke depicting a visiting courtesan, enveloped in a thick robe, reminding one of Onna Daruma. She has a finely inlaid ivory face, with two dimples on the forehead like Okame, and long black hair inlaid in dark wood. In front of her she holds a large hat, carved from dark wood and held in place by a peg, as if she was KLGLQJ VRPHWKLQJ %HKLQG WKH KDW VKH KROGV D ILQHO\ FUDIWHG LYRU\ cane. Her sandaled feet as well are inlaid in ivory. Often this type of netsuke would be gimmicked to reveal her naked body, like no. 59, however here one can only imagine what lies under her thick robe, incised with minimalistic images of vines. The backside with good, large himotoshi and the signature RAKUMIN Ç?ÎŚ located by her side on the hem of her robe. HEIGHT 6.4 cm Condition: Miniscule losses to the side of her sandaled feet. Otherwise excellent condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 2.000,Starting price EUR 1.000,-

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61 |

MASAKAZU: A FINE WOOD NETSUKE OF A YAWNING OKAME

%\ 0DVDND]X VLJQHG 0DVDND]X Japan, Gifu, 19th century, Edo period (1615-1868)

An amusing depiction of the Shinto goddess Okame, also known as Otafuku, known for performing the first nude dance in Japan. This work shows her half-nude, with large breasts, a large belly and a FDYHUQRXV \DZQ %RWK DUPV DUH UDLVHG XS DJDLQ LQ WKH PDQQHU RI the Zen patriarch Daruma, who is often depicted yawning after his nine-year mediation. Okame depicted in this way is also often called Onna Daruma (“Woman Darumaâ€?). Large, generous himotoshi through the back and the left buttock. Signed MASAKAZU ȢÄ‚ LQVLGH DQ RYDO UHVHUYH XQGHUQHDWK %HDXWLIXO GDUN SDWLQD HEIGHT 6.4 cm Condition: Excellent condition. Provenance: The Gabor Wilhelm Collection. Probably one of the finest netsuke of this type. For more information on Onna Daruma see no. 63. $XFWLRQ FRPSDULVRQ )RU D YHU\ VLPLODU QHWVXNH VHH %RQKDPV Netsuke from a European Collection, 8 May 2016, London, lot 130. Estimate EUR 1.500,Starting price EUR 750,-

62 |

SHUZAN: A POLYCHROME AND INLAID WOOD NETSUKE OF DARUMA

%\ 1DJDPDFKL 6KX]DQ VLJQHG 6KX]DQ Japan, Osaka, 19th century, Edo period (1615-1868)

A boxwood netsuke colored in red, blue, green and gold depicting the Zen Patriarch Daruma entirely wrapped in women’s clothing and holding a hossu. Daruma’s face is inlaid in ivory with painted accents, as are his shoes on the underside. The backside with good, irregular himotoshi and signature in a wavy reserve SHUZAN Ě ÍŞ. HEIGHT 5.4 cm Condition: The tip of both feet have been restored and there is minor wear to the inlaid ivory face. Tiny chip to the hem of the robe. Otherwise in good condition. Provenance: The Gabor Wilhelm Collection. Similarly to no. 63 the present netsuke is an allusion to the motif of Daruma and courtesans. An interpretation is that Daruma has switched clothes with a woman or he is attempting to sneak out of a brothel unnoticed. Estimate EUR 1.200,Starting price EUR 600,-

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ICHIYUSAI: A MARINE IVORY MANJU NETSUKE OF ONNA DARUMA

%\ ΖFKL\XVDL 1DRKDUX 1DRPLWVX VLJQHG ΖFKL\XVDL Japan, Osaka, late 19th century

A marine ivory manju netsuke depicting Onna-Daruma (‘the female Daruma’) with well-crafted garment folds and holding a hossu (fly whisk). Visible behind her are prison bars, an allusion to a brothel, since the kanji for brothel and prison are very similar. The back shows a beautiful yellow-shimmering patina with himotoshi and signature ICHIYUSAI Ä‚ʹ᤮ DERYH D KDOI RSHQHG %XGGKLVW VFUROO DIAMETER 4 cm Condition: Very good condition, the facial features are slightly worn. Provenance: The Gabor Wilhelm Collection. 7KH LPDJH RI WKH IHPDOH %RGKLGKDUPD LV XQLTXH WR -DSDQ 2QH explanation of its origin is an anecdote from the early Edo period: A courtesan claimed that she was ahead of Daruma since he only gazed for nine years against a wall while she had been standing tirelessly for ten years in the display of her brothel. This inspired the famous painter Hanabusa Itcho (1652 – 1742) to paint the first images of Onna Daruma (female Daruma). The popular motif shows the interweaving of clever wordplay, wit and satirical criticism RI %XGGKLVW PRQNV Ȇ'DUXPD 2QQDȇ ZDV DOVR XVHG DV D GLVPLVVLYH expression for ‘street girl’, thus depictions of the female Daruma are often shunga heavy, though in more clever artworks, the Zencharacter of Onna Daruma is evident. Estimate EUR 2.000,Starting price EUR 1.000,-

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RYUMIN: IVORY AND MIXED METAL KAGAMIBUTA NETSUKE OF DARUMA

By Serizawa Ryumin, signed Ryumin with kao Japan, 19th century, Edo period (1615-1868)

Fitted in a choice ivory bowl, the mixed metal and gilt lid shows a finely crafted image of a woeful Daruma. The patriarch of Zen-Buddhism is shown after his nine-year meditation with long furrowed brows, curling beard and a silver earring. Signed RYUMIN ӐΦ with kao. DIAMETER 4.5 cm Condition: Very good condition. Minor signs of use to the cord channel on the back. Provenance: The Gabor Wilhelm Collection. Serizawa Ryumin, a student of Tenmin, was a fine metalwork artist and made mostly kanamono (pouch fittings) and kagamibuta. Auction comparison: The lid is very similar to a kagamibuta by Kokusai sold by Bonhams, Fine Japanese and Korean Art, New York, 20 March 2019, lot 275. Estimate EUR 1.200,Starting price EUR 600,-

65 |

SHUMIN: A FINE WOOD NETSUKE OF DARUMA

By Hara Shumin, signed Shumin Japan, Edo, early 19th century, Edo period (1615-1868)

Finely carved as the Zen patriarch Daruma, bare-chested and almost completely enveloped in his robe, with a stern-faced meditative expression. The garment folds are powerfully accentuated, and the facial expression is masterfully crafted. The lightly stained wood has developed a very appealing patina over time. The underside with inlaid ivory himotoshi, the larger one stained green, next to the signature SHUMIN লẛ. HEIGHT 3.8 cm Condition: Excellent condition. Provenance: The Gabor Wilhelm Collection. This was a popular model by Hara Shumin, who was a pupil and adopted son of Hara Shugetsu. Estimate EUR 1.200,Starting price EUR 600,-

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A BRILLIANT STAG ANTLER NETSUKE OF A YAWNING DARUMA

Unsigned Japan, 19th century, Edo period (1615-1868)

An unusual depiction of Daruma, appearing almost boy-like, awakened from his 9-year meditation and yawning with his hands behind his back, though it appears more that he is shouting with wide opened eyes and mouth. The subject appears to be a variation of the pumpkin daruma, as the daruma emerges from an inanimate REMHFW Ȃ WKH EDVH DQG KLV ȆVKLUWȇ RQFH EHORQJLQJ WRJHWKHU %ULOOLDQW use of the antler material. Himotoshi through the back. HEIGHT 6.3 cm Condition: Very good condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 3.000,Starting price EUR 1.500,-

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A RARE STAG ANTLER NETSUKE OF AN OCTOPUS

Unsigned Japan, early 19th century, Edo period (1615-1868)

The octopus (tako) is seated on a rock, its wriggly tentacles intertwining and dangling down. The tako’s large head is dominant in this piece, ideally rounded and smooth with the typical structure of the antler material appearing beautifully at the top and going downwards to its pressed forward funnel-shaped mouth. It has an amusingly fierce-looking expression. The use of material is brilliant as the rest of the carving almost appears like ivory. The section which was used is near the base of the antler, with the base forming the head, therefore not needing to be plugged, which was carefully and smoothly polished. The rockwork and tentacles are from the extending tubular section, which is hollow. It is possible that this netsuke was also used as a cane handle, though there are natural himotoshi through the openworked section of the tentacles. HEIGHT 6.4 cm Condition: Very good condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.500,Starting price EUR 750,-

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A VERY RARE STAG ANTLER NETSUKE OF A NAUTILUS IN SHELL

Unsigned Japan, 18th century, Edo period (1615-1868)

A rustic and relatively large stag antler netsuke of a nautilus inside its shell. The cephalopod’s tentacles are creeping across the opening and the shell is carved with good detail in the top with rows of barnacles. The himotoshi in the back exhibit considerable wear, showing this is an early and used piece. Netsuke of nautiluses are incredibly rare, and this may well be the only one recorded now. LENGTH 7.4 cm Condition: Very good condition with minor expected wear. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.200,Starting price EUR 600,-

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69 |

A RARE STAG ANTLER NETSUKE OF KADORI MYOJIN TAMING A NAMAZU

Unsigned Japan, 19th century, Edo period (1615-1868)

The deity Kadori Hyojin is shown standing atop a namazu (earthquake fish), taming it with a large gourd – both the Namazu and Kadori seem contented by this event. The netsuke is carved from a choice piece of tubular stag antler, with plugged sections in the top and bottom. The surface displays a beautiful aji (patina), well-worn and smooth to the touch. Unusually, Kadori’s garment is DGRUQHG ZLWK %XGGKLVW VZDVWLNDV 7KH KLPRWRVKL DUH FORVH WRJHWKHU on the under- and backside. HEIGHT 4.6 cm Condition: Very good condition. Plugged sections of the hollow stag antler. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.200,Starting price EUR 600,-

70 |

A STAG ANTLER NETSUKE OF A MONKEY WITH CHESTNUT

Unsigned Japan, 18th century, Edo period (1615-1868)

Carved from a tubular piece of stag antler, hollow in the center and with a plug on the top of its head, depicting a slightly stylized monkey with amusingly large eyes, holding a chestnut. Spectacular patina indicating an early piece. One large himotoshi in the back and the other natural through the hollow section of the antler. HEIGHT 5.5 cm Condition: Good condition, stunning patina. Plugged section of the hollow stag antler. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.000,Starting price EUR 500,-

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71 |

AN ASAKUSA SCHOOL STAG ANTLER NETSUKE OF A DRAGON MOKUGYO

Unsigned Japan, Edo, Asakusa school, mid-19th century, Edo period (1615-1868)

A stag antler netsuke of manju form depicting a mokugyo, the handle carved with confronting one-horned dragon heads contesting a single tama (magical pearl) between their mouths. The sides with finely carved manes with flaring curls on both sides and scales on one side. The material is beautiful, displaying a good aji (patina) coupled with porous sections, giving it a unique appeal which only stag antler can create. The reverse with one circular and one large oval himotoshi. HEIGHT 4.6 cm Condition: Very good condition. Provenance: The Gabor Wilhelm Collection. The mokugyo (literally wooden fish) is a type of percussion instrument often used in temples. This type was made across the board of Asakusa school artists, so it is difficult to name an artist, see for example a mokugyo by Kokusai in Kokusai the Genius: and Stag-antler Carving in Japan, Sydney L. Moss Ltd., 2016, no. 123. Estimate EUR 1.500,Starting price EUR 750,-

72 |

AN IVORY NETSUKE OF A BAKU HEADED MOKUGYO IN THE STYLE OF GYOKUMIN

Unsigned, style of Gyokumin (1800-1868) Japan, Asakusa, mid to late 19th century, Edo period (1615-1868)

Depicted is a mokugyo temple bell with the handle shaped like the head of a baku with large inlaid eyes, small tusks, its tongue sticking outwards and a dominant long curling snout. Swirling flame-like curls trail down from its neck to both sides of the temple bell. The underside with the characteristic opening of the mokugyo. Natural himotoshi. HEIGHT 5.3 cm Condition: Generally good but used and worn condition with age cracks. Provenance: The Gabor Wilhelm Collection. The baku is believed to eat bad dreams and is therefore used as a talisman DJDLQVW QLJKWPDUHV 7KH VRXQG RI WKH %XGGKLVW EHOO PRNXJ\R FDQ DZDNHQ WKH PLQG DQG WKH ERGLO\ HQHUJ\ IURP %XGGKD Literature comparison: For similar works by Gyokumin see Kokusai the Genius: and Stag-antler Carving in Japan, Sydney L. Moss, Ltd., 2016, nos. 473-478. Estimate EUR 1.200,Starting price EUR 600,-

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AN EXCELLENT MIXED METAL AND STAG ANTLER NETSUKE OF A SNAIL AND ACORNS

Unsigned Japan, Asakusa, mid to late 19th century

What a feat to carve a snail in such a way out of iron! The snail is carved with a spiraling shell with applied gold accents in nunome zogan appearing like strokes from a golden brush. The wrinkly skin of the snail is achieved brilliantly, with little dents in the iron masterfully mimicking the natural structure of snail skin. The snail is fitted into an openworked stag antler bowl depicting a branch of acorns and it appears to be slithering across the leaves. The decaying of the leaves is achieved very well, and the material of antler is used magnificently in this respect. The himotoshi in the backside are brilliantly incorporated into the structure. Asakusa school. HEIGHT 3.7 cm, LENGTH 4.4 cm Condition: Superb condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 2.500,Starting price EUR 1.250,-

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A BRILLIANT STAG ANTLER RYUSA MANJU NETSUKE WITH FLOWERS AND WEAVE

Unsigned Japan, Tokyo, Asakusa, mid to late 19th century

A brilliantly hollowed-out and carved Asakusa-school stag antler ryusa-manju showing a chrysanthemum (kiku) blossom in the front. From the petals extend threads which are intricately ‘woven’ together, seemingly held together by a concentric band on the side – though the entire composition is carved! These threads lead to the other side and lie above a stylized flower incredibly made from an entirely porous and deep black section of the antler. One of the himotoshi forms the central part of the stylized flower, and the second larger oval himotoshi is just beneath. The use of material in this netsuke is unparalleled. DIAMETER 4.4 cm, THICKNESS 2 cm Condition: Superb condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 3.000,Starting price EUR 1.500,-

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KOHOSAI: AN EXCELLENT IVORY AND GOLD NETSUKE OF A FLOWERING CHRYSANTHEMUM

%\ 8HGD .RKRVDL GLHG VLJQHG .RKRVDL Japan, Osaka, late 19th century, Meiji period (1868-1912)

Finely carved as a flowering chrysanthemum, the petals carved naturalistically and overlapping each other. The central section is inlaid in gold, finely carved to resemble layers of pollen, cleverly serving as the removable cord attachment through the central himotoshi in the back. Signed KOHOSAI ╚Уроесдо in partially erased characters. DIAMETER 4.3 cm Condition: Very good condition. There used to be a metal ring around the himotoshi in the back, which is now lost. Provenance: The Gabor Wilhelm Collection. Ueda Kohosai was a member of the Osaka school and probably close to Dosho(Sai) and Tetsugendu Kyusai, who carved similar flowers. Literature comparison: For two further floral compositions by the artist see F. Meinertzhagen, MCI Part A, New York, 1986, page 356. Auction comparison: For a similar netsuke by Tetsguendo Kyusai VHH %RQKDPV 7KH -XOLXV DQG $UOHWWH .DWFKHQ &ROOHFWLRQ RI )LQH Netsuke, 10 May 2017, London, lot 189. Estimate EUR 2.000,Starting price EUR 1.000,-

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A VERY RARE MARINE IVORY NETSUKE OF A BELL PEPPER

Unsigned Japan, 19th century, Edo period (1615-1868)

Carved from marine ivory, the netsuke depicts a well-formed bell pepper, which evokes a synesthetic response – the image of the overly ripe, almost bursting bell pepper arouses a sense of smell and taste. The stem is made of silver and the top and bottom part of the bell pepper is stippled. Large himotoshi through one side. TOTAL LENGTH 7 cm, LENGTH without stem 6.4 cm Condition: The netsuke shows an appealing patina with yellow discoloration due to age and wear. Natural flaws in the marine ivory and a few age cracks. Provenance: The Gabor Wilhelm Collection. Auction comparison: Compare to a boar-tooth netsuke of a chili VROG E\ %RQKDPV 7KH 5REHUW 6 +XWKDUW &ROOHFWLRQ RI ΖZDPL Netsuke, 15 May of 2019, lot 42. Estimate EUR 1.500,Starting price EUR 750,-

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A RARE WOOD NETSUKE OF THE THREE FRIENDS OF WINTER

Unsigned Japan, 19th century, Edo period (1615-1868)

Depicting the three friends of winter, the bamboo, pine and plum. Symbolizing resilience, the three plants merge together to form one beautiful netsuke, probably serving as a charm of strength and endurance. The motif is taken from China and is regarded high in Confucianism. It was celebrated by the Chinese, as they observed that these three plants do not wither in winter. Natural himotoshi. HEIGHT 4.9 cm Condition: Very good condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.000,Starting price EUR 500,-

78 |

A WOOD NETSUKE OF THIRTEEN CHESTNUTS

Unsigned Japan, 19th century, Edo period (1615-1868)

An unusually large amount of chestnuts (kuri), thirteen to be exact, clustered together forming an ideally rounded netsuke. The patina is appealing, shades of dark brown, and smooth to the touch. %XGGKLVWV EHOLHYH WKDW WKH VRXOV RI WKH GHFHDVHG FDQ VHWWOH LQ NXUL Natural himotoshi. LENGTH 4.1 cm Condition: Excellent condition with appealing patina. Provenance: The Gabor Wilhelm Collection. Estimate EUR 800,Starting price EUR 400,-

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79 |

A RARE AND UNUSUAL COPPER BRONZE NETSUKE OF A HIKITE

Unsigned Japan, 19th century, Edo period (1615-1868)

In the shape of a hikite inset door handle used to push gliding doors in Japanese houses. Decorated with images of leafy peach branches in high relief. Small loop for himotoshi on the reverse. HEIGHT 5.1 cm Condition: Excellent condition. Provenance: The Gabor Wilhelm Collection, acquired from Dr. Karl. M Schwarz. Estimate EUR 1.000,Starting price EUR 500,-

80 |

A RARE WOOD NETSUKE OF AN ANTIQUE CHINESE LOCK

Unsigned Japan, 19th century, Edo period (1615-1868)

A pale wood netsuke in the form of an antique Chinese lock carved in high relief on one side with the character ‘Shou’ for long life, and the character for ‘double happiness’ on the other. Images of antique coins and flowers are arranged in reserves to the side of the characters. Natural himotoshi. LENGTH 4.7 cm Condition: Very good condition, one miniscule crack near one of the Chinese characters. Provenance: The Gabor Wilhelm Collection. To our knowledge, this is the only netsuke depicting an antique Chinese lock. Estimate EUR 800,Starting price EUR 400,-

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81 |

A RARE CLOISONNÉ ENAMEL MANJU NETSUKE

Unsigned Japan, ca. 1860

A rare cloisonné enamel netsuke in perfectly round manju form. Decorated with blue, turquoise, green, red and white enamels with gold wire. The cord attachment as a silver loop above a red kikunogomon, the imperial seal of Japan. DIAMETER 3.7 cm, THICKNESS ca. 1.8 cm Condition: Good condition with expected minor fritting and small losses to surface of enamel. Provenance: The Gabor Wilhelm Collection. Literature comparison: For a discussion of cloisonné enamel netsuke see INSJ, volume 35, no.4, pages 18-33. This manju is closest to no. 25. Estimate EUR 1.000,Starting price EUR 500,-

82 |

AN UNUSUAL AND RARE FAN-SHAPED BLUE AND WHITE PORCELAIN SHUNGA NETSUKE

Unsigned Japan, 19th century, Edo period (1615-1868)

In the shape of a fan and painted in underglaze blue with a shunga scene depicting an enamored couple. The reverse decorated with tall grasses, where also the loop for himotoshi is located. Three unglazed spots show how it was placed in the kiln, and the reverse rim unglazed and painted in brown. HEIGHT 5.5 cm Condition: Miniscule old firing crack. Very good condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.000,Starting price EUR 500,-

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TEIJI: A RARE WOOD AND CERAMIC NETSUKE OF MANY MASKS

%\ 7HLML VLJQHG 7HLML Japan, Nagoya, mid-19th century, Edo period (1615-1868) Published: Ducros, Alain, Paris Edo: Convention Netsuke & Sagemono 1994, 2.

Inlaid with nine pottery Noh and Kyogen masks, colored in brown, turquoise, red and white and set in a very light paulownia (kiri) wood bowl. The ceramic work is incredibly fine, with the tiny masks all showing superior detail. The underside with good himotoshi and signature TEIJI á‘°Č• on an inlaid ceramic plaque. DIAMETER 4.6 cm

70

Condition: One small old worn-down chip to the rim of the wood bowl. Minor wear to ceramic inlay. The oni mask with minor wear to the nose. Generally, in good condition. Provenance: The Gabor Wilhelm Collection. Purchased from Alain Ducros in 1994. Teiji, pupil of Seiji, was originally a potter and made unique netsuke with ceramic inlays. It is evident from the quality of the ceramic inlay in this netsuke that only a highly trained ceramicist could achieve this. Auction comparison: An almost identical netsuke was sold by %RQKDPV 7KH %OXHWWH + .LUFKKRII &ROOHFWLRQ RI 1HWVXNH DQG Sagemono, 16 September 2009, New York, lot 2135. Estimate EUR 3.000,Starting price EUR 1.500,-

84 |

TWO FINE PRESSED HORN MANJU NETSUKE

Unsigned Japan, 19th century, Edo period (1615-1868)

The first of round two-part manju form with a depiction of the Soga brothers. The reverse with a greenish hue and decorated with flowering peonies and a nine-tailed kitsune amidst billowing clouds. The second of rounded rectangular shape depicting Omori Hikoshichi carrying the demon across a stream, here depicted as a beautiful woman. The reverse with a finely carved moon shimmering through the clouds and a Hannya mask, hinting at the true nature of the woman, as Omori sees her demonic nature in the reflection of the water. The first DIAMETER 4.2 cm, the second SIZE 4.1 x 4.5 cm Condition: Very good condition Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.000,Starting price EUR 500,-

85 |

JUGYOKU: AN EBONY AND HORN NETSUKE OF A SNAIL ON A ROOF TILE

%\ 5\XNRVDL -XJ\RNX VLJQHG -XJ\RNX Japan, Edo, mid-19th century, Edo period (1615-1868)

An ebony wood netsuke of a roof tile with a tiny snail (katatsumuri), carved from honey-colored horn, crawling across it. The composition is rather simplistic, though exactly in this lies the beauty – the netsuke is beaming with Zen-character! The rooftile is purposely worn on the surface and edges and shows a mitsudomo-e symbols as well as decorative carving on one side. A loop next to the snail forms the himotoshi above the signature JUGYOKU ŕł—৿. LENGTH 4.8 cm Condition: Excellent condition, all wear is purposely carved. Provenance: The Gabor Wilhelm Collection. Estimate EUR 1.500,Starting price EUR 750,-

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86 |

A VERY RARE MOTHER OF PEARL NETSUKE OF FUKURA SUZUME

Unsigned Japan, 19th century, Edo period (1615-1868)

Carved from a piece of shimmering mother of pearl and depicting a suzume (sparrow) with large and red inlaid eyes. The sparrow has a puffy body with carved plumage on its back, short stubby wings with incised featherwork and short upright tail feathers. This type is called fukura suzume, was deemed lucky and was also a popular children’s toy. Large, generous himotoshi through the underiside. Mother of pearl katabori netsuke of this quality are extremely rare. HEIGHT 2 cm, LENGTH 3.2 cm Condition: Very good condition. Provenance: The Gabor Wilhelm Collection. Estimate EUR 2.000,Starting price EUR 1.000,-

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87 |

TOMOKAZU: WOOD NETSUKE OF A COCKEREL ON A BRANCH

Inscribed Tomokazu Japan, late 19th to 20th century

A long-tailed cockerel (tori), also known as onagadori, on a branch with its head tilted to the left, lending movement to the composition. The plumage of the cockerel is pronounced, the long tail forms an elegant curve. Inlaid eyes. Signature TOMOKAZU Ƥ Ă on the branch. Himotoshi through the underside. The netsuke is finished with a thin layer of plain lacquer. HEIGHT 4 cm Condition: Very good and complete condition. Provenance: The Gabor Wilhelm Collection. The cockerel (tori) or rooster is the tenth animal in the zodiac and a symbol of potency and power. Estimate EUR 800,Starting price EUR 400,-

88 |

A RARE AND GIGANTIC ACTOR’S WOOD NETSUKE OF A NIO WITH WARAJI

Unsigned Japan, 19th century, Edo period (1615-1868)

A very large wood netsuke depicting a Nio with a huge waraji strapped to his back. The expression of the guardian king is quite amusing, as he struggles to carry the gigantic waraji on his back. Due to the size of this netsuke, it is either a netsuke for a sumo wrestler or for an actor, used in a performance as a prop. Large himotoshi through the back. HEIGHT 12.7 cm, WIDTH 6 cm (!) Condition: Good condition. Minor surface scratches and imperfections. One crack by the side of the neck. Provenance: The Gabor Wilhelm Collection. Nio are athletic temple guardians, whose sculptures are seen by WKH HQWUDQFH JDWHV RI %XGGKLVW WHPSOHV ΖW ZDV WKRXJKW WKDW RIIHULQJ a sandal to their sculptures would heal the exhausted feet from the long pilgrimages to the temples. Estimate EUR 1.500,Starting price EUR 750,-

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A Selection of Collections

74

Lots 89 to 331

75

ANIMALS OF THE JAPANESE ZODIAC RAT / NEZUMI The rat (nezumi) is the first animal in the zodiac and a symbol of wealth, as when there was plenty of food there would be plenty of rats – therefore the rat is also the companion of Daikoku, patron of the merchants and god of wealth.

89 |

A FINE NAGOYA SCHOOL WOOD NETSUKE OF TWO RATS

Unsigned Japan, Nagoya, early 19th century, Edo period (1615-1868)

A very fine netsuke, carved from dark cherry wood, and displaying a beautiful aji (patina). Depicted is a large rat with its offspring nestling up to it, its paws protectively placed on the young rat, forming a compact composition. The hairwork is masterful and the large eyes are inlaid in lustrous black horn. The underside shows the curling tails and paws. Natural himotoshi. HEIGHT 3 cm, LENGTH 4 cm Condition: Excellent condition. 3URYHQDQFH %ULWLVK SULYDWH FROOHFWLRQ FRPLQJ ZLWK WZR YDOXDWLRQV from Neil K. Davey from 1974 & 1984, collection no. 107. Estimate EUR 2.000,Starting price EUR 1.000,-

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90 |

IKKO: A FINE WOOD NETSUKE OF TWO RATS

%\ ΖNNR VLJQHG ΖNNR Japan, second half of 19th century

Carved from a reddish pale wood and depicting two charming rats, the larger one eating a bean pod while the smaller one is sitting on its haunches and about to climb on the larger rat. The fur is neatly incised, and the large eyes are inlaid in lustrous black horn. The underside shows the curling tails, natural himotoshi and signature IKKO Ä‚ʾ. HEIGHT 3 cm Condition: Excellent condition. 3URYHQDQFH %ULWLVK SULYDWH FROOHFWLRQ Auction comparison: Compare to another netsuke by Ikko depicting WKUHH UDWV VROG E\ %RQKDPV )LQH -DSDQHVH $UW 0D\ London, lot 17. Estimate EUR 1.200,Starting price EUR 600,-

91 |

A WOOD NETSUKE OF A RAT WITH CHESTNUT

Unsigned Japan, 19th century, Edo period (1615-1868)

A charming study of a rat (nezumi) holding a large chestnut. The rat has full chubby cheeks, large eyes inlaid in horn and the ears are in an alert position. The fur is neatly incised and the thick, finely carved tail curls around over the rodent’s back. The underside with himotoshi through the chestnut. HEIGHT 3.2 cm, LENGTH 4 cm Condition: One plus-shaped crack to the side of the rat. Otherwise very good condition. 3URYHQDQFH %ULWLVK SULYDWH FROOHFWLRQ Estimate EUR 1.000,Starting price EUR 500,-

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92 |

MASAKATSU: A FINE WOOD NETSUKE OF A COILED RAT

%\ 0DVDNDWVX VLJQHG 0DVDNDWVX Japan, Yamada, Ise province, 19th century, Edo period (1615-1868)

A fine wood netsuke of rat tightly coiled up into a ball. A genius design when considering the functionality as a netsuke, but also the uniqueness of the depiction. This model is believed to originate from the Masanao family of Ise-Yamada and was executed in different variations and sizes across members of the school/ family. The present netsuke is by Masakatsu, and shows particular individuality, evident in the carving of the face and eerily bony paws. The fur of the rat is precisely incised, and it is holding one paw to its face, another is holding its very well carved tail which extends all the way to the back and another is scratching its ear. The eyes are inlaid in lustrous black horn. Natural himotoshi through one of the legs and signed at the base of the tail in a polished reserve MASAKATSU Ȣ‍ۼ‏. HEIGHT 3.7 cm Condition: Very good condition. Miniscule wear. Provenance: The 40-Year Collection of a London Gentleman. Estimate EUR 3.000,Starting price EUR 1.500,-

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79

93 |

SADAYOSHI: AN EXCELLENT IVORY NETSUKE OF A RAT WITH BAMBOO NODE

%\ 6DGD\RVKL VLJQHG 6DGD\RVKL Japan, Osaka, early to mid-19th century, Edo period (1615-1868)

A fine and naturalistic ivory netsuke of a recumbent rat with its tail curling around and up its back. The rat or nezumi has a pointed snout, large inlaid eyes of black horn and attentively curved ears. The hairwork is incised masterfully and characteristically worn. The rat is holding a node of bamboo between three of its paws, which it fiercely claims for itself. The underside with himotoshi and signature in a rectangular reserve SADAYOSHI Ç­Ď?. The artist is known for his naturalistic and bold carvings of animals. HEIGHT 2.2 cm, LENGTH 4.6 cm Condition: Good condition, very appealing patina on the underside, one small crack to the tail and a very minute old chip to the edge of one ear. 3URYHQDQFH %ULWLVK SULYDWH FROOHFWLRQ ZLWK WZR YDOXDWLRQV IURP Sotheby’s, by Neil K. Davey, dated 1974 & 1984, inventory no. 51. Literature comparison: Compare to a similar netsuke of two rats by Sadayoshi illustrated in International Netsuke Society Journal, 24/3, page 11. Estimate EUR 2.000,Starting price EUR 1.000,-

80

94 |

MASAMITSU: AN IVORY NETSUKE OF A SWARM OF RATS WITH DARUMA DOLL

%\ 0DVDPLWVX VLJQHG 0DVDPLWVX Japan, Meiji period (1868-1912)

A classic model for this well-known artist who specialized in swarms of animals, mostly rats. Drowning in a sea of inlaid black horn eyes belonging to around thirty individually carved rats is a grim looking daruma doll, also with inlaid eyes, being eaten and torn apart. The rats all display individual moods, scurrying around or fighting. Wellcarved and finely stained. Signature on the flat base MASAMITSU Ȣ ʾ and good asymmetrical himotoshi. HEIGHT 3 cm, LENGTH 5.1 cm Condition: Amazingly only one inlaid eye is lost. Minor imperfections, very good overall condition. 3URYHQDQFH %ULWLVK SULYDWH FROOHFWLRQ Estimate EUR 1.200,Starting price EUR 600,-

95 |

MASAMITSU: A FINE IVORY NETSUKE OF A SWARM OF RATS ON A SEA BREAM

%\ 0DVDPLWVX VLJQHG 0DVDPLWVX Japan, Meiji period (1868-1912)

Carved by the same artist and similar to previous no. 94, though this time carved with detail on both sides. The netsuke is finely stained and carved with a dense swarm of seventeen rats on top of a sea bream. All eyes are inlaid with black horn. The underside shows the beautifully carved sea bream and three leaves, of which one holds the signature MASAMITSU Ȣʾ. Small himotoshi. LENGTH 5.8 cm Condition: Very good condition. Amazingly no inlay to eyes lost. 3URYHQDQFH %ULWLVK SULYDWH FROOHFWLRQ Estimate EUR 1.200,Starting price EUR 600,-

81

OX / USHI The ox (ushi) is the second sign of the zodiac and is an emblem of spring and agriculture. It also serves as a talisman against diseases.

96 |

A POWERFUL IVORY NETSUKE OF A RECUMBENT OX LICKING ITS NOSE ATTRIBUTED TO RISUKE GARAKU

Unsigned, attributed to Risuke Garaku Japan, Osaka, late 18th century, Edo period (1615-1868) Published: %DUU\ 'DYLHV 2ULHQWDO $UW 1HWVXNH IURP WKH 7HGG\ Hahn Collection, London, 1996, no. 80.

Powerfully carved as a recumbent ox with its tongue sticking out. The rope halter which passes through its nose is carefully carved and extends over the ox’s back. The body shape of the ox is carved remarkably well, bold of design and bulky with sharp and strong contours. The fur is finely incised and characteristically worn. The underside with finely carved tucked in legs and a beautiful rich yellow patina, as well as large, coherent himotoshi. LENGTH 5.5 cm Condition: Very good condition. The ivory worn with expected age cracks. Provenance: Ex Teddy Hahn Collection. Risuke Garaku of Osaka, one of the few artists mentioned in the Soken Kisho, was a bold and powerful carver from the latter half of the 19th century. Some of his designs, like the present netsuke, strongly suggest Kyoto school. Auction comparison: For another netsuke attributed to Garaku of VLPLODU GHVLJQ VHH %RQKDPV 7KH (GZDUG :UDQJKDP &ROOHFWLRQ RI Japanese Art, 6 November 2013, London, lot 60. Literature comparison: For another model of an ox licking its nose see F. Meinertzhagen, MCI Part A, New York, 1986, page 70. Estimate EUR 3.000,Starting price EUR 1.500,-

82

97 |

MITSUCHIKA: A LARGE AND RARE WALRUS IVORY NETSUKE OF A RECUMBENT COW WITH CALF

%\ 0LWVXFKLND VLJQHG 0LWVXFKLND Japan, Kyoto or Edo, mid-19th century, Edo period (1615-1868)

A large and bulky model of a recumbent cow with her calf snuggling up to her and licking her face, their eyes inlaid in dark horn. The material that was used for this powerful carving is a thick section of walrus tusk – a difficult material with many inclusions, as visible in this netsuke. Still, the details in this carving are sublime. The rope halter that passes through the nose over the back, is carved crisply. The hairwork is fine and the body proportions of the cow are boldly carved, conveying the weight of this large animal very well. In contrast, the young calf is carved sensitively. The underside shows the many hooves and large and generously deep himotoshi, as well as the signature MITSUCHIKA ʞʥ in a wavy reserve. LENGTH 6.5 cm Condition: Excellent condition with expected wear and age cracks. Provenance: European collection. Meinertzhagen writes that it is probable that Mitsuchika was a student of Mitsuharu of Kyoto, due to his distinct Kyoto style oxen and use of the character Mitsu Ęž. However, the wavy reserve and the addition of the character Chika ĘĄ, may suggest the Tomochika school of Edo. Perhaps the carver learned his craft in Kyoto and subsequently moved to Edo. Literature comparison: Compare to another netsuke of a recumbent ox with boy by Mitsuchika in Lazarnick, George, Netsuke and Inro Artists, Honolulu 1982, p. 772. Estimate EUR 3.000,Starting price EUR 1.500,-

83

84

98 |

MASANAO: AN EXCELLENT IVORY NETSUKE OF A RECUMBENT COW

%\ 0DVDQDR RI .\RWR VLJQHG 0DVDQDR Japan, Kyoto, late 18th century, Edo period (1615-1868) Published: International Netsuke Society Journal, volume 39, no.1 (2019), page 13.

Masterfully carved with the precision and character that we have come to know from the great Masanao of Kyoto, arguably the greatest netsukeshi of all time. Unlike his contemporary Tomotada, the majority of oxen/cows carrying the signature Masanao are actually carved by the master, and in the present model there is absolutely no doubt. The expression of the cow, her pupils inlaid in dark horn, is achieved naturalistically, but also shows her confident and full of character. The rope halter which passes through the nose and over her back is carved minutely. The hairwork and the bulky body with large belly and expressed spine and rib cage, are all carved masterfully. The underside, as well, is a sight to behold with the cow’s legs tucked neatly underneath the body, showing a splendid curvature and wonderful honey patina. The asymmetrical himotoshi, the larger one being oval, and the signature on the left haunch in an oval reserve MASANAO Ȣˢ are perfect and exactly as they should be. LENGTH 6.1 cm Condition: Very good condition, minor wear and age cracks. 3URYHQDQFH %ULWLVK FROOHFWLRQ Auction comparison: Compare to another model of a recumbent ox E\ 0DVDQDR RI .\RWR VROG DW %RQKDPV 7KH +DUULHW 6]HFKHQ\L 6DOH of Japanese Art, 8 November 2011, London, lot 119. Estimate EUR 25.000,Starting price EUR 12.500,-

85

TIGER / TORA The tiger (tora) is the third sign of the zodiac. An emblem of physical power and courage, and often considered the earthly counterpart to the dragon.

99 |

AN AMUSING WOOD NETSUKE OF A RECUMBENT TIGER

Unsigned Japan, early 19th century, Edo period (1615-1868)

The image of this tiger is quite grotesque and comical. The tiger is reclining, its head is curiously raised with a somewhat frightened and impish expression. The eyes are inlaid in horn and appear large, the mouth is slightly opened revealing rows of teeth which evoke a feeling of pity rather than awe. The tail shows the tiger’s fur coat pattern and elegantly curls up its back. The underside shows the well-carved paws and large, generous himotoshi. HEIGHT 2.5 cm, LENGTH 4 cm Condition: The wood is slightly worn and shows an appealing patina. Very good condition. Provenance: French private collection, purchased from Galerie <DPDWD %UXJHUROOHV LQ Estimate EUR 1.500,Starting price EUR 750,-

100 | AN IVORY OSAKA STYLE NETSUKE OF A RECLINING TIGER Unsigned Japan, Osaka, 19th century, Edo period (1615-1868)

A grotesque image of a tiger in Osaka style with its head turned backwards, letting out an amusingly ambiguous snarl. The tiger has large eyes with inlaid pupils, its thick tail curls around its back and the fur coat pattern is naturalistically rendered, especially visible on the underside which shows an attractive yellowish patina with good himotoshi. LENGTH 5.2 cm Condition: Very good condition, the inked fur is slightly worn in some areas. Provenance: European collection. Estimate EUR 1.200,Starting price EUR 600,-

86

101 | A LARGE EARLY IVORY MANJU WITH TIGER AND BAMBOO Unsigned Japan, 18th century, Edo period (1615-1868)

A thick and rather large ivory manju netsuke carved in shishiabori (sunken relief) with a snarling tiger below stalks of leafy bamboo, which are finely carved along the top. The design continues to the other side which also shows falling leaves. The entire manju is covered in a very attractive honey patina, indicating an early piece. Early manju are quite rare, as they became increasingly popular only around the mid-19th century. Central himotoshi with an inset peg for the cord attachment.

DIAMETER 5.3 cm, THICKNESS 2 cm Condition: Very good condition with expected age cracks and beautiful honey patina. Provenance: Hungarian collection. The motif take no tora (tiger in bamboo) is a symbol for strength and resilience. The tiger has a strong nature, is flexible and resilient like the bamboo, but it is also said that the strong tiger is looking for shelter underneath the bamboo, as any earthly power is inferior to the forces of nature. Moreover, the tiger and bamboo represent WKH SRZHU RI IDLWK LQ %XGGKLVP Estimate EUR 1.500,Starting price EUR 750,-

87

102 | MITSUSHIGE: A POWERFUL IVORY NETSUKE OF A TIGER %\ 0LWVXVKLJH VLJQHG 0LWVXVKLJH Japan, Kyoto, late 18th century, Edo period (1615-1868)

The tiger is carved with a dynamically twisted neck and rubbery paws which the tiger forcefully pushes in front of it. Its head is tilted back and upwards, letting out a powerful roar. The eyes are inlaid with dark horn pupils and surmounted by thick bushy eyebrows. The hairwork is masterful and the characteristic tiger fur coat is beautifully expressed. The thick tail curls up the tiger’s back and touches its right ear. The underside shows the male genitals of the tiger, the signature MITSUSHIGE ʞȜ in a rounded reserve on the haunch and large deep himotoshi, with the other one to its side. HEIGHT 4.1 cm Condition: Very good condition with age cracks. 3URYHQDQFH %ULWLVK FROOHFWLRQ A classic Mitsuharu model, made by Mitsuharu’s accomplished pupil Mitsushige. Auction comparison: Compare to a similarly dynamic model of a ELWFK DQG SXS E\ 0LWVXKDUX VROG E\ %RQKDPV 7KH -XOLXV DQG $UOHWWH Katchen Collection of Fine Netsuke, 8 November 2016, London, lot 113. Compare also to a very similar tiger with cub by Mitsushige sold by Zacke, Netsuke von Meistern – Ausstellung 1989, Vienna, no. 13. Estimate EUR 8.000,Starting price EUR 4.000,-

88

89

103 | AN IVORY NETSUKE OF TWO TIGERS ATTRIBUTED TO TANAKA HOSHINSAI Unsigned, attributed to Tanaka Hoshinsai Japan, Edo, mid-19th century, Edo period (1615-1868)

A finely stained ivory netsuke set on a rounded rectangular base with a tiger and young huddling up to each other. The hairwork and fur pattern are executed very well. The idiosyncratic crazed expression of the larger tiger, achieved by inlaid eyes with another circle around them is typical for Tanaka Hoshinsai, as is the red stain inside the mouths. Himotoshi through the base. HEIGHT 3.1 cm, LENGTH 3.7 cm Condition: Very good condition. 3URYHQDQFH 3DXO DQG /RXLVH %HUQKHLPHU FROOHFWLRQ 7KHQ European private collection. Auction comparison: Compare with a group of tigers signed +RVKLQVDL VROG DW %RQKDPV )LQH -DSDQHVH $UW 0D\ London, lot 2. Estimate EUR 2.000,Starting price EUR 1.000,-

90

104 | A FINE IVORY NETSUKE OF A RECUMBENT TIGER Unsigned, circle of Risuke Garaku (active ca. 1780) Japan, Osaka, early 19th century, Edo period (1615-1868)

Carved as a recumbent tiger, dynamically executed and looking upwards, scratching its left ear with its hindleg. The stripes in the fur coat are well defined and the fur is masterfully worked, heavily inked and pleasingly worn. The feline produces a powerful expression, boldly executed with pupils inlaid in dark buffalo horn. Another striking detail is the tail which curls around underneath the body and up the tiger’s back. The well-carved underside shows large, deep himotoshi. Unsigned, however attributed to the circle of Risuke Garaku of Osaka. HEIGHT 3 cm, LENGTH 4.3 cm Condition: Very good condition with thin age cracks and appropriate wear. 3URYHQDQFH %ULWLVK FROOHFWLRQ Estimate EUR 4.000,Starting price EUR 2.000,-

91

105 | HAKURYU: AN EXCEPTIONAL IVORY NETSUKE OF A TIGER WITH TWO CUBS %\ 8QVKR +DNXU\X ΖΖ VLJQHG +DNXU\X Japan, Kyoto, 19th century, Edo period (1615-1868)

A rather large, compact, dynamically crafted and remarkably intricate ivory netsuke of a large female tiger with two cubs, one climbing over her back and another being protected underneath her body, one paw firmly placed on the cub. The mother’s body is muscular with pronounced shoulder bones, and her entire body is contorted into a circle, her thick tail swinging around over her back, as she lets out a powerful snarl. The climbing cub is determined and bravely snarling, baring sharp rows of teeth, while the protected cub appears to be afraid with a whimsical expression. The dynamic of this netsuke is masterfully achieved, enhanced by the swinging tails of the three tigers. The fur coats are remarkable and naturalistic with stained dark lines imitating the tiger’s fur pattern like wet running paint. Netsuke carvers knew their tiger fur very well, however the actual image of the tiger was often parodied or somewhat confused. As in this netsuke where the tiger’s bodies come across all powerful, however their expressions are comedic and rather docile. The eyes are inlaid in mother of pearl with the pupils far apart. The underside with well-carved clawed paws, natural himotoshi and the signature is in a double gourd shaped reserve HAKURYU Éƒâ€Ť( Ř â€Źmeaning literally hundred dragons) on the mother tiger’s buttock.

92

HEIGHT 3.3 cm, LENGTH 4.6 cm Condition: Excellent condition with expected minor age cracks. Provenance: French private collection. Hakuryu’s tigers are completely unique in their individuality, style and expression and matched only perhaps by the tigers by Matsushita Otoman. The existence of many imitations and copies of Hakuryu’s tiger(s) perhaps give this distinct type a bad reputation, however this netsuke is of superior quality and without a doubt by Hakuryu II, a pupil of the first Hakuryu who is said to have originated from the Rantei school. Literature comparison: For a similar netsuke with three tigers see The 0HLQHUW]KDJHQ &DUG ΖQGH[ RQ 1HWVXNH LQ WKH $UFKLYHV RI WKH %ULWLVK Museum Part A, Frederick Meinertzhagen (edited by George Lazarnick), New York, 1986, page 120. Auction comparison: A similar netsuke with two tigers was sold by Zacke, Fine Netsuke, Sagemono & Okimono, 27 April 2019, Vienna, lot 86. Estimate EUR 6.000,Starting price EUR 3.000,-

93

5$%%Ζ7 86$*Ζ The rabbit or hare (usagi) is the fourth sign of the Japanese zodiac, often also depicted under the full moon pounding mochi, then referred to as the lunar hare.

106 | MITSUTADA: A FINE IVORY NETSUKE OF A RABBIT AND YOUNG %\ 0LWVXWDGD VLJQHG 0LWVXWDGD Japan, Osaka, first half of 19th century, Edo period (1615-1868)

A charming composition showing a rabbit (usagi) and young set on a base with rockwork and bamboo shoots. The adult is smooth and has large inlaid eyes of red amber. The young rabbit, beautifully stained a deep yellow and with fine hairwork, is climbing up on the adult’s back. The eyes are inlaid in dark horn. The underside with small himotoshi and signature MITSUTADA ʾฑ. HEIGHT 2.7 cm, LENGTH 4.2 cm Condition: Very good condition with expected minor wear and scarce thin age cracks. Provenance: Ex Teddy Hahn Collection, then German private FROOHFWLRQ 3UREDEO\ IURP WKH %LQJ FROOHFWLRQ VROG DW +RWHO 'URXRW 24th February 1924, lot 192. Mitsutada is a rare artist and was an accomplished pupil of Ohara Mitsuhiro (1810-1875) of Osaka. Estimate EUR 4.000,Starting price EUR 2.000,-

94

107 | GEKKO: A RARE WOOD NETSUKE OF RABBITS IN BAMBOO %\ *HNNR VLJQHG *HNNR Japan, 19th century, Edo period (1615-1868)

A good study of two rabbits (usagi) emerging from a dense thicket of bamboo, carved from reddish wood with accentuated areas ODFTXHUHG LQ EODFN %RWK UDEELWV IDFH LQ GLIIHUHQW GLUHFWLRQV WKHLU expressions are whimsical, and the eyes are inlaid in black lustrous horn. A quite amusing and compact composition. Large himotoshi through the underside and signature GEKKO ʃ઎. HEIGHT 3 cm, LENGTH 5 cm Condition: The applied black lacquer is worn in some areas giving the piece a unique and appealing patina. Very good condition. 3URYHQDQFH %ULWLVK FROOHFWLRQ Estimate EUR 2.500,Starting price EUR 1.250,-

95

108 |

IKKAN: A FINE WOOD NETSUKE OF TWO RABBITS

%\ ΖNNDQ VLJQHG ΖNNDQ Japan, Nagoya, early 19th century, Edo period (1615-1868)

Finely carved from dark cherry wood, the wood beautifully patinated, and depicting two rabbits (usagi). A charming composition – the young is nestling up to the adult, the latter has its crisply carved paw placed firmly placed on the young’s back. The KDLUZRUN LV PLQXWHO\ LQFLVHG DQG FKDUDFWHULVWLFDOO\ ZRUQ %RWK KDYH finely carved long ears and the eyes are inlaid in semi-translucent pale horn. The underside shows the well-carved paws and partially worn signature IKKAN Ăᆇ. HEIGHT 3.1 cm, LENGTH 3.7 cm Condition: Good, characteristically worn condition. The edge of one front paw of the young with an old, worn down chip to the edge. Provenance: Hungarian collection. Estimate EUR 4.000,Starting price EUR 2.000,-

96

DRAGON / TATSU The dragon (tatsu) is the fifth animal of the zodiac. A supernatural creature from Chinese mythology representing celestial power.

109 | MASANAO: AN EXCELLENT WOOD MANJU NETSUKE OF A CELESTIAL DRAGON %\ 0DVDQDR VLJQHG 0DVDQDR Japan, Ise-Yamada, 19th century, Edo period (1615-1868)

A fine wood manju netsuke of oval shape, densely carved with a celestial dragon, its eyes inlaid in dark horn, amidst swirling clouds. The manju is carved all over with the scaly winding body of a dragon (tatsu) intertwining with the crisply carved clouds, the claws emerging from the thicket. The amount of detail is almost overwhelming. Himotoshi through the back between one of the superbly carved claws, next to the signature in a polished reserve MASANAO Ȣˢ. A masterpiece from Masanao of Ise-Yamada, who rarely carved dragons. LENGTH 4.5 cm Condition: Excellent condition. 3URYHQDQFH %ULWLVK FROOHFWLRQ Estimate EUR 3.000,Starting price EUR 1.500,-

97

110 | AN EARLY POWERFUL IVORY MANJU NETSUKE WITH DRAGON Unsigned Japan, early to mid-18th century, Edo period (1615-1868)

An ivory manju netsuke covered in a beautiful deep honey patina and depicting a very Chinese dragon amidst stylized clouds. The sinuous body of the dragon curls around, forming the rim of the manju and terminating in a bifurcated tail on the reverse. Large, asymmetrical and generous himotoshi through the backside. DIAMETER 4.4 cm Condition: Very good age-related condition with stunning patina and few natural age cracks. Provenance: Hungarian collection. Like no. 101, this netsuke belongs to the group of rare and early manju netsuke, largely inspired by Chinese motifs. Estimate EUR 1.000,Starting price EUR 500,-

111 | MINSEI: A POWERFUL IVORY NETSUKE OF A CONFRONTING DRAGON AND TIGER %\ 0LQVHL VLJQHG 0LQVHL Japan, mid-19th century, Edo period (1615-1868)

Carved from a triangular piece of ivory and depicting a tiger (tora) and dragon (tatsu) fiercely confronting each other. The scaly body of the dragon, with emanating flames on the sides, curls over the tiger’s body. The composition is set on a base, with one half resembling the ground with carved rockwork, and the other resembling the sky with a swirling cloud pattern. The underside with small himotoshi and signature MINSEI ΌȢ %HDXWLIXO JORVV\ KRQH\ patina. HEIGHT 2.8 cm, LENGTH 4.5 cm Condition: One old and smoothed out, miniscule loss to the edge of the right front paw of the tiger. Otherwise excellent condition with a very appealing patina. Provenance: Hungarian collection. %RWK WKH WLJHU DQG GUDJRQ KDYH LPSRUWDQW PHDQLQJV LQ %XGGKLVW and Taoist philosophy, together representing the yin and yang, the earth and sky or the male and female. Furthermore, they represent strength, resilience and courage. The tiger and dragon motif has been used frequently in ancient China, decorating amongst others ornate jades of the Han-dynasty. Estimate EUR 1.200,Starting price EUR 600,-

98

112 | A SPECTACULAR WALNUT NETSUKE OF A DRAGON AND TIGER Unsigned Japan, 19th century, Edo period (1615-1868)

What a feat to carve a whole walnut (kurumi) in this way! Carved all around in relief with an image of a dragon and tiger. One side shows the dragon (tatsu) amidst swirling reishi clouds. The other side shows the tiger beneath a bamboo tree (take no tora), the branches and bamboo leaves are minutely carved with an astonishing amount of detail – almost coming to life right before our eyes. The tiger is shown with good curvature, looking towards the other side, ready to confront the dragon. Next to the tiger is a rock, with further finely carved leaves emerging from the side. Ringed himotoshi on the underside. HEIGHT 4 cm Condition: There is some damage around the himotoshi and smaller natural nicks and scratches throughout. There are two larger holes, which appear like insect bites on the side of a dragon with another on the side of the tiger. The damages are nothing out of the ordinary for kurumi netsuke. Provenance: Czech private collection. Estimate EUR 1.200,Starting price EUR 600,-

99

113 | A GOOD IVORY NETSUKE OF A COILED DRAGON Unsigned Japan, Kyoto, late 18th to early 19th century, Edo period (1615-1868)

An unusual model of a coiled dragon, powerfully carved, its body winding, the crisply carved claws shown on the sides of this dense scaly bundle. The dragon’s head is placed on top of its coiling body, like a snake, alert and ready to strike. The celestial being lets out a snarl, its pupils are minutely inlaid in dark horn and the long flaming beard flows down its body. The ivory is of a very good color with a fine glossy patina. The underside with large, generous and wellplaced himotoshi. HEIGHT 2.6 cm, LENGTH 4.2 cm Condition: Fine condition with expected age cracks. Provenance: French private collection. Estimate EUR 2.500,Starting price EUR 1.250,-

100

SNAKE / HEBI The snake (hebi) is the sixth sign of the zodiac. For Buddhists the snake is a symbol of female voluptuousness, jealousy and hatred.

114 |

MITSUNAGA: AN EXCELLENT IVORY NETSUKE OF A COILED SNAKE

By Mitsunaga, signed Mitsunaga Japan, early 19th century, Edo period (1615-1868)

A compact, powerful and naturalistic model of a coiled snake, its body forming a knot, and its head placed on top, lurking, and fixing its eyes on some sort of prey, its tongue greedily extended. The scales are masterfully carved, and the glaring eyes are double inlaid in mother of pearl with horn pupils. The himotoshi formed through the s-shaped end-section of the tail on the underside and the signature MITSUNAGA ʞǣ in a rounded reserve. HEIGHT 3.2 cm, LENGTH 4.3 cm Condition: Excellent condition. Provenance: French private collection. From the quality and power of this study, it is plausible that this could be a pupil of Mitsuharu of Kyoto. Estimate EUR 4.000,Starting price EUR 2.000,-

101

115 | AN EXCELLENT WOOD NETSUKE OF A FROG WITH SNAKE, SANSUKUMI Unsigned Japan, late 18th century, Edo period (1615-1868)

A powerful and large netsuke depicting a coiled snake (hebi), its body winding around forming a thick dense bundle and the scales masterfully carved. In its mouth it has caught the leg of a poor frog (kaeru), which struggles to break free, clambering and visibly in terror as its eyes are wide open. The wood shows a beautiful patina, accentuated with black lacquer for effect. Natural himotoshi. HEIGHT 3 cm, LENGTH 5.3 cm, WIDTH 4 cm Condition: Very good condition, the black lacquer is very slightly worn in some areas consistent with handling. Provenance: European collection. Literature comparison: Compare to a very similar example in Barry Davies Oriental Art, Netsuke from the Teddy Hahn Collection, London, 1996, no. 110. Estimate EUR 4.000,Starting price EUR 2.000,-

102

116 | SARI: A FINE WOOD NETSUKE OF A COILED SNAKE By Sari, signed Sari Japan, Iwashiro, early 19th century, Edo period (1615-1868)

Finely carved as a coiled snake, the scales minutely incised. The snake (hebi) is in an alert position, its head placed on the bundle created by its winding body. The eyes are double inlaid in pale and dark horn, typical for the artist. Natural himotoshi and signature SARI ‫ڽ‬ƀ in a rounded reserve. A very pleasing and compact piece, displaying a good sense of naturalism. HEIGHT 3 cm Condition: Excellent condition Provenance: French private collection. Literature comparison: For another coiled snake by Sari or possibly even the same netsuke see MCI page 703. Auction comparison: For another coiled snake by Sari see Sotheby’s, The Katchen Collection of Netsuke Part II, 13 July 2006, London, lot 301. Also pictured in Katchen Netsue 7, K338. Estimate EUR 2.000,Starting price EUR 1.000,-

103

HORSE / UMA The horse (uma) is the seventh sign of the zodiac and is seen as an emblem of virility and endurance.

117 | A LARGE AND RARE IVORY NETSUKE OF A GRAZING HORSE Unsigned Japan, 18th century, Edo period (1615-1868)

Standing on unusually long and thin legs with its hooves placed tightly together, the horse (uma) is lowering its head in order to graze. One wonders how these frail legs can hold the bulky body of the horse. The skin folds are powerfully accentuated, and the dynamic of the horse’s movement is achieved elegantly. The long neck is covered in a finely carved mane, the expression is sensitively crafted with raised alert ears. Beautiful patina to the backside and the himotoshi cleverly formed by an opening of the swinging tail. HEIGHT 9.3 cm Condition: Very good condition with expected age cracks and very good patina. Provenance: Luxembourg private collection purchased for 13.000 EUR at a Netsuke Convention, by repute. Estimate EUR 3.000,Starting price EUR 1.500,-

104

105

118 | A RARE WOOD NETSUKE OF A GRAZING HORSE Unsigned Japan, 18th century, Edo period (1615-1868)

Similar to the next no. 119, however carved from wood and thus considerably rarer. Furthermore, the netsuke is slightly larger and the horse (uma) crosses its legs behind its head, lending movement to the composition. The wood is of a very good color and shows a fine patina. The mane and facial features are very well carved. Large himotoshi through the backside. HEIGHT 5.5 cm Condition: Very good condition with fine patina. Miniscule wear. Provenance: European collection. Estimate EUR 1.200,Starting price EUR 600,-

119 | AN IVORY NETSUKE OF A GRAZING HORSE Unsigned Japan, 18th century, Edo period (1615-1868)

Of ideal netsuke shape, the backside slightly flattened, and depicting the classic 18th century model of the grazing horse with its head and neck lowered. The ivory is smooth and shows a good patina, honey orange in the back. The mane is finely carved, and the legs are drawn together for compactness. Large asymmetrical himotoshi through the backside, above the horse’s swinging tail. HEIGHT 5.2 cm Condition: Excellent condition with expected age cracks. Provenance: European collection. Estimate EUR 1.200,Starting price EUR 600,-

106

120 | A FINE WOOD NETSUKE OF A RECUMBENT HORSE IN THE MANNER OF TAMETAKA

121 | A VERY RARE BAMBOO NETSUKE OF TWO HORSES

Unsigned, in the manner of Tametaka Japan, Nagoya, late 18th to early 19th century, Edo period (1615-1868)

Unsigned Japan, 19th century, Edo period (1615-1868)

The horse is lying with its head lowered and turned back to the right, the body forming a circle with splendid curvature, and the legs and swinging tail drawn in, forming a compact composition. The horse is resting on its front legs, has a finely carved mane, pointed ears, and a face very much in the manner of Tametaka. The eyes are not inlaid, and the expression is charming – the features minimalistic, but powerful. The underside shows generous, large asymmetrical himotoshi. Fine, dark patina, again suggestive of Tametaka of Nagoya.

Carved from bamboo and depicting two horses, arranged in a circle and courting each other. The typical inclusions of the bamboo appear almost like inlays of mother of pearl, covering the entire piece. Natural himotoshi through the finely carved legs. HEIGHT 3.3 cm Condition: Very good condition. Provenance: European collection.

HEIGHT 2.3 cm, LENGTH 4.8 cm

Bamboo netsuke are extremely rare, especially figural examples of this quality.

Condition: Very good condition, one minor restored nick to the edge of one knee. Provenance: European collection.

Literature comparison: The composition is similar to a wood netsuke of two horses by Ryukei in the British museum, Registration no. HG.735.

Auction comparison: For a comparable horse by Tametaka see Bonhams, The Harriet Szechenyi Sale of Japanese Art, 8 November 2011, London, lot 148.

Estimate EUR 800,Starting price EUR 400,-

Estimate EUR 1.200,Starting price EUR 600,-

122 | A SMALL IVORY SEAL NETSUKE OF A HORSE Unsigned Japan, 18th century, Edo period (1615-1868)

Minutely carved as a small functional ivory seal (ingyo) netsuke, in the form of a horse with an arched back and a bushy mane, facing downwards. The underside shows the seal with remnants of red seal paste. Natural himotoshi. An early netsuke covered in a beautiful honey patina. HEIGHT 2.6 cm Condition: Very good, undamaged condition with some wear to ivory and a beautiful patina. Provenance: French private collection, purchased from Christie’s, Asian Decorative Arts, 12 February 2004, London, lot 24. Formerly in the collection of the Strong Museum, Rochester NY, with old museum number 78.9752. Estimate EUR 600,Starting price EUR 300,-

107

SHEEP / HITSUJI The eighth sign of the Zodiac, the sheep (hitsuji) is commonly depicted in Japanese as a goat.

123 | A FINE KYOTO SCHOOL IVORY NETSUKE OF A GOAT WITH DAIKON Unsigned Japan, Kyoto, 18th century, Edo period (1615-1868)

A beautifully compact composition of a goat with its head raised and resting both its front legs on a daikon radish. The goat has a vivid expression imbued with charm and character. The eyes are inlaid with lustrous dark horn. The entire netsuke is carved all around with superior detail. The shaggy fur of the goat is masterfully worked, as are the horns and curly beard. The leaves from the smooth daikon complement the goat’s fur very well. The underside with crisply carved hooves and well-placed himotoshi. Superb patina. HEIGHT 3.7 cm, LENGTH 3.7 cm Condition: Excellent condition. Beautiful patina. Provenance: European private collection. Auction comparison: Compare to a similar netsuke of a goat with tree trunk sold by Zacke, Fine Netsuke, Sagemono & Okimono, 2 June 2018, Vienna, lot 24. Estimate EUR 5.000,Starting price EUR 2.500,-

108

124 |

A FINE IVORY NETSUKE OF A GOAT BY MITSUHARU

By Mitsuharu, signed Tomotada Japan, Kyoto, late 18th to early 19th century, Edo period (16151868)

A fine netsuke imbued with a healthy portion of humor, depicting a goat with masterfully carved shaggy fur. The goat has its head turned backwards, the body is dynamically positioned with the feet pushed afore, exhibiting splendid curvature and movement, so typical for Mitsuharu. Lots 102 and 235 show the same dynamic posture. The goat is smiling – the expression is vivid and amusing – and it has its mouth opened showing the canines, another idiosyncracy of Mitsuharu. The eyes are inlaid in dark buffalo horn. Deep himotoshi through the underside and side, and signature TOMOTADA Ƥฑ in an oval reserve on the right haunch. HEIGHT 4.7 cm Condition: Very good condition with minor expected wear to ivory. Possibly some minor damage to the lower row of the teeth. Provenance: British collection. Though signed Tomotada, this goat is certainly by Mitsuharu. For a discussion on Mitsuharu’s goats see International Netsuke Society Journal, Volume 39, No. 1, pages 13-14. This example is particularly close to no. 8. Auction comparison: For an almost identical example by Mitsuharu see Zacke, Japanische Netsuke, Inro und andere Sagemono Ausstellung 1986, Vienna, no. 38. For another goat by Mitsuharu in a different manner see Bonhams, The James A. Rose Collection of Netsuke and Sagemono, 17 September 2013, New York, lot 2014. Estimate EUR 5.000,Starting price EUR 2.500,-

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125 | KOKEI: A WOOD NETSUKE OF A GOAT By Kokei, signed Kokei Japan, Kuwana, Ise province, early 19th century, Edo period (1615-1868)

A fine and naturalistic wood netsuke of a goat from the famous artist Kokei with finely carved fur and horns creating a threedimensional effect. The goat has a characteristic chin beard and a long swinging tail. The underside shows its legs tucked under the body, with exquisitely carved hooves. Natural himotoshi through the legs and the signature located in a polished reserve KOKEI থ၇ on the underside. HEIGHT 2.7 cm, LENGTH 4.2 cm Condition: Signs of age and wear with some nicks to the wood with a larger imperfection to one cheek – otherwise good, complete condition. Provenance: British private collection. Kokei is assumed to have been a pupil of Minko, however became independent and was a prolific worker, his work showing even affinities to the Nagoya school or Masanao from Ise-Yamada. It is easy to see why he became independent, as he possessed considerable carving ability and managed to portray a sense of superior naturalism in his work, without losing any individuality. His goats are probably his most recognizable work. Estimate EUR 3.000,Starting price EUR 1.500,-

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126 | MINKO: A FINE WOOD NETSUKE OF A GOAT By Tanaka Minko (1735-1816), signed Minko with kakihan Japan, Tsu, late 18th to early 19th century, Edo period (1615-1868)

A fine wood netsuke of a recumbent goat, its legs drawn in for compactness, with its head raised and slightly turned to the left. The goat has a charming expression with a gentle smile and eyes inlaid in brass, typical for the artist. The hairwork is masterful and shows an uneven surface which naturalistically resembles the shaggy fur of the goat. The surface is worn from centuries of handling, giving the netsuke a unique appeal, both tactile and visually. The underside shows the male genitalia and crisply carved hooves. Signature MINKO ẛե and kakihan in a rounded reserve on one of the haunches. Natural himotoshi. HEIGHT 2.7 cm, LENGTH 4.7 cm Condition: The wood is beautifully worn, showing a fine patina. Excellent condition. Provenance: Josette and Theo Schulmann collection. Acquired ca. 1970. Josette and Théo Schulmann were passionate dealers of Asian Art and have donated several important works to the Cernuschi Museum. Tanaka Minko (1735-1816) was the founder of the important Tsu school and one of the few names mentioned in the Soken Kisho from 1781. Auction comparison: Another Minko goat from the same collection was sold at Bonhams, The Julius and Arlette Katchen Collection of Fine Netsuke Part II, 10 May 2017, London, lot 93. Estimate EUR 3.000,Starting price EUR 1.500,-

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MONKEY / SARU The monkey (saru) is the ninth sign of the zodiac and used to be considered to dispel ill will, ease births and be a messenger to the gods.

127 | MASATAMI: IVORY NETSUKE OF A MONKEY EXAMINING AN INSECT By Masatami, signed Masatami Japan, Tokyo, Meiji period (1868-1912)

An ivory netsuke of a seated monkey holding a persimmon between two paws, the leafy branch carved up the side of the monkey. On top of the persimmon (kaki) sits a little insect, with tiny eyes inlaid in horn, which the monkey curiously examines through a magnifying glass. His deeply focused anthropomorphic expression with inked and inlaid squinting eyes is quite amusing. Natural himotoshi and signature in a square reserve MASATAMI ȢΦ (Shomin). HEIGHT 3.2 cm Condition: Good condition with thin age cracks. The magnifying glass is replaced. Provenance: Belgian Private Collection. A classic model by the artist, though almost always missing the magnifying glass, which in this case is thankfully added. Estimate EUR 1.500,Starting price EUR 750,-

128 | MASANOBU: A CHARMING WOOD NETSUKE OF TWO MONKEY WITH PEACHES By Masanobu, signed Masanobu Japan, Meiji period (1868-1912)

Carved from a reddish wood and depicting an adult monkey holding its young by the hand, while the completely carefree young is relishing a peach. Meanwhile the adult monkey is carrying a huge peach over his back, tied to a finely carved robe, and is looking grimly. The eyes are double inlaid in pale reddish and dark horn. Neatly incised hairwork. Himotoshi ringed in horn through the monkey’s back and signature MASANOBU ȢƱ on the underside of the leafy peach. HEIGHT 3.8 cm Condition: One tiny repair to the edge of the young monkey’s foot. Otherwise excellent condition. Provenance: European collection. Estimate EUR 800,Starting price EUR 400,-

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129 |

SHUZAN: AN IVORY NETSUKE OF FOUR MONKEYS AND CHESTNUT

By Shuzan, signed Shuzan Japan, mid- 19th century, Edo period (1615-1868)

An animated study of a large male monkey holding a chestnut while his offspring are climbing around at his side and over his body. Two young monkeys are next to the father, one atop another and the third one is on the other side on his back. The father seems exhausted, exhaling with a grotesque expression, the large eyes with pupils inlaid in dark horn. In contrast, the young monkeys are enjoying themselves. Finely carved and stained details – particularly fine and precise hairwork. Signature SHUZAN ̠ͪ in a rounded reserve on the right thigh of the adult monkey. Natural himotoshi. HEIGHT 3.4 cm, LENGTH 4 cm Condition: Excellent condition. Provenance: European collection. Literature comparison: Compare to a similar monkey signed Shuzan in H. Goodall, The Raymond and Frances Bushell Collection of Netsuke, A Legacy at the Los Angeles County Museum of Art, p. 361, no.556. Currently at the LACMA, accession no. M.91.250.291. Estimate EUR 2.000,Starting price EUR 1.000,-

130 | MASATOMO: AN IVORY NETSUKE OF A MONKEY WITH HUGE CHESTNUT By Masatomo, signed Masatomo Japan, 19th century, Edo period (1615-1868)

An ivory netsuke of a monkey climbing upon a huge chestnut, peeling off a section of the skin. The size proportions of the netsuke are quite amusing, as the monkey struggles, almost falling off the unrealistically huge chestnut. The fur of the monkey is finely incised, and the surface treatment of the chestnut is naturalistically achieved. The lightly stained ivory has developed a beautiful yellowish patina with honey hues. The underside with deep himotoshi and the signature MASATOMO ȢƤ in a wavy reserve to the right of the monkey. HEIGHT 2.4 cm, LENGTH 4.7 cm Condition: Excellent condition with expected age cracks and wear. Good patina. Provenance: European collection. Estimate EUR 1.200,Starting price EUR 600,-

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131 | MASATSUGU: A VERY RARE IVORY NETSUKE OF A MONKEY PLAYING THE PIFFERO Workshop of Kaigyokusai Masatsugu (1813-1892), signed Masatsugu Japan, Osaka, second half of 19th century

Monkeys from the workshop of the great Osaka carver Kaigyokusai Masatsugu are unmistakable. As in the present example, they have vivid expressions enhanced by inlaid eyes of amber with dark pupils, fine hairwork and superbly carved limbs with bony knuckles. Fine examples exist signed Masatsugu or Kaigyoku, though this incredibly rare ivory netsuke is the only example known of a monkey playing the piffero. The visibly delighted anthropomorphic monkey is shown blowing into the instrument tightly gripped with the bony knuckles of its four limbs. Signed MASATSUGU Ȣƥ in a polished rounded reserve. Natural himotoshi. HEIGHT 2.8 cm, LENGTH 4.3 cm Condition: Very good condition, the hairwork is slightly worn. Provenance: Acquired by Vito Taverna from Eskenazi Ltd on 19 July 1979 for 600.000 Italian Lira. Copy of the inventory sheet is available. Auction comparison: Compare to a similar netsuke of a monkey by the same workshop sold at Bonhams, The Julius and Arlette Katchen Collection of Fine Netsuke Part II, 10 May 2017, London, lot 112. Estimate EUR 4.000,Starting price EUR 2.000,-

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132 | A STAG ANTLER NETSUKE OF THREE MONKEYS Unsigned Japan, 19th century, Edo period (1615-1868)

Carved as a large recumbent mother monkey with her two young, one climbing up on her side and the other seated behind her. The stag antler is finely stained and the hairwork is meticulous. The use of material is superb, as the natural spongiform surface of the material is barely visible, and at first glance the material appears to be ivory. Large himotoshi through the underside. HEIGHT 2.8 cm, LENGTH 5 cm Condition: Excellent condition. Provenance: European collection. Estimate EUR 1.000,Starting price EUR 500,-

133 | AN IVORY NETSUKE OF A MONKEY EATING A FRUIT Unsigned Japan, Meiji period (1868-1912)

Depicting a seated monkey, very much resembling a koala, with finely engraved fur and eating a fruit. His eyes with pupils inlaid in dark horn are looking down, focused on his food. He has unusually long clawed limbs, and his two feet are joined, forming the natural himotoshi. HEIGHT 3.4 cm Condition: Very good condition with age-related wear. Provenance: European collection. Estimate EUR 800,Starting price EUR 400,-

134 | AN IVORY NETSUKE OF A MONKEY REACHING FOR A FRUIT Unsigned Japan, second half of 19th century

Depicting a cheerful monkey (saru), stretching himself, one leg lifted and reaching for a fruit with his long arm. The fur is carved very well, minutely incised, stained and inked. Large himotoshi through the back. The carving shows similarities with Seigyoku. HEIGHT 6.9 cm Condition: Good condition with expected age cracks. Provenance: European collection. Estimate EUR 1.000,Starting price EUR 500,-

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135 | HIDEMASA: AN IVORY NETSUKE OF A MONKEY By Hidemasa, signed Hidemasa Japan, mid-19th century, Edo period (1615-1868)

Depicting a seated male monkey, its body shape in a contorted position, holding one of its feet. The monkey has a focused expression, looking forward, his eyes with inlaid pupils and the mouth tinted red. The ivory is lightly stained and the fine hairwork is characteristically worn in some areas. Natural himotoshi and signature HIDEMASA লȢ in an oval reserve. HEIGHT 3.5 cm Condition: The ivory is worn. Very good condition. Provenance: French private collection, purchased from Piasa in 2006. Estimate EUR 1.200,Starting price EUR 600,-

136 | AN IVORY NETSUKE OF THE SANBIKI SARU Unsigned Japan, mid-19th century, Edo period (1615-1868)

Carved as three monkeys arranged in a circle, one covering its ears (Kikazaru), another covering its mouth (Iwazaru) and also covering the eyes of the last monkey (Mizaru). They represent the three wise monkeys, a famous pictorial maxim, embodying the proverbial principle ‘see no evil, hear no evil, speak no evil’. Their pupils are inlaid in dark horn. Mizaru is holding a peach, with another leafy peach branch carved next to him. The underside shows the many feet and good, asymmetrical himotoshi. HEIGHT 2.7 cm, LENGTH 3.8 cm Condition: Very good condition. The ivory slightly worn. Provenance: European collection. Estimate EUR 1.000,Starting price EUR 500,-

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ROOSTER / TORI The cockerel or rooster (tori) is the tenth animal in the zodiac and a symbol of potency and power.

137 | A FINE NETSUKE OF A COCKEREL ON A DRUM Unsigned Japan, early 19th century, Edo period (1615-1868)

In this netsuke the bird with masterfully carved and dense plumage, is standing proudly on the drum. Its head is turned, and the beautifully carved long tail feathers form an elegant curve. The drum is smooth on the top and bottom, with a wood grain pattern engraved on the sides, as well as inlaid dark-red horn buttons arranged in two rows. Large, asymmetrical himotoshi through the underside. HEIGHT 5 cm Condition: Very good, slightly worn condition with a beautiful patina. Provenance: French private collection. Estimate EUR 1.500,Starting price EUR 750,-

138 | MUNEMITSU: AN IVORY NETSUKE OF A COCKEREL By Munemitsu, signed Munemitsu Japan, late 19th century, Meiji period (1868-1912)

Finely carved and stained as a long-tailed cockerel, also known as a nagatori. The long feathery tail, almost like that of a phoenix, curls around, over the back and underneath, forming the base on which the cockerel sits on. The expression is powerful with inlaid eyes of red horn. The crisply carved, clenched and clawed foot is visible to its side. Himotoshi and signature MUNEMITSU ʾඐ on the underside. HEIGHT 3.4 cm, LENGTH 4.1 cm Condition: Very good condition with minor imperfections to the material behind the cockerel’s head. Provenance: French private collection. Estimate EUR 1.000,Starting price EUR 500,-

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139 | ISSAI: A FINE WOOD NETSUKE OF A COCKEREL By Issai, signed Issai Japan, 19th century, Edo period (1615-1868)

Finely carved as a long-tailed cockerel (nagatori) perched on a branch. The cockerel has its head turned backwards, the visible eye beautifully inlaid in pale horn, and the long flaring tail feathers exhibiting beautiful curvature touch the branch on which the bird sits on. The plumage and feathers are beautifully carved and accentuated. The work immediately reminds one of Toyomasa and the Tanba school, and in fact similar examples exist (see auction comparison). Another stylistically close carver is Hokyudo Itsumin. Natural himotoshi and signature ISSAI Ă᤮ in a raised and rounded reserve, the character Sai abbreviated. HEIGHT 3.3 cm Condition: Excellent condition. Provenance: French private collection. Auction comparison: Compare to a similar cockerel signed Toyomasa sold at Christie’s, Art of Japan, 5 December 2017, London, lot 3. Estimate EUR 1.800,Starting price EUR 900,-

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DOG / INU The dog (inu) is the eleventh sign of the zodiac and a symbol of good health.

140 | AN IVORY NETSUKE OF A LARGE DOG Unsigned Japan, early 19th century, Edo period (1615-1868)

A large ivory netsuke of a male dog with a charming expression, protruding floppy ears, an elongated snout and inlaid eyes of dark horn. The dog is seated with amusingly long legs and an elegantly curling tail. The fur is neatly incised and characteristically worn. Beautiful yellowish patina to the backside. Himotoshi through the under- and backside, forming a long and deep channel. HEIGTH 5.7 cm Condition: The two hindfeet are professionally restored. Otherwise good condition, characteristically worn. Provenance: European collection. Estimate EUR 1.500,Starting price EUR 750,-

141 | HIDEKAZU: A WOOD NETSUKE OF TUBBY PUPPY WITH BELL By Hidekazu, signed Hidekazu Japan, 19th century, Edo period (1615-1868)

The wood netsuke depicts chubby puppy with a very humorous expression. Around its neck is a thick collar tied up in the back, to which a bell is attached in the front. Inlaid eyes of pale translucent horn. Signature HIDEKAZU লÄ‚ on one foot on the underside next to the himotoshi. HEIGHT 2.6 cm Condition: The tail is reattached with its tip missing. Otherwise in good condition. Provenance: British private collection stored in a bank vault for 40 years, collection no. 118. Estimate EUR 600,Starting price EUR 300,-

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142 | TOMONOBU: A WOOD NETSUKE OF A BITCH AND TWO PUPS By Tomonobu, signed Tomonobu Japan, 19th century, Edo period (1615-1868)

A charming study of a reclining bitch with two pups, one nestling up to her underneath her head and the other climbing onto her back. The wood of a very good color, with a fine dark red hue, especially visible on the underside. Signature TOMONOBU Ƥƹ next to the udders of the female dog on the underside. LENGTH 4.5 cm Condition: One leg of the reclining puppy is chipped. Otherwise good condition. Provenance: British private collection. Probably the Tomonobu mentioned as from the Tomochika school, however the tone of the wood could suggest Nagoya school, which could make it a very unusual subject by Arima Tomonobu. Estimate EUR 1.000,Starting price EUR 500,-

143 | A WOOD NETSUKE OF A BITCH AND PUP Unsigned Japan, probably Nagoya, 19th century, Edo period (1615-1868)

Carved as a Pekingese female dog with beautifully rendered shaggy fur, licking her young which nestles up to her. The wood is of a very good tone with hues of chestnut red and chocolate brown. The contrast between the dense fur of the mother and the smooth pup is achieved very well, and both mother and young have charming expressions. Himotoshi through the belly of the mother. HEIGHT 3.5 cm, LENGTH 5 cm Condition: Excellent condition. Provenance: European collection. Estimate EUR 2.000,Starting price EUR 1.000,-

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144 | OKATOMO: AN EXCELLENT AND RARE IVORY NETSUKE OF A SHAGGY DOG By Yamaguchi Okatomo, signed Okatomo Japan, Kyoto, late 18th to early 19th century, Edo period (1615-1868) Published: F. Meinertzhagen, MCI Part B, New York, 1986, page 620.

An ivory netsuke of a dog with shaggy fur, finely carved with overlapping wavy lines creating a stunning three-dimensional effect. The visibly male dog is seated with its four paws close together and is looking to the right with its head slightly lowered. The eyes are inlaid in red horn and the dog produces an enigmatic smile full of character. Himotoshi through the side and underside and signature in a rectangular reserve on the left hindleg OKATOMO ᛂƤ. HEIGHT 3.4 cm Condition: Very good condition. Provenance: Louis Gonse, Paris, sold in his sale 19th April 1926, lot 857. Then European private collection. The present netsuke is a completely unique subject by Okatomo, imbued with all the individual character and charm which he is known for. Auction comparison: For the treatment of the fur, see a goat by Okatori sold by Bonhams, The Harriet Szechenyi Sale of Japanese Art, 8 November 2011, London, lot 140. For another dog by Okatomo see Bonhams, The Harriet Szechenyi Sale of Japanese Art, 8 November 2011, London, lot 157. Estimate EUR 12.000,Starting price EUR 6.000,-

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145 |

A FINE IVORY NETSUKE OF A BITCH AND PUP BY OKATOMO

By Yamaguchi Okatomo, signed Tomotada Japan, Kyoto, late 18th century, Edo period (1615-1868)

Boldly carved as a reclining female dog with her young nestling up to her. The pup faces in the other direction and scratches its chin, while the mother protectively curls around him. The hairwork is typically masterful and characteristically worn, and the features, such as the expressed spine and shoulder bones, are powerfully executed. The eyes of the mother are inlaid with dark horn. The underside shows the many paws, large asymmetrical himotoshi and signature TOMOTADA Ƥฑ in a rectangular reserve. HEIGHT 2.3 cm, LENGTH 4.1 cm Condition: Expected age cracks and wear to ivory. One horn pupil is replaced. The underside shows a deep honey-patina. The edge of the tail shows a crack and some discoloration and is probably restored. Provenance: British collection. Although the netsuke is signed Tomotada, it is more likely the work of Yamaguchi Okatomo – the expression and curling of the tail being idiosyncrasies of the artist. Some of the best works by Okatomo are in fact signed Tomotada.

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Literature comparison: For another netsuke of a bitch and pup, the pup facing away like in the present netsuke, was sold at Sotheby’s, 30 June 1975, lot 37 and illustrated in the journal of the International Netsuke Collector’s Society, vol.3, no. 3, page 14. Estimate EUR 7.000,Starting price EUR 3.500,-

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BOAR / INOSHISHI The boar (inoshishi) is the twelfth sign of the zodiac, is considered the bravest of the animals and also symbolizes daredevilry. It is also called yamakujira, or “mountain whale”.

146 | NANBOKU: AN EXCELLENT AND RARE WOOD NETSUKE OF A BOAR By Nanboku, signed Nanboku Japan, Tanba, first half of 19th century, Edo period (1615-1868)

The boar is seated with one hoof slightly raised and with its head and snout lifted upwards, about to emit a bellowing roar. Its eyes are double inlaid in dark and semi-translucent pale horn in typical Tanba style, giving the boar a wild and enigmatic expression. The hairwork is executed masterfully and the wood is typically darkened and accentuated for effect. Turning the netsuke reveals the legs and hooves, which have a delightful dark patina, and are as the rest of the piece carved crisply. Excellent asymmetrical himotoshi and signature NANBOKU ϒ҂ in a rounded reserve. HEIGHT 3.8 cm, LENGTH 4.5 cm Condition: The left front leg with a well-done professional restoration. Otherwise excellent condition with a beautiful patina. Provenance: Formerly Katherine Matthies collection, sold at Sotheby’s New York, 25th May 1989, lot 53. Then European private collection. Nanboku was a talented carver from the Tanba school, arguably even surpassing his master Naito Toyomasa in quality of execution. This is evident when comparing the netsuke of a boar by Toyomasa in the Katchen collection (see literature comparison).

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Auction comparison: Compare to a similar netsuke by Toyomasa sold by Bonhams, The Julius and Arlette Katchen Collection of Fine Netsuke, 10 May 2017, lot 135. Estimate EUR 10.000,Starting price EUR 5.000,-

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147 | GYOKUHOSAI RYUCHIN: A FINE SQUARE RYUSA IVORY MANJU NETSUKE OF THE JUNISHI By Gyokuhosai Ryuchin, signed Ryuchin Japan, Edo, mid-19th century, Edo period (1615-1868) Published: Illustrated in The Meinertzhagen Card Index on Netsuke in the Archives of the British Museum Part B, Frederick Meinertzhagen (edited by George Lazarnick), New York, 1986, page 662.

The twelve animals of the Zodiac (junishi) are neatly arranged and delicately carved. Each animal is imbued with individual charm, wit and character. The tiger (tora) is snarling at the dragon (tatsu) and on the other side the monkey (saru) is pulling on the horse (uma). The manju is entirely openworked, also on the sides where the snake (hebi) can be found. Signed on the horse, next to the florally rimmed himotoshi, RYUCHIN ‫ ܤ؁‬+ kakihan. SIZE 3 x 3 x 1.5 cm (H x L x W) Condition: Generally, in very good condition; one old chip to one of the dragon’s whiskers (visible in the illustration in MCI, page 662). Provenance: Collection of F. Meinertzhagen, published in MCI, then S.L. Moss Exhibition, no. 116, 15.11.1974, subsequently acquired by Vito Taverna from Eskenazi Ltd. on 22.11.1974. (Copy of the invoice is available). Gyokuhosai Ryuchin was regarded by Meinertzhagen as one of the most brilliant netsuke carvers of his time. His designs were original and often displayed his superior use of sukashi-bori (openwork technique). Auction comparison: Compare to a very similar ivory manju netsuke by Ryuchin sold at Van Ham, Netsuke & Japanische Kunst, 8 June 2018, Cologne, lot 1666. Estimate EUR 3.000,Starting price EUR 1.500,-

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SENNIN, CHINESE INFLUENCE & IMMORTALS 148 |

KAGETOSHI: A RARE IVORY NETSUKE OF TEKKAI SENNIN

By Kagetoshi, signed Kagetoshi Japan, Kyoto, first half of 19th century, Edo period (1615-1868)

Tekkai Sennin is standing leaning on his cane and pressing his lips together, about to blow out his soul in order to rise to the heavens (where he would have a chat with the famous philosopher Lao Zi). His Sennin cloak is elaborately worked with many mugwort leaves intricately carved at the back. He wears a Hyotan tied to his obi and one of his flowing sleeves curls around and cleverly forms the himotoshi. Signature in a rectangular reserve KAGETOSHI բϙ. Beautiful honey patina. HEIGHT 5 cm Condition: The left foot is restored, otherwise very good condition. Provenance: British collection. Kagetoshi is best known for his intricate designs in sukashi-bori. Figural netsuke are rare by this artist, and probably earlier works, though his talent for intricate carving on a small space is already evident in this netsuke. Estimate EUR 3.000,Starting price EUR 1.500,-

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149 |

TOMOTADA: A RARE KYOTO SCHOOL IVORY NETSUKE OF URASHIMA TARO

Signed Tomotada Japan, Kyoto, late 18th century, Edo period (1615-1868)

A powerful study of a very Sennin-like Urashima Taro holding a minogame by its long straw coat tail, next to his face, slightly flinching as one claw of the mythical animal touches his forehead. His finely carved robe is flowing and engraved with designs of clouds. The backside shows Urashima wearing a long straw coat cape like the minogame. Spots of honey patina and large himotoshi through the back and the signature TOMOTADA Ƥฑ on the hem of the robe. HEIGHT 7.4 cm Condition: Very good original condition, the ivory slightly worn. Provenance: British collection acquired at Sotheby’s, Japanese Works of Art, Prints and Paintings, 20 June 2002, London, lot 517. Other than the spuriously engraved signature this appears to be an authentic work by Tomotada, or a close-by hand. Stylistically and quality-wise it certainly holds up to other rare figural works by the artist. Compare for example to a figure of Chokaro Sennin by Tomotada in F. Meinertzhagen, MCI Part B, New York, 1986, page 912. Estimate EUR 3.000,Starting price EUR 1.500,-

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150 |

A RARE IVORY NETSUKE OF A SENNIN WITH MONKEY

Unsigned Japan, early to mid-18th century, Edo period (1615-1868)

A slender and rather tall ivory netsuke of a Sennin holding a monkey (saru). The monkey is small and tugging on the beard of the Sennin, who is wearing the characteristic mugwort leafcloak, adorned with swirling clouds. He is holding a taming stick in his left hand. Probably he is the precursor to the peddling sarumawashi (monkey trainer). The ivory has taken on a beautiful golden honey patina over many years of handling. Very good himotoshi in the back. HEIGHT 8.3 cm Condition: Very good condition, expected minor age cracks. Provenance: French private collection. Estimate EUR 2.000,Starting price EUR 1.000,-

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151 |

A MASSIVE IVORY NETSUKE OF GAMA SENNIN

Unsigned Japan, late 19th century to Meiji period (1868-1912)

A very large ivory netsuke with heavy okimono character depicting Gama Sennin, carved with a superior sense of realism. He is standing barefoot in a dancing posture, with one foot raised above the other, and his toes slightly curved inwards. He is supporting a massive toad, with large inlaid eyes, on his back with one hand and holding a small toad in the other. His face is carved in a portrait-like manner with inlaid eyes, a sensitively crafted nose and an opened mouth with minutely carved teeth. The sennin’s robe is flowing with finely carved patterns of clouds and vines. Very good angled himotoshi through the back, between the trailing leg of the larger toad. HEIGHT 12.5 cm Condition: Very good condition with expected age cracks and minor imperfections. Provenance: French private collection. Gama Sennin is derived from the Chinese immortal Liu Hai who is depicted with the ‘three legged money toad’. Estimate EUR 5.000,Starting price EUR 2.500,-

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152 |

AN AMUSING IVORY NETSUKE OF GAMA SENNIN ATTRIBUTED TO MASAKAZU

Unsigned, attributed to Masakazu Japan, Kyoto, early to mid-19th century, Edo period (1615-1868)

Gama Sennin is shown straining under the weight of the huge toad on his back, which is arched as he tries to hold its weight, holding on to a limb with each of his hands. Finely carved details with long flowing sleeves and a very amusing facial expression of the Sennin. The toad with an expressively carved warty skin and large inlaid eyes of reddish horn. Natural himotoshi through an opening between one leg of the toad and the Sennin’s arm. HEIGHT 5.8 cm Condition: Very good condition, with very minor age cracks and a good patina. Provenance: British collection. Literature comparison: Compare with a signed Masakazu, in which Gama lies on top of a huge toad, in Barker and Smith, Netsuke, the Miniature Sculpture of Japan, British Museum, p. 27, no. 5. Estimate EUR 1.500,Starting price EUR 750,-

153 |

YOSHITOMO: A TALL IVORY NETSUKE OF GAMA SENNIN

By Yoshitomo, signed Yoshitomo Japan, Kyoto, 18th century, Edo period (1615-1868)

Gama Sennin is shown in a dancing posture with one foot raised above the other, holding a fruiting peach branch and with a threelegged toad, with large inlaid eyes, on his back. His Sennin cloak is finely engraved with cloud patterns and mugwort leaves are visible in the back. The Sennin has a good expression with a wideeyed smile, typical for the Yoshi school of Kyoto. Beautiful yellow patina in the back as well as large himotoshi beside the signature YOSHITOMO ઱Ƥ in a rectangular reserve. HEIGHT 8.1 cm Condition: Very good condition, slight wear to one foot and expected age cracks. Provenance: Luxembourg private collection. Estimate EUR 1.200,Starting price EUR 600,-

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154 |

A TALL WOOD NETSUKE OF GAMA SENNIN

Unsigned Japan, 18th century, Edo period (1615-1868)

Gama Sennin is standing tall holding a cane with both hands in front of him. A large, finely carved toad is perched on his shoulder, curiously raising its head. As usual, Gama Sennin is laughing intently with his eyes almost closed. He is wearing a robe, leaving his right shoulder and arm bare, as well as his chest. He is shown emaciated in the truest sense of a mountain hermit. A large hyotan (double gourd) is tied to his obi at the back and the good himotoshi are cleverly placed with one ‘hidden’ in his flowing sleeve fold. Beautiful patina and grain to the wood. HEIGHT 9.4 cm Condition: Very good condition. Provenance: British private collection. Estimate EUR 1.200,Starting price EUR 600,-

155 |

A RARE IVORY NETSUKE OF A SENNIN WITH PHEASANT

Unsigned Japan, late 18th century, Edo period (1615-1868)

Depicting a standing Sennin wearing a mugwort leaf cloak, with finely carved and dense leaves. The Sennin has his back arched, probably due to the natural dictation of the material used, and his head is turned to the left, as he is laughing heartily. He is holding a pheasant in his left hand and is visibly delighted by this unlikely companionship. Angular himotoshi through the back. HEIGHT 7.3 cm Condition: Worn condition with some discoloration. Possibly an old tiny chip to the edge of the bird’s tail feathers. Generally, in good condition commensurate with age and handling. Provenance: British collection. This depiction of a Sennin with pheasant appears to be very rare, possibly even unique. Estimate EUR 1.500,Starting price EUR 750,-

134

156 |

A TALL IVORY NETSUKE OF A SENNIN WITH TAMA

Unsigned Japan, 18th century, Edo period (1615-1868)

A large and finely carved netsuke of a standing and bare chested Sennin clenching one fist in front of his chest and holding a tama (magical pearl) up resting on his shoulder. He has a trifurcated beard and a powerful expression with an opened mouth, raised brows and glaring eyes which look upwards to the heavenly skies. The folds of his robes are carved expressively, as are his long hair and mugwort leaf cloak. The entire netsuke is covered in a beautiful honey patina. Large himotoshi through the back. HEIGHT 9.8 cm Condition: Very good condition with excellent patina. Provenance: British collection. Estimate EUR 3.000,Starting price EUR 1.500,-

157 |

A TALL IVORY NETSUKE OF A SENNIN

Unsigned Japan, late 18th to early 19th century, Edo period (1615-1868)

A fine ivory netsuke of a standing Sennin holding a large gourd over his back, tied together and held in place with his left hand. In the other hand he holds a basket (presumably) filled with peaches. Both are symbols for immortality and could identify this Sennin as either Tobosaku or Chokaro. The Sennin has long hair and a trifurcated beard. The angular himotoshi are found in the back where the typical mugwort leaves of the Sennin’s cloak are visible just beneath his obi. The mountain hermit looks up to his right towards the heavenly sky, screaming with a beautifully crafted enigmatic expression. HEIGHT 8 cm Condition: Very good condition. Amazingly the feet are completely undamaged. Good, yellowish patina and very few natural age cracks. The once inked pupils have been slightly worn. Provenance: Hungarian collection. Estimate EUR 1.500,Starting price EUR 750,-

135

158 |

YOSHINAGA: AN UNUSUAL TALL IVORY NETSUKE OF A CHINESE LITERATI WITH BOY

By Miura Yoshinaga, signed Yoshinaga Japan, Kyoto, early 19th century, Edo period (1615-1868)

HEIGHT 8.7 cm Condition: Very good condition with expected age cracks. Provenance: Belgian private collection.

Depicting a Chinese literati with a Sennin-like appearance, his robe incised with a cloud design, comforting a frightened boy who clings to him. The appearance of the boy is very unusual, and he looks almost like an oni – he has huge inlaid eyes of dark horn and pulls a peculiar face, firmly grabbing hold of his elder, whilst the latter reassuringly pats him on the head. Large himotoshi through the back and signature YOSHINAGA ઱к.

136

Literature comparison: For a dark stained Sennin with karako by the same artist, see the Sotheby’s Chicago catalogue of the Alan Liss collection, lot 231. Estimate EUR 3.000,Starting price EUR 1.500,-

159 |

AN INLAID EBONY WOOD NETSUKE OF A CHINESE SAGE ATTRIBUTED TO HASEGAWA IKKO

Unsigned, attributed to Hasegawa Ikko Japan, early 19th century, Edo period (1615-1868)

Depicting a bearded Chinese sage, his mugwort-leaf cloak carved from ebony and his face, hands and feet inlaid in ivory. The sage is looking downwards laughing, his expression is sensitively carved. The cloak has a smooth rustic feel to it, the sleeves are long and drape towards the ground. The backside shows the wonderful himotoshi, one significantly larger and worn. Unsigned, however attributed to Hasegawa Ikko, one of the most influential netsukeshi of the 19th century. HEIGHT 7.6 cm Condition: Excellent condition, the larger himotoshi shows some wear indicating this netsuke was worn. Provenance: European collection. Auction comparison: For a similar netsuke by Hasegawa Ikko see Bonhams, Fine Japanese Works of Art, 13 September 2011, New York, lot 2021. Estimate EUR 2.000,Starting price EUR 1.000,-

137

160 |

AN IVORY NETSUKE OF A RECLINING CHINESE WOMAN

LENGTH 8.2 cm

Unsigned Japan, 18th century, Edo period (1615-1868)

Condition: Very good condition commensurate with age and handling. Provenance: British collection.

An ivory netsuke of a reclining Chinese woman, her head resting on one elbow, one eye opened and the other closed. In one hand she holds a blossoming plum flower, suggestive of the poet and god of calligraphy Sugawara no Michizane. Beautiful yellow patina to the backside and honey spots throughout. Large and hollow himotoshi on the underside.

Literature comparison: A similar netsuke of Sugawara no Michizane is illustrated in the Baur collection, Marie-Therese Coullery and Martin S. Newstead, Geneve, 1977, page 173, C 418.

161 |

AN IVORY NETSUKE OF A CHINESE BOY

Unsigned Japan, early 19th century, Edo period (1615-1868)

Depicting a Chinese boy dressed in a buttoned robe, the buttons inlaid in black horn. The boy has a bewildered expression, his hand placed on his head and his mouth and eyes opened, the pupils inlaid in black horn. His dress is decorated with designs of waves, signifying his foreign heritage. A detailed carving with a fine patina, especially to the backside, and large coherent himotoshi. HEIGHT 6 cm Condition: There is some old damage to the left side of the end of his robe and the object formerly held in his hand is lost. Otherwise fine condition with a stunning patina. Provenance: Hungarian collection. Estimate EUR 1.200,Starting price EUR 600,-

138

Estimate EUR 2.500,Starting price EUR 1.250,-

162 |

A RARE AND EARLY NETSUKE OF A CHINESE HIGH TABLE

Unsigned Japan, late 17th to early 18th century, Edo period (1615-1868)

A beautifully functional ivory netsuke with a pleasing deep yellow and honey orange patina, depicting a high Chinese scholarly table, showing a splendid curvature at the feet, with a blossoming plum tree in the middle. Natural himotoshi. HEIGHT 8.7 cm Condition: Excellent condition with characteristic age cracks, wear and patina indicating a very early piece. Provenance: British collection. Estimate EUR 1.000,Starting price EUR 500,-

163 |

A RARE AND UNUSUAL WOOD MANJU NETSUKE OF GENTOKU

Unsigned Japan, 19th century, Edo period (1615-1868)

Depicted is a variation of the subject of the Chinese hero Gentoku (Li Bai) during his grand escape from the castle Ryu-Ho. On the front side of the manju, carved in relief, is an image of a pagoda, surely an allusion to the castle Ryu-Ho. Around the sides, partially carved in openwork all around, Gentoku is bursting forward, sword-first, through dense waves and sprays of water. Gentoku has the appearance of Shoki the demon queller – the two are often confused. The underside shows a brocade pattern and central himotoshi. DIAMETER 4 cm, THICKNESS 2.2 cm Condition: Minor nicks, surface wear, discoloration. Good, old and worn condition. Provenance: Austrian private collection. Estimate EUR 600,Starting price EUR 300,-

139

GODS & RELIGION

164 |

A POWERFUL AND LARGE EBONY WOOD NETSUKE OF OGURI HANGAN AND ONIKAGE

Unsigned Japan, 18th century, Edo period (1615-1868)

Masterfully sculpted with strong Buddhistic features and depicting Oguri Hangan balancing his horse Onikage (devil’s shadow) on a goban. Oguri is pulling on the horse’s reigns, forcing it to a complete stop. The horse’s head is lowered obediently, and Oguri smiles confidently. The ebony wood is smoothly polished, and the details are boldly carved. The manner of the carving is unusual as it displays features one would normally expect from religious carvings – resonating with tranquility. The legends surrounding Oguri Hangan are prominently featured in Sekkyo (Buddhistic artistic sermons), which could explain why the artist has chosen to portray Oguri Hangan in this manner. The himotoshi are well-hidden, one going through the underside and the other next to Oguri’s sword. The Goban (go board, derived from the Chinese Weiqi board) stands on four feet. HEIGHT 7.6 cm Condition: Excellent condition. The himotoshi exhibit some wear showing that this netsuke was probably worn. Provenance: German private collection, old collection no. 697. Oguri Hangan Daisukeshige (ca. 1398-1464), son of a provincial lord, was dispossessed of his estates by the Akishige clan. He led an adventurous life and was celebrated for his superior horsemanship, so much that people claimed he could balance his legendary horse Onikage with all four feet on a goban. Estimate EUR 3.000,Starting price EUR 1.500,-

140

165 |

TOMOKAZU: A FINE IVORY NETSUKE OF EGUCHI NO KIMI ON ELEPHANT

By Tomokazu, signed Tomokazu Japan, Kyoto, mid to late 19th century

According to legend, Kimi was a courtesan in the village of Eguchi and was so devoted to Buddhist scripture that she became the incarnation of Fugen Bosatsu (Boddhisattva Samantabhadra). In the present netsuke she is shown holding a long Buddhist sutra in both hands and is seated on top of an elephant, which is the mount of Fugen Bosatsu and here visibly delighted by Kimi’s presence, smiling benevolently. Her facial features are masterfully carved, with pronounced feminine features showing her beauty, while at the same time radiating tranquility and Buddhist compassion. The netsuke is lightly stained and finished remarkably well with stunning details, such as finely engraved patterns or her long falling hair in the back. Himotoshi and signature TOMOKAZU ƤĂ on the underside. HEIGHT 4.3 cm Condition: Very good condition. Provenance: Dutch private collection formerly acquired at Bonhams, Fine Japanese Art, 6 November 2014, London, lot 42. Estimate EUR 2.000,Starting price EUR 1.000,-

166 |

A RARE DARK WOOD NETSUKE OF EGUCHI NO KIMI

Unsigned Japan, early 19th century, Edo period (1615-1868)

Carved from a dark reddish wood and depicting the courtesan Kimi atop her elephant. The visible tusk of the elephant is inlaid in ivory. Large himotoshi through the under- and backside. HEIGHT 4.7 cm Condition: Good condition, some age cracks. Provenance: European collection. Estimate EUR 1.200,Starting price EUR 600,-

141

167 |

A WOOD NETSUKE OF KIKUJIDO

Unsigned Japan, 18th century, Edo period (1615-1868)

Carved as the chrysanthemum boy seated on a dense bundle of kiku (chrysanthemum) blossoms, appearing like a cloud, on which he floats. Draped over his shoulder is a blossoming kiku branch, appearing like a Buddhist nyoi scepter. He is biting his teeth and his glaring eyes are inlaid with dark horn. A compact, functional netsuke with large, hollow himotoshi – the smaller one cleverly hidden behind one kiku flower. HEIGHT 5.5 cm Condition: Excellent worn condition, the himotoshi show wear showing this netsuke was worn. Provenance: Formerly Helen and Jack Mang collection, then Luxembourg private collection acquired at Quinn’s auction galleries, 7 December 2012, lot 553. Kikujido remained youthful with the passing of 700 years after writing the lines of Buddhist teachings, gifted to him by the emperor, on the leaves of a chrysanthemum every day. The dew that washed the characters away became his elixir of life. The Buddhist aspect of this depiction is visible in this netsuke. Estimate EUR 1.000,Starting price EUR 500,-

168 |

A FINE SQUARE MANJU IVORY NETSUKE WITH KIKUJIDO

Unsigned -DSDQ PLG WKbFHQWXU\ (GR SHULRG

In the form of a two-part square manju and decorated with an image of Kikujido (the chrysanthemum boy) carved in high relief and set on a patterned ground resembling many mountain SHDNV b.LNXMLGR LV JOHHIXOO\ VPLOLQJ DQG KROGLQJ D SDLQWEUXVK LQ RQH hand and a stalk of blooming kiku (chrysanthemum) blossoms in the other. Small himotoshi through the reverse. SIZE 3.8 x 3.8 cm Condition: The ivory very slightly worn and with few expected age cracks. Good condition. Provenance: Hungarian collection. Estimate EUR 800,Starting price EUR 400,-

142

169 |

KOJU: AN IVORY MANJU NETSUKE WITH RAKAN

By Koju, signed Koju with kakihan Japan, Edo, mid-19th century, Edo period (1615-1868) Published: F. Meinertzhagen, MCI Part A, New York, 1986, page 362. Henri L. Joly, ‘Catalogue of the H. Seymour Trower collection of Japanese Art’, London, Glendining & Co. Ltd., March 1913-plate V. ill. 396.

Carved in shishiabori with a portrait of Rakan (Sanskrit - Arhat, Chinese - Luohan), wearing a half-shouldered robe with brocade pattern and large earrings. His expression is grim, and he is surrounded by a partially worn halo. The reverse decorated with a design of waves and with the signature KOJU ʾ೘ and kakihan. DIAMETER 4.7 cm Condition: The ivory slightly worn. Good condition. Provenance: Ex-Seymour Trower Collection, Ex-Somerwil Collection, thence British collection. This design was frequented by Ikkosai Kojitsu and Suzuki Kosai, contemporaries of Koju who signed with the same kakihan and important makers of manju netsuke. Auction comparison: For a manju with the same design by Suzuki Kosai, see Bonhams, Asian Decorative Arts, 24 June 2015, San Francisco, lot 8012. Estimate EUR 2.000,Starting price EUR 1.000,-

170 |

A RARE STAG ANTLER NETSUKE OF A FEMALE BODDHISATTVA

Unsigned Japan, 19th century, Edo period (1615-1868)

A very unusual stag antler netsuke showing a female Boddhisattva (enlightened being) wearing a leaf cloak leaving her right side bare and revealing her breast, which she presents with her left hand. She has sharp Hinduistic facial features, curls like Buddha and a high ushnisha. Himotoshi through the back. HEIGHT 7.9 cm Condition: Very good condition. Provenance: Luxembourg private collection. Estimate EUR 1.200,Starting price EUR 600,-

143

171 |

A RARE BIZEN POTTERY NETSUKE OF DARUMA APPLYING MOXA, EX BUSHELL

Unsigned Japan, 19th century, Edo period (1615-1868) Published: R. Bushell, Ceramic Netsuke in Arts of Asia, 2nd Special Netsuke Issue, March-April 1976, p. 27, fig. 12. A. Katchen, Netsuke 7, vol. 2, pp. 450-451, no. K935.

A molded Bizen ceramic netsuke with finely carved details and depicting the Zen-patriarch Daruma applying a moxa pellet to his right leg which is visibly causing him pain from the burning sensation. HEIGHT 3.7 cm Condition: Excellent condition. Provenance: Raymond Bushell, sold in his sale at Christie’s London, 27.10.87, lot 260, bought by Eskenazi for Arlette Katchen collection, Paris. Moxibustion is a traditional Chinese medicine therapy used to heat particular points of the body by using burning dried mugwort. Estimate EUR 1.000,Starting price EUR 500,-

172 |

RYUKI: AN EBONY AND IVORY SQUARE MANJU NETSUKE OF DARUMA

By Ryuki, signed Ryuki Japan, mid-19th century, Edo period (1615-1868)

Set in an elegant ebony square wood bowl with a beautiful grain and depicting a stern-faced Daruma, with his eyes wide-opened. The reverse decorated with a nyoi scepter in sunken relief next to small himotoshi ringed in ivory. Signed in the front RYUKI Ӑ‫ – ׼‬a very rare artist. SIZE 3.3 x 3.8 cm Condition: Excellent condition. Provenance: Ex Somerwil Collection, Amsterdam. Johan Somerwil was a publisher from Amsterdam who with great dedication and excellent eye for unusual representations, built up an extensive and varied collection of netsuke. Estimate EUR 2.000,Starting price EUR 1.000,-

144

173 |

SHOUNSAI: AN EXCELLENT AND RARE WOOD AND IVORY NETSUKE OF DARUMA

By Shounsai Joryu, signed Shounsai Japan, Edo, early 19th century, Edo period (1868-1912) Published: Illustrated in F. Meinertzhagen, MCI Part A, New York, 1986, page 263.

Depicting the Zen patriarch Daruma with a pensive expression. Daruma is almost entirely covered in a priestly robe flowing in the wind, carved from wood with a stunning patina and grain. His face and bare torso are inlaid in ivory, with incised beard and chest hair, and his facial features are crafted very well. Daruma was of either Persian, central Asian or south Indian descent, which is reflected in this netsuke – making it a rare portrait of this important and historical Buddhist monk, who is often caricaturized in netsuke art. His sandaled feet and the thin reed which he floats on are also carved from a single piece of ivory. The backside with good himotoshi above the signature SHOUNSAI ΋Ӹ᤮. HEIGHT 6.3 cm Condition: Very good condition. Provenance: Anonymous sale, Glendining, 31st May 1935, then Jay Hopkins and hence British collection. Estimate EUR 4.000,Starting price EUR 2.000,-

145

174 |

MASAKAZU: A FINE WOOD NETSUKE OF A YAWNING OKAME

By Masakazu, signed Masakazu Japan, Gifu, 19th century, Edo period (1615-1868)

An amusing depiction of the Shinto goddess Okame, also known as Otafuku, known for performing the first nude dance in Japan. This work shows her half-nude, with large breasts, a large belly and a cavernous yawn. Both arms are raised up, again in the manner of the Zen patriarch Daruma, who is often depicted yawning during or after his nine-year meditation. Okame depicted in this way is also often called Onna Daruma (“Woman Daruma”). Large, generous himotoshi through the back and the left buttock. Signed MASAKAZU ȢĂ on one foot. Beautiful dark patina. HEIGHT 6.1 cm Condition: Small, old chip to the edge of the right foot. A tiny minuscule chip to the edge of the larger himotoshi. Otherwise, excellent condition. Provenance: Hans Spoerry collection, mentioned in the collector’s personal inventory under the number 5032. Auction comparison: For a very similar netsuke see Bonhams, Netsuke from a European Collection, 8 May 2016, London, lot 130. Estimate EUR 1.200,Starting price EUR 600,-

146

175 |

MUNEYUKI: AN AMUSING IVORY NETSUKE OF A PUMPKIN DARUMA

By Muneyuki, signed Muneyuki Japan, second half of 19th century

The Zen-patriarch Daruma has turned into a pumpkin after his nine-year meditation. He awakens, yawning and stretching, bursting the pumpkin. The torn-off base acts as the base for the netsuke and his stretched hands hold a pumpkin seed. Daruma’s expression is crafted amusingly. Himotoshi through the back and signature MUNEYUKI ඐƥ on the underside of the base. HEIGHT 6.9 cm Condition: Worn condition. Both legs are reattached, and a small section of the elbow is restored. Minor age cracks and general wear. Provenance: Parisian private collection. Estimate EUR 1.000,Starting price EUR 500,-

176 |

HOGEN: A FINE WOOD NETSUKE OF A YAWNING OKAME

Signed Hogen Japan, 19th century, Edo period (1615-1868)

Exquisitely carved as Okame, also known as Otafuku, kneeling bare-chested with her supple, delicately carved breasts shown. She is yawning and stretching her arms up high – in the manner of Daruma during his nine-year meditation – therefore this depiction is also referred to as Onna Daruma (“Woman Daruma”), which is also slang for a courtesan. Her features are delicate and sensitive. Himotoshi through the back and signature HOGEN ʑᵄ, which is an honorary title. HEIGHT 4.6 cm Condition: Excellent patina. Minor surface wear, notably on the right foot. Very good condition. Provenance: British private collection. Estimate EUR 1.000,Starting price EUR 500,-

147

148

177 |

AN EXCELLENT TALL POLYCHROME CYPRESS WOOD NETSUKE OF OKAME

Unsigned Japan, 18th century, Edo period (1615-1868)

The Shinto goddess Okame is standing tall with one leg lifted in a dancing posture. The facial features are crafted powerfully, and the movement of her body is sensual. She is bare-chested with supple breasts and is holding her slipping loincloth, colored in red lacquer, evoking a feeling of lust as she barely covers her crotch and reveals her left buttock on the reverse. Her finely carved hair is colored in black lacquer and her skin is cream-colored. An incredibly powerful and sensual netsuke in Shuzan-style with strong shunga tones. Himotoshi in the back. The cypress wood is characteristically light. HEIGHT 9.4 cm Condition: Good, complete and characteristically worn condition – the applied color is worn in some areas. Provenance: French private collection. Estimate EUR 3.000,Starting price EUR 1.500,-

149

178 |

TOMOCHIKA: AN IVORY NETSUKE OF HOTEI WITH KARAKO

By Chikuyosai Tomochika, signed Tomochika Japan, Edo/Tokyo, mid to late 19th century

The lucky god carrying his sack on a pole across his shoulder, the karako sitting in a cloth suspended from it and acting as a counterweight. Fine staining and well-carved expressions. Good, angular himotoshi in the reverse and signature in a classic wavy reserve TOMOCHIKA Ƥʡ. HEIGHT 3.8 cm Condition: Very good condition. Provenance: Belgian Private collection. Estimate EUR 1.200,Starting price EUR 600,-

179 |

DOSHO: AN IVORY NETSUKE OF HOTEI

By Kagei Dosho (1828-1884), signed Dosho Japan, Osaka, mid-19th century, Edo period (1615-1868)

An ivory netsuke depicting the pot-bellied lucky deity Hotei with a large shiny head and thick earlobes, gleefully laughing. Fine staining and excellent details, such as the finely engraved robe. Good, asymmetrical himotoshi through the under- and backside. Signature DOSHO ƅȟ underneath the left foot. HEIGHT 3.1 cm, LENGTH 3.9 cm Condition: Very good condition, with expected thin age cracks. Provenance: Hungarian collection. Kagei Dosho (1828-1884) is regarded as one of the finest carvers of the Osaka school. He was a student of Doraku and pupil to Sansho. Estimate EUR 1.500,Starting price EUR 750,-

150

180 |

GYOKKOSAI: A FINE IVORY NETSUKE OF JUROJIN

By Gyokkosai, signed Gyokkosai Japan, Edo, mid-19th century, Edo period (1615-1868) Published: A. Katchen, Netsuke 7, volume 1, page 293, K758.

A fine, beautifully stained and intricately worked study of the lucky god Jurojin standing and holding a scroll in both hands. He is wearing a hood and his robe, adorned with scattered karakusa, is elegantly flowing. Small himotoshi through the reverse above the finely engraved signature GYOKKOSAI ৿ʾ᤮. HEIGHT 3.6 cm Condition: Excellent condition. Provenance: Katchen Collection sold at Sotheby’s, The Katchen Collection of Netsuke, 8 November 2005, London, lot 76. Gyokkosai was an accomplished student of Ikkosai Saito Itaro, for a discussion of his work see International Netsuke Society Journal, volume 39, number 2, pages 18-20. Estimate EUR 2.500,Starting price EUR 1.250,-

181 |

A RARE NARWHAL TUSK SLAB NETSUKE WITH DAIKOKU AND BOY

Unsigned Japan, 18th century, Edo period (1615-1868)

Carved from a cross-section of a narwhal tusk and decorated in low relief with an image of a laughing Daikoku with a large bag, next to a jolly karako holding a fan. The reverse decorated with Buddhist scrolls. The grain of this rare material is very attractive, and the characteristic ridges are recognizable on the rim. Central himotoshi. HEIGHT 5.6 cm Condition: Excellent condition. Provenance: Hungarian collection. Estimate EUR 1.000,Starting price EUR 500,-

151

182 |

KAGETOSHI: A RARE IVORY NETSUKE OF BENTEN AND DRAGONS

By Kagetoshi, signed Kagetoshi Japan, Kyoto, mid-19th century, Edo period (1615-1868)

Carved in sukashi-bori (openwork), a technique pioneered by Kagetoshi, and depicting two dragons, their flaming bodies intertwining and merging together in a densely carved bundle. The center, almost completely surrounded by the dragons, is carved with an image of the lucky goddess Benten playing a Koto. One dragon is roaring and holding a tama, while the other has its mouth closed – both their eyes are inlaid. Himotoshi through the underside and signature in a rectangular reserve KAGETOSHI բϙ. HEIGHT 3.1 cm Condition: Good, undamaged condition. Provenance: European collection. The lucky goddess Benten, is relatively rare in netsuke art compared to the other lucky gods. She is the goddess of music, love and poetry and often depicted riding a dragon. Estimate EUR 2.500,Starting price EUR 1.250,-

183 |

SEIKA: AN IVORY NETSUKE OF A BOY RIDING FUKUROKUJU AS A TURTLE

By Seika, signed Seika Japan, Meiji period (1868-1912)

Carved as a karako (Chinese boy) holding a fishing rod and basket and seated atop the lucky god Fukurokuju who has taken the form of a turtle. The lucky deity is shown underneath with his typically large, smooth forehead, thick earlobes, and a long flowing beard. The depiction is surely an allusion to the story of Urashima Taro (see catalog nos. 34, 149, 317). Also, Fuku-roku-ju stands for luck – wealth – long life, and the turtle is a symbol for longevity, therefore Fukurokuju is often depicted transformed into a turtle. Signature SEIKA ੯Ļ in red color to the side and small himotoshi through the underside. LENGTH 4.8 cm Condition: Excellent condition. Provenance: British collection. Estimate EUR 1.200,Starting price EUR 600,-

152

184 |

MASASADA: A POWERFUL AND RARE WOOD NETSUKE OF RAIJIN WITH DRUM

By Masasada (Masakazu), signed Masakazu Japan, early 19th century, Edo period (1615-1868)

A powerful wood netsuke of the thunder god Raijin squatting, wearing a large drum strapped to his back and holding a geta in one hand. The oni is portrayed with a boldly carved muscular body and well-defined anatomy. In contrast, his facial features are humoristic, animated and imbued with originality and character – very typical for this rare artist. Raijin has inlaid eyes and horns, and the studs on the drum are inlaid as well. Good himotoshi through the deity’s back and the signature on the underside, slightly faded, in a rectangular reserve MASAKAZU ຩᑰ, however the artist is known as Masasada. HEIGHT 3.8 cm Condition: Possibly a section of the left arm is lost, however it appears that he is putting his arm behind his back, beneath the drum. One inlaid horn is replaced. Beautiful patina. Provenance: British collection.

Auction comparison: For a model of a tengu by this rare artist see Lempertz, Asiatische Kunst, 5 December 2015, Cologne, lot 761. Literature comparison: For a similar model of a Raijin see MCI page 430. For a discussion on the artist see International Netsuke Society Journal volume 30, no. 1, pages 22-26, where Jay Hopkins suggests that the artist is probably of Tanba origin. Estimate EUR 2.000,Starting price EUR 1.000,-

153

FOLKLORE & SCENES FROM DAILY LIFE

185 |

AN AMUSING IVORY NETSUKE OF AN ONI IN SHOKI’S BAG

Unsigned Japan, 19th century, Edo period (1615-1868)

An amusing ivory netsuke of an oni, half of his body uncovered in the tattered bag of the demon queller Shoki. The oni is content with his escape, smiling, his visible eye is inlaid in dark horn. One of the horns is protruding through the bag – a charming detail! The underside with a pleasing yellowish patina and large asymmetrical himotoshi. LENGTH 4.2 cm Condition: Good condition with minor expected age cracks, especially to the underside. The horns may have been replaced or are simply inlaid. Provenance: Hungarian collection. Estimate EUR 800,Starting price EUR 400,-

186 |

SHUSHO: A WOOD NETSUKE OF ONI NEMBUTSU

Signed Shusho (Funemasu) Japan, mid to late 19th century

Carved as a repentant oni wearing a parasol attached to his back and carrying a notebook, inscribed Hogacho – a Buddhist subscription list. The netsuke is finely carved, the wood is accentuated and the oni has an amusing expression with minutely inlaid eyes – one can see how desperately he is trying to hide his true nature. Small himotoshi through the back, between the parasol. Signature SHUSHO ༔΋ (Funemasu) on the underside of the robe. HEIGHT 6.2 cm Condition: The mallet which the oni held in his right hand is lost. The parasol handle is chipped. Otherwise good condition. Provenance: British private collection. Estimate EUR 800,Starting price EUR 400,-

154

187 |

A RARE AND UNUSUAL IVORY MITATE NETSUKE OF SHOKI AND ONI

Unsigned Japan, 18th century, Edo period (1615-1868)

An amusing parody of the classic sleeping sarumawashi model (see the next no. 188), though this time it is an oni stealing food from the sleeping demon queller. Shoki is shown fast asleep, though still as grim as ever, leaning on one hand and holding his sword in the other. The mischievous oni is stealing from a basket of food behind him. Good and large himotoshi on the underside. LENGTH 5.3 cm Condition: Good, complete condition with expected wear and age cracks. Very good patina. Provenance: Dr Jay Hopkins, then Jacques CarrĂŠ, then European private collection. Estimate EUR 2.000,Starting price EUR 1.000,-

188 |

AN IVORY NETSUKE OF A SLEEPING SARUMAWASHI AND MONKEY

Unsigned Japan, early 19th century, Edo period (1615-1868)

The Sarumawashi (monkey trainer) was a street artist who performed tricks with his monkey. In this netsuke the monkey trainer is depicted sleeping, his head resting on his elbow, with a serene facial expression, while the normally obedient monkey is grabbing the basket of the food from behind his back. The ivory bearing a good patina and large himotoshi on the underside. LENGTH 4.7 cm Condition: Fine condition with expected age cracks and a good patina. Provenance: Ex Herbert Mew Collection, Dorset UK (1881-1946). Estimate EUR 800,Starting price EUR 400,-

155

189 |

A GOOD TALL IVORY NETSUKE OF A STANDING SARUMAWASHI WITH MONKEY

Unsigned Japan, 18th century, Edo period (1615-1868) Published: Barry Davies Oriental Art, Netsuke and Inro from European Collections (London, 2002), no. 100 Galerie Gemini & Ichimonji Art (Munich, 2004), no. 199

An ivory netsuke of a sarumawashi (monkey trainer) standing and laughing with large glaring eyes inlaid in black lustrous horn. He is wearing a cap with an incised peach branch, has a food basket tied to his obi in front of him and is holding a taming stick in one hand and the monkey’s paw in the other. The monkey is seated on his shoulder, mischievously holding his mouth as if he was about to laugh. The backside with a very good patina and angular himotoshi. HEIGHT 8.8 cm Condition: Good, worn condition with expected age cracks and good patina. A section of the taming stick with an old and worndown loss. Provenance: Barry Davies, then Galerie Gemini & Ichimonji art, then Luxembourg private collection. Estimate EUR 1.500,Starting price EUR 750,-

190 |

AN IVORY NETSUKE OF A TEMPLE SERVANT (EJI)

Unsigned Japan, early 19th century, Edo period (1615-1868)

The temple servant is shown fondling a large umbrella with an amusing expression, almost like that of Usofuki. He is wearing a large flowing robe and an eboshi. Excellent honey patina throughout and himotoshi in the reverse. HEIGHT 7.4 cm Condition: Very good condition with minor wear, excellent patina and expected age cracks. Provenance: Formerly Helen and Jack Mang collection, then Luxembourg private collection acquired at Quinn’s auction galleries, 7 December 2012, lot 553. Auction comparison: Compare to a similar wood netsuke sold at Lempertz, Asiatische Kunst, 07 June 2019, Cologne, lot 421. Estimate EUR 1.000,Starting price EUR 500,-

156

191 |

AN IVORY NETSUKE OF A PERSIMMON MERCHANT

Unsigned Japan, early 19th century, Edo period (1615-1868)

A quirky netsuke, carved from a triangular section of ivory, depicting a merchant holding a bag draped over his shoulder and a branch of persimmons in front of his body in one hand, the other being hidden in his elaborately flowing robe. The composition is full of movement, one foot is raised, the body is slightly twisted, and the man has an amusingly delighted expression. Good patina and himotoshi, one hidden inside a raised fold of the robe. HEIGHT 5.7 cm Condition: Good condition with expected age cracks and fine patina. Provenance: Luxembourg private collection. Literature comparison: Compare to no. 245 in Karl M. Schwarz, Netsuke Subjects, which is described as a physician. Estimate EUR 1.000,Starting price EUR 500,-

192 |

RYOSAI: AN IVORY NETSUKE OF A BLIND MONK

By Ryosai, signed Ryosai Japan, 18th century, Edo period (1615-1868)

An ivory netsuke of a standing blind man, wearing a pair of geta and a monk’s robe, and leaning on a large cane. His blind eye is visible and the other one is closed, and he has a large lump on his forehead. Sensitively crafted facial features. Good himotoshi through the back and signature RYOSAI ‫ݘ‬᤮ (the first character in sosho) in an opening of the robe by the side. HEIGHT 6.8 cm Condition: Good worn condition. Expected age cracks and minor imperfections such as plugged nerve channels. Appealing patina. Provenance: Luxembourg private collection. Estimate EUR 1.200,Starting price EUR 600,-

157

193 |

MASAYOSHI: A WOOD OKIMONO NETSUKE OF A FRUSTRATED RAT CATCHER

By Masayoshi, signed Masayoshi (Seikei) Japan, Nagoya, late 19th century, Edo period (1615-1868)

The rat catcher, equipped with a long club, is holding down a box with one hand in an effort to catch the rat, which has escaped – the usual fate of this poor character. The rat catcher has a powerful expression, his facial features are distorted as he screams in agony, almost appearing like a demon, as he turns his head to view the nimble rat, which is innocently perched atop his shoulder. All eyes are inlaid in dark horn. A detailed and bold carving – note the emaciated body, bony limbs and smooth polish of the wood. Signature MASAYOSHI Ȣ٤ (Seikei) on the underside of the loincloth. HEIGHT 4.4 cm Condition: Very good condition. Provenance: British collection. The rat (nezumi) is a symbol of wealth and the companion of the lucky god Daikoku. That may explain why rat catchers had such a bad reputation, since he is usually depicted emaciated, ugly and demonic, as in the present carving. Masayoshi (alternatively read Seikei), was a pupil of Masakazu and Masasada, and was best known for his fine netsuke of rat catchers. Auction comparison: For the same model in ivory see Zacke, Fine Netsuke, Sagemono & Okimono, 27 April 2019, Vienna, lot 149. Literature comparison: Compare to another netsuke by Seikei of a rat catcher in wood illustrated in the Baur collection, Marie-Therese Coullery and Martin S. Newstead, Geneve, 1977, page 221, C 590. Estimate EUR 2.000,Starting price EUR 1.000,-

194 |

CHIKUSAI: A WOOD AND IVORY NETSUKE OF A RAT CATCHER

By Chikusai, signed Chikusai Japan, 19th century, Edo period (1615-1868)

A wood netsuke of a frustrated rat catcher holding down an ivory box with which he tries to catch a rather large rat, which has escaped over his back. He is wearing a long flowing garment and has his hair bound up into a knot. Contrary to no. 193, he is not facing backwards towards the rat – probably he has not noticed yet his failed attempt to catch the rat, though he certainly suspects the futility of his action. Very good himotoshi through the side and underside and signature CHIKUSAI ໜ᤮ on the underside of the box. HEIGHT 3 cm, LENGTH 3.8 cm Condition: One hand and foot reattached – otherwise good condition. Provenance: British collection. Estimate EUR 1.000,Starting price EUR 500,-

158

195 |

A LARGE AND POWERFUL WOOD NETSUKE OF TADAMORI WITH THE OIL THIEF

Unsigned Japan, 18th century, Edo period (1615-1868)

Dynamically and powerfully crafted, showing Taira no Tadamori grabbing the oil thief Abura Bozu from behind. Tadamori’s expression is fierce, expecting an evil demon, while he grabs the oil thief by the arm, who is holding an ewer. Abura Bozo’s expression is surprised, one foot lifted – he is caught red-handed. Unbeknownst to Tadamori the man is nothing but a poor old soul, stealing a tiny bit of oil from the many lamps in the forest near the Yasaka no Yashior temple. This mishap is masterfully depicted in this netsuke. Large asymmetrical himotoshi through the back. Beautiful patina and accentuated garment folds. HEIGHT 6.8 cm, LENGTH 5 cm Condition: Excellent condition; fine patina. Provenance: Luxembourg private collection, formerly sold at Zacke, Kunst der Netsuke und Inro Japans – Austellung 1991, Vienna, no.27. Estimate EUR 2.000,Starting price EUR 1.000,-

196 |

A LARGE WOOD NETSUKE OF THE OIL THIEF ABURA BOZU

Unsigned Japan, late 19th to early 20th century

In the legend of the oil thief, one night during a severe storm the emperor Shirakawa sees a demon in the forest with a spiked head and sends Taira no Tadamori to confront this mysterious creature. In fact, it was simply a temple servant who had gotten into the habit of stealing from oil lamps. In this netsuke, Abura Bozu is shown standing on one geta, wearing a tattered umbrella on his head and repairing his broken geta, screaming in agony. A little oil pot is tied to his obi. When viewing this netsuke one can understand why the emperor mistook the oil thief for a demon. Himotoshi in the reverse. HEIGHT 7.9 cm Condition: Very good condition. Provenance: European private collection acquired at Bonhams, Fine Japanese Art, 14 May 2015, London, lot 26. Estimate EUR 1.000,Starting price EUR 500,-

159

197 |

YASUAKI: A SUPERB INLAID IVORY TOKYO SCHOOL NETSUKE OF NASAKEJI OPENING THE TREASURE BOX

By Kodama Yasuaki, signed Yasuaki (Homei) Japan, Tokyo, Meiji period (1868-1912)

An incredibly fine and detailed study of Nasakeji opening a treasure box, the inside showing coins, scrolls and jewelry inlaid in stained horn, ivory, mother of pearl, tortoise shell and coral. This depiction relates to the story of the tongue cut sparrow. Nasakeji, here shown as a bucktoothed old and simple man, is visibly surprised from the contents of the box – the facial features are sensitively crafted with a superior sense of detail. The backside shows a tabako-ire set tied to his obi, with a coral netsuke, mother of pearl ojime, greenstained ivory cord and a lacquered wood tonkotsu. The underside shows the himotoshi and signature YASUAKI ̝dž (Homei) with red lacquer seal Kodama ȑ৿. HEIGHT 3.9 cm Condition: Perfect condition. Provenance: British collection. Estimate EUR 4.000,Starting price EUR 2.000,-

160

198 |

KYOKUSEI: A FINE INLAID IVORY TOKYO SCHOOL NETSUKE OF ONO NO TOFU

By Kyokusei, signed Kyokusei Japan, Tokyo, Meiji period (1868-1912)

Depicting the legendary calligraphist Ono no Tofu seated and holding a brush and paper, with a deeply focused expression, and one elbow leaning on a scholarly table. The details lacquered in red and black. The underside shows the himotoshi, the larger ringed in mother of pearl, and the signature in a red lacquer tablet KYOKUSEI �ŀ, underneath the table. HEIGHT 3.9 cm Condition: Minor imperfections, age cracks. Very good condition. Provenance: French private collection. Kyokusei was a pupil of Kyokusai of the Tokyo school. Estimate EUR 1.200,Starting price EUR 600,-

199 |

A WOOD NETSUKE OF A MAN WITH DARUMA TOY DOLL

Unsigned Japan, probably Tokyo, late 19th century to early 20th century

Finely carved from pale wood, suggestive of the So-school, and depicting a seated man presenting a daruma toy doll. The man is a toy vendor and has an amusingly grim and characterful expression. One larger himotoshi through the underside and the smaller one hidden between the legs. HEIGHT 4 cm Condition: Very good condition, one of the inlaid eyes of the daruma doll is replaced. Provenance: British private collection. Faded collection number written in white. Estimate EUR 800,Starting price EUR 400,-

161

200 |

A RARE TALL WOOD NETSUKE OF A CHILDREN’S ENTERTAINER WITH HORSE PUPPET

Unsigned Japan, late 18th to early 19th century, Edo period (1615-1868)

A rare wood netsuke of a children’s entertainer wearing a hand puppet of a horse over one hand and scratching his head with the other. He has a round face with sensitively crafted, slightly feminine facial features - his expression is an enigmatic mixture of bewilderment and excitement. He is wearing a headcloth tied below his chin and his flowing robes are carved beautifully. Excellent himotoshi in the back, one of them formed naturally by the sleeve of the hand puppet. HEIGHT 8.3 cm Condition: Very good condition. Provenance: German private collection, old collection no. 410 inside the himotoshi. Estimate EUR 2.000,Starting price EUR 1.000,-

162

201 |

YOSHI: A RARE WOOD NETSUKE OF A KARAKO WITH HORSE PUPPET

Signed Yoshi Japan, late 18th to early 19th century, Edo period (1615-1868)

The Chinese boy (karako) is shown with characteristic large tufts of hair, wearing a Chinese coat and with a joyous facial expression, as he is holding a large hand puppet of a horse enveloping both of his hands. The folds of his garment are carved with excellent detail, darkened for accentuation. A fine netsuke beaming with character and full of movement. The horse’s eyes are double inlaid with bone and black horn. Very good and large himotoshi through the back, above the signature YOSHI હ in a rounded reserve. HEIGHT 5.5 cm Condition: Very good condition. Provenance: European private collection. Estimate EUR 1.500,Starting price EUR 750,-

163

202 |

MUNENARI: A RARE IVORY NETSUKE OF A NETSUKE CARVER

By Munenari, signed Munenari Japan, second half of 19th century

Dynamically crafted as a sculptor of a Bijin (beautiful lady), hammer and chisel in front of him. The sculptor has an amusing expression suggesting his astonishment, as the Bijin has come alive, suggestively holding the hem of her robe in front of her. The juxtaposition of their expressions is executed very well. The underside shows the tabako-ire of the sculptor and signature MUNENARI ŕś?ĹŞ in a rectangular reserve. The placement of the himotoshi in the back of the Bijin between her obi, suggest that this is a netsuke of a netsuke, and the man is in fact a netsuke carver. HEIGHT 6.1 cm Condition: Excellent condition with minor age-related wear. Provenance: European collection. Estimate EUR 1.200,Starting price EUR 600,-

203 |

AN IVORY NETSUKE OF SAIGYO HOSHI AND MOUNT FUJI

Unsigned Japan, late 18th century, Edo period (1615-1868)

An early and compact ivory netsuke showing Saigyo Hoshi, a famous poet and monk of the late Heian period, with his characteristic hat to his side and admiring the towering mount Fuji beside him. Beautiful honey patina on the back- and underside, where also the coherent himotoshi are located. HEIGHT 3 cm Condition: Very good condition with expected and age-related age cracks. Provenance: Parisian private collection, faint collection number in red. Estimate EUR 800,Starting price EUR 400,-

164

204 |

MASATSUGU: A RARE IVORY NETSUKE OF SATO TADANOBU DEFINDING HIMSELF WITH A GOBAN

By Masatsugu, signed Masatsugu Japan, 19th century, Edo period (1615-1868)

A fine ivory netsuke, full of movement and the ivory bearing a very appealing color, depicting the samurai warrior Sato Tadanobu, who lived during the late Heian period. According to legend he saved the life of Minamoto no Yoshitsune and was attacked while playing a game of go (adapted from the Chinese game Weiqi) and the only weapon he had to defend himself was the go board. He fought off numerous attackers and ultimately committed seppuku, a form of ritual suicide, before his attackers could reach him. In the present netsuke he is depicted holding the go board over his shoulder and clenching his free hand into a fist. His flowing robes are ornately decorated with various decorative patterns and quite unusually he has the three-clawed feet of an oni. Large and irregular himotoshi through the back and the signature hidden between his legs and robes MASATSUGU Ȣƥ. HEIGHT 5 cm Condition: The edge of one foot has been reattached, otherwise very good condition. Provenance: The 40-Year Collection of a London Gentleman. Estimate EUR 1.500,Starting price EUR 750,-

165

205 |

IKKAN: A WOOD NETSUKE OF A SLEEPING SHOJO

By Ikkan, signed Ikkan with kao Japan, Owari province, Nagoya, mid-19th century, Edo period (1615-1868)

A fine wood netsuke depicting a Shojo in a deep slumber after drinking a hefty amount of sake. Her head is resting on her upturned hand and her knees are curling towards her body. One of her distinctive attributes is her full long hair, which was crimson and said to contain a much sought-after dye. Her long hair is delicately carved in the present netsuke, as is her cloud-patterned brocade dress. Her facial features are finely carved and serene. Asymmetrical himotoshi through the underside and signature IKKAN Ăᆇ with kao, inside a reserve. LENGTH 4.4 cm Condition: Excellent condition. Provenance: The 40-Year Collection of a London Gentleman. This is probably the artist’s most treated and famous subject and it should be noted that the present netsuke belongs to the upper percentile, quality-wise. Furthermore pieces with a kao added to the signatue are rare, see page 214 of MCI for another example. Auction comparison: For a comparable Shojo by Ikkan see Lempertz, Asiatische Kunst, 5 December 2015, Cologne, lot 683. Estimate EUR 2.500,Starting price EUR 1.250,-

166

206 |

A RARE IVORY NETSUKE OF THE FISHER GIRL’S DREAM

Unsigned Japan, second half of 19th century Published and Exhibited: Rutherston & Bandini Ltd., Netsuke, May 2013, no. 58, illustrated in the catalogue.

An ivory netsuke in the shape of an unopened clam and carved in high relief with a serenely dreaming ama (fisher girl), her head rested in one hand and leaning on a half-opened basket revealing fish and an octopus (shunga!). Next to her is her trusty knife and an abalone shell. The details are incredibly refined, the image seems to come to life, gently protruding from the surface of the smoothly shimmering clam. Her robe is elegantly flowing, subtly revealing her low neckline. A stippled and stained line leads to the reverse where Ryujin’s underwater palace is suggested by a wall and gate tower. Fine yellowish patina and deep, large himotoshi through the back. HEIGHT 4.4 cm, LENGTH 5.1 cm Condition: Excellent condition. Provenance: Ex collection Nino Marakovic, Vienna, thence British collection. Estimate EUR 4.000,Starting price EUR 2.000,-

167

207 |

A POWERFUL IVORY NETSUKE OF A STANDING AMA WITH AWABI

Unsigned Japan, 18th century, Edo period (1615-1868)

Powerfully sculpted as an ama (diving girl) holding a large awabi in one hand and a strand of her finely engraved, inked skirt in the other. The skirt very much resembles her hair, which is parted and falls gently down her back; covering her breasts in the front. Her head is turned to the left and she has a powerful expression, as if she was surprised. Very good and generous himotoshi through the back. HEIGHT 8 cm Condition: Very good condition, fine yellow patina to the back and expected minor age cracks. Provenance: European collection, previously offered at Van Ham, 8 December 2016, lot 2380 (Estimate 7.500-8.000 EUR). Estimate EUR 3.000,Starting price EUR 1.500,-

168

208 |

AN IVORY NETSUKE OF A FISHER GIRL AND OCTOPUS ON A GIANT AWABI

Unsigned Japan, 19th century, Edo period (1615-1868)

This netsuke depicts an ama, a diving and fisher girl, lying over a giant awabi, or ear shell. She is wearing only a loincloth; her pulsating body is finely carved, with lively yet subtle facial features. The tentacle of a tako, trapped in the shell, are wriggling around one of her ankles and one of her feet. When following the tentacle to the other side, one can see the large octopus which holds one tentacle, which forms the himotoshi, to its head with a somewhat shameful expression. The word “Tako” sounds like “Great Fortune”, which is apparently on the ama’s side. WIDTH 5.5 cm Condition: Very good condition; perhaps one little nick or imperfection to the right index finger of the ama. Very appealing honey patina on the underside. Provenance: French private collection. Literature comparison: For a very similar netsuke by Nobusada and likely by the same circle of hands see `Japanische Meisterwerke der Netsuke Kunst, Wolfmar Zacken’, 1993, Vienna, no. 28. Estimate EUR 3.000,Starting price EUR 1.500,-

169

209 |

A VERY LARGE IVORY MANJU NETSUKE WITH ISLANDERS

Unsigned Japan, early 19th century, Edo period (1615-1868)

The huge and thick ivory manju netsuke is carved in shishiabori (sunken relief) with an image of two south sea islanders facing each other amidst a sea of waves, probably fishing for coral. The waves are finely carved, and the bodies of the islanders are stippled, creating a three-dimensional effect. The reverse with further waves. Cord attachment through the peg in the middle of the manju netsuke. DIAMETER 6 cm, THICKNESS 2.5 cm Condition: Very good condition with minor wear and age cracks. Provenance: European collection. Estimate EUR 2.000,Starting price EUR 1.000,-

210 |

KOJU: IVORY MANJU NETSUKE WITH FISHING KARAKO

By Koju, signed Koju with kakihan Japan, Edo/Tokyo, mid-19th century

An ivory two-part manju carved in shishiabori (sunken relief) depicting two karako fishing in a basin. One has his hands entirely submerged inside the basin while the other, visibly delighted, is pulling out a small fish. One of the boys is wearing a peculiar cape with engraved turtle shell patterns. The reverse finely incised with a scarecrow, votive tablet (ema) and crane inside a bonseki (miniature landscape). Central hole for himotoshi and signed KOJU Ęžŕł˜ with characteristic red kao. DIAMETER 4.7 cm Condition: Very good condition, minor discoloration around the himotoshi. Provenance: Ex Herbert Mew Collection, Dorset UK (1881-1946). Estimate EUR 1.200,Starting price EUR 600,-

170

ANIMALS OTHER THAN THE ZODIAC

211 |

A FINE IVORY SASHI NETSUKE OF A DRIED SALMON

Unsigned Japan, late 18th to early 19th century, Edo period (1615-1868)

An elongated ivory sashi netsuke depicting a dried salmon with sharp rows of teeth. The surface is stippled for effect, stained attractively and has developed a pleasing patina over time. A fish market scene executed with a fine sense of realism. LENGTH 13.5 cm Condition: Excellent condition with a beautiful patina. Provenance: British collection. Estimate EUR 2.000,Starting price EUR 1.000,-

171

212 |

MASANAO: A RARE IVORY NETSUKE OF A TOAD

Signed Masanao Japan, 19th century, Edo period (1615-1868)

A compact and expressive netsuke of a warty toad, the surface treatment is masterfully executed, emulating the skin of its real-life counterpart. The toad has large bulging eyes, double inlaid in two types of horn, and a wide mouth, giving it an enigmatic smile. The belly and underside are smooth and show the four webbed feet, as well as the signature MASANAO Ȣˢ in an oval reserve and the himotoshi, one central and another tucked away between the legs. HEGHT 2.8 cm, LENGTH 5 cm Condition: Very good condition with minor, age-related surface wear. Provenance: French private collection. A toad signed Masanao would usually be attributed to Masanao of Ise-Yamada, though the manner of the signature is more like that of Masanao of Kyoto. In any case, ivory netsuke of toads of this size and quality are exceptionally rare. Auction comparison: Compare to an ivory netsuke of a toad by Masakatsu sold by Bonhams, Netsuke from a European Private collection, 8 May 2016, London, lot 71. Estimate EUR 4.000,Starting price EUR 2.000,-

172

213 |

A LARGE WOOD NETSUKE OF A TOAD

Unsigned Japan, early 19th century, Edo period (1615-1868)

A large wood netsuke of a smiling toad (gama) with large inlaid pupils and its body posture alert as it is about to pounce. The warty skin of the amphibian is achieved very well. The underside shows the webbed feet and very large himotoshi. HEIGHT 3.2 cm, LENGTH 7 cm Condition: Minor imperfections to the wood such as smaller nicks and scratches. Otherwise good condition with an appealing patina. Provenance: Hungarian collection. Estimate EUR 1.500,Starting price EUR 750,-

214 |

A VERY RARE DARK WOOD NETSUKE OF A SEA HORSE

Unsigned Japan, second half 19th century

Carved from grainy dark wood with reddish hues, probably kurogaki wood (black persimmon), depicting a sea horse of elegant shape. The sea horse has large double inlaid eyes of shimmering mother of pearl with horn pupils, giving it a comical expression. The details are well-carved and minimalistic. Good and large himotoshi through the backside. HEIGHT 7.7 cm Condition: Excellent condition. Provenance: European collection. Estimate EUR 1.500,Starting price EUR 750,-

173

215 |

SHIGEYOSHI: A FINE EBONY WOOD NETSUKE OF A TORTOISE

By Shigeyoshi, signed Shigeyoshi Japan, Iwami province, early 19th century, Edo period (1615-1868) Published: Earle, Huthart, p.362, no.339.

Finely carved as a tortoise almost completely retracted within its carapace, creating a perfectly rounded and ideal netsuke shape. The individual sections of the shell are carved in a very accomplished manner, with the underside showing the beautifully wrinkled and scaly skin of its clawed limbs, neck and tail. The himotoshi is formed by a section of the shell removable on the top and a central himotoshi on the underside, where also the signature SHIGEYOSHI Ȝહ is shown. LENGTH 4.2 cm Condition: Superb condition. Provenance: The Robert S. Huthart Collection. Literature comparison: For a similar example see F. Meinertzhagen, MCI, Part B, page 734. Estimate EUR 2.500,Starting price EUR 1.250,-

174

216 |

SHOKO: A MAGNIFICENT WOOD NETSUKE OF A TORTOISE

By Suganayo Shoko, signed Shichiju ni o suga (no) ya Shoko Japan, Hida, ca. 1870 (carved at the age of 72) Published: F. Meinertzhagen, MCI, Part B, New York, 1986, p. 746. Lazarnick, George, Netsuke and Inro Artists, Honolulu 1982, p. 967.

Carved with magnificent detail, the underside crafted from ebony wood and the upper carapace in reddish-brown wood, probably Hida chestnut wood. The carapace is rendered with intricate detail, the natural grain is achieved exactly. The underside shows the tortoise almost completely retracted, its scaly limbs and tail hidden within, and its head ever so slightly peeking out with a naturalistic expression enhanced by beautifully double-inlaid eyes of pale and dark horn. Central himotoshi through the underside and one parcel on the top of the carapace is removable and provides the cord attachment. Signed Shichiju ni o suga (no) ya SHOKO ֿ֟ (made by Suganoya Shoko at the age of 72). LENGTH 4.9 cm Condition: Excellent condition. Provenance: Belgian private collection. Meinertzhagen notes of this piece in his card index: “Extremely fine work, every detail faultless”. He also records that the artist was one of the finest of his school and lists him as a pupil of Sukenaga. Estimate EUR 4.000,Starting price EUR 2.000,-

175

217 |

SHOKIN: A RARE WOOD NETSUKE OF A CAT AND TORTOISE

By Shokin, signed Shokin Japan, 19th century, Edo period (1615-1868)

A good and unusual stained wood netsuke of a cat wearing a decorative collar around its neck and sitting on a kame (tortoise), which seems not to be particularly disturbed by this. Its head and legs are slightly retracted. The cat has a silly, pleased expression on its face whilst it lifts one paw up to prod the shell of the turtle. Both animals have black inlaid eyes. The patterns on the turtle shell are precisely carved. Himotoshi and signature SHOKIN ‫؟‬ඁ in a reserve on the underside. HEIGHT 3.4 cm, LENGTH 4.5 cm Condition: Excellent condition. Provenance: German private collection. Estimate EUR 2.000,Starting price EUR 1.000,-

218 |

A WOOD NETSUKE OF A SLEEPING PIEBALD CAT ON A FAN

Unsigned Japan, early 19th century, Edo period (1615-1868)

When picking this netsuke up, one is immediately overwhelmed with a feeling of peace and tranquility. The well-fed piebald cat (neko) is lying curled up on a large fan with its head resting on the crossed paws in front of it. The eyes are closed, and its expression is the epitome of calmness with a hint of fatigue. The underside with the finely carved ribbed surface of the fan and perfectly crafted, asymmetrical himotoshi. HEIGHT 2.2 cm, LENGTH 4.8 cm Condition: Very good condition. Miniscule age-related nicks and wear. Provenance: British private collection with two valuations from Sotheby’s, by Neil K. Davey, dated 1974 & 1984, inventory no. 133. Estimate EUR 1.000,Starting price EUR 500,-

176

219 |

A GOOD IVORY NETSUKE OF A WOLF WITH SKULL

Unsigned Japan, 18th century, Edo period (1615-1868)

An early ivory netsuke of a wolf (okami) voraciously biting into a skull. The wolf is emaciated and has glaring hungry eyes doubleinlaid in pale and dark horn. The entire piece is covered in a very attractive old honey patina. Natural himotoshi. HEIGHT 3 cm, LENGTH 4.7 cm Condition: Good age-related condition with expected age cracks, wear and beautiful patina. One tiny, old and smoothed out chip to the edge of the right front paw. Provenance: Czech private collection. Estimate EUR 1.500,Starting price EUR 750,-

220 |

A POWERFUL WOOD NETSUKE OF A WOLF WITH A SKULL

Unsigned Japan, 18th century, Edo period (1615-1868)

The wolf (okami) with a skull is a common motif in netsuke art, found in the works of Tomotada and Yoshinaga among others. The skull originates either from the battlefield of Musashi or it is the wolf of Kozukahara, the execution grounds near Edo, both places being near Tokyo. The wolf is large as well as finely and expressively carved, the reddish wood polished to a shine and with black staining for contrast. “Okami” for wolf is homophonous to Okami, meaning “great god”, as the wolf used to be called out of respect for the animal. Natural himotoshi between the legs and through the skull. A powerful and early netsuke. HEIGHT 3.6 cm, LENGTH 5.5 cm Condition: One of the lower incisors is chipped otherwise good condition with minor wear and a good patina. Provenance: British private collection with two valuations from Sotheby’s, by Neil K. Davey, dated 1974 & 1984, inventory no. 105. Estimate EUR 1.500,Starting price EUR 750,-

177

221 |

AN EXCELLENT AND RARE BONE NETSUKE OF A WOLF WITH CRAB

Unsigned Japan, Kyoto, 18th century, Edo period (1615-1868) Published: Barry Davies Oriental Art, Netsuke Through Three Centuries (London, 1996), no. 53. Galerie Gemini & Ichimonji Art (Munich, 2004), no. 79.

Carved from an unusually pure section of bone, depicting a wolf or yama-inu (lit. wild dog), with its left front paw placed on a crab. The carving is strong with pronounced ribs and powerfully carved muscular limbs. The wolf has a long face with long laid-back ears, large inlaid eyes and an intense, voracious expression. The fangs of the hungry wolf are shown, unfortunately for the poor creature the crab is certainly no feast. The unique structure of the bone coupled with a strong patina give this netsuke a unique appeal. Natural himotoshi between the wolf’s two right paws and its tail which curls underneath its body to the side. HEIGHT 3.8 cm, LENGTH 5.1 cm Condition: Excellent condition with expected wear and natural miniscule crackling. Provenance: Barry Davies, then Galerie Gemini & Ichimonji art, then Luxembourg private collection. In both publications this netsuke was erroneously described as ivory, which is testament to the unique purity of the bone, which is probably maritime. Literature comparison: Compare the expression of the wolf to a netsuke by Rantei in The Baur Collection, Marie-Therese Coullery and Martin S. Newstead, Geneve, 1977, page 339, C1057. Estimate EUR 4.000,Starting price EUR 2.000,-

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A FINE OSAKA SCHOOL IVORY NETSUKE OF A HATCHING CHICK

Unsigned, attributed to Kaigyokusai Masatsugu school Japan, Osaka, 19th century, Edo period (1615-1868) Published: Galerie Gemini & Ichimonji Art (Munich, 2004), no. 101.

A lightly stained ivory netsuke of a hatching chick shown emerging from a half eggshell. One leg is inside the shell and the other on the edge as the fledgling lifts itself outside with a raised head and a curious expression, with minutely inlaid eyes of lustrous black horn. A fine and charming carving from the Osaka school, most likely school of Kaigyokusai Masatsugu. Himotoshi through the eggshell. HEIGHT 3.6 cm Condition: Good condition with age cracks. Provenance: Luxembourg private collection. Literature comparison: Compare to a very similar netsuke signed Masatsugu in The Baur Collection, Marie-Therese Coullery and Martin S. Newstead, Geneve, 1977, page 325, C996. Auction comparison: Compare to a similar netsuke signed Doraku(Sai) sold at Quinn’s Auction Galleries, Japanese Works of Art Part I, 4 May 2019, Falls Church, lot 218. Estimate EUR 2.000,Starting price EUR 1.000,-

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TADAYOSHI: AN IVORY NETSUKE OF A MANDARIN DUCK

By Tadayoshi, signed Tadayoshi Japan, late 19th century

A compact and ideally shaped netsuke of a mandarin duck. Finely stained and with inlaid eyes of black horn. Himotoshi and signature TADAYOSHI ฑ‫ ץ‬on the underside in a rectangular reserve. LENGTH 3.9 cm Condition: Excellent condition. Provenance: Parisian private collection. Estimate EUR 800,Starting price EUR 400,-

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MITSUSADA: A VERY FINE ANR RARE IVORY NETSUKE OF A QUAIL WITH MILLET

By Ohara Mitsusada, signed Mitsusada Japan, Osaka, mid-19th century, Edo period (1615-1868)

A beautifully stained and perfectly rounded ivory netsuke of a plump quail with a leafy stalk of millet in its beak. The stem bends from the weight of the naturalistically carved, thick bundle of grains which drape downwards on the right side of its beak. Two elegantly carved leaves extend from the stem over its back, and another one is carved underneath the body. Particular attention to detail has been given to the plumage of the feathery bird. Small inlaid eyes of lustrous black horn give it a very bird-like expression. Small himotoshi on the underside and slightly worn signature MITSUSADA ʞǭ in a rounded reserve.

Ohara Mitsusada was one of the most accomplished students of Ohara Mitsuhiro (1810-1875). He used a similar stain and his works are of comparative quality, however much rarer than those of the master.

HEIGHT 3 cm, LENGTH 3.1 cm Condition: Two larger age cracks through the body. Possible restoration to the end of the tail feathers. Generally, in good condition with a beautifully worn patina. Provenance: British collection.

Auction comparison: For another work of this rare artist see Bonhams, Fine Japanese Art, 6 November 2016, London, lot 11. Estimate EUR 4.000,Starting price EUR 2.000,-

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IKKO: A FINE IVORY NETSUKE OF TWO QUAILS ON MILLET

By Ikko, signed Ikko Japan, mid to late 19th century

Finely carved and stained depicting two quails perched on a dense spray of millet. The two birds are facing in opposite directions, one pecking at the millet and the other upright, their expressions powerfully crafted with minutely inlaid eyes. The dense plumage is accentuated and finely engraved. The underside shows the millet leaves elegantly flowing around, one showing the signature IKKO Ă ʾ and cleverly forming the himotoshi. HEIGHT 3.5 cm, LENGTH 4.5 cm Condition: A tiny section of the tail feathers of the upright quail with a minor restoration. Otherwise very good condition with few expected thin age cracks through the leaves. Provenance: European collection. Estimate EUR 1.200,Starting price EUR 600,-

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SHIGEMASA: A FINE WOOD NETSUKE OF A SNAIL

By Shigemasa, signed Shigemasa Japan, 19th century, Edo period (1615-1868)

Carved from stained wood in three different tones as a snail slithering down an upturned bucket, stretching its feelers out. The spiraling smooth shell and the rough texture of the body are masterfully worked. The bucket, as well, is carved true to life, showing the various hues of the wood and grain. Natural himotoshi through the body of the snail. Signature SHIGEMASA ȶȢ, heavily worn, on the top of the bucket. HEIGHT 4.8 cm Condition: One feeler is slightly chipped. The signature is worn down. Otherwise excellent condition. Provenance: Luxembourg private collection. Auction comparison: For another snail on bucket by Shigemasa see Christie’s, The Art of Japan, 5 December 2017, London, lot 15. Estimate EUR 1.500,Starting price EUR 750,-

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A FINE WOOD NETSUKE OF A SNAIL

Unsigned Japan, 19th century, Edo period (1615-1868)

Beautifully and naturalistically carved as a snail (katatsumuri) shown emerging from its shell with its feelers and labial tentacles folded back and resting on the shell for compactness. The spiraling shell is carved with incredible detail and the rough texture of the snail’s naked body is achieved very well, contrasting to the underside of the body which is smooth and succulent. The foot is visible on the underside and forms a curling lump with natural himotoshi going through under it. This snail though unsigned, is in the range of great examples by Nagoya and Tanba masters. HEIGHT 2.8 cm, LENGTH 4.2 cm Condition: Good condition, one of the feelers with a small, very well-done repair. Provenance: British private collection. Estimate EUR 2.500,Starting price EUR 1.250,-

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SEIYODO BUNSHOJO: A SUBLIME BOAR-TUSK NETSUKE WITH SPIDER AND FERNS

By Seiyodo Bunshojo (1764 – 1838), signed Nihon San’indo Iwami Enokawa Seiyodo Bunshojo chokoku Japan, Iwami province, late 18th to early 19th century, Edo period (1615-1868) Published: Earle, Huthart, p.110, no.90.

Carved from a choice, beautifully shimmering boar tusk with pronounced curvature. Towards the narrow end the artist has carved a large spider in high relief with incised hair on its thick segmented body, large fangs and inlaid eyes. The spider is carved with a superior sense of naturalism, which is extraordinarily rare for comparable Iwami tusk netsuke with spiders. Below the arachnid are delicately engraved ferns next to the signature and inscription reading SEIYODO BUNSHOJO нїࠧ NJˇƕ carved this by the Eno River in the San’indo region of Japan. With a zoomorphic pot seal. LENGTH 10.8 cm Condition: Very good condition with natural veining and minor age cracks. Provenance: The Robert S. Huthart Collection. Seiyodo Bunshojo (1764 – 1838) was the eldest daughter of Seiyodo Tomiharu (1733 – 1811), the founder of the Iwami school. Her work is deemed as of equal stature of her father’s and she achieved widespread recognition as a professional artist by the men of her time – which was an incredibly rare feat in the Japan of the 18th century. Auction comparison: Compare to two similar boar tusk netsuke by Seiyodo Bunshojo, which also illustrate the superior carving of the spider in the present netsuke. The first sold at Bonhams, The Robert S. Huthart Collection of Iwami Netsuke Part I, 15 May 2019, London, lot 47. The second sold at Bonhams, The Harriet Szechenyi Sale of Japanese Art. 8 November 2011, London, lot 247. Estimate EUR 8.000,Starting price EUR 4.000,-

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GYOKURYUSAI: A RARE IVORY NETSUKE OF A TSUBA WITH CENTIPEDE

By Gyokuryusai, signed Tokyo Gyokuryusai Japan, Tokyo, early Meiji period (1868-1912) Published: in Neil. K Davey, Netsuke, 1974, page 286.

In the shape of a tsuba with one hitsu and finely carved in relief with a crawling centipede. The surface of the tsuba is beautifully stained and stippled. Himotoshi through a loop carved inside the seppa-dai in the reverse. Signed in the front GYOKURYUSAI ৿‫؁‬᤮ living at Tokyo. HEIGHT 4.6 cm, LENGTH 3.9 cm Condition: Good condition with concentric age cracks on the reverse. Provenance: Ex W.W. Winkworth, Ex Franks and Ex M.T Hindson collection. Estimate EUR 1.500,Starting price EUR 750,-

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A RARE INLAID EBONY WOOD NETSUKE OF A WASP NEST

Unsigned Japan, possibly Iwami, second half of 18th century, Edo period (1615-1868)

The wasp nest is carved from smoothed down ebony wood with rows of individual combs, many of them filled with larvae inlaid in bone or ivory. The sides show the ribbed surface of the nest, as well as two further wasps. The underside with the himotoshi underneath the attachment of the nest. The style of carving suggests the Iwami school. LENGTH 4.5 cm Condition: Excellent condition with appropriate and pleasant surface wear. Provenance: European collection, acquired in Japan recently. Estimate EUR 1.200,Starting price EUR 600,-

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MYTHICAL BEINGS - FANTASTIC CREATURES OF DIVINE CREATION

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MASATOYO: A VERY RARE AND IMPORTANT EBONY WOOD NETSUKE OF A KIRIN

By Masatoyo, signed Tomita no ju Masatoyo and inscribed Unkei beneath the jaw Japan, Tomita, Iwami province, late 18th century, Edo period (16151868) Published: Henri L. Joly, W. L Behrens Collection (1912/1966), p. 55. Lazarnick, George, Netsuke and Inro Artists, Honolulu 1982, pp.88 (illustrated in color) and 1204. NKSJ, vol.4, no.3, Fall 1984, p.25, fig.1. F. Meinertzhagen, MCI, Part A, p.480 (unillustrated). Eskenazi Ltd., Japanese Netsuke from the Lazarnick Collection, London, 1990, p.74, no.54. Rokusho 20, p.73, no.106. Earle, Huthart, p.320, no.290. Burditt, ICLS, p.43, fig.19. Exhibited: The Honolulu Academy of Arts, Honolulu, 1985.

An ebony wood netsuke of a contorted smooth-skinned Kirin with flames emanating from its sides. The body forms a sinuous loop, functioning as natural himotoshi, its chin rests on its four feet and the tail forms another loop curling towards the end – what superior design! The Kirin has a powerful, somewhat crazed expression, with double inlaid eyes and a half-opened mouth showing its fangs with a loose ball inside. Signed and inscribed in tiny ukibori characters beneath the hindlegs MASATOYO ຩ牉, resident of Tomita; and beneath the jaw Unkei in sosho characters, possibly a tribute to the famous medieval sculptor Unkei. HEIGHT 4.9 cm Condition: Superb condition. Provenance: Brockhaus collection (sold by Christie’s in 25.11.1980), then W. L. Behrens Collection, no.1442, then George Lazarnick Collection, no.144, then Robert S. Huthart Collection. From the list of publications, the exhibition history and the list of notable hands this piece went through, the importance of this Kirin becomes evident. Furthermore, it is carved by the incredibly rare artist Masatoyo and is the only netsuke of a Kirin from the Iwami province, therefore inevitably ending up in the hands of Robert S. Huthart. Before however it made its way from Brockhaus to the Behrens collection, with Henri Joly and W.W. Winkworth writing about it, then ending up in the Lazarnick collection, who had finally deciphered the ukibori signature recognizing it as the work of Masatoyo of Tomita. What a joy to be a part of this lineage! Estimate EUR 25.000,Starting price EUR 12.500,-

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A RARE EBONY WOOD NETSUKE OF A KIRIN AS A DUCK

Unsigned Japan, late 18th to early 19th century, Edo period (1615-1868)

Depicting a reclining Kirin, its four hooves tucked underneath its body and touching one another. The posture immediately reminds one of a duck, and the mythological creatures has its beak-like mouth opened, imitating a duck. The Kirin has one horn flanked by two ears, long flowing whiskers, a scaly neck like that of a snake, flames emanating from its body and a bushy tail like a Shishi. The double-inlaid eyes of pale and dark horn give it a wild enigmatic expression. Good, large himotoshi through the underside and side. HEIGHT 3.4 cm, LENGTH 3.5 cm Condition: A section of the left ear is restored. Otherwise excellent condition. Provenance: European collection. Estimate EUR 2.000,Starting price EUR 1.000,-

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233 |

A RARE WOOD NETSUKE OF A SUISEI

Unsigned Japan, 19th century, Edo period (1615-1868)

Set on a base with a central himotoshi and depicting the mythical creature Suisei. The Suisei has one horn, bushy curls, flaming tail and hooves - all like a Kirin. However, what distinguishes it its carapace, like that of a turtle. The wood with a fine patina. HEIGHT 4.6 cm Condition: Very good condition. Provenance: European collection. Estimate EUR 1.000,Starting price EUR 500,-

234 |

A RARE STAINED WOOD NETSUKE OF A DRAGON MOKUGYO

Unsigned Japan, mid to late 19th century

Depicted is a dragon-headed mokugyo, an imaginary beast with long swirling whiskers, large eyes inlaid in ivory with horn pupils, and sharp fangs of ivory. The face is expressive, and the dragon has a spiky mane. A loose ball inside makes this netsuke a functional percussion instrument. The wood finely stained. One himotoshi through the opening of the mokugyo and another by the right whisker. HEIGHT 4 cm Condition: Excellent condition. Provenance: European collection. Estimate EUR 1.000,Starting price EUR 500,-

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A POWERFUL IVORY NETSUKE OF A BAYING KIRIN ATTRIBUTED TO MITSUHARU

Unsigned, attributed to Mitsuharu Japan, late 18th to early 19th century, Edo period (1615-1868)

Finely and powerfully carved as a Kirin, pupils inlaid in dark horn, the body and neck turned backwards, the head and snout turned upwards and letting out a hearty roar. Carved masterfully; the flaming, bushy tail curls upwards and touches the Kirin on the chin. The fatty tissue on the mythical animal’s haunches and the scales covering the body are carved with superior detail. The hooves are arranged in typical Mitsuharu fashion, lending further movement to the composition. Himotoshi through the side and underside. HEIGHT 6 cm Condition: One hoof is restored very well. Otherwise very good condition. Provenance: European private collection. The Kirin is derived from the Chinese mythical beast Qilin, one of the four divine creatures, the others being the dragon, phoenix and turtle. The Japanese Kirin is something of wild mythical fantasy – its most characteristic feature is of course the horn, as it is also called the Japanese unicorn. It has four legs with hooves and the hindlegs are covered with very well-expressed fatty tissue, like that of a Shishi. The rest of the body is covered in dense plumage, like that of a phoenix. Auction comparison: Compare to a very similar netsuke sold by Van Ham, Asiatische Kunst, 12 June 2019, Cologne, lot 2233. Estimate EUR 7.000,Starting price EUR 3.500,-

190

191

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A WOOD NETSUKE OF A HATCHING TENGU

Unsigned Japan, 19th century, Edo period (1615-1868)

Carved from dark wood and depicting a hatching tengu (tengu no tomago) lifting itself with both hands to emerge from a smoothly polished egg. The style of the tengu is quite unique. Only one wing and part of the back is visible with finely incised lines for feathers. The head is round with large eyes and a wide beak, giving the mythical creature an amusing expression. Deep himotoshi through the underside of the egg. HEIGHT 3.4 cm, LENGTH 4.3 cm Condition: Excellent condition, good patina with a beautiful lustrous polish. Provenance: Private Long Island Collection. Estimate EUR 1.500,Starting price EUR 750,-

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237 |

A FINE WOOD NETSUKE OF A HATCHING TENGU

Unsigned Japan, 19th century, Edo period (1615-1868)

A classic and finely executed model of a hatching tengu, known as tengu no tomago. The tengu is climbing out of the egg and supporting itself on the edge of the cracked shell. The eyes are glaring and inlaid in pale translucent horn. The facial features, such as the pointed beak, and the feathers at the back are very well carved. Large and very good himotoshi through the underside and side. HEIGHT 3.8 cm Condition: Very good condition; minor negligible surface scratches in the wood. Provenance: French private collection. Estimate EUR 2.000,Starting price EUR 1.000,-

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238 |

TADAKUNI: A VERY RARE AND FINE WOOD NETSUKE OF TWO KAPPA

By Tadakuni, signed Tadakuni Japan, Nagoya, early 19th century, Edo period (1615-1868) Published: Neil K. Davey, Netsuke,1974, no. 574 F. Meinertzhagen, MCI Part B, New York, 1986, page 837.

A superbly detailed and fine carving of two young kappa, facing in opposite directions, atop three conjoined rocks adorned with finely engraved vines and leaves. The scaly creatures have precisely incised hair and finely crafted, enigmatic expressions with minutely inlaid eyes. One of them is holding a fish. Signed beneath the bridge, separating the very good himotoshi, TADAKUNI ฑř in raised ukibori characters. HEIGHT 3 cm, LENGTH 3.5 cm Condition: Excellent condition with a stunning patina. Provenance: Ex W.W Winkworth collection, Ex M.T Hindson collection sold at Sotheby’s 9 July 1968, London, lot 620. Tadakuni of Nagoya was a pupil of Tadatoshi, though arguably more brilliant than the latter and considerably rarer, since his output was rather limited. As evident in the present netsuke he was capable of individual design. Neil. K. Davey states that they are kappa-like creatures and fanciful creations of the artist, a man of creative genius. Furthermore, Neil K. Davey and F. Meinertzhagen state that this netsuke is extremely fine and very fine, respectively. Estimate EUR 4.000,Starting price EUR 2.000,-

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239 |

AN EXCELLENT TALL IVORY NETSUKE OF A FOX PRIEST

Unsigned Japan, 18th century, Edo period (1615-1868)

A tall ivory netsuke of a kitsune (fox) disguised as a fully clothed and hooded priest and holding a long bamboo cane with its human hands in front of its body. Its long foxlike head is lowered and turned to the right. The sly expression is achieved masterfully with small inlaid pupils of black horn and a slightly opened mouth, baring teeth. An interesting and rare addition are the incised ferns which cover its face partially, creating a unique appeal. The backside continuing the wonderful treatment of the priestly robe and with a beautiful yellowish patina with dark spots of amber brown. Very good and large himotoshi. HEIGHT 10.5 cm Condition: Very good condition with expected age cracks and a stunning patina. Provenance: Luxembourg private collection. Kitsune are creatures imbued with magical powers and are known to have the ability of shapeshifting. They are also believed to be animated by the devils. Auction comparison: For a figure of comparable size and quality see Bonhams, The Harriet Szechenyi Sale of Japanese Art, 8 November 2011, London, lot 73. Estimate EUR 4.000,Starting price EUR 2.000,-

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197

240 |

CHOKUSEN: AN IVORY NETSUKE OF A KITSUNE AS DARUMA

By Chokusen, signed Chokusen (Naoyama) Japan, Meiji period (1868-1912)

Compactly carved as a hooded kitsune (fox), almost completely enveloped in his sparsely engraved robe, and holding a hossu (Buddhist fly whisk). The sly creature is imitating the Zen-patriarch Daruma. The ivory is finely stained in a caramel tone and the pupils are inlaid in dark horn. Small himotoshi through the reverse and signature CHOKUSEN ˢͪ (Naoyama) on the underside. HEIGHT 3.5 cm Condition: Excellent condition. Provenance: European collection. Estimate EUR 800,Starting price EUR 400,-

241 |

KOMIN: A RARE IVORY NETSUKE OF A MINOGAME

By Komin, signed Komin Japan, Tokyo, latter half of 19th century

The minogame is shown with a finely carved long ‘straw-raincoat’ tail, a turtle shell and the head of a dragon with long ears which form archaistic curls at the base. Its head is raised with an amusing expression enhanced by double inlaid eyes of reddish and black horn. Good asymmetrical himotoshi on the underside of the carapace and signature KOMIN ᆘΦ in a plain reserve on the tail. This type of a minogame with dragon head and on its own is incredibly rare.

198

LENGTH 6.6 cm Condition: Very good condition with spots of yellowish patina. Provenance: The Kolodotschko Collection. Estimate EUR 1.000,Starting price EUR 500,-

242 |

KAGETOSHI: A MARINE IVORY NETSUKE OF A RUNNING SHISHI AMIDST FLOWERING PEONY

By Kagetoshi, signed Kagetoshi Japan, Kyoto, mid-19th century, Edo period (1615-1868)

Carved as a Shishi with an impish expression and inlaid horn pupils, depicted in mid-leap with its hind legs extended over a stand of peonies, and the front legs on a section of rockwork. The carving is executed in sukashi-bori (openwork), a technique which Kagetoshi pioneered and became famous for. The underside shows the rocky structure, central himotoshi and signature KAGETOSHI բϙ in a raised rectangular reserve. HEIGHT 2.5 cm Condition: Excellent condition. Amazingly, this fragile carving has remained undamaged. Provenance: Austrian private collection. Estimate EUR 1.500,Starting price EUR 750,-

243 |

A RARE UMIMATSU NETSUKE OF A SHISHI ON ROCK

Unsigned Japan, 18th century, Edo period (1615-1868)

An umimatsu, also known as sea-pine, netsuke depicting a Shishi curiously raising one paw on top a rock. The material shows beautiful reddish hues. The underside with large himotoshi. HEIGHT 3.5 cm, LENGTH 3.8 cm Condition: Very good condition, with typical crackling. Provenance: Purchased from Ohmura, Hamburg in 1971 with collection no. 880 inside the himotoshi. Estimate EUR 1.000,Starting price EUR 500,-

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245 |

AN IVORY NETSUKE OF THREE FIGHTING SHISHI

Unsigned Japan, Kyoto, 18th century, Edo period (1615-1868)

An animated group depicting three fighting Shishi. The adult Shishi on the bottom is being ambushed by another adult and young. The young bites into his bushy tail, while the adult climbs on top of him, ferociously snarling. The poor lion dog tries to defend himself, as he is visibly frightened, kicking the jaw of his attacker. The two adults both have a loose ball inside their mouths. The bushy curls of the three Shishi are expressively carved. Large, asymmetrical himotoshi through the underside. Beautiful patina. HEIGHT 3.3 cm, LENGTH 4 cm Condition: One old, smooth chip to the edge of the lower Shishi’s left front paw. Otherwise very good condition with an appealing patina. Provenance: French private collection. Estimate EUR 2.000,Starting price EUR 1.000,-

246 | 244 |

A LARGE AND POWERFUL WOOD NETSUKE OF A SHISHI WITH YOUNG

Unsigned Japan, Kyoto, early 19th century, Edo period (1615-1868)

A powerful and boldly carved, large wood netsuke of a Shishi with its young climbing over its back. The piece is dominated by a strong patina and mighty bushy curls. The adult Shishi has one paw firmly placed on a brocade ball, with a loose ball inside, and has its head turned, powerfully snarling with large inlaid eyes. The younger Shishi on the adult’s back has a grim expression. The underside with himotoshi. HEIGHT 4.6 cm, LENGTH 6.5 cm Condition: The right front paw of the adult Shishi is lost. One inlaid eye of the younger Shishi is lost. Otherwise good condition with a strong patina. Provenance: British private collection.

A FINE AND AMUSING IVORY NETSUKE OF A SHISHI

Unsigned Japan, Kyoto, 18th century, Edo period (1615-1868)

Energetically carved as a recumbent Shishi with its front paws pushed afore and left hindleg touching its curling beard. The Shishi has a finely carved bushy tail and a curling mane. The expression is wild with inlaid pupils, a wide-opened mouth with a loose ball inside, a reishi nose and floppy ears. The ivory of a beautiful color, patinated and with incised swirls as tufts of hair. Good himotoshi through the underside. LENGTH 5.2 cm

Literature comparison: For a similar netsuke with one Shishi carved in a very similar manner, and signed Tomotada, see Bernard Hurtig, Masterpieces of Netsuke Art, New York, 1973, no. 823.

Condition: Excellent condition with a beautiful glossy patina. Provenance: British collection.

Estimate EUR 2.000,Starting price EUR 1.000,-

Estimate EUR 2.000,Starting price EUR 1.000,-

200

201

247 |

A LARGE POWERFUL IVORY NETSUKE OF A SHISHI

Unsigned Japan, 18th century, Edo period (1615-1868)

A powerful and bold netsuke carved from a thick piece of ivory of triangular section. Depicted is a roaring Shishi with bared fangs, reishi nose, large eyes with inlaid pupils, floppy ears, heavily inked fur and dense finely carved bushy curls covering its tail, beard and head. All its four legs are pushed in front of its body in a powerful, though slightly awkward, stance – the Shishi is trying to impress, though it appears to be rather docile and overcompensating. The artist has managed this humoristic aspect very well. Himotoshi through the underside and side, though there are also natural openings present. HEIGHT 3.8 cm, LENGTH 4.8 cm Condition: Very good condition, expected age-related wear with a good patina. Provenance: British collection. Estimate EUR 3.000,Starting price EUR 1.500,-

202

WONDERS OF STAG ANTLER & ASAKUSA SCHOOL

248 |

A RARE STAG ANTLER NETSUKE OF A SHISHI

Unsigned Japan, 19th century, Edo period (1615-1868)

Carved from the base of the antler, the coronet still visible and used as the pedestal for the Shishi. The lion dog is seated, all four paws firmly placed on the ground, and shows an amusingly anthropomorphic expression, with human-like teeth and an enigmatic expression with large eyes. The back of the head with finely carved curls, one of them flowing downwards to the very good himotoshi, one larger and one smaller – exactly as they should be. HEIGHT 5 cm Condition: Excellent condition. Provenance: European collection. Estimate EUR 1.000,Starting price EUR 500,-

249 |

A RARE STAG ANTLER NETSUKE OF A ROARING SHISHI WITH BALL

Unsigned Japan, Kyoto, late 18th century, Edo period (1615-1868)

This netsuke belongs to the rare group of Kyoto stag antler netsuke of the late 18th century. The aji (patina) on this netsuke is a sight to behold and completely unique to this difficult material. Depicted is a roaring Shishi with powerfully carved curls placing its large paws on a smooth ball. Good, large himotoshi through the under- and backside. HEIGHT 4.4 cm Condition: Excellent condition with many typical inclusions and a beautiful glossy patina. Provenance: Hungarian collection. Literature comparison: For a short discussion on 18th century Kyoto stag antler netsuke see Kokusai the Genius: and Stag-antler Carving in Japan’, Sydney L. Moss, Ltd., 2016, pages 34-36. Estimate EUR 1.000,Starting price EUR 500,-

203

250 |

MASAYUKI: A FINE WALRUS IVORY NETSUKE OF A SHISHI ON MOKUGYO

By Hoshunsai Masayuki, signed Masayuki Japan, Tokyo, Asakusa school, second half of 19th century

The Shishi is seated on top a mokugyo (temple bell), mischievously grinning with one paw raised and its long tail trailing down the handle of the mokugyo. The handle of the mokugyo terminates on both ends in two neatly incised swirling curls resembling the tail of the Shishi. The front is engraved with a large bonji character, saku, underneath a finely etched cross-etched pattern, also found on the reverse. The backside with silver-rimmed central himotoshi and signature MASAYUKI Ȣƥ. HEIGHT 4.3 cm Condition: Good condition. Possibly and old worn-down smooth chip to the front paw of the Shishi and the silver-rimmed himotoshi has been replaced. Provenance: British private collection. Literature comparison: Compare to Kokusai the Genius: and Stag-antler Carving in Japan’, Sydney L. Moss, Ltd., 2016, no. 352, unsigned but attributed to Rensai, using the same bonji character saku. The present netsuke also shows some similarities to Rensai’s work. Estimate EUR 2.500,Starting price EUR 1.250,-

204

251 |

A RARE ASAKUSA SCHOOL IVORY NETSUKE OF A SHISHI INCENSE BURNER

Unsigned Japan, Tokyo, Asakusa School, late 19th century

A finely stained ivory ryusa-manju style netsuke in the shape of an incense burner, decorated on the sides with a bat and reishi. The raised lid is carved in openwork with a prancing Shishi looking backwards. The underside with a central himotoshi surrounded by three bean-shaped openings, giving the impression of a stylized face – typical for the Asakusa school. HEIGHT 2 cm, LENGTH 4 cm Condition: One of the handles on the side is ever so slightly chipped. Thin age cracks. Generally, in good condition. Provenance: French private collection. Estimate EUR 1.200,Starting price EUR 600,-

252 |

A RARE ASAKUSA SCHOOL WALRUS IVORY NETSUKE OF A KAPPA, LOTUS AND FROG

Unsigned Japan, Tokyo, Asakusa, mid-19th century

A fine study, set on a lotus leaf, and depicting a smooth frog (kaeru) grabbing hold of the leg of a kappa who holds on to the stem of a crumpled lotus leaf. The entire composition is depicted in motion, with the animals arranged in a circle hunting each other. The inclusions of this rare material almost appear like stag antler, giving it a unique appeal. The depiction of the kappa is quite interesting – with a ferocious expression showing fangs on the corner of its mouth, long hair, pointed ears, a large carapace and scaly body – very much reminiscent of Nintendo’s Bowser. The frog is very much in the manner of Rensai, and the carver of this netsuke is probably a hand not too far from the master. Himotoshi through the stem of the lotus leaf on the underside. HEIGHT 2 cm, LENGTH 4 cm Condition: Very good condition with few age cracks and natural imperfections and inclusions. Provenance: Hungarian collection. Auction comparison: Compare to a similar netsuke sold by Zacke, Fine Netsuke, Sagemono & Okimono, 27 April 2019, Vienna, lot 164. Estimate EUR 2.000,Starting price EUR 1.000,-

205

206

253 |

A MAGNIFICENT AND RARE STAG ANTLER NETSUKE OF A KAPPA NINGYO ATTRIBUTED TO OZAKI KOKUSAI

Unsigned, attributed to Osaki Kokusai (1835-1892) Japan, Tokyo, Asakusa, mid to late 19th century

Brilliantly carved in openwork depicting a mermaid (ningyo) with a long fish-like tail, supple breasts and the head of a kappa, surrounded by dense and crashing stylized waves. The fantastic mythical creature holds on to the wave-frame and to a spray of another wave, the hands crisply carved and the movement of the composition achieved masterfully, as if the imaginary beast was floating through a sea of waves. One can only image what it would be like to be serenaded by this mysterious being. The head is slightly turned to the right, the mouth is slightly opened, and the eyes are large and wide-open – a truly enigmatic expression. The difficult material is masterfully utilized, in typical Kokusai fashion, carved from a branch point near the coronet, and showing a wonderful gnarly structure on the sides. Unsigned, however confidently attributed to Ozaki Kokusai. Natural himotoshi. HEIGHT 3.1 cm, LENGTH 4 cm Condition: Excellent condition. Provenance: French private collection. Ozaki Kokusai (1835-1892), whose real name was Ozaki Soso, was the founder of the famous Asakusa school in Tokyo, which was the center for stag antler carving in Japan during the latter half of the 19th century, and produced, in their own right, some of the greatest masterpieces of netsuke art from difficult materials. He was a modernist, though he still had ties to tradition. Like Shibata Zeshin, he lived through the dramatic change between the Edo and Meiji periods and utilized his genius to combine traditionalist ideas with ambitious modern ideas, leading the way into modern Japan, also exhibited in this netsuke with the birth of this fantastic creature. Literature comparison: Compare the manner of the expression to a similar netsuke by Ozaki Kokusai in Kokusai the Genius: and Stagantler Carving in Japan’, Sydney L. Moss, Ltd., 2016, no. 119. Estimate EUR 8.000,Starting price EUR 4.000,-

207

254 |

A FINE WALRUS IVORY RYUSA MANJU NETSUKE WITH DRAGON

Unsigned Japan, Asakusa school, 19th century, Edo period (1615-1968) Published: Henri L. Joly, W. L Behrens Collection (1912/1966), no. 1523.

Masterfully hollowed out and carved in openwork with a depiction of a central coiled dragon, in Chinese style, surrounded by clouds and bands with an archaistic key-fret design. The reverse with central floral himotoshi and with further pierced petals, effectively creating a double flower. The sides completely carved in openwork with a wavy concentric band. DIAMETER 4.1 cm, THICKNESS 2 cm Condition: Very good condition. Provenance: Walter L. Behrens collection, no. 1523. Then European private collection. Estimate EUR 3.000,Starting price EUR 1.500,-

208

255 |

A STUNNING STAG ANTLER RYUSA MANJU NETSUKE WITH RAIN DRAGON AND REISHI

Unsigned Japan, Asakusa school, 19th century, Edo period (1615-1868)

Brilliantly carved in openwork forming a dense composition of a rain dragon amidst thick stalks of reishi mushrooms enveloping the celestial being like clouds. The rain dragon, with strong facial features, is grasping his own furcated tail, which twists around the entire composition, at times intertwining with the reishi. The antler material is heavily porous, brilliantly utilized by the artist, and of strong caramel color. The backside with natural himotoshi formed by a beautifully dark and porous intersection of three thick reishi mushrooms. LENGTH 4.4 cm, THICKNESS 1.6 cm Condition: Excellent condition. Provenance: Austrian collection. Estimate EUR 2.000,Starting price EUR 1.000,-

209

256 |

A BRILLIANT STAG ANTLER NETSUKE OF A SKULL WITH SNAKES

Unsigned Japan, 19th century, Edo period (1615-1868)

Brilliantly carved as a morbid depiction of a skull with a slithering snake coiling around. The thick, scaly body of the snake curls around, its parted tongue touching the top of the right eye-socket and the eyes inlaid in dark horn. The anatomy of the skull is precise, and the feeling of death and the evanescence of life is masterfully evoked. The use of material is brilliant, with the spongiform and porous surface barely visible, only on the underside, where it evokes an eerie feeling. Asymmetrical himotoshi through the underside. HEIGHT 2.8 cm, LENGTH 4.3 cm Condition: Excellent condition. Provenance: European collection. Estimate EUR 3.000,Starting price EUR 1.500,-

210

257 |

ISHIMUNE: A FINE STAG ANTLER NETSUKE OF A SKULL WITH SNAKES

By Ishimune, signed Ishimune Japan, Meiji period (1868-1912)

Minutely carved from stag antler as a miniature skull with two slithering snakes coiling around it, their eyes inlaid in pink coral. The piece is an eerily exact copy of a skull, and that at 2.4 cm tall! The material is brilliantly utilized, and the porous surface adds to the desired effect, conveying a feeling of death and the evanescence of life. A morbidly fascinating sculpture! Himotoshi through the underside, the other hidden within, and signature in the back ISHIMUNE ‫܉‬ඐ. HEIGHT 2.4 cm Condition: Excellent condition. Provenance: Czech private collection. Estimate EUR 1.500,Starting price EUR 750,-

258 |

A RARE AND UNUSUAL STAG ANTLER NETSUKE OF A DUTCHMAN

Unsigned Japan, 19th century, Edo period (1615-1868)

Carved from a piece of antler near the coronet, the large wide hat of the foreigner (most likely a Dutchman) resembling the natural structure of the coronet, brilliantly utilized for this work. The foreigner has long legs and his chin is leaning on his thighs, as he sticks his long tongue out with an amusingly grotesque facial expression. Himotoshi through the back and underside. HEIGHT 3.6 cm Condition: Excellent condition with natural ‘flaws’ in the material. Provenance: European collection. Estimate EUR 1.000,Starting price EUR 500,-

211

259 |

A GOOD STAG ANTLER NETSUKE OF A DUTCHMAN

Unsigned Japan, late 18th to early 19th century, Edo period (1615-1868)

Carved from a beautiful honey-colored piece of antler with barely any imperfections and depicting a smiling, standing Dutchman holding a fan and wearing a large hat. Very good angled and asymmetrical himotoshi through the reverse. The simplicity of the subject and use of material are harmonious. HEIGHT 5.8 cm Condition: Excellent condition. Provenance: Swiss private collection. Estimate EUR 1.500,Starting price EUR 750,-

212

260 |

HIDETOMO: A LARGE AND RARE STAG ANTLER NETSUKE OF A CHINESE MAN WITH SQUIRREL

By Hidetomo, signed Hidetomo Japan, mid-18th century, Edo period (1615-1868) Published: Barry Davies Oriental Art, Netsuke and Inro from European Collections (London, 2002), no. 80. Galerie Gemini & Ichimonji Art (Munich, 2004), no.180.

A Chinese man, wearing an antique buttoned Chinese dress, is holding a leash in one hand to which a squirrel is attached. The squirrel, with large inlaid eyes, is lying across the man’s shoulder with its leg and tail trailing down his back and resting its chin on the man’s hand which holds the squirrel by its collar. A very unusual and possibly unique depiction. Very large himotoshi through the back and signature in a rectangular raised plaque HIDETOMO লƤ. HEIGHT 11.8 cm Condition: Some wear around the himotoshi and a minor loss to the tail of the squirrel. The legs are a later addition. Provenance: Collection Dr. John Strong, then sold by Barry Davies, then Galerie Gemini & Ichimonji art, then Luxembourg private collection. Estimate EUR 2.000,Starting price EUR 1.000,-

213

261 |

A STAG ANTLER NETSUKE OF A DOG ON A CUSHION

Unsigned Japan, 19th century, Edo period (1615-1868)

Carved from heavily porous antler and depicting a dog lying curled up on a lobed cushion. The underside is black and porous and shows one larger himotoshi, with the smaller one through the back of the dog. Facing the difficult restrictions of this material, the artist did a sublime job creating a charming study of a snoozing dog. HEIGHT 2.2 cm, LENGTH 3.9 cm Condition: Very good condition with many typical inclusions. The underside with natural wear around the himotoshi revealing the spongiform structure inside. Provenance: Hungarian collection. Estimate EUR 1.000,Starting price EUR 500,-

262 |

A RARE STAG ANTLER NETSUKE OF OKAME

Unsigned Japan, 19th century, Edo period (1615-1868)

A compact and charming ivory netsuke of a mischievously grinning Okame, holding the hem of her finely decorated robe and covering her mouth, laughing. The Shinto goddess’s head is of slightly phallic proportions with large chubby cheeks and a high forehead. Her long hair is beautifully incised and falls towards the ground. The use of material is masterful, with little porous surfaces visible (notably only on the top of her head) – the material almost appearing like ivory. Himotoshi through the back. HEIGHT 5.1 cm Condition: Minor expected wear to the decorations of the garment. Very good condition. Provenance: European collection. Estimate EUR 1.500,Starting price EUR 750,-

214

263 |

A RARE STAG ANTLER NETSUKE OF A TOAD AND FROG ON BAMBOO

Unsigned Japan, 19th century, Edo period (1615-1868)

An unusual netsuke carved from stag antler and depicting a dominant, fat and warty toad (gama) grabbing a smooth-skinned frog (kaeru) and pulling him up a stalk of bamboo. The frog struggles to climb up and one leg is extended and trails all the way down. Amusingly, there is certainly no space for the poor frog. The warts of the larger toad are crafted masterfully and are enhanced by the structure of the antler material. Both amphibians have inlaid eyes of black horn. Himotoshi through the hollow bamboo stalk and underneath the backside of the toad. HEIGHT 5 cm Condition: Excellent condition. Provenance: French private collection. Estimate EUR 1.500,Starting price EUR 750,-

215

264 |

RYUSAI: A LARGE ASAKUSA SCHOOL OBIHASAMI STAG ANTLER NETSUKE WITH REISHI

By Ryusai, signed Ryusai with seal koku Japan, Tokyo, Asakusa School, second half of 19th century

A large obi-hasami (inserted into the belt) stag antler netsuke in the form of a long growth of eight reishi mushrooms, attached to one thick stem, beautifully and elegantly intertwining with each other. The surface of the reishi is rough and bendy and the material is brilliantly utilized, with most of the ‘useless’ spongiform and porous surface hidden within. Reishi fungus are a symbol for longevity, and the number eight is considered lucky – making this an emblem of long life and luck. Signed RYUSAI ‫؁‬᤮ with seal koku ୌ. School of Ozaki Kokusai. HEIGHT 22.8 cm Condition: A section (roughly 2.5 cm) of a stem of one reishi has been restored. Otherwise excellent condition. Provenance: British collection, previously offered at Bonhams, Fine Japanese Art, 10 November 2016, lot 327. Estimate EUR 2.000,Starting price EUR 1.000,-

216

FINE KAGAMIBUTA METALWORKERS ENTERING THE NEW AGE

265 |

A FINE IVORY AND MIXED METAL KAGAMIBUTA WITH SHOKI AND ONI

Unsigned Japan, 19th century, Edo period (1615-1868)

The bowl made from ivory and the lid made of shakudo with gilt details. Shoki has a full beard and wide hat, his face showing a characteristically grim expression. Next to him is a menacingly smiling horned oni, its head made from copper with finely gilt details. An iris flower (shobu), which is meant to dispel demons, is shown behind them. Central himotoshi through the back and cord attachment on the back of the inset lid. DIAMETER 4.2 cm Condition: The bowl with crack and missing the metal ring around the himotoshi. Otherwise good condition. Provenance: European collection. Estimate EUR 800,Starting price EUR 400,-

266 |

A FINE KAGAMIBUTA OF A MASK CARVER

Unsigned Japan, second half of 19th century

Fitted in a superb ivory bowl with a shibuichi plate depicting a mask carver, chiseling and hammering at a large, grim oni mask. The details are finely inlaid in copper and gold. Central himotoshi through the reverse and cord attachment on the back of the plate. DIAMETER 4.6 cm Condition: Excellent condition. Provenance: European collection. Estimate EUR 800,Starting price EUR 400,-

217

267 |

MOTOHARU: A SUPERB KAGAMIBUTA OF A SMOKING BIJIN

By Fujita Motoharu (born 1796), signed Motoharu with kakihan Japan, Hitachi province, second half of 19th century Published: Lazarnick, George, Netsuke and Inro Artists, Honolulu 1982, p. 803.

Set in a superbly finished, shimmering ivory bowl and fitted with a shibuichi plate depicting a seated Bijin holding a long pipe, with a large mokugyo at her feet and a hossu (Buddhist fly whisk) below her. Above her in gold kinzogan is a senryu (satirical poem of the masses) meaning more or less, “Literally, people lose their sense in the presence of the skin that covers the bones”. Basically, meaning that people are blinded by good looks or sexuality. The details are inlaid with copper and an abundance of rich gold, including the kakihan, which is found to the right above the rare signature MOTOHARU ʻԛ. Central himotoshi in the back and cord attachment through the back of the shibuichi plate. DIAMETER 4.5 cm Condition: Excellent condition. Provenance: European collection. Fujita Motoharu was a metalwork artist of the Mito school and student of Taizan Motozane. Auction comparison: For a kozuka by the artist showing a related subject see Bonhams, The Edward Wrangham Collection of Japanese Art Part I, 9 November 2010, London, lot 50. Estimate EUR 2.000,Starting price EUR 1.000,-

218

268 |

RYUMIN AND TENMIN: A RARE MIXED METAL KAGAMIBUTA OF EMMA-O AND COURTESAN

By Serizawa Ryumin (born ca. 1836) and Shojo Tenmin (ca. 1799 – 1874), The kagamibuta signed Ryumin and kakihan, and the silver inlay signed Tenmin O and kakihan Japan, Tokyo, second half of 19th century

Set in an ivory bowl and fitted with a shibuichi plate inlaid with Emma-o (the king of hell) mischievously laughing, and looking and pointing at a courtesan’s reflection in the mirror of hell. The details are inlaid in copper, silver and gold. The depiction is quite amusing, as it is poking fun at the king of hell for his guilty pleasures. The mirror of hell is inlaid in silver and finely incised with the image of the courtesan, and signed TENMIN ĐΦ o (in his old age) with kakihan. The shibuichi plate is signed RYUMIN ӐΦ with kakihan. Central himotoshi in the backside and cord attachment through the back of the plate. DIAMETER 5 cm Condition: Very good condition, the ivory plate slightly worn. Provenance: Hungarian collection. A rare collaboration between two metalwork artists, master and pupil. Tenmin, founder of an important kagamibuta school with many students, collaborating in his old age with an accomplished pupil. Auction comparison: A similar example was sold at Bonhams, The Edward Wrangham Collection of Japanese Art Part I, 9 November 2010, London, lot 154. Estimate EUR 1.500,Starting price EUR 750,-

269 |

A RARE AND LARGE MIXED METAL AND LACQUER MANJU NETSUKE

Unsigned Japan, Meiji period (1868-1912)

A very unusual and rare netsuke - rather large, heavy and of elongated manju shape. Set in a shimmering roiro-nuri black lacquered wood bowl, with one further elevated surface of copper and inset with a mixed metal plaque consisting of shakudo, silver and gold and depicting the lucky god Hotei inside his treasure bag. The reverse with a silvered-brass cord attachment above a stylized floral mon. LENGTH 6 cm Condition: Some scratches to the rim of the black lacquered bowl. Generally, in very good condition. Provenance: Hungarian collection. Estimate EUR 1.000,Starting price EUR 500,-

219

LACQUER NETSUKE

270 |

AN INLAID IVORY AND LACQUER TWO PART MANJU WITH PLUM BLOSSOMS

Unsigned Japan, Meiji period (1868-1912)

The front of the ivory manju decorated with a gold takamaki-e tree and inlaid in shibayama style with mother of pearl plum (ume) blossoms and the buds inlaid in coral. Central himotoshi through the back and cord attachment on the inside. DIAMETER 4.7 cm Condition: Good condition, two age cracks on the inside – one of them just barely visible beside the top of the gold lacquered tree. Provenance: British collection. Estimate EUR 800,Starting price EUR 400,-

271 |

A RARE LACQUER NETSUKE OF A STYLIZED SPARROW

Unsigned Japan, second half of 19th century

In the form of a stylized sparrow (suzume), a lucky charm, covered in fine gold lacquer and decorated in gold takamaki-e with floral motifs, pine and wisteria. The tail feathers are inlaid in horn with a gold and black lacquered geometrical designs resembling stylized feathers. The crest of the bird is made from a concentric band of horn topped off with bone and semiprecious stones. The underside with silver lacquer and himotoshi. HEIGHT 2.3 cm, LENGTH 3.8 cm Condition: Good condition with minor wear to lacquer, and the inlay to the tail feathers is slightly loose. Provenance: Helen and Jack Mang collection Netsuke, offered at Quinn’s Auction Galleries, 7 December 2012, lot 318. Estimate EUR 800,Starting price EUR 400,-

220

272 |

KYUSAI: A FINE STAINED IVORY NETSUKE OF A FEATHER ON CHARCOAL LOG

By Tetsugendo Kyusai (1879-1938), signed Kyusai Japan, Osaka, early 20th century

A naturalistically carved piece of charcoal made from heavily polished, stained and lacquered ivory, with a partially stained ivory feather placed on top, attached by little screws. Both are objects used for tea ceremony. The himotoshi are executed cleverly – one as an elongated opening seamlessly integrated into the design and the other as a removable section with an attachment for the cord. Signed KYUSAI ᬌᑚ in a raised rectangular reserve. LENGTH 5 cm Condition: Excellent condition. Provenance: European private collection. Literature comparison: Compare to a similar netsuke attributed to Kaigyokusai Masatsugu formerly in the Bushell collection and currently in the LACMA, accession number 1998.249.185. Estimate EUR 1.500,Starting price EUR 750,-

221

273 |

A LACQUERED IVORY NETSUKE OF A BOY

Unsigned Japan, Meiji period (1868-1912)

The laughing boy is dressed in an ornately decorated jacket, the details in red, black and gold lacquer showing various fine geometrical patterns in takamaki-e. The boy has sensitively crafted facial features. Small himotoshi through the underside. HEIGHT 3.1 cm Condition: Excellent condition. Provenance: Czech private collection. Estimate EUR 800,Starting price EUR 400,-

274 |

A CHARMING LACQUERED WOOD NETSUKE OF A BOY WITH SHISHIMAI MASK

Unsigned Japan, second half of 19th century

An unusual and charming composition. The boy, carved from pale stained wood, is wearing a vest and holding up a Shishimai mask, with a movable jaw and lacquered in red. His facial expression is quite amusing and delicately carved. The boy has a round face with minutely inlaid eyes and his hair is finely incised and inked. The underside shows his genitals and natural himotoshi through his crossed legs. HEIGHT 4.2 cm Condition: The left foot is restored. Otherwise excellent condition. Provenance: European collection. The Shishimai festival was imported from China during the Tang dynasty and is celebrated during the New Year to bring good luck and ward off evil spirits. Estimate EUR 1.000,Starting price EUR 500,-

222

275 |

A LACQUERED PRESSED HORN NETSUKE OF A DRUNKEN SHOJO

Unsigned Japan, around 1900, Meiji period (1868-1912)

Shown holding a ladle and gleefully laughing. Her face and hair lacquered in red. Himotoshi in the back. HEIGHT 4.4 cm Condition: Some wear, cracks and losses. Generally, in good condition. Provenance: Luxembourg private collection. Estimate EUR 400,Starting price EUR 200,-

276 |

A LARGE LACQUERED WOOD NETSUKE OF SAMBASO ACCOUTREMENTS

Unsigned Japan, 19th century, Edo period (1615-1868)

A gold lacquered wood netsuke depicting a ‘bell tree’ and a fan which are used for the Sambaso dance. This dance originates from the Noh play Okina and involves the old man (Okina) performing a lively and humorous dance with a fan and hand bells. The entire netsuke is covered in gold lacquer, with details in hiramaki-e and the fan is decorated with clouds of fine nashiji. The underside is fitted with a silver mount with a ring attached which functions as the himotoshi. Likely this was part of the sagemono of a Noh actor and was used often as it is characteristically rubbed on the high points. The shape and movement of the composition very much mirrors the act of the dance. HEIGHT 5.5 cm Condition: Loss to lacquer in some areas consistent with age and use. Provenance: French private collection. Estimate EUR 1.000,Starting price EUR 500,-

223

MASKS

277 | AN IVORY NETSUKE OF A MAN WITH TENGU MASK ATTRIBUTED TO HIDEMASA Unsigned, attributed to Hidemasa Japan, Osaka, mid-19th century, Edo period (1615-1868)

Carved as a man wearing an unusual hat and a kimono decorated with cloud designs, holding a tasseled mask of a karasu-tengu in front of him. The juxtaposition of the man’s expression and the grim tengu mask is quite amusing and achieved very well. The backside with asymmetrical himotoshi. Attributed to Shuosai Hidemasa of Osaka. HEIGHT 5.5 cm Condition: Very good condition with minor expected age cracks and wear. Provenance: British collection. Estimate EUR 800,Starting price EUR 400,-

278 | A GROTESQUE IVORY NETSUKE OF A KABUKI ACTOR Unsigned Japan, 18th century, Edo period (1615-1868)

The kabuki actor is standing in a dancing posture, with one leg raised above the other, wearing an eboshi and holding two mallets next to his face, on which he wears a grotesque mask from a Kabuki play. The apron is carved in relief with a dragon, with inlaid eyes, whose expression is amusingly very much like that of the mask. Good patina and large himotoshi in the back. HEIGHT 8 cm Condition: Very good condition with good patina. Provenance: Luxembourg private collection. Kabuki is a traditional form of comedy theatre often performed in the intermissions of Noh-plays. Estimate EUR 800,Starting price EUR 400,-

224

279 | MIBOKU: A VERY RARE MIXED METAL NETSUKE OF A NOH SHOJO DANCER By Otsuryuken Miboku, signed Miboku Japan, mid to late 19th century

Depicting a Noh actor as a Shojo dancer made from finely engraved shibuichi with a gilt face and gilt shoes. The mythological being with finely engraved long hair is notorious for her drunkenness. Here the actor mimics her drunken pose with a dancing posture, her robe with finely engraved details. Signed MIBOKU ͸ಯ in a rectangular silver inlaid cartouche on the underside. HEIGHT 5.9 cm, LENGTH 4.8 cm, WIDTH 2.5 cm Condition: Very good condition with minor wear and oxidation. Provenance: European collection. Otsuryuken Miboku of the important Hamano school was a metalworker and maker of sword fittings. When demand subsequently decreased during the latter half of the 19th century he started making netsuke, though mostly kagamibuta. Figural netsuke are extremely rare by this artist, and the present netsuke is exemplary of his superior workmanship in metal. Estimate EUR 2.000,Starting price EUR 1.000,-

225

280 | KAGETOSHI: A RARE IVORY HAKO TRICK NETSUKE WITH MASKS By Kagetoshi, signed Kagetoshi Japan, second half of 19th century, Edo period (1615-1868) Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 31.

A very unusual piece which does not appear to be a netsuke at all, at first glance. However, after closer examination, it certainly is – and a wonderfully functional and luxurious one. The matchbox shaped hako (container) is engraved with intricately worked vines and leaves all over, with an inset ivory mask of Okina on the top – a hint of what is to be revealed inside! The underside shows an opening with himotoshi, where a drawer can be pushed out to reveal two further, removable but perfectly fitted, masks of Jo and Uba. Signed KAGETOSHI բϙ in a rectangular reserve. SIZE 1.6 x 4.8 x 3.9 cm (H x L x W) Condition: Excellent condition. Provenance: Acquired from Zacke, Netsuke und Shin Hanga & Sosaku Hanga - Exhibition 2009, hence Peter E. Müller mask collection. Estimate EUR 2.000,Starting price EUR 1.000,-

281 | SEKKO: A FINE IVORY NETSUKE OF OBJECTS FOR THE NOH PLAY OKINA By Sekko, signed Sekko Japan, second half of 19th century

Finely carved and stained as a mask box with the mask of Okina carved on top, next to an eboshi hat – both objects used for the Noh play Okina. The mask box is crisply carved, finely engraved on the sides and tied together – one is tempted to open it. The underside shows the tassles of the hat and signature underneath the mask box in a rounded reserve SEKKO ‫݋‬ᆘ. Himotoshi through the mask box. HEIGHT 2.8 cm, LENGTH 4.5 cm Condition: There is some old damage to one side of the masks box and to the backside of the hat – possibly they were once joined together. Otherwise fine condition. Provenance: Hungarian collection. Estimate EUR 800,Starting price EUR 400,-

226

282 | KOHOSAI: A VERY RARE NARWHAL TUSK MANJU NETSUKE WITH MASKS By Ueda Kohosai, signed genji gannen kino-ne shunjitsu Kohosai kore wo koku Japan, Osaka, dated 1864, Edo period (1615-1868)

Carved from a thick cross-section of a narwhal tusk, incredibly rare, and carved in shishiabori (sunken relief) with three masks including an impressive Hannya mask. The reverse fitted with a shibuichi loop for cord attachment and signed KOHOSAI ȓ஥᤮ kore wo koku with a date of Genji first year, equivalent to 1864. The outer ridge and concentric grain of this rare material is a sight to behold and seamlessly integrated into the design. DIAMETER 5.3 cm Condition: Very good condition with natural crackling. Provenance: British collection. Estimate EUR 2.500,Starting price EUR 1.250,-

227

283 | A LACQUERED WOOD MASK NETSUKE OF OKAME Unsigned Japan, 19th century, Edo period (1615-1868) Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 115.

Carved and lacquered in black and silver as the mask of the Shinto goddess Okame, Himotoshi through the central bridge in the reverse. HEIGHT 4.6 cm Condition: Minor wear to lacquer. Good condition. Provenance: Peter E. Müller Mask Collection. Estimate EUR 800,Starting price EUR 400,-

284 | TSUYAMA: A LACQUERED WOOD MASK NETSUKE OF BUAKU By Tsuyama, signed Tsuayama Japan, mid-19th century, Edo period (1615-1868)

Carved from wood and applied with silver over gold lacquer. The silver layer polished to reveal the gold teeth. Depicted is the Kyogen mask of Buaku, comically biting into his lip. The mask is seen as the Kyogen version of Noh Beshimi. The himotoshi in the reverse formed by a central bridge in the form of a neatly carved ribbon. Signed TSUYAMA ‫ ͪۆ‬on the underside. HEIGHT 4.3 cm Condition: Very good condition. Provenance: British private collection. This artist is very rare and another example of a Buaku mask carved from Rhinoceros horn with a similar style of himotoshi is in the Behrens collection (H.L Joly) no. 158. Estimate EUR 600,Starting price EUR 300,-

228

285 | A RARE LACQUERED WOOD NETSUKE OF HANNYA Unsigned Japan, 19th century, Edo period (1615-1868) Published: M. Rutherston, Japanese Masks, Peter E. M端ller, 2017, no. 222.

Carved and lacquered in black with brownish hues, depicting the wrathful female demon Hannya. She is shown with expressively curling hair and small horns. Her black pupils surrounded by gilt-lacquer give her a haunted expression showing the deep melancholy inflicted upon her jealousy. Himotoshi through a thick central bridge in the backside. HEIGHT 5.2 cm Condition: Very good condition, minor wear to lacquer. Provenance: Peter E. M端ller Mask Collection. Estimate EUR 1.500,Starting price EUR 750,-

286 | HOKKA: A LACQUERED WOOD MASK NETSUKE OF AN ONI Signed Hokka (Hokke) Japan, dated 1919 Published: M. Rutherston, Japanese Masks, Peter E. M端ller, 2017, no. 129.

Carved and lacquered as the mask of an oni. The face is lacquered in red with fiery brows in black. The backside unlacquered with large himotoshi and signature HOKKA (Hokke) and inscribed with cyclical date corresponding to 1919. HEIGHT 4.7 cm Condition: Minor wear to lacquer. Good condition. Provenance: Peter E. M端ller Mask Collection.

Estimate EUR 600,Starting price EUR 300,-

229

287 | ITTOKUSAI: A POWERFUL IVORY MASK NETSUKE OF AN ONI By Ittokusai, signed Ittokusai Japan, second half of 19th century Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 135. Exhibited.

Carved as a viciously grinning horned oni, bared teeth with sharp fangs, large nose and pointed ears. His bushy hair is curling, and his furrowed brows and beard are flaming. A central bridge on the reverse forms the himotoshi, where also the signature ITTOKUSAI Ă䉾᤮ is located. HEIGHT 4.5 cm Condition: Age cracks and minor wear to ivory. Good condition. Provenance: Peter E. Müller mask collection. Estimate EUR 1.500,Starting price EUR 750,-

230

288 | A RARE HORNBILL IVORY MASK NETSUKE OF AN ONI Unsigned Japan, late 19th century, Meiji period (1868-1912) Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 139.

A finely carved and powerful depiction of an oni. The horns are unusual and probably inspired by a European faun-devil. The mask netsuke is carved from hornbill ivory (honen), a rare material brilliantly utilized here, with the red section of the bill visible on the sides. Himotoshi through the central bridge in the reverse. HEIGHT 4.2 cm Condition: Excellent condition. Provenance: Peter E. Müller Mask Collection. Auction comparison: For a similar netsuke by Jugyoku see Sotheby’s, The Katchen Collection of Netsuke, 8 November 2005, London, lot 65. Estimate EUR 1.500,Starting price EUR 750,-

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289 | A LARGE WOOD MASK NETSUKE OF A MITSUNE KOZO ATTRIBUTED TO RYUKEI SCHOOL Unsigned, attributed to Ryukei school Japan, Tokyo, late 19th century Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 143.

A large wood mask netsuke of a bakemono, most likely Mitsune Kozo, expressively carved, with three eyes inlaid in ivory, sharp fangs and sharp horns. The backside with himotoshi formed by a lobed bridge forming two stylized leaves – this and the style of carving with inlays is typical for the Ryukei school. HEIGHT 5.4 cm Condition: Excellent condition. Provenance: Peter E. Müller Mask Netsuke Collection. Estimate EUR 1.000,Starting price EUR 500,-

290 | TWO WOOD MASK NETSUKE BY THE RYUKEI SCHOOL Ryukei school, one signed Ryukei Japan, Tokyo, late 19th century

The second depicting a man playing kamifuki with the piece of paper he is strenuously trying to blow away inlaid in ivory. The reverse with typical central bridge forming the himotoshi and inlaid signature tablet reading RYUKEI ‫⨯؁‬. HEIGHT each 4.7 cm

Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 198 and 194.

The first depicting a man with one eye inlaid in ivory. Typical central bridge forming the himotoshi and missing signature tablet, though later inscribed GYOKKEI ৿⨯.

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Condition: One with the signature tablet missing. Otherwise very good condition. Provenance: Peter E. Müller Mask Collection. Estimate EUR 800,Starting price EUR 400,-

291 | A WOOD MASK NETSUKE OF SHISHIGUCHI Unsigned Japan, early 19th century, Edo period (1615-1868) Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 67.

Expressively carved as the mask of Shishiguchi (lion’s mouth). Himotoshi through the central bridge on the reverse. HEIGHT 4.9 cm Condition: Old repair to the jaw. Otherwise good condition. Provenance: Peter E. Müller Mask Collection. Estimate EUR 600,Starting price EUR 300,-

292 | AN UNUSUAL WOOD MASK NETSUKE OF MAN WITH WIDE-OPENED MOUTH Unsigned Japan, 19th century, Edo period (1615-1868) Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no.188.

Carved as a bearded man with a wide-opened mouth with traces of red pigment inside, a large nose and and with his eyes glancing to the left. Himotoshi through the central bridge on the reverse. HEIGHT 3.9 cm Condition: Very good condition, excellent patina. Provenance: Peter E. Müller Mask Collection. Estimate EUR 600,Starting price EUR 300,-

293 | A STAINED IVORY MASK NETSUKE OF EBISU Unsigned Japan, Meiji period (1868-1912) Published: Illustrated in Max Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 159.

Carved from ivory finely stained in a caramel honey tone depicting the lucky god Ebisu. Himotoshi through the central bridge on the reverse. HEIGHT 3.6 cm Condition: Excellent condition. Provenance: Peter E. Müller Mask Netsuke Collection. Estimate EUR 600,Starting price EUR 300,-

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294 | KOGYOKU: A FINE WOOD MASK NETSUKE OF A GRIMACING MAN Signed Kogyoku Japan, 19th century, Edo period (1615-1868) Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 192.

Expressively and finely carved as the mask of a grimacing man with furrowed brows and a focused expression. The reverse with central bridge as himotoshi and possibly added signature KOGYOKU ᆘ৿. HEIGHT 4.5 cm Condition: Very good condition, beautiful patina. Provenance: Peter E. Müller Mask Collection. Estimate EUR 800,Starting price EUR 400,-

295 | TWO POTTERY MASK NETSUKE One sealed Sekisen Japan, 20th century Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 1. and no. 186.

HEIGHT 4.8 – 4.9 cm Condition: Excellent condition. Provenance: Peter E. Müller Mask Collection.

The first of Hanahiki and sealed ‘Sekisen’ on the central bridge with himotoshi. The second of Chido and stamped ‘Made in Japan’ on the central bridge with himotoshi at the back.

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Estimate EUR 400,Starting price EUR 200,-

296 | A FINE IVORY NETSUKE OF JO Unsigned Japan, late 19th century, Meiji period (1868-1912) Published: A. Katchen, Netsuke 7, vol. 2, pp. 346-347, no. K874. M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 23.

Finely stained and carved from ivory and depicting the old man Jo. Central bridge on the reverse forms the himotoshi. HEIGHT 4 cm Condition: Excellent condition. Provenance: Arlette Katchen and Peter E. Müller collections. Estimate EUR 1.500,Starting price EUR 750,-

297 | HOMIN: IVORY MASK NETSUKE OF OKINA By Homin, signed Homin with kao Japan, Tokyo, late 19th century, Meiji period (1868-1912) Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 24.

Carved as the mask Okina from the Noh play with the same name. The long beard flows to the other side and forms the himotoshi. Signed HOMIN ɲẛ with typical kao. HEIGHT 3.8 cm Condition: Excellent condition. Provenance: Peter E. Müller Mask Collection. Estimate EUR 800,Starting price EUR 400,-

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298 | TESSAI: A RARE LACQUERED GIGAKU WOOD MASK NETSUKE OF GOJO By Kano Tessai (1845-1925), signed Tessai to with kao Japan, early 20th century Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 10.

An exact miniature portrait of the Gigaku mask of Gojo, also known as the lady of Wu, as she represents a court lady from the Wu kingdom (222-280). This mask was used in the play Konron. The mask also very much resembles the ‘fat ladies’ of the Tang dynasty. A central bridge forms the himotoshi on the underside, where also the signature TESSAI ‫۾‬ᑚ to and kao is located. With original wood box, signed and sealed by the artist. HEIGHT 3.6 cm Condition: Excellent condition. The flaking of the lacquer is most likely on purpose, as Tessai was known to reproduce exact images of historical masks.

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Provenance: Peter E. Müller Mask Collection. Kano Tessai (1845–1925) came from a Gifu family and started his life as a Buddhist priest, though his father instructed him in the art of carving. He studied Chinese literature and drawing and was a professor at Tokyo art school in 1872. He was also on the examining committee for investigating the ancient art of Japan and subsequently went to Nara where he engaged in the reproductions of old objects of art, such as the present example. Gigaku was the traditional music theatre, performed in silent mime, of the Japanese Court from the 7th to 10th centuries. Introduced in 612 from Korea, Gigaku reached great popularity in the Nara period (710-794). Gigaku is a combination of Togaku, derived from China during the Tang dynasty, Komagaku from Korea, and original Japanese music. Kano Tessai was heavily engaged in a revival of ancient Japanese culture by emulating the patina and feeling of Gigaku masks in the form of his own miniature masterpieces. Estimate EUR 1.500,Starting price EUR 750,-

299 | HOJITSU: A FINE IVORY AND LACQUER MASK NETSUKE OF OKAME By Meikeisai Hojitsu, signed Hojitsu Japan, Edo/Tokyo, second half of 19th century Published: M. Rutherston, Japanese Masks, Peter E. Müller, 2017, no. 108. Exhibited: Minneapolis Institute of Art, Netsuke: The Japanese Art of Miniature Carving, 1998, no. 154.

Finely carved as the Shinto goddess Okame, gleefully laughing with a high forehead and large round cheeks. Her mouth is lacquered red and her hair is lacquered in black with finely incised lines. The backside lacquered in gold with a central bridge in the shape of a ribbon forming the himotoshi and signed HOJITSU ʑǮ inside a rounded reserve. HEIGHT 3.9 cm Condition: Excellent condition. Provenance: Peter E. Müller Mask Collection. Literature comparison: A similar netsuke by Hojitsu is in the Tokyo National Museum, illustrated in H. Arakawa, The Go Collection of Netsuke, pp. 76-77, no. 129. Estimate EUR 4.000,Starting price EUR 2.000,-

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300 | DEME UMAN: A RARE IVORY MASK NETSUKE OF A KITSUNE By Deme Uman, signed Deme Uman Tenkaichi Japan, early 19th century, Edo period (1615-1868)

Expressively carved as the mask of a ferocious Kitsune (fox) with a movable jaw revealing rows of sharp teeth and traces of red pigment inside the mouth. Signed DEME UMAN śϝ‫( ͝ޣ‬first under heaven) on the central bridge in the reverse, where the himotoshi is located. The ivory is lightly stained and bears an attractive honey patina. LENGTH 3.8 cm Condition: Excellent condition. Provenance: British collection, old collection no. A222. Deme Uman was the grandson of Deme Juman, who is regarded as the originator of mask netsuke. He is regarded as the most celebrated of mask netsuke makers and worked almost invariably in wood. The present netsuke is a very rare model from ivory and certainly from the period, however unclear if by the master or a close hand. Auction comparison: For a similar netsuke in wood see Bonhams, Fine Japanese and Korean Art, 11 September 2019, New York, lot 946. Estimate EUR 2.500,Starting price EUR 1.250,-

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301 | A KUROGAKI WOOD NETSUKE OF A SHISHI MASK Unsigned Japan, 19th century, Edo period (1615-1868)

A kurogaki (black persimmon) wood netsuke of a Shishi mask with an articulated jaw. The Shishi has finely carved bushy curls, floppy ears, large inlaid eyes of black horn, a large reishi nose, and sharp rows of teeth when its mouth is opened. Large himotoshi through the back of the head and the tongue on the inside, effectively keeping the jaw in place. HEIGHT 2.2 cm, LENGTH 3.8 cm Condition: The teeth exhibit some wear, and smaller nicks and scratches to the underside. Generally, in very good condition. Provenance: British private collection. Estimate EUR 600,Starting price EUR 300,-

302 | RANTEI: A RARE WOOD MASK NETSUKE OF USOFUKI By Hogen Rantei, signed Rantei Japan, Kyoto, mid-19th century, Edo period (1615-1868)

A rather large wood mask netsuke depicting Usofuki with comically funnel-shaped pressed forward lips, a well-carved nose, and large double-inlaid eyes of pale and dark horn. The backside with himotoshi through the central bridge where also the signature RANTEI ࠌᎽ is located. Mask netsuke by Hogen Rantei are incredibly rare, Fuld’s Index lists only one mask of Okame in ivory. Most great masters are known to have made mask netsuke occasionally, and the present netsuke is a very rare example by the great Kyoto master Rantei. HEIGHT 5 cm Condition: Very good condition. Provenance: British collection. Estimate EUR 800,Starting price EUR 400,-

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CONTEMPORARY NETSUKE

303 |

GUY SHAW: A LARGE OKIMONO-TYPE NETSUKE OF GILT ANTS ON ROOT WOOD

By Guy Shaw, signed with initials ‘GS’ England, late 20th century

An okimono-type netsuke which shows the artist’s spectacular understanding of the beauty within nature. Knowing Guy Shaw, he probably found this piece of root wood as is, created and shaped by nature through countless years. The structure shows beautiful crackling and several cervices and irregularities – perfect for little ants to crawl about. So, he crafted seven perfectly gilt ants, in Jikan Ganbun manner, crawling around the rock-like structure, ideally shaped as a large netsuke. A collaboration between genius artistry and nature. Signed on the underside on a gilt tablet ‘GS’. HEIGHT 5.5 cm, LENGTH 9 cm Condition: Superb condition. Provenance: Swiss private collection. Estimate EUR 3.000,Starting price EUR 1.500,-

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304 |

MICHAEL WEBB: A VERY RARE BOXWOOD NETSUKE OF A MOLE

By Michael Webb (1934-2009), signed with initials ‘MJW’ England, Yorkshire, 1979/1980 Published: Eskenazi Ltd., Japanese Netsuke from Private Collections and Michael Webb Netsuke, London, 1980, p.28, no.67.

A naturalistic model of a plump mole with its body curved slightly to the left in the act of digging. Its graphically large clawed-paws and snout are stained brown and its body is stained black with minutely carved fur. The tiny inlaid eyes make for a spectacular expression. Signature MJW in a polished reserve on the underside and natural himotoshi through the left hind and front leg. Moles are an incredibly rare subject in netsuke art. LENGTH 5.3 cm Condition: Excellent condition. Provenance: Eskenazi Ltd, then collection of Robert S. Huthart. Michael Webb (1932-2009), formerly director and auctioneer at Sotheby’s, carved netsuke as a hobby until 1976. Afterwards he moved to Yorkshire and started mastering the art with the guidance of Luigi Bandini of Eskenazi Ltd. The present netsuke is a rare and early work of the artist, probably inspired by a mole in his garden, also shown by the superior and naturalistic presentation, particularly in the hairwork and bodily proportions of the animal. Auction comparison: For a comparable model by Masatoshi see Bonhams, The Bluette H. Kirchhoff Collection of Netsuke and Sagemono, 16 September 2009, New York, lot 2139. Estimate EUR 3.000,Starting price EUR 1.500,-

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305 |

TANETOSHI: A CHARMING AND FINE IVORY NETSUKE OF A DOG WITH PUP

By Tanetoshi, signed Tanetoshi with artist seal Japan, 20th century

A masterfully animated group of finely crafted figures. The quality of this work is that of Kaigyokusai or Rantei. The dog is wearing a collar, its anatomy is executed very precisely, the costal arch, fine fur, dark inlaid eyes. Its tail is coiled, the younger dog is lying on its back between his front legs and is being held down by the father. Both expressions are charming, naturalistic and masterfully executed. Underneath the signature TANETOSHI ⅍೘ with seal dž. The artist is the son of Meigyokusai, a Japanese contemporary artist from the lineage of Gyokuzan. HEIGHT 3.5 cm Condition: Very good condition, beautiful patina. Provenance: Austrian private collection. Estimate EUR 2.500,Starting price EUR 1.250,-

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306 |

DERKACHENKO: A BOXWOOD NETSUKE OF A PUPPY WITH FEATHER

By Alexander Derkachenko Ukraine, 2019

This work was inspired by an inro Alexander Derkachenko saw in the International Netsuke Society Journal depicting a cat with feather. The design is very much executed in the manner of the Ise-Yamada coiled rat netsuke and shows a coiled puppy with amusingly large inlaid eyes, holding a large feather in its mouth and lifting its right hindleg to scratch its ear. The feather is carved over the back of the puppy and cleverly merges with the fur. Large himotoshi next to the inlaid artist’s signature. HEIGHT 4 cm Condition: Excellent condition. Estimate EUR 1.200,Starting price EUR 600,-

307 |

AKIHIDE: A TALL WOOD NETSUKE OF BENKEI, KANJINCHO

By Akihide, signed Akihide Japan, 20th century

Carved from pale wood and depicting Benkei, wearing a tokin cap inlaid in ebony wood. He is holding the Buddhist subscription list in front of him, pretending to read it, as he is looking to the left with an amusingly astonished expression. This scene is known as kanjincho. His robe is ornately crafted, adorned with further ebony buttons, with many accentuated folds, and incised with floral and cloud patterns. Himotoshi through the back above the signature AKIHIDE džল. HEIGHT 10.6 cm Condition: Excellent condition. Provenance: European collection. Benkei is one of the great heroes of the 12th century and became famous for his adventures wrapped in legend. He became friends with another famous hero, Minamoto no Yoshitsune, and when the latter was pursued by his brother Yoritomo, Benkei saved him with a genius bluff. They were stopped at a bridge by Yoritomo’s men and Benkei pretended to read from a Buddhist subscription list, identifying themselves as money collectors for the temple of Nara, effectively fooling the guards. This scene is depicted in this netsuke. Estimate EUR 1.200,Starting price EUR 600,-

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The famous woodblock print depicting the ghost of Okiku by Hokusai

308 |

HIDEYUKI: A RARE AND EXCELLENT WOOD NETSUKE OF THE FEMALE GHOST OKIKU

By Hideyuki, signed Hideyuki Japan, Tokyo, 20th century

A large and powerfully carved wood netsuke depicting the female ghost Okiku emerging from and looming over a bucket, with finely carved long hair, large bony hands and a terrifying expression with large double inlaid eyes of pale and dark horn. The wood is finely stained and the small himotoshi are in the reverse. Artist’s signature HIDEYUKI লƥ on an inlaid gold tablet. With original tomobako (wood storage box) inscribed and sealed by the artist. HEIGTH 8.1 cm Condition: Excellent condition. Provenance: Private Long Island Collection. This netsuke relates to the ghost story of the ‘Mansion of Plates’ (Sara-yashiki). The maid Okiku had accidently broken a set of Korean plates and as a consequence her infuriated master bound her and threw her down a well, where she died and returned to haunt the living. In 1795, wells around Japan became infested with a species of worm covered in thin threads, which people believed to be a reincarnation of Okiku; the threads being the remnants of the fabric used to bind her. They named it “Okiku mushi” (the Okiku bug). Estimate EUR 3.000,Starting price EUR 1.500,-

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309 |

GEORGES WEIL: AN IMPOSING STAINED WOOD NETSUKE OF A FEMALE GHOST

By Georges Weil, signed Weil England, late 20th century

Stained in deep red and carved as an imposing ghost, the features eerily crafted. The face is that of an old hag, with her hair trembling down her face. The ghost has large hands with bony fingers and her hair at the back, as well as her garment, is finely flowing – conveying this feeling of a frightening floating ghost very well. One foot is placed above the other, and the signature WEIL is found underneath. Asymmetrical himotoshi through the back. With the original cushioned jewelry box, inscribed on the lid in gold G. Weil. HEIGHT 13.3 cm Condition: One small crack on the head. Otherwise excellent condition. Provenance: European collection. Georges Weil was born in Vienna in 1938 and moved to England one year later. He became a famous jewelry designer and sculptor of precious metals and his works are highly collectible to this day. Weil started collecting netsuke in the 1960s and started carving netsuke in the 1970s. His works have been featured in many exhibitions throughout the world, and are in the collections of many museums, such as the British museum. Estimate EUR 3.000,Starting price EUR 1.500,-

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310 |

MASATOSHI: A RARE IVORY NETSUKE OF A DRAGON BAT

By Tokisada Nakamura (Masatoshi) (1915-2001), signed Masatoshi Japan, Tokyo, 20th century

Wonderfully carved and lightly stained, depicting a mythical being resembling a dragon bat. The mythical animal has large flaring wings, terminating in fine curls, the upper wings touching its face. The face is quite fantastical, with a long beak like a duck with rows of teeth minutely carved inside. The creature has one horn and two ears, the pupils are inlaid in dark horn. Large himotoshi through the back and signature MASATOSHI ‫ݔ‬Ⴕ. HEIGHT 5.1 cm Condition: Excellent condition. Provenance: European collection. Literature comparison: Perhaps the netsuke closest to this is the Bakemono bat, no. 324 in R. Bushell, The Art of the Netsuke Carver, where Masatoshi claims that the design was his own invention. Masatoshi, arguably the most talented contemporary carver, was known for his wild designs enabled by his genius and creativity. Estimate EUR 5.000,Starting price EUR 2.500,-

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311 |

DERKACHENKO: A BOXWOOD AND TAGUA NUT NETSUKE OF A HATCHING TURTLE

By Alexander Derkachenko Ukraine, 2019

This work is titled ‘Birth of the turtle’ and is the first tagua nut netsuke carved by Alexander Derkachenko. The tagua nut, beautifully shimmering and simulating ivory, is used for the eggshell, and the turtle is carved from boxwood with inlaid horn eyes. Himotoshi through the underside next to the inlaid artist’s signature. LENGTH 5.3 cm Condition: Excellent condition. Estimate EUR 1.500,Starting price EUR 750,-

312 |

DERKACHENKO: A BOXWOOD NETSUKE OF TENGU NO TOMAGO

By Alexander Derkachenko Ukraine, 2018

Finely carved from stained boxwood and depicting a tengu hatching from an egg. Finely carved details, such as the feather work, expression and crisply carved claw visible on the underside. Himotoshi in the back next to the inlaid artist’s signature. HEIGHT 3 cm Condition: Excellent condition. Estimate EUR 1.200,Starting price EUR 600,-

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INRO 313 |

A FINE LACQUERED THREE-CASE SAYA INRO WITH MATCHING MANJU NETSUKE BY UEMURA ENSHU

By Uemura Enshu, signed Enshu Japan, 20th century, Showa (1926-1989) or Heisei period (1989)

The outer sheath beautifully decorated with coarse brown lacquer, simulating tree-bark, and lacquered with sprigs of leaves with kirikane flakes and shell highlights. The slender three-case inro on the inside, is decorated with a stunning design of three owls on top of each other, their staring eyes inlaid in gold with shell details. They are surrounded by kirikane flakes and the reverse with an owl in flight amongst leaves, with vertically spread out wings, the featherwork masterfully executed. Both sides made with hiramaki-e and togidashi-e and the underside with a chequered design and signed ENSHU ㋵Ή. The inside compartments with dense gold nashiji. The manju netsuke consisting of two parts and depicting a squirrel, with a bushy tail and large glaring eyes, nibbling on orange and shell-inlaid fruits. The reverse with signature ENSHU ㋵Ή. The composition of the inro and matching netsuke is designed to reflect the life in a tree – the owls are living inside the tree and the squirrel is in the crown of the tree nibbling on fruits.

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HEIGHT (inro) 7.2 cm, DIAMETER (manju) 4.2 cm Condition: Excellent condition. Provenance: British private collection. Estimate EUR 2.000,Starting price EUR 1.000,-

314 |

A RARE AND ELEGANT THREE-CASE LACQUER INRO INSPIRED BY KANO YASUNOBU (1796-1846)

Inscribed Seisen’in Hoin with kao Japan, 19th century, Edo period (1615-1868)

A three-case inro lacquered in gold, silver and red takamaki-e depicting a chirping bird perched on a cherry blossom branch, the reverse showing a carnelian branch, all set on a beautiful and elegant wood ground with a fine grain. Dense nashiji covering the risers and inside. Gold lacquered inscription on the inside of the lid reading Seisen’In Hoin with red laquer kao – referring to a painting from Kano Yasunobu, whose art name was Seisen and who inspired many inro makers and lacquerers throughout the 19th century. HEIGHT 7.8 cm Condition: Miniscule losses to lacquer painting and very minor wear along the edges. Very good condition. Provenance: German private collection. Estimate EUR 1.200,Starting price EUR 600,-

315 |

A LACQUERED FOUR-CASE INRO WITH IMPERIAL HORSE

Unsigned Japan, early 19th century, Edo period (1615-1868)

A relatively large four-case inro decorated on one side with a horse lacquered in silver, red and gold takamaki-e, one hoof raised, and its head turned to the right, trying to break free, as it is tied to a tree on the other side. The horse is wearing an ornate saddle, decorated with gold takamaki-e with floral depictions and kikunogomon, the imperial seal of Japan used by the emperor and the imperial family. The matte lacquer of the horse is beautifully contrasting to the shimmering gold takamaki-e of the saddle, the gold takamaki-e trees and the sprinkled gold nashiji at the base of the inro. The ground is lacquered to simulate tortoiseshell. The inside with gold fundame. HEIGHT 9 cm, WIDTH 6.2 cm Condition: The ground of the side of the horse is possibly slightly re-painted. A little wear around the edges. The lacquer work generally in very good condition. Provenance: Austrian private collection. Estimate EUR 1.200,Starting price EUR 600,-

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316 |

SHIBAYAMA AND KAJIKAWA: A FINE SHIBAYAMA INLAID GOLD LACQUER FOURCASE INRO WITH CAPARISONED ELEPHANT

By Kajikawa (lacquer) and Shibayama (inlay), signed Shibayama and Kajikawa with red pot seal Japan, late 19th century, Meiji period (1868-1912)

A superbly inlaid gold lacquer inro depicting a caparisoned elephant on one side, and parading boys dressed in Korean garments on the other side. The inro shows a festival scene – a reenactment of a procession of the Korean embassy through Japan to Edo (now Tokyo). The boys are lacquered in red, gold and silver takamaki-e with finely inlaid ivory faces, holding various instruments and a banner, all set underneath pine trees and clouds. The elephant on the other side, next to the pine tree, is inlaid in ivory and has a fierce expression. His saddle is inlaid with stained ivory, lacquer, bronze, horn, tortoise shell and mother of pearl. The inside with dense nashiji. The underside with the signature KAJIKAWA 䫼ਊ with red pot seal, and further signature SHIBAYAMA ැͪ on an inlaid mother of pearl tablet. With an ivory shibayama ojime inlaid with mother of pearl, horn and coral and a square ivory manju netsuke showing various geometrical patterns in shishiabori (sunken relief). Inro HEIGHT 8.6 cm, manju netsuke HEIGHT 4.2 cm, ojime HEIGHT 1.5 cm Condition: Minor wear to the edges of the inro, some wear to the fundame ground, one tiny inlay to the saddle cloth has been lost – generally, in very good condition. Provenance: British private collection. Estimate EUR 2.000,Starting price EUR 1.000,-

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317 |

A VERY FINE SHIBAYAMA AND LACQUER FOUR-CASE INRO DEPICTING URASHIMA TARO

Unsigned Japan, late 19th century, Meiji period (1868-1912)

A finely inlaid four-case lacquer inro on a gold lacquered ground, with inlays of ivory, mother of pearl, coral, stained horn and tortoiseshell. Urashima Taro, depicted as an old man, is shown kneeling and looking at the opened box from which a turtle emerges. A crane descends above him. The reverse decorated with a leafy blossoming peony branch, one budding flower inlaid in coral, below three flying butterflies. The inside with dense nashiji. HEIGHT 8 cm, WIDTH 6.2 cm Condition: Some surfaces scratches, miniscule loss to the inlay of the mat underneath the box. Good condition. Provenance: British private collection. According to legend Urashima Taro saves a little minogame (straw-raincoat turtle) from an ill fate, which subsequently turned out to be the daughter of the dragon king. The next day a giant turtle appeared and brought Urashima to the underwater palace of the dragon king Ryujin. Urashima stayed there for a few days and received a box and was told not to open it. When he returned, everyone he knew was gone and everything had changed, so in his bewilderment he opened the box and suddenly turned into an old man. He then heard a whisper from the sea telling him he was told not to open the box, in it was his old age‌ Estimate EUR 3.000,Starting price EUR 1.500,-

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318 |

A FINE FOUR-CASE INLAID LACQUER INRO WITH A SCENE FROM A NOH PLAY

Unsigned Japan, 19th century, Edo period (1615-1868)

A gold lacquered inro, decorated on one side with a scene from the play Okina, the dancer holding a fan and wearing a Hakushiki-jo mask finely inlaid in ivory. His dress is ornately decorated in gold and silver takamaki-e and togidashi-e. The reverse shows a Samurai watching the play next to an attendant who is holding a parasol above him. The details in takamaki-e, togidashi-e and inlays in ivory and horn. The inside with dense nashiji. HEIGHT 8.8 cm, WIDTH 5.7 cm Condition: Very good condition with minor scratching to lacquer ground and miniscule wear to riser edges. Provenance: French private collection with old label reading ‘Japon’ and ‘62’. Auction comparison: Compare to a very similar inro by Kogyokusai sold by Bonhams, Fine Japanese Works of Art from the Edward Wrangham Collection (Online only), 9 July 2018, London, lot 112. Estimate EUR 1.500,Starting price EUR 750,-

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319 |

NORIYUKI: A RARE IRON AND MIXED METAL THREE-CASE INRO OF OMI HAKKEI

By Hamano Noriyuki II (Kuzui II) (1771-1852), signed Kuzui Japan, early 19th century, Edo period (1615-1868) Published: Marcus Huish, Japan and its Arts, 1889, p.9. J. F. Blacker, The ABC of Japanese Art, 1911 (reprinted 1929), p.139.

Made from iron and inlaid in gold, silver, copper, shakudo and shibuichi. The top and base is shibuichi and the risers and interior are made from silver. Depicted is the Omi Hakkei (Eight views of Lake Biwa), which is inspired by the traditional Chinese motif of Chinese Xiaoxiang Bajing (The Eight Views of Xiao and Xiang), and show a series of views around the southern part of Lake Biwa, Japan’s largest lake a few miles northeast of Kyoto. The views are: Evening Glow at Seta, Sunset Sky at Awazu, Autumn Moon at Ishiyama, Returning Sailboats at Yabase, Evening Bell at Miidera, Night Rain at Karasaki, Descending Geese at Katata, Lingering Snow on Mount Hira. Signed at the top on an inlaid gold tablet NORIYUKI ᆩΐ (Kuzui). HEIGHT 7.7 cm, WIDTH 4.8 cm Condition: Very good condition. The silver is slightly worn on the risers. Provenance: Edward Gilbertson collection. Axel Petersen collection, purchased at Sotheby’s, London, 1970. Wrangham collection, no. 1001. Estimate EUR 3.000,Starting price EUR 1.500,-

253

320 |

SHIBAYAMA YASUNOBU: A RARE FOUR-CASE IVORY SHIBAYAMA INLAID INRO

By Shibayama Yasunobu, signed Shibayama Yasunobu Japan, Meiji period (1868-1912)

The four-case inro is carved from ivory and densely embellished on either side with neatly incised inlays of coral, horn, stained ivory and malachite in high relief, creating a vivid circumferential scene with five sparrows in a peach tree. Signed on an inlaid mother of pearl cartouche SHIBAYAMA YASUNOBU ැͪ ͲƱ. HEIGHT 8.2 cm, WIDTH 5.6 cm Condition: Excellent condition with hardly any wear. Even after 150 years not a single inlay is missing! Two natural age cracks to lowest case. Provenance: British private collection. Collected prior to 1980. Estimate EUR 2.000,Starting price EUR 1.000,-

254

SAGEMONO

321 |

SHIBAYAMA YASUNOBU: A FINE IVORY AND SHIBAYAMA KISERUZUTSU

By Shibayama Yasunobu, signed Shibayama Yasunobu Japan, Meiji period (1868-1912)

The pipe case of muso-zutsu form and densely embellished on both sides with neatly incised inlays of gold, coral, horn, stained ivory, aventurine glass, mother-of-pearl and malachite, creating a magnificent scene with six sparrows in a peach tree. Signed SHIBAYAMA YASUNOBU ැͪ ͲƱ in a gold cartouche inlaid at the backside. The top of the lower section ringed in gold with the cord attachment. HEIGHT 23 cm Condition: Excellent condition with hardly any wear. Even after 150 years not a single inlay is missing! Two natural age cracks. Gilt and incised metal mounting to the upper rim of the base section with an eyelet for suspension. Provenance: British private collection. Collected prior to 1980. Estimate EUR 2.000,Starting price EUR 1.000,-

255

322 |

A RARE WOOD AND SHIBAYAMA INLAID YATATE

Unsigned Japan, late 19th century, Meiji period (1868-1912)

In the form of a yatate (portable writing set) carved from wood with an attractive grain. The composition consists of a long shaft for the brush and a carrying box, with inset metal, for the ink and cotton. The entire piece is decorated intricately with thirteen different insects inlaid in Shibayama style with mother of pearl, horn, tortoise shell, coral and ivory. The insects include a large praying mantis, butterflies, ladybugs, moths, flies, dragonflies and various bugs.

323 |

TESSAI: A RARE BAMBOO SHUNGA KISERUZUTSU OF A MAN WITH MANY GOURDS

By Kano Tessai (1845 – 1925), signed Yuiga Dokuson Anshu Tessai and kao Japan, late 19th century, Meiji period (1868-1912)

LENGTH 18.6 cm Condition: Amazingly in almost perfect condition – one miniscule loss to the edge of one wing of the dragonfly on the hinged element. Provenance: European collection. Estimate EUR 1.200,Starting price EUR 600,-

Of muso-zutso form, carved in partly colored sunken relief, emanating a paintbrush, with a man cutting up a large gourd. The inscription above the man, inside another stylized gourd, loosely translates to “this is not a gourd”. The way the man holds the large gourd is quite suggestive, how amusing! The reverse shows further gourds hanging from a string and a basket full of gourds, with three further lying outside. Signed Yuiga Dokuson Anshu TESSAI ‫۾‬ᑚ and kao (copied by Tessai from the master of the Yuiga Dokuson-an studio). HEIGHT 23.7 cm Condition: Good condition with one crack extending from the basket of gourds to the base, and minor expected discoloration around the area of the insert. Provenance: European collection. For more information on Kano Tessai, see lot number 298. Estimate EUR 1.200,Starting price EUR 600,-

256

324 |

A STAMPED LEATHER TOBACOO POUCH WITH GOLD KANAMONO OF SHISHI

Unsigned Japan, Edo period (1615-1868)

Made from imported European leather, stamped with floral motifs, the gold kanamono finely carved with a shishi and brocade ball. HEIGHT 11 cm Condition: Good, complete and used condition. Provenance: British collection. Estimate EUR 600,Starting price EUR 300,-

257

325 |

MEIDO: A RARE TONKOTSU WITH BAT AND REISHI, WITH EN SUITE KISERUZUTSU

The Tonkotsu by Asahi Meido (1843-1923), signed Meido Japan, dated 1921 Published: Max Rutherston Ltd., Kitsuengu from Jacques Carre and others, 2018, London, no. 37.

The Tonkotsu carved from fruitwood in the shape of a bat, its wing carved on the side with the ends joining on the underside. The face of the bat is carved beautifully, the eyes inlaid in black horn, with plenty of typically Japanese humor. The cord holes behind the bats head are ringed in green-stained ivory. The lid is finely carved from ivory with reishi fungus. The underside of the lid with inscription dated 1921 and signed MEIDO džࠧ. With a fine en suite kiseruzutsu of musozutsu form and carved from bamboo, though simulating wood – an incredible feat! The cord attachment is crisply carved with further reishi. The ivory ojime with a faded signature and a figural depiction of Okame.

258

HEIGHT tonkotsu 6.5 cm, HEIGHT kiseruzutsu 22.2 cm Condition: Excellent condition. Provenance: British collection. According to Ueda Reikichi, Asahi Meido (1843-1923) was an expert ivory carver and some of his work was selected by The Japanese government for Columbus exhibition in America of 1983. Estimate EUR 4.000,Starting price EUR 2.000,-

OKIMONO

326 |

MUNEHARU: AN AMUSING IVORY OKIMONO OF A KAPPA WITH CUCUMBER

By Muneharu, signed Muneharu Japan, late 19th century, Meiji period (1868-1912)

A very well detailed and amusing okimono depicting a kappa pulling a huge cucumber, the favourite food of the kappa, with a rope. The aquatic creature has its head tilted to the left with squinting eyes, inlaid in dark horn, and is exclaiming as the large cucumber is probably very heavy. The rope is carved very precisely and ties around the cucumber several times. The cucumber is also carved realistically with the spiny surface stippled and the characteristic ‘dots’ inlaid in horn. The kappa has long hair with a soft spot in the center, which is where it keeps its vital fluids. Amusingly, since kappa are ferocious but polite creatures, the best way to defeat a kappa is by respectfully bowing, so that it shall return the favour thus spilling out its vital fluids. The ivory bearing a very good colour with a light stain and the signature MUNEHARU ඐԛ is found in a rounded reserve under the cucumber. HEIGHT 5 cm, LENGTH 9.5 cm Condition: The okimono is in very good condition with no restorations, only the tip of the cucumber branch has a small chip. Provenance: British private collection. Estimate EUR 2.000,Starting price EUR 1.000,-

259

260

327 |

TOMOKAZU: A LARGE MUSEUM QUALITY IVORY OKIMONO OF AN EAGLE WITH TWO FOXES

By Okada Tsunekichi (Tomokazu), signed Tomokazu Japan, Tokyo, Meiji period (1868-1912)

A dynamic and powerful scene of a large eagle grappling a fox between its talons, the wild beast letting out an agonizing scream, as the eagle looks determined to one side, with large inlaid eyes of mother of pearl. Another smaller fox is escaping, its body shape dynamically captured, as it scurries away, turning around to bite the eagle in its tail. The carving is incredibly detailed all around with masterfully carved plumage and fur. The talons and beak of the eagle are quite terrifying and carved with fabulous realism. The eyes of both foxes are inlaid in shimmering mother of pearl. The surface of the ivory has developed an appealing yellowish patina over time. Signed in typical style of the artist in high relief TOMOKAZU ƤĂ with seal. HEIGHT 11 cm, LENGTH ca. 17 cm Condition: Two paws of the smaller fox are reattached. Otherwise excellent condition. Provenance: British collection. Okada Tsunekichi, who used the art name Tomokazu, was a gifted carver of okimono who participated in and received several prizes at the carving competitions organised by the Tokyo Chokokai (The Tokyo Carver’s Association). Auction comparison: For a similar okimono attributed to Okada Tomokazu and of smaller size see Bonhams, Fine Japanese Art, 9 November 2017, London, lot 167. Estimate EUR 8.000,Starting price EUR 4.000,-

261

328 |

SEICHOKU: A FINE IVORY OKIMONO OF A FATHER AND SON WITH FROG

By Seichoku, signed Seichoku Japan, Tokyo, Meiji period (1868-1912)

Finely carved as a man holding a long staff and a rosary bead, looking down at his son who is holding a minutely carved frog up high. The boy is seated on a mat next to a tree trunk. The details, such as the facial features and hands are incredibly fine. The underside shows the surface of the mat and the signature SEICHOKU йˢ on an inlaid red lacquer tablet. With a fine, old associated wood stand. HEIGHT 7.8 cm Condition: Amazingly, in MINT condition. Provenance: British private collection. Auction comparison: For a similar okimono by Seichoku see Bonhams, Fine Japanese Art, 10 November 2011, London, lot 164. Estimate EUR 1.200,Starting price EUR 600,-

329 |

SEIKO: A FINE IVORY OKIMONO OF A RAT CATCHER WITH CAT

By Seiko, signed Seiko Japan, Tokyo, Meiji period (1868-1912)

Finely carved as a rat catcher with his box he uses to catch rats beside him. The rat has escaped onto his back, causing the man to shriek in surprise, his minutely carved hands are depicted in motion. The tiny rat is carved with good detail and a little whimsical cat, with a charming expression, is trying to reach it. The signature underneath the tray which holds the box on a red lacquer tablet SEIKO йЗ. With a fine, old associated wood stand. HEIGHT 8 cm Condition: Amazingly, in perfect condition. One tiny imperfection to the cat’s back. Provenance: British private collection. Estimate EUR 1.200,Starting price EUR 600,-

262

330 |

AN EXCELLENT IVORY OKIMONO OF AN ENTERTAINER PLAYING THE SAMISEN

Unsigned Japan, Tokyo, Meiji period (1868-1912)

Sensitively crafted as a seated entertainer tuning his samisen, a traditional Japanese three-string instrument. The man is wearing a hat and an elaborately decorated kimono. His facial features are superbly carved. In front of him is a brocade tobacco pouch with an incised bird for the kanamono (pouch fitting). With a fine, old associated wood stand. HEIGHT 6.2 cm Condition: Very good condition with a minor repair to the wrist of the left arm and to the top of the samisen. Provenance: British collection. Estimate EUR 1.500,Starting price EUR 750,-

263

264

331 |

RYUKO: A LARGE AND SPECTACULAR TOKYO SCHOOL OKIMONO OF A SLEEPING BIJIN

By Ryuko, signed Ryuko Japan, Tokyo, Meiji period (1868-1912)

A large and impressive okimono depicting a serenely sleeping bijin (beauty), her head rested on a basket. The girl has fallen asleep after a harvest and she is in a deep slumber. The artist has mastered both her exhaustion and beauty impeccably - a delicate balance of subtle nuances. Her wrist bends over the edge of the basket, her mouth is slightly opened, and her expression is sunken. Her facial features are crafted sensitively, showing her sublime beauty, and one wonders what she might be dreaming. The garment folds are carved incredibly well, almost coming to life. Her hair is incised precisely and tied up at the back. One striking detail is the sandals she is wearing, one of them gently coming off her extended foot. The shape of the okimono is elegant, further underlining her beauty. An exceptional masterpiece from the Tokyo school. The base with two floral mon and the signature in sosho RYUKO ‫؁‬ᆘ. LENGTH 18.6 cm Condition: Excellent condition, expected minor age cracks. Provenance: British collection. Estimate EUR 5.000,Starting price EUR 2.500,-

265

Signature Index

Numbers indicate lot numbers. This Index only indicates the signatures – various attributions are written in the corresponding texts.

AKIHIDE. . . . . . . . . . . . . . . . . . . . . . . . .džল . . . . . . . . . . . . . . . . . . . 307 ALEXANDER DERKACHENKO. . . . . . . . . . . . . . . . . . . . . 306, 311, 312 CHIKUSAI . . . . . . . . . . . . . . . . . . . . . .ໜ᤮ . . . . . . . . . . . . . . . . . . . 194 CHOKUSEN . . . . . . . . . . . . . . . . . . . . .ˢͪ . . . . . . . . . . . . . . . . . . 240 DEME UMAN . . . . . . . . . . . . . . . . . . . .śϝ‫ ͝ޣ‬. . . . . . . . . . . . . . . 300 DORAKU . . . . . . . . . . . . . . . . . . . . . . . .ƅǐ . . . . . . . . . . . . . . . . . . . . 52 DOSHO . . . . . . . . . . . . . . . . . . . . . . . . .ƅȟ . . . . . . . . . . . . . . . . . . . 179 ENSHU. . . . . . . . . . . . . . . . . . . . . . . . . .㋵Ή . . . . . . . . . . . . . . . . . . . 313 GEKKO . . . . . . . . . . . . . . . . . . . . . . . . .ʃ઎ . . . . . . . . . . . . . . . . . . . 107 GEORGES WEIL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 309 GUY SHAW . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 303 GYOKKOSAI . . . . . . . . . . . . . . . . . . . . .৿ʾ᤮ . . . . . . . . . . . . . . . . . 180 GYOKURIN . . . . . . . . . . . . . . . . . . . . . .৿‫ ڄ‬. . . . . . . . . . . . . . . . . . . . 47 GYOKURYUSAI . . . . . . . . . . . . . . . . . .৿‫؁‬᤮ . . . . . . . . . . . . . . . . . 229 HAKURYU . . . . . . . . . . . . . . . . . . . . . . .Ƀ‫ ؁‬. . . . . . . . . . . . . . . . . . . 105 HIDEHISA . . . . . . . . . . . . . . . . . . . . . . .ল΅ . . . . . . . . . . . . . . . . . . . . 33 HIDEKAZU. . . . . . . . . . . . . . . . . . . . . . .লĂ . . . . . . . . . . . . . . . . . . 141 HIDEMASA . . . . . . . . . . . . . . . . . . . . . .লȢ . . . . . . . . . . . . . . . . . . . 135 HIDETOMO . . . . . . . . . . . . . . . . . . . . .লƤ . . . . . . . . . . . . . . . . . . . 260 HIDEYUKI . . . . . . . . . . . . . . . . . . . . . . .লƥ . . . . . . . . . . . . . . . . . . . 308 HOGEN . . . . . . . . . . . . . . . . . . . . . . . . .ʑᵄ . . . . . . . . . . . . . . . . . . . 176 HOJITSU . . . . . . . . . . . . . . . . . . . . . . . .ʑǮ . . . . . . . . . . . . . . . . . . . 299 HOKKA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 286 HOMIN . . . . . . . . . . . . . . . . . . . . . . . . .ɲẛ . . . . . . . . . . . . . . . .51, 297 ICHIYUSAI . . . . . . . . . . . . . . . . . . . . . . .ʹ᤮ . . . . . . . . . . . . . . . . . . . . 63 IKKAN . . . . . . . . . . . . . . . . . . . . . . . . . .Ăᆇ . . . . . . . . . . . . . . .108, 205 IKKO. . . . . . . . . . . . . . . . . . . . . . . . . . . .Ăʾ . . . . . . . . . . . . . . . .90, 225 ISHIMUNE . . . . . . . . . . . . . . . . . . . . . . .‫܉‬ඐ . . . . . . . . . . . . . . . . . . . 257 ISSAI . . . . . . . . . . . . . . . . . . . . . . . . . . .Ă᤮ . . . . . . . . . . . . . . . . . . 139 ITTOKUSAI . . . . . . . . . . . . . . . . . . . . . .Ă䉾᤮ . . . . . . . . . . . . . . . . . 287 JUGYOKU . . . . . . . . . . . . . . . . . . . . . . .೗৿ . . . . . . . . . . . . . . . . . . . . 85 KAGETOSHI . . . . . . . . . . . . . . . . . . . . .բϙ . . . . . . 148, 182, 242, 280 KAJIKAWA . . . . . . . . . . . . . . . . . . . . . . .䫼ਊ . . . . . . . . . . . . . . . . . . . 316 KINRYUSAI . . . . . . . . . . . . . . . . . . . . . .ඁȸ᤮ . . . . . . . . . . . . . . . . . . 41 KOGYOKU. . . . . . . . . . . . . . . . . . . . . . .ᆘ৿ . . . . . . . . . . . . . . . . . . . 294 KOHOSAI . . . . . . . . . . . . . . . . . . . . . . .ȓ஥᤮ . . . . . . . . . . . . . .75, 282 KOJU . . . . . . . . . . . . . . . . . . . . . . . . . . .ʾ೘ . . . . . . . . . . . . . . .169, 210 KOKEI . . . . . . . . . . . . . . . . . . . . . . . . . .থ၇ . . . . . . . . . . . . . . . . . . . 125 KOMIN . . . . . . . . . . . . . . . . . . . . . . . . .ᆘΦ . . . . . . . . . . . . . . . . . . . 241 KYOKUSEI . . . . . . . . . . . . . . . . . . . . . .᝾ŀ . . . . . . . . . . . . . . . . . . . 198 KYUSAI. . . . . . . . . . . . . . . . . . . . . . . . . .ᬌᑚ . . . . . . . . . . . . . . . . . . . 272 MASAHIRO . . . . . . . . . . . . . . . . . . . . . .ȢЗ . . . . . . . . . . . . . . . . . . . . 39 MASAKATSU . . . . . . . . . . . . . . . . . . . . .Ȣ‫ ۥ‬. . . . . . . . . . . . . . . . . . . . 92 MASAKAZU . . . . . . . . . . . . . . . . . . . . . .ȢĂ . . . . . . . . . . . . 49, 61, 174 MASAMITSU . . . . . . . . . . . . . . . . . . . . .Ȣʾ . . . . . . . . . . . . . . . . 94, 95 MASANAO. . . . . . . . . . . . . . . . . . . . . . .Ȣˢ . . . . . . . . . . . 98, 109, 212 MASANOBU . . . . . . . . . . . . . . . . . . . . .ȢƱ . . . . . . . . . . . . . . . . . . . 128 MASASADA (MASAKAZU) . . . . . . . . . .ຩᑰ . . . . . . . . . . . . . . . . . . 184 MASATAMI . . . . . . . . . . . . . . . . . . . . . .ȢΦ . . . . . . . . . . . . . . . . . . . 127 MASATOMO . . . . . . . . . . . . . . . . . . . . .ȢƤ . . . . . . . . . . . . . . . . . . . 130 MASATOSHI . . . . . . . . . . . . . . . . . . . . .‫ݔ‬Ⴕ . . . . . . . . . . . . . . . . . . . 310 MASATOYO . . . . . . . . . . . . . . . . . . . . .ຩ牉 . . . . . . . . . . . . . . . . . . . 231 MASATSUGU . . . . . . . . . . . . . . . . . . . .Ȣơ . . . . . . . . . . . . . .131, 204 MASAYOSHI . . . . . . . . . . . . . . . . . . . . .؈ྪ . . . . . . . . . . . . . . . . . . . . 32 MASAYOSHI . . . . . . . . . . . . . . . . . . . . .Ȣ٤ . . . . . . . . . . . . . . . . . . . 193 MASAYUKI . . . . . . . . . . . . . . . . . . . . . .ȢDŽ . . . . . . . . . . . . . . . . . . . . 26 MASAYUKI . . . . . . . . . . . . . . . . . . . . . .Ȣƥ . . . . . . . . . . . . . . . .50, 250 MEIDO . . . . . . . . . . . . . . . . . . . . . . . . .džࠧ . . . . . . . . . . . . . . . . . . . 325 MIBOKU . . . . . . . . . . . . . . . . . . . . . . . .͸ಯ . . . . . . . . . . . . . . . . . . . 279 MICHAEL WEBB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304 MINKO. . . . . . . . . . . . . . . . . . . . . . . . . .ẛե . . . . . . . . . . . . . . . . . . . 126 MINSEI. . . . . . . . . . . . . . . . . . . . . . . . . .ΦȢ . . . . . . . . . . . . . . . . . . . 111 MITSUCHIKA . . . . . . . . . . . . . . . . . . . .ʾʡ . . . . . . . . . . . . . . . . . . . 97

MITSUNAGA . . . . . . . . . . . . . . . . . . . .ʾǣ . . . . . . . . . . . . . . . . . . . 114 MITSUSADA . . . . . . . . . . . . . . . . . . . . .ʾǭ . . . . . . . . . . . . . . . . . . 224 MITSUSHIGE . . . . . . . . . . . . . . . . . . . .ʾȶ . . . . . . . . . . . . . . . . . . . 102 MITSUTADA . . . . . . . . . . . . . . . . . . . . .ʾฑ . . . . . . . . . . . . . . . . . . . 106 MIWA . . . . . . . . . . . . . . . . . . . . . . . . . . .Ɓ‫ ڿ‬. . . . . . . . . . . . . . . . . . . 31 MOTOHARU . . . . . . . . . . . . . . . . . . . .ʻԛ . . . . . . . . . . . . . . . . . . . 267 MUNEHARU . . . . . . . . . . . . . . . . . . . .ඐԛ . . . . . . . . . . . . . . . . . . . 326 MUNEMITSU . . . . . . . . . . . . . . . . . . . .ʾඐ . . . . . . . . . . . . . . . . . . . 138 MUNENARI . . . . . . . . . . . . . . . . . . . . .ඐŪ . . . . . . . . . . . . . . . . . . . 202 MUNEYUKI . . . . . . . . . . . . . . . . . . . . . .ඐƥ . . . . . . . . . . . . . . . . . . . 175 NANBOKU . . . . . . . . . . . . . . . . . . . . . .ϒ҂ . . . . . . . . . . . . . . . . . . . 146 NORIYUKI . . . . . . . . . . . . . . . . . . . . . . .ᆩΐ . . . . . . . . . . . . . . . . . . . 319 OKATOMO . . . . . . . . . . . . . . . . . . . . . .ᛂƤ . . . . . . . . . . . . . . . . . . . 144 OKATORI . . . . . . . . . . . . . . . . . . . . . . . .ᛂ籃 . . . . . . . . . . . . . . . . . . . . 20 OKURA . . . . . . . . . . . . . . . . . . . . . . . . .Ň๦ . . . . . . . . . . . . . . . . . . . . 42 RAKUMIN . . . . . . . . . . . . . . . . . . . . . . .ǐΦ . . . . . . . . . . . . . . . . . 44, 60 RANTEI . . . . . . . . . . . . . . . . . . . . . . . . .ࠌᎽ . . . . . . . . . . . . . . . . . . . 302 RYOMIN. . . . . . . . . . . . . . . . . . . . . . . . .ႂΦ . . . . . . . . . . . . . . . . . . . 36 RYOSAI . . . . . . . . . . . . . . . . . . . . . . . . .‫ݘ‬᤮ . . . . . . . . . . . . . . . . . . . 192 RYUCHIN . . . . . . . . . . . . . . . . . . . . . . .‫ ܤ؁‬. . . . . . . . . . . . . . . . . . . 147 RYUKEI . . . . . . . . . . . . . . . . . . . . . . . . .‫ ⨯؁‬. . . . . . . . . . . . . . . . . . . 290 RYUKI . . . . . . . . . . . . . . . . . . . . . . . . . .Ӑ‫ – ׼‬. . . . . . . . . . . . . . . . . 172 RYUKO . . . . . . . . . . . . . . . . . . . . . . . . .‫؁‬ᆘ . . . . . . . . . . . . . . . . . . . 331 RYUMIN . . . . . . . . . . . . . . . . . . . . . . . .ӐΦ . . . . . . . . . . . . . . . .64, 268 RYUSAI . . . . . . . . . . . . . . . . . . . . . . . . .‫؁‬᤮ . . . . . . . . . . . . . . . . . . . 264 SADAYOSHI . . . . . . . . . . . . . . . . . . . . .ǭύ . . . . . . . . . . . . . . . . . . . . 93 SARI . . . . . . . . . . . . . . . . . . . . . . . . . . . .‫ڽ‬ƀ . . . . . . . . . . . . . . . . . . . 116 SEICHOKU . . . . . . . . . . . . . . . . . . . . . .йˢ . . . . . . . . . . . . . . . . . . 328 SEIKA . . . . . . . . . . . . . . . . . . . . . . . . . . .੯Ļ . . . . . . . . . . . . . . . . . . . 183 SEIKO . . . . . . . . . . . . . . . . . . . . . . . . . .йЗ . . . . . . . . . . . . . . . . . . . 329 SEIYODO BUNSHOJO . . . . . . . . . . . .нїࠧ NJˇƕ . . . . . . . . . . 228 SEKISEN. . . . . . . . . . . . . . . . . . . . . . . . .‫܉‬చ . . . . . . . . . . . . . . . . . . . 295 SEKKO . . . . . . . . . . . . . . . . . . . . . . . . .‫݋‬ᆘ . . . . . . . . . . . . . . . . . . . 281 SHIBAYAMA . . . . . . . . . . . . . . . . . . . .ැͪ . . . . . . . . . . . . . . . . . . . 316 SHIBAYAMA YASUNOBU . . . . . . . . . .ැͪ ͲƱ . . . . . . . . . .320, 321 SHIGEMASA . . . . . . . . . . . . . . . . . . . . .ȶȢ . . . . . . . . . . . . . . . . . . . 226 SHIGEYOSHI . . . . . . . . . . . . . . . . . . . .ȶ઱ . . . . . . . . . . . . . . . . . . . 215 SHOKIN . . . . . . . . . . . . . . . . . . . . . . . .‫؟‬ඁ . . . . . . . . . . . . . . . . . . . 217 SHOKO . . . . . . . . . . . . . . . . . . . . . . . . .ֿ֟ . . . . . . . . . . . . . . . .34, 216 SHOUNSAI . . . . . . . . . . . . . . . . . . . . . .΋Ӹ᤮ . . . . . . . . . . . . . . . . . 173 SHUMIN . . . . . . . . . . . . . . . . . . . . . . . .লẛ . . . . . . . . . . . . . . . . . . . . 65 SHUNGETSU . . . . . . . . . . . . . . . . . . . .ԛʃ . . . . . . . . . . . . . . . . . . . . 57 SHUSHO . . . . . . . . . . . . . . . . . . . . . . .༔΋ . . . . . . . . . . . . . . . . . . . 186 SHUZAN . . . . . . . . . . . . . . . . . . . . . . . .̠ͪ . . . . . . . . . . . . . . . .62, 129 TADAKUNI . . . . . . . . . . . . . . . . . . . . . .ฑř . . . . . . . . . . . . . . . . . . 238 TADAYOSHI . . . . . . . . . . . . . . . . . . . . .ฑ‫ ץ‬. . . . . . . . . . . . . . . . . . . 223 TANETOSHI. . . . . . . . . . . . . . . . . . . . . .⅍೘ . . . . . . . . . . . . . . . . . . 305 TEIJI . . . . . . . . . . . . . . . . . . . . . . . . . . .ᑰȕ . . . . . . . . . . . . . . . . . . . . 83 TENMIN . . . . . . . . . . . . . . . . . . . . . . . .ĐΦ . . . . . . . . . . . . . . . . . . 268 TESSAI . . . . . . . . . . . . . . . . . . . . . . . . .‫۾‬ᑚ . . . . . . . . . . . . . . .298, 323 TOMOCHIKA. . . . . . . . . . . . . . . . . . . . .Ƥʡ . . . . . . . . . . . . . . .37, 178 TOMOKAZU . . . . . . . . . . . . . . . . . . . . .ƤĂ . . . . . 29, 35, 87, 165, 327 TOMOMASA . . . . . . . . . . . . . . . . . . . .ƤȢ . . . . . . . . . . . . . . . . . . . . 56 TOMONOBU. . . . . . . . . . . . . . . . . . . . .ƤƱ . . . . . . . . . . . . . . . . . . . 142 TOMOTADA . . . . . . . . . . . . . . . . . . . . .Ƥฑ . . . . . . . . . . 124, 145, 149 TOMOTAKA. . . . . . . . . . . . . . . . . . . . . .ƤƬ . . . . . . . . . . . . . . . . . . . . 45 TSUYAMA . . . . . . . . . . . . . . . . . . . . . . .‫ ͪۆ‬. . . . . . . . . . . . . . . . . . . 284 YASUAKI . . . . . . . . . . . . . . . . . . . . . . . .̝dž . . . . . . . . . . . . . . . . . . . 197 YOSHI . . . . . . . . . . . . . . . . . . . . . . . . . .઱ . . . . . . . . . . . . . . . . . . . . 201 YOSHINAGA . . . . . . . . . . . . . . . . . . . . .઱к . . . . . . . . . . . . . . . . . . . 158 YOSHITOMO . . . . . . . . . . . . . . . . . . . .઱Ƥ . . . . . . . . . . . . . . . . . . . 153

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