graphic design portfolio
PERSONAL INFORMATION Razvan C.P Zamfira Name: Razvan C.P. Zamfira Adress: Str. Agatha Barsescu Nr. 16, 031484 Bucharest (Romania) Birth Date: 21/06/1988 Nationality: Romanian
URBAN PLANNING
GRAPHIC DESIGN
Mobile: +40724021719 Skype: zamfira.razvan Yahoo: razvanz1988 google chat: razvan.zamfira E-mail: razvan.zamfira@gmail.com
ARCHITECTURE
FURNITURE DESIGN
visual identity Alexandru Tomescu - Obsessions DVD Alexandru Tomescu - 24/24 Ad Libitum Quartet
pg. 4 pg. 8 pg. 10
logo design National Theatrical and Cinematographic Art University Poiana lui Iocan NGO KREA.DIV visual identity Various Logos
pg. 13 pg. 15 pg. 16 pg. 26
website design Romania Green Building Council | www.rogbc.org ERES Romania | eres.bestwebimage.ro
pg. 28 pg. 30
design for print Poiana lui Iocan - Street Delivery & Bucharest Architecture Festival Stationary Romania Green Building Council - Building Greener Schools Brochure Cardboar Architecture Publication Elastimpex - Presentation Catalog
pg. 33 pg. 34 pg. 36 pg. 40
architecture presentations Pallet Picnik Space - Eco-Rom Competition Entry Dambovita Eco-Bucharest Pavilion - Inspired Competition Entry
pg. 43 pg. 47
visual identity
S T R A D I V A R I U S
OBSESSIONS
Guideline machete de presa Alexandru Tomescu
imagine principala - imaginea dominata a machetei de presa se va pune numai in partea stanga. - in cazul redimensionarilor se va putea taia doar din partea de jos a imaginii.
imagine secundara - se va pastra proportia fata de imaginea mare din stanga. - imaginile sunt in format grayscale.
wordmark compus
- spatiul dintre wordmark si celelete elemente trebuie pastrat ca in exemplul atasat in stanga. l
DVD-ul
titlu album
S T R A D I V A R I U S
OBSESSIONS în data de 18 septembrie, ora 20:00, în Pia a Festivalului “George Enescu”. Descoper un nou standard de virtuozitate în interpretarea Integralei Sonatelor pentru vioar solo a compozitorului Eugèn Ysa e. O performan
unic de muzic
i teatru non-verbal.
Detalii pe facebook.com/AlexandruTomesc www.alexandrutomescu.com
organizator:
sponsori:
parteneri:
cial
Stradivarius: Open Sans Regular Obsessions: Open Sans Light Culoare: C: 0 M: 100 Y: 60 K:0 1. wordmark Alexandru Tomescu 2. nume album 3. text de lansare cu data si ora (Open Sans Light 10.5 pt, K:100) 4. text despre album si detalii (Open Sans Regular 8.5 pt, K:80) - dimesiunea textelor de mai sus sunt valabile pt. macheta de 205x275mm - la redimensionare ele nu pot varia mai mult de 1pt in sus sau in jos pastrandu-se proportiile intre texte (ca in exemplul din stanga).
zona sponsori culoare fundal stripe: K: 15 proportie: 1/9 din inaltimea machetei
Obsessions DVD Digipack layout
VIDEO DISC
A unique performance of music and non-verbal theatre based on Eugene Ysaye’s Complete Sonatas for Solo Violin op.27
OBSESSIONS S T R A D I V A R I U S
S T R A D I V A R I U S
OBSESSIONS
Violin sonata in G minor, op. 27, no. 1
Violin sonata in A minor, op. 27, no 2
Violin sonata in D minor, op. 27, no 3
Violin sonata in E minor, op. 27, no 4
Violin sonata in G major, op. 27, no 5
Violin sonata in E major, op. 27, no 6
Grave Fugato Allegretto poco cherzoso Finale con brio
I. II. III. IV.
Prelude “Obsession”: Paco vivace Malinconia: Poco vivace Sarabande, Danse des ombres”: Lente Les furies: Allegro furioso
16:9 English Ca 110 min 2+0 All
I. Allemande: Lento maestoso II. Sarabande: Quasi lento III. Finale: Presto ma non troppo I. L’aurore: Lento assai II. Danse rustique: Allegro Giocoso molto mode.....
Toate drepturile producatorilor si ale autorilor sunt rezervate. Utilizarile neautorizate ale acestei inregistrari prin copiere, inchiriere, imprumut, prezentare publica sau transmisie radio si TV se pedepsesc conform Legii, Romania 2012
OBSESSIONS
I. II. III. IV.
S T R A D I V A R I U S
OBSESSIONS A unique performance of music and non-verbal theatre based on Eugene Ysaye’s Complete Sonatas for Solo Violin op.27
Obsessions DVD Booklet
„This music is full of contrasts; its pictorial character perfectly blends in with non-verbal theatre. Everything becomes three-dimensional and music receives new meanings. The life of an artist is not as simple as it seems, but the satisfaction you experience when you shout “Evrika!” is absolutely priceless.” Alexandru Tomescu
BIOGRAFIA ALEXANDRU TOMESCU lexandru Tomescu este artistul menit s tr iasc vioara. S-a descoperit i reinventat permanent în rela ia cu arta i cu publicul. Discursul s u muzical temperamental i în acela i timp echilibrat este o perfect îmbinare între ra iune i sensibilitate. Dup studii în România, Elve ia i S. U. A. a evoluat al turi de orchestre valoroase, sub bagheta unor mae tri precum Valery Gergiev, Kurt Masur sau Cristoph Eschenbach, pe scene renumite din Europa, Asia si America: Carnegie Hall, Walt Disney Concert Hall, Théâtre des Champs Elysées etc.
S T R A D I V A R I U S
OBSESSIONS A unique performance of music and non-verbal theatre based on Eugene Ysaye’s Complete Sonatas for Solo Violin op.27
A revenit în România pentru a ini ia o revolu ie cultural , schimbând percep ia asupra muzicii clasice printr-o a dintre tradi ie i inova ie. A dat o nou dimensiune muzicii, ca element generator de solidaritate i responsabilitate social . muzicale organizate f r sprijin institu ionalizat. i-a încercat în nenum rate rânduri
BIOGRAPHY ALEXANDRU TOMESCU anduran a i capacitatea de a emo iona publicul, abordând repertorii-simbol dedicate viorii solo, precum integrala Capriciilor de Paganini, cea a Sonatelor de Eugène Ysaÿe i a Sonatelor i Partitelor de Johann Sebastian Bach. Nonconformismul artistului Alexandru Tomescu l-a determinat s ini ieze în 2011 proiectul Stradivarius-Capricii, primul spectacol sincretic realizat în zona muzicii clasice române ti, unde cele 24 de Capricii de Paganini s-au îmbinat cu 24 de scurt-metraje, realizate dup un concept semnat de Oana Dr gulinescu. Aceea i colaborare a stat la baza urm toarei simbioze artistice, Stradivarius-Obsesii (2012), ie unic de muzic i teatru non-verbal. Dincolo de performan , de multitudinea de apari i de complexitatea proiectelor sale artistice sau umanitare, de sutele de ora e în care concertele sale au umplut s lile pân la refuz, Alexandru Tomescu r mâne un magician al viorii. El construie te pun i de comunicare cu publicul s u, indiferent dac acesta este alc tuit din 30,300 sau 3000 de oameni si stie sa trezeasca for a celebrului
lexandru Tomescu is the artist forever destined to live through his violin. He has continuously rediscovered and reinvented his art and his audience. A perfect combination of sense and sensitivity, his interpretations are at the same time temperamental and balanced. After studying in Romania, Switzerland and the U. S., he has played with some of the world’s best orchestras conducted by brilliant conductors such as Valery Gergiev, Kurt Masur and Christoph Eschenbach. Alexandru Tomescu has been invited to give concerts and recitals in great halls from Europe, Asia and America: Carnegie Hall, Walt Disney Concert Hall, Théâtre des Champs Elysées etc. He returned to Romania where he started a cultural revolution, changing the perception on classical music through a series of projects that combine tradition and innovation in a perfect way. He added a new dimension to classical music, as he opened with his concerts and recitals a path towards solidarity and social responsibility. More than once, he challenged his power of endurance and capacity to impress the audience, choosing to play symbolic repertoires composed for solo violin: the Integral of Niccolò Paganini’s Caprices,
the Integral of Eugène Ysaÿe’s Six Sonatas and the Integral of Johann Sebastian Bach’s Sonatas and Partitas. A true nonconformist, Alexandru syncretic performance – Stradivarius Caprices, a premiere in the Romanian classical music area, combining Paganini’s 24 Caprices with as many short movie projections, according to a concept elaborated by Oana Dragulinescu. The next artistic symbiosis was based on the same collaboration, with Alexandru presenting Stradivarius-Obsessions (2012), a combination of music and non-verbal theatre. Beyond his professionalism, his numerous recordings and the complexity of his artistic and humanitarian projects, beyond his sold-out concerts in hundreds of cities, Alexandru Tomescu remains a true magician, who is able to reveal the force of the Stradivarius Elder-Voicu violin he plays, actively communicating with the audience, regardless of its size. Alexandru Tomescu now unveils his «obsessions» in a new DVD in which he explores in a very personal manner Eugène Ysaÿe’s Six Sonatas for solo
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concept: + pelicula
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OUR MISSION: We are a non-profit, non-political association of businesses and other organizations active throughout the country. We are the leading organization promoting environmental responsibility and energy efficiency in the Design, Construction, Operation, and Deconstruction of Romania's buildings.
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Our services aim to approach current issues in a professional manner and focus on two important areas: decrease of energetic intensity through implementation of state-of-the-art technologies; creation of alternative energy sources in order to restrict greenhouse gases, as well as the mitigation of side effects of such gases on people and environment.
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We deliver efficient and reliable “green” solutions The projects we develop involve various technologies and applications combining efficient energy use and solutions to generate energy out of renewable sources. We offer various full services according to customer needs that comply with European quality standards and the eligibility criteria required by institutional investors and Investment Funds.
History ERES Energy is a company established in January 2012, formed by personnel with over 15 years of experience in Romania’s business sector. It represents the synthesis of multiple talents and multidisciplinary experiences of several years of activities in the sectors of real estate, green energy projects, supply-chain and processing of biomasses.
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Cogeneration ERES has been active in the development and consultancy for biomass and biogas projects in the last two years. Noting the requirement to effectively source the biomass, ERES is working closely with AgroEnergy Experts for agronomical expertise. ERES services has included provision of feasibility studies and agronomical consultancy.
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Photovoltaics Since its inception, ERES has dedicated a special attention to the development of photovoltaic plants, both on land and on buildings (Building Integrated Photovoltaic BIPV). ERES activities include both the direct development and consultancy to third parties for projects in this sector.
Agro-energetic systems A real agro-energetic system assumes the synergistic integration of three different production activities, each with characteristics of peculiar interest and mutual “ensuring" and "optimization" factor for the other: Cultivation of 500 - 5000 ha for the production of wood biomass with Short Rotation Forestry techniques; Energy production from biomass using the co-generation technology; Production of pellets to be allocated to the domestic market and export (optimizing the use of the local production of wood biomass and the availability of heat from the cogeneration plant).
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News Advanced biofuel feedstocks targeted in N.C. research awards “We expect the region’s wood and crop resources, growing public and private participants, and strong commitment to contribute to the development of the biofuels sector across North Carolina in coming years.” Awards were determined through a competitive, peer-reviewed process involving industry, nonprofits and state agency representatives. Projects include: - $156,898 to North Carolina State University to trial tree crops to determine the capacity for short-rotation woody crops to produce cellulosic feedstocks in different climates and soils in North Carolina. - $143,787 to North Carolina State University for on-farm evaluation of perennial biofuel crops to educate farmers and cooperative extension agents through demonstrating the best economic and agronomic data for energy grasses. - $125,375 to Mountain Horticultural Crops Research and Extension Center to develop high-yield hybrids of cold-hardy sugarcanes that can be established with vegetative propagation.
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design for print
stationary
TT HH II NN KK--TT AA NN KK MM OO BB II LL II NNOO RR AA SSII DD EE SS PP RR EEOO RR AA SS
ACTIVAREA ACTIVAREA
SP SA PT AI TU IL UU LI UIUR UB RA BN AN
ACTIVAREA SPATIULUI URBAN DEZBATERI SI DISCUTII
ANUALA DE ARHITECTURA TURURI GHIDATE SI ATELIERE
21.6. - 1.7. 2013 www.poianaluiIoacan.org
poianaluiiocan.org
Street Delivery intre 14 - 16 Iunie 2013 Anuala de Arhitectura intre 21 Iunie - 1 Iulie 2013
Poiana lui Iocan | Think-tank mobil, in oras - despre oras.
Vino sa discutam raspunsul la aceasta intrebare,precum si despre alte teme. Cartam, dezbatem, exploram, concluzionam, propunem si implementam.
SPECIALE
CARTARE SI CONSULTARE
PROGRAM
T H I N K-TA N K M O B I L IN ORAS I DESPRE ORAS
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P O I A N A U I P O I A N AL L U I IOCAN IOCAN
ACTIVITATI
AA NN UU AA LL AADD EE AA RR CC HH II TT EE CC TT UU RR AA 22 11 .. 66 .. -11 .. 77 .. 22 00 11 33
CUM TREZIM CARTIERELE DORMITOR?
BUCURESTI BUCURESTI
Duminic , 23 Iunie 18:00 De la casa la bloc - Tur ghidat mpreuna cu Idei Urbane, n care ve i avea ocazia s descoperi i evolu ia Bucure tiului de la parcelarea i locuirea interbelic pân la cartierul socialist al anilor 60-70. Punct de plecare: Pia irea de metrou dinspre Baba
26 - 28 Iunie 11:00 Workshop de-a Architectura - invit m copii s cerceteze -12:30 expozi ia Anualei de Arhitectura Bucure ti 2013, s i aleag casa preferat
i sa o deseneze n felul lor.
Joi, 27 Iunie 15:00 Building Neigbourhoods - boardgame despre cartiere i comunit n limba englez .
Vineri, 28 Iunie 17:00 Habitat -
Sâmbat , 29 Iunie 12:00
de participare? - Dezbatere n cadrul c reia se vor discuta modalit ile de aplicare a legii consult rii publice, strategii de implicare comunitar ; vor fi evaluate exemple de success cât de proiecte.
15:00 Initia ive de revigorare a spa iului urban - Dezbaterea urmare te alaturarea a trei tipuri de practici iator ta ire a climatului social local venite din partea unor actori externi, dar i ini iative realizate de birouri de arhitectur care au ca finalitate reabilitarea fizic a spa iilor publice.
Duminic , 30 Iunie 15:00 Care este rolul antreprenoriatului social i al industriale i a râului Dâmbovi a? Dezbaterea urmare te s reuneasc actori implica i la diverse sc ri care pot asigura transformarea imaginii unor zone uitate de dezvoltarea capitalist contemporan .
18:00 Modernizarea ora ului sub Carol I - Tur ghidat mpreuna cu Idei Urbane, n care ve i avea ocazia s descoperi i transformarea total a ora ului bazat pe o industrie puternic tere, o legisla ie nou , o infrastructur modern administra n fa a intr Toate activit ile sunt cu intrare liber , n baza locurilor disponibile.
Sign Our Petition:
CAN OUR CHILDREN STUDY IN SCHOOLS THAT...
The Challenge About Us
/ConstruiesteScoliVerzi
pg. 6
… … … …
R
’
pg. 4
pg. 2
We are a non-profit, non-political association of businesses and other organizations active throughout the country. We are the leading organization promoting environmental responsibility and energy efficiency in the Design, Construction, Operation, and Deconstruction of Romania's buildings
Objectives
Facilitates the availability of the most up to date and highest quality training to create the necessary pool of national green building experts.
Supports the development of appropriate regulatory conditions that promote sustainable constructions
CAMPANIE IMPLEMENTATA DE:
while ensuring attractive returns on investment
IN PARTENERIAT CU:
Develops and implements a national green building standards and certification system. Supports the development of best in class in-country green construction and in an effort to position Romania as a sustainable construction leader in the region.
Builds an inclusive organization by facilitating the collaboration between all relevant players in order to eliminate systemic barriers and promote a truly sustainable built environment.
Promotes domestic, regional and international collaboration to share knowledge and encourage innovation.
Researches, compiles and disseminates best practices for the region and encourages their adoption and implementation.
pg. 8
pg. 8
…
We can reduce costs while improving the quality
Education in Romania Every day 20% or Romanias population goes to school
Children spend 60% of their day in classes
In Romania there are 24.500 schools of which a great share need urgent reabilitation
On average 23.2% of their life = 16.3 ani
$
CO2 airborne toxins
dwindling budgets
outdated resources
In 2008 the Ministry of Education spent 1.543.351 thousent lei for repares 1.543.351thosent lei invested in school repares in 2008
= 4.300.000 people
Contact Us
Our Partners
Some Numbers Green Schools Benefits
Miths & Facts EcoBiblioteca Green Apple Day of Service
pg. 7
pg. 10
We can do more for this amount!
pg. 11
Source: www.edu.ro
Hear sustainable building
Acoustics are fundamental to learning Ample evidence exists that classrooms can have a negative impact on studentsâ&#x20AC;&#x2122; ability to hear, thus clearly making it absorb and retain information. Two major aspects of acoustics can have an impact. First, background noise can make it more
for them to for
students to hear teachers, and for teachers to speak without raising their voices and suffering fatigue as a result.
GREEN SCHOOLS USE LESS ENERGY AND EMIT LESS CO2 THAN CONVENTIONALLY DESIGNED SCHOOLS
SUBSTANTIAL REDUCTIONS IN USAGE COSTS CAN BE REENVESTED IN BETTER EDUCATIONS
It is widely understood that most people cannot comprehend a noise if it is not 15 decibels louder than the background noise level. Second, rooms that create more echoes due to hard materials can impair what acousticians call speech intelligibility. Acousticians have determined that speech is
32%
33%
less
less
pg. 42
pg. 34
pg. 24
pg. 20 pg. 22
pg. 12
pg. 10
on average33% less energy used
$
on average32% less water used
pg. 12
to understand if a room is full of echoes, and they have developed a measurement for this called reverberation time
(RT). A sound with a reverberation time of longer than 0.6 seconds is considered
to understand, and acousticians can predict and
calculate these conditions based on the interior surface qualities of a room.
Indoor ambient noise is not the only issue in classrooms, however. One important study in this area considered students at a school in the regular
path of an airport, noting that, while controlling for confounding factors like socioeconomic status, students in that school per-
formed as much as 20% lower on a reading test than children in another nearby school (G. W. Evans & Maxwell, 1997).
Source: Center for Green Schools www.centerforgreenschools.org
Sursa: www.worldgbc.org
pg. 13
Contact Us President of the Board and CEO:
Steven Borncamp
Other RoGBC projects:
steven.borncamp@rogbc.org
Director of Development & Marketing: Cristina.Siu@RoGBC.org +40 747 631 672
Info Package:
Razvan Zamfira www.razvanzamfira.com
Visit Us : Str. Ialomicioarei, nr. 21 Sector 1, Bucuresti, Romania
Call Us : +40 21 222 00 11 +40 21 260 00 51 +40 21 222 51 35 +40 21 223 12 01
Like Us :
/ConstruiesteScoliVerzi /Romania.Green.Building.Council
On-line: www.RoGBC.org
pg. 9
pg. 42
pg. 43
Index
I. Introducere
pg. 4
II. Auto-organizarea ca principiu generator III. Introducere in arta fractala
pg. 6 pg. 10
Dragos Iancu
IV. Structuri tip fagure, considerente generale
pg. 20
Irina Georgescu
V. Geometria ansamblului
pg. 28
Radu Rechiteanu
VI. Proprietatile fizice ale materialului
pg. 30
Radu Rechiteanu
VII. Aplicabilitate
pg. 36
Felix Victor Mocanu
cardboard architecture Introducere
2
Cartonul: material folosit pentru ambalare, temporar, usor, reiclabil, refolosibil, sensibil la umezeala, ondulabil, ieftin,........arhitectural? Lunga istorie a construirii are ca rezultate o galerie enorma de informatii pentru materialele sale cele mai cunoscute, in arhitectura si spatiul bogatia acestor materiale este cu mult mai mare. are propriul sau limbaj formal. Aceasta diversitate genereaza un "Babilon" al diferitelor metode de exprimare utilizate de: arhitecti, constructori, producatori de hartie si carton,.... In ultimii zeci de ani cartonul a inceput sa isi croiasca o cale ezitanta dar sigura in lumea arhitecturii. In intreaga lume se realizeaza experimente si ceretari inspirate de posibilitatile acestui si reciclabile. Proiectul actual incearca astfel sa ilustreze oportunitatile utilizarii sale in domeniul studiat iar materialul scris atasat reprezinta o scurta incursiune in acest concept, incercand sa abordeze legate de noile posibilitati oferite de acesta.
4
GEOMETRIA ANSAMBLULUI 28
29
Izolare Panourile realizate din structuri de tip fagure au in componenta lor o mare cantitate de aer. Aceasta caracteristica permite folosirea lor ca izolatori interni si externi atat d.p.d.v termic cat si acustic iar daca situatia o cere,
Longevitate
Datorita invelisurilor exterioare dar si a diverselor tipuri de umpleri posibile structurile tip fagure pot avea o durate de viata extrem de indelungata.
Rezistenta la foc
ECO
Materialul reactioneaza intr-un mod similar cu al lemnului; cu cat este mai gros, cu atat rezistenta sa este mai mare. Materialul se carbonizeaza, astfel protejandu-se de foc si caldura. In plus, cartonul incorporeaza componente ignifuge. Hartia reciclata contine elemente (CaCO3) ce resping oxigenul in cazul unui incendiu si deci protejeaza impotriva acestuia.
Cartonul reprezinta o alternativa mult mai buna la arderea rezidurilor din lemn, captand astfel cantitatea de CO2. Astfel materialul intra intr-un nou stagiu, mult mai longeviv de viata
cu spuma pentru performante sporite
30
30
31
Impermeabilitate
In cazul cartonului, cantitatea de umiditate cantitatea de umiditate din interiorul acestuia. Pentru pastrarea proprietatilor constructive ale cartonului, umiditatea detine astfel un rol primordial. Acesta isi pastreaza proprietatile intacte pana la un procent de 7% de apa retinuta (umiditatea normala pentru spatii interioare) In cazul nerespectarii acestui prag, calitatile sale structurale se reduc
Structura tip sandvich
Material Solid
Structura tip sandvich grosime sporita 4t 2t
t
Rigiditate rigiditate
100
700 de 7 ori mai rigid
3700 de 37 de ori mai rigid
Rezistenta relativa
100
350 de 3.5 ori mai rigid
925 de 9.25 ori mai rezistent
Greutate relativa
100
103 sporire cu 3% a greutatii
106 cu 6% mai greu
O caracteristica interesanta ce reiese din comparatie este modul cum structura tip fagure isi sporeste rigiditatea fara o crestere in greutate.
32
33
architecture projects
PALLET PICNIK SPACE PARCUL TITAN
DESIGN COMPACT PENTRU A NU INGRADI EXPERIENTA SPATIULUI INCONJURATOR DAR SI PENTRU EFICENTA FUNCTIONALA
$ PRIN ASOCIEREA BRANDULUI CU UN DESIGN DURABIL SE INLESNESTE PROMOVAREA VALORILOR CE STAU LA BAZA SA
COST REDUS PRIN FOLOSIREA DE MATERIALE INDUSTRIALE RECICLATE
MODULARITATEA ELEMENTELOR COMPONENTE PERMITE ECONOMI DE MATERIAL, COST DE TRANSPORT SI MANA DE LUCRU
ASAMBLARE SI INSTALARE RAPIDA DATORITA INSTRUCTIUNILOR TIP IKEA SI A SISTEMULUI CONSTRUCTIV
DESIGN ECO-FRIENDLY DIN MATERIALE NATURALE RECICLATE
PROMOVAREA CONCEPTULUI DE UPCYCLING IN DESIGN
OBIECTIVE: BRAND
600 cm
100 cm
150 cm
80 cm
240 cm
100cm
FATADE SC. 1:50
240 cm
COMPARTIMENTARE FUNCTIONALA
120 cm
100 cm
720 cm
PROTECTIA IMPOTRIVA PLOII ESTE REALIZATA DE INVELITOAREA DIN POLICARBONAT
FOLOSIRE PERETILOR DREPT JARDINIERE
STRUCTURA PORTANTA INTEGRATA
DETALIERE SISTEM DE ACOPERIRE
DEPOZITARE SCAUNE/MESE
SECTIUNE FUNCTIONALA SC. 1:50
STRUCTURA PORTANTA
BLAT DE PREPARARE
LAVOAR ALIMENTAT DIN REZERVOR SUP.
GRUP SANITAR
PLAN SC. 1:50
ZONA GRATAR
60 cm 60 cm
INCHIDERE PALETI
FILTRAREA LUMINII PRIN ACOPERIRE.
120 cm
PLAN ACOPERIS SC. 1:50
detalii sistem constructiv
SCARA ACCES BELVEDERE
LOC DE STAT ACOPERIT
SPATII COLECTARE SELECTIVA
o GRUP SANITAR
SPATII COLECTARE SELECTIVA
LOC DE STAT ACOPERIT
REZERVOR COLECTARE APA UZATA
COS GUNOI DESEURI ORGANICE
ZONA GRATAR
thank you!