MEMBER BULLETIN SPRING 2016
THANK YOU BOARD OF DIREC TORS
Year-End Campaign* Contributors Ballas Egg Products Corp. Dr. Edward Council Mrs. Mary T. Hogan Ms. Margaret Nussbaum Mr. & Mrs. Tom Sieber Ms. Marilyn G. Stocker Ms. Alexandra White Ms. Juanita R. Williams
Alice Graham, President Nanc y B eitzel Joan Cameron Bill Chr ist y D ean Cole Char les G orsuch Fred Grant Tom Holdren
* Year-End Campaign gifts received after December 18, 2015.
CO N T E N T S
Dianna LeVeck M ilman Linn Car l M inning Cindy M orehead D. S cott M oyer Susan Nash R ichard Tuck Daniel M. Vincent Br ian Wagner Fay War ner D on Wietmarschen Anne Wr ight
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K-12 STUDENT AR T EXHIBITION
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FELLERS GALLERY & OHIO ANNUAL
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SUSPENDED GATHERING
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ADULT PR OGR AMS
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CHILDREN’S PR OGR AMS
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AR T IN THE GARDEN GALA
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AT THE ZMA
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THE COLLEC TION
On the cover and above: Nicolas Coustou, Ceres, marble, circa 17th century, 10055. For more information about this and other permanent collection sculpture see page 11.
THE K–12 STUDENT ART EXHIBITION O rg a n i ze d by t h e Am e r i c a n A s s o c i at i o n o f U n i ve r s i t y Wo m e n On view May 1 through May 21, 2016 For seven decades, the Zanesville Museum of Art has collaborated with regional art instructors and the Zanesville branch of the American Association of University Women (AAUW) to celebrate the artistic achievements of area students. In 1946, the Zanesville News chronicled the partnership’s early days, announcing, “a chance to see his art work displayed in the Zanesville Art Institute…is offered every school child in Muskingum County.” That event received more than three hundred entries, which were judged by Miss Ruth Dorsey of Muskingum College and local art teachers William O’Neal and Stanley Thompson. Works were exhibited in the Junior Museum on the third floor of the ZMA’s original location at Maple and Adair Avenues. Winners—who received scholarships for art lessons from the AAUW—included Carolyn Lewis, Sherrie Supplee, Billy Tanner, Howard Barr, and Kenneth Vickers. Today, this collaboration flourishes as the Zanesville Museum of Art and the AAUW present the 2016 Muskingum County K-12 Student Art Exhibition. This highly anticipated annual exhibition features creative work by Muskingum County students from public and parochial schools, home-schooled students, and local art education organizations. Nearly four hundred two- and three-dimensional works of art are showcased in this exhibition each year including paintings, drawings, photographs, mixed media, ceramics, and sculpture. The works on display in this year’s exhibition, which were created during the 2015–2016 academic year, include a vibrant assortment of subjects and styles. This diversity results from the resolute commitment demonstrated by this county’s art instructors who guide their students’ artistic exploration in order to develop in them a richer and deeper understanding of art. This year, the ZMA and the City of Zanesville Mayor’s Office will honor student artistic achievement by awarding ten outstanding works of art from elementary, intermediate, middle school, and high school categories the museum’s Avant-Garde Award. Each student artist award recipient will receive a fifty-dollar U.S. Savings Bond presented by Zanesville Mayor Jeff Tilton, AAUW organizer Ruth Sharrer, and ZMA director Laine Snyder. The American Association of University Women has promoted the arts in this community as part of its mission, which is dedicated to advancing equity for women and girls through advocacy, education, and research. For more information about the AAUW and to find membership information please visit www.aauw.org.
E X H I B I T I O N O P E N I N G | S u n d ay, M ay 1
2 to 4 pm, at the ZMA, enjoy complimentary music and refreshments
Avant-Garde Award presentation at 3 pm with Zanesville Mayor Jeff Tilton
and so much more...
Clockwise from top left: Award winners from the AAUW Student Art Exhibition at the Zanesville Art Institute pictured in the 1946 Zanesville News. Left to right: Mary Ann Warne of Lincoln School. Ruthee Bailey; Theda Yost; Frazier Cameron; Sue Weber; Opal Joy Harris. Examples from the 2015 The K–12 Student Art Exhibition.
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R OBER T AND LEONA FELLERS GALLERY Student Exhibitions
| Student admiring work in the Robert and Leona Fellers Gallery.
The ZMA proudly partners with schools and organizations throughout this region to feature the creativity of student artists in the Robert and Leona Fellers Gallery, located on the museum’s third floor. The Fellers were pillars of the Zanesville community, supporting the arts and encouraging art education at the museum. As an artist herself, Leona Fellers exhibited work in the Ohio Annual exhibition, and she would be proud that this gallery celebrates this communty‘s aspiring student artists. April | Zanesville High School, National Art Honors Society. Exhibition opening,Thursday, April 7, 5–7 pm. Free and open to the public. Complimentary punch and light bites. May | Selections from ZMA children’s programs June–August | West Muskingum High School
MAKE MORE
ART
72 nd OHIO ANNUAL EXHIBITION On view June 16 through September 9, 2016
In 1942, the Zanesville Art Institute held the first annual May Show of Arts and Crafts for artists in and around Zanesville. The $15 first prize went to 29-year-old Leslie Cope for his oil painting The Bargeman. Today, Cope’s work is highly regarded, and his art is included in collections like the Zanesville Museum of Art and the Metropolitan Museum of Art. More than seven decades later, this annual exhibition continues. Details have changed—the art institute has evolved into a museum, the May Show is now called the Ohio Annual Exhibition, and eligibility has been expanded statewide—but the fundamental principle remains: The Zanesville Museum of Art is committed to discovering, encouraging, and recognizing Ohio’s finest artists and craft makers. This summer, the museum maintains this tradition with the 72nd Ohio Annual Exhibition. This year’s participants and winners will be chosen by juror Betty Talbott, director of the Ohio Craft Museum. With more than thirty years in the fine craft and traditional arts fields, Talbott possesses a unique perspective on the arts in Ohio and farther afield. She has served on numerous grant panels and juried or curated more than one hundred exhibitions and festivals. In addition, she has served as cultural envoy for the U.S. Embassy in Macedonia. Her outlook has been further shaped by her experience as a working ceramic artist. “Working with my hands,” Talbott says, “has helped me to appreciate not only an idea, but how well executed it is. How well-constructed is an object? How well are the materials used?”
The entry deadline for the 72nd Ohio Annual Exhibition is April 26. Applications available at zanesvilleart.org.
Below: A 2015 Ohio Annual Exhibition award winner, Carol Snyder, Fences, porcelain, 2015. Collection of the artist.
Exhibition Opening
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Thursday, June 16 at 5:30 pm
SUSPENDED GATHERING| An Installation by S ue Cavanaugh On view May 19 through August 27, 2016 The ZMA recently spoke with artist Sue Cavanaugh, whose work Suspended Gathering will be exhibited in the museum’s Golden Gallery this spring. This interview has been edited for length and clarity. How do you describe your art to other people? Hmm, that should be easier, shouldn’t it? These days I’m saying that I’m a 2-D, 3-D, and installation artist. I work mostly with cloth, but I occasionally do mixed media. How long have you been working in these media? It began almost three years ago when I had a residency in Dresden, Germany, through the Greater Columbus Arts Council and the Free State of Saxony. I was there almost three months, and I had a place to stay and a studio. The studio was in a building made to repair railroad cars, so it had this soaring area in the center that was used as a gallery. My studio had interior windows that looked down on that gallery, and I found the space intriguing and wanted to create something big that would soar up into the ceiling area and kind of drip down into the gallery itself. It inspired me. What did you make? At the end of the residency, I was able to do an exhibit with a painter from Rotterdam, and that was the first time I started taking my fiber pieces off the wall, hanging them three-dimensionally, adding wire to give them some form. The biggest piece that I did was made of an old theater curtain. It was white. It had been in really bad shape, and then another artist used it for a drop cloth. And I’d been working primarily with cloth for years and wanted to do some huge stitching. I formed a needle from an X-acto knife with a loop I could put twine through, and I was stabbing it through the cloth. I created this large piece, and I found that very exciting and came back wanting to do more. Is there a thematic relationship between your art and the space where it’s installed? Yes. There certainly can be. My studio is in a hundred-year-old factory that now has studio space for over one hundred artists, and there’s this creative spirt I feel the minute I walk in the building. The roof would leak a lot, so I wanted to make something for that space that would relate to the water dripping in the building but also to ideas dripping and creativity dripping from the studios. I created some pieces where cloth was oozing out of the cracks in the building. If there’s something about the space I can relate to, I like to do it. Do you improvise during the installation process, or is it a matter of executing an already-formed plan? There’s a pre-formed plan, and then I have to let go of that during the installation. Certain things aren’t obvious until you’re actually installing. But I do think about it a lot ahead of time. In Zanesville, I’m planning quite a few pieces that will hang. After the first piece goes up, the next piece needs to relate to that. While I might have a notion of how it’s going to be, it’s not set in stone until it’s actually up. Looking at the Golden Gallery, I was really drawn to the soaring quality of that space and the open quality of that space as it relates to the outdoors. I hope this work will take advantage of that and relate to the outdoors. Many large-scale installation artists employ assistants, but your website says that you do not. Is it important to you that a work is created by the artist’s own hand? In some ways it is. When people ask me that, the bottom line is that I couldn’t afford to hire assistants. But if I weren’t working directly with the material, I wouldn’t have come up with various ways to make it. I can think, “What if I did a little different stitch here?” I can be somewhat improvisational with the work as I’m doing it. Does your work call attention to the material’s original purpose or does it completely transform it? It does relate to the original material. If you looked from a distance you wouldn’t know, but as you approach it yes. I had a piece last year where you don’t see these things right away, but as you approach it you begin to say, “That’s a men’s shirt.” “That’s a pair of pants.” “ This is a drapery.” I like this historic reference within the piece. Just a year ago, I started working with parachutes. I like the notion that these are army surplus, so the original purpose relates to war, and now they’re repurposed to these amorphous amusing pieces. It’s kind of fun.
E x h i b i t i o n O p e n i n g | Thursday, June 16 at 5:30 pm Right: Detail of Suspended Gathering, fiber installation, 2015. Collection of the artist. Photograph courtesy Robert Colgan.
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ART ON TAP | Redefining Craft Tap into your inner artist with the ZMA at Weasel Boy Brewing Company. Join us every third Tuesday of the month for drawing games, trivia, and more. Each night will feature a different game, so come on out for fine craft beer, great food, and creative company. Tuesdays, April 19, May 17, June 21, 6–7 pm. Free and open to the public. No experience required. All materials provided. This program is held at Weasel Boy Brewing Company, 126 Muskingum Avenue, Zanesville. No registration required.
HOOKED | Rug Hooking with Maddy Fraioli Roseville artist Maddy Fraioli will share her passion for rug hooking and guide you through this artful American craft. Hooking with wool, you will make your very own postcard-sized wool vintage flower seed packet mat to keep or send to someone special. Saturday, April 16, 10 am–4 pm at the ZMA. $100 members, $115 not-yet-members. Hooks, frames, and scissors will be provided during the workshop and are available for optional purchase. Please bring a brown bag lunch. No experience required. Recommended for adults. Register by April 9.
WARPED | Weaving Workshop with Jennifer Jenkins On the first day of this workshop, fiber artist Jennifer Jenkins will instruct in the creation and preparation of the loom. The following Saturday, Jenkins will guide participants in the warp and weft of tapestry weaving techniques. Saturday, May 7, 1–4 pm and Saturday, May 14, 12–4 pm at the ZMA. $95 members, $110 not-yet-members. Some materials provided. For a list of materials to purchase, please visit www.zanesvilleart.org. No experience required. Recommended for teens and adults. Register by April 30.
STITCHED | Fabric Collage with Susan Nash Discover a new artistic purpose for fabric scraps, buttons, and thread with Zanesville artist Susan Nash. Nash will lead participants through color selection, composition, and simple stitches to make abstract collages inspired by Nash’s own work and the installation of fiber artist Sue Cavanaugh, Suspended Gathering, on view through August 27, 2016 at the ZMA. Saturday, June 4, 11 am–3 pm at the ZMA. $35 members, $40 not-yet members. All materials provided. Please bring a brown bag lunch. No experience required. Recommended for teens and adults. Register by May 28.
THE ADVENTUROUS PALETTE | Canvas and Cocktails with Michael Seiler Unleash your adventurous palette with Zanesville artist Michael Seiler. Bring a friend, share a glass of wine, and paint your own masterpiece. All materials, wine, and light bites are included in the cost of this workshop. Friday, June 10, 5:30–7:30 pm at the ZMA. $40 members, $45 not-yet-members. No experience required. Must be 21 or older to enroll. Register by June 3.
WATER IS FUNDAMENTAL | An Introduction to Watercolor Painting Techniques Learn the fundamentals of this classic art form. Participants will learn which watercolor paper to use, which brushes are best, and which techniques yield the needed results for painting a lovely spring landscape. Saturday, July 16, 1–4 pm at the ZMA. $30 members, $35 not-yet-members. Some materials provided. For a list of recommended materials, please visit www.zanesvilleart.org. No experience required. Recommended for teens and adults. Register by July 9.
StorySLAM | Save the Date The ZMA celebrates this region’s rich storytelling tradition with a twist. Join us for StorySLAM, a competitive storytelling event in which people from all walks of life have the opportunity to tell real stories, live and on stage. Three members of the audience will be selected to judge the stories and award the ZMA’s second StorySLAM winner a cash prize. Visit www.zanesvilleart.org for more information, rules, and this year’s theme. Monday, July 25, 7–9 pm at the ZMA. This event is free and open to the public. Recommended for adults ages 18 and older. Register by July 18.
SUMMER STARTS HERE
Create imaginative and wonderful art in the great outdoors this summer using found objects. Explore how art, nature, and conservation can be connected to make beautiful and meaningful works of art. July 11−15, 1:30−4:30 pm, Grades 1−5. $80 for museum members; $110 for not-yet-members.
EARTHWORKS | Environmental Art Camp
Explore the world of underground and graffiti art. In this session, you will learn to create your own large-scale graffiti imagery and tags, the way popular streets artists–such as Banksy–do. We will use a Zanesville storefront window to explore the possibilities of this exciting media. July 11−15, 9:30 am−12:30 pm, Grades 9−12. $80 for museum members; $110 for not-yet-members.
GRAFFITI UNDERGROUND | Street Art Camp
June 14, 11 am–12:30 pm. Grades 7–9. Orientation session, Ohio University Auditorium and Atrium. June 16, June 21, June 23, June 28, June 30, and July 5, 9 am–12 pm at your assigned venue. July 7, 6–7:30 pm “Final Reading.” For more information or to register by April 15 please visit www.ouzanesville.org/writingrighting-the-world/
Stimulate your imagination in this creative writing camp for students who live in the Muskingum County area. Students will benefit from instruction in the three main genres: fiction, poetry, and creative non-fiction. Students will alternate between the three genres and their assigned venues: Fiction at the Zanesville Museum of Art, Poetry at Ohio University Zanesville, and Creative Non-Fiction at the Muskingum County Library, Zanesville location.
WRITING/RIGHTING THE WORLD | Creative Writing Summer Camp
June 13−17 and 20−24, 1:30−4:30 pm, Grades 9–12. $160 for museum members; $190 for not-yet-members.
Use your smartphone to craft, shoot, and edit a two-minute film. The ZMA, in partnership with Zane State College, will offer a two-week camp for aspiring filmmakers. Family and friends will join us at the ZMA for the exclusive Just Push Play film screening at the end of camp in June.
JUST PUSH PLAY | Digital Film Camp
at the ZMA
SUMMER RT CAMP
620 Military Road, Zanesville, Ohio, 43701 (740) 452-0741 www.zanesvilleart.org
The Taylor McHenry Foundation
www.zanesvilleart.org
For more information, visit...
MEMBER EARLY REGISTRATION BEGINS APRIL 11
August 1−5 and August 8−12, 9:30 am−12:30 pm, Grades 7−12. $160 for members, $190 for not-yet-members.
Create wonderful handmade ceramics. Using the ZMA’s collection of American art pottery, learn about Zanesville’s rich history as the clay capital of the world, and make your own imaginative creations, including a collaborative garden sculpture for the museum’s Bebe Grant Memorial Garden.
CLAY CITY | Ceramic Camp
Get graphic with us this summer, and explore the world of Japanese Manga. You will develop characters and storyboard your ideas, creating a graphic comic book. July 18−22, 1:30−4:30 pm, Grades 7−12. $80 for museum members; $110 for not-yet-members.
GRAPHICALLY SPEAKING | Manga Camp
July 18−22, 9:30 am−12:30 pm , Grades 4−6. $80 for museum members; $110 for not-yet-members.
Investigate the age-old connection between poetry and visual art. Join Elizabeth Christy and exercise your poetic license in a fun and exciting exploration of art and poetry. You will have the opportunity to develop your own short book of verse.
POETIC LICENSE | Poetry Camp
CHILDREN’S PROGRAMS DOODLEBUGS | Discovery Hour Introduce your preschooler to the art of discovery within the ZMA’s galleries. Every second Friday, special activity centers throughout the museum will engage the senses and captivate the imagination of young visitors. Second Friday of the month beginning in April, 10:30–11:30 am at the ZMA. Free to museum members, $6 per session for not-yet-members. Register one week prior to each class.
ART ADVENTURE | Second Saturday Workshop Children in grades 1–6 will explore different media and art-making techniques at the ZMA this spring, each second Saturday of the month. Join us in the studio for an art adventure to remember. 11 am–12 pm at the ZMA. $5 material charge for museum members, $7 not-yet-members. All materials provided. Please bring a painting smock. Just in time for Father’s Day, make a hand-shaped bowl using polymer clay. Trace your hands in clay then shape and decorate this gift-worthy keepsake. Would you like to paint your bowls? Join us during Family Day, June 18 to learn fun painting techniques for an even more creative bowl. Register by June 4
Story Quilt
Write your own story on red-whiteand-blue material, then work with others to create an American-flaginspired collage quilt like fiber artist Faith Ringgold.
JULY 9
Register by May 7
Clay Hands
JUNE 11
Learn the ancient technique of mosaics and put together your own work of art using brightly colored paper and glue. Students will make portraits, landscapes, and still lifes inspired by the artists of the ancient world.
MAY 14
Roman Mosaics
Register by July 2
DRAWING CHALLENGE | Creative Art Journal Class Young adults in grades 6–12 will learn to illustrate their ideas this May (and beyond!) by creating colorful and captivating art journals. Join us each Friday at the museum to share work, discuss ideas, and take inspiration from the art on display. Those who take the challenge will journal each day in May, guided by daily drawing prompts provided in class. Bring your own art journal or start a new one! New journals are available the first day of class for an additional $15. Friday afternoons, May 6, May 13, May 20, May 27, 3–4:30 pm at the ZMA. $15 for members, $20 for not-yet-members. Some drawing materials provided. Register by April 29.
CERAMICS | Totem Pole Class Children in grades 5–8 will discover or enhance their clay skills and create a totem sculpture. Crafted by indigenous peoples of the Americas, totems are sculptural representations of clan identity. Students will be encouraged to explore their own identity, plan the sculpture’s design, shape and model the clay, glaze the work, and then construct their iconic piece. Wednesdays, June 1, June 8, and June 15, 10:30 am–12:30 pm at the ZMA. $40 members, $50 not-yet members. All materials provided. Please bring a smock or wear clothes that can get a little messy. Register by May 25.
FREE FAMILY DAY | Stars, Stripes, and Summer Bring the family and create a poster based on the iconic designs of World War I poster illustrator and hometown hero Howard Chandler Christy and learn about Christy's influential war bond posters and how artists aided the war effort. Saturday, June 18, 1–3 pm at the ZMA. Admission to the museum is free with a donation of a care package item for U.S. troops. For more information about the items needed, please visit www.zanesvilleart.org. No registration required.
Registration often required one week prior to each class. Please visit www.zanesvilleart.org or call (740) 452-0741 for more information or to enroll.
Ellen Leslie
THE BEAUX ARTS CLUB A ZMA AFFILIATE GROUP
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6:30–10 pm
11 am–5:30 pm
CLOCKWISE FROM TOP LEFT: Brady Lewis of the Zanesville World Music Ensemble playing at the Imaginative Chang’an exhibition opening February 18th at the ZMA. Museum guests enjoying the Arts of Ohio gallery this winter. Rowan Brown learning calligraphy during free public program–What’s in a Name. Jennifer Mallett enjoying pinot grigio and painting her own piece of Zanesville pottery at the Adventurous Palette, Pottery Edition with Jessica Gray. Two of our youngest members enjoying the Beaux Arts Club Spring Tea. Top: A young observer admiring Luther S. Barkbank, on loan to the museum from Mr. Terry Goss. An important book donation, a catalogue raisonné of works by Winslow Homer, enters the museum’s Longaberger Art Research Library. Zanesville artist and Muskingum University professor Yan Sun demonstrating technique to Nariah Kimbrough in What’s in a Name. The work of Toledo ceramicist Tom Marino, on view through April 30.
JOIN US
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AT THE ZMA
THE COLLEC TION | The
Gods and Godesses of the ZMA
On permanent view The Zanesville Museum of Art has an outstanding permanent collection filled with captivating paintings, works on paper, American art pottery, and sculpture. In this edition of “The Collection,” we will take a closer look at sculpture inspired by the elegant simplicity and noble grandeur of Greek and Roman art and mythology. On view in the Longaberger Art Research Library is the enchanting bronze sculpture of Pan, venerated by the Greeks as the representative of untamed nature. Usually depicted as a half man and half goat, the ZMA’s sculpture Pan Nicolas Coustou, Ceres, marble, circa 17th century, 10055. Piping, circa 1913, by Edward Francis McCartan, depicts a different aspect of the deity—the graceful and youthful god of flocks and pastures contently playing his pan flute. Located nearby is the marble statue of Venus and the Golden Apple by Carmelo Fontana. As the Roman goddess of love, Venus is depicted nude holding nothing but the golden apple proclaiming her the “fairest of the goddesses.” The Ayers Gallery (often called the English Panel Room or the Hatton Gallery) has wonderful examples of ancient gods and goddesses as well, including three versions of Neptune, the Roman god of the sea. The most evident of these is the bronze sculpture Seated Neptune by George Miller. Miller depicts the sea god sitting calmly, holding a massive conch shell, which, when blown, was said to raise or calm the seas. Neptune is portrayed in a more dramatic manner in the porcelain figure of the god made by England’s Chelsea Porcelain Manufactory. In this small decorative work, the subject stands with twisted torso amid seaweed and shells, as if preparing to whirl about and release all the ocean’s might. In yet another depiction, Neptune appears in an unexpected place—Peter Paul Rubens’s portrait George Villiers, First Duke of Buckingham. In the painting’s lower left corner, a whitebearded Neptune reclines, looking on as the mounted duke appears before a seascape and ships, which reference the duke’s position as Lord High Admiral of the English navy. Neptune’s presence highlights the extent to which the duke’s fortunes depended upon the temperament of the seas. Further representing the Roman pantheon is a marble bust of Neptune’s sister, Ceres. French sculptor Nicolas Coustou depicts this goddess with a crown of wheat in her hair, bringing to mind her role as goddess of agriculture, grain, and harvest. Opposite Ceres is another marble bust, this one of Psyche, Greek goddess of the soul. This sculpture, by American Hiram Powers, is likely a copy of an ancient original. Like the sculptors of Golden Age Athens, Powers portrays his subject in an idealized manner. Rather than depicting Psyche in a state of frenzied emotion, he presents the goddess in graceful and dignified repose. The pervasiveness of classically themed art in western museums is the result of a five-hundred-year fascination with Greco-Roman culture. Roughly one thousand years after the fall of Rome, artists began showing a renewed interest in the ancient past, and by the late sixteenth century, Europeans were embarking on what was called the Grand Tour: Fashionable young aristocrats visited Paris, Greece, Venice, Florence, and Rome, where they explored ancient ruins and purchased artifacts to decorate their homes. The eighteenth-century excavations of Pompeii and Herculaneum helped drive public enthusiasm, and classically inspired artwork became one of the most popular styles of the time. Today, the fascination with these ancient cultures remains. Painters, architects, sculptors, ceramicists, and others continue to draw inspiration from antiquity, copying Greek and Roman styles or using classical mythology as their subjects. Above: Detail, Hiram Powers, Psyche, circa 1837–69, gift of Mr. and Mrs. E.M. Ayers, 10003. Right: detail, George M. Miler, Seated Neptune, circa 1819, cast bronze, 1993.16719
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620 Military Road | Zanesville, Ohio | 43701 (740) 452-0741 | www.zanesvilleart.org
Zanesville Museum of Art programs and events are funded, in part, by a grant from the Ohio Arts Council. The Ohio Arts Council is a state agency that funds and supports quality arts experiences to strengthen Ohio communities culturally, educationally, and economically.
WE ARE A BLUE STAR MUSEUM Announcing free admission for the nation’s active-duty military personnel and their families, including the National Guard and Reserve, from Memorial Day through Labor Day 2016. For more information visit www.zanesvilleart.org.
HOURS
Wednesday Thursday Friday Saturday
10 am–5 pm 10 am–7:30 pm 10 am–5 pm 10 am–5 pm
LONGABERGER ART RESEARCH LIBRARY Open during museum hours.
ADMISSION
Adults Young adults ages 10–18 Seniors ages 60 and over Children ages 9 and under Museum members Thursday 5-7:30 pm
$6 $4 $4 Free Free Free
Zanesville Museum of Art 620 Military Road | Zanesville | Ohio | 43701 (740) 452-0741 | www.zanesvilleart.org
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