Impressions Spring 2021
Impressions Spring 2021
1868–1913
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Louis Akin
El Tovar Hotel, Grand Canyon, Arizona 1906 Chromolithograph 171/4 x 36 inches Signed lower left in the plate
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1894–1985
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Doel Reed
Archaic Forms 1957 Aquatint No. 18 of 25 113/8 x 193/8 inches Signed lower right
Will Shuster 1893–1969
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El Leñador 1927 Etching 3 8 /4 x 67/8 inches Signed lower right; titled lower left
1886–1956
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E. Martin Hennings
Indian Bake Ovens c. 1924 Lithograph No. 72 of 100 93/4 x 10 inches Signed lower right; titled lower left
John Sloan
1871–1951
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Knees and Aborigines 1927 Etching 91/2 x 7 1/2 inches Signed lower right
1881–1971
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Gustave Baumann
Above A Quiet Corner 1936 Color woodblock print I No. 15 of 125 83/8 x 71/2 inches Signed lower right; titled lower left Right Three Pines 1926 Color woodblock print 103/4 x 91/2 inches Signed lower right; titled lower left
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1881–1971
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Gustave Baumann
Above Taos Placita 1947 Color woodblock print No. 28 of 125 91/4 x 11 inches Signed lower right; titled lower left Right Strangers from Hopiland 1921 Color woodblock print II No. 2 of 125 117/8 x 101/4 inches Signed lower right; titled lower left
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1898–1981
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Charles Capps
Above Mountain Mission 1967 Etching and aquatint No. 3 of 200 5 x 85/8 inches Signed lower right Right Moonlit Mills 1933 Aquatint 73/8 x 93/8 inches Signed and dated lower right
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1903–1996
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Gene Kloss
Above Southwestern Summer 1945 Etching and drypoint Edition of 125 81/4 x 107/8 inches Signed lower right; titled lower left Right Rugged Land 1934 Drypoint and aquatint Edition of 30 103/4 x 133/4 inches Signed lower right; titled lower left
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1903–1996
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Gene Kloss
Above Moonlight Circle Dance 1956 Drypoint and aquatint Edition of 125 7 3/4 x 93/4 inches Signed lower right; titled lower left Right Night Mass at “Our Lady of Delores” – Taos 1937 Drypoint and aquatint Edition of 30 117/8 x 87/8 inches Signed lower right; titled lower left
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1809–1893
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Karl Bodmer
Above Herds of Bisons and Elks c. 1840 Hand-colored aquatint line engraving Tableau: 47 14 x 161/2 inches Right Pehriska-Ruhpa c. 1840 Hand-colored aquatint line engraving Tableau 17 161/2 x 14 inches Signed in plate lower right
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Karl Bodmer
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1809–1893
Abdih-Hiddisch c. 1840 Hand-colored aquatint line engraving Tableau 24 20 x 143/8 inches
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Winter Village of the Minatarres c. 1840 Hand-colored aquatint line engraving Tableau 26 141/4 x 17 inches
George Catlin
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1796–1872
North American Indians c. 1844 Hand-colored lithograph Plate 1 171/2 x 13 inches
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Joc-O-Sot “The Walking Bear” c. 1844 Hand-colored lithograph 161/4 x 111/2 inches
1830–1902
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Albert Bierstadt
Western Kansas c. 1876-1878 Hand-colored steel engraving 43/4 x 7 inches
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A Halt in the Yosemite Valley 1875 Hand-colored steel engraving 7 x 93/4 inches
1830–1902
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Albert Bierstadt
The Rocky Mountains – Lander’s Peak
c. 1869 Chromolithograph 19 x 321/2 inches
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The Rocky Mountains 1866 Steel engraving 161/2 x 27 3/4 inches Signed lower left, “Albert Bierstadt”; signed lower right by printer, “James Smillie”
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Thomas Moran
1837–1926
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The Grand Cañon of the Colorado River, Arizona 1892 Chromolithograph 22 x 38 inches Signed and dated in the plate lower left
1837–1926
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Thomas Moran
The Great Blue Spring of the Lower Geyser Basin 1876 Chromolithograph 91/2 x 133/4 inches Signed in plate lower right with artist’s cypher
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The Mosquito Trail, Rocky Mountains of Colorado 1876 Chromolithograph 10 x 141/2 inches Signed and dated in plate lower right with artist’s cypher
1841–1914
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Peter Moran
Pueblo c. 1890s Lithograph with hand-painted highlights 11 x 121/2 inches Signed in plate lower left
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1841–1914
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Peter Moran
Harvest at San Juan, New Mexico c. 1883 Etching 6 x 12 inches Signed lower right
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Down the Arroya to Santa Fe, New Mexico 1893 Photogravure 57/8 x 121/4 inches Signed in plate lower left
Joseph H. Sharp
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1859–1953
Standing Deer, Taos c. 1900 Monotype (blue state) 123/4 x 93/8 inches Signed lower left
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Standing Deer, Taos c. 1900 Monotype (purple state) 14 x 93/8 inches Signed lower left
1934–2003
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Harold Joe Waldrum
Above La Reflexion, San Teodoro Aquatint No. 34 of 68 16 3/4 x 161/2 inches Signed lower right; numbered lower left Right El Contrafuerte Grande de la Iglesia de San Ildefonso Linocut No. 51 of 62 9 x 9 inches Signed lower right; numbered lower left
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1901–1980
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Howard Cook
Taos Pueblo 1927 Etching Edition of 50 (30 printed) 8 7/8 x 97/8 inches Signed lower right; titled lower left
©2021 Zaplin | Lampert Gallery
Photography James Hart
651 Canyon Road, Santa Fe, New Mexico 87501 505.982.6100 zaplinlampert.com
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Design Alex Hanna, Invisible City Designs
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651 Canyon Road, Santa Fe, New Mexico 87501 | 505.982.6100 | zaplinlampert.com