Zachary Callaway - Portfolio

A C H A R Y C A L L A W A Y 504.610.9081 z@zcallaway.com

R E F L E C T I O N P E R S O N A L

A blank piece of paper lies untouched on top of a desk. Everyday people walk by, but are unaware of its presence; blind to its potential.

In the distance, a child sits on a rock in the middle of a gently flowing river. Tossing a stick in the water, he watches as it dances downstream; becoming a part of the river.

Years pass when the child, now a man, arrives. He glances down at the blank page and visions begin to flood his mind.

Grabbing the sheet of paper in his hand, the man travels back to the river, returning to the very rock he sat on as a child, and begins to draw. Every line, every stroke of his pen is guided by the potential he envisions. The blank page provides the catalyst for releasing all his past memories.

Hours go by until suddenly, the man stops. Satisfied he holds the paper up to view. On the page is a drawing of a structure, modest in its appearance and passive to the power of the landscape.

A place that lends its self to its surroundings.

This is the essence of Architecture.

Design is an invitation. An invitation to explore areas of the world that do not exist.

To see the unseen.

And so, with design, comes a special level of awareness, An ability to find inspiration through the synthesis of past experiences, present surroundings, and future possibilities.

AUSTIN, TEXAS

artist residence tower

tesla motors resort

RESPECT

CHICAGO, ILLINOIS

university of chicago library extension

COMPOSE

BYWATER, LOUISIANA

jazz inspired community center

DIALOGUE

HICKORY, NORTH CAROLINA

BEACON

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ZACHARY CALLAWAY z@zcallaway.com 504.610.9081

ZACHARY CALLAWAY

ARTIST RESIDENCE TOWER ABSTRACT: The Artist Residence Tower [A.R.T.] is a community based design aimed towards providing affordable housing for new and upcoming artists.

CAUSE: Austin, Texas’ unique mixture of cultures creates an ideal scene for artists to begin their careers. Unfortunately, living within close proximity to the major retail locations is very costly. As a response, the Austin A.R.T. aims to create a self-sustaining, internal economy that will serve as a marketing platform and living space for the beginning artists.

SOLUTION: The design of the Austin A.R.T. acts as a beacon for the artists’ work. Its expressive design represents the artwork that is created from within, providing a landmark that will attract pedestrians from both near and far.

The increased attraction creates an internal revenue flow in which beginning artist’s will be able to live, sell, and advertise their work in a low cost manner.

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FURNITURE INDUSTRIAL DESIGN FIBERS

LARGE STUDIO

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INTERIOR DESIGN FASHION PAINTING ARCHITECTURE SCULPTING CULINARY ARTS INTERIOR DECORATING SOUND DESIGN MUSIC PRINT MAKING

DARK ROOM LESS LIGHT SOME LIGHT ABUNDANT 7% 46% 11% 35%

PHOTOGRAPHY ADVERTISING GRAPHIC DESIGN ILLUSTRATION SEQUENTIAL ARTS JEWELRY ANIMATION WRITING FILM AND TELEVISION GAME DEVELOPMENT MOTION MEDIA PERFORMING ARTS VISUAL EFFECTS

The undulating tower allows for optimal exposure to natural light within the artists’ studio spaces, and was dictated by the necessity of light per programmatic use.

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A R T W O R K At street level, openings within the skin allow for a small glimpse of the artist’s work enticing the viewer to further explore the building.

By varying the sizes and heights of the windows, every pedestrian will experience the building differently, thus creating a unique interaction between the public and the artist.

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An atrium was added to introduce natural light and provide passive ventilation throughout the parking structure.

The atrium also allows for the expressiveness of the undulating residential units to be viewed from within the structure, creating a desire that will encourage vertical circulation throughout the building.

ZACHARY CALLAWAY

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vehicular circulation map

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Vehicular parking entrance

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750 parking spaces (entire building)

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Vehicular circulation ramps

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Public elevators

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Street level art gallery spaces

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Residential lobby and main entrance

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typical residential unit floor plan

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TYPICAL UPPER LEVEL FLOOR PLAN ( level 8)

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Private studio workshops

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Shared gallery space

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Pedestrian walkway

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Atrium

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Typical residential configuration

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Typical residential unit

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Artist Residence Tower Austin, Texas

Professor Amy Wynne

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ZACHARY CALLAWAY z@zcallaway.com 504.610.9081

ZACHARY CALLAWAY

TESLA MOTORS RESORT ABSTRACT: The Tesla Motors Resort, located within the mountains of Hickory, North Carolina, reflects the spirit of Tesla by combining the beauty of nature with the luxury that is expected with the Tesla Motors brand.

CAUSE: Founded in 2003, the Tesla Motors company is a corporation dedicated to the progressive study and fabrication of electric powered vehicles in an attempt “help lessen global dependence on petroleum-based transportation and drive down the cost of electric vehicles�.1 SOLUTION: The Tesla Motors Resort challenges the traditional car dealership experience by offering potential owners an opportunity to experience their electric vehicles within the context of the natural environment. Each element throughout the resort creates an interaction with the natural surroundings, thus providing future owners with a greater understanding of the necessity of electric powered vehicles.

1. www.teslamotors.com/about

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quadrants

zoning

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the museum

the showroom the retreat

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3 1. entrance 2. tesla delivery system 3. service space

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4 7 4. showroom 5. office space

6. lobby 7. delivery platform

TESLA MOTORS RESORT the showroom

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Left: Axonometric diagram of the Tesla Showroom: 1. Excavation boundary 2. Main Circulation 3. Vehicular Delivery System 4. Offices 5. Showroom 6. Lobby Above: Tesla Showroom entrance threshold Right: Transverse section of the central staircase and vehicular delivery system ZACHARY CALLAWAY

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4. restaurant 5. kitchen 6. balcony seating

TESLA MOTORS RESORT the museum [ and restaurant ]

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Left: Axonometric diagram of the Tesla Museum: 1. Excavation boundary 2. Man circulation 3. Museum 4. Restaurant 5. Vertical lantern Above: Tesla Restaurant entrance threshold Right: Transverse section of the Tesla Museum lobby, central staircase, and Tesla Restaurant ZACHARY CALLAWAY

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3 1. entrance 2. multi-family suite 3. studio suite 4. private balconies 5. shared dock

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7 6. multi-family suite

master bedroom 7. ADA accessible suite 8. ADA suite entrance

TESLA MOTORS RESORT the retreat

ZACHARY CALLAWAY

Left: Cross section of the Multi-Person Family Suite Above: Multi-Person Family Suite view of the Tesla Showroom and the Tesla Museum Right: Axonometric diagram of the Tesla Retreat: 1. Excavation boundary 2. Horizontal circulation 3. Studio suite 4. Multi-family suite 5. ADA suite

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Right: Tesla Museum and Restaurant Below: Tesla Showroom vehicle delivery system

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TESLA MOTORS RESORT HICKORY, NORTH CAROLINA Professor Matthew Dudzik

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ZACHARY CALLAWAY z@zcallaway.com 504.610.9081

ZACHARY CALLAWAY

B Y W A T E R COMMUNITY CENTER ABSTRACT: Music is a universal language regardless of race, creed, sex, or social status. It transcends time and has always been a driving force in bringing people together. For the district of Bywater, located just minutes away from downtown New Orleans, Louisiana, bringing people together became a desired remedy.

CAUSE: Due to the destruction of Hurricane Katrina in 2005, and the economic struggles that followed, the once thriving district became an area filled with blight and social separation.

In the years following the storm, residents and companies began to return slowly back to the community. However, so did a distinct disconnect due to financial instability.

SOLUTION: Influenced by jazz, The Bywater Community Center aims to provide a common gathering space for the community, thus offering a solution to the separation and beginning the gradual steps towards restoration. a collaborative effort with interior design student Jun Fang

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lobby public computers library reading area day care center lockers office classroom multi-purpose room public kitchen outdoor seating

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“Music washes away from the soul the dust of everyday life.”

- Berthold Auerbach

ZACHARY CALLAWAY

Graphic Representation of Dizzy Gillespie’s Groovin’ High

Octave = Vertical Grid

A series of steps and half steps between matching notes (D#, E, F, F#, G, G#, A, A#, B, C, C#, D).

Meter = Horizontal Grid

All rhythmic aspects that define the timing.

Chord Progression

A series of note configurations that establish an overall tonal structure or melody.

Chord Tones

Notes (usually played on the downbeat) that coincide with their respective chord progressions, allowing bebop musicians to improvise without straying too far from the melody.

Grace Notes

Improvised notes that do not follow the typical melodic structure of the musical piece, giving bebop the distinct “skat” sound.

Phrase = Conceptual Composition

A group of measures that have a formal structure, with a clear beginning, middle, and end.

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Harmony = First Dimension

Notes separated by a distinct ratio that, when played together, complement each other.

improvise

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extrude

Accents = Second Dimension

Notes emphasized based on their context within the phrase.

Melody = Third Dimension

Notes, that when played, present a linear structure within the phrase.

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extrude

Above: Through the implementation of a plan to section extrusion technique, the above diagram is an exact three dimensional representation of Dizzy Gillespie’s Groovin’ High.

Left: Dividing the model along any horizontal or vertical plane would result in an two dimensional depiction of the elements within the transcribed musical composition.

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extrude

circulation computer spaces reading spaces lantern day care space

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MUSICIANS ARE ARCHITECTS OF SOUND ARCHITECTS ARE MUSICIANS OF SPACE

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BYWATER COMMUNITY CENTER BYWATER, LOUISIANA Professor LaRaine Montgomery

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ZACHARY CALLAWAY z@zcallaway.com 504.610.9081

ZACHARY CALLAWAY

UNIVERSITY OF CHICAGO L I B R A R Y E X T E N S I O N ABSTRACT: The University of Chicago’s Joseph Regenstein Library Extension captures the character of the existing building while celebrating the new techniques of building construction and library technology.

SOLUTION: The proposed language of the Joseph Regenstein Library Extension mimics its partnering building in scale and style. In contrast, a portion of the book retrieval system is raised above ground and encased in glass.

This highlights the elaborate system for viewing within the library, and to passing pedestrians.

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CAUSE: Currently, the University of Chicago’s Joseph Regenstein Library houses one of the world’s most extensive book collections and an elaborate retrieval system. Comprising of over two million volumes, this retrieval system can deliver a book to a student in no less than five minutes. Unfortunately, this impressive feat of engineering is stored entirely underground.

ZACHARY CALLAWAY

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entrance

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circulation desk

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book retrieval system

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book delivery system

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main circulation stair

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group seating

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computer desk

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lecture space

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terraced seating

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group reading space

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group study desks

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private study rooms

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private study desks

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private reading space

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book preservation lab

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diffused lighting skylight

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integrated wind turbine skin

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light weight plastic wind turbine

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roof insulation

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8” metal decking with concrete topping

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LH Series Bar Joist 18LH02

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suspended acoustic ceiling

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LitRaCon tm Concrete trombe wall panel

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Triple Pane Low E Glazing with lattice attachment for ivy skin

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6” metal decking with concrete topping, plywood, and (cork) flooring

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K Series Bar Joist 8K1

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AISC wide flange W16X100

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soffit finishing with stucco and insulation

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concrete finish

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concrete/steel connector

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LitRaCon tm Concrete Panels

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AISC wide flange W12X26

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Logix tm ICF (insulated concrete forms) with insulation and webbing

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floating floor

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8” metal decking with concrete topping

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LH Series Bar Joist 18LH02

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AISC wide flange W40X431

I Powered by the wind, the integrated turbine system works together as a cohesive unit to generate energy.

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Combining ivy with a trombe wall system will minimize solar exposure during the summer when the ivy is in bloom, and maximize solar exposure during the winter.

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III GROUP Incorporating light transparent concrete around structural elements creates an artistic play on the massive characteristics of concrete.

Separate studying zones utilize specially designed furniture to encourage specific studying behavior.

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The second floor consists of private study desks with adjustable privacy panels that block unwanted noise and radiate heat.

The first floor consists of recessed seating which can be utilized for either group discussions or lectures and presentations.

Group study tables are found near the back of the library.

The automated book delivery system runs overhead allowing the transportation of books to be visible.

UNIVERSITY OF CHICAGO REGENSTEIN LIBRARY EXTENSION

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Chicago, Illinois

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Professor Alejandro Silva

ZACHARY CALLAWAY