Organizzatore della mostra:
Supporto accademico: Wang Lin Lin Wang ( famoso critico)
Curatore: Jingjing Shi (Curatore internazionale)
A cura di: Marica Petti (critica italiana)
organizzatore:
Shi Jingjing Artbank || Rivista statunitense ZET MAG
co-organizzatore
Rivista americana ZET MAG
Organizzazione Italiana Gruppo
EtroMirroR, Zencaos Creative
China Science and Technology Talent
Exchange and Development Center
Rete internazionale di notizie sull'arte
USA EtroMirroR Ed ./Ed
Exhibition organizer:
Academic support: Wang Lin Lin Wang (famous critic)
Curator: Jingjing Shi (International Curator)
Edited by: Marica Petti (Italian critic)
manager: Shi Jingjing Art Bank || ZET MAG (Usa Magazine)
co-organizer
American magazine ZET MAG
Italy "ZET"
Italian Organization EtroMirroR Group, Zencaos Creative
China Science and Technology Talent
Exchange and Development Center
International art news network
USA EtroMirroR Ed ./Ed
手持纸上艺术》
"Black and White Art on Paper" 2023
In the anti-mainstream movement, the purpose of criticism is to learn from advanced civilizations. Through the comparison of our own civilization and Western civilization, we criticize the inferiority of the nation. Since ancient times, we have not valued our own status. The footsteps of the predecessors, that is, the so-called "involvement", is really despicable. Compared with the independent spirit of the West, it isindeedaworldofdifference.
Today's works deeply expose and criticize the manifestations of national inferiority such as slavery, selfishness, hypocrisy, etc. of the whole people, and make more and more people realize the inferiority of the values, behaviors, and customs of the Han nationality that have been gradually formed over thousandsofyears
free,non-slave progressive,non-conservative aggressive,non-retired open,non-locked practical,non-fiction science,non-imagination
Finally, in one sentence: we are in hell, but the mutual hostility among people in hell constitutes a more terrifying "hell". This hell seems to have no horrible purgatory, no instruments of torture, and no executioners. However, there is another kind of "torture", that is, mental and spiritual torture; there is another kind of "executor", that is, others who are also in hell. Fortunately, we have seen the anti-mainstream warriors, the code of conduct and values they advocated, expressing their own thoughts, visions and dreams in an era bound by conventions. When the power of a movement reaches critical mass, a counterculture movement can even shake mainstream consciousness. From morality and law to customs, literature and art, if there is an independent spirit, it is passed down from generation to generation, and the countrycanachievegreatsuccess.
Art is more than images
Wang Lin
Art has been ubiquitous since primitive society, because for man, the world is animistic. The so-called animism is the pursuit of a transcendental world, and the spiritual transcendental world has been feeding back the experience world of eating and drinking men and women. As long as people are still human, they will have a sense of direction for human civilization to seek truth and goodness, and they cannot obey the law of the jungle and barbaric rule that power is the truth.
Holding a work of art is not only art on paper, but also an artistic behavior—it combines the art of objects through human actions, and becomes the particular existence of people and objects, which is exactly the universality and unity of the world. The point of intersection of the individuality of the individual. Therefore, holding a work of art itself becomes a work of art, and the spiritual appeal expressed by the human body becomes the practice of human existence.
Art can start from the most insignificant place. Once you touch the sensitive part of life and soul, you will have a relationship with the progress of human beings for hundreds of thousands of years, so that everyone can reflect: What is human beings? What should a human being be?
The preface of the non-preface is just an absurdreasoningthatdeceivesthesenses
Sartre declares that "hell is people" I like being an island. Rejecting the outside world, our life is ultimately a corrupted mystery, ourselves pawns in someone else's sadisticgame.
We look at ourselves through a photograph, the concept of self-portrait is eliminated, blind and dumb without conscience.It'sjustthelossofourselves.
White
Art mixes with an AI (artificial intelligence) increasingly capable of learning. Its ability can nullify materiality, where thought can become sterile because it is cold and calculating, where there is no soul that makes us artists/intellectuals alive. The difference is in this, the artist lives on passions, on feelings, which push him to thelimitofhispossibilities.
This is a very complex period for us, a period of passage of a possible cultural change where new social and cultural balances will be created and where, hopefully, a new conscience will be born. We intellectuals, though endangered, ask ourselves what art is for and what we could leaveasalegacytofuturegenerations.
MaricaPetti
前言不序言，只是欺骗感官的荒谬推理
我喜欢萨特说的一句话“他人即地 狱”。我们的生活就是一个外界封闭的 腐烂的谜局，我们每个人都是他人的游 戏棋子。
我们通过一张照片来看待自己，盲人、 聋哑人、没有意识的人选择自拍的概 念，重识失去的自己。
艺术越来越与人工智能混合在一起。因 为人工智能的能力可以抵消物质的存 在，冰冷的计算使我们艺术家/知识分子 再也触及不到活着的事物，思想开始变 得无菌，艺术只能依靠个体激情、感情 生活，把艺术推向极致。
对我们来说，现在是一个非常复杂的时 期，一个文化变革的过渡时期，在这个 时期里，我们将创造新的社会和文化平 衡，我们希望，新的意识将诞生。知识 分子濒临灭绝，仅存的知识分子和我们 一起思考艺术的用途，以及我们可以留 给后代什么样的文化遗产。
