Zhuo Wang Portfolio by Zhuo

Zhuo Wang EDUCATION 08/2015 - 05/2017

M.ARCH

University of Southern California

AIA Los Angeles Student Member University of Southern California CTP Member 09/2010 - 07/2015

B.ARCH

Qingdao Technological University Secretary of The Practice Department President of QTECH Foundation Organizer of “Dream School” Voluntarily Activity

AWARDS 2017·AIA Florida

Merit Award for Unbuilt Design Salty Urbanism Urban planning project held by Florida government, focused on sea level rising problem in Fort Lauderdale. Our team in USC and Brooks+Scarpa studio won the award. 2017·AIA Los Angeles

West Hollywood Belltower Landmark bidding project held by Hollywood government, our team in Tom Wiscombe Architecture beated Zaha and Gensler in bidding and received the Award.

CERTIFICATES LEED AP BD+C Leadership in Energy and Environmental Design Accredited Professional in Building Design+Construction

ABILITIES

REVIT AUTOCAD PHOTOSHOP ILLUSTRATOR INDESIGN V-RAY

(+1) 213-590-0116 zhuowangjoe@gmail.com https://issuu.com/zhuowang/docs/2_single_page

EXPERIENCE Studio Slab Architects

07/2017 - 03/2018

·Villa Luna Bel-Air, CA, USA New residential project Elevation design, detail design, drafting, presentation materials, 3D modeling ·Century 21 Office Arcadia, CA, USA Commercial remodel Project management, coordinating drawings, drafting ·Movie star house remodel Beverly Hills, CA, USA Residential remodel Drafting, as-built measuring, detail design, client research ·Wong Residents Arcadia, CA, USA Residential remodel Detail design, drafting

Tom Wiscombe Architecture

01/2017 - 05/2017

·Petroleum Rooftop Los Angeles, CA, USA Historical building remodel Research, diagramming, 3D printing, model making, digital modeling, presentation materials ·West Hollywood Belltower Hollywood, CA, USA Landmark bidding Diagramming，model making，digital modeling, presentation materials ·Sunset Spectacular Hollywood, CA, USA Billboard design Digital modeling, model making

NEXT LA Honor Award

RHINO GRASSHOPPER T-SPLINES SKETCHUP

tel: mail: portfolio link:

LAIAD

06/2017 - 08/2017

·World Writing Museum Museum bidding Concept design, digital modeling, rendering, diagramming

Seoul, Korea

Yeh Studio

05/2017 - 07/2017

·Kelly house New residential project Architectural design, landscape design, presentation materials

Los Angeles, CA, USA

Qingdao View Design

07/2014 - 10/2014

·Dongting Lake Park Landscape design bidding Architectural design, diagramming, digital modeling, rendering

Yueyang, Hunan, China

ABSTRACT Zhuo Wang, LEED AP BD+C, Master of Architecture in University of Southern California, learnt after Patrick Tighe, Larry Scarpa and Yaohua Wang. His Salty Urbanism project in USC won the 2017 AIA Florida Merit Award for Unbuilt Design. While working in Tom Wiscombe Architecture, he was influenced by their design thinking and was involved in West Hollywood Belltower project, which won the 2017 AIA Los Angeles Next LA honor award. After graduation, he was invited by the principal of LAIAD, William Taylor, FAIA, for the World Writing Museum competition. He also gave a online speech with student union of Tsinghua University. Later he joined Studio Slab Architects, the 2 partners of the studio were students and employees of Thom Mayne and Balkrishna Doshi.

R D R

HOLLYWOOD BELLTOWER PETROLEUM ROOFTOP VILLA LUNA CENTURY 21 McLUDECKE SCHOOL WORK

OFFICE WORK

NEW MUSEUM IN DTLA FOLDING FARNESE SALTY URBANISM SELFWRITING MUSEUM TIDE CHURCH

INSPIRATION My idea is mainly about an organic tube between two volumes, which is separated from a big bounding box. The tube not only provides a connection between them, but also works to carve the volumes. I used grasshopper to manipulate the tube, and tried to create a new elegant surface, which is super organic so it can make great contrast to the to basic cube volume. This museum is located on broadway st, downtown los angeles. The neighborhood is a relatively old area, so i think we need a museum that stands out to add more passion to this area, but also has rational elements in it to carry the culture.

For the structure, I made use of the two stair towers to hold the whole building. I used a number of steel columns in the stair tower instead of solid concrete walls to make the building could have a mechanical feeling, and also get rid of the suspended ceiling to show all the original structure elements like metal deck and i-beams. In a word, this is a building with contrast between basic geometry and organic volumes, and the decoration style is mechanical so people can see the original building structure, it also serve as a foil to the exhibition artifacts as a museum.

CONSTITUTION

NEW MUSEUM IN DTLA

621 S Broadway, Los Angeles, United States Solo, Patrick Tighe Studio in USC / April, 2016

5 4

3 2

ROOF

1 ROOF 2 FACADE 3 TERRACE ON 4F

1 EXHIBITION AREA 2 RESTROOM 3 STAIR to 1F 4 FACADE 5 GROUND

7 1

4 DN

1 EXHIBITION AREA 2 RESTROOM 3 STAIR to 6F 4 FACADE 5 4F TERRACE

1 EXHIBITION AREA 2 RESTROOM 3 MULTI-STORY SPACE 4 STAIR to GROUND 5 STAIR to 3F 6 FACADE 7 GROUND

5 2

4 DN UP

5 UP

6 DN

2 UP

1 EXHIBITION AREA 2 RESTROOM 3 MULTI-STORY SPACE 4 STAIR 6F to 7F 5 STAIR to 4F 6 FACADE 7 4F TERRACE

1 EXHIBITION AREA 2 RESTROOM 3 STAIR TO 3F 4 STAIR to GROUND 5 FACADE 6 GROUND

2 UP

6 3

GROUND

1 EXHIBITION AREA 2 RESTROOM 3 STAIR to 7F 4 STAIR to 4F 5 FACADE 6 4F TERRACE

1 EXHIBITION AREA 2 PATHWAY 3 STAIR TO 1F 4 FACADE

3 UP

5 4

1 5

5 2

1 EXHIBITION AREA 2 STAIR to 5F 3 FACADE 4 GROUND

UNDERGROUND

1 HALLWAY 2 RESTROOM 3 HVAC 4 DINING HALL 5 OFFICE 6 ADMINISTRATION

[ FORM STUDY MODEL ] 1'-0" = 1/32"

[ SECTION MODEL ] 1'-0" = 1/16"

PRESEDENT My present is Villa Farnese, located in Caprarola, Italy, which is a typical Renaissance building. The interesting part of this building is how it seprate the circulation and program, like the first two floors are galleries open for public, and top two floors are residential spaces for private use. What's more, this building is a renovation from a pentagon fortress at the very beginning. So I believe the form of this building is somehow constrained by the fortress base or the construction technic at that time and could be redesigned in a new way. I tried to use a new modern skill to interpolate original spaces and turn it into something new.

My idea comes from origami art. So while this turning 2D flat paper(original plan) to 3D origami process, I can create more complex 3-dimentional spaces with keeping most of the original connections. So I found the right moments between the folding process of each floor, and assamble them together to a new volume. And if I fold the original building with circulation spaces, the outcome would be even more interesting. like the courtyard could turned into a semi-sphere spaces with circulation flowing along its surface.

IDEA

FOLDING FARNESE

Caprarola, Viterbo Province, Northern Lazio, Italy Solo, Yaohua Wang Studio in USC April, 2017

[ FORMATION ]

[ PHYSICAL MODEL ] 1'-0" = 1/8" 4PLY MUSEUM BOARD + ABS 3D PRINTING

INSPIRATION â&#x20AC;&#x153;Sea level rise is like an invisible tsunami, building force while we do almost nothing.â&#x20AC;? - Benjamin Strauss Since there is no chance to win the fight against nature, why not we try a way of adaptation? From the prediction of the sea level rising, there would be 3 feet figher of the sea level before 2066, so what we focused on is how to deal with 3 feet higher see level. The main idea of this project is that parts of the site are protected by the sea walls and the rest part we just let the water in, while the residents dumo the first floor and go directly to the second floor through 3 feet high boardwalk.

The site we chose to work on located on North Beach Village, Fort Laudardale. Large amounts of impervious surfaces exacerbate flooding in North Beach Village. Large amounts of asphalt allenge the ability to prevent temporary flooding do to rainfall and storm surge. The impervious coverage in the area account for over 75% of the surfaces. Site 100% Buildings 22% Parking 15% Roads 23% Imperivous surface 84% Sidewalks 8% Open green space 16% Pools 2%

SITE ANALYSIS

SALTY URBANISM

2017 Unbuilt Design Award, AIA Florida Fort Lauderdale, Miami, United States Teamwork, Larry Scarpa Studio in USC / December, 2016

[ IMPRESSION ]

GETS ITS NAME FROM A SERIES OF THREE FORTS BUILT ALONG IT IN THE

1830S. FROM THE 1890S-1940S AGRICULTURE DROVE THE NEW RIVER WAS THE PRIMARY MEANS OF

ECONOMY AND THE

TRANSPORTING GOODS TO THE PACKING HOUSES ALONG ITS SHORES.

Sea

2.0 CM

ise

lR Leve

1920

ORIGINALLY SETTLED ALONG THE NEW RIVER, FT. LAUDERDALE

1830

[ HISTORY TIMELINE ]

-0.5 CM

Human goes far and far away from nature. Life is getting faster and busier, while people prefer an original life - like walking on sand - the most original road material when human envolved from ocean for the first time. Technology is like a spinning machine rolling the whole earth, maybe it is time for us to slow down before it's to late.

A DREDGING BARGE CREW WORKING WEST OF THE

NEW RIVER.

1907 VEGETABLE PACKING HOUSE ALONG THE NEW RIVER PORT EVERGLADES. NOTICE THE

PREPARING TO BRING GOOD TO

FLOOD-ADAPTIVE ARCHITECTURE.

[ HYDROLOGY ]

2066

1946

2016

1946

1930

1955

5.5 CM

9.5 CM

17.5 CM

Sea Rise in Time

WITH A FUTURE OF RISING SEAS AND CLIMATE CHANGE, WHERE THE CITY AND THE SHORE MEET ALSO REPRESENTS THE GREATEST OPPORTUNITIES FOR CREATIVE DEVELOPMENT

Est. 30 CM

South Florida floods three ways, from the bottom, top and laterally. Average rainfall values are aproximately 60 inches per year, but almost 70% of it occurs during the hurricane season, from June to October. The annual king tides exacerbate flooding when salt water seeps up in the low-lying areas of South Florida.

[ BEFORE ]

After we did the analysis of the side, we found that half of site is at immediate flood risk, and few place buildings with historical meaning. While few buildings providing public space Since the whole site is relevively small and can be covered within 10 mins walk. So We found the opportunities are - Insert more Place making structures - Create Place making structures that also act as money makers - Provide more public space throughout the site - Break the blocks in the west side to increase the walkability - Focus more on pedestrian walk ways to match the traffic in site

[ AFTER ]

There was a canal in the middle of the site in 1920s, but was reclaimingh for land later. That's an antinatural move, since our idea is adaptation and back to nature, we started tp recreate a waterway between a existing river and the sea. So we decided to - Reshape the coastline to adapt the sea level rising - Extend the coastline to increase docks along the site - Create new high-rise buildings as CBD and two floating hotels as landmark - Break the original neighborhood to marshland parks - Create sky cooridors to connect high-sise buildings - Create access to the new hotel roof to provede sightviewing walk ways

[ TOURISTS VIEW OF FLOATING HOTELS ]

[ TOP VIEW OF NEW HIGH-RISE BUILDINGS ]

[ FORM FORMATION ]

section B

section A

COURTYARDS

slab building on one or two sides). corridor terminates with vertical circulation

N AVE APARTMENTS

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New High-Rise Building With Birch Tower

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INSPIRATION The writing museum, as a landmark that connects humans to writing systems, is designed to reveal the development of writing through the movement of the visitors. Circulation is used as “carving” or “engraving” into the walls of the main hall. Through the development of writing systems, information is encoded in the sequence of strokes. When writing is performed, the human hand moves through the sequence of strokes and reveals meaning through time. The performance of writing or calligraphy, is a linear process that generates characters that forms writing system. The continuous hand movement during writing creates the directionality and time sequencing of the strokes.

The main chasm is a double height space from the west side to the east side, connecting public (café, retail, ticketing) and private programs (education, office). The secondary chasm is from north to south, forming the north entrance and the south sky light. The intersection of the two chasm forms the lobby and public gathering space. The architectural moment of the intersection reveals the linear making process of the museum, giving the visitor a viewpoint to trace back and look forward. Moving through the museum, the visitors are able to create a continuous experience of the writing process.

CONSTITUTION

SELFWRITING MUSEUM

Incheon, Korea Teamwork in LAIAD, Korean National Museum of World Writing Competition / August, 2017

As a presentation of a writing system, calligraphy connects humans and information. The trace of cursive on paper not only signifies the process of making the system but also reveals the historical development of the writing system. Sharing the same quality with cursive calligraphy, the museum is divided by two directional chasms through time, left with an intersecting moment. The architectural moment of the intersection signifies the making process of the architecture as well as the process of writing.

INSPIRATION Nature inspires wonder. Some people see the wonder of nature almost as religion, while others explore the laws of nature and call it mathematics. I imagine that if I use mathematical thinking to build a church and integrate the two perceptions together, something unexpected might happen. According to the Roman architect Vitruviusâ&#x20AC;&#x2122; idea of manâ&#x20AC;&#x2122;s perfect body proportions, I extracted the golden oval as the plane and formed a three-dimensional structure, with deformation in accordance with the golden ratio again. At the same time, this structure also keeps the traditional symbol of the Catholic Church - a cross - in its vertical view.

I like the name of Beijing National Aquatics Center very much-[H2O]3 (the Water Cube). The Water Cube is designed with the originality of one-dimensional water molecules, two-dimensional water level and three-dimensional ice cube, which is very concise and visual. This name also inspires me to ask what it would be like when a three-dimensional construction is combined with the fourth dimension of time [H2O]4? Time is a symbol of natural law. As a person living in a coastal city, my perception of the tides can reflect that the most. So I want to design an underwater church which can change its shape and function in accordance with the tidal variation.

CONSTITUTION

TIDE CHURCH

Qingdao, Shandong, China Solo, UIA HYP Cup Competition / July, 2013

[ EBB TIDE ]

[ FLOOD TIDE ]

300 400

200

100

500

Amen

600

[TH

EIG

TID

100

500

400

200 300

[ THE HEIGHT OF TIDE IN QINGDAO ] (JANUARY TO AUGUST, 2012)

[ INTEROIR VIEW AT FLOOD TIDE ] HUMAN COULD QUIETLY LISTEN TO THE WHISPER OF GOD.

West Hollywood Belltower

TOM WISCOMBE ARCHITECTURE

The history of the American billboard tracks the larger cultural and technological history of media distribution and aesthetic sensibilities. In the early 20th century, the billboard began as a large sign or threedimensional icon, often calling attention to immediate building functions or domestic products. With the midcentury explosion of car culture and the film industry, the billboard was transformed into something nonlocalâ&#x20AC;&#x201D;something representing filmic worlds. Sunset Boulevard has played a distinct role in the evolution of the billboard. Eventually, the twodimensionality of the billboard moved towards three-dimensionality, existing simultaneously as sign and object. This proposal builds on this historic legacy in a contemporary way with an iconic, object-billboard programmed with an unprecedented breadth of commercial, cultural, and interactive media content.

On its diamond-like outer petals, the Belltower allows for a combination of commercial media and cultural media events, such as the recent Elton John and Lady Gaga pop-up appearance at Tower Records. The Belltower will feature site-specific art from artists curated by MOCA and local curators, with a goal of engaging the community with important art of our time. This diverse range of content will be composed into a serene, and sometimes surprising, experience that is woven into the everyday life of local residents. Made of perforated metal, the east and west-facing outer petals feature embedded high-resolution LED technology, featuring a rich program of multimedia art woven into the commercial advertising programming.

In contrast to the ubiquitous flat, horizontal billboards of the Sunset Strip, the Belltower is oriented vertically. It avoids the typological â&#x20AC;&#x153;sign-on-a-stickâ&#x20AC;? billboard in favor of something spatial and interactive. Akin to ancient bell-towers, clock-towers, and obelisks, the Belltower operates as a deep urban archetype associated with civic space and community engagement. It expresses the contemporary transition from an era of centrally-controlled media empires to a time of great diversity in marketing strategies and stakeholders. It speaks to a world where commercial and cultural content can be hybridized and media is no longer a just a way of advertising, but a way of life.

Petroleum Building Rooftop

TOM WISCOMBE ARCHITECTURE

TYPICAL ROOF DECK III. ‘MINII.CITY’ EXTRUSIONS ALLOW FOR STREET VISIBILITY

I. TYPICAL ROOF DECK

III. ‘MINI CITY’ EXTRUSIONS ALLOW FOR STREET VISIBILITY

II.III.ROOF CREATES LARGE SHADED MICROCLIMATE ‘MINIIV. CITY’ EXTRUSIONS ALLOW FOR STREET VISIBILITY GLANCE CUTTING OPENS VIEWS TO DOWNTOWN

III.II.‘MINI I. TYPICAL EXTRUSIONS ROOFSHADED DECK ALLOW MICROCLIMATE FOR STREET VISIBILITY ROOFCITY’ CREATES LARGE

IV. GLANCE CUTTING OPENS VIEWS TO DOWNTOWN

ROOPTOP TRANSFORMATION

PETROLEUM BUILDING ROOFTOP | 03.07.2017

The petroleum rooftop project is located on a historical building, so we maintained the original pattern on the facade and converted to a mordern version. Copyright TOM WISCOMBE ARCHITECTURE, INC.

II. ROOF CREATES LARGE SHADED MICROCLIMATE

II. ROOFIV.CREATES GLANCE LARGE CUTTING SHADED OPENSMICROCLIMATE VIEWS TO DOWNTOWN

IV. GLANCE CUTTING OPENS VIEWS TO DOWNTOWN

ROOPTOP TRANSFORMATION ROOPTOP TRANSFORMATION As a rooftop project in Los Angeles, the main conceren would be shading. As for the shading structure, we were intended to build a small LA downtown on the rooftop. The angular reflective metal inside may "suck" the whole LA downtown skyscrapers inside and provide a awesome view for the visitors on the rooftop.

25'-9 1/4"

PETROLEUM BUILDING ROOFTOP | 03.07.2017

25'-6 1/8"

24'-4 7/8"

25'-4 3/4"

9'-0"

HIGH CEILINGS CREATE STACK EFFECT PULLING HOT AIR UP AND EXHAUSITNTG OUT

LIFT TO ROOF

LONGITUDINAL SECTION

PETROLEUM BUILDING ROOFTOP | 03.07.2017 Copyright TOM WISCOMBE ARCHITECTURE, INC.

+153’-3” ROOF DECK UPPER

ROOF LEVEL

+145’-2” ELEVATOR LANDING +140’-0” ROOF LEVEL

+126’-10” 11TH LEVEL

ELEVENTH LEVEL

ROOF L

ELEVEN

0’-0” GROUND LEVEL

+0’-0” GROUND LEVEL

ROOFTOP MAIN ENTRY

S FLO

W ER

WO ST

ROOFTOP EGRESS

LYM

PIC

BLV

CANA MAIN ENTRY

CANA MAIN ENTRY ROOFTOP SECONDARY ENTRY

S FLO

W ER

LYM

P IC

B LV

ADA ACCESS / CANA ROOFTOP ACCESS

EGRESS AND ACCESS

PETROLEUM BUILDING ROOFTOP | 03.07.2017

0’-0” GR

Villa Luna

STUDIO SLAB ARCHITECTS

WALL FOUNTAINS AND PERGOLA

EXISTING RETAINING WALL

'-1 1 2"

LINEAR FIREPIT

PRO

10550 BELLAGIO ROAD (N) 3 STORY SINGLE FAMILY RESIDENCE

PER

STAGE TY

LIN

EAST FOUNTAIN JAPANESE GARDEN

REFLECTIVE POOL 20'x60'

LANDSCAPE

KOI POND

35'0"

114'-11"

P R O PPR OEP ERR TTY YL I N EL I N E PROPERTY LINE

AND LIGHT GRID

KOI POND

1ST FLOOR

620'-3"

GREAT LAWN

2ND FLOOR

CENTERPIECE

BASEMENT

SPA

(N) FIXED GATE

Japanese Garden

WATER FALL STATUE

PERMEABLE PORPHYRY PAVERS COLOR A

7' X 12' PRECAST ELECTRICAL VAULT

BBQ DECK

LANDING

GATE

WEST POOL 20'x60' R

TENNIS BRIDGE

BBQ

E W

R E T D E N L U K M O A N B B E M

FUTURE TENNIS COURT

VERIFY THIS WALL PER CIVIL TOILET

GUARD SHED

REC

EPTI

RUBBISH BINS E

LANC

VEIL

SUR

SEC

URIT

Y MAIL

DRO

PROPERTY LINE

DRIVEWAY

PLOT PLAN 1/16" = 1'-0" SIZE SCALE

10'

15'

20'

25'

30'

40'

50'

75'

100'

(E) STONE WALL

BATHROOM BELOW

ENTRY / EXIT DOORS MUST OPEN OVER A LANDING NOT MORE THAN 0.5" BELOW THRESHOLD TYP

130

129

125

124

123

128

112

113

114

127

126

125 124

ENTRY / EXIT DOORS MUST OPEN OVER A LANDING NOT MORE THAN 0.5" BELOW THRESHOLD TYP

115 126

111

122

42" HIGH MIN. GUARD RAIL (TYP.)

123 FP/T.V.

FP/T.V.

BREAKFAST 132

110

116

127

122

163

ENTRY / EXIT POCKET DOORS

109

ENTRY / EXIT DOORS MUST OPEN OVER A LANDING NOT MORE THAN 0.5" BELOW THRESHOLD TYP

GREAT ROOM 100

121

120

119

WOOD SCREEN

118

117

162

121

161

60"FREEZER

TEA STATION

RECREATION 136

FMI-DESIGN DYNAMICS DEVONSHIRE-42" DIRECT-VENT SEALED COMBUSTION TYPE GAS FIREPLACE ANSI Z21.50/CSA 2.22

157

NOTE: DISCUSS CHASE/FIREPLACE LAYOUT IN FIELD PRIOR T FRAMING.

158

WINE/COUNTER

168 153

152 POWDER1 104

MOVIE ROOM 103

149

103A FOYER

151

FOYER 109

COAT 1 111

ELEVATOR LOBBY 000

146

142

14 T @ 12" 15 R @ 7.2"

176

LINEN 1 119

MECH. CL.

101

FP/T.V.

NOTE: DISCUSS CHASE/FIREPLACE LAYOUT IN FIELD PRIOR T FRAMING. FMI-DESIGN DYNAMICS DEVONSHIRE-42" DIRECT-VENT SEALED COMBUSTION TYPE GAS FIREPLACE ANSI Z21.50/CSA 2.22

139

180

COAT 3 185 120

100

115

181 MAID'S ROOM 2 128

182

184

114

183

SHOWER BENCH

HER BATH187 124

186

FP/T.V.

106

MAID'S BATH 2 126

STUDY-VESTIBULE

113

188

FMI-DESIGN DYNAMICS DEVONSHIRE-42" DIRECT-VENT SEALED COMBUSTION TYPE GAS FIREPLACE ANSI Z21.50/CSA 2.22

111

107

112 ENTRY / EXIT DOORS MUST OPEN OVER A LANDING NOT MORE THAN 0.5" BELOW THRESHOLD TYP

110

NOTE: DISCUSS CHASE/FIREPLACE LAYOUT IN FIELD PRIOR T FRAMING.

138

LIBRARY 1 108

MAID'S ROOM 1 128

105

GRAND FOYER 112

ENTRY / EXIT DOORS MUST OPEN OVER A LANDING NOT MORE THAN 0.5" BELOW THRESHOLD TYP

GALLERY 4 121 179

FTN

NORTH TERRACE STAIR NOTES: 1. 7.75" MAX. RISE & MIN. 10" RUN 2. MIN. 6'-8" HEADROOM CLEARANCE 3. MIN. 36" CLEAR WIDTH 4. HANDRAILS 34" TO 38" HIGH ABOVE TREAD NOSING 5. HANDGRIP PORTION OF HANDRAIL SHALL NOT BE LESS THAN 1.25" AND NO MORE THAN 2" CROSS-SECTIONAL DIMENSION HAVING A SMOOTH SURFACE WITH NO SHARP CORNERS. MAX. 4" CLEAR SPACING BETWEEN RAILS.

STAIR NOTES: 1. 7.75" MAX. RISE & MIN. 10" RUN 2. MIN. 6'-8" HEADROOM CLEARANCE 3. MIN. 36" CLEAR WIDTH 4. HANDRAILS 34" TO 38" HIGH ABOVE TREAD NOSING 5. HANDGRIP PORTION OF HANDRAIL SHALL NOT BE LESS THAN 1.25" AND NO MORE THAN 2" CROSS-SECTIONAL DIMENSION HAVING A SMOOTH SURFACE WITH NO SHARP CORNERS. MAX. 4" CLEAR SPACING BETWEEN RAILS.

SHOWER BENCH +18

UP 22 T @ 12.4" EA. 25 R @ 7.4"

133

LOGGIA

116

178

145

LIBRARY GALLERY 110

27 T @ 11" EA.

MAIDS BATH 1 117

177

BUTLER 116 DINING 115

MAIN STAIR #1 114

141

LIBRARY VESTIBULE 000

117

UP 28 R @ 6.625"

WOOD SCREEN

FAMILY STAIR #3 129

174

103 STAIR #2 109

173 175

BUFFET 3

143

CLOSET 107

172 170

PWDR3 144 106 132

ELEVATOR

171

GALLERY2 133 169

UP 28 Treads @ 12" EA. 29-R @ 6.4375"

148

POWDER2 147 105

DN 18 R @ 6.375" 17 T @ 11"

BUFFET 1

140

132

176

BUFFET 2

150

118 RANGE

166

MECH. CL

BAR1 101

159

167

A WET BAR WILL NOT BE CONSIDERED AS A KITCHEN PROVIDED IT HAS NO HOT WATER, NO GARBAGE DISPOSAL, NO 220V.ELECTRICAL, NO GAS OUTLET AND NO MORE THAN 10SQ.FT. OF COUNTER SURFACE AREA

119 108

PREP SINK

SHELVES

CARD ROOM 102

131

+36 +36

KITCHEN-FOYER

165 MECH. CL

129

ENTRY / EXIT DOORS MUST OPEN OVER A LANDING NOT MORE THAN 0.5" BELOW THRESHOLD TYP

160

154

131

KITCHEN 131

ISLAND 1

164

GAME

155

130

FP/T.V.

FAMILY ROOM 134

FP/T.V.

120

60" REFRIGERATOR

156

128

+36

ISLAND 2

105

HER STUDY 123

106

ENTRY / EXIT DOORS MUST OPEN OVER A LANDING NOT MORE THAN 0.5" BELOW THRESHOLD TYP

134

109

107

135

136

137 108

13'-11"

12'-5"

37'-5" 13'

15'-6"

14'

12'

14'

13'

14' 14'

15'-6"

52'-6"

49'-6"

37'-5"

10'

12'-5"

13'-11"

1'-6"

ENTRY / EXIT DOORS MUST OPEN OVER A LANDING NOT MORE THAN 0.5" BELOW THRESHOLD TYP

RTH ELEVATION

13'-11"

12'-5"

37'-5"

13'-11"

52'-6"

13'-11" 15'-6"

12'

52'-6"

37'-5"

12'-5"

10'

14'

12' 14' 11' 13'

15'-6"

14'

15'-6" 1'-6" 15'-6"

EST ELEVATION

14'

13'

49'-6"

37'-5"

13'-11"

12'-5" 11'

49'-6"

37'-5"

12'-5"

1'-6"

= 1'-0"

13'

= 1'-0"

'-6"

UTH ELEVATION

Gyp Wall Board Structural Plywood

Galv. Casing I N T. 5

5,1/2"

Gyp Wall Board Structural Plywood

Solid Wood Molding (Verify OAK)

Galv. Casing I N T.

5,1/2" Solid Wood Molding (Verify OAK)

2 x Continuous Furring

CLR

Foil Faced Batt Insuation Per title 24 Contin DBL Layer building Paper W.P. Membrane

t = 1" Solid Wood Window Frame

18"

t = 1" Solid Wood Window Frame

2 x Continuous Furring

CLR

18"

24 GA. Galvanized Flashing

Foil Faced Batt Insuation Per title 24 Contin DBL Layer building Paper W.P. Membrane 24 GA. Galvanized Flashing

Thermal / Dual Glazing

MARTIN MERVEL

AcDbArcAlignedText (ATEXT)

C-19398 B" X 2" Solid Window VGDF SASH

Alignt

Thermal / Dual Glazing

B" X 2" Solid Window VGDF SASH Alignt

E X T.

Solid Wood Molding (Verify OAK)

TYP. WINDOW JAMB 6

OWNER:

CHARLES COMPANY CONTACT: ARMAN GABAY 9034 W SUNSET BLVD. WEST HOLLYWOOD, CALIFORNIA 90069 PHONE: 310-247-0900 EMAIL: arman@charles-company.com

ARCHITECT:

STUDIO D+R CONTACT: MARTIN ROY MERVEL AIA 1431 EWING ST. LOS ANGELES, CALIFORNIA 90026 PHONE: 310-279-3393 EMAIL: Mervel@studioslab.com

t = 1" Solid Wood Window Frame

PROJECT ADDRESS:

10550 BELLAGIO RD, LOS ANGELES CA 90077

TYP. WINDOW JAMB

2 x Continuous Furring

18"

7 8" Cement plaster W.P Membrane Structural Plywood

5,1/2"

Solid Stone Frame

8" Cement plaster W.P Membrane Structural Plywood

5,1/2"

RENEWAL DATE AcDbArcAlignedText (ATEXT)

Solid Stone Frame

Silicone Sealant

Gyp Wall Board Structural Plywood

Galv. Casing7

5,1/2" I N T.

Silicone Sealant

E X T.

STRUCTURAL ENGINEER:

CLR

TYP. WINDOW JAMBTYP. WINDOW JAMB Foil Faced Batt Insuation Per title 24

THANG LE & ASSOCIATES

CONTACT: THANG LE

Contin DBL Layer building Paper W.P. Membrane

155 S. EL MOLINO AVE, SUITE 102

24 GA. Galvanized Flashing

PASADENA, CALIFORNIA 91101 PHONE: 626.731.1539 EMAIL:thang@thanglese.com

CIVIL ENGINEER:

LC ENGINEERING GROUP, INC.

Thermal / Dual Glazing

CONTACT: LEONARD LISTON 889 PIERCE COURT, SUITE 101

B" X 2" Solid Window VGDF SASH Alignt

E X T. 3"

3" = 0'-1" SIZE SCALE

Silicone Sealant

3" = 0'-1" SIZE SCALE

Solid Stone Frame 7

Cement plaster W.P Membrane Structural Plywood

5,1/2"

THOUSAND OAKS, CALIFORNIA 91360

PHONE: 818.991.7148 EMAIL:Leonard@lcegroupinc.com

MECHANICAL ENGINEER: CURESH ENGINEERING CONTACT: CURESH DALLALZADEH 1659 WELLESLEY AVE LOS ANGELES, CALIFORNIA 90025

TYP. WINDOW JAMB

PHONE: 310.775.7662 EMAIL:curesh-engineering@sbcglobal.net

ELECTRICAL ENGINEER: PETER C. SEE 1253 RIO BLANCO AVE MONTEBELLO, CALIFORNIA 96640

TYP. WINDOW JAMB

PHONE: 323.270.9046 EMAIL:petesee001@yahoo.com

LANDSCAPE ARCHITECT: COURTLAND STUDIO CONTACT: PAUL LEWIS LEED-AP 13351-D RIVERSIDE DRIVE #445

3" = 0'-1" SIZE SCALE

SHERMAN OAKS, CA 91423

PHONE: 818.788.9382 EMAIL:Plewis@studio4903.com

TITLE-24 ENGINEER: CONTACT: HOOSHANG MOZAFFARI 1441 FEDERAL AVENUE. SUITE 302 LOS ANGELES, CALIFORNIA 90025 PHONE: 310-617-2084 Email: mcengrg@msn.com

GREEN BUILDING: VCA-GREEN CONTACT: BARBARA GONZALEZ & GLEN FOLLAND 1845 W. ORANGEWOOD AVE., STE 220 ORANGE, CALIFORNIA 92868 PHONE: 714.363.4700 Email: BGonzalez@vca-green.com/ gfolland@vca-green.com

PROJECT MANAGER: CONTACT: LEN KRISTENSEN 9034 W SUNSET BLVD. WEST HOLLYWOOD, CALIFORNIA 90069 PHONE: 310-247-0900

PROJECT TITLE :

10550 BELLAGIO RD LOS ANGELES, CA 90077

VILLA LUNA

Email: len.kristensen@gmail.com

No.

TYP. COLUMN

TYP. COLUMN TOP

TYP. COLUMN MIDDLE

Revision/Submissions January 04th , 2018 January 30th , 2018

TYP. COLUMN BOTTOM DRAWING TITLE:

1/8" = 0'-1" SIZE SCALE

1" 2" 3" 4" 5"

10"

15"

20"

25"

30"

40"

50" 1/4" = 0'-1" SIZE SCALE

OLUMN

10"

15"

20"

25"

TYP. COLUMN TOP

1/4" = 0'-1" SIZE SCALE

10"

15"

20"

25"

1/4" = 0'-1" SIZE SCALE

10"

TYP. COLUMN MIDDLE

15"

20"

DETAIL

25"

TYP. COLUMN BOTTO DESIGNED:

PROJECT NO.:

DRAWN:

SCALE:

CHECKED:

10"

15"

20"

25"

30"

40"

50"

TYP. COLUMN

1/4" = 0'-1" SIZE SCALE

10"

15"

20"

25"

1/4" = 0'-1" SIZE SCALE

10"

15"

TYP. COLUMN TOP

20"

25"

1/4" = 0'-1" SIZE SCALE

10"

1" 2" 3" 4" 5"

10"

15"

20"

25"

30"

40"

50"

1/4" = 0'-1" SIZE SCALE

10"

15"

20"

REVIEWED:

DRAWING NO.:

20"

A-601 25"

TYP. COLUMN MIDDLE DATE:

Located in Bel-Air, Villa Luna is a 60,000 ftÂ² 3-story-residential project. Our client wants his mansion has luxurious classical elements but also with a clean and simple looking. This is a tough deal, so we tried to make all the exterior elements as simple as possible to make the whole building "clean", meanwhile we maintained all the detail decoration features on columns and dorms outside. We are in the process to make the interior spaces more attractive by using complex patterns and decorations, just like the classical villas in Europe during late Renaissance. it is always a hard but interesting process to find the balance between complex and simple.

1/8" = 0'-1" SIZE SCALE

15"

25"

1/4" = 0'-1" SIZE SCALE

10"

15"

20"

25"

Century 21 McLudecke

STUDIO SLAB ARCHITECTS

49'-4" 8'-6"

8'-7"

8'-9"

10'-5"

11'-2"

+48" WOOD WAINSCOTING

4'-8"

BATH W 7'-6"

3'-0"

TILE

CONFERENCE

OFFICE 6

+36"

PETER'S OFFICE 5

+36"

1'-6"

OFFICE 7

+36"

BACK ENTRANCE

4'-10" TYP

+36"

CONC

38'-8"

TRANSITI 23'-8"

℄

FRONT ENTRANCE

KITCHEN

4'-10" TYP

(E)

PORCH

RECEPTION

(N) SINK

℄

DN COLOR COPIER

B&W COPIER

3'-

'-0

Ø5

Ø5'-0"

+36"

OFFICE 4

3'-0"

+36"

OFFICE 3

KIM'S OFFICE 2

MIKE'S OFFICE 1

+36"

WOOD

7'-6"

6'-8"

30" X 48" CLEAR SPACE

POLISHED CONCRETE

+36"

18" X 18" CLR

1'-8"

26'-0"

(E)

ADA BATH E

+48" WOOD WAINSCOTING

TILE

MARTIN MERVEL MARTIN MERVEL

C-19398 C-19398

12-31-201712-31-2017

8'-7"

7'-0"

7 -

2' 1' 3' 2' 4' 3' 5' 4'

8 -

4WALL WALL TYPE TYPE "B" "B"

ELECTRICAL ENGINEER:

Henry Abrari

1713 Standard Ave. Glendale, CAAssociates 91201 Abrari &

25'

TRANSITI

CRLBRASS SATIN 6" BRASS 6" SQUARE DOOR RAIL WITHOUT LOCK CRL SATIN SQUARE DOOR RAIL WITHOUT LOCK FOR 1/2"FOR 1/2" - CUSTOM CATALOG NUMBER: DR6SSB12C GLASS -GLASS CUSTOM LENGTH.LENGTH. CATALOG NUMBER: DR6SSB12C WITH WEDGE - LOCKSECURING GLASS SECURING WITH WEDGE - LOCK GLASS SYSTEMSYSTEM (E) CONCRETE SLAB GRIND POUSH WITH SATIN WAX SEAL (E) CONCRETE SLAB GRIND POUSH WITH SATIN WAX SEAL 1' 3/8" = 1'-0" SIZE SCALE 3/8" = 1'-0" SIZE SCALE

2' 1' 3' 2' 4' 3' 5' 4'

AIA

1' 3/8" = 1'-0" SIZE SCALE 3/8" = 1'-0" SIZE SCALE

ELECTRICAL ENGINEER:

20'

48" HEIGHT WOOD WAINSCOTING NEW 48"NEW HEIGHT WOOD WAINSCOTING

WALL TYPE WALL TYPE "A" "A"

Abrari & Associates Henry Abrari

15'

Street lab Inc. s, CA 90026 oy Mervel, AIA

(E) CONCRETE SLABPOUSH GRIND WITH POUSH WITHWAX SATIN WAX SEAL (E) CONCRETE SLAB GRIND SATIN SEAL

MECHANICAL ENGINEER:

MC Engineering MECHANICAL ENGINEER: Hooshang Mozaffari, P.E. 1441 Ave., Suite 302 MC Federal Engineering Los Angeles, CA 90025 Hooshang Mozaffari, P.E.

X 5'-3"GLASS FIXED GLASS NEW 3' XNEW 5'-3"3'FIXED 10'

ELECTRICAL ENGINEER:

STRUCTURAL ENGINEER:

Jeff Guh Engineering Jeff Guh STRUCTURAL ENGINEER: 705 Blvd JeffSan GuhVicente Engineering Santa Monica, CA 90402 Jeff Guh 705 San Vicente Blvd phone: 310-699-3112 Santa310-393-1036 Monica, CA 90402 fax:

12"

12" 9'-3"

NEW PARTITION DRYWALL NEW PARTITION DRYWALL 2'

4'-0" 3'-0" 4'-0" 3'-0"

9'-3" 10'-0"

10'-0"

12"

12" 9'-3"

9'-3"

4'-0" 3'-0" 4'-0" 3'-0"

6'5'

PROPOSED FLOOR PLAN

48" HEIGHT WOOD WAINSCOTING NEW 48"NEW HEIGHT WOOD WAINSCOTING

1/4" = 1'-0" SIZE SCALE

lab Inc.

OFFICEOFFICE

NEW PARTITION DRYWALL NEW PARTITION DRYWALL

CT: y Mervel,

15'-2"

NEWGLASS FIXEDWALL GLASS WALL NEW FIXED

NEWGLASS FIXED GLASS NEW FIXED

X 5'-3"WINDOW GLASS WINDOW NEW 3' XNEW 5'-3"3'GLASS

5'4'

ALIGN ALIGN

RENEWAL DATE

FO O FFO CA L I CA L I

Abrari & Associates ELECTRICAL Henry Abrari ENGINEER: 1713 Standard Ave. Abrari & Associates Glendale, CA 91201 Henry Abrari

W PER STRCTURAL HEADERHEADER PER STRCTURAL

4'3'

14'-6"

50'-0"

PER STRUCTURAL HERDERHERDER PER STRUCTURAL

CONFERENCE CONFERENCE ROOMROOM

RENEWAL DATEE

2X8O.C. @ 16" O.C. 2X8 @ 16"

2X8O.C. @ 16" O.C. 2X8 @ 16" 8'-0"

T EC

D ARCH D ARCS HE IT SE EN I T EN

T EC

NEW FULL HEIGHT FIXEDWALL GLASSFOR WALL FOR ACOUSTIC NEW FULL HEIGHT FIXED GLASS ACOUSTIC SEPARATION SEPARATION PER STRUCTURAL HERDERHERDER PER STRUCTURAL

1713 Standard Ave. -279-3393 Glendale, CA 91201 1713 Standard Ave. Street 1441 Federal Ave., Suite 302 R N phone: 818-956-1900 phone: 818-956-1900 phone: 310-617-2084 -663-8832 IA Glendale,818-497-0330 CA 91201 s, CA 90026 Los Angeles, CA 90025 mobile: 818-497-0330 mobile: fax: 310-445-9818 rvel@studioslab.com email: mail@abrari.com email: mail@abrari.com email: mcengrg@msn.com email: jg@jeffguh.com w.studioslab.com 0-279-3393 E V E L O P E D F OR U S E ON A N D I N C O NN E C T I O N W I T H T H E S P E C I F I E D P R O J E C T . N ON E O F S U CH I D E A S , D E S I GN S , A R R A N GE M E N T S O R P L A NS S H A L L B E U S E D B Y O R D I S C L O S E D T O A N Y P E R S O N , F I RM O R C O R P O R A T I O N F O R ARN Y P U R P O S E W H A T S O E V E R 310-699-3112 3-663-8832 S U B C O N T R A C T O R S S H A L Lphone: VERIFY A N D B E R E S P O N S I B L E F O R A L L D I M E N Sphone: I O N S A N D 818-956-1900 C O N D I T I O N S O N T H E J O B , A N D phone: T H I S O F F I 310-617-2084 C E M U S T B E N O T I F I E D O F A N Y V phone: A R I A T I O N S818-956-1900 F R O M T H E D I M E N S I O N S A N D C O N D I T I O N S S H ONWIN B Y T H E S E D R A W I N G S . A mobile: 818-497-0330 mobile: 818-497-0330 fax: 310-445-9818 fax: 310-393-1036 rvel@studioslab.com

DHW

2X8 @ 16" O.C.

2'-6"

TOP OF ROOF

5'-5"

TOP OF PARAPET

18'-2"

UNDERSIDE OF TRUSS

10'-3"

AWNING

OFFICE 6

SIGN

PLAN

OFFICE 3

(E) FINISHED FLOOR

19'-0"

47.5% OF THE AWNING HORIZONTAL AREA

40'-0" AWNING

PROPOSED EAST/ WEST SECTION LOOKING NORTH

SIGN

ELEVATION 1/4" = 1'-0" SIZE SCALE

90 LB CA

TOP LEDG 90 LB CAP SIGNGLE ICY SHEET

METAL FL

METAL FLASHING WELD PER STRUCTURAL

T=21" ST. PL PER STRUCTURAL

STEEL CA

STEEL CABLE PER STRUCTURAL

1" BUSSINESS IDENTIFICATION SIGNAGE STL. "T" PER STRUCTURAL

3 16"

1 4" STEEL PL CLEVIS CONNECTOR PER STRUCTURAL

TYP

L SHAPE STEEL THREADED ST. ROD

2% SLOPE

STL. "L" ANGLE PER STRU

STL. "L" ANGLE PER STRUCTURAL

INSULATION

EXPOSED I-BEAM PER STRUCTURAL

EXPOSED I-BEAM PER S INSIDE

6"Ø STEEL TUBE END CAP EXTENSION PER STRUCTURAL

OUTSIDE

INSULATION

8"Ø STEEL TUBE COLUMN PER STRUCTURAL

6"Ø STEEL TUBE END CA PER STRUCTURAL

DOUBLE GLAZING FIXED

STEEL COLUMN BEYON

STOREFRONT B TOP

1'-0"

4'-0"

1-1/2" = 1'-0" SIZE SCALE

STOREFRONT A TOP

1-1/2" = 1'-0" SIZE SCALE

10'

11'

12'

A-4.01 2"

A-2.01

BUSINESS IDENTIFICATION LETTER STAINLESS STEEL

EQ.

14 GAGE STAINLESS STEEL PERFORATED SHEET METAL # 4 FINISH 1 DIED 191 " ROUND X .313" STAGGERED CENTER 33.99 % OPEN AREA

SPOT WELD

ADHESIVE BACKED NEOPRENE RUBBER BUSSINESS IDENTIFICATION SIGNAGE

EXT.

3 16"

TYP

INSIDE

1'-0"

STEEL PL CLEVIS CONNECTOR PER STRUCTURAL

ALIGN

U CHANNEL

STL. "T" PER STRUCTURAL 1 4"

1 Δ=

OUTSIDE

EQ.

INT.

L SHAPE STEEL THREADED ST. ROD

(E) CONCRETE BLOCK

SCUPPER / DOWNSPOT TYP

UCTURAL

90° BREAK

REMOVE (E) STUCCO TO EXPOSE CLEAN SUBSTRATE ON EXISTING MASONRY

STRUCTURAL

AP EXTENSION

STAINLESS STEEL NUTS & DOME HEAD

D GLASS

14 GAGE STAINLESS STEEL PERFORATED SHEET METAL #4 FINISH 1 SIDE 191 " ROUND X .313" STAGGERED CENTER 33.99 % OPEN AREA

4'-0"

9" 10' 1'

15'

20'

25'

STOREFRONT A BOTTOM AWNING SECTION

1713 Standard Ave.

Hooshang Mozaffari, P.E.

Henry Abrari

JANUARY JANUAR 03, 201

PLANNINGPLANNING DEPT. 2NDDE S

1'-0"

Abrari & Associates Henry Abrari

01/03/18 PLANNING DEPT. 2ND SUBMIT

1 2"Ø BOLT ALL THREAD STUD PER STRUCTURAL

2% SLOPE

1441 Federal Ave., Suite 302 MCAngeles, Engineering Los CA 90025

TENANT IMPROVEMENT

EQ.

SS STEM DOUBLE GLAZING FIXED GLASS T= 41" FIXED LAMINATED GLASS SET IN CONTINUOUS STEEL CHANNEL WITH WHITE PVB INNER LAYER SEE TITLE 24

1713 Standard Ave. Abrari &CAAssociates Glendale, 91201

FOOTHILL CENTURY 21

STL. 'L' PER STRUCTURAL

34 E

PROJ

ABLE PER STRUCTURAL

Abrari & Associates Henry Abrari

11'-4"

ELECTRICAL 1713 Standard Ave. ENGINEER: Glendale, CA 91201

ELECTRICAL ENGINEER: MECHANICAL ENGINEER:

MC Engineering Hooshang Mozaffari, P.E. MECHANICAL ENGINEER: Abrari & Associates Henry AbrariENGINEER: ELECTRICAL

(N) 3' X 5' LAMINATED GLASS

1'-0" = 1'-0" SCALE 3" = SIZE 1'-0" SIZE SCALE

PROPOSED PROPOSE ROOF PLAN

12"

1" 3"

310-279-3393

mobile:

PROPERTY OWNER INFORMATION:

5'-0"

1'-0"

10/06/17 BUILDING DEPT. SUBMIT

3'-0"

LASHING

Martin Roy Mervel, AIA

GER PER STRUCTURAL

1/2" N = 1'-0" SIZE SCALE

1 4

STOREFRONT KEY" SECTION B 1

1431 Ewing Street Studio Slab Los Angeles, CAInc. 90026

AP SIGNGLE ICY SHEET

STOREFRONT KEY SECTION A 2 1'

EQ.

IDENTIFICATION SIGN

TENANT IMPROVEMENT 34 EAST FOOTHILL BL

25'

PROPERTY OWNER INFORMATION: FOOTHILL CENTURY 21 MIKE LUDECKE

20' STL. CABLE TYP. PER STRUCTURAL

11/30/17 BUILDING DEPT. 2ND SUBMIT

15'

DOOR SCHEDULE WINDOW SCHEDULE

10'

ELECTRICAL ENGINEER:

03, 2018

CLIP @ ±30" O.C. MAX

EQ.

STL. 'L' PER STRUCTURAL

4"JANUARY

WIDE GALVANIZE METAL PLANNING2"DEPT. 2ND SUBMIT

STRUCTURAL ENGINEER:

Jeff Guh Engineering Jeff Guh ENGINEER: STRUCTURAL 705 San Vicente Blvd Jeff Guh Engineering Santa Monica, CA 90402 Jeff Guh

4 -

STL. 'L' PER STRUCTURAL

ARCHITECT:

1'-0" = 1'-0" SIZE SCALE

DATE

AWNING SECTION

Studio Slab Inc. Martin Roy Mervel, AIA ARCHITECT:

1 2"Ø MACHINE BOLT STAINESS STEEL ACORN HEAD W/ RUBBER GASKET PER STRUCTURAL

EQ.

STL. 'T' TYP. PER STRUCTURAL

DESCRIPTION

1'-0"

14 GAGE STAINLESS STEEL PERFORATED SHEET METAL #4 FINISH 1 SIDE 191 " ROUND X .313" STAGGERED CENTER 33.99 % OPEN AREA 7/20/17 PROJECT START DATE

REMOVE (E)

BRUSHED STEEL SIGNSTAINLESS = 4'-0"X5'-0"

A L L D E S I G N S , A R R A N G E M E N T S A N D P L A N S I N DI C A T E D O R R E P R E S E N T E D B Y T H I S D R A W I N G A R E O W N E D B Y A N D T H E P R O P E R T Y O F S T U D I O S L A B I N C . A N D W E R E C R E A T WITHOUT THE WRITTEN PERMISSION OF ST U DI O SLAB I N C. WRITTEN DIMENSIONS ON THESE DRAWINGS SHALL HAVE PRECEDENCE OVER SCALED DIMENSIONS. ALL

THE INTENSITY OF THE ILLUMINATION SHALL BE CONSTANT TO AVOID A PULSE OR FLASHING APPEARANCE

11'-4"

3'-0"

10/06/17 BUILDING DEPT. SUBMIT

1'-0"

MIKE LUDECKE 34 EAST FOOTHILL BL ARCADIA, CA 91006 phone: (626) 483-9689/ (626) 445-0123 email: C21LUDECKE@AOL.COM

INDIRECTLY ILLUMINATED

4'-0"

11/30/17 BUILDING DEPT. 2ND SUBMIT

SIGN TYPE: PER AWNING SIGN CODE TABLE 3-13

TENANT IMPROVEMENT

6 -

PROPERTY OWNER INFORMATION:

5 -

01/03/18 PLANNING DEPT. 2ND SUBMIT

FOOTHILL CENTURY 2

WITH WHITE PVB INNER LAYER

A-1.03 A-3 4