PORT FOLIO ZICHUN WANG
ABOUT ME Hi there!
CONTENT
I'm Zichun Wang, a graduate of Architecture and Interior Design. I started studying Interior Design at RMIT University in 2017 and got an Honours Degree in Interior Design in 2020. I found my passion in architecture during my bachelor's study and decided to start my master's degree at The University of Melbourne in 2021.
SECTION 1: ARCHITECTURE PROJECTS
I believe architecture is about culture and people. I'm interested in culture-related and human-experience-centered projects. I want to design places that people love and feel well-connected. However, with that being said, I'm passionate about all kinds of architectural styles and approaches, and willing to explore any creative ideas across the discipline.
PROJECT 01 - Bio-Cube
Small scale Residential Housing
PROJECT 02 - A PLACE TO [GO] Large scale public building
PROJECT 03 - Orion Townhouse Multi-residential complex
CONTACT EMAIL zichunw0719@gmail.com zichunw0719@126.com TEL.
Section 2: Interior Design Projects Project 01 - "Lego" Residential housing
Project 02 - Second Site Exhibition Design
+61 0426734579 (Australia) +86 13665315636 (Mainland China) WECHAT kazamaizumi INSTAGRAM @suki_z_wang
Section 3 - Architecture Drafting
ARCHI-TECTURE PROJECTS
Robin Boyd once mentioned in his book <The Walls Around Us> that due to the climate and natural environment in Australia, the aboriginal buildings lack structures, which inspired me to think that the mild climate makes Australia a perfect place to build very open and biophilic architectures to restore the connection between nature and the built environment. Robin Boyd is interested in the biophilic concept; Featherstone and Walsh Street houses are lovely examples. Therefore, with my interest in the biophilic idea and respect for Robin Boyd, this project combines several of Robin Boyd’s design concepts and my understanding and interpretations.
PROJECT 01 Bio-Cube This is a small residential project located at Walsh Street, Melbourne. It is designed based on biophilic design principles with references to Japanese building styles. It aims to create a better living experience with the connection and exchange between nature and the built environment and also to rebuild or enhance the friendship between humans and nature.
To sum up, this house is designed based on biophilic design principles with references to Japanese building styles. It aims to create a better living experience with the connection and exchange between nature and the built environment, and also to rebuild or enhance the friendship between humans and nature.
CLIENT
"Walsh Street is a very sociable house – it was designed to be enjoyed."
The Walsh Street house, the site for this project, used to be Robin Boyd’s home and is now the home of the Robin Boyd Foundation. On the Foundation’s website, they said, “Walsh Street house is a very sociable house - it was designed to be enjoyed.’ The house is full of art and design communications before and after Robin Boyd died. I want to keep this tradition of art and share it. Therefore, the chosen client for this project is a dessert designer couple with two children who love sharing their work and cooking.
Walsh Street
SPATIAL COMPOSITION / SITE ANALYSIS
SEMI-PUBLIC
PRIVATE
The building will be designed as a house gallery, including semi-public exhibition space and private living space. The semi-public part is on the west side, close to the main entrance, and the remote function is on the east side.
SITE PLAN 1:2000
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SITE PLAN 1: 200 @A2
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BIOPHILIC DESIGN / OPENESS
The project was driven by two Robin Boyd design concepts; the biophilic concept is the most important one. This is a diagram I developed after a series of research that shows the current patterns of biophilic design, starting with a house within a garden to a garden within a house, and finally, a 'garden-house'. Based on this analysis, as a further development, we could delete the overall envelope of the building while separating different rooms and functions to make them intersect with the natural environment. Furthermore, I intend to subtract the building structure to use less solid walls to create a very open architecture.
FORM-FINDING While researching biophilics, a term called fractals came up. Fractals are infinitely complex patterns that are selfsimilar across different scales, which is very common in the natural environment. I divided the space into 72 3m x 3.5m cuboids. The subtraction process mentioned before starts from those cuboids. Some cuboids were deleted to create dynamic voids before deleting walls and replacing them with necessary columns to open up the building.
ROOF PLAN 1: 100 @A2
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1F FLOOR PLAN 1: 100 @A2
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GF FLOOR PLAN 1: 100 @A2
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SPATIAL COMPOSITION The final floor plan, from the bottom to the top, is the garage, ground floor, first floor and roof. Concerning the Walsh Street house and Robin Boyd, the design decided to keep the site's condition the same. People are entering the home through staircases on the west side. Nearby are semi-public spaces, including the client's exhibition space, a small living room, and a workshop. The exhibition space and the workshop are separate but connected on the first floor through an outdoor garden. This whole section on the East side is private, including a living room, dining room, kitchen, access from the garage, laundry, study, two bedrooms for the kids with their shared bathroom, and an ensuite for the parent. Three bedrooms are connected through this shared space and outdoor gardens. To make the courtyards intersect with the built environment, indoor voids are occasionally applied to create a more consistent experience of nature. The skylights are used on the staircases to create light wells for a dynamic lighting experience.
SOUTH ELEVATION 1: 100 @A2
EAST ELEVATION 1: 100 @A2
SECTION AA 1: 100 @A2
NORTH ELEVATION 1: 100 @A2
WEST ELEVATION 1: 100 @A2
As mentioned before, this project picked out two design concepts from Robin Boyd's design: biophilic and the other references the Japanese style. I refer to the Japanese style in a few aspects. The first one is the use of water ponds. There are two ponds at the entrance (600mm deep) and the middle of the site (300mm deep). Those ponds are not only for decorations and reference purposes but also a sustainability consideration as they can gather rainwater, help with passive cooling, etc.
SECTION BB 1: 100 @A2
The second reference to the Japanese style is the circulation space. The veranda is an essential part of traditional Japanese architecture. I have it around the central courtyard space, with access to all sections. The veranda also works as the connection between the semi-public and private spaces. The third reference to the Japanese style is the study of genkan. There's always a height difference in Japanese houses at the entrance, where people take their shoes off and officially enter the house with slippers or bare feet. I realized that this genkan creates an exciting space that is both indoors and outdoors, so I transferred this idea into my design. The ground floor has two-floor plates; one is the same height as the veranda, and the other one is made of brick. It's smaller than the facade boundary, which creates these in-between spaces that further blur the boundary between inside and outside. Other references to Japanese style, including the openness to the outside, the application of courtyards and gardens, and vegetation selections like what Robin Boyd did to the Walsh Street house, I intend to use some Japanese species, such as Japanese ornamental pine, for those small indoor gardens.
SECTION CC 1: 100 @A2
SECTION DD 1: 100 @A2
EXTERIOR RENDER
INTERIOR RENDER
PHYSICAL MODEL
Princes Pier is a historic site constructed in the 1910s; it used to be 580 meters long before it was burnt down by a fire. It carries valuable historical memory of a certain period and connects with Melbourne people in various ways. Concerning this historical value and memory connection, as well as considering visitors' overall experience of the walk they take along Port Phillip Bay and Princes Pier, this project built a monumental super-structure architecture.
PROJECT 02 A PLACE TO [GO] This is a project located at the Princes Pier, Port Phillip Bay, Melbourne. Princes Pier is a historical site with unique culture significance. Unfortunately, the store structures were burnt down by a fire in the 1990s, and only piles remain. This project intends to reactivate the pier with a superstructure system that drew inspiration from the old pier structure. The grid and allocation of the structure are designed based on the distribution of the remaining piles. The structure is directly connected to the pile and forms an illusion of a "ship". The pier is no longer for going to a place, the pier is the place.
This monumental architecture drew inspiration from the old prince's pier structure and intends to give some of the remaining piles new life. It's a 'garden' with multiple activity possibilities; it provides the opportunity to look out and reach down to the sea. The pier does not take you to a place anymore; the pier is the place.
STRUCTURE STUDY
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SITE PLAN 1: 2000100@A2 50
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The structure is a simplified and abstract version of the old pier, studying from a small remaining part for memorial purposes at the entrance of the current pier. Each horizontal component is 10cm x 15cm, and the vertical ones are 10cm x 10cm. The structure is directly connected with the remaining old piles, which help support the whole system and become a part of the new building. The distribution of the design depends on where the piles are. Its grid is also following the existing distribution of the piles. The structure was designed to be built as a ship to resonate with the site's history. The ship can be seen clearly on two sides. However, the closer you observe, the less you can see. The ship 'disappears' when people walk into the pier; only the structure and the grids remain. With site analysis on visitors' type, surrounding traffic and activities, location of commercial area and residential area, and my personal experience by site visit, it is noticeable that the site lacks shading devices and proper rest spaces for people to sit down and spend some leisure time. The commercial buildings generally surround the tram stop on the site's east side.
The structure, including all furniture, deckings, and building structures, has been used and applied in various scales throughout the site, and all connected together.
FURNITURE & LOCATION
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FLOOR PLAN 1: 500 @A0
As the pier is supposed to be enjoyed by everyone, the project creates more free greenery space to create a dynamic experience. Due to the specificity of the pier, all vegetation must be contained in plant boxes, which might be high and become eye-catching. To minimize this visual impact, timber deckings, stairs, and seatings surround them so that the greenery box can be more integrated into the overall image. Some of those greenery boxes are combined with benches.
1:3 150 @A3 6
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DETAILED PLAN PLAN 1:150 GF1FFLOOR 0
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15M
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Therefore, the main programme is a cafeteria within the ship 15M places are designed for possible activities, including structure. Other a fishing platform, an open meadow for weekend markets and other activities or celebrations on the site, and two viewing platforms on the ground floor and the first floor.
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DETAILED PLAN PLAN 1:150 1F1FFLOOR
SECTION BB 1: CROSS SECTION250 BB @A3 1:250 0
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The experience of different heights is another essential aspect of this design. Timber deckings are obviously part of this experience, as they are 20M higher than the existing concrete platform. The viewing platform on the first floor is also an opportunity to see the sea. Part of the current concrete platform, directly facing the gatehouse and almost at the start of the site, was demolished to create a cloister built within the space between piles. The same structure is also made to help support it. This also allows people to see the piles without going hundreds of meters.
SECTION CC 1: CROSS SECTION250 CC @A3 1:250 0
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Another lower platform is located within the cafeteria, using the vacant spaces between piles ---- which were supposed to have piled in old times. 20M it has now been burnt down or demolished ---- to have a lower floor Still, level partially underneath the sea level for people to see the piles and feel the water even when inside. There's also a half level between those two floors. The cafeteria has a kitchen, a bar space, two bathrooms, a balcony, and an elevator that can take people directly up to the viewing platform on the first floor so that they don't need to go back all the way long to get up. Except for the balcony, the cafeteria is enclosed, and the viewing platforms, both the ground floor and the first floor, are open spaces.
There is always a combination of ramps and staircases. Some staircases are also transformed into seatings so that people can freely choose wherever they wanna stop. In this project, the plants, except for the grass, look at things that can be planted near the ocean or related to history. For example, sea kale is often pickled for long sea voyages to prevent diseases extending back hundreds of years.
PHYSICAL MODEL
RENDERS
PROJECT 03 Orion Townhouse
This group project was designed by four University of Melbourne students. It intends to develop a multi-residential townhouse complex that would embrace the sense of community and resonate with Melbourne's local conditions. The site is located in the middle ring of Melbourne; this project aims to maximize access to open spaces such as courtyards while maintaining a high density within the townhouse context. This housing complex has 16 individual townhouses, each articulated uniquely. The sum of these dwellings forms the singular character of this community. Just like constellations, and that's why this project is named Orion, which is a prominent constellation that has 16 stars to form its basic shape.
The project admires the idea of design for the community and the use of greenery and natural lighting in living environments. It also pays attention to private outdoor spaces, which is a considerable necessity within the Melbourne context. It envisions a community within a garden with a reasonable balance between public and private space. Neighbourhood connections are facilitated through access to light, air, vegetation, and the ground. Orion Townhouses re-imagines the traditional townhouse typology based on a unique system of interlocking clustered apartments where each dwelling retains a distinct private ground floor entrance. At the same time, shared ownership in sections generates considerable density. This project also looked to celebrate some of the informal elements of Melbourne city’s fabric, such as lane-ways and brick walls, and bring them to the fore in the proposal.
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Inflected to the particularities of the Melbourne middle suburban condition, emphasis has been placed on maintaining privacy and ensuring private outdoor space for each dwelling within this densified plot. Unlike a typical mutuality scheme that fronts the street, this project seeks to draw the road in, fracturing it through a network of internal laneways and public courtyards. The overall building volume is diluted across the site through a varied one-, two-, and three-storey roof line. Furthermore, this dilution enables light and air to penetrate the central portion of the site. Lowering this region into the basement further reduces the building’s ground-level mass.
MASSING
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The idea of being a 'good neighbour' to the surrounding context also applies to the site's logic. While the staggered and decreasing roofline prevents overshadowing southern properties, the lowered building massing in the centre enables significant light penetrating the basement courtyard spaces.
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PLAN GROUND FLOOR A
SITE PLAN 1: 1000 @A3
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-1F FLOOR PLAN 1: 250 @A3
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CHRIS | FAN | RYAN | ZICHUN
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ORION TOWNHOUSES
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CHRIS | FAN | RYAN | ZICHUN
ORION TOWNHOUSES
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25
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This project was the creation of a space module. Through the combination of space modules, each townhouse formed differently. Those different townhouses were categorized into 4 different types, which meet most people's needs in Melbourne.
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SECTION AA 1: 250 @A3
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SECTION BB SECTION BB
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P PLAN SECOND FLOOR
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1F FLOOR PLAN 1: 250 @A3
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CHRIS | FAN | RYAN | ZICHUN
ORION TOWNHOUSES
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This project intends to balance private and public spaces; every townhouse is facilitated with its own ground floor entrance, private courtyard and access to communal open areas simultaneously. It promotes enjoying fresh air and lighting in their own space and communicating with others in this community.
SECTION BB 1: 250 @A3
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CHRIS | FAN | RYAN | ZICHUN
ORION TOWNHOUSES
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CHRIS | FAN | RYAN | ZICHUN
ORION TOWNHOUSES
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2F FLOOR PLAN 1: 250 @A3
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The site has four types of private courtyards: sunken courtyards, underground courtyards, rooftop gardens and ground-level courtyards. The difference between courtyards and which townhouse it belongs to is decided based on the townhouse's composition, position and orientation. Underground courtyards make the basement a nice living space by giving access to natural lighting and fresh air. They are fully glazed and similar in size to other courtyards on the ground.
ELEVATION WEST
SECTION DD
SECTION BB 1: 250 @A3 ELEVATION
SECTION
NORTH
DD
SECTION EE
SECTION EE
SECTION DD 1: 250 @A3
ELEVATION EAST
CHRIS | FAN | RYAN | ZICHUN
ORION TOWNHOUSES
1:250
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CHRIS | FAN | RYAN | ZICHUN
ORION TOWNHOUSES
1:250
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SECTION
SECTION EE 1: 250 @A3
ELEVATION
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SOUTH SECTION FF
SECTION FF 1: 250 @A3
ELEVATIONS CHRIS | FAN | RYAN | ZICHUN 1: 250 @A3
ORION TOWNHOUSES
1:250
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TOWNHOUSE TYPES
RENDERS 4 x 1 BED TOWNHOUSE
4 x 1 BED TOWNHOUSE SOLID & VOID
SERVED
SERVANT Served
CHRIS | FAN | RYAN | ZICHUN
ORION TOWNHOUSES
Servant
7 x 2 BED TOWNHOUSE
7 x 2 BED TOWNHOUSE
2 x 3 BED TOWNHOUSE
INSIDE & OUTSIDE
SOLID
VOID Solid
CHRIS | FAN | RYAN | ZICHUN
ORION TOWNHOUSES
Void
2 x 3 BED TOWNHOUSE
3 x 4 BED TOWNHOUSE
INSIDE
OUTSIDE
3 x 4 BED TOWNHOUSE Inside
CHRIS | FAN | RYAN | ZICHUN
CHRIS | FAN | RYAN | ZICHUN
ORION TOWNHOUSES
Outside
ORION TOWNHOUSES
INTERIOR DESIGN PROJECTS
PROJECT 01 ‘LEGO' This project is designed based on the idea of moduler architecture system, intends to help escalate the building process within Australian context, it also looking towards a more flexible and individualized future of residential houses to meet the ever-changing needs of the market.
BACKGROUND
RESEARCH
Bedroom
Kitchen
Balcony
Study room
Living room
Small spaces
Dinning room
Others
Diagram of the survey's result
This survey is about how much people value different spaces in their house. It includes data from 5 people in different genders, ages and occupations. This survey shows people's different needs for housing, make a comparison to the fixed design style of current real estates.
Based on the data from the Australia bureau of statistics. Australian families are keep changing over time. Nowadays, they intend to have fewer babies and some Australians are not going to get married at all. Australia has a muti-culture society, there are hundreds and thousands of people coming from the different cultural backgrounds and getting settled, the number of extended families is also rising through time. Different kinds of family structure have different needs for their dwelling. This may relate to the bedroom amount or available spaces etcetera. Average people per family
Extend households
Fertility Rate
Families without children
Proportion of family households
Single person households
" LEGO "
This design project is proposing a dwelling system with prefab technology to provide flexibility and adaptability. It is designed to suit the different needs of individual families and provides an easier solution for excessive construction duration and moving problems. Keep an eye on all kinds of families and personalities, this system intends to make
Research diagram of Australian families' structure in recent years.
Research about dwelling structures in Australia.
people live in the house that suits them best and decrease
However, compared to the initial research diagrams, the modus of real estate in Australia is more unitary. In this increasingly diverse society, people may need more time to find the most suitable house for their own situations. Currently, the three-bedroom house is the most common type and takes up more than 70% in overall data.
people's pressure on real estates' costs. This project also intends to create a system that could allow houses to grow with its owner. A lifetime house, a place where people spend most of their lives, is also a family member to them.
One-bedroom house
Separate house
Two-bedroom house
Apartment or Flats
Three-bedroom house Four or more bedroom house Research diagram about current dwelling structures in Australia.
Semi-detached or Terrace house
Construction Detail for Final Project 4
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Outside
Inside(flip)
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There are different kinds of units that is entirely prefabed in factories. Those units are bascily prefabed rooms (including prefabed necessary furnitures) for rapid construction. Could be a single room (bedroom, kitchen etc) or a suite. It also contains room units that is uncommon in current dwellings, such as cafe unit with all furnitures that a commercial cafeteria would have. The instruction figure use cafe unit as an example to show how would those special units may attach to houses. This instruction figure shows how prefabed sectional components are joined together to form a wall. The joinery principle comes from the traditional Chinese door bolt. This design ensure every components are able to be put together and could be easily construct and deconstruct. Use house expansion as an example. Components can be romoved from the wall and been replaced by another component that suits the requirement. As components are all able to be connect with each other. The size and design of the room can be easily changed, house expanding can become easier. All components are able to be sent back to factory for reuse. Components in same geometric shapes are in same size, clients are allowed to order special components if there's nothing fits their design.
Geometric components are prefabed in factories, and will be put together based on clients' needs. They are small components for a single wall or roof or floor. Components including numerous amount of different types. Except different geometric shapes, they also include components with all kinds of doors and windows. After walls are formed, a room can be made.
Deconstruction process & Easy transportation & Reconstruction
Foundation structure. Leave enough space between the floor and the ground surface to prevent moisture from damaging wooden structures while circuits and piping systems can be erected in that space. Provides possibility for room variations.
Material CLT (cross-laminated timber) will play the most important role in the material selection in this system. CLT is the material that is made out of layers of solid lumber, it is a valuable material for build sustainbility and durability. CLT has a strength compareble to reinforced concrete and structural steel. It been considered to have the ability of gradually replace structures that usually built in steel.
Final Design
---- Floor Plan
The final project follows up with the idea that is tracing the life of one imaginary client. The project starts from his 20s, the first time he finds a great job and wants to have a suitable place to settle down. The correspondence between his house variations and family development is as follows. Suite (Single)
(Got a great permanent job and dating someone) +Seperate bathroom +More free space for kitchen
(Marriage) +More free space for dining +Bedroom for children +Second Floor +More space for living room
(While children are growing) +Baclcony space (outdoor living)
(Years later) +Random bedroom (For grandchildren / Guest) +Concentrate study/working space
Persepective Perspective drawings that including the rendering of the whole house and part of the interior rendering. The rendering of the whole house intends to show the architecture appearance; the material effect of CLT timber; and several exposed construction structures, such as supports. The interior rendering mainly shows the effect of the texture displays in the inside after house assemblies. This prefab architecture was assembled piece by piece. Small prefab sections assembled together to form the wall, walls make rooms, rooms build the house. It can be expanded indefinitely under the premise of space permitting and can also be reduced according to users' needs. This system provides more flexibility, adaptability and personalization to residential houses.
Exterior rendering 01
Exterior rendering 02
Interior rendering of the second floor （Section drawing)
Isometric The isometric drawings mainly show the structural details of the house construction techniques, including the foundation and ceiling. The different colours on the floors represent the possible movement trajectory of different people using different spaces in this house. Shared space ---- Green Children ---- Yellow Adults ---- Orange
Daylight illumination This drawing shows the primary lighting conditions of this house during the daytime from two different perspectives.
Construction Detail Model of the connection method of two prefab sections of the wall. Instruction diagram please refer to page 3, and its interior effect please refer to page 5 interior rendering.
The drawing shows the connection method at the corner of two walls. Been inspired by traditional Chinese houses, this prefab architecture system mainly uses nailless construction, which has a quite stableness guarantee, and it's convenient for construction and deconstruction.
PROJECT 02 SECOND SITE This is a project located at the Princes Pier, Port Phillip Bay, Melbourne. Princes Pier is a historical site with unique culture significance. Unfortunately, the store structures were burnt down by a fire in the 1990s, and only piles remain. This project intends to reactivate the pier with a superstructure system that drew inspiration from the old pier structure. The grid and allocation of the structure are designed based on the distribution of the remaining piles. The structure is directly connected to the pile and forms an illusion of a "ship". The pier is no longer for going to a place, the pier is the place.
Second Site Client Research
The chosen client for this project is a Melbourne local furniture brand ---- COCO-FLIP.
The third feature is that their products are all designed in symmetry; there is a palpable sense of balance inside their design styles. Therefore, heir attention and persistence to balance and symmetry also become one of the most fundamental design ideas of this project.
"The Second site" project is aiming to design an exhibition stand system that could be easily transferred between exhibition and retail space while adapting to both of them. This system should have considerable flexibility and transportability. It needs to meet the request of smooth transfer between two different locations. Flexibility and adaptability are essential in this project, the design should allows the system to switch between multiple space types.
Site analysis
Cafe
Media
Another product feature of COCO FLIP is that they were extremely good at making use of line and curves. The products they produced all have interesting geometric shapes, and those outlines formed surfaces. There is an explicit conversion between 2D and 3D.
Introduction
Media
COCO FLIP's inspirations mostly came from their travel experiences, the style and shapes of their products were designed based on the sceneries they saw and cultures they experienced. There were many explorations of forms and materials during their design process. Thus, the study of geometric shape and material also become one of the most important design ideas for this project, most inspirations of form and materials came from the study of COCO FLIP's products.
The First Site Site Analysis (Exhibition Hall)
This project has two sites, an exhibition space and a retail space. The project is located in No.612 booth in Denfair exhibition hall, which is on the centre line of the lobby. The booth is right next to the media display board area and cafe. It is a good exhibition spot with excellent personnel mobility. Based on the audiences' moving track dictation, the site analysis set up four possible entrance of No.612 booth and ranked the priority order according to the full pros and cons of all aspects. The other site is a retail space on the first floor of a building in Melbourne. The site analysis diagram shows the dictation of possible moving trajectory of guests and spots they might stop to have a look around. The Second Site Site Analysis (Retail Space)
Those two sets of floor plan drawings separately showing the overall planning ideas of two sites in the form of gradual presentation. They also show the placement of different exhibition stands and the location of furniture products.
The first site floor plan (Exhibition hall)
The second site floor plan (Retail space)
The planning idea of those two sites continues the COCO-FLIP's brand style, focusing on chasing the balance and symmetry in a spatial context. The plan of both sites starts from either a centerline or centre point, as shown by the white auxiliary line in drawings. Based on the balance and symmetry idea, the design arrangement also pays attention to match the the "flip" in its brand name, the idea of vertical and horizontal flip (in 2D view) is applied to cooperate with the initial balance idea.
The first site isometric drawing sets (Exhibition hall)
The isometric drawing sets used the same gradual presentation technique with floor plans to show the space layers and structure step by step. Those drawings complement with floor plan sets to show the overall design rendering, make the expression more intuitive and precise.
The second site isometric drawing sets (Retail space)
Although COCO-FLIP has very colourful products, the selected products' models are shown as white in those drawings. According to products' characteristics, the placement positions are also different.
Persepective drawings The inspiration of frame structure comes from COCO-FLIP's logo. The structure was designed symmetrically is not only a continuation of the brand's design concept, but it is also matching the "flip" in its name. Part of the logo shape can be seen in this frame structure at specific angles.
Persepective drawings
Site 02
Site 01
The first part of this project's display system is the timber frame structure. It is formed by three types of pillars which can be combined with screws. The specific assembly method, please refer to the diagram. In this project, there are 21, 99 and 11 pillars in these three types, 131 pillars in total. Those pillars will be packed in timber boxes during the transportation process ( those timber boxes are also used as part of the display stand as well). Twelve pillars per box, totally 11 boxes are required.
Frame structure pillar types
Figure 1 Figure 2
Frame structure assemmble method
Construction Details 01
Figure 1: The conceptional structure of putting heavy stuff such as stones into the boxes to help the separation frame to stand. ( Each of the timber and stained glass separation is in a trapezoid shape. There are four pieces for this project.) Figure 2: The stainless metal support for frame structure.
Construction Details 02 The second part of the display structure is the exhibition stand for display furniture. The way the stand is divided is shown in the diagram, including isometric view and floor plan view. The stand could be divided into two layers, the cover layer could be split into six sections, and the inner layer could be split into twelve equal-size right triangles. All those parts could be flexibly combined or stacked. This project is applying three sets of this stand in total.
Material Selection COCO-FLIP's products inspire all the material selection. Materials that are applied in this project including ---Timber: For frame structure, separations, stands. Coloured glass: For separations, inlaid between planks. Stainless Steel: For supporting structures. White mesh fabric: For the background decoration of the logo.
Construction Details 03 In order to make the frame structure more stable, this project also designed additional support for it. By using extension screws, multiple pillars could be connected. The indication of where those extension screws will be applied is shown on the floor plan of the frame structure. Steel wires from the roof will also be hanged to connect to the screws for further fixing.
ARCHI-TECTURE DRAFTING
Melbourne School of Design APPLIED ARCHITECTURAL TECHNOLOGY
Melbourne School of Design APPLIED ARCHITECTURAL TECHNOLOGY * THE TENANT RENTING SCHEME IS JUST AN EXAMPLE
GFA: 1692.6 m2 NLA: 1310 m2 EFFICIENCY: 77.4%
1.1 VERTICAL STRATEGY
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Student ID
ZICHUN WANG Given Name Family Name
1228962 123456
5700 m2
FAR
13.7 : 1
TOTAL GFA
78,167 m2
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SITE AREA
GFA: 1872 m2 NLA: 1700 m2 EFFICIENCY: 90.9%
Author
TYPICAL LOW-RISE OFFICE PLAN
FIGURE 1
TYPICAL HIGH-RISE OFFICE PLAN 1:500 @A1
TOTAL LOW-RISE OFFICE GFA
18,120 m2
TOTAL HIGH-RISE OFFICE GFA
29,952 m2
TOTAL HOTEL GFA
18,720 m2
TOTAL MECHANICAL FLOOR AREA
5,616 m2
Subject Coordinator: Dr Giorgio Marfella
Subject Coordinator: Dr Giorgio Marfella
GFA: 1872 m2 NLA: 1500 m2 EFFICIENCY: 80%
3
N
TYPICAL HOTEL PLAN
1.3 FACADE CONCEPT
Author
Student ID
Talitha Febriani Soeseno
1328985
N
1:500 @A1
According to the Australian Code (NCC/BCA) the nominal number of people occupying a floor for an office building (Class 5) can be established dividing the floor area by 10 sqm per person
FIGURE 2
Typical NLA : 1450 m2 -> 145 people (73 male & female each)
MALE
1 toilet pan / 20 people -> 3 toilet pan 1 toilet pan/ 15 people -> 4 toilet pan 1 urinal/ 25 people -> 3 urinal FEMALE washbasin : 1/ 30 people -> 2 washbasin Washbasin : 1/ 30 people -> 2 washbasin
RL + 200000.0 8.8 m
8800 mm
ROOFTOP GARDEN / CROWN
8m
8000 mm
MECHANICAL FLOOR
3600 mm
HOTEL 10
RL + 191200.0
RL + 183200.0 HOTEL 9
3600 mm
HOTEL 8
RL + 172400.0
HOTEL 7
RL + 168800.0
3600 mm
HOTEL 6
RL + 165200.0
3600 mm
HOTEL 5
RL + 161600.0
3600 mm
HOTEL 4
RL + 158000.0
3600 mm
HOTEL 3
RL + 154400.0
3600 mm
43.2 m
8m
RL + 179600.0
3600 mm
RL + 176000.0
3600 mm
HOTEL 2
3600 mm
HOTEL 1
7200 mm
HOTEL SKY LOBBY
8000 mm
MECHANICAL FLOOR
RL + 150800.0 RL + 147200.0
RL + 140000.0
RL + 132000.0 4000 mm 4000 mm 4000 mm
4000 mm 4000 mm 4000 mm 4000 mm 4000 mm 4000 mm 4000 mm
RL + 124000.0 RL + 120000.0
HIGH RISE OFFICE 13
RL + 116000.0
HIGH RISE OFFICE 12
RL + 112000.0
HIGH RISE OFFICE 11
RL + 108000.0
HIGH RISE OFFICE 10
RL + 104000.0
HIGH RISE OFFICE 9
RL + 100000.0
HIGH RISE OFFICE 8
RL + 96000.0
HIGH RISE OFFICE 7
RL + 92000.0
HIGH RISE OFFICE 6
RL + 88000.0
HIGH RISE OFFICE 5
RL + 84000.0
4000 mm
HIGH RISE OFFICE 4
RL + 80000.0
4000 mm
HIGH RISE OFFICE 3
RL + 76000.0
4000 mm
4000 mm
8m
RL + 128000.0
HIGH RISE OFFICE 15 HIGH RISE OFFICE 14
4000 mm
64 m
HIGH RISE OFFICE 16
HIGH RISE OFFICE 2
RL + 72000.0
4000 mm
HIGH RISE OFFICE 1
RL + 68000.0
8000 mm
MECHANICAL FLOOR
4000 mm
LOW RISE OFFICE 10
RL + 56000.0
RL + 60000.0
40 m
4000 mm
LOW RISE OFFICE 9
RL + 52000.0
4000 mm
LOW RISE OFFICE 8
RL + 48000.0
4000 mm
LOW RISE OFFICE 7
RL + 44000.0
4000 mm
LOW RISE OFFICE 6
RL + 40000.0
LOW RISE OFFICE 5
RL + 36000.0
LOW RISE OFFICE 4
RL + 32000.0
LOW RISE OFFICE 3
RL + 28000.0
LOW RISE OFFICE 2
RL + 24000.0
LOW RISE OFFICE 1
RL + 20000.0
4000 mm
MASSING & LIFT DIAGRAM
4000 mm 4000 mm 4000 mm 4000 mm
HOTEL SHUTTLE LIFT
HIGH RISE OFFICE LIFT
HOTEL LIFT
OFFICE GOODS LIFT
LOW RISE OFFICE LIFT
BASEMENT LIFT
20 m
20000 mm
PODIUM
RL + 0.0
HOTEL GOODS LIFT
4
OVERALL SECTION 1:500 @A1
SUBJECT
TUTOR
ABPL90118 APPLIED ARCHITECTURE TECHNOLOGY PROJECT
SITE ADDRESS
MARK LAM (T03)
ASSIGNMENT
SPRING STREET SCALE
VERTICAL FEASIBILITY
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Nam cursus. Morbi ut mi. Nullam enim leo, egestas id, condimentum at, laoreet mattis, massa. Sed A1.1 This project is located at the corner mauris of Lonsdale and Spring Street in the of Melbourne, Bourke Street on the South It has a great Duis tincidunt lectus quis dui side. viverra vestibulum. eleifend nonummy diam. Praesent ante,Street elementum et, bibendum at, city posuere sit amet,facing nibh.little view on the East side aliquam as it is right the Parliament It is surrounded of otherMaecenas high-rise buildings transportation. group Suspendisse vulputate dui. next Nullatoelementum dui utGardens. augue. Aliquam vehicula by milots at mauris. placerat, and nisl active at consequat rhoncus,Our sem nunc also noticed historical sites the site, including The Princess Theatera,on the South side and avitae, historical tree present on the Westac, side. gravida justo, several quis eleifend arcu velitaround quis lacus. Morbi magna magna, tincidunt mattis non, imperdiet tellus. Sed odio est, auctor sollicitudin in, consequat vitae, orci. Fusce id felis. Vivamus sollicitudin metus eget eros. Our group sees this location as an opportunity connect the natural fames view ofacParliament Gardens with CBD. by The Endless City in Height Pellentesque habitant morbi tristique senectus ettonetus et malesuada turpis egestas. In posuere felisInspired nec tortor. Pellentesque faucibus. Ut designed accumsan by SURE and placerat Oasia Hotel designed by Woha 2), our group design multi-function building with venenatis a green ultricies elit.Architecture Maecenas (Figure at justo 1), id velit molestie. Donec dictum(Figure lectus non odio. Crasdecided a ante to vitae enima iaculis aliquam.high-rise Mauris nunc quam, facade and asit roof garden to provide possibilities for users to enjoy the beautiful view. nec, euismod amet, egestas placerat, est. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Cras id elit. Integer quis urna. Ut ante enim, dapibus malesuada, fringilla eu, condimentum quis, tellus. Aenean porttitor eros vel dolor. Donec convallis pede venenatis nibh. Duis According thelacus. projectAliquam requirements, the mixed-use is built on a leo. 20m tall podium. There are 10 low-rise office floors, 16 high-rise office floors, 1 hotel quam. Nam to eget erat volutpat. Quisque tower dignissim congue sky lobby, 10 hotel floors and 3 mechanical floors located between different functions. Gross ac, Floor Area of the tower is 78,167 squareetmeters, Mauris vel lacus vitae felis vestibulum volutpat. Etiam est nunc, venenatis in, tristiqueThe eu, total imperdiet nisl. Cum sociis natoque penatibus magnisthe dis Net Lettable Area nascetur of the office spacemus. is 37,100 square meters, and the usable area Sed of theporta. hotel Suspendisse is 18,810 square There issed, alsoluctus an underground parturient montes, ridiculus In iaculis facilisis massa. Etiam eu urna. quammeters. leo, molestie quis, feugiatcarin, park space. The taxiSed drop-off andconvallis the hotel et, entrance areut,located within Pl on the pede. Fusce tellus. metuspoint augue, vehicula pulvinar eu, Gordon ante. Integer orciWest tellus,side. tristique vitae, consequat nec, porta vel, lectus. Nulla sit amet diam. Duis non nunc. Nulla rhoncus dictum metus. Curabitur tristique mi condimentum orci. Phasellus pellentesque aliquam enim. Proin dui lectus, cursus Themattis total laoreet, height ofviverra the building is 200m, a typical of 4m for dictum the office space Praesent and 3.6m vitae for the hotelUtspace. The height of thenon, crown is 8.8m, and eu, sit amet, quam.with Curabitur velfloor dolorheight ultrices ipsum tristique. lacus. velit enim, vestibulum fermentum nec, the podium 20mPellentesque high. The podium commercial hendrerit quis,is leo. rutrumincludes malesuada neque. spaces along the street with various entrances. An open courtyard is located on the podium's South side, tempus allowingfelis people to urna. enjoy Vivamus fresh air, vegetation, and most importantly, a view the eleifend tower. Our groupa also cut two corners create felis. a better viewdiam for people Nunc vitae porttitor, neque at volutpat rutrum, purusofnisi libero, tempus libero lectustofeugiat Morbi mauris, in the courtyard. In order to prevent over-shadowing problems that might happen to The Princess Theater on the South side, the tower is located slightly to viverra in, gravida eu, mattis in, ante. Morbi eget arcu. Morbi porta, libero id ullamcorper nonummy, nibh ligula pulvinar metus, eget consectetuer augue nisi quis the North a 12m set-back the North side, a iaculis 6m set-back the East side, vel andmia 12m set-back the West side. lacus. Ut acwith mi quis lacus mollison aliquam. Curabitur tempusoneros. Curabitur sit amet magnaonmalesuada ultrices. Ut nisi erat, fermentum vel, congue id, euismod in, elit. Fusce ultricies, orci ac feugiat suscipit, leo massa sodales velit, et scelerisque mi tortor at ipsum. Proin orci odio, commodo ac, gravida non, This is avel, center tower with nibh 19 lifts inside the core, 6 lifts for the office, 6 lifts for ipsum, the high-rise office, 2 shuttle the at, podium tristique tellus.core Pellentesque libero, ultricies eu, including sagittis non, mollis sed,low-rise justo. Praesent metus pulvinar pulvinar, portalifts id,from fringilla est. to the hotel, 3 hotel lifts, and 2 service lifts for hotel and office each. For the tower’s user experience, we intend to adopt high-speed lifts to shorten users' Phasellus felis dolor, scelerisque a, tempus eget, lobortis id, libero. Donec scelerisque leo ac risus. Praesent sit amet est. In dictum, dolor eu dictum waiting porttitor, time.felis Twoviverra stairs are on each sidepurus of thequis core,odio. 2 toilets alsomassa, within the core area. enim mi, located eget luctus massa Etiamare nulla pharetra facilisis, volutpat in, imperdiet sit amet, sem. Aliquam nec erat at purus cursus interdum. Vestibulum ligula augue, bibendum accumsan, vestibulum ut, commodo a, mi. Morbi ornare gravida elit. Integer congue, augue et malesuada In general, design a highlymagna functional mix-use skyscraper combined withaccumsan outdoor space andDuis greenery. We etaim to develop a clear and efficient iaculis, ipsumweduiintend aliquetto felis, at cursus nisl nec elit. Donec iaculis diam a nisi viverra. sed tellus tortor vestibulum gravida. Praesent vertical circulation with reasonable floor areas. We want the building to become a connection point between The Parliament Gardens and CBD, bringing elementum elit at tellus. Curabitur metus ipsum, luctus eu, malesuada ut, tincidunt sed, diam. Donec quis mi sed magna hendrerit accumsan. Suspendisselively risus nature to the eu, urban environment. nibh, ultricies volutpat non, condimentum hendrerit, augue. Etiam eleifend, metus vitae adipiscing semper, mauris ipsum iaculis elit, congue gravida elit mi egestas orci. Curabitur pede. NAME
TALITHA FEBRIANI SOESENO ZICHUN WANG
1328985 1228962
DRAWING NUMBER
1:500 @A1
The overall concept for the façade design stems from an awareness of the precinct namely the Princess Theatre, Parliament House, St. Patrick’s Cathedral, and Carlton Garden, we intend to make the façade of the building as humble/quiet as possible while still maintaining its prestige impression as a luxury hotel and office building. In order to achieve this design intention, we decided to keep the overall form of the tower simple and use a unitized curtain wall system with vertical aluminum fins finished with an Onyx copper brown powder coat. The tower has indoor gardens wrapped around it. The reason behind this decision is to provide a less stressful work environment by using biophilia principal, and mimicking the surrounding of the building, hence creating a continuation of vegetation (Carlton Garden, Parliament Garden, and Giliot Reserve). In honor of the Princess Theatre, we decided to place the tower on the North side of the site and cut the South side of the tower, moving the shadow cast away from the Princess Theatre. The entrances are pushed inwards to give more emphasis and clarity for the user. The tower is visibly divided into four zones separated by the mechanical floors, this is done to give a visual cue to the passerby of where each zone starts and ends. Since the mechanical floors have a belt truss and outrigger system inplace, we decided to highlight these features by placing the façade 3m behind the perimeter structure. This decision makes it possible to have natural ventilation along the mechanical floor façade without too much waterproofing strategy needed. These exposed structures are coated with silver grey polysiloxane paint, and the façade of the mechanical floors is made from solid aluminum panels coated in light grey gloss paint to give a more muted impression. The podium has a courtyard with a void above it to provide better air circulation and natural lighting. This void also makes it possible for the users at the podium level to look up into the cut part of the tower. The parts of the façade that covers the indoor garden do not have vertical sunshades, this is done to give a visual cue from outside of where the garden is and emphasize the “wrapped” impression intended. Aside from the vertical sunshades on, the tower also has horizontal sunshades along the East, North, and South sides. The unitized curtain wall vision glass uses double glazed high-performance blue tinted glass with color back spandrel matched as closely as possible to create a seamless look. These act as the passive thermal design strategy. While for the active thermal design strategy, we use spandrel with photovoltaic cells integrated into it. Lastly, the podium has a triangular pattern formed by combination of blue stone and clear glass to let sufficient daylight in without it being too glaring, and the crown acts as a rooftop garden covered with glass to avoid the strong wind on the top of the tower. This rooftop garden acts as a communal and event space for the hotel.
* THE TENANT RENTING SCHEME IS JUST AN EXAMPLE
GFA: 1692.6 m2 NLA: 1310 m2 EFFICIENCY: 77.4%
GFA: 1872 m2 NLA: 1500 m2 EFFICIENCY: 80%
GFA: 1872 m2 NLA: 1700 m2 EFFICIENCY: 90.9% ROYAL AUSTRALASIAN COLLEGE OF SURGEONS DEPARTMENT OF HOME AFFAIRS
HOTEL
PARLIAMENT GARDENS GILLOT RESERVE PRINCESS THEATRE
1
TYPICAL LOW-RISE OFFICE PLAN 1:500 @A1
SITE AREA
5700 m2
FAR
13.7 : 1
TOTAL GFA
78,167 m2
2
N
TYPICAL HIGH-RISE OFFICE PLAN 1:500 @A1
TOTAL LOW-RISE OFFICE GFA
18,120 m2
TOTAL HIGH-RISE OFFICE GFA
29,952 m2
TOTAL HOTEL GFA
18,720 m2
TOTAL MECHANICAL FLOOR AREA
5,616 m2
3
N
TYPICAL HOTEL PLAN
N
1:500 @A1
PARLIAMENT HOUSE
According to the Australian Code (NCC/BCA) the nominal number of people occupying a floor for an office building (Class 5) can be established dividing the floor area by 10 sqm per person
GREENERY SPACE
SITE
Typical NLA : 1450 m2 -> 145 people (73 male & female each)
MALE
ACCESS POINT
1 toilet pan / 20 people -> 3 toilet pan 1 toilet pan/ 15 people -> 4 toilet pan 1 urinal/ 25 people -> 3 urinal FEMALE washbasin : 1/ 30 people -> 2 washbasin Washbasin : 1/ 30 people -> 2 washbasin
RL + 200000.0 8.8 m
8800 mm
ROOFTOP GARDEN / CROWN
8m
8000 mm
MECHANICAL FLOOR
RL + 191200.0
RL + 183200.0 3600 mm
HOTEL 10
3600 mm
HOTEL 9
3600 mm
HOTEL 8
RL + 172400.0
HOTEL 7
RL + 168800.0
3600 mm
HOTEL 6
RL + 165200.0
3600 mm
HOTEL 5
RL + 161600.0
3600 mm
HOTEL 4
RL + 158000.0
3600 mm
HOTEL 3
RL + 154400.0
3600 mm
HOTEL 2
RL + 150800.0
3600 mm
HOTEL 1
7200 mm
HOTEL SKY LOBBY
8000 mm
MECHANICAL FLOOR
3600 mm
43.2 m
RL + 179600.0 RL + 176000.0
0
600
00
RL + 147200.0
00
170 00
110
RL + 140000.0
THE ENDLESS CITY IN HEIGHT
120
00
120
00
8m
120
00
110
RL + 132000.0 4000 mm 4000 mm
4000 mm 4000 mm
4000 mm
64 m
4000 mm
4000 mm
HIGH RISE OFFICE 12
RL + 112000.0
HIGH RISE OFFICE 11
RL + 108000.0
HIGH RISE OFFICE 10
RL + 104000.0
HIGH RISE OFFICE 9
RL + 100000.0
HIGH RISE OFFICE 8
RL + 96000.0
HIGH RISE OFFICE 7
RL + 92000.0
HIGH RISE OFFICE 6
RL + 88000.0
SURE ARCHITECTURE
We want this building to be a connection point between The Parliament Garden and CBD, to have lively greenery facade decorating the city of Melbourne as well as promoting outdoor life to building users. Oasia Hotel designed by
HIGH RISE OFFICE 5
RL + 84000.0
4000 mm
HIGH RISE OFFICE 4
RL + 80000.0
WOHA’s openness inspired us to explore the possibility of
4000 mm
HIGH RISE OFFICE 3
RL + 76000.0
having a rooftop garden in the crown.
HIGH RISE OFFICE 2
RL + 72000.0
4000 mm
HIGH RISE OFFICE 1
RL + 68000.0
8000 mm
MECHANICAL FLOOR
4000 mm
LOW RISE OFFICE 10
RL + 56000.0
4000 mm
LOW RISE OFFICE 9
RL + 52000.0
4000 mm
LOW RISE OFFICE 8
RL + 48000.0
4000 mm
LOW RISE OFFICE 7
RL + 44000.0
4000 mm
LOW RISE OFFICE 6
RL + 40000.0
00 125
4000 mm
8m
RL + 116000.0
00 205
4000 mm
RL + 120000.0
HIGH RISE OFFICE 13
0 380
4000 mm
HIGH RISE OFFICE 14
DESIGNED BY
00 120
4000 mm
RL + 124000.0
00
4000 mm
RL + 128000.0
HIGH RISE OFFICE 15
225
4000 mm
HIGH RISE OFFICE 16
RL + 60000.0
40 m
4000 mm
MASSING & LIFT DIAGRAM
4000 mm 4000 mm 4000 mm 4000 mm
HOTEL SHUTTLE LIFT
HIGH RISE OFFICE LIFT
HOTEL LIFT
OFFICE GOODS LIFT
LOW RISE OFFICE LIFT
BASEMENT LIFT
20 m
20000 mm
LOW RISE OFFICE 5
RL + 36000.0
LOW RISE OFFICE 4
RL + 32000.0
LOW RISE OFFICE 3
RL + 28000.0
LOW RISE OFFICE 2
RL + 24000.0
LOW RISE OFFICE 1
RL + 20000.0
OASIA HOTEL
DESIGNED BY
WOHA
PODIUM
RL + 0.0
N HOTEL GOODS LIFT
1
LAYOUT PLAN 1:500 @A1
4
OVERALL SECTION 1:500 @A1
SUBJECT
TUTOR
ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY PROJECT
SPRING STREET SCALE
NAME
200 SPRING STREET
TALITHA FEBRIANI SOESENO ZICHUN WANG
1328985 1228962
SUBJECT
ASSIGNMENT
SITE ADDRESS
MARK LAM (T03)
DRAWING NUMBER
1:500 @A1
A1.1
VERTICAL FEASIBILITY
TUTOR
ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY PROJECT
SPRING STREET SCALE
NAME
200 SPRING STREET
ASSIGNMENT
SITE ADDRESS
MARK LAM (T03)
TALITHA FEBRIANI SOESENO ZICHUN WANG
1328985 1228962
DRAWING NUMBER
VARIES @A1
A1.2
VERTICAL FEASIBILITY
RL + 200000.0 8.8 m
8800 mm
ROOFTOP GARDEN / CROWN
8m
8000 mm
MECHANICAL FLOOR
RL + 191200.0 MECHANICAL FLOOR RL + 183200.0 3600 mm
HOTEL 10
3600 mm
HOTEL 9
3600 mm
RL + 172400.0 RL + 168800.0
3600 mm
HOTEL 6
RL + 165200.0
3600 mm
HOTEL 5
RL + 161600.0
3600 mm
HOTEL 4
RL + 158000.0
3600 mm
HOTEL 3
RL + 154400.0
3600 mm
HOTEL 2
RL + 150800.0
3600 mm
HOTEL 1
RL + 147200.0
3 A2.1
7200 mm
8m
RL + 176000.0
HOTEL 8 HOTEL 7
3600 mm
43.2 m
RL + 179600.0
HOTEL SKY LOBBY
* CORNER BEAM ARRANGEMENT SWITCH DIRECTION EVERY FLOOR TO MAKE THE LOAD EVEN FOR COLUMNS
RL + 140000.0 MECHANICAL FLOOR
MECHANICAL FLOOR
8000 mm
HOTEL
RL + 132000.0 4000 mm 4000 mm 4000 mm 4000 mm 4000 mm 4000 mm 4000 mm 4000 mm
64 m
4000 mm 4000 mm 4000 mm
RL + 128000.0
HIGH RISE OFFICE 15
RL + 124000.0
HIGH RISE OFFICE 14
RL + 120000.0
HIGH RISE OFFICE 13
RL + 116000.0
HIGH RISE OFFICE 12
RL + 112000.0
HIGH RISE OFFICE 11
RL + 108000.0
HIGH RISE OFFICE 10
RL + 104000.0
HIGH RISE OFFICE 9
RL + 100000.0
HIGH RISE OFFICE 8
RL + 96000.0
HIGH RISE OFFICE 7
RL + 92000.0
HIGH RISE OFFICE 6
RL + 88000.0
HIGH RISE OFFICE 5
RL + 84000.0
4000 mm
HIGH RISE OFFICE 4
RL + 80000.0
4000 mm
HIGH RISE OFFICE 3
RL + 76000.0
HIGH RISE OFFICE 2
RL + 72000.0
HIGH RISE OFFICE 1
RL + 68000.0
4000 mm
4000 mm 2 A2.1
4000 mm 8m
HIGH RISE OFFICE 16
HIGH RISE OFFICE
MC2 = Tilted Mega Column 1500x1500mm steel embedded in concrete tapered to 1000x1000mm C1 = 750x1500mm steel mega column embedded in concrete C2 = CHS steel 500mm B1 = Steel beam primary 700 WB 150
MECHANICAL FLOOR
MECHANICAL FLOOR
8000 mm
HIGH-RISE OFFICE (15F)
RL + 60000.0
40 m
4000 mm
LOW RISE OFFICE 10
RL + 56000.0
4000 mm
LOW RISE OFFICE 9
RL + 52000.0
4000 mm
LOW RISE OFFICE 8
RL + 48000.0
4000 mm
LOW RISE OFFICE 7
RL + 44000.0
4000 mm
LOW RISE OFFICE 6
RL + 40000.0
4000 mm 4000 mm 4000 mm 4000 mm
LOW RISE OFFICE 5 CFL +73.40
RL + 36000.0
LOW RISE OFFICE 4
RL + 32000.0
LOW RISE OFFICE 3
RL + 28000.0
TYPICAL OFFICE FLOOR
4000 mm
(16TH FLOOR) LOW RISE OFFICE 2FFL +70.60
RL + 24000.0
LOW RISE OFFICE 1
RL + 20000.0
B2 = Steel beam typical 530 UB 82 / 100 mm notch EB 1 = steel beam typical edge 700WB 150 EB 2 = steel beam typical edge 700WB 115 SL 1 = composite steel decking 150mm thick, continuously supported @ 3m max. centres CORE WALLS = 600mm
1
LOW RISE OFFICE FLOOR (3F) 1:200 @A1
RL +74.60
LOW RISE OFFICE
RL +70.60
CFL +69.40
20 m
20000 mm
PODIUM TYPICAL OFFICE FLOOR (15TH FLOOR) FFL +66.60
RL + 0.0
RL +66.60
OVERALL SECTION
1
1:500 @A1
RL +74.60
RL +159.80
CFL +73.40
CFL +158.70 CFL +158.50
TYPICAL OFFICE FLOOR (16TH FLOOR) FFL +70.60
TYPICAL HOTEL FLOOR (33rd FLOOR) FFL +156.20
HALLWAY FFL +156.20
RL +70.60
RL +156.20
CFL +155.30 CFL +155.10
CFL +69.40
RL +152.60
RL +66.60
TYPICAL OFFICE SECTION
2
TYPICAL HOTEL FLOOR (32nd FLOOR) FFL +152.60
HALLWAY FFL +152.60
TYPICAL OFFICE FLOOR (15TH FLOOR) FFL +66.60
3
1:100 @A1
TYPICAL HOTEL SECTION 1:100 @A1
C1 = 600x1200mm STEEL MEGA COLUMN EMBEDDED IN CONCRETE C2 = CHS STEEL 400MM B2 = STEEL BEAM TYPICAL 530 UB 82/100 mm NOTCH EB1 = STEEL BEAM TYPICAL EDGE 700WB 150 CORE WALLS = 400mm SLAB THICKNESS = 150mm
C1 = 450x900mm STEEL MEGA COLUMN EMBEDDED IN CONCRETE C2 = CHS STEEL300mm B2 = STEEL BEAM TYPICAL 530 UB 82 / 100 mm NOTCH EB 1 = STEEL BEAM TYPICAL EDGE 700WB 150 CORE WALLS = 250mm SLAB THICKNESS = 150mm
MC1 = Mega Column 1800x1800mm steel embedded in concrete MC2 = Mega Column 1500x1500mm steel embedded in concrete C1 = 750x1500mm steel mega column embedded in concrete C3 = 200 UC 60 steel Mezzanine column B1 = Steel beam primary 700 WB 150
RL +159.80
B2 = Steel beam typical 530 UB 82 / 100 mm notch B3 = Steel beam typical 150 UB 18 (Mezzanine) TB = Transfer beam steel beam typical edge 700WB 150 TRB = Truss Beam 2m high SL 1 = composite steel decking 150mm thick, continuously supported @ 3m max. centres CORE WALLS = 600mm
2
GROUND FLOOR (GF) 1:200 @A1
CFL +158.70 CFL +158.50
SUBJECT
TYPICAL HOTEL FLOOR (33rd FLOOR) FFL +156.20
HALLWAY FFL +156.20
TUTOR
ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY
SPRING STREET
CFL +155.30
PROJECT
CFL +155.10
200 SPRING STREET HALLWAY FFL +152.60
SCALE
NAME
TYPICAL HOTEL FLOOR (32nd FLOOR) FFL +152.60
TALITHA FEBRIANI SOESENO ZICHUN WANG RL +152.60
1328985 1228962
SUBJECT
ASSIGNMENT
SITE ADDRESS
RL +156.20
MARK LAM (T03)
DRAWING NUMBER
VARIES @A1
A2.1
STRUCTURE AND ARCHITECTURE
TUTOR
ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY PROJECT
SITE ADDRESS
MARK LAM (T03) SCALE
NAME
200 SPRING STREET
TALITHA FEBRIANI SOESENO ZICHUN WANG
ASSIGNMENT
SPRING STREET
1228962
DRAWING NUMBER
STRUCTURE AND ARCHITECTURE
1:200 @A1
A2.2
N
A
CROWN STRUCTURE
MECHANICAL FLOOR
HOTEL 13 FLOORS 1 SKYLOBBY LEVEL HEIGHT 3600MM
MECHANICAL FLOOR BELT & OUTRIGGER * CORNER BEAM ARRANGEMENT SWITCH DIRECTION EVERY FLOOR TO MAKE THE LOAD EVEN FOR COLUMNS HOTEL (33F)
B N
HOTEL FLOOR (32F)
1
1:200 @A1
C1 = 450X900mm steel mega column embedded in concrete C2 = CHS steel 300mm B1 = Steel beam primary 700 WB 150 B2 = Steel beam typical 530 UB 82 / 100 mm notch EB 1 = steel beam typical edge 700WB 150 EB 2 = steel beam typical edge 700WB 115 SL 1 = composite steel decking 150mm thick, continuously supported @ 3m max. centres CORE WALLS = 250mm
A
EB1
A
typical steel beam edge 700 WB 150
RL +74.60
HIGH RISE OFFICE 16 FLOORS
CFL +73.40
TRB TYPICAL OFFICE FLOOR (16TH FLOOR) FFL +70.60
LEVEL HEIGHT 3800MM
truss beam 2m high
steel belt truss
RL +70.60
200 x 400 steel structural beam
CFL +69.40
C B
TYPICAL OFFICE FLOOR (15TH FLOOR) FFL +66.60
RL +66.60
MECHANICAL FLOOR
B typical steel beam 530 UB 82 / 100mm notch B2 600 x 1200 steel mega column embedded in concrete C1 typical steel beam edge 700 WB 150 EB1
LOW RISE OFFICE 10 FLOORS
D
LEVEL HEIGHT 3800MM
CHS steel 400mm C2 primary steel beam 700 WB 150 B1
C RL +74.60
RL +159.80
steel outrigger CFL +73.40
PODIUM ROOF STRUCTURE
CFL +158.70 CFL +158.50
TYPICAL OFFICE FLOOR (16TH FLOOR) FFL +70.60
TYPICAL HOTEL FLOOR (33rd FLOOR) FFL +156.20
HALLWAY FFL +156.20
RL +70.60
CFL +155.30 CFL +155.10
CFL +69.40
HALLWAY FFL +152.60
TYPICAL OFFICE FLOOR (15TH FLOOR) FFL +66.60
TYPICAL HOTEL FLOOR (32nd FLOOR) FFL +152.60
C1
600 x 1200 steel mega column embedded in concrete
C2
CHS steel 400mm
RL +156.20
* CORNER BEAM ARRANGEMENT SWITCH DIRECTION EVERY FLOOR TO MAKE THE LOAD EVEN FOR COLUMNS
RL +66.60
TRUSS BEAMS
EB1 typical steel beam edge 700 WB 150 steel belt trusses as virtual outrigger
RL +152.60 HIGH-RISE OFFICE (15F)
D typical steel beam edge 700 WB 150 EB1 2
HIGH RISE OFFICE FLOOR (14F) 1:200 @A1
PODIUM
CHS steel 400mm C2
C1 = 600x1200mm steel mega column embedded in concrete C2 = CHS steel 400mm B1 = Steel beam primary 700 WB 150 B2 = Steel beam typical 530 UB 82 / 100 mm notch EB 1 = steel beam typical edge 700WB 150 EB 2 = steel beam typical edge 700WB 115 SL 1 = composite steel decking 150mm thick, continuously supported @ 3m max. centres CORE WALLS = 400mm
TRANSFER BEAMS steel belt trusses as virtual outrigger
typical steel beam edge 700 WB 150 EB1
tapering cantilevered beams 700 to 500mm PFC CB1 @1500mm centres
RL +159.80
CFL +158.70 CFL +158.50
SUBJECT
TYPICAL HOTEL FLOOR (33rd FLOOR) FFL +156.20
HALLWAY FFL +156.20
TUTOR
ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY
SITE ADDRESS
RL +156.20
MARK LAM (T03)
SUBJECT
ASSIGNMENT
SPRING STREET
STRUCTURE AND ARCHITECTURE
TUTOR
ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY
SITE ADDRESS
MARK LAM (T03)
ASSIGNMENT
SPRING STREET
CFL +155.30 CFL +155.10
200 SPRING STREET HALLWAY FFL +152.60
SCALE
NAME
TYPICAL HOTEL FLOOR (32nd FLOOR) FFL +152.60
TALITHA FEBRIANI SOESENO ZICHUN WANG RL +152.60
1328985 1228962
DRAWING NUMBER
PROJECT
1:200 @A1
A2.3
N
SCALE
NAME
200 SPRING STREET
TALITHA FEBRIANI SOESENO ZICHUN WANG
1328985 1228962
DRAWING NUMBER
VARIES @A1
A2.4
STRUCTURE AND ARCHITECTURE
1500
1500
1500
1500
1500
1500
200 m
RL + 172400.0
8800 mm
ROOFTOP GARDEN / CROWN
8000 mm
MECHANICAL FLOOR
3600 mm
HOTEL 10
600MM ALUMINUM
1100
HORIZONTAL SUNSHADES
191.2 m
3600 mm
HOTEL 9
3600 mm
HOTEL 8
3600 mm
HOTEL 7
3600 mm
140 m
1
HOTEL 5
3600 mm
HOTEL 4
3600 mm
HOTEL 3
3600 mm
HOTEL 2
3600 mm
HOTEL 1
7200 mm
RL + 168800.0
HOTEL 6
A3.2
3600 mm
SP1
1100
400MM ALUMINUM VERTICAL BLADE SUNSHADES
HOTEL SKY LOBBY
3
2500
A3.2
MECHANICAL FLOOR
8000 mm 4000 mm
GL1
HIGH RISE OFFICE 16
4000 mm
HIGH RISE OFFICE 15
4000 mm
2
HIGH RISE OFFICE 14
4000 mm
1
HIGH RISE OFFICE 13
4000 mm
EAST ELEVATION - HOTEL 1:50 @A1
HOTEL SECTION 1:50 @A1
HIGH RISE OFFICE 12
4000 mm
HIGH RISE OFFICE 11
4000 mm
HIGH RISE OFFICE 10
4000 mm
HIGH RISE OFFICE 9
4000 mm
HIGH RISE OFFICE 8
4000 mm
1500
1500
1500
1500
1500
1500
HIGH RISE OFFICE 7
4000 mm
STACK JOINT
HIGH RISE OFFICE 6
4000 mm
RL + 147200.0
HIGH RISE OFFICE 5
4000 mm
HIGH RISE OFFICE 4
4000 mm
HIGH RISE OFFICE 3
4000 mm
1100
SP1
HIGH RISE OFFICE 2
4000 mm
5 A3.2
HIGH RISE OFFICE 1
AL2
8000 mm
MECHANICAL FLOOR
4000 mm
LOW RISE OFFICE 10
4000 mm
LOW RISE OFFICE 9
4000 mm
LOW RISE OFFICE 8
4000 mm
LOW RISE OFFICE 7
4000 mm
LOW RISE OFFICE 6
4000 mm
2500
GL1
400MM DEPTH ALUMINUM
LOW RISE OFFICE 5
4000 mm
VERTICAL BLADE
LOW RISE OFFICE 4
4000 mm
SUNSHADES
3600
LOW RISE OFFICE 3
4000 mm 20 m
2500
LOW RISE OFFICE 2
4000 mm
LOW RISE OFFICE 1
AL5
PODIUM
3
RL + 140000.0
EAST ELEVATION - SKYLOBBY 1:50 @A1
4
1
2
OVERALL ELEVATION - EAST 1:500 @A1
HOTEL SKY LOBBY SECTION 1:50 @A1
OVERALL ELEVATION - SOUTH 1:500 @A1
1500
1500
1500
1500
1500
5/
1500
5/
RL + 76000.0
600MM ALUMINUM
1500
VISION GLASS
HORIZONTAL SUNSHADES
- DOUBLE GLAZING: 8MM & 8MM HEAT TOUGHENED GLASS.
SP1
- TRANSPARENT PHOTOVOLTAIC FILM.
GL1
- SELF CLEANING COATING ON EXTERNAL FACING. - 8MM SEALED CAVITY. - ARGON GAS.
2500
- LOW E RATING.
GL1
- U-VALUE 1.3 SHGC 0.26 REFLECTIVE GLAZING.
5/
SPANDREL - SHADOW BOX WITH INTEGRATED INTERNAL SPANDREL BACK
SP1
BEHIND + BIPV
RL + 72000.0
5/
EXTERNAL GLASS - TOP TIER PERFORMANCE DOUBLE GLAZING
1500
- LOW E COATING U-VALUE 1.3 SHGC 0.26 REFLECTIVE GLAZING
AL1
800MM ALUMINUM VERTICAL BLADE SUNSHADES
AL2
4M x 1.5M WHITE ALUMINUM CLADDING FOR MECHANICAL FLOORS
AL3
400MM ALUMINUM VERTICAL BLADE SUNSHADES
AL4
600MM ALUMINUM HORIZONTAL BLADE SUNSHADES
400MM ALUMINUM VERTICAL BLADE
2500
SUNSHADES
6
AL5
OFFICE SECTION 1:50 @A1
VISION GLASS
5
4M x 3M WHITE ALUMINUM CLADDING FOR PODIUM FACADE
- SELF CLEANING COATING ON EXTERNAL FACING. - 8MM SEALED CAVITY. - ARGON GAS.
MECHANICAL FLOOR FACADE ARRANGEMENT
- U-VALUE 1.3 SHGC 0.26 REFLECTIVE GLAZING.
TUTOR
SITE ADDRESS
MARK LAM (T03) SCALE
NAME
200 SPRING STREET
TALITHA FEBRIANI SOESENO ZICHUN WANG
1328985 1228962
SUBJECT
ASSIGNMENT
SPRING STREET
DRAWING NUMBER
VARIES @A1
A3.1
ENVELOPE AND ENVIRONMENT
TUTOR
ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY
SITE ADDRESS
MARK LAM (T03)
200 SPRING STREET
TALITHA FEBRIANI SOESENO ZICHUN WANG
SCALE
1328985 1228962
EXTERNAL GLASS - TOP TIER PERFORMANCE DOUBLE GLAZING REFLECTIVE GLAZING
ASSIGNMENT
SPRING STREET
NAME
SPANDREL BACK BEHIND + BIPV
SP1
- LOW E COATING U-VALUE 1.3 SHGC 0.26
- LOW E RATING.
ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY
- SHADOW BOX WITH INTEGRATED INTERNAL
- TRANSPARENT PHOTOVOLTAIC FILM.
GL1
SUBJECT
SPANDREL
- DOUBLE GLAZING: 8MM & 8MM HEAT TOUGHENED GLASS.
EAST ELEVATION - OFFICE 1:50 @A1
DRAWING NUMBER
1:50 @A1
A3.2
ENVELOPE AND ENVIRONMENT
E SP1 1500
1500
EXTRUDED ALUMINUM STACK-JOINT
1500
NON COMBUSTIBLETHERMAL INSULATION CT2 EXTRUDED ALUMINUM STACK-JOINT
STACK-JOINT
1 A4.2
AL4
GL1 VISION GLASS
CT1
AL4 600 MM ALUMINUM HORIZONTAL BLADE SUNSHADES
FIRE STOP
RL + 172.4m
SP1
1100
MULLION
EXTRUDED ALUMINUM STACK-JOINT
AL3 400 MM ALUMINUM VERTICAL BLADE SUNSHADES
2 A4.2
CT2 CT1
EDGE BEAM 700WB150 WITH COATING
RL +171.5m
GL1
CP1
GL1
SMOKE FLASHING
GALVANISED SUSPENSION ROD
VERTICAL SUNSHADE
64
TIMBER CLADDING
B2 TYPICAL STEEL BEAM 530 UB82/100MM NOTCH
HOOK-ON BRACKET
SP1
VERTICAL SUNSHADE BRACKET
CP1
CT1
GL1
340
SUSPENSION CLIP
40 10
EXTRUDED ALUMINUM BRACKET SP1 SPANDREL PANEL
CT2
ALUMINUM FOLDED BACK PAN 2 x 10 MM GYPROCK PLUS PLASTERBOARD
FIRE STOP PERFORMANCE RATING 120/120/120
CAVITY 110 MM ACOUSTIGARD 11 KG INSULATION
SMOKE FLASHING
2500
EXTRUDED ALUMINUM STACK JOINT
NON COMBUSTIBLETHERMAL INSULATION
STEEL STUDS AT 600 MM MAXIMUM CENTRES
3 A4.2
1 27 MM AIR GAP 33F
25MM GYPROCK SHAFT LINER PANEL IN H-STUDS AT 600MM MAXIMUM CENTRES
1100
VERTICAL SUNSHADE BRACKET
80MM INSULATION WITH ALUMINUM BACKPAN SP1
C2 COLUMN 300MM
B2 TYPICAL STEEL BEAM 530 UB82/100MM NOTCH
Skirting Detail 1:5 @A1
INTERNAL ACOUSTIC WALL (Rw/Rw+Ctr 64/52)
RL + 168.8m
FIRE STOP
HORIZONTAL SUNSHADE
WL1
SP1 SPANDREL GLASS
32F
400 MM ALUMINUM VERTICAL BLADE SUNSHADES
STAINLESS CURTAIN SLIDING TRACK SLAB EDGE
CL1
CT1
GL1
EDGE BEAM 700WB150 WITH COATING 400
FURRING CHANNEL
CT2
2500
64
ALUMINUM MULLION WITH COATING
45 EXTRUDED ALUMINUM WITH FINISH TO MATCH WINDOW SYSTEM FRAMING
CAPRAL CW175 ALUMINUM SPLIT MULLION
INNER FACE INSULATED SANDWICH PANEL
2 1
East Elevation 1:20 @A1
COMPRESSIBLE GASKET
VISION GLASS
East facade section 1:20 @A1
90
CT1
30
CT2
VISION GLASS MULLION
400 MM ALUMINUM VERTICAL BLADE SUNSHADES
E 4
4
A4.2
2
400
ALUMINUM CAPPING
Internal acoustic wall Detail & Column Detail 1:5 @A1
Curtain Detail 1:5 @A1
MULLION
GL1 VISION GLASS INTERNAL ACOUSTIC WALL (Rw/Rw+Ctr 64/52) BETWEEN ROOMS COVERED WITH LOW-VOC MATTE LAMINATE
CP1
EXTRUDED ALUMINUM STACK-JOINT
VISION GLASS
C2 COLUMN 300MM
- DOUBLE GLAZING: 8MM & 8MM HEAT TOUGHENED GLASS. (BLUE)
CL1
AL4 600 MM ALUMINUM HORIZONTAL BLADE SUNSHADES PERFORATED FIRE-RATED MDF ACOUSTIC CEILING
- TRANSPARENT PHOTOVOLTAIC FILM.
GL1
- SELF CLEANING COATING ON EXTERNAL FACING. - 8MM SEALED CAVITY. - ARGON GAS. - LOW E RATING.
STRUCTURAL SILICONE
INTERNAL ACOUSTIC PARTITION WALL Rw/Rw+Ctr 64/52
WL1
COVERED WITH LOW-VOC TIMBER EFFECT MATTE LAMINATE PANEL
AL3 400 MM ALUMINUM VERTICAL BLADE SUNSHADES
- U-VALUE 1.3 SHGC 0.26 REFLECTIVE GLAZING.
SP1 SPANDREL PANEL
SPANDREL - SHADOW BOX WITH INTEGRATED INTERNAL SPANDREL BACK
SP1 VISION PANEL
BEHIND + BIPV
ALUMINIUM FOLDED BACK PAN AND INSULATION
EXTERNAL GLASS - TOP TIER PERFORMANCE DOUBLE GLAZING (BLUE) - LOW E COATING U-VALUE 1.3 SHGC 0.26 REFLECTIVE GLAZING
3
Floor Plan 1:20 @A1
CAPRAL CW175 ALUMINUM SPLIT MULLION
WL1
INNER FACE INSULATED SANDWICH PANEL
N
EXTRUDED ALUMINUM WITH FINISH TO MATCH WINDOW SYSTEM FRAMING 400 MM ALUMINUM VERTICAL BLADE SUNSHADES
AL3
400MM ALUMINUM VERTICAL BLADE SUNSHADES
AL4
600MM ALUMINUM HORIZONTAL BLADE SUNSHADES
CP1
CT1
CL1
FIRE STOP PERFORMANCE RATING 120/120/120
NON COMBUSTIBLETHERMAL INSULATION BREMWORTH NEW ZEALAND WOOL CARPET ‘ARMURE’ IN SILVER GREY
CT2
CT1
CURTAIN & BLIND CO. LINEN BLENDED FABRIC SHEER CURTAIN
3
WAVERLEY WOOL CURTAIN IN CHAIN COLOR
CT2
NOISE REDUCTION COEFFICIENT (NRC) 0.76 (NRC RANGE 0.70-0.80) 70% RECYCLED WOOL, 25% POLYAMIDE, 5% ACRYLIC
SUBJECT
TUTOR
ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY PROJECT
SPRING STREET SCALE
DRAWN BY
200 SPRING STREET
DRAWING TITLE
SITE ADDRESS
MARK LAM (T03)
ZICHUN WANG 1228962
DRAWING NUMBER
VARIES @A1
A4.3
FACADE GENERAL ARRANGEMENT - HOTEL
SUBJECT
CP1
TUTOR
ABPL90118 APPLIED ARCHITECTURAL TECHNOLOGY PROJECT
SPRING STREET SCALE
DRAWN BY
200 SPRING STREET
DRAWING TITLE
SITE ADDRESS
MARK LAM (T03)
ZICHUN WANG 1228962
Horizontal sun shade Detail 1:5 @A1
DRAWING NUMBER
VARIES @A1
A4.4
KEY FACADE DETAILS - HOTEL
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