Confidential Magazine #1 Sept/Oct 1988

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CONFIDENTIAL File No 1: Page1

Contents gschobabble Nick Walkland witters on, giving you the low-down on the gossip he's heard and a few tasty details about the Mag Scrolls game you shouldbe receivingwith next issue... Page2

Something Very Fishy

Our Nick goesinto deepestLondonTown to discoverthere is life in thegoldfishbowl...A new MagneticScrollsadventureis aboutto makea splash! Page3

A Mega-Game ln the Making

We talk to thepeoplebehindKristal.The stagemusicalthat neverquitewas,becomesa gamethatsoonwill be... Page6

A Spy in the Camp

Small Companies, BiE Software

Mike Gerrardtak?suson a whistre-stop tour of someof the better,smallandindependent softwarehouses.You could be missingout if you only buy adventures from the main namesin thebiz. ThenPatWinstanleyofferssomeadvice on choosingan adventurewriting utility, in caseyou fancygoinginto business... Page28

Uncle Mel's Pwoblem Corner

Everyonehasa problemor two. Look at Mel's..

wrN 9500!

Read the page for yourself, what do you think a Contents Page is for eh? We're not spoonfeedingyou here, you know.

lnsideBack Cover

Onceagain,roaminginvestigativereporterNick Walkland getsout his notebookandinfiltratessomeone'sHQ. This time,it's Level9 whoplayhost. Page10

Non Player Characters - Alive or Dead

SteveCookearguesthatNPCsshouldbe doinga lot more to justify their existence.And he makesa sound.urFug* tZ

Whither Adventuring? Tony Bridge contemplateshis navel, looks back over the yearsand predics that Role-Playing is the future of adventuring. Then SandraSharkey offers a few basic tips for getting to grips with the genre, page 15

Into the Labyrinthe

Office fall-guy GraemeKidd getssentinto somedampcavernsundera hill. They'refull of monstersandwizardsas our traineelive role-playerdiscovers... Page1.8

It Comes in the Mail

Nick Walklandagain,tiis time havinghis five pee'sworth aboutPlayingGamesby Mail. A swift round-upof theoptionsopento a would-bestamplicker. Page20

All About Infocom

Well, quitea bit, anyway.Huw Collingboumeinterviews Davelrbling... (CONFIDENTIALjoke: rememberthe postmanin Jinxter?) Page22

A Wordsmith

Pinned Down

And interviewedmercilesslyfor the CONFIDENI'IAL personnelfiles.This time,it's MichaelBywater,textgenerator for Jinxter,Bureaucracy andPunchamongstoft.f..pug. 25

Page32

{e expgc!to be able to bring you somemore very special dealsin future issuesof CONFIDENTIAL, but lor the time beinghereare a few to be goingon with. Don,t forget to add post and packing in the nolmal way and to quoteyour OFFICIAL SECRETSmembershipnumber when you order - theseoffers are only availableto the Iikesof you and not to the oiks on SpecialReserve. Don't be greedy- only onecopyof a gameper member, and remember,the offersrun while stockslast.Send your ordersto: Dept SecretOffers.PO Box 847,Harlow, CM21 9PH Amiga GoldenPath f,4.99 Atari ST Sentinel f5.99 AmstradCPC6128 BlackLamp

f3.99

AmstradPCW Trivial Pursuit

f5.99

Atari 800disk Druid

f2.99

Atari 800tape Druid andChimera(bothtogether!)

f2.99

C64disk Moonmist

f2.99

IBM 5.25" disk HollywoodHijinx

t4.99

Spectrum+3 (disk) BlackLamp

83.99

SpecialReserveandOfficial !_eqeaaretradingnamesof Inter-Mediates Ltd, a companyregisteredin England:No 2054713.AII club corBox_847,llarlow, Essex,CM21 9_PH_ple-a9e. lspon{e1991o_PO Ttfq$q"f"l BeserveCl'irbtiotline is 029f 600204- useit for ordersonly. PhoneCONFIDENTIAL on the helpline number:0279726541.CONFIDENTIAL is publishedbi-monthly by Inter-MediatesLtd, and q1$g!tPsgtt_"ug,_lttt"^Tgs.s.Allmaterial is copyrightof Inter-Mediates andindivi?luatconrriburors - so don'tbe temptedto rip us off. CONFIDENTIAL:ISSN 0954-337 6.


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CONFIDENTIAL File No 1: Page3

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FISINY BUSINESS Deepdown in LondonSE1. Deeperthan deep,a real seedy environ,ripe for Coruuption's David Rogersto cometearing aroundthe corner,high on cocaine.Sneakingpastthe grimy cornersof the capital's

inner city, audiblygulpingfor air whilst rising in the confines of a woodenVictorian lift, I finally arrive at my destination - a seedyofficefloor, part of a large,old and anonymous building...


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CONFIDENTIAL File No 1: prettystraightforward adventurescenario,but a touchpicky in placesover the useofcertain verbs. The hippiesdon't like you to damagetheplace,but,you mustwreck cerlain areasin orderto completethe stage- makingthe hippiesa weebit awkward.That seemedratler strange, thegoodguysdamagingtherelic and thebadguysprotectingit. Anyway, it's up to you to find out morefor yourselves whenfte gameis released... Forestofgloom In thenextadventurette, you entera forest.A prettynice forestwith about four locations,a smithyanda mine shaft- wow. Actually,thelimited numberof locationsis acceptable, becausefte gamettehasbeen designedto be succinctandto the point , avoidingthemonotonyof fravelling throughloadsof similarlocationsagainandagain.But thereally antazingthing aboutthis adventure mustbe theexplodingpigeon,yesan explodingpigeon.And thegoodnews is thatyou don't evenneedto saveit, but rescuesomethingit hadwith it. Steve,a chapyou'll get to loathe lateron, hasplanteda bombin ttre pigeon(which,incidentally,belongs to a guru who couldn'tkeepup his mortgagerepayments to Steve,and who now residesin a treestump.So there.)A nice little rompetteof a mini-adventure - bombingaroundtrying to savethingsandthentrying to consolethe guruwithoutbeingkilled (or teleportedbackto your fish bowl.) Theproblemsyou facearelogical, althoughgettinga certainobjectoff theguru himselfprovesa little awkward- or maybethatwasa preproductioncopybug. On the record is setin a Thethirdmini-adventure recordingstudio,andI cancategorically guaranteethatyou'll be pulling your hair out in frustrationat a certain iittte ttringthat you've got to do. A little thing admittedly,but you have got to do it everycoupleof minutes. Making coffee.Making coffeenever createdso muchangstin the history of man (Outsidethe CONFIDENTIAL ffice, anyway - GK) but I havebeen assuredit is just like thatin a recording studio. Steverearshis headyet again,as he doeseverywhere- andhis demandsreally makeyou want to wring his neck,particularlyin ttris adventurescenario.Actually,I thoughtthis adventureto be theeasiestof the three,madeextremelytough by the...no,I'll let you discover.. Thesethreesmallscenariosareall basicandeasyto get in to andaredifferentin style,type ofplzzle andexe-

cutionof gameplay.They grabyou into the gameyet maintaina certain degreeof distance,whatexactly are theSevenDeadlyFins?You still aren'treally sure(alttroughyou'll haveyour ideasby the time you've beenin andout of the castle'sportals a few times),andwhy aretheysucha threat? MaybeI've overlookedsomeinterpretation,or maybethatis theideait's a neatidea,makingthe Seven DeadlyFins musiciansin a band which you bumpinto in different stagesof their rise,from thebeginning in a rusty,batteredold van throughto a studio-bound megaband. I liked theway Steveappearsin the givingyou a charthreemini-games, acterto graspthroughthe wholegame - heprogresses from dominating roadieto dominatingproducer. But I'm still lookingat the monitor wondering...Maybethenext section will answermy demands.Yes,the real meatyadventurebeginsafter thesemini-adventures. The Fillet of FISH Backin your holidaybowl aftercompletingyour threemini-missions,you receiveanotler message from Colonel you, thensending X - congratulating you on anotherquest.This time,it's off to theHydropolisin theguiseof a certainDoctorRoach,a lecturerat OpahUnivenity. Yes,at last,a more fishy atmosphere in this final scenario of FISH! Swimmingaroundin a placelike Hydropoliscanbe greatfun for a fishy-humanoid, bumpinginto your pals,saying"Hello", travellingon the (morefun thanLonunderground don's)andgoingfor a 'snifty snifter' at thelocalpub.Liquidsarerather passe,asyou mightexpectin an underwatercity, so a goodgasis what thelocalsgo for whentheywantto let theirhair down.And asHydropolisis such a cosmopolitan place, all-day gassingis perfectly legal. In this, the main part of FISH

you get to dasharoundEying to build a SfreamRegulator that will ensurea cleanand healthysociety.You're a member of the Universityresearch group,anda 'really clever fish', but you'regoingto have to get your skateson to completetheprojectbeforethe SevenDeadlyFins get their handson vou. Afler beingpromptedinto actionby theuniversityPrincipal,you needto collecta series of items,in orderto createthe StreamRegulator.For a brief hint, I'll tell you thatthosesabboteursof theDimensions,the SDF, havealreadystruck. Acceleratorbeingan anti-ism...

FISH: You evenget to go to a disco in Hydropolis - it's Rag Week at the college... The fryingpun But thegreatjoy of thissectionis providedby thenamesof people (fishpeople?), places- andthepuns. Oh thepuns.You'll be groaningin disbeliefat thenames.Your bestbuddies,BertieBreamandEric Chubb; living in downtownPaddlingtonor takinga rip up to Barbelicanor Battersea;usingyour fishofaxandyour fisa for transactions. All fun, Fun, FLIN! I beginto realisethatI musthave beena fish in a previousincarnation... Graphicsfor this sectionareup to the usualhigh levelexpectedfrom Mag Scrolls,anda certainsubdued look hasbeenachievedwith ttre coloursin thepicturesthataccompanytlte final section.This helpsgive the feel of being underwaterwowee!It wasa shamethatI didn't get thechanceto play all the game with graphics,insteadof lookingat themafterwards.Oh well. never mind. I'd like to thankPhil Southfor his help, along with John Molloy. Between them they've createda great game. I want a copy, and I want one now! Shamewe've got to wait - but it'll be worth it.


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CONFIDENTIAL FileNo l: Page7 third parurerin the original venture. I Had This Dream So Mike Sutingot MichaelHaigh,an artisticfellow andold friend,sathim down in a cornerin front of an ST andsethim to work on somegraphics.ThenAlex Mills, who had workedin Computersof Wigmore Sreet wittr Mike Sutinput togethera demoprogramthat usedthe taster preparedby Mr Haigh.They screens showedtleir work to Prism,explaining theconcept."I hadthis dreamofa gamethat hadinteraction,beautiful graphicsandarcadesequences," Mike "and I explainedit Sutinremembers, all to Prism." PrismsawMike'sdreamandwere impressed. Fissionchipsoftwarehad by thattime beensetup to develop theproject- "&e teamjust came togethermiraculously,"accordingto foundermemberandprojectdirector Mike Sutin.A few quickconversion contractshelpedpay someof theinitial bills, andthenwith Prism'sbacking,seriouswork startedon Kristal, the computergame,at thestartof this year,with Mike Sutinactingasproducer/director on theproject. Still in America,Rod wrotea novellathatactsasan introductionto the gameandthengot reallyinterestedin theproject."I askedifI could comeoverandhelpwith thedevelopmentof the game,arrangeda sixmonthsabbaticalfrom work and turnedup," he explains.Working with ChrisPettsandJulianEdkins Rod beganwork on designingttre sprites- ttregameincludessome50 differentanimatedchmacters, involving well overfifteenhundredanimation frames.And asco-autlorof the plot andsoundtrbckof theoriginal stageversion,Rod'sinput to the overall designof thegamehasbeensignificant. Alex Mills became programming directoron theproject,aidedand abettedat tlrebits andbvteslevel bv JustinJavanovic, GiulioZicchiand JohnEdwards.while MichaelHaish lir:!?,!

w

THE r(RTSTAL gUEST REVEALED Well, some of it, anyway.... The Fissionchip team are understandably somewhatreservedwhen it comes to revealing details of the plot and gameplay of Kristal - the whole objective is for the player to discover the nature of the quest by playing ttre game. "Tell too much of the story, and you'd give the game away," Mike Sutin says. The game is going to be multiload - you'll receive several disks in ttre package,along with a novella that setsthe sceneand a scroll which tells the Legend of Kristal. Study the contents of the package with care - they all contain clues ttrat will help you on the quest to regain the missing Kristal of Konos, an artefact that will restore order to a troubled galaxy.Pay particular attention to ttre hieroglyphs. And listen carefully to the digitised introduction that begins the game, delivered by Patrick Moore... Playing the role of Dancis Frake, the central character,you wake up in a park on a strangeplanet. Aplanet that is part of the Kreemar System in deepestspace.The year is 5063 Earth Time, and the forces of Evil are triumphing over Good. Only the recovery of the mystical Kristal will restore

continuedwork on the graphics, alongwith sciencefactfiction illustratorDavid Hardywho originally producedsomepaintingsfor the musical.Neill Glancycompletesthe Kristal development team- he holds a blackbelt in themartialart of Katnagari,The Swift Sword,so is well qualifiedwhenit comesto designing animationframesfor the swordfishting sequences. Sewingmachines Whenwe visitedtheFissionchipprogrammingzone,aboutsix monthsof hardwork hadgoneinto Kristal.

order. DancisFrakeis a bit of a roguewell asa spacepirate,you'dhardlybe anythingelse- but.he embarkson the searchfor theKristal of Konos,nevHe'snot alonethough... ertheless. a charactercalledRedHeadonce ownedtheKristal,andis seekingit as well. Theroute!o success will gradually be revealed,asyou questionsentient beingsencountered on your travelsexplorea planetandtalk m peopleor fight themfor information,thentravel throughspacein your Galleonto anotherplanetto repeattheprocess andgathera few morepiecesof the jigsaw thatmight oneday leadto possessionof theKristal. Kristal will incorporatea wide whenit is comvarietyof gamestyles plete,andyou'llneedarcadeskillsto survivein space,combat,skills to survive on landandwell-honedsenseof strategyaswell asadventuringskills if you areto succeed."It's an arcade comedyshootem up ddventure",Rod Wyattinsiss. Tum thepageto revealNick on seeing Walkland'sfint impressions Kristal,underthe sewingmachine. "We'reat the sewingmachinestage," Mike Sutinexplained.A largeproportion of theanimationandgraphics work hadbeencompletedon bothttre AmigaandST versions,andthefirst implementation of theparserhadjust beenmaniedinto the ST gamecode for testing. The gamewill certainlybe immense.anda visualtreatof thefirst order- but whetherthecompleted versionwill be availablethis sideof Christmasremainsto be seen...with a projectof this sizeandcomplexity, deadlineshavea habitof beins missed.


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CONFIDENTIAL File No l: page9

CINEII'IAWARE - A Few Offic

Secrets

Cinemaware,the peoplewho brought you Defenderof the Crown and with it a wholenewway of lookingat computergames,is about to move off in a new direction. Expectto seesomestunning sportssimulationsover the next year or so.And we bet you didn't know that a specialversionof RocketRanger is being written for the British market...it's becauseBritish gameplayers are better than their Americancounterparts,aswe discoveredin a CONFIDENTIAL conversationwith Cinemaware'spresident, Bob Jacob. APART FROM RocketRanger, which shouldbe alonganyday now, Cinemawareare working on an AmericanFootballsimulation-TV Sports Football. 'It's just like TV' and'So realit sweats'arejusta coupleofslogansto be foundon thepre-launchliterature for TV SportsFootball,andthe graphics,asrevealedon thevideolent to us by Mirrorsoft, areindeedpretty stunning.Apart from thearcade actionon thepitch, you getbroadcastfansin the stands ers,cheerleaders, anda halftimeshow,which includesa marchingband.The gameitself can be playedby oneplayer,or by two playerscompetingagainstoneanother or thecomputer.You canchooseto play the role of coachor getontothe field andplay in one of threefootball positions. It's goingto be a while yet before TV SportsFootballwill be available, but thewait shouldbe worthwhile. TV-ware TV Spors couldbecomea Cinemawaresub-label,asBob Jacob, Presidentexplained: Cinemaware's "It's our first foray into computer sports- we bai;icallywanteda sports gamethat would interestpeoplewho into sports wersnot necessarily games.The rationaleof usgetting into sportsgamesis providedby the broadcastTV analogy." And it seemsthatboxingis the nextTV Sporton theagenda:"We havesomefairly radicalideas.For instance,no-onehasreally donea boxinggame- therearesimplethings thatpeoplekeepmissing.I havenever seena boxinggamethathastheholding, theclinching.If youdon't have theclinches,you'veeliminated oneof thebasicstrategies of boxing.And in existinggamesthere'sreally no provisionfor changingstrategies in a fight." Bob Jacobdescribeshimselfas 'a boxingbuff , andis confidentthat Cinemawarecanproducetheultimate boxinggame:"I canassureyou thatat. theconclusionof tenroundsvou're goingto feel like you werein there yourself.It's goingto be a lot of fun." MaybegameslikeFootball Manager andTracksuitManager might be consignedto antiquitybefore

long...."We would love to do anEnglish-stylesoccergame,with design help from peoplelike Mirrorsoft, becausewe've seenall tle soccer gameson the marketandthink they'reprettypattletic.I think we coulddo a goodjob." War-ware On thewargamefront, thenext releasewillbeLords of Cinemaware the RisingSzn. Civil War haserupted in twelfth centuy Japan,your father hasbeenmurderedandtherebels havesubvertedtheEmpire.Family honouris at strke, and you embarkon thequestto becomeShogun.Fail, and ritual suicideis the onlv alternative. Commandarmiesoi samuraiwarriors, negotiateallianceswith other family clans,defendyourselfagainst ninja assassins andconfrontyour enemiesin personal combat. Hard-ware So why is a specialversionof Rocket Rangerbeingpreparedfor us Brits? Bob Jacobexplains:"We've taken somecriticismin theBritish media becauseof a presumedlack of gameplay in our products,andit's something we're awareof. We're goingto rnakeRocketRangermoredifficult andreleasea specialversionfor the UK becausethe Britishgameplayer, in general,is a betterplayerthanhis US counterpart. WhenPalace releasedCauldron in theStates, throughBroderbund,theyhadto go in andmakeit easier- theUS players just couldn'tdo it, it wastoo difficult. "And althoughour gamescon[ain arcadesequences, they'rereally designedso thatolderplayerscan alsoenjoythem.In theUS we're attractingan older market- the averagepersonwho buysoneof our productsin theUS is probablyabout32

Lords of the Rising Sun

yearsold. In theUK, we havemuch youngerbuyers,who consequently havemuchbettereve-handcoordination." Future-ware Cinemaware wassetup in thefirst placeto produceinteractiveentertainmenton the homecomputer,but has alwayshadan eyeon thefuture- the futurethatwill bring interactiveentertainmentinto the homevia new technology,which mightbe Compact Disc Interactive,Digital Video Interactiveor VCR-based. peopleare somewhere, ."Someday, goingto inventa very compelling interactivetechnology,a mass-market entertainmentmediumthat will bring parentsand children into a massmarketapplication.I don't know which hardwaresystemis goingto win, but oncewe've developedour interactivedesignmethodology, we can shootmaterialand useit across all formats",Jacobsexplains The 'interactivemovie' will come of agewhen the technologyis available for developerssuchas Cinemawareto implementtheirideas to the full. At the moment,evenon disk-based16-bitmachines,thereis a limit to thequalityof thegraphicsthat canbe incorporated into a game- full motionvideosequences simplycan't be featuredin computergames,no matterhow muchtheCinemaware teamwould like to be ableto use ttrem. They havealreadyproducedone gamefor an interactivevideotapesystemdevelopedby the IdealToy company,which allowstle playerto bouncefrom track to track on a specially recorded,multi-trackvideotape. Usingthe Disneylibrary of cartoon it goeson salein theStates characters, ttrisChristmas.Whenwe'll seeit in theUK remainsto be decided. For thetime being,though,the nextthreereleasesfrom Cinemaware shouldhavecomputergameplayers gaspingin the aislesasRocketRanger swoopsinto action,swooningon the terracesasthe super-fitjocksdo battle on thefootballfield, anduttering ancientJapanese warcriesasthey battleto avengethe honourof their familv...


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CONFIDENTIAL FileNo 1: Page11

IN THE LEVEL 9 CAIVIP so I decidedto turn the heatup and pile questionuponquestionontohim. I reckonthe bestthing for me [o do wouldbe to give you a run downon all the plansfor the future. GnomeRangerII ,Ingrid's Back, will be releasedin Octoberandis goingto be publishedby Level 9 themselves: theyaregoingbackto marketingtheirown adventureproducts. The sequeltoGnomeRanger featurest}tegnomesof Little Moaningas theygo abouttheir daily businessand incorporates manyof thecharacters metin thebookletthataccompanied theoriginalgame.Two basicproblemsfacethe friendlylittle folk: Ingrid and the evil plansof a property developer.Meet JasparQuickbuck who hasboughtRidleys'Manor,and who plansto evict all thegnomes, redevelopthe areaand generally makelots of money. In thefirst part,you haveto geta petitionsignedby everyone- not ,ls easyasit.soundsbecause, being Ingrid,no onewill let you throughthe door...Try enticingttremiller out of ttremill to seethehumourat its ripest. The three-partadventurecontains variousGnomeRangeresque elements,from botchingstuff up (Ingrid's speciality),throughto slaplife. stick andsatheon present-day The illustrationsare very pretty, colourfulandcartoon-like- and you'll meetsomeweird andfar out characters,like a Rolf }larris type, whosepaintinls no-onecanunderstand...All soundsvery tempting,and shouldbe out in October,pricedat f19.95 for 16-bitand3" disk versions andL1495 for text-only8-bit cassette versrons. Into the future Futuregamesincludeonecalled Spook,whichrevolvesarounda ghost. Beforebeingkilled, theghostwasa detectiveworking on the inside of a gang- themembersfoundout thathe wasundercover, caughtup with him andkilled him. As a ghost,you've got to get your revengeand saveyour partnerfrom beingexposed.The problemis, thatasa rookieghost,you havenext to no powers- you are invisible,can't pick thingsup andso on. Your first task is O gain your powers,somehow,andthenget revengeand saveyour partner... soundsprettytasty,doesn'tit? Somehow,I feel thegamemight be a bit of a crossof otherpeoples ideas- the ghostandpartnerbit, asin the70's TV showRandall& Hopkirk

Ingrid's Back: she'sunpopular in the Dribble Yalley, too (Deceased)and the ghostfrom Dirk Gently'sHolistic DetectiveAgency, who hasto learnhis powers.I maybe a tadcynical,but theydo seem closelyrelated.But thenagain,why not?It soundsa GradeAl adventure idea!o me. The initial conceptfor Spookwas createdby SandraSharkey,her of exfanzineeditorshipandcurrentlyof adventurecolumnist. GnomeThree Anotherreleasein themouldof true will be GnomeFree,yet adventures anotherepisodein theIngrid saga. This onewill featureIngrid having flashbacks.I can't really explainhow exactlytheAustinswill do it, but it will be subtlydifferentto the Ingrid adventures thatusethepasttense. GnomeFreewill incorporatethe ideaof a pet in the adventure,like cuddly(?) Floyd in Planetfall,and moresophisticated thanthe Daggetin TheWormin Paradise.InGnome Free,you find yourselfin a cell-like roomexplainingto your nieceabout your past- what theroom finally endsup asall dependson your actions throughoutthe game.Ingrid getsmarried to a wealthywheeler-dealer of a husband,andwhenshediscovershow he makesall his moneyshecaneither try to changehis waysor undohis plans.All of which havetheir repercussionsin the end.Yet anotherexciting selectionof adventurerompsfrom Level 9 for us all to look forwardto. slaveringat thejaws andtwitching inanely. RolePlaying Big newson theRPGfront. Level9 areto producea new rangeof Arcade "Fire andBrimstone, Adventures... what'sthis?"I hearyou shriek.Well don't gettoo shocked. TheseareanimatedArcadeAdventureswith a strongRolePlayingcontent,andaresetto knock theexistingrangeof ComputerModeratedRPGsfor six. Designedon

a new systemcalledIIERO, a range at of gamesare underdevelopment, Level9 HQ for the 16-bitdisk-based machines.Fastandsmoothanimation will be their forte, with eachcreature featuredhavinga setpiecedesigned for its different attackingmoves, deathscenesandsoon. Gameswritten underHero will also fy to get awayfrom the usual walk-miles-not-see-a-thing efforts, andyou shouldn'tbe walkingthrough too manyfeaturelesspassageways. Role playing ideasfor magicand combatwill be usedto goodeffectas well, bringingin theusualenchanted swordsandsimilar artefacts(aswell asCurseditems- you can't haveit all your own way.) Spells,potionsandscrollswill be wierd, wonderfulandavailable aplenty- you shouldbe able!o mix theireffectsaswell. For instance,a levitateandparalasispotion,individually drunk,will makeyou rise or stickto thegroundrespectivelydrink bothandyou stickto theceiling! Informationon thesenew gamesis a little on the sparsesideat the moment.I can't eventell vou whether or not Level 9 will actuallypublish themthemselves, or underanother name(soasnot to interferewith the adventurepublishingside),or via someoneelse.But whateverhappens, I look forward to seeingthem andif theyareasgoodastheplanssuggest, they shouldbe realgamebusters. Ultima,BardsTale andDungeon Master,watchout... Back in the Taxi Well, so muchfor my little visit,down to deepestBracknell.As soonasI leavein thecar,I tearoff my facial disguise,removethenotebookand look in themirror - my emptyeye socketsandperpetualgrin stareback, fleshon my while thedecomposing handsleakson thenotebook.It was an innocentvisit,wasn'tit?

Lancelot: Wandering through WestminsterM eadows...


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lllustration:Alison Dunworth tion. It involves giving a character 'communication'abilities(SAY TO againprobably). You cancombinethesemajorconvenlionswith any numberof minor ones- my own irarticularpet hateis the 'SAY TO' convention, whichdictatesthatyou shouldcommunicate with a NPCby enteringthephrase SAY TO (name)"(message)". Althoughthisrequiresa lot of additional typing(why notjust (name), (message)), we still haveto put up with it in a numberof modemgames. Mindftghter,by Absract Conceprs still usesa similarformatfor example. However,all theseconventionsare asnothing to the Grand-daddyof themall, themostdeadlyNPCdiseaseknownto adventureplayers...the MO Convention,or Mobile Object Syndrome.A MOSsycharacteris a deadcharacterand to find out why, we needto look at what character programmingreally involves,and how it shouldbe improved. GATHERING MOSs MostNPCsarejust rolling'stones,or - more simply - Mobile Objects. Thatis to sav: I they havea description(you can

EXAMINE them),just like an object; O theyhavelittle or no influenceon thegameunlesstheplayerinteracts with them,just like anobject; O theyfulfil thesamerole everytime you play,just like an object; O theycankill you, rewardyou,or puzzleyou if not treatedin theright way,just like an object.Theonly differencesbetweenthesesort of NPCs andsimpleobjectsarethat: O theycanmovefrom locationto locationwitlout actuallybeingcarried by theplayer; O they canpick up anddrop objects; O theyhavemoreassociated textmessages thanmostobjects,which canbe promptedby SAY TOing, or LISTENing,or simplyhanging aroundand waiting for somethingto comeup. Most NPCsfall ino the caresorv of Mobile Objects.But this doein'i have!o be the case.The original excusefor this waslack of memory, but that no longer appliesto anything like the sameextent.A modem 16-bit micro hastons of RAM and disk drives,which canbe usedto loadin dala'overlays',andsuchmachines are far more widely ownedthese days. So we havethe technology,but what shouldwe be looking for in an

NPC and how shouldwe usethat technologyto achieveit? The best way to answerthis is to defrneexactly what a NPC requiresto cometo life. THEIDEAL CHARACTER The ideal characteris a whole game in him/her/itself.To find out what's involved,let's go backto our conventions. I Don't Know WhereI'm Going The idealcharacrer(ler'scall irlhim/ her Snoggerand refer to itlhim/her as 'it' for convenience) knowsexactly whereit's goingat iny rimedurinf thegame,andcouldtell you if is 'friendshipindex' washigh enough. It's notjust goingtherefor thesakeof theride,it's goingtherefor a reason. Snoggerhassub-goalsandmaingoals just like the player,and it, attemptsto executethemduringthegame. I Don't Know WhatI'm Doing Snoggeralwaysknowsexactlywhat it's doing,thoughit may not reveal the information. Snoggerhascertain tasksto accomplish,mostof which (butNOT all of which) shouldhave somebearingon theplayer'stask. Trivial irrelevanttasksfor NPCscan


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71 a8e4


CONFIDENTIAL FileNo 1: Page15

ASSUMING ROLES Veteran adventurer Tony Bridge castshis mind back over the developmentof adventuregames,commentson the progress made so far and concludesthat role playing holds the future... and Sandra Sharkey providesa mini-guide to getting the best out of role playing adventuresfor readersnew to the genre.'

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CONFIDENTIAL FileNo 1: page 12

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Classic Role Playing comesto computer, and

:i*",:#Jff;j"r"Tl*l*'"':*7,^-"1";{";m"Iif#'" cientoriginson the Apple seriesof computers- althoughthegameplay is complexandsatisfying, with monstersofall kinds,spellsgaloreanda thick, well-researched manualto bind

tr;1ir,"iffiil,,ieitJJ,'i'1$lii3l"" I PLAYING less,it's themorerecent,examples

thathavecaughttheattention6f *or" naditionaladienturers. Probablythe mosrspecracular programof recentmonths,FTL/ Mirrorsoff Mirrorsoft's s D unseon ungeon'Master Matte, is. is, I believe,the onethaihasdonemorethan any omer otherto persuadeadventurers that lhat graphicsandRPGsmay be moreinterestirg_th3n theypreviously __ thought.It is an almostperfectblend of graphics,real-timestiategy,Rolebuildingand straightforward adventureproblemsof the ttretraditionaikind. MaybeotherssuchastheBard's Tale seriesandthePhantasie seriesaren't so lmmeorately immediatelystunnrng, stunning,but but,tney they boastvery attractivegiaphicsand presentation, andtheir combatand -

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"u.nlvlaster. vancedthanDungeon I_thinkthal 1i,e-'re goingto seean explosionof RPGsfor thecomputer overthe next few months.As I write, thefifth episodein theUitima series hasjust beenreleased,initially for PC compatiblesandeventuallyfor most otler machines- andthecomputer versionof AdvancedDungeonsand Dragons is at last settor Dragons,.n for releasein both raditional adventureandarcade fgrms.,So,thingshavecomefull circle * this, theRPG thatarguablystarted thewhole thing off in thefirst place, place,h?sn-ow hasnow now finally finally made made it. it to what what will will probably placefor orobablv be ttre ttrebest bestnlace for itit, thehomecomputer.Text adventures will continue,bf course,but computer-moderated RPGsarehereto_stay and.aresetto_beaspopularin Europe asthey havebeenfor yearsin the States.

ROLES

I I | | | I I | | I | | I I I I I I

If you've neverplayeda role playing I stickyend,but mostRPGsallow gamebecauseyou'renottoosure Isomeformofresurrectionforcharact^qttl,{ whatis iny.ol.ved thenreadon I terswho havedied,sothatall the and![trf andenlightenyou. experience andfreasureyou have RPGsvary tremendously b there i workedsohardfor is noi but not lost. aresomeaspectsthatarevirtually Anotherfacility thatsoftware I in [nem. universalrn unlversal them. companiesare are beginning begrnnlngto ott'eris offeris I companles . You usuallyget-thechanceto I onethatallowsyou to saveyour charchooseyoy gwn characteror partyof I actersfrom onegameandloadthem characters beforeyou Commence. I in to another.This meansthatyou can Alwaysreadthea-ccompanying litera- | get sraight into playingttrenext turevery carefullyasyou will be I gamein a series,insteadof havingto givenadviceasto which peopleare from scratch. scratch I build up yourcharacters bestat differentskills,for example, I Much asI enjoybui.ldingup theskills elvesarepronetomagicsochoosingI of thememberJofmyplrty,itisnice an ell elf asa wamor warriorlsn't isn-t very smart... giventheoptlon smail..: optionot keepingthe of k6eping ttre I to be glven No matterwhat ttrestoryline,you - who-can I samegroupof characters canbet your bottomdollar thatyou I become'old friends',andareusually

I I I I I I I I I I I | | I |II |I I | I I I I

ing gamein an eveningor two asyou haveto build up your characters, and this takestime.If you don't havethe patienceqospendatew daysbuilding iip your characters thendon't tacklei RPG. Progressthroughoutthesegames usuallydependson experience and gold,the moreyou haveof both,the bener.Skrllsare Skills arevery importantand you mustendeavour to build up the lmibutes quicHy.Experienceis gainedby fighting,anddefeating andsometimesyou yo* -o.pponents, find 44 usefulitemsaftera skirmish. Thesecanvary from piecesof armour Ther to betterweapons,magicitemsor treasure. After playrngfor a while, you find thatyou becomevery attachedto vgurparty.I getvery upsetwhenone of my favouritecharacters meetsa

| ;;n;tb6 aut"i" io*pG;u;dpluy-

| th"d;d""t of**y ffi;;tt.

I I I | I I I I I I I I I I II I I I I I I I

Mappingis som-etimes, buinot always,necessary andcanusuallybe donein muchthesameway asfor '_trad_iqonal' adventures. All ttreRPGs thatI haveplayedhavehadsomeway of teleportingfrom placeto place oncethecharacters havereacheda certainlevel of skill, which is very usefulasit canbecomea bit of a bore trudgingaboutwhatis usuallya vast landicabe. Naagicis very oftenused,andmusr be learneA.Sometimes this seemsa dauntingtaskbut it is surprisinghow quickly ouicklv you vou learnall the spells inells-and and theueir'wayto castthemio full effecr. tf you enjoyadventures with a fanory themetirenI'm sureyou will get somepleasurefrom role f,laying games.Go on,get into a ?lurige6n ioday...


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CONFIDENTIAL FileNo 1: Page19 On arrival,the hrst choiceyou need to makeasa noviceis whichclass you wantto play.A warrior'sjob in life is to clout things;he or shetends to work at the front of a party entering dl:flungeon andis generallythe first tomeetmonsters.Priestscan havefigf4ingcapaHities,but 4re avers-.Jcthespillingof bloodso use macestiff'clubsifih,fu aretlreibombativq sort;"&riving'pfryer frqm the -'', .spidtifrl ability filane,ligiQSts&bF.tfie to-.h€"d'wp"ilnds andto diiOentthe natgrF'ofspiritseJc€rq{ered bn an advefrture, teirdtUbgXplued So',tlr$i. paruY"'ehd. hy4$Pr m6nbeis:bG:tbe

thons,suchas theonethatwastaking placeon theislandsiteon theday I i:hoseto enter.tfrecavernsfor theftst time. i i For thebasictwo-or-threehour dungeon,a pprtyis assembled - a groupof friendscanbook together,or you canboEkin as:anindividualand iakepot lqck as.rothecompositiono[ theparty y.o.u'lt-fufur.'!he referee,who is eittrer+rqemberofGamer'sstaffor a trainedl$ifior Labgrryhe character, writes dungeon and part

canbe achievedunderg4otind, and the refereeu$esthe freeze,ebmmand to suspendtFrq.sslisnteraiporarily,so that' canbe produced. Like a middle

spell thegu grear and

Ourq

theseven

Paladin.

the

lq$'*, 4q':P;t*f *r".1YVF" S,r''r, t

dark

dic

fs theadl weapons;

: appearedin Paladin,a betweenlife demonicspirits. out, wasto kill andfree the undead Plentyof treasthefirst time, not expect.Well sca :esquitea while t hen you get thorby theadventure

and

hours.

inde and tend to ha gettmg !o treas bers of a party,

Mfltimo;frffi ereefor iny'

is di.ficultto plap,.$ #

nOVlCeS.

wordsof adi'ieefrom Mr

Battle-priest 1 SoI decideI'm Priest- a middle

and inflicted a

of wounds.Shouldhelp ular with tle warriors in least.'Agoodall with', Peteagrees. comeup witlt a na ter, ent€rthe could havethe could run and Alfred The anon.

[Prv<lD-

had been

Labyrinthe Once the Lab

playtestedandeffisfuilkg4jin a live role playing olavinesessirifis sessions besan beg: site in the London Docklands. while,Labyrintheoutgrewits site,andmovedto a five-mile work of caves,burrowed out of side by chalk miners at tle turn

century.GarnerAdventure haveaccessto an islandin the way which occupiestw€frty; is completewitrha citadel of hundredrooms;and underDover timesusedfor ad

ii Basically,thereferget&coq of reality in thedungQon - f*eb."#Sl trapsandpuzzles,andconEolsthe courseof the adventrrye bf .briefing monstersand answerigg*tiuestions] whereappropriate.Hj alsokeepstally of thephysicalcon4ilfunrofeachparty memberin gamet6rrrs- 6reclassand playingdetermines pointsa part of the beforeit becomesi affectsyour overall Take too many hiq healed,andyou di!

,i!

In the main site, the

passablyfor a I to persuade to thepowers my fourteenstone of acid (in return for lateron). I laid my on the odd

chap, able to wield a ble effect and cure a

ing.

intie, but Alfred do too well in the

ves

sepanrc single day, and there are

tureareas,or dungeons,in thti! work. Soquitea few peoplecanbe accommodated. The standardadventuretakesa coupleof hours,and everyso oftenlongersessions are organised- including24-hourmara-

rs -real' tlm9fwhen.ttrcTeteree per-_-". like tat<-. . [Ofms.dwtgeon-keeping'tasks ing inventoryof thephysicalcondi: tion ofthe player'scharacters. A call of 'Freeze'duringTime In, requires theplayen to s[andmotionlesswith their eyescloseduntil Time In is called again- therearelimits to what

nuift,$'i"ilingin[o us n an unguarded g 'doubledouble'to rewieldingtheir hands and doing

theywipedout nearly , prisoner,I was of,flte :asureI'd acquired, beinEt to t}tesword.Mind icsfrom thealltheday,ultithe Saintlywas that long

for theseSaturdaf$ you go, a basic will costf,6 or 97.rt ll details,write to arnei'iit PO Box 225,Orp, Kent, BR6 7SXor phone i851.Tell him vou'rea memOfnCialSecreti,while you're at it, and that Alfred the Saintlv (and rather dead)sentyou. Labyrinthe is well worth experiencing - it makesa bloody goodday out, and who knows,you might get hooked!


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CONFIDENTIAL File No 1: Page2I

INSIDE INFOCOM Huw Collingbourne, long-term Infocom fan and author of

the PD adventureThe GoldenWombat of Destinyphones Dave Lebling, co-author of Zork. There could be graphics in Infocom gamesyet, as Huw discovers...

nfocom gamesare dangerouslyaddictive and their effectscan I be highly unsettling.I've seenintelligentand level-headed I peopletransformedinto gibberingidiots after sleepless nights wanderingthrough the Great UndergroundEmpire or the Outer Reachesof the Galaxy. Confirmed addictsmay experienceweeks of gloomand depressionbecausethey can't get over the rainbow or catcha babelfish to stuff into their ears. Oddly enough,althoughit is now oneof the mostsuccessful entertainmentsoftwarecompaniesin the world, it wasonly by chancethat Infocom did not becomea businesssoftwarecompany instead.Indeed,they did oncelauncha databasecalled Cornerstonebut, for somereason,peopleseemedto find this a lot lessentertainingthan their other productssuchas The Hitchhiker's Guide To The Galaxy. Setup in 1979by a team of eight programmers,the company initially had no clear ideaof the kind of product it shoulddevelop. It just happenedthat someof the Infocomprogrammershad previouslywritten a text adventuregamewhich wascirculating on mainframesin the universitiesand wasalreadybecoming somethingof a cult. And they wonderedwhetherit waspossible actuallyto sell sucha game. In the event,two programmers,DaveLebling and Marc Blank, decidedto havea go at convertingthat mainframeadventureto run on the lesspowerful personalcomputerswhich werethen starting to be manufactured.That gamewasZork. And whenI spoketo DaveLebling recently,I startedby askinghim about the genesisof that immenselysuccessful adventure. !

When you frrst wrote the mainframe versionof Zork did it occur to you that you might be able to make some moneyout of it? Oh no. We hadwrittenZork kind of asa lark backin 1976n. Therewas quitea historyofthat sortofthing at MIT - lots of peopledid thatkind of 'midnightprogrammingproject'- you know,the kind of thing youjust didn't do duringnormalworkinghours.There werea lot of whatwould now be called videogamesanda lot of trivia gameslots of thingsto keepyou entertained. And Zork wasjust onemore... Soyou are sayingthat you and Marc Blank just managedto jot it off in your free time when you were both still students? No, not exactly.Therewerefour of us involved.Someof us werestudents. Someof us werenol I wasa staff Marc Blank was member,a researcher.

a student,Tim Andersonwasa graduatestudentandBruceDanielswasa graduatestudent- theywerethe other threeauthorsof themainframeZork. What languagewas Zork written in originally? It waswritten in a languagecalled Muddle(MDL - an AI languagedevelopedat MIT). It's like LISP - it's a recursivestructure-oriented, userextensiblelanguage.Peoplewho know LISP canlook at Muddleandsortof figureout whatthey'redoing. If it's so similar to LISP, why didn't youjust useLISP? BecauseMuddlewasthelangrrags thatour researchgroupused.Whenwe moved!o Infocomwe wroteanother languageespeciallyfor implementing Zork - that wasZIL - vew muchlike Muddleitself but adaptedspeciallyto dealwith adventuregames. What's the differencebetweenZIL


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CONFIDENTIAL FileNo 1: Page 23

And you are going to respondto that challenge,I presume. We're certainlyhopingto cany on improvingour parser.Overthelastfew monthswe rewrotethe parserfrom scratch.The gamesthat we'll be producinglaterthis yearwill havethat newp:rser.It will haveall thecapabilitiesof theold oneplusa few newones. Goodparsersobviouslyneedgood programmers.But I gatherthat some of the peoplewho write Infocom adventurersare not programmersat all. Doesthat meanthat just anybody can be givenyour systemand a manual, put in front of a computerand start writing an adventure? Not exactly.I think a befterway of sayingit is thatsomeof our writersare not professionalprogrammers. You couldnot takean authoroff thestreet andjust let themgeton with it. You cantakesomeonewho's technically like, say,Douglas sophisticated, Adams,with Hitchhiker's.He cancomprehendwhat'sgoingon, thoughin actualitySteveMeretzkydid all the programming.Many of our writers havenot previouslybeenprofessional programmers so it's not an inherently difficult systemto learn.Partof thereasonfor movingontotheMac II is to makeit moreusableto nonprogrammers. Where do you find new gameswriters? All kinds of places.Usuallythey approachus.The vastmajorityof writershavebeenpromotionsin housepeoplewe knewalready,who we've tried out on smallprojects.That'sbasically how SteveMeretzkycamein - he wasa tester.Brian Moriarty wasin our SystemsGroup- the experton 6502 chips.Amy Briggswasanotherone who camein frcimtesting.And occasionallywe've hiredpeoplefrom outside. What kind of organisationis there in Infocom?You've talkedabouttesters and soon. Is therea kind of eliteof gameswriters and millions of people just testingfor bugs? There"swhat'scalledthe Software DevelopmentGroup.That'sdivided

into threeparts.One part is familiarly known astheImps,that'sthe games writers,the secondis the Testers.Then thethird gloup is calledthe Systems Group.Thesearettrepeoplewho maintanZIL andvariouscomputers.I have to saythatthe Impsarea sortof elite. What's an averageday for an Infocomprogrammer?Do you just comein as though it was an ordinary job and get on with your work? Or are there times when your mind is just a total blank and you can't produceanything? What it really dependson is what stageyou arein writing ttregames.If you arestill in thedesignprocessyou may well comein andscratchyour heada lot. Later,oncethegameis largelycomplete,you spenda lot of time readingthe scriptsof testersplaying thegames,seeingwhat.theytried andmodifyingthegameappropriately. And just fixing bugs. What exactlydo the testersdo? Do they just spot bugsor do they suggest new puzzles? They do everythingfrom just beating on the programto seeif they can breakit to making,in effect,literary criticism.Everythingfrom nit-picking aboutwhethera particularword should havea hyphento a deepanalysisof whatis goingon in a programas regardsthe story. Is it a big problem now finding ever new ideasfor games?There are so manyInfocomgamesand you've coveredso much ground... Well, I don't haveanydifficulty comingup with ideas.Ifyou view the spectrumof what we put.out - we have sci-fi, fantasy,mysteryandromancewhenyou do a newthingyouaim it at oneof thosepoints.You havean audiencein mind.You want to satisfvthose fans.The avid fansarealwayscdtting for moredifficult puzzles.They complain if it only took two weeksto finish suchandsucha game.On theother hand,you don't want to makethem inaccessible to peoplewho haven'tgot somuchexperienceat playinggames. When you're stuck for ideaswhere do you go? Do you go to a library to

ransackbooks,do you play other gamesor do you just ask one another? All of thosethings.For his current game,SteveMeretzkyhasbeencollectingboks of logic puzzles.Ingeneral we all get ideasfrom books.I have a very largelibrary. Lurking Horror wasquiteobviouslytheresultof reading too muchH.P Lovecraft. Thesedaysyou are putting on-screen hints for peoplewho do get stuck. Will theseappearin all future releases? At the moment,that'sour plan. We've hadmixedreactionto it. Some peoplelove theidea,somepeoplehate it. We mayevengo so far asto put online mapslater.That'sstill underconsideration.We tried out the ideawith BeyondZork. But BeyondZork shows you a fairly small sectionof the total map.It wouldbe niceif you couldsee a bit moreof it. I read a little while agothat you get problemsfrom Christianfundamentalists who object to your stories... It's really a prettyminorproblem. Thereis a certainantipathyon thepart of a certainclassof religiousfundamentaliststo anyreferenceto magic. Most of our fantasygameshavemagic in them.I think thething thatcaused thegreatestnumberof complaintswas when we ran an ad for Spellbreaker which showeda pictureof a wizard. We ranit in Boy'sLife magazine which is themagazineof the Boy Scouts.Boy Scoutingin Americais very strongamongstthe sameclassof peoplewho arelikely to be religious fundamentalists. Soparentssawthis ad andgot annoyed. I mustsaywe got morelettersaboutthatthanwe evergot aboutsex.We did geta few complaints aboutTheLeatherGoddesses ofPhobos,but not asmanyaswe'd feared.I think LeattrerGoddesses wassufficientlyobviouslypackagedthatmost peoplewho boughtit werenot surprised.It didn't sneakup on them. You got someother complaintstoo, didn't you - aboutyour newsletter' 'The New Zork Times'.I gatheryou wereobligedto changeits name.


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CONFIDENTIAL File No 1: page25

PERSONNEL FILE So you need sometext writing for an adventure do you... MICHAEL BYWATER first sot involvedwi th adventuregameiabout five yearsago.Whenhejoined Punch, he persuaded themthat usingIBMs for wordprocessing in theoffice wasa wise move,andoncethecomputerswere installedhe startedreviewingsoftware. A review copyof hrkl wasthefirst adventuregamethat arrived:"I got nowhere...I hadno ideawhat.was goingon", he remembers. In thosedays,theclue industry which now surroundsadventures hadn't stafled."Eventuallysomeoneelse showedme aroundthe game,revealing roomsandpuzzlesI hadn'tfoundfor myself."Playinggameswasonly a smallpart of reviewingsoftware,and reviewingsoftwarewasonly a small pmt of Michael'swork for Punch* but $eat thingsgrew from this casual introductionto adventuring... January1987"wasa fatefulmonth", accordingto Michael.Little did he know, whenBritish Telecomsenthim to theCES Showin Las Vegasto delivera speech,that he wasaboutto stafi writing adventuregames...A total cock-upoverthehotelbookingsput Mr Bywaterin a badmoodwhenhe arrived,andMagneticScrolls'Anita Sinclairwasoneof thefirst peoplehe clappedeyeson. "I told her I'd played ThePawn andthatI thoushtit

sucked...I kickedoff wittr an insult. andwaitedto seewhathappened." Theygot on well. Friendly Rivals AlttroughMagneticScrollsand Infocomarerivals,the competitionis friendly.Anita hadheardrhat Bureaucracywasprovinga major problem,so sheintroducedMichaelto ChrisReeve,Infocom'sVice President. Michaelknew DouglasAdams,the author,from universitydays,andhad collaboratedwith him in thepast. StraightaftertheCES Show,Michael stafiedwork with ChrisReeveandTim Andersonat Infocomandspentfour weeksrebuildingthe game. "It wasdonepuzzleby puzzle,not asan entity,andthe last48 hourswere a nightmareaswe tried to put it all together.Lo andbehold,it worked."(If you want.a flavourof thepain and problemsinvolvedin thecreationof Burgqucracy, checkout 'The Strange andTenible History of Bureaucracy' hiddenwittrin thegame.)"I[ waswonderful- gettingon ttreinsideof the adventureworld withoutexpectingto be." For Michael,workingon Burea.ucracy wasrather'iikeworking on a film - creating'scenes'in isola-

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workingon afilm..." tion, and then editing them together into an entity. A few months after the Bureaucracyproject was finished, Michael was asked to join the Jinxter team at Magnetic Scrolls: "Jinxter was another project which had been going without my involvement - I came in when the program's subsEucturewas in place, and there was a lot of text in there which was of no use. It was rattrer like sitting down to edit a onehour documentary from hours and hours of footase." The way in"wtrich Magnetic Scrolls createsadventuresis fundamentallv different to the approachusedby Infocom, as Michael discovered:"The Magnetic Scrolls adventurecreating system is data driven, unlike the Infocom system which is more worddriven. In essence,the Magnetic Scrolls system allows youio work in a data world, while Infocom offers a fictional environment. "The Mag Scrolls systemallows an author to define objects and assign attributes to them - once the attributes of an object have been defined, you know that it will behaveaccording to its characteristicsthroughout the game. For instance,an object might be defined as one which floats or sinks in water: when the player throws it into water you know what will happen. Infocom's system,on the other hand, rarely examinesobjects - it relies on a text loop that looks at parcels of text as the game is played. The Infocom system is less predictable from the author's point of view, and a lot more playtesting is involved - a playtester has to throw an object into water to see what happens,and additional text may have to be written to make sure that the responsegiven to the player is appropriate."


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pl"illl.,": staystill, but aremorelikely to have NPCswhich arealmostlivins creatures within thegameworld, comp-lete with their own moodsandemotionsthat affecttheirresponse to situations. Enhancedsoundandgraphicsarealso possible,andadventures couldgo far, far awayfrom wheretheyarenow towardsinteractiveTV - like the family wall in Fahrenheit451. Goingfor a Walk... "I'm lookingat thepossibilityof doing a g:rmedirecton theMagneticScrolls system.Becauseit is a data-drivensystem,you could startan adventureroff in a plain, featureless roomandallow theplayerto call a universeinto being. game I'd like to write a new,text-based setin a world createdon theMag Scrollssystem,a gamethatwasnot puzzle-based - I wantsomeoneto be ableto enjoythelandscape, so that playingthegamewould be like going for a walk, not necessarilysolving puzzleson theway." Otherprojectsfor thefuturemight involvesoundandmusic.BothMichael andDouglasAdamsarekeenMac musicians,andtherewasa plan to get involvedin CDI: "we're bothfascinafedby sound,andseeCD asa mediumthatcouldprovideinteractive sound- we weren'tthatkeenon using the graphicssideof CD Interactiveour real interestlay in enhancingwords with sound,an auraladventurepossiblv..." The CDI projectis all but dead,but AdamsandBywatermayyet combine forcesandcomputerson a purelymusical project."We mightgettogetherand producean albumof Baroquemusic, panoplyat usingall thetechnological our disposal.The logic of suchmusic sometimesdemandsthingsthathuman performerssimplycan't do, andusing computerswouldallow us to adhere values." strictly to performance A Bit of Everthing... Bywateris a lucky man,by his own admission."I leamt my tradeat Punch - it wasa wonderfuljob, workingon the stafffor four years.I'd go in on a Mondaymorningandbe askedlo write 2,000wordsby Wednesday on the miner'sstrike,say,asa parodyof Dryden.There'snowhereelseyou'dbe allowedto do that,let alonebe told to do that.I'm terriblvlucky - I moved out from there,goi-ngfre6lancea couple of years ago and started doing a bit of everything - bits of radio, film and at the moment, I'm finishing a novel in which the lead characteris an adventurewriter. I'm lucky to be asked to write adventures.I aim the adventures I write at mvself - I sit down to have fun. Writing things 'for' people, for a target audienceis complete crap I don't want to patronisepeople. Just

CONFIDENTIAL FileNo 1: Page27

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LtrIS NAORO}S Aquata'sNew A.R.S.E.Reo is a ball of fire in a herringbone overcoat,writes SuzieDone 'We_Stokieshave got to stick together." The l angri d, chal l engi ngfi gure i ecl i ni ng agai nstrhe rough-shodw al l ei ves me i challengingglancefrom languid,reclining eyes,"but let's not talk about me, honev. l.:j^r-*:,^::l$1-gi.::r ".1 . h.",","nd-*i. h.

fee's l i k e, bd) ou hAer i em eas ur eof , ;p;;k t;l ;:'',h* , E this laneuid,inesistible man uho I perronatit' or theunique Moron' .! *o'Ji. ;r;i-,;;; ;;;: I "l santto setaqavrromrheord '*t puur;" i'i,g" oidu*li;;;;;;;;; ] io, ir," prl*,. 1{:'9" candidlv.."I | ].T19j:,. wouldn't :,1L tell this !o just anvote, hon*ri, a iui *-.trr;ng ro you," I r-ong

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ble slamp of haute cuisine onhis ljrhe, elegmt frame. True, he canies a cheesesandwich - but ifs wholemeal breadand Roquefon ed old-fahioned ey' shy not kick off tiose constricF buter which Ntorcn discovered.,while ine sno*' where thev pull vour feet scourjngdle llobe for 6s1e-reab.,, out shaeeJ- Iut I wan! the public "No need 10dr€sslike a rcrlrmp," 9f he ass€fls. "Nowadays, r'l's ongoing support which people require. The days of rushing eound swamps and nines, turning up in mid-ai and so as equals in fonh, by me fia!'s srictly old har. ;."J:l:rHff.::terher Say, ralking of hars,why don,t you and me go md buy you somethingfor your prerry hair? Maybe in the momr.r", Moron sporls a herringbone ing?" Who could resistsuch an offei overcoal- but i! beus lhe lnmiskkea_ or such a man? Not me, for sure.

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We know,youre only superhuman. lve Nno\v),oucdre. We krrow1ou do your best. trvery oay, In.aI wealhers.you're out on thejob. You don'r ask for much. Immoruliry is irs own rcwud. But have) ou rhoughtaboutrhe future? Haveyou rhoughtaboutLife lnsurance? We have. Which is why we launcheda spcial scheme. A schemetailored for immonal deni-gods. You may think there,sno pornt. Nor did anyoneelse. So we'\'e qonebust. TWIT & CO - h*SUR.ANCE BROKERS

A few pagesfrom The Independent Guardian, the newspaperfor immortaljobsworths.Part of the Jinxter packaging, producedby Michael Bywateron his DTP system

,,...writing jokes is like Brain Surgery.Dontt do it unless you know how..."


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CONFIDENTIAL FileNo 1: Page29 Becausetheycan't afford to advertise, a lot of themsell theirgamesby doing mail-shotsaboutnew releasesto people who'veboughttheirprevious adventures, so it's in their interestto makesureyou get goodservicefrom them.If you'vegot thousands of customers,you canafford to ignorea few complaints, but whereyou'veonly got a few hundred,or maybejusta few dozen,everysatisfiedcustomer counts. That'snot to saythatyou're guaranteedgoodservicefrom everyone, andyou arecertainlynot guaranteed goodadventures from themall, but therearesomereliablenamesvou can trust.It wouldbe well worthtryingat leastoneadventurefrom eachof the 'respectable'mail-orderwriter/sellers, to seehow you like them.Most of the smalladventurehousesI know of are writing gamesfor theSpectrum, becausethosearetheadventures I see,thoughI know somearealso availableon the Commodoreor Amstrad,andthereareothersmall companiesthatspecialise in other machines;but you'll haveto find out who thosearefor yourself(or /er usknowfor afuture issueof CONFIDENTIAL- EDs). On the Tartan Trail Onecompanythathasbeenaround quitea while now is TartanSoftware, run bv Tom Frost.With a namelike that,fhecompanyhasto be Scottish! As well aswriting adventures, Tom's no slouchwhenit comesto solving them- he's the manwho won the video recorderthat wason offer to the first personto solveTheKet Trilogy whenit wasreleasedbv Incentive severalyearsago.One-ofTom's games,1942Mission,hasalsowon an awald,andTom's oneof those rarepeoplewho programshis own adventures ratherthanusinga utility.

Mind you, his basicadventuringsystem waspublishedasa utility by CRL not long ago:TheAdventure Builder. Tom mostlypublishes his own games,buthasput out a few from otherpeopletoo, andhis list is now prettylong.Oneo[ his mostinteresting releases washis Six-in-Onepackage,which included,asstrangeasit may sound,six adventures. These werespeciallywrittenandput togetherfor newcomers to adventuring, andincreasedin difficulty asyou progressed throughthecompilation, with eachgameintroducingsome new type ofpuzzle.Thefirst few also hadbuilt-in IIELP messages, which you couldcall up if you got really stuck,andI wasvery impressed by thegameswhich I now alwayssuggestto anyonewho saysto me "I'm new [o adventures, whatcanyou recommend?" Tartan'slatestreleaseis Double Agent, a split-screen text-onlygame in which you takeconftolof two characters who canmoveindependentlyaroundtheadventurearea. You canswitchfrom oneto theother, andhaveto get the two to work togethersometimes, in orderto solve certainproblems.Tom told me it was a nightmareto program,but theresult is a veryenjoyable andentertaining game,with aprize of f50 on offer to thepersonto solveit with the smallestnumberof movesbeforeNovember 30th.I askedTom if his next releasewouldfeaturethreecharacters - he saidhe'd tried to do it. bur hadro admitdefeat. RunningRivers Anotherreliable'veteran'of themailordergameis JackLockerbyof River Software, who'salsopublisheda lengthylist of titles,andnot a bad oneamongthem.Jackwrotehis early

Tartan's two-hander, DoubleAgent

games on The Quill, and later on PAW, and it's a sign of the care that he takes that he updated some of his early titles from Quill to PAW just for the sake of improving them. He also tries to give value for money by putting two games on every tape. He is also someonewho knows how to get the most out of Gilsoft's utilities. Two of Jack's games were the first PAW'd gamesI saw, nol long after the utility had been released- in a few short weeks,he'd shown that he'd got the hang of PAW and was using many of its facilities to full effect. Having a chuckle One of my weaknessesis for humorous adventures,and I love Delta 4 gamesas well as the funnier Infocom releaseslike Hitch Hikers' or Leather Godessesof Phobos. So it shouldn't surprise anyone to learn tiat some of my favourite mail-order gameshave a sfong joke content... they also have to be good adventures,of cowse. One person who combines humour with deviousnessis John Wilson. who tradesunder the name of Zenobi Software. John's first adventuresshow a definite influence from Fergus McNeill, who has influenced far too many adventureauthorsin my opinion. But John Wilson doesn'tjust copy; he has moved on to createhis own style of game. And a very popular style it is too. Many a letter I've had praising tlem, and asking when the next game is due out - in my mailbag, people enquire after John's gamesjust as avidly as they ask about the next Delta 4 release. Severalof John's gamesare Middle Earth send-ups,like An Everyday Tale of a Seekerof Gold, which was going to be called The Boggit, till a certain McNeill used the title for his Hobbit send-up.And I can confirm that John came up with the title separately, as he sent me a pre-releaseversion called The Boggit long before either of us had heard of the Delta 4 release.John's later gamesfeature two heroeshe's created,Fuddo and Slam, and no prizes for guessing where those namescame from. In his own enterprising way, after releasinga few games,John set himself up as Zenobi Software under the Govemment Enterprise Scheme.That gives him a year in which he can devote himself to adventure-writing and try to make the company pay its way. When I askedhim where the name Zenobi Software came from. John said it was the name of his cat. I never did find out where the name of the cat came from... The other mail-order house that, specialisesin very funny gamesis Zodiac Software, run by two idiots... sorry, two young men named Dave Dutton and Andy Lowe. Their first


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CONFIDENTIAL File No 1: Page 31

Thinking of Writing Your Own Adventures? Pat Winstanleyoffersa few tips and hints on choosing a utility. Would-beadventurewriters start here. I'VE YET to meetan adventure playerwho doesn't(secretlyor otherwise)harbourthe desireto write their own game.And whateveryour machine,thechancesarethere'sa programto helpyou.In ready-made fact, somemachinesarecateredfor by severalutilities,sohow do you choosewhich oneis bestfor the type of gamesyou wantto write? Perhapsthebestplaceto startis by consideringthe natureof an adventure creator.No programcanwrite adventuresfor you - they are merelytools whichprovidea skeletonsystem.In otherwords,an adventurewith no rooms,puzzles,objectsetc.Your task is to addtheflesh,devisinglandscapes,characfers andproSlems,then to teachthesystemhow to decide whatto do in a givensituation. Theonly beingcapableof creatingan adventureis tle humansort.Computersareincrediblygoodat crunching numbersandrememberingthings,but theycanonly do whattheyaretold, andareincrediblygoodat ignoring theobvious,somethingthathumans takefor granted.I mean,if you werea computerandan adventurertyped "gert thenswrod"you'd know straightawaythat whattheyreally meantwas"pick up theblue swordas thered oneisn't here". Wouldn'tyou? But you're not a computer.A mere machinewould look at theactual spellingof thewordstypedand wouldn'tnoticethat"swrod"is "sword" with a transposition error. Similarly,it wouldn'trealisethat "gert" cameaboutbecausethe banana-fingered typist nudgedthe 'r' while aimingfor the 't'. And because of its stupidity,thecomputerwould comebackwhining"I don't know how to do that". If a computeris that stupid,what makesyou think it can createan entirebest-sellingadventure? Of course,it can't- but youcanif you go aboutit in theright way. Usingan adventurewriting utility demandsan understanding of theway it works, and tlte bestway to startis to think of sucha utility as threeseparateparts: 1. The Database This holdsall the informationabout your gameenvironment,suchashow manyobjectsthereare,whattheyare like, wherethey are and how they are to be identified.Identifyingobjects demandsthatthey be taggedwith a

label- a noun- so a list of relevant nounsmustalsobe present.The playerneeds!o be ableto move aroundtheplayingareaandknow wherehe is, soroom descriptionsand theconnections betweenroomsalso needto be in thedarabase. At times, theplayerneedsto be givenfurther information,so the database also needsto be suppliedwifh a setof messages. 2.The Instructions Havingprovidedtheprogramwith data,it now needsto be told what to do with theinformation.This is achievedby a collectionof IFIHEN typestatements. Thusfor theplayerto geta sword,theremustbe something telling thecomputerhow to carryout. theactivity.Thecomputerneedsto be instructed. Generally,these'conditions' arein the form IF theplayer typesin certainwords THEN do what thewordssayif you can ELSE tell theplayer it's impossible (andpreferablywhy) All theseinstructionsareentered into the conditiontablesof adventure creationutilitiesusinga speciallanguagewhich tle interpretercan (Bearin mind thecomunderstand. puter'sstupidity...it doesn'tlike misspeltwordsor silly numbersin the conditiontablesany morethanit likes themin theplayer'scommand.) 3. The Interpreter This is wherethecomputeractually doessomework. It.hasto readthe player'stypedcommand,matchit to (at thevocabularyin thedatabase whichpoint it turnsthewordsinto numbers,asnumbersareeasierfor a computerto copewith) thenmatch the 'parsed'commandto instructions in theconditiontables.Eachtime the IF part of an instructionmatchesthe command,the computerwill attempt to peyformthe actionsspecifiedin the instruction. Left !o itself, theprogramcanset the screenout.in a simplemanner,so you needn'lworry aboutthat.your job asa writer is to give accurate lnformationandevenmoreaccutale instructionsso thattheinterpretercan do its job properly.

Eachof the tlree components of an adventurecreatingutility mentionedabovedependson the other two...informationis of no usewithout instructionsto tell the inlerpreter what!o do, andsimilarly,instructions are no useif thereis no information for the interpreter!o usewhen trying to carrythemout.Withouttheinterpreter,nothingwouldhappenwhen you try to run thegame. The key to underslanding and beingable to usean adventurecreator is an appreciation ofboth the adventure creatorprogtamminglanguage andhow it is used.Makeno mistake aboutit. Whenyou usean adventure just as creatoryou zlreprogramming, muchasif you werewriting in BASIC or machinecode.Theadventurecreatormightn't haveasmany wordsin its languageasBASIC, but thena greatmanyBASIC wordsare prel.l.yuselesswhenit comesto writing adventures.An adventurecreator's languageis custom-designed to performthetypeof actionsneededin adventures, sonottringis irrelevant, althoughmanyof thekeywords wouldbestbe left until you arethoroughlyfamiliarwith thdmore sfraightforward ones. So whichcreatordo you choose? To someextent,you will be restrictedby whatis availablefor your machine,but mostpeoplewill be ableto choosebetweenGilsoft's Quill or PAW,andIncentive'sGACor havea STAC.Gilsoft's languages skeletonwhich alreadycontainsmost of the routinesneededfor general so theyaresimpleto adventures, leamanduseat a basiclevel.However,adaptingthesystemroutinescan entaila lot of work. andsometimes of BASIC callsfor an understanding or machinecode.Incentive'sprogramsoffer lessin theway of readyis maderoutines,but thelanguage nearerto BASIC andallowstheuser to manipulatebuildingblocksof variablesto greateffect,savingbothtime andmemorv.A lot morework is neededon GAC or STAC to produce simplegames,becauseso muchhas beforeprogresscan to be understood be made. The choiceis up to you. Both systemshavetheirfansamongstbeginnersandadvancedusersalike.If you arebrandnew to adventurecreation.I would suggestyou try to write the samesimpleadventureon each,to see which onesuitsyour stylebest.


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WN worth of hardware You chooseit, and we'll buy it for you Official Secretsis a club, right? And if you're readingthis, then you must be a memberof Official Secrets.Yes? (We're nothing if not smart, hereon the CONFIDENTIAL Editorial Team.) Let's not get too far into the 'a club is only as goodas its members'business,but it does hold true...By the time you get round to reading this, you shouldhaverealisedthat we're eagerlywaiting for your viewsand opinions. We're after letters- write to us if you disagree or evenagreewith the viewsput forward by our columnists.Let us havethe benefitof your opinionson the world of computergaming. We'd welomea full-lengthfeaturefrom you, if there'sonein there,bursting to get out. But what about this f500? Well, we have tuckedit away in a nicesafeplace,and a member of Official Secretsis going to win it next Spring.March 31st1,989to be precise.(And if we're goingto start beingprecise,the lucky memberis goingto be able to choosef,500 worth of computerhardwareand then we'll buy it for him or her.) Lusting after oneof the new 1-6-bitwonder machines?Drooling after a hi-resmonitor and disk drive to upgradeyour existingequipment?Or just plain greedy?Whateveryour motivation,you could be enjoyingthe benefits of somenifty kit next year, and all for free. So what do you haveto do, to standa chance of winning this prize?Ah yes,prize.This is a competition,not a raffle, after all.

Well, our hints department(all part of your membershipof Official Secrets)could do with a bit of help.It's not that our team of experts is short of a brick or two when it comesto playingadventuresor strategygames,it's just that we haveso many availableto members that our expertsfind it impossibleto play through everygamewe offer. So it's back to the 'a club is only as good...'philosophyfor a moment.The more solutionswe havenestling in the filing cabinet,the better the servicewe can offer members- so if you've completeda game,why not shareyou expertisewith other Official Secretsmembers? Which is why we're giving away this lusciousprize,by way of encouragement. To standa chanceof collectingrwhizzus a solution (or two). We're lookingfor original,legible and pretty solutions- a few will be printed in forthcomingissuesof CONFIDENTIAL, just to spur you all on. Remembertwo things.One: the personwho wins the prize is just as likely to be someone who sentin one,beautifullyhand-craftedsolution, completein everydetail as it is likely to be someonewho hassentin dozens.Two: CONFIDENTIAL isn't availablein the shops, so any old Tom, Dick or Harriet can't buy a copyand enter this competition.We don't sell 56,60 or even100thousandissues.We only sell the magazineto subscribingmembers.So the oddsare in your favour, as comparedto competitionsin other magazines...

SEND YOUR ENTRIES TO: CONFIDENTIAL I{ARDtr/ARE COMPETITION PO BOX 847, Harlow CM21 gPH And be qutck about it. [r'e've got some spot prlzes for early btrds!



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