PALIMPSEST ARCHITECTURE | RESEARCH | PRESERVATION
ZIHAO ZHANG SELECTED WORKS 2016-2020
Acropolis of Athens
Sketch by Le Corbusier
Sketch by me
Heritage value lies in the palimpsest of architectural layers that each generation contributes to. I want to enrich the heritage with the voices of my generation.
Turin
Rome Cosenza
Zunyi
01
Project Sites Visited UNESCO Sites
Lishui
08
Countries Not Traveled Countries Traveled
Beijing
02 03 04 05 06 07
09 10
CONTENTS 01
MODERN ROMAN BATH STRATEGIC DESIGN IN ARCHAEOLOGICAL HERITAGE SITE ACCADEMIA ADRIANEA Piranesi Prix de Rome, fall 2019
02
PORTA FIOCCHETTO ADAPTIVE REUSE DESIGN POLITO 2th year design studio, fall 2019
03
CASA MEANDRO HISTORICAL CONTEXT DESIGN POLITO 2th year design studio, spring 2018
04
NATURAL MATRIX ENVIRONMENTAL DESIGN POLITO 3th year design studio, spring 2020
05
VISTA CONDIVISA STRUCTURAL DESIGN POLITO 2th year design studio, spring 2019
06
PERSPECTIVE TRANSLATION ARCHITECTURAL HISTORY RESEARCH POLITO 3th year research, spring 2020
07
CASTLE FACADE PRESERVATION RESTORATION TECHNIQUE DRAWING POLITO 2th year research, spring 2019
08
EMERGENCY DOME CONSTRUCTION WITH SUPERADOBE TECHNIQUE CAL-EARTH SuperAdobe workshop project, summer 2019
09
REVERSED COURTYARD RECONSTRUCTION DESIGN DA! ARCHITECTS Intern Project, fall 2020
10
RURAL WOODEN BRIDGE DESIGN & CONSTRUCTION WITH RURAL HERITAGE CFPA "Bona Villa" voluntary project, summer 2020
01
MODERN ROMAN BATH
STRATEGIC DESIGN IN ARCHAEOLOGICAL HERITAGE SITE Piranesi Prix de Rome 2019 LOCATION: Villa Adriana, Rome, Italy TYPE: Competition, Academic, Group Research, Individual Design COLLABORATOR(Research): Nasibe Nur Dundar, Edzgi Uzumcu, Gabriele Lenti, Riccardo Mazzeo, Beatrice Egidi PROJECT DATE: 04/09/2019 SUPERVISOR: Pier Federico Caliari, premio.piranesi@gmail.com; Paolo Conforti, paoloconforti720@gmail.com
The Piranesi Prix de Rome is a university competition which is open to students of architecture schools from all over the world who come to Villa Adriana to attend a two-week workshopcompetition. This workshop focuses on the situation that lots of archaeological heritage on Italian soil is in danger. As for Villa Ardiana, a famous UNESCO site in Rome, it is also troubled by the issue of decreasing tourism. After investigating the site several times, I perceived its lack of modern intervention and new stories by the architects of our generation. Therefore, I intended to reestablish contemporary relevance by proposing a modern Roman Bath on-site, which helps define a new entrance for visitors and improve the accessibility of the heritage. I hope such intervention could counteract the increasing abandonment of this great heritage site and reconnect visitors with this spectacular legacy.
SITE
The site is surrounded by two heritages: Palestra(Gym Palace) & Teatro Greco(Greek Theatre)
50 Feet Plan of Maritime Theatre
0
50m
100m
150m
200m
THE HIDDEN ORDER OF VILLA ADRIANA
The Complex and Disorderly Plan of Villa Adriana Is Guided By an Axis and Grid System Defined by Maritime Theatre
Spatial Sequence in Section
Structure of Maritime Theatre
THE ORIGIN OF HIDDEN ORDER: MARITIME THEATRE
Virtual Reconstruction of the Maritime Theatre helps to understand the Spatial Sequence and Structure within it
Concentric Circles
Circle and Square-- Tangent
Circle and Square-- Intersect
Circle and Square-- Include
Geometrical Analysis of Maritime Theatre Formation Process
Prototype: Tangent
Deformation 1
Deformation 2
Operation 1
Operation 2
Prototype: Intersection
Deformation 1
Deformation 2
Operation 1
Operation 2
Prototype: Inclusion
Deformation 1
Deformation 2
Operation 1
Operation 2
Innovation Process from Basic Rules of Prototype
PROTOTYPE & INNOVATION
The Geometrical Analysis of Maritime Theatre Provides Prototype and Innovation for Modern Roman Bath Design
Roman Bath Activity
Changing
Sports
Warm Bath
Hot Bath
Cold Bath
Rest
Leave
Exhibition
Changing
Warm Bath
Hot Bath
Cold Bath
Leave
Mood
Space View
Plan View
Atmosphere Visibility
Temperature
Sound
Modern Bath Activity
Enter
SPATIALIZING NARRATIVE IN MODERN ROMAN BATH
The Visibility, Temperature, and Sound of Bath Water Change with Different Level in Modern
05
TEMPLE OF VENUS
04
GYM PALACE
Plan of Gym Palace Intervention
02
GREEK THEATRE
03
MODERN ROMAN BATH 4
3 3
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6
2 3
2
1
3
4
Groundfloor Plan of Modern Roman Bath 1. Entrance
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2. Exhibition
Plan of Greek Theatre Intervention
3. Changing Room 4. Warm Bath 5. Hot Bath 6. Cold Bath
First Floor Plan of Modern Roman Bath
7. Exit
01
0
10m
20m
30m
40m
ENTRANCE OF VILLA ADRIANA
MODERN INTERVENTION WITHIN ANCIENT HERITAGE
Modern Roman Bath and New Visiting Route Provide Opportunities to Activate Greek Theatre, Gym Palace, and Temple of Venus
View from Modern Roma
View from Greek Theatre to Modern Roman Bath Hot Bath
Cold Bath
Pool
Pool
Pool
Canal
Water Stag
Section A-A of Modern Roman Bath & Greek Theatre
AXIS DEFINING THE S
Aqueduct, Canal and Pedestrian Path as Visualized Axises Co
an Bath to Greek Theatre
ge
View from Modern Roman Bath to Gym Palace
Aqueduct
A
SPACE ORIENTATION
Cold Bath
Warm Bath
Canal
Aqueduct
A
onnecting the Existing Heritage and The Modern Roman Bath
B
Section B-B of Modern Roman Bath & Gym Palace
B
02
PORTA FIOCCHETTO ADAPTIVE REUSE DESIGN
Urban Design Studio (02OVOLU) LOCATION: Porta Palazzo, Turin, Italy TYPE: Studio, Academic, Collaboration ROLE: Team Member COLLABORATOR: Eleonora Feliciello, Mohamad Khansa, Siyu Xiao CONTRIBUTION: Concept60%, analysis60%, 3D modelling30%, drawing30%, final presentation50% PROJECT DATE: 03/02/2020 SUPERVISOR: Francesca Frassoldati, francesca.frassoldati@polito.it; Chiara Lucchini, chiara.lucchini@polito.it
General aim of the Urban Design Studio is to develop individual awareness of the urban dimension of architecture, focusing on different social topics, aspects and tools. The studio also provides students with the opportunity to explore from different angles of Porta Palazzo in Torino where complex urban issues are taking place. Fiocchetto bus station is very close to Porta Palazzo, which is the largest outdoor market in Europe, and Turin old town, where numerous UNESCO sites of Savoy residences are located in. However, the Fiocchetto bus station is basically abandoned though there is a high need of transportation within this area. At the same time, considering everyday a lot of unsold food is wasted in Porta Palazzo market, we decided to create a food storage and canteen program in the station. Lastly, through analyzing the urban issues nearby and taking adaptive reuse of existing bus station structures, I believe our proposal could help this bus station to get a new life.
0m 10 2m ins 'w alk
PORTA PALAZZO 300m 6 mins' walk
200
m4
min
s' w
alk
SITE
TURIN OLD TOWN Site Map of Fiocchetto Bus Station WEAKNESS 1: Porta Palazzo Market Unsold Food and Lack of Storage Space
(Unsold & Wasted Food) / All Food %: 10%
30%
50%
20%
40%
60%
WEAKNESS 2: Fiocchetto Bus Station Disorderly Bus Parking
Parking Position of Bus
WEAKNESS 3: Fiocchetto Neighborhood Height Difference Cut Off the Public Space Neighborhood
Site Pedestrian
River
Vehicle
EXISTING WEAKNESSES OF BUS STATION
Find Out the Existing Problems of Fiocchetto Neighborhood by Field Survey
BUS STATION SCALE NEIGHBORHOOD SCALE
ORIGINAL ORGANIZATION
Existing building(Edge of bus station) Building for cleaning the bus Parking lots Routes for picking up passengers Gas station(not used anymore) & Bike parking Both entrance and exit for buses
REORGANIZATION OF BUS STATION New boarder of the station Area with new opportunities New bus organization with new entrance Platform with parking function
SOFT EDGES OF BUS STATION University students School kids Neighborhood residents
ADJUSTED FUNCTIONS & PUBLIC SPACES International atmosphere Gathering identities and facilities Restaurant and charity with job opportunities Language school for foreigners Library and cultural center
URBAN SCALE
URBAN ENVIRONMENT 1. Green areas nearby 2. Close to historical center 3. Enjoyable natural view 4. International identity 1. Messy streets 2. Few facilities 3. Uncomfortable bus station 4. Boring pedestrians 1. Open space (enjoyable space for social life) 2. Active bus station 3. Pedestrian friendly (lower level difference) 1. Conflict between bus station and open space 2. Slope of the soil 3. Noise context of from the open space 4. Safety issues (drug sellers)
FROM HISTORY TO CONTEXT
Study the San Donato history and understand the
RESPONSESneighborhood IN DIFFERENT in order toSCALES provide foundation for architectural design
Plans
a
Master Plan of Fiocchetto Bus Station Rooftop plan
1:500
12
b
Plan of Restaurant, Library, and Reorganized Bus Station Ground floor plan
1:500
13
c
Model of Fiocchetto Bus Station
a
b
c
d
e
f
THE RELATIONSHIP BETWEEN OLD & NEW
New Buildings Try to Adaptively Reuse the Original Bus Station in terms of Form and Function
d
e
f
Exploded Axonometric Drawing of Reused Fiocchetto Bus Station
Inner Facade of Reused Fiocchetto Bus Station
SLOPE AS A SOLUTION FOR SITE HEIGHT DIFFERENCE
Through Bridge and Wide Slope, Pedestrians at High Level Are Naturally Led to Public Spaces at Low Level
03
CASA MEANDRO
HISTORICAL CONTEXT DESIGN History and Design Studio (01OUELU) LOCATION: Borgo San Donato, Turin, Italy TYPE: Studio, Academic, Collaboration ROLE: Team Member COLLABORATOR: Ashley Barley, Yingyue Li, Angelica Montiel, Esra Yaman, Ege Can Yazici CONTRIBUTION: Concept40%, analysis30%, 3D modelling50%, drawing40%, final presentation40% PROJECT DATE: 23/01/2019 SUPERVISOR: Luca Barello, luca.barello@polito.it; Chiara Devoti, chiara.devoti@polito.it
The History and Design Studio aimed to define an aware design between architecture and urban design starting from a deep analysis of the historical city fabric. The chosen site was called San Donato, which is a city neighborhood developed outside the city center of Turin. San Donato was a site of proto-industries and housing of very different features from the 19th century. There were a lot of canals crossing this area due to high need of water use in factories. Nowadays, San Donato covered all of these industrial pasts and transformed into a residential neighborhood. But the security level in this neighborhood is not very good due to a diversity of residents living here. According to this situation, our design strategy is to design a new housing project with an open corner to invite people in San Donato to gather together in the public space that the housing project created. The material use of red bricks as well as courtyard design also help people to awake the industrial past and join in the dialogue between old and new within San Donato.
1620 First expansion of fortification
1673 Second expansion of fortification
1715 Third expansion of fortification
1800 Demolishment of fortification
1853 First Duty Fence
1861 Italy Unifica Turin is Cap
Borgo San Donato belongs outside the fortification. Elements that produce primary nucleus: roads, canals, farmhouses, mills and aggregated buildings.
Borgo outsid Eleme prima canals, aggrega
Unknown Pıemontese Topographer, Carta topografica della Caccia, circa 1760-1766, Torino.
Unknown Pıemontese Topographer, Ca Caccia, circa 1760-1766, Torino.
1760-1766 The Borough San Donato Was Outside the Fortification
1804-1805 The Borough Was Defined by Corso Francia and City Walls
1866 The Borough Was Structured around San Donato
1868 City Extend
The partition between the Martinetto canal and Torino canal was inside of the mill.
The Martinetto canal came out of the upper mill through the green gate now.
The Martinetto canal came out of the upper mill through the green gate now.
The low other s former p
Martinetto has a unique character due to the discontinuity between its constituent parts. This character can be linked to the variety of natural and artificial limits.The river Dore delineates the area connecting public green space to the urban landscape. In Martinetto we can see several examples of the area’s older vernacular architecture from different periods of its history together, creating a mixed fabric. Primarily however the area has been filled with 20th century units built fromthe 1950s to the present day.
ARCHITECTURAL ELEMENTS
1563 Turin - Capital of Savoy Duchy
Elevations reveal the different functions of ground floors (service or commerce) and upper floors(residential), by using different materials and colors: grey or white artificial stone on ground floors; bright colors: red, yellow, orange or decorative bricks on upper floors.
DECORATIVE DETAILS
PATTERN
WATER SYSTEM
CONNECTIONS WITH THE CITY
URBAN STRUCTURE & TRANSFORMATIONS
TIMELINE
Because of the need for fast and cheap construction, as well as the continued prominence of modernist thinking, buildings of the era lack the ornamental detail of many of San Donato’s traditional structures, but instead adapt essential elements in creative ways.
The fo cuoifi reconst nowada service materia is not p chimne opening
1. Creating patterns and the directionality of cladding materials makes a building element decorative.
2.Deco created construc material
FROM HISTORICAL RESEAR
Study the San Donato History and Understand the Context of this Ne
ation pital
1906-1908 First Master Plan
1912 1940-1945 1959 Second WW2 Most that we can Duty Fence Massive Bombing see now ...
San Donato belongs de the fortification. ents that produce ry nucleus: roads, farmhouses, mills and ated buildings.
Borgo San Donato belongs outside the fortification. Elements that produce primary nucleus: roads, canals, farmhouses, mills and aggregated buildings.
arta topografica della
Unknown Pıemontese Topographer, Carta topografica della Caccia, circa 1760-1766, Torino.
Enlargement Plan ded San Donato
wer mill is occupied by structures now, but path is still noticeable.
1879-1898 Borgo San Donato Inside the first Duty Fence
The former canal bed has been repurposed for underground parking now. This map represents the current main and secondary roads of Martinetto, the current densitý and uses of the actual buildings (yellowhousing and blue-housing and commerce).
ormer leather factory cio Atzimonti was tructed in 1990s and ays it is used as public e area and office. The al of original facade preserved, while the ey and the position of gs remain.
o r a t i v e e ff e c t s a r e d by combining and cting different cladding ls together.
1935 Variation on Master Plan without Fence
Another example of the relationship between canal and underground space.
Actual Martinetto pattern: 1. Semi-dense tissue 2. Divided by blocks 3. Orthogonal main streets Outdoor living spaces are common in this area, though these areas are cold in winter and semi-public. Balconies or loggias along the buildings can be seen as a symbol of low-budget housing and are rarely used when they are placed on the north side.
3.Bold, constructing colours are comming in the cladding of many contemporary buildings in San Donato.
RCH TO DESIGN STRATEGY
4.Necessary metal fixtures the most ornamental elements due to being convenient and economical to mold and sculpt
eighborhood in order to Provide Foundation for Architectural Design
DESIGN STRATEGIES 1. Our project aims to preserve the district industrial heritage by adopting a curved metal vault roof similar to those seen throughout the borough. The use of contrasting straight and curved lines is also inspired by details seen in the openings and fixtures of the surviving factories in San Donato. 2. Represent the canal: Inspired by the existing traces of Canale di Torino, we have decided to create a distinct path going though the public courtyard, partially echoing the old canal while also creating a new pedestrian-friendly flow.
3. A greener San Donato: Since the borough lacks green spaces, we have decided to create a continuous green façade, providing planters and corridor space for the residents internally and giving more life to the neighbourhood externally.
4. Open the corner for public space: The inspiration comes from the common open corners in the Martinetto area and the converted brewery at piazza dei mestieri. Our design of an open, welcoming corner aims at encouraging the residents throughout San Donato to participate in social events. References: [1]Unknown Pıemontese Topographer, Carta topografica della Caccia, circa 1760-1766, Torino (AST, Carte Topografiche Segrete, 15.A.VI rosso). [2]Gıuseppe Sappa, Ville impérialede Turin, in DépartementduPo, Arrondissement Communale& Canton de Turin, Plan géometriquede la Communede Turin, Lèvéen exécutionde l’arrêtédu12 Brumairean II, Treminéle 12 Nivosean XIII, 1804-1805, Torino, detail(AST, Sezioni Riunite, Finanze, Catasti, Catasto francese, Torino). [3]Comune di Torino, Piano Topografico del Territorio ripartito in Frazioni e Sezioni di Censimento, 1911. ASCT, Tipi e disegni, 64.8.17. [4]Servizio Tecnıco Munıcıpale Dei Lavori Pubblici, Pianta di Torino coll’indicazione dei due Piani Regolatori e di Ampliamento rispettivamente della Zona Piana[…]e della Zona Collinare […]aggiornati colle Varianti deliberate successivamente sino a Giugno 1935, detail(ASCT, Tipi e disegni, 64.7.8/1-8). [5]Citta di Torino, Carta tecnica comunale, Quadrante 155 121. 19421945. [6] Danni arrecati agli stabili 1:5000, 1942-1945. Zona 4: Campidoglio, Martinetto, Borgo San Donato, Foro Boario, Borin, Ghieri, Tesoriera, (ASCT, Tipi e disegni, cart. 68, fasc. 2 disegno 4). [7] Unknown, Torino-barrier del martinetto.
Open Corner Inviting People Coming In
The Snug 2 Bedrooms 75 m2
The Mezzanine 2 Bedrooms 89 m2
Exploded Axonometric Drawing of Residential Blocks
DESIGN STRATEGY 1: CURVED VAULT ROOF
Curved Vault Roof, as a Common Form of Local Factories, Try to Awake People’s Industrial Memory of San Donato
The Eaves 3 Bedrooms 118 m2
Master Plan
DESIGN STRATEGY 2,3: CANAL REPRESENTATION & OPEN CORNER
Distinct Path Going Though Public Courtyard, Partially Echoing the Old Canal While Also Creating a New Pedestrian-friendly Flow
Material Analysis of Neighborhood San Donato: Brick as the Mian Material in San Donato Area
FACADE AS TOOL TO ANSWER THE NEIGHBORHOOD CONTEXT The Rhythm of Brick Facade Density is the Same as the Neighborhood Architecture
Section of Neighborhood
DESIGN STRATEGY 4: CONTINUOUS
The Continuous Brick Facade not only Provides Extra Greenery to San Donato, B
25 x 12 x 5.5 cm Brick
25 x 12 x 3.3 cm Tile
Vertical Reinforcement: 1cm(Diameter) Steel Bar Rotated Brick Orientation
Horizontal Reinforcement: 5*0.5cm Flat Steel Bar
Regular Brick Orientation with Gaps
Construction Detail of Brick Facade
and Residential Building
BRICK FACADE WITH VEGETATION
But Also Answer For the Neighborhood Context by the Variation of Brick Density
04
NATURAL MATRIX
ENVIRONMENTAL DESIGN Environmental and Technological Design Studio (01PHCLU) LOCATION: Turin, Italy TYPE: Studio, Academic, Collaboration ROLE: Team Member COLLABORATOR: Ashley Barley, Lucia Sanna, Wenjun Feng CONTRIBUTION: Concept40%, analysis30%, 3D modelling40%, drawing60%, final presentation70% PROJECT DATE: 02/07/2020 SUPERVISOR: Giacomo Chiesa, giacomo.chiesa@polito.it
Environmental and Technological Design Studio aims at supplying basic knowledge, methods and tools for designing a building in which functional needs, regulation constraints, environmental context conditions, and construction techniques and materials are integrated. This studio intends to supply basic knowledge, methods, and tools for a sustainable approach to preliminary building design of Site-climate analyses as well as Building Programming. The Site-climate analyses help to evaluate access to/protection from solar radiation and wind, for a building to be designed in a given location. And the Building Programming also requires our design to satisfy town-planning constraints, building code requirements, technological and environmental requirements. Even though the site is located in a brand new area of Turin, I believe architectural design can still obtain reference from its surrounding environment, that is, the wind and sunshine in nature.
05
VISTA CONDIVISA STRUCTURAL DESIGN
Architectural Construction Studio (02OHXLU) LOCATION: Milan Barrier, Turin, Italy TYPE: Studio, Academic, Collaboration ROLE: Team Member COLLABORATOR: Ashley Barley, Esra Yaman, Ege Can Yazici CONTRIBUTION: Concept40%, analysis30%, 3D modelling50%, drawing40%, final presentation40% PROJECT DATE: 21/06/2019 SUPERVISOR: Andrea Bocco, andrea.bocco@polito.it; Claudio Rossi, rossi.medios@gmail.com
The Architectural Construction Studio "Building in the built environment" develops a project in the well-established urban context of an European city. The studio will be focussed on the design experience of a single building, exploring how a specific housing typology can be combined with a related structural and constructional scheme. Our design strategy needs to provide specific knowledge on how to design a residential building, especially focussing on the relation between form and constructional principles as well as acquire awareness of the need to meet human requirements, and of the constructional feasibility. In terms of Milan Barrier, it is a neighborhood of multi-ethnic cultural integration. There are a large number of refugees living here, therefore there are many homeless people who urgently need to solve their housing problems. So we decided to choose the reinforced concrete structure as our main constructional scheme because reinforced concrete not only requires less skilled labor for the erection of the structure, but also can be economically molded into a nearly limitless range of shapes to fit the current complex urban texture. Structural design helps to provide a new possibility to extend the current urban texture and solve the existing social problems.
Green Roof Structural Detail 1:10 1 Render 2 Vertical railings 3 Technical cavity 4 Ribbed reinforced concrete slab with perforated blocks 5 Vapour barrier 6 Cork insulation 7 Waterproof layer 8 Anti-slip tees 9 Eco mat protection layer 10 DSE 40 drainage layer 11 Filter fleece 12 Engineered soil 13 Seeded vegetation
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1
2
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3
4
Elevation 1:20 5
12
6
A
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Axonometric View of Planter 1:10 1 Wooden cladding 2 FT14 In-situ concrete planter wall 3 Waterproofing layer 4 Bauder intensive substrate (NBS Q28/124) 5 Bauder filter fleece (NBS Q37/111) 6 Bauder DSE 60 drainage mat filled with mineral drain 7 Outlet pipes for drainage 8 Natural soil
1 4
8
3
5
2
6 7
SECTION OF CLAY BLOCKS 1:10
Load-bearing wall
Non Load-bearing wall
Horizontal Section I-I' 1:20
A'
Horizontal Section H-H' 1:20
A B C D E F G H I J K
- Cell confinement - anti slip tees - Lintel - Wood frame - Blind frame - Rain drainage channel of palnter - Concrete infill of lintel - Plywood external cladding - Adjustable paving pedestal - Skirting - Mechanical fixings - Reinforced conrete beam
1
G
A J
G'
N
Roof
5 mm 12 mm 38 mm 200 mm
3
Render Gypsum board Technical cavity Ribbed reinforced concrete slab with perforated blocks Vapour barrier Cork insulation Waterproof layer PE foil seperation layer Eco mat protection layer DSE 40 drainage layer Filter fleece Engineered soil Seeded vegetation
160 mm 8 mm 40 mm 100 mm -
2
1
Section G-G' 1:20
Extra explaination
F B D C
Upperfloor Slab
5 mm 12 mm 38 mm 200 mm
Render Gypsum board Technical cavity Ribbed reinforced concrete slab with perforated blocks (380-250-160) Vapour barrier Thermal insulation (cork panel) Screed Acoustic insulation Wooden Parquet
60 mm 60 mm 10 mm 15 mm
H
E
External Walls
3
G 15 mm 5 mm 300 mm
Internal brick tile cladding Mortar Perforated hollow bricks Planfüllziegel Vapour barrier Thermal insulation (cork panel) Waterproof layer Mortar Brick tile cladding with rail system
80 mm 5 mm 15 mm
K
4 Balcony planter
4
15 mm Wooden cladding 80+ mm FT14 In-situ concrete planter wall Waterproofing layer Bauder intensive substrate (NBS 28 mm Q28/124) Bauder filter fleece (NBS Q37/111) Bauder DSE 60 drainage mat filled with 20 mm mineral drain Outlet pipes for drainage Drainage channels -
5
External Flooring
10 mm 10 mm 5 mm
6
H
H'
Earth Gravel Compressed sand Sandstone tiles
5
I
2
I'
Foundation
150 mm d=100 mm 150 mm
Lean concrete base Reinforced concrete spread footing foundation Waterproof layer Subsoil drainage pipe Backfill Concrete Slab
7 Groundfloor Slab 250 mm 80 mm 150 mm 60 mm 10 mm 15 mm
Earth Backfill Waterproof layer Thermal insulation (cork panel) Vapour barrier Reiforced concrete slab Screed Acoustic insulation Wooden Parquet
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6 I
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PERSPECTIVE TRANSLATION ARCHITECTURAL HISTORY RESEARCH
History of Modern Architecture (01PGYLU) TYPE: Research, Academic, Collaboration ROLE: Team Leader COLLABORATOR: Wenjun Feng CONTRIBUTION: Research40%, drawing40%, final presentation40% PROJECT DATE: 06/07/2020 SUPERVISOR: Edoardo Piccoli, edoardo.piccoli@polito.it
Vanishing Point 1
Vanishing Point 2
Unit of Measurement
Perspective Analysis
Estimated Section
THE WORLD OF VIEWER (NOW)
THE WORLD OF MYTH (PAST)
2
1
THE WORLD OF GOD (HEAVEN)
3 6
5
4
Estimated Plan
9 Units
6 Units
5 Units
6 Units
1
2
3
4 Estimated Elevation
TRANSLATION
Perspective as a way to compose the painting and create an illusion
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07
CASTLE FACADE PRESERVATION RESTORATION TECHNIQUE DRAWING
Restoration theory, history and technique (01OUALU) TYPE: Survey Drawing, Academic, Collaboration LOCATION: Valentino Castle, Turin, Italy ROLE: Team Leader COLLABORATOR: Gabriele Lipskyte CONTRIBUTION: Research70%, drawing70%, final presentation80% PROJECT DATE: 05/07/2019 SUPERVISOR: Daniele Dabbene, daniele.dabbene@polito.it; Francesco Novelli, francesco.novelli@polito.it
Mortar Plaster Bricks Bricks & Stone Marble Mental
Material Analysis 0
VS BM
VS MS
VS AC
HS EV
HS ES
SC ES
BR a
BS a
BR b
MO a
ME c
MA b
2
1
2
1
3
3
Architectural element
Structure Material
Color
Structure: SC Coverage HS Horizontal structure VS Vertical structure
0.5
1
Architectural element: EV Eaves MS Masonry BM Beam AC Arch ES Enclosure system
Surface treatment
1.5
2M
Material: MO Mortar plaster BR Bricks BS Bricks and stone MA Marble ME Mental
Color: 1.Light beige 2.Terracotta 3.Grey
Surface treatment: a. Plaster b. At sight c.Painting
Degradation Analysis 0
Degradation due to water Exfoliation Detachment of parallel surface layers Erosion Washout Decohesion
Efflorescence
0.5
1
1.5
2M
Cortical degradation Patina
Fractures
Degradation due to apposition
Detachment (plaster)
Surface deposits
Biological degradation Mosses Algae Vegetation Lichens
Soiling
Restoration Technique Analysis 0
Interventions: Cleaning Protection Liberation Restoration Integration
Nylon or sorghum brush Cleanning spray
0.5
1
1.5
2M
Cleaning masonry,remove heavy soiling or graffiti. The cleaning method should be as gentle as possible to obtain satisfactory results.
Application of biological products by spray, brush or compress, energetic brushing and subsequent rinsing with plenty of water to remove all biological material residues
Protective for plaster and brick Removal of damaged items
Change the iron bars, broken bricks, collapsed stones
Reintegration with lime and sand plaster
Cover the facade using paste and plaster
Reinstatement of material in the absence
Grouting with special spatulas pressing the mortar well so as to fill all the empty gap and then covering the plaster
Covering elements
RESTORATION SURVEY
From material analysis, degradation analysis to restoration technique analysis
08
EMERGENCY DOME
CONSTRUCTION WITH SUPERADOBE TECHNIQUE California Institute of Earth Art and Architecture SuperAdobe Workshop LOCATION: Cosenza, Calabria Region, Italy TYPE: Workshop, Academic, Collaboration ROLE: Team Member COLLABORATOR: Carlo Dal Lin, Jasmine Ammann, Maria Schlesinger, Nastaran Makaremi, Sedigheh Bakhshi, Tommaso Lizzi PROJECT DATE: 28/04/2019 SUPERVISOR: Davide Frasca, davide@videterra.org; Mark Harmon, earthlogger@gmail.com
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CONSTRUCTION PROCESS
Convenient And Easy Construction Process, Building Materials Directly Obtained From Local Area: Barbwire, Gravel, Soil, Sand
PROMOTE APPLICATION
SuperAdobe technique does not require special construction materials and advanced construction knowledge other than SuperAdobe itself, so it offers many possibilities for its promotion. Therefore, people in resource-poor areas also have the opportunity to create their own wonderland
09
REVERSED COURTYARD RECONSTRUCTION DESIGN
Invited Project at Tiangang Village, Beijing LOCATION: Tiangang Village, Beijing, China TYPE: Office-related work at DA! Architects ROLE: Leading intern architect COLLABORATOR: Shaobai Guo, Mingazova Diana, Muhutdinova Endzhe, Peng Hu PROJECT DATE: 26/08/2020 SUPERVISOR: Lidong Sun, da_sunlidong@163.com; Anna Andronova, da_annaandronova@163.com
Amongst the general background of Chinese urbanization, the popularity of rural areas in China began to decline. Accordingly, a strategy policy for rural vitalization was implemented by the Chinese government. In parallel, a reconstruction design project was formulated by the ARCHINA company based in Beijing, China, which is referred to as the reversed courtyard project. For the villagers in Tiangang Village, the core problem of abandoned folk houses is the dilapidated living environment and lack of attraction. In consideration of the indispensable relationship of urban and rural areas, I plan to apply the reconstructed house concept and reverse the courtyard space into a pavilion, so as to allow for public use. The construction process will begin in March, 2021, with the hope that the reconstructed house will provide villagers a public area to socialize and re-examine the charm of traditional Chinese rural vernacular houses.
Map by Google Earth
SEEDING
The way to intervene in the countryside should be like seeding, adding new texture and function to the countryside
Sketch Model 1
Sketch
Sketch Model 2
Sketch Model 3
REVERSE
The demand of rural areas development is the demand for "endophytic development ability"
NEW LIFE OF OLD COURTYARD
Empty courtyard is reversed to a pavilion, and useless old house is reversed to new public space
Seating Benches
Skylights
Original Roof
Walkable Rooftop
b
Radial Beams
Living Area
Sculpture Column
Courtyard Pool
c e
a
f d
INDEPENDENCE STRUCTURE SCHEME
The structure system between the newly added courtyard and the old house is independent of each other
Workshop
a
b
c
d
e
f
INTERIOR SHADOWS PROJECTED BY TILES
Tile is the element that run through indoors and outdoors, projecting interesting shadow indoors, and sheltering folk houses from wind and rain
10
RURAL WOODEN BRIDGE
DESIGN & CONSTRUCTION WITH RURAL HERITAGE China Foundation for Poverty Alleviation "Bona Villa" Voluntary Project LOCATION: Tiangba Village, Zunyi, Guizhou Province, China TYPE: Voluntary workshop ROLE: Team Member COLLABORATOR: Zengjie Guo, Niran Hu, Weiwei Chen, Jialu Chen, Mengting Zhu, Siyi Fang, Sijia Zheng, Xin Mou CONTRIBUTION: Concept40%, analysis30%, 3D modelling50%, drawing40%, final presentation40% PROJECT DATE: 30/05/2020 SUPERVISOR: Runyuan Zhang, zhangrunyuan@fupin.org.cn Lidong Sun, da_sunlidong@163.com; Anna Andronova, da_annaandronova@163.com
As part of the organization of the "Bona Villa" project for the China Foundation for Poverty Alleviation, I had the opportunity to attend a voluntary project in Tianba Village in Zunyi, Guizhou province, China. There used to be an old bridge on the site of the current stone steps, but it was washed away by valley flooding in the rainy season. Thus, the project involved designing and constructing a wooden bridge in the local national natural park. For the purpose of making it convenient for villagers to enter the valley for water extraction and tourists to visit, the local government commissioned us to redesign and construct a bridge on the original site of the former bridge. Owing to multiple resources of timber and bamboo, the local wooden mortise and tenon techniques in combination with the bamboo weaving skills are extremely superb. For this reason, we decided to learn from this great intangible cultural heritage and incorporate it into the structure scheme and parapet design of our wooden bridge. During the construction process, we also learned a lot from local craftsmen, allowing me to attain an understanding of every step of timber processing and the charm of rural heritage.
SITE STATUS
The Original Bridge Collasped Due To Mountain Valley Torrents, Making It Difficult For Villagers And Tourists To Cross The River
RURAL HERITAGE TREASURE
Benefiting From The Abundant Local Forest And Bamboo Resources, The Construction Technology Of Bamboo Weaving And Wooden Structure Tenon Joints Is Very Mature And Has Become The Local Intangible Cultural Heritage
VILLAGE FIELD SURVEY COLLAGE
Field surveys and visits in the village made us realize the villagers’ needs for repairing the original bridges and the rich forest and bamboo resources in the area
Parapet
Bamboo Weaving Handrail
Wooden Deck
Tenon Structure Wooden Beam Structure
b a
Wooden Bridge
c
BRIDGE STRUCTURE DESIGN
The design of bridge handrail is inspired by the local bamboo weaving craftsmanship, using the curvature of the pillars to create an experience of freedom in the valley
a
b
c
RESPECT OF THE ORIGINAL SITE LANDSCAPE
The stone steps excavated by the ancestors, the ancient trees on the side of river, the mossy stones on the river bed, these are the memories of the site and deserve to be respected
Acknowledgment This portfolio was completed during the Covid-19 pandemic period, I would like to express my sincere gratitude to all those who have encouraged and inspired me to finish this portfolio. I would also like to express my sincere appreciation for the encouragement offered by my restoration lecture professor Daniele Dabbene, studio advisor Luca Barello, and intern boss Lidong Sun and Anna Andro. Your encouragement has helped me to realize my interest in the field of heritage and inspired me to continue expanding my knowledge in this field.