THE ATELIER
C R E AT E · H I G H - E N D · V I S I O N S
CENTRAL LIBRARY, HELSINKI
For the grand halls in Helsinki’s new architectural masterpiece Oodi library, kymo individually created and crafted Floorwear artworks in reminiscence of great Finnish fairy tales and authors. Eight handpicked artists from Finland turned their illustrations into large area rugs, for the visitors of the library to dwell and read.
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“I COULD HARDLY WISH F OR MORE SUPPORT, MORE SPECIALIST I NPUT OR MOR E BEI NG ON THE S AME WAVELENGTH F OR I MPLEMENTI NG MY PROJEC T.”
Marika Maijala is a freelance author and graphic designer based in Finland. Her colourful illustrations have featured in children’s books in ten or more countries worldwide. She currently works in Artists’ House on Harakka Island in Helsinki. Maijala won the Vuoden Huiput Award alongside other illustrators for her unique carpet designs at the Oodi central library in Helsinki.
Photography by Jennifer Ahlamaa
Marika Maijala, illustrator & graphic designer
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T H E AT E L I E R – C R E AT E · H I G H - E N D · V I S I O N S
“F OR TH E OODI LI BRARY, I WANTED TO DE SIGN A F ORE ST GREEN RUG ON WH ICH BOTH YOUNG AND OLDER VISITOR S TO THE LI BRARY COULD STAY, RE AD AND I MAGI NE STOR I E S OF THEI R OWN .” For the artwork, I went to the Pasila Library
characters from the stories for the rug: a glut-
to borrow a collection of Finnish fairytales
tonous giant girl, a boy who grew a horn on
and let those stories get mixed up in my
his head after eating a magical apple, children
head. Generally speaking, my favourite part
who turned into birds and a girl who wore
of illustrating is the creation of characters,
iron boots. The cavalcade of characters in the
which is why I picked some of my favourite
stories, much like in the library, is varied and
Marika Maijala, illustrator & graphic designer
not just a bunch of princesses and peasants.
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“A RE SPONSI BLE APPROACH TOWARDS PEOPLE, MATER IAL S AND COPYR IGHT ARE E S SENTIAL F OR ME .” Piia Keto , designer
Piia Keto is a designer who works with all kinds of materials and surfaces. Originally from the fashion industry, she has now set up her own studio with customers from all over the world. Her creative concepts offer a treasure trove of visual stories, inspired by the
Photography by Nina Merikallio
inexhaustible inspiration of nature and the world of animals.
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“I WANTED MY ART RUG TO REPRE SENT M I NN A C ANTH, WHOSE I MPORTANT WORK F OR EQUALIT Y HA S LEF T A GRE AT I MPRE S SION ON ME .” I went to the library to borrow at least half
Tampere. They provided me with a ribbon
and strong woman. However, I wanted to
a shelf metre of her works, the contents
pattern that was most likely woven by her
use the colours I chose to emphasise that all
of which I proceeded to devour while lying
contemporaries. In my rug, the other end of
of us can be strong. Changing the world can
in bed. Sometimes I would cry and be dis-
the ribbon turns into a fire-breathing dragon.
start from a single thought, a single person,
traught, other times I would laugh. After
“Let not all women do handicraft work,” Min-
and you can be that person.
immersing myself in Minna Canth’s time, I
na Canth wrote in her letter in 1884. In my
noticed that certain themes kept coming up
thoughts, the dragon with a fiery tongue is
repeatedly. This was women’s role in hand-
Minna Canth herself, not mincing words and
icraft. I grabbed the end of this thread and
saying what she deems necessary. There is no
contacted the Craft Museum of Finland in
doubt that Minna Canth was a courageous Piia Keto, designer
T H E AT E L I E R – C R E AT E · H I G H - E N D · V I S I O N S
T E M P TAT I O N R E S O R T , C A N C U N
A successful cooperation with Karim Rashid for his huge Temptation Hotel project, has created one of a kind rugs for the over 430 guest rooms and lobby. Bubbly and colourful, the organically shaped rugs transport the vision of the star designer and support the hotels striking look in each particular area.
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„MANY THANKS TO KYMO – THE SUPPORTING FAC TORY – FA SH ION ABLE VISIONS TURNED I NTO AN E X TRAORDI N ARY C ARPE T “ Karim Rashid, designer & founder of STUDIO KARIM
Born in Cairo and raised in Canada, Karim Rashid is the best-known designer of his generation. His groundbreaking style has turned him into something of a popstar in the world of design and he has already created his multidisciplinary works in more than 40 countries. Rashid’s works are on display in all major museums and as well as hundreds of awards, they Photography by Nikola Blagojevic / Spektroom
have earned him two honorary doctorates.
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T H E AT E L I E R – C R E AT E · H I G H - E N D · V I S I O N S
„THE NE W PLAYGROUND F OR GROWN-UP S“ I wanted the entire resort to create nothing
blend in perfectly with my overall concept.
but a feel-good environment that would
The pièce de résistance comes in the lobby.
inject positive emotion into the visitors. De-
The carpet has a diameter of 14 metres and
sign language is also poetry, it’s a mirror of
it was fabricated in a single piece to stand at
human experience, so it should underpin and
the centre of the whole room with its vibrant
enhance this. But to do so, you have to wan-
colour and organic symmetry. THE ATELIER
der off the beaten track and follow the needs
managed to implement my vision to a T and
of people. The carpets that were created
has basically pulled off a masterpiece – tech-
with THE ATELIER are now in over 430 guest
nically and logistically.
Karim Rashid, designer & founder of STUDIO KARIM
rooms, and they were designed specially in keeping with my ideas, so the flowing forms
T H E AT E L I E R – C R E AT E · H I G H - E N D · V I S I O N S
DOLCE & GABBANA , MILAN
There’s no doubt that the Via Montenapoleone is the brightest star in Milan’s universe of luxury. So where else would Dolce & Gabbana open its flagship store and feature a new concept that would serve as a guiding light for other boutiques across the globe?
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„WITH K YMO, WE HAVE F OUND A C ARPE T PRODUCER THAT SU ITS TO US AND RE SPOND TO OUR WISHE S.“ Gwenael Nicolas, designer & founder of CURIOSITY
Born in France, Gwenael Nicolas completed an interior design degree before studying industrial design in Paris and London. He then went on to found the CURIOSITY design studio in Tokyo, an international success story. The creative journey of CURIOSITY explores architecture, product design and interior design to establish groundbreaking design identities for renowned clients spanning a variety of sectors of industry.
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“I WANTED TO CRE ATE SOME TH I NG THAT WOULD GE T PEOPLE TO STOP I N THEI R TRACK S BEC AUSE THEY’VE NE VER SEEN ANYTH I NG LI KE IT BEF ORE .” The new Milan boutique was designed to
The redesign of the venerable building cen-
connect the different personalities and spirit
tred around two main elements: briarwood
of Dolce & Gabbana, from past to future.
and green marble. Interestingly, neither is
The space reflects a dialogue between two
typical for the brand. Accordingly, the carpets
worlds: the energy of Baroque and the clarity
had to merge seamlessly into this world, un-
of Modernism. Much like what happens in a
derscoring its luxury while building a bridge
modern art gallery, the soft yet extraordinary
to modernity.
Gwenael Nicolas, designer & founder of CURIOSITY
mood of the ambiance reawakens a sense of discovery and renewed curiosity.
T H E AT E L I E R – C R E AT E · H I G H - E N D · V I S I O N S
HOW WE TURN YOUR VISION I NTO A BE AUTI FUL RE ALIT Y CONCEPT CONFIRMATION
SAMPLE CONFIRMATION
ORDER CONFIRMATION
DELIVERY
@ VISION
CONTACT
CHECKLIST
OFFER
LAYOUT
SAMPLE
MOCK-UP CARPET
DETAILED PLANNING CARPET AT THE PROPERTY
CONSULTING
CONCEPT
THE VISION BECOMES A LAYOUT
PATTERN DEVELOPMENT
DESIGN IMPLEMENTATION
QUANTITY CALCULATION
PRODUCTION
QUALITY CONTROL
LOGISTICS
CONCEPT
COMPOSI NG
MA STER I NG
PRODUC TION
We understand your vision and have a burning desire to make it
Once you have accepted our offer, it’s time to get down to work.
As soon as your design has been signed off and the samples get
Once the order has been approved, we start production to
a reality. Our expertise in all aspects of Floorwear allows us to
Our experienced design team takes your ideas and inspirations
a green light, we create a mock-up in the desired size. This is also
ensure we meet key deadlines. We feel strongly about responsi-
accompany you on an efficient journey as you achieve the results
to conjure up a layout. It’s also available to answer any questions
used for final on-site approval. This marks the end of the design
ble production methods – for both people and the environment.
you are looking for. Taking you through our ‘lean’ process, the
regarding materials, colour, pile height, certifications or produc-
process. Now we can calculate final material quantities and issue
Our high quality standards also mean we conduct regular quality
destination is a truly unique carpet. The process starts with a
tion parameters. We offer such a high degree of flexibility in both
the order confirmation.
checks. It’s also worth mentioning that our experts are not just
short checklist – just ten questions that give us all the information
design and implementation that you might feel you’re a bit spoilt
available to answer questions during our internal processes –
we need to make you an offer that’s tailored to your needs. And
for choice. Also, all production methods can be offered from a
they’re also there to help afterwards.
it goes without saying that this CONCEPT phase will cost you
single Floorwear specialist, making us the perfect partner for all
nothing.
carpets and rugs.
T H E AT E L I E R – C R E AT E · H I G H - E N D · V I S I O N S
ONE DE SIGN . ENDLESS OPTIONS. How do we sample a concept where basically everything is possible? We came up with this sample set showing a design idea in a variety of different qualities: Eva Langhangs, Lead Designer at kymo, was inspired by a stone structure. She pulled out a small section and adapted it to a wide range of qualities. This allows us to show you product options for a variety of uses and budgets. So each sample showcases a unique variation on the design. Whether in highly realistic detail – almost down to individual pixels and in numerous colours, with 3D structures to offer a variety of pile heights, or just toned down to convey only a hint of the colour scheme.
HIGH-END HANDTUFT
COMMERCIAL HANDTUFT
BRAIDED
lobbies, lounges, ballrooms
guestrooms
guestrooms, outdoors
SHINY AXMINTER
AXMINSTER
HIGH-END PRINTED
COMMERCIAL PRINTED
NYLON TILES
presidential suites
guestrooms, corridors
guestrooms
guestrooms, corridors
offices, corridors
CONTRACT SAMPLE BOX includes examples of successful contract qualities
T H E AT E L I E R – C R E AT E · H I G H - E N D · V I S I O N S
KYMO, KARLSRUHE
FURTHER REFERENCE S
T H E AT E L I E R – C R E AT E · H I G H - E N D · V I S I O N S
PA R K P L A Z A R I V E R B A N K , LO N D O N
PA R K P L A Z A R OYA L , L O N D O N
RADISSON BLU, FRANKFURT AM MAIN
RADISSON BLU, FRANKFURT AM MAIN
P E N TA H O T E L S , P R A G
RADISSON BLU, FRANKFURT AM MAIN
T H E AT E L I E R – C R E AT E · H I G H - E N D · V I S I O N S
DOBERGO, LOSSBURG-BETZWEILER
S WA R OV S K I , LO N D O N
R OYA L N AT I O N A L O P E R A , S T O C K H O L M
CORDIA , BUDAPEST
GEN ER AL ELECTRIC S, HONG KONG
T H E AT E L I E R – C R E AT E · H I G H - E N D · V I S I O N S
PORSCHE DESIGN, STUTTGART
D O LC E & G A B BA N A , TO K YO
B LO O M I N G DA L E S , K U WA I T
B E R LU T I , PA R I S
E S C A D A , S T. P E T E R S B U R G
T H E AT E L I E R – C R E AT E · H I G H - E N D · V I S I O N S
B E N E T T I PA N T H E R A YA C H T
C I T Y L O F T, N E W YO R K
SUBURBAN MANSION, CALIFORNIA
BY L E I L I G H E T, O S L O
GO ON. AND CREATE.
www.kymo.de · projects@kymo.de
© 2019 by kymo GmbH · 000.567 · THE ATELIER brochure 2