Ligne Roset 2019 by Zinc Design

SEATING

FURNITURE

DECORATION

SETTEES 10 BED-SETTEES 54 ARMCHAIRS 62

STORAGE 74 HOME ENTERTAINMENT 110 HALLWAYS 114 OCCASIONAL TABLES 120 DINING ROOMS 130 SIDEBOARDS 142 CHAIRS 148 BEDROOMS 160 HOME OFFICE 176

LIGHTING 186 RUGS 200 ACCESSORIES 208

TABLE OF CONTENTS

competition which pitted many mainly Italian manufacturers against each other, it was ultimately Ligne Roset Contracts who won the invitation to tender, having presented the most accomplished project at the best price. « We were competing because we love a challenge, », explains its Director Max Flageollet, « & also because we saw the opportunity to get close to a first-class architect with whom we hadn't yet collaborated ».

DEEP IN 'BIG DATA' TEXT : MICHELE LELOUP

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Twelve metres long & streamlined like the Nautilus, the KingSofa (2) really does have the look of a submarine about it, hence the nickname assigned to it by its manufacturer, Ligne Roset Contracts. Made in a limited series of just six, this majestic specimen sits imposingly in the 34,000m2 Parisian concourse of Station F (1, 3), the largest startup campus in the world owned by Xavier Niel, the entrepreneur behind Free. Station F holds every record going. Built by Eugène Freyssinet in 1929, this former SNCF station concourse is classified as a historical monument thanks to its unique pre-stressed concrete structure. Deftly restored by JeanMichel Wilmotte, it now accommodates around 1,000 start-ups, a hive in which more than three thousand young entrepreneurs beaver away 24/7, granting themselves the occasional break on this oversized seating. Designer Jean-Michel Wilmotte quite intentionally gave the KingSofa XXL proportions, with its manufacturing process the subject of a consultation initiated by The Great Hospitality. Following a fierce

Based in Briord, in the Ain region, for more than 150 years, Ligne Roset has a worldwide reputation for the quality and elegance of its contemporary furniture, designed by big names in design such as Jean Nouvel, Pierre Paulin, Inga Sempé, Philippe Nigro, Pascal Mourgue, Didier Gomez, Noé DuchaufourLawrance and the Bouroullec brothers. In addition to its traditional craftsmanship and sophisticated machinery, the Group can now boast of the custom projects of its Ligne Roset Contracts arm. Created to fit out luxury international hotels & cruise liners, along with high-end boutiques & other highvisibility spaces, it devises & manufactures high-end furniture in small or large quantities – as perfectly demonstrated by Station F: six settees eight or twelve metres in length which are at once attractive, very comfortable, ultra-durable & timeless.

CUSTOM MADE, TO EXCESS

REPORTAGE

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Taking into consideration the design brief & working closely with the Wilmotte designers, the Ligne Roset Contracts R&D team developed a prototype which brought together three adjustable modules : a central body, larger or smaller intermediate blocks & two streamlined extremities. Sculpted by a five-axis machine, these compact foam modules work together in a similar way to the parts of an extending table.

LAYING OUT THE CO-LIVING SPACES

Delivered by a specialist transporter, the KingSofa then had to be assembled on-site; that said, it can easily be disassembled if desired since its covers are removable, a particular requirement of the project sponsor ! After several trials, it was decided not to glue the Holland felt to the foam but to fix it in place using zips, relying on the seams of the covers to keep the fabric taut, thus preventing it from losing its shape with use. A winning technical process. « This was the kind of

For the young entrepreneurs of Station F, Xavier Niel commissioned the same architect to design its 600 neighbouring business incubators. @Home is the name of this collective housing, which has been designed as a co-living platform ; each apartment boasts a communal kitchen, three bathrooms & six bedrooms, each of which are 7m2. Arranging the layout of these ‘cells’ was a tall order, but Wilmotte’s designers decided to put their faith in Ligne Roset Contracts

challenge we love, » confirms Max Flageollet, unaware at that point that yet another challenge awaited him, one of a completely different magnitude.

after a convincing visit to their factories in the Rhône-Alpes region.. This time, the plan called for minimalist furniture : a Japanese-style bed base & storage drawer, deep headboard, bedside table/stool, wardrobe & mirror. The manufacturer was given the task of devising functional, timeless furniture. On leaving their digital world, the future occupants would want to unwind in a natural cocoon in which wood takes centre stage. « Our mission was to bring the Wilmotte designers' designs in on the client's budget ; in eight months, the concept had been approved in terms of both form & substance », explains Max Flageollet, whose masterstroke was ensuring that the various teams came together at the very outset, thus ensuring that the project had a sound economic base. The key idea : offering standard high-end pieces which made the best use of the Group's industrial facilities.

In the postwar years, Jean Roset’s first task was arranging his factories in the Bugey region. In 1954, working to the designs of Jean Prouvé, his pioneering company made the wardrobes for the halls of residence of the Jean Zay university in Antony, a pleasing start which ultimately won yet more orders for offices, restaurants & retirement homes. However, Jean Roset changed his factories' focus to the production of domestic furniture in 1973, the year in which Ligne Roset & designer Michel Ducaroy came together to create Togo, a settee revolutionary in its time which went on to achieve close on 1.3 million sales. This enlightened entrepreneur, along with his sons Pierre & Michel, then developed a network of retail outlets under the Ligne Roset brand in France & abroad, which are now spread across 70 countries. In the 1980s, influenced by the great names in design, the interior decoration of hotels became more sophisticated & more open to design. Having made itself the icon of

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contemporary interiors, the brand then decided to adapt its offer to this flourishing sector. A meeting with Pierre-Yves Rochon was to be decisive: charged with the interior arrangement of the Sofitel Chicago (4) in the Water Tower, the renowned interior architect needed a French manufacturer to produce all the seating he had designed for it, to a brief as thick as a telephone directory. The contract was worth a million dollars. Meticulously & systematically, the Ligne Roset factories ‘got with the programme’ & went all out to satisfy their client. Better still, in just four months they were able to satisfy a last minute order for 350 headboards! A faultless performance.

THE GROWTH OF LIGNE ROSET CONTRACTS Thanks to the flexibility of its industrial base & the reliability of its R&D teams, Ligne Roset has become a master of the bespoke. In 2000, its Contracts division really took off when international invitations to tender from

the Accor Group brought access to the best Sofitels in the world : in Rabat & Essaouira, the team collaborated with interior decorator Didier Gomez. Then followed projects with the European Méridien hotels (Munich, Hamburg) & the Ibis chain, for which the R&D department developed a furniture concept (15,000 bedrooms in three years), earning themselves approved supplier status Ligne Roset Contracts' growth is intimately linked to its relationships with external designers & the loyalty of talented interior architects, a perfect example of which is their collaborations with Jean-Philippe Nuel. The production of his elegant armchair for the Hôtel Molitor-Paris (5) & of his chairs for the bedrooms of the Intercontinental Hôtel-Dieu, Marseille consolidated their joint work on the sites of prestigious restoration projects. Their latest joint project will be the Grand Hôtel-Dieu, Lyon, due for completion in late 2018, in which the Duomo (6) armchairs & 1-arm settees are the perfect foil for this historic building. The toast of the cream of French gastronomy, Ligne Roset Contracts has just become a part of Beaupassage, the capital’s chic new urban hotspot which opens this summer in the rue de Grenelle, the location of one of Ligne Roset’s most attractive stores. Alongside Thierry Marx, Anne-Sophie Pic & Pierre Hermé, Yannick Alléno is to open Allénothèque, a bistro which the Michelinstarred chef is kitting out with Pierre Paulin’s famed CM131 chairs, which were reproduced by Ligne Roset in January 2018. This will be the first time that this mythical seating has been used in a public space.

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use, fire safety & moisture resistance, Ligne Roset Contract must remain in a permanent state of proactivity, proposing ever more high-performance fabrics & taking care to comply with the latest legislation.. Openness to this market – with another four cruise ships waiting – has pushed out the walls of its industrial site & will continue to do so

since the Compagnie du Ponant, proprietor of the Pinault Group, is set to expand its order portfolio. An interior architect drawn to these floating luxury hotels, Jean-Philippe Nuel is responsible for their sophisticated interior arrangement, such as the future icebreaker for which the designer has created restaurant chairs. Ligne Roset Contracts is already on deck, en route to the North Pole.

LIGNE ROSET CONTRACTS SETS SAIL ! Adapting to suit an order or location, this is the motto of Ligne Roset Contracts. Whether limited runs of furniture designed by Noé Duchaufour-Lawrance for the Montblanc luxury boutiques or large quantities of settees (convertible or fixed) for cruise ships. In symbiosis with Chantiers de l’Atlantique & the shipowner Royal Caribbean, the Briord factories have already equipped thousands of cabins, working to working drawings sent by the shipping tycoon from its base in Miami. Answering to stringent standards in terms of

Kuchen Atelier, Dresden – Studio Catoir

REPORTAGE

THE BIRTH OF A SUCCESS

How did Ligne Roset come to Japan ?

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TEXT : MICHELE LELOUP

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Doesn’t this market have a reputation for being difficult ?

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Olivier & Antoine are the fifth Roset generation. The sons of Michel & Pierre Roset (Directeur Général & Président respectively) continue leading the Group on the international stage, most notably taking it into Japan & China. With more than 700 outlets in 70 countries, Ligne Roset retains a deep attachment to its stores, although today’s ‘young guard’ are accelerating the move towards digitization. With the creation of 4 distribution platforms in the USA, the brand is now increasing its visibility with its new developmental tool, online ordering. What is the industrial strength of Ligne Roset today ? Olivier Roset : It relies on the mastery of three complementary strands : the manufacturing of upholstery, the manufacturing of cabinet items & the production of decorative accessories such as rugs, lights, etc. When you purchase a Ligne Roset settee from one of our 700 outlets worldwide, a production

order is launched in our factories in France & seven weeks later, the product leaves one of our five industrial sites (155,000 m2). The Group’s strength also lies in its ability to manufacture goods to order: many cabinet items offer a choice of eight lacquer colours & each seat may be personalised with one of our 10,000 fabric or leather covering materials. Our upholstery production is organized into ‘workplace sectors’ : each one brings together the skills of around 40 multi-skilled team members who work according to the Japanese Kaizen method. This quality management system enables self-managed teams to continuously improve manufacturing processes. As for the designers, their projects are developed in our three Research & Development offices alongside Michel Roset & a team of 15. Then, the Organization & Methods department adapts the design to the industrial base during a period of around six months. Each year, around 100 new products are created : the collections never stand still !

Olivier Roset : Like the German clientèle whom we conquered in the Seventies, Japanese customers have an appreciation of high quality but are also demanding in terms of price, speed of delivery & aftersales service : if you can succeed in Germany, you can win the Japanese market. For 40 years, Ligne Roset Japan has been a very loyal partner to us & we in turn remain true to them. Each quarter, a member of the Roset family spends time in their factories in Hiroshima, adapting our products to suit Japanese standards: since their apartments are smaller than ours, they require very compact designer pieces which suit the Japanese lifestyle & morphology. Which product did you begin with ? Olivier Roset : Ligne Roset Japan began by manufacturing Togo, our cult all-foam settee which is now also a best-seller in Japan. The product offer has broadened over the years. Working with Michel Roset, we have redefined our business plan by encouraging our partner to manufacture more products & to position themselves as an exclusive distributor. In ten years, the turnover has greatly increased : Ligne Roset Japan, which began by distributing through multi-brand stores, has now demonstrated its confidence in us by investing in exclusive stores, which was not previously its way of working. Having opened two stores in Tokyo, Ligne Roset Japan has just opened a third in the Ginza quarter (7 / 8 / 9), which has historically had a focus on luxury brands.

REPORTAGE

LIGNE ROSET, A WORLDWIDE INFLUENCE

Olivier Roset : In 1981, a Japanese bedding manufacturer approached us at the Salon du Meuble de Paris in the hope of diversifying their offer. Clearly, they saw Ligne Roset as the ideal partner since we share the same industrial language & our two companies both work with high-end foams, our shared area of expertise. My grandfather Jean Roset & my uncle Pierre therefore granted this manufacturer a licence authorising them to produce selected items from our collections in their factories: & thus Ligne Roset Japan was born.

Olivier Roset : Ligne Roset is appreciated for its creative products which fit so well into Japanese interiors, which are generally very traditional. This is even more true of the younger generation, who like our foam models very much. The resounding success of Ronan & Erwan Bouroullec’s Ploum settee is evidence of this, & then of course there are our cabinet items, such as those by Philippe Nigro. Is Ligne Roset Contracts also expanding there ? Olivier Roset : Our Contracts department has the wind in its sails in Japan, just as it does everywhere else its growth depending on the highly reactive capabilities of our industrial base, which is more than able to supply made-to-measure pieces, as well as items in large quantities. Many businesses are appreciative of our creativity & our designers are also prominent specifiers. Ligne Roset Japan is well positioned in terms of high-end bedding for the hotel industry. For our part, we know how to put together sample bedrooms speedily thanks to our experience with the great hotel groups

such as Accor Hotels, Marriott-Starwood, Hilton & les Chantiers de l’Atlantique. Our Contracts department accounts for 10 % of our activities, with the ultimate objective of making this 30 %. Is China the new El Dorado ? Olivier Roset : Ligne Roset has had a presence in China since 1990 & this zone has enjoyed good growth. We regularly take part in the furniture fairs in Shanghai & Peking & our products are sold in more than 25 exclusive stores (10, 11). Attracted by French quality, Chinese customers are young & are appreciative of our brand, which is considered to be a distinctive, statutory attribute. We now have a subsidiary in Shanghai with three Chinese-French sales representatives. In five years’ time, we plan to have around ten partners & around 50 stores. Such development is reminiscent of that seen in the USA by Pierre Roset when he opened the first subsidiary there in 1980 before handing on the baton to his son Antoine just 10 years or so ago. What was your mission, Antoine, when you arrived in New York in 2007 ? Antoine Roset : When Ligne Roset first came to the United States in the 1980s, few

manufacturers were in a position to meet the requirements of the prominent local partners who were hoping to develop the market for high-end European furniture there. Ligne Roset was canny enough to invest in this market straight away, opening up not only a subsidiary but also an effective organizational structure in terms of management & logistics. Its distributors felt supported & by 2000, we had no less than 25 outlets in that market. In 2007, my mission was to implement a new business plan. However, the financial crisis intervened not long afterwards & that put the brakes on our projects : now was not the time for us to expand, but rather to preserve our network of distributors. How did you react ? Antoine Roset : Our Group is very much a family & we are extremely attached to our distributors, whom we have supported as much as possible. The American market is not quite as reactive as one might imagine: just as wounds were healing in the east, it was California’s turn to be affected. Happily, other markets such as South America & Canada held up well. It took three whole years for things to return to an even keel! Only then was I able to resume

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my mission, but when we were finally able to start over we did things differently & that is what is magical about the USA ! In what way has the crisis changed things ? Antoine Roset : The crisis enabled a large number of industries, our own included, to reinvent their distribution networks with the help of online sales. Little by little, the situation has stabilized & we have been able to find new investors & new display spaces, which in turn has enabled us to modernise & to digitize our networks & processes. Can Ligne Roset products be ordered online these days?

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Antoine Roset : This is already the case in the USA, Germany, the UK & France. We have also put in place solutions which are specially adapted to each country : the American customer is less price-sensitive but wants things delivered tomorrow, so with this in mind we created QuickShip, four US distribution platforms which afford immediate access to a stock of selected best-sellers which can all be delivered within one week.

Are online sales looking promising ? Antoine Roset : This is an efficient service which relies on our network of outlets. When a customer places an order online they are immediately put into contact with the store which will be acting as a ‘relay station’ for the sale & which will have responsibility for managing that order. Even with online sales, human contact is sacrosanct. Where are your stores in the USA ? Antoine Roset : We have two in Manhattan & are also represented in Chicago, Boston, Miami & the West Coast, Los Angeles & San Francisco. In all, we have around 30 stores in the USA & 15 others if you include Latin America & Canada. What else have you been doing on the other side of the Atlantic ? Antoine Roset : In 2015, I introduced our Contracts department to the USA. The big, mostly American hotel groups were beginning to invest in the renovation of their establishments, working with interior architects & seeking quality manufacturers

to work with. Our distributors brought us to their attention & this was how we came to work with Max Flageollet on the development of Ligne Roset Contracts in the USA. And what kind of reception did this department receive ? Antoine Roset : We have had good projects right from the outset, such as part of the fitting-out of the Headquarters of Exxon Mobile in Calgary, Canada. We then developed our skills by producing office furniture for large companies, & worked on a number of restaurant projects, such as the one in the Saks Fifth Avenue department store. The American architects & their backers were captivated by the quality of our products & the flexibility of our digitized manufacturing base. We regularly invite them to visit us in the Ain region so they can discover for themselves our site, the meeting point of the twin spearheads of our creativity, the very latest technology & craftsmanship. In reality, we are continuing in the 21st Century the industrial adventure begun by our predecessors two centuries previously.

REPORTAGE

How can the brand’s popularity in Japan be explained £?

SETTEES 10 > 53 BED-SETTEES 54 > 61 ARMCHAIRS 62 > 73

BONNIE PIERRE PAULIN

SETTEES

SINTRA

NOÃ&#x2030; DUCHAUFOUR-LAWRANCE

SETTEES

ENKI

EVANGELOS VASILEIOU

SETTEES

PAIPAÏ

LUCIDIPEVERE

SETTEES

L'IMPREVU

MARIE CHRISTINE DORNER

SETTEES

AMÉDÉE

MARIE CHRISTINE DORNER

SETTEES

PRADO

CHRISTIAN WERNER

SETTEES

PLOUM

RONAN & ERWAN BOUROULLEC

SETTEES

PUMPKIN PIERRE PAULIN

COVER 1

MARIE CHRISTINE DORNER

SETTEES

TOGO

MICHEL DUCAROY

SETTEES

RUCHÉ INGA SEMPÉ

FACETT

RONAN & ERWAN BOUROULLEC

SETTEES

PLUMY

ANNIE HIÉRONIMUS

OTTOMAN

NOÉ DUCHAUFOUR-LAWRANCE

SETTEES

ESTIENNE DIDIER GOMEZ

SETTEES

EXCLUSIF DIDIER GOMEZ

SETTEES

BONNIE PHILIPPE NIGRO

SETTEES

NOMADE 2 DIDIER GOMEZ

MANAROLA PHILIPPE NIGRO

SETTEES

ANDY

PIERRE PAULIN

SETTEES

MOËL 2 INGA SEMPÉ

ESTIENNE DIDIER GOMEZ A great international classic by Didier Gomez. His incredible eye for detail & mastery of proportion have enabled him to create this settee, which is already part of the Ligne Roset DNA. Estienne marks the renewal of our ‘classic’ collection celebrating perfect proportions & quality materials. Ultra-flexible foam on the seat reinforced with black or écru cotton webbing & baguette stitching. Great comfort, taut lines & all this at a very good price. Elegant, rounded feather-filled armrest cushions & lumbars. Seat structure clad in a 'comfort layer' of ultra-flexible polyurethane foam brings a great capacity to offer perfect support to the body in all positions alongside a lasting ability to quickly regain its initial shape, thus guaranteeing longevity. Choice of 2 seat heights: 38 cm (with invisible feet) or 44 cm (brilliant-chromed or black lacquered steel 'bridge' base).

Large settee

H 76/82 W 210 D 100; seat 38/44

Medium settee

H 76/82 W 145 D 100; seat 38/44

Large asymmetrical settee L/R H 76/82 W 226 D 100; seat 38/44

Large lounge settee L/R H 76/82 W 198 D 100; seat 38/44

Medium lounge

settee L/R H 76/82 W 132.5 D 100; seat 38/44

Large 1-arm settee L/R H 76/82 W 226 D 100; seat 38/44

Large banquette H 76/82 W 188 D 100; seat 38/44

Medium banquette H 76/82 W 122.5 D 100; seat 38/44

Footstool W 100 D 100; seat 38/44

ANDY PIERRE PAULIN Andy is Ligne Roset’s re-edition of Pierre Paulin’s original ‘modèle CM 442’ from 1962. The combination of softer contours & a reduced number of buttons - thus avoiding the creation of severe squares of quilting - make this settee both timeless & elegant. The gloss or black chromed legs are a particularly precious refinement, being mounted inside the armrests to front and rear. Cover has baguette stitching on the structure & armrests; seat cushions are quilted with 4 buttons whilst back cushions have two. Optional cushion has no baguette stitching & is not buttoned. Lines of all cushions highlighted by piping. Originally intended to be upholstered in leather, Andy also offers excellent results when upholstered in fabrics, particularly those with a good feel & an ennobling effect.

H 73 W 221 D 83; seat 42

Medium settee H 73 W 152 D 83; seat 42

Armchair

H 73 W 83 D 83; seat 42

PAIPAÏ LUCIDIPEVERE Païpaï is its creators' first collection of upholstered seating for Ligne Roset. It is a project which unfolded from a simple gesture : folding a piece of paper origami-like to create a closed shape. Thus from a flat surface they have brought forth simple fold lines ; first the one which separates the back from the seat, then the more obvious one for the armrests. The two extremities of the back are folded towards the structure to which they are fixed & thus a visibly comfortable cocoon seat is born. The folds mark the foam, shaping its contours & giving emphasis to the armrests, thus creating the identity of the settee, which was named after the Pai-Pai fan which itself has a characteristic rounded shape. Païpaï was designed to offer the best possible seat comfort thanks to the height of the back & the judicious use of high-performance foams. Elastic-webbed suspenion on seat & back. Matt black steel base.

Settee

H 83 W 225 D 97; seat 39

Love seat

H 83 W 150 D 97; seat 39

Footstool

W 77 D 53; seat 39

L'IMPRÉVU MARIE CHRISTINE DORNER L'Imprévu is a settee which offers various depths & individual, adjustable backrests of various heights. This diversity of dimensions enables one to easily create ‘conversation’ corner groups, most notably when two settees are set at an angle to each other. When pushed together & linked they offer a sleep area of 160 x 200 cm. This capacity to suit all kinds of situations is unique. The settee is a landscape with a strong character, with its seat, backrests, cushions ; it is possible to use different covering materials for each of these, which again reinforces its multiplicity of character. ‘Sleigh’ base in matt black or chromed steel. Two foot heights : the low foot has a height of 90 mm; the high foot has a height of 130 mm. May be upholstered in up to 4 covering materials/colours (i.e. a different one for the seat, backrests, large chevron-quilted back cushion & small back cushion).

RIGA

ERIC JOURDAN

1-arm settee

H 87/91 W 217 D 113; seat 39/43

Footstool

W 80 D 60; seat 39/43

SETTEES

Large settee

H 78/81/84 W 217 D 91; seat 38/41/44

Large settee with 2 arms

H 75/78.5 W 243.5/248.5 D 100; seat 42/45.5

Large settee w/o arms

H 75/78.5 W 188.5 D 100; seat 42/45.5

Large settee with 2 arms

H 76.5 W 243.5/ 248.5 D 100; seat 42.5

Large settee H 76/79 or 89/92 W 266 D 99; seat 44/41

Large asymmetrical settee R/L H 89/92 W 250 D 99; seat 44/41

Small settee with 2 arms

H 75/78.5 W 177.5/182.5 D 100; seat 42/45.5

Large settee with 2 asymmetrical arms H 76.5 W 246 D 100; seat 42.5

Large lounge settee R/L H 89/92 W 250 D 99; seat 44/41

Large 1-arm settee R/L

H 78/81/84 W 212 D 91; seat 38/41/44

Small settee w/o arms

H 75/78.5 W 122.5 D 100; seat 42/45.5

Large banquette H 89/92 W 234 D 99; seat 44/41

Large 1-arm settee R/L H 89/92 W 250 D 99; seat 44/41

Moël’s generous comfort, soft curves & unique appearance will appeal to lovers of an informal, relaxed lifestyle, who want to welcome guests in the most convivial way possible. Rear of back, in the shape of the corolla of a flower, can be made up in Kyoto or Oregon hide, or Divina or Coda fabrics. Decorative rear feet covered to match frame. Inga Sempé recommends a bicolour interpretation (same covering material on top of footstool & corolla of armchair/settee, & a different one for structure of footstool & ‘inside’ covers of armchair/settee).

Small settee

H 78/81/84 W 212 D 91; seat 38/41/44

H 75/78.5 W 216/218.5 D 100; seat 42/45.5

H 76.5 W 177.5/ 182.5 D 100; seat 42.5

Aimed at lovers of space & freedom, Nomade 2 is inspired by middle-eastern seating, evoking the palaces of the ‘Thousand & One Nights’. Nomade 2 brings to the home dreams, escapism, openness to the world & a return to a convivial, free-&-easy way of life. Mattress-style seat with embroidered breakpoint stitching on covers; underside of seat cushions of large 1-arm settee & convertible corner group covered in an exclusive 100 % cotton ticking. Feet in black polyethylene – choice of 3 heights (NB except convertible corner group). Range comprises small settee, large settee, small/large 1-arm settee with right/left arm, small/large chaise longue with right/left arm, convertible corner group, footstool.

Large chaise longue R/L

Large 1-arm settee right/left

Small settee with 2 arms

MOËL INGA SEMPÉ

Small 1-arm settee R/L

H 78/81/84 W 177 D 91; seat 38/41/44

H 78/81/84 W 172 D 91; seat 38/41/44

Small chaise longue R/L

H 78/81/84 W 172 D 91; seat 38/41/44

Convertible corner group R/L

Footstool

Low-backed large settee

W 87 D 87; seat 38/41/44

H 81 W 298 D 91/212; seat 41

H 81 W 205 D 89; seat 41

Low-backed small settee

Armchair

Low-backed armchair

H 97 W 115 D 98; seat 41

H 81 W 155 D 89; seat 41

H 81 W 105 D 89; seat 41

Small footstool W 60 D 46; seat 37

EXCLUSIF DIDIER GOMEZ

RUCHÉ INGA SEMPÉ

In the words of its creator, Exclusif is “a classic design, elegant & comfortable, international & timeless”. With only a handful of elements, it is possible to create a wealth of different settees & corner compositions with a choice of two possible types of armrest – a low, wide version & a narrower, higher version. Armrests of type A may be used either at the end of a settee or run, or in a corner of a corner composition.

Ruché brings together the unusual & the traditional, combining a solid wood structure with intricate quilting. Slender & fine, Ruché is nonetheless soft & inviting, allying comfort & compactness, thus rendering it ideal for smaller apartments. Its seat height, too, will appeal to a broad clientèle, not least those who utterly reject seats which are too low. Covers are removable. Most plain covering materials can be used with Ruché: velours, wools, thick cloths, microfibres & leathers. In 2014, Inga Sempé completed the Ruché range with an armchair with asymmetrical arms. This is more than just a stylistic effect since the high armrest with its elastic-webbed suspension enables one to lean back comfortably then hook one’s legs over the other low armrest.

Small 1-arm settee right/left

Lounge settee with 2 arms

H 75/78.5 W 150/152.5 D 100; seat 42/45.5

H 75/78.5 W 177.5/182.5 D 100; seat 42/45.5

Lounge settee

H 75/78.5 W 122.5 D 205; seat 42/45.5

Lounge settee right/left

H 75/78.5 W 150/152.5 D 205; seat 42/45.5

Footstool

W 100 D 100; seat 39/42.5

Large settee H 83 W 200 D 92; seat 46

Large lowbacked settee H 65 W 200 D 101; seat 38

1-arm settee left/right, H 83 W 190 D 92; seat 46

1-arm settee left/right, with table surface H 83 W 190 D 92; seat 46

Medium settee H 83 W 170 D 92; seat 46

Asymmetrical armchair L/R

Medium lowbacked settee

Footstool

W 92 D 60; seat 42.5

H 83 W 97 D 92; seat 46

H 65 W 170 D 101; seat 38

SETTEES

Large settee

NOMADE 2 DIDIER GOMEZ

EXCLUSIF 2 DIDIER GOMEZ

FACETT RONAN & ERWAN BOUROULLEC

A new version of the well-known model Exclusif: with its low-slung metal frame it shares the clean, elegant style of the existing model. Choice of 2 finishes for the metal frame: either brilliant-chromed or black-chromed. Choice of 2 armrest types: a slimmer, higher version (type A) & a broader, lower one (type B). The comfort is intentionally soft & light, underpinned by the various backrests, armrests & lumbar cushions. Seams of back cushions are highlighted with piping. Please note that this version cannot currently be used to create compositions (e.g. corner groups).

Compact dimensions, a high level of comfort & strikingly unusual looks are all hallmarks of this distinctive model. Items may be made up in a selection of fabrics from the Ligne Roset range, with toning or contrasting stitching (ecru, anthracite, grey, red or blue). Each cover requires hundreds of metres of stitching (210 m for the large settee, using 700 m of thread). Covers are quilted in 5 cm bands & may be removed for dry cleaning.

Small settee with 2 asymmetrical arms

Small 1-arm settee R/L

H 76.5 W 180 D 100; seat 42.5

H 76.5 W 150/ 152.5 D 100; seat 42.5

Large 1-arm settee R/L

H 76.5 W 216/ 218.5 D 100; seat 42.5

Small chaise longue R/L

H 76.5 W 127.5/ 130 D 175; seat 42.5

Small chaise longue w/o armrests H 76.5 W 100 D 175; seat 42.5

Large settee

Footstool

H 84 W 190 D 81; seat 36

W 100 D 100; seat 42.5

Medium settee H 84 W 145 D 81; seat 36

Armchair

H 84 W 87 D 81; seat 36

Large footstool W 124 D 71; seat 32

Small footstool W 65 D 71; seat 32

ENKI EVANGELOS VASILEIOU

PLOUM RONAN & ERWAN BOUROULLEC

If Enki states its classic credentials unambiguously, it is no less shy of displaying the aesthetic characteristics which are the essence of its personality. Its structure rests on a continuous base which runs beneath the seat cushions & along the entire length of the back, creating a line which visually separates the back into two superposed sections. This base, which supports the entirety of the seat, is itself supported by slim tubular steel legs Ø 20 mm finished in matt black lacquer. Then there is a further line drawn along the lower section of the seat cushions by the original presence of 8 mm bourrelet stitching; this effect is echoed around the perimeter of the back cushions, contrasting with the baguette stitching used for the other areas of the seating. To make it possible to tailor both looks & comfort, there is a choice between 2 leg heights (10 cm or 13 cm), giving a seat height of either 41 cm or 44 cm, & a choice of 2 heights for the back cushions (high version 40 cm; low version 25 cm).

In 2014, Ronan & Erwan Bouroullec wanted to expand the Ploum family, which initially comprised just a large and medium settee. Taking into account the rise in property prices which necessarily reduces the available space in today’s homes, they first decided to add a small settee to the Ploum range. The fact remained, though, that the generous proportions of the original settees could simply be too overpowering in a small apartment: this is why, whilst preserving the comfort, they also developed two new low-backed settees, completely reworking their original dimensions. Thus the Ploum settees, in either the original or the low-backed version, are now able to integrate into any living space. A footstool, oval & as smooth as a pebble on a Breton beach, completes the range.

Medium settee H 76/79 or 89/92 W 188 D 99; seat44/41

Medium asymmetrical settee R/L H 89/92 W 188 D 99; seat 44/41

Medium lounge settee R/L H 89/92 W 172 D 99; seat 44/41

Medium banquette H 89/92 W 156 D 99; seta 44/41

Medium 1-arm settee R/L H 89/92 W 172 D 99; seat 44/41

Armchair

Footstool

H 82/85 W 84 D 84; seat 44/41

W78 D 78; seat 44/41

Large highbacked settee H 84 W 253 D 124; seat 39

Medium highbacked settee H 79 W 204 D 111; seat 39

Medium lowbacked settee H 66 W 204 D 94; seat 39

Small highbacked settee H 79 W 170 D 111; seat 39

Small lowbacked settee H 66 W 170 D 94; seat 39

Footstool

W 110 D 80; seat 39

TOGO MICHEL DUCAROY

MCD MARIE CHRISTINE DORNER

Designed for an easy, carefree way of life, Togo has been a best-seller ever since its launch in the early Seventies. The first all-foam settee, Togo combines five different densities of foam for maximum comfort. Covers are generously quilted with polyester material & may be removed by an upholsterer for dry cleaning. The wide choice of covering materials helps Togo remain just as contemporary today as it always has been. Shown left: large settee, the perfect place to relax.

An elegant model combining a basic architectural shape on the exterior with a soft, comfortable interior, MCD is a classic with a current twist: after all, city-dwellers need to snuggle up too. A subtle association of fabrics marks the frontier between exterior & interior: texture for the former, softness for the latter. Legs in natural or anthracite-stained solid beech or in black lacquered steel. Individual elastic-webbed suspension on each seat section. Cover has stitched square motif on the exterior & decorative cross-shaped stitching on the interior. Covers may be removed by an upholsterer.

Large settee

H 70 W 198 D 102; seat 38

4-seat settee H 85 W 315 D 158; seat 34

3-seat settee/right H 85 W 240 D 152; seat 34

3-seat settee/left H 85 W 250 D 158; seat 34

H 70 W 174 D 102; seat 38

Small settee

H 70 W 131 D 102; seat 38

Lounge settee Corner seat H 70 W 131 D 162; seat 38

H 70 W 102 D 102; seat 38

Fireside chair H 70 W 87 D 102; seat 38

Large settee

Footstool

Armchair

Medium settee

H 86/88.5 W 210 D 82; seat 41/43.5

W 87 D 80; seat 34

H 86/88.5 W 84 D 82; seat 41/43.5

H 86/88.5 W 150 D 82; seat 41/43.5

Footstool

W 78 D 78; seat 41/43.5

CONFLUENCES PHILIPPE NIGRO

SMALA PASCAL MOURGUE

A trailblazer in terms of the trend for ‘counterforms’, Confluences is characterized by its interwoven yin-yang or puzzle-type effect. Each item is offered in a monocolour or bicolour interpretation using Indiana, Diva or Nubu hide, or Arti, Divina, Coda, Curl, Pica, Forest Nap or Galice fabrics. With the bicolour interpretation, colours may be selected from a choice of combinations specified by the designer. Other colour permutations, or the choice of another colour from the same fabric family, are also possible. In the case of the arm & lumbar cushions, any covering material may be chosen. Lumbar cushion is filled with pure duck down. Removable covers.

Impressive looks, generous proportions, clean lines & well-defined ground clearance are the hallmarks of this unique model: small wonder that it is now numbered amongst our classics. Back & armrests may be positioned at any one of three levels (NB don’t sit on the arms when in raised position!). The settee may be used as a day or guest bed & a fitted sheet may be ordered for this purpose.

3-seat settee

H 85 W 235 D 104.5; seat 34

2-seat settee H 85 W 175 D 104; seat 34

Large conversation settee H 83 W 175 D 234; seat 34

Small conversation settee H 83 W 126 D 170; seat 34

‘Toi et Moi’

H 83 W 145 D 148; seat 34

Fireside chair

H 78 W 95 D 102; seat 34

Settee

Footstool

H 87/92 W 230 D 115/130; seat 40

W 85 D 35; seat 34

Footstool W 100 D 100; seat 40

MANAROLA PHILIPPE NIGRO

BONNIE PIERRE PAULIN

Here, Philippe Nigro has managed to design a new type of seating which combines remarkable comfort with very welcoming looks, reinventing the extreme comfort of the Ligne Roset allfoam seating of the Seventies to bring us a metal-framed foam core set on elegant solid wood buttresses which serve as a base whilst offering support to the back. Manarola was always going to be comfortable thanks to the ergonomics of its seat, lumbar and head sections, but the use of new, ultra-flexible polyurethane foams takes that comfort to a whole new level. Legs in natural or black-stained solid beech, available in a choice of two heights. Cover quilted with polyester, with twin needle stitch detailing. Wide choice of covering materials; cover may be removed by an upholsterer.

A reissue of Pierre Paulin's original seat from 1975. Ligne Roset was able to work on the reissue of Bonnie using a real collector’s item, one of only a few very rare examples in existence. Great care has been taken to offer an experience of complete comfort whilst remaining as true as possible to the original design, given that the size of the 'average' person has increased since the 1970s. The use of both Bultex & a comfort layer of ultra-flexible foam result in remarkable, lasting comfort which is further optimized by the use of stretch jersey covering materials. Aditionally, today's public has the choice of two versions, tailored to the era: one with plain upholstery (for more stretchy fabrics) & one in a quilted, pleated & buttoned version (for firmer comfort). .

Large settee

H 82/85 W 210 D 102; seat 37/40

Medium settee

H 82/85 W 170 D 102; seat 37/40

Armchair

H 82/85 W 92 D 102; seat 37/40

Armchair on rotating base H 85 W 92 D 102; seat 40

Footstool wood feet

W 92 D 60; seat 34

Footstool metal feet

W 92 D 60; seat 34

Settee

H 80 W 161 D 94; seat 36

Settee

H 80 W 161 D 94; seat 36

Rotating armchair H 80 W 96 D 94; seat 36

PUMPKIN PIERRE PAULIN

LONG ISLAND N. NASRALLAH & C. HORNER

Pumpkin is characteristic of the revolutionary style of Pierre Paulin, as initiated at the end of the 1950’s. He effectively liberated the design of seating by treating each piece as a unique volume, more or less sculpted from foam & not necessarily resting on four feet: an approach which brought extraordinary freedom in terms of form, liberating seating as it did from traditional methods of assembly & orthogonal lines. As its name suggests Pumpkin is evocative of a giant pumpkin, welcoming the user with its protectively voluptuous – & voluptuously protective – shell. Resisting its appeal is an impossibility!

Long Island already brings together exemplary comfort, remarkable elegance & a wide choice of covering materials & colours. This year, the Long Island family expands with the addition of a 2-seat settee to complement the existing armchair & footstool. Remaining faithful to the original lines & comfort of the armchair, the new settee invites one to sit back & dream.

Large settee H 70 W 250 D 83; seat 37

Small settee H 70 W 178 D 83; seat 37

High-backed armchair H 83 W 105 D 83; seat 37

Armchair

H 70 W 105 D 83; seat 37

Footstool

Ø 74; seat 37

Settee

H 95.5 W 150 D 75; seat 41

Armchair

H 95.5 W 70 D 75; seat 41

Footstool

W 61 D 46.5; seat 41

SETTEES

Settee with arms

RIGA ERIC JOURDAN

OTTOMAN NOÉ DUCHAUFOUR-LAWRANCE

However comfortable it may be, the traditional armchair generally has a rather stiff, static air. Eric Jourdan’s challenge was to soften its lines, breathing life & dynamism into them. By treating the exterior shell as a shroud, a living skin which envelops the seat & back cushions, he delivers a rejuvenated, pared-down version with free, sensual lines. All the expertise of Ligne Roset was required to bring this project to life, particularly in terms of the finesse & fluidity of the curved lines of its exterior shell, a small technical miracle made possible by a mechanicallysoldered metal structure clad in injected polyurethane foam. Legs in a choice of matt black or brilliant-chromed square-section steel; or there is the alternative of a tubular steel base Ø 20 mm in matt black lacquer or brilliant chrome.

We were captivated by the oriental charm of this piece, filled with ‘zenitude’, comfort & wellbeing. Covers may be removed by a professional & are held in place by lacings at the junction of seat & back & gripper strips on the underside. Available in a monocolour or bicolour interpretation, with different fabrics on the interior (seat) & exterior sections. Stitching is in toning thread (NB in the case of a bicolour interpretation, the thread colour will be matched to the colour of each section).

H 86 W 160 D 99; seat 47

High-backed armchair H 101 W 79 D 99; seat 47

Armchair

H 86 W 79 D 99; seat 47

Large settee

Footstool

Small settee

H 68 W 200 D 93; seat 37

W 62 D 62; seat 46

H 68 W 165 D 93; seat 37

Armchair

H 68 W 100 D 93; seat 37

Footstool

W 89 D 80; seat 37

AMÉDÉE MARIE CHRISTINE DORNER

PLUMY ANNIE HIÉRONIMUS

Amédée is a settee & armchair combination, designed around a lumbar support which is quilted & stitched just like the bucket seats of the best Italian motor cars. The armchair may be rotating & there is also a footstool for when it’s time to relax. Chic, urban & thus compact, this family of seating acquires undeniable luxury object status when upholstered in the new full grain, pure aniline Orga leather, with its slightly smooth, glossy finish – a real stand-out amongst the 800 possible covering materials in the Ligne Roset collection.

In 2016, Ligne Roset reissued one of its iconic bestsellers: Plumy, a byword for unusual comfort which demonstrates the depth of the brand’s expertise in the field of all-foam seating. New-generation foams make Plumy more comfortable and durable than ever before, an unconventional, uncomplicated model for our times. When used with the footstool, the folding seat cushions encourage a range of very relaxed sitting and lying positions. The treatment of the cover is intentionally casual, falling in folds. Available in ‘all fabric’ or ‘all leather’ versions, or in fabric or leather with the inside of the seat and back cushions covered in cloth.

Settee

H 84 W 135 D 82; seat 40

Armchair

H 84 W 77 D 82; seat 40

Large settee

Footstool

Medium settee

H 78 W 237 D 98; seat 40

W 58 D 50; seat 37

H 78 W 192 D 98; seat 40

Armchair

H 78 W 102 D 98; seat 40

Footstool

W 93 D 50; seat 29

COVER 1 MARIE CHRISTINE DORNER

SINTRA NOÉ DUCHAUFOUR-LAWRANCE

The name Cover is just as evocative of concept as it is of function. The model's comfort & sensuality mask brazen simplicity of use : its cover can be removed in a matter of seconds, making maintenance almost a pleasure. Cover is available in 2 versions which share a common structure: with neither metal nor wood, they are entirely constructed from foam of varying densities. The designer's original idea was to explore the possibilities of a second generation automated sewing robot by sketching out a progressive geometric design from the seat towards the edges.

Sintra sits on a sophisticated shaped solid oak base (natural or anthracite-stained). A settee of such a generous width would normally require a central supporting leg, but a hidden reinforcing crossmember does the job instead, preventing the settee's lines from being disrupted. In this way Sintra, although firmly anchored to the ground, still manages to remain airy. Its integral seat offers a vast space in which to relax, further amplified by its double hammer-head shaped cut whilst a clever central seam brings a visual suggestion of welcome whilst maintaining the tension of the covering material. The goose feather-filled back cushions bring the final touch of comfort to a settee which allies rigour with softness like no other. Back cushions in a choice of 2 heights.

Large settee H 79 W 230 D 110; seat 44

Medium settee H 79 W 180 D 110; seat 44

Footstool

Large settee

W 62 D 42; seat 38

H 75 W 248 D 97; seat 41

Large high-backed settee H 81 W 248 D 97; seat 41

Medium settee H 75 W 200 D 97; seat 41

Medium highbacked settee H 81 W 200 D 97; seat 411

Footstool

W 90 D 60; seat 41

COSSE PHILIPPE NIGRO

PRADO CHRISTIAN WERNER

Comfort is a sensation. As with all sensations any description will be subjective, but is it not an impression of lightness, such as when a body is liberated from its own weight in the water? Comfort, therefore, was the inspiration for the Cosse settee, along with Ligne Roset’s mastery of the constraints of series production; hand in hand with optimized technology & materials, such expertise is put to good use producing freely-flowing shapes such as the softly welcoming contours of the settee. The remarkable comfort of the seat, achieved thanks to its elastic-webbed suspension, contributes to this feeling of comfort & lightness. One will also note such little details as the meandering armrest or the extreme slimness of the solid wood feet.

Here the design process was guided by the search for freedom & wellbeing. Aesthetics aside, Prado represents first & foremost an approach based on the study of lifestyles, or in short, the human being. Prado consists of a vast seat which may be used either independently or with other elements, on which back cushions may be scattered at will. There is total freedom since these cushions, which are weighted & equipped with an anti-slip system, will remain in place without needing to be leant against or attached to anything: they could therefore be arranged on the floor for a few leisurely moments around a low table, whilst the seat could do duty as an occasional bed simply by turning over its seat cushion, the reverse of which is covered with mattress ticking.

Large settee H 82 W 215 D 102; seat 38

Medium settee H 82 W 175 D 102; seat 38

Armchair

H 82 W 105 D 102; seat 38

Footstool

W 80 D 55; seat 32.5

Large settee

H 87 W 240 D 120; seat 40.5

Medium settee H 87 W 200 D 100/120; seat 40.5

Backrest

H 50 W 70 D 47

Square footstool

W 120 D 120; seat 40.5

Rectangular footstool

W 120 D 100; seat 40.5

Small square footstool

W 100 D 100; seat 40.5

SETTEES

Low-backed settee

BEDSETTEES

NOMADE EXPRESS DIDIER GOMEZ

BEDSETTEES

MULTY

CLAUDE BRISSON

BEDSETTEES

BERLIN LOFT DIDIER GOMEZ

DO NOT DISTURB

Nomade Express is a daily-use bed-settee of deliberately understated elegance. Well-proportioned with moulded aluminium feet & traditional, mattress-style buttoned cushions, it evokes the timeless style of the 1930s. Simply release the mechanism to bring the back down flat, then turn over the mattress to create a bed of sleep area 140 x 200 cm (thickness 16 cm); the mattress is covered in an exclusive 100% cotton piqué, which has been anti-bacterially & fungicidally treated & may be unzipped & removed for cleaning. Lumbar cushion covers are buttoned in place & conceal the pillows for the bed. Feet in moulded lacquered Epoxy aluminium.

The bed-settee market is a varied one to say the least. With Do Not Disturb, Ligne Roset takes up position, simply & squarely, in the highest possible sphere, combining quality of manufacture with a quality sleep platform. The top-of-the-range Lampolet mechanism comes in two versions, either manually-operated or motorized (with twin motors for improved longevity): in both cases only minimal effort is required since the cushions remain in place on the base once the latter is unfolded. Not surprisingly, any covering material from the Ligne Roset collection may be used on this generously-proportioned yet compact model, the classic bourgeois style of which will enable it to fit comfortably into your home & into your everyday life.

Bed-settee H 95 W 206 D 110; seat 42 (sleep area 143 x 203; H 50) Lumbar cushion 70 x 45

Large bed-settee H 78 W 220 D 98/215; seat 44 (sleep area 160 x 200) Medium bed-settee H 78 W 200 D 98/215; seat 44 (sleep area 140 x 200)

MULTY CLAUDE BRISSON

BERLIN LOFT MÜLLER WULFF

Designed for everyday use, Multy’s simple-to-operate mechanism & slatted base make the transformation from settee to bed a breeze. Perfect for homes where space is at a premium, versatile Multy can be used as a settee, as a chaise longue with the seat pulled forward & of course as a bed. Why not complement your Multy with a pair of lumbar cushions (either matching or in a contrasting colour/fabric), upholstered arms (ditto), table surfaces &/or a fitted Ready-to-Sleep envelope sheet. Shown left with two upholstered arms & two lumbars; shown right with one table surface & two lumbars.

Berlin Loft is a bed-settee which its designers define as ‘trendy’ & ‘casual’. Like its namesake, the city of Berlin, it is simple, unabashed, practical & modern. The settee becomes the centre of our space, the platform for our lives, & the very expression of casual elegance. The initial thought was based around the hammock chair, the deckchair, a chair which floats, is pliable & which issues an invitation to comfort & laziness. The depth of the seat enables one to relax in comfort, like an invitation to rest. Many cushions may be scattered on top for use as armrests, lumbars or back cushions. There is even sufficient place for one’s favourite pillow. The rear section may be easily manipulated to find one’s preferred angle of inclination between upright & the horizontal bed position.

Bed-settee 155 H 82/85 W 166 D 103; seat 44 (Sleep area 155 x 195) Bed-settee 120 H 82/85 W 131 D 103; seat 44 (Sleep area 120 x 195) If using with two arms, add 22 cm to the width.

MULTY CLAUDE BRISSON Designed for everyday use, Multy’s simple-to-operate mechanism & slatted base make the transformation from settee to bed a breeze. Perfect for homes where space is at a premium, versatile Multy can be used as a settee, as a chaise longue with the seat pulled forward & of course as a bed. Why not complement your Multy with a pair of lumbar cushions (either matching or in a contrasting colour/fabric), upholstered arms (ditto), table surfaces &/or a fitted Ready-to-Sleep envelope sheet. Shown left in use as a chaise longue, without arms; shown right in use as a bed.

Bed-settee 155 H 82/85 W 166 D 103; seat 44 (Sleep area 155 x 195) Bed-settee 120 H 82/85 W 131 D 103; seat 44 (Sleep area 120 x 195) If using with two arms, add 22 cm to the width.

Overall dimensions when used as a settee H 82 W 201 D 108/141; seat 42.5 Sleep platform 141 x 201

BEDSETTEES

NOMADE EXPRESS DIDIER GOMEZ

ARMCHAIRS

BONNIE PIERRE PAULIN

ARMCHAIRS

RIGA

ERIC JOURDAN

LONG ISLAND

N. NASRALLAH & C. HORNER

ARMCHAIRS

AMÉDÉE

MARIE CHRISTINE DORNER

FLAX

PHILIPPE NIGRO

RIGA ERIC JOURDAN

A rejuvenated, pared-down version of the traditional armchair. Mechanically-soldered metal structure clad in injected polyurethane foam. Legs in matt black or brilliant-chromed square-section steel; or there is the alternative of a new peripheral base in matt black circular-section steel. New for 2019 : a new low-backed version of the armchair, the height of which is aligned with that of the low-backed settee.

A high-backed version of Riga which shares the same technical characteristics as the lowbacked version. Shown here with 4 legs in 22 x 22 mm square-section steel in a brilliant-chromed finish (NB also available in matt black). This high-backed version is not available in a bi-material finish. Both versions of the Riga armchair have removable covers.

Armchair with low backrest

Armchair with high backrest

RUCHÉ INGA SEMPÉ

ANDY PIERRE PAULIN

In 2014, Inga Sempé completed the Ruché range with an armchair with asymmetrical arms. This is more than just a stylistic effect since the high armrest with its elastic-webbed suspension enables one to lean back comfortably then hook one’s legs over the other low armrest.

A timeless, elegant armchair with chromed or gloss black chromed legs which are mounted inside the armrests to front and rear. Seat cushion quilted with 4 buttons; back cushion quilted with 2 buttons. Optional cushion with no baguette stitching or buttons. Lines of all cushions highlighted by piping. Shown here upholstered in leather with black chromed legs.

Asymmetrical armchair Footstool with left-hand armrest W 92 D 60;

Armchair

H 83 W 97 D 92; seat 46

W 62 D 62; seat 46

H 73 W 83 D 83; seat 42

seat 42.5

BONNIE PIERRE PAULIN

This armchair boasts a metal-framed foam core set on elegant solid wood buttresses which serve as a base whilst offering support to the back. Legs in natural or black-stained solid beech (choice of two heights); also available on a rotating base. Cover quilted with polyester, with twin needle stitch detailing. Wide choice of covering materials; cover may be removed by an upholsterer.

A reissue of an original design from 1975. The use of both Bultex & a comfort layer of ultra-flexible foam result in remarkable, lasting comfort which is further optimized by the use of stretch jersey covering materials. Available in two versions: one with plain upholstery (for more stretchy fabrics) & one in a quilted, pleated & buttoned version (for firmer comfort). Base in matt black lacquered MDF..

H 82/85 W 92 D 102; seat 37/40

EVANGELOS VASILEIOU

Footstool

MANAROLA PHILIPPE NIGRO

Armchair

HUMPHREY

H 101 W 79 D 99; seat 47

Armchair on rotating base H 85 W 92 D 102; seat 40

Footstool wood feet

Footstool metal feet

W 92 D 60; W 92 D 60; seat 37 seat 34

Armchair

H 80 W 96 D 94; seat 36

VOLTIGE DIDIER GOMEZ

VILLA ROSE FRANÇOIS AZAMBOURG

A variation on the theme of the wing chair, with a padded back, cushioned seat & low setback armrests, the concave curve of which brings a note of softness which contrasts with the taut lines of the structure & cushion. A wide range of covering materials may be used on this model but its classic nature will be enhanced with the use of contemporary fabrics. Matt black or matt white lacquered ‘corner’ feet.

A complement to the successful Villa Rose collection, combining classic distinction & highly contemporary design details. An armchair in black-stained solid ash, with an optional seat cushion for a touch of warmth & additional comfort.

Armchair

H 74 W 72 D 75; seat 43

H 70 W 60 D 64; seat 40

ARMCHAIRS

H 86 W 79 D 99; seat 47

Chic, urban & thus compact, this armchair acquires undeniable luxury object status when upholstered in the new full grain, pure aniline Orga leather, with its slightly smooth, glossy finish – a real stand-out amongst the 800 possible covering materials in the Ligne Roset collection.

Armchair

H84 W 77 D 82; seat 40

Footstool W 58 D 50; seat 37

Armchair with high back H 76 W 76.5 D 80; seat 38

The modern design of the Humphrey armchair asserts its place in time with efficiency & economy of means. The two massive volumes of the seat float in the air, suspended from a slim, elegant structure, a gesture like the pen-stroke of a calligrapher. With the addition of a footrest, the armchair becomes a chaise longue.

H 77 W 73.5 D 88; seat 41

W 62 D 51; seat 36

An attractive fireside chair with ‘sleigh’ base in brilliant-chromed steel wire. Seat/back upholstered in synderme, natural cowhide or felt. The chromed zip behind the back section & beneath the seat platform is not only a design feature but also practical, making it easier to remove the cover. Also available covered in synderme (not shown).

GRILLAGE FRANÇOIS AZAMBOURG

The principle for creating the basic shape of Grillage is very simple: a sheet of metal with staggered grooves is folded, origami-style, & then drawn to create a mesh. May be dressed with an optional seat cushion in Mood, Charm, Oxford, Revive or Tempête fabric for added comfort. Grillage is available in Epoxy black lacquer. Tubular steel feet.

Indoor/outdoor armchair

Footstool

W 61 D 46.5; seat 41

H 72 W 99 D 69; seat 25

BACKPACK LUCIDIPEVERE

TOA RÉMI BOUHANICHE

An informal, occasional seat which is light & easy to move. Lacquered aluminium structure. Outdoor version exclusively available in One fabric - choice of craie, noir, olive or brun. Also offered in an indoor version - see your Ligne Roset stockist for details of covering materials.

This armchair’s striking structure hugs the generously-upholstered seat/back & inviting ‘ears’ like a skeleton. Cover it in cotton for an informal feel, or in wool for a bit of ‘country chic’ – or in leather for a more formal look. Structure in natural or black-stained solid ash, reinforced by 2 metal frames in the seat & back area.

Armchair

SLICE PIERRE CHARPIN

OKURA ERIC JOURDAN

Slice is typical of the work of Pierre Charpin. First produced by Cinova in 1998 & then by Galérie Kréo from 1999, Slice is now being produced, with improved comfort, by Ligne Roset. The possibility of extending the seat by adding different-coloured extra segments (footstools) makes Slice very special indeed. Black polypropylene feet.

This armchair combines irreproachable lines with incomparable comfort. Elastic-webbed suspension. Structure of backrest in polyurethane foam with metal core, clad in polyester quilting. Legs in brilliant-chromed or black lacquered steel. Shown here: armchair with low backrest..

Armchair

Armchair with low backrest

H 74 W 80 D 81; seat 39

H 80 W 92 D 88; seat 42.5

H 107 W 82 D 92; seat 46

Footstool

W 92 D 35; seat 42.5

H 73 W 82 D 98; seat 40

FACETT R. & E. BOUROULLEC The Facett armchair, from the range of upholstery of the same name, will grace any interior. Compact dimensions & extreme comfort are the hallmarks of this model. Shown here: swivelling armchair.

Swivelling armchair

H 87 W 87 D 81; seat 39

Armchair with high backrest H 87 W 82 D 98; seat 40

Footstool

W 68 D 68; seat 39

The designer knew exactly how to bring the creative ‘added value’ which has rooted this model in modernity. Cover may be removed by a professional. Available in a monocolour interpretation as shown, or bicolour with toning stitching.

H 68 W 100 D 93; seat 37

W 65 D 71; seat 32

W 63 D 63; seat 44

OTTOMAN NOÉ DUCHAUFOUR-LAWRANCE

Armchair

Small footstool

Footstool

W 89 D 80; seat 37

ELSA FRANÇOIS BAUCHET

MOËL INGA SEMPÉ

MOËL 2 INGA SEMPÉ

Here, François Bauchet extends the range to include a fractally sculptural armchair with a base in natural or anthracite-stained beech; there is also the choice of a high or low back. In certain cases there is also the option of a ‘sleigh’ base in brilliant-polished steel wire. Also available: footstool (not shown).

Moël’s extravagant comfort & unique appearance will appeal to lovers of a relaxed, informal lifestyle. Corolla-shaped rear of back can be made up in Kyoto or Oregon hide, or Divina or Coda fabrics. Rear feet covered to match frame. Shown here in high-backed version; also available in low-backed version

A 10th anniversary version with a new covering material for the corolla: a 5 mm thick wool felt (choice of anthracite, blanc mélangé, gris, terra cotta, moss). Choice of 2 versions for the interior: - the usual regular vertical quilting, or a special new style in tighter bands of quilting with interrupted stitching, creating a dynamic rhythmic effect..

High armchair/ wooden base H 100 W 68 D 80; seat 40

INDOOR & OUTDOOR

Footstool

H 73 W 64 D 71; seat 38

Just like the chair of the same name, this armchair combines extraordinary comfort with great elegance. Legs in natural or anthracitestained beech; elastic-webbed suspension. Cover is quilted with polyester & has piped detailing; cover may be removed by an upholsterer.

H 95.5 W 70 D 75; seat 41

H 69 W 76.5 D 80; seat 38

Fireside chair (cowhide)

Footstool W 68 D 51.5; seat 41

LONG ISLAND N. NASRALLAH & C. HORNER

Armchair

FIL PASCAL MOURGUE

HUMPHREY EVANGELOS VASILEIOU

Armchair

Comfortable, easy on the eye & very easy to accommodate – occupying a square-shaped space of around 75 cm – Flax will fit into interiors of all styles. Integral structure & feet in solid American walnut. Removable covers.

Low armchair/ wooden base H 74 W 61 D 71; seat 42

High armchair/ sleigh base

H 100 W 68 D 80; seat 40

Low armchair/ sleigh base

H 74 W 61 D 71; seat 42

High-backed armchair H 97 W 115 D 98; seat 41

Low-backed armchair H 81 W 105 D 89; seat 41

Small footstool W 60 D 46; seat 37

Armchair with low backrest

H 81 W 105 D 89; seat 41

Armchair with high backrest

H 97 W 115 D 98; seat 41

Footstool

W 60 D 46; seat 37

ARMCHAIRS

FLAX PHILIPPE NIGRO

AMÉDÉE MARIE CHRISTINE DORNER

BEAU FIXE INGA SEMPÉ

PAIPAÏ LUCIDIPEVERE

CALIN PASCAL MOURGUE

The designer's impertinent independence, practical rigour & poetically demanding nature give each of her creations an undeniable air of ‘jamais vu’. Armchair with Epoxy matt black lacquered steel base; integral seat, back, armrest & 'ear' cushions; lines are highlighted by toning piping.

The Païpaï armchair was designed with the intention of offering the best possible seat comfort thanks to the height of its back & the judicious use of high-performance foams. Elastic-webbed suspenion on seat & back. Matt black steel base.

Apologies, this item is no longer available in the UK & Ireland.

Armchair

Armchair H 83 W 150 D 97; seat 39

W 66 D 54.5; seat 46

Footstool

W 77 D 53; seat 39

PUMPKIN PIERRE PAULIN

RIVE DROITE DIDIER GOMEZ

MCD MARIE CHRISTINE DORNER

An all-enveloping piece with yielding, organic, rounded, luscious, sensual lines. As its name suggests Pumpkin is evocative of a giant pumpkin, welcoming the user with its protectively voluptuous – & voluptuously protective – shell. Resisting it is an impossibility! Shown here: high-backed version.

Apologies, this item is no longer available in the UK & Ireland.

With its compact dimensions & classic lines, this model will fit in almost anywhere, making it the ideal place to relax. Legs in natural or anthracite-stained solid beech. Cover has stitched square motif on the exterior and decorative cross-shaped stitching on the interior.

High-backed armchair

Armchair

H 83 W 105 D 83; seat 37

Footstool

Ø 74; seat 37

H 70 W 105 D 83; seat 37

Footstool

Armchair

Ø 74; seat 37

H 86/88.5 W 84 D 82; seat 41/43.5

Footstool

W 78 D 78; seat 41/43.5

ANDA PIERRE PAULIN

SOFTRUCK e27, TIM BRAUNS

Anda envelops & supports the body perfectly. Armchairs are available in both fixed & swivelling versions. Fully removable covers. This monocolour model may be made up in either fabric or leather. Coloured wools are particularly recommended.

An intelligent, sustainable product shaped like a small 2-part truck - the tractor & its load. A child will be naturally inclined not only to sit on it, but also to play with it. Choice of blue as shown, or pink (see right).

High-backed armchair

Low-backed armchair

Footstool

H 99 W 99 D 85; seat 40

INDOOR & OUTDOOR

Footstool

Ø 45; seat 40

H 79 W 87 D 77; seat 40

Footstool

W 72 D 25; seat 43

Ø 45; seat 40

W 72 D 25; seat 43

FIFTY DÖGG & ARNVED DESIGN STUDIO

ARCHI PIERRE PAULIN

TOGO M. DUCAROY

MINI TOGO M. DUCAROY

Fifty's straight backrest allows not only for rest but also reading or watching TV, whilst the woven 'ears' on each side provide intimacy. Made from 350m of grey, black or tobacco-coloured cord woven onto a black lacquered structure.

A reproduction of Pierre Paulin’s CM 194 HD fireside chair & CM 195 HD armchair from 1955. Note the generous slope of the seat & the ergonomic design of the curving seatback. The high ear-shaped back allows the sitter to rest the head & shoulders. Base finished in black-stained ash; also available in cherry, satin black lacquer or brilliant chrome.

Designed for an easy, carefree lifestyle, Togo combines 5 different densities of foam for optimum comfort. Covers are generously quilted with polyester material. Now also available in miniature edition, especially for the 5 to 12 age group – a useful seat for your child, & a design ‘must-have’ for your home!

Designed for an easy, carefree lifestyle, Togo combines 5 different densities of foam for optimum comfort. Covers are generously quilted with polyester material. Shown here in its miniature edition, designed especially for the 5 to 12 age group – a useful seat for your child, & a design ‘must-have’ for your home!

Armchair H 112.5 W 73.5 D 88; seat 34

Armchair

Fireside chair

Mini Togo

H 96 W 88 D 91; seat 42

Fireside chair H 96 W 64 D 91; seat 42

Footstool

W 63 D 36; seat 41

H 70 W 87 D 102; seat 38

Footstool

W 87 D 80; seat 34

H 46 W 61 D 68; seat 24

ARMCHAIRS

H 103 W 81 D 99; seat 43.5

STORAGE 74 > 109 HOME ENTERTAINMENT 110 > 113 HALLWAYS 114 > 119 OCCASIONAL TABLES 120 > 129 DINING ROOMS 130 > 141 SIDEBOARDS 142 > 147 CHAIRS 148 > 159 BEDROOMS 160 > 175 HOME OFFICE 176 > 183

DITA

PAGNON & PELHAÃ&#x17D;TRE

STORAGE

CLYDE NUMÉRO111

STORAGE

Attentive to the everyday & sensitive to the look & feel of the Fifties, Numéro 111’s designers appreciate curved forms & bevelled edges, often basing their creations on the confrontation between different materials, the opposition of fullness & emptiness. Building on the success of the Clyde low table, they now bring us two new items of storage, a bookcase & low unit, with brass-coated or black lacquered tubular steel structures & shelves in a combination of black-stained oak veneer (upper shelves) & gloss black marble-effect ceramic stoneware (lower shelf only). There is also the option of adding back panels in perforated steel (several styles) or in fabric-covered MDF (Steelcut trio 3 – choice of 53 colours).

CLYDE NUMÉRO111

Bookase

H 131 W 191 D 37.6

Lowunit

H 65 W 215 D 47.6

DITA PAGNON & PELHAÎTRE

STORAGE

A perfect example of the trend for brass-plated, copper-plated & gilded pieces, Dita’s square tubular frame (15x15mm) in bronze anodised aluminium expresses a level of refinement which is not only current, but also luxurious & discreet. This effect is further emphasised by the sobriety of its 6 shelves in a choice of grey smoked glass, walnut veneer or a choice of lacquer colours with the top of the uppermost shelf finished in anthracite lacquer. Versatile by reason of its size & freestanding nature, it will work just as well in a hallway or office as it will in a bedroom or living room.

DITA

PAGNON & PELHAÎTRE Bookcase

H 189 W 70 D 35

High unit with 3 flap doors & 1 drawer H 189 W 108 D 45

High unit with 3 flap doors & drawer for hanging files H 189 W 108 D 45

Console with 2 flap doors H 78.3 W 170 D 45

Console with 1 flap door H 78.3 W 108 D 45

Sideboard with 4 flap doors H 78.3 W 170 D 45

Sideboard with 2 flap doors & 2 drawers for hanging files H 78.3 W 170 D 45

Sideboard with 2 doors & 3 drawers H 85.5 W 163.5 D 45

Sideboard with 4 doors H 85.5 W 214.5 D 45

TV cabinet

H 42 W 144.5 D 45

TV cabinet H 42 W 170 D 45

TV cabinet H 42 W 215 D 45

STORAGE

LA BIBLIOTHÈQUE FIL PIERRE PAULIN

STORAGE

Pierre Paulin designed this shelving unit in 1972 for the loft apartment in the rue du Faubourg Saint-Antoine in which he was living at the time. Minimalist in design, it marries the black or white lacquer of its steel wire structure (Ø 10 mm) with shelves in 8 mm thick birch multi-ply finished in black, white or chocolate-coloured laminate with wood edging. Constructed around 70 cm wide modules, two or more units may be juxtaposed with the addition of linking-pieces which transform them into complete modules (structure + shelves). Certain shelves are notched to accommodate the vertical uprights of the structure. The shelves rest on small steel wire supports soldered onto the uprights. Unit may be levelled as necessary using its adjustable jack feet. Internal dimensions of each section : H 38 W 33.3 D 33.

LA BIBLIOTHÈQUE FIL PIERRE PAULIN

1M shelving unit

H 170 W 70 D 33

3M shelving as shown above

created using 3M shelves H 170 W 210 D 33

ALLITERATION MARIE CHRISTINE DORNER

STORAGE

A clearly-constructed, innovative range of furniture which will adapt to suit many different types of room. From only a few easily combinable elements, a large number of flexible solutions may be created – from storage units with closed fronts to simple stand-alone pieces. A repetition of uprights & shelves, becoming smaller from left to right and from bottom to top, the volume of this shelving unit appears to reduce as if disappearing towards the ceiling. This effect creates a range of unexpected, interesting storage possibilities. Available with side panels in white lacquer*; & shelves in white lacquer*, or in smoked oak or walnut veneer. (*or in a range of additional lacquer colours your Ligne Roset stockist will be happy to provide details of these)

ALLITÉRATION

MARIE CHRISTINE DORNER

Shelving unit

H 216 W 120 D 37

Double-sided unit H 216 W 120 D 74

CANALETTO MAURO LIPPARINI

STORAGE

An elegant modular range combining lacquer & solid wood. Note the quality of finish, as embodied by the walnut lip which serves as a handle for the doors. Canaletto responds perfectly to the contemporary requirements of a modular system, offering solutions for hi-fi & storage, plus shelving & a sideboard. Items are created by juxtaposing elements: once the structure is defined it can then be completed in a number of ways, e.g. shelving in the lower section with a door above, or full-height shelving, or a completely enclosed space. The end result is an undeniably original style with a powerful identity Carcases are in dark walnut veneer, perle lacquer or plomb lacquer with fronts & interiors in argile, perle or plomb lacquer & lips in solid dark-stained walnut. .

CANALETTO MAURO LIPPARINI

Unit with 2 doors + 1 niche H 210 W 202 D 42

Composition as above with units W 135 side by side H 145 W 405 D 42

2 units W 135 side by side H 145 W 270 D 42

Sideboard (3 units side by side) H 75 W 337 D 42

STORAGE

CANALETTO MAURO LIPPARINI

ET CETERA PAGNON & PELHAÎTRE

STORAGE

An extremely flexible range of storage further enriched by the additional functions of an occasional unit: storage (opaque or glass doors, shelves, drawers), TV equipment & lighting. The name Et Cetera refers to the possibilty of making additions in terms of both its height & width, tailoring it perfectly to your particular space. The very elegance of Et Cetera stems from rigorous aesthetic choices in terms of both volumes & finishes: an example of this being the lightness of the overall structure, with its slim side panels & shelves which offer the perfect compromise between reassuring thickness & the desired visual lightness. The storage surfaces in the open niches, offered in a variety of widths, are both original & functional, creating as they do an interesting graphic emphasis with a play on linear repetition. Et Cetera is available in a choice of finishes, with structures always in satin lacquer (choice of white, argile or elephant); fronts are either lacquered or enriched with veneer, the chosen species of which – oak – is itself offered in natural or black, in a choice of two ‘looks’, smooth-grained or sawn-effect. A special double-sided shelving unit is also on offer – this piece is very useful as a room divider.

ET CETERA

PAGNON & PELHAÎTRE

STORAGE

BOOK&LOOK PAGNON & PELHAÃ&#x17D;TRE

BOOK&LOOK PAGNON & PELHAÎTRE

STORAGE

A collection of furniture based on two strong principles: simplicity & elegance. Since each element of the collection is complete in itself, nothing could be simpler than putting together a piece of Book&Look: all this entails is to superimpose & juxtapose the required number of elements, as if playing with building blocks. Book&Look fulfils 3 functions, namely storage, multimedia (TV element) & shelving; it is offered in a range of lacquer finishes or natural walnut veneer (certain elements only); modules are offered in units of 35cm, in a choice of 3 depths: 45 (storage chest), 55 (TV platform) & 28 (shelving unit). The flexibility with which the various elements may be associated enables the creation of a wide variety of pieces of furniture, from broad-width one-piece items to unstructured compositions in a combination of heights & depths, to sideboards, multimedia items & ultra-low minimalist compositions.

BOOK&LOOK PAGNON & PELHAÎTRE

Storage elements D 45

Basic unit: 105 x 105 with 4 solid doors or 53 x 105 with 2 solid doors; may be located on the ground with the addition of a base H 3, or on top of another unit.

Shelving unit D 28

10 mm thick surfaces in 12 variants: 10 vertical (H 70, 105, 140, 175) and 2 horizontal (H 35). Available in a range of widths: 357 with 2 rows of niches, 525 with 3 rows of niches, 703 with 4 rows of niches, or 1050 with 6 rows of niches.

Display unit 105 x 105 cm.

Further Book&Look products can be found in the TV/hi-fi section

EVERYWHERE CHRISTIAN WERNER

STORAGE

A complete & uniform storage solution for the home. Chests may be finished in gloss white, pure white, mastic, argile or elephant lacquer; tops are matched to chests, or in aluminium. Certain doors are available in milk glass. Two choices of feet. Range includes low chests with drawer(s) &/or flap door, wall cupboards with vertically-opening doors, suspended chests with doors, chests of drawers, sideboards with various combinations of drawers & doors, wardrobes, hall units & cupboards. Open shelving unit also available in a choice of 2 widths, in either lacquer (above finishes plus moutarde, caramel or ranger lacquer); an alternative lacquer finish for the interior (i.e. back panel & shelves) may be selected if desired (choice of gloss white, satin black, mastic, argile or elephant).

EVERYWHERE CHRISTIAN WERNER

Low chest with 2 doors H 65 W 138.4 D 44

Low chest with 3 drawers H 65 W 90 D 44

Low chest with 2 drawers or 1 drawer + 1 flap door H 50 W 90/120 D 44

Low chest with 1 drawer or 1 flap door H 36 W 90/120 D 44

Bedside table with 2 drawers H 50 W 70 D 44

STORAGE

EVERYWHERE CHRISTIAN WERNER

Cupboard with left or right-hand door H 200 W 60 D 38

Chest with 1 left or right-hand door H 189 W 50 D 44

Chest with 4 doors H 123 W 120 D 44

Chest with 2 doors / 1 drawer H 123 W 90 D 44

Wardrobe with 1 drawer + 2 glass doors H 190 W 120 D 62

4-drawer chest

H 122.8 W 90 D 44

6-drawer chest

H 94.2 W 138.4 D 44

3-drawer chest

H 94.2 W 90 D 44

Sideboard with 2 doors & 3 drawers

H 94.2 W 206.9 D 44

STORAGE

EVERYWHERE CHRISTIAN WERNER

Cupboard with doors H 1242/1528 W 900 D 440

3 drawer chest

H 832 W 1200 Â D 440

3 drawer chest + top with compartments H 920 W 1200 D 440

6 drawer chest

H 832 W 1800 D 440

101

ESTAMPE NOÉ DUCHAUFOUR LAWRANCE

STORAGE

Combining elegance, sobriety & finishing details, Estampe is characterized by fronts & sides in sawn oak, doors & drawers with slimmed-down edges & rounded corners & an upper fixed top covered in pebble-coloured linoleum (thickness 2 mm) which seems to float in a solid frame, bringing a certain movement to the overall piece. Available in natural-finish, argile-stained or anthracite-stained sawn oak veneer. Doors & drawers are ‘push-to-open’, with nickel-plated fittings. Because of the very specific shape of this model, the outer doors of the sideboards open in an unusual manner, with the hinges located on the internal panels rather than on the end panels. Also available: square or rectangular occasional table H 35 & sofa end table H 50. These also have linoleum-covered tops, with lower surfaces in sawn oak veneer. The type of linoleum selected is of 'desktop quality' and therefore specially formulated for use on desks or low tables. The fact that it is used as a floor covering is in itself a gauge of its resistance, durability & ease of maintenance.

ESTAMPE

NOÉ DUCHAUFOUR-LAWRANCE 3-door sideboard H 79 W 136 D 47

Sideboard with 3 doors & 3 drawers H 79 W 181 D 47

Further Estampe products can be found in the TV/hi-fi, occasional tables & sideboards sections.

103

HYANNIS PORT ERIC JOURDAN

STORAGE

Hyannis-Port offers a high-quality range of stand-alone pieces finished in contemporary gloss white lacquer with rounded rear corners & brilliant-chromed frames & handles. The range includes glass-fronted display units, chests of drawers, a bedside table & sideboard (both with wood tops), a desk with milk glass top, filing cabinet, secretaire & secretaire/minibar.

OKA KASUKO OKAMOTO A modular one-piece shelving unit, available in single or double bay version. Multiple units may be juxtaposed to create larger compositions in which varying colours, materials &/or widths may be mixed to bring a touch of originality to what is essentially a highly structured, functional piece. The staggered shelves not only enable modules to perfectly interlock but also bring a highly original asymmetrical note to the extremities of the finished composition. Choice of finishes: walnut veneer or white, argile or perle lacquer as standard, with a selection of additional colours to order. Must be fixed to a wall.

OKA

HYANNIS PORT

KASUKO OKAMOTO

ERIC JOURDAN

Double shelving unit H 215 W 72 D 32

Single shelving unit H 215 W 36 D 32

Display unit

H 150.2 W 80 D 50

Secretaire/ secretaire bar

H 150.2 W 80 D 50

Narrow 6-drawer chest

H 143.4 W 50 D 52

Sideboard with 2 doors & 3 drawers H 79.7 W 160 D 52

3-drawer chest

H 79.7 Â W 100 Â D 52

2-drawer bedside table

H 45.9 W 50 D 42

Desk

H 75 W 160 D 72

Further Hyannis Port products can be found in the dining rooms & home office sections.

105

CUTS PHILIPPE NIGRO

An unstructured shelving unit with sloping shelves & interior panels, offering storage space of unequal volumes; optional indirect LED lighting may be located vertically behind each side of the front of the frame. Structure in panels of MDF, with 25 mm thick shelves & interior panels, in white satin-finish lacquer. The Lines sideboard boasts the same oblique lines, this time indented to emphasize the glossiness of the gloss white lacquered finish. Structure in panels of particleboard, combined with either a solid base or brilliant-chromed steel underframe. Drawers are equipped with an internal drawer, with DVDs being stored in the main drawer.

Range of storage composed of individual storage modules, each of which is a double-sided parallelepiped with an irregular, canted shape & a maximum depth of 40; that said the depth at each end is identical, making it possible to stack &/or juxtapose multiple modules to obtain the desired configuration. Interestingly these irregularly shaped modules can be multiplied by 4 by simple rotation: by turning each module first one way & then another, one can obtain 4 chests, each notched in totally different ways. Modules are made from satin white, argile, moutarde or elephant lacquered MDF, or solid American walnut; differently-finished modules may be mixed within a single configuration.

STORAGE

LINES PETER MALY

CUTS

PHILIPPE NIGRO Dimensions of 1 module H 36.5 W 104 D 40

1 module viewed from above

107

POSTMODERNE ERIC JOURDAN

STORAGE

This year the Postmoderne range is being substantially extended with the addition of several new products. The challenge here is to sustain this sophistication in a more pared-down design, with the focus on balanced proportions, discreetness of assembly & a desire to be timeless. The stakes are high, with the economy of the design necessitating greater manufacturing quality than ever before. New for 2019: a new walnut veneer of very high quality, in which the grain of the wood can be seen. All items in the collection are delivered ready-assembled. Drawers have push-catch mechanisms. In the case of the display unit the base covers are in walnut & are magnetic for a perfect fit & for cleaner, sharper closing. Legs of all new items are finished in anthracite lacquer. Shown here: display unit with carcase in walnut veneer with pewter anodised aluminium fronts & top in gloss black marble-effect ceramic stoneware. .

POSTMODERNE ERIC JOURDAN

Bookcase

H 187 W 116 D 37

Display unit H 150 W 110 D 47

Sideboard

H 78 W 180 D 47

Bedside table H 65 W 40 D 40

TV unit

H 41 W 170 D 40

109

HOME ENTERTAINMENT

DITA

PAGNON & PELHAÃ&#x17D;TRE

CANALETTO MAURO LIPPARINI

111

EVERYWHERE CHRISTIAN WERNER

TV unit with frame in square-section aluminium; TV screen rests on an 8 mm thick sheet of toughened glass, supported by jacks. Choice of finishes: gloss white lacquer & milk glass (as shown), or smoked-effect oak.

TV unit with carcase in either gloss white lacquer or a choice of satin-finish matt lacquers; tops in ceramic stoneware, natural oak or lacquer. Space for soundbar. Choice of matt or brilliant-chromed round or rectangular legs, or lacquered aluminium tubular underframe.

TV unit with 2 flap doors & 1 drawer H 41 W 189 D 45

TV unit/1 flap door H 50 W 150 D 44 TV unit/2 doors & 1 flap door H 50 W 196 D 44

MIXTE MAURO LIPPARINI

CANALETTO MAURO LIPPARINI

A supremely flexible range offering the opportunity to superimpose, juxtapose &/or suspend elements. Available in satin white, plomb or argile lacquer, or in natural, argile or anthracite-stained sawn-effect oak. Also available: low chests with drawer or drop flap, chests with doors, plain/ shelving panels, lacquered shelf dividers & sliding door for flat-screen TV.

An elegant TV unit combining lacquer & solid wood. Note the quality of finish, as embodied by the walnut lip which serves as a handle for the drawer. Shown here on legs; also available set on a base. Available in dark walnut veneer with interior in argile, perle or plomb lacquer; or in perle or plomb lacquer with matching interior. In all cases the lip is in solid dark-stained walnut.

TV unit with niche for soundbar (dimensions will depend on configuration)

TV unit H 50 W 135/170/202 D 42

DITA PAGNON & PELHAÎTRE

BOOK&LOOK PAGNON & PELHAÎTRE

A new TV unit to complement the existing Dita shelving, extrapolating its metal frame into new dimensions & closing it using tops, bottoms, sides & fronts. Uprights are in 15 x 15 mm anodised aluminium section in a brushed bronze finish. These frame the wooden panels which are finished in argile lacquer on the interior faces & in a choice of 16 colours for all visible exterior faces : available as standard in satin white, argile or perle lacquer, & as a special order in a range of other lacquer colours. Handles in zamak, finished in bronze lacquer to match uprights.

To complement the Book&Look collection of storage, a simple, elegant TV podium in gloss white lacquer or satin argile, perle or satin white lacquer.

TV unit H 42 W 144.5 D 45 TV unit H 41.4 W 170 D 45 TV unit H 41.4 W 215 D 45

TV podium with flap door H 35 on 3 cm thick base Small W 140.7; medium W 175.3; large W 210

Small podium chest with soundbar H 350 W 1407 D 552

Large podium chest with soundbar H 350 W 2100 D 552

POSTMODERNE ERIC JOURDAN

ESTAMPE NOÉ DUCHAUFOUR-LAWRANCE

TV unit with carcase in natural or black-stained oak or walnut, top in gloss black marble-effect ceramic stoneware or lacquer & storage compartment with lacquered flap door. The base is finished in oak or walnut veneer, with a flat metal reinforcement centre back which lends the overall piece rigidity. Flap door of storage compartment is opened via a push-catch mechanism & has a cable port & ventilation panel to the rear. Light in appearance, asymmetrical & hollowed-out, these are the forms beloved by Eric Jourdan.

Combining elegance, sobriety & finishing details, Estampe is characterized by fronts & sides in sawn oak, doors & drawers with thinned-down edges with rounded corners & an upper fixed top covered in linoleum. Fronts equipped with 'push catch' mechanism. Choice of 3 finishes: natural, argile or anthracite-stained sawn-effect oak, with top in pebble-coloured linoleum. Interiors are always in argile lacquer to complement the linoleum top. TV unit with 2 flap doors H 49 W 135.9 D 47

TV unit H 40.8 W 170 D 40

TV unit with 2 drawers & 2 flap doors H 49 W 203.8 D 47

HOME ENTERTAINMENT

DEDICATO DIDIER GOMEZ

113

HALLWAYS

CLARA

EVANGELOS VASILEIOU

GEOFFREY

ALAIN GILLES

115

ESTENDA BUSETTI GARUTI REDAELLI This clothes stand in a combination of walnut & metal (nickel or bronze-colour) also does duty as a dumb-waiter: the vertical stems serve as clothes hangers & the linking bars as trouser hangers, whilst the small platform provides a place to put trinkets.

PASSE-PASSE PHILIPPE NIGRO

ENVOLÉE STUDIO FLUYE.

HELLOBYE MARION STEINMETZ

Coat rack in satin-finish natural varnished solid beech or satin varnished black or anthracite-stained beech. Feet are equipped with light grey felt pads.

A figurative metal hook in the form of a bird in flight. The position of the wings, either uplifted or angled downwards, creates shapes on which can be hung not only light items of clothing but also heavier pieces (e.g. coats), without bending the hook out of shape. Finished in matt black lacquered steel or gloss brass.

A versatile & compact console/writing desk/ dressing table: the lid conceals a mirror on its underside, whilst the leather straps lend the necessary stability. Grey lacquered metal frame with carcase in black-stained solid ash. Small removable drawer with grey lacquered interior.

Dimensions H 170 W 104/33 D 35/22

Dimensions H 124/172.5 W 46.5 /46 D 33/40.6

Up H 7 W 15.3 D 8.6 Down H 4 W 15.2 D 8.6

Dimensions H 118 W 100 D 44

CLARA EVANGELOS VASILEIOU

MILLEFEUILLE JENNIFER HARDEL

KERMÈS EVANGELOS VASILEIOU

LASSO PHILIPPE NIGRO

Coat rack in copper-plated, brilliant-chromed, gloss white or black steel.

A wall-mounted display case which reinterprets the principle of stained glass in an unstructured way, using the contemporary assembly technique of UV bonding. Ideal for showing off objects from here, there & everywhere from various viewpoints.

An elegant open sideboard which puts a very contemporary twist on the best of Fifties & Seventies style. Satin black-stained MDF with red, lavender blue or brass lacquered interior. Feet in solid satin black-stained ash. Internal shelves are fixed.

According to its designer, Lasso is 'an object mid-way between 2 dimensions. Like a sketch or pen drawing, clear & continuous, these lines which are arranged in such an orderly fashion down below, separate & transform into broad functional loops as they rise upwards'. Coat rack in black or 'gris soie' lacquered steel.

Dimensions H 125 W 120 D 40

Dimensions H 175 Ø 38

Dimensions H 50 W 100 D 17

HALLWAYS

Dimensions H 178 Ø 40cm

20 HANGERS ALICE ROSIGNOLI

TOLBIAC GRÉGOIRE DE LAFFOREST

Coat rack, to be suspended from a wall or ceiling, with 20 natural beech hangers. Black textile cord Ø 3 mm.

Wall shelf with 3-dimensional front section in natural oak veneer.

Dimensions H 130 W 43 D 20

RITE FLORIAN DACH & DIMITRI ZEPHIR Wooden rail in solid American walnut with 3 movable hooks (2 in walnut & 1 in lavender blue lacquer), a mirror & a small blackboard for short notes.

Dimensions H 26 W 110 D 4

BIPLAN ATELIER BL 119- BLAIN & DIXNEUF A small wooden wall shelf, ideal for books & decorative items. Structure in American walnut; shelves in silk grey lacquered MDF. Each set of triangular profiles supports 2 shelves.

VANITY SHELF OUTOFSTOCK An unusual & original wall mirror with additional storage, linked by a leather strap & suspended from a large hook. Structure of round mirror & rectangular shelf storage in black lacquered aluminium; both are suspended from a black lacquered steel hook via a natural-coloured leather strap which encircles each element.

Large wall shelf/R W 200 D 21/35 Small wall shelf/L W 120 D 18/31

Dimensions H 74 W 116 D 19

Dimensions H 93 W 55 D 8

WALLHOUSE ROBERTO PAOLI

GABBIA EVANGELOS VASILEIOU

ENDLESS DELO LINDO

An original & decorative wall shelf on which to show off small objects & curios. Wall shelf in satin-finish anthracite lacquered steel.

Gabbia is Italian for 'cage'. Functioning just as well as a container as it does as a coat rack, its structure is not concealed by the clothes which are hung on it, since these are hooked inside it. Coat rack in black lacquered steel.

Screen with 5 panels covered in Divina fabric. Choice of black/grey, green or amethyst; single colour screens also available in your choice of Divina colour.

Dimensions H 20 W 40 D 16.9

Dimensions H 175 Ø 47.6

Each panel H 161 W 26

117

TROMPE L’ŒIL BERNARD MOÏSE

FRAMES MARINA BAUTIER

DÉBOURGEOISÉE DESJEUX DELAYE

BABELE DIEGO SFERRAZZA

An interesting mirror with frame in matt black soft-touch lacquer: one corner of the frame sticks out, giving a 3D effect.

Wall mirror with cherry-veneered frame & solid cherry shelf.

Console table with structure, base & handles in matt brushed brass-coated steel. Drawers in gloss black lacquered MDF. Also available as a bedside table (see relevant section for details).

This poetic object is like a display case without the glass, in which the association of steel & black ash enables books or objects to be shown to best effect.

Dimensions H 210 W 70 D 7

Dimensions H 163 W 42.8 D 12

Dimensions H 75 W 102 D 33

Dimensions H 166 Ø 50

BELIZE KENSAKU OSHIRO

OMBRÉ BUSETTI GARUTI REDAELLI

LOOMY ROBERTO PAOLI

GEOFFREY ALAIN GILLES

Attractive mirror with frame in solid American walnut finished in soft-touch clear lacquer, or in matt black-stained solid ash. Mirrored glass mounted on an MDF backing. May be hung horizontally or vertically.

Wall mirror made from triangular/trapezoidal sections of bronze, smoke grey & clear mirrored glass. Images of faces & surroundings will be reflected either clearly or partly in shadow.

Console (must be fixed to a wall) & hanging/ clothes stand with black lacquered structures & surfaces in American walnut.

Mirror/clothes stand with structure & base in black lacquered steel supporting a large circular mirror, a rail & a trinket bowl in a brushed-effect brass finish. .

Dimensions H 180 W 60 D 2.4

Console H 80/92 W 68 D 27.3 Hanging/clothes stand H 184 W 32 D 40

Dimensions H 192 W 148 D 30

HALLWAYS

Small mirror H 70 W 60 D 6 Large mirror H 180 W 90 D 6

SPERL LEE WEST The Sperl mirror is delicately hemmed with brass-plated steel, a nostalgic touch which softens the brilliance of the mirrored surface. Suspended from a steel hook finished in matching brass-effect lacquer by a round natural leather strap.

DEMI-TEINTES MARIE CHRISTINE DORNER Here, the designer wanted to reflect the surroundings - not fully, but in half-tones (‘demiteintes’). The plain round mirror gives a normal reflection, whilst the the surroundings are shown in tones of bronze or grey.

BISCUIT MICHAEL KOENIG

ALTUM +ARTEFACT

Amalgamation of mirrors of various dimensions to create one large & highly original mirror. Superimposition of mirrors glued to a panel of black lacquered MDF; may be hung either vertically or horizontally.

Wall mirror with steel frame finished in rougebeige lacquer & mirrored glass with a brunrouge lacquered wooden peg which enables one to hang scarves, shawls, etc.

Dimensions H 60 Ø 50.4

Small mirror H 110 W 80 D 4.1 Large mirror H 180 W 70 D 3.9

Dimensions H 107 W 150

Dimensions Ø 60; thickness 5

EVAN EVANGELOS VASILEIOU

MON BEAU MIROIR MICHAEL KOENIG

URA PIERRE CHARPIN

LORETA GONÇALO CAMPOS

A very attractive walnut-framed mirror with rear support in black lacquered steel. One can move it, turn it at will, depending on one’s current requirements and the light in the room.

Hanging mirror with structure & hook (4.6 cm) in brilliant- chromed steel. Choice of 2 sizes.

An elegant mirror, available in small or large versions. Small version is finished in rouge-noir (red-black) lacquer; large version is finished in laiton (brass) lacquer.

Large mirror with walnut veneered frame, integral shelf & grey mirrored glass.

Small mirror H 85 W 41 D 3 Large mirror H 119 W 55.5 D 4

Small mirror Ø 55; thickness 5 Large mirror Ø 75; thickness 5

Dimensions H 174.5 W 52 D 54.5

Dimensions H 180 W 85 D 13

119

OCCASIONAL TABLES

OXYDATION KATERYNA SOKOLOVA

121

STRATES PAGNON & PELHAÎTRE

ALBURNI LUCIDIPEVERE

A low table which harmoniously brings together 3 materials: the structure is in mattfinish brass-plated steel, whilst the top is in clear smoked glass & the lower top is in ceramic stoneware (choice of black or white marble-effect).

Low table with three superimposed tops, the upper two of which pivot; base in Epoxy black lacquered steel. Impressive choice of gloss lacquered & veneered finishes – please ask your Ligne Roset stockist for the full list. Shown left: low table when open.

Occasional table with top in transversal-cut oak veneer; black lacquered steel base. Available in both high & low versions. Given the irregular shape of the top it is possible your table may differ slightly from the dimensions quoted below.

Large square sofa end table H 35 W 134 D 134 Rectangular sofa end table H 35 W 72 D 118

Low table when closed H 35 W 80 D 80 Low table when fully open H 35 W 122 D 122

Occasional table H 40 Ø 45/50 / H 32 Ø 55/60 Low table H 32.7 Ø 83/85

Low occasional table H 32 Ø 83/85

PONTON OSKO + DEICHMANN

ANTIGONE PIERRE PAULIN

AMADORA

GABY

Low table with top surface in lightly oiled, clear varnished solid walnut resting on a brilliant-chromed steel frame. A glass surface rests on the lower part of the frame, on which a glass vase may be positioned so that any flowers, etc. placed in it pass through the top surface.

Low table with structure in black-stained solid beech, equipped with adjustable jacks; top in 12 mm thick clear glass. A true timeless classic.

Occasional table available in a choice of 2 sizes, which may be nested if desired. Its 2 cm thick top is available in a choice of 3 finishes: Marbre Verde, Marbre Corsé or Marbre Latte..

Low table with 2.8 cm thick solid wood top & satin black lacquered steel base tipped with jacks. Choice of finishes for top: natural oak, whitened oak, black-stained oak, wild cherry, European walnut, grey-stained walnut, black-stained walnut, American walnut. Available in two sizes.

Small square low table H 30 W 91 D 91 Large square low table H 30 W 120 D 120 Rectangular table H 30 W 120 D 70

Low table H 26.5 W 80 D 80 Large low table H 26.5 W 100 D 100

Occasional table H 39 W 38 D 38 Occasional table H 44 W 45 D 45

Low table H 40 W 38 D 38 Low table H 45 W 45 D 45

CAFFÈ BENJAMIN VOISIN

CUTS PHILIPPE NIGRO

CM 191 PIERRE PAULIN

Low table with satin black lacquered solid beech base & 2cm thick top in brilliant-polished marble with stain-resistant treatment & rounded edges. Available in latte as shown, verde (shown right) or corse (not shown).

Low table with satin black lacquered solid beech base & 2 cm thick top in brilliant-polished marble with stain-resistant treatment & rounded edges. Available in verde as shown, latte (shown left) or corse (not shown).

A functional, irregular-shaped low table. The top is created from a flat surface which is ‘disrupted’ by notches to create 4 distinct tops at 3 different heights (17, 25 & 32 cm). The angulation of the two intersecting notches is 28°. The surfaces are suitable for a whole range of uses whilst the notches serve as magazine storage. Made from satin white lacquered expanded moulded polyurethane, with steel reinforcement.

Low table with black lacquered steel wire base in the form of twin V-shaped arcatures & a rectangular top in MDF finished in natural varnished solid cherry, solid American or European walnut, solid grey or black-stained walnut or grey-stained, black-stained or whitened solid oak.

Low table H 45 Ø 90

Low table H 32 W 100 D 100

Low table H 37 W 140 D 47

BRUNCH

IPN FRANÇOIS BAUCHET

Height-adjustable table which easily converts to a dining table by means of a top that pivots through 90˚ & opens out to double its size. Top in satin white lacquered MDF; base in Epoxy white lacquered steel. Shown here at dining table height.

Sofa end table, cut from a single piece of Carrara marble then polished & protected with a waterproof treatment..

MAJORDOME PINTO GUILLEMIN VOISIN

Dimensions when closed H 26–81 W 110 D 70 Dimensions when open H 26–81 W 110 D 140

FANCY CHIC FRÉDÉRIC RUYANT

DÉBOURGEOISÉE DESJEUX DELAYE

Low table with structure in copper-plated or brilliant-chromed curved flat steel with anti-oxidization treatment. Top finished in black Fenix NTM high pressure laminate. Available in square (not shown) or round versions.

Bedside table with structure, base & handle in matt brushed brass-coated steel. Drawer in gloss black lacquered MDF. Also available as a console table (see relevant section for details).

Low square table H 27 W 90 D 90 Low round table H 27 Ø 91

Bedside table H 50 W 45 D 32

An unusual little illuminated pedestal table. Top in sawn-effect natural oak veneer; reading light consists of copper shade mounted on a copper-plated metal stem. A decorative disc is set flush into the top perpendicular to the shade. Beige textile cable. Switch set into the light fitting.

Sofa end table H 30 W 32 D 32

Pedestal table with light H 86 W 50 D 40

ONE SHAPE MARIE CHRISTINE DORNER

ASHERA NOÉMIE ROGNON

An attractive occasional table comprising three elements: the flat surface, the curve & the void. Available in a choice of two different finishes, both of which demand very different production techniques: matt black-stained ‘sawn’ solid ash or natural oak.

A timeless low table in solid wood & glass. The way in which the solid wood pieces are assembled evokes the arborescence of branches in a tree. 12 mm thick ‘cristal’ glass top. Base available in a choice of American walnut, European walnut, cherry, natural oak, solid grey or black-stained walnut, solid black-stained oak or solid whitened oak.

Occasional table H 40 W 40 D 40

Square H 26.5 W 100 D 100 Rectangular H 26.5 W 130 D 80

OCCASIONAL TABLES

CLYDE NUMÉRO 111

123

W8 ALAIN GILLES

ALLELUIA MARIE CHRISTINE DORNER

Low table in non-oiled natural solid teak from managed plantations in Indonesia.

A small but sturdy piece, the name of which (W+8= weight) reminds us of the reassuring stability of its stone base. Rounded conical base in turned grey Tuscan stone; structure in black or white lacquered flat steel; top in black or white lacquered sheet steel, folded onto a panel of multi-ply to avoid hollow metallic sounds during use.

Low table consisting of two 8 mm thick sheets of grey tinted reflective mirrored glass & MDF uprights coated with a mirroreffect polymer.

Every part of this low table shimmers,. With two slim reflective surfaces top & bottom, separated by wide, shimmering uprights, it reflects the things which surround it. Top & bottom clad in smoked toughened mirrored sheet glass; base in PET-covered MDF & mirrored ABS. .

Low pedestal/bedside table H 42 Ø 39 High pedestal/bedside table H 49 Ø 39

Square low table H 35.5 W 118 D 118 Rectangular low table H 35.5 W 130 D 70

Low table H 35 W 118 D 118; H 35 W 90 D 90; 35 W 130 L 70

COULISS PHILIPPINE LEMAIRE

GOOD EVENING A.-S. GILLES

GOOD MORNING A.-S. GILLES

At times a small bedside table, at others a sofa end table, Couliss works just as well in the bedroom as it does in the living room. Couliss is just as useful when open as it is when closed; in the latter case small objects may be concealed inside it. Base in black lacquered steel; elephant lacquered wood chest; top in solid American walnut.

Pedestal table with base & top in MDF, covered in gloss-lacquered repoussé steel choice of anthracite, terra cotta or perle. Base in gloss-lacquered steel. Max. load on top : 10 Kg..

Round pedestal table with base in copperplated steel & top in MDF & copper-plated sheet steel finished with a transparent varnish. Also available in gloss black, gloss white or aluminium lacquer, or brilliant chrome.

Rectangular sofa end table H 35 W 120 D 70 Square sofa end table H 35 W 118 D 118

Bedside/sofa end table H 70 W 45 D 30

Pedestal table H 67.5 Ø 43

Pedestal table H 55 Ø 45

MON REPOS PETER MALY

ROCHER HERTEL & KLARHOEFER

LUPO PIERRE PAULIN

CHANTERELLE

Peter Maly designed this elegant solid wood low table to complement the armchair of the same name. Its round top is enhanced by a slim, practical rim. Available in American walnut or black-stained oak..

Structure in MDF finished in American walnut veneer. The below-indicated width corresponds to that of the lower section of the occasional table; the upper section is 30 cm wide. Also available in aluminium or cast aluminium.

A reproduction of one of Pierre Paulin’s very first designs from 1953. Mobile occasional table in black-stained oak or wild cherry with two cutout handles on top & slim lateral edging on the two long sides. The screen-printed signature of Pierre Paulin appears in light grey on the edge of the top near the handle.

Structure in brilliant-chromed steel; top made from a log of solid walnut with visible knots & fissures. The diameter of the top varies between 25 cm & 35 cm. Each pedestal table is unique.

H 30 Ø 72

Occasional table H 45 W 42 D 42

Occasional table H 39 W 72 D 50

Pedestal table H 52 Ø 25–35

INTERSTICE NOÉ DUCHAUFOUR-LAWRANCE

SPACE PAGNON & PELHAÎTRE

SOFT MAG FRÉDÉRIC RUYANT

ZOCK CHRISTIAN WERNER

Low tables with tops in white marble-effect ceramic stoneware. Frame in rectangularsection metal tubing finished in Epoxy white lacquer or black chrome.

Low table/magazine rack with structure and base in black lacquered steel. Top in MDF finished in black-stained ash veneer. Suspended magazine rack in Divina anthracite, noir or bleu canard.

A spectacular pedestal table, the base of which is in solid oak; its top is in lacquered steel. The solid oak base will change over time & will split (or not!) as per the designer's wish. Each piece will thus be unique.

Rectangular low table H 37 W 110 D 55.6 Square low table H 37 W 80 D 80

ESTAMPE NOÉ DUCHAUFOUR-LAWRANCE Square or rectangular low table with base in argile lacquered steel & thick lower surface in natural, argile-stained or anthracite-stained sawn oak. The upper surface, also in sawn oak, incorporates a top covered in pebble-coloured linoleum.

Dimensions

A low table with a boat frame outline, ideal for displaying a key object or slipping in some books, comprising 4 surfaces linked to each other by brilliant-chromed steel connectors. Choice of finishes: solid walnut (shown left) or gloss white lacquered MDF.

INDOOR & OUTDOOR

Low table H 28.5 W 150 D 84

Small low table H 35.2 W 34.5 D 35.5 Medium low table H 35.2 W 69 D 35.5 Large low table H 35.2 W 99.2 D 99.2 Rectangular low table H 35.3 W 118.5 D 70

FALDA ANDREAS KOWALEWSKI

GLAÇON LEE WEST

PALETTE PASCAL MOURGUE

A light, sculptural low table with black lacquered steel base & top in black-stained ash.

A light, sculptural pedestal table with top & base in copper-plated steel.

Sofa end table in moulded earthenware finished in a choice of finishes: white, copper, gold, platinum, pink, red, black, blue or sea blue. Also available in clear varnished cork (not shown).

Sofa end table in moulded earthenware finished in white, gold, platinum, pink, red, black, copper, sea blue or blue.

Low table H 35 Ø 65

Pedestal table H 49.3 Ø 50

Sofa end table H 34 W 33 D 33

Sofa end table H 35 W 65 D 34.5

Low table H 39 W 120 D 65

Pedestal table H 42 Ø 42

OCCASIONAL TABLES

ELIZABETH NATHAN YONG

125

MAZARGUES ERIC JOURDAN

CESTINO EVANGELOS VASILEIOU

EPISODE MARIE CHRISTINE DORNER

Pedestal table with 2 or 3 surfaces: tops in bevelled MDF (Ø 40/50), linked with aluminium lacquered formed tubing. The monogram of Pierre Paulin is applied to the underside of each surface. Choice of finishes: gloss white, argile or elephant lacquer.

A modern, simple & expressive piece, very French, with links to the tradtion of the Arts décoratifs. Top in clear varnished European walnut; base in matt black lacquered steel.

A circular bedside table with a practical rattan basket in its lower section which may be easily removed by detaching one of the legs. Black lacquered metal frame; top in black-stained ash veneered MDF.

By night, this oval-topped walnut bedside table is a real piece of craftsmanship, with the possibility of placing objects at a range of different levels. By day, it will also find a useful place in the home! 3-level bedside table with top & base in US walnut; interior in gris plomb (lead grey) lacquer.

Bedside table H 50 Ø 41.3

Bedside/occasional table H 60 W 50 D 40

2-tier pedestal table H 44.8 Ø 50 3-tier pedestal table H 66.3 Ø 50

Occasional table H 55 Ø 44.6

THOT PIERRE PAULIN

ODA CHRISTIAN WERNER

LINDEN RENÉ BARBA

WINFELL STUDIO DESSUANT BONE

A pedestal table which fits neatly into a perfect & almost cubic 50 x 50 cm space. Available with top & legs in satin-varnished natural solid walnut as shown.

Designed to complement the Prado settee, a sofa end table with lacquered metal base & top - choice of moutarde or argile lacquer. Slides beneath the settee, offering a practical resting place for mobile devices, books, etc.

Occasional table. Small version available in satin-finish anthracite-stained solid ash or satin-finish natural ash. Large version is available in satin-finish black-stained ash only.

A Scandinavian-style pedestal table which combines pared-down lines with an interesting mix of materials. Rose beige lacquered metal frame; top & surround in natural beech veneer (2/3 of surface) & rose beige lacquer (1/3 of surface).

Pedestal table H 50 Ø 55

Sofa end table H 42 W 48 D 43

Large table H 50 Ø 40 Small table H 40 Ø 24

Pedestal table H 50 Ø 40

PEBBLE AIR DIVISION

CIRCLES MARIA JEGLINSKA

PANTOGRAPHE MÜLLER WULFF

KAZIU GREGOR KOROLEWICZ

Pair of low pebble-shaped tables with tops in solid American walnut & bases in matt black lacquered tubular steel. These are sold separately, but are designed to be used together if desired: the top of the convex table (shown left) fits over the top of the concave table (not shown)..

A new finish for the elegant Circles occasional table: steel structure finished in quartz grey lacquer with anti-corrosion treatment; top in white marble-effect ceramic stoneware. Suitable for indoor & outdoor use. A further outdoor version is available with a black enamelled glass top & black lacquered base.

A minimalist architectural table comprising 2 ceramic stoneware tops superposed on a lacquered base. The parallelogram shape concealed beneath the table enables the two tops to be moved easily, thus transforming from a classic square shape to an elongated rectangle.

Occasional table in black-stained oak with contrasting top (Ø 40 cm) finished in matt white lacquer. With its practical handle & airy, geometric lines it is both elegant & functional.

Convex low table H 26 W 100 D 110 Concave low table H 20 W 100 D 110

Small occasional table (new version) H 53 Ø 42 Large occasional table (new version) H 73 Ø 64

D 62.7

Occasional table H 79 W 43 D 40

POSTMODERNE ERIC JOURDAN

CIRCLES MARIA JEGLINSKA

10 VAGUES DAMIEN HAMON

ITISY PHILIPPINE LEMAIRE

Bedside/sofa end table in natural or blackstained oak veneer with surfaces in gloss marble-effect ceramic stoneware, plomb lacquer or perle lacquer. Light in appearance, asymmetrical & hollowed-out, these are the forms beloved by its designer Eric Jourdan.

Small occasional table in Epoxy satin black lacquered steel.

Stool in clear satin varnished solid American walnut. A beautiful piece of craftsmanship in which right-angled solid walnut structures are juxtaposed. The material is shown to great effect, as is the woodworker’s skilful alignment of each element.

Low table comprising 3 small pivoting pedestal tables which may be unfolded as required. Tops in solid oak finished in natural varnished sawn-effect (NB not sides) oak veneer. Linking-pieces in grey lacquered steel.

H 73.5 Ø 64

Stool H 39.2 W 56.6 D 31

When closed H 49 W 80 D 80 When fully open H 49 W 116 D 44

BOBINE MICHAEL KOENIG

FOLD PHILIPPE NIGRO

BLACK FOREST OUTOFSTOCK

STUMP PIERRE CHARPIN

Height-adjustable table with brilliant-chromed steel base & top in 15 mm thick white lacquered glass or clear glass.

Low table with 3 different-sized tops (1 large one in black soft-touch laminated panels & 2 others in natural sawn oak veneered panels). Black tubular steel base with linking system making it possible to transform 3 tables into 2, or even 1 low table. The belowindicated dimensions relate to the table when closed: when fully unfolded its dimensions are H 41 W 177 D 80.

High pedestal table with sculpted & assembled solid wood base finished in black-tinted varnish. Top in walnut.

Occasional table in grey-veined white Carrara marble, hewn from one piece, polished then finished with an anti-stain treatment.

Low table H 41 Ø 80

Pedestal table H 72 W 60 D 54.5

Occasional table H 45 W 30 D 36

Bedside/sofa end table H 65 W 40 D 40

Height-adjustable table/glass top H 73/98 Ø 80/100

INDOOR & OUTDOOR

Small occasional table H 43 Ø 36.5 Large occasional table H 53 Ø 42 Indoor/outdoor pedestal table

Dimensions when closed H 40 W 90 D 90 Dimensions when fully unfolded H 40 W 138

OCCASIONAL TABLES

ELYSÉE PIERRE PAULIN

127

ASEMBLA MELODY SIRMAN

MODULI PHILIPPINE LEMAIRE

SALDO NICK RENNIE

Kuf is oriental in spirit, romantic & cosy with a dialogue between 3 materals: turned cherry or American walnut & aluminium. Small table available in brilliant-polished aluminium or clear varnished solid cherry; large occasional table available in clear varnished solid American walnut.

Asembla tempts the user to play & experiment: in order to perfectly place the brassplated top on its resin base, 3 positions and 3 positions only (in its 360° circle) will suffice! Structure & base in solid walnut; top in white polyurethane resin with engraved mashrabiya-style motif & removable tray in brass-plated steel with cutout motif.

Storage module in toughened glass – up to 3 modules may be stacked. May also be used singly as an occasional table. Each module rests on a large grid made from American walnut so as not to sit directly on the ground or on the module directly beneath, if stacked.

Apologies, this item is no longer available in the UK & Ireland.

Small occasional table H 32/34.5 Ø 32 Large occasional table H 47 Ø 47

Occasional table H 40 Ø 45

Storage module H 41 W 36.6 D 35

OXYDATION KATERYNA SOKOLOVA

SOIXANTE 3 THOMAS RODRIGUEZ

ROSIS C. DONDOLI & M. POCCI

Drawing inspiration from contemporary architecture, this collection of tables brings together 'sustainable' materials such as stone or metal into an architectural shape. Occasional table has top in oxidized (acidtreated then heated) metal & base in Tuscan stone; low table has top & base in oxidized metal.

Small occasional table in white or grey enamelled earthenware. Suitable for indoor or outdoor use (up to -2°C).

Set of 3 low tables in 10 mm thick clear curved glass. Each table is identical. May be arranged in circular fashion as shown.

Trio of identical low tables in 10 mm thick clear curved glass.

Occasional table H 44 Ø 52 Low table H 38 Ø 70

Occasional table H 40 Ø 40

Overall dim‘s as shown above H 31 W 78 D 878

Each table H 31 W 64 D 40.5

TRIPTIK MAURO LIPPARINI

MY DEAR RÉMI BOUHANICHE

PONT

Low table with 3 pivoting superposed tops finished in either lacquer or veneer. Base in Epoxy lacquered steel, finished to match the colour of the lowest top. End stops prevent the tops being rotated beyond the recommended shape. Available in 5 versions, in combinations of lacquer colours (blanc, perle, argile, plomb) &/or veneer (smoked oak).

An elegant sofa end table which combines a precious material - clear lacquered white Carrara marble - with a rigorous, honest, precise & timeless construction.

A useful collection of low tables in 12 mm thick clear formed glass. Also available as a console table.

BLACK & BLUE EVANGELOS VASILEIOU

Low table (closed) H 31 W 132 D 80 Low table (fully unfolded) H 31 W 164 D 175

CUPIDON NOÉ DUCHAUFOUR-LAWRANCE An elegant occasional table combining delicate forms with precious materials. Highly versatile. Top & stem in brass-coloured metal; base in black Marquina marble. Also available in a matt chromed finish with a round top & white marble base (shown right).

Low tables H 38 W 130 D 70; H 38 W 110 D 60

Low table H 38 W 137 D 32

ON THE ROCK M.-A. STIKER-METRAL

ALSTER EMMANUEL DIETRICH

TAVOLETTO C. DONDOLI & M. POCCI

Sofa end table with base in solid American walnut & removable top in UV-glued 'cristal' glass. Removable top may be turned & set diagonally between the tops of the legs to create a storage chest.

Low table with top in 20 mm thick light grey-veined white Carrara marble with bevelled edge. Central steel pedestal finished in Epoxy white lacquer.

Apologies, this item is no longer available in the UK & Ireland.

Sofa end table H 46.7 Ø 40

Sofa end table H 45 W 35.5 D 35.5

Small table/marble top H 28 W 95 D 95 Large table/marble top H 28 W 130 D 130

SIDE TABLE JAN CHRISTIAN DELFS

360 DEGRÉS ROBERTO PAOLI

RYTHME ANGIE ANAKIS

NEWS TABLE FRÉDÉRIC RUYANT

Occasional/sofa end table with tripod base in satin-finish black-stained ash. Takes a removable round top in a copper-plated or nickel-plated finish.

A flexible sofa end table which, thanks to its relative height and 360° rotating additional top, answers every domestic requirement relating to mobility & flexibility. Structure in steel with tops in satin white lacquered MDF.

Table with oval top in 8 mm thick clear toughened glass & matt black or red lacquered steel base Ø 15 mm.

Occasional table/magazine rack in 10 mm thick curved ‘cristal’ glass with 4 transparent plastic gliders.

Sofa end table H 50 Ø 40

Sofa end table H 39 W 90 D 60

Oval table H 30 W 110 D 90

Occasional table H 45 W 40 D 40

Occasional table H 55 W 30 D 30

INDOOR & OUTDOOR

A multifunctional low table with a light black lacquered frame & 3 surfaces in 8 mm thick clear blue toughened glass. May be used in a variety of ways – as a low table, TV unit or even low shelving.

OCCASIONAL TABLES

KUF MICHAEL KOENIG

129

DINING ROOMS

ALLUNGAMI

FATTORINI, RIZZINI & PARTNERS

131

DINING ROOMS

VILNA

PAGNON & PELHAÃ&#x17D;TREI

133

DINING ROOMS

ENNEA

VINCENT TORDJMAN

AVA

THIBAULT DESOMBRE

135

DINING ROOMS

SPIRIT OF FOREST PETER MALY

EATON

137

ODESSA MAURO LIPPARINI

Height-adjustable dining table with black lacquered steel base & solid wood top. Choice of 8 finishes: natural, whitened or blackstained oak, wild cherry, or American, European, grey-stained or black-stained walnut.

Dining table with folded black or white lacquered steel base. Top in matt varnished solid European walnut blockboard, solid natural oak (thickness 40 mm with streamlined edges), grey-stained walnut or ceramic stoneware. Available from stock in certain sizes/finishes, or to order.

Dining table (adjustable) H 72.5 -110.5 W 70 D 70

Dining table H 75 W 98.4/108 L 180 / 200 / 220 / 240

FROST CLAUDIO DONDOLI & MARCO POCCI

ODESSA MAURO LIPPARINI

An elegant, practical dining table, just as suitable for everyday use as it is for special occasions. The 160 cm size will fit into many spaces & may easily be extended to 210 cm thanks to the extension beneath the top. A second extension is available as an option. Frame in satin white or anthracite lacquered aluminium; top & extensions in white or anthracite laminated particleboard.

Round dining table with base in black or white folded steel & top in 20 mm thick real marble.

Extending dining table H 75.3 W 90 L 160–210

Round dining table - marble top H 74 Ø 130

DINING ROOMS

CUMULO CLAUDIO DONDOLI & MARCO POCCI

INDOOR & OUTDOOR

DEHORS FATTORINI, RIZZINI & PARTNERS

SPIRIT OF FOREST PETER MALY

Dehors is an indoor/outdoor dining table with structure in white lacquered stainless steel reinforced with nickel-effect anodised aluminium crosspieces. Top in ceramic stoneware in a choice of 3 colours: white, white marble-effect & metallic anthracite. With its sleek lines & 4 slim legs, there is plenty of room for guests.

Peter Maly’s fine new dining table looks as if it has been hewn from a single piece of solid wood: its purity of line is magnified by the use of just a single material, solid walnut, with top & legs joined by straight dovetail joints. The overall effect is both dynamic & powerful.

Dining table H 75 W 100 L 180/240

Dining table H 74 W 100 L 160–240 (gradations of 10 cm)

AVA THIBAULT DESOMBRE

EATON

Round dining table with integral folding extension (W 87). Halftops have lip; extension does not. 2-part central lacquered or brilliant-chromed steel pedestal. Accommodates 6 when closed & 8–10 when open. Tops are available in ceramic stoneware (choice of 3 colours), gloss white lacquer, satin white lacquer or argile lacquer (chromed base only), or in walnut or smoked oakeffect veneer. Choice of finishes for base: brilliant chrome, black chrome, white lacquer.

A contemporary solid wood table, treated with oil & finished with matt varnish: choice of European or American walnut, oak or cherry. Available in a range of widths & depths, with a fixed or extending top: the latter has a removable 50 cm extension leaf which is positioned at one end of the table once the feet have been pulled out. Matching bench also available (not shown).

Dining table H 75.1 Ø 130; length when extended 217

(*increments of 10 cm)

Fixed dining table H 76 W 160–240* D 90/100; H 76 W 270–430* D 100 Extending dining table H 76 W 110–190 D 90/100 with 50 cm extension Bench (not shown) H 44 W 120–230 D 36

139

ALLUNGABILE FATTORINI, RIZZINI & PARTNERS

VILNA PAGNON & PELHAÎTREI

An airily minimalist dining table with 4 ‘corner’ legs. Structure in natural anodised aluminium; base in white lacquered steel. Top in full-body black or white Fenix laminate; or in acid-etched ‘cristal’ glass, opacified with white lacquer. Add one or two 50 cm extensions to extend the top from 158 cm to 208 or even 258 cm.

A table of pared-down lines which fully utilises the characteristics of full-body ceramic stoneware for an impression of unparalleled visual lightness. The top, which overhangs by around 12 cm, renders the structure hardly visible. Available with tops in white, white marble-effect or metallic anthracite ceramic stoneware, natural oak, solid walnut or grey-stained walnut. Bases available in brilliant chrome, white lacquer or black lacquer (with slightly grained finish).

Dining table H 74 W 100 L 158

Dining table H 74 W 100 L 180-240

CINELINE PAGNON & PELHAÎTRE

NAIA

A majestic dining/conference table combining ingenuity, technology & aesthetics. Top in alveolar panels finished in fern-effect walnut veneer or lacquer (choice of gloss white or satin white) with brilliant-chromed steel legs; extensions are stowed vertically beneath the top on the two ‘short’ sides & then lifted to horizontal position. Seats 6 when folded & 10–12 when unfolded.

Dining table with one or two integral extensions. Base in moulded black-stained solid oak with 16 mm thick MDF top finished in natural or black-stained oak veneer, walnut veneer or 9/10 black or light grey Fenix ; or in solid natural oak with top in natural oak veneer or 9/10 Fenix (choice of noir or gris clair). The top is in a single piece: simply pull the base at one end to engage one or two folding extensions which are positioned at the end of the table. The extensions match the tabletop. . Table with 75 cm extension H 75 L 150/225 D 100 Table with 2 x 50 cm extensions H 75 L 200/250/300 D 100

DINING ROOMS

Extending dining table H 74 L 160/229/292 D 100

ALLUNGAMI FATTORINI, RIZZINI & PARTNERS

ENNEA VINCENT TORDJMAN

To complement the rectangular Allungabile table, a new extending table with one or two folding end extensions, available in a range of finishes & with a sophisticated metal base. The top is available in a number of finishes : an entirely new type of walnut veneer with the look of solid wood thanks to an assortment of wood sheets boasting vivid colours, veins & contrasts; natural or black-stained oak veneer, or 0.9mm thick Fenix NTM± in noir or gris clair. Table L 150 has 1 x 75 cm extension; table L 200 has 2 x 50 cm extensions. .Extending dining table L 150: H 75 L 150/225 D 100

Ennea (named for the Greek number 9) rests on a base composed of three identical ‘oblong’ triangles made from solid wood. Three triangles, three sides: these nine segments form nine vectors, nine directions within the space which form an arrangement which is at once simple and sophisticated. Legs in natural or black-stained solid oak. Top Ø 130 cm in a choice of white Carrara marble, metallic anthracite-stained ceramic stoneware or white marble-effect ceramic stoneware (glued onto glass).

Extending dining table L 200: H 75 L 200/250/300 D 100

Dining table H 75 Ø 130

NOOMI TOUS LES TROIS

PIAZZA MICHAEL KOENIG

A handy little spare table with a space-saving top in black or white Fenix HPL laminate which folds for storage. Black or white lacquered steel frame. With its tripod base it is reminiscent of a bistro table, but in a more modernised, pared-down form. Ideal for use in the kitchen or dining room, on the balcony or terrace, or in the garden.

Top cut in an elegant & original elliptical shape with one straight side, thus enabling it to be pushed against a wall when not in use. Just pull out from wall to seat four. Base & stem in black or white Epoxy lacquered steel; piston barrel in brilliant-chromed steel with operating lever; top in 15 mm thick clear toughened glass with polished edge. Height of top is continuously adjustable from dining table to bar table height.

Dining table H 74 Ø 68

INDOOR & OUTDOOR

Height-adjustable table H 75.5–100.7 W 68 L 90

141

SIDEBOARDS

DITA

PAGNON & PELHAÃ&#x17D;TRE

143

SIDEBOARDS

CANALETTO MAURO LIPPARINI

EVERYWHERE CHRISTIAN WERNER

145

BOOK&LOOK PAGNON & PELHAÎTRE

An attractive sideboard with doors on either legs or a podium, in a range of lacquer colours. Tops lacquered to match, or in ceramic stoneware. Podium chests can also take an optional induction charger & a hub with a schuko plug (e.g. for a PC) & two 5V USB ports (for charging two mobile phones). For full details of available finishes, please speak to your Ligne Roset stockist.

An attractive sideboard with doors on either legs or a podium, in a range of lacquer colours. Tops lacquered to match, in walnut veneer or ceramic stoneware. Podium chests can also take an optional induction charger & a hub with a schuko plug (e.g. for a PC) & two 5V USB ports (for charging two mobile phones). For full details of available finishes, please speak to your Ligne Roset stockist.

8-door sideboard on podium H 108 W 210 D 45 Square 4-door sideboard on legs H 120 W 105 D 45

6-door sideboard on legs H 120 W 158 D 45 8-door sideboard on podium H 108 W 210 D 45

CANALETTO MAURO LIPPARINI

SPIRIT OF FOREST PETER MALY

Sideboard composed of juxtaposed open or closed modules & staggered vertical separations. Carcases are in dark walnut veneer, perle lacquer or plomb lacquer with fronts & interiors in argile, perle or plomb lacquer & lips in solid dark-stained walnut.

To complement the dining table of the same name, a sideboard in solid European walnut with finger joint assembly. Three wooden drawers in the top section ; two sliding doors in mass-tinted black glass in the bottom section..

Sideboard H 85 W 202 D 42

Sideboard H 74 W 186 D 50.5

CLYDE NUMÉRO 111

DITA PAGNON & PELHAÎTRE

Building on the success of the Clyde low table, its designers now bring us two new items of storage, a bookcase (not shown) & low unit, with brass-coated or black lacquered tubular steel structures & shelves in a combination of black-stained oak veneer (upper shelves) & gloss black marble-effect ceramic stoneware (lower shelf only). There is also the option of adding back panels in perforated steel (several styles) or in fabric-covered MDF (Steelcut trio 3 – choice of 53 colours).

From 2016’s Dita shelving now springs forth Dita séjour, a complete range of pieces for the living room : the idea was to extrapolate the metal frame of the original shelving into pieces of varying capacities & to close them using tops, bottoms, sides &/or fronts (flap door or drawer). Shown here: sideboard with 2 doors & 3 drawer finished in bleu nuit lacquer & high unit with 3 flap doors & 1 drawer finished in chocolat lacquer.

Low unit H 65 W 215 D 47.6

Sideboard with 2 doors & 3 drawers H 855 W 163.5 D 45 High unit H 189 W 108 D 45

POSTMODERNE ERIC JOURDAN

ET CETERA PAGNON & PELHAÎTRE

This year the Postmoderne range is being substantially extended, the challenge being to sustain its sophistication in a more pared-down design, with the focus on balanced proportions, discretion of assembly & timelessness. New for 2019: a new walnut veneer of very high quality, in which the grain of the wood can be seen. All items in the collection are delivered ready-assembled. Drawers have push-catch mechanisms. Legs of all new items are finished in anthracite lacquer.

A 3 or 4-bay sideboard, each section of which takes either a hinged door or a block of 4 drawers. Doors & drawers are equipped with ‘push’ mechanism. Choice of anthracite-stained, argile-stained or natural-finish sawn-effect oak with interiors in white or argile lacquer; tops are in white lacquered glass, black lacquered glass or a range of colours to order.

Sideboard H 78 W0 180 D 47

Sideboard H 920 W 1577 D 389 / H 920 W 2104 D 389

COPLAN PAGNON & PELHAÎTRE

EVERYWHERE CHRISTIAN WERNER

A new version of the Coplan sideboard: the coplanar doors remain, but the specifications & finishes have been updated & now include the fern-effect walnut veneer with tops in either chocolate lacquer or the 3 ceramic stoneware finishes. Base in white or argile lacquered steel with zamak door buttons lacquered to match; or in chromed steel with chromed zamak door buttons.

Chest with 2 hinged doors on legs H 37. Available in gloss white lacquer or satin white, éléphant, argile, plomb, perle or bleu nuit lacquer as shown. Available in 2 heights, H 125 (with 2 shelves) or H 153 (with 3 shelves). Sideboard on legs with 2 doors & 3 drawers, shown here finished in argile lacquer.

2-door sideboard H 77.4 W 195.8 / 225.8 D 49.9

2-door chest on legs H 124.2 / 152.8 W 90 D 44 Sideboard with 2 doors & 3 drawers H 94.2 W 206.9 D 44

SIDEBOARDS

BOOK&LOOK PAGNON & PELHAÎTRE

147

DINING CHAIRS

CM 131 PIERRE PAULIN

149

DINING CHAIRS

BENDCHAIR PETER MALY

151

DINING CHAIRS

PIERRE PAULIN

LONG ISLAND

N. NASRALLAH & C. HORNER

153

SALA PASCAL MOURGUE

ETTORIANO C. DONDOLI & M. POCCI

The popular Sala chair, shown here as a simple chair without arms (but also available as a carver chair) set on a ‘sleigh’ base made from brilliant-chromed steel wire. As ever the seat shell, with its flexible back section, offers guaranteed comfort. Also available with squaresection feet (shown right), on a circular base, or with a chromed wire mesh-style base.

The popular Sala chair, shown here as a simple chair without arms (but also available as a carver chair) set on square-section tubular legs. As ever the seat shell, with its flexible back section, offers guaranteed comfort. Also available with a chromed ‘sleigh’ base (shown left), on a circular base, or with a chromed wire mesh-style base.

Available both as a chair (left) & as a bridge (right), Ettoriano offers a contemporary solution in terms of the material used (felt) & is at the same time both discreet and comfortable. An optional cushion improves the welcome still further. Base in anthracite-lacquered or chromed steel.

Available both as a chair (far left) & as a bridge (left), Ettoriano offers a contemporary solution in terms of the material used (felt) & is at the same time both discreet and comfortable. An optional cushion improves the welcome still further. Base in anthracite-lacquered or chromed steel.

Chair

Bridge

Chair

H 83 W 49 D 55; seat 48

Carver chair H 83 W 58 D 57; seat 48

H 83 W 49 D 55; seat 48

Chair with circular base H 83 W 49 D 55; seat 48

Chair with wire mesh base H 83 W 49 D 55; seat 48

H 80 W 46 D 55; seat 46

H 81 W 65 D 55; seat 46

FIL PASCAL MOURGUE

TAMATA YUZURU YAMAKAWA

PAM C. DONDOLI & M. POCCI

PETRUS C. DONDOLI & M. POCCI

Apologies, this item is no longer available in the UK & Ireland.

Rattan is the most environmentally-friendly material available to us given that it not only regrows but also does so very quickly. Tamata is made in Indonesia from sustainable bamboo & black rattan. .

A height-adjustable piston-operated bar stool with circular matt chromed metal base, brilliant-chromed footrest & seat in a choice of: walnut veneer, translucent PMMA (grenadine, blue, green, crystal, orange), ‘synderme’ (white, brown, black, beige, grey, yellow, natural, red, bright red, guava, grey-beige) or opaque PMMA (black, white).

Piston-operated bar stool with a rigid polyurethane shell which is moulded then lacquered. Structure finished in a matching shade of satin-finish lacquer. Choice of white, beige or black.

Chair H 80 W 45 D 52.5; seat 48

Bar stool/PMMA seat

ROCHER HERTEL & KLARHOEFER

ISO MARIE CHRISTINE DORNER

VIK THIBAULT DESOMBRE

A resolutely urban graphic piece. The surface of the shell, a black or white envelope which does duty as seat, back & arms, seems to have been cut like a diamond; it sits on four steel feet which are either brilliant-chromed or lacquered to match the shell. Optional back cushion also available in selected covering materials from the Ligne Roset collection.

The Iso small bridge, with its comfortablypadded seat and back, can slip into any environment whilst retaining its identity. Structure in matt natural varnished or black-stained solid ash. Lines of seat/back cushion highlighted by baguette stitching. Removable cover.

With its minimalist 50s/60s feel, this bar chair’s softly rounded lines are evocative of comfort. Seat/back shell in moulded beech multi-ply. Base in natural light solid ash, stained either black or ash grey. Baguette stitching. Covers are held in place with gripper strips & are removable. Optional upholstered carrying handle with steel core, located on the rear of the back.

Bridge chair

Chair

H 81 W 51.5 D 52; seat 49

H 84.5 W 52 D 57; seat 46

Bar chair

H 103 W 44.5 D 52; seat 80

Bar stool/ veneered seat H 60-86 W 40.5 D 43.5; seat 51-77

Bar stool/ ‘synderme’ seat

H 61-87 W 43 D 44; seat 52–78

Low bar chair

H 88 W 44.5 D 52; seat 65

Bar stool

DINING CHAIRS

H 65–89.5 W 40 D 43; seat 54–78.5

H 64/89 W 41.5 D 43; seat 54–79

BERRETTO CLAUDIO DONDOLI & MARCO POCCI This stool is available in two versions : either fixed, with a black lacquered steel structure & moulded polyurethane seat shell (choice of brique, gris clair or chocolat), or piston-operated, with a chromed steel structure & moulded polyurethane shell (choice of brique, gris clair or chocolat). .

Bar stool

Fixed: H 71.5/83 Ø 44; seat 63/75 Piston: H 63.5/85.5 Ø 44; seat 55.5/77.5

BOTTLE / GEOMETRY

FACETT R. & E. BOUROULLEC

IKE STUDIO DREIMANN

LACE BENJAMIN GRAINDORGE

Stools in black-stained solid mango-wood. Bottle is shown left; Geometry is on the right.

To complement the range of upholstery of the same name, a stunning dining chair with twin-needle detailing. Stitching may be toning or contrasting (choice of ecru, anthracite, grey, red, blue).

Ike is a height-adjustable swivel stool which stands on three legs with the steel tubular support for the thread of the endless screw split into three to form the three legs. Black lacquered base with top in black-stained oak (see left); also available with base in white lacquered steel & top in natural oak.

A simple yet highly original Japanese-inspired footstool with a truly astonishing personality. Less deep & slightly narrower at the base, it is very light in appearance. Its personality springs from the thin ecru-coloured cord which runs around & through it to give it such an elegant appearance. For maximum effect try displaying Lace in a range of different covering materials. Removable cover.

Bottle

Chair

Stool

Footstool

H 45 Ø 32

Geometry H 45 Ø 32

H 81 W 46 D 57; seat 49

H 41–55 Ø 30

W 62 D 31; seat 42

Footstool

W 45 D 25; seat 42

155

VIK THIBAULT DESOMBRE

VIK 2 THIBAULT DESOMBRE

CM 131 PIERRE PAULIN

Vik strikes a successful balance between stability & grace whilst the purity of its design enables it to fit into all types of interior. Its minimal weight (just 6.5 kg) & optional handle on the rear of the back make it easy to move around, whilst for everyday practicality its upholstered cover is fully removable. Shown here in light natural ash.

Bridge chair with ergonomic shell in moulded, pressed resinated beech multi-ply finished in a glossy dark brown stain. Two solid beech armrests, stained to match the shell. Base in black lacquered round steel tipped with protective gliders.

Chair with ergonomic shell in moulded, pressed resinated beech multi-ply finished in a glossy dark brown stain. Base in black lacquered round steel tipped with protective gliders.

Chair

Carver chair

Bridge chair

Chair

H 84 W 45 D 58; seat 50

Carver chair H 84 W 60 D 58; seat 50

H 84 W 60 D 58; seat 50

Chair

H 84 W 44 D 58; seat 50

H 80 W 54 D 55; seat 45

H 80 W 40 D 49; seat 45

TESSA C. DONDOLI & M. POCCI

PETRA C. DONDOLI & M. POCCI

PAOLA C. DONDOLI & M. POCCI

Resolutely feminine in inspiration, the design of the Unbeaumatin chair offers supple, polished forms in which the material is dealt with lightly. The seat rests on its support gently, undulating like the soft fabric of a skirt falling across the legs of its wearer. Structure in lacquered steel.

Tessa manages to seem both familiar & singular, whilst the choice of covering material - it is entirely covered in Alcantara - confers on it a warm, sensual yet comfortable character. Lastly, its distinctive yet reassuring thickness does not prevent it from being light & easy to move. Covers are non-removable.

A light, elegant, robust & versatile chair with polyurethane shell & varnished aluminium legs. Choice of white, beige, light grey, olive green or black. Available singly, or in pairs.

Seat/back in white variable density techno polymer. Brilliant-chromed legs (NB apologies, natural beech version pictured is no longer available)..

Dimensions

Chair

H 83 W 42 D 51.5; seat 46

H 83 W 46 D 57; seat 46

H 81 W 58 D 56; seat 48

DINING CHAIRS

UNBEAUMATIN QUAGLIO SIMONELLI

H 81 W 45 D 52.5; seat 46

CIMBO

PERLUETTE LOUVRY & ANGIONI

SLIM CHAIR

A comfortable chair with an inviting backrest & broad seat platform. Legs in anthracitestained solid beech. Cimbo is available to order in covering materials from the Ligne Roset collection.

Perluette is the French name for the ampersand (&) at the heart of the design for this chair. Structure in black lacquered steel; shell in American walnut veneered multi-ply.

Chair with lacquered steel structure clad in a layer of polyether foam, density 43 kg/m3 – 4.1 kPa & fully upholstered in pigmented corrected-grain cowhide. Choice of grey or beige - shown here in grey: .

Chair

H 78.5 W 54.5 D 54.4; seat 44.5

Chair H 88.5 W 44.5 D 55; seat 45.5

PICCIONE C. DONDOLI & M. POCCI

CURULE PIERRE PAULIN

ELSA FRANÇOIS BAUCHET

Here, the designers blend lightness with comfort. A slightly transparent seam-free 3D polyester mesh covers the structure: this material is highly resistant, hugs the chair’s contours perfectly & has a pleasant feel. Available on 4 legs or a rotating base - choice of chromed or grained anthracite finish. Available in a choice of colour combinations.

A reproduction of one of the designer’s ‘prestige pieces’ from the 1980s. Seat & armrests in beech or oak; backrest in soft pigmented cowhide. Folds in the middle of the seat section. Choice of solid walnut with black backrest, black-stained beech with black backrest, or natural oak with black backrest ; all options finished in matt clear lacquer..

A fractally sculptural chair with a base in natural or anthracite-stained beech, or in doubled chromed steel wire. Available with or without armrests. Please refer to your Ligne Roset stockist for the list of fabrics suitable for use on this model.

Chair on legs

Bridge chair on legs

Folding chair

Chair

H 84 W 56 D 59.5; seat 50

H 85.5 W 59.5 D 53.5; seat 49.5

Chair on rotating base

H 86.4 W 71.5 D 71.5; seat 49.9

H 85.5 W 62 D 58.5; seat 49.5

Chair on rotating base

H 85.4 W 71.5 D 71.5; seat 49.9

H 67 W 56 D 35.5; seat 43

H 84.5 W 46.5 D 55.5; seat 48

Bridge

H 84.5 W 52 D 55.5; seat 48

Chair/wire base H 84.5 W 46.5 D 55.5; seat 48

157

TV PIERRE PAULIN

BENDCHAIR PETER MALY

A reproduction of an original Pierre Paulin design from the 1950’s. The visual fluidity & sculptural freedom of line are as potent today as they were in 1954. Base in natural ash, greystained ash & cherry- stained ash; Pullmaflex suspension on seat; fabric covers are held in place by gripper strips, & are removable.

A reproduction of an original Pierre Paulin design from the 1950’s. The visual fluidity & sculptural freedom of line are as potent today as they were in 1954. Base in satin-finish black lacquer or brilliant chrome; Pullmaflex suspension on seat; fabric covers are held in place by gripper strips, & are removable.

In the designer's words this is, “A chair of perfect proportions.” It is a score of perfectly harmonious chords, which chimes perfectly with a very broad register of furniture, tables & sideboards. Its proportions are irreproachable, as is the quality of its finish. Shown here with wooden base (choice of natural or black-stained beech).

The perfectly-proportioned Bendchair is shown here on a base made from metal wire, finished in either matt black lacquer as shown, or in brilliant chrome.

Chair

H 83 W 48 D 57; seat 48

H 82 W 48 D 52; seat 48

LONG ISLAND N. NASRALLAH & C. HORNER

CALIN PASCAL MOURGUE

BENDCHAIR PETER MALY

CIRCA/CIRCO

A dining chair offering all the comfort of an armchair. Hexagonal-shaped legs in natural or anthracite-stained solid beech or Epoxy black lacquered aluminium. Covers may be removed for cleaning (dry clean only).

The perfectly-proportioned Bendchair is shown here as a carver chair on a base made from natural or black-stained beech. Also available on a metal 'sleigh' base (not shown).

A dining chair which combines elegance & comfort with a moderate price. As its name suggests the whole concept of this chair is rooted in softness & roundess. Structure & base in anthracite-stained beech.

Chair

Carver chair

Chair

An alliance of exemplary comfort, remarkable elegance & a vast choice of covering materials & colours. Available with base in solid natural or anthracite-stained beech, or in brilliant-chromed or black lacquered steel.

Chair

H 84 W 55 D 54.5; seat 48.5

Chair with wooden base

Chair with wire base

H 82 W 48 D 52; seat 48

H 82 W 57 D 52; seat 48

H 86 W 51 D 58; seat 48

Chair with wooden base

H 82 W 48 D 52; seat 48

Chair with wire base

H 82 W 48 D 52; seat 48

DINING CHAIRS

H 83 W 48 D 57; seat 48

H 82.5 W 51 D 61; seat 51

TADAO ERIC JOURDAN

FINN THIBAULT DESOMBRE

ALSTER EMMANUEL DIETRICH

This range of chairs by Eric Jourdan sprang from his work on the Okura seating (see settees chapter). The cover has twin needle stitch detailing & is completely removable. Available with 4 black lacquered or chromed steel wire legs (Ø 14 mm) or with legs in natural or anthracite-stained solid beech. Also available on a 4-star rotating base on castors.

Dining chair with characteristic flowing lines, giving the illusion that the seat has been sculpted out of solid wood. Finished in ebony-stained oak veneer or black-stained ash veneer. Back may be upholstered in fabric or leather; back cover is held in place with gripper strips & is removable.

To complement the Alster table, a carver chair combining innovative design, comfort & an impeccable finish. Rotating base with memory system: available as shown, or on castors, or on chromed ‘sleigh’ feet (not shown).

Chair

Bridge

Chair

H 82.5 W 47.5 D 53; seat 48

Chair with 4branch base H 83.4 W 71.5 D 71.5; seat 48.9

Chair on castors

H 80/93 W 68 D 68; seat 46.5/58.5

H 83 W 58.5 D 62.5; seat 49.5

Bridge

H 85.4 W 71.5 D 71.5; seat 51.9

Bridge on castors

H 81.5/94.5 W 68 D 68; seat 48/61

H 88 W 38 D 51; seat 46

H 82 W 61 D 59; seat 47

Chair on castors

H 81.5/94.5 W 70 D 69; seat 46.5/59.5

NEEL RÉMI BOUHANICHE

SAN STUDIO KLASS

ILOT 2 AMAURY POUDRAY

TRAVERSE SIMON MORASI PIPERCIC

In this (foot)stool in black-stained ash we find all the poetry of their designer encapsulated in soft yet manoeuvrable objects which issue an invitation to sit and relax for a while. The back serves as a handle, a touch of humour which transports us back to our childhood.

Stool in curved multi-ply finished in walnut veneer or natural varnished burnt wood-effect black-stained oak veneer.

Created to complement the Ilot low footstool, Ilot 2 offers the same round, upholstered seat platform and elegant anthracite metal base, but in a taller, slimmer version.

Bench in satin-finish clear varnished blackstained solid ash.

Footstool

Stool

Bench

W 48 D 52; seat 41.5

H 49 W 47 D 30; seat 45

Ø 43; seat 50

W 140 D 36.5; seat 46

159

BEDROOMS

DITA

PAGNON & PELHAÎTRE

RUCHÉ INGA SEMPÉ

161

BEDROOMS

ULTIME

PHILIPPE NIGRO

ENTRÃ&#x2C6;VES

MARIE CHRISTINE DORNER

163

BEDROOMS

RUCHÉ INGA SEMPÉ

165

BEDROOMS

ETHAN

167

BEDROOMS

LUMEO PETER MALY

TRAVEL STUDIO PAGNON & PELHAÃ&#x17D;TRE

169

BEDROOMS

DESDEMONE

N. NASRALLAH & C. HORNER

171

Alongside our collection of beds we offer a range of accessories – developed in partnership with the foremost European manufacturers – to enable you to tailor your sleep experience to your individual requirements. Sleep well!

SLATTED BASES LIGNE ROSET Slatted bases are offered with double slats & articulated supports. Despite their minimal height of just 6.5 cm, they are more than equal to any requirement which might reasonably be expected of a highquality product: solid beech frame, with highly-elastic double slats in beech multi-ply mounted on flexible articulated supports; variable depth support system at back & shoulder level (particularly important for those who sleep on their sides as it promotes good circulation); adjustable central zone affording the opportunity to perfectly adapt the base to suit the body weight of the sleeper, with denser distribution of slats at pressure points.

PETER MALY 2 PETER MALY

DESDEMONE N. NASRALLAH & C. HORNER

A new edition of a bed which has been a Ligne Roset bestseller for more than 2 decades. Aimed squarely at those whose priorities for their beds are comfort, originality & aesthetics, preferring a pared-down bedroom offering generous space for rest & relaxation, this bed is constructed around the idea of a vast, soft & supple central platform surrounded by horizontal planes for a more tautly rigorous geometric effect. The pillow/headboard cushions slide freely around the frame, allowing for a multitude of positions since there is no fixed way for the bed to be used. Cylindrical steel feet with circular base plate, finished in matt black lacquer with a choice of 2 foot heights.

The designers’ aim was to widen the scope of the bed in terms of both its function & its use. The shell-like, comfortably upholstered headboard is an invitation to read, to watch TV or even write. The impression of continuity between headboard & base confers great visual lightness, even in the case of the version with the high headboard. Desdémone beautifully reflects the trend for a variety of uses, unencumbered by objects. In a way, the bed becomes the centre of the universe.

Wooden legs in natural or anthracite-stained solid beech. Metal legs in black lacquered steel tubing Ø 4 cm. Any type of slatted base may be used (NB sold separately). Cover may be removed by an upholsterer.

High 160 x 200 bed H 87 W 204 L 243.5; seat 33 High 180 x 200 bed H 87 W 224 L 243.5; seat 33 Low 160 x 200 bed H 81 W 204 L 243.5; seat 27 Low 180 x 200 bed H 81 W 224 L 243.5; seat 27

Bed/low headboard H 77.5 W 188/208 L 237; sleep area 160/180 x 200 Bed/high headboard H 109.5 W 188/208 L 237; sleep area 160/180 x 200

Slatted bases are available in the following sizes: 90 x 200, 120 x 200, 140 x 200 (all 1 part), 160 x 200 (2 part), 180 x 200 (2 part)

MATTRESSES LIGNE ROSET

Available for the following sleep areas: 90 x 200, 120 x 200, 140 x 200 (1 part); 160 x 200 (1 or 2 part), 180 x 200 (1 or 2 part)

Bultex / Viscoelastic Foam (Sensus) Core in Bultex foam, overlaid on one side with a layer of viscoelastic ‘memory’ foam which moulds perfectly to the shape of the body whilst minimising the effect on the body & circulation. Ticking in ecru-coloured 100% cotton, treated with ‘Healthguard’ (antibacterial, fungicidal). The dimensions of these mattresses (thickness 20 cm) make them more suited to ‘Scandinavian-style’ sleeping rather than more traditional, divan-style beds. Available for the following sleep areas: 160 x 200, 180 x 200 (1 part)

ANNA CHRISTIAN WERNER

ULTIME PHILIPPE NIGRO

TRAVEL STUDIO PAGNON & PELHAÎTRE

Anna is a warm, inviting upholstered bed with a ‘tailored’ look. Detachable headboard with ‘point-de-cheval’ stitch detailing on the cover: stitching may be toning, to match the cover, or in a choice of five thread colours: ecru, anthracite, gris, rouge, bleu. A slipover back cover may also be ordered if desired. To align the mattress with the bed-frame, this model has an integral slatted base: when selecting a mattress we strongly recommend that a sprung version be ordered with this bed rather than a thinner Bultex version so as not to spoil its line. Both bed & headboard have fully removable covers. Anna is designed to stand alone, but may of course be complemented by the Everywhere range of bedroom furniture or indeed any item from the Ligne Roset collection.

Ultime is very welcoming in appearance & instantly evocative of great comfort. The generosity of the headboard, padded with foam & quilted with polyester, is emphasised by a band of horizontal stitching, its periphery sketching out a soft curve which extends along the lines of the upholstered bed frame. Viewed in profile, the slender line of the headboard is no less remarkably light & dynamic thanks to its spindle shape, like a flame arching towards the heavens. The Ultime bed successfully achieves the feat of being generous, soft, welcoming & very comfortable, whilst giving an extreme impression of lightness : like going to sleep on a cloud each night !

Specifically designed for the bedrooms of young people, Travel Studio is the perfect foil to the existing Travel collection. When placed against a wall & with the addition of a throw & cushions, it will also serve as a day bed. Shown above: nesting beds – a main sleep platform of dimensions 120 x 200, with either a storage compartment or pull-out bed beneath. Finished in white laminate.

Low 160 x 200 bed H 13.5 W 172 L 225; headboard height 90 High 160 x 200 bed H 18.5 W 172 L 225; headboard height 95 Low 180 x 200 bed H 13.5 W 192 L 225; headboard height 90 High 180 x 200 bed H 18.5 W 192 L 225; headboard height 95

Single bed H 49 W 97 L 212; sleep area 90 x 200 Nesting bed H 49 W 127 L 212; sleep area 120 x 200 Pull-out bed sleep area 90 x 200

RUCHÉ INGA SEMPÉ

NADOR

A simple, fine structure supports a comfortable sleep platform, with the headboard & frame dressed with a distinctive quilting. Offered in 2 widths & 2 heights, Ruché’s bed frame will accommodate all kinds of slatted bases and mattresses. Most plain fabrics or leathers may be used for this model. Choice of finishes for feet: matt varnished natural beech, anthracite-stained beech or red-stained beech. Shown above: bed with low headboard.

An innovative, comfortable bed with a high headboard, elevated sleep platform (achieved by combining an upholstered base, thick mattress & mattress topper) & upholstered bed frame. The elegant button detailing on the headboard emphasises the welcoming feel by highlighting its proportions & generous 10 cm depth. Headboard is exclusively available in microfibres (Alcantara), leather (Diva, Indiana, Nubu); Toscane, Divina, Extra, Felix, Hector, Pecan & Alpaca; & Cosmos, Hexagone, Hot, Oda, Tonga or Scuba fabrics. Shown above with high headboard.

Bed with low headboard H 79 W 158/178/198 L 235; seat 27 Bed with high headboard H 119 W 158/178/198 L 235; seat 42

Dimensions W 140 L 220; sleep area 140 x 200 Dimensions W 160 L 220; sleep area 160 x 200 Dimensions W 180 L 220; sleep area 180 x 200

Low headboard H 85.5/91 W 201/221 D 10 High headboard H 125.5/131 W 217/287 D 10 Upholstered bed/bed frame 160 x 200 H 29.6 W 176 L 212 Upholstered bed/bed frame 180 x 200 H 29.6 W 196 L 212

BEDROOMS

Bultex Mattresses made from high resilience polyurethane Bultex foam, encased in a cover made from exclusive 100% cotton ticking which may be removed for dry cleaning. Overall height 16 cm. Perfect for use with Ligne Roset slatted bases; less suitable for use with divan-style beds owing to insufficient air circulation.

173

TRAVEL J. FLACKE, PAGNON & PELHAÎTRE

A modular storage system similar to Lumeo & Linae yet offering new specifications & fittings. Bays D 60 are single or double, in a choice of 3 heights. Exterior panels finished in gris perle or satin white lacquer; interiors in perle. New vertical handles in brushed smoked-effect anodised aluminium; doors in gris perle or satin white lacquered MDF, toughened smoked-effect glass with brushed smoked-effect anodised aluminium frames, or covered in a choice of 49 colours of Kvadrat Steelcut fabric.

2-drawer bedside table on castors finished in horizontally ribbed white laminate. Top in 6 mm thick glass. Inset handles in zamak with central part matched to chest.

Modular storage

Your Ligne Roset stockist will be pleased to advise on specifications, finishes & fittings.

Bedside table H 50.6 W 62 D 47.2

LUMEO PETER MALY

RUCHÉ INGA SEMPÉ

An elegant wardrobe fronted with the characteristic Lumeo square panels. Provides storage ‘by the metre’, with a wide range of internal fittings. Square panelled fronts available in gloss white or satin argile lacquer.

Bedside table with top in natural beech multi-ply, either matt varnished or stained red or anthracite. Base in satin black lacquered steel. Basket in full-grain semi-aniline Kyoto bullhide (choice of colours). Max. recommended load: 15 kg.

Please refer to your Ligne Roset stockist for full details of this range.

Bedside table H 49 Ø 40

DITA PAGNON & PELHAÎTRE

Dita's discreet profiled uprights with their sophisticated finish are perfectly placed, cast & not part of the structure; the matching lacquered zamak handles are light & beautifully designed; & its small, slim feet continue the line of the structure in a very natural way. Uprights in 15 x 15 mm anodised aluminium section in a brushed bronze finish. Choice of lacquer finishes: satin white, argile, perle (standard); or rouge, bleu, bleu lavande, chocolat, mastic, noir, azur, brique, éléphant, moutarde, ranger, plomb, bleu nuit (to order). Upper drawer may be ordered in a different lacquer colour if desired.

Chest of 6 drawers: H 130.7 W 55.5 D 48 Bedside table: H 55 W 36 D 6

Chest of 4 drawers: H 85.5 W 108 D 48

ENTRÈVES CHRISTIAN WERNER

EVERYWHERE CHRISTIAN WERNER

Chest of drawers, available in ‘right’ (rounded to the right) or ‘left’ versions. The structure/screen to the side, upper top & drawers may be finished in 34 possible combinations of veneer or lacquer. A very large ‘symmetrical’ chest may be created by placing 2 chests of drawers side by side (e.g. one 'left & one 'right'). Also available as a bedside table (far left).

Chest of drawers L/R

2-door chest on high legs

Bedside table

3-drawer chest with compartments

H 85 W 110 D 50.

H 50 W 40 D 40

H 125/153 W 90 D 44 H 92 W 120 D 44

BEDROOMS

ETHAN

175

HOME OFFICE

URSULINE PIERRE PAULIN

TANIS

PIERRE PAULIN

177

OSI MARIE-CHRISTINE DORNER A small desk in the same spirit as the chair of the same name, Osi is a desk/bookshelf offering a storage compartment beneath its work surface with document storage in the front right section & a larger space generous enough to accommodate a row of books to the rear. Structure & base in blocks of natural varnished or black-stained solid oak, squared with black or white lacquered panels. Work surface in 12 mm thick MDF clad in black or white Fenix with matching Fenix edges.

Desk H 75 W 130 D 74 Dimensions of work surface 130 x 70

LE SECRÉTAIRE MURAL PIERRE PAULIN Wall-mounted secretaire with internal storage compartments in natural varnished cherry veneered MDF. The flap door is offered with external face in contrasting black Fenix laminate & internal face in cherry. Depth of flap door when open: 38.

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Secretaire H 45 W 64 D 26/60

REWRITE GAMFRATESI A little jewel of modernity & softness, with a private workspace concealed within a soundproofed ‘bubble’. Bubble/screen in fibreglass clad in polyether foam & any colour of Steekcut Trio fabric; desk with solid walnut legs & walnut veneered MDF top, with slit cable port to rear in solid walnut. A white lacquered steel chest, located beneath the top, takes transformers & cables.

POSTMODERNE ERIC JOURDAN

Overall dimensions H 148 W 101.2 D 75

179

POM’S JULIE PFLIGERSDORFFER

HELLOBYE MARION STEINMETZ

An elegant & dainty writing desk with cover, with drawer on the righthand side. Finished in walnut veneer with drawer interior lined with grey leather; cover strap in matching leather. Brilliant-chromed steel base.

Apologies, this item is no longer available in the UK & Ireland.

Desk H 84 W 58 D 50/58

SOFTWALL BUSETTI GARUTI REDAELLI

HYANNIS PORT ERIC JOURDAN

A multifaceted screen/workstation with integral shelves & work surface which enables one to work in the corner of numerous spaces. The foamclad, fabric-covered panel provides both visual intimacy & sound insulation. The neutral finish of the anthracite-stained ash veneered shelves & the wide choice of 45 colours for the fabric covering enable one to integrate the Softwall screen into any existing decorative scheme. Made from panels of MDF upholstered with Kvadrat Canvas Laine fabric (choice of 45 colours). Shelves in MDF finished in satin anthracite veneer.

Secretaire in moulded multi-ply finished in gloss white lacquer. Corners rounded to the rear. Feet in brilliant-chromed metal.

Secretaire H 150 W 80 D 50

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Workstation/screen H 157 W 120 D 40.5

WALL FIGURE FRÉDÉRIC RUYANT

HYANNIS PORT ERIC JOURDAN

A useful & secret console-desk which can accommodate a 17” laptop. Base of desk in black lacquered steel; chest in MDF finished in European walnut-grained veneer. Also available: matching wall chest with sliding mirror.

Desk in moulded multi-ply finished in gloss white lacquer. Corners rounded at rear. Top in milk glass. Central drawer. Feet in brilliant-chromed metal. Also shown: filing cabinet finished in gloss white lacquer with top in milk glass. Consists of one fully-extending lower drawer with two bars for hanging files & one upper drawer. Upper drawer with controlled automatic closing.

Desk H 98.5 W 100 D 35/61 Wall chest H 27 W 100 D 20

Desk H 74.9 D 160 D 72 File trolley H 54 W 50 D 48.1

NUBO GAMFRATESI

POSTMODERNE ERIC JOURDAN

Here, the simple space-saving wall shelf metamorphoses into a treasure box. Both an occasional desk & a compact decorative wall-mounted element, Nubo offers, a functional work surface equipped with a cable slit & a retaining bar for documents. Structure in natural oak veneered beech multi-ply with exterior clad in polyether foam & upholstered in Divina wool. Held open by 2 metal struts; held closed by magnets.

Desk with rounded carcase finished in natural varnished walnut veneer with walnut veneered drawers & gloss black marble-effect ceramic stoneware top; or with walnut veneered drawer fronts & argile lacquered drawer interiors & top in argile lacquered glass. Legs finished in anthracite lacquer.

Dimensions H 55 W 80 D 14/62

Desk H 75 W 130 D 60

181

TEOFFICE MARC BERTHIER

A reproduction of Paulin’s CM 141 desk, originally designed in 1954. Its original character remains but the finishes have been updated with the writing surface now in black laminate on a co-ordinating lacquered steel frame, & the drawers finished in natural walnut veneer.

A pared-down desk with top in black or white FENIX laminate with matching edging. The top is equipped with two cable ports, one with four USB ports to link directly to a PC, & a second oblong one with brushes at the other end of the top for cabling. The moulded aluminium base is mounted on an aluminium beam, enabling cabling for a laptop to be concealed beneath it..

Dimensions H 74 W 130 D 60

Desk H 74 W 158 D 79

URSULINE PIERRE PAULIN

MATEODESK MARC BERTHIER

A compact desk with open storage niches & cross-shaped base in lacquered steel tubing. Work surface & surround finished in matt satin-finish white laminate with surround, storage niches & frame in matt satin-finish white lacquer. Also available in walnut veneer.

Desk comprising a top and storage chests, with 2 optional lacquered aluminium drawers. Top is in natural or black-stained smooth oak veneer or black or white FENIX laminate with natural oak veneered edging & coloured dividing panels. Base in moulded & tubular aluminium, either brilliant-polished or lacquered to match desk, with oak tips on legs. Central space between drawers is closed by 2 removable covers (wood version) or 2 removable covers & an upper cable port (laminate version), facilitating connections & concealing the multiway plug & cabling.

Dimensions H 89.9 W 120.2 D 65

Desk H 83 W 112.4 D 75

HOME OFFICE

TANIS PIERRE PAULIN

EVERYWHERE CHRISTIAN WERNER

INSIDE WORLD NOÉ DUCHAUFOUR-LAWRANCE

A chic rectangular desk which rests on a low chest to one side, & on aluminium feet to the other. Top in gloss white, pure white, argile or elephant lacquer.

Desk with base in anthracite-stained solid ash & solid oak top finished in anthracite-stained smooth oak veneer. The rear return of the top is clad in foam & upholstered in Divina graphite fabric (NB cover is not removable - zip is for decorative purposes only). Drawer in anthracite-stained solid oak with interior covered in Divina graphite fabric.

Desk H 74 W 170 D 80 Chest H 50 W 90 D 54/44

Overall width of combination 230

Desk H 85 W 137 D 63.5

EVERYWHERE CHRISTIAN WERNER

LITHO THIBAULT DESOMBRE

A robust oval work surface finished in a choice of gloss white, pure white, mastic, argile or elephant lacquer. Pivots on 2 lockable castors whilst resting on a ‘foot’ fixed to the top of a chest (with 2 drawers, or rails for hanging files).

A poetic approach to the workspace. The left-hand section with one drawer is finished in oak veneer, whilst the right-hand section creates an elegant contrast with its satin lacquered finish, in a perfect marriage of colours. Legs are in solid oak, matched to chest. To the rear, a mattchromed steel crossbrace brings stability. Interior of drawer lacquered to match the finish of right-hand top. Available in natural or black-stained oak with satin white, moutarde, perle or plomb lacquer.

Top H 74 W 150 D 88 Chest H 50 W 90 D 54/44

Overall width of combination 210

Dimensions H 78 W 130 D 61

183

LIGHTING 186 > 199 RUGS 200 > 207 ACCESSORIES 208 > 213

GAVRINIS 3 PIERRE PAULIN

LIGHTING

DECORATION

185

LIGHTING

CHROME BELL PATRICK ZULAUF

187

BUL

BLOOM HIROSHI KAWANO

LA CHINOISE PASCAL MOURGUE

Floor lamp with base & stem in black or white satin lacquered steel with matching chintz shade.

Adjustable light offering two positions depending on the angle of the stem: a reading light H 145, or a floor lamp H 185. Structure in matt black or white-painted metal, with matching neoprene shade.

An unusual floor lamp & ceiling light from a young Japanese designer – two highly graphic creations which we discovered at the ‘Young Design Ausstellung’ at the IMM Cologne 2007. The shade consists of black or white interlocking rings cut from polyether foam. Metal stem is finished to match shade.

Height-adjustable floor standard lamp with pivoting white chintz shade.

Max dimensions when open H 202 W 268 D 65.5 Dimensions when closed H 198 W 133

shade Ø 65

Floor lamp/reading light H 145/185 W 186;

Floor standard lamp H 185 Ø 55, overall width W 168 Ceiling light H 185 Ø 55; H 255 Ø 80

Floor lamp H 182.5 Ø 60

DIMENSIONS T. DESOMBRE

LAMP 06 NATHALIE DEWEZ

PASCAL MOURGUE P. MOURGUE

A large floor lamp with pivoting stem in square-section curved metal finished in satin-finish black or white lacquer, with brilliant-chromed pull-out section. Black lacquered lamps: black cotton shade with white interior. White lacquered lamps: white cotton shade with white interior.

Reading light in Epoxy ribbed matt black lacquered metal wire Ø 5 mm. The LED module rotates 180° & may also be removed from the structure. Black PVC cable & foot switch. Plug-in LED driver supplied with interchangeable plugs: Euro, UK, US. This light contains integral LED lights of energy class A+.

Reading light, table lamp & bedside light with bases, stems & shades in gloss copper finish

Floor lamp & reading lamp with bases & stems in brilliant chrome & shades in black or white cotton. Table lamp & bedside lamp with bases & stems in brilliant chrome & shades in black or white cotton, or with base, stem & shade in red or white.

Reading light H 116 Ø 49

Reading light H 170 Ø 45 Table lamp H 80 Ø 23 Bedside light H 48 Ø 12

Floor lamp H 198 Ø 45 Reading light H 170 Ø 45 Table lamp H 80 Ø 23 Bedside light H 48 Ø 12

SOLVEIG AVRIL DE PASTRE

TRÉPIED NORMAL STUDIO

HEADLIGHT LARA GRAND

SAM

Floor lamp with reflector in repoussé sheet steel with gloss white lacquered interior. Shade is connected to base by a magnet, which enables the angle of the reflector to be modified. Solid tubular base in black lacquered steel with black plastic gliders; matt nickel light fitting cover; grey textile cable; black foot switch.

Floor lamp with structure in Epoxy satin black or white lacquered steel & embossed aluminium reflectors (satin lacquered on the exterior & anodised on the interior). The 3 reflectors are equipped with magnets & may be positioned & angled freely along the length of the stem. Now also available as a wall light with 2 reflectors (above bottom). Apologies, ceiling light pictured top is no longer available.

Floor lamp with Epoxy satin black lacquered steel structure. Generously-sized circular directional PMMA diffuser. Black textile cable & black foot-operated dimmer switch.

Luminous totem in white lacquered aluminium with matching base. Equipped with fluorescent tube & halogen light.

Floor lamp H 181 Ø 30

Floor lamp H 181.5 W 36 D 25

Floor lamp, arm fully extended H 228 W 240 Floor lamp, arm folded H 200 W 126

Floor lamp H 195 W 70 D 70

Floor lamp H 210 W 47 D 47 Wall light H 100 W 20 D 21

LIGHTING

OUVERTURE PHILIPPE DANEY

189

MAMA THIBAULT DESOMBRE

BAROQUE NATHAN YONGE

AMIS DE JEAN GABRIELA CHICHERIO

Cinétique's articulated counterbalance system renders it just as much a floor lamp as a reading light, providing both general indirect lighting & directional light. Epoxy satin black lacquered steel tubing Ø 20 mm. Round steel base Ø 40 cm. Black textile cable. Black foot-operated switch/dimmer. 20 W LED module.

Floor lamp with counterbalance-controlled arm with waxed concrete base & black or white taffeta shade.

Reading light with stem composed of a stack of components in matt or gloss black lacquered turned wood & an intermediate piece in copper-plated steel. Base in repoussé steel finished in Epoxy matt black lacquer. Black PVC cable with black foot switch.

Floor lamp & wall light in black lacquered steel with directional base (amplitude of 160°); black lacquered aluminium shade set on a ball-&-socket joint; black textile cable (L 300 cm) with foot switch. Also available as a suspended ceiling light.

Floor lamp H231 W 170

40 D 67

Reading light H 136 W 29

Floor lamp H 184 W 78 D 32 Wall light H 58 D 138 Ø 20 Ceiling light H 180 Ø 20

MÉLUSINE PETER MALY

SPILLA PASCAL MOURGUE

NAJA PHILIPPE MOINE

ADAMAS HEKLA

Floor lamp with solid walnut tripod structure & anthracite lacquered steel ring. Shade in repoussé steel, finished in blanc cassé (off white) lacquer on the interior & anthracite on the exterior, or entirely in blanc cassé as shown. Black textile cable & switch. Supplied with an LED bulb (energy class A).

Reading light & floor standard lamp in steel wire Ø 12 mm, bent to shape & finished in textured satin white lacquer or textured brass effect with matching chintz shade. The reading light is angled at 10°, whereas the floor lamp is straight.

Reading light with starkly pared-down lines. Base & flexible stem (Ø 21 mm) in stainless steel; stem is laser-cut in the middle & thus can bend. Black cable & foot switch.

A simple, effective design with no visible mechanism or structural element. Stem in satin black lacquered steel. Magnetized illuminated arm in satin varnished turned solid oak; this is directional & may also be used as a portable light. 30 cm LED ribbon. Black electric cable. Black foot switch.

Floor lamp H 170 W 52.5 D 52.5

Reading light H 150 W 41 D 35 Floor lamp H 175 W 41 D 35

Reading light H 160/208 W 100 D 35 Table lamp H 45/81 W 56 D 22

Reading light H 130/165 W 60 D 17

ASOLA EVANGELOS VASILEIOU

LUCIE ELIA GILLI

CALOT PATRICK ZULAUF

Floor lamp with stem & shade (Ø 60 - H 30 cm) composed of two perforated steel cylinders. The upper section of the cylinder-stem has an anti-glare dome in repoussé steel. Epoxy white lacquer finish. White PVC cable & white foot-operated dimmer switch. Equipped with 1 x 115 W E 27 Eco halogen standard (classic A) bulb). 2,135 Lumens.

Chromed base & stem; shade in transparent PMMA. Pivoting stem mounted on a ball joint. Pivoting reflector. Transparent cable. Touch switch/dimmer located at top of stem. 6 W LED (400 Lumens) - or in the case of the double-stemmed reading light, each stem has a 6 W LED (800 Lumens) 3000 K (warm white). Energy class A+.

The elegance of this reading light arises from the slimness of its stem, which is planted into a marble base & topped with a transparent resin shade. Softness, poetry & balance all give this light a timeless, indispensable character. Base in white marble with chromed steel stem, white PVC cable & white switch; or in black marble with stem in brass-plated steel, black PVC cable & black switch. Shade Ø 14 cm with a polished, frosted section for the bulb..

The elegance of this table lamp arises from the slimness of its stem, which is planted into a marble base & topped with a transparent resin shade. Softness, poetry & balance all give this light a timeless, indispensable character. Base in white marble with chromed steel stem, white PVC cable & white switch; or in black marble with stem in brass-plated steel, black PVC cable & black switch. Shade Ø 9 cm with a polished, frosted section for the bulb.. .

Reading light H 115 Ø 14

Table lamp H 38 Ø 9

Floor lamp H 140 Ø 60

Floor lamp when 'open' (left) H 200 W 40 D 177 Floor lamp when 'closed' (right) H 164 W

Table lamp H 56 W 12 D 12 Single reading light H 128 W 15 D 15 Double reading light H 128 W 20 D 16

LIGHTING

CINÉTIQUE MARTIN HIRTH

191

SPOK THIBAULT DESOMBRE

SITAR CHRISTIAN WERNER

A striking range of lights with small shades made from semi-transparent borosilicate glass. When unlit, the shades are golden brass in appearance; when illuminated, the brass-coated glass becomes transparent, with the bulb visible in a hologram effect. Metal base & stem, finished in Epoxy satin black lacquer. Shown here: floor lamp.

Floor lamp with metal base Ø 40 cm & telescopic tubular metal stem Ø 15 mm, finished in ribbed Epoxy matt black lacquer. Shade in repoussé metal H 18 Ø 40 cm with exterior in ribbed Epoxy matt black lacquer & satin white lacquered interior. Stem in clear matt varnished bent beech.

The name Sitar suits this superb table lamp perfectly: the depth & brilliance of the black finish of its shade & base bring a note of luxury, much like the sitar itself. Table lamp with weighted base (Ø 13.5 cm) & shade (H 6 - Ø 26 cm) in mass-coloured mouthblown black glass. Stem (Ø 8 mm) in black lacquered steel. Black textile cable & manual switch.

Floor lamp H 222 W 156 D 40

Floor lamp H 147.5 W 29.5 D 19

Table lamp H 31.5 Ø 28

SKIA VINCENT TORDJMAN

NANI FRÉDÉRIC SOFIA

DURHAM ERIC JOURDAN

The designer’s intention, to project light in 2 opposite directions onto each face of a reflective screen, translates into a minimalist piece. 2 small projector tubes on a very slim stem reflect the light onto both sides of a disc-shaped white lacquered metal reflector. Base & stem finished in ‘plomb’ (leadcoloured) lacquer.

Turned natural solid beech & mouth-blown white opal glass come together in these high-quality lights. On closer inspection it becomes clear that the shade can also be set slightly wonky, as if it has been blown askew by the wind. White PVC cable with foot switch.

This floor lamp is clearly Fifties-inspired. A high-quality light with a focus on quality of materials, with a shade in mouth-blown opal glass, base in grey Tuscan (Pietra Serena) stone & stem (Ø 21 mm) in brushed stainless steel. Anthracite textile cable & black foot switch.

Floor lamp H 170 Ø 34 Table lamp H 60 Ø 22

Floor lamp H 198 W 44 D 48

Floor lamp H 180 Ø 48

ONDULE CHAPE&MACHE

A table lamp with an undulating silhouette, comprising a bent tube (Ø 12 mm), partly finished in Epoxy satin black lacquer & partly copper plated. Black textile cable & manual switch. The duality between the matt black & the copper colour accentuates its asymmetrical geometry.

A wall light with an undulating silhouette, comprising a bent tube (Ø 12 mm), partly finished in Epoxy satin black lacquer & partly copper plated. Black textile cable & manual switch. The duality between the matt black & the copper colour accentuates its asymmetrical geometry.

Table lamp H 32.5 W 38 D 17

Wall light H 44 W 20 D 18.5

COUPOLE GRÉGOIRE MOINARD

GELATO PRISCA RENOUX

Table lamp comprising a tray in repoussé metal, Ø 22 cm, thickness 2mm, finished in Epoxy satin black or red lacquer. Spherical shade Ø 12.5 cm made from acid-frosted glass. Black PVC cable & manual switch.

Small table lamp with shade in mouth-blown opal glass, set on a white lacquered metal tripod base. Very attractive when placed on a desk or in a bedroom. Transparent cable with manual switch.

Table lamp H 19 Ø 22

Table lamp H 51.6 Ø 25

PAPER LAMP RENÉ BARBAL

JALI MARIE CHRISTINE DORNER

Unusual lamps with satin black lacquered steel structure and non-woven shade in fire-retardant 70 % polyester / 30 % polyamide, with imprinted front face & white rear. Large version is printed with a square motif; small version has vertical stripes.

1 shape, a kind of sphere. 2 products, a craftsman-made sphere of brass mesh & an identical sphere in opaline glass. By superposing them, one obtains a vase topped with a grid through which flowers can be threaded. Individually, both can also be used as a table lamp.

Small H 47 W 26 D 5 Large H 57 W 26 D 8

Table lamp in opaline glass/brass mesh H 22/23.5 Ø 24

CHICA-BOUM NUMÉRO111

ASOLA EVANGELOS VASILEIOU

Table lamp comprising a ridged base, the pareddown lines of which welcome a beautifullyshaped mouth-blown glass globe augmented with a fine brass ring. The opaque glass produces a soft, enveloping light. Ribbed, lacquered MDF base. Black cable with manual switch.

Thanks to its perforated metal structure, this table lamp is not only decorative but also functional, allowing warmth to circulate & filtering the light. Base & shade made from 2 perforated white lacquered steel cylinders. Top section of base has a domed white lacquered metal cover.

Table lamp H 30 W 35 D 32

Table lamp H 45 Ø 41

NEIL

CAMPANULE D. DEBIASI & F. SANDRI

CHANTAL STEPHEN BURKS

MINIKIN FABIEN DUMAS

A minimalist, functional piece, the pleasant, intimate indirect light from the lateral silver-crowned bulb of the Neil small table lamp will be welcomed anywhere in the home : in a hallway or living room, on a desk or bedside table... Cylindrical base Ø 10.7 cm in matt lacquered ceramic in a choice of rouge beige (RAL 3012), bleu gris (RAL 5008) and vert réséda (RAL 6011). Black textile cable, black manual switch/dimmer.

Range of table lamps finished in textured white, aniseed or black textured lacquer.

Table lamp with base & shade in clear or opal mouth-blown glass. Red textile cable & black manual switch.

Little bubble-like light with satin black lacquered base. Mouth-blown glass shade, mass-coloured in shades from white to clear. Black PVC cable. Black manual switch.

Table lamp H 21 Ø 11

Table lamp H 32 W 14 D 15

Table lamp H 35 Ø 35

Table lamp H 38 Ø 28.8

LIGHTING

BRASS BELL PATRICK ZULAUF

ONDULE CHAPE&MACHE

193

LIGHTING

CINÃ&#x2030;TIQUE MARTIN HIRTH

195

LUNA ROSSA ANTONIO SIRONI

PARACHUTE NATHAN YONG

A glimpse of the 70s & 80s, as much in terms of its use of white perforated steel & its stylised mushroom shape. Table lamp with stem & shade constructed from two white lacquered perforated steel cylinders. The upper section of the cylinder-stem has an anti-glare dome in repoussé steel. Epoxy white lacquer finish. White electric cable. Manual switch.

The name evokes the shape & colour of the half-spherical shade: this is either artistically rusted then waxed, making each light unique, or in blue patinated steel. Interior is white lacquered in both cases. The light is held up by a taut steel cable & supplied by a black flex. The light source is invisible since the ring of LEDs is concealed beneath a small white lacquered steel dome.

A striking suspended light in matt gold or satin black lacquered steel wire or transparent lacquered copper-plated steel wire. Up to 6 shades may be mounted upside-down or right-side up to create a multitude of different suspended lights (NB compositions must be symmetrical, with more shades pointing downwards than upwards).

Suspended light H 204 Ø 60

Dimensions H 40 Ø 80

Small shade H 49 Ø25; Medium shade H 33 Ø 48 Large shade H 24 Ø 80

CHROME BELL PATRICK ZULAUF

Table lamp & reading light with directional shade in semi-transparent chrome-coloured borosilicate glass. Directional rise-and-fall head rotates 360°. Base & stem finished in Epoxy satin black lacquer. Black PVC round cable; black manual switch. Supplied with 1 x 5 W GU 10 dichroic full glass bulb, angle of diffusion 32°, colour temperature 2,700 K (warm white). 400 Lumens.

1, 3 or 5-cable suspended light with shade(s) in semi-transparent chrome-coloured borosilicate glass (Ø 16.5 cm - H 29.5 cm). Epoxy satin black lacquered round ceiling fitting. 150 cm black PVC round cable(s). Supplied with 1 x 5 W GU 10 dichroic LED (non dimmable) full glass bulb, angle of diffusion 32°, colour temperature 2,700K (warm white), 400 Lumens.

SERPENTINE STUDIO HAUSEN, JÖRG HÖLTJE

GIBOULEE ATELIER BL 119 BLAIN & DIXNEUF

Suspended ceiling light in mouth-blown borosilicate.

In the words of its designers,'Giboulée is a drop of suspended light’. Suspended ceiling light with white lacquered ceiling fitting & opal glass shade.

Reading light H 174.5 W 29.5 D 19 Table lamp H 56 W 16 D 26

Single ceiling light H 182.5 Ø 16.5 3-cable ceiling light H 182.5 W 77.5 D 16.5 5-cable ceiling light H 184 Ø 48.5

Ceiling light (130cm cable) H 55 Ø 18

Ceiling light H 36/191 Ø 16

GLOBE SKY

JOSEPHINE 5D B. DUBOS & R. FARD

PELOTE PATRICK ZULAUF

BRASS BELL PATRICK ZULAUF

Globe Sky takes the shape of the Globe table & wall lights with oval shades (H 52 cm) made from white rotomoulded polyethylene. An elegant lighting solution for many locations. Transparentcable. Half-spherical matt white-lacquered ceiling fitting.

Following in the footsteps of the enormously successful Louis 5D wall light, Josephine 5D is supplied with a connection box for attachment to a wall or ceiling, or alternatively can be plugged into a socket.

Suspended light with shade Ø 55 - H 40 cm in woven paper fibre twine, dyed grey or white. 150 cm transparent PVC cable. Socket cover & ceiling fitting (Ø 13 - H 2.5 cm) in a matt varnished brushed nickel finish. Supplied with 1 x 10 W E 27 PAR 30 (non-dimmable) LED bulb with an angle of diffusion of 40°; colour temperature 3,000K (warm white), 850 Lumens.

1, 3 or 5-cable suspended light with shades H 29.5 Ø 16.5 cm in semi-transparent borosilicate glass. Epoxy satin black lacquered ceiling fitting H 3 W 77.5 D 7.5 cm. Round black PVC cables. Supplied with 3 x 5 W Gu10 dichroic full glass LED bulbs - angle of diffusion 36°.

Small suspended light H 30 Ø 40; cable lenth 150 Large suspended light H 52 Ø 70; cable length 150

Wall light H 37 W 58

Suspended light H 192.5 Ø 55

BONBONNE JEAN-FRANÇOIS D’OR

LOUIS 5D BLANDINE DUBOS

Ceiling light in clear glass. Transparent cable.

Wall light in clear Plexiglass. Shaped like a 17thcentury chandelier, the enlarged shadow of its outline is projected onto the wall behind it.

CYLINDER JONAS FORSMAN LARS WETTRE

Ceiling light H 172 Ø 30

Wall light H 48 W 58

Suspended ceiling light comprising a ceiling fitting (H 5.5 - Ø 9 cm) & cover (H 7.5 cm) in black-coloured silicone with a 300 cm black silicone cable. Supplied with 1 x 4W E27 smoked grey glass LED filament globe bulb Ø 125 mm.

1-cable suspended light H 182.5 Ø 16.5 3-cable suspended light H 182.5 W 77.5 D 16.5 5-cable suspended light H 184 Ø 48.5

DÉSTRUCTURÉE KAZUHIRO YAMANAKA A minimalist suspended light: openings on the two opposite corners allow light to pass through, evoking the changes in the sky as dawn or dusk. Shade in 1 mm thick laser-cut, folded sheet aluminium finished in Epoxy satin white lacquer. White PVC cable (150 cm); ceiling fitting Ø 10, H 2 cm. Supplied with 1 x 9 W E 27 full glass LED (non-dimmable) bulb.

Suspended light H 307 Ø 4.2

Suspended light H 179 W36 D 31

PAPER LAMP RENÉ BARBA

SKIA VINCENT TORDJMAN

MOLD KATERYNA SOKOLOVA

CALICOT NATHAN YONG

An unusual suspended light with a satin white lacquered steel structure & non-woven shade in fire-retardant 70 % polyester / 30 % polyamide, with imprinted front face & white rear to match the table lamps of the same name.

Suspended light in steel finished in ‘plomb’ (lead) lacquer; reflector in iridescent Epoxy white lacquered steel. Black electric cable.

Ceiling light with shade (H 38 cm) & ceiling fitting (H 3 cm - Ø 10.6 cm) in chocolat-coloured concrete. 150 cm dark grey textile cable.

Suspended ceiling light with shade in matt white lacquered or concrete-effect moulded polyurethane foam. The dimensions quoted below are those of the shade.

Suspended light H 42 W 29 D 8; cable length 150

Suspended light H 193.5 W 44 D 48

Suspended light H 191 W 21.3 D 16.7

Suspended ceiling light H 22 Ø 50

LIGHTING

ASOLA EVANGELOS VASILEIOU

197

MAGNET LAMP MICHAEL RAASCH

HEADLIGHT LARA GRAND

A modern interpretation of the classic shaded lamp. Structure in textured satin white lacquered steel. Cylindrical white cotton shade with white PMMA diffuser which come together to create a pleasant lighting ambiance. Shade is magnetized & may therefore be positioned freely at the desired height, whilst its handle enables it to be angled as required.

A modern interpretation of the classic shaded lamp. Structure in textured satin black lacquered steel. Cylindrical black cotton shade with white PMMA diffuser. Shade is magnetized & may therefore be positioned freely at the desired height, whilst its handle enables it to be angled as required.

The Headlight table lamp enables one to control how directly or indirectly it illuminates, thanks to its directional circular diffuser & rotating base. Stem & circular support in Epoxy satin red or black lacquered metal. Epoxy satin black or red lacquered light source with PMMA diffuser. Black textile cable. Black foot-operated switch/dimmer.

The Headlight wall light enables one to control how directly or indirectly it illuminates, thanks to its directional circular diffuser. Stem &circular support in Epoxy satin red or black lacquered metal. Epoxy satin red or black lacquered light source with PMMA diffuser. Black textile cable. Black foot-operated switch/dimmer.

Wall light H 31.5 W 20 D 23

Table lamp H 36 W 23 D 20

Wall light H 31 W 23 D 15

ELIDI INDUSTRIAL ORCHESTRA

CANCAN PATRICK ZULAUF

MANI NUMÉRO 111

QUILLE INÈS LE BIHAN & THOMAS DROZE

Table lamp in satin white lacquered metal with white chintz shade. USB port on base for charging mobile phones, tablets, etc. Integral LED module; manual switch on angled part of stem.

An amused glance at the optimistic 1950s. Floor lamp with structure in tubular steel Ø 14 mm & base Ø 30 mm finished in Epoxy satin black lacquer. Equipped with 3 shades in pleated white cotton. Black textile cable and foot switch. Supplied with 3 x 12 W E 27 LED standard bulbs, colour temperature 2,700 K (warm white), 1,000 Lumens.

Directional wall light - 360° rotation with buffer. Structure in Epoxy matt black lacquered repoussé steel in a ribbed finish. May be wired directly into the wall or mounted on the wall with the flex running down the wall to a plug. Black textile cable. Black manual switch.

An airy table lamp which throws light over more than a metre yet occupies as much space as a pen on the table on which it rests. Copper-plated tube Ø 20 mm & cast metal counter-weight finished in ribbed Epoxy copper lacquer. Natural leather covered support. Transparent PVC cable & manual switch. Plug-in LED driver supplied with interchangeable plugs (Euro, UK, US).

Table lamp H 52 W 22 D 22

Floor lamp H 163 W 58 D 57

Wall light H 20 W 17 D 8.5

Table lamp H 100 W 111 D 6

ANNE ERIC JOURDAN

PIVOT ANNE LUTZ

GLOBE INDOOR/OUTDOOR

OMAGE PHILIPPE DANEY

Table lamp with metal base Ø 23 cm. Metal ‘rise & fall’ shade in an Epoxy satin black lacquer finish. Black PVC cable and black manual switch. Supplied with 1 x 3.5 W E 27 LED full glass bulb, colour temperature 2,700K (warm white), 370 Lumens.

Made from lacquered sheet steel lent volume by three folds, Pivot mounts easily on a wall support, turning on its axis to offer more or less direct light. Directional shade in satin white lacquered folded steel. 50 cm LED ribbon. May be wired directly into the wall or plugged into a socket. Transparent cable & manual switch.

Very pure in design, these lights are intended to provide additional points of light in a garden. Arranged, for example, around a terrace or outdoor table, they will create a pleasant, warm atmosphere. Made from textured white rotomoulded polyethylene (PE) with black neoprene cable (5 m) & black manual switch.

A tribute to Salvador Dali & his famous work, ‘The Persistence of Memory’: a light which illuminates, from the corner of a shelf or sofa end table, its cable taking an active part in the proceedings, making the user’s life easier. Steel structure finished in satin white lacquer. White chintz shade. 3m long transparent PVC cable; transparent manual switch.

Table lamp H 47 W 27 D 23

Wall/ceiling light H 32 W 26 D 16

Outdoor light H 40 Ø 55

Hanging light H 44 W 42 D 40

MUSHROOM NICK RENNIE

SOMERSET ERIC JOURDAN

CALIZ STEPHAN VEIT

Table lamp with shade in white shot-blasted rotomoulded polythene. Culbuto base in machined steel with phosphatized anti-rust treatment, finished with a double layer of Epoxy satin black lacquer.

Collection of lamps in matt opal glass, in the shape of an old-fashioned milk churn. Tube & base in brilliant-chromed or copper-plated metal.

DOLMEN & DOLMEN BÉBÉ PHILIPPE DANEY

Table lamp H 74 W 25 D 31 Reading light H 134 W 30 D 33

Table lamp H 40 Ø 29

BRUME ATELIER BL119 – BLAIN & DIXNEUF A dash of light which pours down or takes off, Brume may be angled upwards or downwards. Satin-finish opaline shade; white lacquered aluminium fitting. May be wired directly into the wall or else plugged into a socket with the cable dangling beneath it.

Wall light H 26 Ø 16

Table lamp H 74 W 25 D 31 Reading lamp H 134 W 30 D 33

Engaging dimmable table lights in opal glass, available in two sizes.

Table lamp with base in transparent glass. Shade in grey metallised glass (becomes transparent when the bulb is lit). Grey textile cable; transparent manual switch/dimmer. Supplied with 1 x 7 W E 27 LED filament globe bulb Ø 80 mm, colour temperature 2,700K (warm white), 560 Lumens.

Mini table lamp H 31.5 Ø 17 Small table lamp H 51 Ø 22 Large table lamp H 72.5 Ø 30

Dolmen H 45 Ø 45 Baby Dolmen H 29 Ø 31

Table lamp H 36.5 Ø 36.5

CAR LIGHT NATHALIE DEWEZ

MÉLUSINE PETER MALY

MÉDUSE

Table lamp with chromed aluminium base & shade in clear mouth-blown glass. Transparent PVC cable. Transparent manual switch/dimmer.

Table lamp with base in walnut & Epoxy satin gris anthracite lacquered steel. Shade in repoussé steel with Epoxy satin white lacquered interior & exterior. Black textile cable & black manual switch. Supplied with 1 x 10 W E 27 LED bulb, colour temperature 3,000 K (warm white), 806 Lumens. Shade is also available with Epoxy satin anthracite lacquered exterior (not shown).

Table lamp with base in clear varnished beech. Shade in white opal mouth-blown glass.

Table lamp H 23 W 16 D 16

Table lamp H 55 Ø45

Table lamp H 55 Ø 31

LIGHTING

MAGNET LAMP MICHAEL RAASCH

199

RUGS

ÉCUME

STUDIO JORAN BRIAND ASSOCIÉS

201

URA

PIERRE CHARPIN ACCESSORIES & TEXTILES

203

ECUME STUDIO JORAN BRIAND ASSOCIÉS

MENHIR DAMARIS & MARC

GAVRINIS 3 PIERRE PAULIN

Hand tufted rug in 100 % wool. Available in standard size in bleu (left) or vert (below)., or with dimensions & colours to choice. For orders in the customer’s choice of dimensions, please allow for a tolerance of +/- 3% in terms of both length and width.

Hand-tufted, sculpted rug in 100¬% wool. Available in blue as shown.

A new version of the Gavrinis rug. The lines of the motif are achieved with subtle sculpting of the woollen tufts which are in two different heights, but the same colour. Rug in 100 % wool, hand tufted & sculpted using tufts of 2 different heights (10-11 mm and 14-15 mm) to sketch out the motifs using a single colour. Available in standard size in beige lin (left), mustard (below left) or grey blue (below right), or with dimensions & colours to choice.

Dimensions 200 x 300

Dimensions 200 x 250

Dimensions 230 x 270

Ocre

Vert

MAQUIS MARTA BAKOWSKI

CHALI

HEX HEX BERTJAN POT

JUNGLE M.-A. STIKER-METRAL

Maquis portrays the coloured patchwork of maquis fronts or sub-Saharan wax pagnes with their geometric or symbolic motifs, with the stylised silhouette of two bar stools beside the simplified menu descriptions typical of the maquis restaurants’ hand-painted signs. Hand tufted, sculpted wool rug with 4 different tuft heights to bring relief, with different-coloured fringes – fuchsia & green – at its two extremities.

Hand woven rug in 100 % pure virgin wool.

Inspired by the traditional kilim, Hex Hex brings together a wealth of small muticoloured triangles coloured in seemingly random fashion. Hand-woven kilim rug in 75 % wool / 15 % silk / 10 % other natural materials, available in almond green (shown left), strawberry or black (both shown below).

Hand tufted woollen rug with stylised palm trees depicted in pointillist fashion, coloured with fresh, mainly pastel shades. The designer seems to use a graphic language inspired by the various needle stitching points, a little as if she had ‘embroidered with felt pens’. Palms & trunks thus melt into a figurative, poetic abstraction, marked by softness & false naïveté.

Dimensions 160 x 240 or 240 x 300

Dimensions 200 x 300

green

Hand woven rug in 80 % New Zealand wool / 20% cotton. White background. Each strand of wool is wrapped with 3 different colours of cotton thread to create a shaded effect across the width of the rug. One side has a 1.5 cm wide plain pink border & the other has a 6 cm wide border in 3 different colours of cotton to give a mottled effect. Available in rose (left) or ocre (below).

Mustard

Grey blue

RUGS

RUE D'HAUTEVILLE MARIE CHRISTINE DORNER

Dimensions 216 x 286

Dimensions 200 x 250

strawberry

GAVRINIS 2 PIERRE PAULIN

SOLO

MARGUERITE

Rug based on Pierre Paulin’s sketches inspired by carved motifs in the Gavrinis cairn on the isle of Morbihan. Hand tufted rug in 100 % wool, with tufts of varying heights (short for the background & short + long for the central motif, which has sculpted edges). Brun-beige background with motif in rouge & brun-beige. Also available with dimensions &/or colours to choice.

Hand tufted rug in 100% pure New Zealand wool. Dimensions & colours to choice (choice of 67 colours).

Rug made from black, white & brown natural cowhide, or in ebony, caramel, chocolate, grey or black. Please bear in mind that since each hide is unique, the markings on each rug will vary.

black

Approx. dimensions 5 m2

caramel

black

ebony

chocolate

Dimensions 200 x 300, or to choice

Dimensions to choice.

MÉMOIRE D'UNE TRAME CONSTANCE FRAPOLLI

SOFTISSIMO

METROPOLE SIW MATZEN

MIX & MATCH

Rug in 65% polypropylene/35% polyester with Alcantara edging. Shown left in gris beige; also available in the colours shown below.

Kilim rug in 80% wool / 20% cotton. Available from stock in London (brun bleu) or Cairo (moutarde).

Hand woven rug in 100% New Zealand wool. Available from stock in beige, argile (shown left), grey or black.

Dimensions 200 x 240

Dimensions 200 x 300, or to choice

London

beige

‘Mémoire de trame’ (frame memory) is a technical expression from computer graphics, yet the rug of that name calls on the traditional technique of hand knotting to achieve a meticulously detailed macrophotographic representation of a multicoloured weave. Hand knotted rug in 90 % wool / 10 % cotton (48,000 knots/m2). Shown left in bleu; also available in brique (below).

Dimensions to choice

prune

safran

menthe

gris brun

gris clair

bleu clair

rouge

ébène

écru

Dimensions 200 x 300

brique

black

grey

205

PIED DE COQ

TRIS AMANDINE CHHOR & AÏSSA LOGEROT

SOFT ET DOUX

A wonderfully striking rug with an original graphic motif which combines a subtle colour scheme with the very current theme of pixelation. The end result is both warm and modern. Hand tufted rug in 100 % wool. Shown here in noir et blanc; also available in chiné noir et blanc (not shown).

3-colour Kilim rug in tufted wool.

Machine-tufted rug in 82% polyester/18% pure New Zealand wool. Choice of blanc, crème, gris, bleu or noir (shown left).

Machine-tufted rug in 82% polyester/18% pure New Zealand wool. Choice of blanc, crème, gris, noir or bleu (shown left).

Dimensions to choice.

gris

bleu

Standard dimensions 200 x 300

Dimensions 170 x 240

gris

ENTRELACS MARIE-AURORE STIKER-METRAL

ROBIN NUMÉRO 111

BIKANER

Hand-tufted rug in 100% wool, sculpted to produce an arresting woven effect. Available in bleu as shown, or in safran (see opposite).

Hand-tufted rug in 100% wool, sculpted to produce an arresting woven effect. Choice of safran as shown, or bleu (see opposite).

Rug in hand tufted wool - choice of 4 colours including vert foncé (shown left). Here the designers worked with texture, sketching out a landscape inspired by images from Google Earth. The idea was to create a space within a space, an exterior in one’s interior.

Hand tufted rug in 100% wool. Available in square/ rectangular or round versions with dimensions & colours to choice (choice of 67 colours). Minimum dimensions 100 x 100 for the square rug; 100 x 120 for rectangular; min. Ø 100 for the round version.

crème

blanc

gris

crème

blanc

Dimensions 207 x 297

gris lumière

ROPE

RYTHMUS PETER MALY

FIBER WOOD

Indoor/outdoor rug in woven recycled PET cord with internal core in non-woven polyester. Colours inspired by natural outdoor elements: chestnut (earth), grey (mineral), slate blue (sky), etc. Shown left: slate blue.

Woven wool rug with decorative pompoms at the ends of each stripe. Available with background in argile or gris bleu, with coloured striped motifs. Shown left: argile.

Dimensions 200 x 250, or to choice

Dimensions 200 x 300

Rug in TENCEL®, a material produced from the pulp of the eucalyptus tree, which grows rapidly without the use of water or pesticides. TENCEL® is thus much more ecological than other natural fibres such as cotton. Softer than silk, it is strong, easily maintained & will not lose its colour despite repeated washing. Shown left in argile.

kaki

Standard dimensions 200 x 300

Dimensions 200 x 300

gris bleu

beige

green

grey

bleu nuit

slate blue

grey

bleu nuit

grey

chestnut

argile

grey

chestnut

argile

Lorem ipsum

Dimensions to choice (see above for minimum dimensions)

light gray

SHAZIA MONA RONTEIX

TRAMAGE VINCENT TORDJMAN

QUADRIC RENÉ BARBA

Tufted rug in wool & viscose. Choice of rose (main picture) or beige (below)..

Hand tufted rug in 100 % wool (with no sculpting). Gradations of four shades (pearl grey background, plus rose bonbon, vert patine & vert olive). Please allow for a tolerance of +/- 3 % in terms of length & width.

Hand-woven rug in 100 % wool. Choice of rouge prune (shown left), blanc, noir or rouge bordeaux (not shown). Please allow for a tolerance of ± 3 % in terms of length & width. Also available in kilim version.

Hand-woven kilim rug in 80 % wool/20 % cotton. White background with black lines, or black background with white lines. Please allow for a tolerance of ± 3 % in terms of length & width. Shown left in blanc. Also available in tufted wool version.

Dimensions W 300 L 260 or to choice.

blanc

noir

Dimensions 200 x 300

Beige

INDOOR & OUTDOOR

gris ardoise

RUGS

Standard dimensions 200 x 300, or to choice.

Rouge bruni

Dimensions 200 x 300

noir

rouge prune

207

TONKA ALICE ROSIGNOLI

Large hand-woven jar in woven heart rattan. Each one is unique, reflecting the creativity & mood of the person who made it by hand.

Small hand-woven jar in woven heart rattan. Each one is unique, reflecting the creativity & mood of the person who made it by hand.

H 80 Ø 93

H 43 Ø 46

Tubes H 150 / H 130 / H 110 Ø 5

Small H 45 Ø 22 Large H 60 Ø 29

SAMOURAÏ M.-A. STIKER-METRAL

PRESSION MÁRCIA BRILHA & MARTA FRUTUOSO

ORIGAMI PETER MALY

LUNDI 22/02 GUILLAUME BARDET

Vases in 3 layers of glass, acid-treated to finish. Choice of 2 sizes ; available with white exterior & matt black interior.

Vases in unfinished-effect enamelled earthenware. Choice of black (small), grey-blue (medium) or white (large). Now also available in mouth-blown glass in shades of azure.

Small H 14 Ø 12 Medium H 24 Ø 18 Large H 28.5 Ø 24

KASCHKASCH KASCHKASCH

CAR LIGHT NATHALIE DEWEZ

Vase in sheet steel, finished in transparent varnished nickel plate, polished copper or brushed polished brass. Internal vase in clear glass (dimensions H 11 Ø 8) .

Vase in mouth-blown glass, blown into a mesh-lined cylindrical mould. Choice of 4 colours : transparent, ambre, gris, prune.

Short neck H 39 W 16 D 13 Long neck H 39 W 12 D 10

H 12 Ø 22

H 34 Ø 14/16

WO VINCENT TORDJMAN

OAN MICHAEL KOENIG

CELLS VINCENT TORDJMAN

DAPHNA ITAMAR BURSTEIN

Wo (Chinese for whirlwind) is animated by a movement of fluid torsion. Appearing different from every angle from which it is viewed, the shape invites one’s gaze to move over it. Vase in gloss enamelled porcelain. Available in white or sky blue.

Vases in gloss nickel-plated aluminium (far left) & hand-cut indigo blue-coloured mouth-blown glass (irght).

Vases in moulded enamelled earthenware. Colour: gris brillant.

A good height vase in white enamelled faïence. Its broken lines bring this vase particular charm which will serve to showcase the widest range of bouquets, from the natural look to the more sophisticated kind.

H 32 W 25 D 26

MOLD KATERYNA SOKOLOVA

JO ERIC JOURDAN

Vase in gris or chocolat-coloured moulded concrete. A test tube in borosilicate glass (H 37 Ø 2.6 cm) is set into the interior, along its full height, to take flowers.

Vases in moulded ceramic finished in pale pink, pale green or beige moulded enamelled ceramic with glossy front face &matt sanded finish on the rear (rounded).

Vase in gloss white enamelled moulded earthenware, bearing the designer’s signature.

POLYGON ITAMAR BURSTEIN Vase in gloss white enamelled moulded earthenware, bearing the designer’s signature.

H 50 W 21 D 29

Small H 30 W 16 D 12 Medium H 42 W 12 D 10 Large H 51.5 W 15 D 13

H 50.5 Ø 33

ASIRA AURELIE TU

LIMA

POCKMAN EVANGELOS VASILEIOU

Apologies, this item is no longer available in the UK & Ireland.

Tray in natural satin varnished solid black-stained ash or natural satin varnished solid European walnut.

Trinket holder in rouge brun-coloured moulded lacquered aluminium (shown left) or in brilliant-polished aluminium (not shown).

H 5.6 W 57.5 D 38

H 10 Ø 21

Glass H 24 Ø 23 Aluminium H 18 Ø 18

H 31.5 W 13 D 12.5

H 15 W 8.5 D 7

White or sky blue ceramic vases in the shape of the first shoots of a plant, which may be dressed with twigs or flowers.

Large H 40 W 21 L 36 Small H 25 Ø 15

H 55 Ø 22; H 40 Ø 15.5

H 38 W 21.3 D 16.7

POLYGON MINI ITAMAR BURSTEIN

Vase in moulded, vitrified biscuit porcelain, finished in matt grey or gloss white enamel.

Vases comprising 3 tubes in gloss black or gloss white lacquer.

ROSEAU NOÉ DUCHAUFOUR-LAWRANCE

ACCESSORIES

Vase in blue mouth-blown glass, moulded & cut to obtain the motif at the top of the neck – evocative of the armour of a Samurai warrior.

CUTTING JEAN-FRANÇOIS D’OR

209

LES OISEAUX PASCAL MOURGUE

A sphere of brass mesh & an identical one in opaline glass. By superposing them, one obtains a vase topped with a grid through which flowers can be threaded.

Vase in white moulded enamelled ceramic with black motif. Available in large or mini versions.

Vase in opaline glass/brass mesh H 42 Ø 24

PÁJAROS MOISÉS HERNÁNDEZ DESIGN

Set of 3 decorative birds in black-stained solid ash as shown or in matt-finish multi watercolour.

Set of 3 decorative birds in black-stained solid ash or in matt-finish multi watercolour as shown.

Mini H 15 W 10.5 D 7 Large H 33 W 15 D 22

Hummingbird H 10 W 16 D 4 Quetzal H 9 W 20 D 5 Toucan H 13 W 21 D 7

SACOT CHARLOTTE JUILLARD

SILICATE PHILIPPE DANEY

ALONG

CHARMOTTE LEE WEST

Sacot, which signifies a leather bag in Provençal, is a small storage basket with a sober, pared-down demeanour. Basket in black split leather with cord in grey through-dyed 100 % polyolefin (a synthetic polymer).

Plate stand in moulded aluminium.

Low or high baskets in grey (shown left) or black woven rattan.

Baskets in painted woven rattan; handle(s) in brown pigmented cowhide with stainless steel rivets.

H 17 W 40 D 40

H 1.5 Ø 24

H 35 Ø 56 & H 45 Ø 35

Small (jade) H 25 Ø 26 Medium (brown) H 19 Ø 50 Large (grey) H 30 Ø 50

CARRA TOUS LES TROIS

KOTORI MARIE CHRISTINE DORNER

MIRROR CLOCK MARTIN HIRTH

ABBESSE NUMÉRO 111

Table centrepiece comprising a piece of Carrara marble & a piece of polished black Marquinia marble.

Kotori means ‘little bird’ in Japanese. Fitting into the palm of the hand, it has a calming power, it is soft. Decorative bird in natural cork or in transparent varnished solid walnut, incorporating the designer’s signature.

Clock/mirror with satin black lacquered steel support, mirrored glass & hands in black lacquered aluminium.

Screen in grey lacquered steel ; white marble tray with 5 candles on top.

Ø 53.5 D 6.7

H 24 W 33 D 18

Carrara W 26.5 D 18.3 Marquinia W 26.6 D 19.3

H 9 W 6.7 L 18

EPOF TOUS LES TROIS

EVLAN TOUS LES TROIS

PONCTUEL FRÉDÉRIC SAULOU

TEMPS VÉCU VINCENT TORDJMAN

Place mats in black vinyl with stamped cutout motif.

Plate stand in plain or black moulded aluminium.

Wall clock in linseed oiled natural violet slate with sanded finish between grooves. The hands are black and the second hand is gold-coloured. Supplied with 1 x LR 6 1.5 V battery.

This clock measures the minutes with precision. It invites us to consider the good fortune, the opportunity represented by each moment in its current radiance. Round metal structure finished in ribbed Epoxy satin white lacquer. The hour markers are illuminated with an LED ribbon which throws shadows onto the metal surface to show the passing of the minutes & hours.

W 30 L 45

H 1.5 W 21 D 32

Ø 24 D 4.1

Ø 64 D 7

GRAFICOS TOUS LES TROIS

PAN PAN B. KUEHNE-THOMPSON

PLEINE LUNE STUDIO DREIMANN

TEMPS LIBRE FLORIAN SCHMID

Decorative rabbit in pale pink, pale green or beige lacquered moulded resin.

Clock in black split leather. The position of the hours is marked in white stitching.

H 25 W 20 L 30

Ø 65; thickness 3.9

Small version : Chest in 40 % MDF & 60 % resin with irregular squared motif. H 11 W 15 D 15 Large version : Chest in 40 % MDF & 60 % resin with regular squared motif. H 14 W 21 D 31

Wall clock in black lacquered laser-cut steel. Supplied with 1 x LR 6 1.5 V battery.

Ø 45 D 3.4

ACCESSORIES

JALI MARIE CHRISTINE DORNER

211

FANTÔMES VAULOT & DYEVRE

KYPHI M.-A. STIKER-METRAL

COPENHAGUE COCO HELLEIN

ALTIPLANO

A way of tidying things away without actually having to move them! Set of 3 curio covers in satin white lacquered repoussé aluminium.

Diffuser for cubes of solid perfume with base in cast brilliant-polished aluminium & upper section in matt brushed brass, or with base in cast gloss nickel-plated aluminium & upper section in gloss nickel-effect brass. Incorporates the designer’s signature.

Throw in 100 % mohair. Mechanically woven. Dry clean only.

Throw in 100 % baby llama wool (from the first shearing, with an exceptional fineness of 20 microns). Mechanically woven with fringed motif. Reversible, in grey striped finish.

H 17.5 Ø 11,5

W 140 L 180

W 180 L 140

QUAI LARGO MARIE-AURORE STIKER-METRAL

CENT POUR CENT

HANAKO ENSCI

Throw. Avaialable in petrole as shown, or in white, fauve or grey (not shown).

The result of exhaustive research into new looks for fabric & new reliefs. Many weaving techniques – methods of crossing warp & weft threads – were worked & combined with effects achieved using coloured threads. Throw in 100 % merino wool. Mechanically woven. Dry clean only.

ALVOR Cushion cover in 33 % cotton / 67 % linen, with zip closure. Cushion interior filled with 100 % polypropylene with 100 % polyester cover.

A luxurious craftsman-made chest made entirely from hand-carved solid rosewood. Only 75 numbered pieces have been produced, with the piece number punched into the underside of the lid.

W 30 L 50

Storage chest H 20 W 38 D 18

W 180 L 220

PIED DE COQ

GUIPURE

MOSCOU

SPUMA

Bedding in white 100 % cotton with visible faces in ‘Pied de coq’ fabric; backs in white ‘Tonalité’ fabric.

100 % cotton bedding, available with or without embroidery for sleep areas W 90/140/160/180 cm. Choice of 7 colours. Duvet covers, fitted sheets, top sheets, pillowcases & bolster cover.

Throw in fake fur (base in woven polyester, with pile in acrylic & modacrylic). Lining in 77 % polyester / 23 % cotton. Dry clean only.

Hand woven throw in 52 % wool / 33 % acrylic / 15 % nylon. Choice of ranger, tartan or moutarde.

W 135 L 200

W 140 L 180

TONALITÉS

POINTILLÉ

Bedlinen in 100% cotton satin (115 g/m2) with Venice openwork (NB not flat sheet). The 60 x 60 & 80 x 80 pillowcase has 4 flounces, whilst the 70 x 45 pillowcase has 2. Colours may be selected from a swatch of 98 colours – please ask your Ligne Roset stockist for further details.

Bedcoverings & pillowcases in 100% Egyptian cotton. Dotted design on upper side; reverse is plain white.

SMOCK CORALIE MIESSEN

W 140 L 180

DOLCE LANA Throw in 70 % wool/30 % alpaca wool.

Woven throw in 84 % virgin wool / 9.1 % merino / 4 % angora / 2.7 % polyamide / 0.2 % elastane. Choice of chair or moutarde.

Available in a range of dimensions.

W 140 L 180 W 130 L 165

RAYÉ

JUNGLE M.-A. STIKER-METRAL

VARIATION

VANOISE

Range of bedding in white 100 % cotton with visible faces in black-striped ‘Rayé’ fabric & backs in white ‘Tonalité’ fabric.

Cushion cover in machine embroidered 100 % cotton (dry clean only). Cushion interior filled with 100 % polyester fibre.

Hand woven throw in 100 % yak wool. Dry clean only. Choice of colours: curry or bordeaux.

Throw in fake fur (base in woven polyester, with pile in acrylic & modacrylic). Lining in 77 % polyester / 23 % cotton. Dry clean only.

W 120 L 180

W 135 L 200

W 30 L 50

VOYAGE

CHEVRONS EVANGELOS VASILEIOU

ZELLIGE

ELECTRO

Travelling rug with case. Hand woven 100 % yak wool. Available in bleu nuit/noir, brun/sauge, rouge bordeaux/rouge. Dimensions when folded in its case: 25 x 30 x 2 cm.

Cushion cover in machine embroidered 100 % cotton (dry clean only). Cushion interior filled with 100 % polyester fibre.

Throw in 100% cotton.

Throw in 100% woven cotton.

W 160 L 100

W 30 L 50

W 130 L 220

W 130 L 170

ACCESSORIES

Small H 18 Ø 17 Medium H 28 Ø 25.5 Large H 38 Ø 34

213

FABRICS, LEATHER, ADVICE: WE’RE HERE TO HELP Bring your imagination to life! Ligne Roset offers a wide choice of upholstery materials, enabling you to really personalise your living space. The possibilities are endless: more than 500 different permutations of fabrics, colours & qualities; a wealth of choice in terms of look, style, light resistance, durability & ease of maintenance… cottons, jacquards, velours, wools & microfibres in a multitude of colours, both muted & bright: all carefully selected & rigorously tested by Ligne Roset. Not forgetting, of course, leather, made from the highest-grade hides from European cattle. Your Ligne Roset stockist will be delighted to help you choose exactly the right covering material & will also offer advice on aftercare, elaborating on any particular care requirements your chosen covering material might have: this is of particular importance if you have children or pets, or other specific issues

with regard to lighting conditions or usage. It’s worth considering too that Ligne Roset furniture offers a pleasantly soft sit & cannot therefore be too tightly upholstered. This naturally means that some creasing may become apparent with use: this will vary from model to model but is perfectly normal & is part of the character of each piece. To enable your Ligne Roset upholstery to give you years of faithful service, we strongly advise you to take note of the care instructions supplied with each model. They contain many hints & tips on day-to-day care, including advice on stain removal & general cleaning. If you are in doubt on any point, your Ligne Roset stockist will be only too happy to answer any questions you may have.

OUR AIM: YOUR TOTAL SATISFACTION – A CONVINCING OFFER, WITH THE SERVICE TO MATCH.

INNOVATION

COMPETENT ADVICE

At Ligne Roset, innovation is our tradition. As a pioneer & critical observer of societal change, Ligne Roset is continually forging new paths, collaborating with both prominent designers & new young talent from all over the world. Whether ground-breakingly innovative or just plain elegant, each & every one of our designers’ creations will last for decades – & their appeal will be timeless.

Your sales advisor will help you find the best possible solution for your living space, to perfectly suit both your taste & your requirements – selecting them from our broad collections of upholstery, tables, chairs, sideboards, beds, storage furniture, lighting & accessories.

THE EXPERIENCE OF A MARKETLEADING BRAND

A COMPLETE SERVICE

For Ligne Roset, contemporary design means quality, continual technical innovation & longevity. Every one of our pieces is the product of more than a century’s worth of conscientiousness & expertise. Since 1860, most Ligne Roset furniture has been produced in our factories near Lyon, France – then, as now, with the help of the latest production methods. Even so, we cannot & will not replace one vital element: handwork. So it isn’t just the design which makes each Ligne Roset piece completely individual & unique!

Your Ligne Roset stockist will deliver, assemble & check your furniture, & in most cases dispose of the packaging. He will advise on how best to take care of your new furniture, but please also take time to read the care instructions which are supplied with it. And it doesn’t just end there: whether you need to clean or replace your covers, replace a part or buy something new, you can always count on Ligne Roset, wherever you happen to be in the world.

A TRULY INTERNATIONAL DISTRIBU- OUR WEBSITE TION NETWORK

Discover more about Ligne Roset, our company, designers, our network of stockists, & get the latest news: www.ligne-roset.com

With over 230 exclusive Ligne Roset stores & 775 retailers in 70 countries, Ligne Roset is accessible almost everywhere & sold by carefully-selected & knowledgeable sales teams. Designed by talented interior architects, the in-store displays will give you exciting & inspirational ideas for your living space.

INFO & SERVICES

LIVE YOUR STYLE. LET LIGNE ROSET HELP YOU LIVE YOUR LIFE THE WAY YOU WANT TO! 215

AWARDS Plumy, Design Annie Hiéronimus, pages 32, 43: • German Design Award Special 2017 Beau Fixe, Design Inga Sempé, pages 69, 72: • German Design Award - Gold 2016 Prado, Design Christian Werner, pages 22-23, 53: • German Design Award - Gold 2015 Nubo, Design GamFratesi, page 180 : • interior innovation award cologne 2014 : ‘winner’

Confluences, Design Philippe Nigro, page 50: • iF product design award 2010 • nominated for the Designpreis der Bundesrepublik Deutschland 2010 • Good Design 2009 • red dot award: product design 2009, ‘red dot: best of the best’ • interior innovation award cologne 2009: ‘Best Item’ • interior innovation award cologne 2009: ‘Best System’ • VIA Label 2009 (valorisation de l’innovation dans l’ameublement) • YOUNG & DESIGN 2009 Pumpkin, Design Pierre Paulin, pages 26, 50, 72: • nominated for the Designpreis der Bundesrepublik Deutschland 2009 • red dot award: product design 2008, ‘red dot: winner’ • interior innovation award cologne 2008: ‘Classic Innovation’

Fifty, Design François Azambourg, page 72: • interior innovation award cologne 2013, ‘winner’ Grillage, Design François Azambourg, page 70: • WALLPAPER award: ‘best use of material 2012’ Cuts, Design Philippe Nigro, pages 107, 123: • interior innovation award cologne 2012: ‘Best of the Best’ Ploum, Design Ronan & Erwan Bouroullec, pages 24-25, 49: • red dot award: product design 2011, ‘red dot: best of the best’ • iF product design award 2012 • interior innovation award cologne 2012: ‘Best of the Best’ • Good Design 2011 • ELLE DECORATION International Design Award 2012 • L’Observeur du Design 2012 • VIA Label 2011 • nomination: Design Week Awards 2012 • nominated for the German Design Award 2013 • nominated for the Designpreis der Bundesrepublik Deutschland 2013 Ruché, Design Inga Sempé, pages 30, 49, 69: • Good Design 2010 • ELLE DECORATION International Design Award 2011 • nominated for the Designpreis der Bundesrepublik Deutschland 2011 • red dot award: product design 2010, ‘red dot: winner’ • interior innovation award cologne 2010: ‘Best Detail’

Moël, Design Inga Sempé, pages 44-45, 49, 71: • red dot award: product design 2007, ‘red dot: best of the best’ • nominated for the Designpreis der Bundesrepublik Deutschland 2008 • Grand Designs Awards 2007: ‘best furniture design’ Facett, Design Ronan & Erwan Bouroullec, pages 31, 49, 71: • red dot award: product design 2005, ‘red dot: best of the best’ • interior innovation award cologne 2005: ‘Best Item’ • iF product design award 2006 • nominated for the Designpreis der Bundesrepublik Deutschland 2006 • VIA Label 2005 (valorisation de l’innovation dans l’ameublement) • Wallpaper* Design Award 2005 • ICFF Editors Awards 2005 Smala, Design Pascal Mourgue, page, 51: • red dot award: product design 2000, ‘red dot: winner’ • iF product design award 2001 • VIA Label 2000 (valorisation de l’innovation dans l’ameublement) • L’Observeur du Design 2001 The following products have also been awarded a VIA Label: Cuts occasional table (2013), Serpentine armchair (2012), Résille table (2012), Giro stool and Stripes and Arnaud lamps (2011)

INDEX A Abbesse

> 211, Adamas > 191, Alburni > 123, Alleluia > 125, Allitération > 84-85, Allungabile > 140, Allungami > 130-131, 140, Along > 211, Alster [~Low Tables > 129, ~Chairs > 159], Altiplano > 213, Altum > 119, Alvor > 212, Amadora > 123, Amédée > [~Settees > 20-21, 52, ~Armchairs > 66, 69, 70], Amis De Jean > 191, Anda > 72, Andy [~Settees > 42-43, 47, ~Armchairs > 69], Anna > 172, Anne > 198, Antigone > 122, Archi > 72, Asembla > 128, Ashera > 123, Asira > 208, Asola > 190, 193, 196, Ava > 135, 138

B Babele

119, Backpack > 71, Baroque > 191, Beau Fixe > 69, 72, Belize > 118, Bendchair > 150-151, 159, Berlin Loft > 58-59, 61, Berretto > 155, Bikaner > 207, Biplan > 117, Biscuit > 119, Black & Blue > 129, Black Forest > 127, Bloom > 189, Bobine > 126, Bonbonne > 196, Bonnie [~Settees > 10, 3839, 51, ~Armchairs > 62-63], Book&Look [~Storage > 9295, ~TV units > 113, ~Sideboards > 146, 147], Bottle > 154, Brass Bell > 192. 197, Brume > 198, Brunch > 122, Bul > 188 >

C Caffè 122, Calicot 197, Calin 158, Caliz 199, Calot >

> 191, Campanule > 192, Canaletto [~Storage > 86-89, ~TV units > 111, 113, ~Sideboards 144, 146], Cancan > 198, Car Light > [~Lighting > 198, ~Accessories > 209], Carra > 210, Cells > 209, Cent Pour Cent > 213, Cestino > 127, Chali > 204, Chantal > 193, Chanterelle > 125, Charmotte > 211, Chevrons > 212, Chica-Boum > 193, Chrome Bell > 186-187, 196, Cimbo > 156, Cineline > 140, Cinétique > 190, 194-195, Circa/Circo > 159, Circles > 126, Clara > 114, 116, Clyde > 7677, 122, 147, CM 131 > 148-149, 157, CM 191 > 123, Confluences > 50, Copenhague > 213, Coplan > 146, Cosse > 52, Couliss > 124, Coupole > 193, Cover 1 > 27, 52, Cumulo > 138, Cupidon > 128, Curule > 157, Cuts > 107, 123, Cutting > 209, Cylinder > 197

D Daphna

209, Débourgeoisée > 119, 122, Dedicato > 112, Dehors > 138, Demi-Teintes > 118, Desdemone > 170171, 173, Déstructurée > 197, Dimensions > 188, Dita [~Storage > 74, 78-81, ~TV units > 110, 112, Sideboards > 142-143, 147, 143, ~Bedrooms > 160-161, 174, 175], Do Not Disturb > 61, Dolce Lana > 213, Dolmen & Dolmen Bébé > 199, Durham > 192 >

E Eaton

REPORTAGE

PRODUCTION, TYPESETTING

TRANSLATION

REPRODUCTION

Calitho SA, Biel/Bienne, Switzerland

> 137, 139, Ecume > 200-201, 204, Electro > 213, Elidi > 198, Elizabeth > 124, Elsa [~Armchairs > 70, ~Chairs > 157], Elysée > 126, Endless > 117, Enki > 14-15, 48, Ennea > 134, 141, Entrelacs > 206, Envolée > 117, Entrèves > 162-163, 174, Episode > 127, Epof > 210, Estampe [~Storage > 102103, ~TV units 113, ~Low Tables > 124], Estenda > 116, Estienne > 34-35, 47, Et Cetera > 147, Ethan > 166-167, 174, Ettoriano > 155, Evan > 118, Everywhere [~Storage > 90-91, 96-101, ~TV units > 113, ~Sideboards > 145, 147, ~Bedrooms > 175, ~Home Office > 182], Evlan > 210, Exclusif > 36-37, Exclusif 2 > 48

DESIGN COVER

PHOTO RETOUCHING

F Facett [~Settees

CREDITS & THANKS PUBLISHER

Roset (UK) Ltd. Morley House, Badminton Court, Church Street, Amersham. HP7 0DD www.ligne-roset.com

DIRECTORS

Arno Koch, Olivier Roset

ART DIRECTION

Agence Francesca Avossa www.francesca-avossa.com

PROJECT MANAGEMENT Sabine Böhm, Michel Roset

DESIGN & GRAPHICS

Minsk Studio - Fahd El Jaoudi - Julie Dubos www.minsk-studio.com

DESIGN - REPORTAGE Violette de Fleurian

Text : Michèle Leloup Louise Wetherall Violette de Fleurian

PHOTOGRAPHY

Photographer : Jean-Pierre Lemoine Reportage: 1. Station F : Patrick Tourneboeuf / Tendance Floue; 4. Sofitel Chicago : Fabrice Rambert with the permission of Sofitel; 5. MGallery Molitor : Gilles Trillard; Kuchen Atelier : Richard Powers Concept photos : Agence Francesca Avossa, Auguro Production, making : Philippe Fillod Areas identification, locations and production : Inezz Production Assistants photos : Christophe Chevarin, Christophe Contamine, Christian Mathé, Sébastien Chevarin

Swissdigitall ltd., 1807 Blonay, Switzerland

Nicolas Bianchin

PRINTING

Druckhaus Kaufmann, Lahr, Germany

This document is not contractual. The descriptions provided herein are correct at the time of going to press, but Roset (UK) Ltd. reserves the right to modify products about which information, including dimensions, is given without prior notice. Copyright is the property of Roset SA, France. ALL RIGHTS RESERVED. The design of all furniture & fabrics, & the associations of items in the images shown in this catalogue are the exclusive property of Roset SA & may not be reproduced without the written consent of a Director of Roset SA or Roset (UK) Ltd.

J Jali [~Lighting 193, ~Accessories 210], Jo 208, Joa >

G Gabbia

> 117, Gaby > 123, Gavrinis 2 > 204, Gavrinis 3 > 184, 205, Gelato > 193, Geoffrey > 115, 119, Giboulee > 197, Glaçon > 125, Globe Indoor/Outdoor [~Lighting > 199, Globe Sky > 196, Good Evening > 125, Good Morning > 125, Grillage > 70, Guipure > 212

Hanako > 213, Headlight > 189, 199, Hellobye [~Hallways > 117, ~Home Office > 181], Hex Hex > 205, Humphrey > 68, 70, Hyannis Port [~Storage > 105, ~Home Office > 181]

151, Josephine 5D > 196, Jungle > 205, 212

> 200, Kaschkasch > 209, Kaziu > 127, Kermès > 117, Kotori > 210, Kuf > 128, Kyphi > 212

L La Bibliothèque Fil

> 82-83, La Chinoise > 189, Lace > 155, Lamp 06 > 188, Lasso > 117, Le Secrétaire Mural > 179, Les Oiseaux > 210, Lima > 209, L’imprévu > 18-19, 47, Linden > 127, Lines > 106, Litho > 183, Long Island [~Settees > 51, ~Armchairs > 65, 70, ~Chairs > 153, 158], Loomy > 119, Loreta > 119, Louis 5D > 196, Lucie > 190, Lumeo > 168, 174, Luna Rossa > 196, Lundi 22/02 > 209, Lupo > 125

Magnet Lamp > 198, Majordome > 123, Mama > 190, Manarola [~Settees > 41, 50, ~Armchairs > 69], Mani > 199, Maquis > 204, Marguerite > 205, Mateodesk > 183, Mazargues > 126, MCD [~Settees > 51, ~Armchairs > 73], Méduse > 199, Melusine > 190, 199, Mémoire d’une Trame > 204, Menhir > 205, Metropole > 205, Millefeuille > 116, Minikin > 193, Mirror Clock > 211, Mix & Match > 205, Mixte > 112, Moduli > 129, Moël [~Settees > 44-45, 49, ~Armchairs > 71], Mold [~Lighting > 197, ~Accessories > 208], Mon Beau Miroir > 118, Mon Repos > 124, Moscou > 213, Multy > 56-57, 60, Mushroom > 198, My Dear > 128

N Nador 173, Naja 141, 191, Nani 192, Neel 158, Neil >

192, News Table > 129, Nomade 2 > 40, 48, Nomade Express > 54-55, 60, Noomi > 140, Nubo > 180

O Oan

> 208, Oda > 126, Odessa > 139, Oka > 104, Okura 71, Omage > 199, Ombré > 118, On The Rock > 128, Ondule > 193, One Shape > 123, Origami > 209, Osi > 179, Ottoman [~Settees > 33, 53, ~Armchairs > 71], Ouverture > 188, Oxydation > 120-121, 128

P Païpaï [~Settees

> 16-17, 47, ~Armchairs > 72], Pajaros 211, Palette > 125, Pam > 155, Pantographe > 127, Paola > 157, Paper Lamp > 193, 196, Parachute > 197, Pascal Mourgue > 189, Passe-Passe > 116, Pebble > 126, Pelote > 197, Perluette > 156, Peter Maly 2 > 172, Petra > 157, Petrus > 155, Piazza > 141, Piccione > 156, Pied De Coq [~Rugs > 206, ~Accessories > 212], Pivot > 198, Pleine Lune > 211, Ploum > 24-25, 49, Plumy > 32, 53, Pockman > 209, Pointillé > 212, Polygon > 208, Pom’s > 180, Ponctuel > 211, Pont > 129 Ponton > 122, Postmoderne [~Storage > 108-109, ~TV units > 112, ~Low tables >126, ~Sideboards > 146, ~Home Office > 178, 181], Prado > 22-23, 53, Pression > 208, Pumpkin [~Settees > 26, 50, ~Armchairs > 72] >

Q Quadric 207, Quai Largo 212, Quille 199 R Rayé 212, Rewrite 179, Riga [~Settees 46, 52, >

~Armchairs > 64, 69], Rite > 116, Robin > 207, Rocher [~Low Tables > 124, ~Chairs > 154], Rope > 206, Roseau > 209, Rosis > 129, Ruché [~Settees > 30, 49, ~Armchairs > 69, ~Bedrooms > 160-161, 164-165, 172, 173, 175], Rue d’Hauteville >204, Rythme > 129, Rythmus > 207

S Sacot

> 210, Sala > 154, Sam > 189, San > 158, Samouraï 208, Serpentine > 197, Shazia > 206, Side Table > 128, Silicate > 210, Sintra > 12-13, 53, Sitar > 192, Skia > 192, 196, Slice > 71, Slim Chair > 157, Smala > 51, Smock > 213, Soft Et Doux > 207, Softissimo > 204, Soft Mag > 125, Softruck > 73, Softwall > 180, Soixante 3 > 128 Solo > 204, Solveig > 188, >

Somerset > 198, Space > 124, Sperl > 118, Spilla > 190, Spirit of Forest > 136, 139, 147, Spok > 192, Spuma > 213, Strates > 122, Stump > 127

T Tadao 158, Tamata 154, Tanis 177, 182, Temps Lib>

K Karlos

31, 49, ~Armchairs > 71, ~Chairs > 154], Falda > 124, Fancy Chic > 122, Fantômes > 212, Fiber Wood > 207, Fifty > 72, Fil > 70, Finn > 159, Flax > 67, 70, Fold > 126, Frames > 118, Frost > 138

Ike > 155, Ilot 2 > 159, Inside World > 183, Interstice > 124, Ipn > 123, Iso > 154, Itisy > 127

re > 211, Temps Vécu > 211, Teoffice > 183, Tessa > 156, Thot > 126, Toa > 71, Togo & Mini Togo > 28-29, 50, 73, Tolbiac > 116, Tonalités > 212, Tonka > 208, Travel > 175, Travel Studio > 169, 173, Traverse > 159, Trépied > 188, Triptik > 128, Tris > 206, Trompe L’Œil > 118, TV > 152, 158

U Ultime

> 162-163, 173, Unbeaumatin > 156, Ura > 119, 202, Ursuline > 176, 182

V Vanity Shelf

> 117, Vanoise > 213, Variation > 213, Vik > 155, 156, Villa Rose > 69, Vilna > 132-133, 141, Voltige > 69, Voyage > 212

W W8 >

> 124, Wall Figure > 180, Wallhouse > 116, Winfell 127, Wo > 208Z Zellige > 213, Zock > 125

1 10 Vagues 127 2 20 Hangers 116 3 360 Degrés 128 >