c e w elo
Projects as playing fields How blessed are architects and designers! For they understand just how unprecedentedly development-oriented hotel groups have been for the past few years. To achieve this conquest of new territories, the latter must reinvent themselves, mark themselves out as different, create new brands, invent unheard-of concepts, even offer ‘unique experiences’. It has become imperative to cast aside the constraints of the traditional hotel industry, the so-called ‘international’ references, which are often too standardized. Their obvious source of inspiration is, therefore, boutique hotels. In fact, behind these small(er) establishments hide a number of nuggets of clearlydefined style. Whether completely ‘pop’ or radically monastic, ultra-coloured or in the natureWELCOME eco vein, vintage or futuristic, innovation is taken to excess, almost to the point of caricature. In their desire to be continually more surprising, some have clearly forgotten the expectations of their customers and have begun to resemble ‘pop-ups’, those temporary establishments whose attraction remains undimmed after two or three seasons. And yet the sheer spread of investments undertaken by the large groups does not make this style of sporadic occupancy feasible. So once this wave of ultra-personalization has passed, investors, proprietors, architects and interior designers will unite to find a balancing point which marries creativity, quality, comfort and, of course, success. It goes without saying that this in no way involves a return to infinitely reproducible concepts, or to the somewhat fluid standards which characterized the ‘good old days’ of the hotel industry – the intention, rather, is to refocus one’s attentions on the essentials, most notably wellbeing and service, followed by high technology and cultural heritage. For whilst all hotels used to be alike, from Shanghai to Sao Paolo, from the Cape to Amsterdam, many have since introduced a little heritage into their projects, even the most design-oriented. If a few countries, like Japan for example, have always known how to fuse traditional culture with contemporary décor, high-speed development has meant that this has by and large passed others by.
m
But with distances shortening a little with every passing day, customers should no longer be able to confuse their ports of call. The hotel in which they are staying must be just as striking and inspiring as the destination itself: the pleasure of being elsewhere, even whilst in one’s hotel bedroom. For they are no longer content with simply feeling just as good in a hotel as they are at home, they want the hotel to feel even better than home. More than ever, architects and designers have a role to play in this field, where each new project is more or less a full-scale test of their creativity. This is a kind of free routine whose sole obligatory device is maximum customer satisfaction. But although this is all incredibly exciting, much depends on the seriousness of each of the players. Thus the manager of the premises must ensure that his staff are flawless, the chef must look to the freshness of his products, and as for the interior architect, he must also play his part, making sure of the quality of his materials and equipment. Rather than simply choosing suppliers, real partnerships must be entered into with craftsmen and manufacturers capable of working with him on the project, of responding to the craziest expectations, without once skimping on true craftsmanship, the very latest technology and tailored service. So if all the players respect these rules, with no cheating, whilst giving of their best, these are the most tremendous projects which will be built on sites all over the world.
Alexandra Laugier
CHECK IN Décoration Internationale check in Your favourite hotel? The Park Hyatt Paris Vendôme. Everything there is just right: an elegant, unostentatious decorative scheme, perfect service, unparalleled sleeping arrangements, a bathroom/dressing room concept which is incredibly well thought-out, whether you are a man or a woman, an open fire in winter, a summer patio, and excellent pâtisseries throughout the year!
What would be a faux pas for a hotel? A desire to be fashionable. And theatrical décor. Many establishments rely on a beautiful façade and imagine that customers will not dwell on the little things: chipped paintwork, a door which bangs too loudly, a bobbly dressing gown, concentrated rather than pressed fruit juice, a slightly stained carpet, wobbly furniture. This is wrong: people often only see things like this.
The one you dream of visiting? The Amangiri in Utah, for clearing the mind. The hotel champions ultra-contemporary architecture and décor, whilst merging perfectly into the rocks of Canyon Point. An arresting spectacle in the middle of nowhere.
Your style in three words (the style I like and not my own style, since I am not a designer) Creativity, restraint, refinement.
The next one you plan to visit? A recently-opened hotel, anywhere in the world. Professionally, what is your dream? To never be blasé. I dream of always being fascinated by the discovery of new countries, new places, new architectural and artistic achievements. What inspires you? The inspiration of designers – this can be an object, a place, a piece of art, an attitude. But faux pas can inspire me in the same way. Bad taste, uselessness, inactivity can also be very inspiring, in terms of one’s reaction to them. What is most important to you in a hotel? Impeccable premises and faultless service. What makes an establishment successful? An intangible alchemy of good decoration, discreet, thoughtful service and a certain personality which enables us to locate ourselves in the world without resorting to faddishness. In particular it is the small details, from lobby to bathroom, which make the difference. And a restaurant? A range of good seasonal products, and a chef with a healthy dose of talent and 0% pretension. Here too, it is all a question of getting it right. In terms of décor the most important thing of all is not to be cold: too many restaurants forget that it’s not pleasant to eat one’s dinner while sitting in a fridge!
Your colour? A palette ranging from the lightest grey to the darkest blue. The historic building you always love to visit? The Grand Palais. For the architecture of its nave, obviously, which is just as beautiful from the outside as it is from the inside, for the quality of light it produces, and also for the voluptuousness of its caryatids. Here, one could never be anywhere other than in Paris. The city in which you could live? Isn’t Paris the most beautiful city in the world? I love Italy in general. My heart is pulled two ways, between a colourful lifestyle in Milan and a lazier one in Rome. The piece of design you dream of acquiring? I’m always ready to lose my head over a seat. Armchairs or chairs, they are real style exercises for designers. I am currently coveting Pierre Paulin’s Archi armchair, in blue or grey, obviously. An admired contemporary? Architects. The ability to bring a building into being is something to admire in and of itself. So when they show real innovation, when they have clearly thought outside the marketing brief and when their creations embellish the landscape, I become a real groupie, to the point where I can happily excuse the odd dash of megalomania in certain cases.
Name : Alexandra Laugier Position : Editor Company : Décoration Internationale
U ‘ Oto
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O 1
THE OUTDOOR
PAGES
03.04
05.06
07.08
09.10
11.12
13.14
15.16
17.18
19.20
27.28
21.22
23.24
29.30
25.26
31.32
ALUCHAIR
THE jacques ferrier
OUTDOOR
ALUCHAIR Indoor/outdoor chair designed for the French Pavilion at the Shanghai World Expo. Back legs in laser-cut aluminium, front legs in folded stainless steel, all finished in satin mastic, argile or elephant lacquer. Seat/back shell in pierced injected plastic finished in satin argile or mastic lacquer. Optional removable woollen seat pad – choice of grège, gris or anthracite.
82
47
58
82
58
03.04
47
www.ligne-roset-contracts.com
CIRCLES
THE maria jeglinska
OUTDOOR
CI R CLES Pedestal table with structure in black lacquered cataphoresistreated steel and top in 8 mm thick black enamelled glass.
73.5
64
05.06
www.ligne-roset-contracts.com
FICELLE
THE deichmann + osko
OUTDOOR
FI CELLE Chair entirely in Epoxy black lacquered steel. Optional seat pad in 100 % acrylic TempĂŞte fabric (washable, light resistant, waterproof, fungicidally-treated) for outdoor use; or in a range of other covering materials (Canvas, Divina, Diva leather) for indoor use.
89
69
50
89
69
07.08
50
www.ligne-roset-contracts.com
FIFTY
THE dĂśgg & arnved design studio
OUTDOOR
FI F T Y
Structure and base in sanded black lacquered steel with anticorrosion treatment, finished in UV-resistant black polyester lacquer. Seat and back woven with 350 m of black or tobacco-coloured mass-dyed polypropylene cord with UV-resistant treatment. Optional seat/lumbar cushion in ‘Dry-Feel’ foam covered in Dina (100 % polypropylene) or TempĂŞte (100 % acrylic) fabrics which are both washable, lightresistant, waterproof and fungicidally-treated.
112.5
88
73.5
112.5
88
34 67
09.10
73.5
60
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FIFTY
THE dögg & arnved design studio
OUTDOOR
FI F T Y
Anti-corrosion treated steel structure and legs, finished in UVresistant black polyester lacquer. Seat and back in woven mass-dyed (black or tobacco-coloured) polypropylene cord with UV-resistant treatment. Optional seat/lumbar cushion in ‘dry feel’ foam, held in place by a black cord, covered in 100 % acrylic Tempête fabric (washable, light resistant, waterproof, fungicidally-treated) for outdoor use; or in a range of other covering materials (Canvas, Divina, Diva leather) for indoor use.
78
63
58
78
63
11.12
58
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GRILLAGE
THE françois azambourg
OUTDOOR
GRILLAGE Base in sanded tubular steel. Seat formed entirely from sheet of metal which is cut in staggered rows and folded in different places b efore having metal wire soldered to the exterior. Full anti-corrosion treatment and white, light blue or black anti-UV polyester lacquer. Optional seat pad in 100 % acrylic TempĂŞte fabric (washable, light resistant, waterproof & fungicidally-treated).
72
69
72
69
13.14
72
69
99
99
72
69
99
99
www.ligne-roset-contracts.com
GRILLAGE
THE françois azambourg
OUTDOOR
GRILLAGE Base in sanded tubular steel. Seat formed entirely from sheet of metal which is cut in staggered rows and folded in different places b efore having metal wire soldered to the exterior. Full anti-corrosion treatment and white, light blue or black anti-UV polyester lacquer. Optional seat pad in 100 % acrylic TempĂŞte fabric (washable, light resistant, waterproof & fungicidally-treated).
72
70
72
70
15.16
155
155
www.ligne-roset-contracts.com
GRILLAGE
THE françois azambourg
OUTDOOR
GRILLAGE Base in sanded tubular steel. Seat formed entirely from sheet of metal which is cut in staggered rows and folded in different places before having metal wire soldered to the exterior. Full anticorrosion treatment and white, or black anti-UV polyester lacquer. Optional seat pad in 100 % acrylic TempĂŞte fabric (washable, light resistant, waterproof & fungicidally-treated).
30
30
40
40
73
70
57
57
70
86.5 86.5
60
60
51
51
86.5
60
17.18
51
www.ligne-roset-contracts.com
PASSIO
THE philippe nigro
OUTDOOR
P A SSI O
Structure in passivated outdoorquality tubular stainless steel and stainless steel wire, either 304 (resistance to saline mist test approx. 200 hours) or 316 (suitable for permanent use at the seaside or on board a boat). Seat and back cushions contained within a 100 % cotton liner (waterproof & fungicidal treatments) with watertight ultrasonic-soldered seams. Exclusively available in: Dina 100% polypropylene or TempĂŞte 100% acrylic fabrics (washable, light resistant, waterproof & fungicidally-treated). Removable covers.
84
84
90
158
158
90
84
84
80
80
19.20
93
93
www.ligne-roset-contracts.com
PETRA
THE claudio dondoli & marco pocci
OUTDOOR
P ET R A
Chair with polyurethane shell and 4 varnished aluminium legs. Stackable (in sixes), light (4 kg), usable either outdoors or indoors. Available in white, beige or black.
83
51
21.22
83
51
42
42
www.ligne-roset-contracts.com
RESILLE
THE philippe nigro
OUTDOOR
RESI LLE 304 stainless steel tubing and 304 stainless steel wire (or 316 for use by the sea or on a boat), passivated and in an outdoor-quality satin finish. Top in clear toughened glass or cured larch.
75
80
75
80
23.24
75
80
140
140
75
80
140
140
www.ligne-roset-contracts.com
RESILLE
THE philippe nigro
OUTDOOR
RESI LLE 304 stainless steel tubing and 304 stainless steel wire (or 316 for use by the sea or on a boat), passivated and in an outdoor-quality satin finish. Top in clear toughened glass or cured larch.
75
75
61
61
75
75
61
61
25.26
www.ligne-roset-contracts.com
RESILLE
THE philippe nigro
OUTDOOR
RESI LLE Structure in passivated outdoorquality tubular stainless steel and stainless steel wire, either 304 (resistance to saline mist test approx. 200 hours) or 316 (suitable for permanent use at the seaside or on board a boat). Seat cushion contained within a 100% cotton liner (waterproof & fungicidal treatments) withwatertight ultrasonic-soldered seams. Exclusively available in: Dina 100% polypropylene or TempĂŞte 100% acrylic fabrics (washable, light resistant, waterproof & fungicidally-treated). Removable covers.
79
67.5
82
54
79
67
64.5
64.5
82
54
53
53
81.5 81.5
55
27.28
55
50
50
www.ligne-roset-contracts.com
SERAM
THE patrick pagnon & claude pelhaĂŽtre
OUTDOOR
S ER A M
Base and crosspieces in gloss black anodised aluminium or gloss white lacquer. Inset top in 8 mm thick toughened black or white lacquered glass.
75 75
220 220
100 100
7575
180 180
100100
32
32
100
100
29.30
100
100
www.ligne-roset-contracts.com
SERPENTINE
THE éléonore nalet
OUTDOOR
SERPENTINE Bridge chair with quilted ‘lumps’ interwoven with the structure. Frame in pale green, grey-blue or anthracite-coloured tubular steel. Seat in perforated sheet steel. Finish: one coat of anti-rust treatment + 1 of powder polyester coating. Exclusively available in Tempête 100 % acrylic fabric (washable, light-resistant, waterproof, fungicidally-treated).
74
74
58
58
31.32
78
78
www.ligne-roset-contracts.com
g isèe l
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2 THE SEAT
PAGES
35.36
37.38
45.46
47.48
55.56
57.58
65.66
39.40
49.50
67.68
75.76
41.42
43.44
51.52
53.54
59.60
61.62
63.64
69.70
71.72
73.74
79.80
81.82
83.84
69
85
85.86
93.94
87.88
95.96
82
91.92
89.90
97.98
99.100
101.102
ANDA
T H E SEAT pierre paulin
ANDA Available in two versions with a high or low back, plus a footstool, and in fixed or rotating version with base in Epoxy black lacquered steel. A monocolour model which can be made up in fabric or hide. Coloured wools are recommended. Removable covers.
99
99
99
85
85
99
99
99
99
85
85
79
77
79
77
40
99
79
87
77
87
79
87
77
87
40
45
45
35.36
www.ligne-roset-contracts.com
ARCHI
T H E SEAT pierre paulin
ARCHI A reproduction of the CM 194 HD fireside chair and CM 195 HD armchair, designed by Pierre Paulin in 1955. Bases finished in brilliant chrome or satin black lacquer. Armchair has steel armrests clad in foam. Suitable for all fabrics, microfibres and hides. Removable covers.
96
96
88
91
88
91
96
96
64
91
64
91
41
41
36
36
37.38
63
63
www.ligne-roset-contracts.com
BELEM
T H E SEAT didier gomez
BELEM Armchair and settees, highly contemporary in design yet enriched with the spirit of 1950’s Saint-Germain des PrÊs. Legs in Epoxy black lacquered cast aluminium. Also available in a bicolour interpretation. Suitable for use with all types of covering materials. Removable covers (NB except hides).
80 80
210 210
9797
80
80
160
97
160
97
80
80
94
94
39.40
82
82
www.ligne-roset-contracts.com
C I TT A
Fitzwilliam Hotel, Belfast – Architecture intérieure : Project Orange
T H E SEAT didier gomez
CITTA Similar/dissimilar armchair and settees. Feet in dark brown or ebony-stained solid beech. Fabrics run horizontally. This model is particularly suitable for thick hides, wools, velours/chenilles and Alcantara. Removable covers, except in the case of Alcantara and hide.
82 82
222 222
87 87
8282
187 187
8787
76
87
41.42
76
87
74
74
www.ligne-roset-contracts.com
CONFLUENCES
T H E SEAT philippe nigro
CONFLUENCES Monocolour chair and footstool; toi et moi, small conversation settee, large conversation settee, 2-seat settee, 3-seat settee and 4-seat settee, either mono or multicoloured. Optional lumbar cushion, armrests and sofa end table. Exclusively available in: Balder, Coda, Divina, Extrema, Tonga Scuba, or Diva and Indiana hide. Removable covers.
8585
158 158
315 315
85 85
250 250
158 158
85 85
240 240
152 152
85
85
235 235
104.5 104.5
83
83
234 175
175 234
8585
104104
175 175
83
83
126
170
126
170
83
83
148
148
145 145
78
78
102
102
34 35
95 95
34
35
85
85
43.44
www.ligne-roset-contracts.com
ELSA
T H E SEAT françois bauchet
ELSA A small armchair which shares the same aesthetic inspiration as the chair of the same name. ‘Sleigh’ base in brilliant-chromed steel wire. Cover glued onto thermoformed ABS clad in foam. Exclusively available in: Bee, Divina and Indiana hide.
74
71
45.46
74
71
61 61
www.ligne-roset-contracts.com
ELYSEE
T H E SEAT pierre paulin
ELYSEE The first major production run of the seating designed by Pierre Paulin in 1971 for the President Pompidou’s smoking room/library at the Elysée Palace. Base in matt black lacquered machined MDF. A monocolour model which may be made up in fabric – running horizontally (Balder, Bee, Coda, Divina, Harald, Hermod, Toscane, Scuba) – or leather (Diva, Toro). Fully removable covers.
70
70
80
170
170
80
70
77
33 65
47.48
70
77
90 90
33
65
90
90
www.ligne-roset-contracts.com
E L I Z A B E TH
T H E SEAT nathan yong
ELIZABETH Structure in black-stained ash. The settee boasts one seat cushion, one back cushion, two lumbars (2/3 – 1/3) and one overstitched scatter cushion (the armchair has only one lumbar cushion). All these cushions may be upholstered in different fabrics/colours.
95.5
126
103
95.5
103
49.50
72
www.ligne-roset-contracts.com
EX
T H E SEAT christian ghion
EX
Model designed for the bedrooms of the Renaissance Hotel, Aix en Provence. Seat with elastic-webbed suspension. May be made up in a bi-colour or bi-material version. Feet H 19 cm in chromed wire Ă˜ 2.2 cm.
73
80
51.52
82
www.ligne-roset-contracts.com
F A C E TT
Mudam, Luxembourg – Architecture : L.M. Pei.
T H E SEAT ronan et erwan bouroullec
FACETT Rotating chair: base in Epoxy black lacquered steel. Stitching is either toning or with contrasting thread in ecru, anthracite, grey, red or blue. Fabric is used horizontally. Exclusively available in: Balder, Bee, Coda, Cravache, Divina, Extrema, or Diva, Indiana and Toro hide. Removable covers.
8484
81
190
190
81
84
84
81
145
145
81
32
32
71
71
124
124
84
84
81
81
87
87
87
87
87
81
81
32
87
32
71
71
53.54
65
65
www.ligne-roset-contracts.com
FELT
T H E SEAT delo lindo
FELT Seat and back in moulded beech multi-ply assembled on two sets of flat profile legs, also in multiply. Covers are fully removable, being held in place by completely invisible zip fastenings. Exclusively available in Alcantara – Bee – Divina – Feutre – Extrema AU.
70
71
60
35 42
55.56
60
www.ligne-roset-contracts.com
FIL
Hôtel Avenue Lodge, Val d‘Isère – Architecture intérieure : Jean-Philippe Nuel.
T H E SEAT pascal mourgue
FIL
Brilliant-chromed base. Seat and back covers in synderme hide – choice of noir, blanc, brun, beige, gris, gris beige, rouge, rouge vif, jaune, naturel, vert goyave – or in natural cowhide, which therefore renders each fireside chair a unique piece.
73
71
57.58
73
71
64
64
www.ligne-roset-contracts.com
FLAX
T H E SEAT philippe nigro
FLAX Structure and base in solid American walnut. All types of covering materials may be used. Removable covers (NB except seat when in leather or microfibre).
36 51
69
80
59.60
36
51
62 62
69
80
76.5
76.5
www.ligne-roset-contracts.com
FRENCH LINE
T H E SEAT didier gomez
FRENCH LINE Seat/back structure in solid beech. Armrests and base in ebony-stained solid oak. Natural materials (wools, leather) are strongly recommended.
75
75
75
75
61.62
73
73
www.ligne-roset-contracts.com
GUGGEN
T H E SEAT andre kikoski
GUGGEN Fireside chair inspired by the chair of the same name, designed for the restaurant of the Guggenheim Museum, New York. Cross-shaped brilliant-chromed steel base rotates 360째. One-piece seat/back with three-band quilted effect on back achieved by two rows of stitching. Exclusively available in: Alcantara, Divina, Extrema, Scuba, or Indiana and Diva hides. Covers may be removed by a professional.
73
61
63.64
73
61
61 61
www.ligne-roset-contracts.com
HARRY
T H E SEAT éric jourdan
HARRY Range of armchairs and settees, either highly contemporary or very classical, depending on the version. Choice of ‘stiletto’ feet or sleigh base (height 11 cm or 15 cm). All types of covering materials may be used. Covers may be removed by a professional.
83
94
83
94
40 37
65.66
83
155
94
155
83
94
93 93
40
37
93
93
www.ligne-roset-contracts.com
LE BO
Brown’s Hotel, Londres – Architecture intérieure : Olga Polizzi
T H E SEAT pierre-yves rochon
LE BO Rotating armchair with brilliantchromed base. 6 buttons Ă˜ 28 mm or 9 buttons Ă˜ 19 mm. Optional lumbar cushion. Non-removable covers.
82
82
70 70
45
45
50
50
67.68
www.ligne-roset-contracts.com
LOU
T H E SEAT patrick jouin
LOU Armchair designed for the bar of the Mandarin Oriental Hotel, Paris, now complemented by a settee and footstool. Base in brilliantchromed or satin black lacquered steel. Shell in injected polyester resin. Suitable for use with all covering materials. Non-removable covers.
74
75
74
75
42 50
69.70
74
75
136 136
74
75
67
67
42
50
67
67
www.ligne-roset-contracts.com
LUCA
Hôtel Radisson, Nantes – Architecture intérieure : xxxx
T H E SEAT jean-philippe nuel
LUCA Small armchair and small settee with 4 brilliant-chromed feet (or alternatively dark brown beech). Large rotating armchair with brilliant-chromed rotating crossshaped base (pivots 360째, without return function) or in fixed version with 4 brilliantchromed feet. Seat cushion may be upholstered in a different fabric to the frame. Removable covers.
68
61
68
77
68
77
68
61
71.72
68
130
61
130
68
77
76
76
68
77
76
76
68
61
61
61
www.ligne-roset-contracts.com
LUCA SOFT
T H E SEAT jean-philippe nuel
LUCA SOFT A range which arose from the Radisson Blu project in Nantes. Low armchair with matt black base and high armchair on feet or castors. Exclusively available in: Alpaca, Balder, Bee, Cravache, Divina, Extrema, Harald, Hermod, Scuba, Toscane, or Diva, Indiana or Toro hide.
73
55
73
55
60
60
68.5 68.5
64
73.74
64
68
68
www.ligne-roset-contracts.com
MALHOUN
Sofitel Rabat Jardin des Roses - Architecture intérieure : Didier Gomez.
T H E SEAT didier gomez
75.76
MALHOUN
www.ligne-roset-contracts.com
MALHOUN
T H E SEAT didier gomez
MALHOUN Brilliant-polished aluminium base, H 3 cm or 8.5 cm. Toning square padded buttons clipped to the back and cushions. All kinds of covering materials may be used (fabrics run horizontally).
6469.5/ 69.5 135 100
200 200
6469.5/ 69.5 100 100
225 225
64 / 69.5 69.5 100 100
77.78
270 270
www.ligne-roset-contracts.com
MOBIDEC
T H E SEAT pierre charpin
MOBIDEC Footstool designed by Pierre Charpin for the ‘Mobi Boom’ exhibition at the Musée des Arts Décoratifs in 2011. Base in satin black lacquered steel wire Ø 8 mm with polythene gliders. Cover with integral strap which acts as a carrying handle. Exclusively available in: Alcantara, Balder, Divina, Extrema, Scuba, or Diva or Indiana hide. Removable covers.
45 38
79.80
45
38
37
37
www.ligne-roset-contracts.com
MOSTRA
Résidence Hipark, Grenoble - Architecture intérieure : Didier Gomez.
T H E SEAT didier gomez
MOSTRA Bed-settee offering a sleep area of 140 or 160 cm with assisted mec ha nism, trel l is ba s e a nd sprung webbing at the foot. 14 cm thick sprung mattress, designed for daily use. The seat and back cushions are fixed to the mechanism and slide beneath the sleep platform when opened for use as a bed. Fabric runs horizontally. Covers are removable, except in the case of microfibres and hides.
7979
101/213 101/ 213
206 206
7979
101/213 101/ 213
81.82
186 186
www.ligne-roset-contracts.com
O TT O M A N
Hôtel Puro, Wroclaw – architecture intérieure : Blacksheep.
T H E SEAT noĂŠ duchaufour-lawrance
OTTOMAN A model inspired by the traditional Moroccan footstool for a hotel project in Marrakesh. Armchairs are available in fixed and swivelling versions (Epoxy black lacquered steel base). Available in bicolour and bimaterial versions. All types of covering material may be used. Removable covers (NB except swivelling armchair).
68 68
200 200
9393
6868
93
165
165
93
68
93
68
93
100 100
68
68
93
100
93
37 80
83.84
100
37
80
89
89
www.ligne-roset-contracts.com
PLURIEL
Novotel Gerland, Lyon – architecture intérieure : Corinne Bruyand Ravel avec le studio Ligne Roset Contracts.
T H E SEAT franรงois bauchet
PLURIEL Fixed version of armchair has cast aluminium base; the base of the rotating version is in Epoxy black lacquered steel. All types of covering material may be used. Removable covers (NB except where structure is covered in microfibre or leather).
67
67
83
154
154
82
67
82
67
82
38
67
82
67
82
85.86
78 78
38
44
44
78
78
70
70
www.ligne-roset-contracts.com
PUMPKIN
T H E SEAT pierre paulin
PUMPKIN The first major production run of the seating designed in 1971 for the Pompidous’ private apartments at the Elysée Palace. The armchairs are available in fixed or rotating version – with Epoxy black lacquered steel base – and with high or low backs. Exclusively available in: Alpaca, Balder, Bee, Coda, Extra, Felix, Hektor, Divina, Extrema, Toscane, or Diva, Indiana or Toro leather. Removable covers.
70 70
250 250
83 83
7070
178 178
8383
83
83
83
105
83
105
83
83
105
83
105
83
70
83
70
83
37
70
105
83
105
70
105
83
105
37
74
74
87.88
www.ligne-roset-contracts.com
RIVE DROITE
T H E SEAT didier gomez
RIVE DROITE Epoxy graphite lacquered metal feet. High or low-backed armchair. Exclusively available in: Alpaca, Divina, Harald, Hermod, Scuba, Toscane; or Catala, Diva and Indiana leather. Seat cushions have removable covers.
86
86
87
87
69
85
82 82
69
85
89.90
82
82
www.ligne-roset-contracts.com
RUCHÉ
T H E SEAT inga sempĂŠ
RUCHÉ Collection of settees and 1-arm settees, the name of which refers to the gathered or pleated fabric used as decoration on an item of clothing. Base in matt varnished natural beech, or matt varnished anthracite or red-stained beech. The table surface of the 1-arm settees is always finished to match the base. The quilting of the cover is effected by a digital sewing robot. Most plain fabrics may be used: velours, wools, thick cloths, microfibres and leathers. Removable covers.
82 82
200 200
85 85
8282
190 190
8585
82
28
091 190
85
82
28
091 190
85
8282
190 190
8585
8282
170 170
8585
45 62
91.92
58
45
62
77
77
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58
SIMPLE BRIDGE
Abusus non tollit usum, ad augusta per angusta. Contraria credo quia absurdum. Carcere duro, ne sutor ultra
T H E SEAT jean nouvel
SIMPLE BRIDGE A reissue of the Elémentaire range from 1990. Jean Nouvel’s logo is fixed beneath the seat. Exclusively available in: Bee, Divina, Scuba, or Diva and Indiana leather.
75
66
75
66
42 50
75
66
114
114
75
66
64
64
42
50
53
53
93.94
www.ligne-roset-contracts.com
SIMPLISSIMO
T H E SEAT jean nouvel
SIMPLISSIMO A label bearing the logo of Jean Nouvel is fixed beneath the seat. Base in matt lacquered tubular steel. Frames of seat and back in bent soldered tubular steel and MDF. The upholstery hugs the curves of the structure and allows the fabric to gather in the four corners. Exclusively available in: Bee, Divina, Scuba.
74
69
74
69
35 49
74
120
69
120
74
69
60
60
35
49
120
120
35
35
49
49
60
60
95.96
www.ligne-roset-contracts.com
STRICTO SENSU
T H E SEAT didier gomez
STRICTO SENSU Polished aluminium feet. Fabrics run horizontally. A bicolour version is possible, with seat + frame in one shade and back cushions in another. Covers are removable, except in the case of frames upholstered in leather or Alcantara.
76 76
200 200
84 84
76
67
002 200
84
76
48
67
002 200
84
48
7676
200 200
8484
76 76
200 200
84 84
7676
170 170
8484
76
84
76
84
76
84
77
77
76
84
66
66
97.98
www.ligne-roset-contracts.com
TAZIA
Hôtel Castel Beau Site, Ploumanac’h. Architecture intérieure : Ligne Roset Contracts.
T H E SEAT pascal mourgue
TAZIA Footstool and fireside chair with curved wood back, either finished in ebony-stained oak veneer or upholstered. All types of covering materials may be used. Removable cover (NB except leather or microfibres).
76
57
76
57
41
76
57
59
59
76
57
59
59
41
53
53
99.100
59
59
www.ligne-roset-contracts.com
t orii
T H E SEAT noĂŠ duchaufour-lawrance
TORII Based on the armchair originally designed for the Megu restaurant at the Alpina hotel, Gstaad. Structure in natural, anthracite or red-stained solid beech. Fully removable covers. All types of covering materials (fabrics or leathers) may be used.
80
65
70
44 45
101.102
50
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h cas ie la
3 THE CHAIR
PAGES
105.106
107.108
109.110
111.112
113.114
115.116
117.118
119.120
121.122
123.124
125.126
127.128
129.130
131.132
133.134
135.136
137.138
139.140
141.142
143.144
145.146
147.148
153.154
155.156
151.152
157.158
A L S TE R
Brasserie Printemps, Paris – Architecture intérieure : Didier Gomez
THE emmanuel dietrich
CHAIR
ALSTER Brilliant-chromed base rotates 360° (with automatic recall to the initial position), or brilliantchromed telescopic (seat height varies between 48.5 and 57.5 cm) 5-branch base on auto-locking castors which freely rotates 360°, or brilliant-chromed ‘sleigh’ base. Exclusively available in: Extrema, Divina, Scuba, Indiana hide.
82
82
64
64
82
61
59
59
82
61
59
59
80.5 / 90
88.6
70
105.106
70
70 70
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BONNIE
Sofitel Water Tower, Chicago – Architecture intérieure : Pierre-Yves Rochon
THE pierre-yves rochon
CHAIR
BONNIE Front feet and armrests in brilliantchromed extruded tubing. Rear feet in stained solid beech. Height of armrests: 66 cm for brasserie bridge and 90 cm for the bar bridge. Non-removable cover.
89
52
89
52
62
62
106
106
48
48
107.108
52 52
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ELSA
THE françois bauchet
CHAIR
ELSA Base in doubled brilliant-chromed steel wire, or brilliant-chromed ‘sleigh’ base. Cover glued in place. Exclusively available in: Bee, Divina, Indiana hide. Height of armrests of bridge: 70.5 cm.
84.5 84.5
46.5
46.5
55.5 55.5
84.5
84.5
52
52
55.5
55.5
84.5 84.5
46.5
46.5
55.5 55.5
84.5
84.5
52
109.110
52
55.5 55.5
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F A C ETT
Hyatt Regency Ekaterinebourg – Architecture intérieure : VP Design
THE ronan et erwan bouroullec
CHAIR
FACETT Toning stitching, or in contrasting ecru, anthracite, grey, red or blue thread. Fabrics run horizontally. Exclusively available in: Balder, Bee, Cravache, Coda, Divina, Extrema, or Diva or Indiana hide. Removable covers. Height of armrests of bridges: 66 cm to front and 70 cm to rear.
81
46
81
67
111.112
81
46
57 57
81
67
60
60
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felt
THE delo lindo
CHAIR
FELT Seat and back in moulded beech multi-ply assembled on two sets of flat profile steel legs. Covers are fully removable, being held in place by completely invisible zip fastenings. Exclusively available in Alcantara – Bee – Divina – Feutre.
84.5
44.5
113.114
55
www.ligne-roset-contracts.com
FIL
THE pascal mourgue
CHAIR
FIL
Brilliant-chromed base. Seat and back covers in synderme – choice of black, white, brown, beige, grey, grey-beige, red, bright red, yellow, natural or guava – or in natural cowhide, thus rendering each chair completely unique.
78
45
115.116
78
45
54
54
www.ligne-roset-contracts.com
FOLK
THE benjamin graindorge
CHAIR
FOLK Structure, seat and back slats in satin-finish black-stained solid natural ash. Seat and back slats may be covered in 5 mm thick foam and pigmented split leather – choice of noir, ardoise, beige, blanc, blanc perle, bleu, bordeaux, brun, ciel, gold, gris clair, gris beige, marron, moutarde, naturel, orange, pétrole, rouge, vert, vert d’eau, vert forêt or vert pomme.
83
42
117.118
83
42
54.3
54.3
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FRENCH LINE
THE didier gomez
CHAIR
FRENCH LINE Base in ebony-stained solid oak, with matching armrests for the bridge chair. Height of armrests: 66,5 cm. Cover of bridge chair is not removable. Chair has removable cover, except in leather.
100
100
47
47
57
57
100
100
58
58
84
47
60 60
84
47
54
54
84
84
58
58
57 57
119.120
www.ligne-roset-contracts.com
GUGGEN
THE andre kikoski
CHAIR
GUGGEN Chair designed for the resta urant of the Guggenheim Museum, New York. Rotating base (360°– brilliant-chromed cross-shaped base or cross-shaped wire base, or 4 anthracite-stained solid beech legs. Three band quilted effect on back effected by two rows of stitching. Exclusively available in Divina or Scuba, or Diva or Indiana hide. Cover may be removed by an upholsterer.
82
49
82
49
82
49
121.122
82
49
60
60
82
49
60
60
82
49
60
60
www.ligne-roset-contracts.com
L A N C A S TE R 2
THE jean-philippe nuel
CHAIR
LANCASTER 2 A classically-inspired chair with legs in ebony-stained solid beech and seat cushion with or without stitching. All types of covering materials may be used. Removable covers.
81
49
81
49
81
49
55
55
81
49
55
55
123.124
www.ligne-roset-contracts.com
LA PLIﾃ右
THE marie-aurore stiker-metral
CHAIR
LA PLIÉE Chair in laser-cut sheet steel finished in gloss white, red or black lacquer. Optional seat pad held in place by 2 magnets to the front and gripper strips to the rear – available in synderme (choice of black, white, brown, beige, grey, grey-beige, yellow, natural, red, bright red or guava).
75
38
125.126
75
38
43
43
www.ligne-roset-contracts.com
LUCA
Restaurant La compagnie des Comptoirs, Avignon – Architecture intérieure : Laurent Maugoust
THE jean-philippe nuel
CHAIR
LUCA Brilliant-chromed base, with brilliant-chromed handhold in back of both chair and bridge. Height of armrests of bridge: 64 cm. Removable cover.
73
54
73
73
54
73
54
40
127.128
54
54
54
86
54
54
86
40
45
45
www.ligne-roset-contracts.com
LUCA SOFT
Hôtel Radisson Blu, Nantes – architecture intérieure : Jean-Philippe Nuel.
THE jean-philippe nuel
CHAIR
LUCA SOFT The Luca Soft range was designed as part of the Radisson Blu de Nantes project. Bridge chair with 4 matt black metal or anthracite-stained solid beech legs, or with matt black metal cantilevered base. Exclusively available in: Alpaca, Balder, Bee, Cravache, Divina, Extrema, Harald, Hermod, Scuba, Toscane, or Diva, Indiana or Toro hide.
73
60
73
60
73
60
129.130
73
60
55
55
73
60
55
55
73
60
55
55
www.ligne-roset-contracts.com
MARCELLA+MARCELLO
THE
nathan yong
CHAIR
MARCELLA+MARCELLO Marcello: walnut with lacquered varnished finish on seat and front of back. Reverse in walnut with lacquered ‘open pore’ finish which allows the wood grain to shine through. Marcella: back in solid walnut. Quilted seat covered in a choice of fabrics or hides.
86
45
86
45
131.132
48.5
48.5
www.ligne-roset-contracts.com
PAM
THE claudio dondoli & marco pocci
CHAIR
PAM
Piston-operated bar stool with matt chromed structure and brilliantchromed footrest; seat finished in walnut veneer or dark brown/ ebony-stained oak veneer, or covered in white, brown, black, beige, grey, grey-beige, yellow, natural, red, bright red or guava-coloured synderme, or in grenadine, green, crystal or orange translucent PMMA, or black or white opaque PMMA. In its lowest position the seat height is 51 or 54 cm, with a maximum height of 60 or 65 cm depending on the version.
86
89.5
40
40.5
43
43.5
89.5 89.5
40
40
43
43
89.5 89.5
40
40
133.134
43
43
www.ligne-roset-contracts.com
PAOLA
Restaurant Ouest Express, Lyon – Architecture intérieure : Pierre-Yves Rochon
THE claudio dondoli & marco pocci
CHAIR
PAOLA Stackable chair (max. 8) with brilliant-chromed steel base; also available in non-stackable version with base in satin varnished solid natural ash. Seat/back shell in white reinforced techno polymer. High chair with brilliant-chromed steel base.
81
46
81
46
53.5 53.5
81.5 81.5
45
45
135.136
52.5 52.5
www.ligne-roset-contracts.com
P ET R A
THE claudio dondoli & marco pocci
CHAIR
PETRA Non-stackable chair with polyurethane shell and 4 aluminium legs. Covered in pigmented split leather – choice of black, white, pearl white, beige, grey-beige or red.
83
42
137.138
83
42
51.5
51.5
www.ligne-roset-contracts.com
P ET R o
THE claudio dondoli & marco pocci
CHAIR
PETRO Polyurethane shell covered in pigmented undressed hide – choice of white, pearl white, grey-beige or black. Base in brilliant-chromed steel wire.
66/ 76 49.5
139.140
46
www.ligne-roset-contracts.com
P ET R U S
THE claudio dondoli & marco pocci
CHAIR
PETRUS Piston-operated bar stool with polyurethane shell finished in white, beige or black lacquer. Structure finished in matching satin-finish lacquer.
64/ 89
64 / 89
41.5
41.5
141.142
43
43
www.ligne-roset-contracts.com
R O C HE R
THE hertel & klarhoefer
CHAIR
ROCHER Shell in satin black, white or argile reinforced techno polymer. Base lacquered to match shell, or in brilliant-chromed finish with black or white shell. Optional quilted cushion in Alcantara, Divina or Indiana hide.
84.5
52
143.144
5.48
57 75
25
www.ligne-roset-contracts.com
SAINT JAMES
THE jean nouvel
CHAIR
SAINT JAMES A revisitation of the chair, bridge and footstool created for a hotel-restaurant project in Bouliac. Base in varnished Epoxy aluminium lacquered steel. Exclusively available in TempĂŞte or Uniform fabric. Covers of back, armrests and seat are very easily removable.
80
81
80
52
52 52
80
81
66
66
80
52
66
66
52
52
52
52
145.146
www.ligne-roset-contracts.com
SALA
Kube Hôtel, Saint Tropez – Architecture intérieure : La Cox.
THE pascal mourgue
147.148
CHAIR
SALA
www.ligne-roset-contracts.com
SALA
THE pascal mourgue
CHAIR
SALA Chair with brilliant-chromed ‘sleigh’ base, 4 brilliant-chromed square-section legs, circular base with brilliant-chromed plate and 360° rotating stem, brilliant-chromed 5-branch telescopic base (seat height variable between 48 and 56 cm) on lockable castors, or wire mesh-style base in brilliantchromed or black lacquered steel. Height of armrests of bridge chair: 68 cm. Seat height of bar chairs: 64 or 80 cm. Removable covers.
83
58
83
58
57 57
83/ 90
83/90
49
49
55
55
83
55
49
83
49
83
49
83
49
83
49
55
55
83
49
55
55
83
49
55
55
98
98
49
49
55
55
114114
49
49
149.150
55
55
www.ligne-roset-contracts.com
SLASH
Restaurant Le Saut du Loup, Musée des Arts Décoratifs, Paris – Architecture intérieure : Philippe Boisselier
THE philippe boisselier
CHAIR
SLASH Banquette seating, made to your width specification, with o ptional retractable armrest (height 58 cm) located to the right of the banquette. Epoxy aluminium lacquered base. Non-removable covers.
76 76
60 60
151.152
85 > 85>230 230
www.ligne-roset-contracts.com
SO
THE soda designers
CHAIR
SO
Cross-shaped base in brilliantchromed steel wire. High or low back shell in thermoformed ABS. All types of covering material may be used. Removable covers.
86
52
58
112
52
153.154
60
www.ligne-roset-contracts.com
TV
THE pierre paulin
CHAIR
TV
A reproduction of an original chair from the early career of Pierre Paulin (1953). Legs in tubular steel – choice of black lacquer or brilliant chrome. Removable cover.
83
83
48
48
155.156
57
57
www.ligne-roset-contracts.com
VIK
THE thibault desombre
CHAIR
VIK
Base in solid ash – choise of light natural, ash grey or black. Seat/ back shell in moulded beech multi-ply. Optional steel handle on rear of back, covered in the same covering material as the chair. Removable covers.
84
45
58
84
45
157.158
58
www.ligne-roset-contracts.com
u b l e a ur e
4
THEDESK
PAGES
161.162
165.166
163.164
167.168
169.170
R E W R I TE
THE gamfratesi
DESK
REWRITE Desk with legs in sold walnut and top in walnut veneered MDF, with the exception of the slit cable port in the rear section which is made of solid walnut. Bubble/screen in fibreglass clad in fire retardent polyether foam and covered in Divina wool (choice of colours) on both its internal and external faces. Chest in white lacquered steel to take transformers and cables, located beneath the top.
148
148
75
75
161.162
101.2
101.2
www.ligne-roset-contracts.com
SPLIT
THE meike beyer
DESK
SPLIT Base in black lacquered steel; top finished in natural walnut veneer. Equipped with two sliding chests with two storage niches behind. Two sliding covers conceal any cabling. A black lacquered folding screen is fixed to the rear of the desk. Directional desk lamp (black shade, black lacquered structure) mounted on desk.
123 1226 / 76 /76
72.5 72.5
137.5 137.5
123 1226 / 76 /76
72.5 72.5
163.164
137.5 137.5
www.ligne-roset-contracts.com
TANIS
THE pierre paulin
DESK
TANIS A reproduction of the CM 141 desk, designed by Pierre Paulin in 1954. Block of 2 drawers in natural walnut with top in black Corian or satin-finish black laminate, to match the base in black-lacquered tubular and flat steel. Thickness of top 3.2 cm.
74
74
60
60
165.166
130
130
www.ligne-roset-contracts.com
URSULINE
THE pierre paulin
DESK
URSULINE Work surface and edging in natural walnut with base and chests in satin-finish brown lacquer, or all in satin-finish white lacquer. Thickness of top 2.5 cm.
89.9
89.9
65
65
167.168
120.2 120.20
www.ligne-roset-contracts.com
VILLA ROSE
THE franรงois azambourg
DESK
VILLA ROSE Presented by its creator at the Villa Noailles design exhibition in 2008. Made from black-stained oak with chest/drawer (H 16.2 W 36.6 D 24) in American walnut which slides beneath the top, or with sliding drawer, also in American walnut. May be complemented with the chair of the same name. Also available as a console (with no drawer).
73
35
73
65
73
65
169.170
73
35
100
100
120
73
65
120
120
www.ligne-roset-contracts.com
a l
l tabe 5 THE TABLE
PAGES
173.174
175.176
177.178
179.180
181.182
183.184
185.186
187.188
189.190
CITADINE
T H E TABLE
CITADINE Dining table which folds like a console and can thus be placed against a wall when not in use (depth of table when folded: 60 cm). 22 cm thick satin white lacquered top and steel base, or with top in lati cendrĂŠ veneer and elephant lacquered base, both with straight edges. Accommodates 4 persons.
73
73
120 120
73
73
120 120
73
73
120 120
173.174
www.ligne-roset-contracts.com
DREAM
Hôtel Roset, Equip’hôtel. – Architecture intérieure : Pierre-Yves Rochon
T H E TABLE
DREAM Chromed or satin-finished base; 3 cm thick laminated madeto-measure top. Other finishes available on request.
73
70
175.176
73
70
70
70
www.ligne-roset-contracts.com
EATON
T H E TABLE
EATON Solid wood legs 13Ă—4 cm with mitre detail. 4 cm thick solid wood top, treated with oil and finished with matt varnish. Choice of finishes: hornbeam; cherry; walnut or anthracite-coloured walnut; natural, brushed, sanded or bleached oak, or stained white, brown, anthracite or ebony. Depth 90 or 100 cm. Width: offered in gradations of 10 cm, from 160 to 240 cm. May be combined with the bench of the same name, offered in gradations of 1 cm, from 120 to 230 cm, thus enabling the client to select either benches of the same width of the table, or of such a width that they can slide between the table legs.
7676
240 240
100100
7676
210 210
100100
7676
100100
177.178
160 160
www.ligne-roset-contracts.com
INOX
Restaurant le Saut du Loup, Musée des Arts Décoratifs, Paris. – Architecture intérieure : Philippe Boisselier
T H E TABLE
INOX Base in brushed or polished stainless steel. Round or square stem; round or square base. 3 cm thick made-to-measure laminated top in. Other finishes available on request.
76
60
73
60
60
60
113110
50
50
179.180
www.ligne-roset-contracts.com
LUNATIQUE
T H E TABLE inga sempé
LUNATIQUE
Oval low/dining table and dining/ café table with sliding base/stem which enables the height of the top to be varied between 50-75 cm for the dining table, 75-100 cm for the dining/café table and 75-100 cm for the café table (the movement is assisted by a jack operated by an articulated ring set into the centre of the top). Top in white, mastic, argile or elephant-coloured laminate ; Epoxy lacquered metal stem, matched to top.
50/ 76
50 / 75
87
87
100
100
50/ 76
50 / 75
87
87
100
100
50/ 76
50 / 75
71
181.182
71
84
84
www.ligne-roset-contracts.com
PIAZZA
T H E TABLE michael koenig
PIAZZA Dining/cafĂŠ table. Black, red or white lacquered base with piston/ stem in brilliant-chromed steel. Elliptical top in clear toughened glass. The height of the top is continuously adjustable between 75.5 and 100.7 cm.
75.5/ 100.7
75.5 / 100.7
68
183.184
68
90
90
www.ligne-roset-contracts.com
E
T H E TABLE patrick pagnon & claude pelhaĂŽtre
SERAM Base and crosspieces in gloss black anodised aluminium or in gloss white lacquered aluminium ; 3.5 cm thick top in black-coloured ceramic, or 8 mm thick top in toughened black or white lacquered glass.
75 75
100 100
220 220
7575
100100
185.186
180 180
www.ligne-roset-contracts.com
TABLE-C
Novotel Marseille Vieux Port – Architecture intérieure : Claudio Colucci
T H E TABLE claudio colucci
TABLE-C 4 cm thick top size 70 Ă— 70 cm in black laminated MDF with MDF edges lacquered to match. Central pedestal with round stem and square base, both in Epoxy black lacquer. Other finishes available on request.
74
70
187.188
73
60
60
70
www.ligne-roset-contracts.com
T.U.
T H E TABLE philippe nigro
T.U.
42 cm thick top in white, black, mastic, argile or elephant-coloured laminate – double-sided and therefore reversible, with natural oak veneered edges; or 39 cm thick top with faces and edges in walnut. Base in Epoxy red, white or black lacquered steel. These bases will take all tops from W 86.5 to W 100 cm, between 3 cm and 5.5 cm thick, max. weight 39 kg.
7575
100 100
200 200
7575
9090
189.190
180 180
www.ligne-roset-contracts.com
‘ p t a d
n i o latable
p
6 THE OCCASIONAL TABLE
the occasional table
bobine – michael koenig Height-adjustable low table with top in white lacquered clear glass and base in brilliant-chromed steel. Ø80 H45/72. Height-adjustable table with top in clear toughened glass or lacquered clear glass, or in walnut. Ø80 H73/98 (clear toughened glass or lacquered clear glass) Ø80 H76/110 (walnut) Ø100 H73/98 (clear toughened glass)
circles – maria jeglinska Occasional table in Epoxy satin black lacquered steel. Small : Ø36,5 H43 Large : Ø42 H53 (brilliant-polished stainless steel top)
deca – evangelos vasileiou Base in brilliant-chromed steel and top Ø 50 cm in white Carra marble with water-repellent treament.
good morning – alban-sebastien gilles Brilliant-chromed base; brilliant-polished stainless steel top; or with varnished aluminium lacquered top; or entirely in black or white lacquer, finished with ‘car bodywork’ varnish on the top. Ø45 H55
lupo – pierre paulin A reproduction of a 1953 piece: base and top – with two scooped-out handles – in black-stained solid oak. W72 D50 H39
teatime – müller wulff Removable top, exterior in sawn natural oak, interior satin pink lacquered. Structure in brilliant chrome. L 57,5 P 64 H 35
linosa – pierre charpin Top in 12 mm thick ‘cristal’ glass (anthracite grey or white silk-screen printed motif). The motif plots the shape of the top, giving the illusion of undulation. Legs in brushed stainless steel. H 24.5 W 90 D 71 (grey) – H 24.5 W 120 D 42 (grey or white)
meida – noé duchaufour-lawrance Structure in Epoxy lacquered steel; top in clear toughened enamelled glass. Available in black or white. Ø60 H43
parigi – studio catoir Base in gloss black lacquered turned solid limewood and top in natural varnished solid sycamore. H50 Ø40
T H E OCCASIONAL TABLE michael koenig
BOBINE .
193.194
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THE OCCASIONAL TABLE
rocher – hertel & klarhoefer Structure in MDF clad in American walnut veneer, or in folded, soldered sheet aluminium. Width of upper section: 30 cm. W42 D42 H45
rythme – angie anakis Matt red or matt black lacquered circular steel base. Clear toughened glass top. W110 L90 H30 W120 L70 H32
salam – noé duchaufour-lawrance Structure in Epoxy lacquered steel; top in clear toughened enamelled glass. Available in black or white. W100 L58 H30
poppy patterson – numéro 111 Exterior in sawn natural oak. Silk grey lacquered top. L 90 P 95 H 24,5
stump – pierre charpin Grey-veined white Carrara marble, hewn from one piece, polished then finished with an anti-stain treatment. W30 D36 H45
thot – pierre paulin Top and legs in natural satin varnished solid walnut ; or legs in satin black-stained solid beech and top in satin black-stained ash veneered MDF. H50 Ø55
blackbird – pierre favresse Low/sofa end table (H 45 W 59) which transforms into a dining/work table at the touch of a hand thanks to its discreet pivoting mechanism (H 74 W 44). Base in Epoxy lacquered sheet steel ; frame in veneered (choice of walnut or lati cendré) or lacquered (black or white, depending on finish of base) multi-ply.
warp – olivier schick Base in Epoxy lacquered steel ; top with handhold in satin black or white lacquered MDF. H 65 Ø 53
mortaise – yota kakuda A multi-use bedside/occasional table. An assocation of blocks of natural satin varnished solid oak and tops in satin black lacquered MDF, brought together by tenon and mortice joints. Each item is equipped with felt gliders. Bedside table : H 52.5 W 40.1 D 47 Occasional table : H 42.5 W 40.4 D 40.4
T H E OCCASIONAL TABLE
alban-sĂŠbastien gilles
GOOD MORNING
195.196
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a
n lmuiire e l
7 THE LIGHT
the light 63|thomas rodriguez Shade and ceiling fitting finished in Epoxy lacquered aluminium-matt black on the exterior and sky blue on the interior, becoming white when illuminated. 200 cm long black textile upplied with 1 × 23 W E27 cable. S compact fluo globe bulb. Ceiling light : Ø 40 H 242
bloom – hiroshi kawano Shade in black or white sculpted foam, Ø approx. 55 cm. Floor lamp with base Ø 35 cm and stem in lacquered steel. Suspended ceiling light with cable H 30 cm. Supplied with 1 x E 27 20 W Eco Fluo globe bulb Ø 95 mm. Ceiling light : H 150 Ø 55 Floor lamp : H 185 W 168 Ø 55
bul – ligne roset 2 functions depending on angle of stem : reading light H 145 cm or floor lamp H 185 cm. Structure in matt black or satin white painted metal. Black cotton shade with aluminium-coloured interior, or opaque white chintz shade, Ø 65 cm. Supplied with 1 x 105 W E 27 eco halogen bulb. H 145 D 186
somerset – eric jourdan Matt opal shade, structure in brilliant-chromed metal. Mini version supplied with 1 x E 27 40 W bulb, or with LED for stand-alone version. Small and large versions supplied with 1 x E 27 70 W halogen bulb. Mini light: H 32 D 16 Mini stand-alone light : H 32 D 16 Small : H 51 D 22 Large : H 72,5 D 30
aroun – jean-philippe nuel Table lamp with shade in white opal chintz or opaque black synthetic material and 3 diffusers in white opal PVC. Structure in white lacquered steel wire. Supplied with 1 x E 27 20 W compact fluo ministick bulb, colour warm white for the small version; 23 W for large version. Small : H 40 W 40 D 36 Large : H 53 W 62 D 50
sagaie Brilliant-chromed aluminium stem; base in brilliant-chromed steel. Supplied with 1 × 35 W T5 fluorescent tube. Black cable. Floor lamp: W27,5 D17 H165
dorset – eric jourdan Structure in black or satin white wood. Black shade, or with white exterior and white interior. Table lamp supplied with 1 x E 72 15 W mini-globe bulb. Floor lamp supplied with 1 x E 27 20 W globe bulb Ø 95 mm. Table lamp : H 60 Ø 35 Floor lamp : H 173 Ø 60
draad – bernard moïse Brilliant-chromed aluminium with fixed or articulated arm.Desk lamp and reading light supplied with 1 × 230 V 11 W T2 bulb. Desk lamp: L54 D15 H36/88 Reading light: L54 D17,5 H121/172
easylight – pascal mourgue Articulated or fixed floor lamp in anodised and brilliant chromed aluminium. The height is 205 cm and the width 68 cm when the arm is fully extended. Black cotton shade. Supplied with 1 x E 27 100 W spherical matt bulb.
THE hiroshi kawano
LIGHT
BLOOM Silver Room, Equip’hôtel 2010 Interior Design : Didier Gomez
199.200
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the light
amis de jean – gabriela chicherio Shade in black lacquered aluminium with black textile cable. Wall light in black lacquered steel with directional arm. Supplied with 1 x 75 W E 27 Hi spot 95 halogen bulb. Wall light : H 58 Ø 20 D 138 Ceiling light : H 180 Ø 20
circus – thomas rodriguez Suspension en aluminium repoussé laqué noir, finition mate. Câble textile noir et diffuseur acrylique. Livrée avec un tuble fluorescent circulaire 40W couleur blanc chaud. H 160.5 Ø 55
pascal mourgue – pascal mourgue Structure in brilliant-chromed steel with black or white cotton shade ; or with red base and shade ; or white base and shade. Supplied with 1 x 9 W E 14 fluorescent bulb (bedside light), or 1 x 22 W E 27 compact fluo bulb (table lamp), or 1 x 18 W E 27 compact fluo bulb (reading light and floor lamp). Bedside light : H 48 Ø 12 – Table lamp : H 80 Ø 23 Reading light : H 170 Ø 45 – Floor lamp : H 198 Ø 45
mama – thibault desombre Two-position desk lamp with brilliant-chromed tube and base in steel grey lacqeured steel. Polished aluminium shade. 40 W/230 V G9 satinised Halopin bulb. Continuously adjustable floor lamp with brilliant-chromed tube and base in varnished stained concrete. Shade in white taffeta or black cotton with white interior. E 27 20 W compact fluo bulb. Table lamp : H 62 W 22.5 D 65 Floor lamp : H 200 W 40 D 177
lamp06 – nathalie dewez Structure in satin-finish black lacquered turned wood. Black chintz shade with white interior. Black cable and manual switch. Table lamp: base Ø 25 cm, supplied with 1 × E27 15 W mini-globe bulb. Floor lamp: base Ø 40 cm, supplied with 1 × E27 20 W globe bulb Ø 95 mm. W45 H45 D45
THE
pascal mourgue
LIGHT
PASCAL MOURGUE H么tel le Royal, Lyon. Interior architecture: Pierre-Yves Rochon
201.202
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the light audrey – studio catoir Shade in champagnecoloured pleated 100 % polyester ribbon. Base in Epoxy satin white lacquered steel. Suppleid with 1 x E 27 116 W Eco Halogen bulb angled upwards and 2 x E 27 77 W Eco Halogen bulbs angled downwards. Transparent cable and dimmer. Also available as a ceiling light. H 188.5 Ø 60
bonbonne – loudor design Lights in clear glass with transparent cable. Table lamp supplied with 1 x E 27 40 W clear globe bulb. Ceiling light supplied with 1 x E 27 75 W Hi spot 25° bulb. Table lamp : H 40 Ø 30 Ceiling light : H 132 Ø 30
trinitas – dögg design Triangular shade in black chintz with white or orange interior. Black cable and foot switch. Suppleid with 1 x E 27 20 W fluo globe bulb. Floor lamp : H 170 W 74 Ceiling light : H 185 W 68 D 68
lucile – sylvain rieu-piquet Base in matt grey lacquered steel; white opaline shade. Transparent cable. Upper stem in matt nickeled steel with touch dimmer. Supplied with 2 × G9 40 W bulbs. H30 Ø22 tris – ligne roset Base in brilliant-chromed steel ; shade in white cotton ; transparent cable with dimmer. Supplied with 1 x E 27 150 W bulb. H 177 Ø 78
peye – numéro 111 Shade in composite material with grey exterior and matt white itnerior. Base in Epoxy matt grey lacquered steel ; varnished beech stem. Equipped with 2 m ribbon LED. Transparent cable and foot switch with dimmer function. H 188 W 80 D 95
paranoïd 2 – swann bourotte Reading light with black or white woven protective cover, flexible and directional, equipped with LED bulb. The 3 articulated spindles are equipped with ribbons of decorative LEDs. H 120 W 40
very thin – arik levy Structure in chromed metal and shade in brilliant-polished aluminium, Ø 30 cm for the table lamp, floor lmap and ceiling light and 18 cm for the wall light (with connection box). Transparent cable. Height of ceiling light adjustable between 75 and 120 cm. Supplied with 50 W GU10 bulbs. Table lamp : H 65 W 15 D 22 Floor lamp : H 141 W 15 D 22 Wall light : H 17 D 22 Ceiling light : H 120 W 62 D 30
pharo – pierre favresse Structure in curved steel tubing. Shade in embossed sheet steel with polycarbonate lens. Supplied with 1 x E 27 42 W halogen bulb ; black or transparent foot-operated dimmer. H 31.5 W L50.5 D 32.5
THE jรถrg hรถltje
LIGHT
SERPENTINE Hipark Residence, Grenoble Interior Design : Didier Gomez. Suspended ceiling light in mouth-blown borosilicate. Supplied with 1 x E 27 60 W clear incandescent bulb. H 55 ร 18
203.204
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park inn oslo le standard hollywood l’amirauté deauville le boréal la compagnie du ponant 5 – hipark nice 6 – le kube saint-tropez 7 – pignol grenoble 8 – hotel puro wroclaw 9 – hyatt regency ekaterineburg 10 – kyriad prestige thionville 11 – castel beau site ploumanac’h 12 – sofitel mogador golf & spa essaouira 13 – hôtel de l’université paris 14 – sofitel jardin des roses rabat 15 – mandarin oriental paris 16 – dock ouest lyon
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Publisher: Roset S.A.
With a capital of 10,000,000 euros Siren 545.920.076
www.ligne-roset-contracts.com Directors: Pierre Roset Michel Roset Max Flageollet Director of Publication: Max Flageollet, Damien Marcos Assistant: Estelle Morand Graphic Design & Artistic Direction: Thierry Dispan de Floran, www.agame-graph.fr Damien Marcos, Violette de Fleurian, Groupe Roset S.A. Editorial texts: Alexandra Laugier, editor, Décoration Internationale Photography: Éric Bergoend, Joel Biletta, Bernard Cianca Stéphane Chalmeau La Cox, Cypert & Leong Jörg Hempel, Tony Higgins Garry Kan, Bernard Langenstein Erick Larrieu, Jean-Pierre Lemoine, Oliver Maier Aleksey Mihailovitch Naroditskyi Fabrice Rambert Jean-Marc Sabert Gilles Trillard, Zapaimages Elisabeth Zeschin Typesetting: Comprodes SA, CH – 2555 Brugg On-lining: I-D Media Ltd, Zetland House, 5-25 Scrutton Street, London EC2A 4HJ www.i-dmedialondon.co.uk