Z I Y A O L R A H M A N J A M S H I D Z E H I ARCHITECTURAL PORTFOLIO 2017 - 2022
Curriculum vitae
ZIYAOLRAHMAN J A M S H I D Z E H I PERSONAL INFORMATION
ABOUT ME
Address Viale Molise 65, 20137 Milano, Italy
Phone Number +39 3347510070
Email ziya.jamshidzahi@gmail.com
skype
I am always excited to learn something new, particularly in architecture. I am an active and eager person at work, with the ability to deal to different tasks and to work as a team and on individual basis. I consider myself to be conscientious, organized, dreamer and creative person who is also very sensetive to the details. I believe that architecture is a communication tool that can bring peace and comfort to humanity. Therefore, I believe in collaborating with other people where we can exchange our thoughts and come up with best outcome.
ziya.jamshidzahi
linkedin www.linkedin.com/in/ziyaolrahman-jamshidzehi
Portfolio https://issuu.com/ziya20/docs/ziyaolrahman_jamshidzehi
About my personal interests, I am passionate about photography. Also I am very curious about the various cultures and places that exist arount the globe, because of that, I enjoy travelling, and I always have a very open mind to discovering new things.
EXPERIENCES
Sept 2021 - May 2022
Junior architect at Lombardia Carni Srl
Responsible for a variety of projects, including interior design, façade design, and renovation projects.
Feb 2020 - December 2020
Freelance architect
Responsible for some architectural projects as well as designing some online marketplace for print-on-demand items.
July 2014 – June 2015
Torshabi architecture firm
SKILLS
I worked as a full-time intern for two months in an architecture firm, where I primarily used to engage in drawings as well as to engage in rendering.
Autodesk AutoCAD Autodesk Revit
INTERNSHIPS
Intern architect at Lombardia Carni Srl Responsible for a variety of projects, including interior design, façade design, and renovation projects.
Autodesk Insight
July 2019 – August 2019
Internship at municipality of Sesto San Giovanni
Rhino Sketchup
February 2021 – July 2021
I worked as an intern for three months in the municipality of Sesto San Giovanni, Milan, my main job was to survey and redesign public apartments for people with disabilities.
COMPETITIONS
Lumion
2019
RI-Formare Periferie
Twinmotion
The contest was about the regeneration of Adriano Park in Milan. The emphasis was on the water for urban environmental restoration, treating, recycling of rainwater, wastewater, and flood control of earthworks and devices. In order to create a new urban landscape that seeks to blend sustainability, well-being, and delight.
Adobe Photoshop
2018
Adobe InDesign
Designing a solution for cities in order to keep their values intact and fix their challenges, at the same time providing a new environment for their residents. We’ve been focused on Amsterdam city, and the focus we on its over-tourist issue.
Adobe Illustrator
RICS, cities for our future
EXHIBITIONS
2018
Venice Biennale of Architecture Exhibition of the interior design project model
LANGUAGE
EDUCATION
2017-2019
Persian
Politecnico di Milano, Italy
English
2016
German Italian (Level A2)
Master of Architecture - Built Environment - Interiors
Tilak Maharashtra Vidyapeeth, Pune, India Diploma in communicative & Business English 2010-2015
Azad University, Zahedan, Iran Bachelor of Architectural Engineering
SELECTED WORKS 2017-2022
pg. 6
Student Housing Msc Final Design Studio
pg. 15
Trace of History Msc Interior Design Studio
pg. 23
Niente Da Nascondere Msc Interior Design Studio
pg. 30
Parco Di Adriano Msc Thematic Studio
pg. 37
Always Treasure Underground Msc Interior Design Studio
STUDENT HOUSING Msc Final Design Studio Group work Project Type Student Residency Professor Rogora Alessandro Year 2019 Software Autodesk Revit, Photoshop, AutoCAD, Lumion
Retrofitting a net-zero dwelling on an existing building
The project is located in campus Leonardo da Vinci, Polytechnic of Milan, It is a retrofitting project aiming sustainability and energy efficiency design. The project is designed for student housing. It is designed on an existing building which has a very simple and cubic form. The existing building has a large study area, a few classes, and a big canteen in the building. It has nine meters of height which will be more feasible and economic to construct on. The idea of student housing will help and benefit students, the existing canteen, and the university in general. Since the building has a simple shape, we give more importance to the general form of the building, and also we tried to virtually connect the building with its surroundings especially to the botanic garden which is located on the south of the building.
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Location : Milan, Italy
Cold area Private spaces
Introducing
Warm Area Shared spaces
Central court To connect all spaces
Introduction of a closed shared space in the center which can be accessed from all user spaces
using the open space as a transitionbetween private and shared
Introducing greenhouse to separate private and semi-private spaces And it also contributes to the passive solar design of the units
Dwelling Units Green Corridor Greenhouse
Greenhouse Fire Exit
Fire Exit
Lobby Waiting area
Common study area with Aeroponic Food production system
Entertainment zone
Entrance
SWOT Analysis
Zoning
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Site Plan 8
Ground Floor Plan
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Detail B
Detail A
Section AA
Soundproof membrane 5mm Plasterboard 10mm
Fabric 3mm Velcro 6mm Lathing 6mm Vapor membrane 2mm Multi-layer Reflective insulation 30mm Reinforced AAC block 1150mm Wooden structure 60mm X 196mm Thermoblock 99mm 160mm Concrete In situ 220mm*250mm Copper flashing Existing roof
Detail A 10
Rubber sheet 6mm Copper Flashing Wooden structure 90mm X 105mm OSB sheet 18mm Counter batten 20mm X 15mm Fascia 4mm Fabric 3mm Velcro 6mm Lathing 6mm Telescopic tube fasteners Vapor membrane 2mm Multi layer Reflective insulation 30mm Wooden structure 90mm X 220mm Wooden structure 35mm X 150mm Reinforced AAC block
Concerete tile 20mm PVC Conduit Pipe ∅20mm Mortar bed EPS radiant mat Water pipe ∅8mm Soundproof membrane 5mm Insulated Tile backer board 6mm OSB sheet 18mm Staple 40mm Multi layer Reflective insulation 30mm Wooden structure 60mm X 190mm OSB sheet 18mm Support plate
Detail B
Experimentation of New Thermal Resistance of Thin Insulation Material 1) Total Thickness = 60MM
2) Total Thickness = 50MM
60mm Conventional Polysterene Insulation
50mm Conventional Foam Insulation
Temperature difference ∆T= 0.2°C
Temperature difference ∆T= 1°C
Thernal Resistance R= 8.147
Thernal Resistance R= 1.491
3) Total Thickness = 10MM
4) Total Thickness = 50MM
Thermal Resistance R = 0.702
Multilayer reflective insulation is sandwitch between 20mm of Wood battens spacers Temperature Difference ∆T = 0.9°C Temperature Resistance R = 1.675
5) Total Thickness = 30MM
6) Total Thickness = 81MM
10mm of Aerogel blanket Temperature difference ∆T = 1.9°C
Conventional Material
This is the 50mm reference conventional insulation material for the comparision Proposal Material
Reflector Aluminium foil
10mm of Geosynthetic 3d mesh used as spacers on top and bottom of 10 mm Multi refelective inuslation. Temperature difference ∆T = 0.5°C Thermal Resistance R = 3.155
22mm of Geosynthetic 3d mesh used as spacers on top and bottom of 37 mm highly refelective inuslation with moisture proof polyster fiber Temperature difference ∆T = 1.0°C Thermal Resistance R= 1.491
Low conduction Bubble Wrap
Seperator Geosynthetic Mesh
By testing the surface tempertaure and thermal Resisatace of all the thin Insulation materials and conventional Polyesterne foam its shows that 3cm Multi reflective thin insulation has better thermal resistance compared to the conventional one. Therefore to achieve same thermal resitance we require 11cm of conventional insulation. 11
Orthographic view 12
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TRACE OF HISTORY Msc Interior Design Studio Group work Project Type Conceptual Exhibition Center Professor Averna Marta Year 2018 Software Google SketchUp, Photoshop, AutoCAD
Renovation of Colonia Montana di Renesso
In the heart of the Liguria region in northwest Italy, there is a small valley named Savignone. At the top of the valley, there is a concrete building called Colony di Renesso. This building is one of the two colonies in the area and was designed as a summer camp for boys to be trained in various physical and cultural practices during the period of fascism (1933). The building illustrates traces of Italian history such as Italian architecture in the 1930s, the difficult era of world war, etc. These flashbacks about how a country gets reunited and gets back from Darkness to Light are the points we found most important. The design focuses, thus, mainly on this concept.
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Lo ation
Savignone
enoa
tal
The present condition of the building is abandoned without maintenance and since the fascist period, this building has only been used for temporary displays. The building has a unique architectural style and a powerful historical atmosphere that fascinate people. Neither exterior nor the interior is not in very good condition, but there is still the majority of the furniture inside. These characteristics gave us the impression that it could be a museum of its own that could reflect the building as an abstract message that would guide visitors to take a journey through the building’s deepest memories.
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Ground Floor
The building’s ground floor is split into three different parts. In the centre, the entrance, the restaurant on the left side, and on the right, the resulting room. The entire building is designed to function as a single route, therefore, the trip begins on the ground floor and ends on the same floor.
There were some offices on the left side of the entrance that would remain as offices (ticket office, manager offices). On the other hand, there were some rooms on the right side of the entrance that we removed the inner walls in order to create an internal ramp to demonstrate the darkness side of the concept. Also, there is an existing staircase passing through the entrance which brings visitors towards the next stage of the representation of the Renesso colony. An elevator will also be designed and added to the building.
Entrance
Restaurant
Resulting Room
A steel fence is designed to welcome visitors and lead them to begin their journey, beginning from the building’s left wing. It leads them to the restaurant.
The dining room will act as both a Restaurant and the old restaurant display. There were several tables in the dining room, and we designed and hung some of the existing tables from the ceiling as the original materials.
At the end of the journey, visitors end their journey in the Resulting Room. This room is extremely dark, with little light coming from outside which will show them the exit. Visitors here are going to have their own interpretation of the journey.
Resulting Room
Restaurant Entrance
Ground Floor Plan 18
First Floor The Light Room After taking the stairs, visitors reach the first floor and are directed to the hallway. At the end of the hallway, there is an observation point that provides a spectacular view of the internal ramp and a view of the interior. On this floor, all doors are locked, only a door is opened to visitors near the observation point which is a very large room called The Light Room. The windows are sealed and covered in this room from the inside, and thus no light enters from the outside. That renders it extremely dark. The entry to The Light Room is on the right side, it is very dark on the right side, thus people enter the darkness and the room is being brighter as they walk on the left side, which will finally be very bright on the left side of the room. All lights are being displayed by artificial light.
First Floor Plan
Section A-A
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Second Floor Plan For entering the second floor. Visitors take the external ramp from the first floor which will take them to the second floor. This ramp also takes them outside and offers a magnificent view of nature, giving them a sense of freedom and connection to nature and finally getting them to the second floor. They face a transparent glass floor as they enter on the second floor, and from here they can see the lower floor (first floor). To retain the originality and authenticity of the building, all rooms that were closed on the first floor are preserved with all original furniture and in an original layout, Visitors are only able to see them through the transparent glass floor. Also on this floor, there is a cafe-bar for refreshment and two symmetrical balconies. The journey then continues to the right side of the building where the internal ramp access point is. This ramp takes visitors to the ground floor while giving spectacular views of the space of the interior. They can see and experience the building’s original materials from a closer viewpoint. This enclosed ramp gives the sense that there is darkness and not liberation. The interior ramp also represents the age of fascism. Finally, the visitors end up in the room in the Resulting Room and They can get their own interpretation of the journey. Second Floor Plan 20
Silicone joint
Perimeter support
Fire-resistant glass
Detail 1
Glass Floor
Detail 1
Exterior Ramp Interior Ramp
Intervention of Interior and Exterior Ramp
Existing Building
Overview of Interior and Exterior Ramp
Detail 2
Section A-A
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Frameless additional windows
Blackened steel cladding
Detail 2
Interior Ramp 22
Plywood
IPE cross section
Hollow box steel bar
Blackened steel cladding
Detail 3
Hollow circular steel bar
Cantlever beam
North Facade
Detail 3
South Facade
West Facade
East Facade
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NIENTE DA NASCONDERE Msc Interior Design Studio Group work Project Type Art Residency Professor Averna Marta Year 2018 Software Google SketchUp, Photoshop, AutoCAD
Colonia di Montana Monta Maggio There is a small valley named Savignone in the heart of the Liguria region in the northwest of Italy. On the top of this valley, there is a concrete building called Colony of Montana Monta Maggio. The building was built as a colony for young girls during the time of fascism (1933). The aim of constructing the building was a summer camp for girls to be educated in different physical and cultural activities. At the present, the building is not in use, and it is deserted. The building is placed with a pure connection to the natural nature on the top of the mountain. The concept is to preserve this relationship with nature. Therefore, it is aiming to create a special space for artists to detach themselves and stay with their group from the chaos of urbanism and to be inspired by each other. This project is named NIENTE DA NASCONDERE, which in English means NOTHING TO HIDE. 24
Location : Savignone, Genoa, Italy
Since the Fascist era, the current state of the building has been abandoned without renovation. The building has a unique style of architecture. Neither exterior nor the interior is not in very good condition. but there is still the majority of the furniture inside. The characteristics of the building and its location, especially the relation between the building and nature, give the idea that it could be a peaceful place for artists to stay and create their arts in the building and eventually exhibit them to visitors.
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Ground Floor Plan
Amphitheater
Jam Waiting Room
Next to the entrance door, a Jam waiting room is designed for people to meet and interact with each other. A wall with removable seats inside is designed to provide visitors with enough seats. Visitors would take their own seat off the wall and later put it back in place. The seats are made of acoustic wood tiles with a soft finish which is both acoustic and insulating. In the Jam room, three hanging shelves are designed to give a different frame to space. To carry stuff on them, shelves may also be used. There was a very wide room on the left side of the building, which we planned to convert into an amphitheater at an appropriate height. To maintain the originality and authenticity of the building, a box inside the space is designed that does not touch the walls and ceiling. The amphitheater has eighty-four seats and the same tool and method are used in the amphitheater in case of need for more seats. The designed amphitheater wall is installed in front of the front window. Visitors may also take some seats from the wall to get natural light inside the amphitheater in order to allow natural light to come into the amphitheater.
Wood Acoustic Removable Seat 26
Jam Waiting Room
Jam Waiting Room
First Floor Plan
The floor plan of the first-floor and second-floor are almost the same. There are three wide rooms in the center of both floors with a small wall in between that separates each room space into two spaces. we take advantage of these small walls and used them as a shear wall for the new structure. we took advantage of small walls and used them as a shear wall for the new structure to support it. In order to maintain the originality of the building for the future, we design a box inside the existing rooms and not touch the walls and ceiling. These rooms function as studios for artists to create their art as well as a place for them to run their workshops. In order to demonstrate the relationship to nature from each studio, one box from the window exceeds the building finishing.
Studios Space
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Third Floor
The height of the third floor is about 4.5 meters, We took advantage of this height and divided the floor into two levels vertically. On the first level, we designed a semi-private gathering place for artists where they can interact and meet. There is also a shared kitchen and some private bathrooms for artists at this level. We designed seven living capsules on the second vertical level for artists to stay and rest there. Each capsule can accommodate up to two people, and this building can accommodate a total of 14 individuals. We designed an art gallery on the left side of the building that begins from the ground floor and continues to the fifth floor. The artist will display their artwork to the public in the gallery. To make the exhibition area more transparent and more closely connected to the pure nature of Savignone, the south and east elevations of the exhibition area are omitted in order to provide more interaction with nature.
Living Capsules Plan 28
Gathering & Service Area
Section A
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PARCO DI ADRIANO Msc Thematic Studio Group work Project Type Urban Design Professors Rosso Renzo, Fontana Carlotta Year 2019 Software Google SketchUp, Photoshop, AutoCAD, Lumion
Revitalization of urban space with sustainable solutions
The project is located in the park of Adriano, a considerably new urban settlement with rapid growth. The goal of this project is to revitalize the unbuilt area for the public and the state’s benefit. This is an area with a high flooding risk that can cause sorts of pecuniary and non-pecuniary damages. The landscape is designed to prevent floodwaters against threatening the settlements. The vegetation is specially picked to create an ecosystem in order to fight against a local problem; mosquitoes. The project also aims to enhance the transportation qualities of the area.
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Location : Milan, Italy
Building Distribution
Location
Duomo
Qt. Adriano
Regional Access
Private Green Space
Watercourse
Martesana Canal
Future tram line
Building
Green Spaces
Public Green Space
Public transportation
A + D: Via Adriano
Roads
C: Via P.Vipiteno
B: Via R.Tremelloni
Building Typology
Lambro River
Residential
Bus Stops
Commercial
Linea 53 Lambrate FS M2 Sesto Marelli M1
Linea 56 Q.re Adriano Loreto M1 M2
Linea86 Ca’Granda M5 C.naGobba M2
Roads
Parking Area
Public Facilities
Industrial
Car park
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Silver Birch: supports awide range of insects and the light shade
Crape Myrtle: Tolerates heat, humidity, drought: does well in most soils as long as they are well drained.
Alder Buckthorn: Provide source for pollen, bees and other insect and birds.Different colour in seasons
Frangula
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Field Maple: Place for aphids, ladybird, hoverfly and birds, bees, pollen.
White Elm: Place for aphids, ladybird, hoverfly and birds, bees, pollen. small mammals eat the fruits.
FieldElm: It is fast-growing, light-demanding. tolerates floods, pollution, drought, waterlogging and salty winds
Site Plan
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Flood Risk Analysis at Different Times
Dry Scenarios This is the usual view of the site while there is no flood. There is an intake canal that takes water from the Martesana Canal if there is a reason to purify the water that is present in the lake. The discharge canal on the other hand. Will provide to empty the undesired water.
Legend Each 10 years Each 20 years Each 200 years Each 500 years
Martesana Intake Canal
Discharge Canal for the Lake
Flood analysis in the designed area
Flooding Scenarios This is the over-flooded view of the site. The peninsula is designed in order to keep the floodwater within self and prevent the water to flood over Martesana as much as possible. Slopes and green terraces are intended to barrier the flood. During a flood, the gates of the canals will be closed until the floods calms down.
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Crepe myrtle Opium Poppy
Drainage System
Podium of white gravel
Precast-concrete blocks reinforced with gravel
Detail A
Retaining wall
Lighting Fixture
Detail A Granite border stone
Pea gravel for pedestrian pathway
Drainage System
Details
Previous rubber for bikeline
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View Of Entrance To The Park
View Of Pathway
View Of The West Catwalk
View Of Observation Point
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ALWAYS TREASURE UNDERGROUND Msc Interior Design Studio Group work Project Type Urban Design Professor Morena Marzia Year 2018 Software Google SketchUp, Photoshop, AutoCAD
Overtourism in Amsterdam This design “Always Treasure Underground” is mainly developed to solve the problem of over-tourism in regions where tourists and residents co-exist, by means of partly separating the circulation of those two and increasing the quality of life of residents. As can be seen from some news about Amsterdam’s over-tourism problem, the government does not want to reduce but maintain a stable value of tourists. Most of the measures been proposed are turning out to work just temporarily. Conventional solution of renovation space for tourists and residents could enhance their living experience. But in the uncertain future, this will surely attract more tourists and the condition will be worsen. Location : Amsterdam, Netherlands
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ATTITUDES OF OVER-TOURISM
TOURISTS
It’s a nice place, but too crowded
Annual tourist arrivals to Amsterdam (X1,000)
Tourist concerns
Go home, and give my home back.
Tendency of the Government to maintain the tourism industry 38
LOCAL RESIDENTS
GOVERNMENT
To maintain GDP, but also to appease the people.
Diminishing the quality of life of the local populace
Life quality of the locals negative emotions are prone to infect
positive mood is not easy to infect
Quality of visitor experience “Improve the quality of residents’ life.”
Concept, separation of residents and tourists
Life quality of the locals affects the quality of visitor experience, so the direction of mitigation issues is improving the quality of residents’ life. Diversion of tourists residents could make locals a better life than before. We try to solve these questions in a soft way that allows residents and tourists to have relatively independent activities but not completely isolated. Creating a new city center is the most direct way of separation, but it’s not a cost-effective way. Through research for Amsterdam, it is found that there is a difference in the use of public space between tourists and residents, so that there is a possibility of stratification in urban space, guiding in proper isolation of tourists and residents. Our space is three-dimension and our design can happen in the city’s unknown third dimension. With the increase of tourists, the user’s changed a lot. In the beginning, we think, different activities using time may active in different activity levels. However, in the same public 2D space, if the users are merely separated by time, overcrowded tourists will still invade the residents’ public space from time to time. Then start thinking about the possibility of excavation on the riverbank, and separate the two populations functionally. And the visual effect of the window after digging is the same as that of the tourist favorite boat. 39
Riverbank
Design according to the exsiting location of trees
Analysis of Quality of Spaces 40
Mold formation Two molds were set according to the original planting distance of the river banks. The small one is the simple entrance, and the big one is the space of other functions.After chosen the function and model them within the modelus, we can do arrange the function in combination, several different function can compose an integral funtion. In this way, the function can be used properly. Several that combined funtion cover the whole range of the river bank, making a pleasing space for the visitors called HUNDREDS METERS.
More functional space for the tourist Tourists’ invasion of residential space is also responsible for the decline of population in this area. But now they can be satisfied by the underground functions, which can be categorized as serving space and public space. And it also provides shelter against the strong wind and other climate conditions. When the canal freezing, it serves as a platform for people to go inside skating. These areas can provide tourists even the residents with a more mixed public space. And when traveling underground, tourists are like digging the treasure to find those amazing functions. Release the pressure of the resident New designed space will encourage tourists to experience the area and helps to reduce the number of tourists from the streets. For example, an underground smoking area with a ventilation system helps to reduce pollution in the air and an underground restaurant will keep more seats. Flexible units We study the topology of the riverbank in Amsterdam and find that the tree is the separation point of the riverbank. So, we keep the same spacing of two trees for the units, which is 12m. The depth of the unit is 3.6 m, while the width is 5.4m. In each unit, we arrange traffic and various functions. With different ways of the combination of the units, we can get a more complete space, which will cover the riverbank. What’ more, assembled in the factory, the construction will be much easier.
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Flexible units 42
Flexible units
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Site Plan 44
View of Bar
View of Entrance
View of Locker Unit
View of Museum
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Z I Y A O L R A H M A N J A M S H I D Z E H I ziya.jamshidzahi@gmail.com 0039 334 751 00 70
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