Matix sp15 singles by zuzupopo

D R E W MARTI N & Dy l an S i do

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D R E W MARTI N & Dy l an S i do

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Matix Spring 15 is about gaining a new perspective on familiar sights. It’s about discovering something new in old places. We’ve all seen a cactus before, not really all that uncommon, but after taking a breather you stumble upon the neon flowers springtime blooms. Pretty bitchin’, mother nature is. Spring is the season to enjoy secondhand exposures. So get to those places, mellow out and take a gaze at a site unseen. You might be surprised or maybe I’m just full of shit. Either way, get out there...

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M AT I X C L O T H I N G | S P 1 5

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repair / rebuild / reuse All Matix denim comes with a “lifetime” guarantee. The guarantee covers specifically manufacturing defects in regards to buttons, rivets, zippers, belt loops or seams (each a “defect”). We will repair or replace your defective jeans with a new pair (or similar pair, in the event such style has been discontinued), as provided below. This lifetime guarantee only covers Matix denim pants. What does “lifetime” mean? Our products are covered under warranty, to the original owner (with authentic proof of purchase), for the lifetime of the product. Unfortunately, this does not mean your lifetime. Your favorite Gripper denim pants may not survive to the ripe old age of 70. (But we have heard from folks whose well-loved & cared for 1998 Styro denim pants are still going strong!)

details :

This warranty is subject to the following express limitations in addition to any imposed by applicable law.

1. The warranty applies only to MATIX DENIM PANTS purchased from Authorized MATIX DENIM Dealers and is valid for the original purchaser only.

must receive prior return authorization, which can be given over the phone. You are to ship products freight prepaid and insured to us for inspection. MATIX assumes no responsibility for products during shipment from the customer to our Warranty Department. Shipping charges are not refundable.

the remainder of the original warranty only.

5. Repaired items will be subject to available

parts. We will do our best to match colors

and styles but we cannot guarantee that

you will receive they exact product back.

We reserve the right to send a substitute

style on any discontinued items or sizes.

6. All warranty claims must be accompanied

by the original purchase receipt from an

Authorized MATIX Dealer. Invoice or charge

a. Damage caused by misuse, abuse or neglect.

receipt must clearly identif y the dealer.

b. All forms of “wear and tear” , such as fading,

7. Items returned to MATIX which, af ter

3. Excluded from coverage under this warranty:

holes and thinning of fabric over time. c. Damage caused by anything other than

M AT I X C L O T H I N G | S P 1 5

or incidental damages.

4. Repaired or replaced products are covered for

2. All products returned to MATIX for warranty

d. Any and all claims for consequential

manufacturing defects in material

or workmanship.

inspection, reveal a problem which is

not a manufacturing Defect shall be

shipped back to you at your expense.

8 . This warranty is made pursuant to California law.

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details :

This warranty is subject to the following express limitations in addition to any imposed by applicable law.

1. The warranty applies only to MATIX DENIM PANTS purchased from Authorized MATIX DENIM Dealers and is valid for the original purchaser only.

the remainder of the original warranty only.

5. Repaired items will be subject to available

parts. We will do our best to match colors

and styles but we cannot guarantee that

you will receive they exact product back.

We reserve the right to send a substitute

style on any discontinued items or sizes.

6. All warranty claims must be accompanied

by the original purchase receipt from an

Authorized MATIX Dealer. Invoice or charge

a. Damage caused by misuse, abuse or neglect.

receipt must clearly identif y the dealer.

b. All forms of “wear and tear” , such as fading,

7. Items returned to MATIX which, af ter

3. Excluded from coverage under this warranty:

holes and thinning of fabric over time. c. Damage caused by anything other than

M AT I X C L O T H I N G | S P 1 5

or incidental damages.

4. Repaired or replaced products are covered for

2. All products returned to MATIX for warranty

d. Any and all claims for consequential

manufacturing defects in material

or workmanship.

inspection, reveal a problem which is

not a manufacturing Defect shall be

shipped back to you at your expense.

8 . This warranty is made pursuant to California law.

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M AT I X C L O T H I N G | S P 1 5

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M AT I X C L O T H I N G | S P 1 5

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DRY 69

INDIRED

DAR K R I N G

DRY 55

S C R AT C H

COAL

J AVA R A I N

BROKE

PREMIUM 1 1 oz

P R EM I U M 1 1 oz

PREMIUM 1 1 .3 oz

PREMIUM 1 1 oz

PREMIUM 10.5 oz

98/2% COT ton/el astane

99/1% COT ton/el astane

100% COT ton

99/1% COT ton/el asta ne

70/26/4% COT ton/poly/r ayon

99/1% COT ton/el asta ne

100% COT ton

comfort stretch 11oz right hand

right hand twill indigo with contrast

comfort stretch 11oz right hand

right hand twill indigo with

right hand rain twill. Black weft

Raw canvas weave denim with dark

dark brown yarns in the warp and

broken twill denim in pure red cast

indigo with combed cotton threads in

Red cotton threads in the warp. Nav y

indigo with combed cotton threads in

combed cotton threads in the

yarns with combed cotton threads in

coal yarns in the warp and weft. Dark

white yarns in the weft. Elastane

indigo. The broken twill construction

the warp. Enzyme washed with rinse

threads all over and indigo back

the warp. Hand painted grease details

warp. Walnut threads all over and

the warp. Black threads all over and

brown thread throughout. Dark red

added to give stretch and recovery

gives a special body to the fabric

to maintain dark indigo color. Walnut

pocket embroidery. RAW finish. Dark

with grey tint. Dark indigo threads

indigo back pocket embroidery. RAW

black back pocket embroidery. Rinse

copper hardware and Cognac leather

to the fabric. Dark brown threads

that emphasizes the irregularities

threads all over and indigo back

red copper hardware and Brown

all over and indigo back pocket

finish. Dark red copper hardware

finish. Matte black hardware and

patch.

throughout. Dark red copper

and the slubs of the warp. Rinse wash

pocket embroidery. Dark red copper

leather patch.

embroidery. Gunmetal hardware with

and Cognac leather patch.

black leather patch.

hardware and cognac leather patch.

with dry flat finish. Indigo threads

hardware and cognac leather patch.

all over and indigo back pocket

black leather patch.

embroidery. Gunmetal hardware with brown leather patch.

M AT I X C L O T H I N G | S P 1 5

â&#x20AC;&#x201C; 9 â&#x20AC;&#x201C;

DRY 69

INDIRED

DAR K R I N G

DRY 55

S C R AT C H

COAL

J AVA R A I N

BROKE

PREMIUM 1 1 oz

P R EM I U M 1 1 oz

PREMIUM 1 1 .3 oz

PREMIUM 1 1 oz

PREMIUM 10.5 oz

98/2% COT ton/el astane

99/1% COT ton/el astane

100% COT ton

99/1% COT ton/el asta ne

70/26/4% COT ton/poly/r ayon

99/1% COT ton/el asta ne

100% COT ton

comfort stretch 11oz right hand

right hand twill indigo with contrast

comfort stretch 11oz right hand

right hand twill indigo with

right hand rain twill. Black weft

Raw canvas weave denim with dark

dark brown yarns in the warp and

broken twill denim in pure red cast

indigo with combed cotton threads in

Red cotton threads in the warp. Nav y

indigo with combed cotton threads in

combed cotton threads in the

yarns with combed cotton threads in

coal yarns in the warp and weft. Dark

white yarns in the weft. Elastane

indigo. The broken twill construction

the warp. Enzyme washed with rinse

threads all over and indigo back

the warp. Hand painted grease details

warp. Walnut threads all over and

the warp. Black threads all over and

brown thread throughout. Dark red

added to give stretch and recovery

gives a special body to the fabric

to maintain dark indigo color. Walnut

pocket embroidery. RAW finish. Dark

with grey tint. Dark indigo threads

indigo back pocket embroidery. RAW

black back pocket embroidery. Rinse

copper hardware and Cognac leather

to the fabric. Dark brown threads

that emphasizes the irregularities

threads all over and indigo back

red copper hardware and Brown

all over and indigo back pocket

finish. Dark red copper hardware

finish. Matte black hardware and

patch.

throughout. Dark red copper

and the slubs of the warp. Rinse wash

pocket embroidery. Dark red copper

leather patch.

embroidery. Gunmetal hardware with

and Cognac leather patch.

black leather patch.

hardware and cognac leather patch.

with dry flat finish. Indigo threads

hardware and cognac leather patch.

all over and indigo back pocket

black leather patch.

embroidery. Gunmetal hardware with brown leather patch.

M AT I X C L O T H I N G | S P 1 5

â&#x20AC;&#x201C; 9 â&#x20AC;&#x201C;

Gripper is a slim straight fit

f it:

size :

with low rise. It’s straight

s li m str ai g ht

28-30-31-32-33-34-36-38

knee :

leg opening :

16”

from the hips through the thigh & parallel from the knee to the leg opening. button fly.

M AT I X C L O T H I N G | S P 1 5

gripper washes | a3dnm011 DARK RING

INDIRED

DRY 69

DRY55

J AVA R A I N

BROKE

COAL

S C R AT C H

11 oz

11 .3 oz

11 oz

10.5 oz

11 oz

99/1% COTton/elastane

98/2% COTton/elastane

100% COTton

99/1% COTton/elastane

100% COTton

70/26/4% CTn/poly/rayon

99/1% COTton/elastane

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Gripper is a slim straight fit

f it:

size :

with low rise. It’s straight

s li m str ai g ht

28-30-31-32-33-34-36-38

knee :

leg opening :

16”

from the hips through the thigh & parallel from the knee to the leg opening. button fly.

M AT I X C L O T H I N G | S P 1 5

gripper washes | a3dnm011 DARK RING

INDIRED

DRY 69

DRY55

J AVA R A I N

BROKE

COAL

S C R AT C H

11 oz

11 .3 oz

11 oz

10.5 oz

11 oz

99/1% COTton/elastane

98/2% COTton/elastane

100% COTton

99/1% COTton/elastane

100% COTton

70/26/4% CTn/poly/rayon

99/1% COTton/elastane

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Miner is a straight and classic

f it:

size :

fit. Miner has a normal rise and

cl a ss i c str ai g ht

28-30-31-32-33-34-36-38

knee :

leg opening :

17”

remains straight from the thigh down to the leg opening. button fly.

M AT I X C L O T H I N G | S P 1 5

MINER washes | a3dnm012 DARK RING

INDIRED

DRY 69

COAL

S C R AT C H

DRY 55

J AVA R A I N

BROKE

11 oz

11.3 oz

11 oz

10.5 oz

99/1% COTton/elastane

98/2% COTton/elastane

70/26/4% CTn/poly/rayon

99/1% COTton/elastane

100% COTton

99/1% COTton/elastane

100% COTton

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Miner is a straight and classic

f it:

size :

fit. Miner has a normal rise and

cl a ss i c str ai g ht

28-30-31-32-33-34-36-38

knee :

leg opening :

17”

remains straight from the thigh down to the leg opening. button fly.

M AT I X C L O T H I N G | S P 1 5

MINER washes | a3dnm012 DARK RING

INDIRED

DRY 69

COAL

S C R AT C H

DRY 55

J AVA R A I N

BROKE

11 oz

11.3 oz

11 oz

10.5 oz

99/1% COTton/elastane

98/2% COTton/elastane

70/26/4% CTn/poly/rayon

99/1% COTton/elastane

100% COTton

99/1% COTton/elastane

100% COTton

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surveyor is a classic tapered

f it:

size :

fit. straight from the hip, thighs,

cl a ss i c tap e r

28-30-31-32-33-34-36-38

knee :

leg opening :

16.5”

15”

and knee and tapers down to a narrow leg opening. zip fly.

M AT I X C L O T H I N G | S P 1 5

SURVEYOR washes | a4dnm002 DARK RING

DRY55

DRY 69

INDIRED

11 oz

11.3 oz

11 oz

99/1% COTton/elastane

100% COTton

98/2% COTton/elastane

99/1% COTton/elastane

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surveyor is a classic tapered

f it:

size :

fit. straight from the hip, thighs,

cl a ss i c tap e r

28-30-31-32-33-34-36-38

knee :

leg opening :

16.5”

15”

and knee and tapers down to a narrow leg opening. zip fly.

M AT I X C L O T H I N G | S P 1 5

SURVEYOR washes | a4dnm002 DARK RING

DRY55

DRY 69

INDIRED

11 oz

11.3 oz

11 oz

99/1% COTton/elastane

100% COTton

98/2% COTton/elastane

99/1% COTton/elastane

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Constrictor is slim from the

f it:

size :

hip to the thighs tapering down

s li m tap e r

26-28-30-31-32-33-34-36-38

knee :

leg opening :

15.5”

15”

to a narrow leg opening. button fly.

M AT I X C L O T H I N G | S P 1 5

CONSTRICTOR washes | a3dnm002 DRY55

DRY 69

INDIRED

11.3 oz

11 oz

100% COTton

92/2% COTton/elastane

99/1% COTton/elastane

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Constrictor is slim from the

f it:

size :

hip to the thighs tapering down

s li m tap e r

26-28-30-31-32-33-34-36-38

knee :

leg opening :

15.5”

15”

to a narrow leg opening. button fly.

M AT I X C L O T H I N G | S P 1 5

CONSTRICTOR washes | a3dnm002 DRY55

DRY 69

INDIRED

11.3 oz

11 oz

100% COTton

92/2% COTton/elastane

99/1% COTton/elastane

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mj gripper denim a4dnm003 1 1 oz denim | 98/2% COT TON/el astine Premium comfort stretch 1 1oz right hand indigo with combed cotton thre ads in the warp. He av y enz y me wash with Ring effects and slub yarns sanded upper front and back l eg. Wal nut thre ads al lov er. Dark red copper hardware and cognac l e ather patch. KNEE : 16” | l eg opening : 16” colors : salty SIZEs : 28, 30, 31, 32, 33, 34, 36, 38

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M AT I X C L O T H I N G | S P 1 5

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TURKEY canvas miner a5pnt002 10 oz can vas | 100% COT TON Premium 10.oz can vas in raw finish. Hunter green thre ads al l ov er and tonal pock et embroidery. Dark red copper hardware and cognac l e ather patch. KNEE : 1 7 ” | l eg opening : 1 7 ” COLORS: dark hunter SIZEs : 28, 30, 31, 32, 33, 34, 36, 38

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M AT I X C L O T H I N G | S P 1 5

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m j CHINO a4pnt008 9.0 oz Premium t wil l | 55/45% COT TON/poly Loose cl assic work we ar fit. Normal waist, str aight l eg, zip fly. marc johnson work we ar l abel ing. KNEE : 1 7 ” | l eg opening : 1 7 ” colors : charcoal | RUBBLE SIZEs : 28, 30, 31, 32, 33, 34, 36, 38

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manderson WORKER A3PNT01 1 9.5 oz Premium t wil l | 60/40% COT TON/POLY Manderson Work er has a longer rise for added comfort and room y across hip and waist. The l eg is wide from the thigh through the k nee and sl ightly tapers down to the l eg opening, zip fly. KNEE : 18.5” | l eg opening : 1 7.5” colors : KHAKI | CHARCOAL SIZEs : 28, 30, 31, 32, 33, 34, 36, 38

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M AT I X C L O T H I N G | S P 1 5

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GRIPPER b e d f o r d A5PNT001 9.5 oz premium bedford cord | 98/2% cotton/el astane Premium 16 wal e bedford corduroy with Stone Wash to gi v e worn feel to the fabric. Sel f colored thre ads al l ov er and matching back pock et, denim hardware and Le ather Patch. Sl im straight fit, Low waist, Str aight Leg, Narrow Leg Opening and zipper fly. KNEE : 16” | l eg opening : 16” COLORS : BROWN | ARM Y | SMOK E SIZEs : 28, 30, 31, 32, 33, 34, 36, 38

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M AT I X C L O T H I N G | S P 1 5

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GRIPPER T W ILL A3PNT001 10 oz premium t wil l | 99/1% cotton/el astane Premium 10oz right hand t wil l . Sel f colored thre ads al l ov er and matching back pock et embroidery, denim hardware and l e ather patch. Sl im Str aight Fit, low waist, str aight sl im l eg, narrow l eg opening and zipper fly KNEE : 16” | l eg opening : 16” COLORS : KHAK I | L IGHT GRE Y | sl ate | cl ay | bl ack SIZEs : 28, 30, 31, 32, 33, 34, 36, 38

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M AT I X C L O T H I N G | S P 1 5

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w e l d e r CLA S S IC a3pnt002 PREMIUM CHINO | 60/40% cotton/poly Loose Cl assic Str aight Fit, normal waist, straight l eg, straight l eg opening, zip fly. Wel der Cl assic has a normal rise and remains straight from the thigh down to the l eg opening KNEE : 1 7 ” | l eg opening : 1 7 ” COLORS : black | khaki | charcoal SIZEs : 28, 30, 31, 32, 33, 34, 36, 38

w e l d e r h e at h e r A4PNT006 PREMIUM CHINO | 60/40% cotton/poly

welder SLIM stretch

Loose Cl assic Str aight Fit, normal waist, zip fly.

A4PNT003

KNEE : 1 7 ” | l eg opening : 1 7 ”

PREMIUM CHINO | 98/2% cotton/el astane

COLORS : caramel heather | charcoal heather

Sl im Str aight Fit, low waist, straight sl im l eg,

SIZEs : 28, 30, 31, 32, 33, 34, 36, 38

narrow l eg opening, zip fly Wel der Sl im is a sl im straight fit with low rise. It’s straight from the hips through thigh and par al l el from the k nee to the l eg opening.. KNEE : 16” | l eg opening : 16” COLORS : DAEBLACK | BRITISH KHAKI | VINTAGE INDIGO SIZEs : 28, 30, 31, 32, 33, 34, 36, 38

M AT I X C L O T H I N G | S P 1 5

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w e l d e r h e at h e r A4PNT006 PREMIUM CHINO | 60/40% cotton/poly

welder SLIM stretch

Loose Cl assic Str aight Fit, normal waist, zip fly.

A4PNT003

KNEE : 1 7 ” | l eg opening : 1 7 ”

PREMIUM CHINO | 98/2% cotton/el astane

COLORS : caramel heather | charcoal heather

Sl im Str aight Fit, low waist, straight sl im l eg,

SIZEs : 28, 30, 31, 32, 33, 34, 36, 38

M AT I X C L O T H I N G | S P 1 5

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M AT I X C L O T H I N G | S P 1 5

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M AT I X C L O T H I N G | S P 1 5

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– GRIPPER BE D FOR D S HORT –

– GRIPPER T W ILL S HORT –

GRIPPER BEDFORD SHORT

GRIPPER TWILL SHORT

A 5 SH T 0 0 5

A 3 SH T 0 0 8

P remium 1 6 bed f o r d c o r d uro y w it h St o n e

P remium 1 0 oz ri g h t h a n d t w i l l . Sel f

Wa s h t o g i v e wo r n f eel t o t h e fa b ric . Sel f

c o l o red t h re a d s a l l o v er a n d m atch i n g

c o l o red t h re a d s a l l o v er a n d m atch-

b a ck p o ck et em br o i d er y, d en im h a r d -

i n g b a ck p o ck et, d en im h a r dwa re a n d

wa re a n d l e at h er patch . S l im Str a i g h t

Le at h er Patch . S l im s tr a i g h t f it, L ow wa i s t,

Fit, l ow wa i s t, s tr a i g h t s l im l eg , n a r-

Str a i g h t Leg , N a rrow Leg Open i n g a n d

r ow l eg o pen i n g a n d zipper f ly

zipper f ly.

9 8 / 2 % c o tt o n / ELAS T I N E

OL I V E C A M O | l i g h t g re y | b l a ck | s l ate |

A R M Y | BR OWN | S M OK E

cl ay | da r k g re y | k h a k i

S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

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– GRIPPER BE D FOR D S HORT –

– GRIPPER T W ILL S HORT –

GRIPPER BEDFORD SHORT

GRIPPER TWILL SHORT

A 5 SH T 0 0 5

A 3 SH T 0 0 8

P remium 1 6 bed f o r d c o r d uro y w it h St o n e

P remium 1 0 oz ri g h t h a n d t w i l l . Sel f

Wa s h t o g i v e wo r n f eel t o t h e fa b ric . Sel f

c o l o red t h re a d s a l l o v er a n d m atch i n g

c o l o red t h re a d s a l l o v er a n d m atch-

b a ck p o ck et em br o i d er y, d en im h a r d -

i n g b a ck p o ck et, d en im h a r dwa re a n d

wa re a n d l e at h er patch . S l im Str a i g h t

Le at h er Patch . S l im s tr a i g h t f it, L ow wa i s t,

Fit, l ow wa i s t, s tr a i g h t s l im l eg , n a r-

Str a i g h t Leg , N a rrow Leg Open i n g a n d

r ow l eg o pen i n g a n d zipper f ly

zipper f ly.

9 8 / 2 % c o tt o n / ELAS T I N E

OL I V E C A M O | l i g h t g re y | b l a ck | s l ate |

A R M Y | BR OWN | S M OK E

cl ay | da r k g re y | k h a k i

S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

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– k a s h e l a s t i c S HORT –

kash elastic S H O R T A 5 SH T 0 1 6 premium 1 0 oz ri g h t h a n d t w i l l w it h a ci d wa s h , o v er l o ck ed h em d eta i l . El a s tic wa i s t b a n d w it h c o tt o n d r awc o r d, b a ck patch p o ck et w it h f l a p. m o d er n f it. 9 8 / 2 % c o tt o n / ELAS T I N E bl a ck | S l ate S IZE : s -x l

M AT I X C L O T H I N G | S P 1 5

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– k a s h e l a s t i c S HORT –

M AT I X C L O T H I N G | S P 1 5

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WELDER MODERN SHORT A 3 SH T 0 0 2 • s i g n ature g i n g h a m wa i s t b a n d • m o d er n f it

– W EL D ER MO D ERN HEATHER S HORT –

6 0/4 0 % c o tt o n / P OLY AF SLAT E | bl a ck | k h a k i S IZE : 2 8 -3 8

WELDER CLASSIC SHORT A 3 SH T 0 0 1 • s i g n ature g i n g h a m wa i s t b a n d • CLASS I C f it 6 0/4 0 % c o tt o n / P OLY CHA R C OAL | KHAK I | BLA CK S IZE : 2 8 -3 8

W E L D E R M O D E R N H E AT H E R S H O R T A 5 SH T 0 0 2 • s i g n ature g i n g h a m wa i s t b a n d • m o d er n f it 6 0/4 0 % c o tt o n / P OLY FOREST HEATHER | caramel HEATHER | CHARCOAL HEATHER S IZE : 2 8 -3 8

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WELDER MODERN SHORT A 3 SH T 0 0 2 • s i g n ature g i n g h a m wa i s t b a n d • m o d er n f it

– W EL D ER MO D ERN HEATHER S HORT –

6 0/4 0 % c o tt o n / P OLY AF SLAT E | bl a ck | k h a k i S IZE : 2 8 -3 8

WELDER CLASSIC SHORT A 3 SH T 0 0 1 • s i g n ature g i n g h a m wa i s t b a n d • CLASS I C f it 6 0/4 0 % c o tt o n / P OLY CHA R C OAL | KHAK I | BLA CK S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

– 43 –

MJ CHINO SHORT A 5 SH T 0 1 2 • m a rc j o h n s o n wo r k w e a r l a b el i n g • m o d er n f it 55/45% c o tt o n / P OLY ch a rc o a l | C A R A M EL | R U BBL E S IZE : 2 8 -3 8

S PRI N G S L AC KS S H O RT A 5 SH T 0 14 • c o n tr a s t i n s i d e wa i s t b a n d • M OD ER N f it 7 0/ 3 0 % P OLY/ Vi s c o s e CHA RC OAL | KHAK I S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

– 45 –

MJ CHINO SHORT A 5 SH T 0 1 2 • m a rc j o h n s o n wo r k w e a r l a b el i n g • m o d er n f it 55/45% c o tt o n / P OLY ch a rc o a l | C A R A M EL | R U BBL E S IZE : 2 8 -3 8

S PRI N G S L AC KS S H O RT A 5 SH T 0 14 • c o n tr a s t i n s i d e wa i s t b a n d • M OD ER N f it 7 0/ 3 0 % P OLY/ Vi s c o s e CHA RC OAL | KHAK I S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

– 45 –

PINSTRIPER SHORT

INGLEWOOD SHORT

THOMAS GRID SHORT

A 5 SH T 0 0 8

A 5 SH T 0 0 7

A 5 SH T 0 0 6

• c o n tr a s t wa i s t b a n d • M o d er n f it

• tr o pic a l pri n t at i n s i d e wa i s t b a n d • M OD ER N F I T

• ch a m br ay i n s i d e wa i s t b a n d • M OD ER N F I T

1 0 0 % c o tt o n

7 0/ 3 0 % p o ly/ Vi s c o s e

I ND I GO | BR OWN

CHA RC OAL | A R M Y

KHAK I | G R E Y

S IZE : 2 8 -3 8

TROPICS SHORT

SANDS SHORT

GOOD SHORT

A 5 SH T 0 1 3

A 5 SH T 0 1 0

A 5 SH T 0 0 9

• ch a m br ay at i n s i d e wa i s t b a n d • M OD ER N f it

• s i g n ature c o i n p o ck et • tr o pic a l i n s i d e wa i s t b a n d

• f r o n t & b a ck w elt p o ck et s • c o n tr a s t i n s i d e wa i s t b a n d • M OD ER N F I T

1 0 0 % C O T T ON

1 0 0 % c o tt o n

GRE Y | ARMY

BL U E | BLA CK

7 0/ 3 0 % p o ly/ Vi s c o s e

S IZE : 2 8 -3 8

NAVY | CHA RC OAL S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

– 47 –

PINSTRIPER SHORT

INGLEWOOD SHORT

THOMAS GRID SHORT

A 5 SH T 0 0 8

A 5 SH T 0 0 7

A 5 SH T 0 0 6

• c o n tr a s t wa i s t b a n d • M o d er n f it

• tr o pic a l pri n t at i n s i d e wa i s t b a n d • M OD ER N F I T

• ch a m br ay i n s i d e wa i s t b a n d • M OD ER N F I T

1 0 0 % c o tt o n

7 0/ 3 0 % p o ly/ Vi s c o s e

I ND I GO | BR OWN

CHA RC OAL | A R M Y

KHAK I | G R E Y

S IZE : 2 8 -3 8

TROPICS SHORT

SANDS SHORT

GOOD SHORT

A 5 SH T 0 1 3

A 5 SH T 0 1 0

A 5 SH T 0 0 9

• ch a m br ay at i n s i d e wa i s t b a n d • M OD ER N f it

• s i g n ature c o i n p o ck et • tr o pic a l i n s i d e wa i s t b a n d

• f r o n t & b a ck w elt p o ck et s • c o n tr a s t i n s i d e wa i s t b a n d • M OD ER N F I T

1 0 0 % C O T T ON

1 0 0 % c o tt o n

GRE Y | ARMY

BL U E | BLA CK

7 0/ 3 0 % p o ly/ Vi s c o s e

S IZE : 2 8 -3 8

NAVY | CHA RC OAL S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

– 47 –

M AT I X C L O T H I N G | S P 1 5

– 49 –

M AT I X C L O T H I N G | S P 1 5

– 49 –

Spring is about bringing new meaning to old stuff. So, in this manner we gathered up some ol’ patches we had laying around between all of our junk, the Badges print was born! The Badges print is all about America’s rich history in bullshitting. Refer to goofy 60s & 70s humor at about 98 degrees. We might be clashing but isn’t that the point anyway! Salud!

M AT I X C L O T H I N G | S P 1 5

– 51 –

M AT I X C L O T H I N G | S P 1 5

– 51 –

WE S S EL S BOAR DS H O RT A 5BR D 0 0 2 • zipper f ly • R e a r p o ck et w/ butt o n f l a p cl o s ure & k e y k eeper • 4 way s tretch bl en d w/ en g i n eered s u b l im ati o n pri n t • Sc a l l o ped h em • 2 0 ” o ut s e a m l en g t h 6 0/ 3 5/ 5% P OLY/c o tt o n / ELAS T I N E a rm y | S P O T T ED S IZE : 2 8 -3 8

S TO P N I K B OA R DS H O RT A 5BR D 0 0 1 • Vel cro s tretch f ly • R e a r p o ck et w/ butt o n f l a p cl o s ure & k e y k eeper • 4 way s tretch ya r n dy e w/ a l l o v er s u bl im ati o n f l o r a l pri n t • N o tch h em • 1 9 ” o ut s e a m l en g t h 8 8 / 1 2 % p o ly/ ELAS T I N E R U S T | FO R ES T S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

– 53 –

M AT I X C L O T H I N G | S P 1 5

– 53 –

PHA S E S BOAR DS H O RT A 5B R D 0 0 3 • Zipper f ly • Si d e p o ck et w/ v el cro f l a p cl o s ure & k e y k eeper • 4 way s tretch ya r n dy e w/ en g i n eered s u b l im ati o n pri n t • Str a i g h t h em • 2 0 ” o ut s e a m l en g t h 8 8 / 1 2 % P OLY/ ELAS T I N E BLA CK | L I GH T BL U E S IZE : 2 8 -3 8

B A R VA B O A R D S H O R T A 5BR D 0 0 4 • Zipper f ly • R e a r p o ck et w/ v el cro cl o s ure & k e y k eeper • 4 way s tretch d o bb y w/ a l l o v er s u bl im ati o n pri n t • Str a i g h t h em • 1 9 ” o ut s e a m l en g t h 1 0 0 % rec y cl ed P o ly es ter NAVY | G R EEN T E A S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

– 55 –

M AT I X C L O T H I N G | S P 1 5

– 55 –

CO CO BOAR DS H O RT A 5BR D 0 0 5 • Vel cro s tretch f ly • Si d e p o ck et w/ v el cro f l a p cl o s ure & k e y k eeper • 4 way s tretch d o bb y w/ a l l o v er s u b l im ati o n pri n t • Sc a l l o ped h em • 1 9 ” o ut s e a m l en g t h 1 0 0 % rec y cl ed P o ly es ter NAT U R AL | SLAT E S IZE : 2 8 -3 8

OSA BOAR DS H O RT A 5BR D 0 0 6 • Vel cro s tretch f ly • R e a r p o ck et w/ v el cro f l a p cl o s ure & k e y k eeper • 4 way s tretch w/ en g i n eered s u b l im ati o n pri n t • Sc a l l o ped h em • 2 0 ” o ut s e a m l en g t h 8 9/ 1 1% P OLY/ ELAS T I N E O R ANG E | BLA CK S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

– 57 –

M AT I X C L O T H I N G | S P 1 5

– 57 –

LOWL AN DS BOAR DS H O RT A 5B R D 0 0 7 • Vel cro s tretch f ly • Si d e p o ck et w/ zipper cl o s ure & k e y k eeper • 4 way s tretch w/ en g i n eered s u bl im ati o n pri n t • Str a i g h t h em • 2 0 ” o ut s e a m l en g t h

– W EL D ER BOAR D S HORT –

8 9/ 1 1% P OLY/ ELAS T I N E BLA CK | O R ANG E S IZE : 2 8 -3 8

R I D LE Y BOAR DS H O RT A 5BR D 0 0 8 • Vel cro s tretch f ly • Si d e p o ck et w/ c o n tr a s t zipper cl o s ure & k e y k eeper • 4 way s tretch s o l i d • Str a i g h t h em • 2 0 ” o ut s e a m l en g t h 8 9/ 1 1% P OLY/ ELAS T I N E T E AL | BLA CK S IZE : 2 8 -3 8

WELD ER BOAR DS H O RT A 5BR D 0 0 9 • Zipper f ly • Fr o n t s l a s h p o ck et s w/ mes h l i n i n g • Wel d er s h o rt l a b el i n g a n d d eta i l s • R e a r p o ck et s w/ zipper cl o s ure • 2 way mec h a n ic a l s tretch t w i l l • water repel l en c y f i n i s h • Str a i g h t h em • 2 0 ” o ut s e a m l en g t h 1 0 0 % P o ly es ter T E AL | BLA CK | CHA RC OAL S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

– 59 –

– W EL D ER BOAR D S HORT –

8 9/ 1 1% P OLY/ ELAS T I N E BLA CK | O R ANG E S IZE : 2 8 -3 8

M AT I X C L O T H I N G | S P 1 5

– 59 –

M AT I X C L O T H I N G | S P 1 5

– 61 –

M AT I X C L O T H I N G | S P 1 5

– 61 –

KING GINGHAM l /s

FA LC O N

A 5 WVN 0 1 3

A 5 WVN 0 0 7

• T imel es s g i n g h a m • ch es t p o ck et • c o n tr a s t i n s i d e y o l k • signature ch ambr ay side hem detail

• T ur k e y s i g n ature • g a r a g e s tr a i g h t h em • em br o i d er y d eta i l • CH ES T P O CK E T

6 5/ 3 5% C O T T ON / P OLY

55/45% C O T T ON / P OLY

s a g e | BL U E

O R ANG E | LA P D

S IZE : S – X x L

S IZE : S – XL

K L E AV E R

PA S T E LO

A 5 WVN 0 0 5

A 5 WVN 0 0 4

• JJ ’ s s i g n ature s h irt • ch es t p o ck et • s l im f it 6 5/ 3 5% C O T T ON / P OLY BL U E | NAT U R AL S IZE : S – XXL

M AT I X C L O T H I N G | S P 1 5

• cH ES T P O CK E T • n eck ta pi n g d eta i l • SL I M F I T 6 5/ 3 5% C O T T ON / P OLY BU R N T O R ANG E | BL U E S IZE : S – XL

– 63 –

KING GINGHAM l /s

FA LC O N

A 5 WVN 0 1 3

A 5 WVN 0 0 7

• T imel es s g i n g h a m • ch es t p o ck et • c o n tr a s t i n s i d e y o l k • signature ch ambr ay side hem detail

• T ur k e y s i g n ature • g a r a g e s tr a i g h t h em • em br o i d er y d eta i l • CH ES T P O CK E T

6 5/ 3 5% C O T T ON / P OLY

55/45% C O T T ON / P OLY

s a g e | BL U E

O R ANG E | LA P D

S IZE : S – X x L

S IZE : S – XL

K L E AV E R

PA S T E LO

A 5 WVN 0 0 5

A 5 WVN 0 0 4

• JJ ’ s s i g n ature s h irt • ch es t p o ck et • s l im f it 6 5/ 3 5% C O T T ON / P OLY BL U E | NAT U R AL S IZE : S – XXL

M AT I X C L O T H I N G | S P 1 5

• cH ES T P O CK E T • n eck ta pi n g d eta i l • SL I M F I T 6 5/ 3 5% C O T T ON / P OLY BU R N T O R ANG E | BL U E S IZE : S – XL

– 63 –

K I N G gingham s / s

C LU TC H

A 5 WVN 0 0 1

A 5 WVN 0 0 6

• SL I M F I T • CH ES T P O CK E T

• SOF T WASH • CH ES T P O CK E T • SL I M F I T

6 5/ 3 5% c o tt o n / p o ly es ter SAG E | BL U E

1 0 0 % C O T T ON

S IZE : S – X x L

NAVY | WO R K BL U E S IZE : S – XL

OVER D RIVE

BAILEY

A 5 WVN 0 0 9

A 4WVN 0 0 7

• g a r a g e s tr a i g h t h em d eta i l • ch es t p o ck et • s l im f it 1 0 0 % C O T T ON GOLD | BL U E S IZE : S – XL

• da e wo n s o n g s i g n ature • CH ES T P O CK E T • s l im f it 6 5 / 3 5% C O T T ON / P OLY G R A P H I T E | I ND I GO S IZE : S – x XL

M AT I X C L O T H I N G | S P 1 5

– 65 –

K I N G gingham s / s

C LU TC H

A 5 WVN 0 0 1

A 5 WVN 0 0 6

• SL I M F I T • CH ES T P O CK E T

• SOF T WASH • CH ES T P O CK E T • SL I M F I T

6 5/ 3 5% c o tt o n / p o ly es ter SAG E | BL U E

1 0 0 % C O T T ON

S IZE : S – X x L

NAVY | WO R K BL U E S IZE : S – XL

OVER D RIVE

BAILEY

A 5 WVN 0 0 9

A 4WVN 0 0 7

• g a r a g e s tr a i g h t h em d eta i l • ch es t p o ck et • s l im f it 1 0 0 % C O T T ON GOLD | BL U E S IZE : S – XL

• da e wo n s o n g s i g n ature • CH ES T P O CK E T • s l im f it 6 5 / 3 5% C O T T ON / P OLY G R A P H I T E | I ND I GO S IZE : S – x XL

M AT I X C L O T H I N G | S P 1 5

– 65 –

M AT I X C L O T H I N G | S P 1 5

JAMESON

S A FA R I

A 5 WVN 0 0 3

A 5 WVN 0 0 8

• wo o d b utt o n d eta i l • CH ES T P O CK E T • SL I M F I T

• ch a m br ay d eta i l • CH ES T P O CK E T • SL I M F I T

1 0 0 % C O T T ON

CHA RC OAL

SAND | BLA CK

S IZE : S – XL

SIMIAN

KO R A

A 5 WVN 0 1 1

A 5 WVN 0 0 2

• M a n d er s o n s i g n ature p l a i d s h irt • w elt ch es t p o ck et • SL I M F I T

• Cl a s s ic pri n t s w it h ch es t p o ck et • m o t h er o f pe a r l butt o n s • S l im f it

6 5/ 3 5% C O T T ON / P OLY

1 0 0 % C O T T ON

BU R N T O R ANG E | BLA CK

FLO R AL | C A R D I NAL

S IZE : S – x XL

S IZE : S – XL

– 67 –

M AT I X C L O T H I N G | S P 1 5

JAMESON

S A FA R I

A 5 WVN 0 0 3

A 5 WVN 0 0 8

• wo o d b utt o n d eta i l • CH ES T P O CK E T • SL I M F I T

• ch a m br ay d eta i l • CH ES T P O CK E T • SL I M F I T

1 0 0 % C O T T ON

CHA RC OAL

SAND | BLA CK

S IZE : S – XL

SIMIAN

KO R A

A 5 WVN 0 1 1

A 5 WVN 0 0 2

• M a n d er s o n s i g n ature p l a i d s h irt • w elt ch es t p o ck et • SL I M F I T

• Cl a s s ic pri n t s w it h ch es t p o ck et • m o t h er o f pe a r l butt o n s • S l im f it

6 5/ 3 5% C O T T ON / P OLY

1 0 0 % C O T T ON

BU R N T O R ANG E | BLA CK

FLO R AL | C A R D I NAL

S IZE : S – x XL

S IZE : S – XL

– 67 –

E L I ox f ord s / s

DRIVERS

A 5 WVN 0 1 0

A 5 WVN 0 1 5

• enz y me wa s h f o r s o f t n es s • CH ES T P O CK E T • SL I M F I T

• meta l butt o n d eta iL • CH ES T P O CK E T S • SL I M F I T

1 0 0 % C O T T ON

G R E Y | SAG E | BL U E

NAT U R AL | BLA CK

S IZE : S – x XL

S IZE : S – XL

ELI OXFO R D L /S

L AMBERT l/s

A 5 WVN 0 1 2

A 5 WVN 0 14

• wa s h ed f o r s o f t h a n d f eel • ch es t p o ck et • s l im f it 1 0 0 % C O T T ON

– th e m j m echan i c s jack e t –

• M a rc J o h n s o n s i g n ature wo r k s tripe s h ir T • g a r a g e s tr a i g h t h em d eta i l • CH ES T P O CK E T S • SL I M F I T

BL U E | G R E Y | SAG E

6 5 / 3 5% c o tt o n / p o ly es ter

S IZE : S – X x L

FO R ES T | WO R K BL U E S IZE : S – X x L

mj mechanics a 4 JK T 0 1 5 • cl a s s ic ei s en h ow er s t y l e • s i d e h a n d en tr y p o ck et s • u n l i n ed f o r l i g h t w ei g h t u s e • m j wo r k w e a r l a b el i n g 55/45% c o tt o n / p o ly es ter R U BBL E | ch a rc o a l S IZE : S – x L

M AT I X C L O T H I N G | S P 1 5

– 69 –

E L I ox f ord s / s

DRIVERS

A 5 WVN 0 1 0

A 5 WVN 0 1 5

• enz y me wa s h f o r s o f t n es s • CH ES T P O CK E T • SL I M F I T

• meta l butt o n d eta iL • CH ES T P O CK E T S • SL I M F I T

1 0 0 % C O T T ON

G R E Y | SAG E | BL U E

NAT U R AL | BLA CK

S IZE : S – x XL

S IZE : S – XL

ELI OXFO R D L /S

L AMBERT l/s

A 5 WVN 0 1 2

A 5 WVN 0 14

• wa s h ed f o r s o f t h a n d f eel • ch es t p o ck et • s l im f it 1 0 0 % C O T T ON

– th e m j m echan i c s jack e t –

• M a rc J o h n s o n s i g n ature wo r k s tripe s h ir T • g a r a g e s tr a i g h t h em d eta i l • CH ES T P O CK E T S • SL I M F I T

BL U E | G R E Y | SAG E

6 5 / 3 5% c o tt o n / p o ly es ter

S IZE : S – X x L

FO R ES T | WO R K BL U E S IZE : S – X x L

M AT I X C L O T H I N G | S P 1 5

– 69 –

M AT I X C L O T H I N G | S P 1 5

– 71 –

M AT I X C L O T H I N G | S P 1 5

– 71 –

BREAKS CREW

JAMESON HENLE Y

A 5KN T 0 0 5

A 5KN T 0 0 3

• Cl a s s ic ya r n dy e s tripe • e a s y t o w e a r 1 0 0 % C O T T ON C A R A M EL | NAVY S IZE : S – XL

• SL I M F I T • CH ES T P O CK E T 6 0/4 0 % c o tt o n / P OLY BADG ES | FLO R AL S IZE : S – XL

SQUINTS CREW A 5KN T 0 0 1 • T ur k e y s i g n ature • ch es t p o ck et • T ur k ’ s s i g n ature s pa d e em br o i d er y 1 0 0 % C O T T ON FO R ES T | NAT U R AL S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 73 –

BREAKS CREW

JAMESON HENLE Y

A 5KN T 0 0 5

A 5KN T 0 0 3

• Cl a s s ic ya r n dy e s tripe • e a s y t o w e a r 1 0 0 % C O T T ON C A R A M EL | NAVY S IZE : S – XL

• SL I M F I T • CH ES T P O CK E T 6 0/4 0 % c o tt o n / P OLY BADG ES | FLO R AL S IZE : S – XL

SQUINTS CREW A 5KN T 0 0 1 • T ur k e y s i g n ature • ch es t p o ck et • T ur k ’ s s i g n ature s pa d e em br o i d er y 1 0 0 % C O T T ON FO R ES T | NAT U R AL S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 73 –

J A M E S O N TA N K

J J TA N K

B R AVA TA N K

K O R A TA N K

A 5KN T 0 0 4

A 5KN T 0 0 9

A 5KN T 0 0 8

A 5KN T 0 1 0

• Su bl im ated a l l o v er pri n t • c o n tr a s t ri bb i n g

• F l eck j er s e y ta n k • c o n tr a s t p o ck et

• d i s tres s a l l o v er pri n t • ch es t p o ck et

• re v er s e P ri n t • c o n tr a s t p o ck et

6 0/4 0 % c o tt o n / P OLY

1 0 0 % C O T T ON

BADG ES | FLO R AL

A R M Y | BLA CK

ARMY | GRE Y

C A R D I NAL | NAT U R AL

S IZE : S – XL

S Q U I N T S TA N K

B R E A K S TA N K

C R O S S T O W N TA N K

L O W L A N D S TA N K

A 5KN T 0 0 2

A 5KN T 0 0 6

A 5KN T 0 1 1

A 5KN T 0 1 2

• cl a s s ic ya r n dy e s tripe • CH ES T P O CK E T • c o n tr a s t ri bb i n g

• Cl a s s ic ya r n dy e s tripe

• da e wo n s i g n ature ta n k • M el a n g e j er s e y • c o n tr a s t ri bb i n g

• En g i n eered mu lti- c o l o r s tripe • mi l ita r y l a b el i n g

1 0 0 % C O T T ON NAVY | C A R A M EL

1 0 0 % C O T T ON 6 0/4 0 % c o tt o n / P OLY

T E AL | SAG E

NAT U R AL | FO R ES T

R ED | DA R K I ND I GO

S IZE : S – XL

1 0 0 % C O T T ON

S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 75 –

J A M E S O N TA N K

J J TA N K

B R AVA TA N K

K O R A TA N K

A 5KN T 0 0 4

A 5KN T 0 0 9

A 5KN T 0 0 8

A 5KN T 0 1 0

• Su bl im ated a l l o v er pri n t • c o n tr a s t ri bb i n g

• F l eck j er s e y ta n k • c o n tr a s t p o ck et

• d i s tres s a l l o v er pri n t • ch es t p o ck et

• re v er s e P ri n t • c o n tr a s t p o ck et

6 0/4 0 % c o tt o n / P OLY

1 0 0 % C O T T ON

BADG ES | FLO R AL

A R M Y | BLA CK

ARMY | GRE Y

C A R D I NAL | NAT U R AL

S IZE : S – XL

S Q U I N T S TA N K

B R E A K S TA N K

C R O S S T O W N TA N K

L O W L A N D S TA N K

A 5KN T 0 0 2

A 5KN T 0 0 6

A 5KN T 0 1 1

A 5KN T 0 1 2

• cl a s s ic ya r n dy e s tripe • CH ES T P O CK E T • c o n tr a s t ri bb i n g

• Cl a s s ic ya r n dy e s tripe

• da e wo n s i g n ature ta n k • M el a n g e j er s e y • c o n tr a s t ri bb i n g

• En g i n eered mu lti- c o l o r s tripe • mi l ita r y l a b el i n g

1 0 0 % C O T T ON NAVY | C A R A M EL

1 0 0 % C O T T ON 6 0/4 0 % c o tt o n / P OLY

T E AL | SAG E

NAT U R AL | FO R ES T

R ED | DA R K I ND I GO

S IZE : S – XL

1 0 0 % C O T T ON

S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 75 –

MARSHALL FLEECE

LEISURE CREW FLEECE

A 4 FL C 0 2 9

A 5FL C 0 0 3

• E a s y g o -t o f u l l-zip h o o dy • bo tt o m patch p o ck et s • SL I M F I T

• Fren ch terr y s o f t f l eck mel a n g e fa b ric • t o n a l em b r o i d er y at ch es t 1 0 0 % C O T T ON

55/45% c o tt o n / p o ly

CHA RC OAL | SLAT E BL U E

M OSS H E AT H ER | bl a ck H E AT H ER

S IZE : S – XL

ASH H E AT H ER S IZE : S – XL

NAUTICAL FLEECE

L E I S U R E pullover F L E E C E

A 5FL C 0 0 1

A 5FL C 0 0 2

• cl a s s ic bo tt o m p o ck et s • Li g h t w ei g h t s l u b h a n d f eeL

• Fren ch terr y s o f t f l eck mel a n g e fa b ric • bo tt o m p o ck et • t o n a l em br o i d er y at ch es t

1 0 0 % C O T T ON NAVY | SAG E

1 0 0 % C O T T ON

S IZE : S – XL

CHA R C OAL | SLAT E BL U E S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 77 –

MARSHALL FLEECE

LEISURE CREW FLEECE

A 4 FL C 0 2 9

A 5FL C 0 0 3

• E a s y g o -t o f u l l-zip h o o dy • bo tt o m patch p o ck et s • SL I M F I T

• Fren ch terr y s o f t f l eck mel a n g e fa b ric • t o n a l em b r o i d er y at ch es t 1 0 0 % C O T T ON

55/45% c o tt o n / p o ly

CHA RC OAL | SLAT E BL U E

M OSS H E AT H ER | bl a ck H E AT H ER

S IZE : S – XL

ASH H E AT H ER S IZE : S – XL

NAUTICAL FLEECE

L E I S U R E pullover F L E E C E

A 5FL C 0 0 1

A 5FL C 0 0 2

• cl a s s ic bo tt o m p o ck et s • Li g h t w ei g h t s l u b h a n d f eeL

• Fren ch terr y s o f t f l eck mel a n g e fa b ric • bo tt o m p o ck et • t o n a l em br o i d er y at ch es t

1 0 0 % C O T T ON NAVY | SAG E

1 0 0 % C O T T ON

S IZE : S – XL

CHA R C OAL | SLAT E BL U E S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 77 –

B E A C H E D tank A 5P T T 0 3 1 • Su bl im ated a l l o v er pri n t • c o n tr a s t ri bb i n g 6 5/ 3 5% p o ly/c o tt o n Y ELLOW | BLA CK S IZE : S – XL

T R I P tank A 5P T t 0 3 2 • Su bl im ated a l l o v er pri n t • c o n tr a s t ri b b i n g • 6 5/ 3 5% p o ly/c o tt o n a rm y | ru s t S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 79 –

B E A C H E D tank A 5P T T 0 3 1 • Su bl im ated a l l o v er pri n t • c o n tr a s t ri bb i n g 6 5/ 3 5% p o ly/c o tt o n Y ELLOW | BLA CK S IZE : S – XL

T R I P tank A 5P T t 0 3 2 • Su bl im ated a l l o v er pri n t • c o n tr a s t ri b b i n g • 6 5/ 3 5% p o ly/c o tt o n a rm y | ru s t S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 79 –

standard clash tank

standard clash

standard bb

standard polo

a 5pt s 0 0 2

a 4 pt s 0 5 7

a 4 pt s 0 5 6

a 5pt s 0 0 3

5 0/ 3 8 / 1 2 % p o ly/c o tt o n / r ay o n

ch a rc a o l | g re y | w h ite

g re y | w h ite | ch a rc o a l

a rm y | red | n av y

g re y | red | ch a rc o a l

S IZE : S – XL

standard solid pocket

standard s / s bb

mj bb

dae raglan

a 5pt s 0 0 1

a 4 pt s 0 6 0

a 4 pt s 0 6 2

a 4 pt s 0 6 1

5 0/ 3 8 / 1 2 % p o ly/c o tt o n / r ay o n

g re y | bl ue | a rm y

a rm y | b l ue | n atur a l

ch a rc o a l | red | a rm y

ch a rc o a l | n av y | red

S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 81 –

standard clash tank

standard clash

standard bb

standard polo

a 5pt s 0 0 2

a 4 pt s 0 5 7

a 4 pt s 0 5 6

a 5pt s 0 0 3

5 0/ 3 8 / 1 2 % p o ly/c o tt o n / r ay o n

ch a rc a o l | g re y | w h ite

g re y | w h ite | ch a rc o a l

a rm y | red | n av y

g re y | red | ch a rc o a l

S IZE : S – XL

standard solid pocket

standard s / s bb

mj bb

dae raglan

a 5pt s 0 0 1

a 4 pt s 0 6 0

a 4 pt s 0 6 2

a 4 pt s 0 6 1

5 0/ 3 8 / 1 2 % p o ly/c o tt o n / r ay o n

g re y | bl ue | a rm y

a rm y | b l ue | n atur a l

ch a rc o a l | red | a rm y

ch a rc o a l | n av y | red

S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 81 –

SOSDD

swallow

CREEPER

WO R L D TO U R

A 5P T S 0 1 0

A 5P T S 0 0 6

A 5P T S 0 0 8

A 5P T S 0 0 4

1 0 0 % 3 0/ s c o tt o n

BLA CK | WH I T E

Y ELLOW | L I GH T BL U E

WH I T E | Y ELLOW

S IZE : S – XL

BLA CK | R ED S IZE : S – XL

front chest hit

back

T R O P I C S TA N K

E L G AT O

MONOSET MIXED

SOLSTICE

A 5P T t 0 1 1

A 5P T S 0 0 7

A 5P T S 0 0 9

A 5P T S 0 0 5

1 0 0 % 3 0/ s c o tt o n

G R E Y | G R EEN T E A

g reen te a | g re y

ch a rc o a l | BADG ES

Y ELLOW | G R EEN T E A

S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 83 –

SOSDD

swallow

CREEPER

WO R L D TO U R

A 5P T S 0 1 0

A 5P T S 0 0 6

A 5P T S 0 0 8

A 5P T S 0 0 4

1 0 0 % 3 0/ s c o tt o n

BLA CK | WH I T E

Y ELLOW | L I GH T BL U E

WH I T E | Y ELLOW

S IZE : S – XL

BLA CK | R ED S IZE : S – XL

front chest hit

back

T R O P I C S TA N K

E L G AT O

MONOSET MIXED

SOLSTICE

A 5P T t 0 1 1

A 5P T S 0 0 7

A 5P T S 0 0 9

A 5P T S 0 0 5

1 0 0 % 3 0/ s c o tt o n

G R E Y | G R EEN T E A

g reen te a | g re y

ch a rc o a l | BADG ES

Y ELLOW | G R EEN T E A

S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 83 –

F I R S T Q U A L I T Y P oc K e T

MONTEVERDE

FOLK POCKET

li f e

A4PTS097

A 5P T S 0 1 8

A 5P T S 0 2 1

A 5P T S 0 1 9

1 0 0 % 3 0/ s c o tt o n pi g men t dy e

1 0 0 % 3 0/ s c o tt o n s l u b

BLA CK | NAT U R AL | M ER LO T | SLAT E

BLA CK | M ER LO T

G R E Y | H U N T ER

b l a ck | R ED

S IZE : S – XL

back

OSA

PINA

phases tank

boxcar

A 5P T S 0 1 7

a 4 pt s 0 1 6

A 5P T t 0 2 2

A 5P T S 0 2 0

1 0 0 % 3 0/ s c o tt o n pi g men t

1 0 0 % 3 0/ s c o tt o n s l u b

dy e

G R E Y | L I GH T BL U E

G R E Y | I ND I GO

BLA CK | A R M Y

A R M Y | NAT U R AL

S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 85 –

front chest hit

F I R S T Q U A L I T Y P oc K e T

MONTEVERDE

FOLK POCKET

li f e

A4PTS097

A 5P T S 0 1 8

A 5P T S 0 2 1

A 5P T S 0 1 9

1 0 0 % 3 0/ s c o tt o n pi g men t dy e

1 0 0 % 3 0/ s c o tt o n s l u b

BLA CK | NAT U R AL | M ER LO T | SLAT E

BLA CK | M ER LO T

G R E Y | H U N T ER

b l a ck | R ED

S IZE : S – XL

back

OSA

PINA

phases tank

boxcar

A 5P T S 0 1 7

a 4 pt s 0 1 6

A 5P T t 0 2 2

A 5P T S 0 2 0

1 0 0 % 3 0/ s c o tt o n pi g men t

1 0 0 % 3 0/ s c o tt o n s l u b

dy e

G R E Y | L I GH T BL U E

G R E Y | I ND I GO

BLA CK | A R M Y

A R M Y | NAT U R AL

S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 85 –

front chest hit

FIRST QUALIT Y

H A Z A R D S pkt

A 5P T S 0 1 2

A 5P T S 0 1 3

1 0 0 % c o tt o n

WH I T E | BLA CK

bl a ck | WH I T E

S IZE : S – XL

back

M AT I X C L O T H I N G | S P 1 5

PISSED

A 5P T S 0 14

A 5P T S 0 1 5

1 0 0 % c o tt o n

bl a ck | WH I T E

WH I T E | bl a ck

S IZE : S – XL

– 87 –

front pock e t hit

FIRST QUALIT Y

H A Z A R D S pkt

A 5P T S 0 1 2

A 5P T S 0 1 3

1 0 0 % c o tt o n

WH I T E | BLA CK

bl a ck | WH I T E

S IZE : S – XL

back

M AT I X C L O T H I N G | S P 1 5

PISSED

A 5P T S 0 14

A 5P T S 0 1 5

1 0 0 % c o tt o n

bl a ck | WH I T E

WH I T E | bl a ck

S IZE : S – XL

– 87 –

front pock e t hit

monoset S 1 5

D F A 74

A 5P T S 0 3 4

A 5P T S 0 3 9

1 0 0 % c o tt o n

BLACK HE ATHER | BURNT ORANGE

WHITE | OL I V E HE ATHER | BURNT OR ANGE

ROYAL HE ATHER | TE AL

S IZE : S – X x L

front chest hit

S IZE : S – X x L

back

S TAT I O N

TEAM SHIRT

A 5P T S 0 41

A 5P T S 0 4 0

1 0 0 % c o tt o n

BLA CK | WH I T E | GOLD

WH I T E | R OYAL | BLA CK

S IZE : S – XXL

front chest hit

back

M AT I X C L O T H I N G | S P 1 5

– 89 –

monoset S 1 5

D F A 74

A 5P T S 0 3 4

A 5P T S 0 3 9

1 0 0 % c o tt o n

BLACK HE ATHER | BURNT ORANGE

WHITE | OL I V E HE ATHER | BURNT OR ANGE

ROYAL HE ATHER | TE AL

S IZE : S – X x L

front chest hit

S IZE : S – X x L

back

S TAT I O N

TEAM SHIRT

A 5P T S 0 41

A 5P T S 0 4 0

1 0 0 % c o tt o n

BLA CK | WH I T E | GOLD

WH I T E | R OYAL | BLA CK

S IZE : S – XXL

front chest hit

back

M AT I X C L O T H I N G | S P 1 5

– 89 –

M O N O S E T T onal

WORKMEN

M ELLOW

D AY T R I P

a 4 HAT 0 1 8

A 4 HAT 0 0 5

A 5HAT 0 0 3

A 5HAT 0 0 4

8 0 % ACR YL I C / 2 0 % WOOL

8 0 % A CR YL I C / 2 0 % WOOL

6 0 % C O T T ON /4 0 % P OLY

1 0 0 % c o tt o n

T E AL | R U S T | NAVY | CHA R C OAL

g OLD | n av y | A R M Y

GOLD | bl a ck

C A M O | BLA CK

S IZE : OSFA

FIRST QUALIT Y

TO U R

OSA TRUCKER

OSA

A 5HAT 0 0 1

A 5HAT 0 0 2

A 5HAT 0 0 6

A 5HAT 0 0 5

8 0 % ACR YL I C / 2 0 % WOOL

6 0 % C o tt o n /4 0 % P OLY

1 0 0 % p o ly es ter

bl a ck | SLAT E

R ED | BLA CK

ch a rc o a l | b a d g es

BADG ES | ch a rc o a l

S IZE : OSFA

M AT I X C L O T H I N G | S P 1 5

– 91 –

M O N O S E T T onal

WORKMEN

M ELLOW

D AY T R I P

a 4 HAT 0 1 8

A 4 HAT 0 0 5

A 5HAT 0 0 3

A 5HAT 0 0 4

8 0 % ACR YL I C / 2 0 % WOOL

8 0 % A CR YL I C / 2 0 % WOOL

6 0 % C O T T ON /4 0 % P OLY

1 0 0 % c o tt o n

T E AL | R U S T | NAVY | CHA R C OAL

g OLD | n av y | A R M Y

GOLD | bl a ck

C A M O | BLA CK

S IZE : OSFA

FIRST QUALIT Y

TO U R

OSA TRUCKER

OSA

A 5HAT 0 0 1

A 5HAT 0 0 2

A 5HAT 0 0 6

A 5HAT 0 0 5

8 0 % ACR YL I C / 2 0 % WOOL

6 0 % C o tt o n /4 0 % P OLY

1 0 0 % p o ly es ter

bl a ck | SLAT E

R ED | BLA CK

ch a rc o a l | b a d g es

BADG ES | ch a rc o a l

S IZE : OSFA

M AT I X C L O T H I N G | S P 1 5

– 91 –

D FA

CLASSIC

1969

a4ACC01 1

a4ACC012

a4ACC010

• 2-pa n el f r o n t w/ s i d e k e y h o l e • j a c q ua r d wa i s t b a n d • f i v e n eed l e c o v er s titch • 5” i n s e a m | mi d -l en g t h

9 5/ 5% C O T T ON / ELAS T I N E

BLA CK

NAV y

bR OWN

S IZE : S – XL

B A R VA

BREAKS

OSA

A5ACC007

A5ACC008

A5ACC009

• 2-pa n el f r o n t w/ s i d e k e y h o l e • j a c q ua r d wa i s t b a n d • f i v e n eed l e c o v er s titch • 5” i n s e a m | mi d -l en g t h

• 2-pa n el f r o n t w/ s i d e k e y h o l e • j a c q u a r d wa i s t b a n d • f i v e n eed l e c o v er s titch • 5” i n s e a m | mi d -l en g t h

9 5/ 5% C O T T ON / ELAS T I N E

NAV y

C A R a M EL

FLO R AL

S IZE : S – XL

essential tee

standard

a 4 pt s 0 9 2

a 4 a cc 0 2 6

1 0 0 % 3 0/ s c o tt o n

• 2-pa n el f r o n t w/ s i d e k e y h o l e • j a c q u a r d wa i s t b a n d • f i v e n eed l e c o v er s titch • 5” i n s e a m | mi d -l en g t h

WH I T E | bl a ck | red | I ND I GO | g reen te a S IZE : S – XL

9 5/ 5% h e at h ered c o tt o n / el a s ta n e heather grey | heather MERLOT | heather charcoal S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 93 –

D FA

CLASSIC

1969

a4ACC01 1

a4ACC012

a4ACC010

• 2-pa n el f r o n t w/ s i d e k e y h o l e • j a c q ua r d wa i s t b a n d • f i v e n eed l e c o v er s titch • 5” i n s e a m | mi d -l en g t h

9 5/ 5% C O T T ON / ELAS T I N E

BLA CK

NAV y

bR OWN

S IZE : S – XL

B A R VA

BREAKS

OSA

A5ACC007

A5ACC008

A5ACC009

• 2-pa n el f r o n t w/ s i d e k e y h o l e • j a c q ua r d wa i s t b a n d • f i v e n eed l e c o v er s titch • 5” i n s e a m | mi d -l en g t h

• 2-pa n el f r o n t w/ s i d e k e y h o l e • j a c q u a r d wa i s t b a n d • f i v e n eed l e c o v er s titch • 5” i n s e a m | mi d -l en g t h

9 5/ 5% C O T T ON / ELAS T I N E

NAV y

C A R a M EL

FLO R AL

S IZE : S – XL

essential tee

standard

a 4 pt s 0 9 2

a 4 a cc 0 2 6

1 0 0 % 3 0/ s c o tt o n

• 2-pa n el f r o n t w/ s i d e k e y h o l e • j a c q u a r d wa i s t b a n d • f i v e n eed l e c o v er s titch • 5” i n s e a m | mi d -l en g t h

WH I T E | bl a ck | red | I ND I GO | g reen te a S IZE : S – XL

9 5/ 5% h e at h ered c o tt o n / el a s ta n e heather grey | heather MERLOT | heather charcoal S IZE : S – XL

M AT I X C L O T H I N G | S P 1 5

– 93 –

TIDES SOCK

CLASSIC SOCK

MONOLIN SOCK

a4ACC015

a4ACC018

a4ACC023

• c a sua l f l at k n it • ri b f i n i s h at t o p • a rch s upp o rt • rei n f o rced h eel & t o e

• at h l etic k n it w/ h a l f ri b • a rch s upp o rt • rei n f o rced h eel & t o e

8 8 / 1 0/ 2 % C O T T ON / P OLY/ S PAND E X

BLA CK | red S IZE : OSFA

8 8 / 1 0/ 2 % C O T T ON / P OLY/ S PAND E X C A R D I NAL

NAVY

S IZE : OSFA

TILES SOCK

OSA SOCK

LOWL AN DS SOC K

A5ACC001

A5ACC002

A5ACC003

• at h l etic k n it w/ h a l f ri b • a rch s upp o rt • rei n f o rced h eel & t o e

8 8 / 1 0/ 2 % C O T T ON / P OLY/ S PAND E X

NAVY

FLO R AL

red

S IZE : OSFA

SQUINTS SOCK

HAZARDS SOCK

FUBAR SOCK

A5ACC004

A5ACC005

A5ACC006

• at h l etic k n it w/ h a l f ri b • a rch s upp o rt • rei n f o rced h eel & t o e

8 8 / 1 0/ 2 % C O T T ON / P OLY/ S PAND E X

FO R ES T

C A M EL

ARMY

S IZE : OSFA

M AT I X C L O T H I N G | S P 1 5

– 95 –

TIDES SOCK

CLASSIC SOCK

MONOLIN SOCK

a4ACC015

a4ACC018

a4ACC023

• c a sua l f l at k n it • ri b f i n i s h at t o p • a rch s upp o rt • rei n f o rced h eel & t o e

• at h l etic k n it w/ h a l f ri b • a rch s upp o rt • rei n f o rced h eel & t o e

8 8 / 1 0/ 2 % C O T T ON / P OLY/ S PAND E X

BLA CK | red S IZE : OSFA

8 8 / 1 0/ 2 % C O T T ON / P OLY/ S PAND E X C A R D I NAL

NAVY

S IZE : OSFA

TILES SOCK

OSA SOCK

LOWL AN DS SOC K

A5ACC001

A5ACC002

A5ACC003

• at h l etic k n it w/ h a l f ri b • a rch s upp o rt • rei n f o rced h eel & t o e

8 8 / 1 0/ 2 % C O T T ON / P OLY/ S PAND E X

NAVY

FLO R AL

red

S IZE : OSFA

SQUINTS SOCK

HAZARDS SOCK

FUBAR SOCK

A5ACC004

A5ACC005

A5ACC006

• at h l etic k n it w/ h a l f ri b • a rch s upp o rt • rei n f o rced h eel & t o e

8 8 / 1 0/ 2 % C O T T ON / P OLY/ S PAND E X

FO R ES T

C A M EL

ARMY

S IZE : OSFA

M AT I X C L O T H I N G | S P 1 5

– 95 –

MUSHMAN a4ACC006 Bi f o l d wa l l et M a d e f r o m v eg eta bl e ta n n ed l e at h er . R aw d en im i n teri o r l i n i n g . Si x c a r d s l o t s a n d t wo d i v i d er s f o r c a s h . He av y t o p s titch es a l l o v er . Debo s s ed w it h t h e M ati x U SA s ta mp. 1 0 0 % v eg eta bl e ta n n ed L E AT H ER BADG Es | BLA CK | C OGNA C

RIDDELL a4ACC005 C a r d h o l d er k eeper M a d e f r o m v eg eta bl e ta n n ed l e at h er . R aw d en im i n teri o r pa n el . T h ree c a r d s l o t s a n d a curren c y p o ck et. He av y t o p s titch es a l l o v er . Debo s s ed w it h t h e M ati x U SA s ta mp. 1 0 0 % v eg eta bl e ta n n ed L E AT H ER BLA CK | BADG ES

ba dges back

M AT I X C L O T H I N G | S P 1 5

– 97 –

ba dges back

M AT I X C L O T H I N G | S P 1 5

– 97 –

dispatch wallet

TURK KEY CHAIN

keeper f ob

a4ACC027

a4ACC002

a4ACC004

Bi f o l d wa l l et m a d e f r o m v eg eta bl e

M a d e f r o m v eg eta bl e

M a d e f r o m v eg eta b l e

ta nned l e at her. Wov en Poly prop y l ene

ta n n ed l e at h er . En a mel a n d res i n

ta n n ed l e at h er . Nick el f ree cl ip.

M el a n g e fa bric at cen ter o f wa l l et. T wo

d e at h c a r d i n l ay.

Debo s s ed w it h t h e M ati x

c a r d s l o t s a n d t wo d i v i d er s

1 0 0 % v eg eta bl e ta n n ed l e at h er

f o r c a s h . He av y T o p s titch es a l l

BLA CK | NAT U R AL | C OGNA C

o v er . Debo s s ed w it h t h e M ati x

U SA s ta mp. 1 0 0 % v eg eta bl e ta n n ed l e at h er C OGNA C | BLA CK | NAT U R AL

U SA s ta mp. 1 0 0 % L E AT H ER C OGNA C | BLA CK

W YAT T

M A L C O L M B E LT

PI N BAC K PI N S E T

a4ACC007

A4ACC008

a4ACC003

Cl a s s ic b i k er wa l l et M a d e

Wo v en P o ly pr o p y l en e M el a n g e belt

T h ree s e a s o n a l En a mel a n d res i n i n-

f r o m v eg eta bl e ta n n ed l e at h er . R aw d en im

w it h v eg eta bl e ta n n ed l e at h er

l ay pi n b a ck s . De at h c a r d, U SA f l a g a n d f ir s t q ua l it y l o g o.

i n teri o r pa n el . S n a p cl o s ure, t h ree c a r d s l o t s

at buck l e & belt en d. Nic k el f ree

a n d t wo f u l l-l en g t h p o ck et s . C o mes w it h a

buck l e . Debo s s ed w it h M ati x

ch a i n a n d a l e at h er s n a p butt o n s tr a p. He av y

Cl o t h i n g C o at b a ck . .

t o p s titch es a l l o v er . Debo s s ed w it h t h e M ati x

t h ree pa ck

1 0 0 % L E AT H ER

U SA s ta mp.

NAT U R AL | C OGNA C | BLA CK S IZE : S/ M – L / XL

1 0 0 % v eg eta bl e ta n n ed l e at h er BLA CK | NAT U R AL

M AT I X C L O T H I N G | S P 1 5

– 99 –

dispatch wallet

TURK KEY CHAIN

keeper f ob

a4ACC027

a4ACC002

a4ACC004

Bi f o l d wa l l et m a d e f r o m v eg eta bl e

M a d e f r o m v eg eta bl e

M a d e f r o m v eg eta b l e

ta nned l e at her. Wov en Poly prop y l ene

ta n n ed l e at h er . En a mel a n d res i n

ta n n ed l e at h er . Nick el f ree cl ip.

M el a n g e fa bric at cen ter o f wa l l et. T wo

d e at h c a r d i n l ay.

Debo s s ed w it h t h e M ati x

c a r d s l o t s a n d t wo d i v i d er s

1 0 0 % v eg eta bl e ta n n ed l e at h er

f o r c a s h . He av y T o p s titch es a l l

BLA CK | NAT U R AL | C OGNA C

o v er . Debo s s ed w it h t h e M ati x

U SA s ta mp. 1 0 0 % v eg eta bl e ta n n ed l e at h er C OGNA C | BLA CK | NAT U R AL

U SA s ta mp. 1 0 0 % L E AT H ER C OGNA C | BLA CK

W YAT T

M A L C O L M B E LT

PI N BAC K PI N S E T

a4ACC007

A4ACC008

a4ACC003

Cl a s s ic b i k er wa l l et M a d e

Wo v en P o ly pr o p y l en e M el a n g e belt

T h ree s e a s o n a l En a mel a n d res i n i n-

f r o m v eg eta bl e ta n n ed l e at h er . R aw d en im

w it h v eg eta bl e ta n n ed l e at h er

l ay pi n b a ck s . De at h c a r d, U SA f l a g a n d f ir s t q ua l it y l o g o.

i n teri o r pa n el . S n a p cl o s ure, t h ree c a r d s l o t s

at buck l e & belt en d. Nic k el f ree

a n d t wo f u l l-l en g t h p o ck et s . C o mes w it h a

buck l e . Debo s s ed w it h M ati x

ch a i n a n d a l e at h er s n a p butt o n s tr a p. He av y

Cl o t h i n g C o at b a ck . .

t o p s titch es a l l o v er . Debo s s ed w it h t h e M ati x

t h ree pa ck

1 0 0 % L E AT H ER

U SA s ta mp.

NAT U R AL | C OGNA C | BLA CK S IZE : S/ M – L / XL

1 0 0 % v eg eta bl e ta n n ed l e at h er BLA CK | NAT U R AL

M AT I X C L O T H I N G | S P 1 5

– 99 –

got shipped out to my grandparents. My father never helped my mother out with child support so we were perpetually fucked financially. Borderline welfare kids. Without my mother’s parents, we would’ve been on welfare for sure. They saved us numerous times.

To p 5 v i d e o s f r o m t h e 9 0 ’ s t h at yo u s t i l l watc h ? Rubbish Heap, Questionable, Virtual Reality,

So when my sister and I had to go live in the middle

Love Child and Blind Video Days.

of nowhere with my grandparents, and I was torn

Still watch all of those.

away from the skateboarding scene literally overnight, I remember unpacking my bags two nights later at

Yo u h av e b e e n i n t h e g a m e a s a p r o

my grandparents’ house and swearing that I would

sk at e r fo r a w h i l e n ow, a n y g oa l s

kill my dad if I ever saw him again for doing this shit to us. I decided right then and there, in October 1992, that I was going to make something out of my life so

t r i c k-w i s e t h at yo u h av e n ot h it t h at yo u h av e i n yo u r s i g h t s ?

that this kind of shit would never happen to me ever again. I decided that I wouldn’t let my whole existence

Lots of those! Gotta keep working. Daewon is

rest on someone who could just pull the plug and

my source for inspiration these days. He’s the

uproot me from my entire world again. My life changed overnight because someone couldn’t make an effort to take care of their responsibilities. So hard work was the only thing that could possibly give me a better life. And skateboarding was the thing that I wanted

best skateboarder in the world. Seriously. W h at ot h e r h o b b i e s g e t yo u s pa r k e d a n d k e e p yo u b u s y.

to work hard at. I loved it. I love it to this day. In so many ways, picking up a skateboard saved my life.

Making stuff out of wood is fun. Sculptures. Any kind of wood working. And graphic design is really

W h at i m ag e ry/sk at e r s/ t r i c ks r e a l ly g ot yo u h y p e d to sk at e i n t h e b e g i n n i n g ?

fun. You know what I really like? Yard work. I love to be out in the yard planting stuff or mowing

The first thing I can really remember being super stoked on was The Speed Freaks video. Mike Vallely’s part in that. And when Rubbish Heap came out, Jeremy Klein. I watched Rodney Mullen and Jeremy Klein’s parts every

I n t e rv i e w by g a b e c l e m e n t

single day so many times. The 360 flips he did in that video completely shaped the way I looked at skateboarding. I started tearing all of the World Industries, Blind, and 101 ads out of the magazines and taping those to my wall. Any photos of Natas, Gonz, Jason Lee… anyone from those companies. Those images and tricks shaped my skateboarding. And then when Video Days came out…holy shit. Jason Lee and Mark Gonzales left an imprint on my skateboarding that exists today. I still watch that video before I go skateboarding occasionally. Something about that video. It’s the purest expression

p h oto s by : d r e w m a r ti n & Yo o n s u l

W h at at t r ac t e d yo u to sk at e b oa r d i n g and where did this happen?

of skateboarding that has ever been captured on video. Everything after that has just been pissed off dudes trying tricks for hours until they land them.

Initially, it was the strange culture and the pride that skaters took in being a part of that culture that attracted me to it. There were 5 or 6 skaters in my school and they were down as hell for skateboarding and for the whole scene. I mean, we were total outcasts in North Carolina in 1990. But those dudes didn’t even care, at all, about being captain of the football team or the most popular kid in school. The skaters were in this secret club and no one was allowed in unless they brought it to the table. You had to prove yourself. I liked that about skateboarding. I liked the confidence these guys had in what they were a part of. It really was a gang to some extent. Those dudes were gnarly on a whole other level.

That’s not skateboarding in the purest sense. That’s

C a n yo u g i v e u s a /o r a co u p l e d e f i n i n g m o m e n t s w h e n yo u k n e w sk at e b oa r d i n g wa s w h at yo u wa n t e d to s tay i n vo lv e d w it h ?

who is marc johnson

D•O•B 01 - 0 6 - N /A

Fit S elect welder & Gripper

I nsta handle @marcjohnson

M AT I X C L O T H I N G | S P 1 5

B orn & R aised north carolina & CAl

C urrent H ome Lo s A n g e l e s , CA

I have a few moments that I can remember where I really knew that I had some connection to skateboarding. Some kind of weird ‘knowing’ that this is something that I can do naturally. I learned tricks relatively quickly back then, and I was always thinking of new stuff or trying the tricks I saw in videos and landing some of them. For a kid who’s only been skating for two years, being able to do some technical tricks from videos was a huge thing for me. I used to take this mellow hill bomb from the top of this main road all the way to my house and the challenge was to make it the whole way without missing a trick. I could occasionally do the whole downhill and land all the tricks I tried, and I had this feeling that I was finally good at something in my life. That was the connection. I somehow spoke this language and could just skateboard. I remember getting to my front yard one day, and I just knew that skateboarding was what I wanted to do with my life. My mom lost her job when I was in the 9th grade, freshman in high school, and she couldn’t afford to have us live with her anymore so we

just miserable bullshit. When Jim and Tommy started REAL, I loved their ads and team as well. Salman Agah was one of my favorite skaters at that time. All the switchstance skating he was doing. And those ads were so awesome. I think Jim did all those ads. REAL was the only company I ever sent a sponsor-me video to. D i d yo u d o w e l l i n s c h o o l? A n y s u b j e c t s t h at yo u w h e r e i n t e r e s t e d i n at s c h o o l? I did very well in school. Straight A’s all the way through college. Deans List, all that stuff. School was easy for me to an extent, but I got bored a lot and kinda blew it. I used to do my homework in class so I wouldn’t have to carry books home, and have more time to skate. I blew off a couple of term papers because I just wasn’t interested in any of the subject material at the time. That’s what made me slip in the 11th grade, boredom. Then I emancipated myself from my mother and went to home school and started doing better again. I skipped senior year and went straight to college taking art classes and math classes and fiction analysis and short story writing classes. That was fun because you could wear pajamas to school and no one gave a shit. People just wanted an education. All the high-school garbage didn’t matter anymore. I liked writing and drawing. I k n ow yo u fo l low c u r r e n t sk at e b oa r d i n g a n d it s p r o g r e ss i o n . A n y s ta n d o u t n a m e s o f k i ds t h at a r e a l r e a dy p r o o r u p & co m i n g ? Dylan Rieder is probably my favorite ‘new kid’. Johan Stuckey is rad. Actually, Gilbert Crockett is my favorite skater right now too. There’s more but I’m spacing out. This interview has to go to print ASAP! Get ‘er done!

– 101 –

the lawn or whatever. Just doing that kind of thing. Landscaping. That’s so mellow. I love it. G i v e u s a f e w b o o k tit l e s t h at yo u h av e b e e n r e a d i n g a s o f l at e . I always have The RA Material/Law of One on hand at the house and when I travel. I take those books almost everywhere with me if I travel. I’ve been reading The Sacred Path over and over lately. That’s a good book for me personally. I was reading the Disposable Skateboard Bible a lot too lately. There’s all kinds of books laying around at the house. You can just grab one and start reading. I pretty much stopped at The Law of One. That book answered all my questions. Oh man, I read those 50 Shades of Grey books a couple years ago! WTF!?v !?? 5 to p a l l ti m e favo r it e b oa r d g r a p h i c s Rudy Johnson experimental graphic for Blind 1991. Natas SMA ‘Kitty’, Todd Congelliere ‘Cubby’ by Liberty. Jeremy Klein ‘Candy Bar’ world industries 1990. And the Jason Lee American Icons board on Blind. C a n yo u g i v e u s a b r i e f d e s c r i p ti o n o f w h at T h e B ac k Fo r t y i s a n d w h o i s i n vo lv e d w it h yo u o n t h i s ? The Back Forty is a project-based media endeavor that also makes t-shirts. We work on various projects with other companies and people inside & outside of skateboarding, and we make t-shirts and videos to support those projects. A lot of what we are doing involves charitable types of projects. We haven’t really advertised that we’re doing charity work, but that’s what it really is. I can only speak for myself, but one thing I would personally like to do is organize a program that gives back to struggling teens and where various self-made speakers speak with teens about making their lives extraordinary. Sort of like motivational speaking, but not geared toward how to get rich quick or any of that stuff. Just motivating teens through personal stories about people who just went and made it happen in their lives through hard work and a certain kind of interaction with others. Not sure if that makes much sense, but basically the teens of today are tomorrow’s potential leaders. A little motivation, guidance, and support always helps. Kenny has his sights set on lighting up villages in South America with solar technology. Doing video projects with companies like that, and making tees to support those efforts was the starting point for The Back Forty.

To p 5 v i d e o s f r o m t h e 9 0 ’ s t h at yo u s t i l l watc h ? Rubbish Heap, Questionable, Virtual Reality,

So when my sister and I had to go live in the middle

Love Child and Blind Video Days.

of nowhere with my grandparents, and I was torn

Still watch all of those.

away from the skateboarding scene literally overnight, I remember unpacking my bags two nights later at

Yo u h av e b e e n i n t h e g a m e a s a p r o

my grandparents’ house and swearing that I would

sk at e r fo r a w h i l e n ow, a n y g oa l s

kill my dad if I ever saw him again for doing this shit to us. I decided right then and there, in October 1992, that I was going to make something out of my life so

t r i c k-w i s e t h at yo u h av e n ot h it t h at yo u h av e i n yo u r s i g h t s ?

that this kind of shit would never happen to me ever again. I decided that I wouldn’t let my whole existence

Lots of those! Gotta keep working. Daewon is

rest on someone who could just pull the plug and

my source for inspiration these days. He’s the

best skateboarder in the world. Seriously. W h at ot h e r h o b b i e s g e t yo u s pa r k e d a n d k e e p yo u b u s y.

to work hard at. I loved it. I love it to this day. In so many ways, picking up a skateboard saved my life.

Making stuff out of wood is fun. Sculptures. Any kind of wood working. And graphic design is really

W h at i m ag e ry/sk at e r s/ t r i c ks r e a l ly g ot yo u h y p e d to sk at e i n t h e b e g i n n i n g ?

fun. You know what I really like? Yard work. I love to be out in the yard planting stuff or mowing

I n t e rv i e w by g a b e c l e m e n t

p h oto s by : d r e w m a r ti n & Yo o n s u l

W h at at t r ac t e d yo u to sk at e b oa r d i n g and where did this happen?

of skateboarding that has ever been captured on video. Everything after that has just been pissed off dudes trying tricks for hours until they land them.

That’s not skateboarding in the purest sense. That’s

C a n yo u g i v e u s a /o r a co u p l e d e f i n i n g m o m e n t s w h e n yo u k n e w sk at e b oa r d i n g wa s w h at yo u wa n t e d to s tay i n vo lv e d w it h ?

who is marc johnson

D•O•B 01 - 0 6 - N /A

Fit S elect welder & Gripper

I nsta handle @marcjohnson

M AT I X C L O T H I N G | S P 1 5

B orn & R aised north carolina & CAl

C urrent H ome Lo s A n g e l e s , CA

– 101 –

I n t e rv i e w by b r i a n d u n l a p

p h oto s by d r e w m a r ti n

who is h e at h p i n t e r

D•O•B 1 1 -1 1 -7 7

Fit S elect Welder

I nsta handle @ h e at h p i n t e r

H ow lo n g h av e yo u b e e n i n to c a r s fo r , w h at i n s p i r e d yo u to s ta r t b u i l d i n g ? I have been into cars as long as I can remember. Growing up with a single mom finances were tight and made old cars seem way out of reach. After scrapping up some cash years down the road, I bought a 65’ Lincoln Continental. Building the Lincoln really hooked me on learning more about fabrication and building cars. It was all down hill from there. W h e r e i s yo u r s h o p at ? Currently I have a small shop I rent in Riverside Ca. I’m almost done building a shop at my house. It will be nice to get set up at home, the shop is next to my BMX jumps behind the house. A r e yo u b u i l d i n g c a r s fo r f r i e n ds , c u s to m e r s , p e r s o n a l co l l e c t i o n ?

W h o d o yo u h a n g w it h ? It changes through the year with BMX guys heading to visit our place in So Cal for the winters and traveling more during the summer. Carey Hart and Big B have been close friends for a long time. When I’m home I hang out with a bunch of buddies who build cars too. W h at i s yo u r t y p i c a l day l i k e ? Wake up between five & six. Post up at my desk for a few hours doing my team managers duties. Usually run around gathering car parts. or picking up parts from paint. Figure out where the crew plans to ride dirt in the afternoon. Grab a burrito and knock out a dirt session until dark then head to my shop for a few hrs.

The only cars I have sold were to buy another car. Im currently building a Ford Model A for Carey Hart. Carey will be hands on designing and finishing the car. I’m also building a 59 Chevy pick up for my father right now. Other then that Im justing building cars for my self for now. W h at i s yo u r m a i n v e h i c l e o f t r a n s p o r tati o n ? Chevy Van. Vans are awesome. It’s full of parts or bikes daily. H ow lo n g h av e b e e n g e t t i n g r a d o n yo u r b m x b i k e ? I started riding my bike to school when I was a kid. Thats all she wrote. Started racing, then dirt comps shortly after. Its been my job since graduating high school.

B orn & R aised w h it ti e r , c a

W h o i s yo u r to p 3 i n f lu e n c e r s i n b m x ? Brian Foster, Fuzzy Hall, Brian Blyther…theres some younger guys that have been huge influences as well. Dennis Enarson, Mike Aitken, Taj, Joe Rich…Its hard, I have found many influences in many riders over the years. W h y d o n ’ t yo u r ac e b m x ? I did…but dirt jumping and skate parks are way more fun and you don’t have to train. Haha So I know you used to be a big snow surfer, What’s your most memomer able experience while living w/ Shaun Palmer? Oh man, theres so many. It was a blast living with Palm at that time in Tahoe. The most memorable would be heading to Tahoe for Boarding for Breast Cancer. It was my first trip to Tahoe. We rolled into a house party with the Beastie Boys where they played a set of their old stuff, snowboarded, and ripped around in old Cadillacs. It was a game changer for me, I moved to Palmer’s place shortly after. I f yo u w e r e o n a w e e k pa i d vac ati o n o n a s e c lUd e d i s l a n d a n d co u l d b r i n g 1 0 p e o p l e w h o wo u l d t h e y b e ? I would have to bring my wife, Jack Nicholson, Neil Young, Will Ferrell, The Rolling Stones & a cook… This way none of my friends would be let down. W h y d i d n ’ t yo u p i c k As ta p h e n ? (HAHA) Because he would not go unless there was a fancy resort. Anyone you want to give a shout out to? Hell yeah! Shaun Palmer...

M AT I X C L O T H I N G | S P 1 5

– 1 03 –

C urrent H ome RI V ER S I D E , CA

I n t e rv i e w by b r i a n d u n l a p

p h oto s by d r e w m a r ti n

who is h e at h p i n t e r

D•O•B 1 1 -1 1 -7 7

Fit S elect Welder

I nsta handle @ h e at h p i n t e r

B orn & R aised w h it ti e r , c a

M AT I X C L O T H I N G | S P 1 5

– 1 03 –

C urrent H ome RI V ER S I D E , CA

I n t e rv i e w by g a b e c l e m e n t

p h oto by k i n g s to n

who is mike pham

D•O•B 0 4 -3 0 - 8 6

Fit S elect gripper/CONSTRICTOR

W h at wa s h a p p e n i n g w it h M i k e P h a m g r ow i n g u p a s a k i d? Pretty much skateboarding, surfing, and fishing with friends. If we weren’t doing that, we were jamming punk rock songs in my garage. My first board was a Toy Machine when I was 12, and I probably watched Fulfill the Dream and Jump off a Building a hundred times. Once I got to high school, I was introduced to Punk Rock (NOFX, Bouncing Souls, Leftover Crack, Descendants, The Vandals) and it was on.

I nsta handle @ PHAMUEL

h ow d i d yo u e n d u p p l ay i n g a b a n j o? Funny story, I was maybe drunk after a Dropkick Murphy’s show at the Palladium and decided I wanted to learn either banjo or bagpipes. Turned out I picked banjo because bagpipes are insanely loud and I’m positive my neighbors (and family…and friends) would kill me. So I got my first banjo, but didn’t realize there’s a 4-string (played like a guitar for Irish/ Celtic/Jazz styles) and a 5-string (played for finger picking bluegrass). Turns out I got a 5-string banjo and figured, “Well, guess I’m learning bluegrass.”

W h o d o yo u c a l l fa m i ly ?

B orn & R aised MI S S ION V IEJO, c a

C urrent H ome LAGUNA HILL S , c a

W h at a r e s o m e o f t h e m o s t m e m o r a b l e s h ows yo u g u ys h av e p l ay e d u p t i l l n ow ? That’s hard. We’ve been lucky enough to play MusInk with Lucero, Hootenanny (2013) with Social D and Murder by Death, and those were great festivals. This year we played NAMM (2014) on the GoPro main stage and that was crazy, but my favorite is busking in Laguna Beach. That’s where we started, playing for passerby, making the kids dance, seeing stoked families stop and listen. Plus we don’t have to worry about set times. What music are you listening to these days?

D o yo u h av e a b a n j o s p o n s o r ? My parents and sister, Michelle, support me in everything I do. Also, I can’t leave out my friends, the Hooligans, and my mini-doxie Rocky. W h at g ot yo u i n t e r e s t e d i n p l ay i n g m u s i c ? D i d yo u p l ay a m u s i c a l i n s t r u m e n t a s a k i d? When I was in elementary school, I played violin and clarinet, but I realized I sucked really bad so I dropped out. Once I got into high school and discovered punk rock my freshman year; I decided to learn guitar. By then my mom had given up on buying instruments so I had to make a deal with her – mowing the lawn 100 times – to get my first Fender Squire. I hadn’t included an amp in the deal, but I was still stoked. I’d practice for six hours a day, just fooling around and figuring it out. Skateboarding got me to meet a bunch of other skater kids who played instruments and that’s when we started jamming in the garage. We formed a band called Antagen, toured a bit with Guttermouth, Strung Out, Pour Habit and a few others. W h at t y p e o f m u s i c d i d yo u l i s t e n to g r ow i n g u p ? d o e s t h i s i n f lu e n c e yo u r p l ay i n g s t y l e ? NOFX, Bad Religion, Rancid, Op Ivy, Youth Brigade, The Unseen, Bouncing Souls, FEAR, Misfits, and a lot more, but those bands were always in the rotation. Punk Rock is fast and full of energy which has definitely influenced how I attack the banjo. Banjo can have energy! I always joke that folk/Americana/bluegrass is just acoustic punk.

I’m an endorsed artist for the Deering Banjo Co. in Spring Valley, CA. They’re an all-American made banjo company owned and operated by the Deering family. H ow d i d V i n n i e & T h e H o o l i g a n s co m e a b o u t ? H av e yo u k n ow n s o m e o f t h e g u ys i n t h e b a n d fo r a lo n g t i m e ? We’re a five piece string band formed in April 2012. At the beginning I only knew Max (mandolin, violin) because we’d grown up and lived together. Max is a barber at Golden Crown in Laguna Niguel, and knew Scotty (accordion), also a barber, at King’s Club in Dana Point. Scotty was cutting Vinnie’s hair one day when Vinnie showed him a four song demo he’d recorded. Scotty immediately knew he wanted to put something together so he called Miguel (upright bass). Vinnie was working at a pub next door to Max’s barbershop when he stopped in and saw a banjo on the wall. Max hadn’t played in years, but said I was learning and in. Vinnie played “Desperate Man” and Max texted me immediately saying, “Pham, you’re playing banjo. Trust me.” I had literally been playing for four months and could barely roll, but I was in the band. After our first practice, we all clicked. One of the hardest things for any band is chemistry, but with the Hooligans, it’s been the easiest thing in the world.

Devil Makes Three, Old Crow Medicine Show, Hank 3, Brown Bird, Avett Brothers, St. Vincent, Cary Ann Hearst from Shovels & Rope… I’m always listening to different music. D o e s p l ay i n g m u s i c pay t h e b i l l s ? w h at i s yo u r day j o b ? “Find the thing you’re most passionate about, then do it on nights and weekends for the rest of your life.” I work in the action sports industry doing finance and accounting for O’Neill clothing which allows me the freedom to play music & travel. i n f lu e n c e s o u t s i d e o f m u s i c ? People who are passionate about what they love. Travel. Being outdoors. Yo u g u ys j u s t r e c e n t ly w e n t o n a to u r w it h M u m fo r d a n d S o n s . H ow wa s it p l ay i n g t h e sa m e to u r w it h t h o s e g u ys ? All I can say is that Mumford and Sons does not mess around. Their production team is next level. I loved seeing Oklahoma, New Orleans, and Florida. It was an amazing and surreal experience for sure. W h o i s t h e H o o l i g a n i n t h e b a n d? a n d W h e n w i l l t h e a l b u m b e r e l e a s e d? Hahah, who knows. Our self-titled album comes out Summer 2014 and we’re thinking of having the release show at the Observatory.

M AT I X C L O T H I N G | S P 1 5

C o p y ri g h t © M ati x C l o t h i n g C o. A l l ri g h t s res er v ed. R epr o d ucti o n o f t h i s c ata l o g i s pr o h i b ite d b y l aw. P h o t o g r a p h y, prices , s h ip d ates a n d i l l u s tr ati o n s i n c l u d ed i n t h i s c ata l o g w ere a s a ccur ate a s p o s s i b l e at t h e time o f pri n ti n g . A l l i n f o rm ati o n i s s u b j ect t o c h a n g e w it h o ut n o tice . M ati x i s a re g i s tere d tr a d em a r k o f Wes t l i f e Di s tri b uti o n U SA , LL C . FO R M O R E I NFO : M AT I X C LO T H I NG . C O M f o l l o w o n i n s ta g r a m : @ m ati x c l o t h i n g f a ce b o o k : f a ce b o o k . c o m / m ati x c l o t h i n g

– 105 –

Wes t l i f e Di s tri b uti o n u s a LL C 2 2 7 E . C o mpt o n B lv d. L o s A n g el es , C A 9 0 24 8 e . i n f o @ w es t l i f ed i s tri b uti o n .c o m p. 3 1 0 . 8 1 8 . 2 3 0 0 | F. 3 1 0 . 8 1 8 . 2 3 5 0

I n t e rv i e w by g a b e c l e m e n t

p h oto by k i n g s to n

who is mike pham

D•O•B 0 4 -3 0 - 8 6

Fit S elect gripper/CONSTRICTOR

I nsta handle @ PHAMUEL

W h o d o yo u c a l l fa m i ly ?

B orn & R aised MI S S ION V IEJO, c a

C urrent H ome LAGUNA HILL S , c a

M AT I X C L O T H I N G | S P 1 5

– 105 –