Hybrid tool Aabstract: “Perhaps the ideal way in which architect can approach the act of drawing is to be unaware that he is actually doing it at all.” Peter Cook drawing: the motive force of architecture, John Wiley & sons Ltd. West Sussex 2008.
Choosing an object and drawing a single drawing that indicate all dimensions, notations, and geometric information related to the object. The method is depicted graphycally and is convet, as much as possible, all dimensional and notation information are necessary for reproduction of object in second part. I developed a method of measurement and translation and employ rigorous geometry to construction drawing. All the construction lines are part of the drawing. The objective is in providing graphical insight into the latent physical qualities of the object. In other words, construct the system at work in the object that are not explicit through its simple representational depiction. Then, we draw more legiblle drawing of the object. It includes; plan view, section and elevation views. these drawing should be realted together and having a connection in layout to describe the object in a best possible way. So, this design combination should introduce several operations such as scale, multiple, array, rotation, mirror, cut, merge and many other possible ways. Then, in the third part we designed a 3dimentional hybrid of the object. there is another toy and these two object should be combine in a most desire way. Objects needs to be evaluated and designed to convey a smooth transition of all parts. In this exercise I learn the analytical thinking and creative production in order to generate an emergent design. Hybrid tool was an in-depth investigation into the fundamental of visual communication through the development of both conventional architectural techniques visual and interpretive skills using a variety of analytical and representational methods. This drawing consisted of 2-D and 3-D components. These components focused on the execution of drawings techniques necessary for the application of those ideas. Drawing wasn’t simply a tool for representation; it was a critical part of the design process. One focus was to blur the line between the design process that generates ideas and the skills necessary to communicate an idea. The multi tool object should not be seen as passive objects, but are to be understood as active systems embedded with potential dynamic mechanisms. In drawing the object, temporal qualities, relationship to the body, morphology, modes of assembly and aesthetic qualities through various drawing methods.
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Visual Studies : Tutor: Software: Weblog:
Tech of Rep 1, Sci-arc, Los Angeles, CA, Fall 2010 Dwayne Oyler, Volkan Alkanoglu Rhino http://goo.gl/w7CV5
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VISUAL STUDIES, SCI-ARC, 2010-12