Architectural Portfolio by Yiyu ZHOU by Yiyu Zhou

ARCHITECTURE PORTFOLIO Yiyu ZHOU

A Collection of Academic Works

Yiyu ZHOU

E D U C AT I O N

Mobile: +86 18519654200

Ta m k a n g U n i v e r s i t y , N e w Ta i p e i , Ta i w a n , N e w Ta i p e i B. Arch. in Architecture September 2014 – June 2019

E-mail: Yiyuzhou123@outlook.com

W a n g C h i - K u n g A r c h i t e c t u r a l D e s i g n A w a r d , Ta m k a n g U n i v e r s i t y ( 2 0 1 7 - 2 0 1 8 )

WORK EXPERIENCE AECOM, Beijing Branch, Beijing Architectural Design Intern September 2019 – November 2019 P a r t i c i p a t e d i n “ H u o y i n g B u i l d i n g C o m p l e x w i t h Tr a n s p o r t a t i o n J u n c t i o n ” p r o j e c t , i n v o l v i n g Majoring

Architecture

Ta m k a n g

process model development and diagram drawing.

U n i ve r s i t y, I h a ve re c o g n i z e d t h e i n t e g r a tion of rationality and sensitivity of this

Used high-tech means such as parametric design to help designers of Architecture Department

subject through systematic education. As a

optimize the building structure.

subject

making

reasonable

judgments

based on creative thinking, ideal architecture brings aesthetic and spiritual satisfaction. At the same time, architecture satisfi e s u s e r s ’ d e m a n d s f r o m m a n y a s p e c t s . Therefore, I would like to continue such

ATA A r c h i t e c t u r e s & P l a n n e r s , B e i j i n g Architectural Design Intern August 2017 – September 2017

devotion as an architect. Hence, I like to appreciate

the

avant-garde

buildings

a l o n g w i t h t h e t r a v e l i n g . I n p a r t i c u l a r, I

Par ticipated in the architec tural design sec tion of Guilin Resor t, designing residential units, drawing graphics, discussing architectural development plans, and making site models.

put much attention to the deserted buildings carrying the memory of many people

Led depar tment interns to complete the landscape design and graphics drawing of Tianjin Emer-

and their potential roles in the future.

ald Avenue, coordinating the daily work and communicating with super visors.

｜HUTONG MEMORY ｜Concept｜Humanity ｜Parametic Model

｜SENSORY REPRODUC TION ｜Urban Sensing｜Environmental Strategy｜Aesthetics Of Violence

｜SERVICE LOOP ｜Data Analysis｜Interior Architecture｜Performance Center

｜UTOPIA FOR FIFT Y PEOPLE ｜Factory｜Resource｜Sustainable Development

｜THE PLANT FAC TORY ｜Transform｜Purification｜Potanical Garden

｜OTHER WORKS ｜Internship｜Hand Drawing｜Rendering

HUTONG MEMORY

4 6

Advisor: Chen-Cheng Chen Year: 2017

The site which I chose is the DongSi district in Beijing, where there are many hutongs. The streets are divided from one to fourteen east hutongs, which is one of the well-preserved hutongs in Beijing.

D u e t o t h e d e ve l o p m e n t o f t h e c i t y, m a ny p e o p l e h a ve m o ve d o u t of the hutongs. Fewer and fewer people live in the hutongs. I h o p e t o fi n d f o u r o l d B e i j i n g e r s ' i m p r e s s i o n s o f H u t o n g t o d e v e l op my design.

1 Pigeonry built by hutong residents

Bicycles that is parked anywhere

Residents look at the bulletin board in front of the public toilet

There are old rickshaws parked beside the street

Cleaners sweep the public toilets in the hutong

Quilts for residents to dry

A place where people gather

The bicycle stopped in front of the construction building

The old people sit in front of the courtyard and chat

Residents keep pigeons in their attics

3 2

T h e fo u r c o n c e p t s a re t r a j e c t o r y, s h a d o w, e x t i n c t i o n , a n d d i s t a n c e.

We h ave b e e n u n a b l e to re t u r n to t h e p re v i o u s c i t y o f B e i j i n g, n o r c a n w e fi n d a s t a t e o f h u t o n g e x i s t e n c e i n t h e p a s t . I j u s t h o p e t h a t through my design, people who once lived in Hutong can recall their wonder ful memories of living here.

1 VIDEO LINK

Dongsi Hutong

EXPLOSIVE VIEW

TOP VIEW

PLAN

ELEVATION

SECTION

EXPLOSIVE VIEW

M any o f t he o r igi n a l l iv in g S p a ces in hu to ng s h ave been co nver ted. The hu to n gs in my me m o r y a re c l ea n, w ith o ut t raffic o r to u r ist s. Peopl e l ik e to p u t their f u r nit u re o uts ide, a n d t h e y l ik e to sit in th e do o r way an d t a l k to their neig h bo r s.

L i steni ng to pi geon whi stles i s an amaz i ng exper i ence. As soon as the pi geon fl i es, people can k now where the pi geon i s. The most i nteresti ng thi ng i s that the d i stance a pi geon fl i es close and f ar can be jud ged by i ts sound.

FOCUS

DISTANCE

EXPLOSIVE VIEW

SECTION

R ic ksh aws u se d to b e t h e m ain e le m e nt in t h e h u to n g alle y. H u to n g alle y is c asc ad e d an d co m p lic ate d, an d r ic h p e o p le u se d to c h o o se r ic ksh aws as t ran sp o r t at io n if t h e y wante d to v isit an d h an d le aff air s.

TRACK

SECTION

EXPLOSIVE VIEW

Th e re are lo t s of B e i j i n g e r s sit t in g u n d e r t he b i g t re e s i n t h e h u to n g to e n joy t h e cool. Th e y sit to g e t h e r to c h at a n d p l ay c h e ss. Th e sh ad ows of t h e t re e s se e m e d to f al l from t h e s k y, cove r in g t h e p e op l e b e l ow.

SHADOW

SECTION

PIGEONRY

CLOTHES HANGER

Co m b i n e t h e co n ce p t s o f d i s t a n ce a n d fo c u s

Co m b i n e t h e co n ce p t s o f s h a d ow a n d d i s t a n ce

Th e re we re o n l y p u b l i c to i l e t s i n t h e h u to n g s, b u t p e o p l e g ave u p t h e i r p r i va c y a n d e n h a n ce d t h e i r re l at i o n s h i p. Pe o p l e w h o ra i s e d p i g e o n s u s e d to b u i l d a l o f t o n t h e ro o f. I h o p e to c re ate a p u b l i c l o f t n e x t to t h e p u b l i c to i l e t .

H u to n g re s i d e nt s l i k e to h a n g t h e i r c l o t h e s i n f ro nt o f t h e i r h o u s e s. Th e c l o t h e s h a n gi n g u n d e r t h e t re e s a re s p e c i a l e l e m e nt s o f t h e h u to n g.

FOCUS

D I S TA N C E

PIGEONRY D I S TA N C E

C LOT H E S H A N G E R SHADOW

AXONOMETRIC

PLAN

SECTION

AXONOMETRIC

PLAN

SECTION

BICYCLE STATION

TEAHOUSE

Co m b i n e t h e co n ce p t s o f t ra c k a n d s h a d ow

Co m b i n e t h e co n ce p t s o f fo c u s a n d t ra c k

Pe o p l e i n t h e n o r t h o f C h i n a a re k e e n o n r i d i n g b i c yc l e s to g o o u t. Th e p o p u l a r i t y o f S h a re d b i k e s a l ways l e a d s to t h e p h e n o m e n o n o f b i c yc l e s b e i n g p a r k e d ra n d o m l y i n h u to n g s.

Te a h o u s e s h ave a s p e c i a l s i gn i fi c a n ce i n B e i j i n g. B e fo re, p e o p l e l i k e d to c h at a n d l i s te n to o p e ra s i n te a h o u s e s. I wa nte d a p l a ce t h at wo u l d re m i n d p e o p l e o f l i fe i n t h e te a h o u s e.

TRACK

FOCUS

B I C YC L E S TAT I O N SHADOW

TEAHOUSE TRACK

AXONOMETRIC

PLAN

SECTION

AXONOMETRIC

PLAN

SECTION

SENSORY REPRODUC TION The Comfor t Women Memorial Hall Advisor: Ying-Chang Yu Year: 2018 As the scale of architecture grows, the number of single buildings based on whole blocks grows, dividing the city under our feet into o n e i s l a n d a f t e r a n o t h e r. T h e s e b u i l d i n g s s t a n d l i k e s c u l p t u r e s i n the city and the meaning of existence in the city changes. Architecture is to ser ve the users inside the building, this argument may no longer be true, we should give the "sculpture" in the city a commemorative meaning, not only to ser ve the users inside b u t a l s o t o a ff e c t t h e p e o p l e a r o u n d . Ta k i n g t h e v i o l e n t a e s t h e t i c fi l m a s t h e s t a r t i n g o f t h e d e s i g n , t h r e e s e n s e s o f w a t c h i n g t h e fi l m a r e d e v e l o p e d , n a m e l y t h e s e n s e of oppression, the sense of suspense, and the sense of panic. I hope to develop space through these three uncomfortable sensor y perceptions and create a memorial space by recreating a sad histor y t h r o u g h u n c o m f o r t a b l e s p a c e . M y fi n a l c h o i c e i s t h e c o m f o r t women museum, which puts the space developed by the concept into the memorial space, to embody violent aesthetics belonging t o t h e c i t y.

KEY WORDS A LT I T U D E

TERROR

APPROACH

STRAITNESS

OPPRESSION It persists and continues to strengthen

PROTOT YPE

MODEL_PROTOT YPE

Imagine a claustrophobic, towering space where the beams of light seem to be squeezed, leaking through the gashed cracks in the walls of the building, creating a sense of oppression for those b e l o w.

The sense of oppression originates from the n a r r o w s p a c e , c r e a t i n g a fi s s u r e l i k e o p e n i n g i n t h e high side, the ground is slightly inclined, like a slice of space, and what I imagine is a corridor composed of multiple slices. People walk ing in the c o r r i d o r a r e u n e a s y, a n d t h e s e n s e o f o p p r e s s i o n i s also gradually increasing.

CONCEPT

MODEL_CONCEPT

The explicit posture formed when the internal space is combined creates a corridor by the space between the volume. The slit in the volume is an opportunity for the external person to see the internal information, and the light through the crack will strengthen the sense of oppression.

When a lot of corridors are combined, it is just like a lot of cracks formed by multiple volumes. The cracks are external space, while the corresponding internal space can create a variety of cracks. The c r a c k s o f d i ff e r e n t s i z e s w i l l a l s o c r e a t e d i ff e r e n t feelings of light.

PROTOT YPE

MODEL_PROTOT YPE

Referring to the movie <rear window >, the information originally blocked by the wall is revealed through the window one by one, the information is incomplete, we need to guess what happened behind it.

The model is made of face -shaped materials. I choose acrylic to spray it with foggy face dots. Each face has a small opening, which causes visual g a z e a n d b a r r i e r l a y e r b y l a y e r, m a k i n g p e o p l e unable to guess what happened behind, to deepen people's suspicion of the internal space.

CONCEPT

MODEL_CONCEPT

The size of the plate as a barrier to information materials, or large or small board for the internal s p a c e b a r r i e r a b i l i t y i s c o m p l e t e l y d i ff e r e n t , w a n t to express the information is not completely blocked, and from the gap or the opening to reveal the feeling.

I m a g i n e a c u t o ff i n t e r n a l s p a c e t o h a v e a n e x p l i c i t a t t i t u d e , l a y e r b y l a y e r c u t o ff, l e t a p e r s o n v a g u e l y k n o w, a n d c a n n o t g u e s s w h a t h a p p e n e d b e h i n d , above the opening is to shape the rear window through the opening staring at the feeling.

PROTOT YPE

MODEL_PROTOT YPE

People are afraid of being imprisoned in a claustrophobic space. They look at the relationship between imprisonment and imprisonment from the third perspective and shape the feeling of this horrible imprisonment in the darkness with the fence symbol.

Monitored and monitoring can be converted into e a c h o t h e r. P e o p l e i n s i d e w i l l n o t k n o w w h e n s o m e o n e o u t s i d e w i l l a p p e a r, w h i c h i s a k i n d o f i r r e g u l a r f e a r. P e o p l e o u t s i d e w i l l n o t k n o w t h e internal scene, which will also generate a kind of f e a r.

CONCEPT

MODEL_CONCEPT

To c r e a t e a s e n s e o f c o n fi n e m e n t i n a n e n c l o s e d space with a window similar to that of a fence d u r i n g c o n fi n e m e n t , l i g h t i s c r u c i a l t o s u c h a claustrophobic space and can create another fence symbol that you want to read.

I want to show that when people walk in an exhibition space, they play the role of prisoners and p r i s o n e r s . W h e n t h e y w a l k i n t o t h e i n t e r i o r, t h e y are the ones being watched. When they walk in upper space, they play the role of monitors.

KEY WORDS SHADOW

S TA R E

INVISIBLENESS

UNKNOWN

SUSPENSE To o b s c u r e i n f o r m a t i o n by means of blocking

KEY WORDS PEACE

EVIDENCE

PA N I C Quick transitions Sharp contrasts

TEMPO

SUDDEN

Anaysis_Oppression

Anaysis_Suspense

The barrier of a layer of glass makes people cannot see clearly and strengthened the s u s p e n s e fe e l i n g.

Anaysis_Panic

MODEL

Wa l k i n g i n s i d e t h e p a v i l i o n , t h e s h a d o w s o n t h e c o v e r e d B r i d g e s fl a s h p a s t , r e i n fo r c i n g the sense of panic.

Copy the comfort station space

Horizontal interference

Position point of chess status

Vertical interference

Massing in chess status

Single dimensional destruction

Behavioral crossing

Visual crossing

Indoor condition

Outdoor condition

Green roof

Botanical district

MODEL

T h r o u g h t h e c o r r i d o r, p e o p l e c a n s e e t h e b e a m o f l i g h t c o m i n g d o w n f r o m a b o v e a n d fe e l t h e s e n s e o f o p p r e s s i o n .

PLAN

BIRD VIEW

SECTION

SERVICE LOOP

Tamsui Community Center Advisor: Chen-Ying Lin Year: 2016 I t r i e d t o p u t a s e r v i c e c i r c u l a t o r y s y s t e m i n Ta m s u i s t r e e t . C o n s i d e r ing the problems of excessive food in the restaurant, too many tourists, and interspersed spatial skills in the old street, it is hoped t h a t t o u r i s t s c a n c o n n e c t d i ff e r e n t s p a t i a l s k i l l s t o a c h i e v e t h e p u r p o s e o f i n c r e a s i n g t h e u s e e ffi c i e n c y. T h e s e r v i c e s y s t e m i s i n s e r i e s w i t h t h e d i ff e r e n t s p a t i a l p r o p e r t i e s , then formed a voluntar y game, after visitors under the MRT station. Fo r e x a m p l e , n e e d t o r e a c h c a f e o n S h a r e d c y c l i n g , d e l i v e r c o ff e e t o the restaurant, the restaurant will provide free to buskers, food s t r e e t p e r f o r m e r s c a n b e c a r r i e d o u t a t a r e s t a u r a n t o r s p e c i a l o ff e r p e r f o r m a n c e t o i n c r e a s e t r a ffi c , a n d s o o n . S e r v i c e s y s t e m i s i n s e r i e s w i t h t h e d i ff e r e n t s p a t i a l p r o p e r t i e s , then formed a voluntary game, after visitors under the MRT station, for example, need to reach cafe on Shared cycling, deliver c o ff e e t o r e s t a u r a n t , r e s t a u r a n t w i l l p r o v i d e f r e e t o b u s k e r s , f o o d s t r e e t p e r f o r m e r s c a n b e c a r r i e d o u t a t a r e s t a u r a n t o r s p e c i a l o ff e r p e r f o r m a n c e t o i n c r e a s e t r a ffi c , e t c .

Per capita resources in Beijing

Restaurants

The proportion of user space used F o r d i ff e r e n t g r o u p s o f p e o p l e , i t i s a s s u m e d t h a t t h e p r o p o r t i o n o f t i m e u s e d f o r e a c h s p a c e b y a s p e c i fi c g r o u p o f p e o p l e . F o r e x a m p l e , i f a l o c a l r e s i d e n t c o m e s

Orgnizations

t o t h e v i s i t o r c e n t e r f o r a n h o u r, h e w i l l s p e n d 2 0 m i n u t e s l e a r n i n g s k i l l s i n classroom.

Religions

SITE

Mixed functions

O R G N I Z AT I O N S R E S TA U R A N TA RELIGIONS

Ser vice Loop Diagram

O p e n i n g h o u r s o f d i ff e r e n t f u n c t i o n s

Increase space according to time

T h e r e i s n o s p e c i fi c o p e n i n g t i m e f o r t h i s v i s i t o r c e n t e r, b u t e a c h p r o g r a m h a s i t s

According to the previous two analysis diagrams, X axis represents the propor-

o w n s p e c i a l o p e n i n g t i m e . A c c o r d i n g t o t h e s t a n d a r d o f 2 4 h o u r s a d a y, e a c h

t i o n o f s p a c e u s e d b y p e o p l e , Y a x i s r e p r e s e n t s t h e o p e n i n g t i m e o f d i ff e r e n t

program plans its own opening time.

p r o g r a m s , a n d Z a x i s r e p r e s e n t s d i ff e r e n t g r o u p s o f p e o p l e .

Service Input

Service Output

CLASSROOM TOURGUIDE T H R AT E R B O O K VA N SECOND-HAND S E L E C T FA I R

Space relationship

Adjust function height according to user

Adjust the size of the space according to the volume ratio

According to the Concept Diagram, a three - dimensional space

Tourists prefer to go to the lower floors, while local residents

According to the area of the site and the local requirements for

is created with the t wo - dimensional diagram.

can go to the higher floors to learn life sk ills, and so on.

building floor area ratio, adjust different space sizes.

PLAN 1F

PLAN 2F

PLAN 3F

SECTION

PLAN 4F

UTOPIA FOR FIFT Y PEOPLE

Resources Visualization Experiment Advisor: Yan-Wen Shao Year: 2018 The capital steel plant located in Beijing has been abandoned for 15 years. I obser ved the site and chose to transform the most landmark building in it, intending to design this factory which had caused pollution of the environment into an environmentally friendly building. I n t h e b l a s t f u r n a c e o f s t e e l - m a k i n g i n a i r p u r i fi c a t i o n d e v i c e , c o n t r o l t h e a m o u n t o f g a s p u r i fi c a t i o n r e c y c l e d a i r, t h e c l e a n a i r j u s t u s e d fi f t y p e o p l e u s e o f t h e s p a c e , t o i m p l e m e n t c l e a n a i r c o n s u m p t i o n and consumption activities of a dynamic balance. The space used by 50 people is the epitome of the whole city of Beijing, and the steelmak ing blast furnace is the epitome of the capital steel plant. The purpose of this experiment is to achieve a b a l a n c e b e t w e e n a i r p u r i fi c a t i o n a n d t h e c o n s u m p t i o n o f c l e a n a i r i n the whole city of Beijing. Pe o p l e h a v e a d j u s t e d t o t h e f a s t - p a c e d l i f e , w h i c h m a k e s p e o p l e f e e l less about the number of resources they own and utilize. When using this space, users learn about the number of resources they own or consume using the visual representation of resources.

Beijing's per capita area is 762 square meters E X P LO R E 5 F

Beijing's per capita cultivated area is 106 square meters

Beijing's per capita green area is 16.2 square meters Polluted air

E X P LO R E 4 F

Beijing's per capita housing area is 31.7 square meters

Clean air

SECTION

The housing area of a family of six is 190.2 square meters

Beijing has 200 cubic metres of water per person

E X P LO R E 3 F

Beijing uses 173.2 liters of water per person per year

Beijing emits 10 carbon per person

tons

PLAN 1F

E X P LO R E 2 F

PLAN 2F

PLAN 3F

PLAN 4F

PLAN 5F

The controlled air filtration system cleans

People can see the transparent pool on the

Af ter the t wo - child polic y, the per capita

Up to the third floor is a 10-meter-high botanical

From the four th floor to the fif th floor, people can

exac tly the same amount of CARBON dioxide

second floor, which contains 200 cubic meters

housing area in Beijing is 31.7 square meters,

park with a boundar y of 762 square meters,

clearly

per hour as 50 people produce in an hour

of water, the amount of water per capita in

with 190.2 square meters on the second floor,

which is the area per capita in Beijing.

reduc tion. There is a small green space in the

Beijing.

which is the living area of a family of six.

feel

the

contrast

caused

space

atrium, covering an area of 16.2 square meters, which is the green area per capita in Beijing.

THE PLANT FAC TORY Transformation from Factor y to Botanical Garden Advisor: Yan-Wen Shao Year: 2018 We a l l l i k e t o d r a w o n a b l a n k p a g e b e c a u s e i t a l l o w s u s t o c r e a t e w i t h f r e e w i l l . H o w e v e r, t h e c i t y w e l i v e i n i s n o t a b l a n k p a g e , t h e page of the city contains countless points and lines that mark the life o f t h e p a s t a n d t h e d e v e l o p m e n t p r o g r e s s o f t h e c i t y. T h e s e m a r k s a r e p r i c e l e s s t o t h e c i t y, b u t s u ff e r i n g f r o m m a n y a c t i o n s of demolishing. I do not agree with the idea of always pursuing the 'newest' in city development. In my opinion, an ideal city is to maintain the histor y and development progress of a city by integrating t h e o l d a n d t h e n e w. A s f o r t h i s p a g e o f B e i j i n g , t h e C a p i t a l S t e e l Fa c t o r y l o c a t e d i n t h e Shijingshan district, western Beijing, is one of the most impor tant m a r k s . 1 0 0 y e a r s a g o, t h e g o v e r n m e n t o f B e i y a n g e s t a b l i s h e d t h i s s t e e l f a c t o r y. D u r i n g 1 9 5 8 , t h e f a c t o r y l a r g e l y e x p a n d e d w i t h t h e r i g i d d e v e l o p m e n t o f t h e s t e e l i n d u s t r y.

OLD WALL

OLD FAC TORY

Step_02 The factory was torn down, leaving its original structure

WORKSHOP

Step_04 Distribution map of heavy metal pollutant zinc

Step_06 Turn polluting factories into plant plants

SHABBY HOUSE

REMINED CONLUMNS

Step_01 Former factory

Within 1 year

Step_03 The pillars and pits are the points and lines on the site

1-5 year

Step_05 Distribution map of heavy metal pollutant cadmium

5-10 year

15 year

WEST HILL YONGDING RIVER Step_01. Excavate and gather the contaminated soil.

CHANG’AN STREET OLD FACTORY OLD WALL

Step_03. Plant certain types of vegetation that has the ability of absorbing heavy metal.

Step_05. The first round of purifying is complete and the rain washes away the contamination into a pond.

This system requires a spatially stepping distribution of the parterres ponds and containers.

NEW PLAN

TO BE DECIDED

Beijing is suffering from dust storms because of the infertile land. Air-filled with particulate matter darkens the sky. In the past heavy industry has caused too much air pollution.

Step_02. Implement parterre on the concrete and insert the stirred soil

Step_04. The clean soil grows the plant for the botanical park.

Step_06. Absorbed by aquatic plant the purified water goes down to the rebuild container.

I hope to create a large scale botanical park open to the public, to fight against the fact that the site was once the reason for the pollution, in order to achieve the green reformation of the industrial land.

Step.01_ Site status

Step.02_ Divided into six areas according to the texture

Step.03_ Break existing texture

Step.04_ Put the programs

Flower Market

Green House

Step.05_ Raise the ground

Step.06_ Arrange the waters

Step.07_ Place the path

Corner of Tronpical Garden

Reading Time

Corner of Temperate Garden

Shadow on Water Bank

Walk on Bontanical Garden

View of Watching Birds

Step.08_ Bird-watching platform

SUMP

GRASSLAND

MASSING

WATER

PATH

PLATFORM

Temperate Botanical Garden

Civic Plaza

Atrium Garden

Water Bank Garden

Tropical Botanical Garden

Botanical Garden Plaza

Flower Market

Bird Watching Trial

7 1 7

M 0

Wetland Shrub

Deciduous

Irrigation Reservoir

Coniferous

Shrub

Deciduous

Coniferous

2020 Shrubs can absorb heavy metal pollutants and use bioremediation to improve the soil over a ten-year period. After bioremediation is complete, the original shrubs can be removed and ornamental plants can be planted.

2025

2030

BIRD VIEW

2035

2040

F i v e y e a r s l a t e r, t h e o r i g i n a l f a c t o r y fl o o r w a s fi l l e d w i t h s o i l t h a t w a s b e i n g p u r i fi e d a n d p l a n t e d w i t h s h r u b s t h a t c o u l d a b s o r b z i n c a n d c a d m i u m . Wate r i s t ra n s p o r te d ove r t h e o r i gi n a l f a c to r y s t r u c t u r e t o a c h i e v e i r r i g a t i o n w a t e r c i r c u l a t i o n p u r i fi c a t i o n .

Te n y e a r s l a t e r, s o i l r e m e d i a t i o n w a s i n i t i a l l y c o m p l e t e d , a n d ornamental plants began to be planted in areas originally planted with shrubs.Roads and bird-watching platforms designed for t o u r i s t s a r e b e g i n n i n g t o a p p e a r.

F i f t e e n y e a r s l a t e r, t h e a r b o r e t u m w a s c o m p l e t e d . T h e r e a r e t w o plant greenhouses in the central square and an outdoor botanical garden with a variety of ornamental plants.

OTHER WORKS Internship experience

ATA A R C H I T E C T S & P L A N N E R S Guilin Resort Ye a r : 2 0 1 6 Contribution: 3D modeling, drawing

25 Mins The center of Guilin

35 Mins 20 Km

10 Km

SITE

30 Mins

60Km to Yangshuo

AXONOMETRIC On considering about the design of Guilin Resor t, we wanted to design three t ypes of housing. As an internship, I was

We used the concept of Diaojiao housing, creating a open space in the first floor. The owner could use the space as a park . and we wanted to creat a connec tion bet ween all owners. Therefore, there will be some public space to connec t houses, and

responsible for the housing named “ The Lof t ”.

people could have some ac tivities on it.

“ The Loft” The site is surrounded by hills, with a maximum height difference of about 160 meters.Most of the hills have steep slopes, and a few of them have low and gentle elevation differences, which can be used for charac teristic construc tion.

PLAN

SECTION

OTHER WORKS Hand drawing

I n t h e s e c o n d y e a r, I c o m p l e t e d t h e d e s i g n o f t h e v i s i t o r c e n t e r, K I O S K , h o u s e a n d c o m m u n i t y a c t i v i t y c e n t e r, a n d a l l t h e d e s i g n results were expressed by hand painting.

OTHER WORKS Photography

I use my vacation time to travel, I like to experience new things while traveling, and I love to take pictures of buildings that surprise me and natural scener y that move me.

OTHER WORKS Rendering

I like to do some scene renderings in my spare time, which can enhance my graphic expression ability and enhance my rendering skills.