مجلة الخياط - العدد الرابع

‫ﻣﻛﺗﺑﺔ‬ ‫اﻟﺧﯾﺎط‬ ‫اﻻﻟﻛﺗروﻧﯾﺔ‬ ‫ﻟﻠطﺑﺎﻋﺔ‬ ‫و اﻟﻧﺷر‬

‫ﻣﺟﻠﺔ اﻟﺧﯾﺎط‬ ‫اﻟﻌدد اﻟراﺑـﻊ‬

‫رﺋﯾس اﻟﺗﺣرﯾر‬ ‫اﯾﺎد اﻟﺧﯾﺎط‬

‫ﻧوﻓﻣﺑر ‪٢٠١٦‬‬

‫) ‪#‬ﺇﻋﺎﺩﺓُ_ﺗﺩﻭﯾﺭ ( ‪.‬‬ ‫ٌ‬ ‫ﺍﻟﺣﯾﺎﺓُ‬ ‫ﻣﻠﯾﺋﺔ ﺑﺎﻟ ﱠ‬ ‫ﻭﺍﻷﺣﺟﺎﻡ ﺃﯾﺿﺎ ً ‪،-‬‬ ‫ﻑ ‪ -‬ﺑﻝ‬ ‫ﺷﺭﺍﺋﻁِ ﺍﻟﺗﻲ ﺗﺧﺗﺯﻝ ُ ﺑﺩﺍﺧﻠﻬﺎ ﺫﻛﺭﯾﺎﺕُ ﺍﻟﺣﯾﺎﻩ‪ ،‬ﻣﻥ ﺷ ﱠﺗﻰ ﺍﻷﻟﻭﺍﻥ ﻭﺍﻷﺻﻧﺎ ِ‬ ‫ِ‬ ‫ﺇﺩﺍﺭ َﺗ ُﻪ ‪ -‬ﻛﻣﺎ َﯾﺣﻠﻭﺍ ﻟﻪ ‪ ،-‬ﺑﺗﺿﺎﺭﺑِﻬﺎ ھﺫﺍ‬ ‫ﺗﺗﺻﺎﺭ ُﻉ ﺍﻟ ﱠﺗﻔﺎﺻﯾﻝَ ُﻛﻝ ٌ ﯾﺑﺗﻐﻲ ﺃﻥ ُﯾ‬ ‫ﺳﯾﻁﺭ ﻋﻠﻰ ﺻﺩﺍﺭ ِﺓ ﺍﻟ َﻣﺷﻬ ِﺩ ﻟﯾﺗﺳﻧﻰ ﻟﻪ َ‬ ‫َ‬ ‫َ‬ ‫ﺻﻭﺍﺏ ﺍﻟﻘﺭﺍﺭ‪َ ،‬ﻧﻌﻡ‬ ‫ﺃﻋﺟﺯ ﻋﻥ‬ ‫ﺍﻟﺗﻔﻛﯾﺭ ﻟﺩﯾﻙ ﻓﺗﺻﺑ َﺢ‬ ‫ﻛﺛﯾﺭﺍً ﻣﺎ ُﺗﻐﻠﻕُ ﻋﻠﻰ َﺣ ﱢﯾ ِﺯ‬ ‫ِﻛﺭ ٍﺓ ﻋﻥ َ‬ ‫ﺍﻟﺗﻔﻛﯾﺭ ﺃﻭ َﺣ ﱠﺗﻰ ﺇﻣﺗﻼﻙِ ﺃﺩﻧﻰ ﻓ َ‬ ‫ِ‬ ‫ِ‬ ‫ﺍﻟﺿ ُ‬ ‫ﺳ َﺅﺍﻝ ُ ) ﺣﺗﻰ ﻣﺗﻰ ( ؟‪.‬‬ ‫ﺃﻛﺛﺭ ﻣﺷﺎھ ِﺩ ﺣﯾﺎﺗﻧﺎ !‪ ،‬ﻟﯾﺑﻘﻰ ﺍﻟ ﱡ‬ ‫ﻑ َ‬ ‫ﺑﺎﺑﯾﺔ ‪ -‬ﺍﻟﺗﻲ ُﺗﻐﻠﱢ ُ‬ ‫ھﻲ ﺑﻌﯾﻧِﻬﺎ ‪ -‬ﱠ‬ ‫ﻁﯾﯾﺭ ِﺣ ﱠﺑﺎﺕ ﺍﻟ َﻌ َﺩﺱ ﺩﺍﺧﻝ ﺍﻟﻭﻋﺎء ﻟﺗﺗﺑﺎﺩﻝ َ ﺍﻷﺩﻭﺍﺭ ﺑﯾﻧﻬﺎ‪ ،‬ﺍﻟﻠﻲ ﻓﻭﻕ َﺗﺣﺕ‬ ‫ﻛﺛﯾﺭﺍً ﻣﺎ ﻛﺎﻧﺕ ﺃﻣﻲ ُﺗﺩھُﺷﻧﻲ ﺏ ِ​ِ◌ﺣ َِﺭﻓ ﱠﯾﺔ َﺗ ِ‬ ‫ﻁﻥ ﻣﻥ ﺃﻋﻠﻰ‬ ‫ﻭﺍﻟﻠﻲ َﺗﺣﺕ ﻓﻭﻕ ‪ -‬ﻟﺗﻧﻛﺷﻑ َ‬ ‫ﺍﻟﺣ ﱢﺑﻪ ﺍﻟﻣﺳﻭﺳﻪ ‪ ، -‬ﻭﻟﯾﺱ ﺑﻌﯾﺩﺍً ﺍﻟ َﻣﻧﺟﻝ ﺍﻟﺫﻱ ﺗﺗﻁﺎﯾﺭ ﺑﻪ ﻛﺗﺎﺋﻝ ُ ﺍﻟﻘُ ِ‬ ‫ﺗﺗﺭﺍﺹ ﺗﻠﻙ ﺍﻟ ُﻛ َﺗ ِﻝ ﻭﻻ ﺗﻧﻔﺵ ﺩﺍﺧﻝَ ﺍﻟﻠﱢﺣﺎﻑ ﻭﺍﻟﻭﺳﺎﺩﺓ‪.‬‬ ‫ﻷﺳﻔﻝ َ ﻋﻠﻰ َﯾ ِﺩ ﺍﻟ ُﻣﻧ ﱢﺟﺩ‪ ،‬ﺣ ﱠﺗﻰ‬ ‫ﱠ‬ ‫) ﻧﺻﻠﻲ ﻋﻠﻰ ﺍﻟﺣﺑﯾﺏ ( ‪.‬‬ ‫ﺃﺣﯾﺎﻧﺎ ً ُﻛﻝﱠ ﻣﺎ َ‬ ‫ﺳﺎح ﺍﻟﻔﻛﺭ ﺍﻟ ُﻣﺗﺟﺩﺩ‬ ‫ﻟﺗﻌﻣﯾﻡ ﺍﻟﻔﺎﺋﺩﺓ‪ ،‬ﺳﯾﻣﺎ ﻓﻲ ﺳﺎﺣﻧﺎ ھﺫﻩ )‬ ‫ﯾﻠﺯ ُﻣ َﻙ ﻗﻠﯾﻼً ﻣﻥ ﺍﻟ ﱠﺗﺩﻗﯾﻕ ﻭﺍﺳﺗﺧﻼﺹ ﺍﻟﻧﺗﺎﺋ َﺞ‬ ‫َ‬ ‫ِ‬ ‫(‪.‬‬ ‫ﺗﺩﺍﻭﻟِﻧﺎ ﻟﻬﺎ ﺃﻧﺳﺗﻧﺎ ﺍﻟﻠﻔﻅ ﺍﻟ ُﻣ َﻌ ﱢﺑ َﺭ ﻋﻧﻬﺎ‬ ‫ﻟﺳﺕُ ﺃﻋﻠ ُﻡ‬ ‫ﻣﺻﺩﺭ ﻛﻠﻣﺔ ) ﺍﻵﺩﻣﻥ ( ﻓﻲ ﻗﺎﻣﻭﺱ ﻟﻐﺗﻧﺎ ؟‪ ،‬ﺃﺧﺎﻝ ُ ﺃﻥﱠ ﻛﺛﺭ َﺓ ُ‬ ‫َ‬ ‫)ﺍﻟﻣﺳﺅﻭﻝ‪ (controle /‬ﻭﻣﻥ ﺃﻭﻟﻰ ﺍﻟﻣﻬﺎﻡ ﺍﻟﺗﻲ ﺗُﻧﺎ ُﻁ ﺑﻪ ‪ -‬ﺗﺭﺗﯾﺏ ﺍﻷﻭﺿﺎﻉ ‪ -‬ﻭھﺫﺍ ﻣﺎ ﻧﻔﺗﻘِﺩُﻩ ﻓﻲ ﺳﺎﺣﺎﺗﻧﺎ ﺍﻟﻔ َ‬ ‫ِﻛﺭﯾﺔ‪،‬‬ ‫ِ‬ ‫َ‬ ‫ﱠ‬ ‫ﻧﺹ َﯾﻌﻠﻭﺍ‬ ‫ﺇﻅﻬﺎﺭﻩُ ﻟﻠﻌﯾﺎﻥ‪،‬‬ ‫ﺍﻷﻋﻣﺎﻕ ھﯾﻬﺎﺕ ◌َ ﻟﻣﻥ ُﯾﻌﯾ ُﺩ‬ ‫ﯾﻐﻭﺹ ﻓﻲ‬ ‫ﺹ ﺍﻟﺫﻱ‬ ‫ﺹ !‪ٌ ،‬‬ ‫ﺹ ﻭ َﯾﻌﻠﻭﻩُ ﻧ ٌ‬ ‫ﯾﻐﻭﺹ ﺍﻟﻧ ﱠ‬ ‫ُ‬ ‫َ‬ ‫ُ‬ ‫ﻓﺎﻟ ﱠﻧ ﱡ‬ ‫ِ‬ ‫ﺳﻥ ﺗﻘﺩﯾﻡ ﺍﻟﺣﺭﻑ ﻟﻠﻘﺎﺭﺉ‪ ،‬ﺍﻟﺣﻔﺎﻅ ﻋﻠﻰ ﻛﯾﻧﻭﻧﺔ ﺍﻟ ﱠﻧﺹ‬ ‫ٌ‬ ‫ﻭﻧﺹ ُﯾﻌﻠﻰ ) َﻣ ِﻥ ﺍﻟﻣﺳﺅﻭﻝ ﻋﻥ ﺍﻋﺎﺩﺓ ﺗﺩﻭﯾﺭ ﺍﻟ ﱠﻧﺹ‪ ،‬ﻋﻥ ُﺣ ِ‬ ‫ﻭﺟﻣﺎﻝ ﺍﻷﺳﻠﻭﺏ ﺍﻟﺫﻱ ُﻛﺗﺏ ﺑﻪ ( ؟‪.‬‬ ‫) ﺃﺻﻠﻲ ﻋﻠﻰ ﺭﺳﻭﻝ ﷲ ( ‪.‬‬ ‫ﺑﻌﺽ ﻣﺳﺅﻭﻟﻲ ﺍﻟﻣﺟﻼﺕ‪ ،‬ﻋﻠﻰ ﺍﻋﺗﺑﺎﺭ ﻋﺩﻡ ﻗﺭﺍءﺗﻬﻡ ﻟﻣﺎ‬ ‫ﺃﺳﺗﻐﺭﺏ ﻣﻥ ِﺣ ﱠﺩ ِﺓ ﺍﻟﻬﺟﻣ ِﺔ ﺍﻟﺷﺭﺳ ِﺔ ﺍﻟﺗﻲ ﺗ‬ ‫ﻌﺻﻑ ﺑﺎﻟﻛ ﱠﺗﺎﺏ ﻣﻥ ِ‬ ‫ُ‬ ‫ُ‬ ‫ﺍﻟﺟﻣﻬﻭﺭ ﺍﻟﻌﺭﯾﺽ‪ ،‬ﺍﯾﻥ ﺍﻵﻻﻑ ﺍﻟﻣﺅﻟﻔﻪ ﻣﻥ ﺍﻋﺩﺍ ٍﺩ ُﺗﺯ ﱢﯾﻥُ ﺻﺩﻭﺭ ﺃﻏﻠِﻔﺔ ﺍﻟﻣﺟﻼﱠﺕ ‪ ،-‬ﺍﻡ ﺍﻥ‬ ‫ﺣﺑﺭ ﺃﯾﺩﯾﻬﻡ ) ﺃﯾﻥَ‬ ‫ُﯾ ُ‬ ‫ِ‬ ‫ﻛﺗﺏ ﻣﻥ ِ‬ ‫ﺏ ﻭﯾﻘﺭﺃ ﺑﻧﻔﺱ ﺍﻟﻭﻗﺕ( ؟! ‪.‬‬ ‫ﺏ ﺃﻥ َﯾﻛ ُﺗ َ‬ ‫ﺍﻟﻛﺎﺗﺏ ُﻣﻁﺎﻟ ٌ‬ ‫)ﺑﻧﻅﺭﻱ ﺃﻥﱠ ﺩﻻﻝ ﺍﻟﺟﻣﻬﻭﺭ ‪ /‬ﻭﺗﺭﺍﺧﻲ ﺍﻵﺩﻣﻥ ﻋﻥ ﺍﻟﻘﯾﺎﻡ ﺑﻭﺍﺟﺑﻪ ﺗﺟﺎﻩ ﺍﻟﺣﺭﻑ ﺍﻟﺫﻱ ﺗﺑﻧﻰ ﺭﻋﺎﯾﺗﻪ( ھﻣﺎ ﺍﻟﻣﺳﺅﻭﻻﻥ‬ ‫ﻋﻥ ﻏﯾﺎﺑﺎﺕ ﺍﻟ ُﺟﺏ ﺍﻟﺗﻲ ُﯾﺳﺩﻝ ُ ﻓﻲ ﺃﻋﻣﺎﻗﻬﺎ ﺑﺭﯾﻕُ ﺍﻟﺣﺭﻑ ﻭﺭﻭﻧﻕُ ﻓﺣﻭﺍﺍﺍﻩ‪ ،‬ﻓﺎﻟﺟﻣﻬﻭ ُﺭ ﻟﯾﺱ ) ﻛﺷﺎھﺩ ﻣﺎ ﺷﺎﻓﺵ ﺣﺎﺟﻪ‬ ‫(‪ ،‬ﻭﺇﻻﱠ َﻓﻠﻣﺎﺫﺍ ﺍﻹﻧﺿﻣﺎﻡ ؟ ‪ -‬ﺇﻥ ﻟﻡ ﯾﻛﻥ ﻟﻠﺗﻔﺎﻋﻝ !‪ ،‬ﻭﺍﻟﻣﺳﺅﻭﻝ ُ ‪ -‬ﻟﯾﺱ ﺳﻣﺳﺎﺭﺍ ‪ -‬ﯾﺗﻘﺑﻝ ﺍﻟﺣﺭﻑ ﺛ ﱠﻡ َﯾﺿ َﻌ ُﻪ ‪ ،! -‬ﻟﻁﺎﻟﻣﺎ‬ ‫ﺍﻟﺣﺭﻑ ﺑﺗﺳﻁﯾﺭﻩ ‪ ..‬ﺑﺑﻠﻭﺭﺗﻪ ‪ ..‬ﺑﺗﺯﯾﻥ ﺗﺭﺍﺻﻪ‪ ،‬ﻋﻠﻰ ﺣﺳﺎﺏ ﻭﻗﺗﻪ‬ ‫ﺏ ُﯾﺑﻬ ُﺞ‬ ‫ﺗﺻﺩﱠ َﺭ ﻣﺷﻬ َﺩ‬ ‫َ‬ ‫ﺍﻟﺣﺭﻑِ‪ ،‬ﻓﺎﻟﻛﺎﺗ ُ‬ ‫ﺍﻹﺷﺭﺍﻑ ﻋﻠﻰ َ‬ ‫َ‬ ‫ﺃﺟﺭ ﷲ ﺃﺳﻣﻰ ﻣﻥ ﺃﺟﺭ ﻋﺑﯾﺩﻩ‪ ،‬ﺃﻭ ﺣﺗﻰ ﺛﻧﺎءھﻡ‬ ‫ﻭﻅﺭﻭﻓﻪ ﻭﺣ ﱠﺗﻰ ﻧﻭﻣﻪ‪ ،‬ﻭھﻭ ﻓﻲ ﺃﻏﻠﺏ ﺃﺣﻭﺍﻟﻪ ﻻ ﯾُﺅﺟ ُﺭ ﻋﻠﻰ ﺫﻟﻙ‪ ،‬ﻹﻥﱠ َ‬ ‫!!‪.‬‬ ‫ﺍﻟـﻛﺎﺗﺏ ﺍﻟﺭﺍﻗﻲ‬ ‫ﺣـﺳﺎﻡ ﺍﻟـﻘﺎﺿﻲ‪..‬‬

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‫ﻧﺻﻭﺹ ﺷﻌﺭﯾﺔ‬

‫ﺇﻏﺗﻔﺭ‬

‫ﺣﯾﻥ ﯾﺣﺗﺭﻕ ﻗﺻﺏ ﺍﻟﺭﻭﺡ‬

‫ﻟﻠﺷﻭﻕ ﺗﻧﻬﯾﺩﺓ‬

‫ﻭﻓﻭﻗِﻬﺎ‬

‫ﺗﺗﺻﺎﻋﺩ ﺃﻻﻑ ﺍﻟﻧﺟﻭﻡ‬

‫ﻭھﺩھﺩﺓ ﻣﺗﺧﻠﺧﻠﺔ ﺍﻷﻋﯾﻥ‬

‫َ‬ ‫ﺗﺳﺧﺔ‬ ‫ﺣﺭﻭﻓﻲ ﺍﻟ ُﻣ‬

‫ﻭﺗﺗﺳﺎﻗﻁ ﺍﻟﺷﻬﺏ‬

‫ﺷﺣﯾﺢ ﺣﻠﻡ ﯾﺄﺑﻰ ﺍﻟﺗﺧﺿﻊ‬

‫ﻣِﻥْ ُﻏﺑﺎﺭ ﺍﻟﺳﻧﯾﻥْ‬

‫ﻗﻁﺭﺍﺕ ﺩﻣﻭﻉ‬

‫ﺍﻟﻌﯾﻥ ﺣﺻﺎﺓ‬

‫ﻭﺍﻟﻭﺟﻊ ﻭﺍﻷﻧﯾﻥْ‬ ‫َ‬

‫ﻭﺑﺎﻗﻲ ﺍﻷﻋﯾﻥ ﻟﯾﻥ ﻧﻬﺭ‬

‫ﻭﺃﺣﻼﻣﻲ ﺍﻟ ُﻣ َ‬ ‫ﻌﻠﻘﺔ‬

‫ﻓﻲ ﻣﺭﺁﺓ ﻋﯾﻧﻲ‬

‫ﻣﺎﺫﺍ ﯾﻔﻌﻝ ﺍﻟﻌﺳﻝ ﻣﻊ ﺻﻠﺏ ﺍﻟﺯﻧﺟﺑﯾﻝ‬

‫ﺃﻧﺎ ﻓﺎﻗ ٌﺩ ﻟﻠﺣﯾﺎ ْﺓ‬

‫ﻛﺎﻧﺕ ﻋﺎﺭﯾﺔ‬

‫ﺍﻟﻁﻣﺄﻧﯾﻧﺔ ﺧﺭﺱ ﻟﺳﺎﻥ ﻣﻧﺫ ﺍﻟﻭﻻﺩﺓ‬

‫ﺃﻧﺎ ﺫِﻛﺭﻯ‬

‫ﻻﻣﺳﺗﻬﺎ ﺍﻟﺭﯾﺢ‬

‫ﺃﻧﺎ ﺍﻟﺫﻱ ﯾﺑﺣﺙ ﻓﻲ ﺍﻟﺗﯾﻪ ﻋﻥ ﺍﻟﺗﯾﻪ‬

‫ﻛﺑﺎﻗﻲ ﺍﻟﺫﻛﺭﯾﺎﺕْ‬

‫ﻓﺄﺭﺗﺩﺕ ﺛﻭﺏ ﺍﻟﺧﺩﯾﻌﺔ‬

‫ﺍﻧﺎ ﺍﻟﺫﻱ ﺿﯾﻊ ﺃﻛﺛﺭﻩ‬

‫ﻭﺃﺣﻼﻣﻲ‬

‫ﻑ ﺭﺍھﻥ ﻋﻠﻰ ﺑﻘﯾﺗﻪ ﻣﻘﺎﺑﻝ ﺍﻟﺻﻔﺭ‬

‫َ‬ ‫ﺣﺗﺭﻗﺔ‬ ‫ﺑﺎﺗﺕْ ُﻣ‬

‫ﺍﻟﻌﺗﻣﺔ ﺍﻟﺗﻲ ﺃﺭﺗﻭﺕ‬

‫ﺍﻟﺻﻔﺭ ﻣﻘﺎﺑﻝ ﺍﻟﻭﺍﺣﺩ‬

‫ﺡ ُﺗﺅﻟﻣﻧﻲ‬ ‫ﺟﺭﺍ ٌ‬

‫ﻣﻥ ﺿﻭء ﺭﻭﺣﻲ‬

‫ﺭھﺎﻥ ﻣﻘﺑﻭﺿﺔ ھﻲ ﺍﻷﻣﻧﯾﺎﺕ‬

‫ﻻ ﺗﺭﺿﻰ ﺃﻥ ﺗُﻔﺎﺭﻗﻧﻲ‬

‫ﺭﻗﺻﺕ‬

‫ﺍﻟﺗﺟﻠﻲ ﻏﺎﯾﺔ ﻧﺣﻭ ﺑﺩﺍﯾﺔ ﺃﺑﻭﺍﺏ ﻣﺩﻣﻥ ﺍﻟﺣﺭﯾﺭ ﻭﺍﻟﯾﻭﻡ ﺃﺻﺑﺣﺕْ ُﻣ ْﻧ َﻔﺗ َ‬ ‫ِﻘﺔ‬

‫ﻋﻠﻰ ﺯﯾﺕ ﺍﺣﺗﺭﺍﻗﻲ‬

‫ﺍﻟﻌﺑﺛﯾﺔ ﺣﻣﺎﻗﺎﺕ ﺑﻼ ﺟﺩﻭﻯ‬

‫ﺃﺣﻣﺩﺍﻟﻌﺑﺎﺩﻱ‬ ‫َ‬ ‫ٌ‬ ‫ﻭﻭﺭﻗﺔ‬ ‫ﻭﺩﻣﻌﺔ‬ ‫ﺃﻧﺎ‬

‫ﻭﺭﻛﻝ ﺍﻟﺣﺻﺎﺓ ﻓﻲ ﻛﻝ ﻁﺭﯾﻕ‬ ‫ﺗﻔﺎﺟﺅﻧﺎ ﺍﻻﺳﺋﻠﺔ‬

‫ﺍﻟﻌﺑﺛﯾﺔ ﺃﺧﻔﺎء ﺍﻟﺧﺳﺎﺭﺍﺕ ﺑﻁﺭﻕ ﻣﺗﻌﺩﺩﺓ‬

‫ﻓﻧﻣﻁﺭ ﺍﺟﻭﺑﺔ ﺧﺭﺳﺎء‬

‫ﻙ ﻗﻬﻘﻬﺔ ﺑﺩﻭﻥ ﻣﻌﻧﻰ‬ ‫ﻙ ﺗﺩﺧﯾﻥ ﺧﻣﺱ ﺳﻛﺎﺋﺭ ﺩﻓﻌﺔ ﻭﺍﺣﺩﺓ‬

‫ﻛﺎﻅﻡ ﺍﻟﻣﯾﺯﺭﻱ‬

‫ﻙ ﺷﺭﺏ ﻋﺻﯾﺭ ﻭﺳﻁ ﺣﺯﻥ ﺍﻟﻣﺂﺗﻡ‬

‫ﯾﻼﻗﻲ ﻋﯾﻭﻧﻲ‬

‫ﻙ ﺗﻣﻧﻲ ﺍﻟﻬﺏ ﺑﯾﺎﺽ ﺑﻠﻌﺑﺔ‬

‫ﺭﺑﯾﻊ ﺍﻟﻠﯾﺎﻟﻲ‬

‫ﻭﺃﻧﺕ ﺑﺣﺎﺟﺔ ﺍﻟﻰ ﺍﻝ ‪٦‬‬

‫ﻣﻛﺎﻧﻲ ﺳﯾﻬﺭﺏ‬

‫ﺇﻏﺗﻔﺭ‬

‫ﻟﻭﻧﺎ ﻭ ﻟﻭﻧﺎ‬

‫ﻓﺑﻌﺽ ﺍﻟﺷﻭﻕ ﺣﻣﻕ ﻣﺭﺍھﻘﺔ ‪.‬‬

‫ﺍﯾﺎﺩ ﺍﻟﺧﯾﺎﻁ‬

‫ﺻﺩﺍﻡ ﻏﺎﺯﻱ ﻣﺣﺳﻥ‬

‫ﺍﻻﻁﺭﺍﻑ‬

‫ﺩﻭﻥ ﺍﻟﺗﺯﺍﻣﺎﺕ‬

‫) ﺍﯾﺎﺩ ﺍﻟﺧﯾﺎﻁ‬

‫ﻭ ﺣﺱ‬ ‫ﺑﺎﻟﻣﺳﺅﻭﻟﯾﺔ‬

‫ﺍﯾﻥ ﺍﻟﻣﺎﺿﻲ‬ ‫ﻣﺗﻰ ﯾﻌﻭﺩ‬ ‫ﯾﺣﻛﻲ‬ ‫ﻗﺻﺹ ﺍﻻﻁﻔﺎﻝ‬ ‫ﺑﻧﻌﻭﻣﺔ‬ ‫ﺑﺭﻗﺔ‬ ‫ﺩﻭﻥ ﺗﻬﻣﯾﺵ ﺍﻻﻁﺭﺍﻑ‬

‫ﺑﺩﺃﺕ ﺍﺧﺎﻑ‬ ‫ﻋﻠﻰ ﺍﻟﺫﻱ‬ ‫ﯾﺭﺛﻧﻲ‬ ‫ﺍﻻ ﯾﺭﺙ ﺍﺩﺑﻲ‬ ‫ﻭ ﺛﻘﺎﻓﺗﻲ‬ ‫ﻟﻭ ﺍﻥ ﻁﯾﺭﺍ ﻟﻡ‬ ‫ﯾﺣﻠﻕ ﺍﻟﻰ‬ ‫ﺍﻟﻔﺿﺎء‬

‫ﺍﻻﻁﻔﺎﻝ ﯾﻔﻘﺩﻭﻥ ﺣﺭﻭﻓﺎ ﻛﯾﻑ ﯾﺣﻠﻕ‬ ‫ﺍﻟﯾﺎﻗﻭﺕ ﺍﻟﻰ‬ ‫ﻭ ﯾﻛﺳﺑﻭﻥ ﺍﻻﻧﻭﺛﺔ‬ ‫ﺍﻟﻧﺟﻭﻡ؟‬

‫ﻓﻠﻭﺟﺗﻲ‬ ‫ﺏ ﱠ‬ ‫ﻣﺯﻗﻪ ﺍﻟﻧﻭﻯ ﻟﻭﻻ ِﻙ‬ ‫ﺍﻟﻘﻠ ُ‬ ‫ﺩﻣﻌﻬﺎ ﻣﺭﺁﻙ‬ ‫ﻑ َ‬ ‫ﻭﺍﻟﻌﯾﻥُ ﺟ ﱠﻔ َ‬ ‫ﺏ ﻋﺎﻭﺩَﻩ ﺍﻟﻐﺭﺍﻡُ ﻭﻗﺑﻝ ﺫﺍ‬ ‫ﺻ ﱡ‬ ‫ﻭﺍﻟ ﱠ‬ ‫ﻣﺣﺑﻭﺱ ﺍﻟﻬﻭﻯ ﺑﺷﺑﺎ ِﻙ‬ ‫ﻗﺩ ﻛﺎﻥ‬ ‫َ‬ ‫ﻁ ُﺭﻕُ‬ ‫ﺍﻟﺧﯾﺎﻝ ﻛﺛﯾﺭﺓٌ ﻟﻛ ﱠﻧﻬﺎ‬ ‫ِ‬ ‫ﺗﻐﺩﻭ ﻁﺭﯾ ًﻘﺎ ﻭﺍﺣﺩًﺍ ﺑﻠﻘﺎ ِﻙ‬ ‫ﻓ ّﺗﺣﺕُ‬ ‫ﺍﻟﺟﻣﺎﻝ ﻟﻛﻲ ﺃﺭﻯ‬ ‫ﺃﺑﻭﺍﺏ‬ ‫َ‬ ‫ِ‬ ‫ﻭﺟ ًﻬﺎ ﺟﻣﯾﻼً ﻣﺎ ﺭﺃﯾ ُ‬ ‫ﺕ ﺳﻭﺍﻙِ‬ ‫ﺍﻟﻔﺎﺗﻧﺎﺕُ ﻗﻠﻭﺑﻬﻥﱠ ﻣﻊ ﺍﻟﻬﻭﻯ‬ ‫ٌ‬ ‫ﺳﺎ ِﻙ ؟‬ ‫ﺭﻗﺭﺍﻗﺔ َﻣﻥ ﺫﺍ ﺍﻟﺫﻱ ﻗ ﱠ‬ ‫ﺍﻟﻔﺭﺍﻕ ﻓﺈ ﱠﻧﻪ‬ ‫ﺃﻟﻡ‬ ‫ِ‬ ‫ﺭﺣﻣﺎﻙِ ﻣﻥ ِ‬ ‫َ‬ ‫ﺣﺭﻣﺔ ﺍﻹﺷﺭﺍ ِﻙ‬ ‫ﻭﺯ ٌﺭ ﯾﺿﺎﺭ ُﻉ‬ ‫ٌ‬ ‫ﻣﻣﻧﻭﻋﺔ ﻋ ّﻧﻲ ﺣﺻﻭ ُﻧﻙ ﻛﻠّﻬﺎ‬ ‫ٌ‬ ‫ﻧﺎﻅﺭﻱ ﺧﻁﺎ ِﻙ‬ ‫ﻣﻣﻧﻭﻋﺔ ﻋﻥ‬ ‫ﱠ‬ ‫ﻗﺩ ﺃﺻﺑ ُﺢ ﺍﻟﻣﺭﺟﻭ َﻡ ﺑﯾﻥ ﺃﺣ ﱠﺑﺗﻲ‬ ‫ﺇﻥ ﻗﻠﺕُ ﯾﻭ ًﻣﺎ ﺇ ّﻧﻧﻲ ﺃھﻭﺍ ِﻙ‬ ‫ﺷﺭﻑ ﺍﻟﻌﺷﯾﺭ ِﺓ ﻗﺩ ﯾﺿﯾ ُﻊ ﺑﺣ ﱢﺑﻧﺎ‬ ‫ُ‬ ‫ﺍﻟﻧﺳﺎ ِﻙ‬ ‫ﻭﺑﻪ ُﺗﻬﺎﻥُ ﻋﺑﺎﺩﺓُ ﱠ‬ ‫ﺍﻟﺑﻬﯾﻡ ﺑﻭﺣﺩﺗﻲ‬ ‫ﻓﻲ ﻭﺣﺷ ِﺔ ﺍﻟﻠﯾ ِﻝ‬ ‫ِ‬ ‫ﺩﻭ ًﻣﺎ ﺳﺄﻟ ُ‬ ‫ﷲ ﺃﻥ ﯾﺭﻋﺎ ِﻙ‬ ‫ﺕ َ‬ ‫ﻣﺣﻣﻭﺩ ﻓﺭﺣﺎﻥ ﺣﻣﺎﺩﻱ‬

‫ﺟﻌﻠﺕ ﻓﺩﺍﻙ ﺍﻟﺭﻭﺡ‬ ‫َﺟ َﻌﻠ ُ‬ ‫ﺕ ﻓِﺩﺍ َﻙ ﺍﻟ ﱡﺭﻭ َﺡ ﯾﺎ ﺳ ّﯾﺩﻱ َﻓ ْﺧﺭﺍ‬

‫ﺳ ْﻔﺣِﻬﺎ ﻗﺎ َﻣﺕْ ھﻧﺎ َﻙ َﺣﺿﺎﺭﺓٌ‬ ‫ﻋﻠﻰ َ‬

‫َﻭﺭ ﱠﺗ ْﻠ ُ‬ ‫ﺍﻟﻭﻻء ﻟَ ُﻛ ْﻡ ﺷِ ْﻌﺭﺍ‬ ‫ﺕ‬ ‫ﺕ ﺁﯾﺎ ِ‬ ‫ِ‬

‫ﺻ ٌﺭ” َﻭﻟّﻰ‪َ ،‬ﻭﺩﺍﻥَ ﻟﻬﺎ “ﻛﺳﺭﻯ”‬ ‫ِﺑﻬﺎ “ َﻗ ْﯾ َ‬

‫ﻭﻓﺎﺭ ْﻗﺕُ‬ ‫ﻣﺎﺿﻲ ﺍﻟﺫﻱ ﻛﺎﻥ ﺻﺎﺩ ًِﺣﺎ‬ ‫ﱢ‬ ‫َ‬

‫ﻬﻲ َﺧﻭﺍﻟِ ٌﺩ‬ ‫َﻭﺗﺎ َھﺕْ ِﺑﻬﺎ ﺍﻷ ّﯾﺎ ُﻡ َﻓ َ‬

‫ﻭﺍﺳ َﺗ ْﻌ َﺫ ْﺑ ُ‬ ‫ﺍﻷﺟﺭﺍ‬ ‫ﺕ ﻓﻲ َﻣﺩْ ِﺣ َﻙ ْ‬ ‫ﻟِ َﻐ ْﯾ ِﺭ َﻙ ْ‬

‫ﺍﻷﺭﺽ ﻓﻲ ُﺣ ّﺑﻬﺎ ُﻁ ّﺭﺍ‬ ‫ِ‬ ‫َﻭﺃ ُ ْﻏ ِﺭ َﻡ ﺃھْ ﻝ ُ‬

‫ﺳﺎﻋ ٍﺔ‬ ‫ﺿﻰ‪َ ،‬ﻭ َ‬ ‫ﺣﻧﺎ َﻧ ْﯾ َﻙ َﻋﻥْ ُﻋ ْﻣ ٍﺭ َﺗ َﻘ ّ‬

‫ﺎﺱ ﻟَ ْﺣﻥَ ﺧﻠﻭ ِﺩ ِھ ْﻡ‬ ‫َﻭ َﺭﺩﱠ ﺩَ ﻓ ْﯾﻬﺎ ﺍﻟ ّﻧ ُ‬

‫ِﺑﻬﺎ ُﻛ ْﻧ ُ‬ ‫ﺕ َﻋﻥْ َﻣ ْﻐﻧﺎ َﻙ ﻓﻲ َﺣ ْﻅ َﻭ ٍﺓ ﺃُﺧﺭﻯ‬

‫َﻭ َﻗﺩ َﻛ َﺗﺑﻭﺍ ﻟﻠ ّﺩھْ ِﺭ ﻣِﻥْ َﻓ ْﺧ ِﺭ ِھ ْﻡ ﺳِ ْﻔﺭﺍ‬

‫ﺇﺫﺍ ﺍﻟﻠ ْﯾﻝ ُ ﺑﺎﻟ َﺗ ْﻘﺻ ْﯾ ِﺭ ﺃ ْﺛ َﻘﻝ َ ﻛﺎھِﻠﻲ‬

‫ْ‬ ‫ﺑﺄﺣ َﻣﺩِﻧﺎ ھﺫﺍ ﺍﻟﻭﺟﻭ ُﺩ ُﻣ َﻬﻠّﻝ ٌ‬

‫ﺏ َﻧ ّﻭ َﺭ ﻟﻲ ﺍﻟ َﺑﺩْ ﺭﺍ‬ ‫ﻓﺈِﻥﱠ َﻧﺩﺍ َﻙ ﺍﻟ َﻌ ْﺫ َ‬

‫ﺕ ﺍﻟﺩّ ھﺭﺍ‬ ‫ﺍﻷﻋﻭﺍ ُﻡ َﻧ ّﻭﺭ ِ‬ ‫َﻭﻣِﻥْ ھَﺩْ ﯾ ِﻪ ْ‬

‫ﺣﻠﻭ ُﺑ ْﺭﺋِ ِﻪ‬ ‫ﺑﻲ َﻧ َﺩ ٌﻡ ﻻ ُﯾﺭ َﺗﺟﻰ ُ‬ ‫َﻭ ْ‬

‫َﺗﺗ ْﯾ ُﻪ ﺑِ َﻙ ﺍﻷﯾﺎﻡُ ﯾﺎ َﺧ ْﯾ َﺭ ُﻣ ْﺭ َﺳ ٍﻝ‬

‫ﺑﻲ ْﺃﺯﺭﻯ‬ ‫ﺭﻱ ْ‬ ‫ﺻ َﻔ ْﺢ‪َ ،‬ﻭﺩَ ھْ َ‬ ‫ﺇﺫﺍ ﺃ ْﻧﺕَ ﻟَ ْﻡ َﺗ ْ‬

‫ﻭ ُﺗ ْﺯھﻰ ِﺑ َﻙ ﺍﻟ ﱡﺩ ْﻧﯾﺎ َﻓ َﺗﻣﻠَﺅھﺎ ﻋ ِْﻁﺭﺍ‬

‫ﺃ َﺗ ْﯾ ُﺗ َﻙ ُﻣﻠﺗﺎ ًﻋﺎ َﺗ َ‬ ‫ﺷ ﱠﻅﺕْ ُﺩ ُﺭﻭﺑُ ُﻪ‬

‫ﺍﻷﺭﺽ ﺑﺎﻟﺧ ِْﺯﻱ ﻁﺎﻓِ ٌﺢ‬ ‫ﺃ َﺗ ْﯾﺕَ َﻭ َﻭ ْﺟ ُﻪ‬ ‫ِ‬

‫ﺗﻲ َﺟ ْﻬﺭﺍ‬ ‫ﺁﻱ ﺍﻟ َﺗ ْﻭ ِ‬ ‫ﺏ ﻓﻲ َﺣ ْﯾ َﺭ ْ‬ ‫ﺃ ُ َﺭﺩﱢ ُﺩ َ‬

‫َﻓ َﻧ ّﻭ ْﺭ َﺗﻬﺎ َﺳ ْﻌ ًﺩﺍ‪ ،‬ﻭﺯﺍﺩَ ﺕْ ِﺑ ُﻛ ْﻡ َﻗﺩْ ﺭﺍ‬

‫ﺍﻟﺟﻣ ْﯾﻝ ُ ﺑﺧﺎﻁِ ﺭﻱ‬ ‫ﺃ َﺗ ْﯾ ُﺗ َﻙ ﻭﺍﻟﻌﻔﻭ َ‬

‫ﺍﻟﺟ ْﻬﻝ ُ ﺃﺩْ َﺑ َﺭﺕْ‬ ‫ﺿ ﱠﻭ َﻉ ﻓ ْﯾ َﻙ ﺍﻟﻠ ْﯾﻝُ‪َ ،‬ﻭ َ‬ ‫َﺗ َ‬

‫ﺱ ﻓﻲ َﺑ ْﻭ ِﺣ ِﻪ ﺳِ ّﺭﺍ‬ ‫ُﯾ َﻌﻠّﻝ ُ ھﺫﻱ ﺍﻟ ﱠﻧ ْﻔ َ‬

‫َ‬ ‫ﻭﺍﺳ َﺗ ْﻣﺭﺍ‬ ‫َﻛﺗﺎﺋِ ُﺑﻪُ‪،‬‬ ‫ﻭﺍﻟﺧ ْﯾ ُﺭ ﺃ ْﯾ َﻧ َﻊ‪ْ ،‬‬

‫ﺽ ِﺑﻠَ ْﻭ َﻋ ٍﺔ‬ ‫ﺃ َﺗ ْﯾ ُﺗ َﻙ َﻅﻣﺂ ًﻧﺎ َﺗﻔ ْﯾ ُ‬

‫ﺍﻟﺭ ْﺣﻣﻥُ ﺑﺎﻟ ﱢﺫ ْﻛ ِﺭ ﺷﺎ ِھﺩًﺍ‬ ‫ﺻ َﻙ ّ‬ ‫َﻭ َﻗﺩْ َﺧ ﱠ‬

‫ُﻣﻭ ٌﻉ ـ ﻣِﻥَ ﺍﻷ ْ‬ ‫ﺩ ْ‬ ‫ﺷ ِ‬ ‫ﺍﻷﻋﺩﺍ ُء ﻓﻲ ُﺧ ْﺑﺛِ ِﻬ ْﻡ َﺟ ْﻬﺭﺍ‬ ‫ﺟﺎﻥ ﻓﻲ ُﻣ ْﻬ َﺟﺗﻲ ـ َﺣ ّﺭﻯ َﻭﻛﺎ َﺩ ﻟَ َﻙ ْ‬ ‫ﺿ ٍﺔ‬ ‫ﺍﻟﺣﻧ ْﯾﻥُ ﻟ َِﺭ ْﻭ َ‬ ‫ﺃ َﺗ ْﯾ ُﺗ َﻙ َﯾ ْﺣﺩﻭﻧﻲ َ‬

‫ﺳﻼ‬ ‫ﺻ َﺑ ْﺭﺕَ ﻋﻠﻰ ﺍﻟﺑﻠﻭﻯ َﻧﺑ ًّﯾﺎ‪َ ،‬ﻭ ُﻣ ْﺭ َ‬ ‫َ‬

‫ﻼﻣﻲ ﺍﻟ َﻐ ّﺭﺍ‬ ‫ﺃﺣ َ‬ ‫ﺑِﻬﺎ ُﻛ ْﻧﺕُ َﻗﺩْ َﺧﻠّ ْﻔﺕُ ْ‬

‫ﺏ ﻓﻲ ھَﺩْ ﯾ ُﻛ ْﻡ ﺗِ ْﺑﺭﺍ‬ ‫َﻭﻟَ ْﻭ ﺷِﺋﺕَ ﻛﺎﻥَ ﺍﻟ ُﺗ ْﺭ ُ‬

‫ﺏ‬ ‫ﺎﻟﻌ ْﻔ ِﻭ ﺣﻠ ًﻣﺎ ﻟِﺗﺎﺋِ ٍ‬ ‫ﺳ ّﯾﺩﻱ ﺑِ َ‬ ‫َﻓ ُﺟﺩْ َ‬

‫ﺍﻟﺭﺟﺎ ِﻝ َﻓﺄ ْﯾ َﻧ َﻌﺕْ‬ ‫ﺃﺣﻼ َﻡ ّ‬ ‫ﺿﺕَ ْ‬ ‫َﻭ َﺭ ّﻭ ْ‬

‫ﺇﻟَ ْﯾ َﻙ ِﺑ ُﻛﻝ ﱢ ﺍﻟ ّ‬ ‫ﺃﺳﺭﻯ‬ ‫ﻕ ﻓﻲ ُﺣ ﱢﺑ ِﻪ ْ‬ ‫ﺷ ْﻭ ِ‬

‫ﻭﺍﺳ َﺗ ْﻬ َﺟﻧﻭﺍ ﺍﻟ ُﻛ ْﻔﺭﺍ‬ ‫ِﺑ ِﻬﻡ َﺯھْ َﺭﺓُ ﺍﻟ ّﺗﻭﺣ ْﯾﺩِ‪ْ ،‬‬

‫ﻭﺟ َﻬﺗﻲ‬ ‫ﺗﺎﺭ َﯾ ﱠﻣ ْﻣﺕُ ْ‬ ‫ﺇﻟﻰ َﻁ ْﯾ َﺑ ِﺔ ﺍﻟ ُﻣ ْﺧ ِ‬

‫َﻭﻗُﺩﺕَ ِﺑﺩ ْﯾ ِﻥ ﷲِ ﻟ ِﻠ َﻣ ْﺟ ِﺩ ﺃ ّﻣ ًﺔ‬

‫ﺽ ﺃﻥْ ﺃ ُ ْﻁﻔِﺄ ﺍﻟ َﺟ ْﻣﺭﺍ‬ ‫ﺍﻟﺭ ْﻭ ِ‬ ‫ﻟَ َﻌﻠّﻲ ِﺑﺫﺍ َﻙ ﱠ‬

‫ﻣﺎﺣﺗِ ُﻛ ْﻡ ُﺣ ّﺭﺍ‬ ‫ﺳ َ‬ ‫ﺃﻣﺳﻰ ﻣِﻥْ َ‬ ‫ﺍﻟﻌ ْﺑ ُﺩ ْ‬ ‫ِﺑﻬﺎ َ‬

‫َﺗﻌﻠّ َﻘﻬﺎ َﻗﻠﺑﻲ َﻭ َﻗﺩْ ُﻛ ْﻧ ُ‬ ‫ﺕ ﯾﺎﻓ ًِﻌﺎ‬

‫ﺱ‬ ‫ﺍﻟﺭ ْﻭ ِﻉ ﺻ ْﯾ ٌﺩ‬ ‫ﺃﺷﺎﻭ ٌ‬ ‫َﺗ ُﺣﻭ ُﻁ َﻙ َﯾ ْﻭ َﻡ ّ‬ ‫ِ‬

‫ﺳﺎ ِﺑﻬﺎ ﺍﻟﻘُ ﱠﺑ ُﺔ َ‬ ‫ﺿﺭﺍ‬ ‫ﺍﻟﺧ ْ‬ ‫ﺡ ﻟﻲ َﻧ ْﻔ ً‬ ‫ُﺗ َﺭ ﱢﻭ ُ‬ ‫ﺍﻟﻐ ْﯾ ُ‬ ‫ﺑِﻼ ٌﺩ ﺃﺗﺎھﺎ َ‬ ‫ﺵ‬ ‫ﺙ َﺑ ْﻌ َﺩ َﺗ َﻌ ﱡﻁ ٍ‬ ‫ﺿ ﱠﺭﺕْ ﺑﺄﺭﺟﺎﺋِﻬﺎ ﺍﻟ ُﺑ ْ‬ ‫ﺑﺄﺣ َﻣ َﺩ ْ‬ ‫ﺷﺭﻯ‬ ‫ﻓﺎﺧ َ‬ ‫ْ‬

‫ﻟَ ُﻬ ْﻡ َﺧﻠّ َﺩ ﺍﻟﺗﺎﺭ ْﯾ ُﺦ َﺑ ْﯾﻥَ ﺍﻟﻭﺭﻯ ِﺫ ْﻛﺭﺍ‬ ‫ﻣﺣﻣﻭﺩ ﻓﺭﺣﺎﻥ ﺣﻣﺎﺩﻱ‬

‫ﻣﺑﺳﻡ ﺍﻟﺣﺭﻑ ﺍﻟﻌﺭﺍﻗﻲ‬

‫ﺑﺻﺭﻱ‪ ،‬ﻭﻛﻭﻓﻲ‬ ‫ﺟﺫﻻﻥَ‬ ‫ﱞ‬

‫ﺟﺳﺩﺕْ‬ ‫ُﻛﻝ ﱡ ﺍﻟﻌﺻﻭﺭ َﺗ ﱠ‬

‫ﻣﺣﻣﻭﺩ ﻓﺭﺣﺎﻥ ﺣﻣﺎﺩﻱ‬

‫ﺑ ْﯾﺕُ‬ ‫ﺍﻟﺑﻬﺎﻟﯾﻝ ﺍﻟﻌﻅﺎ‬ ‫ِ‬

‫ﺑﺄﺭ ْﯾ ِﺞ ﻭﺍﺣﺗِ َﻙ ﱠ‬ ‫ﻑ‬ ‫ﺍﻟﻅﺭ ْﯾ ِ‬

‫ّﻓ ﱠﺗ ْ‬ ‫ﻑ‬ ‫ﺭﻭ ِ‬ ‫ﺷﺕُ َﻋﻥْ ﺃﻟَ ِﻕ ﺍﻟ ُﺣ ْ‬

‫ِﻡ‪ ،‬ﻭﻣﻭﺋﻝ ُ ﺍﻟ ّ‬ ‫ﻑ‬ ‫ﻑ ﺍﻟ ُﻣﻧ ْﯾ ِ‬ ‫ﺷﺭ ِ‬

‫ﺯھﻭ ﺍﻟﻔﺭﺍﺕِ‪ ،‬ﻭ )ﻣﻧﺯﻝ ُ ﺍﻟـ‬

‫ﻑ‬ ‫ﺍﻟﻘﻁﻭ ِ‬ ‫َﻋﻥْ ﻅِ ﻝﱢ ﺩﺍﻧﯾ ِﺔ‬ ‫ْ‬

‫ﺳﻼ‬ ‫ﺣﺭﻓﻲ ﻛﺎﻟ ﱡ‬ ‫ﻷﺩﯾﺭ ْ‬ ‫َ‬

‫ﻑ‬ ‫ﺧﻝ ﺍﻟﺭﻓﯾ ِ‬ ‫ﺃﻗﻧﺎﻥ( ﺫﻭ ﺍﻟ ﱠﻧ ِ‬ ‫ِ‬

‫َﻓ ﱠﺗ ْ‬ ‫ﺕ َﺗ َﻬ ﱠﺩ‬ ‫ﺻﻭ ٍ‬ ‫ﺷﺕُ َﻋﻥْ ْ‬

‫ﻑ‬ ‫ﺍﻟﺿﯾﻭ ِ‬ ‫ِ‬ ‫ﻑ ُﻣ َﻌ ّﺗ ًﻘﺎ ﺑﯾﻥَ‬ ‫ّ‬

‫ﻛﺭ ِﻡ ﺍﻷﺑﺎ‬ ‫ﻓﻲ ﺭﺍﺣ َﺗ ْﻲ َ‬

‫ﻑ‬ ‫َﺝ ﻓﻲ ﻣﺳﺎﺣﺎﺕ ﺍﻟ ُﺣ ْﺗﻭ ِ‬

‫ﺏ ﺍﻟﻛﺭﺍ‬ ‫ﻟﻠﺻﺣ ِ‬ ‫ﻭﺍﻟ ُﻌﺫ ُﺭ ّ‬

‫َ‬ ‫ِﺓ َﺣ َﻣﻠﺕَ‬ ‫ﻑ‬ ‫ﺯﺍھﯾﺔ ﺍﻟﺻﻧﻭ ِ‬

‫ﺍﻟﺟﺑ ْﯾـ‬ ‫ﺳﺭ َﺗ ْﻘﻁ ْﯾ ِ‬ ‫ﺏ َ‬ ‫َﻋﻥْ ﱢ‬

‫ِﻡ ﺇﺫﺍ َ‬ ‫ﺃﻁﻠﺕُ ﺑﻬﺎ ﻭﻗﻭﻓﻲ‬

‫ﻭﺃﻧﺎ ﺍﻟ ُﻣﺗ ّﯾ ُﻡ ﻓﻲ ھﻭﺍ‬

‫ِﻥ ﺑﻭﺟ ِﻪ َﻣ ْ‬ ‫ﻑ‬ ‫ﺷ ِﺭﻗِﻧﺎ ﺍﻟ ﱠﻁﺭ ْﯾ ِ‬

‫ِﺏ‬ ‫ﻑ ﺍﻟﻠﻘﺎ ُء ِﺑ َﻣﻥْ ُﻧﺣ ﱡ‬ ‫ِﺃﺯ َ‬

‫َﻙ ﯾﻛﻭﻥُ ﻓﻲ َ‬ ‫ﻑ ﻋﻛﻭﻓﻲ‬ ‫ﺷ َﻐ ٍ‬

‫َﻋﻥْ َﻏ ْﯾ َﻣ ِﺔ ﺍﻟ ﱢ‬ ‫ﻛﻭ‬ ‫ﺳ ْ‬ ‫ﺷ ْﻌ ِﺭ ﺍﻟ ﱠ‬

‫ﺍﻷﺣﻼﻡ ﻁﻭﻓﻲ‬ ‫ﻓﯾﺎ ﺭﺅﻯ‬ ‫ِ‬

‫ﺑﺎﻕ ﻏﺭﺍﻣﻙ‬ ‫ٍ‬

‫ﺑﺎﻟﻠﺣﻥ ﺍﻟ ﱠ‬ ‫ﻑ‬ ‫ﺷﻔ ْﯾ ِ‬ ‫ﺱ‬ ‫ِ‬ ‫ﺏ َﺗﻣ ْﯾ ُ‬ ‫ِ‬

‫ﺎﺡ ﺍﻟﺟﺑﯾـ‬ ‫ﻣِﻥْ ﻛﻝﱢ ﻭ ّ‬ ‫ﺿ ِ‬

‫ﻣﺣﻣﻭﺩ ﻓﺭﺣﺎﻥ ﺣﻣﺎﺩﻱ‬

‫َﻓ َﺩﻟ ْﻔ ُ‬ ‫ﺕ َﯾ ْﺳ ِﺑﻘُﻧﻲ ﺍﻟﺣﻧﺎ‬

‫ﺕ ﺻﻭﻓﻲ‬ ‫ﻧﻭ ِﺭ ﺍﻟﻘﺳﻣﺎ ِ‬ ‫ِﻥ ُﻣ ّ‬

‫ﻥُ ِﺑ َﻧ ْ‬ ‫ﻑ‬ ‫ﺟﻝ ﺍﻷَﻟﻭ ِ‬ ‫ﺷﻭ ِﺓ ّ‬ ‫ﺍﻟﺭ ِ‬

‫ﺑﺎﻕ ﻏﺭﺍ ُﻣ َﻙ ﻓﻲ ﻗﻠﺑﻲ ﻭﻓﻲ ﻛﺑﺩﻱ‬ ‫ٍ‬

‫َﯾ ﱠﻣ ْﻣﺕُ ﻣ ِْﺭ َﺑﺩھﺎ ﺍﻟﻌﺗ ْﯾـ‬

‫ﺧﯾﺭ َﻣﻥ ﺻﺎﻓﺣﺗ ُﻪ ﻓﻲ ﺍﻷﻧﺎﻡ ﯾﺩﻱ‬ ‫ﯾﺎ َ‬

‫ﺟﻭﺍﻱ َﯾ ْﺣـ‬ ‫ُﻣ َﺗﺄ ﱢﺑ ًﻁﺎ َﻧ‬ ‫َ‬

‫ﻑ‬ ‫ﺑﺢ ﻁﻠﻌﺗِﻬﺎ ﺍﻟﻭﺭ ْﯾ ِ‬ ‫ﺩ ِﺑ ُ‬ ‫ﺻ ِ‬

‫ﺭﻭﺿﺎ ﺗﻌ ّ‬ ‫ﺷﻘ ُﻪ‬ ‫ﺑﺎﻕ ﻏﺭﺍﻣﻙ ﯾﺎ‬ ‫ً‬ ‫ٍ‬

‫ﻑ ﺇﻟﻰ ﺍﻟ ﱢ‬ ‫ﻣﻠﻧﻲ ﺍﻟ ﱠ‬ ‫ﻑ‬ ‫ﺷﺭ ْﯾ ِ‬ ‫ﺷﺭ ْﯾ ُ‬

‫ﻭﺩﺧ ْﻠﺕُ ﺳﻭﻕَ ُﻋﻛﺎﻅِ ﻬﺎ‬

‫ﺍﻷھﻝ ﻭﺍﻟﻭﻟ ِﺩ‬ ‫ﻣﻧﻲ ﺍﻟﻔﺅﺍﺩ ﺑﺭﻏﻡ‬ ‫ِ‬

‫ﻔﻭھ ْﯾـ‬ ‫ﺳﻭﻕَ ُﻣ ّ‬ ‫ﻭﺍﻓ ْﯾﺕُ ْ‬

‫ﻑ ﻓﻲ َ‬ ‫ﺷ َﺟ ٍﻥ ﺭﺩﯾﻔﻲ‬ ‫ﻭﺍﻟﺣ ْﺭ ُ‬ ‫َ‬

‫ﺑﺎﻕ ﻛﻣﺎ ﻛﻧﺕ ﺟﺫﻻ ًﻧﺎ ﻭﻣﺑﺗﺳ ًﻣﺎ‬ ‫ٍ‬

‫ﻑ‬ ‫ﺍﻟﻌﻧ ْﯾ ِ‬ ‫ﺻ ْﺭ َﺧﺗﻧﺎ َ‬ ‫ﻥَ ﺑﺯھﻭ َ‬ ‫ﻭﺍﻓﯾﺕُ َﯾ ْﺣﺩﻭﻧﻲ ﺍﻟﺟﻣﺎ‬

‫ﯾﺎ ﻣ ِْﺭ َﺑ َﺩ ﺍﻟ ﱡ‬ ‫ﻌﺭﺍء ﻟ ْﯾـ‬ ‫ﺷ ِ‬

‫ﺳﺎ ﱠ‬ ‫ﺳﻁ َﺭ ﺍﻷﻣﺟﺎﺩَ ﻟﻠﺑﻠ ِﺩ‬ ‫ﻭﻓﺎﺭ ً‬

‫ﺕَ ﻗﺻﺎﺋﺩﻱ ﻓﻲ ﺍﻟ ُﺣ ﱢﺏ ﺗﻭﻓﻲ‬

‫ﺃﻣﺱ ﯾﺅﺭﻗﻧﻲ‬ ‫ﺑﺎﻕ ﻏﺭﺍﻣﻙ ﻓﻲ‬ ‫ٍ‬ ‫ٍ‬

‫ﺷﻌـ‬ ‫ﺍﻟﺟ ْﻬ ِﻝ ْ‬ ‫َﺑ ﱠﺩﺩﺕَ ﻟ ْﯾﻝَ َ‬ ‫ﻑ‬ ‫ًﺭﺍ ﻓﻲ َﺗﻠ ْﯾ ِﺩﻙَ‪ ،‬ﻭﺍﻟ ّﻁﺭ ْﯾ ِ‬

‫ﺣﺎﺿﺭ ﺃﺻﺑﻭ ﻟﻪ ﻭﻏ ِﺩ‬ ‫ﺣ ﱠﺑﺎ ﻭﻓﻲ‬ ‫ٍ‬

‫ﻑ‬ ‫ﺍﻟﻌﻔ ْﯾ ِ‬ ‫ﻣﻭﻛ ِ‬ ‫ﺏ َ‬ ‫ﺏ ﺍﻟ ُﺣ ﱢ‬ ‫ﻝ ُ ِﺑ ْ‬ ‫ﺣﺎء َﺭ ْﻭ‬ ‫ﺍﻟﻔﯾ ِ‬ ‫ﻟﻠ َﺑ ْ‬ ‫ﺻ َﺭ ِﺓ ِ‬

‫ﻣﺅﺟ ً‬ ‫ﺟﺔ‬ ‫ﺗﺑﺎﺭﯾﺣﺎ‬ ‫ﺃﺷﻛﻭ ﺇﻟﯾﻙ‬ ‫ّ‬ ‫ً‬

‫ﻑ‬ ‫ﺕ ﻣِﻥَ ﺍﻟﻁﯾﻭ ِ‬ ‫ﺽ ﺍﻟﻣﺎﺗﻌﺎ ِ‬ ‫ِ‬

‫ﻑ َﯾﻠﻣـ‬ ‫ﻑ ﺍﻟﺣﺭ ِ‬ ‫ْﺃﻛ ِﺭ ْﻡ ﺑِﺳ ْﯾ ِ‬

‫َﺛ ْﻐ ُﺭ َ‬ ‫ﻣﺎﻥ َﻭ َﻣ ْﺑ َﺳﻡُ ﺍﻟـ‬ ‫ﺍﻟﺯ ِ‬

‫ﻑ‬ ‫ﺍﻟﺳﯾﻭ ِ‬ ‫ُﻉ ﻧﺎﺻ ًﻌﺎ ﺑ ْﯾﻥَ ّ‬

‫ﻑ‬ ‫ﺍﻟﻌﺭﺍﻗﻲ ﺍﻟﻠﻁﯾ ِ‬ ‫ﻑ‬ ‫ﺣﺭ ِ‬ ‫ﱢ‬

‫ﺱ ﺍﻟﻣﻬﺭﺟﺎﻥ‬ ‫ﺃﻛ َﺑ ْﺭﺕُ ُﻋ ْﺭ َ‬ ‫ﻑ‬ ‫َﯾﺣ ﱡﻔ ُﻪ ﺃﻟﻕُ ﺍﻟﺩﱡﻓﻭ ِ‬

‫ﻗﺩ ﺑﺕﱡ ﺃﺷﻛﻭ ﻟﻅﺎھﺎ ﺩﺍﺧﻝَ ﺍﻟﺟﺳ ِﺩ‬

‫ھﺎھُﻡ ﺃﺳﺎﺗ ْﯾ ُﺫ ﺍﻟﺑﯾﺎ‬

‫ﻑ‬ ‫ﺍﻟﺻﺏ ﻣﻥ ﺩﻧ ٍ‬ ‫ﻗﻠﺏ‬ ‫ﱢ‬ ‫ﺃﻛﻠّﻣﺎ ﺫﺍﺏ ُ‬

‫ﻑ‬ ‫ﺃﺗﻭ َﻙ َﺯ ْﺣ ًﻔﺎ ﺑﺎﻷُﻟﻭ ِ‬ ‫ِﻥ ْ‬

‫ﺍﻟﻘﻠﺏ ﺑﺎﻟﻛﻣ ِﺩ‬ ‫ﯾﻣﻭﺕُ ﺗﺣﺕ ﺿﻠﻭﻋﻲ‬ ‫ُ‬

‫َﺗ ْﺳﻣﻭ ﻣﻌﺎﻟ ُﻡ ﻋ ِّﺯھﺎ‬ ‫ﻑ‬ ‫ﻣﺎﺑﯾﻥَ ﺣﺎﺿِ ﺭﺓٍ‪ ،‬ﻭﺭ ْﯾ ِ‬ ‫ﻭ َﺗ ُ‬ ‫ﻛﺎﻟﺑﺩﺭ ﺍﻟ ُﻣﻧﯾـ‬ ‫ﺷ ﱡﻊ‬ ‫ِ‬ ‫ﻑ‬ ‫ﺍﻟﺳﺩﻭ ِ‬ ‫ِﺭ ﺑﺭﻏﻡ ﺣﺎﻟﻛ ِﺔ ّ‬ ‫ﺗﺎﻑ ِﻋ ْﻁ َﺭ ﺃﺭﯾﺟﻬﺎ‬ ‫َﯾ ْﺳ ُ‬

‫ﯾﺎ ﺃ ﱡﯾﻬﺎ ﺍﻟﻌﻣﻼﻕُ ﯾﺎ‬ ‫ﻑ‬ ‫ﺍﻟﺭھ ْﯾ ِ‬ ‫ﺃﻟﻕَ ﺍﻟﺣﺿﺎﺭﺍ ِ‬ ‫ﺕ ﱠ‬

‫ﻭﻣﺎ ﺷﻛﻭﺕُ ﺍﻟﻬﻭﻯ ﯾﻭ ًﻣﺎ ﺇﻟﻰ ﺃﺣ ِﺩ‬ ‫ﻧﺎﺭ ﺑﻌﺎ ٍﺩ ﺃﺣﺭﻗﺕ ﺟﺳﺩﻱ‬ ‫ﺃﺷﻛﻭﻙ َ‬

‫ﺇﻟﻰ ﺷﻌﺭﺍء ﻣﻠﺗﻘﻰ ﺍﻟﺣﻛﺎﯾﺎ ﺍﻷﺩﺑﻲ ﻣﻬﺩﺍﺓ ﻣﻥ‬ ‫"ﺍﻟ َﻣ ْﺟ َﻣﻊ ﺍﻟﺛﻘﺎﻓﻲ ﻭﺍﻷﺩﺑﻲ ﻓﻲ ﺍﻟﻔﻠﻭﺟﺔ"‬ ‫ﻣﺣﻣﻭﺩ ﻓﺭﺣﺎﻥ ﺣﻣﺎﺩﻱ‬ ‫ﺑﺭﯾـﻕ‬ ‫ﺎﺭ ﻭﺿﻭ ُء‬ ‫ِ‬ ‫ﺿﺣﻛﺎﺕُ ﺳ ّﻣ ٍ‬ ‫ﺻﺣﺭﺍء ﺑﻠﻭﻥ ﺷـﺭﻭﻕ‬ ‫ﻭﺭﻣﺎﻝ‬ ‫ٍ‬ ‫ﻭﻗﺻﺎﺋ ٌﺩ ﻟﻠﺷﻭﻕ ﺟـﺩّﺩ ﻟﺣﻧﻬـﺎ‬ ‫ﺃﻟ ٌﻡ ﻟﻣﺎﺿﻲ ﺍﻟﻌﻣﺭ ﻓﻲ ﺇﺑﺭﯾﻘـﻲ‬ ‫ﺟﺎءﺗﻙ ﯾﺗﺑﻌﻬﺎ ﺍﻟﺣﻧﯾﻥ ﺑﺧﺎﻓـﻕ‬ ‫ﻓﯾﻪ ﺍﻟﺻﺑﺎﺑﺔ ﻣﻥ ﺷﺫﻯ ﺍﻟﺑﻠﻁﯾﻕ‬ ‫ﺃﻟﻡ ﺍﻟﺳﻧﯾـﻥ ﺍﻟﺳﺎﻟﻔـﺎﺕ ﻣﻌ ّﻔـ ٌﺭ‬ ‫ﺑﺎﻟﺗﺷﻭﯾـﻕ‬ ‫ﺑﺎﻟﺣﺏ ﺑﺎﻟﺗﺣﻧـﺎﻥ‬ ‫ﱢ‬ ‫ِ‬ ‫ٌ‬ ‫ﺩﻣﻌـﺔ‬ ‫ﻭﺑﻛﻝ ﱢ ﺣﺭﻑ ﻣﻥ ﺭﺅﺍھـﺎ‬

‫ﯾﺗﺭﺑﻊ ﺍﻟﻌﻠﯾـﺎء ﻧـﻭﺭ ﺣﺭﻭﻓﻧـﺎ‬ ‫ﻓﻲ ﺭﺍﺣﺗﯾﻪ ﺳﻁـﻭﺓ ﺍﻟﺗﺣﺩﯾـﻕ‬

‫ﻣﻥ ﺃﻱ ﺣﺭﻑ‬ ‫ﻣﺣﻣﻭﺩ ﻓﺭﺣﺎﻥ ﺣﻣﺎﺩﻱ‬

‫ﻓﯾﻪ ﺍﻷﺻﺎﻟـﺔ ﻛﺎﻟﺭﺑﯾـﻊ ﺑﻬﯾـﺔ‬ ‫ﻭﺑﻪ ﺍﻟﺟﻣﺎﻝ ﻣﻬـ ّﺫﺏ ﺍﻟﺗﺯﻭﯾـﻕ‬ ‫ﻣﺭ ﺍﻟﻌﺻـﻭﺭ ﻋﻼﺋـ ٌﻡ‬ ‫ﻭﺑﻪ ﻋﻠﻰ ﱢ‬ ‫ﺗﺯھﻭ ﻋﻠﻰ ﺃﺗﺭﺍﺑﻬـﺎ ﺑﺳﻣـﻭﻕ‬ ‫ﻭﺑﻪ ﺍﻟﺟﺯﺍﻟﺔ ﻓﻲ ﺍﻟﺣﺭﻭﻑ ﻭﻟﻔﻅﺔ‬

‫ﻑ ﻓــﻲ َﻗـﺭ ْﯾـﺿِ َﻙ ﺃ ُ ْﺑـ ِ‬ ‫ــﺭ ٍ‬ ‫ﺣ ُﺭ‬ ‫ﺃﻱ َﺣ ْ‬ ‫ِﻣــﻥْ ﱢ‬ ‫ـﺳـﺑﻲ ﺍﻟـﻘُ ْﻠﻭ َﺏ‪َ ،‬ﻭ ُﯾـ ْﺑ ِﻬ ُﺭ‬ ‫ﻷﻗــﻭﻝَ ﻣــﺎ ُﯾ ْ‬ ‫ْ‬ ‫ﺍﻟـﺭھـ ْﯾ ِ‬ ‫ﻑ‪َ ،‬ﺗـﺣ ﱠﯾ ًﺔ‬ ‫ِـﺏ ﺍﻟـ َﻘـﻠَ ِﻡ ﱠ‬ ‫ﯾــﺎ ﺻـﺎﺣ َ‬ ‫ِـﻕ ﻓـ ْﯾـ ِﻪ ﺍﻟـ َﻬـﻭﻯ َﯾـ َﺗـ َﺑ ْﺧ َﺗ ُﺭ‬ ‫ِﻣـــﻥْ ﺧــﺎﻓ ٍ‬ ‫ـﺭﻭ َﺑ َﺔ َﻋـ ْﯾـ َﻧ ُﻪ‬ ‫ِـﻕ َﺟ َـﻌـﻝ َ ﺍﻟـ ُﻌ ْ‬ ‫ِﻣـــﻥْ ﺧـﺎﻓ ٍ‬

‫ﻣﺳـﺭﻭﻕ‬ ‫ﺑﻘﻭﻝ ﺧﺎﺋـﻑ‬ ‫ﺗﺯﺭﻱ‬ ‫ٍ‬ ‫ِ‬ ‫َ‬ ‫ﯾﺎﻋﻠﯾﺔ ﺍﻟﻘﻠﻡ ﺍﻟﻣﺻـﻭﻥ ﺑﺭﺍﻋـﺔ‬

‫ـﺟـﻭ َﺭﺓٌ‬ ‫ﻭﺍﻟــ ﱢ‬ ‫ﻑ َﻣـ ْﻬ ْ‬ ‫ﺃﺣــــ ُﺭ ٌ‬ ‫ﺷ ْـﻌـ ُﺭ ﺇ ﱠﻣــــﺎ ْ‬

‫ﻓﻲ ﻗﻭﻟﻛﻡ ﺧﻠﯾﺕ ﻣﻥ ﺍﻟﺗﺷﺩﯾـﻕ‬

‫ـﺟـ َﻬـ ُﺭ‬ ‫ـــﻭ ٍﻡ َﺗ ْ‬ ‫ﻓـ ْﯾـﻬـﺎ ﺍﻟــ ﱡﺭﻋـﺎ ُﻉ ِﺑــ ُﻛـﻝ ﱢ َﯾ ْ‬

‫ﺃﻧﺗﻡ ﺑﻬﺎﻟﯾﻝ ﺍﻟﻘﺭﯾﺽ ﻭﺣﺳﺑﻛـﻡ‬

‫ـﺑـﻭ َﻛ ٌ‬ ‫ٌ‬ ‫ـﺔ‬ ‫ﺿ‬ ‫ــﺣ ْ‬ ‫ـﺟـﻣـﺎﻟِـﻬـﺎ َﻣ ْ‬ ‫ــــــﺔ ِﺑ َ‬ ‫ْﺃﻭ َﺭ ْﻭ َ‬

‫ﺃﻥ ﺍﻟﺟﻣـﺎﻝ َ ﻣﻣ ّﯾـﺯ ﺑﺎﻟﺿﯾـﻕ‬

‫ــﻠـﻭ ِﺑـــﻬــﺎ َﻭ ْﺭ ٌﺩ َﺟــﻣـ ْﯾـﻝ ٌ ْ‬ ‫ﺃﺯھَــــ ُﺭ‬ ‫ــﺣ ْ‬ ‫َﯾ ْ‬

‫ـﺣـﺗِﺩِھﺎ ﺍﻟـ َﻛـﺭ ْﯾ ِـﻡ‪َ ،‬ﻭ َﯾـ ْﻧـ ُﻅـ ُﺭ‬ ‫ــﺭﻧــﻭ ﻟِـ َﻣ ْ‬ ‫َﯾ ْ‬

‫ﺗﺣﻛﻲ ﺟﻣﺎﻝ َ ﺣﺿﺎﺭﺓ ﺍﻹﻏﺭﯾـﻕ‬

‫ــﺭﻭ َﻓـ ُﻪ‬ ‫ِـــﻕ َﻛـــﺄﻥﱠ ُﺣ ْ‬ ‫ُﺣـ ﱢﯾـﯾـﺕَ ِﻣـــﻥْ ﺃﻟ ٍ‬

‫ﺻـﺩﺕ ﺃﺑﻭﺍﺑﻬـﺎ‬ ‫ﻣﺎ ﻟﻠﻣﻌﺎھـﺩ ﻭ ّ‬

‫ـﺳـ ﱠﻁـ ُﺭ‬ ‫ﺳِ ــ ْﻔــ ٌﺭ ﺑِـــ ِﻪ ُﻛـــﻝ ﱡ ﺍﻹﺑـــﺎءِ ُﻣ َ‬

‫ﻭﺻﺩﯾـﻕ‬ ‫ﻭﺑﻛﺕ ﺑﺩﻣﻊ ﻣﻌﺎﺗـﺏ‬ ‫ِ‬

‫ـﺭﻭﻓُـﻧﺎ‬ ‫ـﺭﻣـ ْﯾﻥَ ُﺣ ْ‬ ‫َﻭ َﻛــﺫﺍ َﻙ ﯾــﺎ ﺍ ْﺑــﻥَ ﺍﻷ ْﻛ َ‬

‫ﺗﺷﻛﻭﻙ ﺃﻭﺯﺍﻥ ﺍﻟﺧﻠﯾﻝ ﺑﺣﺳـﺭ ٍﺓ‬

‫ـﺟ ٌ‬ ‫ـﺔ َﺗـ َﺗـﻔَـ ﱠﻁ ُﺭ‬ ‫ــﻣــﻭﺕُ ‪َ ،‬ﻭ ُﻣــ ْﻬ َ‬ ‫ــﺏ َﯾ ْ‬ ‫َﻗــﻠْ ٌ‬

‫ﻣﺎ ﺣﻝ ﱠ ﻓﯾﻬﺎ ﻣﻥ ﺃﺳﻰ ﺍﻟﺗﻣﺯﯾـﻕ‬

‫ﻣــﺎ َ‬ ‫ﺷـﺎﻗَـﻧﺎ ﻓِـ ْﯾ ِﻪ ﺍﻟـ َﻐﺭﺍ ُﻡ‪َ ،‬ﻭ َﻛـ ْﻡ َﺑـﻛﻰ‬

‫ﺗﺷﻛﻭﻙ ﻣﻥ ﺟﯾﻝ ﻋﻠﻰ ﻋﺗﺑﺎﺗـﻪ‬

‫ﺃﺣــ َﻣـ ُﺭ!‬ ‫ـﺏ ْ‬ ‫ﺡ َﺣـﺑـ ْﯾ ٌ‬ ‫ـــﺭ ٌ‬ ‫ـﻔـﻭﺣِـ ِﻪ ُﺟ ْ‬ ‫ﺳ ْ‬ ‫ِﺑـ ُ‬ ‫ﻑ َﺗـ َﻌ ﱠ‬ ‫ـﺭ ِﺑـﺎﻟـ ﱡ‬ ‫ﺥ‪َ ،‬ﻓـﻠَـ ْﯾـﻠ ُ ُﻪ‬ ‫ﺷ ْ‬ ‫ـﻁ َ‬ ‫ــــﺭ ٌ‬ ‫َﺣ ْ‬ ‫ـﻣﻭ ِ‬

‫ﺑﻌﻘـﻭﻕ‬ ‫ﻗﺭﯾﺿﺎ ﺯﺍﺋ ًﻔـﺎ‬ ‫ﻧﺳﺟﻭﺍ‬ ‫ً‬ ‫ِ‬

‫ــﻭ ُﺭ‬ ‫ﺯﺍﻩٍ‪َ ،‬ﻭ َﻭ ْﺟــــــــ ُﻪ َﻧــــﻬـــﺎ ِﺭ ِﻩ ُﻣـــ َﺗــ َﻧ ﱢ‬

‫ﺏ ﺑﻘﯾﻌﺔ ﺃﻭﺯﺍﻧﻬـﻡ‬ ‫ﺷﺭﻭﻯ ﺍﻟﺳﺭﺍ ِ‬

‫ﺳـﻔـﺎ َھ ٍﺔ‬ ‫ـﺭﻭﻓُـﻧـﺎ ﺑِـ َ‬ ‫ـﻊ ُﺣ ْ‬ ‫ﻻ ﻟَـــﻥْ َﺗـﺿـ ْﯾ َ‬

‫ﻛـﻝ ّ ﺃﺟـﺎﻝ ﺧﯾﺎﻟـﻪ ﺑﻁﺭﯾـﻕ‬ ‫ﻧﺳﺑﻭﺍ ﺇﻟﻰ ﺍﻟﺗﻘﻠﯾﺩ ﻛـﻝﱠ ﺧﺭﯾـﺩﺓ‬ ‫ُﻛﺗﺑﺕ ﺑﻔـﻥّ ﺻـﺎﺩﻕ ﻭﻋﺭﯾـﻕ‬ ‫ﻓﺄﻋِ ﺩ ﻟﻧﺎﻣﺟﺩ ﺍﻟﻘﺭﯾـﺽ ﻓﺈﻧﻧـﺎ‬ ‫ﺍﻟﻧـﻭﻕ‬ ‫ﻗﻭﻡ ﺭﺿﻌﻧﺎ ﻣﻥ ﺣﻠﯾﺏ‬ ‫ِ‬ ‫ﻏﺑﺵ ﺍﻟﺻﺑﺎﺡ ﻭﺻﻭﺗﻧﺎ‬ ‫ﻛﻠﻣﺎﺗﻧﺎ‬ ‫ُ‬ ‫ﻭﺟﻪ ﺍﻷﺻﯾﻝ ّ‬ ‫ﻣﻌﻁـﺭ ﺑﻐﺑـﻭﻕ‬

‫ﻣﺣﻣود‬ ‫ﻓرﺣﺎن‬ ‫ﺣﻣﺎدي‬

‫ﺳـﻔﺎ َھ ِﺔ ﺃ ْﻛـ َﺑ ُﺭ‬ ‫ـﺣﻕﱡ ِﻣــﻥْ ﺗِـﻠْـ َﻙ ﺍﻟـ ﱠ‬ ‫ﻓـﺎﻟْ َ‬ ‫ـﺫﻭ َﺑ ٍﺔ‬ ‫ﻑ ﻓــﻲ ﺃ ُ ْﻛ ْ‬ ‫ﺍﻟـﺣ ْـﺭ ُ‬ ‫ﻻ ﻟَــﻥْ َﯾـﺿـ ْﯾ َﻊ َ‬ ‫ـﺭ ﱠﺑـ ُﻊ ﺍﻟـ َﻌـﻠْـﯾـﺎ َء ﻣِــ ْﻧـﻬـﺎ ْ‬ ‫ﺳــ ُﺭ‬ ‫ﺍﻷﺧــ َ‬ ‫َﯾــ َﺗ َ‬ ‫ِﻣــــﻥْ ُﻛــــﻝﱢ ﺃﻓّــــﺎﻙٍ َﺗــﻘـﺎﺩَ َﻡ َﺯ ْﯾــ ُﻐـ ُﻪ‬ ‫ــﺭﻏــﻭ‪َ ،‬ﻭ ُﯾ ْ‬ ‫ﺍﻷﺻــ َﻔـ ُﺭ‬ ‫ْ‬ ‫ــﺯ ِﺑـ ُﺩ ﻓـــﻲ ُﺭﺅﺍﻩُ‬ ‫َﯾ ْ‬

‫ﺟﻌﻔﺭ ﻋﻠﻲ ﺟﺎﺳﻡ‬

‫ﺟﻌﻔﺭ ﻋﻠﻲ ﺟﺎﺳﻡ‬

‫ﺟﻌﻔﺭ ﻋﻠﻲ ﺟﺎﺳﻡ‬

‫ﺟﻌﻔﺭ‬ ‫ﻋﻠﻲ‬ ‫ﺟﺎﺳﻡ‬ ‫ﺟﻌﻔﺭ ﻋﻠﻲ ﺟﺎﺳﻡ‬

‫ﺍﻟﺷﺎﻋﺭ ﺟﻌﻔﺭ ﻋﻠﻲ ﺟﺎﺳﻡ‬

‫ﺟﻌﻔﺭ ﻋﻠﻲ ﺟﺎﺳﻡ‬

‫ﺟﻌﻔﺭ‬ ‫ﻋﻠﻲ‬ ‫ﺟﺎﺳﻡ‬

‫ﺟﻌﻔﺭ‬ ‫ﻋﻠﻲ‬ ‫ﺟﺎﺳﻡ‬

‫ﺟﻌﻔﺭ ﻋﻠﻲ ﺟﺎﺳﻡ‬

‫ﺟﻌﻔﺭ ﻋﻠﻲ ﺟﺎﺳﻡ‬

‫ﻣﻥ ﺩﯾﻭﺍﻧﻲ ‪:‬‬ ‫ﺭﺳﺎﺋﻝ ﺍﻟﻰ ﺍﻟﻣﻭﺻﻝ ‪٢٠١٤‬‬

‫ﻣﻥ ﺩﯾﻭﺍﻧﻲ ‪:‬ﺭﺳﺎﺋﻝ ﺍﻟﻰ‬ ‫ﺍﻟﻣﻭﺻﻝ ‪٢٠١٤‬‬

‫ﻣﻥ ﺩﯾﻭﺍﻧﻲ‬ ‫‪:‬ﺭﺳﺎﺋﻝ ﺍﻟﻰ ﺍﻟﻣﻭﺻﻝ ‪٢٠١٤‬‬

‫‪ - ٨‬ﺫﺭﻯ‬

‫‪ - ٧‬ﻧﺎﺯﺣﻭﻥ‬

‫‪ -٦‬ھﺭﺍء‬

‫ﻓﻲ ﺫﺭﻯ ﺍﻟﺭﺍﻓﺩﯾﻥ‬

‫ﺳﺄﻓﺗﺢ ﺍﺑﻭﺍﺏ ﻗﻠﺑﻲ‬

‫ﻟﺳﺕ ﺍﻁﻠﺏ ﻣﻧﻙ ﺳﻭﻯ‬

‫ﺭﺃﯾﺕ ﻣﯾﺎھﺎ ﺗﻌﻭﺩ ﺇﻟﻰ ﻧﺑﻌﻬﺎ‬

‫ﺍﻟﻰ ﺍﻟﻧﺎﺯﺣﯾﻥ‬

‫ﺍﻥ ﺗﻘﻭﻟﻲ‬

‫ﻭ ﻛﻼﻣﺎ‬

‫ﻭ ﺃﻣﻧﺣﻬﻡ ﻅﻝ ﻋﺷﻕ‬

‫ﺃﺭﺍﺿﯾﺔ ﺍﻧﺕ‬

‫ﯾﻌﻭﺩ ﺇﻟﻰ ﺍﻟﺷﻔﺗﯾﻥ‬

‫ﯾﻅﻠﻠﻬﻡ ﻣﻥ ھﺟﯾﺭ‬ ‫ﺍﻟﺳﯾﺎﺳﺔ‬

‫ﺍﻥ ﺗﺳﺗﺑﺎﺡ ﺑﻙ ﺍﻻﺭﺽ‬

‫ﻓﻲ ﺫﺭﻯ ﺍﻟﺭﺍﻓﺩﯾﻥ‬

‫ﻭ ﺍﻟﻁﺎﺋﻔﯾﺔ ﻭ ﺍﻻﺣﺗﻼﻝ‬

‫ﺗﻌﻭﺩ ﺑﻐﯾﺭ ﺃﺻﺎﺑﻊ‬

‫ﻭﺍﻗﻭﻝ ﻟﻬﻡ ﺍﻥ ﻗﻠﺑﺎ ﻧﻘﯾﺎ‬ ‫ﺑﻌﺭﺍﻗﯾﺗﻪ‬

‫ﺣﯾﻥ ﺗﻣﺩ ﺍﻟﯾﺩﯾﻥ‬ ‫ﺃﯾﻬﺎ ﺍﻟﻧﻬﺭ‬

‫ﺍﻭ ﺗﺳﺗﺑﺎﺡ ﺍﻟﺳﻣﺎء ؟!‬ ‫ﻓﺎﻧﻲ ﺭﺃﯾﺕ ھﻧﺎﻙ‬ ‫ﻓﻲ ﻧﻬﺎﯾﺔ ﺍﻓﻘﻙ‬ ‫ﻗﺎﻓﻠﺔ ﺍﻻﻧﺑﯾﺎء‬

‫ﺍﻧﺕ ﻋﻠﻣﺗﻧﻲ ﺍﻟﻣﺷﻲ‬

‫ﻛﺳﻔﯾﻧﺔ ﻧﻭﺡ ﺳﯾﺣﻣﻠﻬﻡ‬ ‫ﻛﻠﻬﻡ‬

‫ﺗﻁﻠﺏ ﺣﻕ ﺍﻟﻠﺟﻭء‬

‫ﺑﯾﻥ ﺍﻟﻘﻔﺎﺭ‬

‫ﻭ ﺳﻧﻌﺑﺭ ﻣﻭﺝ ﺍﻟﻣﺣﺎﻝ‬

‫ﻭ ﺭﺃﯾﺕ ﺍﻟﻛﻧﺎﺋﺱ ﻣﺛﻝ ﺍﻟﺟﻭﺍﻣﻊ‬

‫ﻓﻠﻣﺎﺫﺍ ﺍﻋﻭﺩ ﺍﻧﺎ ﺍﻟﯾﻭﻡ ﻣﻧﻙ‬

‫ﻟﻥ ﯾﺿﯾﻕ ﺍﻟﻌﺭﺍﻕ ﺑﻛﻡ‬

‫ﺧﺎﺋﻔﺔ‬

‫ﺑﻼ ﻗﺩﻣﯾﻥ ‪!...‬‬

‫ھﺫﻩ ﻣﺩﻥ ﺗﺗﺩﻓﻕ ﻣﺛﻝ‬ ‫ﺍﻟﺩﻣﻭﻉ‬

‫ﺍﻥ ﯾﻁﺎﻝ ﻓﺿﺎھﺎ ﺍﻟﻌﻭﺍء‬

‫ﺃﯾﺣﺩﺙ ھﺫﺍ‬ ‫ﻭ ﺃﯾﻥ ‪..‬‬ ‫ﻓﻲ ﺫﺭﻯ ﺍﻟﺭﺍﻓﺩﯾﻥ ‪ ..‬؟!‬

‫ﻣﻥ ﺣﺩﻗﺎﺕ ﺍﻟﺯﻣﺎﻥ‬

‫ﺃﺭﺍﺿﯾﺔ ﺃﻧﺕ ‪..‬‬ ‫ﺍﻥ ﯾﺣﺗﻭﯾﻧﺎ ﺍﻟﻬﺭﺍء ‪ ..‬؟!‬

‫ﻭﻟﻛﻡ ﻛﻝ ھﺫﺍ ﺍﻟﻣﺩﻯ‬ ‫ﻟﻬﻔﺔ ﻭﺍﻧﺛﯾﺎﻝ ‪. ...‬‬

‫ﻋﻠﻲ ﺍﻷﻣﺎﺭﺓ‬ ‫ﻋﻠﻲ ﺍﻷﻣﺎﺭﺓ‬

‫ﻋﻠﻲ ﺍﻻﻣﺎﺭﺓ‬

‫اﻟﺷﺎﻋر‬ ‫ﻋﻠﻲ اﻷﻣﺎرة‬

‫ﻭﻣﺿﺔ‬

‫ﻭﻣﺿﺔ ‪ /‬ﯾﺣﯾﻰ ﺍﻟﺳﻣﺎﻭﻱ‬

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‫ﺍﻟـﻣـﻭﺻـﻝ ﻟـﯾـﺳـﺕ ﺳـﻣـﺎ ًء ‪..‬‬

‫ﺍﻟﺫﯾﻥ ﯾﺿﺣﻛﻭﻥ ﻣﻥ ﺑﻛﺎﺋﻧﺎ‬

‫ﻟـﻛـﻥّ ﺍﻟـﺷـﻣـﺱ ﺑـﺩﺃﺕ ﺗـﺷـﺭﻕ ﻣـﻧـﻬـﺎ‬

‫ﻣﺗﻰ ﯾﻔﻬﻣﻭﻥ ﺃﻧﻧﺎ ‪:‬‬

‫ﻟـﺗـﺯﯾـﻝ َ ﺍﻟﻅﻼ َﻡ ﻋـﻥ ﺍﻟـﺩﻧـﯾـﺎ !‬ ‫ﯾﺣﯾﻰ ﺍﻟﺳﻣﺎﻭﻱ‬

‫ﻧﺑﻛﻲ ﻋﻠﻰ ﺿﺣﻛﻬﻡ ؟‬

‫ﺗـﻭﺣـﺩ ‪ /‬ﯾﺣﯾﻰ ﺍﻟﺳﻣﺎﻭﻱ‬ ‫ّ‬ ‫__________‬ ‫ﺏ‬ ‫ﻟـﻲ ﺇﻵﻙِ ﻓـﻲ ﻣـﻣـﻠـﻛـ ِﺔ ﺍﻟـﻘـﻠـ ِ‬ ‫ﻟـﯾـﺱ ْ‬ ‫َ‬ ‫ﺷــﺭﯾـ ْﻙ‬ ‫‪//‬‬ ‫ﻓـﺄﻧـﺎ ﺑـﻌـ ُﺗـﻙِ ﻧـﻔـﺳـﻲ ﻓـﻲ ﺍﻟـﻬـﻭﻯ‬ ‫ﻛـﻲ ﺃﺷـﺗـﺭﯾـ ْﻙ‬ ‫ْ‬ ‫‪//‬‬ ‫ﻓـﻲ ﺩﻣـﻲ ﺟـﻣـ ُﺭ ﺍﻟـﻣـﻧـﺎﻓـﻲ ‪..‬‬ ‫ﺍﻟـﻧـﺧـﻝ ﻓـﯾـ ْﻙ‬ ‫ﻭﺍﻟـﻔـﺭﺍﺗـﺎﻥ ﻭﻓـﻲ ُء‬ ‫ِ‬ ‫‪//‬‬ ‫ﻣـﻧـﺫ ﺃﺳـﻠـﻣـ ُﺗـﻙِ ﺃﻣـﺭﻱ ﻭﺃﻧـﺎ ‪:‬‬ ‫ﺍﻟـﻣـﺄﺳــﻭ ُﺭ ﻭﺍﻵﺳِ ـ ُﺭ ‪...‬‬ ‫ﻙ ﻭﺍﻟـﻣـﺎﻟـ ُ‬ ‫ﻭﺍﻟـﻣـﻣـﻠـﻭ ُ‬ ‫ﻙ ‪...‬‬ ‫ﻭﺍﻟـﻌـﺑـ ُﺩ ﺍﻟـﻣـﻠـﯾـ ْﻙ !‬ ‫ﻭﻣـﺿـﺔ ‪ /‬ﯾﺣﯾﻰ ﺍﻟﺳﻣﺎﻭﻱﯾﺣﯾﻰ ﺍﻟﺳﻣﺎﻭﻱ‬ ‫ﺃﯾــﺗـﻬـﺎ ﺍﻟــﻘِــ ﱠﻣــﺔ ‪:‬‬ ‫ﺕ ﻋـﺎﻟـﯾـﺔ ◌ٌ ﺣـﻘـﺎ ‪....‬‬ ‫ﺃﻧـ ِ‬ ‫ﻟـﻛـﻥّ ﺍﻟـﻔـﺿـﻝ َ ﻓـﻲ ﺍﺭﺗـﻔـﺎﻋـﻙ ‪:‬‬ ‫ﻟـﻠـﺳـﻔـﻭﺡ ﺍﻟـﺧـﻔـﯾـﺿـﺔ !‬

‫ﯾﺣﯾﻰ ﺍﻟﺳﻣﺎﻭﻱ‬

‫ﺣﺎﻣﺩ ﻋﺑﺩ ﺍﻟﺣﺳﯾﻥ ﺣﻣﯾﺩﻱ‬ ‫ﻧﺎﻗﺩ ﻋﺭﺍﻗﻲ‬

‫ﺍﻟﻣﻛﻭﻥ ﺍﻟﺛﻘﺎﻓﻲ‬ ‫ﺭﻭﺍﯾﺔ )ﻧﺎﻓﻠﺔ ﺍﻟﺧﺭﺍﺏ( ﻭﺳﯾﻛﻭﻟﻭﺟﯾﺔ‬ ‫ّ‬ ‫ﻗﯾﻝ ﺃﻥ‪) :‬ﺍﻟﺭﻭﺍﯾﺔ ﺟﺎءﺕ ﻟﺗﺻﻭﯾﺭ ﺍﻷﺯﻣﺔ ﺍﻟﺭﻭﺣﯾﺔ– ﻋﻠﻰ ﺣﺩ ﻭﺻﻑ ﻟﻭﻛﺎﺗﺵ ﻟﻬﺎ‪ -‬ﻟﻺﻧﺳﺎﻥ؛ ﻓﻬﻭ ﯾﻌﯾﺵ ﻣﻭﺯﻋﺎ ً ﺑﯾﻥ‬ ‫ﻭﺍﻗﻊ ﺣﻘﯾﻘﻲ ﻣﻠﻲء ﺑﺎﻟﺗﻧﺎﻗﺿﺎﺕ‪ ،‬ﻭﻭﺍﻗﻊ ﺍﻓﺗﺭﺍﺿﻲ ﻣﺛﺎﻟﻲ ﯾﺣﻠﻡ ﺑﻪ ﺫﺍﻙ ﺍﻹﻧﺳﺎﻥ‪ .‬ﻟﻛﻧﻪ ﻟﯾﺱ ﻛﺄﻱ ﺇﻧﺳﺎﻥ؛ ﺇﻧﻪ ﺍﻹﻧﺳﺎﻥ‬ ‫ﺍﻟﺑﻁﻝ ﺍﻟﺫﻱ ﯾﺗﻣﺭﺩ ﻋﻠﻰ ﻭﺍﻗﻌﻪ‪ ،‬ﻭﺍﻟﺫﻱ ﯾﺣﻠﻡ ﺑﺎﻷﻓﺿﻝ ﻟﻪ ﻭﻣﺟﻣﻭﻋﺗﻪ‪ ،‬ﻓﯾﺗﺳﻠﺢ ﻟﺫﻟﻙ ﺑﺭﺅﯾﺔ ﻁﺑﻘﺗﻪ ﻟﻠﻌﺎﻟﻡ‪ ،‬ﺇﻧﻪ ﺍﻟﺑﻁﻝ‬ ‫ﺍﻹﺷﻛﺎﻝ ‪(.‬‬ ‫)ﻧﺎﻓﻠﺔ ﺍﻟﺧﺭﺍﺏ( ﺭﻭﺍﯾﺔ ﻟـ )ﺳﻌﺩﻭﻥ ﺟﺑﺎﺭ ﺍﻟﺑﯾﺿﺎﻧﻲ( ﺻﺎﺩﺭﺓ ﻋﻥ ﺩﺍﺭ ﻣﯾﺯﻭﺑﻭﺗﺎﻣﯾﺎ‪ /‬ﺑﻐﺩﺍﺩ – ﺍﻟﻁﺑﻌﺔ ﺍﻷﻭﻟﻰ‪ /‬ﺳﻧﺔ‬ ‫‪ ،٢٠١٦‬ﺗﻘﻊ ﻓﻲ ‪ ١١٠‬ﺻﻔﺣﺔ ﻣﻥ ﺍﻟﻘﻁﻊ ﺍﻟﻣﺗﻭﺳﻁ ‪.‬‬ ‫)ﻷﻥ ﻋﻧﻭﺍﻥ ﺍﻟﺭﻭﺍﯾﺔ ھﻭ ﻧﺎﻓﻠﺔ ﺍﻟﺧﺭﺍﺏ ﻭﺍﻟﻧﺎﻓﻠﺔ ﻣﻥ ﺍﻟﻣﺳﺗﺣﺑﺎﺕ ﺍﻟﻭﺍﺟﺑﺔ ﻓﻼ ﺑﺄﺱ ﺍﻥ ﺃﺫﻛﺭ ﺑﻌﺽ ﺍﻟﺧﺭﺍﺏ ﻓﻲ ﻣﺩﯾﻧﺗﻲ‬ ‫ھﺫﺍ ﻣﺎ ﻗﺎﻟﻪ ﻟﻲ ﺍﻟﻣﺭﺣﻭﻡ ﻋﺑﺩ ﻋﻭﻥ ﻓﻲ ﺍﻟﻅﻬﻭﺭ ﺍﻟﺛﺎﻧﻲ ﻭﻗﺩ ﺣﺷﺭﻧﻲ ﻓﻲ ﻏﺭﻓﺔ ﺿﯾﻘﺔ ﻣﻥ ﻏﺭﻑ ﺍﻟﺑﯾﺕ ﻭﻓﻲ ﺍﻟﻧﻬﺎﺭ‬ ‫ﻭﺃﺣﺳﺏ ﺍﻥ ﻛﻝ ﺍﻓﺭﺍﺩ ﻋﺎﺋﻠﺗﻲ ﺷﺎھﺩﻭﻩ ﺣ ّﯾﺎ ً ﯾﺭﺯﻕ‪ (،‬ﺹ ‪٨٩‬‬ ‫ﺗﺗﻭﺟﻪ ﻧﺣﻭ ﺍﻟﻌﺎﻟﻡ ﺍﻟﺩﺍﺧﻠﻲ ﻟﻠﺑﻁﻝ ﺍﻟﺫﻱ ﯾﺗﻣﯾﺯ ﺑﺳﻠﺑﯾﺗﻪ ﻭﻋﺩﻡ ﺭﺿﺎﻩ ﻭﻋﻧﻭﻧﺔ ﺍﻟﺭﻭﺍﯾﺔ ﺗﺣﻣﻝ‬ ‫ھﻲ ﺭﻭﺍﯾﺔ ﺳﯾﻛﻭﻟﻭﺟﯾﺔ‬ ‫ّ‬ ‫ﻣﺎﺽ ﻟﻡ ﯾﻧﺣﺳﺭ ﻣﻥ ﺍﻟﺫﺍﻛﺭﺓ ﺍﻟﻘﺭﻭﯾﺔ‬ ‫ﺭﺅﯾﺔ ﺑﺎﻁﻧﯾﺔ ﻓﻲ ﺗﻭﺛﯾﻕ ﺍﻟﻣﺎﺿﻲ ﻭﺗﻭﻁﯾﺩﻩ ﺑﻌﻼﺋﻘﯾﺔ ﺗﺎﻣﺔ ‪ ،‬ﺇﻧﻬﺎ ﻧﺷﯾﺞ ٍ‬ ‫ﻭﺍﻟﻌﺷﺎﺋﺭﯾﺔ ﺍﻟﻣﺗﺧﻣﺔ ﺑﻛﺑﺭﯾﺎء ﻭھ ّﻡ ﻭﻏﻠﻭﺍء ﻭﺗﻣﺳﻙ ﺑﺎﻟﻌﺎﺩﺍﺕ ﻭﺍﻟﺗﻘﺎﻟﯾﺩ‪ ،‬ﺇﻧﻬﺎ ﺻﻧﻌﺔ ﻟﺭﻭﺍﺋﻲ ﺍﺳﺗﻁﺎﻉ ﺃﻥ ﯾﻣﺩّ ھﺎ ﺑﻣﺎ‬ ‫ُﯾﺣﯾﻲ ﻋﻧﻭﻧﺗﻬﺎ ﺑﺳﺭﺩﯾﺎﺕ ﺣﻣﻠﺕ ﻓﻲ ﺭﺣﻣﻬﺎ ﺃﺟﻧﺔ‪ ،‬ﺗﻠﻙ ﺍﻷﺟﻧﺔ ﻣﺭﺁﺓ ﻟﺗﺟﺭﺑﺔ ﺃﺣﺩﺍﺙ ﻣﺗﺭﺍﺑﻁﺔ ﺟﺫﺭﯾﺎً‪ ،‬ﻭﺣﺳﺏ ﺍﻟﺭﺅﯾﻭﯾﺔ‬ ‫ﺍﻟﺗﻲ ﺍﺭﺗﺂھﺎ ﺍﻟﺭﻭﺍﺋﻲ )ﺳﻌﺩﻭﻥ ﺍﻟﺑﯾﺿﺎﻧﻲ( ﻭھﻭ ﯾﺣﺎﻭﻝ ﺃﻥ ﯾﺳﻭﻗﻬﺎ ﺇﻟﯾﻧﺎ‪ ،‬ﻋﺎﻟﻡ ﺑﺎﻁﻧﻲ ﯾﺳﺣﺑﻧﺎ ﺇﻟﻰ ﺍﻟﺗﺄﻣﻝ ﻭﺍﻟﺗﺩﺑﺭ ﻓﻲ‬ ‫ﺷﺧﺻﯾﺎﺕ ﻗﺭﻭﯾﺔ ﺗﻣﺗﻠﻙ ﺛﻘﺎﻓﺔ ﻓﻁﺭﯾﺔ‪ ..‬ﺷﺧﺻﯾﺎﺕ ﻓﻲ ﺣﻘﯾﻘﺗﻬﺎ ﻣﺎﺗﺕ‪ ،‬ﻭﺍﻧﺩﺛﺭﺕ ﻣﻌﺎﻟﻣﻬﺎ ﻓﻲ ﺛﺭﻯ ﺍﻷﺭﺽ‪ ،‬ﻭھﻲ‬ ‫ﺗﺗﻭﺳﺩ ﻣﺣﻁﺗﻬﺎ ﺍﻷﺧﺭﻭﯾﺔ ‪ ،‬ﺍﺳﺗﻁﺎﻉ ﺍﻟﺭﻭﺍﺋﻲ )ﺍﻟﺑﯾﺿﺎﻧﻲ( ﺑﻣﺎ ﯾﻣﺗﻠﻛﻪ ﻣﻥ ﺑﺭﺍﻋﺔ ﺃﻥ ﯾﺑﻌﺛﻬﺎ ﻣﻥ ﺟﺩﯾﺩ ﻭﯾﻭﻗﻅ ﻓﯾﻬﺎ‬ ‫ﺟﺫﻭﺓ ﺍﻟﺣﯾﺎﺓ‪ ،‬ﺃﻥ ﯾﺟﻌﻠﻬﺎ ﺗﺳﺗﻧﺷﻕ ﺍﻟﺣﯾﺎﺓ ﻣﺭﺓ ﺃﺧﺭﻯ‪ ،‬ﻭھﻲ ﺗﺣﺩﺛﻧﺎ‪ /‬ﺗﺿﺣﻛﻧﺎ‪ /‬ﺗﺑﻛﯾﻧﺎ‪ /‬ﺗﺭﺗﺟﻔﻧﺎ‪ /‬ﺗﻔﺭﻋﻧﻧﺎ‪ /‬ﻓﺎﻟﻛﻝ ﻓﯾﻬﺎ‬ ‫ﺃﺻﺑﺢ ﯾﺩﻭﺭ ﻓﻲ ﻓﻠﻙ ﻣﺷﻭﻕ ‪.‬‬ ‫)ﺣﻠﻣ ُ‬ ‫ﺕ‪ ..‬ﺃﻧﻲ ﺃﻛﻔﻥ ﻧﻔﺳﻲ ﻭﺃﺻﻠﻲ ﻋﻠﯾﻬﺎ ﺻﻼﺓ ﺍﻟﻭﺣﺷﺔ‪ ،‬ﺑﻌﺩﻣﺎ ﺃﺗﻣﻣﺕُ ﺻﻼﺗﻲ ﻧﻅﺭﺕُ ﺍﻟﻰ ﺍﻟﺧﻠﻑ ﻭﺟﺩﺕُ ﺧﻠﻔﻲ‬ ‫ﻁﻭﺍﺑﯾﺭ ﻣﻥ ﺍﻟﻧﺎﺱ ﻣﻧﺗﻅﻣﺔ ﻭﺗﺻﻠﻲ ﻋﻠﻰ ﺃﺭﻭﺍﺣﻬﺎ ﺻﻼﺓ ﺍﻟﻭﺣﺷﺔ ﺟﻣﺎﻋﺔ ﻓﻘﺭﺭﺕُ ﺍﻥ ﺃﻋﯾﺩ ﺍﻟﻧﻅﺭ ﺑﻘﺿﯾﺔ ﻣﻭﺗﻲ‪،‬ھﻛﺫﺍ‬ ‫ﻕ ﻗﻭﻱ ﻋﻠﻰ ﺍﻟﺑﺎﺏ ﺍﻟﺧﺎﺭﺟﻲ ﺃﻓﺯﻋﻧﻲ ﻓﺧﺭﺟﺕُ ﻣﺭﺗﺟﻔﺎ ً‪ :‬ﻣﻥ ﺍﻟﻁﺎﺭﻕ؟( ﺹ‪١١‬‬ ‫ﻛﻧﺕ ﺃﺣﻠﻡ ﻟﻛﻥ ﺍﻟﺣﻠﻡ ﺗﻭﻗﻑ ﺑ َﻁ ْﺭ ٍ‬

‫ﻓﻣﺎ ﺍﻟﺫﻱ ﯾﺩﻋﻭﻧﺎ ﺇﻟﻰ ﻗﺭﺍءﺓ ﻣﺎ ﻛﺗﺑﻪ ﺍﻟﺭﻭﺍﺋﻲ )ﺳﻌﺩﻭﻥ ﺍﻟﺑﯾﺿﺎﻧﻲ(؟!‪ .‬ﻋﻧﻭﻧﺔ ﺍﻟﺭﻭﺍﯾﺔ ھﻲ ﺍﺣﺩ ﺍﻷﺳﺑﺎﺏ ﺍﻟﺫﻱ ﯾﺟﺫﺑﻧﺎ‬ ‫ﺇﻟﻰ ﺍﻟﻘﺭﺍءﺓ‪ ،‬ﻷﻧﻪ ﯾﺷﻛﻝ ﯾﻘﻅﺔ ﺗﺄﺛﯾﺭ ‪ /‬ﺗﺣﻔﯾﺯ ﻓﻲ ﺃﺫھﺎﻧﻧﺎ ﺍﻟﺷﺎﺭﺩﺓ ﻣﻥ ﺿﻭﺿﺎﺋﯾﺔ ﺍﻟﻌﺻﺭﻧﺔ ﺍﻟﺣﺩﯾﺛﺔ‪ ..‬ﻭھﻭ ﺍﻟﻘﻭﺓ‬ ‫ﺍﻻﯾﺻﺎﻟﯾﺔ ﺍﻟﺗﻲ ﺗﺣﺩﺩ ﻣﺳﺎﺭﺍﺕ ﺍﻟﻣﺗﻥ ﺍﻟﺩﺍﺧﻠﻲ ﻟﻠﻧﺹ ﻟﻠﺭﻭﺍﺋﻲ‪ ،‬ﺃﺿﻑ ﺇﻟﻰ ﺫﻟﻙ ﺍﻧﻪ ھ ّﯾﺄ ﻛﻝ ﺍﻟﻣﺳﺗﻠﺯﻣﺎﺕ ﺍﻟﻔﻧﯾﺔ‬ ‫ﺍﻟﻣﺷﻭﻗﺔ‪ ،‬ﻭﻅﺭﻭﻓﻬﺎ ﺍﻟﺯﻣﺎﻧﯾﺔ ﻭﺍﻟﻣﻛﺎﻧﯾﺔ ﺍﻧﻬﺎ ﻣﻧﺎﺧﺎﺕ ﻣﺗﺂﺻﺭﺓ ﻣﻥ ﺍﺟﻝ ﺗﺣﺭﯾﻙ ﺍﻟﺷﺧﺻﯾﺎﺕ‬ ‫ﻭﺍﻟﺳﺭﺩﯾﺔ ﻭﺍﻷﺳﻠﻭﺑﯾﺔ‬ ‫ّ‬ ‫ﺍﻟﺭﻭﺍﺋﯾﺔ ﺑﻧﻭﻋﯾﻬﺎ ﺍﻟﻣﺭﻛﺑﺔ ﻭﺍﻟﺑﺳﯾﻁﺔ‪ ،‬ﺍﻧﻪ ﯾﻌﻲ ﻛﯾﻑ ﯾﺗﻌﺎﻣﻝ ﻣﻌﻬﺎ؟ ﻛﯾﻑ ﯾﺣﺩّﺩ ﺃﻥ ﻟﻛﻝ ﻭﺍﺣﺩ ﻣﻧﻬﺎ ﺩﻭﺭﻩ ﺍﻟﺧﺎﺹ ﺍﻟﺫﻱ‬ ‫ﯾﺟﺏ ﺃﻥ ﯾﺳﯾﺭ ﻓﯾﻪ؟ ﻭﺫﺍ ﺑﺣﺩ ﺫﺍﺗﻪ ﺩﻟﯾﻝ ﻗﺎﻁﻊ ﻋﻠﻰ ﻗﻭﺓ ﻭﺩﺭﺑﺔ ﻣﺎ ﯾﻣﺗﻠﻛﻪ ﻣﻥ ﻣﻭھﺑﺔ‪.‬‬ ‫ﺍﻟﺭﻭﺍﯾﺔ‪ /‬ﻓﯾﻬﺎ ﻣﻥ ﺍﻟﺟﺩّ ﯾﺔ ﻭﺍﻟﻔﻛﺎھﺔ‪ ،‬ﻭﺍﻟﺳﺧﺭﯾﺔ ﻭﺍﻟﻣﺗﻌﺔ ﻭﺍﻟﺳﺫﺍﺟﺔ ﻣﺎ ﯾﻐﺭﻱ ﺍﻟﻘﺎﺭﺉ‪ ،‬ھﻭ ﯾﺟﻣﻊ ﻣﺎ ﺑﯾﻥ ﺍﻟﻣﺗﻧﺎﻗﺿﺎﺕ ‪/‬‬ ‫ﺍﻟﻣﺗﺿﺎﺩﺍﺕ ﺍﻟﺣﯾﺎﺗﯾﺔ ‪ /‬ھﻭ ﯾﺳﺭﺩ ﺑﺳﻼﺳﺔ ﻓﻧﯾﺔ‪ ،‬ﺗﻐﻠﺏ ﻋﻠﯾﻬﺎ ﺍﻟﻠﻐﺔ ﺍﻟﻔﺻﯾﺣﺔ ﻣﺭﺓ ﻭﺍﻟﻌﺎﻣﯾﺔ ﺛﺎﻧﯾﺔ‪ ،‬ﺇﺫ‪ /‬ﺇﻧﻬﺎ ﺷﻛﻠﺕ ﻟﻪ‬ ‫ﺟﺎﻧﺑﺎ ً ﺗﺗﻣﺣﻭﺭ ﻋﻠﯾﻪ ﺍﻷﺣﺩﺍﺙ ﺑﻭﺻﻔﯾﺔ ﻣﺗﻧﺎھﯾﺔ ﺍﻟﺩﻗﺔ‪) ،‬ﺃﻓﻛﺎﺭﻧﺎ ﺗﻭﺧﺯﻧﺎ ﺑﻌﺽ ﺍﻷﺣﯾﺎﻥ ﺣ ّﺩ ﺍﻟﻐﺛﯾﺎﻥ‪ ،‬ﺻﺎﺭﺕ ﻋﻘﻭﻟﻧﺎ‬ ‫ﺗﻧﺎﻧﯾﺭ ﻭﺃﻓﻛﺎﺭﻧﺎ ﺣﻁﺏ‪ ،‬ﺗﺑﺩﻭ ﻟﻧﺎ ﺑﻌﺽ ﺍﻟﻬﻣﻭﻡ ﻭﺍﻷﺷﯾﺎء ﺍﻟﺗﻲ ﺣﻣﻠﻧﺎھﺎ ﻋﻠﻰ ﻅﻬﻭﺭ ﻣﺣﺩﻭﺩﺑﺔ ﺃﺳﺧﻑ ﻣﻥ ﺃﻣﻧﯾﺎﺕ ﻁﻔﻝ‬ ‫ﻟﯾﻠﺔ ﺍﻟﻌﯾﺩ ﺣﯾﻥ ﯾﻧﺎﻡ ﺑﻣﻼﺑﺳﻪ ﺍﻟﺟﺩﯾﺩﺓ ﻣﻌﺗﻘﺩﺍً ﺑﺄﻥ ﺍﻟﺻﺑﺎﺡ ﺑﻌﯾﺩ ﺟﺩﺍ ً ﻭﻟﻥ ﯾﺳﺗﻁﯾﻊ ﺻﺑﺭﺍً ﻋﻠﻰ ﺫﻟﻙ‪ ،‬ﺻﺎﺭﺕ ﺃﻏﺎﻧﯾﻧﺎ‬ ‫ھﺫﯾﺎﻧﺎﺕ ﻭﻧﻛﺎﺗﻧﺎ ﺗﻣﺎﺭﯾﻥ ﻟﻣﻁ ﺍﻷﻓﻭﺍﻩ ﻭﺍﻟﺗﻛﺷﯾﺭ ﺑﺄﺳﻧﺎﻥ ﺣﺎﺩّ ﺓ ﺑﺎﺭﺯﺓ ‪،‬ﻛﻧﺎ ﻧﻁﺭﺏ ﺍﻟﻰ ﺩﺍﺧﻝ ﺣﺳﻥ ﻭﻧﻧﺗﺷﻲ ﻛﺄﻧﻧﺎ ﻋﺷﺎﻕ‬ ‫ﻣﺭﺍھﻘﯾﻥ‪ ،‬ﻭﺍﻟﯾﻭﻡ ﻧﺳﻣﻌﻬﺎ ﻭﻧﺑﻛﻲ‪..‬ﺍﻟﻣﻧﻛﻭﺏ ﺃﻣﺭﻥ ﺑﺎﻟﻣﻧﺎﺯﻝ ﻣﻧﺎﺯﻟﻬﻡ ﺧﻠﯾﻪ ﺃﻛﻠﻬﻪ ﻭﯾﻥ ﺍھﻠﻧﻪ ﺗﻛﻭﻝ ﺍﻛﻁﻌﻭ ﺑﯾﻪ‪ ،‬ﺩﺍﺧﻝ‬ ‫ﺣﺳﻥ ﯾﻣﻪ ﯾﺎﯾﻣﻪ‪ ..‬ﯾﺎﺩﻧﯾﺎ ﻧﻭﺏ ﺍﻟﻭﯾﺞ ﻧﻭﺑﻪ ﺍﻧﺗﻲ ﺗﻠﻭﯾﻥ ﺍﺟﺭﻱ ﺍﻟﻧﺻﺎﻑ ﻭﯾﺎﻱ ﻟﻭ ﺭﺩﺗﻲ ﺗﺟﻔﯾﻥ ﻭﺍﻟﻣﺷﻛﻠﺔ ﻋﻧﺩﻣﺎ ﻧﻧﺗﻬﻲ‬ ‫ﻣﻥ ﺍﻟﺑﻛﺎء ﺍﻭ ﺍﻟﺗﺑﺎﻛﻲ ﻧﻧﺳﻰ ﻋﻼﻡ ﻛﻧﺎ ﻧﺑﻛﻲ‪ ،‬ﯾﺎﻩ ‪..‬ﺃﻧﺎ ﺃﻓﻛﺭ ﺑﻬﺫﻩ ﺍﻟﺳﺧﺎﻓﺎﺕ ﻭﺃﻧﺎ ﻓﻲ ﻣﺣﻧﺔ ﻭﺷﺩّ ﺓ ﻻ ﯾﺧﻠﺻﻧﻲ ﻣﻧﻬﺎ ﺇﻻ‬ ‫ﷲ‪ (،‬ﺹ‪١٥‬‬ ‫ﺍ ّﻧﻪ ﯾﻬﺗﻡ ﺑﺩﻗﺔ ﺍﻟﻭﺻﻑ‪ ،‬ﺣﯾﺙ ﯾﻌﻣﻝ ﻋﻠﻰ ﺳﺑﺭ ﺃﻏﻭﺍﺭﻩ ﻭﺗﺭﺻﯾﻑ ﻣﻔﺎﺻﻠﻪ ﻋﻠﻰ ﺍﺧﺗﻼﻑ ﺃﺣﺟﺎﻣﻪ‪ ،‬ﻣﺣﺎﻭﻻً ﺃﻥ ﯾﺷﺩ‬ ‫ﺍﻟﻘﺎﺭﺉ ﺇﻟﻰ ﻣﺎ ﯾﺩﻭﺭ ﺑﯾﻥ ﺷﺧﺻﯾﺎﺗﻪ ﺍﻟﻘﺭﻭﯾﺔ ﺑﻣﺗﺎﻧﺔ ﺍﻟﺣﺑﻛﺔ ﺍﻟﺗﻲ ﻛﺎﻥ ﻟﻬﺎ ﺍﻟﺩﻭﺭ ﺍﻷﺳﺎﺳﻲ ﻓﻲ ﺗﺭﺻﯾﻥ ﺍﻟﺭﻭﺍﯾﺔ ﻭﺗﺣﺩﯾﺩ‬ ‫ﻣﻌﺎﻟﻣﻬﺎ ﺑﺑﺭﺍﻋﺔ ﻓﺎﺋﻘﺔ ‪.‬‬ ‫ﺍﻷﺣﺩﺍﺙ ﺍﻟﺗﻲ ﯾﺳﺭﺩھﺎ )ﺍﻟﺑﯾﺿﺎﻧﻲ( ﺃﺣﺩﺍﺙ ﻭﺍﻗﻌﯾﺔ ‪ /‬ﻣﺎﺿﻭﯾﺔ ﻣﻛ ّﺛﻔﺔ ﺑﻛﻝ ﺗﻔﺻﯾﻼﺗﻬﺎ‪ ،‬ﻻ ﺗﻌﻘﯾﺩ ﻓﯾﻬﺎ‪ ،‬ﺑﻝ ھﻧﺎﻙ ﺍﻟﻌﺎﻣﻝ‬ ‫ﺍﻟﻔﻁﺭﻱ ‪ /‬ﺳﺫﺍﺟﺔ ﺍﻟﺗﻔﻛﯾﺭ ﺍﻟﺣﯾﺎﺗﻲ‪ ،‬ﻣﺎ ﯾﺟﻌﻠﻧﺎ ﻧﺗﺎﺑﻊ ﺍﻷﺣﺩﺍﺙ ﻭﺍﻟﺷﺧﺻﯾﺎﺕ ﺑﻧﻭﻋﯾﻬﺎ‪ ،‬ﻷﻧﻧﺎ ﻗﺩ ﻧﻧﺗﻅﺭ ﻣﻧﻬﺎ ﻣﻔﺎﺟﺂﺕ‬ ‫ﻣﺗﺻﻠﺔ ﺑﺎﻁﻧﯾﺎ ً ﻭﻋﻠﻰ ﻭﻓﻕ ﺗﻧﺎﻣﻲ ﺍﻟﺣﺩﺙ‪) ،‬ﺍﻟﺑﯾﺿﺎﻧﻲ( ﺃﺟﺎﺩ ﻓﻲ ﻧﺎﻓﻠﺗﻪ ھﺫﻩ ‪ ،‬ﻷﻧﻪ ﺑﺎﺭﻉ ﺗﺣﺭﯾﻙ ﺃﺫھﺎﻧﻧﺎ ﻭﺷﺩّ ھﺎ ﺑﻝ‬ ‫ﺗﻭﻅﯾﻑ ﺍﻟﻣﻛﻭﻥ ﺍﻟﺛﻘﺎﻓﻲ ﻓﻲ ﺇﺷﺎﻋﺔ ﻟﻐﺔ ﺧﻁﺎﺏ ﺍﻵﺧﺭ ﻣﻥ ﺍﺟﻝ ﺗﺣﻔﯾﺯﻧﺎ ﺇﻟﻰ ﻣﺎ ﻓﻲ ﺍﻟﻣﺎﺿﻲ ﻣﻥ ﺍﺭﺙ ﺭﺻﯾﻥ‪ ،‬ﻭﺑﺫﺍ ﻛﺎﻥ‬ ‫ﻣﻠﻭﺣﯾﻥ ﻟﻪ ﺑﺎﻟﺛﻧﺎء ﻭﺍﻹﺟﺎﺩﺓ‪.‬‬ ‫ﻟﺯﺍﻣﺎ ً ﻋﻠﯾﻧﺎ ﺃﻥ ﻧﻠﺗﻔﺕ ﺇﻟﻰ )ﻧﺎﻓﻠﺔ ﺍﻟﺧﺭﺍﺏ( ﻭﺍﻟﻰ )ﺍﻟﺑﯾﺿﺎﻧﻲ( ّ‬

‫)ﺟﺎﺩﻟﻧﻲ ﻗﻠﺑﻲ ﺑﻬﺎ(‬ ‫ﺷﻌﺭ ‪ /‬ﻋﻠﻲ ﺍﻟﺩﻟﯾﻣﻲ ‪ /‬ﺍﻟﻌﺭﺍﻕ‬ ‫ﻣﺎﻋﺎ َﺩ ﻗﻠﺑﻲ‬ ‫ﻓﻲ ﺭﺑﻭﻋﻲ ﯾﻌﺗﺻﻡ‬ ‫ﯾﺳﺑﻘﻧﻲ ﻟﺣﺿﻧﻬﺎ‬ ‫ﯾﻐﯾﺿﻧﻲ ﻋﻧﺎﺩﻩُ ﻓﻧﺧﺗﺻﻡ‬ ‫ﺃﺗﻌﺑﻧﻲ ﻛﻡ ﻗﻠ ُ‬ ‫ﺕ‬ ‫ﯾﺎﻗﻠﺑﻲ ﺗﺟﻠﺩ ﻭﺍﻟﺗﺯﻡ‬ ‫ﻛﻥ ھﺎﺩﺋﺎ ً ﺑﻘﺭﺑﻬﺎ‬ ‫ﺑﺎﻵﺿﻼﻉ ﺳﻬﻭﺍً ﺗﺭﺗﻁﻡ‬ ‫ﺇﯾﺎﻙ‬ ‫ِ‬ ‫ﺍﻟﻧﺑﺽ‬ ‫ﻛﻣﻡ ﺳﺭﺍﯾﺎ‬ ‫ِ‬ ‫ﯾﺎﻗﻠﺑﻲ ﻋﺳﻰ‬ ‫ﺩﻗﺎﺕُ ﺃﺷﻭﺍﻗﻲ ﺇﻟﯾﻬﺎ ﺗﻧﺗﻅﻡ‬ ‫ﺟﺎﺩﻟﻧﻲ ﻗﻠﺑﻲ ﺑﻬﺎ‬ ‫ﻛﯾﻑ ﺍﻟﺫﻱ ﻗﺩ ﺫﺍﺏ ﻋﺷﻘﺎ ً ﯾﻠﺗﺯﻡ‬ ‫ﺑﻧﻅﺭ ٍﺓ ﻣﻥ ﻋﯾﻧﻬﺎ‬ ‫ﻧﺻﻔﯾﻥَ ﺃﻧﻲ ﺃﻧﻘﺳﻡ‬ ‫ﻟﻬﺎ ﻓ ٌﻡ‬ ‫ﻛﺎﻟﺑﺩﺭ ﻓﻲ ﻭﺟ ٍﻪ ﺟﻣﯾ ٍﻝ ﯾﺭﺗﺳﻡ‬ ‫ِ‬ ‫ﯾﻣﺳﻲ ھﻼﻟﯾﻥَ ﺇﺫﺍ‬ ‫ﻣﻧ ُﻪ ﺍﻟﺷﻔﺎﻩُ ﻓﻲ ﺩﻻ ٍﻝ ﺗﺑﺗﺳﻡ‬ ‫ﺃﻋﺷﻘﻬﺎ‬ ‫ﺡ ﻏﺎﺋ ٌﺭ‬ ‫ﻭﺍﻟﺷﻭﻕُ ﺟﺭ ٌ‬ ‫ﺑﺩﻭﻧﻬﺎ ﻻﯾﻠﺗﺋﻡ‬

‫ﻋﻠﻲ ﺍﻟﺩﻟﯾﻣﻲ‬

‫ﺕ َﺗ ْﺣﻠُﻣِﯾﻥ ﺑﻪ‪..‬‬ ‫ﻟﻘﺩ ﺟﻌﻠ ُﺗﻙِ ﺗﺗﻐ ّﯾ ِﺭﯾﻥ َﺗﻣﺎﻣﺎ ﻋ ّﻣﺎ ُﻛ ْﻧ ِ‬ ‫ﺕ‬ ‫ﺕ ﺫﺍﻛﺭﺗﻙ‪ ،‬ﺃﻋﻠ ْﻡ‪ ..‬ﻭﺗﻧ ّﻛﺭ ِ‬ ‫ﺕ ﺃﻧﺎ ﻭﻗﻠﺑﻲ ﻗﻠﺑﻙِ ‪..‬ﻣﺣﻭ ِ‬ ‫ﺃﺻﺑﺣ ِ‬ ‫ﺃﻱ ﻧﻬﺎﯾ ٍﺔ ﺳﺗﻠﻘﯾﻥ ﺑﻬ ّﻣﻙ‬ ‫ﻟﻣﻥْ ﺗﻛﻭﻧﯾﻥ‪ ،‬ﺃﻭ ﺃﯾﻥ ُﻛﻧﺕِ؟ ﺃﻭ ﺇﻟﻰ ّ‬ ‫ﻭﺗﺗﺑﺭﻣﯾﻥ ﻋﻠﻰ ﺃﻭﺗﺎﺭ ﺍﻟﻣﺯﻣﺎﺭ ﺍﻟﺣﺯﯾﻥ‪ ،‬ﺍﻟّﺫﻱ ﺗﺷﺩﻭﯾﻥ ﺑﻪ‬ ‫ّ‬ ‫ﺕ ﻗﺎﺻﯾﺔ‪..‬‬ ‫ﻛﻝّ ﻟﯾﻠﺔ ﻭﺃﻧ ِ‬ ‫ھﺫﺍ ﻟﯾﺱ ﺫﻧﺑﻲ ﯾﺎ ﻣﻠﻬﻣﺗﻲ‪..‬ﺇ ّﻧﻬﺎ ﻭﺭﻁﺗ ِﻙ ﻭﻻﺑ ّﺩ ﺃﻥ ﺗﻌﺗﺭﻓﻲ‬ ‫ﺑﺫﻟﻙ‪)..‬ﻟﻘﺎﺅﻧﺎ ﺍﻷﺧﯾﺭ ﺧﯾﺭ ﺩﻟﯾﻝ ﻋﻠﻰ ﺇﺣﺳﺎﺳﻲ(‪.‬‬ ‫ﻛ ُﻧﺕ ﻗﺩ ﺣ ّﺫﺭﺗﻙِ ﻣﻥ ﻗﺑﻝ‪ ،‬ﻭﺃ ّﻧﺑﺗﻙِ ﺃﯾﺿﺎ ﻋﻠﻰ ﺍﻻﻗﺗﺭﺍﺏ‪)..‬ﺃﻧﺎ‬ ‫ﻟﺳﺕُ ﺯﯾﺭ ﻧﺳﺎء ﻛﻣﺎ ﺗﺗﺧ ّﯾﻠﯾﻥ ﻭﻻ ﻗﺭﺍﺭ ﺑﯾﺩﻱ ﺃﯾﺿﺎ ً( ﻟﻛ ّﻧﻙِ‬ ‫ﺕ ﻋﻠﻰ ﻗﺗﻝ ﻧﻔﺳﻙ‪..‬‬ ‫ﺃﺻﺭﯾ ِ‬ ‫ّ‬ ‫ﻟﻘﺩ ﻗﺑﻠﺕُ ﺑﺄﻥْ ﺗﻌﺷﻘﯾﻧﻧﻲ ﻋﻠﻰ ﺍﻟﻭﺭﻕ ﺃﯾﺿﺎ ً‪..‬‬ ‫‪..‬‬ ‫ﻋﻣﺭ ﻟﻭﺭﯾﻛﻲ‬ ‫ﺭ‪.‬ﻕ‬ ‫ﺍﻏﻧﯾﺔ ﺍﻟﻐﺭﺍﻡ‬

‫ﺍﻟﻭﺻﻝ ُ ﻣِﻥ َﻓﺭﯾﺩﺓ‬ ‫َﺗﻘﺩ َﻡ َ‬

‫ﺕ ﻋِﺷﻘُﻧـﺎ‬ ‫ﺍﻟﻭﻗـ ِ‬ ‫َﺳﺄَﺻﻭﻥُ ﻓِﻲ َ‬

‫َﻭﻯ َﻭﺃَ َﻣﻝ‬ ‫ﻠﺑﻲ ھ ً‬ ‫َﻁﻭﻕُ َﻗ ِ‬

‫َ‬ ‫ﺍﻟﻭﺟ ِﻪ َﻭﺍﻟ َﻣﻧ َﻬﻝ‬ ‫ﺳﻡ َﻭ َ‬ ‫ﺑﺎﻷ ِ‬

‫َﻭﺃَﺣﻛِﻲ َﺗﺭﺍﺗﯾﻠَ ُﻪ َﺑﻭﺡ ◌ٌ ُﻣﺩَﻟﻝ‬

‫َﺟﺑﯾﻧﺎ ً َﻋﻠﻰ ﺟﺎﻧِﺑِﯾ ِﻪ َﻅﻠﻝ‬

‫َ‬ ‫ﺳﻡ ﺇِﻥ َﻧﻁﻘ ُ‬ ‫ﺕ َﺣﺭ َﻓﻪ‬ ‫ﺑِﺄ ٍ‬

‫َﻗﺭﻥَ ﻋِﯾﻭﻥُ ﺍﻟ َﻧﺑﯾِﻝ ﻓِﯾﻙ‬

‫ﺗﯾ ِﻪ َﻗﺩ َﺳﻘﺎﻧِﻲ‬ ‫ﻓﻲِ َﺧﻁِ َﻭﺟ َﻧ ِ‬

‫ُﯾﺑﻬ ُﺟﻧِﻲ َﻣﺭﺣﺎ ً ِﺑﺭﯾﺋﺎ ً ُﻣﻬﻠﻝ‬

‫ﻣﻌﺯﻝ‬ ‫َﻭﺃَﺳ َﺗﺣﺎﻝ َ ُﺣﺯ َﻧ ُﻪ ﺑِ َ‬

‫ﺳﻠﻝ‬ ‫ﻣِﻧ ُﻪ ﺩُﺭﺍً ﺑِﻪ ﺍﻟﻌِﺷـﻕُ َﺗ َ‬

‫َ‬ ‫ﺷ َﻣﺧﺕ ﻓِﻲ ﺑﺎﺻِ ﺭﻱ ُﺭﺳﻭ ُﻣﻪ‬

‫ﺷﻛﺭﺍً ُﺛ َﻡ ُ‬ ‫َﻓﺷﻛﺭﺍً ُﺛﻡ ُ‬ ‫ﺷﻛﺭﺍً‬

‫ُﻣﺗﻭﺟﺎ ً ِﺑﻧﻭﺭ ِﻩ ُﯾـﺷﺭﻕُ ﻣِﻧﻪ‬

‫َﻭﻣﺩِﺣ ُﺗ ُﻪ ﻋﻠﻰ ﺍﻟﻔـَ ِﻡ َﺗﺳ َﺑﻝ‬

‫ﻘﻠﺑﻲ َﺗﻭﻛﻝ‬ ‫ﻷَﻣﯾﺭ ٍﺓ ُﻭ ُﺟﻭﺩُھﺎ ﺑِ ِ‬

‫ﻘﺑـﻝ‬ ‫ﺃُﻓـﻕٌ َﻋﻠﻰ‬ ‫ﺍﻟﻔﺗﺢ ُﻣ ِ‬ ‫ِ‬ ‫ﺭﺣﻡ َﻋﺩﯾﻝَ ﺍﻟ َﻬﻭﻯ ﺟﺎﻧ ُﺑـﻪ‬ ‫َﻓﺄ َ َ‬

‫ﻟﯾﻧﺎ‬ ‫ﯾﺎ ُﻣﺭﺳـﻼً ِﺑ َ‬ ‫ﺎﻟﻭ ِ‬ ‫ﺻﻝ ﺇِ ِ‬ ‫ﻬﺎء ﺍﻟ ُﻣ َﺑﺟﻝ‬ ‫َﻋﻠﯾـ َﻙ‬ ‫ﺛﻭﺏ ﺍﻟ َﺑ ِ‬ ‫ُ‬

‫ﻓِﻲ َ‬ ‫ﺷﺫﻯ ﻋِ ﻁﺭ ِﻩ ﺑﺎﺕَ ُﻣﺛ َﻘـﻝ‬

‫َﻛﻔُ َﻙ ﯾﺎ ﻭﺍﺣﺩﺍً ﺑﺎﻟ َﻣﻌﺎﻧِﻲ‬

‫ِﻘﺎء ﯾﺎ ھِﻼﻻ‬ ‫َﻭﺃَﺟﺭﻧِﻲ ِﺑﺎﻟﻠ ِ‬

‫ﺻﻑ ﺃَﻥ َﯾ َﺗﺑﺗﻝ‬ ‫ﺍﻟﻭ ُ‬ ‫َﯾﻌﺟ ُﺯ َ‬

‫ﺷﺭ ﻓِﻲ َﻣﻭﻋـﺩ ِﻩ َﻭ َﺗ َﻬﻠﻝ‬ ‫َﺑ َ‬

‫ﺡ ﻣِﻥ َﺑﺭﺍﯾﺎ َﻁﻠﻌﺗِـﻙ‬ ‫َﺗﻔـﻭ ُ‬

‫ﺩﻭء ﻣِﻥ َﺗ َﺭﺑﻰ‬ ‫ِﺑﻣﺣ َﻔ ِﻝ ﺍﻟ ُﻬ ِ‬

‫ﻧﺎﻥ ﺃَﻧﺕَ ﻟَﻬﺎ ُﺗﻛﻣِﻝ‬ ‫َﻣﻌﺎﻁﯾ ُﺭ ﺍﻟ ِﺟ ِ‬

‫َﺗ َﺩﻟَﻠﺕ ﻓِﻲ ﺿِ ﻭﺋِﻪ ﺍﻟ ُﻣﻘﻝ‬ ‫َﻛﻡ َﻧﻅﺭ َﺗ ُﻪ ﺍﻟﻌـُﯾﻭﻥُ َﺗﻭﻗﺎ‬ ‫َﻭ َ‬ ‫ﺷﻭﻗﺎ ً ﺍﻟﻰ ﻅِ ﻠ ِﻪ ﺍﻷَﺟ َﻣﻝ‬

‫ﻧﺑﯾﻝ ﺍﻟﺷﺭﻉ‬

‫‪١‬‬ ‫ﺃﻧﺎ ﻻ ﺃُﺅﻣِﻥُ ﺑﻣﺎ ُﺗﺅﻣِﻥْ‬ ‫ﺃﻧﺕ ﺣﺭ ﺑﻘﻧﺎﻋﺎﺗﻙ‬ ‫ﻻ ﺗﺟﺑﺭﻧﻲ ﻋﻠﻰ ﺍﻥ ﺃُﺅﻣِﻥ ﺑﺧﺭﺍﻓﺎﺗﻙ ﻭﺃﻭھﺎﻣﻙ‬ ‫ﻏﺯﻝ ﺍﺧﺭ‬

‫ﻣﺯھﺭ ﺣﺑﯾﺏ‬ ‫ﻣﻥ ﻁﺭﺍﺋﻑ ﺍﻻﺩﺏ‬

‫ﻣﻌﻠﻭﻣﺔ ﻋﻣﺭ ﻋﺑﺩ ﷲ‬

‫ﺍﻟﻧﺑﻭ َﺓ ﺍﯾﺎﻡ ﺍﻟﻣﺗﻭﻛﻝ‬ ‫ﺍﺩّﻋﻰ ﺭﺟﻝ‬ ‫ّ‬

‫ﻗﺎﻝ ﺑﺷﺎﺭ ﺑﻥ ﺑﺭﺩ ﺭﺍﯾﺕ ﺣﻣﺎﺭﻱ ﺍﻟﺑﺎﺭﺣﺔ ﻓﻲ ﺍﻟﻧﻭﻡ ﻓﻘﻠﺕ ﻟﻪ ﻓﻘﺎﻝ ﻟﻪ ﺍﻟﻣﺗﻭﻛﻝ ُ ﻣﺎ ﻣﻌﺟﺯﺗﻙ ﻓﻘﺎﻝ ﺍﻋﻁﻭﻧﻲ ﺍﻣﺭ ﺃ ًﺓ‬ ‫ﺍﻧﻛﺣﻬﺎ ﻓﺗﻠﺩ ﻓﻲ ﺍﻟﺣﺎﻝ !‬ ‫ﻭﯾﻠﻙ ﻟ َﻡ ﻣﺕ؟ ﻗﺎﻝ‪ :‬ﺍﻧﺳﯾﺕ ﺍﻧﻙ ﺭﻛﺑﺗﻧﻲ ﯾﻭﻣﺎ ﻛﺫﺍ ﻭﻛﺫﺍ‬ ‫ﻭﺍﻧﻙ ﻣﺭﺭﺕ ﺑﻲ ﻋﻠﻰ ﺑﺎﺏ ﺍﻻﺻﺑﻬﺎﻧﻲ ﻓﺭﺍﯾﺕ ﺍﺗﺎﻧﺎ ) ﺍﻧﺛﻰ‬ ‫ﻓﻘﺎﻝ ﺍﻟﻣﺗﻭﻛﻝ ﻟﻭﺯﯾﺭﻩ ﺍﻟﺣﺳﻥ ﺑﻥ ﻋﯾﺳﻰ ‪ :‬ﺍﻋﻁﻪ ﺯﻭﺟ َﺗﻙ‬ ‫ﺍﻟﺣﻣﺎﺭ( ﻋﻧﺩ ﺑﺎﺑﻪ ﻓﻌﺷﻘﺗﻬﺎ ﺣﺗﻰ ﻣﺕ ﺑﻬﺎ ﻛﻣﺩﺍ ﺛﻡ ﺍﻧﺷﺩﻧﻲ‪:‬‬ ‫ﻧﺭﻯ ﻛﺫ َﺑﻪ ﻣﻥ ﺻﺩﻗِﻪ ﻓﻘﺎﻝ ﺍﻟﺣﺳﻥُ ﯾﺎﺍﻣﯾ َﺭ ﺍﻟﻣﺅﻣﻧﯾﻥ‬ ‫ﺍﺷﻬ ُﺩ ﺍ ّﻧﻪ ﻧﺑ ٌﻲ ﻭﺍﻧﻣﺎ ﯾﻌﻁﻲ ﺯﻭﺟ َﺗﻪ ﻣﻥ ﻻﯾﺅﻣﻥ ﺑﻪ‪.‬‬ ‫ﺳﯾﺩﻱ ﻣﻝ ﺑﻌﻧﺎﻧﻲ‪...‬ﻧﺣﻭ ﺑﺎﺏ ﺍﻻﺻﺑﻬﺎﻧﻲ‬ ‫ﺍﻥ ﺑﺎﻟﺑﺎﺏ ﺍﺗﺎﻧﺎ‪...............‬ﻓﺿﻠﺕ ﻛﻝ ﺍﺗﺎﻥ‬

‫ﻓﺿﺣﻙ ﺍﻟﻣﺗﻭﻛﻝ ُ ﺣﺗﻰ ھﻭﻯ ﻣﻥ ﻋﻠﻰ ﻛﺭﺳ ّﯾﻪ‪.‬‬

‫ﺗﯾﻣﺗﻧﻲ ﯾﻭﻡ ﺭﺣﻧﺎ‪.........‬ﺑﺛﻧﺎﯾﺎھﺎ ﺍﻟﺣﺳﺎﻥ‬ ‫ﻭﺑﻐﻧﺞ ﻭﺩﻻﻝ‪...........‬ﺳﻝ ﺟﺳﻣﻲ ﻭﺑﺭﺍﻧﻲ‬

‫ﻣﻌﻠﻭﻣﺔ ﻋﻣﺭ ﻋﺑﺩ ﷲ‬

‫ﻭﻟﻬﺎ ﺧﺩ ﺍﺳﯾﻝ‪...........‬ﻣﺛﻝ ﺧﺩ ﺍﻟﺷﯾﻔﺭﺍﻥ‬ ‫ﻓﺑﻬﺎ ﻣﺕ ﻭﻟﻭ ﻋﺷﺕ‪.........‬ﺍﺫﺍ ﻁﺎﻝ ھﻭﺍﻧﻲ‬

‫ﻋﻣﺭ ﻋﺑﺩ ﷲ‬

‫ﻓﻘﺎﻝ ﻟﻪ ﺭﺟﻝ ﻣﻥ ﺍﻟﻘﻭﻡ ‪:‬ﻭﻣﺎ ﺍﻟﺷﯾﻔﺭﺍﻥ ﯾﺎ ﺍﺑﺎ ﻣﻌﺎﺫ؟ ﻗﺎﻝ‬ ‫ھﺫﺍ ﻣﻥ ﻏﺭﯾﺏ ﺍﻟﺣﻣﺎﺭ ﻓﺎﺫﺍ ﻟﻘﯾﺗﻪ ﻟﻛﻡ ﻣﺭﺓ ﺛﺎﻧﯾﺔ ﺳﺎﻟﺗﻪ‪.‬‬ ‫ﺏ ﻣﻥ ﺍﺑﻭﺍ ِ‬ ‫ﺍﻟﻧﺣﻭ ﺍﻟﻘﺩﺍﻣﻰ ﯾﻘﻭﻟﻭﻥ ﻓﻲ ﺑﺎ ٍ‬ ‫ﺑﺎﺏ ﻣﺎ ﻟﻡ ﯾﺳ َﻡ ﻓﺎﻋﻠُﻪ"‬ ‫ﺏ‬ ‫ﻋﻠﻣﺎ ُء‬ ‫ﻋﻠﻭﻡ ﺍﻟﻧﺣﻭ ‪ُ " :‬‬ ‫ِ‬ ‫ِ‬ ‫ﺑﺎﺏ ﺍﻟﻣﺑﻧﻲ ﻟﻠﻣﺟﻬﻭﻝ"‬ ‫ﻭﺍﻟﻣﺗﺎﺧﺭﻭﻥ ﻣﻧﻬﻡ ﯾﻘﻭﻟﻭﻥ‪ُ " :‬‬ ‫ﺍﻟﺧﻠﻑ ﻟﻡ ﯾﻧﺗﺑﻬﻭﺍ ﻟﻬﺎ ؛‬ ‫ﺍﻟﺳﻠﻑ ﻭﻛﺄﻥ‬ ‫ﻭﻓﻲ ﺫﻟﻙ ﻧﻛﺗﺔ ﻟﻁﯾﻔﺔ ﻣﻥ ﺍﻻﺩﺏ ﺍﻟﺭﻓﯾﻊ ﺍﻧﺗﺑﻪ ﻟﻬﺎ‬ ‫َ‬ ‫ُ‬ ‫ﺃﺳﺗﻣﻊ ﻧﻔ ٌﺭ ﻣﻥ ﺍﻟﺟﻥﱢ ﻓﻘﺎﻟﻭﺍ ﺇ ّﻧﺎ‬ ‫ﺍﻟﻲ ﺍﻧﻪ‬ ‫ﺍﻟﻘﺭﺍﻥ‬ ‫ﻧﻌﺭﺏ ﻓﻌﻼً ﻓﻲ‬ ‫ﻭھﻲ‪ :‬ﺃﻧﻧﺎ ﻋﻧﺩﻣﺎ‬ ‫َ‬ ‫ﺍﻟﻛﺭﯾﻡ ﻣﺛﻝ " ﺃﻭﺣﻲ" ﻣﻥ ﻗﻭﻟﻪ ﺗﻌﺎﻟﻰ ))ﻗﻝ ﺃﻭﺣﻲ ﱠ‬ ‫ُ‬ ‫ِ‬ ‫ِ‬ ‫ﺳﻣﻌﻧﺎ ﻗﺭﺁﻧﺎ ﻋﺟﺑﺎ((ﺍﻟﺟﻥ‪١:‬‬ ‫ﻓﻬﻝ ﯾﻘﺎﻝ ﻣﺑﻧﻲ ﻟﻠﻣﺟﻬﻭﻝ؟!‬ ‫ﯾﻭﺻﻑ ﷲ ﺗﻌﺎﻟﻰ ﺑﺎﻟﻣﺟﻬﻭﻝ ؟!‬ ‫ﻭھﻝ ﯾﺳﺗﺳﯾﻎ ﺍﻟﻣﺅﻣﻥُ ﺃﻥ‬ ‫َ‬ ‫ھﺫﺍ ھﻭ ﺳﺭ ﺍﺻﻁﻼﺡ ﺍﻟﺳﻠﻑ ﻓﻲ ﻗﻭﻟﻬﻡ "ﺑﺎﺏ ﻣﺎﻟﻡ ﯾﺳﻡ ﻓﺎﻋﻠﻪ"‬ ‫ﻭﻣﻥ ھﺫﺍ ﺍﻟﺗﻧﺯﯾﻪ ﺍﻟﺟﻣﯾﻝ ﺍﻟﺭﺍﺋﻊ ﻣﺎ ﺍﺳﺗﺣﺩﺛﻪ ﺍﺑﻥ ھﺷﺎﻡ ﻭﺗﺑﻌﻪ ﻓﻲ ﺫﻟﻙ ﺍﻻﺯھﺭﻱ ﻭﺍﻻﺛﺎﺭﻱ ﻣﻥ ﻣﺻﻁﻠﺣﺎﺕ ﺍﻋﺭﺍﺏ ﺍﻻﺩﺏ ﻣﻊ ﷲ ﺗﻌﺎﻟﻰ؛‬ ‫ﻣﺻﻁﻠﺢ "ﻣﻔﻌﻭﻝ ﺑﻪ"‬ ‫ﺍﻟﺗﻌﻅﯾﻡ ﺑﺩﻻ ﻣﻥ‬ ‫ﻣﻧﺻﻭﺏ ﻋﻠﻰ‬ ‫ﷲ ‪ :‬ﺍﻧﻪ‬ ‫ٌ‬ ‫ﻛﻘﻭﻟﻬﻡ ﻓﻲ ﻟﻔﻅ ﺍﻟﺟﻼﻟﻪ ﻣﻥ ﻗﻭﻟﻧﺎ ﺩﻋﻭﺕ َ‬ ‫ِ‬ ‫ِ‬ ‫ﻣﺎ ﺍﺟﻣﻝ ﺍﻻﺩﺏ ﻣﻊ ﺍﻟﻧﺎﺱ‪ ،‬ﻭﺍﻻﺟﻣﻝ ﻣﻧﻪ ﺍﻻﺩﺏ ﻣﻊ ﷲ !‬

‫ﺣـﻧـﯾـﻥ ﺍﻟـﻁـﯾـﻥ‬ ‫‪..‬‬ ‫ﻋ َﺑـﺭﺕْ ﻛﻭﻣﺿﺎﺕ ﺍﻟﺳﻧﺎ ﺳﻧﻭﺍﺗﻲ‬ ‫ﺕ‬ ‫ﺍﻷﻣـﺱ ﻭﺍﻟـﻐـ ُﺩ ﺁ ِ‬ ‫ﻻ ﻟـﻥ ﯾـﻌـﻭﺩ‬ ‫ُ‬ ‫‪..‬‬ ‫ﺑــﺄﻱ ﺩﺭﻭﺑـــ ِﻪ‬ ‫ﺕ ﻭﻣــﺎ ﺃﺩﺭﻱ‬ ‫ﺁ ٍ‬ ‫ّ‬ ‫ﺃﻣﺿﻲ ﻭﻗﺩ ﺳﺎﺩ ﺍﻟﻅﻼﻡ ﺟﻬﺎﺗﻲ‬ ‫‪..‬‬ ‫ھﻲ ﺧﻁﻭﺓٌ ﺣﯾﺭﻯ ﻣﺩﺍھﺎ ﻟﻡ ﯾﺯﻝ‬ ‫ﯾـﻧـﺄﻯ ﺑـﻌﯾـﺩﺍً ﻋﻥ ﻧـﻭﺍﺯﻉ ﺫﺍﺗـﻲ‬ ‫‪..‬‬ ‫ﺍﻟﺭﻭﺡ ﺃﺗـﻌـﺑـﻬﺎ ﺣـﻧـﯾـﻥ ﺍﻟﻁﯾﻥ ﻓﻲ‬ ‫ﺕ‬ ‫ﺟﺳﺩﻱ ﻟﺣﺿﻥ ﺍﻟﺗﺭﺏ ﻓﻲ ﺍﻟﻅﻠﻣﺎ ِ‬ ‫‪..‬‬ ‫ﺗﺎﻗﺕ ﻟﯾﻭﻡ ﺍﻹﻧـﻌـﺗﺎﻕ ﻣﻥ ﺍﻟﺭﺩﻯ‬ ‫ﺭﻭﺣﻲ ﻭﻣﻥ ﺯﯾـﻑ ﺍﻟﺣﯾﺎﺓ ﺣﯾـﺎﺗﻲ‬ ‫‪..‬‬ ‫ﺃﻧﺎ ﺭﺍﺣﻝ ٌ ﻣﺎ ﺯﻟﺕُ ﺃﺗـﺑـ ُﻊ ھﺎﺟﺳـﻲ‬ ‫ﺗـﻁﻭﻱ ﻣﺳﺎﻓﺎﺕ ﺍﻷﺳﻰ ﺁھﺎﺗﻲ‬ ‫‪..‬‬ ‫ﻣﺎ ﻋﺎﺩﺕ ﺍﻷﻭﺟﺎﻉ ﺗﺣﻣﻝ ﻛﺎھﻠﻲ‬ ‫ﺗـﻌِـﺑﺕْ ﺩﺭﻭﺏ ﺍﻟﺣﺯﻥ ﻣﻥ ﺧﻁﻭﺍﺗﻲ‬ ‫‪..‬‬ ‫ﺃﻧﺎ ﺭﺍﺣﻝ ٌ‪ ..‬ﯾـﻭﻣﻲ ﯾـﺳﺎﻓﺭ ﻓﻲ ﻏﺩﻱ‬ ‫ﻟﺿﻔﺎﻓﻲ ﺍﻷﺑـﻬﻰ ﻣﺿﺕ ﻏﺎﯾـﺎﺗﻲ‬ ‫َ‬ ‫‪..‬‬

‫ﻣﺛﻧﻰ ﺍﺑﺭﺍھﯾﻡ ﺩھﺎﻡ‬

‫ْ‬ ‫ﺳـﻠﯾﻣﺎﻧﻲ( ْ‬ ‫ﻭﺇﺧـﻭ َﺗـ ُﻪ‬ ‫ﻭﺍﺣـﻔـﻅ ) ُ‬

‫ﺷﻬﻭﺩ ﺍﻟﺟﻣﺎﻝ ‪ ،،،،‬ﺧﺎﻟﺩ ﺍﻟﺑﺎﺷﻕ‬

‫ﺻﺭﺍ‬ ‫َـﺏ ﻟ ُﻬـ ْﻡ َﻧ ْ‬ ‫َﺛـ ﱢﺑﺕْ ُﺧـﻁﺎھ ْﻡ ھ ْ‬

‫ﺭﺳﻡ ﺍﻟﺟﻣــــﺎﻝ ﺑﻭﺟﻧﺗﯾﻙ ِ◌ ﺷﻬﻭﺩﺍ‬

‫ﺿ ُﺭ( ﻣِﻧ ُﻛ ْﻡ ﺃﺭﺗﺟﻲ ﺍﻟ ُﻌﺫﺭﺍ‬ ‫ﯾـﺎ ) ُﺧ ْ‬

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‫ﻭﺭﻣﻰ ﺍﻟﻬﻭﻯ ﻓــﻲ ﺭﺍﺣﺗﯾﻙ ﻋﻬﻭﺩﺍ‬

‫ﻑ ﺍﻟﯾﺭﺍ ُﻉ ﺇﺫﺍ ھﻣــﻰ ﺷِ ْـﻌﺭﺍ‬ ‫َﻧ َﺯ َ‬

‫ﺏ ُﻛـﻥْ َﻣـ َﻌ ُﻬ ْﻡ‬ ‫ﺇﻥْ َﺳــﺩﱠ ﺩﻭﺍ ﯾـﺎ َﺭ ﱡ‬

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‫ﺏ ﺑﺎﻟﺑُﺷﺭﻯ‬ ‫ﺍﻟﺭ ْﻛ ِ‬ ‫ﺟﻲء ﺣﺎﺩﻱ ﱠ‬ ‫ﻟ َﯾ َ‬

‫ﻑ ﻗﺎﻓِﯾﺗﻲ‬ ‫ـﺻﺭﺕْ ﻓﻲ ﺍﻟﻭﺻ ِ‬ ‫ﻗﺩْ َﻗ ﱠ‬

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‫ﺳـﺎﺣﻧﺎ ِﻋ ْ‬ ‫ـﻁﺭﺍ‬ ‫ﯾــﺎ ﻣــﻥ ﻣـﻸ ُﺗﻡ‬ ‫َ‬

‫ﺿ َﺧﺕْ‬ ‫ﺿ َﺔ )ﺍﻟﻣﻠﯾﻭﻥ( ﻣﺎ َﺭ َ‬ ‫ﯾـﺎ َﺭ ْﻭ َ‬

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‫ﻟـــﻭ ﻗـﺩﱠ َﻣـ ْﺗ ُﻬـ ْﻡ ﻣــﺭ ًﺓ ﺃﺧــﺭﻯ !!‬

‫ﺍﻟﻕ ﺍﻟﻐﺭﺍﻡ ﻭﺗﺷﺗﻬﯾﻙ ﻗﯾـــــــــﻭﺩﺍ‬

‫ــﺭ ُﻗﻧــﻲ‬ ‫ﻓﺎﻟﺑﺣ ُﺭ ھــﺎ َﺝ ﻭﻛــﺎ َﺩ ُﯾ ْﻐ ِ‬

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‫ﻓﻲ ﻛﻝ ﺟﺯء ٍ◌ ﻣﻥ ﻓﺅﺍﺩﻱ ﻟـــــﻭﻋﺔ ◌ٌ‬

‫َﻣـــ ٌﺩ ﻭ ُﯾ ْﺗ ِﺑـ ُﻌـــ ُﻪ ﺍﻟﻬـــﻭﻯ َﺟ ْ‬ ‫ــﺯﺭﺍ‬

‫ﺗــﻠــﻙ ﺍﻟــﺟـﺯﺍﺋـ ُﺭ َﻓ ْﺧــ ُﺭ ﺃ ﱠﻣـﺗِـﻧـﺎ‬

‫ﻭﺑﻙ ِ◌ ﺍﻧﺑﺭﻯ ﻧﺣﻭ ﺍﻟﻭﺻـــﺎﻝ ﺑﺭﻭﺩﺍ‬

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‫ﻭﺃﺳـﻭﺩُھﺎ ﻟـﻡ َﯾ ْـﺭ َﺗـﺿـﻭﺍ ﺍﻟ َﻛ ْﺳﺭﺍ‬

‫ﻓﻲ ﻣﻠﺗﻘﺎﻧﺎ ﺍﻟﻘﻠﺏ ﻁــــــﺎﺭ ﺣﻧﯾﻧﻪ ◌ُ‬

‫َﻣــﻥْ ﻣِـ ْﺛـﻠ ُﻛ ْﻡ ﺃھــﺩﻯ ﻟـﻧﺎ ﺃﻟَـ ًﻘﺎ‬

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‫ﻗﺑﻠﻲ ﻟﯾـﺭﻣﻲ ﻓﻲ ﺍﻟﺩﺭﻭﺏ ﻭﺭﻭﺩﺍ‬

‫ﻓـﻠﻘـﺩْ ﺃﺿـﺄْ ُﺗـــﻡ ﻟﻠﺩﱡﺟــﻰ َﺑﺩْ ﺭﺍ‬

‫ــﺭﻭﺍ‬ ‫ﻋــﻧـﺩ ﺍﻟـﻠﱢـﻘﺎ َﺛـ َﺑـﺗﻭﺍ ﻭﻣــﺎ َﻓ ﱡ‬

‫ﯾﻛﻔﯾﻙ ِ◌ ﻋـــﻥ ﺳﺭ ﺍﻟﺟﻣﺎﻝ ﺗﻔﺎﺧﺭﺍً‬

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‫ـﺭﺍ‬ ‫ﺍﻟـﺿـﯾﺎﻏ ِ​ِﻡ ﺃﺣﺳﻧﻭﺍ ﺍﻟـ َﻛ ّ‬ ‫ﱠ‬ ‫ﻣِـ ْﺛـﻝَ‬

‫ﺍﻥ ﺍﻟﻭﺳـــــــﺎﻣﺔ ﺗﺭﺗﺩﯾﻙ ِ◌ ﺧﻠﻭﺩﺍ‬

‫ھـﺫﻱ ﻓﻠﺳﻁﯾﻥُ ﺍﻟ ُﻌﻼ ﺍﻧﺗﻔﺿﺕْ‬

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‫ﺍﻟـﺣ ّﺭﻯ‬ ‫ُﺗـﺯﺟـﻲ ﻟـﻛـﻡ ﻗُـ ُﺑـﻼﺗِﻬﺎ َ‬

‫ﻭﺑـ َﻣـﻥْ‬ ‫ــﺭ ْﻡ ِﺑـ ِﻬـ ْﻡ ﻭﺑـﺄﺭﺿِ ـ ِﻬ ْﻡ ِ‬ ‫ْﺃﻛ ِ‬

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‫ــﺭﺍ‬ ‫ــﺭﻋــﻭﺍ ُﻧﻅــﺭﺍ َءھـ ْﻡ ُﻣ ً‬ ‫ﻗـــﺩ َﺟ ﱠ‬

‫ﺻـﺩَ َﺣﺕْ ﻣـﺂ ِﺫ ُﻧﻬﺎ‬ ‫ﻭﺍﻟـﻘـﺩﺱ ﻗـﺩ َ‬ ‫ُ‬

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‫ﺍﻷﺳــــﺭﻯ‬ ‫ــﺭ ْ‬ ‫ﷲ ُ ﺃﻛـــﺑــ ُﺭ َﻛـــ ﱠﺑ َ‬ ‫***‬

‫ﺭﻭﺣــﻲ َﺗـﻬـﯾ ُﻡ ِﺑـ ِﻬـ ْﻡ ُﺗـﻌﺎﻧِﻘُ ُﻬـ ْﻡ‬

‫ﺑﻌﺑﯾﺭ ﺣﺳﻧﻙ ﻗﺩ ﺑﺩﺍ ﻣﺷــــــﺩﻭﺩﺍ‬

‫ﻭﺍﻟﺷﻌﺏ ﺻﺎ َﺡ‪َ :‬ﻣﻌﺎﻙِ ﯾﺎ َ‬ ‫ـﺿﺭﺍ‬ ‫ﺍﻟﺧ ْ‬ ‫ُ‬

‫ﻭﺍﻟﺭﻭﻧﻕ ﺍﻟﻣﻭﺟﻭﺩ ﻓﻲ ﺯھــﺭ ﺍﻟﺻﺑﺎ‬

‫ﻣﻌﺎﻙِ ﯾﺎ ﺍﻟﺧﺿﺭﺍ ‪ /‬ﻣﺣﻣﻭﺩ ﺍﻟﺿﻣﯾﺩﻱ‬

‫ﺷﯾ ُﺦ ﻗﺑﻝ َ ﺍﻟ ﱢﻁﻔـﻝ َﯾ ْﻌ َ‬ ‫ﻭﺍﻟ ﱠ‬ ‫ﺷﻘُ ُﻛـ ْﻡ‬ ‫ﺕ )ﺍﻟـ َﻌ ْﺫﺭﺍ(‬ ‫ـﻑ َﻭﻧـﺎﺩ ِ‬ ‫ﺭﻓـﻌــﻭﺍ ﺍﻷ َﻛ ﱠ‬

‫ﻭﺍﻧﺷﻕ ﻧﻬــــــ ٌﺭ ﻣﻥ ﺷﻔﺎھﻙ ﻟﻠﻬﻭﻯ‬ ‫ﻓﻐﻔﺎ ﺍﻟـــﻭﺩﺍﺩ ﻋﻠﻰ ﺍﻟﺷﻔﺎﻩ ﺳﺟﻭﺩﺍ‬ ‫ﯾﻐﻔــــــــﻭ ﺍﻟﻌﺑﯾﺭ ﻭﺗﺳﺗﻠﺫ ﻁﯾﻭﺑﻪ ◌ُ‬ ‫ﻓﻲ ﻧﺎﻅﺭﯾﻙ ﻓﯾﺣﺗﻭﯾﻙ ﺣــــﺩﻭﺩﺍ‬ ‫ﻧﺟﻭﻯ ﺍﻟﻌﯾﻭﻥ ﺗﻁﯾﺭ ﻧﺣﻭﻙ ﺗﺳﺗﻘﻲ‬

‫ﻭﻣﺻــــــــﺎﻧﻊ ﺍﻟﯾﺎﻗﻭﺕ ﺗﺷﻬﺩ ﺍﻧﻬﺎ‬ ‫ﻣﻥ ﺳﺣﺭ ﻋﯾﻧﻙ ِ◌ ﺗﻧﺗﻘﻲ ﺍﻟﻣﺣﺻﻭﺩﺍ‬ ‫ﻭﺍﻟﺧﻣﺭ ﺗﻘﻁﺭﻩ ◌ُ ﺍﻟﻣﺧـــــﺎﺯﻥ ﺍﻧﻬﺭﺍ ◌ً‬ ‫ﻣﻥ ﺗﺣﺕ ﺧﺩﻙ ﺗﺄﺧﺫ ﺍﻟﻌﻧﻘـــــﻭﺩﺍ‬ ‫ﻭﺍﺫﺍ ﺳﺄﻟﺕ ◌ُ ﺍﻟﻌﻁﺭ ﯾﺧﺑﺭﻧﻲ ﺍﻟﺷﺫﺍ‬

‫ﯾﺳﻘﯾﻪ ﻧﻭﺭﻙ ِ◌ ﻟﻠﺟﻣﺎﻝ ﻋﻘــــــــﻭﺩﺍ‬ ‫ﺍﻏﻔــــــــــﻭ ﺍﻗ ّﺑـﻝ ﻭﺟﻧﺗﯾﻙ ﺗﻭھﻣﺎ‬

‫***‬

‫ﻓﺻﻧﻌﺕ ﻣﻥ ﻭھـﻡ ﺍﻟﺭﻗﺎﺩ ﺧﺩﻭﺩﺍ‬

‫ـﺭھُــ ْﻡ‬ ‫ﺻ َ‬ ‫ﺃﺩﻋﻭ َﻙ ﯾــﺎ ﺭﺣـﻣـﻥُ َﺗ ْﻧـ ُ‬

‫ﻛﻝ ﺍﻟﻣﺣﺎﺳﻥ ﻓــﻲ ﻋﯾﻭﻧﻙ ﺗﻠﺗﻘﻲ‬

‫ﺛﻌﺎﻟﺏ ﺍﻟﺻﺣﺭﺍ(‬ ‫ﻭﺍﺣ ِـﻡ ﺍﻷﺳـﻭ َﺩ )‬ ‫َ‬ ‫ْ‬

‫ﻭﺍﻟﻧﻭﺭ ﺍﺻﺑﺢ ﺑﺎﻟﻠﻘﺎ ﻣﻣـــــــــﺩﻭﺩﺍ‬ ‫ﻗﺩ ﻛﺎﻥ ﺍﺻﻝ ﺍﻟ ُﺣﺳﻥ ﻗﺑﻠﻙ ِ◌ ﺿﯾﻘﺎً‬ ‫ﺣﺗﻰ ِﻭﻟﺩﺕ ِ◌ ﻓﻛــﺎﻥ ُﺣﺳﻧﻙ ﺟﻭﺩﺍ‬

‫ﻗﻠﺑﻲ ﺃﺭﻯ ﺍﻻﺷـــﻭﺍﻕ ﺗﺑﻛﻲ ﻭ ُﺗﺻﻠﺏ ◌ُ‬ ‫ﻭﻟﯾﻠﻲ ﺗﻣــــﺎﺩﻯ ﻓﻲ ﻋــﺫﺍﺑﻲ ﻓﺎﻧﺣﺏ ◌ُ‬ ‫ﺍﻧﺎ ﺍﻵﻥ ﻣﻬﺟـــــــــﻭﺭ ◌ٌ ﻭﻗﻠﺑﻲ ﻣﻘﻁﻊ ◌ٌ‬ ‫ﻭﻛﻔﻲ ﺑﻛـــــــــﻝ ﺍﻻﻣﻧﯾﺎﺕ ِ◌ ﺗﺧﺿﺏ ◌ُ‬ ‫ﻓﻣﺎﻟﻲ ﺃﺭﺍﻙ ﺍﻟﯾـــــــــﻭﻡ ﺗﻧﻭﻱ ﺗﺑﺎﻋﺩﺍ ◌ً‬ ‫ﻛﺄﻧﻲ ﺃﺭﻯ ﻁﯾﺭﺍ ◌ً ﻣــــﻥ ﺍﻟﺻﯾﺩ ﯾﻬﺭﺏ‬ ‫ﻭﺍﻣﺳﻲ ﻭﻗﻠﺑﻲ ﻟﯾﺱ ﯾﻬﻔــــــﻭ ﻟﻐﯾﺭﻩ ِ◌‬ ‫ﻭﺍﻏﻔﻭ ﻭﻋﻘﻠﻲ ﻣـــــــــﻥ ﺭﺅﺍﻩ ◌ُ ُﯾﻌ ّﻁﺏ ◌ُ‬ ‫ﺳﻭﯾﺩﺍء ﺍﺣﻼﻣــــــــﻲ ﺗﻧﺎﺩﻱ ﻁﯾﻭﻓﻪ ◌ُ‬ ‫ﻭﻟﺣﻥ ﺍﻟﻧﻭﻯ ﻣﻥ ﻋﺯﻑ ﺳﻬﺩﻱ ﯾﻁﺭﺏ‬ ‫ﺍﺳﯾﺭ ◌ُ ﺑﺩﺭﺏ ﺍﻟﻬﺟــﺭ ﻋﻁﺷﻰ ﺣﻘﺎﺋﺑﻲ‬ ‫ﻭﻟﯾﻝ ◌ٌ ﻁﻭﯾﻝ ﺍﻟﺣــــــــﺯﻥ ﻓﯾﻪ ﺃُﻗﻠـّﺏ ◌ُ‬ ‫ھﻭ ﺍﻟﺷـــــــــــﻭﻕ ﺁﻻﻡ ◌ٌ ﺍﺩﺍﺭﻱ ﻧﺯﯾﻔﻪ ◌ُ‬ ‫ﺃﻋﺟﺏ‬ ‫ﺑﺻﺑﺭﻱ‬ ‫ﻭﻣﻥ ﻧﺯﻑ ھﺟـــﺭﺍﻧﻲ‬ ‫ُ‬ ‫َ‬ ‫ﺍﺭﺍﻩ ◌ُ ﻭﺍﻧﻲ ﻣـــــــــــــــﺎ ﺭﺃﯾﺕ ﻣﺛﯾﻠ ُﻪ‬ ‫ﻭﻋﯾﻧﻲ ﺍﻟﯾﻪ ِ◌ ﺣﯾﻥ ﺍﻏﻔـــــــﻝ ﺗﻬﺭﺏ ◌ُ‬ ‫ﻋﻠﺊ ﺷﻭﻕ ﺁﻣـــــــﺎﻟﻲ ﺍﻧﺎﺩﻱ ﻭﺻﺎﻟﻪ ◌ُ‬ ‫ﻭﻣﻧ ُﻪ ﻟﻘﺎء ﺍﻟﺣﺏ ﺑﺎﻟﻭﺻــــﻝ ﯾﺻﻌﺏ‬ ‫ھﻭ ﺍﻟﻘﻠﺏ ﻭﺍﻟﺷﺭﯾــــــﺎﻥ ﺩﻭﻧﻪ ﻣﺎﺍﺭﻯ‬ ‫ﻟﻘﻠﺑﻲ ﺍﻧﺗﺳﺎﺏ ﺍﻟﻧﺑﺽ ﺣﯾــﻥ ﯾﺭﺣﺏ ◌ُ‬ ‫ﻣﺎﻟﻲ ﺑﻐﯾﺭﺍﻟﺷــﻭﻕ ﻓﻲ ﺍﻟﺭﻭﺡ ﻏﺎﯾﺔ ◌ٌ‬ ‫ﻭﻣﺎﻟﻲ ﺳـــــﻭﻯ ﻭﺻﻝ ﻭﻟﻘﯾﺎﻩ ◌ُ ﻣﻁﻠﺏ‬ ‫ﺍﻧﺎ ﺍﻟﺻﺑﺭ ﺃﻓﻧﺎﻧﻲ ﻭﺭﻭﺣـــــــﻲ ﺑﻬﺟﺭﻩ ِ◌‬ ‫ﺗﻌﺎﻧﻲ ﺟﺭﺍﺡ ﺍﻟﻬﺟـــﺭ ﻭﺍﻟﺟﺳﻡ ﯾﻛﺫﺏ ◌ُ‬ ‫ﻓﺎﻥ ﺩﺍﻥ ﻣـــــﻥ ﻗﻠﺑﻲ ﻭﺍﻋﻁﻰ ﻭﺻﺎﻟﻪ ◌ُ‬ ‫ﻓﺣﺯﻧﻲ ﺑﻌﯾﺩﺍ ◌ً ﺳﻭﻑ ﯾﺻﻔﻭ ﻭﯾﺣﺟﺏ ◌ُ‬ ‫ﺑﻼﻧﻲ ﻓﺅﺍﺩﻱ ﺍﻟﻐﺽ ﻋﻣـــــــﺩﺍ ◌ً ﺑﺣﺑﻪ ِ◌‬ ‫ﻭﻣﻥ ﺭﺍﻡ ﻋﺷﻕ ﺍﻟﺳـﻣﺭ ﻣﻧﻬﻡ ُﯾﻌـﺫﺏ ◌ُ‬

‫ﻧﺯﻑ ﺍﻟﻬﺟﺭﺍﻥ‬ ‫ﺧﺎﻟﺩ ﺍﻟﺑﺎﺷـــﻕ‬

‫ﺍﻟﻌﺭﺍﻕ‬

‫ﺑﻌﺛﺭﻧﻲ ﻋﺷﻘﻙ ﺳﯾﺩﺗﻲ‪...‬‬ ‫ﺿﯾﻌﻧﻲ ﺍﻻﻑ ﺍﻟﻣﺭﺍت‪...‬‬

‫ﺃﻗﺩﻡ ﺍﻟﻭﺟﻭﺩ ‪ ..‬ﺃﻧﺎ‬

‫ﻗﻁﻌﻧﻲ‪...‬ﺑﻌﺛﺭ ﺍوﺻﺎﻟﻲ‪...‬‬

‫ﺃﻗﺩﻡ ﺍﻟﻭﺍﺭﺛﻭﻥ ‪ ..‬ﺃﻧﺎ‬

‫ﺍﻗﺿﻲ ﻟﯾﻠﻲ ﺑﺎﻟﺣﺳﺭﺍت‪...‬‬

‫ﺭﺣﻠﻭﺍ ﻭﺍﻧﺎ ‪ ..‬ﺍﻟﻭﺭﯾﺙ‬

‫ﺍﻻﺗﻲ ﻓﻲ ﻋﻠﻡ ﺍﻟﻐﯾﺏ‪...‬‬

‫ﻭﺳﯾﺭﺣﻠﻭﻥ ﻭﺃﻧﺎ ‪..‬‬

‫وﺍﻟﻧﺎﺭ ﻓﻲ ﻋﻣﺭي ﺍﻟﻔﺎت‪...‬‬

‫ﻟﻛﻧﻬﻡ ﻟﻥ ﯾﻭﺭﺛﻭﻧﻲ ‪ ..‬ﺇﻻ‬

‫ﻓﻲ ﺍﻟﻧﯾﺭﺍﻥ‪...‬‬ ‫ﺍﺷﻌﻠ ِ‬ ‫ت َ‬

‫ﻓﻭھﺔ ﺍﻟﺑﺭﻛﺎﻥ‬

‫ﺻﺭت ﺍﻣﺷﻲ‪..‬ﺑﺎﻟﺟﻣﺭﺍت‪...‬‬

‫‪:‬‬

‫ﻻ ﺍﺩﺭي ﺍﻧﻲ ﻣﺣﺗﺭﻕ‪...‬‬

‫‪:‬‬

‫ﻻ ﯾﺧﺭج ﺻوت ﺍﻻھﺎت‪...‬‬

‫‪:‬‬

‫ﺍﻻﺳﺗﺎﺫ ﺟﻠﯾﻝ ﺍﻟﺷﻣﺭي‬

‫ﺟﻠﯾﻝ‬ ‫ﺍﻟﺷﻣﺭي‬

‫ﺍﻟﻣﻬﻧﺩﺱ ﻧﺯﺍﺭ ﺍﻷﺳﺩﻱ‬ ‫)ﺍﻟﻌﺭﺍﻕ(‬ ‫ﺭﻕ ﺍﻟﻔﺅﺍﺩ‬

‫ﻭﺗﻧﺛﺭﻱ ﺗﻠﻙ ﺍﻟﺩﻣﺎء‬

‫ﻓﻘﺭﺭ ﺍﻟﻣﻭﺕ‬

‫ﻭﺳﺎﻟﺕ ﺍﺩﻣﻌﻲ‬

‫ﻻ ﻭﻟﻥ ﺗﺗﻧﻌﻣﻲ‬

‫ﯾﺎ ﺑﻐﺩﺍﺩ‬

‫ﺧﺟﻼ‬

‫ﺑﺎﻟﻣﺟﺩ‬

‫ﺍﺗﺛﺎﺭﯾﻥ ﺍﻟﻰ ﻣﺟﺩ‬

‫ﻭﺗﺳﺎﻣﺭ ﺍﻟﻭﺟﺩ‬

‫ﯾﺎﺑﻐﺩﺍﺩ ﻭﻟﻙ‬

‫ﻏﺩﺍ ھﺯﻝ‬

‫ﻭﺍﻻﺣﺯﺍﻥ‬

‫ﻓﻲ ﺷﻣﺎﻟﻙ ﺍﺧﺕ‬

‫ھﺑﻲ ﺍﻟﻰ ﻧﯾﻧﻭﻯ‬

‫ﻓﻲ ﺻﻣﺕ ﻟﯾﻠﻙ‬

‫ﻗﺩ ﺍﻏﺻﺑﻭھﺎ ﻋﻠﻰ ﺍﻟﻌﺻﯾﺎﻥ‬

‫ﻭﻛﻔﻛﻔﻲ ﺍﻟﺩﻣﻊ ﻋﻥ‬

‫ﯾﺎﺑﻐﺩﺍﺩ‬

‫ﺷﺭﺫﻣﺔ‬

‫ﺟﻧﺑﯾﻬﺎ ﻓﻲ ﻋﺟﻝ‬

‫ﺍﺗﻧﻌﻣﯾﻥ ﻭﻧﯾﻧﻭﻯ‬

‫ﻓﻠﻥ ﺗﻌﻭﺩ‬

‫ﻭﺷﻣﺭﺕ ﻋﻥ ﺳﻣﺭھﺎ‬

‫ﺗﺗﺎﻟﻡ‬ ‫ھﯾﺎ ﺍﻧﻬﻅﻲ‬

‫ﺍﺫﺍ ﻟﻡ ﯾﺣﺿﺭ ﺍﻟﻐﺿﺏ‬

‫ﺑﻐﺩﺍﺩ ﻭﺍﺭﺗﺟﻠﺕ‬

‫ﺟﺋﻧﺎﻙ ﯾﺎﻣﻥ‬

‫ﻟﻙ ﺍﻟﺩﻣﺎء‬

‫ﺑﻙ ﺍﻟﺣﺩﺑﺎء ﻣﺄﺫﻧﺔ‬

‫ﯾﺎ ﺍﻡ ﺍﻟﺭﺑﯾﻌﯾﻥ ﻗﺩ‬

‫ﻭﺑﻙ ﺍﻟﻣﺟﻧﺢ ﻗﺩ‬

‫ﻧﺯﻓﺕ‬

‫ﺿﺎﻗﺕ ﺑﻪ ﺍﻟﺳﺑﻝ‬

‫ﻓﺷﻣﺭﻱ ﻋﻧﻙ‬

‫ﻭﺷﺩﻱ ﺳﺎﻋﺩﺍ ﺑﯾﺩﻱ‬ ‫ﻭﺗﺣﺭﺭﻱ‬ ‫ﻣﻥ ﺍﺭﻕ ﺍﻟﻛﻭﺍﺑﯾﺱ‬ ‫ﺍﻥ ﻟﻡ ﺗﺯﻓﻲ ﺍﻟﻘﺭﺍﺑﯾﻥ‬

‫ﺫﺍﻙ ﺍﻟﻠﯾﻝ ﻭﺍﺑﺗﺳﻣﻲ‬

‫ﻓﺅﺍﺩ ﺟﺎﺳﺏ‬

‫ﻋﻧﺩﻣﺎ ﺗﻘﺭﺃ ﻓﻲ ﺍﻟﺗﺎﺭﯾﺦ ﻋﻥ ھﺫﺍ ﺍﻟﺯﻣﻥ‬

‫ﻋﯾﻧﻲ ﺑﺎﻟﻣﻭﺝ ﻭﺧﻔﻕ ﺍﻷﺷﺭﻋﺔ‬ ‫ﻣﺅﻧﺳﺎ‬ ‫ّ‬

‫ﺭﺑﻣﺎ ﺗﻠﻌﻧﻧﻲ ﻋﻧﺩ ﺻﻼﺓ ﺍﻟﻔﺟﺭ‬

‫ﻟﻡ ﺃﺑﻊ ﺳﯾﻑ ﺻﻼﺡ ﺍﻟﺩﯾﻥ ﺳﻌﺭﺍ‬

‫ﺃﻭ ﺑﻌﺩ ﺍﻷﻓﻭﻝ‬

‫ﻟﻠﺟﻭﺍﺭﻱ ﻭﺍﻟﻛﺅﻭﺱ ﺍﻟﻣﺗﺭﻋﺔ‬

‫ﻭﻛﺄﻧﻲ ﻓﻲ ﺭﺑﻭﻉ ﺍﻷﻧﺱ ﻭﺍﻟﻠﻬﻭ ﺃﺟﻭﻝ‬

‫ﺃﻧﺎ ﻟﻡ ﺃﺣﺭﻕ ﻛﺗﺎﺏ ﷲ ﻓﻲ ﺃﻋﻠﻰ ﺍﻟﻣﺂﺫﻥ‬

‫ﺃﻧﺛﺭ ﺍﻟﻣﺎﻝ ﻋﻠﻰ ﺍﻟﻐﯾﺩ ﺍﻟﺣﺳﺎﻥ ِ◌‬

‫ﻷﻏﯾﻅ ﺍﻟﻣﺻﻁﻔﻰ ﻭﺍﻟﺧﻠﻔﺎء ﺍﻷﺭﺑﻌﺔ‬

‫ﺁﻩ ﻟﻭ ﺗﻌﺭﻑ ﺇﻧﻲ‬

‫ﻻ ﻭﻟﻡ ﺃﺳﺭﻕ ﺭﻏﯾﻑ ﺍﻟﺷﻌﺏ‬

‫ﻛﺩﺕ ﺃﻥ ﺃﻣﺿﻎ ﻣﻥ ﺟﻭﻋﻲ ﻟﺳﺎﻧﻲ‬

‫ﻛﻲ ﺃﺑﺗﺎﻉ ﺳﺭﺍ‬

‫ﻭﺑﺄﻧﻲ ﺳﻠﻌﺔ ﺩﻭﻥ ﺛﻣﻥ‬

‫ﻣﻥ ﺩﻛﺎﻛﯾﻥ ﻋﺩﻭﻱ ﺍﻷﺳﻠﺣﺔ‬

‫ﻟﻡ ﺃﺑﺩﺩ ﺛﺭﻭﺓ ﺍﻷﺟﯾﺎﻝ ﻓﺎﻋﺭﻑ‬

‫ﻟﯾﺱ ﻋﻧﺩﻱ ﻛﻝ ﯾﻭﻡ ﻣﺫﺑﺣﺔ‬

‫ﺫﻟﻙ ﺍﻵﺛﻡ ﻣﻥ‬

‫ﺃﻧﺎ ﻣﺎ ﺃﻭﻣﺄﺕ ﻟﻸﻋﺩﺍء‬

‫ﻟﻙ ﻛﻝ ﺍﻟﺣﻕ ﺃﻥ ﺗﻧﺑﺵ ﺳﺭﺍﻗﻙ‬

‫ﻓﻲ ﻏﻔﻠﺔ ﻗﻭﻣﻲ ‪ " :‬ﺇﺗﺑﻌﻭﻧﻲ‬

‫ﻣﻥ ﺻﻣﺕ ﺍﻟﻣﻘﺎﺑﺭ‬

‫ﻭﺍﺳﻠﺑﻭﺍ ﺍﻟﻛﻌﺑﺔ ﻭﺍﻟﻣﺳﺟﺩ ﻭﺍﻷﻁﻬﺎﺭ‬

‫ﺛﻡ ﺗﺫﺭﻭھﻡ ﻣﻊ ﺍﻟﺭﯾﺢ ﺭﻣﺎﺩﺍ‬

‫ﻓﻲ ﻭﺍﺩﻱ ﺍﻟﺑﻘﯾﻊ ! "‬

‫ﻓﺎﺣﺷﺔ ﺍﻟﺛﺭﺍء ‪ /‬ﺍﯾﺎﺩ ﺍﻟﺧﯾﺎﻁ‬

‫ﻓﻬ ُﻡ ﺭﺟﺱ ﻭﺟﯾﻔﺔ‬

‫ﻟﯾﻅﻝﱠ ﺍﻟﺗﺎﺝ ﻣﺭﻓﻭﻋﺎ‬

‫ﺑﻌﺩ ﺣﺑﻙ‬

‫ﻛﻠﻣﺎ ﺃﻣﺳﻙ ﺑﺎﻟﻌﺭﺵ ﺧﻠﯾﻔﺔ‬ ‫ﺣﻘﻥ ﺍﻟﻧﺎﺱ ﺑﺈﻓﯾﻭﻥ " ﺍﻟﻐﺩ ﺍﻟﻣﺷﺭﻕ "‬

‫ﻋﻠﻰ ﺍﻟﺭﺃﺱ ﺍﻟﺭﻗﯾﻊ‬

‫ﺟﺳﺩﻱ ﯾﺭﺗﻌﺵ ﻣﻥ ﻛﺭﺍھﯾﺗﻙ‬ ‫ﻟﻲ‬

‫ﻣﻥ ﺩﺍﺭ " ﺍﻹﺷﺎﻋﺔ "‬ ‫ﻭﺍﻧﺯﻭﻯ ﯾﻘﺑﻊ ﻓﻲ ﺍﻟﻘﺻﺭ ﺟﻣﺎﺩﺍ‬ ‫ﺭﺍﻛﻌﺎ ﻓﻲ ﺣﺿﺭﺓ ﺍﻟﺩﻭﻻﺭ‬ ‫ﻭﺍﻟﻧﻔﻁ ﺍﻟﺫﻱ ﺗﺣﺳﺩﻧﻲ ﺍﻟﯾﻭﻡ ﻋﻠﯾﻪ‬ ‫ﺁﻩ ﻟﻭ ﺗﻌﺭﻑ ﺇﻧﻲ ﻓﻲ ﺍﺣﺗﺩﺍﻡ ﺍﻟﺑﺭﺩ‬ ‫ﻟﻡ ﺃﺣﺻﻝ ﻋﻠﻰ ﺟﺭﻋﺔ ﻧﻔﻁ‬ ‫ﻓﻬﻭ ﺇﺭﺙ ﻟﻠﻣﻣﺎﻟﯾﻙ ﻭﺃﺻﺣﺎﺏ ﺍﻟﺳﻣﻭ‬ ‫ﺃﻧﺎ ﺃﺑﺻﺭﺕ ﺑﻼﺩﻱ ﻓﻲ ﺍﻟﺧﺭﺍﺋﻁ‬ ‫ﻟﻡ ﺃﻁﻑ ﯾﻭﻣﺎ ﺑﻬﺎ‬ ‫ﻓﻠﻘﺩ ﺷﺎﺩﻭﺍ ﺑﻭﺟﻬﻲ ﺃﻟﻑ ﺣﺎﺋﻁ‬ ‫ﺃﻧﺎ ﻟﻡ ﺃﺟﻠﺱ ﻋﻠﻰ ﺷﺭﻓﺔ ﻗﺻﺭﻱ‬

‫ﺃﯾﻬﺎ ﺍﻟﺭﺍﻗﺩ ﻣﺛﻝ ﺍﻟﻁﯾﻑ‬ ‫ﻓﻲ ﺻﻠﺏ ﺍﻟﺯﻣﻥ‬ ‫ﻋﻧﺩﻣﺎ ﺗﻘﺭﺃ ﻓﻲ ﺍﻟﺗﺎﺭﯾﺦ‬ ‫ﻋﻥ ھﺫﺍ ﺍﻟﺯﻣﻥ‬ ‫ﺯﻣﻥ ﺍﻟﺧﺳﺔ ﻭﺍﻟﻐﺩﺭ‬ ‫ﻭﺃﺻﻧﺎﻡ ﺍﻟﻁﻭﺍﺋﻑ‬ ‫ﻻ ﺗﺅﺍﺧﺫﻧﻲ ﻓﻘﺩ ﻋﺷﺕ ﺃﻣﯾﺭ ﺍﻟﻔﻘﺭﺍء‬ ‫ﻟﻡ ﺃﻛﻥ ﻟﺻﺎ ﺑﻣﺭﺳﻭﻡ ٍ◌‬ ‫ﺇﺩﺍﺭﻱ‬ ‫ﻭﻻ ﺃﻣﺭ‬ ‫ﱟ‬ ‫ﻭﻟﻡ ﺃﻋﺭﻑ ﻓﻧﻭﻥ ﺍﻹﺭﺗﺷﺎء‬ ‫ﻓﺎﻧﺗﺻﻑ ﻣﻥ ﻋﺭﺏ " ﺍﻟﺩﻭ‪ ...‬ﻋﺎﺭ"‬ ‫ﺣﺩ ﺍﻹﻧﺗﺷﺎء‬

‫ﺍﻣﯾﺭ ﺍﻟﻔﻘﺭﺍء‬ ‫ﺣﺎﻣﺩ ﺧﺿﯾﺭ ﺍﻟﺷﻣـــﺭي‬

‫ﺍﯾﺗﻬﺎ ﺍﻻﻣﯾﺭﺓ ﻓﺎﺣﺷﺔ ﺍﻟﺛﺭﺍء‬ ‫ﺍﻗﺑﻠﻲ ﺑﻲ‬ ‫ﻟﺳﺕ ﺟﺎﺭﯾﺗﻲ‬ ‫ﻟﺗﺳﻣﻌﻲ ﻛﻼﻣﻲ‬ ‫ﺍﻧﻣﺎ ﺍﺷﻌﺭﻱ ﺑﻲ‬ ‫ﻛﯾﻑ ﺍﺗﻭﺩﺩ ﺍﻟﻰ ﺍﻟﻐﺑﺎﺭ‬ ‫ﻭ ﺍﻋﺎﻧﻕ ﻣﻧﻪ‬ ‫ﺻﺑﺎﺭﺍ‬ ‫ﺍﻣﻠﻲ ﻓﯾﻙ ﻛﺑﯾﺭ‬ ‫ﺍﺭﻓﻌﻲ ﺷﺄﻧﻲ‬ ‫ﺍﻣﺎﻡ ﺍﻟﻛﺑﯾﺭ‬

‫ﺍﻟﺷﻭﻕ ﺷﺩﻭ ﺳﺭﻯ ﻓﻲ ﺭﻭﺡ ﺍﻟﺣﺎﻧﻲ‬

‫ﺍ ﺩﺍﺭ ﺭﺩﻱ ھـﻧﺎ ﺫﻛـﺭﻯ ﺃﺣﺑـﺗـﻧﺎ‬

‫ﻭﺍﻟﺩھﺭ ﺍﻭﺩﻯ ﺑﻛﻡ ﻧﺄﯾﺎ ﻭﺃﺷﻘﺎﻧﻲ‬

‫ﺍﻛﺎﺩ ﺍﺳـﻣﻌـﻬـﻡ ﺻﻭﺗـﺎ ً ﯾـﻧـﺎﺩﯾـﻧـﻲ‬ ‫ﺃﺟﺎﺑـﺕ ﺍﻟﺩﺍﺭ ﺩﻣﻌـﺎ ﻣﻥ ﺳﺗﺎﺋﺭھﺎ‬

‫ﺫﺍﻙ ﺍﻟﻐﺭﺍﻡ ﻓﻬﻝ ﯾﺭﻭﻱ ﺿﻣﺎﺋﺭﻧﺎ‬

‫ﻱ◌َ ﺿﻧـﯾـﻧـﻲ‬ ‫ﺭﻓـﻘﺎ ﺑﻧـﺎﺋﺣﺔ ﻓﺎﻟـﺷﻭﻕ َ‬

‫ﺍﻡ ﯾﻛﺗﻭﻱ ﻅﻣﺄ ً ﻣﻥ ﻧﺎﺭ ﺷﻁﺂﻧﻲ‬

‫ﯾـﺎ ﺭﺍﺣﻠﯾـﻥ ﻓﻬﻝ ﻟـﻠﻭﺻﻝ ﺛﺎﻧﯾﺔ‬ ‫ﻓﺎﻟﺑﯾﻥ ﻣﻥ ﺑﻌﺩﻛﻡ ﺃﺑﻛﻰ)ﺣﯾﺎﻁﯾـﻧـﻲ(‬

‫ﺍﺷﺗﺕ ﺍﻟﺻﻣﺕ ﺍﻧﻐﺎﻣﺎ ﻭﺍﺟﻣﻌﻪ‬

‫ﯾﺎ ﻭﺍھﻥ ﺍﻟﺻﺑـﺭ ھﻝ ﻣﺛﻠﻲ ﺑﻧﺎﻁﻘـﺔ‬

‫ﻭﺍﻟﻌﺷﻕ ﯾﻧﻣﻭ ﻋﻠﻰ ﺍﻧﻘﺎﺽ ﺍﺷﺟﺎﻧﻲ‬

‫ﺟﻭﺍﺏ ﺳﺅﻟـﻙ ﻋﻥ ﻣﺎﺫﺍ ﺗﺩﺍﻋﯾﻧـﻲ‬

‫ﺍﻻﺳﺗﻣﺎﺭﺓ ‪ /‬ﺍﯾﺎﺩ ﺍﻟﺧﯾﺎﻁ‬

‫ﯾﺎ ﻓﺅﺍﺩﻱ ﺍﯾﻥ ﺭﺣﻠﺕ ﺑﻌﯾﺩﺍ‬ ‫ﺗﺭﻛﺕ ﻧﻔﺳﻲ ﺗﻌﺎﻧﻲ ﻣﻥ ﺟﻧﻭﻧﻲ‬ ‫ﻣﺎ ﺯﺍﻟﺕ ﻧﻔﺳﻲ ﺗﺭﺩﺩ ﺍﺳﻣﻙ‬ ‫ﻭ ﻧﻔﺳﻲ ﻣﺎﺗﺕ ﻋﻧﺩﻣﺎ ﻏﺎﺩﺭﺕ ﺍﻟﻛﻭﻥ‬ ‫‪..‬‬ ‫ﻟﯾﻠﺗﻲ ﻟﻡ ﺍﻧﻡ ﺑﻬﺎ ﺳﺎﻟﻣﺎ‬ ‫ﺍﻻ ﻓﺎﺟﺋﻧﻲ ﻁﯾﻔﻙ ﻻﺑﻛﻲ ﻣﺭﺍﺭﺍ‬

‫ﺗﻠﻙ ﺍﻟﻣﻘﺎﺑـﺭ ﻓﺎﺳﺄﻝ ﺗـﻠﻕَ ﺳﺎﻛﻧﻬﺎ‬

‫ﻋﻠﻰ ﺭﺣﯾﻠﻙ ﻋﻧﻲ‬

‫ﻣﺎﺗﺕ ﺯھﻭﺭ ﺍﻟﻬﻭﻯ ﻓﻲ ﻟﯾﻝ ﻏﺭﺑﺗﻧﺎ‬

‫ﻭﺍﺭﺟﻊ ﺃﻟﻲ َﻭﻓِـﺽ ْ◌ ﻋﻣﺎ ﺑﻣﻛﻧﻭﻧـﻲ‬

‫ﺩﻭﻥ ﺍﺫﻧﻲ‬

‫ﻭﻋﺎﺙ ﻁﯾﺭ ﺍﻟﻧﻭﻯ ﻓﻲ ﺭﻭﺽ ﺑﺳﺗﺎﻧﻲ‬

‫ﻭﺍﻧﺩﺏ ﺯﻣﺎﻧﺎ ﺃﺫﺍ ﻣﺎ ﻏﺎﻝ ﺭﻭﻧﻘﻬﻡ‬

‫ﻭ ﺳﺭﻗﺕ ﻣﻧﻲ ﺍﻻﺳﺗﻣﺎﺭﺓ‬

‫ﻭﺍﺣﻔﻅ ﺑﻙ ﺍﻟﺭﻭﺡ ﺍﺫ ﻣﺎ ﻛﻧﺕ ﺗﺭﺛﯾﻧﻲ‬

‫ﺍﻟﺗﻲ ﻛﻧﺕ ﺍﻣﻭﺕ ﻓﻲ ﺟﺑﻬﺗﻬﺎ ‪.‬‬

‫ﺛﺎﺋﺭ ﺛﺎﺑﺕ ﺍﻟﺣﺩﯾﺛﻲ‬

‫ﺛﺎﺋﺭ ﺛﺎﺑﺕ ﺍﻟﺣﺩﯾﺛﻲ‬

‫ﺗﻧﺎﻗﺽ‪.....‬‬

‫ﻋﻠﻣﺗﻪ ﺍﻟﺣﺏ‬ ‫ﻓﺟﺩ ﻭﺍﺟﺗﻬﺩ‬ ‫ﻛﻲ ﯾﻌﻠﻣﻧﻲ ﺍﻟﻧﺳﯾﺎﻥ‬

‫ﺛﺎﺋﺭ ﺛﺎﺑﺕ ﺍﻟﺣﺩﯾﺛﻲ‬

‫ﺍﯾﻘﻧت ﺑﺄﻧﻧﺎ‬ ‫ﺍﻥ ﻟﻡ ﻧﻛﻥ ﻛﻣﺎ ﻛﻧﺎ ﻓﻠﻥ ﻧﻛوﻥ‬ ‫ﺩﺍﻡ ﻅﻠﻲ‬

‫ﺛﺎﺋﺭ ﺛﺎﺑﺕ ﺍﻟﺣﺩﯾﺛﻲ‬

‫ﺛﺎﺋﺭ ﺛﺎﺑﺕ ﺍﻟﺣﺩﯾﺛﻲ‬

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