مجلة الخياط - العدد السابع

‫ﻣﻛﺗﺑﺔ اﻟﺧﯾﺎط اﻻﻟﻛﺗرﻭﻧﯾﺔ ﻟﻠطﺑﺎﻋﺔ ﻭ اﻟﻧﺷر‬ ‫رﺋﯾس اﻟﺗﺣرﯾر ‪ :‬اﯾﺎد اﻟﺧﯾﺎط‬

‫ﻣﺟﻠـــــــــــــــــــــﺔ‬ ‫اﻟﺧﯾـــــــــــــــــــﺎط‬ ‫اﻟﻌدد اﻟﺳﺎﺑﻊ‬ ‫ﻧﻭﻓﻣﺑـــر ‪٢٠١٦‬‬

‫ﻣﻧﺗــــدﻯ اﻟﻧﺳﯾـــــــــﺞ اﻟﻛﻭﻧـــــﻲ اﻷدﺑـــﻲ‬

‫ﻋﺻﺎﻙ‪...‬‬

‫ﻛﻧﺕ ﺃﻋﻠﻡ‬

‫ﺳﺎﺣﺭﺓ‬

‫ﻗﻠﺑﻲ ﻓﻐﻭﻯ‪....‬‬

‫ﺍﻟﻛﺛﯾﺭ ﻋﻥ ﺧﯾﺑﺎﺗﻲ‬

‫ﺍﻟﺟﻣﺎﻝ‬

‫ﺛﻡ ﻋﺎﺩ ﺧﺎﺋﺑﺎ‪...‬‬

‫ﻟﻛﻥ ﻣﺎ ﻛﻧﺕ ﺃﺟﻬﻠﻪ ﺃﻥ‬

‫ﻣﻥ ﻧﺑﻊ ﻏﯾﺭﻙ ﻣﺎ‬ ‫ﺍﺭﺗﻭﻯ‪....‬‬

‫ﺗﻛﻭﻥ ﺃﻛﺑﺭ ﻣﻥ ﺛﻘﺏ ﺗﻭﻗﻌﺎﺗﻲ‬

‫ﺷﺭﯾﻑ ﺍﻟﻘﯾﺳﻲ‬

‫ﺷﺭﯾﻑ ﺍﻟﻘﯾﺳﻲ‬

‫ﯾﺎ ﺻﻭﺕ‪....‬‬ ‫ﺍﻟﻧﺎﻱ‪...‬‬ ‫ﯾﺎ ﻋﺷﻘﺂ‪...‬ﯾﺳﻛﻧﻧﻲ‪...‬‬ ‫ﯾﻣﻸ ُ‪...‬ﺩﻧﯾﺎﻱ‪..‬‬

‫ﺃﻣﻝ‪...‬ﯾﺎ ﺩﻧﯾﺎﻱ‪...‬‬ ‫ھﻝ ﻣﻥ ٍ‬

‫ﺷﻌﺭﺁ‪...‬‬ ‫ﻭﻛﻭﺏ‪...‬‬ ‫ﻣﻊ ﻗﻣﺭﻱ‪...‬‬ ‫ُ‬ ‫ﺍﻟﺷﺎﻱ‪...‬‬

‫ﻣﺫھﻠﺔ ﺍﻟﺣﺿﻭﺭ‬ ‫ﺗﻠﻬﺏ ﺍﻭﺍﺭ‬ ‫ﺍﻟﻌﺷﻕ ﻓﻲ ﺍﻟﻧﻔﻭﺱ‬ ‫ﺃﻥ ﻧطﻘﺕ ﻛﺄﻧﻬﺎ‬ ‫ﺍﻷﺭﯾﺞ ﯾﺧﺗﺎﻝ ﺷﺫﺍﻩ‬

‫ﺁﻥٌ ◌َ ‪...‬ﺁﻭﺍﻥُ ‪...‬ﺍﻟﻠﻘﯾﺎ‪.....‬‬

‫ﯾﺎ ﻟﯾﻶ‪...‬ﯾﻛﺗﺑﻧﻲ‪..‬‬

‫ﺃﺳﺭﺓ ﺍﻟﻘﻠﻭﺏ‬

‫ﺍﺳﻣﻌﻧﻲ‪...‬ﺍﺷﺟﻰ‬ ‫ﺃﻟﺣﺎﻧﻙ‪...‬‬ ‫َ‬ ‫ﺭﻓﯾﻕ‬ ‫ﺍﻟﺳﻬﺭ‪..‬ﺃﻧﯾﻥ‪...‬ﺍﻟﻧﺎﻱ‪...‬‬ ‫ِ‬ ‫ﺍﻻﺳﺗﺎﺫ ﺟﻠﯾﻝ ﺍﻟﺷﻣﺭﻱ‬

‫ﺑﯾﻥ ﺍﻟﺯھﻭﺭ‬ ‫ﻓﻲ ﺣﺿﺭﺗﻬﺎ‬ ‫ﯾﺻﻣﺕ ﻟﺳﺎﻧﻲ‬ ‫ﯾﺛﻣﻝ ﻋﻘﻠﻲ‬ ‫ﯾﺻﺑﺢ ﻻ ﯾﻣﯾﺯ‬ ‫ﺑﯾﻥ ﺍﻟﻐﯾﺎﺏ‬ ‫ﻭﺍﻟﺣﺿﻭﺭ‬

‫ﺗﺷﺗﺎﻗﻙ‪...‬ﺫﺭﺍﺕ‪...‬ﺍﻟﺫﻛﺭﻯ‪...‬‬ ‫ﺗﺯﺭع ﺁﻻﻑ‪...‬ﺍﻵھﺎﺕ‪...‬‬ ‫ﺗﺭﺳﻡ ﺣﻠﻣﺂ‪...‬ﺑﺎﻟﺩﻣﻌﺎﺕ‪...‬‬ ‫ﺗﺻﺭﺥ‬

‫ﺷﺭﯾﻑ ﺍﻟﻘﯾﺳﻲ‬

‫‪...‬ﺷﻭﺍﻁﺊ ﺍﻟﺭﻭح ‪...‬‬

‫ﺷﺎﻋﺭ ﻓﻲ ﻟﻔﺎﻓﺔ ﺭﯾﺢ‬ ‫ﺻﺩﺍﻡ ﻏﺎﺯﻱ ﻣﺣﺳﻥ‬

‫ﺳﺄﻟﻣﻠﻡ ﻋﺎﺷﻘﺎ ‪...‬‬ ‫ﺑﺫﻛﺭﺍﻙ ﺷﺗﺎﺗﻲ ‪...‬‬

‫ﺃﻧﺎ ﺍﻟﺷﺎﻋﺭ‬

‫ﻭﺃﻧﺗﻔﺽ …‬

‫ﻛﻣﺎ ﯾﻘﺎﻝ‬

‫ﻣﻥ ﺳﻛﻭﻥ ﺍﻟﻔﺭﺍﻍ ‪...‬‬

‫‪ ٤١‬ﻧﺧﻠﺔ ﻭﻧﺻﻑ ﻣﻥ ﻧﻬﺎﯾﺔ ﺍﻟﺣﺻﺎﺩ‬

‫ﻭﺍﻋﯾﺩ ﺍﻟﺣﯾﺎﺓ ﻟﺫﻛﺭﺍﻙِ ‪...‬‬

‫ﻋﻘﺩ ﻭﻧﺻﻑ ﻣﻥ ﺍﻟﺣﻘﯾﻘﺔ‬

‫ﻓﻠﻡ ﺍﺟ ِﻥ ﻣﻥ ﺍﻟﻬﺟﺭ ‪...‬‬

‫ﻋﻘﺩ ﻭﻧﺻﻑ ﻣﻥ ﺗﺭﻙ ﺍﻟﺧﯾﺎﻝ‬

‫ﻏﯾﺭ ﺍﻧﯾﻥ ﯾﺣﺯ ﺍﻭﺻﺎﻟﻲ ‪...‬‬

‫ﻋﻘﺩ ﻭﻧﺻﻑ ﻣﻥ ﺷﺭﺏ ﺃﻗﺩﺍح ﺍﻟﻣﺎء ﺑﺩﻭﻥ ﻏﺻﺔ‬

‫ﻭﻓﺭﺍﺵ ﻣﺧﺎﺩﻉ ‪...‬‬

‫ﺃﻧﺎ ﺍﻟﺷﺎﻋﺭ ﻛﻣﺎ ﯾﻘﺎﻝ ﻟﻲ ﺍﻻﻥ ‪.....‬‬

‫ﯾﺭﺳﻡ ﻣﻥ ﺍﻟﺧﯾﺎﻝ ‪...‬‬

‫ﺃﻏﺹ ﺑﻘﻁﺭﺓ ﻣﺎء‬

‫ﺻﻭﺭﺓ ﻭھﻡ ﻭﻧﺳﯾﺎﻥ ‪...‬‬

‫ﻭﺃﻛﺫﺏ ﻛﺛﯾﺭﺍ‬

‫ﻛﻼ ‪...‬‬

‫ﻭﺃﺭﺗﻌﺵ ﻓﻲ ﻛﻝ ﻁﻘﻭﺱ ﺍﻷﺟﺳﺎﺩ‬

‫ﻟﻥ ﯾﻛﻭﻥ ‪...‬‬

‫ﺃﺑﺗﻛﺭ ﻛﻭﻛﺑﺎ ﻣﻥ ﺍﻟﻛﺭﯾﺳﺗﺎﻝ‬

‫ﻏﯾﺭ ﺣﺑﻙ ﺍﻟﻌﻧﻭﺍﻥ ‪...‬‬

‫ﻭﺃﻗﻁﻑ ﻭﺭﺩﺓ ﻗﻁﻔﻬﺎ ﻣﺋﺔ ﺭﺟﻝ ﻗﺑﻠﻲ‬

‫ﻭﯾﻣﻸ ﺃﺳﻣﻙِ ‪...‬‬

‫ﺃﺿﻊ ﺍﻟﻌﻁﺭ ﺍﻟﻣﻘﻠﺩ‬

‫ﻛﻝ ﺍﺭﻛﺎﻥ ﺍﻟﻣﻛﺎﻥ ‪...‬‬

‫ﺃﺩﺧﻥ ﻙ ﺃﻱ ﺭﺟﻝ ﻋﻠﺏ ﺍﻟﺳﻛﺎﺋﺭ ﺍﻟﻣﻘﻠﺩﺓ ﻙ ﺃﺳﻣﻲ‬

‫ﻓﻠﺳﺕ ﺍﻻ ھﺎﻭﯾﺎ ‪...‬‬

‫ﺃﻧﺎ ﺍﻟﻣﺑﺎﺩ‬ ‫ﻓﻲ ﻛﻝ ﺍﻟﻣﺟﺎﺯﺭ ﺍﻟﺣﻘﯾﻘﯾﺔ‬

‫ﻣﻥ ﺍﺧﻣﺹ ﻗﺩﻣﻲ ‪...‬‬

‫ﻭﻓﻲ ﻛﻝ ﻣﺟﺎﺯﺭ ﺍﻟﺧﯾﺎﻝ‬

‫ﺍﻥ ﺍﻏﺭﻕ …‬

‫ﺣﺗﻰ ﺭﺃﺳﻲ ‪...‬‬ ‫ﻓﻲ ﺑﺣﺭ ھﻭﺍﻙ ‪.‬‬ ‫ﻋﻠﻲ ﺍﻟﺯﯾﺎﺩﻱ‬

‫ﯾﺩﻱ ﻣﺑﺎﺩﺓ‬ ‫ﺃﺭﺟﻠﻲ ﻓﻲ ﻛﻝ ﺩﺭﺏ ﺍﻟﺭﺩﺓ ﻣﺑﺎﺩﺓ‬ ‫ﺷﻔﺎھﻲ ﺍﻟﻐﺎﺭﻗﺔ ﻓﻲ ﻟﻭﻧﻬﺎ ﺍﻟﺭﻣﺎﺩﻱ ﻣﺑﺎﺩﺓ‬ ‫ﺍﻷﻏﺎﻧﻲ ﺍﻟﻣﻘﺗﻭﻟﺔ ﺑﯾﻥ ﺷﻔﺗٓﻲ ﺩﻭﻣﺎ ﻣﺑﺎﺩﺓ‬

‫ﺃﻧﺎ ﺍﻟﺷﺎﻋﺭ ﺍﻟﻣﯾﺕ‬ ‫ﺃﺣﻔﺭ ﻗﺑﺭﻱ ﻓﻲ ﻛﻝ ﻗﺻﯾﺩﺓ‬ ‫ﻭﻛﻔﻧﻲ ﻟﻔﺎﻓﺔ ﺭﯾﺢ‬ ‫ﻭﺃﻋﺎﻧﻲ ﻣﻥ ﻛﺛﺭ ﺍﻷﻧﻘﻼﺑﺎﺕ ‪.‬‬ ‫ﺻﺩﺍﻡ ﻏﺎﺯﻱ ﻣﺣﺳﻥ‬

‫ﻓﻲ ﺍﻟﻁﺭﯾﻕ ﻣﻥ ﺍﻟﻣﻧﺎﻓﻲ‬

‫ﺟﻌﻠﻧﺎﻛﻡ ﺿﯾﺎءﺍً ﻓﻲ ﻧﻭﺍﻅﺭﻧﺎ‪..‬‬

‫ﺣﻣﯾﺩ ﺍﻟﻣﻭﺳﻭﻱ‬

‫ﺷﺩﻭﻧﺎﻛﻡ ﺷﺟﻰ ﻭﻏﻧﺎ‬

‫ﺍﻟﻧﻬﺭﯾﻥ‬ ‫ﯾﺎ ﻋﺻﻔﻭﺭﺓ‬ ‫ِ‬ ‫ّ‬ ‫ﺣﻁﻲ ﻓﻭﻕ ﻣﻧﺯﻟﻧﺎ‬

‫ﻭﻣﻥ ﻋﺭﻗﻰ ﺳﻭﺍﻋﺩﻧﺎ‬ ‫ﻣﻥ ﺷﺭﯾﺎﻧﻧﺎ‪ ..‬ﺩﻣﻧﺎ‬

‫ﺧﺫﻱ ﺃﺷﻭﺍﻕ ﻏﯾﺑﺗﻧﺎ‬

‫ﻣﻧﻰ‪ ..‬ﻭھَﻧﺎ‬ ‫ﻧﻐﺫﯾﻛﻡ ً‬

‫ﻁﻭﻓﻲ ﻓﻲ ﺷﻭﺍﺭﻋﻧﺎ‬

‫ﻧﺳﺎﻓﺭ ﻓﻲ ﻣﺣﺑ ّﺗﻛﻡ‬

‫ﻭﺣﯾﻲ ﻛﻝ ﺻﺣﺑﺗﻧﺎ‬ ‫ّ‬

‫ﻧﺭﺍﻛﻡ ﻓﻲ ﺗﺫﺍﻛﺭﻧﺎ‬

‫ﻭ ُﺑﺛﯾﻬﻡ ﻟﻭﺍﻋﺟﻧﺎ‬ ‫ﻭﻗﻭﻟﻲ ﯾﺎ ﺃﺣﺑ َﺗﻧﺎ‪:‬‬

‫ﻭﻓﻲ ﻛﻝ ﺍﻟﻣﺣﻁﺎﺕ ﺍﻟﺗﻲ ﺷﻬﺩﺕ ﻗﻭﺍﻓﻠﻧﺎ‪..‬‬ ‫ﻓﻔﯾﺽ ﺩﻣﻭﻋﻧﺎ ﺃﻧﺗﻡ‬

‫ﺣﻣﻠﻧﺎﻛﻡ ﺿﻠﻭﻋﺎ ً ﻓﻲ ﺗﻐﺭﺑ ّﻧﺎ‪..‬‬

‫ﻭﺃﻧﺗﻡ ﻛﻝ ﺑﻬﺟﺗﻧﺎ‬

‫ﻣﻊ ﺍﻟﺣﻣﻝ ﺍﻟﻣﻌﺎﻧﻰ ﻣﻥ ﻣﺗﺎﻋﺑﻧﺎ ﺣﻛﺎﯾﺎﻛﻡ‪ ..‬ﻭﺻﺎﯾﺎﻛﻡ‪ ..‬ﺃﻣﺎﻧﯾﻛﻡ‪..‬‬ ‫ﺗﺭﻓﺭﻑ ﻓﻲ ﺟﻭﺍﻧﺟﻧﺎ‬ ‫ُ‬ ‫ﺍﻟﻣﺅﺭﻕ ﻣﻥ ﻣﺻﺎﺋﺑﻧﺎ‪..‬‬ ‫ﻣﻊ ﺍﻷﻟﻡ‬ ‫ّ‬ ‫ﺻﺣﺑﻧﺎﻛﻡ ﻣﺗﺎﻋﺎ ً ﻓﻲ ﺣﻘﺎﺋﺑﻧﺎ‪..‬‬

‫ﺑﻛﻡ ﻧﺷﻘﻰ‪ ..‬ﺑﻛﻡ ﻧﺳﻌﻰ‬

‫ﺃﻟِﻔﻧﺎﻛﻡ ﻣﻧﺎﻣﺎ ً ﻓﻲ ﺃﺳﺭ ّﺗﻧﺎ‬

‫ﻟﻛﻡ ﻧﻌﯾﻰ‪ ..‬ﻟﻛﻡ ﻋﺷﻧﺎ‪..‬‬

‫ﻭﻟﻡ ﻧﺑﺧﻝ ﻋﻠﻰ ﺍﻟﻧﻬﺭﯾﻥ‬ ‫ﯾﻭﻣﺎ ً ﻓﻲ ﻣﻭﺩﺗﻧﺎ‪..‬‬

‫ﻭﻻ ﻓﺧ ٌﺭ‪ ..‬ﻓﻣﺎ ﺯﻟﻧﺎ‬ ‫ﻋﻠﻰ ﺍﻟﻌﻬﺩ ﺍﻟﺫﻱ ﻛﻧﺎ‬

‫ﻭﺇﻥ ﻁﺎﻝ ﺍﻟﺯﻣﺎﻥ ﺑﻧﺎ‬

‫ﻛﻣﺎ ﺗﺭﺟﻭﻧﻧﺎ ﺻﺭﻧﺎ‪..‬‬

‫ﻭﺷﺗﺗ ّﻧﺎ‪..‬ھﻧﺎ ‪ ..‬ﻭھﻧﺎ‬

‫ﺃﻻ ﻓﻠﺗﺳﻣﻊ ﺍﻟﻧﺧﻼﺕ‬

‫ﻓﻔﻲ ﺃﺣﺯﺍﻥ ﻏﺭﺑﺗﻧﺎ‬

‫ﻧﺟﻭﺍﻧﺎ ﺇﺫﺍ ﻟُﻣﻧﺎ‪ ..‬ﻭﻋﺎﺗﺑﻧﺎ‪..‬‬ ‫ﺳﻭﻧﺎ ﻣﻥ ﺣﺑﺑﻧﺎھﻡ‬ ‫ﻧ ُ‬

‫ﻭﻓﻲ ﺍﺣﻼﻣﻬﻡ ﺳﺭﻧﺎ‬ ‫ﻟﺭﺳﻡ ﻋﯾﻭﻧﻬﻡ ﻏﺑﻧﺎ‪..‬ﺗﺑﺎﻋﺩﻧﺎ‬ ‫ﻧﺳﻭﻧﺎ ﻣﻥ ﻋﺷﻘﻧﺎھﻡ‬ ‫ﻭﻓﻲ ﺃﺷﻭﺍﻗﻬﻡ ﺫﺑﻧﺎ‬ ‫ﺃﻻ‪ ..‬ﻓﻠﯾﺷﻬﺩ ﺍﻟﻧﺳﯾﺎﻥ‬ ‫ﻗﺩ ﻋﺩﻧﺎ‪..‬‬ ‫ﻋﺩﻧﺎ ﯾﺎ ﺛﺭﻯ ﺍﻷﺟﺩﺍﺩ‬ ‫ﯾﺎ ﻧﻬﺭﯾﻥ‪ ..‬ﯾﺎ ﻧﺧﻼﺕ‪ ..‬ﻗﺩ ﻋﺩﻧﺎ‪.‬‬

‫*****)))ﺇﻥ ﻭﺻﻔﺗﻙ ﺫھﺑﺎ"(((‬

‫ﻭﺇﺫﺍ ﺑﺩﻋﺎء ﺍﻻﻋﺗﻛﺎﻑ ﻟﺻﻭﺗﻙ ﺗﺭﺗﯾﻝ‬

‫ﺇﻥ ﻭﺻﻔﺗﻙ ﺫھﺑﺎ"ﻓﺎﻟﺫھﺏ ﻓﯾﻙ ﻗﻠﯾﻝ‬

‫ﻣﺎﺫﺍ ﺗﺭﻭﻡ ﻧﻔﺳﻙ ﺑﺄﻣﺭء ﻻﯾﻣﻠﻙ ﺑﺩﻧﯾﺎﻩ‬

‫ﻭﺍﻥ ﻭﺻﻔﺗﻙ ﺷﻣﺳﺎ"ﻓﺎﻟﻠﯾﻝ ﻟﻬﺎ ﯾﺯﯾﻝ‬

‫ﺍﻷ ﺭﺳﻡ ﺣﺭﻑ ﺑﻣﻬﺎﺭﺓ ﻟﻠﻧﺎﻅﺭﯾﻥ ﺟﻣﯾﻝ‬

‫ﻣﺧﻠﻭﻗﺔ ﻋﺟﯾﺑﺔ ﻣﻥ ﺃﻱ ﺷﺊ ﯾﺎﺗﺭﻯ‬

‫ﻭﺍﻧﺎ ﻧﺣﺱ ﻋﺷﻘﻲ ﺑﺎﻟﻬﻭﻯ ﻑﻻ ﺃﻁﯾﻕ‬

‫ﺩﺧﻠﺕ ﻓﺟﺎﺓ ﻭﻓﺅﺍﺩﻱ ﺑﺩﺍء ھﻭﺍﻙ ﻋﻠﯾﻝ‬

‫ﺱﻻﻣﺎ" ﻟﻐﯾﺭﻱ ﯾﺑﺩﯾﻪ ﻁﺭﻑ ﻛﺣﯾﻝ‬

‫ﻟﯾﺗﻙ ﺩﺧﻠﺗﻲ ﺣﯾﺎﺗﻲ ﺑﻬﯾﺋﺔ ﺟﻧﯾﺔ‬ ‫ﻟﻘﻠﺕ ﺑﺎﻟﺗﻣﺎﺋﻡ ﺭﺅﯾﺎﻙ ﻋﻧﻲ ﺗﺯﯾﻝ‬ ‫ﻓﺑﺄﺷﯾﺊ ﯾﺎﺗﺭﻯ ﯾﻧﻘﺫﻧﻲ ﺳﺣﺭ ﺑﻬﺎﺅﻙ‬ ‫ﻭھﻭ ﻋﺻﻲ ﻓﻙ ﺭﻣﻭﺯﻩ ﻻﺑﻝ ﻣﺳﺗﺣﯾﻝ‬ ‫ﺍﻥ ﻗﻠﺕ ﺟﻣﯾﻠﺔ ﺭﺍﯾﺕ ﺍﻟﺣﺭﻭﻑ ﺧﺞﻻ"‬

‫ﻭﺫﻱ ﻟﻣﺎﻙ ﻣﺧﺿﺑﺔ ﺑﺩﻡ ﺍﻟﻌﺷﺎﻕ‬ ‫ﻓﻠﻣﻥ ﺍﺩﻓﻊ ﺩﯾﺔ ﻭﻣﻥ ھﻭ ﺍﻟﻘﺗﯾﻝ‬ ‫ﻭﻋﻠﻰ ﺭﻣﺎﻥ ﺻﺩﺭﻙ ﻛﻡ ﺃﻣﺭء ﻣﺻﻠﻭﺏ‬ ‫ﻭھﻭ ﻣﺅﻣﻥ ﺑﺎﻟﯾﺳﻭﻉ ﻭﻛﺗﺎﺑﻪ ﺍﻻﻧﺟﯾﻝ‬ ‫ﺃﻧﺎ ﺑﺎﺑﻠﻲ ﺑﺎﻟﻬﻭﻯ ﻭﻋﺷﺗﺎﺭ ﺁﻟﻬﺗﻲ‬ ‫ﻭﻗﺩﺭﻱ ﺍﻟﺷﻘﺎء ﻭﺩﻣﻌﻲ ﺩﻭﻣﺎ ﯾﺳﯾﻝ‬

‫ﺗﺳﺎﻗﻁﺕ ﻭﺑﺭﻗﺎﺑﻬﺎ ﺍﻣﺎﻡ ﻣﺣﯾﺎﻙ ﺗﻣﯾﻝ‬

‫ﻭﻏﺩﺕ ﻛﻣﺎﻟﻙ ﺍﻟﺣﺯﯾﻥ ﺃﺹﻻﺏ ﺟﺳﺩﻱ‬

‫ﻗﻭﺍﻣﻙ ﻣﺎﻟﻪ ﺑﯾﻥ ﻧﺳﺎء ﺍﻻﺭﺽ ﺷﺑﯾﻪ‬

‫ﻓﻧﺎﺭ ﺍﻟﻭﺟﺩ ﺍﺫﺍﺑﻧﻲ ﻭھﺋﻧﺫﺍ ھﺯﯾﻝ‬

‫ﻭﻻ ﻟﻪ ﺑﯾﻥ ﺣﻭﺭ ﺍﻟﻌﯾﻥ ﺑﺎﻟﻔﺭﺩﻭﺱ ﻣﺛﯾﻝ ﺑﻘﻠﻡ ﻋﺩﻧﺎﻥ ﺍﻟﺣﺳﯾﻧﻲ ‪٩/١١/٢٠١٦‬ﻡ‬

‫ﺍﻧﺟﺑﺗﻙ ﺍﺭﺽ ﺍﻟﻌﺭﺍﻕ ﻟﻠﺟﻣﺎﻝ ﻓﺗﻧﺔ‬ ‫ﻭﻷﯾﻘﺎﺩ ﺍﻟﺻﺑﺎﺑﺔ ﺑﻘﻠﻭﺏ ﺍﻟﻌﺎﺷﻘﯾﻥ ﻓﺗﯾﻝ‬ ‫ﻛﻡ ﻣﻥ ﺫﻛﻭﺭ ﺗﺣﻭﻡ ﺣﻭﻟﻙ ﻛﺫﻛﻭﺭ‬ ‫ﻧﺣﻝ ﻭﻣﻥ ﯾﺩﻧﻭ ﻟﺭﻛﻭﺏ ﺻﻬﻭﺗﻙ ﻗﺗﯾﻝ‬ ‫ﺍﻏﻠﻘﺕ ﻧﻭﺍﻓﺫﻱ ﻗﻠﺑﻲ ﻭﺑﺎﺑﻪ ﻣﻌﺗﻛﻔﺎ"‬

‫ﻧﻬﺎﺭ ﺍﻻﺭﺑﻌﺎء ﺍﻟﺳﺎﻋﺔ‬ ‫‪/٣:٢٧‬ﺍﻟﻌﺭﺍﻕ‪/‬ﺑﺎﺑﻝ‬

‫‪............‬ﺩھﯾﻣﺎﺕ ﺍﻟﻭﺭﺩﻱ ‪............‬ﺑﺣﺭ ﺍﻟﻣﺗﻘﺎﺭﺏ‬ ‫‪................‬ﻟﻭﻡ ﻭﻋﺗﺎﺏ ‪...............................‬‬ ‫ھﺟﺭﺗﻙ ﻁﻭﻋﺎ ﻭﻗﻠﺕ ﻭﺩﺍﻋﺎ‪............‬ﻭﻣﻥ ﺧﺎﻥ ﻗﻠﺑﻲ ﺣﺗﻣﺎ ﯾﺿﯾﻊ‬ ‫ﺣﺳﺑﺗﻙ ﻗﻠﺑﺎ ﻣﺣﺑﺎ ﻣﻁﯾﻌﺎ‪................‬ﻭﺟﺩﺗﻙ ﺫﺋﺑﺎ ﺗﺻﯾﺩ ﺍﻟﻘﻁﯾﻊ‬ ‫ﻭﺧﻠﺗﻙ ﺯھﺭﺍ ﯾﻔﯾﺽ ﺭﺣﯾﻘﺎ‪.............‬ﻭﺷﻭﻛﻙ ﻛﺎﻥ ﻗﺳﯾﺎ ﺿﺭﯾﻊ‬ ‫ﺭﻏﺑﺕ ﻭﺻﺎﻻ ﻭﻗﻠﺕ ﺣﺑﯾﺑﻲ‪...........‬ﻟﻭﺣﺩﻱ ﻓﻛﻧﺕ ﺣﺑﯾﺏ ﺍﻟﺟﻣﯾﻊ‬ ‫ﻭﻛﺎﻥ ﺍﻟﻣﻧﻰ ﺃﻥ ﺗﻛﻭﻥ ﻧﺻﯾﺑﻲ‪. .......‬ﻓﺣﻣﺩﺍ ﻟﺭﺑﻲ ﻛﺷﻔﺕ ﺍﻟﻭﺿﯾﻊ‬ ‫ﺃﯾﺎ ﻗﻠﺏ ﺇھﺩﺃ ﻭﻋﺵ ﻓﻲ ﺍﻟﺣﯾﺎﺓ‪...........‬ﻓﺻﻝ ﻣﻥ ھﻭﺍﻙ ﻭﺑﻊ ﻣﻥ ﯾﺑﯾﻊ‬ ‫ﻓﻣﺎ ﻣﻥ ﻭﻓﺎء ﯾﻧﺎﻝ ﺭﺟﺎء‪................‬ﻭﻣﺎ ﻣﻥ ﺟﻣﺎﻝ ﺑﻔﻌﻝ ﺷﻧﯾﻊ‬ ‫ﻓﻼ ﻟﻥ ﺃﻋﻭﺩ ﻟﻣﻥ ﺧﺎﻥ ﻭﻋﺩﺍ‪............‬ﻓﻣﺎ ﻣﻥ ﻭﺻﺎﻝ ﻟﺷﺧﺹ ﻭﺿﯾﻊ‬

‫ھﻝ ﯾﺎ ﺗﺭﻯ ﻻ ﺗﻌﺭﻓﯾﻥ‪...‬‬

‫ﺍﻧﻧﺎ‪...‬‬

‫ﻣﻥ ﺍﻧﺎ‪...‬‬

‫ﺍﺛﻧﺎﻥ‪...‬ﯾﺟﻣﻌﻧﺎ‪...‬ھﻭﻯ‪...‬‬

‫ﺍﻟﻛﻝ ﺣﻭﻟﻙ ﯾﺳﺄﻝ ﻣﻥ ﺃﻧﺎ‪...‬‬

‫ﻭﺍﺣﻼﻡ ‪...‬ﻭﺍﻻﻑ ﺍﻟﻣﻧﻰ‬

‫ﻭﺍﻟﺩﺍﺭ‪...‬ﺗﺫﻛﺭ‪...‬ﺍﻧﻧﺎ‪...‬‬

‫ﺑﺎﻥ ﺗﺎﺗﻲ ﺍﻟﺳﻌﺎﺩﺓ ﻭﺍﻟﻬﻧﺎ‪...‬‬

‫ﻭﺍﺯﺭﺍﺭ ﺍﻟﻘﻣﯾﺹ‪...‬ﻋﻧﺩﻙ‪...‬‬

‫ﻟﻛﻧﻧﺎ ﯾﺎ ﻟﻼﺳﻑ‪...‬‬

‫ﻟﻡ ﺗﺯﻝ‪..‬ﺗﺷﻬﺩ‪...‬ﺍﻧﻧﺎ‪...‬‬

‫ﺿﻌﻧﺎ‪...‬ﻭﺿﺎﻉ ﻭﺩﻧﺎ‪...‬‬

‫ﻛﻧﺎ ﻭﻛﺎﻧﺕ ﻗﺻﺔ ﻋﺷﻘﻧﺎ‪...‬‬ ‫ﻭﺍﺛﺎﺭﻱ ﻟﻡ ﺗﺯﻝ‪...‬‬ ‫ﻋﻠﻰ ﻭﺟﻧﺎﺗﻙ‪...‬‬

‫ﺻﺭﻧﺎ ﻏﺭﯾﺑﯾﻥ‪...‬‬ ‫ﻻ ﻭﺩ ﯾﺟﻣﻌﻧﺎ ‪...‬‬ ‫ﻭﻻ ﺣﻧﯾﻥ‪..‬‬ ‫ﻧﺳﯾﻧﺎ ﺍﺣﻼﻡ ﺍﻟﺳﻧﯾﻥ‪...‬‬

‫ﻭﺣﻣﺭﺓ ﺍﻟﺧﺩﯾﻥ‪..‬‬

‫ﻭﺭﺣﻠﻧﺎ ﻛﻝ ﻓﻲ ﻁﺭﯾﻕ‪...‬‬

‫ﻭﺭﺟﻔﺔ ﺍﻟﺷﻔﺗﯾﻥ‪...‬‬

‫ﺍﺣﺭﻗﻧﺎ ﺍﻭﺭﺍﻕ ﺍﻟﻬﻭﻯ‪...‬‬

‫ﻛﻠﻬﺎ ﻟﻡ ﺗﺯﻝ‪...‬‬

‫ﺍﺷﻌﻠﻧﺎ ﻓﻲ ﺍﻟﻘﻠﺏ ﺍﻟﺣﺭﯾﻕ‪...‬‬

‫ﺗﺫﻛﺭ ﺣﺑﻧﺎ‪....‬‬ ‫ﻭﺍﻭﺭﺍﺩﻱ‪...‬ﺍﻟﺣﻣﺭﺍء‪...‬‬

‫ﻭﻧﺳﯾﻧﺎ ﯾﻭﻣﺎ ﺍﻧﻧﺎ‪....‬‬ ‫ﺍﻧﺎ ﻛﻧﺕ ﻋﯾﻧﻙ‪...‬‬

‫ﻭﻟﻬﻔﺗﻲ ﺣﯾﻥ ﺍﻟﻠﻘﺎء‪..‬‬

‫ﻭﻛﻧﺕ ﺍﻧ ِ‬ ‫ﺕ‪...‬ﺃﻧﺎ‪....‬‬

‫ﻭﻗﺻﺎﺋﺩﻱ ﻟﻙ ﺣﯾﻥ ﺍﻟﻣﺳﺎء‬

‫ﻭﺍﻻﻥ‪ ..‬ﺻﺭﺕ ﻻ ﺗﻌﺭﻓﯾﻥ‪...‬‬

‫ﻛﻠﻬﺎ ﺷﻭﺍھﺩ ﺣﺑﻧﺎ‪...‬‬

‫ﻣﻥ ﺍﻛﻭﻥ‪...‬‬

‫ھﻝ ﯾﺎ ﺗﺭﻯ‪...‬ﻧﺳﯾﺗﻲ‪...‬‬

‫ﺍﻧﺎ ﺫﻟﻙ ﺍﻟﺻﺩﺭ ﺍﻟﺣﻧﻭﻥ‪...‬‬ ‫ﺍﻧﺎ ﺍﻟﺫﻱ ﺍﺳﻛﻧﻙ ﺍﻟﻌﯾﻭﻥ‪...‬‬ ‫ﺍﻧﺎ ﺍﻟﺫﻱ ﻻ ﺍﻋﺭﻑ ﺍﻥ ﺍﺧﻭﻥ‪...‬‬ ‫ﻓﺎﺭﺣﻠﻲ‪....‬‬ ‫ﺩﻭﻧﻣﺎ ﻧﺩﻡ‪...‬‬ ‫ﺭﻏﻡ ﺍھﺎﺗﻲ ﻭﺍﻻﻟﻡ‪...‬‬ ‫ﻟﻛﻧﻧﻲ‪...‬‬ ‫ﻗﺭﺭﺕ‪....‬ﺍﻟﻧﻬﺎﯾﺔ‪....‬‬ ‫ﺍﺭﺳﻣﻬﺎ ﺑﺻﻣﺕ‪...‬‬ ‫ﻛﻣﺎ ﺭﺳﻣﺕ ﺍﻟﺑﺩﺍﯾﺔ‪...‬‬ ‫ﻭﺳﺗﻛﻭﻧﯾﻥ ﻓﻲ ﺣﯾﺎﺗﻲ‪...‬‬ ‫ﺑﻘﺎﯾﺎ‪..‬ﻣﻥ ﺣﻛﺎﯾﺔ‪...‬‬

‫ﺍﻻﺳﺗﺎﺫ ﺟﻠﯾﻝ ﺍﻟﺷﻣﺭﻱ‬

‫ﻗﺻﺹ ﻗﺻﯾﺭﺓ ﺟﺩﺍ‬ ‫@@@@@@@@@@@@@@@@@@@@@@@@‬ ‫ﻓﻲ ﻟﯾﻠﺔ ﺣﺎﺷﺩﺓ ﻗﺫﻑ ﺑﻧﻔﺳﻪ ﻣﻥ ﺍﻋﻠﻰ ﺍﻟﺟﺩﺍﺭ‬ ‫ﻣﺎﺕ‬ ‫ﻛﺎﻥ ﯾﺭﯾﺩ ﻣﻌﺭﻓﺔ ﻣﺳﻘﻁ ﺭﺃﺳﻪ ‪.....‬‬ ‫!*‪#‬‬ ‫***********************************************‬ ‫ﻓﺗﺵ ﻓﻲ ﻭﺟﻭﻩ ﺍﻻﺧﺭﯾﻥ‬ ‫ﻋﻥ ﻭﺟﻬﻪ‬ ‫ﻭﺟﺩ ﺭﻗﺑﺗﻪ ﺑﻼ ﺭﺃﺱ‬ ‫ﻋﻠﻝ ﻓﺷﻠﻪ ﺑﺎﻧﻛﺳﺎﺭ ﺍﻟﻣﺭﺁﺓ ‪!......‬‬ ‫‪..#############‬‬ ‫‪##################‬‬ ‫ﺻﻧﻊ ﻟﻪ ﺧﯾﻣﺔ‬ ‫ﺍﻭﺗﺎﺩھﺎ ﺍﺿﻼﻋﻪ‬ ‫ﻟﻡ ﺗﺳﻌﻪ‬ ‫ﺩﻓﻥ ﺭﺃﺳﻪ ﻓﻲ ﺍﻟﺭﻣﺎﻝ‬ ‫ﻓﺗﺣﻭﻟﺕ ﺍﻟﻰ ﻗﺑﺭ‪!.... .‬‬ ‫ﻛﺎﻅﻡ ﺍﻟﻣﯾﺯﺭﻱ‬

‫‪#‬ﺷﺧﺻﯾﺔ ﻣﻥ ﺑﻼﺩﻱ ‪١٢٩ .‬‬ ‫ﻧﺟﯾﺏ ﺍﻟﯾﻌﻘﻭﺑﻲ‬ ‫ﺫﻛﺭ ﺍﻟﺩﻛﺗﻭﺭ ﻛﻣﺎﻝ ﺣﺳﯾﻥ ﺻﺎﻟﺢ ﺍﻟﺣﺳﯾﻧﻲ ﻓﻲ ﻣﻭﻗﻊ ﺍﻁﺑﺎء ﻋﺭﺍﻗﯾﻭﻥ ﺍﻥ ﺍﻟﺩﻛﺗﻭﺭ ﻧﺟﯾﺏ‬ ‫ﺍﻟﯾﻌﻘﻭﺑﻲ ﻭﻟﺩ ﻓﻲ ﻛﺭﻛﻭﻙ ﺳﻧﺔ ‪.١٩١٢‬‬ ‫• ﺩﺭﺱ ﺍﻻﺑﺗﺩﺍﺋﯾﺔ ﻭﺍﻟﻣﺗﻭﺳﻁﺔ ﻓﻲ ﻛﺭﻛﻭﻙ ﻭﺃﻛﻣﻝ ﺍﻟﺛﺎﻧﻭﯾﺔ ﻓﻲ ﻟﺑﻧﺎﻥ ﻭﺑﻌﺩھﺎ ﺃﻛﻣﻝ ﺳﻧﺔ‬ ‫ﺗﺣﺿﯾﺭﯾﺔ ﻣﻥ ﺍﻟﺟﺎﻣﻌﺔ ﺍﻻﻣﺭﯾﻛﯾﺔ )‪.(AUB‬‬ ‫• ﺩﺧﻝ ﺍﻟﻛﻠﯾﺔ ﺍﻟﻁﺑﯾﺔ ﺳﻧﺔ ‪ ١٩٣٠‬ﻭﺗﺧﺭﺝ ﻣﻧﻬﺎ ‪.١٩٣٦‬‬ ‫• ﺍﻟﺗﺣﻕ ﺑﺎﻟﻭﺣﺩﺓ ﺍﻟﺟﺭﺍﺣﯾﺔ ﺍﻻﻭﻟﻰ ﻛﻣﺳﺎﻋﺩ ﺟﺭﺍﺡ ﺗﺣﺕ ﺍﺷﺭﺍﻑ ﺍﻟﺩﻛﺗﻭﺭ ﻧﻭﺋﯾﻝ ﺍﺑﺭﺍھﺎﻡ‪.‬‬ ‫• ﺃﻭﻓﺩ ﺍﻟﻰ ﺍﻧﻛﻠﺗﺭﺍ ﻓﻲ ﺳﻧﺔ ‪ ،١٩٣٩‬ﺣﯾﺙ ﺗﺩﺭﺏ ﻓﻲ ﻣﺳﺗﺷﻔﻰ ھﻣﺑﺭﺳﻣﺙ ﺗﺣﺕ ﺍﺷﺭﺍﻑ‬ ‫ﺍﻟﺑﺭﻭﻓﺳﻭﺭ ﻛﺭﺍﻱ ﺗﯾﺭﻣﺯ ﻭﻋﺎﺩ ﻓﻲ ﺳﻧﺔ ‪ ١٩٤٠‬ﺃﺛﻧﺎء ﺍﻟﺣﺭﺏ ﺍﻟﻌﺎﻟﻣﯾﺔ ﺍﻟﺛﺎﻧﯾﺔ‪.‬‬ ‫• ﺣﺻﻝ ﻋﻠﻰ ﺷﻬﺎﺩﺓ ﺍﻟﻣﺎﺟﺳﺗﯾﺭ ﻓﻲ ﺍﻟﺟﺭﺍﺣﺔ ﺍﻟﻌﺎﻣﺔ ﻣﻥ ﺍﻟﻛﻠﯾﺔ ﺍﻟﻁﺑﯾﺔ ﺳﻧﺔ ‪.١٩٤٢‬‬ ‫• ﻓﻲ ﺳﻧﺔ ‪ ١٩٤٢‬ﺑﺩﺃ ﯾﺣﺎﺿﺭ ﻓﻲ ﻣﻭﺍﺿﯾﻊ ﺍﻟﺟﺭﺍﺣﺔ ﺍﻟﺳﺭﯾﺭﯾﺔ ﻭﺍﻟﺗﺷﺭﯾﺢ ﺍﻟﺟﺭﺍﺣﻲ‪.‬‬ ‫• ﻓﻲ ﺳﻧﺔ ‪ ١٩٤٤‬ﻋﻬﺩﺕ ﺃﻟﯾﻪ ﻣﺳﺅﻭﻟﯾﺔ ﻭﺣﺩﺓ ﺍﻟﻁﻭﺍﺭﺉ ﻭﺗﺟﺑﯾﺭ ﺍﻟﻛﺳﻭﺭ ﺑﺎﻻﺿﺎﻓﺔ ﺃﺻﺑﺢ‬ ‫ﺭﺋﯾﺱ ﺍﻟﻭﺣﺩﺓ ﺍﻟﺟﺭﺍﺣﯾﺔ ﺍﻻﻭﻟﻰ‪.‬‬ ‫• ﺗﺭﻗﻰ ﺇﻟﻰ ﺭﺗﺑﺔ ﺍﺳﺗﺎﺫ ﻣﺳﺎﻋﺩ ﻓﻲ ﺍﻟﺟﺭﺍﺣﺔ‪.‬‬ ‫• ﻅﻬﺭ ﺍھﺗﻣﺎﻣﻪ ﻓﻲ ﺟﺭﺍﺣﺔ ﺍﻟﺩﻣﺎﻍ ﻭﺍﻟﺟﻣﻠﺔ ﺍﻟﻌﺻﺑﯾﺔ ﻭﺑﻬﺫﺍ ﺃﺻﺑﺢ ﺍﻟﺭﺍﺋﺩ ﻭﺍﻟﻣﺅﺳﺱ ﺑﺟﺭﺍﺣﺔ‬ ‫ﺍﻟﺟﻣﻠﺔ ﺍﻟﻌﺻﺑﯾﺔ ﻓﻲ ﺍﻟﻌﺭﺍﻕ‪.‬‬ ‫• ﻓﻲ ﺳﻧﺔ ‪ ١٩٥١‬ﻣﻧﺢ ﻟﻘﺏ ﺍﺳﺗﺎﺫ ﻓﻲ ﺍﻟﺟﺭﺍﺣﺔ ﺍﻟﻌﺎﻣﺔ ﺑﺎﻻﺿﺎﻓﺔ ﺍﻟﻰ ﻣﺩﯾﺭ ﻣﺳﺗﺷﻔﻰ ﺍﻻﻣﺭﺍﺽ‬ ‫ﺍﻟﻌﻘﻠﯾﺔ )ﺍﻟﺷﻣﺎﻋﯾﺔ(‪.‬‬ ‫• ﻓﻲ ﺳﻧﺔ ‪ ١٩٦٠‬ﺃﺳﺱ ﺷﻌﺑﺔ ﺟﺭﺍﺣﺔ ﺍﻟﺩﻣﺎﻍ ﻭﺍﻟﺟﻣﻠﺔ ﺍﻟﻌﺻﺑﯾﺔ ﻓﻲ ﻣﺳﺗﺷﻔﻰ ﺩﺍﺭ ﺍﻟﺳﻼﻡ‬ ‫ﻭﺑﻌﺩھﺎ ﻣﺳﺗﺷﻔﻰ ﺍﻟﻛﺭﺥ ﺍﻟﺟﻣﻬﻭﺭﻱ ﻭﻣﺳﺗﺷﻔﻰ ﺍﻟﺟﻣﻠﺔ ﺍﻟﻌﺻﺑﯾﺔ‪.‬‬ ‫• ﺃﺣﯾﻝ ﻋﻠﻰ ﺍﻟﺗﻘﺎﻋﺩ ﺳﻧﺔ ‪.١٩٧٢‬‬ ‫• ﺗﻭﻓﻲ ﺭﺣﻣﻪ ﷲ ﻋﺎﻡ ‪١٩٨٠‬‬ ‫ﺗﻌﺭﯾﻑ ﻣﻭﻓﻕ ﺍﻟﺭﺑﯾﻌﻲ‬

‫ﻓﻘﯾﺭﺓ ﺍﻷﻧﺱ‬ ‫ﻓﻘﯾﺭﺓ ﺗﺣﻣﻝ ﻋﻠﻰ ﺍﻋﺗﺎﻗﻬﺎ ﺟﺛﺗﯾﻥ‬ ‫ﺟﺛﺔ ﻋﺫﺑﺔ‬ ‫ﺟﺛﺔ ﻣﺎﻟﺣﺔ‬ ‫‪..‬‬ ‫ﺗﺭﻧﻭ ﺍﻟﻰ ﻋﻼء ﺍﻟﺩﯾﻥ‬ ‫ﻟﺗﺳﺗﺟﺩﻱ ﻣﻧﻪ‬ ‫ﻧﺎﻋﻭﺭﺍ‬ ‫ﯾﺭﻗﺹ ﻓﻲ ﺍﻟﺑﺣﺭ‬ ‫ﻟﺗﺣﺻﻝ ﻋﻠﻰ ﺍﻟﺳﺎﻟﺏ ﻭ ﺍﻟﻣﻭﺟﺏ‬ ‫‪..‬‬ ‫ﻓﻘﯾﺭﺓ ﯾﻌﺎﻣﻠﻬﺎ ﺍﻟﺟﻣﯾﻊ‬ ‫ﺑﺎﺯﺩﺭﺍء‬ ‫ﻛﺄﻧﻬﺎ ﺻﻧﻡ‬ ‫ﯾﺣﺭﻗﻪ ﺍﻟﺑﺎﻏﻲ‬ ‫ﺍﯾﺎﺩ ﺍﻟﺧﯾﺎﻁ‬

‫ﺍﻟﻭﯾﺏ ﺍﻟﺧﻔﻲ ‪ /‬ﻁﺎﺭﻕ ﺍﻟﻣﺳﯾﺑﺎﻭﻱ‬ ‫‪#‬ﺍﻟﻭﯾﺏ ‪#‬ﺍﻟﺧﻔﻲ – ﺍﻟﺩﯾﺏ ﻭﯾﺏ‪ :‬ﺭﺑﻣﺎ ﺗﻅﻥ ﺃﻧﻙ ﺗﻌﺭﻑ‬ ‫ﺍﻻﻧﺗﺭﻧﺕ ﺟﯾ ًﺩﺍ‪ ،‬ﻟﻛﻥ ﻣﻭﺍﻗﻊ ﻣﺛﻝ ﻓﯾﺳﺑﻭﻙ‪ ،‬ﺃﻣﺎﺯﻭﻥ‪،‬‬ ‫ﻭﺍﻧﺳﺗﺎﺟﺭﺍﻡ‪ ،‬ھﻲ ﻣﺟﺭﺩ ﺍﻟﺳﻁﺢ ﺍﻟﺧﺎﺭﺟﻲ‪ .‬ھﻧﺎﻙ ﻋﺎﻟﻡ‬ ‫ﺁﺧﺭ ﺑﻛﺎﻣﻠﻪ ﺗﺣﺕ ھﺫﺍ ﺍﻟﺳﻁﺢ‪ :‬ﺍﻟﺷﺑﻛﺔ ﺍﻟﻌﻣﯾﻘﺔ‪.‬‬ ‫ھﺫﻩ ﺍﻷﻋﻣﺎﻕ ھﻲ ﺍﻟﻣﻛﺎﻥ ﺍﻟﺫﻱ ﯾﻛﻭﻥ ﻓﯾﻪ ﺗﺩﺍﻭﻝ‬ ‫ﺍﻟﻣﻌﻠﻭﻣﺎﺕ ﻣﺅﻣ ًﻧﺎ ﺑﻛﻠﻣﺔ ﺳﺭ‪ ،‬ﻣﺣﻣ ًﯾﺎ ﺧﻠﻑ ﺃﺳﻭﺍﺭ‬ ‫ﺍﻟﻣﻧﺎﻁﻕ ﻏﯾﺭ ﺍﻟﻣﺟﺎﻧﯾﺔ‪ ،‬ﺃﻭ ﯾﺣﺗﺎﺝ ﺇﻟﻰ ﺑﺭﻣﺟﯾﺎﺕ ﺧﺎﺻﺔ‬ ‫ﻟﻠﻭﺻﻭﻝ ﺇﻟﯾﻪ‪ ،‬ﻭھﻭ ﻣﻛﺎﻥ ﻓﻲ ﻏﺎﯾﺔ ﺍﻟﺿﺧﺎﻣﺔ‪ .‬ﯾﻘﺩﺭ‬ ‫ﺍﻟﺑﻌﺽ ھﺫﺍ ﺍﻟﺟﺯء ﺑﺄﻧﻪ ﯾﺑﻠﻎ ‪ ٥٠٠‬ﺿﻌ ًﻔﺎ ﻣﻥ ﺣﺟﻡ‬ ‫ﺍﻟﺷﺑﻛﺔ ﺍﻟﻣﻧﻅﻭﺭﺓ ﺍﻟﺗﻲ ﯾﺗﺻﻔﺣﻬﺎ ﺍﻟﻧﺎﺱ ﯾﻭﻣ ًﯾﺎ‪ .‬ﺑﺎﻟﺭﻏﻡ‬ ‫ﻣﻥ ﺫﻟﻙ ﻓﻬﺫﺍ ﺍﻟﺟﺯء ﺷﺑﻪ ﻏﺎﺋﺏ ﺗﻣﺎ ًﻣﺎ ﻋﻥ ﺍﻟﻧﻅﺭ‪.‬‬ ‫ﻓﺑﺣﺳﺏ ﺩﺭﺍﺳﺔ ﻧﺷﺭﺕ ﻓﻲ ﻧﺷﺭﺓ “ﺍﻟﻁﺑﯾﻌﺔ” ‪Nature‬‬ ‫ﯾﻘﻭﻡ ﺟﻭﺟﻝ ﺑﺗﺑﻭﯾﺏ ﻣﺎ ﻻﯾﺯﯾﺩ ﻋﻥ ‪ %١٦‬ﻣﻥ ﺳﻁﺢ‬ ‫ﺍﻟﺷﺑﻛﺔ‪ ،‬ﻭ ﯾﻐﻔﻝ ﺗﻣﺎ ُﻣﺎ ﻛﻝ ﺍﻟﺷﺑﻛﺔ ﺍﻟﻌﻣﯾﻘﺔ‪ .‬ﺃﻱ ﻣﺣﺎﻭﻟﺔ‬ ‫ﺑﺣﺙ ﻻ ﯾﻧﺗﺞ ﻋﻧﻬﺎ ﺇﻻ ‪ %٠٫٠٣‬ﻣﻥ ﺍﻟﻣﻌﻠﻭﻣﺎﺕ‬ ‫ﺍﻟﻣﻭﺟﻭﺩﺓ ﻋﻠﻰ ﺍﻻﻧﺗﺭﻧﺕ )ﺻﻔﺣﺔ ﻣﻥ ﻛﻝ ‪٣٠٠٠‬‬ ‫ﺻﻔﺣﺔ(‪ .‬ﯾﺷﺑﻪ ﺍﻷﻣﺭ ﺍﻟﻘﯾﺎﻡ ﺑﺎﻟﺻﯾﺩ ﻓﻲ ﺟﺯء ﯾﻘﻝ ﻋﻣﻘﻪ‬ ‫ﻋﻥ ﺍﻟﻣﺗﺭ ﻓﻲ ﺍﻟﻣﺣﯾﻁ ﻛﻠﻪ‪ ،‬ھﻧﺎ ﺃﻧﺕ ﺗﻐﻔﻝ “ﻣﺎﺭﯾﺎﻧﺎ‬ ‫ﺗﺭﯾﻧﺵ”]‪ [١‬ﺍﻟﺗﺧﯾﻠﻲ ﺍﻟﻛﺎﻣﻥ ﺃﺳﻔﻝ ﺍﻟﺳﻁﺢ‪.‬‬

‫ﻣﻌﻅﻡ ﻣﻧﺎﻁﻕ ﺍﻟﺷﺑﻛﺔ ﺍﻟﻌﻣﯾﻘﺔ ﺍﻟﻐﯾﺭ ﻣﺑﻭﺑﺔ ﺗﻘﻊ ﻓﻲ‬ ‫ﻗﻭﺍﻋﺩ ﺍﻟﺑﯾﺎﻧﺎﺕ ﺍﻟﯾﻭﻣﯾﺔ ﺍﻟﺑﺳﯾﻁﺔ‪ ،‬ﻣﺛﻝ ﻟﯾﻛﺳﯾﺯ‪-‬‬ ‫ﻧﯾﻛﺳﯾﺯ]‪ [٢‬ﺃﻭ ﺳﺟﻼﺕ ﻣﻛﺗﺏ ﺑﺭﺍءﺍﺕ ﺍﻻﺧﺗﺭﺍﻉ‬ ‫ﺑﺎﻟﻭﻻﯾﺎﺕ ﺍﻟﻣﺗﺣﺩﺓ‪ .‬ﻟﻛﻥ ﻋﻠﻰ ﻏﺭﺍﺭ ﺩﻣﯾﺔ ﻣﺎﺗﺭﯾﻭﺷﻛﺎ‬ ‫ﺍﻟﺭﻭﺳﯾﺔ‪ ،‬ﺗﺣﺗﻭﻱ ﺍﻟﺷﺑﻛﺔ ﺍﻟﻌﻣﯾﻘﺔ ﻋﻠﻰ ﻋﺎﻟﻡ ﺃﺷﺩ ﻋﻣ ًﻘﺎ‪،‬‬ ‫ﻣﺟﺗﻣﻊ ﺃﺻﻐﺭ ﻟﻛﻧﻪ ﺷﺩﯾﺩ ﺍﻷھﻣﯾﺔ‪ ،‬ﺣﯾﺙ ﯾﺟﺗﻣﻊ ﺍﻷﺷﺭﺍﺭ‬ ‫ﻟﺗﺣﻘﯾﻕ ﺃﻏﺭﺍﺽ ﺩﻧﯾﺋﺔ‪ .‬ﻣﺭﺣ ًﺑﺎ ﺑﻙ ﻓﻲ ﺍﻟﺷﺑﻛﺔ ﺍﻟﻣﻅﻠﻣﺔ‪،‬‬ ‫ﻭﺍﻟﺗﻲ ﺗﺳﻣﻰ ﺃﺣﯾﺎ ًﻧﺎ ﺩﺍﺭﻙ‪-‬ﻧﺕ ‪ ،Darknet‬ﻭھﻭ ﻗﺑﻭ‬ ‫ﺭﻗﻣﻲ ﺿﺧﻡ ﯾﺟﺗﻣﻊ ﻓﯾﻪ ﺍﻟﻬﺎﻛﺭﺯ ﻭﺭﺟﺎﻝ ﺍﻟﻌﺻﺎﺑﺎﺕ‬ ‫ﻭﺍﻹﺭھﺎﺑﯾﻭﻥ ﻭﺍﻟﺑﯾﺩﻭﻓﺎﯾﻠﺯ]‪ [٣‬ﻟﯾﻣﺎﺭﺳﻭﺍ ﺗﺟﺎﺭﺍﺗﻬﻡ‪ .‬ﻓﻲ‬ ‫ﺍﻟﺳﻁﻭﺭ ﺍﻟﺗﺎﻟﯾﺔ ﺳﻧﻌﺭﺽ ﻟﻙ ﻣﺎ ﻻ ﯾﺯﯾﺩ ﻋﻥ ﻋﯾﻧﺔ‬ ‫ﺳﺭﯾﻌﺔ ﻣﻥ ﺍﻟﺑﺿﺎﺋﻊ ﻭﺍﻟﺧﺩﻣﺎﺕ ﺍﻟﺗﻲ ﯾﺗﻡ ﺗﺩﺍﻭﻟﻬﺎ ﻓﻲ‬ ‫ﺃﻋﻣﻕ ﻛﻬﻭﻑ ﺍﻟﺷﺑﻛﺔ ﻭﺃﺷﺩھﺎ ﻅﻠﻣﺔ‪.‬‬ ‫ﺍﻷﺷﯾﺎء ﺍﻟﺗﻲ ﯾﻣﻛﻧﻙ ﺷﺭﺍءھﺎ‪:‬‬ ‫‪ -١‬ﺍﻟﻣﺧﺩﺭﺍﺕ‬ ‫ﻛﻣﯾﺎﺕ ﻓﺭﺩﯾﺔ ﺃﻭ ﺗﺟﺎﺭﯾﺔ ﻣﻥ ﺍﻟﻣﺧﺩﺭﺍﺕ ﺍﻟﻘﺎﻧﻭﻧﯾﺔ ﻭ‬ ‫ﺍﻟﻐﯾﺭ ﻗﺎﻧﻭﻧﯾﺔ ﻣﻥ ﻛﻝ ﺍﻷﻧﻭﺍﻉ ﻣﺗﺎﺣﺔ ﻟﻠﺑﯾﻊ ﻓﻲ ﺍﻟﻘﺑﻭ‬ ‫ﺍﻟﺭﻗﻣﻲ‪ .‬ﻣﺗﺟﺭ ﺍﻟﻁﺭﯾﻕ ﺍﻟﺣﺭﯾﺭﻱ ‪Silk Road‬‬ ‫ﺍﻷﻟﻛﺗﺭﻭﻧﻲ‪ ،‬ﺃﻛﺑﺭ ﻣﺗﺟﺭ ﻟﻠﻣﺧﺩﺭﺍﺕ ﻭﺍﻟﺫﻱ ﺗﻡ ﺇﻏﻼﻗﻪ‬ ‫ﺍﻵﻥ‪ ،‬ﺑﻠﻎ ﺣﺟﻡ ﺃﻋﻣﺎﻟﻪ ‪ ٢٠٠‬ﻣﻠﯾﻭﻥ ﺩﻭﻻﺭ ﻓﻲ ﺧﻼﻝ‬ ‫ﺷﻬﺭﺍ‪.‬‬ ‫‪٢٨‬‬ ‫ً‬

‫‪ -٢‬ﺍﻟﻌﻣﻠﺔ ﺍﻟﻣﻘﻠﺩﺓ‬ ‫ﻛﺛﯾﺭﺍ ﻣﻥ ﺣﯾﺙ ﺍﻟﺟﻭﺩﺓ‬ ‫ﺍﻟﻧﻘﻭﺩ ﺍﻟﻣﺯﻭﺭﺓ ﺗﺗﺑﺎﯾﻥ ﻓﯾﻣﺎ ﺑﯾﻧﻬﺎ ً‬ ‫ﻭﺍﻟﺗﻛﻠﻔﺔ‪ ،‬ﻟﻛﻥ ﺍﻟﯾﻭﺭﻭ‪ ،‬ﻭﺍﻟﺟﻧﯾﻪ ﺍﻻﺳﺗﺭﻟﯾﻧﻲ‪ ،‬ﻭﺍﻟﯾﻥ‪،‬‬ ‫ﻛﻠﻬﻡ ﻣﺗﺎﺣﻭﻥ ﻟﻠﺑﯾﻊ‪ .‬ﺳﺗﻣﺎﺋﺔ ﺩﻭﻻﺭ ﻗﺩ ﺗﻭﻓﺭ ﻟﻙ ﺷﺭﺍء‬ ‫‪ ٢٥٠٠‬ﺩﻭﻻﺭ ﻣﻥ ﺍﻟﻌﻣﻠﺔ ﺍﻷﻣﯾﺭﯾﻛﯾﺔ ﺍﻟﻣﻘﻠﺩﺓ‪ ،‬ﻣﻊ ﻭﻋﺩ‬ ‫ﺑﻘﺩﺭﺓ ﺍﻟﻌﻣﻠﺔ ﺍﻟﻣﻘﻠﺩﺓ ﻋﻠﻰ ﺗﺧﻁﻲ ﻗﻠﻡ ﺍﻟﻔﺣﺹ ﻭﺍﻷﺷﻌﺔ‬ ‫ﻓﻭﻕ ﺍﻟﺑﻧﻔﺳﺟﯾﺔ‪.‬‬ ‫‪ -٣‬ﺍﻟﻣﺳﺗﻧﺩﺍﺕ ﺍﻟﻣﺯﻭﺭﺓ‬ ‫ﺟﻭﺍﺯ ﺍﻟﺳﻔﺭ‪ ،‬ﺭﺧﺻﺔ ﺍﻟﻘﯾﺎﺩﺓ‪ ،‬ﺃﻭﺭﺍﻕ ﺍﻟﺟﻧﺳﯾﺔ‪ ،‬ﺇﺛﺑﺎﺗﺎﺕ‬ ‫ﺍﻟﺷﺧﺻﯾﺔ ﺍﻟﻣﺯﻭﺭﺓ‪ ،‬ﺍﻟﺷﻬﺎﺩﺍﺕ ﺍﻟﺟﺎﻣﻌﯾﺔ‪ ،‬ﺃﻭﺭﺍﻕ‬ ‫ﺍﻟﻬﺟﺭﺓ‪ ،‬ﺑﻝ ﻭﺑﻁﺎﻗﺎﺕ ﺇﺛﺑﺎﺕ ﺍﻟﺷﺧﺻﯾﺔ ﺍﻟﺩﯾﺑﻠﻭﻣﺎﺳﯾﺔ‪،‬‬ ‫ﻛﻠﻬﺎ ﻣﺗﺎﺣﺔ ﻓﻲ ﺍﻟﺳﻭﻕ ﻏﯾﺭ ﺍﻟﻘﺎﻧﻭﻧﻲ )ﻣﺛﻝ ﺃﻭﻧﯾﻭﻥ‬ ‫ﻟﺧﺩﻣﺎﺕ ﺍﻟﻬﻭﯾﺔ(‪ .‬ﺭﺧﺻﺔ ﻗﯾﺎﺩﺓ ﺃﻣﯾﺭﯾﻛﯾﺔ ﺗﻛﻠﻔﻙ ﺗﻘﺭﯾ ًﺑﺎ‬ ‫‪ ٢٠٠‬ﺩﻭﻻﺭﺍ ﺃﻣﯾﺭﯾﻛ ًﯾﺎ‪ ،‬ﺑﯾﻧﻣﺎ ﺟﻭﺍﺯ ﺍﻟﺳﻔﺭ ﺍﻷﻣﯾﺭﯾﻛﻲ ﺃﻭ‬ ‫ﺍﻹﻧﺟﻠﯾﺯﻱ ﺳﯾﻛﻠﻔﻙ ﺑﺿﻌﺔ ﺁﻻﻑ ﻣﻥ ﺍﻟﺩﻭﻻﺭﺍﺕ‪.‬‬ ‫‪ -٤‬ﺍﻷﺳﻠﺣﺔ ﺍﻟﺷﺧﺻﯾﺔ‪ ،‬ﺍﻟﺫﺧﯾﺭﺓ‪ ،‬ﺍﻟﻣﺗﻔﺟﺭﺍﺕ‬ ‫ﺍﻷﺳﻠﺣﺔ‪ ،‬ﻣﺛﻝ ﺍﻟﻁﺑﻧﺟﺔ ﺍﻟﺷﺧﺻﯾﺔ‪ ،‬ﻭﻣﺗﻔﺟﺭﺍﺕ ‪C4‬‬ ‫ﯾﻣﻛﻥ ﺷﺭﺍءھﺎ ﻣﻥ ﺍﻟﺷﺑﻛﺔ ﺍﻟﻣﻅﻠﻣﺔ‪ .‬ﯾﺷﺣﻥ ﺍﻟﺑﺎﻋﺔ‬ ‫ﺑﺿﺎﻋﺗﻬﻡ ﻓﻲ ﻣﻐﻠﻔﺎﺕ ﺧﺎﺻﺔ ﻟﺗﺟﻧﺏ ﺃﺷﻌﺔ ﺇﻛﺱ‪ ،‬ﺃﻭ‬

‫ﯾﺑﻌﺛﻭﻥ ﺑﺄﺟﺯﺍء ﺍﻟﺳﻼﺡ ﻣﺧﺑﺄﺓ ﺩﺍﺧﻝ ﺃﻟﻌﺎﺏ‪ ،‬ﺃﻭ ﺁﻻﺕ‬ ‫ﻣﻭﺳﯾﻘﯾﺔ ﺃﻭ ﺃﺟﻬﺯﺓ ﺇﻟﻛﺗﺭﻭﻧﯾﺔ‪.‬‬ ‫‪ -٥‬ﺍﻟﻘﺗﻠﺔ ﺍﻟﻣﺄﺟﻭﺭﻭﻥ‬ ‫ﻣﻘﺩﻣﻲ ﺍﻟﺧﺩﻣﺔ – ﻭﻣﻥ ﺑﯾﻧﻬﻡ ﺷﺭﻛﺔ ﺗﺳﻣﻰ ﻛﻭﻟﻭﻟﻬﻭﻟﻭ‬ ‫‪ C’thulhu‬ﻋﻠﻰ ﺍﺳﻡ ﺍﻟﻭﺣﺵ ﺍﻟﺫﻱ ﺍﺑﺗﻛﺭﻩ ﺍﻟﻛﺎﺗﺏ ﻩ‪.‬‬ ‫ﺏ‪ .‬ﻟﻭﻓﻛﺭﺍﻓﺕ ‪ H.P. Lovecraft‬ﻓﻲ ﺭﻭﺍﯾﺎﺗﻪ –‬ ‫ﯾﻘﺩﻣﻭﻥ ﺩﻋﺎﯾﺎﺗﻬﻡ ﺑﻌﺑﺎﺭﺓ “ﺣﻠﻭﻝ ﺩﺍﺋﻣﺔ ﻟﻣﺷﻛﻼﺕ‬ ‫ﺷﺎﺋﻌﺔ”‪ .‬ھﺅﻻء ﺍﻟﻘﺗﻠﺔ ﺍﻟﻣﺄﺟﻭﺭﻭﻥ ﯾﻘﻭﻣﻭﻥ ﺑﻛﻝ ﺷﻲء‪،‬‬ ‫ﺑﺩﺍﯾﺔ ﻣﻥ ﺍﻟﺿﻐﺎﺋﻥ ﺍﻟﺷﺧﺻﯾﺔ ﺣﺗﻰ ﺍﻻﻏﺗﯾﺎﻻﺕ‬ ‫ﺍﻟﺳﯾﺎﺳﯾﺔ‪ ،‬ﻭﯾﻘﺑﻠﻭﻥ ﻣﻘﺎﺑﻝ ﺃﻋﻣﺎﻟﻬﻡ ﺍﻟﺩﻓﻊ ﻋﻥ ﻁﺭﯾﻕ‬ ‫ﻣﺻﻭﺭﺍ‬ ‫ﺍﻟﺑﯾﺗﻛﻭﯾﻥ )‪ (bitcoin‬ﻛﺄﺟﺭﺓ‪ ،‬ﻭﯾﻘﺩﻣﻭﻥ ﺩﻟﯾﻼ‬ ‫ً‬ ‫ﻋﻠﻰ ﺇﺗﻣﺎﻡ ﺍﻟﻣﻬﻣﺔ‪.‬‬ ‫‪ -٦‬ﺍﻷﻋﺿﺎء ﺍﻟﺑﺷﺭﯾﺔ‬ ‫ﻓﻲ ﺍﻷﺭﻛﺎﻥ ﺍﻷﺷﺩ ﻅﻠﻣﺔ ﻣﻥ ﺍﻟﺷﺑﻛﺔ‪ ،‬ﺗﻧﺗﻌﺵ ﺳﻭﻕ‬ ‫ﺳﻭﺩﺍء ﺿﺧﻣﺔ ﻟﻸﻋﺿﺎء ﺍﻟﺑﺷﺭﯾﺔ‪ .‬ﺍﻟﻛﻠﻰ ﻗﺩ ﺗﺑﺎﻉ ﻟﻘﺎء‬ ‫‪ ٢٠٠‬ﺃﻟﻑ ﺩﻭﻻﺭ‪ ،‬ﺍﻟﻘﻠﻭﺏ ﻣﻘﺎﺑﻝ ‪ ١٢٠‬ﺃﻟﻑ ﺩﻭﻻﺭ‪ ،‬ﻭ‬ ‫ﺍﻟﻛﺑﺩ ﻣﻘﺎﺑﻝ ‪ ١٥٠‬ﺃﻟﻑ ﺩﻭﻻﺭ‪ .‬ﺯﻭﺝ ﻣﻥ ﺍﻷﻋﯾﻥ ﯾﻛﻠﻑ‬ ‫‪ ١٥٠٠‬ﺩﻭﻻﺭﺍ‪.‬‬ ‫ﺍﻷﺷﯾﺎء ﺍﻟﺗﻲ ﺗﺟﻌﻝ ﺟﺭﺍﺋﻡ ﺍﻻﻧﺗﺭﻧﺕ ﻧﺎﺟﺣﺔ‬ ‫‪ -١‬ﺍﻟﻧﻘﻭﺩ ﺍﻟﻣﺷﻔﺭﺓ‬

‫ﺍﻟﻧﻘﻭﺩ ﺍﻟﺭﻗﻣﯾﺔ )ﻣﺛﻝ ﺑﯾﺗﻛﻭﯾﻥ ﻭﺩﺍﺭﻙ‪-‬ﻛﻭﯾﻥ(‪ ،‬ﻭﻧﻅﺎﻡ ﺩﻓﻊ‬ ‫ﻟﯾﺑﺭﺗﻲ ﺭﯾﺳﯾﺭﻑ )‪ (Liberty Reserve‬ﯾﻘﺩﻣﺎﻥ ﻧﻅﺎ ًﻣﺎ‬ ‫ﻣﻼﺋ ًﻣﺎ ﻟﻠﻣﺳﺗﺧﺩﻣﯾﻥ ﻹﻧﻔﺎﻕ ﺍﻷﻣﻭﺍﻝ ﺃﻭﻧﻼﯾﻥ ﻣﻊ ﺍﺧﻔﺎء‬ ‫ھﻭﯾﺎﺗﻬﻡ ﺍﻟﺣﻘﯾﻘﯾﺔ‪.‬‬ ‫‪ -٢‬ﺧﺩﻣﺔ ﺧﺎﻟﯾﺔ ﻣﻥ ﺍﻟﺛﻐﺭﺍﺕ ﻻﺳﺗﺿﺎﻓﺔ ﺍﻟﻣﻭﺍﻗﻊ‬ ‫ﺑﻌﺽ ﻣﺿﯾﻔﻲ ﺍﻟﻣﻭﺍﻗﻊ ﻓﻲ ﺭﻭﺳﯾﺎ ﻭﺃﻭﻛﺭﺍﻧﯾﺎ ﯾﺭﺣﺑﻭﻥ‬ ‫ﺑﺄﻱ ﻣﺣﺗﻭﻯ‪ ،‬ﻻ ﯾﺣﺎﻭﻟﻭﻥ ﺑﺄﻱ ﺷﻛﻝ ﻣﻌﺭﻓﺔ ھﻭﯾﺔ‬ ‫ﺯﺑﺎﺋﻧﻬﻡ ﺍﻟﺣﻘﯾﻘﯾﺔ‪ ،‬ﻭ ﯾﻘﺑﻠﻭﻥ ﺍﻟﺩﻓﻊ ﻣﺟﻬﻭﻝ ﺍﻟﻬﻭﯾﺔ‬ ‫ﺑﻭﺍﺳﻁﺔ ﺑﯾﺗﻛﻭﯾﻥ‪ ،‬ﻭ ﯾﺗﺟﺎھﻠﻭﻥ ﺑﺎﺳﺗﻣﺭﺍﺭ ﻣﺫﻛﺭﺍﺕ‬ ‫ﺍﻟﺿﺑﻁ ﻭﺍﻹﺣﺿﺎﺭ ﻣﻥ ﺍﻟﺳﻠﻁﺎﺕ‪.‬‬ ‫‪ -٣‬ﺍﻟﺣﻭﺳﺑﺔ ﺍﻟﺳﺣﺎﺑﯾﺔ ‪:Cloud Computing‬‬ ‫ﻋﻥ ﻁﺭﯾﻕ ﻭﺿﻊ ﺑﺭﺍﻣﺟﻬﻡ ﺍﻟﻣﺅﺫﯾﺔ ‪ Malware‬ﻓﻲ‬ ‫ﺿﯾﺎﻓﺔ ﺍﻟﺷﺭﻛﺎﺕ ﺫﺍﺕ ﺍﻟﺳﻣﻌﺔ ﺍﻟﻧﻅﯾﻔﺔ‪ ،‬ﻻ ﯾﻌﺎﻧﻲ ﺍﻟﻬﺎﻛﺭﺯ‬ ‫ﻣﻥ ﺃﻱ ﺍﻋﺗﺭﺍﺽ ﻟﺗﺩﺍﻭﻻﺗﻬﻡ ﻣﻥ ﺟﺎﻧﺏ ﺍﻷﻧﻅﻣﺔ ﺍﻷﻣﻧﯾﺔ‪.‬‬ ‫ﺃﺷﺎﺭﺕ ﺩﺭﺍﺳﺔ ﺣﺩﯾﺛﺔ ﺃﻥ ‪ %١٦‬ﻣﻥ ﺍﻟﺑﺭﻣﺟﯾﺎﺕ ﺍﻟﻣﺅﺫﯾﺔ‬ ‫ﻓﻲ ﺍﻟﻌﺎﻟﻡ ﻭﻗﻧﻭﺍﺕ ﺗﻭﺯﻉ ﺍﻟﻬﺟﻣﺎﺕ ﺍﻷﻟﻛﺗﺭﻭﻧﯾﺔ ﺑﺩﺃﺕ ﻣﻥ‬ ‫ﺳﺣﺎﺑﺔ ﺃﻣﺎﺯﻭﻥ‪.‬‬ ‫‪ -٤‬ﺑﺭﻣﺟﯾﺎﺕ ﺍﻟﺟﺭﯾﻣﺔ‬ ‫ﺍﻟﻣﺟﺭﻣﯾﻥ ﺍﻷﻗﻝ ﻣﻬﺎﺭﺓ ﺑﺈﻣﻛﺎﻧﻬﻡ ﺷﺭﺍء ﻛﻝ ﺍﻷﺩﻭﺍﺕ ﺍﻟﺗﻲ‬ ‫ﯾﺣﺗﺎﺟﻭﻧﻬﺎ ﻟﻠﻌﺛﻭﺭ ﻋﻠﻰ ﺛﻐﺭﺍﺕ ﺍﻟﻧﻅﺎﻡ‪ ،‬ﻭ ﺳﺭﻗﺔ‬

‫ﺍﻟﻬﻭﯾﺎﺕ‪ ،‬ﻭ ﺗﻬﺩﯾﺩ ﺍﻟﺳﯾﺭﻓﺭﺍﺕ‪ ،‬ﻭ ﺳﺭﻗﺔ ﺍﻟﻣﻌﻠﻭﻣﺎﺕ‪ .‬ﻓﻲ‬ ‫ﻋﺎﻡ ‪ ٢٠١٣‬ﻟﻡ ﯾﺗﻁﻠﺏ ﺍﻷﻣﺭ ﺃﻛﺛﺭ ﻣﻥ ھﺎﻛﺭ ﯾﻣﻠﻙ‬ ‫ﻣﺟﻣﻭﻋﺔ ﺃﺩﻭﺍﺕ ﻣﺷﺎﺑﻬﺔ ﻟﻐﺯﻭ ﻧﻅﺎﻡ ﻧﻘﺎﻁ ﺑﯾﻊ ﺗﺎﺭﺟﺕ‬ ‫‪. Target’s point-of-sale system‬‬ ‫‪ -٥‬ھﺎﻛﺭﺯ ﻟﻺﯾﺟﺎﺭ‬ ‫ﻧﻘﺎﺑﺎﺕ ﺍﻟﺟﺭﯾﻣﺔ ﺍﻷﻟﻛﺗﺭﻭﻧﯾﺔ ﺍﻟﻣﻧﻅﻣﺔ ﺗﻌﺭﺽ ﺍﻟﻬﺎﻛﺭﺯ‬ ‫ﻟﻺﯾﺟﺎﺭ‪ .‬ﻣﺟﻣﻭﻋﺔ ﻟﯾﻧﻛﺱ ﺍﻟﺻﯾﻧﯾﺔ ﺍﻟﺳﺭﯾﺔ ﺗﻔﺧﺭ ﺑﺗﻭﻓﺭ‬ ‫ﻣﺎﯾﻘﺭﺏ ﻣﻥ ‪ ١٠٠‬ﻟﺹ ﺃﻟﻛﺗﺭﻭﻧﻲ ﻣﺣﺗﺭﻑ‪ ،‬ﺑﻌﺿﻬﻡ‬ ‫ﯾﻌﺭﻑ ﻋﻧﻪ ﺃﻧﻪ ﺍﺧﺗﺭﻕ ﻧﻅ ًﻣﺎ ﻟﺟﻭﺟﻝ‪ ،‬ﻭ ﺃﺩﻭﺑﻲ‪ ،‬ﻭ‬ ‫ﻟﻭﻛﻬﯾﺩ ﻣﺎﺭﺗﯾﻥ‪.‬‬ ‫‪ -٦‬ﻣﺭﺍﻛﺯ ﺧﺩﻣﺔ ﺍﺗﺻﺎﻻﺕ ﺍﻟﺟﺭﺍﺋﻡ ﻣﺗﻌﺩﺩﺓ ﺍﻟﻠﻐﺎﺕ‬ ‫ھﺅﻻء ﺍﻟﻣﻭﻅﻔﻭﻥ ﺳﯾﻠﻌﺑﻭﻥ ﺃﻱ ﺩﻭﺭ ﺗﻭﺩﻩ‪ ،‬ﻣﺛﻝ ﺗﻘﺩﯾﻡ‬ ‫ﺷﻬﺎﺩﺍﺕ ﺧﺑﺭﺓ ﺃﻭ ﺗﺩﺭﯾﺏ‪ ،‬ﺑﺩء ﻋﻣﻠﯾﺔ ﻧﻘﻝ ﺃﻣﻭﺍﻝ‪ ،‬ﺇﻋﺎﺩﺓ‬ ‫ﺗﺷﻐﯾﻝ ﺣﺳﺎﺑﺎﺕ ﻣﺧﺗﺭﻗﺔ‪ .‬ﺍﻟﻣﻛﺎﻟﻣﺔ ﺗﻛﻠﻔﻙ ﻣﺎﯾﻘﺭﺏ ﻣﻥ‬ ‫‪ ١٠‬ﺩﻭﻻﺭﺍﺕ‪.‬‬ ‫ﻛﯾﻔﯾﺔ ﺍﻟﻭﺻﻭﻝ ﺇﻟﻰ ﺑﺭﻣﺟﯾﺎﺕ ﺍﻟﺷﺑﻛﺔ ﺍﻟﻣﻅﻠﻣﺔ‬ ‫– ﺍﻟﻣﺗﺻﻔﺣﺎﺕ ﺍﻟﺳﺭﯾﺔ‬ ‫ﺗﻭﺭ ‪ Tor‬ﻭھﻭ ﺍﺧﺗﺻﺎﺭ ﺃﻭﻧﯾﻭﻥ ﺭﺍﻭﺗﺭ‪ ،‬ھﻭ ﻭﺍﺣﺩ ﻣﻥ‬ ‫ﺍﻟﺑﺭﺍﻣﺞ ﺍﻟﻌﺩﯾﺩﺓ ﺍﻟﺗﻲ ﺗﻔﺗﺢ ﺑﺎ ًﺑﺎ ﻟﻠﺷﺑﻛﺔ ﺍﻟﻣﻅﻠﻣﺔ‪ .‬ﯾﻘﻭﻡ‬

‫ﺗﻭﺭ ﺑﺗﻌﺩﯾﻝ ﺍﺗﺟﺎﻩ ﺍﻹﺷﺎﺭﺓ ﻋﺑﺭ ‪ ٦٠٠٠‬ﺳﯾﺭﻓﺭ ﻟﯾﺧﻔﻲ‬ ‫ﻣﺻﺩﺭ ﻁﻠﺏ ﺍﻟﻭﺻﻭﻝ ﻟﺻﻔﺣﺔ ﻣﻌﯾﻧﺔ‪ ،‬ﻣﻣﺎ ﯾﺟﻌﻝ‬ ‫ﺍﻟﺿﻐﻁﺎﺕ ﻋﻠﻰ ﺭﻭﺍﺑﻁ ﻣﻣﻧﻭﻋﺔ ﻻ ﯾﻣﻛﻥ ﺍﻗﺗﻔﺎء ﺃﺛﺭھﺎ‬ ‫ﻣﻥ ﻗﺑﻝ ﺍﻟﺳﻠﻁﺎﺕ‪ .‬ﺍﻟﻣﺗﺻﻔﺢ ﯾﺳﺗﺧﺩﻡ ﺻﻔﺣﺎﺕ ﺳﺭﯾﺔ‬ ‫ﻣﺗﺑﻭﻋﺔ ﺏ )‪ (onion.‬ﺑﺩﻻ ﻣﻥ )‪ (com.‬ﻭﺍﻟﻲ ﻻ ﯾﻣﻛﻥ‬ ‫ﺍﻟﻭﺻﻭﻝ ﺇﻟﯾﻬﺎ ﺇﻻ ﻣﻥ ﺧﻼﻝ ﻣﺗﺻﻔﺢ ﺗﻭﺭ‪.‬‬ ‫– ﻣﺣﺭﻛﺎﺕ ﺍﻟﺑﺣﺙ ﺍﻟﺳﺭﯾﺔ‬ ‫ﻓﻲ ﺃﻭﺍﺳﻁ ﻋﺎﻡ ‪ ،٢٠١٤‬ﺍﺧﺗﺭﻉ ﺍﻟﻬﺎﻛﺭﺯ ﻣﺣﺭﻙ ﺑﺣﺙ‬ ‫ﺟﺭﺍﻣﺯ ‪ ،Grams‬ﻭھﻭ ﻣﺣﺭﻙ ﺍﻟﺑﺣﺙ ﺍﻷﻭﻝ ﻓﻲ ﺍﻟﺷﺑﻛﺔ‬ ‫ﺍﻟﻣﻅﻠﻣﺔ ﺍﻟﺫﻱ ﺗﻡ ﺗﻭﺯﯾﻌﻪ ﺑﻧﻁﺎﻕ ﻛﺑﯾﺭ‪ .‬ﯾﺗﯾﺢ ﺟﺭﺍﻣﺯ‬ ‫ﻟﻠﻣﺟﺭﻣﯾﻥ ﺍﻟﻣﺳﺗﻘﺑﻠﯾﯾﻥ ﺍﻟﺑﺣﺙ ﻋﻥ ﺍﻟﻣﺧﺩﺭﺍﺕ ﻭ ﺍﻟﺳﻼح‬ ‫ﻭ ﺣﺳﺎﺑﺎﺕ ﺍﻟﺑﻧﻭﻙ ﺍﻟﻣﺳﺭﻭﻗﺔ ﻋﺑﺭ ﺍﻟﻌﺩﯾﺩ ﻣﻥ ﺍﻟﻣﻭﺍﻗﻊ‬ ‫ﺍﻟﻣﺧﻔﯾﺔ‪ .‬ﺍﻷﺩھﻰ ﺃﻧﻬﺎ ﺗﺣﺗﻭﻱ ﻋﻠﻰ ﺯﺭ “ﺿﺭﺑﺔ ﺣﻅ”‬ ‫‪ I’m Feeling Lucky‬ﻭ ﯾﺣﺗﻭﻱ ﻋﻠﻰ ﺇﻋﻼﻧﺎﺕ‬ ‫ﺍﺳﺗﻬﺩﺍﻓﯾﺔ‪ ،‬ﺣﯾﺙ ﯾﻘﻭﻡ ﻣﺭﻭﺟﻭ ﺍﻟﻣﺧﺩﺭﺍﺕ ﺑﺎﻟﺗﻧﺎﻓﺱ ﻋﻠﻰ‬ ‫ﻣﻌﺩﻻﺕ ﺍﻟﻣﺭﻭﺭ‪.‬‬ ‫– ﻣﻭﺳﻭﻋﺎﺕ ﺍﻟﺟﺭﯾﻣﺔ‬ ‫ﻣﻭﺳﻭﻋﺎﺕ ﻣﻧﻅﻣﺔ ﺑﻌﻧﺎﯾﺔ ﺗﺣﺗﻭﻱ ﻋﻠﻰ ﻗﻭﺍﺋﻡ ﻣﺑﻭﺑﺔ‬ ‫ﺑﺄﻧﻭﺍﻉ ﺍﻟﺟﺭﯾﻣﺔ‪ ،‬ﻣﺛﻝ ﺍﻻﺧﺗﺭﺍﻕ‪ ،‬ﺍﻷﺳﻭﺍﻕ‪ ،‬ﺍﻟﻔﯾﺭﻭﺳﺎﺕ‪،‬‬ ‫ﻭ ﺍﻟﻣﺧﺩﺭﺍﺕ‪ .‬ﯾﺳﺎﻋﺩ ﺍﻟﻭﺻﻑ ﺍﻟﻣﺗﺎح ﻟﻛﻝ ﺑﺎﺏ ﻓﻲ‬

‫ﺗﻌﺭﯾﻑ ﺍﻟﻘﺎﺩﻣﯾﻥ ﺍﻟﺟﺩﺩ ﺑﺎﻟﻣﻭﺿﻭﻉ ﻭ ﻓﻲ ﺗﻭﺻﯾﻠﻬﻡ‬ ‫ﺑﻣﻭﺍﺩھﻡ ﺍﻹﺟﺭﺍﻣﯾﺔ ﺍﻟﻣﻔﺿﻠﺔ‪.‬‬ ‫– ﻏﺭﻑ ﺍﻟﺩﺭﺩﺷﺔ ﺍﻟﺧﻔﯾﺔ‬ ‫ﻣﺛﻝ ﺍﻟﻌﺎﻟﻡ ﺍﻟﺣﻘﯾﻘﻲ ﺗﻣﺎ ًﻣﺎ‪ ،‬ﻛﻝ ﻣﺟﺭﻡ ﯾﺳﻌﻰ ﻟﻠﻭﺻﻭﻝ ﺇﻟﻰ‬ ‫ﻣﻭﺍﺩ ﺇﺟﺭﺍﻣﯾﺔ ﯾﺟﺏ ﺃﻥ ﯾﺩﺧﻝ ﻣﻥ ﺧﻼﻝ ﺗﻭﺻﯾﺔ ﻗﺑﻝ ﺃﻱ‬ ‫ﺗﻌﺎﻣﻝ ﻣﻌﻪ‪ .‬ھﻧﺎﻙ ﺷﺑﻛﺔ ﻣﻥ ﻏﺭﻑ ﺍﻟﺩﺭﺩﺷﺔ ﻭﺍﻟﻣﻧﺗﺩﯾﺎﺕ‬ ‫ﺍﻟﺗﻲ ﻻ ﯾﻣﻛﻥ ﺩﺧﻭﻟﻬﺎ ﺇﻻ ﻣﻥ ﺧﻼﻝ ﺩﻋﻭﺓ‪ ،‬ﻣﺧﻔﺎﺓ ﺧﻠﻑ‬ ‫ﻋﻧﺎﻭﯾﻥ ﻭﯾﺏ ﻏﯾﺭ ﻣﺩﺭﺟﺔ ﺗﺗﻛﻭﻥ ﺃﺳﻣﺎﺅھﺎ ﻣﻥ ﺣﺭﻭﻑ‬ ‫ﻭﺃﺭﻗﺎﻡ‪ ،‬ﺗﺗﯾﺢ ﺍﻟﺩﺧﻭﻝ ﺇﻟﻰ ﺃﻋﺗﻰ ﺍﻟﺷﺑﻛﺎﺕ ﺍﻹﺟﺭﺍﻣﯾﺔ‪.‬‬ ‫]‪ [١‬ﻣﺎﺭﯾﺎﻧﺎ ﺗﺭﯾﻧﺵ ‪ Mariana Trench‬ھﻲ ﺃﻋﻣﻕ‬ ‫ﻧﻘﻁﺔ ﻓﻲ ﻣﺣﯾﻁﺎﺕ ﺍﻟﻌﺎﻟﻡ‪ ،‬ﻭ ﺗﻘﻊ ﻓﻲ ﻏﺭﺏ ﺍﻟﻣﺣﯾﻁ‬ ‫ﺍﻟﻬﺎﺩﻱ‪.‬‬ ‫]‪ [٢‬ﻟﯾﻛﺳﯾﺯ‪-‬ﻧﯾﻛﺳﯾﺯ ‪ LexisNexis‬ﺷﺭﻛﺔ ﻧﺷﺭ‬ ‫ﺃﻣﯾﺭﯾﻛﯾﺔ ﺗﺗﯾﺢ ﻗﺎﻋﺩﺓ ﺑﯾﺎﻧﺎﺕ ﺿﺧﻣﺔ ﻟﻸﺑﺣﺎﺙ ﺍﻟﻘﺎﻧﻭﻧﯾﺔ‬ ‫ﻭ ﺍﻟﺗﺟﺎﺭﯾﺔ‪ ،‬ﺗﺷﻣﻝ ﺍﻟﻧﺷﺭﺍﺕ ﻭﺍﻟﺩﺭﺍﺳﺎﺕ ﻭ ﺍﻟﺗﻐﻁﯾﺎﺕ‬ ‫ﺍﻹﺧﺑﺎﺭﯾﺔ ﻭﻏﯾﺭھﺎ‪.‬‬ ‫]‪ Pedophiles [٣‬ﺍﻷﺷﺧﺎﺹ ﺍﻟﺫﯾﻥ ﯾﻧﺟﺫﺑﻭﻥ ﺟﻧﺳ ًﯾﺎ‬ ‫ﺇﻟﻰ ﺍﻷﻁﻔﺎﻝ‬

‫]‪ Liberty Reserve [٤‬ﺷﺭﻛﺔ ﻛﺎﻧﺕ ﺗﻘﺩﻡ ﺧﺩﻣﺎﺕ‬ ‫ﺍﻟﺩﻓﻊ ﺍﻵﻣﻧﺔ ﻋﺑﺭ ﺍﻻﻧﺗﺭﻧﺕ ﺑﻭﺍﺳﻁﺔ ﺍﻟﻌﻣﻼﺕ ﺍﻟﺭﻗﻣﯾﺔ‪،‬‬ ‫ﺗﻡ ﺇﻏﻼﻗﻬﺎ ﺑﻭﺍﺳﻁﺔ ﺣﻛﻭﻣﺔ ﺍﻟﻭﻻﯾﺎﺕ ﺍﻟﻣﺗﺣﺩﺓ ﺍﻷﻣﯾﺭﯾﻛﯾﺔ‬ ‫ﻓﻲ ‪ ٢٠١٣‬ﺑﺳﺑﺏ ﺍﺳﺗﺧﺩﺍﻡ ﺧﺩﻣﺎﺗﻬﺎ ﻓﻲ ﺃﻧﺷﻁﺔ ﺇﺟﺭﺍﻣﯾﺔ‬ ‫ﻻ ﯾﻣﻛﻥ ﺗﺗﺑﻌﻬﺎ‪.‬‬ ‫ﺍﻟﻣﺻﺩﺭ ﻗﻧﺎﺓ )ﺍﻧﺎ ﺃﺻﺩﻕ ﺍﻟﻌﻠﻡ( ﻓﻲ ﺍﻟﺗﻠﯾﻛﺭﺍﻡ‬

‫ﻁﺎﺭﻕ ﺍﻟﻣﺳﯾﺑﺎﻭﻱ‬

‫ﺟﻠﺩﻩ ﺗﺎﯾﺦ ‪...‬‬ ‫ﺳﺄﻝ ﺍﻟﻘﺎﺿﻲ ﺳﯾﺩ ﺇﺑﺭﺍھﯾﻡ ﻋﻥ ﺳﺑﺏ ﻁﻌﻧﻪ ﺻﺎﺣﺑﻪ‬ ‫ﺑﺎﻟﺧﻧﺟﺭ‪.‬‬ ‫ﻓﺄﺟﺎﺏ ‪) :‬ﻭﷲ ﯾﺎﺳﯾﺩﻱ ﻣﻭ ﻗﺻﺩﻱ ﺃﻛﺗﻠﻪ ﺑﺱ‬ ‫ﻁﻠﻊ ﺟﻠﺩﻩ ﺗﺎﯾﺦ ﺭﺍﺳﺎ ﺍﺟﻪ ﺑﯾﺩﻱ(‪ ..‬ﻓﺭﻣﻰ‬ ‫ﺍﻟﻘﺎﺿﻲ ﻗﻠﻣﻪ ﻭﻗﻬﻘﻪ ﺑﺻﻭﺕ ﻋﺎﻝ ‪،‬ﺛﻡ ﺃﺻﺩﺭ‬ ‫ﺣﻛﻣﻪ ﻋﻠﯾﻪ ﺑﺎﻟﺳﺟﻥ ﺍﻟﻣﺅﺑﺩ‪..‬‬ ‫ﻗﻠﺕ ‪ :‬ﻟﻭﻟﻡ ﺗﻛﻥ ﺟﻠﻭﺩﻧﺎ ﺗﺎﯾﺧﺔ ﻟﻣﺎ ﺳﻬﻝ ﻗﯾﺎﺩﻧﺎ ‪!!!..‬‬ ‫ﻟﻁﯾﻑ ﺣﺎﺗﻡ ﺍﻟﺯﺍﻣﻠﻲ‬ ‫ﻭﻣﻥ ﺃﻣﺛﺎﻟﻬﻡ ‪ :‬ﺧﻧﺟﺭ ﺍﺻﻠﺑﻲ ﻻﯾﻧﺷﻠﻊ ﻭﻻ ﯾﺗﻛﻠﻛﻝ ‪-‬ﺑﺗﻔﺧﯾﻡ ﺍﻟﻼﻡ ﻣﻥ ﺍﻟﻠﻔﻅ‬ ‫ﺍﻟﺛﺎﻧﻲ ﻭﺍﻷﺧﯾﺭ‪...‬‬ ‫ﻭﺍﻟﺧﻧﺟﺭ ﺁﻟﺔ ﺣﺎﺩﺓ ﺟﺎﺭﺣﺔ ﻟﻬﺎ ﺷﻛﻝ ﺧﺎﺹ‬ ‫ﻣﻌﻘﻭﻑ ‪،‬ﻭﻏﻣﺩ ﯾﺷﺑﻪ ﻏﻣﺩ ﺍﻟﺳﯾﻑ ‪...‬ﻭﺍﻟﻣﺛﻝ‬ ‫ﻛﻧﺎﯾﺔ ﻋﻥ ﺍﻟﺫﻱ ﯾﺛﺑﺕ ﻓﻲ ﻣﻭﻗﻌﻪ ﺃﻭ ﻣﻧﺻﺑﻪ‬ ‫ﻓﻼ ﯾﺗﺯﺣﺯح ﻣﻬﻣﺎ ﻛﺎﻧﺕ ﺍﻟﻣﺣﺎﻭﻻﺕ‪..‬ﻭﻣﻥ ﺃﻏﺎﻧﯾﻬﻡ ) ﺑﺧﻧﺟﺭ ﻟﺳﺭﺩ ﺍﻟﺭﻭح ﺟﺎ‬ ‫ﺷﻠﻲ ﺑﯾﻬﺎ(‬ ‫‪...‬ﻗﻠﺕ ‪ :‬ﺧﻧﺎﺟﺭھﻡ ﯾﺎﺻﺩﯾﻘﻲ ﺻﺎﺭﺕ ﺳﯾﻭﻓﺎ‬ ‫ﻻﯾﻧﻔﻊ ﻣﻌﻬﺎ ﻻﺍﻟﻘﻠﻊ ﻭﻻﺍﻟﺷﻠﻊ‪!!!!!!!...‬‬ ‫ﻟﻁﯾﻑ ﺣﺎﺗﻡ ﺍﻟﺯﺍﻣﻠﻲ‬

‫)) ﻭﻓﺎ ُء ﺍﻟﺭﻣﺎﻝ ((‬

‫ـﺗـﯾﻥ ﻓﯾﻬﺎ‬ ‫َﻣﺳـﺎ ِﺟـ ُﺩ ﺍﻟـﺩِﺟﻠَ ِ‬

‫ﻣﻥ ﻗﺻﺎﺋﺩﻱ‬

‫ﺍﻟـ َﻬـﺯﺍ ُﺭ َﺗـﻐﺭﯾـ ُﺩﻩُ َﺣـﻼﻝ ُ )ﻡ(‬

‫ﺍﻟﻘﺩﯾﻣﺔ ﻋﻠﻰ ُﻣ َﺧﻠﱠﻊ ﺍﻟﺑﺳﯾﻁ‬

‫ﻓﻲ ﺍﻟﺷﺎﻁِ ﺊ َ‬ ‫ـﺣ ﱠﻣ ْﺕ‬ ‫ﺍﻵﺧ ِﺭ ﺍﺳـ َﺗ َ‬

‫ﺍﻟﺟ ّﺭﺍح‬ ‫ﺍﻧﻣﺎﺭ َ‬

‫ﺃﺑـﻌـﺽ ﺃﺩﺭﺍﻧِـﻬﺎ ﺍﻟـﻭﺻـﺎﻝ ُ ؟‬ ‫ُ‬

‫ﻅﺭ ْ‬ ‫ﻟﻭ ﻟ ﱠﺢ ﻓﻲ َﻧ َ‬ ‫ﺗﻲ ﺍﻟﺳـﺅﺍﻝ ُ‬

‫ﻣﻝ ﺩﻉ ﻏﺻﻭﻧﺎ ً‬ ‫َﺧ ﱠﻁ ْﺕ ﻋﻠﻰ َ‬ ‫ﺍﻟﺭ ِ‬

‫ُﺗﺟﯾـ ُﺑﻧﻲ ﻋﯾ ُﻧﻬﺎ ُﻣﺣـﺎﻝ ُ‬ ‫ﺍﻟﺩﺍﺭ ﺃﻧ َ‬ ‫ﻣِﻥ ُ‬ ‫ﺷ َﺩﺗـﻧـﻲ‬ ‫ﺷﺭ َﻓ ِﺔ‬ ‫ِ‬

‫ﺛِـﻣﺎ ُﺭھـﺎ ﻟﻡ َﺗ ُﻌﺩ ُﺗـﻁـﺎﻝ ُ‬ ‫ـﺕ ﻋـﻠـﻰ َ‬ ‫ﺳ ْ‬ ‫ﺍﻟﺧ ﱢﻁ ﻣﺎ َﻣ َﺣﺗ ُﻪ‬ ‫ﺩﺍ َ‬

‫ﻓﺄ َﺗ ﱠﻡ ْ‬ ‫ﺑـﻲ ﻋﺎﺷِ ـﻘـﺎ ً ِﺭﺟـﺎﻝ ُ‬

‫ﺍﻟـﺭﻣﺎﻝ ُ‬ ‫َﺗ َﺣ ﱠﺟ َﺭ ْﺕ َﺗـﺣـ َﺗـﻬــﺎ ِ‬

‫َھ َﻣ ُ‬ ‫ﺳﺕ ھﻝ ﺗﺳ َﻣﻌﻭﻥَ ؟ ﻗﺎﻟﻭﺍ‬

‫ﻭﺣـﯾـﻧـﻣـﺎ ﻟـَ ﱠﻭ َﺣـﺕ َﻭﺩﺍﻋـﺎ ً‬

‫َﻣـﻧـﺎﺭﺓٌ َﻓـﻭ َﻗـﻬـــﺎ ﺑـِﻼﻝ ُ‬

‫ـﺕ َ‬ ‫َﻭ َﻏـ ﱠﯾـ َﺑ ْ‬ ‫ﺷ َ‬ ‫ـﻣـﺳـﻬـﺎ ﺍﻟﺗِﻼﻝ ُ‬

‫ﺃﺳﻛﺭﺗﻧﻲ‬ ‫ﻛـﯾﻑ‬ ‫ﺃﺳـ َﻛﺭ ُﺗـﻬﺎ‬ ‫َ‬ ‫َ‬

‫ُ‬ ‫ﻬﺭ ﻅِ ﻝ ﱠ ﺭﻭﺣﻲ‬ ‫ﺭﺃﯾـﺕ ﻓـﻲ ﺍﻟـ َﻧ ِ‬

‫ﻭﻁـﺎﺭ ﻣِـﻥ ﺭﺃﺳِ ـﻬﺎ َ‬ ‫َ‬ ‫ﺍﻟـﺧﯾـﺎﻝ ُ‬ ‫ﻗﻬﻭﺗـﻲ ﻭ َﻏﻣﺯﺍً‬ ‫ﻟـﻲ َ‬ ‫ُﺗـﺩﯾـ ُﺭ ْ‬

‫ﻓـﻬـﺎھُـﻧـﺎ َﺗ َ‬ ‫ـﻐﺭ ُﻕ ﺍﻟـﻅِ ﻼﻝ ُ‬ ‫ـﺯﺍﻝ َﻓـﺧـﺎً‬ ‫ﯾـﺎﻧـﺎﺻِ ـﺑـﺎ ً ﻟـﻠـ َﻐ ِ‬

‫ﺩﺭھﺎ ُﺗﻔﺻِ ُﺢ ﺍﻟـﺩِﻻﻝ ُ‬ ‫ﻋـﻥ َﻏ ِ‬

‫َﺭﻣـﺎ َﻙ ﻓـﻲ َﻓ ﱢ‬ ‫ـﺧـ ِﻪ ﺍﻟـ َﻐـﺯﺍﻝ ُ‬

‫ﺟﯾﺏ‬ ‫ﻋـﻠـﻰ ﺃﻓـﺎﻧـﯾﻧِﻬﺎ َﻋ ٌ‬ ‫ﺃﻥ َﺗـﻠـ َﺗـﻘـﻲ ﺍﻟ َﻁﯾ ُﺭ ﻭﺍﻟﻧِﺑﺎﻝ ُ‬ ‫ﻭ ُﺯھﱠـ ُﺩ َ‬ ‫ـﻠـﻕ ﻟـﻭ ﺭﺃﻭھﺎ‬ ‫ﺍﻟـﺧ ِ‬ ‫َﺗـﻣـﯾـﻝ ُ ﻋـﻥ ﺩﯾـﻧِﻬﻡ ﻟَﻣﺎﻟﻭﺍ‬ ‫ﺍﻧﻣﺎﺭ ﺍﻟﺟﺭﺍح‬

‫ﺍﻭﺭﺍﻕ ﺍﻟﺑﻧﻔﺳﺞ‬ ‫) ﺣﺎﻣﺩ ﺧﺿﯾﺭ ﺍﻟﺷﻣﺭﻱ (‬ ‫ﻣﺎ ﻟﻲ ﻣﻼﻙ ﻋﺩﺍ ﻋﯾﻧﯾﻙ ِ◌ ﺃﺗﺑﻌﻪ‬ ‫ﻭﻻ ﻗﺿﺎء ﺳﻭﺍﻙ ِ◌ ﺍﻟﯾﻭﻡ ◌َ ﺃﺧﺷﺎﻩ‬ ‫ﻓﻔﻭﻕ ﺛﻐﺭﻙ ﺁﯾﺎﺕ ﺃﺭﺗﻠﻬﺎ‬ ‫ﻭﻋﻧﺩ ﺷﻬﺩﯾﻙ ﻓﺟﺭﺍ ﯾﺷﺭﻕ ﷲ‬ ‫ﻛﺄﻥ ﻗﻠﺑﻲ ◌َ ﺇﺫ ﻧﺎﻏﺎﻙ ﻣﺑﺗﻬﻼ‬ ‫ﻗﯾﺱ ﯾﺫﻭﺏ ﻋﻠﻰ ﺃﻧﻐﺎﻡ ﻟﯾﻼﻩ‬ ‫ﻓﻭﻕ ﺍﻟﺻﺩﻭﺭ ﺑﻧﯾﺕ ﺍﻟﯾﻭﻡ ﺻﻭﻣﻌﺔ‬ ‫ﻭﺇﻥ ﻗﻠﺑﻲ ◌َ ﻋﻁﺭ ﺍﻟﺷﻬﺩ ﺃﻏﻭﺍﻩ‬ ‫ُ‬ ‫ﻛﻔﺭﺕ ﺑﻌﺩﻙ ﺑﺎﻷﺩﯾﺎﻥ ﻣﻌﺗﻘﺩﺍ‬ ‫ﺑﺄﻥ ﺃﺗﺑﺎﻋﻬﺎ ﻓﻲ ﻏﯾـّﻬﻡ ﺗﺎھﻭﺍ‬ ‫ﺇﺫﺍ ﺍﻟﺳﻣﺎء ﺃﻅﻠﺗﻧﻲ ﺑﺭﺣﻣﺗﻬﺎ‬ ‫ُ‬ ‫ﺩﻋﻭﺕ ﺇﺑﻠﯾﺱ ﻛﻲ ﺃﺭﺗﺩ ﺇﯾﺎﻩ‬ ‫ﺃﻏﺭﻗﺕ ﻧﻔﺳﻲ ◌َ ﻓﻲ ﺷﻬﺩﯾﻙ ﻣﺣﺗﺭﻗﺎ‬ ‫ﺣﺩ ◌ّ ﺍﻟﻔﻧﺎء ﻭﻟﻡ ﺗﺧﻣﺩ ﺑﻲ ◌َ ﺍﻵﻩ‬ ‫ﺇﻥ ﻓﺎح ﺻﺩﺭﻙ ﻣﻬﺗﺯﺍ ﻋﻠﻰ ﻣﻬﻝ‬ ‫ﺭﺃﯾﺕ ﻣﻥ ﻟﻭﻋﺗﻲ ) ﻛﻥ ( ﻓﻲ ﺛﻧﺎﯾﺎﻩ‬ ‫ﻟﻭ ﺍﺑﺗﻐﻰ ﷲ ﻣﻣﻥ ﺷﺎء ﺻﺎﺣﺑﺔ‬

‫ﻟﻛﻧﺕ ِ◌ ﻭﺣﺩﻙ ِ◌ ﺑﯾﻥ ﺍﻟﺧﻠﻕ ﺃﻧﺛﺎﻩ‬ ‫ﻟﻛﻧﻪ ﻗﺩ ﺭﺁﻧﻲ ﻅﻠﻪ ﻭﻟﺫﺍ‬ ‫ﺃﺿﺎء ◌َ ﺣﺑﻙ ﻓﻲ ﻗﻠﺑﻲ ﻓﺄﺣﯾﺎﻩ‬ ‫ﻟﻭﻻﻙ ﻣﺎ ﺳﺟﺩﺕ ﯾﻭﻣﺎ ﻣﻼﺋﻛﺔ‬ ‫ﻵﺩﻡ ٍ◌ ٍ◌ ﻭﻟﻣﺎ ﺍﻟﺭﺣﻣﻥ ﺳﻭﺍﻩ‬ ‫ﻟﻡ ﯾﺑﻙ ِ◌ ﯾﻌﻘﻭﺏ ﻣﺛﻠﻲ ﻋﻧﺩ ﻣﺣﻧﺗﻪ‬ ‫ﻋﻠﻰ ﻓﺭﺍﻗﻙ ﺣﺗﻰ ﻓﻘﺕ ◌ُ ﺑﻠﻭﺍﻩ‬ ‫ﻭﻻ ﺍﺑﺗﻠﻰ ﷲ ﺃﯾﻭﺑﺎ ◌ً ﻛﻣﺎ ﺍﺑﺗﻠﯾﺕ‬ ‫ﺭﻭﺣﻲ ﺑﺩﺍﺋﻙ ﻟﻛﻥ ﻣﺎ ﺃﺣﯾﻼﻩ !‬ ‫ﯾﺎ ﻏﺎﺩﺓ ﺛﻐﺭھﺎ ﺧﻣﺭ ﻭﺿﺣﻛﺗﻬﺎ‬ ‫ﻭﺣ ٌﻲ ﻣﻥ ﷲ ﻟﻠﻌﺷﺎﻕ ﺃھﺩﺍﻩ‬ ‫ﺍﻟﺣﻭﺭ ﺣﻭﻟﻙ ﻗﺩ ﺣﺎﻣﺕ ﻣﻬﻠﻠﺔ‬ ‫ﻭﺍﻟﺣﻭﺽ ﯾﺭﺷﻑ ﻣﻥ ﺧﺩﯾﻙ ﺭﯾﺎﻩ‬ ‫ﺃﻗﺳﻰ ﺍﻟﺑﻛﺎء ِ◌ ﺑﻼ ﺩﻣﻊ ٍ◌ ﻭھﺎ ﺃﻧﺫﺍ‬ ‫ﻣﻥ ﯾﻭﻡ ﻧﺄﯾﻙ ﺩﻣﻌﻲ ﺍﻟﻧﺎ ُﺭ ﻣﺟﺭﺍﻩ‬ ‫ﺑﻌﺩﻱ ﺍﻧﺗﻬﻰ ﺍﻟﻌﺷﻕ ﺣﺗﻰ ﺻﺎﺭ ﺃﺣﺟﯾﺔ‬ ‫ﻭﻻ ﺳﺭﺕ ﺑﺣﺑﯾﺏ ﺑﻌﺩ ﺭﺟﻼﻩ‬ ‫ﻻ ﺣﺏ ◌ّ ◌َ ﻣﻥ ﺑﻌﺩﻧﺎ ﻓﻲ ﺍﻟﻛﻭﻥ ﻗﺎﻁﺑﺔ‬ ‫ﺃﻧﺎ ﻭﺃﻧﺕ ﺇﺫﺍ ﺃﺷﺭﻗﺕ ِ◌ ﻧﺻﻔﺎﻩ‬

‫ﺍﻵﻥ ﻭﺃﻧﺎ ﻣﻧﻛﺏ ﻋﻠﻰ ﻁﺎﻭﻟﺔ ﺍﻟﺭﯾﺢ‬ ‫ﺍﻧﺻﺕ ﻛﻌﻛﺎﺯ ﺍﺧﺿﺭ ﺇﻟﻰ ﺻﻭﺕ ﺑﻌﯾﺩ‬ ‫ﻻ ﺍﺭﯾﺩ ﺍﻥ ﺃﺭﻯ ﺍﻟﻭﺟﻭﻩ ﻓﺎﺭﻏﺔ ﻣﻧﻲ‬ ‫ﻛﻡ ﺗﻌﺗﺭﯾﻧﻲ ﻓﻛﺭﺓ ﺍﻟﺭﺣﯾﻝ‬ ‫ﻣﻥ ﺛﻘﺏ ﻓﻲ ﺍﻟﺑﯾﺎﺽ‬ ‫ﺳﺎﻟﺗﺯﻡ ﺍﻵﻥ ﺍﻟﺟﻠﻭﺱ ﻓﻰ ﻗﺑﻭ ﺍﻟﻣﺭﺣﻠﺔ‬ ‫ﺗﺭﻯ ھﻝ ﺃﻋﺩ ﻣﺎ ﺗﺑﻘﻰ ﻣﻥ‬ ‫ﻟﺿﻰ ﺍﻟﺫﺍﻛﺭﺓ‬ ‫ﻻھﺭﺏ ﺑﻣﻼﻣﺢ ﺣﺟﺭﯾﺔ‬ ‫ﺛﻣﺔ ﺭﺟﻝ ﻣﻧﻛﻔﻲء‬ ‫ﻋﻠﻰ ﻓﺭﺍﺷﻪ‬ ‫ھﻝ ﺑﺑﺣﺙ ﻋﻥ ﺻﺑﺎﺣﺎﺕ ﻣﻐﺗﺑﻁﺔ‬ ‫ﺛﻣﺔ ﺣﺷﺭﺓ ﻟﻛﻝ ﺍﻟﻔﺻﻭﻝ‬ ‫ﺛﻣﺔ ﻧﻭﺍﺭﺱ‬ ‫ﻣﻌﻔﺭﺓ ﺑﺎﻟﺿﺟﺭ‬ ‫ﺍﺗﻭﻛﺎ ﻋﻠﻰ ﺃﻭﺗﺎﺩ ﺍﻟﻐﻭﺍﯾﺔ‬ ‫ﻭﺍﺭﻧﻭ ﺇﻟﻰ ﺍﻟﺷﺟﺭ‬ ‫ﺍﺳﺗﻔﺯﻧﻲ ﻣﻧﻅﺭﺍﻻﺭﺽ‬ ‫ﻭھﻲ ﺗﺗﺩﻟﻰ ﻓﻰ ﻓﺿﺎء‬ ‫ﻻﻣﻧﺗﻬﻲ‪... .‬‬ ‫ﺃﺭﺳﻡ ﻭﺟﻬﻲ ﻛﺭﺳﺎﻟﺔ ﻏﻔﺭﺍﻥ‬ ‫ﻻ ﻣﻧﺎ ﺍﻟﺣﯾﺎﺓ‪.......‬‬ ‫ﻓﻰ ﺯﻣﻥ ﻻﯾﻧﺷﺩ ﻧﺯﻗﻲ‬ ‫ﻷﺭﻯ ﺃﺳﻔﻝ ﺳﺭﺗﻲ‬ ‫ﺁﻟﻬﺔ ﻓﻰ ﺟﺭﺍﺏ‪........................‬‬ ‫ﻣﻅﻬﺭ ﺣﺳﻥ‬

‫ﺍﻷﺻﻧﺎﻡ ﺍﻟﻌﺭﺑﯾﺔ‪.‬‬ ‫ﻧﺻﺑﺕ ﻓﻲ ﺟﻣﯾﻊ ﺷﻭﺍﺭﻉ ﺍﻟﺩﻭﻝ ﺍﻟﻌﺭﺑﯾﺔ‪.‬ﺃﺻﻧﺎﻡ‪،‬ﻭﻟﻛﻝ ﺩﻭﻟﺔ ﺻﻧﻣﻬﺎ‬ ‫ﺍﻟﺧﺎﺹ ﺑﻬﺎ‪،‬ﻭﺃﺻﺩﺭﺕ ﻣﻧﻅﻣﺔ ﺟﺎﻣﻌﺔ ﺣﻛﺎﻡ ﺍﻟﺩﻭﻝ ﺍﻟﻌﺭﺑﯾﺔ‪ ،‬ﻗﺎﻧﻭﻧﺎ ﺍﻧﻪ‬ ‫ﻋﻠﻰ ﺷﻌﻭﺏ ھﺫﻩ ﺍﻟﺩﻭﻝ ﻓﻲ ﻛﻝ ﺻﺑﺎﺡ ﺗﺄﺩﯾﺔ ﺗﺣﯾﺔ ﻣﺎﺑﺎﺕ ﯾﻌﺭﻑ ﺑﻘﺳﻡ‬ ‫ﻟﻭﻻء ﻭﺍﻟﺑﺭﺍء ﻟﻬﺫﻩ ﺍﻷﺻﻧﺎﻡ‪ ،‬ﻭﺯﺭﻋﺕ ﺭﻗﺎﺋﻕ ﻣﻌﺩﻧﯾﺔ‪ ،‬ﻓﻲ ﺟﺑﺎﻩ‬ ‫ﻣﻭﺍﻁﻧﯾﻬﺎ‪ ،‬ﺗﺣﺗﻭﻱ ﻛﻝ ﺍﻟﺑﯾﺎﻧﺎﺕ ﺍﻟﺧﺎﺻﺔ ﻋﻥ ھﺫﺍ ﺍﻟﻣﻭﺍﻁﻥ‪ ،‬ﻭﺑﻣﺟﺭﺩ‬ ‫ﻭﻗﻭﻑ ﺍﻟﻣﻭﺍﻁﻥ‪ ،‬ﺃﻣﺎﻡ ھﺫﺍ ﺍﻟﺻﻧﻡ ﯾﺗﻌﺭﻑ ﻋﻠﯾﻪ‪ ،‬ﻭﻣﻥ ﺗﺧﻠﻑ ﻋﻥ ھﺫﺍ‬ ‫ﻓﺈﻥ ﺍﻟﺟﻬﺎﺯ ﯾﺻﺩﺭ ﻁﻧﯾﻥ ﻗﺎﺗﻝ‪ ،‬ﯾﺷﻝ ﺣﺭﻛﺗﻪ‪ ،‬ﺣﺗﻰ ﺗﺄﺗﻲ ﺷﺭﻁﺔ ﺍﻟﺻﻧﻡ‬ ‫ﻭﺗﻘﺑﺽ ﻋﻠﯾﻪ‪ ،‬ﻟﯾﻘﺿﻲ ﺑﻘﯾﺔ ﺣﯾﺎﺗﻪ ﺑﺎﻟﻣﻌﺗﻘﻼﺕ‪ ،‬ﻭﺃﻟﺯﻣﺗﻬﻡ ﺑﻬﺫﺍ ﺍﻟﻔﻌﻝ‬ ‫‪،‬ﻋﻧﺩ ﺧﺭﻭﺟﻬﻡ ﻟﻠﻌﻣﻝ‪ ،‬ﻓﻲ ﻛﻝ ﺻﺑﺎﺡ‪ ،‬ﻭﺍﺛﻧﺎ ﻋﻭﺩﺗﻬﻡ ﻣﻥ ﺍﻟﻌﻣﻝ‪.‬‬ ‫ﻋﺑﺩ ﷲ ﺍﻟﺷﻭﯾﻼﻥ‬ ‫ﻭﻏﺎﺑﺕ ﻋﯾﻭﻧﻙ ﻓﻲ ﺍﻟﻣﺩﯾﻧﺔ‪ ....‬ﻭﺍﻧﺎ‪...‬ﻧﺑﺗﺔ ﺻﺑﺎﺭ‪....‬‬ ‫ﺑﯾﻥ ﺍﻟﻑ ﺩﺍﺭ ﻭﺩﺍﺭ‪..‬‬

‫ﻭﻟﻡ ﺍﺯﻝ ﺍﺑﺣﺙ ﻋﻧﻙ‪...‬‬

‫ﺕ ﺑﯾﻥ ﺍﻟﺯﺣﺎﻡ‪...‬‬ ‫ﻭﺗﻬ ِ‬

‫ﻓﻲ ﺍﻟﻣﺩﯾﻧﺔ‪...‬‬

‫ﻭﻏﺎﺑﺕ ﻏﯾﻣﺔ ﺍﻻﺧﺑﺎﺭ‪...‬‬

‫ﺑﯾﻥ ﺍﻻﺑﻭﺍﺏ‪....‬ﻭﺍﻻﺑﻭﺍﺏ‪...‬‬

‫ﻭﺟﻔﺕ ﺻﺣﺭﺍﺋﻲ ﺑﻌﺩﻙ‪...‬‬

‫ﺍﺭ‪..‬ﻅﻶ ‪..‬ﺍﻟﯾﻙ‪...‬‬ ‫ﻓﻠﻡ َ‬

‫ﻟﻡ ﺗﺭﺗﻭﻱ ﺑﺎﻻﻣﻁﺎﺭ‪...‬‬

‫ﻭﻟﻡ ﺗﺻﻠﻧﻲ ﻣﻧﻙ ﺍﻱ ﺍﺧﺑﺎﺭ‬

‫ﻭﻗﻠﺑﻲ‪....‬ﻏﺎﺩﺭﻧﻲ‪...‬‬ ‫ﻗﺭﺭ ﺍﻻﻧﺗﺣﺎﺭ‪...‬‬

‫ﺍﻻﺳﺗﺎﺫ ﺟﻠﯾﻝ ﺍﻟﺷﻣﺭﻱ‬

‫ﺕ‪..‬ﻭﺭﺩﺓ ﺣﻣﺭﺍء‪...‬‬ ‫ﻓﺄﻧ ِ‬

‫ﺍھﺩﻱ ﻗﺻﯾﺩﺗﻲ ﺍﻟﻰ ﺍھﻠﻲ ﺍھﻝ ﻋﻧﺔ ﺍﻻﺻﻼء‬

‫ﻻﺡ ﺑﻬﺎ‬ ‫ﻟﻘﻠﻌ ٍﺔ ُﻏﻣِﺭﺕ‬ ‫ِ‬ ‫ﺑﺎﻟﻣﺎء َ‬

‫ﻣﻌﻧﻰ ﺑﻬﺎ‬ ‫ﻟﻛﻝ‬ ‫ً‬

‫ﺍﻟﻧﻬﺭ ﺗﺳ َﺗﻣ ُ‬ ‫ِﻕ‬ ‫ﻣﻧﺎﺭﺓٌ ﺷﻬﻘﺕ ﻓﻲ‬ ‫ِ‬

‫ً‬ ‫ُ‬ ‫ﺗﺄﺗﻠﻕ‬ ‫ﺑﺎﻟﻔﻛﺭ‬ ‫ﻟﻭﺣﺔ‬ ‫ﺭﺳﻣﺗﻬﺎ‬ ‫ِ‬ ‫ُ‬ ‫ﺍﻟﻭﺭﻕ‬ ‫ﺭﻭﺣﻲ ﻷﺣﺭﻓﻬﺎ ﯾﺯھﻭ ﺑﻬﺎ‬

‫ﺍﻟﺭﻛﻭﻉ ﻭ َﻣﻥ ﻟﻠﺻﺑﺭ ﻣﺎﺛ ٌ‬ ‫ِﻠﺔ‬ ‫ﺗﺄﺑﻰ‬ ‫َ‬ ‫ﻛﺄ ّﻧﻬﺎ ﻋﺭﻓﺕ ﯾﻭﻣﺎ ً ﺳﺗﺻﻁﻔ ُِﻕ‬

‫ٌ‬ ‫ِﺩﻡ‬ ‫ﺫﻱ ﻋﻧﺔ ﻣﻭﻁﻥُ ﺍﻻﺟﺩﺍ ِﺩ ﻣِﻥ ﻗ ٍ‬ ‫ﻭﻋﻥ ﺛﺭﺍھﺎ ھُﻣﻭ ﺩھﺭ ًﺍ ﻗﺩ ٱﻓﺗﺭﻗﻭﺍ‬

‫ﺧﺩﺭھﺎ ﻏﺎﺩﺓٌ ﻋﺫﺭﺍ ُء ﻗﺩ ِﻭﺋٍﺩﺕ‬ ‫ﻓﻲ ِ‬ ‫ﯾﺧﺗﺭ ُﻕ‬ ‫ﻟﻠﺳﻣﻊ‬ ‫ﺃﻧﯾﻧﻬﺎ ﻓﻲ ﺍﻟﺻﺩﻯ‬ ‫ِ‬ ‫ِ‬

‫ﺃﺭﺽ ) ُ‬ ‫ﺑﻧﺕ ﺍﻟﺳﻣﺎ(‬ ‫ﺣﻁﻭﺍ ﺭﺣﺎﻟ ُﻬ ُﻡ ﻓﻲ ِ‬ ‫ﻋﻧﻭﺍﻥُ ﻛﻝ ﱡ ﺍﻹﺑﺎ َﻣﻥ ﻓﻲ ﺍﻟﺳﻣﺎ ُﻁ ُﺭ ُﻕ‬

‫ﺑﺎﻟﻐﺩﺭ ﻗﺩ ُﻛ ِﺑﻠّﺕ ﻓﭑﺳﺗﯾﺄﺳﺕ ﻋﺗﻘﺎ ً‬ ‫ِ‬ ‫ﻟ ّﻣﺎ ﺃﺩﺍﺭ ﻟﻬﺎ ﺃﻛﺗﺎﻓ ُﻪ ﺍﻟﻌ ُ‬ ‫ِﺗﻕ‬

‫ﻣﺂﺛﺭ ٌ‬ ‫ﻋﻧﺔ ﺇﺫ ﻟﻠﻣﺩﻯ َﻋﻠَ ٌﻡ‬ ‫ٌ‬ ‫ﯾﻣﺣﻬﺎ ﺍﻟ َﻐ َﺭ ُﻕ‬ ‫ﺁﺛﺎ ُﺭھﺎ ﻟﻡ َﺗﺯﻝ ﻟﻡ ُ‬

‫ﻧﻭﺍﻋﯾﺭھﺎ ﺑﺎﻟﻐﺭﻑِ ھﺎﺩﺭ ًﺓ‬ ‫ﻛﺎﻧﺕ‬ ‫ُ‬ ‫ﻣِﻥ َﺯ ﱢﺥ ) ﺃﻗﻭﺍﻗٍﻬﺎ( ﺷﻼﻟُﻬﺎ َﻏﺩ ُ‬ ‫ِﻕ‬

‫ﺗﻭﻟّ ٌﻪ ﺷ ّﺩﻧﻲ ﯾﻬﻔﻭ ﻟﺭﺅﯾﺗﻬﺎ‬ ‫ُ‬ ‫ﯾﺳﺗﺑﻕ‬ ‫ﺍﻷﺣﺳﺎﺱ‬ ‫ﻁﺎﻱ ﺳﺎﺭﺕ ﻟﻬﺎ‬ ‫ُ‬ ‫ُﺧ َ‬

‫ُﻋ ً‬ ‫ھﻭﻯ‬ ‫ﺍﻟﻐﺭﺑﻲ ﻣﻧ ُﻪ‬ ‫ﻧﺳ َﻡ‬ ‫ً‬ ‫ﱡ‬ ‫ﺫﻭﺑﺔ ّ‬ ‫ُ‬ ‫ﻭﺍﻟﻌ َﺫ ُﻕ‬ ‫ﺗﻣﺎﯾﻝ َ ﺍﻟ ُﻐﺻﻥُ‬ ‫ﻭﺍﻟﺳﻌﻔﺎﺕ َ‬

‫ً‬ ‫ﻟﻬﻔﺔ ﺑﺎﻟﻭﺟﺩ ﻓﭑﻛﺗﺣﻠﺕ‬ ‫ﻗﺩ ﺯﺭ ُﺗﻬﺎ‬ ‫ُ‬ ‫ﻭﺍﻟﺣﺩﻕ‬ ‫ﺍﻻھﺩﺍﺏ‬ ‫ﻣﻌﻧﻰ ﺑﻬﺎ‬ ‫ﻟﻛﻝ‬ ‫ُ‬ ‫ً‬

‫ﺃﻏﺻﺎﻥُ ﺯﯾﺗﻭﻧِﻬﺎ ﻭﺍﻟﻁﯾ ُﺭ ﻓﻲ َﻏ َﺯ ٍﻝ‬ ‫ﺍﺣﻬﺎ َﻋ َﺑ ُﻕ‬ ‫ﻧﺎﻏﺕ ﺑﺳﺎﺗﯾ َﻧﻬﺎ ﻗِﺩّ ُ‬

‫ﺣﻧﯾﻧﻬﺎ ّ‬ ‫ﻟﻠﺟﺫﺭ ﻓﻲ َﺩ َﻧﻑٍ‬ ‫ھﺯﻧﻲ‬ ‫ِ‬ ‫ﺑﺎﻧﺕ ﺑﺄﻧﻔﺎﺳِ ﻧﺎ ﻣِﻥ ﻟﻭﻋ ٍﺔ ُﺣ َﺭ ُﻕ‬

‫ﻣﻅﻔﺭ ﻋﺑﺩ ﺍﻷﻣﯾﺭ‬

‫ﺃﺳﻁﻭﺭﺓٌ ﻗﺩ ﺣﻛﺕ ﺑﺎﻟﻭﺻﻑِ ُﯾﺷﺑِ ُﻬ ْﻬﺎ‬ ‫َﺟﻣﺎﻝ ُ َﺧﺷﻑٍ ﻟﺫﺍ َﻙ ﺍﻟﻭﺻ ِ‬ ‫ﻑ َﯾﻧﻁ ِﺑ ُﻕ‬

‫ﺡ‬ ‫ﺩﯾﺎﺭ ﻋ ّﻣﻬﺎ ﻓﺭ ٌ‬ ‫ﻟﯾﻝ ٌ ﻛ ُ‬ ‫ﺑﺢ ٍ‬ ‫ﺻ ٍ‬ ‫ﻛﺫﺍ ﺍﻟﻐﺭﻭ ِ‬ ‫ﺳ ُﻕ‬ ‫ﺏ ﺍﻟﻰ ﺃﻥ َﯾﺑﻠ ُ ُﺞ ﺍﻟ َﻐ َ‬ ‫ً‬ ‫ﻣﺭﺗﺑﺔ‬ ‫ﺍﻟﻌﻠﻡ‬ ‫ﻓﯾﻬﺎ ﺭﺟﺎﻝ ٌ ﺳﻣﻭﺍ ﻓﻲ‬ ‫ِ‬ ‫ﻟﻠﻌﻼء ﺍﻟ ُﻧﺑﻝ ُ ﻭﺍﻟ ُﺧﻠ ُ ُﻕ‬ ‫ﺇﺫ ﻗﺎﺩھُﻡ‬ ‫ِ‬ ‫ﻣﻧ ُﻬﻡ ﺭﻣﻭ ُﺯ ﺍﻟﺣﻣﻰ ﻓﻲ ﻛﻝ ُﻣﻌﺗﺭﻙٍ‬ ‫ﺳﺑﻘﻭﺍ‬ ‫ﻓﻲ ﻋﻧ ٍﺔ ﻛﻡ ﻟﻧﺎ ﺍﻻﻓﺫﺍ ُﺫ ﻗﺩ َ‬ ‫ﻻﺑﺩ ﺃﺛﻧﻲ ﻋﻠﻰ َﻣﻥ ﻓﯾﻙِ ﻗﺩ ﻁﻣﺣﻭﺍ‬ ‫ﺑﻧﺎ َء ﱟ‬ ‫ﻋﺯ ﻟﻬﺎ ﯾﻌﻠﻭ ﻓﯾﺑ َﺗ ِﺭ ُﻕ‬ ‫ﺇﻟﻬﻧﺎ ﺷﺭﻓﺎ ً ﺑﺎﻟﻣﺻﻁﻔﻰ ﻛﺭﻣﺎ ً‬ ‫ﺳﺑ ُﻊ ﺍﻟﻣﺛﺎﻧﻲ ﻟﻬﺎ ﺳﻭ ٌﺭ ﻛﺫﺍ ﺍﻟ َﻔ ُ‬ ‫ﻠﻕ‬ ‫َ‬

‫ﺃﺭﺍ َﻙ ﻣﺗﻔﺭﺩﺍً ﺑﻭﺟﺩﺍﻧﻲ‪__..‬‬

‫ﻗﺎﻟﺕ ‪:‬‬

‫‪!!__________ ...‬‬

‫ﻣﻭﺭﻕ َ‬ ‫ٌ‬ ‫ﻣﺭ ﻭ ﺃﻧﺎ ﺑﺫﺍﺭ َﻙ‬ ‫‪،‬‬ ‫ﺃﻧﺕ ﻓﻲ ﺍﻟ ٌﻌ ِ‬

‫ﺑﻌﺛﺭﺓ ﺍﻟﻛﻠﻣﺎﺕ ‪..‬‬

‫ﺃﺭﺍ َﻙ ﻭﺍﺭﻓﺎ ً ﻣﺗﻔﺭﺩّﺍ ﺑﻭﺟﺩﺍﻧﻲ‬

‫ﻭ ﻧﺛﺭھﺎ ﺍﻟﻣﺟﻧﻭﻥ ﻓﻭﻕ ﺃﻭﺭﺍﻗﻲ‬

‫ﺍﻷﻟﻭﺍﻥ ﻣﻧ َﻙ ﯾﺄﺗﯾﻧﻲ‬ ‫ﻓﺯھﻭ‬ ‫ﱞ‬ ‫ِ‬

‫ﺭﺟﻔﺔ ﺍﻟﺟﻔﻥ‪..‬‬

‫ﻣﻁﺭ ﻋﻘﺎﺋﺩﻱ‬ ‫ﻗﻭﺱ‬ ‫ُ‬ ‫ٍ‬

‫ﺻﺣﻭﻱ ﻭ ﻏﻔﻭﻱ‬

‫ﺍﻣﺗﺩﺍﺩﻩُ ﻓﻲ ﺍﻟﻌﻣﺭ ﻋﯾﻧﯾ َﻙ‬

‫ﺣﻣﻰ ﺍﻟﺟﺳﺩ ‪ ..‬ھﺫﯾﺎﻧﻲ‬

‫ﻓــﻬﺫﺍ ﺍﻟﻭﺭﻯ ﯾﺎ ﺣﺑﯾﺑﻲ‬

‫ھﺎﻟﺔ ﺍﻟﺣﺯﻥ ﺍﻟﻌﻁﺷﻰ‬

‫ﻣﺷﺟﻭﺏ ﻋﻥ ﺇﺑﺻﺎﺭ ﺭﻭﺣﻙ‬

‫ﻭﺭﯾﻬﺎ ﺍﻟ ٌﻣﺳﻘﻰ ﺑﺄﺣﺩﺍﻗﻲ‬ ‫ّ‬

‫ﺧﻠّﻑ ﻭﺭﺍﺋﻪ ﻓﻭﺿﻰ ﻣﺯھﺭﺓ ‪..‬‬

‫ﺍﻟﻣﻼﻣﺢ ﺍﻟﺳﺎﺋﺩﺓ‬

‫ُﺗﺧﺑﺊ ﻓﻲ ﻁﯾﺎﺗﻬﺎ ﺃھﻠﻲ ﻭ ﺭﻓﺎﻗﻲ‬

‫ﻭﺟﻭﺏ ُﻣﺗﺳﺗ ٌﺭ ﺑﺄﻋﻣﺎﻗﻲ‬ ‫ٌ‬

‫ﺑﺎﻟﺗﺟﻧﻲ‬ ‫ﻭﺧﻁﻭﻁ ﺍﻟﻌﻣﺭ ﻣﻭﺳﻭ ٌﻣﺔ‬ ‫ّ‬

‫ﺍﻟﺑﻘﺎ ُء ﻭ ﺍﻟﺭﺣﯾﻝ‬

‫ﻭ َ‬ ‫ﺃﻧﺕ ﻋﻠﻰ ﺃﻋﻭﺍﻣ ِﻪ ﺑﺎﻗﻲ‬

‫ﺍﻟﺣﻠ ُﻡ ﺍﻟﻣﻬﺎﺟﺭ ﻭ ﺍﻟﻭھﻥ‬

‫ﻛﯾﻑ ﻻ ﻭ ﻁﯾﻔ َﻙ ﯾﺳﺗﺑﯾﺢ ﻟﯾﻠﻲ‬

‫ﺍﻟﻠّﯾﻝ ﻭﺍﻷﺭﻕ ﻭﺍﻟﺳﻬﺭ ﺍﻟﻁﻭﯾﻝ‬

‫ﺷﺭﻕ‬ ‫ﻭ ﺃﻧﺕ ﺗﻣﺿﻲ ﻟﻌﻬ ٍﺩ ُﻣ‬ ‫ٍ‬

‫ﺍﻟﻌﻧﺎﻕ‪..‬‬ ‫ﻓﺭﺹ‬ ‫ُ‬ ‫ِ‬

‫ﻭ ﺃﻧﺕ ﺗﻣﺿﻲ‪ ..‬ﺑﻣﯾﺛﺎﻗﻲ‪!..‬‬

‫ُ‬ ‫ﻣﺎھﯾﺔ ﺍﻟﺫﺍﺕ‪..‬‬ ‫ﺍﺭﺗﺑﺎﻁ ﺍﻟﺷﻌﻭﺭ ﺑﺎﻟﺣﻧﯾﻥ‬ ‫ﻭ ﻧﻛﺭﺍﻥ ﺃﺷﻭﺍﻗﻲ‬ ‫ﺗﺭﯾﺩﻧﻲ ﻏﺭﯾﺑﺎ ً‪ ..‬ﻭﺣﯾﺩﺍً‬ ‫ﺃﺧﺷﻰ ﻗﺭﺏ ﺍﻟﻧﺎﺱ‬ ‫ﻭ ﺍﻟﻧﺎﺱ ﺗﻛﻝ ﱡ ﻓﺭﺍﻗﻲ‪!..‬‬

‫ﺍﺳﺎﻣﺔ ﻧﺻــــــــــــــــــــــــــــــــــﺎﺭ‬ ‫‘‬

‫ُ‬ ‫ﻓﻘﻠﺕ‪:‬‬ ‫ﺳﻧﺭﺟ ُﻊ ﺃﻟﻣﺎ ً‬ ‫ﻟﺟﺭﺡ‬ ‫ﻏﺎﺋﺭ ﻧﺿﻣﺩﻩُ‬ ‫ٍ‬ ‫ٍ‬ ‫ﻟﯾﻠﺗﺋﻡ ﻣﻌ ُﻪ ﺍﻧﻌﺗﺎﻗﻲ‬ ‫ﻭ ﺑﺭﺳﻡ ﺍﻹﻣﺗﻧﺎﻥ ﻟﻠﻭﺟﻭﺩ‬ ‫ﻟﺯﻣ ٍﻥ ﻭﺍﺳﻊ ﺍﻹﻏﺩﺍﻗﻲ‬ ‫ﺳﺄﻛﺗﺏ ﺗﺎﺭﯾﺧﺎ ً ﻣﺗﻔﺭﺩﺍً ﻟﺣﯾﺎﺗﻲ‬ ‫ﻭﺃﺛﺑﺕ ﺷﻬﺎﺩﺓ ﻣﯾﻼﺩﻱ‬ ‫ﻛﻧﺕ ﺑﻌﯾﻧﻙِ ﻁﻔﻼً‬ ‫ﺣﯾﻥ ُ‬ ‫ﺃﺗﺷﺑﺙ ﺑﻣﻛﺎﻥ ﺍﻧﻁﻼﻗﻲ‬ ‫ﺃﺭﻛﺽ ﺇﻟﯾﻙِ‬ ‫ﺑﻭھﺞ ﺩﺍﻓﺊ‬ ‫ٍ‬ ‫ﻣﺛﻘﻝ ٌ ﻣﺷﯾﻲ ﺑﺎﻟﺧﻭﻑ‬ ‫ِﺻﺭﻋﯾﻬﺎ‬ ‫ﺗﻔﺗﺣﻲ ﺫﺭﺍﻋﯾﻙِ ﻋﻠﻰ ﻣ‬ ‫َ‬ ‫ﻭ ﺗﺣﻅﻰ ﺃﺭﻭﺍﺣﻧﺎ ﺑﺎﻟﺗﻼﻗﻲ‪!!..‬‬

‫ﺍﺳﺎﻣﺔ ﻧﺻﺎﺭ‬

‫ﻧﺎﻓﺫﺓ ﻓﻲ ﻣﺧﺩﻉ ﺷﺎﻋﺭ‬ ‫ﺩﺱ‬ ‫ﺇﺳﺗﻠﻬﻡ ﻣﻥ ﺿﻭء ﻧﺎﻓﺫﺗﻪ ﺑﺻﯾﺻﺎً ﻟﻘﺻﯾﺩﺓ ﻋﺎﻗﺭ ‪ ،‬ﻭﻓﻲ ﻣﺣﺎﻭﻻﺕ ﺍﻟﺻﺑﺢ ّ‬ ‫ﻟﻬﺎ ﻋﻘﺎﺭﺍً ﺍﻓﺭﺯﺗﻪ ﻭﻗﻔﺗﻪ ﺑﺎﺗﺟﺎﻩ ﺍﻟﻣﺭﺁﺓ ﯾﺣﺎﻛﻲ ﺇﻣﺎﻣﺎ ً ﯾﻔﺭﺽ ﺍﻷﺗﺎﻭﺓ ﻋﻠﻰ ﺷﻛﻝ‬ ‫ﻧﺫﻭﺭ ﻣﻌﻧﻭﯾﺔ ‪ ،‬ﻭﻗﻧﺎﻧﻲ ﺍﻟﻠﯾﻝ ﺍﻟﻣﺻﺣﻭﺑﺔ ﺑﺣﺭﺍﺳﺔ ﻣﺷﺩﺩﺓ ﻋﻠﻰ ﻣﻧﺎﻓﺫ ﺍﻟﺿﻭء‬ ‫ﻭﺍﻟﻬﻭﺍء ‪ ،‬ﻭﻣﺎﯾﻣﻛﻥ ﺍﻟﻘﻭﻝ ﺑﺣﺗﻣﯾﺗﻪ – ﺍﻧﻪ ﻛﺎﻥ ﻣﺗﺧﻠﯾﺎ ً ﻋﻥ ﻗﻧﺎﻋﺎﺗﻪ ﻭﯾﻌﯾﺵ‬ ‫ﻛﯾﻧﻭﻧﺔ ﻓﯾﻠﺳﻭﻑ ﺷﺎﻋﺭﺩﺍﺧﻝ ﻣﺧﺩﻋﻪ ‪.‬‬ ‫ﯾﺯﻕ ﻟﻘﺻﯾﺩﺗﻪ ﻭﻣﺿﺎﺕ ﻋﺎﺭﯾﺔ ﻛﺎﻥ ﯾﺭﺩﺩ ﺑﺩﺍﺧﻠﻪ " ﻣﺎﯾﺎﺗﻲ ﺳﺭﯾﻌﺎ ً‬ ‫ﺍﺣﯾﺎﻧﺎ ﻭھﻭ ّ‬ ‫ّ‬ ‫ﺍﻟﺯﻕ ﯾﺑﺎﺷﺭ ﺑﺧﻠﻊ ﺭﺃﺱ ﻗﻠﻣﻪ ‪،‬‬ ‫‪ ..‬ﯾﺫھﺏ ﺳﺭﯾﻌﺎ ً " ﻭﺣﯾﻥ ﯾﻧﺗﻬﻲ ﻣﻥ ﻋﻣﻠﯾﺔ‬ ‫ﻭﯾﺗﺭﻛﻪ ﯾﺿﺎﺟﻊ ﺃﻭﺭﺍﻗﺎ ً ﺃﺧﺭﻯ ‪.‬‬ ‫ﺑﺎﻷﻣﺱ ﻭﻣﻥ ﺧﻼﻝ ﺫﺍﺕ ﺍﻟﻘﺻﯾﺩﺓ ﺗﻘﻬﻘﺭﺕ ﻧﺎﻓﺫﺗﻪ ‪ ،‬ﻓﺗﻘﺩﻡ ﺍﻟﺿﻭء ﻣﺧﻠﻔﺎ ً ﻧﺎﻓﺫﺓ‬ ‫ﻣﻛﺳﻭﺭﺓ ﻻﺗﺄﺗﻲ ﺑﻣﺎ ﯾﺗﺟﺎﻭﺯ ﻣﺭﺣﻠﺔ ﺍﻟﻣﺭﺁﺓ ‪ ،‬ﻓﺻﺎﺭ ﯾﺟﻭﺏ ﺃﺻﺎﺑﻌﻪ ﺑﺣﺛﺎ ً ﻋﻥ‬ ‫ﺍﻟﺗﺻﻭﻑ ‪.‬‬ ‫ﺍﺛﺭ ﺍﻻﻣﺎﻡ ﻭﺭﺍﺋﺣﺔ ﺁﺧﺭ ﻧﺫﺭ ﺍھﺩﺭﻩ ﻋﻠﻰ ﻣﺎﺋﺩﺓ‬ ‫ّ‬ ‫ﺗﻣﺗﻡ ﻣﻊ ﺟﯾﺑﻪ " ﺳﺗﺑﻘﻰ ﻣﻣﺗﻠﺋﺎ ً ھﺫﺍ ﺍﻟﯾﻭﻡ ﻟﻛﻥ ‪ ..‬ﺃﻋﺩﻙ ﺑﺈﺧﻼء ﻣﻣﺗﻠﻛﺎﺗﻙ ﻣﻊ‬ ‫ﺃﻭﻝ ﺇﻓﺭﺍﺯ ﺟﺩﯾﺩ ﺗﺟﻭﺩ ﺑﻪ ﻣﺭﺁﺗﻲ ﺍﻟﺭﺍﺳﺧﺔ ﻓﻲ ﺍﻟﺣﻠﻡ " ‪.‬‬ ‫ﻭﻋﻠﻰ ﺣﯾﻥ ﻏﺭﺓ ‪ ..‬ﺳﻣﻊ ﺻﻭﺕ ﻗﺻﯾﺩﺗﻪ ﺗﻠﻬﺙ ‪ ،‬ھﺭﻭﻝ ﺑﺎﺗﺟﺎﻩ ﻣﺧﺩﻋﻪ‬ ‫ّ‬ ‫ﯾﻬﺗﺯ ﺇﻗﻼﻋﺎ ً ﻭھﺑﻭﻁﺎ ً ﻭﻟﯾﺱ ﻋﻠﯾﻪ ﺳﻭﻯ ﺑﺿﻊ ﻗﻁﺭﺍﺕ ﻣﻥ‬ ‫ﻓﻔﻭﺟﻲء ﺑﺎﻟﺳﺭﯾﺭ‬ ‫ﺣﺑﺭ ﺍﺧﺿﺭ ﻟﻬﺎ ﺭﺍﺋﺣﺗﻪ ﻣﻣﺯﻭﺟﺔ ﺑﺭﺍﺋﺣﺔ ﻗﺻﯾﺩﺗﻪ ﺍﻟﻌﺎﻗﺭ ‪ ،‬ﻭﻗﺗﻬﺎ ﻓﻘﻁ ﺍﯾﻘﻥ ﺍﻥ‬ ‫ﻣﺧﺩﻉ ﺍﻟﺷﻌﺭﺍء ﻭﺍﻟﻔﻼﺳﻔﺔ ﺗﺗﺣﻛﻡ ﺑﻪ ﺍﻟﻬﺔ ﺍﻟـ ) ﺍﯾﺭﻭﺗﯾﻛﯾﺎ ( ﻭﺳﺩﻧﺔ ﺍﻟﻣﻔﺭﺩﺓ‬ ‫ﺍﻟﻣﻭﻏﻠﺔ ﺑﺎﻟﺗﺄﻭﻩ ﻭﺯﻡ ◌ّ ﺷﻔﺎﻩ ﺍﻟﻛﺗﺎﺑﺔ ‪ ،‬ﻭﺻﺎﺭ ﯾﺛﻕ ﺑﺎﻥ – ﻻﻧﻭﻥ ﺍﻓﺿﻝ ﻣﻥ‬ ‫ﻧﻭﻥ ﺍﻻ ﺑﺎﻟﻧﺟﻭﻯ‬

‫ﻋﺩﻧﺎﻥ ﺍﻟﻔﺿﻠﻲ‬

‫ﻛﻝ ھﺫﺍ ﺍﻟﺿﺟﯾﺞ ﻭﺃﺳﻣﻌﻛﻡ‪!!..‬‬

‫ﻛﯾﻑ ﯾﺻﻧﻌﻭﻥ ﻣﻧﻪ ﻧﺎﯾﺎﺗﻬﻡ‬

‫ﻛﻝ ھﺫﺍ ﺍﻟﺿﺟﯾﺞ ‪..‬‬

‫ﺿﺟﯾﺞ ﺍﻟﻛﺳﺭ ‪..‬‬

‫ﻭﺃﺳﻣﻌﻛﻡ‬

‫ﺍﻟﻘﺎﺑﻊ ﺑﯾﻥ ﺣﻭﺍﺟﺑﻛﻡ‬

‫ﺿﺟﯾﺞ ﺍﻟﻔﻭﺍﻧﯾﺱ ‪..‬‬

‫ﻭﻗﺩ ﺃﺳﺗﺑﺩﻟﺕ ﺭﺍﯾﺎﺗﻬﺎ‬

‫ﺗﺑﺣﺙ ﻓﻲ ﻋﯾﻭﻥ ﺍﻟﻣﺎﺭﺓ‬

‫ﺿﺟﯾﺞ ﺍﻟﻣﻬﺭﻭﻟﯾﻥ ‪..‬‬

‫ﻋﻥ ﺃﺿﻭﺍﺋﻬﺎ‬

‫ﻓﻲ ﻣﺎﺭﺛﻭﻥ ﺧﯾﺑﺎﺗﻬﻡ‬

‫‪+‬‬

‫ﺿﺟﯾﺞ ﺍﻷﺷﺟﺎﺭ ‪..‬‬

‫ﺿﺟﯾﺞ ﺍﻟﺧﺭﺍﻓﺔ ‪..‬‬

‫ﺣﯾﻥ ﺗﺳﻘﻁ ﻋﻧﻬﺎ ﺍﻟﻘﻧﺎﺩﯾﻝ‬

‫ﺍﻟﻣﺗﻧﺎﺳﻠﺔ ﻋﻠﻰ ﺍﻟﻣﻧﺎﺑﺭ‬

‫ﻋﻧﻭﺓ‬

‫ﺿﺟﯾﺞ ﺍﻷﺿﺭﺣﺔ ‪..‬‬

‫ﺿﺟﯾﺞ ﺍﻟﺧﻔﻭﺕ ‪..‬‬

‫ﺍﻟﺗﻲ ﺗﻛﺭﻩ ﻣﺭﯾﺩﯾﻬﺎ‬

‫ﯾﺅﺫﻥ ﺑﺎﻟﻌﺗﻣﺔ‬

‫ﺿﺟﯾﺞ ﺍﻷﻧﻬﺭ ‪..‬‬

‫ﺿﺟﯾﺞ ﺍﻟﻣﺩﻥ ‪..‬‬

‫ﻭھﻲ ﺗﺣﺗﺿﻥ ﺍﻟﺷﻬﺩﺍء‬

‫ﺍﻟﻣﻧﺯﻭﻋﺔ ﻣﻥ ﺃﺳﻣﺎﺋﻬﺎ‬

‫ﺿﺟﯾﺞ ﺍﻟﺟﻧﻭﺩ ‪..‬‬

‫ﺑﺄﻣﺭ ﺍﻟﻐﺭﺑﺎء‬

‫ﺣﯾﻥ ﯾﺩﺟﺟﻭﻥ ﺑﺄﻛﻔﺎﻧﻬﻡ‬

‫ﺿﺟﯾﺞ ﺍﻟﻐﺟﺭ ‪..‬‬ ‫ﻭھﻡ ﯾﻛﺳﺭﻭﻥ ﺭﺑﺎﺑﺎﺗﻬﻡ‬

‫ﺿﺟﯾﺞ ﺍﻟﺻﻧﻭﺝ ‪..‬‬

‫ﺑﺭﻏﺑﺔ ﺍﻟﺳﻣﺎء ﺍﻟﻣﺳﺗﻧﺳﺧﺔ‬ ‫ﺿﺟﯾﺞ ﺍﻟﻘﺻﺏ ‪..‬‬

‫ﺗﻛ ّﺑﺭ ﻟﻠﺣﺭﺏ ﻭﺍﻟﻐﻧﺎﺋﻡ‬ ‫ﺿﺟﯾﺞ ﺍﻟﺗﻭﺍﺑﯾﺕ ‪..‬‬

‫ﺍﻟﺫﻱ ﻧﺳﻲ ﺍﻟﺳﻭﻣﺭﯾﻭﻥ‬ ‫ﺿﺟﯾﺞ ﺍﻟﺳﺎﺭﯾﺎﺕ ‪..‬‬

‫ﻋﺩﻧﺎﻥ ﺍﻟﻔﺿﻠﻲ‬

‫ﺍﻟﻣﻧﺗﻅﺭﺓ ﻟﺟﺛﺎﻣﯾﻥ ّ‬ ‫ﺍﻟﻌﺯﻝ‬ ‫ﺿﺟﯾﺞ ﺍﻟﻣﺳﺑﯾﺎﺕ ‪..‬‬ ‫ﺍﻟﻣﺗﺟﻣﻬﺭﺍﺕ ‪..‬‬ ‫ﻓﻲ ﺃﺳﻭﺍﻕ ﺍﻟﻧﺧﺎﺳﺔ‬ ‫ﺿﺟﯾﺞ ﺍﻟﻌﻭﯾﻝ ﺍﻟﺟﻧﻭﺑﻲ‬ ‫ﺍﻟﻣﺎﺋﻝ ﻟﻠﻐﻧﺎء‬ ‫ﺿﺟﯾﺞ ﺍﻟﻌﯾﻭﻥ ‪..‬‬ ‫ﻭﻗﺩ ﺃﻏﻠﻘﺕ ﻣﺯﺍﺭﯾﺑﻬﺎ‬ ‫ﺿﺟﯾﺞ ﺍﻟﺫﯾﻥ ‪..‬‬ ‫ﯾﺷﻭﻭﻥ ﻣﺟﺩھﻡ ‪..‬‬ ‫ﻋﻠﻰ ﻓﺣﻡ ﺧﯾﺑﺎﺗﻧﺎ‬ ‫ﺿﺟﯾﺞ ‪..‬‬ ‫ﺍﻟﻘﺳﺎﺓ ﻋﻠﯾﻧﺎ ‪..‬‬ ‫ﺍﻟﺭﺣﻣﺎء ﻓﯾﻣﺎ ﺑﯾﻧﻬﻡ‬ ‫ﻧﻌﻡ ‪..‬‬ ‫ﻛﻝ ھﺫﺍ ﺍﻟﺿﺟﯾﺞ ‪..‬‬ ‫ﻭﺃﺳﻣﻌﻛﻡ ‪/‬‬ ‫ﻋﺩﻧﺎﻥ ﺍﻟﻔﺿﻠﻲ‬

‫ﺭﻭﺣ َﻙ َﻧﺎ ُﺭ ﺍﻟِﺣ ْﻘ ِﺩ ‪ :‬ﺷﻌﺭ ﻣﺣﻣﺩ ﻋﻠﯾﻭﻱ ﻓ ّﯾﺎ ﺽ ِﻋ ْﻣ َﺭﺍﻥْ ﺍﻟ ِﻣ ِ‬ ‫ِﻱ‬ ‫ﺣ ْﻣﺩ ْ‬ ‫ﺻ َ‬ ‫َﻛ َﻭ ْﺕ ُ‬ ‫ﺿﺎ ً َﺗ ّ‬ ‫ﻭﺍﺳ َﺗ ْﻭﻟَﻰ َﻋﻠَﻰ ْﺃﻷ َﻣـــ ِﺩ‬ ‫ﺄﺯ َﻡ ْ‬ ‫ﺿ ْﺕ ‪َ ------‬ﻏ ْﯾ َ‬ ‫ﺭﻭﺣ َﻙ َﻧﺎ ُﺭ ﺍﻟِﺣ ْﻘ ِﺩ َﻓﺈ ْﻧ َﺗﻔ َ‬ ‫ﺻ َ‬ ‫َﻛ َﻭ ْﺕ ُ‬ ‫ﺏ َﻭ ْ‬ ‫ﺿ ُﻌـ َﻬﺎ ‪َ --------‬ﻓ ُﻡ ﺍﻟ ﱡﺗﺭﺍ ِ‬ ‫ﻑ ﺃ ْﻟ ُﻌﻘــ َ ِﺩ‬ ‫ﺃﺧﻣِﺩْ َﻋﺎﺻِ َ‬ ‫ﺎﺻ َﻧ ْﻊ ﻣِﻥَ ﺍ ْﻟ ُﺟ ْﺭ ِﺡ ﺃ ْﺛﺩ ﺍ ًء ﻟِ َﯾ ْﺭ َ‬ ‫َﻓ ْ‬ ‫ﺎﺭﯾﺦ ﯾـﺎ َﻭﻟَــــﺩِﻱ‬ ‫ﺍﻷﺭ ِ‬ ‫ﺏ ‪َ -----‬ﯾﺎ َﺑ ْﺫ َﺭ َﺓ ﺍﻟَ ْ‬ ‫ﺽ ُﻣ ْﻠ َﺗ ِﻬ ٌ‬ ‫ﺏ ْ‬ ‫ﺿ ِﺭ ْﯾ َﺣ َﻙ َﺛ ْﻭ ُ‬ ‫ﺽ َ‬ ‫ﻭﺍ ْﻧﻔُ ْ‬ ‫ﻣﺟــ ِﺩ ﻭﺍﻟ ّﺗ ِ‬ ‫ﺕ َﻭ َ‬ ‫ﻓﻘﺩ ُﻁ ِﻌ ْﻧ ُ‬ ‫ﺎﺭﻣِﻲ َﻭ َﯾﺩِﻱ !!‬ ‫ِﺗﺎﻝ ﺃﺫﻟﱡﻭﺍ َ‬ ‫ﺷﻝ ﱠ ﺍﻟ ُﺟ ْﺭ ُ‬ ‫ﺡ َﻣ ْﻘﺩ َِﺭﺗِﻲ ‪ -------‬ﻋﻠﻰ ﺍﻟﻘ ِ‬ ‫ﺻ ِ‬ ‫َﻭﺃ ْﺛ َﺑ ُﺗﻭ ﻧِﻲ َﻛ َﺣ ْﻠ َﻭﻯ ﻓ ِْﻲ َﻣﻭﺍ ﺋـِ ِﺩ ِھ ْﻡ ‪َ -------‬ﻭ َﺣ ﱠ‬ ‫ﻕ ﻟَـــﻬﺎ َﻭ َﺭ ِﺩ ﻱ‬ ‫ﺷ ُﺩ ﻭﺍ ُﻛـﻝ ﱠ َﺗ ّﻭﺍ ٍ‬ ‫ﺎﺭ َﻁﺗﻲ ‪َ ------‬ﻭﺫﺍ ﺍ ْﻟﻔُ َﺭ ُ‬ ‫ﺎﺡ ﻓِﻲ ﺍﻟ ﱠﻁ َﺭ ِﺩ !‬ ‫ﺍﺕ ﺩَ ٌﻡ ُﻣ ْﺫ َﻁ َ‬ ‫َﻓﺎ ْﻟﻘُﺩْ ُ‬ ‫ﺱ َﺑ ْﻌﺩَ َﻙ ﻣﺎ ﻋﺎ َﺩ ْﺕ ِﺑ َﺧ ِ‬ ‫ﻭﺍﻟ ّ‬ ‫ﺻـﻔـ َ ِﺩ‬ ‫ﺱ ُﻣﺩْ َﻣﺎ ﺓ ﻣِﻥَ ﺍﻟـ َ ّ‬ ‫ﺷﺎ ُﻡ ﺗﺄْ ُﻛﻝ ُ ﻓِﯾ َﻬﺎ ﺍ ْﻟـ ّﻧﺎ ُﺭ ﻋﺎﺻﻔـــﺔ ‪ -----‬ﻓﻲ َﻗ ْﺑ َ‬ ‫ﺿ ِﺔ ﺍﻟﻔُ ْﺭ ِ‬ ‫ُ‬ ‫ﻑ ﺃھﻠﯾﻬﺎ ﺑﻼ ﻋــــــــﺩ ﺩ‬ ‫ﻟﺳﻌِﯾـ َﺩ ﺓُ ﻓﺎﻷﻭﻏﺎﺩ ﺗﻐﺻﺑﻬﺎ ‪-------‬‬ ‫ﻭﺍﻟﻣﻭﺕ َﯾ ْﺧ َﻁ ُ‬ ‫ﺃ ّﻣـﺎ ﺍ ّ‬ ‫ﺩﺍﻥ ﯾﺎ َﺑـﻠَـــــــﺩِﻱ‬ ‫ﻓﺎﺻ َﻧ ْﻊ ﻣِﻥَ ﺍﻟﻣﺟ ِﺩ َﻣﺎ َﯾ ْﺯھﻭ ّ‬ ‫ْ‬ ‫ﺍﻟﺟﺩﻭﺩ ﺑِ ِﻪ ‪ ------‬ﺃﻋِﺩْ ﻋﻼ َﻙ ﻋﻠﻰ ﺍﻟ ُﺑ ْﻠ ِ‬ ‫ﻑ ﻣِﻥَ ﺍﻟ ّﻧﺎ ِﺭ ﻛﺎ ﻟﺑﺭﻛﺎﻥ ﻣ ّﺗـــــﻘِ ِﺩ‬ ‫ﺻ ٌ‬ ‫ﻁﺎﺭ ِﺑـــــﻬﺎ ‪َ -------‬ﻋ ْ‬ ‫ﺱ َ‬ ‫ﺃﺩْ ِﺭ ْﻙ َﺛﺭﺍ َﻙ ُﻋﻘُﻭﻝ ُ ﺍﻟُ ْ‬ ‫ﻔﺭ ِ‬ ‫ﺍﻟﺭ َ‬ ‫ﺍﻟﺟ ْﻬ ِﻝ ﻓﻲ ِ‬ ‫ﺷ ِﺩ‬ ‫ﺣ ْﻘ ٍﺩ َﻋﻠﻰ ّ‬ ‫ﺻﻠ َﻔــــــﺎ ً ‪َ --------‬ﯾﺩْ ُﻋﻭ ﺍﻟﻰ ﱠ‬ ‫ﻑ ﺃﺯﺍ َﺡ َﻗﻧﺎﺩِﯾﻝ ﺍﻟ ُﻬﺩﻯ َ‬ ‫ﺻ ٌ‬ ‫َﻋ ْ‬ ‫َﺑ ّﻭﺍ َﺑ ُﺔ ﺍﻟ ّ‬ ‫ﺳﻭﺭ ﻭﺍﺳﺗﺿﺭﻯ ﻋﻠﻰ ﺍﻟﻌﻣــﺩ‬ ‫ﺃﻁـــــــﺎﺡ ﺑِﻬﺎ ‪ -------‬ﺍﻁﺎﺡ ﺑﺎﻟ ّ‬ ‫َ‬ ‫ﺷ ْﺭ ِﻕ ِﺯ ْﻟﺯﺍﻝ ٌ‬ ‫ﺳﻘ ُ‬ ‫ِﯾﺕ ﺑِ َﻬﺎ ‪ -------‬ﻣﺎ َﻋ ّﺗﻘُـــــــﻭﻩُ َﻣ َﻊ ) ﺍﻟﻣﺭﺩﻭﺥ (‪ ١‬ﻓﻲ ﺍﻛــ ِﺩ‬ ‫ﺎﺳﺎ ٍ‬ ‫ﺕ ُ‬ ‫ﺃﺳ َﻛﺭﻭﻩُ ِﺑ َﻛ َ‬ ‫ھُﻡ ْ‬ ‫ﻧﺎﻡ ُﻣ َﺣ ّﻁ َﻣــــﺔ ‪ --------‬ﯾﺩﻋﻭﻧﻬﺎ ﻛﺩﻋﺎء ﺍﻟﻭﺍﺣﺩ ﺍﻻﺣـــــــــــــــــﺩ‬ ‫َﻓ ُﻬﻡ ﻣﻁﺎﯾﺎ ْ‬ ‫ﻷﺻ ٍ‬ ‫ﺑﺎﻟــــــــــﺻﺑﺭ ﻭﺍﻟﺟـــــﻠــ ِﺩ‬ ‫ﻻ ﻟﻥ ﺗﻠﯾﻥ ﻟﻬﻡ ﯾﻭﻣﺎ ﻋﺯﺍﺋﻣﻧﺎ ‪ --------‬ﻭ ﺳﻭﻑ ﻧﺭﺩﻋﻬﻡ‬ ‫ِ‬ ‫ً‬ ‫ﺧﻔــــﺎﻗﺔ ﻓﻲ ﺭﺣـــــﺎ ِ‬ ‫ﺏ ﺍﻟــﻣـﺟــــــ ِﺩ ﻟﻸﺑـــــﺩ‬ ‫ﻭﺳﻭﻑ ﺗﻌﻠﻭ ﺑﺄﻣﺭ ﷲ ﺭﺍﯾﺗﻧﺎ ‪--------‬‬

‫ﻣﺣﻣﺩ ﻋﻠﯾﻭﻱ ﻓﯾﺎﺽ ﺍﻟﻣﺣﻣﺩﻱ‬

‫ﺷﻌﺭ ‪ :‬ﻣﺣﻣﺩ ﻋﻠﯾﻭﻱ ﻓﯾﺎﺽ ﺍﻟﻣﺣﻣﺩﻱ‬ ‫ﻧﺻﯾﺣﺔ ﺍﻟﻰ ﻁﺑﯾﺏ ﺍﻻﻁﻔﺎﻝ ﺍﻟﻣﺷﻬﻭﺭ ﻭ‬ ‫ﺍﻟﺻﺩﯾﻕ ﺍﻟﻌﺯﯾﺯ ﺍﻟﺩﻛﺗﻭﺭ )ﺑﺎﺳﻡ ﻋﻁﺎ ﷲ ﺍﻟﻌﺑﺩﻟﻲ(‬ ‫ﻓﻲ ﻣﻌﺭﺽ ﺗﻌﻠﯾﻘﻲ ﻋﻠﻰ ﻗﺻﯾﺩﺓ ﺍﻟﺷﺎﻋﺭ ﺍﻟﻣﻬﻧﺩﺱ ﺣﻣﺩ ﺷﻬﺎﺏ ﺍﻻﻧﺑﺎﺭﻱ‬ ‫ﺯﺩﻧﺎ ُﻓ َ‬ ‫ﺻﯾﻑ ﺣﻝ ّ ﻭﻟﯾﺱ ﺍﻟﻣﺎء ﺑﺎﻟﻛﺎﻓﻲ !! ‪-----‬‬ ‫ﺩﯾﺕ ﺯھﻭﺭﻱ ﺳﺎﻣﻬﺎ ﺍﻟﺳﺎﻓﻲ‪ -----‬ﻭﺍﻟ ّ‬ ‫ﻭﺍﻧﺕ ﻧﺑﻊ ﺍﺫﺍ ﻏﺯﻻﻧﻧﺎ ﻋﻁﺷﺕ ‪ -----‬ﺗﻠﻘﻰ ﻟﺩﯾﻙ ﺍﻟ ّ‬ ‫ﺻﺎﻓﻲ ‪-----‬‬ ‫ﺷﺭﺍﺏ ﺍﻟﻣﻧﻌﺵ ﺍﻟ ّ‬ ‫ﻓﺎﻧﺿﺢ ﻣﺯﯾﺩﺍ ﻟﺗﺛﺭﻱ ﺭﻣﻠﻧﺎ ﻋﺑﻘﺎ ‪-----‬ﻓﺎﻟﻌﺷﺏ ﻣﺎﺕ ﻭﻟﯾﺱ ﺍﻟﻌﻁﺭ ﺑﺎﻟﻛﺎﻓﻲ !! ‪-----‬‬ ‫ﻣﻧﺫ ﺍﻓﺗﺭﻗﻧﺎ ﻭﺭﻭﺩ ﺍﻻﯾﻙ ﻣﺎ ﺷﺭﺑﺕ ‪ -----‬ﻓﺟﺩ ﻋﻠﯾﻬﺎ ﺑﺷﺭﺏ ﻣﻧﻌﺵ ﺷﺎﻓﻲ ‪------‬‬ ‫ﻓﺎﻟﻌﺑﺩﻟﻲ ﺗﺧﻠّﻰ ﻋﻥ ﻋﯾﺎﺩﺗﻪ ‪ ------‬ﻭﻣﺎﺭﺱ ﺍﻟﺑﻭﺡ ﺗﻘﻠﯾﺩﺍ ﻻﺳﻼﻓﻲ ‪-----‬‬ ‫ّ‬ ‫ﻭﺟﻝ ّ ﺍھﻠﻙ ﻣﺭﺿﻰ ﻛﯾﻑ ﯾﺗﺭﻛﻬﻡ ‪ -----‬ﻏﺩﺍ ﯾﻌﻭﺩ ﺍﻟﯾﻬﻡ ﻣﻔﻠﺳﺎ ﺣﺎﻓﻲ ‪-----‬‬ ‫ﺍ ّﻧﻲ ﻧﺻﺣﺕ ﻭﻟﻛﻥ ‪--‬ھﻝ ﺳﯾﺳﻣﻌﻧﻲ؟ !! ‪ -----‬ﻭھﻝ ﺳﯾﺭﺿﯾﻪ ﻗﺎﻧﻭﻧﻲ ﻭﺍﻋﺭﺍﻓﻲ ؟!! ‪-----‬‬ ‫ﻓﺭﺑﻣﺎ ﯾﺟﺣﺩ ﺍﻟﻣﻘﺻﻭﺩ ﻧﺎﺻﺣﻪ ‪ ----‬ﻓﻼ ﯾﺻﯾﺦ ﻻ ﻟﺣﺎﺣﻲ ﻭﺍﺳﺭﺍﻓﻲ !! ‪------‬‬ ‫ﻭﺭﺑﻣﺎ ﺳﻭﻑ ﯾﻬﺟﻭﻧﻲ ﻭﯾﺣﺭﺟﻧﻲ ‪ -----‬ﺍﻧﻲ ﻧﺻﺣﺕ ﺑﻠﻔﻅ ﺭﺍﺋﻕ ﺩﺍﻓﻲ !!‬

‫ﺍﻟﻧﻭﻡ ﺍﻟﺩﺍﻛﻥ ﯾﻣﻸ ﺍﻗﻧﻌﺗﻲ‬ ‫ﻏﺑﺎﺭﺍ‬ ‫ﻭ ﺑﺩﺧﻝ ﺗﻌﻭﯾﺫﺓ ﺍﻟﺑﺣﺭ‬ ‫ﺍﻟﺫﻱ ﺍﺳﺗﻧﺳﺦ ﻣﻧﻪ‬ ‫ﻛﻝ ﺷﻲء‬ ‫ﺍﯾﺎﺩ ﺍﻟﺧﯾﺎﻁ‬

‫ﻣﺎ ﺃﻣﻁﺭﺕ ﺳﻣﺎﺅھﺎ‬

‫ﺷﻭﻛﺎ ً ﻭﻋﺫﺍﺏ‬

‫ﺷﻌﺭ ‪ /‬ﻋﻠﻲ ﺍﻟﺩﻟﯾﻣﻲ ‪ /‬ﺍﻟﻌﺭﺍﻕ‬

‫ﻣﺎ ﺃﻣﻁﺭﺕ ﺳﻣﺎءھﺎ‬

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‫ﺑﻝ ﺷﺗﺕ‬

‫ﻟﻲ ٌ‬ ‫ﺟﻧﺔ‬

‫ﺭﯾﺎﺣﻬﺎ ﻗﻭﺍﻓﻝ ُ ﺍﻟﺳﺣﺎﺏ‬

‫ﺑﺣﺿﻧﻬﺎ ّ‬ ‫ﺩﻑء ﻭﻁﺎﺏ‬ ‫ﻣﺎﻟﺫ ﻣﻥ‬ ‫ٍ‬ ‫ﯾﻐﻔﻭ ﻋﻠﻰ ﺷﻔﺎھِﻬﺎ‬ ‫ﻓﻲ ﻭﻟ ٍﻪ ﺍﻟﻭﺭ ُﺩ ﻭﺍﻟﺭﺿﺎﺏ‬ ‫ﺧﻣﺭ‬ ‫ﺃﻧﻬﺎﺭ‬ ‫ُ‬ ‫ٍ‬ ‫ﻗﺩ ﺟﺭﺕ ﻣﻥ ﻓﻣٍﻬﺎ‬ ‫ٌ‬ ‫ﻣﻌﺗﻕ ﻣﻥ ﺭﯾﻘﻬﺎ ﺍﻟﺷﺭﺍﺏ‬ ‫ْ‬ ‫ﺃﺳﻛﺭﺕ‬ ‫ﻛﻡ‬ ‫ﻣﻧﻲ ﺧﻼﯾﺎ ﺍﻟﻘﻠ ِ‬ ‫ﺳﻬﺎ‬ ‫ﺏ ﯾﻭﻣﺎ َ ﻛﺄ ُ‬ ‫ﻣﺎﺑﺎﻟﻬﺎ ﺻﺎﺭﺕ ﺳﺭﺍﺏ‬ ‫ﺣﺯﻥ‬ ‫ﺃﺳﺭﺍﺭ‬ ‫ٌ‬ ‫ٍ‬ ‫ُ‬ ‫ﺷﯾﺩﺕ ﻣﻥ ﺣﻭﻟﻬﺎ‬ ‫ٌ‬ ‫ﻭﻟﻬﻔﺔ ﺑﺩﺍﺧﻠﻲ ﯾﻘﺗﻠﻬﺎ ﺍﻟﻌﺗﺎﺏ‬ ‫ﻓﺄﻭﺻﺩﺕ ﺃﺷﻭﺍﻗﻬﺎ ﺑﺻﺩﺭھﺎ‬ ‫ٌ‬ ‫ﻭﻋﻠﺔ ﻗﺩ ﻁﺭﻗﺕ ﻣﺳﻣﺎﺭھﺎ‬ ‫ﺿﻠﻊ ﺑﺎﻛﯾﺎ ً ﻭﺑﺎﺏ‬ ‫ﺑﻛﻝ‬ ‫ٍ‬ ‫ﺻﺣﺭﺍ ُء ﻗﻠﺑﻲ‬ ‫ﻋﻁﺷﺕ ﻣﻥ ﺻﺑﺭھﺎ‬ ‫ﺍﻟﺻﺑﺎﺭ ﻓﻲ ﺍﻟﺷﺭﯾﺎﻥ‬ ‫ﻓﺄﻭﺭﻕ‬ ‫ُ‬

‫ﻋﻠﻲ ﺃﻟﺩﻟﯾﻣﻲ‬

‫ﺍﻟﻠﯾﻠﺔ‬ ‫ﺳﺎﺧﺭﺝ ﻣﻥ ﺟﺳﺩﻱ ﻭﺍﻣﺷﻲ ﻛﺭﻭﺡ‬ ‫ﻓﻲ ھﺫﻩ ﺍﻟﻠﯾﻠﺔ ﺗﺧﺭﺝ ﺍﻟﻘﻣﺭ ﻣﻥ ﺍﻟﺳﻧﺔ ﻛﻠﻬﺎ ‪،‬‬ ‫ﺕ ﺍﯾﺿﺎ ﻣﻥ ﺟﺳﺩﻙِ‬ ‫ﺳﺎﻟﺗﻘﻲ ﺑﻙِ ‪ ،‬ﺍﺧﺭﺟﻙِ ﺍﻧ ِ‬ ‫ﺍﺧﺫﻙِ ﻭﺍﺟﻭﻝ ﺑﻙِ ‪ ،‬ﺗﺣﺕ ﺟﺳﺭ ﺍﻟﻘﺩﯾﻡ ﺳﺎﻗﺑﻠﻙِ ‪ ،‬ﺍﻗﺑﻠﻙِ ﻛﺛﯾﺭﺍ‬ ‫ﺛﻡ ﺷﻭﺍﺭﻉ ﺍﻟﻣﺩﯾﻧﺔ ﺑﺣﯾﺙ ﻻ ﯾﺧﺭﺝ ﺍﺣﺩ ﺳﻭﻯ ﺍﻟﻌﺷﺎﻕ‬ ‫ﺳﺎﺻﺭﺥ ﺑﻘﻭﺓ ﺍﻧﺎ ﺍﺣﺑﻙ ﻭﺍﺭﺩﺩ ﺍﻝ ﺍﺣﺑﻙ ﻣﺭﺍﺕ ﻛﺛﯾﺭﺓ‬ ‫ﺳﻧﺣﺿﻥ ﺑﻌﺿﻧﺎ ﻧﺩﺍﻋﺏ ﺑﻌﺿﻧﺎ‬ ‫ﻣﻥ ﺛﻡ ﺳﺎﻧﺎﻡ ﺑﯾﻥ ﺧﺻﻼﺕ ﺷﻌﺭﻙِ‬ ‫ﻭﺍﺳﺗﯾﻘﻅ ﺑﯾﻥ ﺍﺣﺿﺎﻧﻙِ ﻭﻛﺄﻧﻲ ﺍﺑﻧﻙ‬

‫‪AZZAT KHUDIDA‬‬ ‫‪AZZAT KHUDIDA‬‬

‫ﺍﻻﻣﺱ ﻭﻓﻲ ﺩﺭﺍﺳﺗﻧﺎ ﻟﻠﻛﯾﻣﯾﺎء‬ ‫ﻛﺎﻥ ﺍﻟﻭﻗﺕ ﯾﻌﺿﻧﻲ ﻛﻛﻠﺏ ﻣﺷﺭﺩ‬ ‫ﺛﻡ ﻋﺭﻓﺕ ﺑﺎﻥ ﺍﻟﻛﯾﻣﯾﺎء ﻛﻠﻬﺎ ﻋﻥ ﺍﻟﺣﺏ‬ ‫ﻛﻘﻠﺑﻲ ﺍﻟﺫﻱ ﯾﺷﻛﻝ ﺍﻟﻧﻭﺍﺓ ﻭﺍﻧﺕ ﺗﺩﻭﺭﯾﻥ ﺣﻭﻟﻪ ﻛﺫﺭﺍﺕ‬ ‫ﺕ ﻣﻥ ﺍﻛﺗﺷﻔ ِ‬ ‫ﻭﺍﻧ ِ‬ ‫ﺕ ﻧﻅﺭﯾﺔ ﺍﻟﻌﺫﺍﺏ ﺑﻌﺩ ﺍﻟﻔﺭﺍﻕ ﻭﺍﻟﺗﺟﺎﺫﺏ ﺑﻼ ﻭﻋﻲ‬ ‫ﻋﻠﻣﺕ ﺟﯾﺩﺍ ﺑﺎﻧﻲ ﺍﻋﺷﻕ ﺍﻟﻛﯾﻣﯾﺎء ﻻﻧﻬﺎ ﺗﺗﻛﻠﻡ ﻋﻥ ﺍﻟﺣﺏ ﻁﻭﯾﻼ‬ ‫ﻭﺑﺩﺍﺕ ﺍﺳﺟﻝ ﻋﻠﻰ ﺩﻓﺗﺭﻱ ﻋﻣﻠﯾﺔ ﺍﻟﺣﺳﺎﺑﯾﺔ ‪:‬‬ ‫‪s١‬ﺍﺣﺑﻙ ‪s٢‬ﺍﻋﺷﻘﻙ ‪p٢‬ﺍﻗﺑﻠﻙ…… ‪..‬‬

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