Portfolio_Debashish Roy

Page 1

P O R T F O L I O ACADEMIC 2

0

1

I

4

COMPETITION ENTRIES -

2

0

2

0

CONTENT spaceDestination

page 01-10

Phorkabbya

page 11-14

I

I

Academic Individual Project studio X

I

I

Academic Individual Project studio IX

I

I

Living with Green

page 18-20

Cole’s Station I I

page 21-23

I

I

I

Academic Individual Project studio V

International Competiton

Hoichoi I

I

Team

Design charrette Team Winner

I

I

Orbital University I I

page 29-31

En escapade I I

page 32-33

The agony of lost Proteus I I

page 34-36

AUGMENTATION WITHIN THE WALLS

page 37-39

Team

International Competiton

Nov2016

Shortlisted Sep2020

I May2019

page 28

Design Challenge

Nov2016

I

Light toI remember I I International Competiton

Jan2020

page 15-17

I

page 27

International Competiton

Jan2020

Expressing Visual Weights Academic Individual Project studio V

Kernel for Carnival I I I

International Competiton

page 24-26

Competiton

Team

Team

Honorable Mention Mar2019

Recognized Idea Dec2018

Oct2020

Team

Team

Jun2020

Jul2020

I Individual I Shortlisted I Jul2020

a future space station to support mars and lunar habitats

I

Project Type Academic Individual Project

I

I

Studio X Final year project Credit Hours

12 I Jan2020 Supervisors

Patrick D’ Rozario

Assistant Professor, Department of Architecture, BUET

Mohammad Tahajibul Hossain

Assistant Professor, Department of Architecture, BUET

Resource Person

Theodore W. Hall

Former chair,Space Architecture Technical Committee (SATC)

Dinosaurs were a major form of life on earth for millions of years, until about 65 million years ago Youcatan peninsula asteroid hit. And the rest is history. The dominant form of life on planet earth for millions years became extinct. Our planet has a history of killing. In fact, over 99% of all species that have ever roamed on the earth have gone extinct. We are a pest. And it’s a matter of time, before the sixth major mass extinction comes along to terminate the mother earth’s latest infestation Earth is near main asteroid belt. Despite of climate change there are other reasons for human being to extinct. In 2018, a meteorite had crossed earth very closely. Luckily it didn’t hit us! But who knows? The next one might! Here comes the idea of expanding life behind earth. Best way to live on other planet is terraforming and turning the planet into a habitable one for humans. But that is far beyond our recent technology. Before that only way to live on other planet like Mars or in our own Lunar is to make an enclosure to be protected from the radiation. Because Moon or Mars doesn’t have any atmosphere or radiation shield like earth. If you have a closer look to the multiple lunar and mars proposed habitats, you have to live and work in a closed environment. Every time you go outside you have to suit up. And also when we’ll start to live in mars or lunar habitats, we have to send human on a regular basis. This project is a proposed station for that time from where human will be sent to expand life and station will be used as an intermediate space for future missions, training, and research on partial gravity!

Academic studio X spaceDestination

Debashish Roy portfolio 01

Earth 8.0

Botanist from New Zealand Earth 5.0

Chemical Engineer from Sri Lanka Agronomist from Bangladesh

Astro-psychologist from Japan

(1 g)

Trained Personnel

h

Artist from India

Earth

Moon

n par g o ti in

gravity al

Russian Tourist

and train

Mechanical Engineer from USA

Earth 2.0 Mars (.3 g)

Resear c

Photographer from Switzerland

(.1 g)

Earth 4.0

Space Station for Multi planetary civilization

Physicist from Africa Earth 6.0

Farmer from Australia Chinese Doctor

Earth 7.0

In 20th July, 1969, human step was drawn for the first time on the Moon, proving that we have immense possibilities outside earth. This started a new era. .In the first phase, space program was basically a cold war between space research agencies . This was called space race one. And the consequence was moon landing If we think about recent time, a space race is still going on. Multiple private companies like Spacex, virgin Galactic, Blue origin , rocket lab are showing interest on space exploration .SpaceX have already developed reusable rockets and they are working on starship (which is designed for Mars colonization ,Earth–lunar transport space tourism ) . Virgin Galactic is also focusing on space tourism. BLUE ORIGIN is developing reusable rocket and Blue moon .Now we are calling it space race 2.0. And we can say that, the vision of current space race is quite clear to us. It is to set our footprint on our red little neighbor -MARS . The concept of space travel requires preparation, training and adaptation. As a part of this the site and outcome of this particular project will be used for refueling , training, staging and research.

? not in scale REUSABLE FALCON HEAVY

SPACE RACE 1 Academic studio X spaceDestination

2024

SPACE RACE 2

Human on Mars? SPACE RACE 3 Debashish Roy portfolio 02

fo

rw

ar

d

zenith

Geostationary Earth Orbit

23.4 20 Hours

Considerations behind this selection process: 1. solar radiation: The higher we go the solar radiation increases. 2. Distance factor : The higher we go, the easier it becomes to send people on moon or mars. Considering these conditions the site is chosen at the altitude 1500 km from sea level and orbital inclination of 23.4 Degree. Ecliptic plane is selected to access trans-Lunar and trans-Mars orbits.

nadir Medium Earth Orbit (MEO)

orbital inclination

1500 km

15 Hours Galileo MEO Satellites GPS Glonass

10 Hours

7.5 Hours

ISS

Altitude 408 km Velocity 7.66 km/s

Hubble

Altitude1500 km Velocity7.11 km/s

Altitude568 km Velocity8 km/s

Iridium

5 Hours

Altitude780 km Velocity7.4 km/s

MEO

Inner Van Allen Belt LEO

6.9 km/h

Low Earth Orbit (LEO)

Altitude

SEA LEVEL

40000

30000

20000

30000 km 5000 1000

20000 Academic studio X spaceDestination

10000 miles

2000

3000

10000

4000

20000 miles Debashish Roy portfolio 03

m

0

10

porary habit Tem at io n

T

V r la gu An

n-

RP 4 ty ci o el V r la gu

The centrifugal acceleration is related to angular velocity and radius of rotation. Lower angular velocity is preferred as higher angular velocity might create discomfort like motion sickness , Coriolis effect. However recent experiments suggests that human is capable of adapting higher angular velocity like 4 or even 6 RPM.

Ro

t

i at

An

en

gm

ng

itationn hab

Se

s’ ew

t

M

No

g

ng, ini ra

7

.3

Research,

R 0 ty ci

g

r fo

1000

Radius

800

R 0 ty

200 0

1 RPM

2 RPM 3 RPM Angular velocity

r gu An

1000

5

1

5 g

Rotational 100 Radius (m)

.37 g

Comfort Zone 4

Breakdown of bone

ri

m

10 0.1

on

ti

The orientation of the spin axis is perpendicular to the orbital plane so that it doesn't change orientation.

ta

Ro is

Ax

Academic studio X spaceDestination

s

Bone Loss

As, we are willing to send mass people , it’s important to focus on the health issues related to zero gravity. That’s why artificial gravity is mandatory for future space Stations. Despite of many theory of artificial gravity , the only proven physics is rotation. When a particle is in a circular motion a centripetal force is produced. In a stable system a centrifugal force works in the opposite direction to create balance. This opposing force can work as Gravity.

2

m/

sp 3 ee d

4 rpm

No

n-

ro

la

1g

6 Muscle loss

4 RPM

V

el

i oc

g

t ta

in

400

1 g

Orbital Plane

g

Research, Training, Control, Docking Port, Space BnB

PM

se

gm

en

t

0

600

3 0.0

Gravity is what keeps us held to the surface of earth and provides the sense of up and down . When a satellite or space station orbit the earth ,the force of gravity precisely cancels out with the centrifugal force (if any artificial force is not applied). Astronauts of International space station do their activity in zero gravity . But, there are some problems in this system that requires attention. Many biological functions of our body are hardwired for the gravity . In zero gravity the standing posture and skeletal support are no longer used and thus atrophy losing up to 20% of their mass after a week. Astronauts of ISS need to exercise for at least two hours every day to combat this muscle loss but without gravity our bones also wither. Astronauts lose 1% of their bone mass each month. The breakdown of bone within our body saturates ourselves with calcium leading to dangerous calcification of soft tissues.

ar and Mars lun ha bi

1 g

l edica suppo r t , M , nt Cr ta

t ro

at

in

o el

t

Research, Training, Control, Docking Port, Space BnB

PM

en

gm

se

g

m

0

37

v

1 Angular Velocity (rpm)

3 RPM is selected from where radius of the rotation is 100 m 100 m radius is very realistic ISS which has 112

10

the required to get 1 g . comparing to m truss.

Debashish Roy portfolio 04

2016

Bigelow Expandable Activity Module

Doking Hub Radiator

Solar

Packed Volume- 1.4 m3

Phase 4

Unpacked Volume- 1.4 m3

2040

Space Hotel

Space Hotel Connector

Phase 3

c

Truss Connector

spacex

Phase 5

& Elevator (0g - 1g)

Phase 2 Connector (Hard Modules) Packed Volume- 780 m3

Unpacked Volume~ 30,000 m3

Inflatable Modules

Phase 1

Amalgamation Academic studio X spaceDestination

The whole station will be developed in 5 chronological stages. 1. In first phase- The base will be prepared, which will work as axis for future mission staging. 2. In the second stage- Mars gravity ring will be added to the system. 3. In 3rd Stage- The space hotel will be opened to address the space tourism demand commercially. 4. The 4th Stage will see the addition of another parallel wing of the same structure to increase capacity 5. Finally, when the demand will rise to a certain point, extended temporary habitation module ring will be added to create the full form of the space station.

Phases Debashish Roy portfolio 05

OUTER HABITATION MODULE Volume : 2974.72 m³ Module type : Inflatable Gravity : 1 g Population : 192

SERVICE MODULE Volume : 5387.39 m3 Module type : Hard module Gravity : 1 g

Escape Pod Volume : 146.38 m³ Module type : Hard Module Capacity : 20 Total - 58

CONNECTOR Volume :1424.66 m³ Module type:Connector Gravity :0 g

Volume : 1958.76 m³ Module type : Hard Module Gravity : 0 g

MARS GRAVITY MODULE Volume : 28411.27 m³ Module type : Inflatable Gravity : 0.37 g Population : 100

SOLAR PANEL

SPACE HOTEL Volume Module type Gravity Population

Academic studio X spaceDestination

: 5239.97 m3 : Inflatable : 0 g : 50

DOCKING HUB Volume : 5,683 m3 Module type : Inflatable Module Gravity : 0 g

TOTAL SOLAR AREA - 40,000 m² Solar Power (considering efficiency be 50%) from 32 solar arrays (20800 m²) – 8320 kw from the solar panels of the outer ring(9300 m²)-3720 total power -12040 kw Total Population : 1100 Total required power : 11000 kw ( 10kw/person)

Debashish Roy portfolio 08

Outer Habitation Module

r g==100 9. m, 86

Solar Radiator

r g==84 9. m, 82

Elevator Service Module

Mars Gravity Module

Airlock Emergency Escape Pod

Emergency Escape Pod g=r=40 3. m, 94

Space Hotel Airlock

r g==28 2. m, 76

Emergency Escape Pod Solar Radiator

r= g= 11m 1. , 1

Solar

Radiator

Sectional Perspective Academic studio X spaceDestination

Physical Model Debashish Roy portfolio 06

While designing the micro-spaces inside the module, there are some considerations 1. The radius from the center decreases from bottom to top level. 2. The gravity also decreases along with the value of radial distance.The floors placed in the module are affected by these events. When someone walks from west to east (in this hypothetical framework) the Coriolis effect is added with the centripetal acceleration. Thus increasing the total apparent gravity. This effect will be opposite if someone walks in the reverse direction. As the North-South direction is parallel to the axis of rotation, this direction is free from this special condition.

Earth’s Gravity

Level 0 (recreaƟonal zone)

Outer HabitaƟon Module

Sleeping Pod

Park (top of green area)

unpacked Mars Gravity Module Academic studio X spaceDestination

Visual floor

NO CORIOLIS

Centripetal acceleration

Cen ter

Coriolis acceleration

W

Level 0

CORIOLIS E

Apparent floor

S

Artificial Gravity

Module

packed

N

Center

Co r acc iolis el e ra t ion

horizontal

1g

Apparent acceleration

Ap p acc aren ele t rat ion

Foldable structure

Cen acc tripe el e tal ra t ion

Inflatable

vertical

ring sturcture

AcƟvity

Rc

V(At East West DerecƟon)

ɏ

Apperent Gravity

Standing Walking Jogging Running Level 0 (standing) Level 1 (standing) Level2 (standing) Level3 (standing) Standing Walking Jogging Running Standing Walking Jogging Running

Meter 100.00 100.00 100.00 100.00 94.00 91.50 89.00 86.50 86.50 86.50 86.50 86.50 35.00 35.00 35.00 35.00

Meter per Second 0.00 1.40 2 2.6 0.00 0.00 0.00 0.00 0.00 1.40 2 2.6 0.00 1.40 2 2.6

Per Minute 3.00 3.00 3.00 3.00 3.00 3.00 3.00 3.00 3.00 3.00 3.00 3.00 3.00 3.00 3.00 3.00

ɏ²(Rc+2v/ɏ) 9.86965056 10.74929856 11.12629056 11.50328256 9.277471526 9.030730262 8.783988998 8.537247734 8.537247734 9.416895734 9.793887734 10.17087973 3.454377696 4.334025696 4.711017696 5.088009696 Debashish Roy

portfolio 09

Academic studio X spaceDestination

Debashish Roy portfolio 10

P H O R K A B B YA Project Type Academic Individual Project

Studio IX

I

I Credit Hours 12 I Jan2019

Studio Supervisors Pro Dr Khandaker Shabbir Ahmed Pro Dr Najmul Imam Patrick D’Rozario Nusfun Nahar Faruk Ahmed Md. Mizanur Rahman ‘Phorkabbya’ was selected for the exhibition- HOME.ext arranged by DoA, BUET This project was done Bangla so that It’s readable to the public and especially workers.

The aim of the project is to select a family in a suburban or rural context to identify the distinct features of that region including lifestyle, culture, living pattern, socio-economic condition, surrounding environment, building material, local detail and techniques. It was preferable that the family members are involved in an independent profession or they want to be an entrepreneur and propose a VROXWLRQ IRU KLV KHU EXVLQHVV DQDO\]LQJ WKH EXGJHW DQG FRVWLQJ ɨQDQFLDO VFKHPH RɧHUHG E\ WKH SXEOLF DQG SULYDWH RUJDQL]DWLRQV EXLOGLQJ ODZV DQG UHJXODWLRQV environmental and energy, services, material and technology, scheduling and construction process.

Academic studio X Phorkabbya

Debashish Roy portfolio 11

Academic studio X Phorkabbya

Debashish Roy portfolio 13

Academic studio X Phorkabbya

Debashish Roy portfolio 14

EXPRESSING VISUAL WEIGHTS L i g h t n e s s

a n d

H e a v i n e s s Project Type Academic Individual Project

Studio V

I

I Credit Hours 8 I Nov2016

Studio Supervisors

Mahmudul Anwar Riyaad Maherul Kader Prince

Aim of the project is to understand the Lightness and Heaviness in architecture through designing a lecture hall. Materials , forms , openings are the main parameter for a building to be appeared as light or heavy. In this project lightness and heaviness are achieved by keeping WKH JURXQG ɩRRU WUDQVSDUHQW DQG JLYLQJ WKH XSSHU ɩRRU D KHDY\ appearance. Structure of the building is as simple as possible to keep WKH JURXQG FOHDU DQG OLJKW +RZHYHU JDOOHU\ SDUW RI WKH JURXQG ɩRRU LV kept 7’below to the ground level so that direct sun light may not create problem for the exhibited items . No opening will be appeared from outside of the upper level .A concrete shell makes the upper level more heavy .

Academic studio X Expressing Visual Weights

Debashish Roy portfolio 15

Academic studio X Expressing Visual Weights

Debashish Roy portfolio 16

Academic studio X Expressing Visual Weights

Debashish Roy portfolio 17

LIVING WITH GREEN Project Type Academic Individual Project Studio VI

I

I Credit Hours 8 I Jun2017

Studio Supervisors

Dr. Zebun Nasreen Ahmed Kazi Fahriba Mustafa

Have you thought about what will happen to this Dhaka City after half century? Most obvious answer is we have thought about our aim or where do we want to see ourselves after a certain point. But have we thought about the environment where we are going to live in? No? The state of the environment will not be the same after 50 years. The pollution will increase, earthquake will visit more frequently, the weather will change to a great extent, the temperature will be increased so on. But mostly people will suffer with shortage of land to live in. The buildings are not designed to habitat a large number of people. We will always have the sky to rise. Most of the current buildings are low in height which does not utilize the available upper space. Another important thing is to keep in mind that the air conditioners are diffusing CFC gases which are very dangerous for the ozon layer and also for our environment. So we have to think for the people and make sure they get a place to live in. The most efficient solution is to build high rise buildings where small amount of land can give shelter to a huge number of people comparatively. Another problems remains with the global warming. We have to stay cool and stop the warming and harmful effect of the air conditioner. Can we do that? If we can then how can we do that? Yes. Let's design the building with a good ventilation system which will provide natural air all the time and reduce the use of air conditioner.

Academic studio X Living with Green

Debashish Roy portfolio 18

Academic studio X Living with Green

Debashish Roy portfolio 19

Academic studio X Living with Green

Debashish Roy portfolio 20

C O L E ’ S

S T A T I O N Project Type Competition Team entry (3 Members) Key Role-Team Leader Design 3D Visualization

I

I

I

L E A P

DEEP SPACE MINING HABITAT COMPETITION

Arranged By

UNIFUSE

Shortlisted ȋ Ƥ ȌI Sep2020

This station named after visionary American aerospace engineer and futurist – Dandridge MacFarland Cole. In his book ‘Exploring the Secrets of Space: Astronautics for the Layman’ with I. M. Levitt suggested hollowing out an ellipsoidal asteroid about 30 km long, and rotating it about its major axis to simulate gravity.

Competition

Cole’s Station

Debashish Roy portfolio 21

The idea is to build a space station without sending materials from Earth. In this process, the robots sent from Earth will extract metals and create cavities into the surface. At an early stage, thousands of robots will be sent to the designated asteroid, "216 Kleopatra". 216 Kleopatra is a metallic, ham-bone-shaped asteroid and trinary system orbiting in the central region of the asteroid belt, approximately 138 kilometers (86 miles) in diameter. The robots will mine in the inner layer and soon will create a porous situation like the inner part of ant colonies. Later these cavities will be used for habitation. The mined materials will be used for 3D printing and the rest will be sent to the earth. Then a core in the center will be built from the material extracted from the asteroid. The core will rotate the whole asteroid in its axis and will create artificial gravity. Future mining missions in near asteroids will be controlled from the station and extracted materials will be sent to Earth and Mars Colonies. The station will also be used for future missions, training, and research on partial gravity. At the early stage, the space station will serve as a temporary habitation space for the miners. After expansion work, it will be a permanent colony for millions of people.

At this stage, astronauts, and miners will do their activities in microgravity. There will be a Bioregenerative Life Support System (BLSS). It will provide a habitation environment similar to the Earth's biosphere with extended durations.

Mining robots and 3D printers will be sent to the 216 Kleopatra. Robots will start mining and extract material for 3D printing. Extracting material according to functional arrangements will create cavities for the first minors. Later robots will start to create interior walls from extracted metals.

Competition

Cole’s Station

Debashish Roy portfolio 22

Phase 4 As the mining continues, the whole asteroid will become porous and controlled from the core. The core will rotate it at a certain speed to mimic gravity in inner surfaces as a result of centrifugal force.

Housing Health,Leisure,Entertainment Vegetation Control,Commercial zone Mining Zone

Satellite Industries,Production, Fuel Depot Logistics

3.3

217 km

78 km

8.7

4.9

3.4 3.9

6.5

7.3

4.9

4.0

5.0

7.3

8.6

5.0

3.9

4.0

2.2

3.9 2.4

5.3

Phase 3 With the further mining mission, the robots will mine and create heavy industrial belts like Satelite and production industries. It will require more human involvement in the management and logistics department.

Phase 2 Lorem ipsum Construction of the core will start in at this stage. More socio-economic zone will be added according to the expansion of habitable space.

rotati ng

axis

Modules are kept parallel to the axis to avoid gravity gradient in same floor.

rotating

Phase 1 From this stage, Astro Miners will take control of the mission and start mining other asteroids as well as Kleopatra for further expansion.

Competition

Cole’s Station

Debashish Roy portfolio 23

Project Type Design Charrette Team entry (5 Members) Key Role- Design Hands on construction

I

B A M B O O

I

P L A Y S P A C E

I

DESIGN BUILD

I

PLAY

Arranged By

PARAA

WinnerI May2020

The task was to design and build a bamboo playspace for people with all kind of abilities, especially the children, residing at the LEEDO Peace Home (a rescued street children’s charity organization in Dhaka, Bangladesh) Š‡ ’Žƒ›•’ƒ…‡ ‘ƥ‡”• ƒ …‡Â?–”ƒŽ ‘’‡Â? Â•Â’ÂƒÂ…Â‡ÇĄ ™Š‡”‡ …Š‹Ž†”‡Â? …ƒÂ? ’Žƒ› ‘” ‘”‰ƒÂ?‹œ‡ festivals and performances. The whole structure can accommodate around 300 ƒ—†‹‡Â?…‡• ƒ– †‹ƥ‡”‡Â?– Ž‡˜‡Ž•Ǥ ’‡…‹ƤÂ… ’Žƒ› ˆ‡ƒ–—”‡• ™‡”‡ †‡•‹‰Â?‡† ˆ‘” –Š‡”ƒ’‡—–‹… ‡š‡”…‹•‡• ˆ‘” †‹ƥ‡”‡Â?–Ž› ƒ„Ž‡ …Š‹Ž†”‡Â? ‡Â?…‘—”ƒ‰‹Â?‰ ’‡‡” •—’’‘”–Ǥ ‘—Â?‰‡” …Š‹Ž†”‡Â? …ƒÂ? engage in suitable play features, like swing, hanging rope-bridge etc, in a safe place ™‹–Š ‡Ž†‡”•ǯ •—’‡”˜‹•‹‘Â?ÇĄ ™Š‹Ž‡ ‘Ž†‡” …Š‹Ž†”‡Â? ƤÂ?† –Š‡Â?•‡Ž˜‡• ‹Â? Â?‘”‡ ƒ†˜‡Â?–—”‘—• zone of climbing wall, spider web. The semi-shaded decks of the playspace can held †‹ƥ‡”‡Â?– •‘”–• ‘ˆ ™‘”Â?•Š‘’• ‘” ŠƒÂ?‰nj‘—–• ‘ˆ ’‡‘’Ž‡ ‘ˆ †‹ƥ‡”‡Â?– ƒ‰‡ ‰”‘—’ ‘ˆ –Š‡ nearby communities. For the opening of the space, we intended to test how the place can be multifunctionÂƒÂŽÇĄ ƒÂ?† …‘Â?Â?—Â?ƒŽǤ ŠƒŽˆ †ƒ› ƒ”– ĆŹ †‡•‹‰Â? ˆ‡•–‹˜ƒŽ ˆ‘” …Š‹Ž†”‡Â? …ƒŽŽ‡† Dz Çł (Let’s play) was held. Paraa invited diverse groups of creatives to experiment and use the space. This is a fundamentally important aspect of the project - to show the potential of a space and the importance of creative arts for holistic human development. A group of artists from performance art and theatre, fashion houses and fashion designers and a group of beat-boxer responded to the call to present their artworks and explored the space, engaging the audience.The children of Leedo peace home developed a theatrical performance ‘Harano Rajjyo’ (The lost kingdom) in collaboration with Prachyanat after practicing for weeks. The play space will exist for two years, with a series of innovative programmes to accompany it over the year.

Competition

Hoichoi

Debashish Roy portfolio 24

In this contemporary world of rapidly diminishing resources and the unplanned grasp of landscape, WKHUH LV D YHU\ IHZ OHIW IRU WKH QDWXUH WR RɧHU ,W LV now very important to realize that a city, like nature, LV ORVLQJ LWV FKDUP DQG VFRSH RI EOHQGLQJ ,W LV QHFHVsary to look at the role of boundary to realize the LQWHU UHODWLRQVKLS RI WKH XUEDQ HQYHORSH ZLWK OLIH When we think about a tomorrow for the future generations, it is necessary we can think about their IUHH FKLOGKRRG ,W LV WKDW WKH FKDRWLF SKDVH RI PLQG DQG KHDUW ZKLFK LV SXUH \HW VR GLYHUVH DQG G\QDPLF It's become almost a herculean task to provide our young generation with a space which will enable WKHP WR H[SORUH WKHLU RZQ LQWHUHVWV VSRQWDQHRXVO\ ,W is time to let the childhood be freed within a boundary, rather than caged in a polluted chaotic open ɨHOG +RSH WKLV OLPLWOHVV ERXQGDU\ ZLOO DVVLVW WKH FKLOGUHQ WR PDNH SOD\IXO YHQWXUH

Šƒ•‡ ͙ǣ Â?‹–‹ƒŽ ‹†‡ƒ

Competition

Hoichoi

Phase 2: Model presentation to the children, residing at the LEEDO Peace Home (a rescued street children’s charity organization in Dhaka, Bangladesh And our team become the joint winner of the design charette .

Phase 3: The project was built in collaboration with Paraa at the site of Bosilla,Dhaka beside Leedo Peace home.

Debashish Roy portfolio 25

Competition

Hoichoi

Debashish Roy portfolio 26

KERNEL FOR CARNIVAL Intervention within convention

Project Type International Competition Team entry (3 Members) Key Role- Design Development 3D Visualization

I

I

POP UP BAZAAR I S TA N B U L Arranged By

archasm Honorable Mention I Mar 2019 Returning home through MRT, X goes through a dynamic volume and he likes to spend a while.The bazaars that Istanbul houses are active public places with a GHɨQLWH SDWWHUQ RI FLUFXODWLRQ DQG FRQWUROOHG RUJDQLF JURZWK 7KLV LPDJH RI ED]DDUV ZLWK QDUURZ DOOH\V DQG VKRSNHHSHUV \HOOLQJ IURP ERWK VLGHV IURP VKRSV RU NLRVNV IXOO RI FRORU DQG OLIH LV RQH ZKLFK HYHU\ SHUVRQ RI ,VWDQEXO RU WRXULVWV VHHN WR HQMR\ 7KLV SURMHFW WHQGV WR DPDOJDPDWH WKLV SRSXODU LPDJH RI WKH Istanbul bazaar with contemporary ideas and technology to create a multipurpose plaza with a new approach. The site, which is now a public plaza is kept LQWDFW LQ LWV PXOWLIXQFWLRQDO DSSURDFK E\ GHVLJQLQJ D PRGXODU ED]DDU 0RGXOHV RI PHWHU E\ PHWHUV DUH DUUDQJHG LQ D JULG RQ WKH VLWH HDFK RI ZKLFK FDQ PRYH YHUWLFDOO\ XS DQG GRZQ ZLWK WKH KHOS RI IRXU HOHFWURPDJQHWLF SROHV 7KHVH PRGXOHV DUUDQJH LWVHOI ZLWK WKH JURZLQJ QHHG DQG IXQFWLRQ RI WKH VLWH SOD]D DW GLɧHUHQW KHLJKWV RQ WKH EDVLV RI KRUL]RQWDO FLUFXODWLRQ WR FUHDWH D ED]DDU HYHU FKDQJLQJ LQ LWV IRUP 7KHVH PRGXOHV FDQ EH DFFHVVHG YHUWLFDOO\ ZLWK WKH KHOS RI IRXU FRUHV LQWHJUDWHG ZLWK WKH H[LVWLQJ 057 FLUFXODWLRQ 7KH PRGXOHV KRXVH VKRSV NLRVNV VPDOO FDIHV ZLWK KRUL]RQWDO FLUFXODWLRQ LQ WKH PLGGOH 0RGXOHV FRQQHFW ZLWK HDFK RWKHU LQ GLɧHUHQW FRPELQDWLRQV YHUWLFDOO\ NHHSLQJ WKH KRUL]RQWDO FRQQHFWLRQ XQLQWHUUXSWHG WR FUHDWH D ED]DDU RI WKH NQRZQ DPELDQFH ZKLFK FDQ UHDFW WR GLYHUVLɨHG XVH 7KH PRGXOHV FDQ PRYH vertically up to create a void space at the ground level that can house concerts, WKHDWHUV IDLUV DQG RWKHU FRPPXQLW\ IXQFWLRQV 'LɧHUHQW VORSLQJ SDWWHUQV RI WKH ED]DDU FDQ PDNH SODFH RI HOHYDWHG XUEDQ SOD]DV RU VNLLQJ JURXQG $OO WKHVH FRPSOHPHQW HDFK RWKHU WR PDNH WKLV D EHDFRQ IRU PRGHUQ JURZLQJ ,VWDQEXO IXVLQJ LWV FXOWXUH DQG WUDGLWLRQ

Competition

Kernel for Carnival

Debashish Roy portfolio 27

LIGHT TO REMEMBER Project Type International Competition Team entry (3 Members) Key Role-Idea Generation Design Development Visualization

I

I

I

TOMB OF TOMORROW Arranged By

ARCHITIZE

Recognized Idea I Dec 2018

Dearest Ma , Do you remember how I always had laxity in listening to your dreadful and dark childhood memories? , FRXOG QHYHU UHDOL]H ZK\ GLG WKH OLEHUDWLRQ ZDU PHDQ WKDW PXFK WR \RX RU WKH SHRSOH ิต \RXU JHQHUDWLRQ I obviously read about the liberation war in my text books and knew the facts in general , like about the XQMXVW DQG WUHDFKHURXV UHLJQ E\ 3DNLVWDQ IRU ORQJ \HDUV RYHU RXU PิฆKHUODQG %DQJODGHVK GHPDQGHG DQ HQG DQG IXHOHG WKH SURFODPDWLRQ ิต LQGHSHQGHQFH IRU RXU FRXQWU\ )URP WKH PLGQLJKW ิต WK 0DUFK WKH 3DNLVWDQL PLOLWDU\ EHJDQ FRPPLิบLQJ QXPHURXV DFWV ิต JHQRFLGH DQG XQSUHFHGHQWHG WRิซXUHV RQ WKH FLYLOLDQ DQG XQDUPHG SHRSOH ิต %DQJODGHVK 7KLV VDQJXLQDU\ ZDU GHยฃQLWHO\ GHPDQGHG D UHFRJQLWLRQ EHIRUH WKH ZKROH ZRUOG WR SD\ KRPDJH IRU WKH QREOH VRXOV , UHPHPEHU KRZ \RX DOZD\V PHQWLRQHG DERXW WKH PDVV NLOOLQJ LQ GLี HUHQW SDิซV ิต WKH FRXQWU\ &+8.1$*$5 WUDJHG\ ZDV RQH ิต WKRVH ODUJHVW PDVVDFUHV GXULQJ WKH ZDU 0D , KDG QHYHU VXSSRิซHG \RX LQ \RXU SUิฆHVWV DQG PRYHPHQWV IRU SURSHU UHFRJQLWLRQ ิต WKH PDิซ\UV DQG FRXOG QHYHU UHDOL]H \RXU GHPDQG IRU D EHิบHU PHPRULDO DQG EXULDO IRU WKH QREOH VRXOV 0DQ\ D WLPHV , VDZ \RX TXHVWLRQ LI D PRQXPHQW LV HQRXJK WR GHSLFW WKH JUXHVRPH ZDLOLQJ ิต WKDW LQFLGHQW WR WKH ODWHU JHQHUDWLRQ RU LI D PRQXPHQW FDQ FRQYH\ WKH EDUEDULW\ ิต WKH 3DNLVWDQL VROGLHUV WKURXJKRXW WKDW QLQH ORQJ PRQWKV \RX DOZD\V PHQWLRQHG WKH QHHG ิต DQ DPELHQFH SUHVHQWLQJ WKDW GUHDGIXO HYHQW DV ZHOO DV WR IHHO WKH VDFULยฃFH ิต WKRVH KHURLF VRXOV WR VDIHJXDUG WKH VDQFWLW\ ิต RXU PิฆKHUODQG 0D , IRXQG WKDW DPELHQFH WRGD\ 2QO\ WRGD\ , UHDOL]HG WKH VSLULWXDOLW\ \RX KDYH EHHQ FDUU\LQJ OLIHORQJ , FRXOG QHYHU UHDOL]H WKH WิฆDO QXPEHU ิต SHRSOH ORVLQJ WKHLU OLYHV LQ WKDW LQFLGHQW XQOHVV , VDZ WKRVH WKRXVDQG UD\V ิต OLJKW DURXQG 7KH PRPHQW , VWHSSHG LQ , GRQย W NQRZ ZK\ , VWDิซHG WR IHHO VR KHDY\ DOO RQ D VXGGHQ 7KH ZKROH DUHD ZDV ยฃOOHG ZLWK WKRXVDQGV ิต XQWROG VWRULHV 0\ ERRNLVK NQRZOHGJH RU P\ SHUFHSWLRQV ZHUH QRZKHUH QHDU WKH DFWXDOO\ GUHDGIXOQHVV 7KH WKRXVDQGV ิต OLJKW EHDPV VXUURXQGLQJ PH LQ WKDW GDUN DOOH\ KHOG PH WLJKW DQG VSRNH WR PH LQ ZD\V , FRXOG KDYH QHYHU LPDJLQHG 7KH PRUH , WRRN P\ VWHSV IRUZDUG HDFK OLJKW EHDP KDYLQJ SURMHFWLRQV ิต WKH QDPHV ิต WKH ORVW VRXOV JDYH PH JRRVH EXPSV 0D , HYHQ IRXQG JUDQG SD DQG JUHDW JUDQG SDย V QDPH VKLQLQJ OLNH EULJKW VWDUV LQ WKHUH 0D GLG \RX NQRZ RXU ERG\ LV D VRXUFH ิต ELRGHJUDGDEOH HQHUJ\ WKDW ZLOO HYHQWXDOO\ UHWXUQ WR WKH QDWXUH DิฐHU RXU GHPLVH" 7KH SODFH ZKLFK KDG WKH FRUSVHV ิต VXFK QREOH VRXOV VHHPHG WR EH KDYH PRUH EULJKWQHVV WKDQ D EULJKW VXQQ\ GD\ 0D ยฃQDOO\ \RX KDYH D 720% )25 7202552: ZKLFK LV Qิฆ DERXW VRPHWKLQJ ZLWK KLJK WHFK LQWHUYHQWLRQV UDWKHU LW XSKROGV WKH VLJQLยฃFDQW VWRULHV WR XV WKH ODWHU JHQHUDWLRQV 0D IURP QRZ RQ , ZLOO KROG RQ WR \RXU SKLORVRSK\ ิต OLIH ย ย ย 7KH ZRXQG LV WKH SODFH ZKHUH WKH OLJKW HQWHUV \RX ย Your Daughter

Competition

Light to remember

WK 'HFHPEHU

Debashish Roy portfolio 28

Project Type Design Challenge Team entry (14 Members) Key Role-Idea Generation Story Telling Visualization

I

I

I

DESIGN IN SPACE FOR LIFE ON EARTH DESIGN CHALLENGE

HOW CAN WE BUILD AN ORBITAL UNIVERSITY? Arranged By

Ěž Č? ČŽ Oct2020 "I choose to go to the Moon, with artists. If Pablo Picasso had been able to see the Moon up-close, what kind of paintings would he have drawn? If John Lennon could have seen the curvature of the Earth, what kind of songs would he have written? If they had gone to space, how would the world have looked today? People are creative and have a great imagination. We all have the ability to dream dreams that have never been dreamt, to sing songs that have never been sung, to paint that which has never been seen before." #dearMoon Project Host Curator Yusaku Maezawa There are so many questions we would love to answer. But as we seek for them, we realize we are limited to our bodies, our minds and ourselves. To cross this hurdle, we have built orbital university to gather connectivity and collectiveness. What if this orbital university becomes the university of all universities? What if we decide to go beyond our drawn boundary lines and choose to find the spirit of this whole planet? What if we learn to grow and let others grow universally under the same platform we created here? We should catch the dreams of all eager learners beyond the boundaries of nation, profession and moderation. We should let learners be part of this beautiful collaboration to have a wider perspective, to have brighter ideas and to open doors for all who dreams of drawing a future!

Design Challenge

Orbital University

Debashish Roy portfolio 29

ΖQFOXVLRQ

&XWWLQJ HGJHb WHFK 'HVLJQ EXLOG

$ PHDQV WRb HGXFDWLRQDO SHUVRQDO IRXQGDWLRQ

7KH KXPDQb H[SHULHQFH

&DSLWDO

2%-(&7Ζ9(

3HRSOH

6FKRRO RIb WUDQVIRUPDWLRQ

'RQ W EHb ERULQJ

$JUHHPHQWV :+$7 :Ζ// Ζ7 7$.(b 72 0$.( Ζ7 $b 5($/Ζ7<"

6DIHW\

stage 1.0

stage 1.8

6SDFH

+2: &$1 :( %8Ζ/'b $1 25%Ζ7$/b 81Ζ9(56Ζ7<"

7HFKQLFDO GLPHQVLRQ 6SLULWXDO GLPHQVLRQ

:+$7 Ζ6 *2Ζ1* 72b 0$.( Ζ7b5($//<b &22/"

7+( &+$//(1*(

2%-(&7Ζ9(

8QLYHUVLW\ QRZ

2SWLPLVP b NLQGQHVV

2%-(&7Ζ9(

+XPDQb DXWRQRP\

:+$7 Ζ6 Ζ7b )250$7" +2: Ζ6 Ζ7 *2Ζ1* 72b 5(92/87Ζ21Ζ=(b ('8&$7Ζ21"

(GXFDWLRQ

2%-(&7Ζ9(

7UDQVSRUW RIb NQRZOHGJH $FFHVV WRb H[WUHPHb FRQGLWLRQV

)XWXUH RI ZRUN

+2: Ζ6 Ζ7 *2Ζ1* 72b Ζ1)/8(1&( 7+( :$<b :( /Ζ9( 21 ($57+" (OLPLQDWHb RXWGDWHGb SUDFWLFHV 1HZ VXEMHFWV

(QGXULQJb FRPPXQLW\

7RROV WR EH EHWWHU LQb D ȴHOG WKDQ ZKDWb H[LVWV DOUHDG\

2%-(&7Ζ9( ΖQQRYDWLRQ 6XVWDLQDEOHb OLYLQJ +2: '2 :( 0$.( Ζ7b $&&(66Ζ%/( )25b (9(5<%2'<"

%HQHȴWV WR RUJV 1HZ IDFLOLWLHV

Design Challenge

Orbital University

Debashish Roy portfolio 30

2025 - STAGE 1 - 4 PEOPLE IN SPACE Design Challenge

stage 3.0

stage 4.0

stage 5.0

stage 6.0

2050 - STAGE 2 - 100 PEOPLE IN SPACE

stage 2.0

Orbital University

Debashish Roy portfolio 31

Key Role-Idea Generation

I

Project Type Competition Team entry (5 Members) Design Development 3D Visualization

I

I

TREE HOUSE MODULE Arranged By

Č? ČŽ

Jun 2020

Childhood is a timeless trait which peeps into one’s mind no matter what the age is. Just like childhood, at the peak of our life, we often long for boundless freedom, VHHNLQJ DGYHQWXUHV RU KLGLQJ RXUVHOYHV LQ WKH VHFXUHG ERXQGDULHV RI D FRQɨQHG DQG VHFOXGHG VSDFH ZLWK WKH LOOXVLRQV RI RXU PLQGV :H DOO VHHP WR UHYLVLW WKDW XQIXOɨOOHG dream for a silent retreat, a personal unique neverland that would exist in the impenetrable harmony of nature. 7KH SXUSRVH RI WKH SURMHFW LV WR UH FDSWXUH RQH RI WKRVH XQIXOɨOOHG GHVLUH RI FKLOGhood, to have that unapproachable place resting between the sky and ground- a ‘Tree House’, which would create a diluted combination of human vision and natural illusion. No piece of built environment is ever destined to live ‘forever’ and the discovery of this obsolescent French castles symbolize the lost era of gothic grandeur adorned with epitome of rural France. The serene castles are some of those notable gothic ruins that tell us about surviving time’s passage and create an aura of ‘timelessness’. Resting on an elevated space with a view of grotesque ruins can be an ambiguous escape from the chaotic life. A combination of human as well as natural action was WR FUHDWH WKURXJK WKHVH WUHH KRXVH PRGXOHV 7KH PRGXOHV ZLOO JLYH JODQFHV RI ÉŠRDWing castles against the limitless French countryside. Particularly the intra-level exploration illustrates the skittish and playful nature of our childhood. A sculptural YROXPH RSHQHG XS ZLWK ZLQGRZV RɧHUV D ÉŠRDWLQJ WRXU WKURXJK WKH DGMDFHQW greeneries. One can dive into the gentle breeze hitting through the treetops and KDYH D UHOD[HG ÉŠDVKEDFN IURP FKLOGKRRG LQ WKH PHWLFXORXV VDXQD DV ZHOO 7KH VPHOO and texture of the burnt wood is likely to give a vintage and rustic experience of the barbarian ruins. Here’s a chance to revive the child inside and the imaginary place one would build in the childhood. The chance to escape the humdrum of the city and indulge in the medieval beauty of the surroundings is something that takes our mind down the memory lane. The rustic French glimpse with soothing lights were always a pleasing experience to someone who would look through the vast meadows and vineyards. We tried to recreate the modules with such captivating warm lights to bring back the twinkling impression. Experiencing the timeless ambience of nature and reminiscing the buoyant memories of childhood within a tree shelter would be something we all will cherish forever. Design Challenge

En escapade

Debashish Roy portfolio 32

form generation

Design Challenge

En escapade

Debashish Roy portfolio 33

The Agony of Lost Proteus A n u n h e e d e d r e s c u e r t o s a lv a g e m a n k i n d Project Type Competition Team entry (6 Members) Key Role-Team Leader Idea Generation Design 3D Visualization

I

I

I

O U T E R

I

S P A C E Arranged By

BLANK SPACE ȋ Ƥ Ȍ

I Jul2020

Earth 2185 Design Challenge

The agony of lost Proteus

Debashish Roy portfolio 34

The Agony of Lost Proteus 11 years 10 days in Proteus Relative Earth time 15 July 2195 The journey has been long-drawn-out, too long that the fright of losing the self, after the ultimate defeat has dwindled. This moment marks the cessation and heading towards a decisive eternity. The melancholy of the delusional past and present might get lost amid the uncertain future over time. If not, it might get dismantled, and the agony of a defeated soul will remain unheeded. I am leaving a memorandum of the long-gone chronology as the inscriptions might someday reveal the darkness of humans. The dark truth, the evils intend to erase from my memory, our mind. The initiation demands beginning from the dot, but what if it starts with an undefined ending? What if it was the epilogue? I don't know! No one does ever! It all started around 2030, approximately twenty decades back when humans stepped towards inhabiting outside for a convalescent existence. Nothing rose and shone overnight; instead, they endured countless toilsome days to make them better- than ever before and anyone else! Either those lives had to embrace horrendous consequences like death or flourish their adaptive skills- there was no in-between. Being the best creatures of the creation, they chose to live, to thrive. Initially, the survival pivoted on the provided resources and support for evolution, which would accelerate the struggle. Contrarily intergalactic trade and commerce were unveiling the horizon of a blooming eon. But at the same time, hostilities sparked amid the two races. The evolved ones could sense the growing discordance of not responding to the Martian's howl. The final blow came, somewhat around 2070, with gruesome World War III raging over the whole planet Earth like a Cancer Cell. Neither the leaders nor the mass was sewed-up for the trenchant brutality of the war. The loss of lives and properties were more significant than any other previous history escorted with desolation and emptiness everywhere. The miles after miles of empty country roads seemed to indulge in planning against humans with a new death device. Even to mention, the war was to evoke the period when human civilization entered the darkest, bloodiest chapter with mass poverty, violent extremism. Terrestrial people who had been to Mars for priming out their knowledge got plunged and could not return again. The conflict between these two planets asserting their identity turned violent, the risk was high that it would no longer be a dispute over the terms and conditions of cohabitation but become a struggle whose aim would be to address them as each other's enemy. The conveyance between Earth and Mars came to a standstill portraying that the human aggression would not necessarily end with the signing of peace accords; instead, the tension will prevail between the two planets with subsequent damages. Both worlds were on the verge of despoliation, but unfortunately, the Martians could sight their vulnerability and subordination before yielding to the Earthians. Little did they know, they would manifest a vigorous journey with at least a progression of five hundred years compared to the Earth. Intergalactic knowledge with nano-detailed mechanical swotting made them conquistador of the perpetuity. On the contrary, Mother earth was lagging like a sloth with gruesome post-war dissension and ceaseless anarchy. There was a dodgy aura hovering over the race filled with agitation, wail, and ambiguity, whereas the Martians were way ahead of time with the modern contrivance. From replacing body organs with hi-tech and automated robotics to revamping the overall body morphology and instigating Hydroponic Agriculture in that hostile territory, this very race set a precedent of unrivalled prosperity. As the number of Mars residents escalated at a prodigious rate and the resources dwindled contrarily, they started anticipating another tenantable orb to live excellently. At times, I feel I was born under one lucky star to behold the evocation of such chronicle; otherwise, how would I outstretch to the people from the ensuing timeline? As time went by, the dire want of recreating an earth-like livable environment was failing terribly. The pull in the resources of the dependencies of life flashed fear amongst the Martians. They realized their time in the red world must come to an end soon. I was a part of the team, researching the nearest habitable planet when we clicked into the Proxima Centauri B. The team sweat blood, to plan the ultimate voyage and free humans from uprooting. Thus, came into being, the chef-d'oeuvre of all time, 'Project Proteus.' The research led to many possible answers, but the implementation was still blear! The journey to success still required the contrivance of massive theories. The scarcity of energy was whirling up to higher extends at one end, and on the other, it was getting challenging to build a craft that would match the speed of light. What seemed impossible for years of research, saw the light of hope mainly after one of the great Martian scientists, working for better living of the colony, Dr. Axon, invented the particle Aetriox ll. Colliding the Aetriox ll in extremely high energy, he succeeded in creating the black hole. The entire Martian colony was able to run on its massive power till the last. My team succeeded in modifying the produced black holes using the Aetriox ll, and the result was the mighty carriage. The gamma-ray eliminated from the solar panels were run through continuous collisions with Aetriox ll within the created black holes. The starship achieved 80% speed of light with precise calculations, which ensured the travel time of fewer than 12 years towards the new Home, the closest exoplanet Proxima Centauri B. The research den 'Titan' being encompassed with the assemblage of the stellar particle could quickly transmute the rays into a focal point to erect the trillionth-measured black holes. Needless to say that, we were marching towards redemption hence fabricated a cybernetic brain called Galactica, which was prevalent for everyone with a dynamic abundance. The Martians with new hope in heart prepped for the earliest voyage with the Proteus, but there was something else being planned to pull us down. In the dark year of 2165, the terrain dwellers ambushed us to invade our hard-earned progression 'Proteus.' The seven-week-long sanguinary war left no stone unturned to wreck us, and it was the fifth week when our whole dominion turned into obliteration. We might have exceeded them with our vast expertise but never intended to get involved in the assassination that too for power. We were incarcerated and seized by the terrestrial empire, which initiated the blooming era for mother Earth or at least for its residing evils. The pen failed to prove its might in front of the sword. But the eminence they had achieved was nothing but the upshot of their torment, and I still can hear the wounded yowling. Again, the sinister of the terrestrial empire took over us, destroying everything we had ever worked for. We were captured and imprisoned into the ship, which they had the eyes on. It was the dawn for the living age of Mother Earth. All its glory became a distant echo of the past. I am one of the unlucky pawns they mercied life on, only to kill every day. They needed us to give the blow to their strategy. Since then, my fellow mates and I were tortured to live for developing our "Project Proteus" to their interest. The mighty carriage of the ultimate voyage now seems to be my captive ship, in which they are taking us along, only to kill off the moment they reach our excellence. With the destination nearing, my end is around the corner as well. The fright, the shame of living under slavery, will soon come to an end. It took me an entire duodecennial to pen everything down. My Martians deserve to be in the history, they deserve to be recalled as the heroes the universe needed. This is the one last hymn of this defeated soldier before turning into rust and stardust. Viktov Elena The Module Programmer and Researcher, Galactica Base-7,(Martian Orbit) Joint Operation Commander, Mission Specialist Project Proteus

Design Challenge

The agony of lost Proteus

Debashish Roy portfolio 35

Mars 2090 Design Challenge

The agony of lost Proteus

Debashish Roy portfolio 36

AUGMENTATION WITHIN THE WALLS

Project Type Competition Individual entry

I

F O R W A R D

A SUSTAINABLE FUTURE

Arranged By

NIPPON PAINTS

Shortlisted I Oct2018

/ŶƚĞƌǀĞŶƟŽŶ ĂŶĚ ĚĞǀĞůŽƉŵĞŶƚ ŽĨ ƚĞĐŚŶŽůŽŐLJ ĂŶĚ ĚŝīĞƌĞŶƚ ŬŝŶĚƐ ŽĨ ŵŽĚĞƌŶ ĂĐĐĞƐƐŽƌŝĞƐ ŚĂǀĞ ĐŚĂŶŐĞĚ ŽƵƌ ůŝǀĞƐ ĚƌĂƐƟĐĂůůLJ͘ KŶĐĞ ƚŚĞƌĞ ǁĂƐ Ă ƟŵĞ ǁŚĞŶ ŵĞŶ ŚĂĚ ƚŽ ƚŚŝŶŬ ƚǁŝĐĞ ĂďŽƵƚ ƚƌĂŶƐƉŽƌƚĂƟŽŶ ďĞĨŽƌĞ ŵŽǀŝŶŐ͘ dŚŝŶŐƐ Ăƚ Ă ůŝƩůĞ ĚŝƐƚĂŶĐĞ ĐŽƵůĚ ŚĂƌĚůLJ ďĞ ƌĞĂĐŚĞĚ ĚƵĞ ƚŽ ƉŽŽƌ ĐŽŵŵƵŶŝĐĂƟŽŶ ƐLJƐƚĞŵ͘ Ƶƚ ŶŽǁ ǁĞ ĐĂŶ ŚŽƉĞ ƚŽ ŚĂǀĞ ŽƵƌ ĚĞƐŝƌĞĚ ŝƚĞŵƐ ĚĞůŝǀĞƌĞĚ ǁŝƚŚŝŶ ƚŚĞ ŚŽƵƐĞ ǀŝĂ ĚƌŽŶĞ Žƌ ƐŽŵĞ ŵŽƌĞ ŵŽĚŝĮĞĚ ŐĂĚŐĞƚƐ͘ dŚĞ ĨƵƚƵƌĞ ŽĨ ƚĞĐŚŶŽůŽŐLJ ŝƐ ĞǀĞŶ ŵŽƌĞ ŝŶƚĞƌĞƐƟŶŐ ƚŚĂŶ ǁŚĂƚ ŝƐ ŚĂƉƉĞŶŝŶŐ ƌŝŐŚƚ ŶŽǁ͘ /Ŷ ĨĞǁ LJĞĂƌƐ͕ ǁĞ ǁŝůů ďĞ ƚĂůŬŝŶŐ ĂďŽƵƚ ĚƌŝǀĞƌůĞƐƐ ĐĂƌƐ ĂŶĚ ƌŽďŽƚƐ ǁŽƌŬŝŶŐ ŝŶ ĨĂĐƚŽƌŝĞƐ ͘ ǀĞƌLJ ůŝƩůĞ ƚŚŝŶŐ ŝƐ ũƵƐƚ Ă ĐůŝĐŬ ĂǁĂLJ ĨƌŽŵ ƵƐ ŶŽǁ͘ ĞŝŶŐ Ă ĚĞǀĞůŽƉŝŶŐ ĐŽƵŶƚƌLJ ŝŶ ƚŚĞ ƚŚŝƌĚ ǁŽƌůĚ͕ ĂŶŐůĂĚĞƐŚ ŚĂƐ ŐŽƚ Ă ƋƵŝƚĞ ƌŝĐŚ ƐŚŽƉͲĐƵůƚƵƌĞ ǁŚŝĐŚ ŚĂƐ ďĞĞŶ ĐĂƌƌŝĞĚ ĂǁĂLJ ƐŝŶĐĞ ůŽŶŐ͘ dŚŝƐ ƐŚŽƉ ĐƵůƚƵƌĞ ŝƐ ĂůƐŽ ŵĂƌŬĞĚ ĂƐ ŽŶĞ ŽĨ ƚŚĞ ŵŽƐƚ ŝŵƉŽƌƚĂŶƚ ŬĞLJ ĨĞĂƚƵƌĞƐ ŽĨ ŽƵƌ ĞĐŽŶŽŵŝĐ ƌĞƐŝůŝĞŶĐĞ ĂƐ ŵĂŶLJ ƉĞŽƉůĞ ĂƌĞ ĚŝƌĞĐƚůLJ Žƌ ŝŶĚŝƌĞĐƚůLJ ĂƐƐŽĐŝĂƚĞĚ ǁŝƚŚ ƚŚŝƐ͘ ^Ž ŝĨ ǁĞ ǁĂŶƚ ƚŽ ĐŽŶƟŶƵĞ ĂŶĚ ŚĂǀĞ Ă ŐŽŽĚ ŐƌŝƉ ŽǀĞƌ ƚŚŝƐ ĐƵůƚƵƌĞ ǁĞ ŵƵƐƚ ŝŶƚĞŐƌĂƚĞ ƚŚŝƐ ǁŝƚŚ ŵŽĚĞƌŶ ƚĞĐŚŶŽůŽŐŝĐĂů ŝŶƚĞƌǀĞŶƟŽŶƐ͘ dŚĞŽƌĞƟĐĂůůLJ ƚŚĞ ǁŽƌĚ ͚^,KW͛ ŵĞĂŶƐ à ƚŚ Žƌ ƐŚĞĚ ƚŽ ƉƌŽǀŝĚĞ Ă ƐƵŝƚĂďůĞ ĞŶǀŝƌŽŶŵĞŶƚ ĨŽƌ ƚƌĂĚĞ ĂŶĚ ǁŽƌŬ͘ DĂŝŶƚĂŝŶŝŶŐ Ă ďĂůĂŶĐĞ ďĞƚǁĞĞŶ ƚŚĞ ĚĞŵĂŶĚ ŽĨ ƚŚĞ ĐŽŶƐƵŵĞƌƐ ĂŶĚ ƚŚĞ ƐƵƉƉůLJ ŽĨ ƚŚĞ ƉƌŽǀŝĚĞƌ͕ Ă ƐŚŽƉ ƚĞŶĚƐ ƚŽ ŇŽƵƌŝƐŚ ŐƌĂĚƵĂůůLJ͘ ,ĞƌĞ͕ ƌƵŶŝŬĂ ŝƐ ŶŽƚ ŽŶůLJ Ă ŶĂŵĞ ŽĨ Ă ƐŚŽƉ͕ ƌĂƚŚĞƌ ŝƚ ǁŝůů ǁŽƌŬ ŝƚƐĞůĨ ĂƐ ĂŶ ĞdžƉĞƌŝĞŶĐĞ Žƌ ůŽŽƉ ĨŽƌ ƚŚĞ ǀŝƐŝƚŽƌƐ͘ ƌƵŶŝŬĂ ŚĂƐ ďĞĞŶ ƉůĂLJŝŶŐ ĂŶ ŝŵƉŽƌƚĂŶƚ ƌŽůĞ ƚŽ ŝŶƚĞƌƉƌĞƚ ŽƵƌ ŽǁŶ ĐƵůƚƵƌĞ ĂŶĚ ĐŽƩĂŐĞ ŝŶĚƵƐƚƌLJ ƐŝŶĐĞ ϮϬϭϳ͘ /ƚ ŚĂƐ ĞĂƌŶĞĚ ƚŚŝƐ ŵƵĐŚ ƉŽƉƵůĂƌŝƚLJ ƚŚƌŽƵŐŚ Ă ǀŝƚĂů ũŽƵƌŶĞLJ ǁŚŝĐŚ ŝŶĐůƵĚĞƐ Ăůů ƚŚĞ ƵƉƐ ĂŶĚ ĚŽǁŶƐ ƐƚŽƌŝĞƐ ďĞŚŝŶĚ͘ ƌƵŶŝŬĂ ŝƐ Ă ƉůĂƞŽƌŵ ĨŽƌ ŝŶƚƌŽĚƵĐŝŶŐ ŽƵƌ ĐƵůƚƵƌĞ ĂŶĚ ĐŽƩĂŐĞ ŝŶĚƵƐƚƌLJ ŽĨ ĂŐĞ ŽůĚ ƚƌĂĚŝƟŽŶ͘ dŚĞ ĐƵƐƚŽŵĞƌƐ ĂƐ ǁĞůů ĂƐ ƚŚĞ ŽǁŶĞƌ ǁĂŶƚĞĚ ĂŶ ŽƵƚůĞƚ ƚŚĂƚ ǁŝůů ďĞ ŵŽƌĞ ŽĨ ŝŶƚĞƌĂĐƟǀĞ ƚŚĂŶ ĐŽŵŵĞƌĐŝĂů͘ dŚŝƐ ŝƐ ĂŶ ŝŵĂŐŝŶĂƌLJ ŽǀĞƌǀŝĞǁ ƚŚĂƚ ŚŽǁ ŝƚ ǁŝůů ůŽŽŬ ĂŌĞƌ ϭϱͲϮϬ LJĞĂƌƐ ĞǀĞŶ ŝĨ ƉĞŽƉůĞ ŐĞƚ ĨƵůůLJ ƚĞĐŚŶŽůŽŐLJ ĚĞƉĞŶĚĞŶƚ͘ ƌƵŶŝŬĂ ŝƐ ŶŽƚ ŽŶůLJ ĂŶ ĞŶƚĞƌƉƌŝƐĞ ĨŽƌ ŽŶĞ͕ ƌĂƚŚĞƌ ŝƚ ĚĞĐŽĚĞƐ ƚŚĞ ƐŽƵƌĐĞ ĂŶĚ ǁĂLJƐ ŽĨ ůŝǀŝŶŐ ĨŽƌ ŵĂŶLJ͘ /ƚ ŚĂƐ ďĞĞŶ Ă ǁŽŶĚĞƌĨƵů ďƌĂŶĚ ĨŽƌ ƌĞƉƌĞƐĞŶƟŶŐ ŽƵƌ ŽǁŶ ĐĂƉĂďŝůŝƚLJ ĂŶĚ ĞdžƚĞŶƐŝǀĞ ŬŶŽǁůĞĚŐĞ ŽĨ ĚŽŝŶŐ ŵŝĐƌŽ ĮŶĂŶĐĞĚ ĐƌĂŌŝŶŐ ďƵƐŝŶĞƐƐ͘ dŽ ĂĐĐŽŵŵŽĚĂƚĞ ƚŚŝƐ ďƌĂŶĚ ǁŝƚŚŝŶ Ă ďƵŝůƚ ĨŽƌŵ ƚŚĞƌĞ ŚĂƐ ďĞĞŶ ŐŝǀĞŶ Ă ƉƌŽƉŽƐĂů ǁŝƚŚ ďĂƐŝĐ ƐƉĂĐĞ ƌĞŐƵůĂƟŽŶƐ͘dŚĞ ďƵŝůĚŝŶŐ ǁŝůů ŐŝǀĞ ĂĐĐŽŵŵŽĚĂƟŽŶ ĨŽƌ ƚŚĞ ŽǁŶĞƌ ǁŝƚŚ ŚŝƐ ĨĂŵŝůLJ͘ /ƚ ŽĐĐƵƉŝĞƐ Ă ƚŚƌĞĞ ƐƚŽƌŝĞĚ ǀŽůƵŵĞƚƌŝĐ ƐƉĂĐĞ ŵĞĂƐƵƌŝŶŐ ϮϬϬϬ ĐƵďŝĐ ŵĞƚĞƌ͘

Design Challenge

AUGMENTATION WITHIN THE WALLS

Debashish Roy portfolio 37

Design Challenge

AUGMENTATION WITHIN THE WALLS

Debashish Roy portfolio 38

Design Challenge

AUGMENTATION WITHIN THE WALLS

Debashish Roy portfolio 39

Education

Courses , Workshops

Bangladesh University of Engineering & Technology ( BUET), Dhaka, Bangladesh Bachelor of Architecture

(2014-2020)

DSSHDUHG LQ WKH ɨQDO H[DP DQG FRPSOHWHG FUHGLWV RXW RI &*3$ RXW RI Graduation Project : spaceDestination Supervisor: Patrick D’ Rozario $VVLVWDQW 3URIHVVRU %8(7 Tahajibul Hossain $VVLVWDQW 3URIHVVRU %8(7 Resource Person: Dr. Theodore W. Hall $GYDQFHG 9LVXDOL]DWLRQ 6SHFLDOLVW 8QLYHUVLW\ RI 0LFKLJDQ Advisor: Dr. Catherine Daisy Gomes 3URIHVVRU %8(7

Cambrian College, Dhaka, Bangladesh +LJKHU 6HFRQGDU\ &HUWLɨFDWH 6FLHQFH (2011-2013) *3$ RXW RI

Bhola Govt. High School, Bhola, Bangladesh 6HFRQGDU\ 6FKRRO &HUWLɨFDWH 6FLHQFH (2003- 2011)

%LRVSKHUH 6FLHQFH IRU WKH IXWXUH RI RXU SODQHW ƥ‡”‡† „›ǣ 8QLYHUVLW\ RI $UL]RQD Issuing Organization : &RXUVHUD

Š––’•ǣȀȀ™™™Ǥ…‘—”•‡”ƒǤÂ‘Â”Â‰Č€ÂƒÂ…Â…Â‘Â—Â?Â–Č€ÂƒÂ…Â…Â‘Â?’Ž‹•ŠÂ?‡Â?–•Ȁ…‡”–‹ƤÂ…ÂƒÂ–Â‡Č€ ͜͞ Í› Í

'HVLJQ LQ 6SDFH IRU /LIH RQ (DUWK

, ZDV VHOHFWHG DQG SODFHG LQ D WHDP RI SHRSOH VSUHDG RYHU WLPH ]RQHV WR DQVZHU WR WKH FKDOOHQJH RI +RZ FDQ ZH EXLOG DQ RUELWDO XQLYHUVLW\ 2UJDQL]HG E\ :RUOG 'HVLJQ 2UJDQL]DWLRQ DQG ,QWHUQDWLRQDO 6SDFH 6WDWLRQ 8 6 1DWLRQDO /DERUDWRU\

Skills Industry Knowledge

Tools & Technologies

$UFKLWHFWXUDO 'HVLJQ ' 0RGHOLQJ ' 9LVXDOL]DWLRQ *UDSKLFV 'HVLJQ ' 3ULQWLQJ &RPSXWHU $LGHG 'UDIWLQJ

6NHWFK8S Rhinoceros 3d 9 UD\ /XPLRQ ' 5HQGHULQJ $XWRGHVN 5HYLW $XWRGHVN $XWR&$' $GREH 3KRWRVKRS $GREH ,OOXVWUDWRU $GREH $QLPDWH $GREH 3UHPLHUH 3UR 0LFURVRIW 2ɧLFH Blender 3D

*3$ RXW RI

DEBASHISH ROY $UFKLWHFW 3URGXFW 'HVLJQHU

3HUVRQDO 'HWDLO Address: 22/5/1 Hamida Bhaban,Dhakeshwari Road, Lalbag, Dhaka 1211 , Bangladesh Date of Birth: 02 Dec. 1996 Nationality: Bangladeshi Phone : +8801673088586 E-mail: debashishroy732@gmail.com , debashishroy@ug.arch.buet.ac.bd linkedin.com/david021/

Experience $UFKLWHFW

†‹Ƥ…‡ ‘Â?•—Ž–ƒÂ?–•ǥ ŠƒÂ?ƒ $XJ 3UHVHQW

3URMHFWV 'KDND 1DUD\DQJDQM 'HPUD 'UDLQDJH ,PSURYHPHQW 3URMHFW VWRULHG 0LOHVWRQH &ROOHJH 'KDND VWRULHG UHVLGHQWLDO IRU 6LGGLTXH .KDQ :HVW 'KDQPRQGL 'KDND .H\ 5ROH &RQFHSWXDO 'HVLJQ 'HYHORSPHQW 3URMHFW 0DQDJHPHQW

3URGXFW 'HVLJQHU DQG *UDSKLFV 'HVLJQHr Arunika 'HF 3UHVHQW

.H\ 5ROH 3URGXFW UHODWHG UHVHDUFK DQG GHYHORSPHQW JUDSKLF GHVLJQ IRU GHJLWDO PDUNHWLQJ

,QWHUQ $UFKLWHFW

Archeground -XO 6HS

3URMHFWV 3URSRVHG WHQ VWRULHG UHVLGHQWLDO EXLOGLQJ 0\PHQVLQJK 5R\HQD 5HVRUWB9LOOD 8&%/ $JUDEDG .H\ 5ROH :RUNLQJ GUDZLQJ $UFKLWHFWXUDO YLVXDOL]DWLRQ

Voluntary Experience: )RUPHU 3UHVLGHQW

Creative Circle -XQ -XQ

&UHDWLYH &LUFOH LV D QRQ SURɨW RUJDQL]DWLRQ WKDW KDV EHHQ ZRUNLQJ IRU WKH ZHOIDUH RI WKH VWXGHQWV RI %KROD , P VWLOO ZRUNLQJ DV DQ DGYLVHU WR WKH RUJDQL]DWLRQ

Honors & Awards KSRM AWARDS FOR FUTURE ARCHITECTS 2020 ( 1st Commendation) (Dec 2020) )LQDO \HDU SURMHFW 2UJDQL]HU Institute of Architects Bangladesh (IAB) .

,QWHUQDWLRQDO &RPSHWLWLRQ ȡ/HDS 6SDFH +DELWDW 'HVLJQ &RPSHWLWLRQȸ (Top Shortlisted) $SU

3URMHFW 7LWOH COLE’S STATION WHDP HQWU\

2UJDQL]HU UNI

'HVLJQ &KDUUHWWH ȡ%DPERR 3OD\ VSDFHȸ (Winner) 0D\

3URMHFW 7LWOH Hoichoi WHDP HQWU\

2UJDQL]HU Paraa.

7KH ZLQQLQJ SURMHFW ZDV EXLOW LQ FROODERUDWLRQ ZLWK Paraa DW WKH VLWH RI %RVLOOD 'KDND https://youtu.be/JgrnBJqjxNA

*XHVW 6SHDNHU

Bangladesh Innovation Forum -XO SUHVHQW

,QWHUQDWLRQDO &RPSHWLWLRQ ȡ323 83 %$=$$5ȸ (Honorable Mention) $SU

3URMHFW 7LWOH KERNEL for CARNIVAL WHDP HQWU\

2UJDQL]HU archasm.in https://archasm.in/portfolio/pop-up-bazaar-istanbul/

Publications,Lecture,Exhibition ,QWHUQDWLRQDO &RPSHWLWLRQ ȷ720% 2) 7202552:ȸ (Recognized Idea) (Feb 2019) 3URMHFW 7LWOH Light to Remember WHDP HQWU\

2UJDQL]HU architize.com

,QWHUQDWLRQDO &RPSHWLWLRQ ȷ8SF\FOLQJ UHWDLOȸ (Shortlisted) 2FW

3URMHFW 7LWOH eXCHANGE WHDP HQWU\

2UJDQL]HU uni.xyz https://uni.xyz/competitions/upcycling-retail/entries

'HVLJQ RI $ 6SLULWXDO 6SDFH ȸ (Recognized Idea) 0DU

3URMHFW 7LWOH Ore of the Terrene Soul WHDP HQWU\

2UJDQL]HU Chittagong University of Engineering and Technology (CUET)

$VLD <RXQJ 'HVLJQHU $ZDUG (Finalist) 2FW

3URMHFW 7LWOH AUGMENTATION WITHIN THE WALLS LQGLYLGXDO HQWU\

2UJDQL]HU Nippon Paint

9LUWXDO OHFWXUH VHULHV DUUDQJHG E\ ȷ6WKDSRWWR .RWKRQȸ SUHVHQWHG WKH ɨQDO \HDU WKHVLV SURMHFW -DQ

.

([KLELWLRQ RI .650 $ZDUGV IRU )XWXUH $UFKLWHFWV

2UJDQL]HU Institute of Architects Bangladesh (IAB)

0\ ɨQDO \HDU SURMHFW ZDV H[KLELWHG DV VW FRPPHQGDWLRQ HQWU\ RI WKH FRPSHWLWLRQ (Dec 2020) .

&DUHHU &RQ 6HVVLRQ Ⱥ6SDFH 7HFKQRORJ\Ȼ DUUDQJHG E\ %DQJODGHVK ,QQRYDWLRQ )RUXP *XHVW VSHDNHU 'HF

.

ȷ+RPH H[W ȸ H[KLELWLRQ DUUDQJHG E\ GHSDUWPHQW RI DUFKLWHFWXUH %8(7. 3URMHFW WLWOHG ȷ3KRUNDEE\Dȸ ZDV VHOHFWHG IRU WKH H[KLELWLRQ (Jan 2019)

1DWLRQDO &KLOGUHQȸV $ZDUG &RPSHWLWLRQ (2nd Runner-up ) $SU

6HFWLRQ Sculpture 2UJDQL]HU Bangladesh Shishu Academy

Scholarships 8QLYHUVLW\ %8(7 7HFKQLFDO 6FKRODUVKLS (2014-2020) .

*HQHUDO 6FKRODUVKLS 6HFRQGDU\ (GXFDWLRQ %RDUG *RYHUQPHQW RI %DQJODGHVK (2011-2013) 7DOHQW 3RRO 6FKRODUVKLS -XQLRU 6HFRQGDU\ (GXFDWLRQ %RDUG *RYHUQPHQW RI %DQJODGHVK (2009-2011) *HQHUDO 6FKRODUVKLS 3ULPDU\ 6HFRQGDU\ (GXFDWLRQ %RDUG *RYHUQPHQW RI %DQJODGHVK (2006-2008)

Reference 3DWULFN 'ȸ 5R]DULR

$VVLVWDQW 3URIHVVRU 'HSDUWPHQW RI $UFKLWHFWXUH

%DQJODGHVK 8QLYHUVLW\ RI (QJLQHHULQJ DQG 7HFKQRORJ\ (PDLO SDWULFN DUFK#JPDLO FRP 3KRQH

'U .KDQGDNHU 6KDEELU $KPHG 3URIHVVRU 'HSDUWPHQW RI $UFKLWHFWXUH

%DQJODGHVK 8QLYHUVLW\ RI (QJLQHHULQJ DQG 7HFKQRORJ\ (PDLO VKDEELU#DUFK EXHW DF EG 3KRQH

)DUXN $KPHG &KDLUSHUVRQ

(GLɨFH &RQVXOWDQWV

IDUXN #JPDLO FRP &HOO

A space Suttle leaving the earth

rendered in Belender3D

C

Debashish Roy

2014-2020

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.