33 Auction - Modern and Contemporary Art Online Auction (OJ004)

MODERN & CONTEMPORARY ART ONLINE AUCTION (OJ004)

現當代藝術網上專場拍賣 30 SEP - 12 OCT 2020

15% BUYER’S PREMIUM

Bidding now until Mon, 12 OCT, First lot closes 7pm JKT (UTC +7)

VIEWING

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Lots close independently at 1-min intervals.

Lot 8 | AFFANDI | Tangkuban Perahu

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ONLINE ONLY

More auction details and shipping requirements can be requested by contacting: David Fu +65 93867233 david.fu@33auction.com Suwarno Karyadi +62 811-881-133 +62 817-880-986 jakarta@33auction.com ENQUIRIES Tel: +65 6747 4555 live@33auction.com

Lot 3 | HENDRA GUNAWAN | My Dream Girl

Lot 9 | ANTONIO BLANCO | Portrait of Balinese Woman

Lot 2 | LUGAS SYLLABUS | Wonderbook of Wonderland

Lot 6 | AFFANDI | Offering To The God

Lot 5 | ROMUALDO LOCATELLI | Little Boy Riding Donkey

Index of Artists 藝術家索引 ABDUL AZIZ 阿卜杜勒.阿齊茲

26

ADI GUNAWAN 鄧春和

49, 50

ADI KANIKO

51

AFFANDI 阿凡迪

6, 7, 8

AGAPETOUS AGUS KRISTIANDANA 阿加珀圖斯‧阿古‧克里斯提 安丹納

14, 15

AGUS BUDIYANTO

90

AGUS TRIYANTO BR 羅維奇

76

ALIMIN TAMIN

63

ANTONIO BLANCO 安東尼奧·布蘭柯

9, 10

BAMBANG PRAMUDIYANTO 安東尼奧·布蘭柯

104

BASOEKI ABDULLAH 巴蘇基·阿卜杜拉

11, 12, 13

BEATRIX HENDRIANI KASWARA

25

BUDI KUSTARTO 布迪·庫斯塔托

20

CAREL LODEWIJK DAKE JR.

98

DANG XUAN HOA 鄧春和

33

DIROT KADIRAH

44

DJOKO PEKIK 卓可·佩奇克

61, 62

DULLAH 杜拉

45

EDO PILLU 艾度·枇立

78

ERICA HESTU WAHYUNI 艾麗嘉

105, 106

GUSMEN HERIADI

91

HADI SUSANTO

92, 93, 94, 95

HAN SNEL 漢·斯尼奧

21, 22, 23

HASIM

80, 81

POERBONOADI

65

HENDRA GUNAWAN 亨德拉·古那彎

3, 4

POPO ISKANDAR 波波·依斯甘達

109, 110

HUANG FONG 黃風

108

PUTU SUTAWIJAYA 普圖·蘇塔維賈亞

57

I MADE DJIRNA 伊·嗎德·繼而拿

39, 40, 41

REDY RAHADIAN

24

I MADE SUKADANA

99

RENATO BARJA JR. 雷納多·巴爾哈二世

75

I PUTU WIRANTAWAN

107

RINALDI

48

IDA BAGUS PUTU PURWA

77

ROEDYAT MARTADIREDJA 羅岱·瑪塔蒂勒加

86, 87, 88, 89

JEIHAN SUKMANTORO 皆罕·素可曼多羅

52, 53, 54, 55, 56

ROMUALDO LOCATELLI 羅莫爾多·羅格泰利

5

JERRY THUNG

31

S. TOYO

19

JULNAIDI M. S 尤爾尼迪

102, 103

SAEPUL BAHRI

101

JUMALDI ALFI 朱馬蒂·阿爾菲

35

SUDARISMAN

28

KHAW SIA KHUAN

82

SUDARSO 蘇達索

66, 67

KOEMPOEL SUJATNO

97

SUDJONO ABDULLAH 蘇佐諾‧阿卜杜拉

84, 85

KRIJONO 克利約諾

70

SUWAJI

68, 69

LE QUANG HA

27

SYAIFUL A. RACHMAN 塞富·拉赫曼

32

LOUIS NAGELKERKE 路易斯·納格爾克

46, 47

THEO MEIER 西奧·邁爾

17, 18

LUCIEN FRITS OHL 吕西安·弗里茨

58, 59, 60

TISNA SANJAYA 蒂斯納·桑賈亞

71, 72, 73

LUGAS SYLLABUS 盧加斯.西拉布斯

1, 2

UGO UNTORO 烏戈·烏托羅

64

MA YUE 馬越

100

UGY SUGIARTO 烏季·蘇吉雅托

36

MUHARDANTO WIYOGA

74

VASAN SITTHIKET 瓦桑

34

NANA TEDJA

96

WARA ANINDYAH

42

NUGROHO WIJAYATMO 努格羅霍·維賈亞莫

79

WILLEM GERARD HOFKER 威廉·傑拉德·賀夫卡

16

NYOMAN ERAWAN

83

ZAF CHEVALLIER

37, 38

OGENG HERU SUPONO

43

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

LUGAS SYLLABUS An up-and-coming Indonesian contemporary artist, Lugas Syllabus was born in Bengkulu, Indonesia in 1987. He graduated from Institut Seni Indonesia (ISI) earning an undergrad degree in painting and has held various exhibitions since then including Tomorrow Must Be Better (2017) at Element Art Space, The Garden of Triumph (2016) at Art Stage Singapore.

Born into an artistically inclined family, Lugas realised his passion for arts at an early age since both his father and uncle are practicing artists. Lugas’s works are loaded with fantasy-like narratives, woven with iconographies of pop culture, folklores and even sci-fi comic characters.

Staggered in the paintings are satire and irony of modern living.

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

1

LUGAS SYLLABUS (Indonesian, b.1987) Sebuah Kisah Romantis di Tanah Penuh Hikmat ( A Romantic Story in A Land Full of Wisdom ) signed lower right ; signed and titled lower left acrylic on canvas, framed 120 x 150 cm ; 127 x 157 cm ( with frame )

IDR 100,000,000 - 150,000,000 USD 6,780 - 10,170

盧加斯.西拉布斯 ·《智慧之地的浪漫故事》亞克力 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

A Romantic Story in A Land Full of Wisdom is filled with Lugas’s idiosyncratic vernacular. This hyper-stylised work of his childhood memories, hypermedia, fantasy unwraps in front of us that is ever so captivating.

This work is about sightseeing of the mind, where in the hustle and bustle of life with all its problems, as a matter of fact all the pleasures of the world can be satisfied materially. But not with the peace of the soul.

Here, Lugas explores the uncharted land of the space. As the spaceman takes a trip into the fantasy-like oasis, that is glowingly as if it were heaven; alluding to humans’ greed for adventure and into the realm of our dreams. The spaceman moves further away in search for something more meaningful. The passion and hope contained in this mind vacation is one to be achieved only with a clear and positive mind. *Chinese and Indonesian Translation go to page 141

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

2

This work is located in Singapore.

LUGAS SYLLABUS (Indonesian, b.1987) Wonderbook of Wonderland

signed, inscribed with title, measurement, medium and dated 2017 verso acrylic on linen 200 x 150 cm

IDR 120,000,000 - 180,000,000 USD 8,140 - 12,210

盧加斯.西拉布斯 ·《仙境奇觀》2017 年作 亞克力 麻布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Wonderbook of Wonderland depicts a child deeply engrossed in reading the book on her lap.

Standing behind her are rabbits dressed in various super hero costumes. Juxtaposed against the jungly forest, these super hero-rabbit hybrids strike us as the little girl’s visual imagination of the fairy-tale she is reading. Seemingly, they are the ones that had lead her into this rabbit hole – a fantasy-like world.

What is most interesting about this work is the fact that Lugas paints between the dualities of imagined and reality dimension. The pinnochio-like nose pulls viewers back into a worldly interpretation that super heroes do not exist, it is an illusion fantasized by the young child.

But at the same time, the deer antlers in similar intensity descries hope and pureness of her desire to take the existence of super heroes as gospel. The fact that, those hybrids are standing behind her, while her focus is solely on the book, is such a strong visual tension that Lugas has created to depict the contemporary world. In reality, we are often stuck in vicious cycles, hoping a super power could be the easy fix to problem. The present work in perfect blend of vibrant colours successfully captivates our attention to its story-telling narrative, and without realization, we too are deeply captivated by Lugas’s fantasy story. *Chinese and Indonesian Translation go to page 141

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

3

HENDRA GUNAWAN (Indonesian, 1918-1983) Gadis Idaman Saya ( My Dream Girl )

signed and dated 60 lower left oil on canvas, framed 110 x 64 cm ; 113.5 x 67.5 cm ( with frame ) This work will be included in the artist’s forthcoming catalogue raisonné written by Agus Dermawan T. and Siont Teja.

IDR 700,000,000 - 1,000,000,000 USD 47,460 - 67,800

亨德拉·古那彎《我的夢中情人》1960 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

"...This beautiful artwork was inspired by his wife, Karmini who has been with him through his ups and downs of life journey as an artist..."

O n e o f t h e m o s t re n o w n e d a r t i s t in Indonesian history born in Bandung, Indonesia in 1918, Hendra Gunawan’s extraordinary ar tworks and his outstanding retrospective artistic journey that helped with the development of modern ar t in the nation and his story and legacy has influenced numerous both senior and fresh artist, especially in the modern and contemporary art style.

‘Wanita Idaman Ku’ is one of the most important artworks ever been created by the maestro, it is well-known that Hendra *Chinese and Indonesian Translation go to page 143

Gunawan’s oeuvre depicted not only about the struggle for independence but also people especially Indonesian woman dressed in their traditional outfit.

This beautiful artwork was inspired by his wife, Karmini who has been with him through his ups and downs of life journey as an artist. Painted in the bright colour palette with a hint of dark blue as the background, popped out the curvy woman figure preparing herself to go to an event with a bright red lip and her long black hair which was considered the beauty standard of stunning for a woman to have at that time.

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

4

HENDRA GUNAWAN (Indonesian, 1918-1983) Daughter’s Affection

signed and dated 1956 lower right oil on canvas, framed 90 x 97 cm ; 123 x 130 cm ( with frame )

IDR 480,000,000 - 600,000,000 USD 32,550 - 40,680

亨德拉·古那彎《母女情深》1956 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

5

This work is located in Indonesia.

ROMUALDO LOCATELLI (Italian, 1905-1943) Little Boy Riding Donkey

signed lower right oil on canvas, framed 100 x 70 cm ; 121 x 91 cm ( with frame )

IDR 300,000,000 - 400,000,000 USD 20,340 - 27,120

羅莫爾多·羅格泰利《小男孩騎驢》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

“...Locatelli was known for his ability in capturing the spirit of his subject matter, as encapsulated in the present lot...”

Born into an artistic legacy of three generations, Romualdo Locatelli is regarded as one of the finest Italian portraitists especially for his works in Asia of Javanese and Balinese subjects.

Locatelli began his artistic journey at age fourteen, assisting his father in executing the architectural decoration of the church of San Filastro. He received formal artistic training at the Carrara Academy in Bergamo.

A tireless traveler and an artist with immense curiosity, Locatelli travelled extensively across Italy in 1927 before settling in Rome and opened a studio in Via Margutta. It was here where he achieved rapid success as he received a wide range of commissioned works from the Royal House, including a commissioned portrait of King Victor Emmanuel II which was exhibited at the 1938 Venice Biennale. Amongst the list of important patrons of his work includes the Pope and Benito Mussolini.

Dedicated to his craft, Locatelli was known for his ability to capture the spirit of his subject matter, as encapsulated in the present lot. The boy’s lively demeanor and light spirit on a lively summer day is portrayed using bright colour palette and vigorous brushstrokes, a signature style of the artist’s modernist naturalistic practice. It reveals the beauty of simplicity of his subject matter, and the effortless charm of pure happiness. *Chinese and Indonesian Translation go to page 143

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

3 WORKS BY AFFANDI

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Affandi is the world most well-known Indonesian painter and is regarded as the nation's painting Maestro.

Born in Cirebon, Indonesia in 1907, he received a scholarship from the government of India to join The Art School Shantiniketan Tagore University back in 1949 and was also awarded a grant from the US government to study methods of art education and to stay in the US for four months in 1957. Affandi has produced over two thousand masterpieces, his oeuvre is mostly pure expressionism and abstract which has been exhibited and displayed in numerous exhibition and institution across the world.

He has received countless awards in the industry and also served as an honorary member of several organizations such as Union of Indonesian Painters, Jakarta Academy, UNESCO, etc. He has also established his museum in 1962, Affandi Museum is not only a place to *Chinese and Indonesian Translation go to page 144

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

6

AFFANDI (Indonesian, 1907-1990) Offering to The God signed and dated 1973 upper right oil on canvas, framed 127 x 97 cm ; 144.5 x 113 cm ( with frame )

IDR 650,000,000 - 850,000,000 USD 44,070 - 57,630

阿凡迪 · 《奉獻給神》 1973 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

store his amazing artworks but also participating actively in educational element, tourism, and regional and national museum organizations - plays an active role to promote the Indonesian element, tourism, and regional and national museum organizations - plays an active role to promote the Indonesian Art and Culture.

Affandi is widely recognised as the leader of modern Indonesian art as he painted a myriad of idiosyncratic subject matters with his distinctive painting style. His spontaneous and dynamic swirls created by putting paint directly onto canvas from his fingers instead of paintbrush reveals the immediacy of an artist with the subject matter. *Chinese and Indonesian Translation go to page 144

Offering To The God depicts a lady in costume dressing up for her ritual.

Luminating from the stark dark background, the lady in kneeling posture suggests earnest and pious attitude towards her offering preparation. Likewise, the numerous embellished items and accoutrements placed in front her hints at the arduous preparation process before the sincere tradition. Affandi paints her skirt with swirls of resplendent motifs enticing us the start of a grand festival.

Blessed with a moment captured before the grandeur, Affandi holds our attention, throughout, as we marvel at the young lady before us her vitality and likewise Affandi’s pride to demonstrate his country’s culture.

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

7

AFFANDI (Indonesian, 1907-1990) Palm Sugar Garden signed and dated 1987 lower right oil on canvas, framed 100 x 130 cm ; 138 x 167 cm ( with frame )

IDR 890,000,000 - 1,500,000,000 USD 60,340 - 101,700

阿凡迪 · 《棕櫚糖花園》 1987 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Using his signature style ‘squeezing from the tube’, he creates strokes of the leaves that make the whole painting look alive and three dimensional at a glance.

A distinct expressionist painting, this present lot depicts a beautiful scenery of a garden full of aren trees.

This technique forms an accurate impression of an actual sugar palm tree, slender-stemmed, single-trunked, and bushy.

His signature motif, the sun, is also present in this piece as a sunrise.

The energetic strokes and the distinctive use of orange and yellow tones paint thee the real beauty of the peaceful, warm daybreak. *Chinese and Indonesian Translation go to page 144

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

8

AFFANDI (Indonesian, 1907-1990) Tangkuban Perahu signed and dated 1984 lower right oil on canvas, framed 115 x 148 cm; 136 x 166.5 cm ( with frame )

IDR 1,600,000,000 - 2,200,000,000 USD 108,480 - 149,160

阿凡迪 · 《萬隆壯麗山景》 1984 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

The Tangkuban Perahu artwork is inspired by the landscape of real place with the same name located in an area not too far from his hometown.

Affandi managed to create balance and harmony. Affandi depicts the Tangkuban Perahu Mountain, one of the wonders in Indonesia which is located in Bandung, West java. Affandi accurately illustrates the view of the landscape.

Tangkuban Perahu’s existence is based on a legend that narrates a son who killed his dog who turned out to be his cursed father. His mother, a deity cursed as a human being, banished him. He later returned as a man who unknowingly fell in love with his mother due to her beauty. He asked her to marry him but was rejected. Furious, he kicked a boat that turned into a mountain, which is now known as the Tangkuban Perahu.

The legend acts as a moral message that encourages us to always be filial and to be slow in anger. *Chinese and Indonesian Translation go to page 144

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

9

ANTONIO BLANCO (Filipino-Indonesian, 1911-1999) Portrait of a Balinese Woman

signed lower middle oil on board, framed 25 x 20 cm x ; 45.5 x 40 cm ( with frame )

IDR USD

200,000,000 - 250,000,000 13,560 - 16,950

安東尼奧·布蘭柯《峇里島女子畫像》油彩 木板 畫框

Provenance: Acquired directly from the artist; Private collection, USA; Thence by descent to the previous owner; Acquired from the above by the present owner.

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Born in Manila, Philippine in 1927, Antonio Blanco of American Spanish artist descent has been interested in depicting the human form especially female feature since he started painting.

He travelled extensively around the world simply to examine different kinds of subjects matters and finally landed in Bali in 1952. In 1953, he married a Balinese dancer and decided to reside in Bali permanently as he was also captivated by the local culture and people. The present work with his wife, Ni Ronji, as the muse exudes vibrant coloure of Ubud landscape.

Portrait of Balinese woman is one of his remarkable pieces in his artistic journey.

Blanco, known as a world-renowned painter and his amazing ar tworks are adored and collected by several notable world figures such as Soekarno

(Indonesia’s first president), Juan Carlos I (former King of Spain), Adam Malik (Former Indonesia’s vice president), Michael Jackson, Ingrid Bergman and many more. In 1998, he established his longtime dream, Blanco renaissance museum, located in Ubud, Bali where it exhibits not only Blanco’s outstanding oeuvre but also a retrospective of his artistic journey for more than 50 years.

The museum has also considered as one of the 10 must-visit places in Indonesia as it adequately serves every tourist the Balinese life in motion, and since his death, the legacy is managed and continued by his son, Marco. *Chinese and Indonesian Translation go to page 146

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

10

ANTONIO BLANCO (Filipino-Indonesian, 1911-1999) Portrait of a Lady

signed lower middle mixed media on paper, framed 29.5 x 24.5 cm ; 85 x 80 cm ( with frame )

IDR USD

70,000,000 - 90,000,000 4,750 - 6,110

安東尼奧·布蘭柯《女子肖像》綜合媒材 紙本 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

11

BASOEKI ABDULLAH (Indonesian, 1915-1993) Nudity signed lower right oil on canvas, framed 100 x 200 cm ; 139.5 x 240 cm ( with frame )

IDR 250,000,000 - 350,000,000 USD 16,950 - 23,730

巴蘇基·阿卜杜拉《裸露》油彩 畫布 畫框

This work is accompanied with a certificate of authenticity signed by the artist. Acquired directly from the artist.

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Abdullah’s oeuvre is known for touching 5 themes which are portrait, human figures, natural landscape, myth-spirituality-drama and struggles in the society.

Born in 1915 in Surakar ta, Indonesia, an realist and naturalist painter maestro, Basoeki Abdullah, son of Indonesia’s first painter in the 20th century, Abdullah Suriosubroto.

Abdullah first started to draw at the age of 4 and keep practicing until he landed for scholarships to study in his field of interest and graduated from Academie Voor Beeldende Kunsten in The Hague, Netherland and obtained the Royal International Certificate of Art (RIA) award in 1936. In his artistic journey, he was once appointed as the official painter at the Merdeka Palace in Jakarta and his works have decorated the state palace.

Not only that but Basoeki Abdullah was also once occupied such a respectable position as a royal court painter of Thailand, and received an award in the form of a gold star Poporo from King Bhumibol Adulyadej (King of Thailand), which is the highest honour of the kingdom of Thailand to a Royal Court Artist who has great service to government and palace – with all these few achievements, eventually made him the ambassador for Indonesian Painting.

This realism artwork ‘nudity’ is categorized to his human figure painting theme. *Chinese and Indonesian Translation go to page 147

His home country, Indonesia is known as one of the most conservative countries in the world and often regard nudity as something taboo or disrespectful, but since Abdullah had lived in the western countries for a while, his was more open-minded compared to his fellow Indonesians, through this painting he aimed to unfold the closed-minded mindset of the locals as well as raise awareness on the topic of body image and that the true human beauty is their whole own body – the defined muscles and not just face or clothes. Depicted in this masterpiece is a woman without any materials covering her while in her most comfortable sleeping position and usage of natural-nude color palate – enhanced the overall beauty in the simplest and minimalistic way.

In his artistic journey, He has held his solo exhibition and joined groups in several countries across Asia and Europe, his outstanding masterpieces since then have been exhibited and placed in many countries including in the Soestdijk Palace in Baarn, Netherland. In 2001, the ministry of culture and tourism of Indonesia inaugurated the Basoeki Abdullah Museum, to tribute the maestro. The museum consists of the artist’s private collections and serves the public by holding exhibitions, seminars, research, workshops and series of other activities.

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

12

BASOEKI ABDULLAH (Indonesian, 1915-1993) Nudity

signed lower left oil on canvas 100 x 200 cm

IDR 300,000,000 - 400,000,000 USD 20,340 - 27,120

巴蘇基·阿卜杜拉《裸露》油彩 畫布

This work is accompanied with a certificate of authenticity signed by the artist. Acquired directly from the artist.

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

13

BASOEKI ABDULLAH (Indonesian, 1915-1993) Lady of Indonesia signed lower right oil on canvas, framed 120 x 80.5 cm ; 151 x 111 cm ( with frame )

IDR 65,000,000 - 90,000,000 USD 4,410 - 6,110

巴蘇基·阿卜杜拉《印尼女子》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

14

AGAPETOES AGUS KRISTIANDANA (Indonesian, b.1968) Kapitalismus ( Capitalism )

signed and dated 09 at stomach of sculpture ; edition 4 of 5 bronze 41 x 33 x 178 cm

IDR USD

200,000,000 - 300,000,000 13,560 - 20,340

阿加珀圖斯·阿古·克里斯提安丹納《資本主義》2009 年作 銅

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

15

AGAPETOES AGUS KRISTIANDANA (Indonesian, b.1968) Hati yang Membeku ( Petrified Heart ) signed and dated 10 at upper sculpture ; edition 1 of 5 aluminium painted 147 x 115 x 64 cm

IDR USD

160,000,000 - 250,000,000 10,850 - 16,950

阿加珀圖斯·阿古·克里斯提安丹納《石化的心》2010 年作 鋁漆

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Agapetus A. Kristiandana is known as an Indonesian Contemporary artist, born in Yogyakarta in 1968.

Greatly influenced by surrealist artist Joan Miro, Kristiandana works with animals or fables as the subject-matters. Graduated with a bachelor degree from Indonesian Art Institute, Yogyakarta in 1994, he then continued his education at the Master of Commerce, Wollongong, New South Wales (NSW). He has held several both solo and joint exhibitions locally and internationally in Jakarta, Yogyakarta, Semarang, Winnipeg, New Jersey, Virginia, New York, Chengdu, and Singapore.

Kristiandana first started his sculpting career in 2004 as he felt that paintings could not hold every intention and express his idea fully. His sculptures are humorous and often bizarre in form, stun and invite viewer to interpret his message and experience about the society. *Chinese and Indonesian Translation go to page 149

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

16

WILLEM GERARD HOFKER (Dutch, 1902-1981) My Dolls

signed and dated 1977 lower right oil on canvas, framed 31 x 45 cm ; 73 x 83 cm ( with frame )

IDR USD

180,000,000 - 250,000,000 12,210 - 16,950

威廉·傑拉德·賀夫卡《人偶》1977 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

“...In this lot My Dolls, Hofker painted his play dolls beautifully with a touch of gentleness and grace.

He fully applied his potential in the sensitive use of light and shadow in this painting...”

Born in Amsterdam, W.G Hofker was a skilled visionary artist of his time, studying under the pupillage of Willem Witsen and Isaac Israel, who were both famous artists and writers. Hofkeris well known for his light strokes are rich in texture and sensitive to light and space, and this can be seen in this mesmerising piece, “My Doll”.

In this lot My Dolls, Hofker painted his play dolls beautifully with a touch of gentleness and grace. He fully applied his potential in the sensitive use of light and shadow in this painting. He used a remarkable striking way on the face, involving infinite nuances of color and splendid downward illumination. This impressionism artwork is also coloured in a soft tone to tell how lovely the human alike dolls were according to Hofker’s perspective. *Chinese and Indonesian Translation go to page 150

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

17

THEO MEIER (Swiss, 1908-1982) Portrait of I Made Pegi ( Wife of Theo Meier ) signed and dated 57 upper right oil on canvas, framed 70 x 60 cm ; 104 x 93.5 cm ( with frame )

IDR USD

180,000,000 - 200,000,000 12,210 - 13,560

西奧·邁爾《佩琪肖像》油彩 畫布 畫框

Provenance: Acquired directly from the artist by Mr. Hans Olbander (pictured above, a close family friend of Theo Meier); Private collection, Indonesia

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Made Pegi was Theo Meier second wife in Bali. Portrait of I Made Pegi is a picture of his Balinese wife. It evokes the contentment and serenity that she feeling. Special attention to details of her striking eyes, nose and lips are also not lost, and sitting on a chair in a traditional Balinese attire, one can just imagine and be transported back to the peaceful and old lives of Bali. *Chinese and Indonesian Translation go to page 150

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

18

THEO MEIER (Swiss, 1908-1982) Radha

signed and dated 25 September 1970 lower right pastel on paper, framed 61 x 46 cm ; 82 x 66 cm ( with frame )

IDR USD

25,000,000 - 30,000,000 1,700 - 2,040

西奧·邁爾《拉達》1970 年作 粉彩 紙本 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

19

S.TOYO (Indonesian, 1935-2000) Tari Kecak ( Kecak Dance )

signed lower right oil on canvas, framed 106 x 194 cm ; 123 x 212 cm ( with frame )

IDR 165,000,000 - 220,000,000 USD 11,190 - 14,920

S.TOYO 《奇卡舞》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

20

BUDI KUSTARTO

(Indonesian, b.1972)

Risau ( Worried ) signed and dated 2005 upper right oil on canvas 140 x 200 cm ; 152 x 212 cm ( with frame )

IDR 160,000,000 - 200,000,000 USD 10.850 - 13,560

布迪·庫斯塔托《擔心》2005 年作

油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

“His works are distinctive for its monochromatic depiction of human bodies in action.“ Born in Karangbawang, Indonesia in 1972, Budi Kustarto studied graphic communication back in high school and graduated with Bachelor of Fine Arts in 2003 from Indonesian Art Institute of Yogyakarta. Kustarto’s artworks have been exhibited in several cities across China and Indonesia in both solo and group categories.

He often uses his own body to explore the limits of human body. According to him, posing in whatever position, no matter how ridiculous it may be, is way to be selfaware and to experience life.

The artwork Risau (Worried) is one work from his popular theme, with the perfect blending of green shades, the work successfully delivers to us like a printed design.

Kustarto believes that human bodies exist in exponential pictorial space. In that sense, the body depicted, in this bounded dimensions of the canvas, remains as a free space for the artist to articulate notion of freedom. In such subtle nuances, Kustarto is using the body as a powerful visual element to express his thoughts of political and also social issues. *Chinese and Indonesian Translation go to page 151

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

21

HAN SNEL (Dutch-Indonesian, 1925-1998) Abtraksi Melody signed and dated 94 lower left oil on canvas, framed 122 x 127 cm ; 153 x 158 cm ( with frame )

IDR 160,000,000 - 200,000,000 USD 10,850 - 13,560

漢·斯尼奧《抽象樂曲》 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

A renowned Dutch-Indonesian artist born in Scheveningen, Netherlands in 1925. Han Snel first arrived in Indonesia as a Dutch soldier in 1946 and later moved to Bali, obtained Indonesia citizenships as well as married a local woman and eventually settled in Ubud in 1950 until his death.

Snel's oeuvre is mostly Balinese theme and painting styles vary, however, his geometric, conspicuous and curved lines, as ‘roundism’ style of the portrait of Balinese society is the strongest. The artist focused his attention on the beauty of Balinese women, several portraits of them depicted in his paintings tell how he met his wife.

Here, 33 Auction presents ‘Abstraksi Melody’, one of his amazing limited artworks from his abstraction series, which depicting no human figure – a very different perspective from his usual artistic idea of telling the story of Ubud and the island of God. *Chinese and Indonesian Translation go to page 152

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

22

HAN SNEL (Dutch-Indonesian, 1925-1998) Pray to The God signed and dated 53 lower left oil on canvas, framed 50 x 39.5 cm ; 79 x 69 cm ( with frame )

IDR 40,000,000 - 50,000,000 USD 2,720 - 3,390

漢·斯尼奧《向上帝祈禱》1953 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Singapore.

23

HAN SNEL ( Dutch-Indonesian, 1925-1998) Portrait of a Lady

signed and dated 64 lower right black chalks on paper heightened with white chalks, framed 40 x 36 cm

IDR 10,000,000 - 14,000,000 USD 680 - 950

漢·斯尼奧《女子肖像》1964 年作 黑色粉筆和白色提亮的粉筆 紙本 鏡芯

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

24

REDY RAHADIAN (Indonesian, b.1973) Bigger and Bigger the sculpture is made in 2010 bronze 140 x 125 x 33 cm ( with base )

IDR 85,000,000 - 100,000,000 USD 5,770 - 6,780

REDY RAHADIAN 《越來越大》2010 年作 銅

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

25

BEATRIX HENDRIANI KASWARA ( Indonesian, b.1984 ) Angel Series #2 signed and dated 08 lower right ; signed, dated 2008 and titled verso oil on canvas 200 x 174.5 cm

IDR 80,000,000 - 120,000,000 USD 5,430 - 8,140

BEATRIX HENDRIANI KASWARA《天使系列＃2》2008 年作 油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

An Indonesian contemporary artist born in Bandung, Indonesia in 1984, Beatrix Hendriani Kaswara, graduated from Institut Teknologi Bandung of Faculty of Art and Design. Her artwork has been exhibited in numerous cities across Indonesia. Beatrix first started her artistic journey from photographing an object or looking for material on the internet then she would process it back with computer software. Her oeuvre is greatly inspired by the digital concept and the 90s vibe where neon palate was on-trend.

This artwork is one of her fine artwork in her angel series that began in 2010 following her previous neon colour painting series, first started in 2008.

The neon painting has been her distinct characteristic, using dark colour as a colour base and neon colour on its top representing the signature of the city – as she has always been living in the city and refer herself as a town girl.

It is easier to differentiate city life, especially in the night - billboard light, car light, neon sign, neon light, etc tell us that life is not over yet.

The angel illustrated in a fully grown female body and extraordinary beauty is actually depicting the artist herself, the reason to choose Angel compared to a n y o t h e r c re a t u re i s b e c a u s e of her Christianity belief that often regards angel as God messenger also a guardian. While creating this piece, her husband was her muse. In her other artworks in the same series, she depicted her husband as the male angel that always around her, supporting and watching her back so she won’t be alone. In this artwork, she wanted to be like him, giving the same amount of affection and sacrifices as how her husband has given her for 60 minutes for 24 hours every day. *Chinese and Indonesian Translation go to page 153

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

26

ABDUL AZIZ (Indonesian, 1928-2002) Nude

signed and dated 75 upper right oil on canvas, framed 86 x 58.6 ; 119 x 91 cm ( with frame )

IDR 80,000,000 - 100,000,000 USD 5,430 - 6,780

阿卜杜勒.阿齊茲《裸女》1975 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

27

This work is located in United States.

LE QUANG HA (Vietnamese, b.1963) Police Taking a Shit

signed and dated 2007 lower right laquer and dyes on board

80 x 100 cm

IDR 80,000,000 - 100,000,000 USD 5,430 - 6,780

LE QUANG HA《警察拉屎》 2007 年作 漆 染料 木板

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

28

SUDARISMAN (Indonesian, b.1948) Lamun ( Daydreaming ) signed and dated 02 upper right oil on canvas laid on board, framed 80 x 100 cm ; 108 x 128 cm ( with frame )

IDR 65,000,000 - 70,000,000 USD 4,410 - 4,750

阿迪·古那彎《昨日夢》2002 年作 油彩 裱在木板上 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

In Chinese legend, Qilin is an animal that the Gods rode on. Although it has a shape similar to a lion, Qilin is a representative of 18 animals.

Its body is of a horse with scales of a snake and fish; The tail is of a turtle; Each of its legs is of different animals, a hong (eagle), tiger, buffalo and deer; Eyes of a crab; ears of a rabbit; mouth of a lion with fangs of a tiger; Cheeks of a dragon, and two forked horns of a deer.

The color of Qilin is usually taken from one of the five elements on earth; green which represents the element of the sky or lungs, blue which represents the element of water or throat, red which represents the earth or anal element, yellow which represents the natural element or the heart and orange which represents the element of the mountain or stomach.

Male Qilin is depicted as carrying a ball with the front right foot. Meanwhile, the female Qilin is depicted caring for her child on her front left leg. Sometimes, the female Qilin is depicted with her mouth closed, while the male Qilin’s mouth is depicted as open as if it is roaring which symbolizes the sacred concept of Hinduism. *Chinese and Indonesian Translation go to page 154

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

29

A Pair of Big Qilin Sculpture Green Porcelain 57 x 32 x 47 cm

IDR 60,000,000 - 90,000,000 USD 4,070 - 6,110

《麒麟一對》瓷器

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

30

A Pair of Small Qilin Sculpture Green Porcelain 45 x 30 x 38 cm

IDR 35,000,000 - 50,000,000 USD 2,380 - 3,390

《麒麟一對》瓷器

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

31

JERRY THUNG (Indonesian, b.1962) Eastern Wisdom #5 signed with artist’s monogram and dated 09 lower left mixed media on canvas 120 x 180 cm

IDR 60,000,000 - 80,000,000 USD 4,070 - 5,430

JERRY THUNG《東方智慧＃5 》2009 年作 綜合媒材 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

32

SYAIFUL A. RACHMAN (Indonesian, b.1974) Elizabeth Taylor signed and dated 2017 lower right acrylic on canvas 150 x 130 cm

IDR 60,000,000 - 70,000,000 USD 4,070 - 4,750

塞富·拉赫曼《伊麗莎白·泰勒》亞克力 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

33

DANG XUAN HOA Artist’s Daughter

(Vietnamese, 1959)

signed and dated 2001 lower right oil on canvas, framed 80 x 60 cm ; 104.5 x 84.5 cm ( with frame )

IDR 55,000,000 - 70,000,000 USD 3,730 - 4,750

鄧春和 ·《親愛的女兒》2001 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Dang Xuan Hoa is known as one of Vietnam’s most important contemporary artist with a strong artistic instinct in the Vietnamese art history.

He was born in Nam Dinh, Vietnam in 1959. He graduated from the Vietnam University of Fine Art, Hanoi in 1983, since then his extraordinary artworks have been displayed in several solos and joint exhibitions in numerous cities and countries across the world –Vietnam, Singapore, Malaysia, United States, China, Cuba, Thailand, Hong Kong, United Kingdom, Australia, Argentina, Spain, Belgium, and Switzerland.

his emotions accurately. His talent in painting is greatly influenced by artists such as Nguyen Tu Nghiem, Pablo Picasso and Jackson Pollock, but he remains uniquely himself. His leadership and openness to change are some reasons why he is one of the well-respected artists in the industry, despite his huge success in the scene, he seems to be never satisfied and continue to take risks in his work –strives to keep improving.

Dang’s oeuvre is rich in visual appeal and is wellknown for the application process of spiritual development in which love and respect of life serve as a way to better understand himself.

Not only himself and still objects but his family is often his main subject depicted in a harmonious and loving familial atmosphere, with a perfect harmony of colours blended to show

He is one of the first Vietnamese painters to have a residency in the United States with the support of the Asian Cultural Council and the Indochina Arts Partnership Foundation, he also serves as member of the Vietnam Fine Arts Association and a member of the Arts Council of Southeast Asia UOB.

*Chinese and Indonesian Translation go to page 155

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

34

VASAN SITTHIKET

(Thai, b.1957)

In God Name We Bomb signed lower right acrylic on millitary canvas 185 x 150 cm

IDR 55,000,000 - 70,000,000 USD 3,730 - 4,750

瓦桑 ·《我們以神的名義炸彈》亞克力 軍用布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

In God Name We Bomb is part of the series Vasan had painted for his solo exhibition held in Jakarta in 2008 titled Red Planet: Iraq War Five Years Later.

As the title suggests, the work is Vasan’s commentary on the geopolitical issues of Iraq war. Here we have the artist himself down-trodden beneath the man in suit of the US president, putting his face as the bomb, ready to charge this explosive weapon to anyone.

Cynically, in a lopsided smile, the tainted self-proclaiming role of world justice crusader, policing the order of world peace.

When all fingers are pointing to the bomb as the root of all evils, Vasan is trying to tell us that the bomb is just a tool with no hands (just like in the painting, Vasan appears to have his hands tied up and locked in the weapon); there is someone else on top who is notoriously manipulating the situation.

In the ever repeating trademark of “Made In U.S.A” and military camouflage canvas, it alludes like a map of track records the US military forces has set foot on. Regarded as one of Thai’s most prominent contemporary visual artist, Vasan is a firebrand and does not hold back an inch for his art.

He has been an active player in the arts scene since the 1970s and it is widely known for his provocative and *Chinese and Indonesian Translation go to page 156

politically sensitive themes which deals contemporary Thai, regional and international issue. His works often speak about corruption among politicians and bureaucrats.

A multi-disciplinary artist earning a degree from College of Fine Art in Bangkok in 1982, 1982, Vasan’s works are exhibited in numerous cities and significant museums in Thailand, Singapore, Canada, United States, Italy, Australia, Japan, Ireland, China and many more.

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

35

JUMALDI ALFI

(Indonesian, b.1973)

Een Prachting Landscape #4 (Postcard from My Past) signed and dated 2005 lower left acrylic on canvas 135 x 135 cm

IDR 50,000,000 - 70,000,000 USD 3,390 - 4,750

朱馬蒂·阿爾菲《我過去的明信片》2005 年作 亞克力 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

36

UGY SUGIARTO (Indonesian, b.1969) Expression signed and dated 2009 lower left acrylic on canvas, framed 148 x 185 cm ; 157 x 193 cm ( with frame )

IDR 50,000,000 - 70,000,000 USD 3,390 - 4.750

烏季·蘇吉雅托《表達》2009 年作 亞克力 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

37

ZAF CHEVALLIER (Indonesian, b.1959) New World Series ( 1 )

oil on canvas, framed 140 x 140 cm ; 146 x 146 cm ( with frame )

IDR 50,000,000 - 70,000,000 USD 3,390 - 4,750

ZAF CHEVALLIER《新世界 I》 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

38

ZAF CHEVALLIER (Indonesian, b.1959) New World Series ( 2 )

oil on canvas, framed 140 x 140 cm ; 146 x 146 cm ( with frame )

IDR 50,000,000 - 70,000,000 USD 3,390 - 4,750

ZAF CHEVALLIER《新世界 II》 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

39

I MADE DJIRNA (Indonesian, b.1957) Tiga Wanita Bali ( Three Woman Figure ) signed and dated 2000 lower right ; signed and dated 2000 verso oil on canvas, framed 90 x 100 cm ; 134 x 144 cm ( with frame )

IDR 45,000,000 - 60,000,000 USD 3,060 - 4,070

伊·嗎德·繼而拿《三位女子》2000 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

40

I MADE DJIRNA (Indonesian, b.1957) Wanita Bali ( Balinese Women ) signed and dated 2000 lower right ; signed, dated 2000 and titled verso mixed media on canvas, framed 90 x 95 cm ; 132 x 136 cm ( with frame )

IDR 40,000,000 - 50,000,000 USD 2,720 - 3,390

伊·嗎德·繼而拿《峇里島女子》2000 年作 綜合媒材 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in United States

41

I MADE DJIRNA (Indonesian, b.1957) Figure signed lower left and dated 98 lower right oil on canvas 40 x 30 cm

IDR 10,000,000 - 15,000,000 USD 680 - 1,020

伊·嗎德·繼而拿《人物》1998 年作 油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

42

WARA ANINDYAH (Indonesian, b.1969) Badai Asmara ( Storm of Romance ) signed and dated 2004 lower middle left oil on canvas 200 x 145 cm ; 224 x 169 cm ( with frame )

IDR 45,000,000 - 60,000,500 USD 3,060 - 4,070

WARA ANINDYAH《愛情風暴》2004 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

43

OGENG HERU SUPONO (Indonesian, 1937 - 1991) Spirit Independence signed and dated 84 lower left oil on canvas, framed 140 x 120 cm; 159 x 139 cm (with frame)

IDR 45,000,000 - 50,000,000 USD 3,060 - 3,390

OGENG HERU SUPONO《獨立精神》1984 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

44

DIROT KADIRAH (Indonesian, b.1972) Dancing Couple signed and dated 2010 lower left oil on canvas, framed 149 x 190.5 cm ; 159 x 201 cm ( with frame )

IDR 40,000,000 - 60,000,000 USD 2,720 - 4,070

DIROT KADIRAH《跳舞的情侶》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

45

DULLAH (Indonesian, 1919-1996) Grandfather

signed lower right oil on canvas, framed 59 x 49 cm ; 78.5 x 68.5 cm ( with frame )

IDR 40,000,000 - 60,000,000 USD 2,720 - 4,070

杜拉《爺爺》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

46

LOUIS NAGELKERKE (Dutch, b.1949) Tiga Penari Bali (Three Dancers from Bali) signed and dated 96 lower right oil on board, framed 80 x 60 cm ; 111 x 91 cm ( with frame )

IDR 40,000,000 - 50,000,000 USD 2,720 - 3,390

路易斯·納格爾克《峇里舞者》1996 年作 油彩 木板 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

47

LOUIS NAGELKERKE (Dutch, b.1949) Preparing for The Show

signed and dated 96 lower left ; oil on board, framed 80 x 60 cm ; 110 x 90 cm ( with frame )

IDR 40,000,000 - 50,000,000 USD 2,720 - 3,390

路易斯·納格爾克《準備表演》1996 年作 油彩 木板 畫框 Back view of the painting

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

48

RINALDI (Indonesian, b.1976) King of Kentos signed and dated 2007 lower right acrylic on canvas 170 x 200 cm

IDR 40,000,000 - 50,000,000 USD 2,720 - 3,390

RINALDI《肯托斯國王》2007 年作 亞克力 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

49

ADI GUNAWAN (Indonesian, b.1984) Hero

bronze 30 x 35 x 28 cm

IDR 40,000,000 - 45,000,000 USD 2,720 - 3,060

阿迪 · 古那彎《英雄》纖維金

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

50

ADI GUNAWAN (Indonesian, b.1984) Bawa Hasil ( Bringing Produce ) fiber gold 55 x 80 x 50 cm

IDR 35,000,000 - 40,000,000 USD 2,380 - 2,720

阿迪 · 古那彎《豐收》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

51

ADI KANIKO (Indonesian, b.1964) Kurcaci ( Dwarfs ) signed and dated 04 lower left oil on canvas 95 x 206,5 cm ; 99 x 210,5 cm ( with frame ) - Triptych

IDR USD

38,000,000 - 50,000,000 2,580 - 3,390

ADI KANIKO《矮人》2004 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

5 WORKS

BY JEIHAN SUKMANTORO Indonesia’s renowned artist born Surakarta, Indonesia in 1938, Jeihan Sukmantoro’s oeuvre is well known for his distinct style compared to other painters. He once studied at the Faculty of Art and Design at Bandung Institute of Technology (ITB). However, he never finished his education at ITB because of his rebellious attitude – that occurs because of his past near-death experiences.

One time he was in an accident and Jeihan was believed to be lifeless, but he woke up before being buried. This event then influenced the way he thought and his works.

33 Auction presents in this auction, maestro’s five signature expressionism artworks, Tari Bali Biru, Irin, Nani, Sari, Nansi which are portraits of human in black-dark eyes or sunken eyes and two colour tone as the background.

Aforementioned are his art identity furthermore the artist often blends eastern mystical with western analytical realms in his works - recounts a meditative aura and to symbolize the darkness of mystery in the human path or future reality.

In his artistic journey, Jeihan has held more than 100 exhibitions and established an art studio in Bandung - a place to develop the creativity of young people to be creative and independent. The artist is also a committee member of The World Art and Culture Exchange Association Inc. headquartered in New York and his marvellous artworks have been collected in many arts institution across the globe. *Chinese and Indonesian Translation go to page 157

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

52

JEIHAN SUKMANTORO (Indonesian, 1938-2019) Sari signed, dated 2001 and titled verso oil on canvas, framed 70 x 70 cm ; 83 x 83 cm ( with frame )

IDR 35,000,000 - 50,000,000 USD 2,380 - 3,390

皆罕·素可曼多羅《薩里》油彩 畫布 畫框

This work is accompanied with a certificate of authenticity signed by the artist.

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

53

JEIHAN SUKMANTORO (Indonesian, 1938-2019) Nansi signed and dated 2k lower right oil on canvas, framed 70 x 70 cm ; 104 x 104 cm ( with frame )

IDR 30,000,000 - 50,000,000 USD 2,040 - 3,390

皆罕·素可曼多羅《納西》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

54

JEIHAN SUKMANTORO (Indonesian,1938-2019) Nani signed and dated 99 upper right oil on canvas, framed 70 x 70 cm; 89 x 89 cm (with frame)

IDR 25,000,000 - 35,000,000 USD 1,700 - 2,380

皆罕·素可曼多羅《納尼》1999 年作 油彩 畫布 畫框

This work is accompanied with a certificate of authenticity signed by the artist.

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

55

JEIHAN SUKMANTORO (Indonesian, 1938-2019) Irin signed and dated 99 upper right signed and titled verso oil on canvas, framed 90 x 100 cm ; 135 x 145 cm ( with frame )

IDR 25,000,000 - 35,000,000 USD 1,700 - 2,380

皆罕·素可曼多羅《伊林》1999 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

56

JEIHAN SUKMANTORO (Indonesian, 1938-2019) Tari Bali Biru ( Blue Bali Dance ) signed and dated 87 lower left oil on canvas, framed 90 x 70 cm ; 121 x 101 cm ( with frame )

IDR 20,000,000 - 30,000,000 USD 1,360 - 2,040

皆罕·素可曼多羅《峇里島舞者》1987 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

57

PUTU SUTAWIJAYA (Indonesian, b.1971) Tari Bali ( Bali Dance )

signed and dated 94 lower left oil on canvas, framed 145 x 145 cm ; 149 x 149 cm ( with frame )

IDR 35,000,000 - 50,000,000 USD 2,380 - 3,390

普圖·蘇塔維賈亞《峇里舞》1994 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

58

LUCIEN FRITS OHL (Dutch, 1904-1976) Membajak Sawah ( Plowing Rice Fields )

signed lower right oil on canvas laid on board, framed 60.5 x 80.5 cm ; 90 x 110 cm ( with frame )

IDR USD

35,000,000 - 40,000,000 2,380 - 2,720

吕西安·弗里茨《稻田耕作》 油彩 裱在木板上 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

59

LUCIEN FRITS OHL (Dutch, 1904-1976)

Gerobak Sapi di Kampung Halamanku ( Ox Cart in My Hometown ) signed lower right oil on canvas, framed 60.5 x 90 cm; 89.5 x 119 cm ( with frame )

IDR USD

35,000,000 - 40,000,000 2,380 - 2,720

吕西安·弗里茨《我故鄉的牛車》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

60

LUCIEN FRITS OHL (Dutch, 1904-1976) Perahu Layar ( Sailboat )

signed lower left oil on board, framed 69 x 50 cm ; 96 x 77.5 cm ( with frame )

IDR 25,000,000 - 35,000,000 USD 1,700 - 2,380

吕西安·弗里茨《帆船》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

61

DJOKO PEKIK (Indonesian, b.1938) The Farmer signed and dated 3/4 2009 lower middle oil on canvas, framed 50 x 40 cm; 67 x 57 cm (with frame)

IDR 30,000,000 - 50,000,000 USD 2,040 - 3,040

卓可·佩奇克《農夫》2009 年作 油彩 畫布 畫框

There is artist picture with his painting

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

62

DJOKO PEKIK (Indonesian, b.1938) Penari Topeng ( Mask Dancer ) signed and dated 2013 lower right oil on canvas, framed 75 x 65 cm ; 98 x 88 cm ( with frame )

IDR 30,000,000 - 50,000,000 USD 2,040 - 3,390

卓可·佩奇克《面具舞者》2013 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Djoko Pekik, an Indonesia’s renowned artist whose oeuvre is well-known not only in the country but also overseas and graduated from Indonesia Institute of the Arts in Yogyakarta in 1962.

While he was a student, he was part of the LEKRA ( a left-wing cultural organization in Indonesia) and actively assisted the Sanggar Bumi Tarung (an art studio that focuses on the production of arts that could be enjoyed even for the lower class people), Thus it led Pekik to his realist-expressive art style and embellished people value such as lives of the common people in villages and urban neighbourhood as well as landscapes as

his main themes and mostly depicted in bleak tones dominated by moss-green, black, ocher and cream.

33 Auction is proud to present, Pekik’s ‘The Farmer’, ‘Raksasa Bermata Satu’ and ‘Penari Topeng’ in this auction as they are the piece of works that clearly illustrates his main artistic integrity and the sides that people nowadays do not even realize or often see in this era.

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

The ‘The Farmer’ artwork might seem simple at first glance and it looks like just a mere farmer facing his back to us, but to understand the main issue on what Pekik is trying to tell us is depicted through the emotion and facial expression of that farmer. It is an exact representation at that period set here on how everyone male has to work hard and since Indonesia has a great amount of land, a huge number of male worked as a farmer as their daily job. Farming is not an easy task, farmers’ skin is usually brown caused by the sunburned and they have to keep an eye to their field every day and be in their workplace from dawn until dusk. Despite all the hardships, we can see that they are working hard not only for themselves but to their close ones such as family, we can see from the longing eyes to go back home even if he seems to be frowning or unfriendly as depicted in the painting.

‘Penari Topeng’ translated as a masked dancer in English, inspired by the Javanese Malangan mask dance. There are several masks used in the performance and each of them has their sacred meaning that represents human’s journey in life. Depicted here is a dancer’s face covered with the ‘panji’ mask. In this time and age, there are no a lot of people aware of this heritage because it’s been dying and low exposure from media on this, here Pekik hoped to tell everyone that this beautiful traditional heritage existed and expect some better changes in the future. *Chinese and Indonesian Translation go to page 158

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

63

ALIMIN TAMIN (Indonesian, 1932-2004) Tanah Lot signed and dated 70 lower left oil on canvas 63 x 140 cm

IDR 30,000,000 - 40,000,000 USD 2,040 - 2,720

ALIMIN TAMIN《海神廟》1970 年作 油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

64

UGO UNTORO (Indonesian, b.1970) Rubiyem, How Are You? signed and dated 18 - 3 - 2007 lower right oil on canvas 120 x 100 cm

IDR 30,000,000 - 40,000,000 USD 2,040 - 2,720

烏戈·烏托羅《你怎麼樣Rubiyem》2007 年作 油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

65

POERBONOADI (Indonesian, b.1940) Ikan Lele ( Catfish ) signed and dated 91 lower left oil on canvas, framed 140 x 140 cm; 170 x 170 cm (with frame)

IDR 30,000,000 - 35,000,000 USD 2,040 - 2,380

POERBONOADI ·《鯰魚》1991 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

66

SUDARSO (Indonesian, 1914-2006) Seated Lady

signed and dated 66 lower left oil on canvas, framed 150 x 99 cm ; 158 x 107 cm ( with frame ) Property of Important collector

IDR 28,000,000 - 40,000,000 USD 1,900 - 2,720

蘇達索《坐姿女子》 1966 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

67

SUDARSO (Indonesian, 1914-2006) Seated Woman in Red

signed and dated 03 lower left oil on canvas, framed 115 x 80 cm ; 133 x 98 cm ( with frame )

IDR 20,000,000 - 40,000,000 USD 1,360 - 2,720

蘇達索《坐姿女子》2003 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

68

SUWAJI (Indonesian, b.1942) Ibu dan Anak ( Mother and Child )

signed and dated 016 lower right mixed media on canvas, framed 190 x 150 cm ; 196 x 156 cm ( with frame )

IDR 27,000,000 - 40,000,000 USD 1,840 - 2,720

SUWAJI《母與子》2016 年作

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

69

SUWAJI (Indonesian, 1942) Dancer

signed and dated 12 lower right mixed media on canvas, framed 125 x 72 cm ; 148 x 95 cm ( with frame )

IDR 20,000,000 - 40,000,000 USD 1,360 - 2,720

SUWAJI《舞者》2012 年作

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

70

KRIJONO (Indonesian, 1951-2011) Ketut Pejeng

signed, dated 2003 and titled lower left acrylic on canvas, framed 80 x 75 cm ; 109 x 104 cm ( with frame )

IDR 25,000,000 - 50,000,000 USD 1,700 - 3,390

克利約諾《舞者》2003 年作 亞克力 畫布 畫框

1. This work is accompanied with a certificate of authenticity signed by the artist and gallery 2. Literature : Jade Sceptre, Krijono : Ultimate Exuberance, Hexart Publishing, Jakarta, 2013. P. 75

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

71

TISNA SANJAYA (Indonesian, b.1958) Let’s Go Joged Komando signed and dated 2008 middle right oil on canvas 170 x 150 cm

IDR 25,000,000 - 35,000,000 USD 1,700 - 2,380

蒂斯納·桑賈亞《讓我們一起指揮一下》2008 年作 油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

72

TISNA SANJAYA (Indonesian, b.1958) Let’s Go Joged Komando II signed and dated 2008 middle right oil on canvas 170 x 150 cm

IDR 25,000,000 - 35,000,000 USD 1,700 - 2,380

蒂斯納·桑賈亞《讓我們一起指揮一下》2008 年作 油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

73

TISNA SANJAYA (Indonesian, b.1958) Brown Girl signed and dated 2008 middle right oil on canvas, framed 180 x 143 cm ; 185 x 148 cm ( with frame )

IDR 24,000,000 - 36,000,000 USD 1,630 - 2,450

蒂斯納·桑賈亞《褐色女孩》 2008 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

74

MUHARDANTO WIYOGA (Indonesian, b.1984) Ciau Bella the sculpture is executed in 2009 resin, fiber, polywood steel and pipe 80 x 165 x 120 cm

IDR 25,000,000 - 30,000,000 USD 1,700 - 2,040

MUHARDANTO WIYOGA ·《貝拉》2009 年作 樹脂 纖維 木材 鋼管

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

75

RENATO BARJA JR. (Filipino, b.1982) Sad Eyed Lady of The Lowlands signed lower left oil on canvas 183 x 122 cm

IDR 22,500,000 - 30,000,000 USD 1,530 - 2,040

雷納多·巴爾哈二世《低地的悲傷之眼女士》油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in United States.

76

AGUS TRIYANTO BR (Indonesian, b.1979) Behind the Red #1 signed and dated 08 lower right; signed, titled, inscribed with measurement and dated 2008 verso oil on canvas 135 x 150 cm

IDR USD

22,000,000 - 34,000,000 1,500 - 2,310

阿古斯·特里揚托《紅色1號背後》2008 年作 油彩 畫布

This work is accompanied with a certificate of authenticity signed by the artist and gallery

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Topeng Kehidupan (The Mask of Life) as the theme of this artwork.

With the response of life roles acted by each individual in society, the unity of nature and attitude become one form of each person’s character. *Chinese and Indonesian Translation go to page 161

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in United States.

77

IDA BAGUS PUTU PURWA (Indonesian, b.1977) Struggle signed, titled, dated 2012 and inscribed verso oil and charcoal on canvas 200 x 200 cm

IDR USD

22,000,000 - 34,000,000 1,500 - 2.310

IDA BAGUS PUTU PURWA《鬥爭》2012 年作 布面油和木炭

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

78

EDO PILLU

(Indonesian, 1969 - 2020)

Genesis ( Genesys ) signed and dated 2007 upper left mixed media on canvas 180 x 150 cm

IDR 22,000,000 - 30,000,000 USD 1,500 - 2,040

艾度·枇立《創世記》2007 年作 綜合媒材 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

79

NUGROHO WIJAYATMO (Indonesian, b. 1980) Staring signed and dated 2020 lower right acrylic on canvas, framed 150 x 120 cm ; 155.3 x 125 cm ( with frame )

IDR USD

22,000,000 - 30,000,000 1,500 - 2,040

努格羅霍·維賈亞莫《凝視》2020 年作 亞克力 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

80

HASIM (Indonesian, 1921 - 1982) Woman

signed lower left oil on board, framed 59 x 43 cm ; 91 x 75 cm ( with frame )

IDR 20,000,000 - 40,000,000 USD 1,360 - 2,720

HASIM《女子》油彩 木板 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

81

HASIM (Indonesian, 1921-1982) After Work

signed lower right oil on canvas, framed 70 x 47.5 cm ; 99 x 76 cm ( with frame )

IDR 15,000,000 - 30,000,000 USD 1,020 - 2,040

HASIM《農作後》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

82

KHAW SIA KHUAN (Chinese-Malaysian, 1913-1984) The Riverside

signed and dated 53 lower right watercolour on paper, framed 47 x 63 cm; 74 x 89 cm (with frame)

IDR 20,000,000 - 40,000,000 USD 1,360 - 2,720

KHAW SIA KHUAN《河畔》1953 年作 水彩 紙本 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

83

NYOMAN ERAWAN (Indonesian, b.1958) Pralaya Matra XXXXV signed and dated 97 lower left oil on canvas, framed 115 x 85 cm ; 120 x 90 cm ( with frame )

IDR USD

20,000,000 - 30,000,000 1,360 - 2,040

NYOMAN ERAWAN· 《只有 xxxxv》1997 年作油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

84

SUDJONO ABDULLAH (Indonesian, 1911-1991) The Great Harvest signed lower left oil on canvas, framed 125 x 200 cm; 133 x 207.5 cm (with frame)

SGD 20,000,000 - 30,000,000 USD 1,360 - 2,040

蘇佐諾·阿卜杜拉《大豐收》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

85

SUDJONO ABDULLAH (Indonesian, 1911-1991) Harvesting in The Morning signed lower left oil on canvas, framed 125 x 200 cm; 133 x 208 cm ( with frame )

IDR USD

20,000,000 - 30,000,000 1,360 - 2,040

蘇佐諾·阿卜杜拉《早晨收穫》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

4 WORKS BY ROEDYAT MARTADIREDJA An Indonesian modern artist born in Bandung in 1930, Roedyat Martadiredja was first exposed to arts painting when he met Barli Sasmitawinata, who is a significant artist in Indonesia’s art history. Fascinated not only in paintings but also sculpture, Roedyat studied sculpting at Staatliche Academie der Bildenden Kunste, Stuttgart, Germany. In 1951, Roedyat held his first exhibition focusing on abstract paintings that transformed forms into field arrangements.

Later, he switched to other painting style by adopting Indonesia's traditional puppet (wayang) theme into his works, those paintings in decorative patterns featuring Javanese ladies in scene of traditional markets or ritual festival. He has won competitions at Rottweil (1963) and the monumental competition in Jakarta (1973).

Most of Roedyat’s works are based on his surroundings or environment, proudly presented here by 33 Auction are the Barong Dance, Ceremony in Bali, Kesibukan Di Pagi Hari, The Village are four of his beautiful artworks that were created when he was in Bali.

These paintings depict a glimpse of what would be commonly seen in the island of Gods, from the traditional dance that connects to the spiritual rituals to how people live their everyday life with a perfect blend of clear and bright colour palette. *Chinese and Indonesian Translation go to page 162

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

86

ROEDYAT MARTADIREDJA (Indonesian, 1930-2002) Ceremony in Bali

signed and dated 1968 lower left oil on canvas, framed 69 x 129.5 cm; 73 x 133.5 cm ( with frame )

IDR 18,000,000 - 30,000,000 USD 1,230 - 2,040

羅岱·瑪塔蒂勒加《峇里島儀式》1968 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

87

ROEDYAT MARTADIREDJA (Indonesian, 1930-2002) Barong Dance

signed and dated 68 lower left oil on canvas, framed 68 x 130 cm : 72.5 x 134 cm ( with frame )

IDR 17,000,000 - 30,000,000 USD 1,160 - 2,040

羅岱·瑪塔蒂勒加《巴隆舞》1968 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

88

ROEDYAT MARTADIREDJA (Indonesian, 1930-2002) Kesibukan di Pagi Hari ( Morning Activity ) signed and dated 69 lower right oil on canvas, framed 57.3 x 114.2 cm ; 61.5 x 118 cm ( with frame )

IDR 15,000,000 - 25,000,000 USD 1,020 - 1,700

羅岱·瑪塔蒂勒加《清晨的活動》1969 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

89

ROEDYAT MARTADIREDJA (Indonesian, 1930-2002) The Village

signed and dated 81 lower left oil on canvas, framed 44 x 60 cm ; 73 x 88 cm ( with frame )

IDR 12,000,000 - 20,000,000 USD 820 - 1,360

羅岱·瑪塔蒂勒加《農村》1981 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

90

AGUS BUDIYANTO ( Indonesia, b. 1960 ) Puisi Jingga Merah (Red Orange Poem) signed and dated 2003 lower right watercolour on paper, framed 114 x 148 cm ; 121 x 154 cm ( with frame )

IDR 18,000,000 - 25,000,000 USD 1,230 - 1,700

AGUS BUDIYANTO《紅橙詩》2003 年作 水彩 紙本 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

91

GUSMEN HERIADI (Indonesian, b.1974) Komitmen ( Commitment ) signed and dated 02 05 07 lower right acrylic on canvas, framed 145 x 145 cm ; 146.5 x 156.5 cm ( with frame )

IDR 18,000,000 - 25,000,000 USD 1,230 - 1,700

GUSMEN HERIADI《承諾》2007 年作 亞克力 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

This work is located in Indonesia.

92

HADI SUSANTO (Indonesian, b.1968) Marilyn M dan Lalat

signed and dated 2009 lower left oil on canvas 180 x 140 cm

IDR 18,000,000 - 25,000,000 USD 1,230 - 1,700

HADI SUSANTO《瑪麗琳和大蠅》2009 年作 油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

93

HADI SUSANTO (Indonesian, b.1968) Samurai Girl

signed and dated 2010 lower right oil on canvas 200 x 141 cm

IDR 15,000,000 - 20,000,000 USD 1,020 - 1,360

HADI SUSANTO《武士女孩》2010 年作 油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

94

HADI SUSANTO (Indonesian, b.1968) Second Secret

signed and dated 2010 lower right oil on canvas 145 x 200 cm

IDR 12,000,000 - 15,000,000 USD 820 - 1,020

HADI SUSANTO《第二個秘密》2010 年作 油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

95

HADI SUSANTO (Indonesian, b.1968) Girl from Singapore signed and dated 2009 lower right oil on canvas 150 x 180 cm

IDR 10,000,000 - 15,000,000 USD 680 - 1,020

HADI SUSANTO《新加坡女孩》2009 年作 油彩 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

96

NANA TEDJA (Indonesian, b.1971) Ayah dan Ibu ( Father and Mother ) signed and dated 2018 lower right acrylic on canvas 180 x 140 cm

IDR 17,500,000 - 25,000,000 USD 1,190 - 1,700

NANA TEDJA《爸爸和媽媽》2018 年作 亞克力 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

97

KOEMPOEL SUJATNO (Indonesian, 1912- 1987) Boats signed lower right oil on canvas, framed 60 x 90 cm ; 75 x 105 cm ( with frame )

IDR 15,000,000 - 30,000,000 USD 1,020 - 2,040

KOEMPOEL SUJATNO《船》油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

98

CAREL LODEWIJK DAKE JR. (Belgian, 1886 - 1946) View of The Nature signed lower right

oil on board, framed 51 x 83 cm ; 69 x 101 cm ( with frame )

IDR 15,000,000 - 20,000,000 USD 1,020 - 1,360

CAREL LODEWIJK DAKE JR.《自然觀》油彩 木板 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

99

This work is located in Indonesia.

I MADE SUKADANA (Indonesian, 1966) Gatot Kaca signed and dated 2001 lower right oil on canvas, framed 150 x 150 cm ; 160 x 160 cm ( with frame )

IDR 15,000,000 - 20,000,000 USD 1,020 - 1,360

I MADE SUKADANA《加托·卡卡》2001 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

100

MA YUE (Chinese, 1968) Untitled

signed and dated 06.1 lower middle oil on canvas, framed

150 x 150 cm ; 152 x 152 cm ( with frame )

IDR 15,000,000 - 20,000,000 USD 1,020 - 1,360

馬越·《無題》2006 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

101

SAEPUL BAHRI (Indonesian, b.1979 ) Arisan ( Social Gathering ) signed and dated 08 lower right acrylic on canvas 200 x 160 cm

IDR 15,000,000 - 20,000,000 USD 1,020 - 1,360

SAEPUL BAHRI·《阿里桑》2008 年作 亞克力 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

102

JULNAIDI M. S (Indonesian, b.1973 Masa 2 ( Seri 100 ) signed and dated 2008 lower right acrylic on canvas 150 x 150 cm

IDR 14,000,000 - 20,000,000 USD 950 - 1,360

尤爾尼迪 · 《期間2（系列100)》2008 年作 亞克力 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

103

JULNAIDI M.S (Indonesian, b.1973) IKNB signed and dated 2006 lower right acrylic on canvas 150 x 120 cm

IDR 14,000,000 - 20,000,000 USD 950 - 1,360

朱馬蒂·阿爾菲《IKNB》2006 年作 亞克力 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

104

BAMBANG PRAMUDIYANTO (Indonesian, b. 1965)

Milenial Corn

signed and dated 6 5 19 lower right mixed media on canvas 175 x 140 cm

IDR USD

11,000,000 - 20,000,000 750 - 1,360

BAMBANG PRAMUDIYANTO · 班邦普拉穆迪揚托《千年玉米》 2019 年作 亞克力 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

105

ERICA HESTU WAHYUNI (Indonesian, 1971) Happy Family signed and dated 2009 lower middle acrylic on canvas 120 x 150 cm

IDR 10,000,000 - 15,000,000 USD 680 - 1,020

艾麗嘉 · 《快樂家庭》 2009 年作 亞克力 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

106

ERICA HESTU WAHYUNI (Indonesian, 1971) Prosperity in The World signed and dated 2009 lower left acrylic on canvas 120 x 150 cm

IDR 10,000,000 - 15,000,000 USD 680 - 1,020

艾麗嘉 · 《世界繁榮》 2009 年作 亞克力 畫布

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

107

I PUTU WIRANTAWAN (Indonesian, b. 1972) Nonton Televisi ( Watching Television )

signed and dated 2001 lower right oil on canvas, framed 120 x 200 cm ; 124 x 204 cm ( with frame )

IDR 10,000,000 - 15,000,000 USD 680- 1,020

I PUTU WIRANTAWAN《看電視》2001 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Singapore.

108

HUANG FONG (Indonesian, 1936-2004) Portrait of a Girl signed and dated 64 lower right oil on canvas, framed 31.5 x 28 cm

IDR 7,000,000 - 10,000,000 USD 480 - 680

黃風 ·《女子肖像》1964 年作 油彩 畫布 畫框

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

109

POPO ISKANDAR (Indonesian, 1927-2000) Kepada Cokot ( Homage to Cokot ) signed and dated 78 lower left watercolour on paper 52 x 58 cm

IDR 7,000,000 - 10,000,000 USD 480 - 680

波波·依斯甘達《向Cokot致敬》1978 年作 水彩 紙本

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

This work is located in Indonesia.

110

POPO ISKANDAR (Indonesian, 1927-2000) Tanaman Hias ( Decorative Plants ) signed and dated 77 lower right watercolour on paper 53 x 49 cm

IDR 7,000,000 - 10,000,000 USD 480 - 680

波波·依斯甘達《裝飾的植物》1977 年作 水彩 紙本

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

LUGAS SYLLABUS 盧加斯·西拉布斯 (Indonesian, b.1987) Lot 1 Sebuah Kisah Romantis di Tanah Penuh Hikmat ( A Romantic Story in A Land Full of Wisdom 《智慧之地的浪漫故事》 ) Lot 2 Wonderbook of Wonderland《仙境奇觀》

盧卡斯·西拉伯斯是一位新興的印尼當代藝術家，他於1987年出

這項工作最有趣的是，盧加斯在想像和現實維度的二元性之間作

生於印度尼西亞的班古魯（Bengkulu）。他畢業於印度尼西亞錫

畫。像皮诺基奥一樣的鼻子將觀眾拉回世俗的解釋，即超級英雄不

尼學院（ISI），並獲得繪畫學士學位，此後舉辦了多次展覽，包括

存在，這是一個被小孩子幻想的幻覺。但與此同時，鹿角也以類似

《明天必須變得更好》（2017年） ）在元素藝術空間，勝利花園

的強度低調了希望將超級英雄的存在當作福音的希望和純潔的慾

（2016）在新加坡藝術舞台上。

望。這些雜種站在她身後，而她的注意力只集中在這本書上，這一 事實具有如此強烈的視覺張力，盧加斯創造了一種描繪當代世界的

盧加斯出生於一個藝術傾向濃厚的家庭，他的父親和叔叔都在從事

視覺張力。實際上，我們經常陷入惡性循環，希望超級大國可以輕

藝術創作，因此他從小就對藝術充滿了熱情。盧加斯的作品充滿了

鬆解決問題。目前充滿活力的色彩完美融合的作品成功地吸引了我

幻想式的敘述，並融合了流行文化，民間傳說甚至科幻漫畫人物的

們對故事敘述的關注，而沒有意識到，我們也被盧加斯的幻想故事

肖像畫。諷刺和諷刺意味的現代生活在畫作中錯綜複雜。

深深吸引。更加合理，是用超越畫布的視野來體驗作品的能量。

盧加斯的特質白話語充斥著《智慧之地的浪漫故事》。他童年時代 的回憶，超媒體，幻想的超風格化作品在我們面前un然大悟。這 項工作是關於心靈的觀光，在生活中的喧囂和生活中遇到的所有問 題，事實上，世界上所有的快樂都可以得到物質滿足。但盧加斯 （Lugas）並非憑著心靈的平靜，在這裡探索了太空的未知領域。 當太空人走進夢幻般的綠洲時，那彷彿是天堂般的發光。暗示著人 類對冒險的渴望以及我們夢想的境界。太空人走得更遠，尋找更有 意義的東西。只有在頭腦清晰和積極的頭腦中才能實現這種心靈假 期中包含的激情和希望。 《仙境奇觀》描繪了一個沉迷於讀書的孩子。站在她身後的是穿著 各種超級英雄服裝的兔子。這些雜亂無章的叢林與叢林並列，這些 超級英雄與兔子的雜交讓我們震驚，就像小女孩對她正在讀的童話 的視覺想像力一樣。貌似，是那些引導她進入這個兔子洞的人-一 個夢幻般的世界。

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Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Seniman kontemporer Indonesia yang sedang naik daun, Lugas Syllabus lahir di Bengkulu, Indonesia pada tahun 1987. Ia lulus dari Instut Seni Indonesia dengan gelar sarjana seni lukis dan sejak saat itu ia telah menyelenggarakan berbagai pameran termasuk Tomorrow Must Be Better (2017) di Element Art Space, The Garden of Triumph (2016) di Art Stage Singapore.

Terlahir dalam keluarga dengan kemampuan artistik yang tinggi, ayah dan pamannya juga berprofesi sebagai seniman, Lugas menyadari kecintaannya akan seni pada saat belia. Karya-karya Lugas kaya dengan narasi yang seperti fantasi, ikonografi budaya pop, cerita rakyat sampai grafik komik sci-fi. Tersirat di dalam lukisannya adalah satire dan ironi dari kehidupan modern.

WonDerbook of Wonderland menggambarkan seorang anak yang asyik dengan buku bacaannya. Para kelinci yang mengenakan kostum dari beberapa karakter pahlawan super berdiri dekat di belakangnya. Disandingkan dengan hutan rima, para pahlawan super kelinci hibrida ini terlihat seperti imajinasi visual anak tersebut dari cerita yang sedang ia baca. Mereka juga dapat menjadi sesuatu yang membawa ia masuk ke lubang kelinci – seperti sebuah dunia fantasi.

Yang paling menarik dari karya seni ini yaitu fakta di mana Lugas melukiskan antara dualistis dimensi imajinasi dan realita. Hidung seperti Pinocchio menarik para penonton kembali ke dalam interpretasi duniawi di mana pahlawan super itu tidak nyata, mereka hanya lah ilusi yang dibentuk

dari imajinasi anak kecil. Akan tetapi, tanduk rusa dengan intensitas yang mirip menunjukkan rasa akan harapan dan kemurnian keinginannya untuk melihat pahlawan super dan merindukan keberadaan mereka. Fakta bahwa hibrida tersebut berdiri di belakangnya, sementara anak tersebut sedang fokus hanya kepada bukunya, merupakan suatu simbol visual yang kuat yang telah diciptakan Lugas untuk menggambarkan dunia kontemporer. Pada realitanya, kita sering terjebak dalam situasi yang sulit, berharap jika ada kekuatan super yang dapat menjadi solusi mudah untuk menyelesaikan masalah. Karya seni yang ditampilkan ini dengan perpaduan warna palet cerah yang sempurna berhasil memikat perhatian kita kepada narasi cerita, dan tanpa sadar, kita juga terhanyut dalam kisah fantasi Lugas.

Lukisan kontemporer dengan nuansa futuristik ‘Sebuah Kisah Romantis Di Tanah Panah Hikmat’ ini adalah suatu karya Lugas yang meramalkan bagaimana kehidupan di luar angkasa akan terlihat di masa depan. Saat ini hanya astronaut yang dilatih untuk terbang ke luar angkasa, sebidang tanah yang belum di petakan oleh manusia.

Dalam karya ini, Lugas menempatkan semua benda yang terdapat di bumi dan memprediksi bahwa mereka akan sama nantinya di masa depan. Namun, meskipun angkasa akan lebih mudah untuk diakses, dari lukisan ini, Lugas ingin menyampaikan bahwa hanya orang kaya yang dapat tinggal di sana karna bukan uang kertas tetapi hanya koin emas yang di terima dalam segala transaksi.

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Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

HENDRA GUNAWAN 亨德拉·古那彎 (Indonesian, 1918-1983)

Lot 3 Gadis Idaman Saya ( My Dream Girl ) 《我的夢中情人》

ROMUALDO LOCATELLI

巴蘇基·阿卜杜拉 (Indonesian, 1930- 2002)

Lot 5 Little Boy Riding Donkey《小男孩騎驢》

亨德拉·古那彎印尼历史上最著名的艺术家之一,生于印度尼西亚

羅曼多·洛卡特里擁有三代人的藝術遺產，被認為是最優秀的意

万隆。1918年,亨德拉谷纳温非凡的艺术作品和他杰出的艺术回

大利肖像畫家之一，尤其是在亞洲爪哇人和巴厘島人的作品中。

顾之旅,推动了整个国家现代艺术的发展。他的故事和遗产也影响

洛卡特里從14歲開始他的藝術之旅，協助父親執行聖菲拉斯特

了众多高级艺术家和新锐艺术家,特别是在现代和当代艺术风格领

羅教堂的建築裝飾。他在貝加莫的卡拉拉學院接受了正規的藝術

域。

培訓。洛卡特里是一位不知疲倦的旅行者，也是一位極具好奇心 的藝術家，1927年，他在意大利定居，並在羅馬定居，並在Via

Salah satu seniman paling terkenal dalam sejarah Indonesia yang lahir di Bandung, Indonesia pada tahun 1918, karya seni Hendra Gunawan yang luar biasa dan perjalanan artistik retrospektifnya yang menakjubkan telah membantu perkembangan seni modern di tanah air dan serta warisannya telah mempengaruhi banyak orang baik seniman senior maupun baru, terutama dalam gaya seni modern dan kontemporer.

'Wanita Idaman Ku' merupakan salah satu karya terpenting yang pernah dibuat oleh sang maestro, diketahui bahwa karya seni Hendra Gunawan tidak hanya menggambarkan tentang perjuangan kemerdekaan tetapi juga masyarakat khususnya wanita Indonesia yang mengenakan pakaian adatnya. Karya seni cantik ini terinspirasi dari sang istri, Karmini yang telah mendampinginya melalui naik turunnya perjalanan hidupnya sebagai seniman. Dilukis dalam palet warna cerah dengan sedikit warna biru tua sebagai latarnya, menonjolkan sosok wanita yang sedang mempersiapkan diri untuk pergi ke sebuah acara dengan bibir merah cerah dan rambut hitam panjang yang dianggap sebagai standar kecantikan tertinggi bagi seorang wanita untuk dimiliki pada saat itu.

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Margutta開設了一家工作室。在這裡，他獲得了皇室的廣泛委託 作品，包括在1938年威尼斯雙年展上展出的維克托·伊曼紐爾二世 國王的肖像畫，獲得了迅速的成功。他的重要贊助人名單包括教皇 和貝尼托·墨索里尼。洛卡特利專注於他的手藝，以其捕捉本主題 精神的能力而聞名，這是目前拍賣行中所概括的。在一個活躍的夏 日里，男孩的活潑舉止和輕鬆的精神是用鮮豔的調色板和強烈的筆 觸來描繪的，這是藝術家現代主義自然主義實踐的標誌性風格。它 揭示了他主題簡單的美，以及純淨幸福的輕鬆魅力。 Terlahir dari warisan artistik tiga generasi, Romualdo Locatelli dianggap sebagai salah satu pelukis Italia terbaik khususnya akan karyanya di Asia dengan subjek Jawa dan Bali. Locatelli memulai perjalanan artistiknya pada usia 14, membantu ayahnya dalam membuat dekorasi arsitektur gereja San Filastro. Ia menerima pelatihan artistik formal di Carrara Academy di Bergamo. Seorang penjelajah yang tak kenal lelah dan seniman dengan rasa keingintahuan yang besar, Locatelli melakukan perjalanan secara ekstensif ke seluruh Italia pada tahun 1927 sebelum akhirnya menetap di Roma dan membuka sebuah studio di Via Margutta. Di sinilah di mana ia mencapai kesuksesan pesat ketika ia menerima beragam pekerjaan ditugaskan oleh Royal House, termasuk menggambar Raja Victor Emmanuel II yang dipamerkan di Venice Biennale pada tahun 1938. Di antara daftar figur penting karyanya juga termasuk Paus dan Benito Mussolini.

Didedikasikan untuk karyanya, Locatelli dikenal akan kemampuannya untuk menangkap semangat materinya, seperti yang terangkum dari lot ini. Sikap menyenangkan dan semangat anak laki-laki di hari musim panas yang semarak di gambarkan dengan menggunakan palet warna cerah dengan sapuan kuas yang kuat, suatu gaya khas dari praktik naturalistis modernisme sang seniman. Mengutarakan keindahan dari kesederhanaan dan pesona kebahagiaan murni yang tidak dibuat-buat dari materi gambarnya.

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Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

AFFANDI 阿凡迪 (Indonesian, 1907-1990) Lot 6 Offering to The God《奉獻給神》 Lot 7 Palm Sugar Garden《棕櫚糖花園》 Lot 8 Tangkuban Perahu《萬隆壯麗山景》

阿凡迪被公認為印度尼西亞現代藝術的領袖。他以其獨一無二的繪

一個兒子殺死了他的狗，而這個狗原來是他被詛咒的父親。被詛咒

畫風格創作了大量特別的題材。他用手指取代畫筆直接在畫布上畫

為人類的神cur驅逐了他的母親。

出自然而靈動的漩渦，而這正展現了藝術家對主題的直接感受。 後來，他作為一個男人回來了，由於母親的美麗，他在不知不覺中 《奉獻給神》描繪了一個正在為演出準備的舞者在為她的舞蹈演出

愛上了母親。他要求她嫁給他，但被拒絕了。憤怒的他踢了一條

梳妝打扮。在漆黑的背景下，這位跪著的舞者表現出認真而虔誠的

船，變成了一座山，現在被稱為《萬隆壯麗山景》。傳說是一種道

準備態度。同樣，在她面前擺著無數裝飾性的頭飾和飾物，暗示著

德信息，它鼓勵我們始終保持孝順和憤怒的態度。

在華麗的遊行之前那艱苦的準備過程。阿凡迪在她的裙子上塗上了 一圈又一圈的華麗圖案，預示了一個盛大節日的開始。 传统上来讲，舞蹈表演是开幕式中很重要的仪式。舞蹈演员因其练 习而受到高度重视，因为庆祝活动是对神明的感激之情的表达。阿 凡迪有幸在这辉煌的时刻抓住了我们的注意力，我们一直在惊叹眼 前这位年轻女士的活力，以及阿凡迪在展示自己国家文化时的自豪 感。 使用他的標誌性風格“從管子中擠壓”，他創造了葉子的筆觸，使 整個畫作看起來生動而立體，一眼就能看到。這幅獨特的表現主義 繪畫，描繪了一個充滿樹木的花園的美麗風景。該技術可以準確地 描繪出實際的棕櫚樹，細長，單樹乾和濃密。他的標誌性主題太陽 也作為日出出現在這幅作品中。充滿活力的筆觸以及橙色和黃色調 的獨特用法為您帶來和平，溫暖的黎明的真正美。 阿凡迪設法創造了平衡與和諧。阿凡迪描繪了<萬隆壯麗山景>， 這是印度尼西亞的奇觀之一，位於西爪哇省萬隆。阿凡迪準確地描 繪了風景。 《萬隆壯麗山景》的存在是根據一個傳說來講述的，該傳說講述了 Go back to Lot 6, 7, & 8

Affandi, pelukis Indonesia paling terkenal di dunia dan dianggap sebagai sang maestro lukis tanah air, lahir di Cirebon, Indonesia pada tahun 1907. Ia menerima beasiswa dari pemerintah India untuk bergabung dengan The Art School Shantiniketan Tagore University pada tahun 1949 dan juga mendapatkan tunjangan dari pemerintah AS untuk mempelajari metode pendidikan seni dan tinggal di AS selama empat bulan pada tahun 1957. Affandi telah menghasilkan lebih dari dua ribu mahakarya dan karya seninya sebagian besar adalah ekspresionisme murni dan abstrak serta telah dipamerkan dan ditampilkan di berbagai pameran dan institusi di seluruh dunia. Tak terhitung banyaknya penghargaan yang telah diraihnya di industri ini dan ia juga merupakan anggota kehormatan di beberapa organisasi seperti Union of Indonesian Painters, Jakarta Academy, UNESCO dan sebagainya.

Ia juga mendirikan museum pada tahun 1962, Museum Affandi tidak hanya sebagai tempat untuk menyimpan karya-karyanya yang luar biasa tetapi juga berpartisipasi aktif dalam unsur pendidikan, pariwisata, dan organisasi museum daerah dan nasional - berperan aktif dalam mempromosikan Seni dan Budaya Indonesia.

Dikenal dengan cara melukisnya yang unik dengan mengaplikasikan cat langsung pada kanvas dari tabungnya,

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

pertama kali terjadi pada saat ia masih melukis dengan kuas dan alat tersebut sering hilang di tengah-tengah pengerjaan karyanya. Oleh karena itu, untuk melanjutkan dan tanpa berpikir panjang, ia langsung mengoleskan cat minyak ke kanvas dan melanjutkan pengecatan dengan jari-jarinya hanya untuk menyadari bahwa lukisan tersebut terlihat lebih baik dan lebih hidup. Seniman ini dikenal sebagai seniman yang tidak suka membaca, oleh karena itu sebagian besar karyanya tidak memiliki teori yang rumit di dalamnya tetapi setiap karya yang ia ciptakan memiliki emosi yang dalam dan niat yang jelas dan itulah kehebatan Affandi.

Karya seni Tangkuban perahu terinspirasi dari pemandangan alam nyata dengan nama yang sama yang terletak tidak jauh dari kampung halamannya. Menurut legenda, Tangkuban perahu bercerita tentang seorang wanita bernama Dayang Sumbi dan meninggalkan putranya yang bernama Sangkuriang saat masih kecil. Anak lakilaki itu tumbuh sebagai seorang pria dewasa dan akhirnya jatuh cinta dengan seorang wanita yang merupakan ibunya, mengetahui hal ini, Sumbi memintanya untuk membangun perahu sebagai tugas untuk mencegah Sangkuriang menikahinya. Pada akhirnya, Sangkuriang tidak dapat menyelesaikannya dan ia menendang bendungan dan perahu yang belum selesai itu, mengakibatkan banjir besar dan terciptalah Tangkuban Perahu dari lambung perahu. Di sini Affandi ingin menunjukkan emosi sedih dan frustrasi Sangkuriang yang tergambar jelas dari langitlangit berwarna suram hingga tepatnya rupa perahu yang terbalik itu.

Penari yang diterjemahkan sebagai dancer dalam bahasa Inggris ini menggambarkan seorang penampil yang tengah mempersiapkan diri dalam posisi berlutut yang memperlihatkan sikap tulus dan saleh sebelum pentas akbar. Dari latar belakang kelam yang menonjolkan keanggunan tubuhnya dan warna kostum dengan motif berkilau menarik yang dikenakannya, hingga jumlah hiasan kepala dan perlengkapan yang tersedia di depannya mengisyaratkan betapa rumitnya proses persiapan itu.

Gula aren dikenal sebagai tanaman serbaguna (terkenal sebagai penghasil gula) dan dilindungi undang-undang di Indonesia. Karya seni ini terinspirasi dari cerita rakyat Indonesia 'The Story of Sugar Palm Tree' â&#x20AC;&#x201C; suatu kisah bersaudara yatim piatu Beru Sibou dan abangnya Tare Iluh, keduanya dibesarkan oleh paman mereka hingga remaja dan ketika Tare sudah cukup umur untuk pergi keluar sendiri, dia menggunakan uang yang diberikan pamannya untuk bekerja tetapi sayangnya karena berjudi dia kehilangan semua uangnya dan ditangkap masuk penjara.

Beru, saudara perempuannya sangat cemas dengan keberadaan abangnya dan setelah mengetahui bahwa dia dipenjara dan berhutang, ia berdoa kepada Tuhan untuk membantunya membayar hutang kakaknya dengan cara apa pun sehingga penduduk desa dapat memaafkan dan membebaskannya. Keinginan Tare terkabul dan tiba-tiba ia terserang badai besar dan berubah menjadi pohon yang berguna sehingga air matanya berubah menjadi air manis. Pohon itu sangat disukai oleh penduduk sekitar dan mereka menamakannya pohon gula aren. Affandi melukis karya ini secara mendetail mulai dari perpaduan warna hingga penggambaran kayanya bahkan satu pohon itu.

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Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

ANTONIO BLANCO 安東尼奧·布蘭柯

Lot 10 Red Flowers《峇里島女子畫像》 (Filipino-Indonesian, 1911-1999)

安东尼奥·布兰科是美籍西班牙艺术家后裔，1927年出生在菲律 宾马尼拉。自开始绘画以来，他一直对描绘人体形态尤其是女性特 征很感兴趣。他为了研究不同的主题而周游世界，最终于1952年 抵达巴厘岛。1953年，他娶了一位巴厘舞蹈家，并决定永久居住 在巴厘岛，因为他也被当地的文化和人民所吸引。 《巴厘女人画像》以他的妻子倪隆基为创作灵感，散发着乌布景观 的活力色彩（乌布为印度尼西亚巴厘岛吉安雅县的一座城镇）。这 幅作品是他艺术生涯中最出色的作品之一。 布兰科是一位享誉世界的画家，他惊为天人的艺术作品被许多世 界知名人士所喜爱和收藏，如苏加诺(印度尼西亚第一任总统)、胡 安·卡洛斯一世(西班牙前国王)、亚当·马利克(印尼前副总统)、 迈克尔·杰克逊、英格丽·褒曼等。 1998年，他在巴厘岛乌布建立了自己长久以来的梦想 - 布兰科文艺 复兴博物馆。在这里，他不仅展出了自己杰出的作品，还回顾了他 50多年的艺术历程。该博物馆也被认为是印尼十大必打卡景点之 一，因为它充分地使每位游客了解到巴厘岛人的生活动态。安东尼 奥·布兰科去世后，他的遗产由他的儿子马可管理和继承。 Lahir di Manila, Filipina pada tahun 1927, Antionio Blanco seorang seniman keturunan Spanyol Amerika telah tertarik dalam menggambar wujud manusia terutama fitur wanita sejak pertama ia mulai melukis. Ia telah melakukan perjalanan keliling dunia secara luas hanya untuk mengamati dan mempelajari beragam contoh subjek dan akhirnya sampai di Bali pada tahun 1952. Pada tahun 1953, ia menikah dengan seorang penari Bali dan memutuskan untuk tinggal menetap secara permanen di Bali karna ia juga takjub dengan budaya dan masyarakat setempat.

Karya ini diinspirasi dari istrinya, Ni Ronji, memancarkan warnawarna dari lanskap Ubud yang semarak. Portrait of Balinese Woman adalah salah satu karyanya yang paling baik di dalam perjalanan artistiknya. Blanco, dikenal sebagai salah satu pelukis ternama dunia dan karya seninya yang mengagumkan sangat disukai dan telah dikoleksi oleh beberapa tokoh dunia ternama seperti Soekarno (presiden Republik Indonesia yang pertama), Juan Carlos I (mantan Raja Spanyol), Adam Malik (Mantan Wakil Presiden Indonesia), Michael Jackson, Ingrid Bergman dan yang lainnya.

Pada tahun 1998, ia mendirikan mimpi lamanya yaitu Blanco Renaissance Museum, terletak di Ubud, Bali di mana tidak hanya memamerkan karya seninya yang luar biasa tetapi juga retrospeksi perjalanan artistiknya selama lebih dari 50 tahun. Museum ini juga dianggap sebagai salah satu dari 10 tempat yang wajib dikunjungi di Indonesia karena dapat secara memadai melayani para wisatawan akan kehidupan bali, dan sejak kematiannya, warisannya dikelola dan dilanjutkan oleh putranya, Marco.

Go back to Lot 10

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

BASOEKI ABDULLAH 巴蘇基·阿卜杜拉 (Indonesian, 1915-1993) Lot 11 Nudity《裸露》 Lot 12 Nudity《裸露》

巴蘇基·阿卜杜拉，1915年出生于印度尼西亚的苏拉卡塔

通过举办展览、研讨会、研究、工作坊和一系列其他活动来服务公

(Surakarta)，是印尼现实主义和自然主义画家大师，也是印尼20

众。

世纪第一位画家Abdullah Suriosubroto之子。

一個兒子殺死了他的狗，而這個狗原來是他被詛咒的父親。被詛咒

阿卜杜拉4岁时开始画画，一直练习，直到他获得奖学金，在他感

為人類的神cur驅逐了他的母親。

兴趣的领域学习，并从荷兰海牙的Kunsten艺术学院毕业。1936年 他获得皇家国际艺术证书(RIA)。在他的艺术之旅中，他曾被任命

後來，他作為一個男人回來了，由於母親的美麗，他在不知不覺中

为雅加达梅迪卡宫的官方画家，他的作品装饰在国家宫殿中。

愛上了母親。他要求她嫁給他，但被拒絕了。憤怒的他踢了一條

不仅如此，巴蘇基·阿卜杜拉曾经还担任过泰国皇家宫廷画家这

船，變成了一座山，現在被稱為《萬隆壯麗山景》。傳說是一種道

种受人尊敬的职位，并获得了Bhumibol Adulyadej国王（泰国国

德信息，它鼓勵我們始終保持孝順和憤怒的態度。

王）颁发的金星Poporo奖，这是该国的最高荣誉。 在泰国王国担 任皇家宫廷艺术家期间，他对政府和宫殿尽到很周到的服务–因此 取得了这些的成就使他成为印尼绘画的大使。 阿卜杜拉的作品以感人的主题著称，包括肖像、人物、自然景观、 神话-精神-戏剧以及社会斗争。 这幅现实主义艺术作品《裸体》属于他的人物画主题。他的祖国印 度尼西亚被认为是世界上最保守的国家之一，经常认为裸体是一种 禁忌或不尊重，但由于阿卜杜拉在西方国家生活过一段时间，与他 的印尼同胞相比，他的思想更加开放。通过这幅画，他旨在展示当 地人的封闭心态，并提高人们对身体形象话题的认识。真正的人体 美是他们自己的整个身体——轮廓清晰的肌肉，而不仅仅是脸或衣 服。这幅杰作描绘的是一个没有任何衣物覆盖的女人，而最舒适的 睡姿和自然裸色的上颚以最简单和极简的方式增强了整体的美。 在他的艺术之旅中，他在亚洲和欧洲多个国家举办了个展并加入多 个群展，他的杰出作品在许多国家展出和摆放，包括在荷兰巴恩 的Soestdijk宫。2001年，印尼文化和旅游部成立了阿卜杜拉博物 馆，以向这位艺术大师致敬。博物馆由艺术家的私人收藏组成，并

Go back to Lot 11 & 12

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Lahir pada tahun 1915 di Surakarta, Indonesia, seorang maestro pelukis realis dan naturalis Indonesia, Basoeki Abdullah, putra dari pelukis pertama Indonesia di abad ke-20, Abdullah Suriosubroto.

Abdullah mulai menggambar pada usia 4 tahun dan terus berlatih hingga mendapatkan beasiswa untuk belajar di bidang yang diminatinya dan lulus dari Academie Voor Beeldende Kunsten di Den Haag, Belanda dan memperoleh penghargaan Royal International Certificate of Art (RIA) di 1936. Dalam perjalanan artistiknya, ia pernah ditunjuk sebagai pelukis resmi di Istana Merdeka Jakarta dan karyanya telah menghiasi istana negara.

Tidak hanya itu, Basoeki Abdullah juga pernah menduduki posisi terhormat sebagai pelukis istana kerajaan Thailand, dan mendapat penghargaan berupa bintang emas Poporo dari Raja Bhumibol Adulyadej (Raja Thailand), yang merupakan kehormatan tertinggi bagi Kerajaan Thailand kepada seorang Seniman Istana Kerajaan yang telah memberikan layanan besar kepada pemerintahan dan istana â&#x20AC;&#x201C; dari sebagian kecil dari prestasinya ini, akhirnya menjadikannya sebagai duta Lukis Indonesia.

Karya seni Abdullah dikenal menyentuh 5 tema yaitu potret, sosok manusia, pemandangan alam, mitosspiritual-drama dan perjuangan dalam masyarakat.

Karya realisme â&#x20AC;&#x2DC;nudityâ&#x20AC;&#x2122; ini dikategorikan ke dalam tema lukisannya mengenai sosok manusia. Negara asalnya, Indonesia dikenal sebagai salah satu negara paling konservatif di dunia dan sering menganggap

ketelanjangan sebagai sesuatu yang tabu atau tidak sopan, namun karena Abdullah sudah lama tinggal di negara barat, dia lebih berpikiran terbuka dibandingkan sesamanya masyarakat Indonesia, melalui lukisan ini ia bertujuan untuk menguak pikiran mereka yang tertutup serta meningkatkan kesadaran akan topik body image dan bahwa keindahan manusia yang sebenarnya adalah seluruh tubuh mereka sendiri - otot mereka lah dan bukan hanya wajah atau pakaian. Yang digambarkan dalam karya ini adalah seorang wanita tanpa bahan apa pun yang menutupi dirinya saat dalam posisi tidurnya yang paling nyaman dan dengan penggunaan warna natural-nude menonjolkan keindahan secara keseluruhan dengan cara yang paling sederhana dan minimal.

Dalam perjalanan artistiknya, Ia telah mengadakan pameran tunggalnya dan bergabung dengan pameran berkelompok di beberapa negara di Asia dan Eropa, karya-karyanya yang luar biasa sejak saat itu telah dipamerkan dan ditempatkan di banyak negara termasuk di Istana Soestdijk di Baarn, Belanda. Pada tahun 2001, Kementerian Kebudayaan dan Pariwisata Indonesia meresmikan Museum Basoeki Abdullah, sebagai penghormatan kepada sang maestro. Museum ini terdiri dari koleksi pribadi seniman dan didirikan untuk melayani publik dengan mengadakan pameran, seminar, penelitian, lokakarya, dan rangkaian kegiatan lainnya.

Go back to Lot 11 & 12

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

AGAPETOES AGUS KRISTIANDANA

阿加珀圖斯·阿古·克里斯提安丹納 (Indonesian, b.1968) Lot 15 Hati yang Membeku ( Petrified Heart )《石化的心》

阿加珀圖斯·阿古·克里斯提安丹納是印度尼西亞亞裔現代與當代 藝術家，於1968年出生於日惹。在超現實主義藝術家Joan

Miro的

影響下，克里斯提安丹納以動物或寓言為題材。他於1994年從日 惹印度尼西亞藝術學院獲得學士學位，然後在新南威爾士州臥龍崗 （NSW）的商業碩士課程繼續學習。他在雅加達，日惹，三寶壟， 溫尼伯，新澤西，弗吉尼亞，紐約，成都和新加坡在本地和國際上 舉辦了多個個人和聯合展覽。 克里斯提安丹納於2004年開始了他的雕塑生涯，因為他認為畫作無 法把握一切意圖並充分錶達他的想法。他的雕塑幽默幽默，形式怪 異，令人震驚，並邀請觀眾詮釋他對社會的信息和經驗。 維達雅對動植物的熱愛最初體現為林業，後來他成為了蘇門答臘橡 膠種植園茂密森林的測量師。在他作為畫家的職業生涯後期，他的 許多畫作中也都充斥著叢林的影像和記憶。 《叢林中的三劍客》寓意豐富，是一個迷人的場景，充斥著三隻帶 有異國情調的鳥的顏色和微小的細節。通過在亮點周圍綴補深色寶

Agapetus A. Kristiandana merupakan seorang seniman Asia Modern and Kontemporer Indonesia, lahir di Yogyakarta pada tahun 1968. Dipengaruhi besar oleh seniman surealis Joan Miro, Kristiandana bekerja dengan fabel atau binatang sebagai subjek lukisannya. Setelah lulus dengan gelar sarjana dari ISI Yogyakarta pada tahun 1994, ia kemudian melanjutkan edukasi magister di jurusan komersial di Wollongong, New South Wales. Ia telah mengadakan beberapa pameran solo dan kelompok baik lokal maupun internasional seperti di Jakarta, Yogyakarta, Semarang, Winnipeg, New Jersey, Virginia, New York, Chengdu dan Singapura.

Kristiandana pertama kali memulai karier memahatnya pada tahun 2004 karena merasa bahwa lukisan tidak dapat menampung semua tujuan dan mengekspresikan idenya sepenuhnya. Patungpatungnya lucu dan sering dalam bentuk yang tak lumrah, memukau, dan mengundang penonton untuk menafsirkan pesan dan pengalamannya mengenai masyarakat.

石色調，有意識地規劃葉子和橢圓形如觀察到的那樣，光線穿透了 遠景，叢林再次被喚醒，鳥類飛來飛去，這種和諧的渲染是這位藝 術家對印尼生命力和活力譜寫的詩歌。

Go back to Lot 15

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

WILLEM GERARD HOFKER 威廉·傑拉德·賀夫卡 (Indonesian, 1902-1981) Lot 16 My Dolls《人偶》

THEO MEIER

巴蘇基·阿卜杜拉 (Swiss, 1908-1982)

Lot 17 Portrait of I Made Pegi ( Wife of Theo Meier ) 《佩琪肖像》

霍夫克生於阿姆斯特丹，是他那個時代熟練的有遠見的藝術家，在威廉·

梅德佩吉是迈尔第二位在巴厘岛的妻子。他们在1942年沙巴州结

維森（Willem Witsen）和以撒·以色列（Isaac Israel）的學府下學習，

婚。 作品《梅德佩吉》是迈尔第二位巴厘岛妻子的肖像。她在画中

他們都是著名的藝術家和作家。霍夫卡里以輕巧的筆觸著稱，其筆觸豐

神情

富，對光線和空間敏感，在這部令人著迷的作品“我的娃娃”中可以看到

体，穿着传统的巴厘岛服装坐在椅子上，可以让观众想象她在巴厘

這一點。

岛安逸 的晚年生活。

在這《人偶》中，霍夫克用溫柔和優雅的手法將他的玩偶畫得很漂亮。他

I Made Pegi adalah istri kedua Theo Meier di Bali. Potret I Made Pegi

充分利用了他在這幅畫中對光和影的敏銳運用的潛能。他用一種驚人的醒

merupakan foto istri Bali-nya. Gambar tersebut membangkitkan

目方式打在臉上，涉及到色彩的無限細微變化和燦爛的向下照明。這幅印

kepuasan dan ketenangan yang dia rasakan. Perhatian khusus

象派藝術品還以柔和的色調上色，以根據霍夫克的觀點來講述人類玩偶的

akan detail mata, hidung dan bibirnya yang mencolok juga tidak

可愛程度。

hilang, dan duduk di kursi dengan pakaian tradisional Bali, hanya

安详而知足。她的双眼格外醒目，鼻子和嘴唇的细节也很具

dengan membayangkan, kita dapat merasa seperti dibawa kembali Lahir di Amsterdam, W.G Hofker merupakan seorang seniman

ke kehidupan lama dan damai di Bali.

visioner terampil pada masanya, belajar di bawah bimbingan Willem Witsen dan Isaac Israel, di mana kedua merupakan seniman dan penulis terkemuka. Hofkeris dikenal dengan sapuan ringannya yang kaya akan tekstur dan peka pada cahaya dan ruang, hal ini dapat terlihat dari karya menakjubkan ini, “My Doll”.

Dalam lot My Doll ini, Hofker melukis boneka mainannya dengan indah dalam sentuhan kelembutan dan keanggunan.

Ia mengaplikasikan seluruh potensinya dalam penggunaan cahaya dan bayangan yang sensitif dalam lukisan ini. Ia dengan baiknya menggunakan cara mencolok pada wajah, melibatkan nuansa warna yang tak terbatas juga iluminasi ke bawah yang indah. Karya seni impresionisme ini juga diwarnai dengan nada lembut untuk menceritakan betapa indahnya boneka yang mirip manusia ini sesuai dengan perspektif Hofker.

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Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

BUDI KUSTARTO 布迪·庫斯塔托 (Indonesian, b.1972) Lot 20 Risau ( Worried )《擔心》

布迪·庫斯塔托, 1972年出生于印尼Karangbawang。他高中学习平面传 播，2003年毕业于印尼日惹艺术学院，获得美术学士学位。布迪·庫斯塔 托的作品已经在中国和印度尼西亚的几个城市举办了个展和群展。 布迪·庫斯塔托的作品独特之处在于其对动态人体的单色描绘。他经常用 自己的身体去探索人体的极限。在他看来，摆出任何姿势，不管它有多可 笑，都是一种自我意识和体验生活的方式。 作品《擔心》是他的热门主题作品之一，完美地融合了绿色色调，像印刷 设计一样无暇地传达给我们。布迪·庫斯塔托认为人体存在于指数图形空 间中。从这个意义上说，在画布这个有限的维度中，描绘的身体仍然是艺 术家所表达自由概念的自由空间。在这些细微的差别中，布迪·庫斯塔托 将身体作为一种强有力的视觉元素来表达他对政治和社会问题的思考。

Lahir di Karangbawang, Indonesia pada tahun 1972, Budi Kustarto mempelajari grafik komunikasi semasa SMA dan lulus dengan gelar sarjana seni rupa dari ISI Yogyakarta pada tahun 2003.

Karya seni Kustarto telah di pamerkan dalam pameran tunggal dan kelompok di beberapa kota di Tiongkok dan Indonesia. Karya seni Kustarto dikenal khas karna penggambaran monokromatik dari tubuh manusia yang sedang beraksi. Ia sering menggunakan tubuhnya sendiri untuk menjelajahi batasan tubuh manusia.

Menurutnya, berpose dalam posisi apa pun, tidak peduli seberapa aneh itu, adalah suatu cara untuk mengenali diri sendiri dan untuk menjalani kehidupan.

Karya seni Risau (Worried) adalah salah satu karya dari tema populernya, dengan perpaduan nuansa hijau yang sempurna, lukisan ini berhasil memberikan para penonton kesan seperti gambar desain cetakan. Kustarto percaya bahwa manusia ada dalam ruang bergambar eksponensial. Dalam pengertian itu, tubuh yang digambarkan dalam dimensi kanvas yang terbatas ini, tetap dapat menjadi suatu ruang kosong bagi sang seniman untuk mengartikulasikan gagasan kebebasan. Dalam nuansa halus, Kustarto menggunakan tubuh sebagai elemen visual yang kuat untuk mengungkapkan pemikirannya akan masalah sosial dan politik.

Go back to Lot 20

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

HAN SNEL

巴蘇基·阿卜杜拉 (Dutch-Indonesian, 1925- 1998) Lot 21 Abtraksi Melody《抽象樂曲》

著名的荷兰籍印尼艺术家漢·斯尼奧，1925年出生于荷兰斯海弗宁 根。1946年，作为一名荷兰士兵的漢·斯尼奧，第一次来到印度尼西亚 后迁居巴厘岛，获得了印度尼西亚公民身份，并娶了一名当地女子为妻， 最终于1950年在乌布定居下来，直到去世。漢·斯尼奧的作品大多以巴 厘岛为主题，绘画风格各不相同，但他几何和明显的弯曲的线条以一种“ 圆”的风格来描绘巴厘岛社会是最有力的。这位艺术家将他的注意力集中 在巴厘岛女性的美上，他的画作中描绘的几幅肖像也讲述了他是如何认识 他的妻子的故事。 在这里，33拍卖展示了《抽象旋律》，这是他抽象画系列中令人惊叹的 有限艺术作品之一，并没有人物形象，是一种不同于他通常讲述的乌布故 事和上帝之岛的艺术构思的理念

Seniman Belanda-Indonesia yang terkenal lahir di Scheveningen, Belanda pada tahun 1925. Han Snel pertama kali tiba di Indonesia sebagai tentara Belanda pada tahun 1946 dan kemudian pindah ke Bali, memperoleh kewarganegaraan Indonesia serta menikah dengan seorang wanita lokal dan akhirnya menetap di Ubud pada tahun 1950 hingga kematiannya. Karya seni Snel sebagian besar bertemakan Bali dan gaya lukisannya beragam, namun demikian, garis-garis geometris, mencolok dan melengkungnya, yang disebut dengan gaya ‘roundism’ dari potret masyarakat Bali adalah yang paling menonjol. Sang seniman memusatkan perhatiannya pada kecantikan perempuan Bali, beberapa potret mereka yang tergambar dalam lukisannya menceritakan bagaimana ia bertemu dengan istrinya.

Di sini, 33 Auction menghadirkan ‘Abstraksi Melody’, salah satu karyanya yang luar biasa dan terbatas dari seri abstraksinya, yang tidak menggambarkan sosok manusia sama sekali perspektif yang sangat berbeda dari ide artistiknya yang biasa menceritakan kisah tentang Ubud dan Pulau Dewata.

Go back to Lot 21

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

BEATRIX HENDRIANI KASWARA (Thai, b.1957) Lot 25 Angel Series #2《天使系列＃ 2》

是一位印度尼西亞當代藝術家，1984年出生於印度尼西亞萬隆，畢 業於萬隆技術學院藝術與設計學院。她的作品曾在印度尼西亞的許 多城市展出。比阿特麗克斯（Beatrix）首先從拍攝物體或在互聯 網上尋找材料開始了她的藝術之旅，然後用計算機軟件對其進行處 理。她的作品受到數字概念和霓虹燈流行趨勢的90年代氛圍的極大 啟發。 此作品是她的天使系列中的精美作品之一，她的天使系列始於2010 年，之前是她於2008年開始的霓虹色繪畫系列。霓虹畫一直是她的 鮮明特徵，使用深色作為顏色基礎，並在其上使用霓虹色代表城市 標誌的最上端-因為她一直生活在城市中，自稱是城市女孩。區分城 市生活更容易，尤其是在夜晚-廣告牌燈，汽車燈，霓虹燈，霓虹燈 等告訴我們生活還沒有結束。

Seniman kontemporer Indonesia lahir di Bandung, Indonesia pada tahun 1984, Beatrix Hendriani Kaswara, lulusan Fakultas Seni Rupa dan Desain Institut Teknologi Bandung. Karya seninya telah dipamerkan di berbagai kota di seluruh Indonesia. Beatrix pertama kali memulai perjalanan artistiknya dari memotret suatu objek atau mencari material di internet kemudian dia akan memprosesnya kembali dengan software komputer. Karya seninya sangat terinspirasi oleh konsep digital dan nuansa tahun 90-an di mana warna neon sedang tren.

Karya seni ini merupakan salah satu karyanya yang indah dalam seri malaikatnya yang dimulai pada tahun 2010 mengikuti seri lukisan warna neon sebelumnya, yang pertama kali dimulai pada tahun 2008. Lukisan neon telah menjadi ciri khasnya, menggunakan

天使以成熟的女性身體和非凡的美麗描繪著藝術家自己，而之所以

warna gelap sebagai dasar warna dan warna neon di atasnya

選擇天使，是因為她的基督教信仰經常將天使視為上帝的使者，

mewakili ciri khas kota - karena dia selalu tinggal di kota dan

同時也是監護人。在創作這首作品時，她的丈夫是她的繆斯女神。

menyebut dirinya sebagai gadis kota. Lebih mudah membedakan

在同一系列的其他作品中，她將丈夫描繪成永遠圍繞著她的男性天

kehidupan kota, terutama di malam hari - lampu papan reklame,

使，支持並註視著她的背影，這樣她就不會孤單。在這件藝術品

lampu mobil, tanda neon, lampu neon, dll memberi tahu kita

中，她希望像他一樣，付出與丈夫每天24小時60分鐘給予她相同的

semua bahwa hidup belum berakhir.

愛心和犧牲。 Malaikat yang tergambar dalam tubuh perempuan dewasa dan kecantikan yang luar biasa itu sebenarnya menggambarkan seniman itu sendiri, alasan memilih Malaikat dibandingkan dengan makhluk lain adalah karena kepercayaan Kristennya yang sering menganggap malaikat sebagai utusan tuhan dan juga seorang penjaga. Ketika membuat karya ini, suaminya adalah inspirasinya.

Dalam karya lain di seri yang sama, ia menggambarkan suaminya sebagai malaikat laki-laki yang selalu ada di sekitarnya, mendukung dan mengawasinya sehingga ia tidak akan sendirian.

Dalam karya seni ini, dia ingin menjadi seperti dia, memberikan kasih sayang dan pengorbanan yang sama seperti yang diberikan suaminya selama 60 menit 24 jam setiap hari.

Go back to Lot 25

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

QILIN SCULPTURE Lot 29《 麒麟一對》Big Lot 30 《 麒麟一對 Small

在中國的傳說中，麒麟是神騎的動物。儘管麒麟的形狀類似於獅子，但 它卻代表了18種動物，但其軀體卻是一匹馬，蛇和魚鱗鱗片。尾巴是 烏龜的。它的每條腿都有不同的動物，一種是紅（鷹），老虎，水牛和 鹿。螃蟹的眼睛；兔子的耳朵獅子的嘴和虎牙；龍的臉頰，和兩隻鹿的 角叉。 麒麟的顏色通常取自地球上五種元素之一；綠色代表天空或肺部元素， 藍色代表水或咽喉部元素，紅色代表地球或肛門元素，黃色代表自然元 素或心臟元素，橙色代表山或胃元素。 男麒麟被描繪成用右前腳扛球。同時，描繪了女性麒麟的左前腿照顧她 的孩子。有時，雌麒麟的嘴巴是閉合的，而雄麒麟的嘴巴是張開的，好 像在咆哮，這象徵著印度教的神聖概念。

Dalam legenda Tiongkok ,Qilin merupakan binatang yang menjadi tunggangan para dewa. Walaupun memiliki bentuk serupa dengan singa, Qilin merupakan perwakilan dari 18 binatang, badan kuda bersisik ular dan ikan; ekor kurakura; Masing-masing kakinya berupa kaki dari binatang yang berbeda, seekor hong (elang), harimau, kerbau dan rusa; mata kepiting; telinga kelinci; mulut singa dengan taring harimau; Pipi naga, dan dua tanduk rusa bercabang.

Warna Qilin biasa diambil dari salah satu warna lima unsur yang ada di bumi; hijau yang melambangkan unsur langit atau paruparu, biru yang melambangkan unsur air atau tenggorokan, merah yang melambangkan unsur bumi atau dubur, kuning yang melambangkan unsur alam atau jantung dan oranye yang melambangkan unsur gunung atau perut.

Qilin jantan digambarkan membawa sebuah bola dengan kaki depan sebelah kanan. Sementara itu, Qilin betina digambarkan sedang mengasuh anaknya di kaki depan sebelah kiri.

Terkadang, singa batu betina digambarkan dengan mulut tertutup sedangkan, mulut singa jantan digambarkan terbuka Go back to Lot 29 & 30

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

DANG XUAN HOA 鄧春和 (Vietnamese, b.1959)

Lot 33 Artist’s Daughter《 親愛的女兒》

鄧春和是越南最重要的當代藝術家之一，具有濃厚的越南藝術史本 能，於1959年出生於越南南定。他於1983年畢業於河內越南美術大 學，從那以後，他的非凡藝術品曾在世界許多城市和國家（越南， 新加坡，馬來西亞，美國，中國，古巴，泰國，香港，英國，澳大 利亞，阿根廷，西班牙，比利時和瑞士）的幾個獨奏和聯合展覽中 展出。

merupakan salah satu seniman kontemporer terpenting Vietnam dengan insting artistik yang kuat dalam sejarah seni Vietnam.

Ia lulus dari Vietnam University of Fine Art di Hanoi pada tahun 1983, sejak saat itu karya-karyanya yang menakjubkan telah ditampilkan di beberapa pameran solo dan gabungan di berbagai

鄧春和的作品具有豐富的視覺吸引力，並以精神發展的應用過程而 聞名，在這種過程中，對生活的愛和尊重是更好地了解自己的一種 方式。不僅是他本人，還是仍然是對象，但他的家庭常常是他在和 諧而充滿愛心的家庭氛圍中描繪的主要對象，完美的色彩和諧融 合在一起準確地展現了他的情感。他的繪畫才華受到Nguyen

Dang Xuan Hoa lahir di Nam Dinh, Vietnam pada tahun 1959,

Tu

Nghiem，畢加索和Jackson Pollock等藝術家的極大影響，但他仍 然保持著獨特的地位。他的領導才能和開放的開放態度是他成為該

kota dan negara di seluruh dunia – Vietnam, Singapura, Malaysia, Amerika Serikat, Tiongkok, Kuba, Thailand, Hong Kong, Britania Raya, Australia, Argentina, Spanyol, Belgia, dan Swiss.

Karya seni Hoa kaya akan daya tarik visual dan terkenal akan proses penerapan perkembangan spiritual di mana cinta dan penghormatan akan kehidupan berfungsi sebagai cara untuk lebih memahami dirinya sendiri. Bukan hanya dirinya dan benda diam saja tetapi keluarganya sering menjadi subjek lukisannya yang

行業受人尊敬的藝術家之一的一些原因，儘管他在現場取得了巨大

digambarkan dalam suasana kekeluargaan yang harmonis dan

的成功，但他似乎從未滿足並繼續冒險從事自己的工作-力求不斷提

penuh kasih dengan kombinasi pewarnaan yang sempurna untuk

高。

dapat menunjukkan emosinya secara akurat. Kemampuannya dalam melukis sangat di pengaruhi oleh seniman seperti Nguyen

在亞洲文化理事會和印度支那藝術合作基金會的支持下，他是最早 在美國居住的越南畫家之一。他還是越南美術協會的會員和越南藝 術協會的會員。東南亞大華銀行。

Tu Nghiem, Pablo Picasso dan Jackson Pollock, tetapi ia tetap menjadi dirinya sendiri yang unik. Sifat kepemimpinan dan keterbukaannya untuk berubah adalah beberapa alasan kenapa ia adalah salah satu seniman yang paling dihormati dalam industri, meskipun sukses besar, ia tampaknya tidak pernah puas dan terus lanjut untuk mengambil risiko dalam karyanya – berusaha untuk terus berkembang.

Ia merupakan salah satu pelukis Vietnam pertama yang memiliki residen di Amerika Serikat dengan dukungan dari Asian Cultural Council dan Indochina Arts Partnership Foundation, ia juga menjabat sebagai salah satu anggota dari Vietnam Fine Arts Association dan member dari Arts Council of Southeast Asia UOB.

Go back to Lot 33

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

VASAN SITTHIKET 瓦桑 (Thai, b.1957)

Lot 34 In God Name We Bomb《 我們以神的名義炸彈》

是瓦桑為2008年在雅加達舉辦的名為“紅色星球：五年後的伊拉 克戰爭”的個展所創作的系列的一部分。顧名思義，這是瓦桑對伊 拉克戰爭的地緣政治問題的評論。在這裡，我們讓畫家本人陷入了 美國總統官邸下的男人之下，將他的臉當成炸彈，準備將這種爆炸 性武器帶給任何人。憤世嫉俗地微笑著，歪曲世界正義使者的自誇 角色，維護世界和平秩序。當所有手指都指著炸彈是所有邪惡的根 源時，瓦桑試圖告訴我們，炸彈只是沒有雙手的工具（就像畫中一 樣，瓦桑似乎雙手被綁住並鎖定在武器）;頭上還有其他人在操縱局 勢。 在“ Made In USA。”（美國製造）和軍用迷彩帆布的商標不斷重 複中，它暗示著美國軍隊所踏上過的往績記錄地圖。瓦桑被認為是 泰國最傑出的當代視覺藝術家之一，他是一個火力烙印，他的作品 絲毫不遜色。 自1970年代以來，他就一直是藝術界的活躍參與者，並且因其挑釁 性和政治敏感性主題而聞名，該主題涉及當代泰國，區域和國際問 題。他的作品經常談到政客和官僚之間的腐敗。 瓦桑是一位多學科藝術家，於1982年從曼谷美術學院獲得學位，他 是一位多學科藝術家，其作品曾在泰國，新加坡，加拿大，美國， 意大利，澳大利亞，日本的許多城市和重要博物館中展出。

In God Name We Bomb merupakan bagian dari serial Vasan yang dilukis untuk pameran solonya yang diselenggarakan di Jakarta pada tahun 2008 berjudul Red Planet: Iraq War Five Years Later.

Sesuai dengan judulnya, lukisan ini adalah komentar Vasan terhadap isu geopolitik dari perang Iraq. Di sini sang seniman melukis dirinya sendiri tertindih di bawah seorang lelaki berjas presiden Amerika Serikat, membuat wajahnya seperti bom, siap untuk menyerang senjata peledak kepada siapa pun. Sinisnya, dengan senyum miring, peran yang memproklamirkan diri sebagai tentara salib keadilan dunia, mengawasi tatanan perdamaian dunia. Ketika semua jari menunjuk pada bom sebagai akar dari segala kejahatan, Vasan mencoba memberitahu kita bahwa bom hanya lah alat tanpa tangan (seperti dalam lukisan, Vasan tampak seperti tangannya diikat dan dikunci pada senjata); ada orang lain di atas yang terkenal sedang memanipulasi situasi.

Dalam merek dagang yang selalu berulang dari “Made In U.S.A” dan kanvas kamuflase militer, itu menyinggung seperti peta rekam jejak yang telah diinjakkan oleh pasukan militer AS. Dianggap sebagai salah satu seniman visual kontemporer paling terkemuka di Thailand, Vasan adalah pencinta semangat dan tidak menahan satu inci pun untuk seninya.

Dia telah menjadi pemain aktif di kancah seni sejak tahun 1970an dan secara luas dikenal akan temanya yang provokatif dan sensitif secara politik dan berkaitan dengan masalah kontemporer Thailand, regional dan internasional. Karya-karyanya sering berbicara tentang korupsi di kalangan politisi dan birokrat.

Seorang seniman multidisipliner yang memperoleh gelar dari College of Fine Art di Bangkok pada tahun 1982, Vasan adalah seniman multidisipliner yang karyanya dipamerkan di berbagai kota dan museum penting di Thailand, Singapura, Kanada, Amerika Serikat, Italia, Australia, Jepang , Irlandia, Cina, dan banyak lagi.

Go back to Lot 34

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

JEIHAN SUKMANTORO 皆罕·素可曼多羅 (Indonesian, 1938- 2019) Lot 52 Sari《 薩里》 Lot 53 Nansi《 納西》 Lot 54 Nani《 納尼》

Lot 55 Irin《 伊林》 Lot 56 Tari Bali Biru《 峇里島舞者》

皆罕·素可曼多羅於1938年出生於印度尼西亞的泗水，是印度尼西 亞的著名畫家，與其他畫家相比，他的風格獨特而聞名。他曾經在 萬隆技術學院（ITB）的藝術與設計學院學習。但是，由於他的反叛 態度，他從未在ITB完成學業-這是因為他過去的瀕死經歷。 曾經有一次他出了車禍，據稱吉漢沒有生命，但他在被埋葬前醒 了。然後，這一經歷影響了他的思維方式和作品。 33拍賣會在這次拍賣中展示了大師的五幅代表性表現主義藝術品， 塔里·巴厘·比魯，伊琳，納尼，莎麗，南斯，都是黑眼或凹眼的 人像，並以兩種色調為背景。此外，上述是他的藝術身份，藝術家 在作品中經常將東方神秘與西方分析領域融合在一起-敘述了一種冥 想的光環，並象徵著人類或未來現實中神秘的黑暗。 在他的藝術之旅中，皆罕舉辦了100多次展覽，並在萬隆建立了一 個藝術工作室，在這裡，年輕人的創造力得以發展，使其具有創造 力和獨立性。他還是世界藝術與文化交流協會的委員會成員。總部 設在紐約，他的奇妙作品被全球許多藝術機構收藏。

Seniman ternama Indonesia kelahiran Surakarta, Indonesia pada tahun 1938, karya seni Jeihan Sukmantoro terkenal akan gayanya yang khas dibandingkan pelukis lainnya. Ia pernah kuliah di Fakultas Seni Rupa dan Desain di Institut Teknologi Bandung (ITB). Namun, ia tidak pernah menyelesaikan pendidikannya di ITB karena sikapnya yang memberontak - yang terjadi karena pengalamannya yang mendekati kematian di masa lalu.

Suatu ketika dia mengalami kecelakaan dan Jeihan diyakini tidak bernyawa, tetapi dia bangun sebelum dimakamkan. Peristiwa ini kemudian mempengaruhi cara berpikir dan karyanya.

33 Auction mempersembahkan lima karya seni ekspresionisme khas maestro, Tari Bali Biru, Irin, Nani, Sari, Nansi yang berupa potret manusia bermata hitam-gelap atau mata cekung dengan latar dua warna. Itu semua adalah identitas seninya, apalagi seniman ini sering memadukan antara mistis timur dengan ranah analitik barat dalam karyanya - menceritakan aura meditatif dan melambangkan kegelapan misteri di jalan manusia atau realitas masa depan.

Dalam perjalanan artistiknya, Jeihan telah menggelar lebih dari 100 pameran dan mendirikan suatu sanggar seni di Bandung tempat untuk mengembangkan kreativitas anak muda agar dapat menjadi kreatif dan mandiri. Seniman ini juga merupakan anggota komite dari The World Art and Culture Exchange Association Inc yang berkantor pusat di New York dan karya seninya yang luar biasa telah dikumpulkan di banyak institusi seni di seluruh dunia.

Go back to Lot 52-56

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

DJOKO PEKIK 卓可·佩奇克 (Indonesian, b.1938) Lot 61 The Farmer《 農夫》 Lot 62 Penari Topeng (Mask Dancer)《 納西》

卓可·佩奇克是印度尼西亞著名的藝術家，其作品不僅在該國而且

受“爪哇人馬蘭甘”面具舞的啟發，“面具舞者”被翻譯成英語的

在海外都廣為人知。他於1962年畢業於日惹的印度尼西亞藝術學

面具舞者。表演中使用了多種面具，每個面具都有其神聖的含義，

院。印尼翼文化組織）並積極協助Sanggar Bumi Tarung（一家專

代表著人類的人生旅程。這裡描繪的是舞者的臉，上面蓋著“潘

注於甚至下層階級也可以享受的藝術創作的藝術工作室），從而使

吉”面具。在這個時代，沒有多少人意識到這一遺產，因為它已經

Pekik轉向了他的寫實主義藝術風格並富於裝飾價值，例如鄉村和

死了，媒體對此的曝光率很低。在這裡，佩基克希望告訴所有人，

城市居民的生活以及以風景為主要主題的風景，大多以苔綠色，黑

這個美麗的傳統遺產已經存在，並希望未來會有更好的變化。

色，o石和奶油為主的淒涼色調來描繪。 在80年代，佩基克有機會在美國舉辦一場展覽，並最終引起了世 33拍賣會很自豪地呈現出佩奇克的“農夫”，“獨眼巨人”和“佩

界範圍內的公眾關注，來自國內外的許多藝術收藏家開始追捕他的

納里面具”，因為它們是一件藝術品，清楚地說明了他的主要藝術

作品。他在藝術之旅中取得成功的原因之一是因為他在畫所有作品

品格以及當今人們甚至沒有意識到的方面或在這個時代經常看到。

時都表現出了清晰而誠實的意圖，並且當他成為政治犯時，能夠徹 底描繪出詛咒和痛苦。最近，印尼現任總統約科·維多多（Joko

乍一看，“農夫”的藝術品看似簡單，看起來就像是一個農夫正對

Widodo）先生剛剛購買了他的藝術品，併計劃將其安裝在東加里

我們背對背，但要了解Pekik試圖告訴我們的主要問題，是通過那個

曼丹的新州立宮殿中，據報導其價值為數十億印尼盾。

人的情感和麵部表情來描繪的農民。這是當時確定的每個人如何努 力工作的確切代表，而且由於印度尼西亞擁有大量土地，因此有大 量的男子作為農民的日常工作。耕種不是一件容易的事，農民的皮 膚通常因曬傷而變成棕色，他們每天必須密切注意田地，從黎明到 黃昏都必須呆在工作場所。儘管經歷了種種艱辛，但我們可以看到 他們不僅為自己而努力，而且為家人等親人而努力，即使他看上去 皺著眉頭或不友好，從渴望的目光中我們也可以看到他回到家中。 繪畫。 面具舞者是基於巴厘島神話中的生物“巴龍”（Barong）而形成 的，它的大小與巨人一樣大，紅臉，大眼睛，尖牙。它看起來可能 很可怕，但實際上，巴龍被視為巴厘島的“守護天使”，它將保護 巴厘人免受那裡所信奉的邪惡女巫的傷害。在他著名的條紋布和遮 蓋一隻眼睛的眼罩上像海盜一樣具有人類特徵。儘管在印度尼西亞 領土上看到海盜並不常見，但出乎意料的是，在此期間海盜很多， 但考慮到我國擁有許多島嶼，這不足為奇。儘管經常被認為很糟 糕，但他們實際上受到了紀律處分並尊重等級制度，佩基克想通過 這件藝術品告訴我們，由於當時的人類虐待，有些人並不完全像天 使一樣善良，他們可能會像海盜一樣憤怒。

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

Djoko Pekik, seorang seniman ternama Indonesia yang karya

semua kesulitan, kita dapat melihat bahwa mereka bekerja keras

seninya cukup dikenal tidak hanya di dalam negeri tetapi juga di

tidak hanya untuk diri mereka sendiri tetapi untuk orang-orang

luar negeri dan lulus dari Institut Seni Indonesia Yogyakarta pada

terdekat mereka seperti keluarga, kita dapat melihat dari matanya

tahun 1962. Semasa kuliah, ia adalah bagian dari LEKRA (organisasi

kerinduan untuk pulang ke rumah meskipun dia tampak cemberut

budaya sayap kiri di Indonesia) dan aktif berpartisipasi dalam

atau tidak ramah seperti yang digambarkan di lukisan.

Sanggar Bumi Tarung (sanggar seni yang fokus pada produksi kesenian yang bisa dinikmati bahkan oleh masyarakat bawah),

‘Raksasa Bermata Satu’ diterjemahkan sebagai One-eyed Giant,

sehingga membawa Pekik pada gaya seninya yang realis-ekspresif

berdasarkan makhluk mitologi Bali, Barong yang berukuran

dan menghiasi nilai-nilai kemasyarakatan seperti kehidupan

seperti raksasa, berwajah merah bermata besar dan bertaring

masyarakat umum di desa-desa dan lingkungan perkotaan serta

tajam. Mungkin terlihat menakutkan tapi sebenarnya, barong

lanskap sebagai tema utamanya yang kebanyakan digambarkan

dianggap sebagai ‘malaikat pelindung’ Bali yang akan melindungi

dalam nada kelam dan didominasi oleh warna lumut-hijau, hitam,

masyarakat Bali dari penyihir jahat yang dipercaya di sana.

oker dan krem.

Digabungkan dengan fitur manusia seperti bajak laut dalam baju bergaris terkenal mereka dan penutup mata yang menutupi

33 Auction dengan bangga mempersembahkan, ‘The Farmer’,

salah satu matanya. Meskipun tidak umum melihat bajak laut di

‘Raksasa Bermata Satu’ dan ‘Penari Topeng’ dalam lelang ini

wilayah Indonesia namun di ternyata Indonesia adalah salah satu

karena mereka adalah karya yang dengan jelas menggambarkan

negara dengan jumlah bajak laut yang berlabuh di masa senggang

integritas artistik utama sang seniman dan sisi-sisi yang bahkan

mereka, tidaklah mengherankan mengingat negara kita memiliki

tidak disadari oleh orang-orang atau jarang kita lihat di era ini.

tak terhitung jumlah pulau. Meski sering dianggap buruk, mereka sebenarnya disiplin dan menghormati hierarki, melalui karya seni

Karya seni ‘The Farmer’ mungkin terlihat sederhana pada

ini Pekik ingin memberi tahu kita bahwa karena penganiayaan

pandangan pertama dan terlihat seperti hanya seorang petani

manusia saat itu, beberapa orang tidak sepenuhnya baik sebagai

yang menghadapkan punggungnya kepada kita, tetapi untuk

bidadari dan mereka bisa mengamuk seperti bajak laut.

memahami masalah utama tentang apa yang coba diceritakan Pekik kepada kita digambarkan melalui emosi dan ekspresi wajah

‘Penari topeng’ diterjemahkan sebagai masked dancer dalam

petani tersebut. Ini adalah representasi yang tepat sesuai dengan

bahasa Inggris, terinspirasi dari tari topeng Malangan Jawa. Ada

periode yang ditetapkan di sini tentang bagaimana setiap orang

beberapa topeng yang digunakan dalam pementasan tersebut dan

laki-laki harus bekerja keras dan karena Indonesia memiliki lahan

masing-masing memiliki makna sakral yang mewakili perjalanan

yang luas, banyak laki-laki yang bekerja sebagai petani sebagai

hidup manusia. Yang digambarkan di sini adalah wajah penari yang

pekerjaan sehari-hari. Bertani bukanlah pekerjaan yang mudah,

ditutupi topeng ‘panji’. Di zaman sekarang ini, tidak banyak orang

kulit petani biasanya berwarna kecokelatan akibat terbakar sinar

yang menyadari warisan ini karena sudah sekarat dan minimnya

matahari dan mereka harus mengawasi ladang mereka setiap hari

eksposur media tentang hal ini, di sini Pekik berharap dapat

dan berada di tempat kerja dari fajar hingga senja. Terlepas dari

memberitahu semua orang bahwa warisan tradisional yang indah ini ada dan mengharapkan perubahan yang lebih baik di masa Go back to Lot 61&62

Modern & Contemporary Art Online Auction (OJ004) until 12 Oct 2020

AGUS TRIYANTO BR 阿古斯·特里揚托 Lot 77 Behind the Red #1《紅色 1 號背後》 (Indonesian, b.1979)

<紅色1號背後>背後的主題是：隨著每個人在社會中扮演的生活角 色的反應，自然和態度的統一成為每個人性格的一種形式。

Topeng kehidupan, sebagai tema dalam karya ini. Adanya respon terhadap peran-peran kehidupan yang dimainkan oleh setiap individu dalam masyarakat. Sifat dan sikap menjadi satu kesatuan sebagai wujud dari setiap karakter seseorang.

Go back to Lot 77

ROEDYAT MARTADIREDJA 巴蘇基·阿卜杜拉

(Indonesian, 1930- 2002)

Lot 86 Ceremony in Bali Lot 87 Barong Dance Lot 88 Kesibukan Di Pagi Hari ( Morning Activity ) Lot 89 The Village 羅岱·瑪塔蒂勒加是一位1930年出生於萬隆的印度尼西亞現代藝術家，在與 Barli Sasmitawinata遇見時首次接觸藝術繪畫，Barli Sasmitawinata是印 度尼西亞藝術史上的重要藝術家。羅岱·瑪塔蒂勒加不僅著迷於繪畫，而且 還著迷於雕塑，他在德國斯圖加特的國家美術館學習雕塑。 1951年，羅岱· 瑪塔蒂勒加舉行了他的第一場展覽，該展覽的重點是抽象繪畫，這些繪畫將 形式轉變為現場佈置。後來，他通過將印度尼西亞的傳統木偶（wayang） 主題引入他的作品，轉向了其他繪畫風格，這些繪畫以裝飾圖案為特色，在 傳統市場或儀式節日中以爪哇夫人的身份出現。他贏得了Rottweil（1963） 的比賽和Jakarta（1973）的紀念性比賽。 羅岱·瑪塔蒂勒加的大部分作品都基於他的周圍環境，在33拍賣會上自豪地 展示了Barong舞蹈，巴厘島儀式和清晨的忙碌，這是他在巴厘島時創作的 三幅精美藝術品。這些畫描繪了一個 瞥見眾神之島中常見的事物，從與精神儀式相關的傳統舞蹈到人們如何將清 澈明亮的色彩完美融合在一起，過著怎樣的日常生活。

In God Name We Bomb merupakan bagian dari serial Vasan yang dilukis untuk pameran solonya yang diselenggarakan di Jakarta pada tahun 2008 berjudul Red Planet: Iraq War Five Years Later.

Sesuai dengan judulnya, lukisan ini adalah komentar Vasan terhadap isu geopolitik dari perang Iraq. Di sini sang seniman melukis dirinya sendiri tertindih di bawah seorang lelaki berjas presiden Amerika Serikat, membuat wajahnya seperti bom, siap untuk menyerang senjata peledak kepada siapa pun. Sinisnya, dengan senyum miring, peran yang memproklamirkan diri sebagai tentara salib keadilan dunia, mengawasi tatanan perdamaian dunia. Ketika semua jari menunjuk pada bom sebagai akar dari segala kejahatan, Vasan mencoba memberitahu kita bahwa bom hanya lah alat tanpa tangan (seperti dalam lukisan, Vasan tampak seperti tangannya diikat dan dikunci pada senjata); ada orang lain di atas yang terkenal sedang memanipulasi situasi.

Dalam merek dagang yang selalu berulang dari “Made In U.S.A” dan kanvas kamuflase militer, itu menyinggung seperti peta rekam jejak yang telah diinjakkan oleh pasukan militer AS. Dianggap sebagai salah satu seniman visual kontemporer paling terkemuka di Thailand, Vasan adalah pencinta semangat dan tidak menahan satu inci pun untuk seninya.

Dia telah menjadi pemain aktif di kancah seni sejak tahun 1970-an dan secara luas dikenal akan temanya yang provokatif dan sensitif secara politik dan berkaitan Go back to Lot 86-89

Enquiries Jakarta Jl. Brawijaya 1C No. 4 Jakarta 12160 Indonesia +62 21 7206975 +62 21 7203505 Singapore 215 Henderson Road #01-05 Singapore 159554 +65 6747 4555 live@33auction.com www.33auction.com

Lot 3 | HENDRA GUNAWAN | My Dream Girl