Bravo 2013–2014 SEASON APRIL
A proud sponsor of the 2013-2014 Ogle Series Season
As we near the end of my first season as director, I would like to share with you a program that is near and dear to my heart. Since its inception in 1996, the Children’s Series has served more than 175,000 school children, parents, and teachers, without any cost to the students or their schools. The success of this unique program is due primarily to the funding put in place by corporations, foundations, organizations, and individuals dedicated to education through the arts and who feel, as do we, that access to the arts is important in the learning life of a child. I would like to thank the supporters of the 2013-2014 Children’s Series: Horseshoe Foundation of Floyd County, Harrison County Community Foundation, The Gheens Foundation, Inc., Indiana Arts Commission, Community Foundation of Southern Indiana, and Duke Energy Foundation. Your tremendous support has made a difference in the lives of these students. I see it in their faces as they enter the Ogle Center with excitement in their eyes and the high fives they give our ushers and me. Thank you for enriching our community and the lives of our future leaders. During the months of April and May, we will be featuring four different performances as part of the Children’s Series: Farmer Jason’s Nature Jams, April 7-11; Shanta’s Stories and Songs of African People, April 14-16; IndiUcky, an original musical comedy created by our IU Southeast theatre students and faculty, April 25; and Doktor Kaboom!, May 13-16. These performances are open to the public, but reservations are required. Please contact Kelly Scott in our ticket office at 941-2526 to make your reservations today! Finally, I want to thank each of you for your support of the arts at IU Southeast. We are delighted that you are here. Please help us spread the word about the incredible talent of our IU Southeast music, theatre, and fine arts students and faculty and the great performance, production, or Barr Art Gallery exhibit you attended. Watch for our 2014-2015 season announcement in early summer, and we look forward to seeing you at the Ogle Center!
Kirk Randolph Ogle Center Director
As WFPL’s arts and humanities reporter, Erin Keane reports on the issues, trends people and events that impact our community’s arts landscape.
89.3 WFPL news or visit her blog ArtCraft on WFPL.org.
WELCOME
F rom the Director
Happy Spring!
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COMM
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Bringing the arts to the next generation of artists.
HARRISON COUNTY Building our future together
812-738-6668 www.hccfindiana.org
2013-2014 SEASON
Office: (812)941-2544 Information Line: (812) 941-2526 E-mail: oglemail@ius.edu Web site: oglecenter.ius.edu Ticket office hours Tues-Fri 10 a.m. – 12 p.m. | 1 p.m. – 4 p.m. Opens one and one half hours prior to every performance and until intermission on show days. Purchase tickets at the Ogle Center ticket office, the Ogle Center web site, or by phone at (812) 941-2526. OGLE CENTER STAFF Kirk Randolph, Director Kelly Scott, Box Office Manager Jay Moore, Technical Director Derek Young, Assistant Technical Director Joseph Leezer, Technical Assistant Undarmaa Enkhee, Accounting Assistant OGLE CENTER ADVISORY COMMITTEE D. Jack Mahuron, chair Samantha Earley, Joanna Goldstein, John Hartstern, Judy Hess, Rebekkah Meixner-Hanks, Donna Stallard, Millicent Stiefler, Tina Walters, Dana Wavle BRAVO program designer: Ken Atkins
SPONSORS
Louisville Orchestra
PART OF THE LOUISVILLE ORCHESTRA NIGHTLITES CONCERT SERIES Friday, April 4, 2014 at 7:30 p.m. Richard K. Stem Concert Hall
IU Southeast Concert Choir & Community Chorus PART OF THE IU SOUTHEAST MUSIC DEPARTMENT CONCERT SEASON Sunday, April 6, 2014 at 3 p.m. Richard K. Stem Concert Hall
IU Southeast Concert Band PART OF THE IU SOUTHEAST MUSIC DEPARTMENT CONCERT SEASON Sunday, April 13, 2014 at 3 p.m. Richard K. Stem Concert Hall
The Boxcars
PART OF THE OGLE CENTER DIFFERENT DRUMMER SERIES Friday, April 25, 2014 at 7:30 p.m. Richard K. Stem Concert Hall
IU Southeast Guitar Ensemble
PART OF THE IU SOUTHEAST MUSIC DEPARTMENT CONCERT SEASON Friday, April 25, 2014 at 7:30 p.m. Stiefler Recital Hall The Gheens Foundation Inc.
IU Southeast Orchestra
PART OF THE IU SOUTHEAST MUSIC DEPARTMENT CONCERT SEASON Sunday, April 27, 2014 at 3 p.m. Richard K. Stem Concert Hall
APRIL
APRIL Paul W. Ogle Cultural & Community Center 4201 Grant Line Road New Albany, IN 47150
BOX OFFICE
Tuesday–Friday 10 a.m.–12 p.m. and 1 p.m.–4 p.m. Opens one and one half hours prior to every performance and remains open until intermission on show days.
Service Animals Service animals are animals that are individually trained to perform tasks for people with disabilities such as guiding people who are blind, alerting people who are deaf, pulling wheelchairs, alerting and protecting a person who is having a seizure, or performing other tasks. Service animals are working animals, not pets.
You can order your tickets through any of the following methods: Order by Phone: (812) 941-2526 Order online at oglecenter.ius.edu. Order in Person: Our ticket office is located in the lobby of the Paul W. Ogle Cultural and Community Center directly inside the front entrance to our facility.
POLICIES
All patrons must have a ticket, regardless of age. Patrons arriving late to the performances will be seated at the discretion of management.
TICKET DONATIONS AND REFUNDS
ALL SALES ARE FINAL. There are no refunds or exchanges. If you are unable to use your tickets for a performance, we will gratefully accept them as a tax-deductible contribution. Please call the Ticket Office at (812) 941-2526.
Cameras and recording devices are strictly prohibited unless special permission is granted from the Ogle Center and the artist. Flash photography is prohibited at all times.
PARKING
Smoking, food and beverages are prohibited in the theaters. Food and beverages are permitted in designated lobby areas. Indiana University Southeast is a tobaccofree campus.
Paid parking is required for all events. Parking spaces for persons with disabilities are available in the lot immediately in front of the Center. Parking passes are included with Different Drummer Series Subscriptions.
SPECIAL NEEDS
GENERAL INFORMATION
Restrooms are located just off of the Ogle Center lobby in Knobview Hall, to the right as you leave the concert halls.
We are pleased to serve persons with special needs. Please call our Ticket Office at (812) 941-2526 to detail your needs in advance to reserve special seating for wheelchair patrons, listening enhancement devices. Parking spaces for persons with disabilities are available in the lot immediately in front of the Center. Assistive Listening Devices The Stem Concert Hall, Robinson Theater and Stiefler Recital Hall are each equipped with five assistive listening devices. These are for use by patrons without hearing aids. The use of these devices is free. To reserve a device, simply call the Ogle Center Ticket Office at (812) 941-2526.
USH ER
ACCESSIBILITY
Parking passes are available for a nominal fee at the parking kiosks located at campus entrances. Parking passes are provided for season subscribers. To volunteer as an usher at any of our upcoming events, please contact (812)941-2526. The Ogle Center is available for rental events. To rent the Ogle Center for your next gala, business meeting, or performing arts event, please contact the Ogle Center Office at (812) 941-2503.
PAUL W. OGLE CULTURAL & COMMUNITY CENTER
Wheelchair Accessibility An elevator is conveniently located in the lobby of the Ogle Center and Knobview Hall for those patrons needing assistance to reach the balcony or the rear parking lot. In addition, each theater (including the outdoor amphitheater) provides a number of seats without steps and rollup space for patrons in wheelchairs. For your convenience, please call the Ogle Center Ticket Office at (812) 941-2526 in advance to reserve your rollup location.
Republic Bank
NightLites A PORTRAIT OF
ROBERT SCHUMANN Bob Bernhardt, conductor
Robert Schumann
Symphony No. 1 in Bb Major, op. 38 (“Spring”)
IV. Allegro animato e grazioso
Robert Schumann
Kuriose Geschichte from Kinderszenen
Robert Schumann
Träumerei from Kinderszenen
Robert Schumann
Concertstück in F Major, op. 86
Arr. Klose
Arr. Luck
I. Lebhaft
Louisville Orchestra Horn Section Jon Gustely, Steve Causey, Diana Morgen, Bruce Heim
Robert Schumann
Dichterliebe
Chad Sloan, baritone
Robert Schumann
“Finale” from Overture, Scherzo, and Finale, op. 52
Robert Schumann
Symphony No. 3 in Eb Major, op. 97 (“Rhenish”)
Orch. Brad Ritchie I. Im wunderschönen Monat Mai II. Aus meinen Tränen sprießen III. Die Rose, die Lilie, die Taube, die Sonne
III. Nicht schnell IV. Feierlich V. Lebhaft
W
· April 4, 2014 · 7:30 p.m.
PROGRAM
LOUISVILLE ORCHESTR A
LOUISVILLE ORCHESTRA
LOUISVILLE ORCHESTRA MUSICIANS JORGE MESTER, MUSIC DIRECTOR
LOUISVILLE ORCHESTR A
MARY AND BARRY BINGHAM, SR., MUSIC DIRECTOR CHAIR
BOB BERNHARDT, PRINCIPAL POPS CONDUCTOR
JASON SEBER, EDUCATION AND OUTREACH CONDUCTOR
FIRST VIOLIN Michael Davis, Concertmaster
BASS Bert Witzel, Principal Patricia Docs, Interim Assistant
Emma Sutton, Interim Assistant
Robert Docs Karl Olsen
Fanny and Charles Horner Concertmaster Chair
Concertmaster
National City Bank Chair
Katheryn S. Ohkubo Cheri Lyon Kelly
Mrs. John H. Clay Chair
Stephen Taylor
Clayton Pusateri Chair, Endowed by Joe and Vickie Pusateri
Principal
Jarrett Fankhauser Chair, Endowed by the Paul Ogle Foundation
Michael Chmilewski
FLUTE Kathleen Karr, Principal Elaine Klein Chair
Scott Staidle Nancy Staidle Barbara Meek Patricia Fong Tamara Meinecke
Donald Gottlieb
SECOND VIOLIN Robert Simmonds, Interim Principal
OBOE Jennifer Potochnic, Principal
Claire and Lee Lenkoff Chair
Kimberly Tichenor, Interim Assistant Principal
Devonie Freeman
Mary Catherine Klan Violin Chair, Endowed by Chase
Elisa Spalding Charles Brestel
Patricia Ann Jenkins Endowed Chair
Philip M. Lanier Chair
PICCOLO Donald Gottlieb
Alvis R. Hambrick Chair
Betty Arrasmith Chair, Endowed by the Association of the Louisville Orchestra
Trevor Johnson, Assistant Principal Edgar J. Hinson III Chair
CLARINET Andrea Levine, Principal
Brown-Forman Corp. Chair
Ernest Gross
TUBA Chris Combest, Interim Principal TIMPANI James Rago, Principal
Mr. and Mrs. Warwick Dudley Musson Principal Timpani Chair
PERCUSSION John Pedroja, Principal †Mark Tate HARP Mary Julian Rapier, Principal The Humana Foundation Chair
KEYBOARD † Grace Baugh-Bennett
Margaret S. Comstock Piano Chair
†Auxiliary musician
*On leave
GENERAL MANAGER Lindsay C. Vallandingham
Kate H. and Julian P. Van Winkle, Jr. Chair PERSONNEL MANAGER
Heidi Tracy Judy Pease Wilson Blaise Jessop Poth Clinton Grosz
BASS CLARINET Ernest Gross
Adrienne Hinkebein
VIOLA Jack Griffin, Principal
BASSOON Matthew Karr, Principal
OPERATIONS MANAGER Kathryn Ferrell
*Melinda Odle, Assistant Principal
† Chris Reid
Clara Markham
HORN Jon Gustely, Principal
STAGE MANAGER Bill Polk
Jennifer Shackleton Jonathan Mueller
Stephen Causey, Assistant Principal Diana Wade Morgen
Meghan Casper
TRUMPET J. Jerome Amend, Principal
Aegon Chair
Jacqueline R. and Theodore S. Rosky Chair Mr. and Mrs. Charles W. Hebel, Jr. Chair
General Dillman A. Rash Chair
Paul D. McDowell Chair
Edith S. and Barry Bingham, Jr. Chair
Virginia Kershner Schneider Viola Chair, Gary and Sue Russell Chair Endowed in Honor of Emilie Strong Smith † Bruce Heim by an Anonymous Donor
CELLO Open, Principal
Leon Rapier Chair, Endowed by the Musicians of the Louisville Orchestra
Thomas Mattingly and Anita Grenough Abell Memorial Chair
James Recktenwald, Assistant
Carole C. Birkhead Chair, Endowed by Dr. Ben M. Birkhead
Daniel Kassteen
Dr. Edward Leo Callahan Chair
TROMBONE Donna Parkes, Principal
Frances Shapiro-Weitzenhoffer Chair, Endowed by Esther & Dr. David Shapiro
†Brett Shuster
Joseph Caruso, Assistant Principal Christina Hinton Allison Olsen
Deborah Caruso Julia Preston
Principal
Lynne A. Redgrave Chair
PNC Bank, Kentucky, Inc. Chair
BASS TROMBONE Raymond Horton
LIBRARIAN Erika Voss
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Helping our communit
r a o ys
CONCERT CHOIR & COMMUNITY CHORUS Aaron Lundy, director
Madeline Norman, accompanist with the
IU SOUTHEAST ORCHESTRA DR. AMANDA BOYD, soprano · MAGGIE SCHWENKER, mezzo-soprano AARON LUNDY, tenor · AUSTIN ECKLES, bass
PROGRAM REQUIEM MASS in D minor, K. 626 . . . . Wolfgang Amadeus Mozart
(1756–1791)
I. INTROITUS: Requiem
Requiem aeternam dona eis, Domine, et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion, et tibi reddetur votum in Jerusalem. Exaudi orationem meam, ad te omnis care veniet. Requiem aeternam dona eis, Domine, et lux perpetua luceat eis.
Grant them eternal rest, Lord, and let perpetual light shine upon them. You are praised, God, in Zion, and homage will be paid to you in Jerusalem. Exaudi orationem meam, ad te omnis care veniet. Requiem aeternam dona eis, Domine, et lux perpetua luceat eis.
II. KYRIE
Kyrie, eleison. Christe, eleison. Kyrie, eleison.
Lord, have mercy on us. Christ, have mercy on us. Lord, have mercy on us.
III. SEQUENCE
Dies Irae Dies irae, dies illa Solvet saeclum in favilla, teste David cum Sibylla. Quantus tremor est futurus, quando judex est venturus, cuncta stricte discussurus!
Day of wrath, day of anger will dissolve the world in ashes, as foretold by David and the Sibyl. Great trembling there will be when the Judge descends from heaven to examine all things closely.
· April 6, 2014 ·3 p.m.
Dr. Joanna Goldstein, director
IU SOUTHEAST CHOIRS
IU Southeast
IU SOUTHEAST CHOIRS
Tuba mirum Tuba mirum spargens sonum per sepulcra regionum, coget omnes ante thronum. Mors stupebit et natura, cum resurget creatura, judicanti responsura. Liber scriptus proferetur, in quo totum continetur, unde mundus judicetur. Judex ergo cum sedebit, quidquid latet, apparebit, nil inultum remanebit. Quid sum miser tunc dicturus? quem patronum rogaturus, cum vix justus sit securus?
The trumpet will send its wondrous sound throughout earth’s sepulchres and gather all before the throne. Death and nature will be astounded, when all creation rises again, to answer the judgement. A book will be brought forth, in which all will be written, by which the world will be judged. When the judge takes his place, what is hidden will be revealed, nothing will remain unavenged. What shall a wretch like me say? Who shall intercede for me, when the just ones need mercy?
Rex tremendae Rex tremendae majestatis, qui salvandos savas gratis, salve me, fons pietatis.
King of tremendous majesty, who freely saves those worthy ones, save me, source of mercy.
Recordare Recordare, Jesu pie, quod sum causa tuae viae; ne me perdas illa die. Quaerens me, sedisti lassus, redemisti crucem passus; tantus labor non sit cassus. Juste judex ultionis, donum fac remissionis ante diem rationis. Ingemisco, tamquam reus: culpa rubet vultus meus; supplicanti parce, Deus. Qui Mariam absolvisti, et latronem exaudisti, mihi quoque spem dedisti. Preces meae non sunt dignae, sed tu, bonus, fac benigne, ne perenni cremer igne. Inter oves locum praesta, Et ab haedis me sequestra, Statuens in parte dextra.
Remember, kind Jesus, my salvation caused your suffering; do not forsake me on that day. Faint and weary you have sought me, redeemed me, suffering on the cross; may such great effort not be in vain. Righteous judge of vengeance, grant me the gift of absolution before the day of retribution. I moan as one who is guilty: owning my shame with a red face; suppliant before you, Lord. You, who absolved Mary, and listened to the thief, give me hope also. My prayers are unworthy, but, good Lord, have mercy, and rescue me from eternal fire. Provide me a place among the sheep, and separate me from the goats, guiding me to Your right hand.
Confutatis Confutatis maledictis, flammis acribus addictis, voca me cum benedictus. Oro supplex et acclinis, cor contritum quasi cinis, gere curam mei finis.
When the accused are confounded, and doomed to flames of woe, call me among the blessed. I kneel with submissive heart, my contrition is like ashes, help me in my final condition.
Lacrimosa Lacrimosa dies illa, qua resurget ex favilla judicandus homo reus. Huic ergo parce, Deus, pie Jesu Domine, dona eis requiem. Amen.
That day of tears and mourning, when from the ashes shall arise, all humanity to be judged. Spare us by your mercy, Lord, gentle Lord Jesus, grant them eternal rest. Amen.
IV. OFFERTORY
Domine Jesu Domine Jesu Christe, Rex gloriae, libera animas omnium fidelium defunctorum de poenis inferni et de profundo lacu. Libera eas de ore leonis, ne absorbeat eas tartarus, ne cadant in obscurum. Sed signifer sanctus Michael repraesentet eas in lucem sanctam. Quam olim Abrahae promisisti et semini ejus. Hostias Hostias et preces tibi, Domine, laudis offerimus. Tu sucipe pro animabus illis, quaram hodie memoriam facimus. Fac eas, Domine, de morte transire ad vitam, Quam olim Abrahae promisisti et semini ejus.
Lord Jesus Christ, King of glory, liberate the souls of the faithful, departed from the pains of hell and from the bottomless pit. Deliver them from the lion’s mouth, lest hell swallow them up, lest they fall into darkness. Let the standard-bearer, holy Michael, bring them into holy light. Which was promised to Abraham and his descendants. Sacrifices and prayers of praise, Lord, we offer to You. Receive them in behalf of those souls we commemorate today. And let them, Lord, pass from death to life, which was promised to Abraham and his descendants.
V. AGNUS DEI
Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agnus Dei, qui tollis peccata mundi, dona eis requiem. Agnus Dei, qui tollis peccata mundi, dona eis requiem sempiternam.
Lamb of God, who takes away the sins of the world, grant them eternal rest. Lamb of God, who takes away the sins of the world, Grant them eternal rest. Lamb of God, who takes away the sins of the world, grant them eternal rest forever.
VI. COMMUNION
Lux aeterna luceat eis, Domine, cum sanctis tuis in aeternum, quia pius es. Requiem aeternum dona eis, Domine, et Lux perpetua luceat eis, cum Sanctus tuis in aeternum, quia pius es.
Let eternal light shine on them, Lord, as with Your saints in eternity, because You are merciful. Grant them eternal rest, Lord, and let perpetual light shine on them, as with Your saints in eternity, because You are merciful.
IU SOUTHEAST CHOIRS
IU SOUTHEAST CHOIRS
IU SOUTHEAST CHOIRS CONCERT CHOIR Whitney Bailey Jacqueline Brown Vanessa Cowherd Chris Deaton Brittany Emmons Shane Evans Krystal Gilbert Meg Gusler Michelle Johnson Nathaniel Liles Curtis Merrill Mike Mullins Madeline Norman Tyler Pavey Richard Stottman Paul Stiller Amanda Tewell
COMMUNITY CHORUS Kailey Baird Sarah Breit James Butterfield Mike Callahan Kendall Carpenter Alex Clemons John Cloud Hannah Eggar Rebecca Eggar Lori Eskridge Claire Faith Patrick Fanning Ellen Fox Tom Gibson Angrestasia Grover Meg Gusler Melinda Kozo Aaron LInson Rick Lovett
Susan Metzger Miranda Minnick Phyllis Mullins Stacy Mullins Izzy Nolan Laikyn Pavey Shaune Rebilas Ashley Reynolds Donna Sanders Yvonne Satow Megan Tavares Amanda Tewell Sarah Tisway Taylor Warner Timothy Watts Elizabeth Weaver Leisa White Choral Assistant Meg Gusler
Members of the
IU SOUTHEAST ORCHESTRA VIOLIN I Ana Sarbu, concertmaster Kojin Tashiro Stephanie Watson Amy Cissell Ray Weaver Adrienne Hinkebein VIOLIN II Katelyn Wilkinson Cory Colmore Stephen Taylor Charles Brestel VIOLA Kyle Williams Lisa Weaver Angela Elliott Laura Johnson
CELLO Jon Silpayamanant Julia Blackwell-Aguilar Chelsea Getty Susan Hooe BASS Donna Kessinger Christian Hannah Leo Klarer CLARINET Jennifer Shulten Jenny Krider BASSOON Nan Tate Jessica Hubbard Robert Rollings
TRUMPET Philip Thomas Alecia Simonis TROMBONE Robert Leach Jonathan East Marc Blackwell TIMPANI Mike Kessinger ORGAN Janet Hamilton LIBRARIAN Traci Bluhm
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CONCERT BAND
INDIANA UNIVERSITY SOUTHEAST CONCERT BAND Philip A. Thomas, director
PROGRAM Nitro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Frank Tichelli (b. 1958)
Three Junes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Timothy Miller (b. 1981)
Second Suite in F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Gustav Holst
(1874–1934)
I. March II. Song Without Words III. Song of the Blacksmith IV. Fantasia on the “Dragason”
INTERMISSION
Country Gardens . . . . . . . . . . . . . . . . . . . setting by Percy Grainger (1882–1961) arranged by John Philip Sousa (1854–1932)
Finale from Symphony No. 5 . . . . . . . . . . . . . . Dmitri Shostakovich (1906–1975) transcribed by Charles B. Righter
IU SOUTHEAST CONCERT BAND · April 13, 2014 · 3 p.m.
IU Southeast
MUSICIANS OF THE
IU SOUTHEAST CONCERT BAND
IU SOUTHEAST CONCERT BAND Philip A. Thomas, director
FLUTE Sue Righthouse Jenny Jochim Zoe Blackwell Traci Bluhm - Piccolo Ellen Burt Kelsey Prall Becca Dirck
BASSOON Janie Spitznagel Steve Nale
OBOE Mary Lou Frank Page Curry Autumn Grasty
TENOR SAXOPHONE Mike Grzelaczyk Bob Gilewski
CLARINET Naomi Henderson Kristie Lomond Yuji Jones Kathryn Goldman Olivia Stilger Amanda Lochner Marcie Maxey Jennifer Gordon Mildred Vernia Joyce Stone Judy Renwick Quintera Quinn BASS CLARINET Shane Evans Megan Renwick
ALTO SAXOPHONE Cory Barnfield Steve Brewer Vic Maddox
BARITONE SAXOPHONE Steve Baker TRUMPET Tim Bohannon Tim Johnston Dan Goldman Andy Weedman Roger Stepro Alecia Simonis Ray Rice Martin Dixon Tyler Reed Seth Jines
HORN Sarah Tackett Mitzi Brown Janet Moery Brit Roberts Helen Jean Gilland Brian Brown Andrew Herald TROMBONE Jason Rich Craig Bossley Zach Rich Zach Haley EUPHONIUM Robert Crafton Bob DeHoag Kristi Schmidt Joe Law Jonathon Davis TUBA Russell Shartzer Norm Epley PERCUSSION Allison Bohm Shannon Kisselbaugh Taylor Reid Jordan Amos Stuart Brewer - Timpani Nathan Smith LIBRARIAN Traci Bluhm
THE BOXCARS t’s difficult to name a band that is more all-around talented than The Boxcars. Band members have numerous IBMA and Grammy Awards and have shared the stage with most of the top names in bluegrass. Their first two releases as a group helped earn them two consecutive IBMA Instrumental Group of the Year awards. Their latest album, It’s Just a Road, is sure to attract the same level of attention, if not more. Without a list or a plan, Adam Steffey, Ron Stewart, John Bowman, Keith Garrett and Harold Nixon met in the studio and created the new album in less than four days. The Boxcars walked out of that studio with twelve dynamic tracks executed with the characteristic emotion, precision, and cleverness that fans have come to expect from The Boxcars. The reigning IBMA Instrumental Group of the Year displays their versatility with a variety of elements that include Swing, Old Time, Gospel and quite possibly the finest Bluegrass heard anywhere. The band is comprised of five players who could individually play with anyone they wish, but they choose The Boxcars. It’s rock solid, masterful, delicious Bluegrass; rooted in tradition and flavored with contemporary finesse. “There’s no grand scheme,” says Adam Steffey, “We’re just five guys who play what we like. There’s not a lot of fanfare. After all, what’s wrong with just playing Bluegrass?”
· April 25, 2014 · 7:30 p.m.
I
THE BOXCARS
THE BOXCARS
Adam Steffey
An East Tennessee native, he found a place in the Tennessee-Virginia border area’s thriving bluegrass scene in short order, serving early stints with the Lonesome River Band (Tyminski was his replacement there) and then helping to found the near legendary group, Dusty Miller, along with Barry Bales and guitarist Tim Stafford. The three jumped to the big time together when Alison Krauss recruited them into Union Station, and for nearly seven years, Steffey lived the life of a high profile musician, as the band earned Grammy awards and IBMA trophies, toured extensively, made national TV appearances and recorded albums that reached far beyond the core bluegrass audience. Yet by 1998, the restless side of Steffey’s spirit made itself felt when he left the group and, after helping to lay plans for what would become Mountain Heart, joined bluegrass gospel favorites The Isaacs—a setting in which he played a different, though no less important role.
Ron Stewart
Ron Stewart is well on the road to becoming a legend in contemporarybluegrass music. He is already one of the most sought after multi-instrumental session players in the genre’s history, and is in high demand as an engineer and producer. Stewart grew up in rural southern Indiana, an hour and a half from the famous Bill Monroe’s Bean Blossom bluegrass festival, surrounded by a family that played bluegrass and oldtime country music and a community rich with musicians. In his thirty-three years of playing banjo, fiddle, guitar, bass, and mandolin, Ron has gone from fronting his family band for over ten years to working with a who’s who of bluegrass, including Lynn Morris, Curly Seckler, a guest appearance at age nine on a live album with Lester Flatt, and, most recently, a six-year stint as fiddler for JD Crowe and The New South, followed by a stint as a member of the Dan Tyminski Band. Notably, Ron engineered much of and played fiddle on The New South’s 2006 release, “Lefty’s Old Guitar,” which is nominated for a Grammy.
John R. Bowman
How many folks can say they were born in Mayberry, worked for Alison Krauss, and are married to one of the Isaacs? Well, one: John R. Bowman. A family move to Ararat, VA and exposure to the rich musical heritage in that region eventually lead to Doyle Lawson asked him to join Quicksilver in 1991. He stayed with the band from 1991-1992 and recorded 4 cds with Quicksilver. During the summer of 1991, he met back up with his old buddies from a group called Dusty Miller, Adam Steffey and Barry Bales. They were playing with a young lady from Champaign, Illinois named Alison Krauss. By September of 1992, Alison had asked him to join her band as Dan Tyminski was going back to the Lonesome River Band. He played with Alison about 15 months. In 1994 he married Becky Isaacs and worked with them on various levels for over 12 years.
Keith Garrett
Keith Garrett grew up in the community of Citico in East Tennessee. His earliest and possibly most important musical influence was his dad, William Garrett, who taught Keith to play the guitar at the age of thirteen. Almost immediately he was drawn to the music of such greats as Tony Rice, Keith Whitley, the Bluegrass Album Band, Doyle Lawson & Quicksilver, and Ricky Skaggs, and he soon began playing with various local and regional bands. In 2000 Keith became a founding member of Blue Moon Rising, an East Tennessee based bluegrass band that received national acclaim and was nominated for “Emerging Artist of the Year” in 2006 by the International Bluegrass Music Association. As a member of Blue Moon Rising, Keith continued to hone his talents and earned himself a place alongside some of the best singers and songwriters in bluegrass.
Harold Nixon
Harold Nixon has been a working musician since he was 15 years old, and has had an intense interest in recording almost from the beginning. With a keen ear and a rock solid sense of rhythm and timing, he has gained the respect of the very best in the business, eventually leading to a six year stint with JD Crowe and the New South, touring in the band and appearing on the 2008 Grammy Nominated record “Lefty’s Old Guitar.” Some recent work with Blue Moon Rising has kept him in the spotlight the past couple of years.
Isn’t it time you got treated like a star?
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IU SOUTHEAST GUITAR ENSEMBLE Andrew Rhinehart, director April 25, 2014 · 7:30 p.m. Millicent and Norman Stiefler Recital Hall
PROGRAM La Filadora . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Miguel Llobert El Testament d’ Amelia (1878–1938) L’Hereu Riera Full Ensemble
Preludio from Siere Americana . . . . . . . . . . . . . . . . . . . . . Hector Ayala (1914–1990) Michael Blankenbaker Estudio Sencillo I, II, and III . . . . . . . . . . . . . . . . . . . . . Leo Brouwer (b. 1939) Christopher Jetter El Decameron Negro . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Leo Brouwer Balada de la Doncella Enamorada (Ballad of the Maiden in Love) (b. 1939) Travis Schuster
Romance Without Words . . . . . . . . . . . . . . . . . . . . . . . . . . Miguel Llobert (1878–1938) Travis Schuster, Christopher Jetter, Andrew Rhineart
INTER MISSION
IU SOUTHEAST GUITAR ENSEMBLE · April 25, 2014 · 7:30 p.m.
IU SOUTHEAST GUITAR ENSEMBLE
IU SOUTHEAST GUITAR ENSEMBLE
Backwaters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Tony Rice (b. 1951) Travis Schuster and Michael Blankenbaker
Lydia Grace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christopher Lee Jetter (b. 1983) Travis Schuster and Michael Blankenbaker
Green Scarf Girl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Travis Schuster (b. 1971) Zoë Blackwell, flute and Travis Schuster, guitar
The Old Castle from Pictures at an Exhibition . . . . Modest Mussorgsky (1839–1881) Travis Schuster
Moments Musicaux No. 3 . . . . . . . . . . . . . . . . . . . . . . . . . . Franz Schubert (1797–1828) Carmen Habanera . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Georges Bizet (1838–1875) Full Ensemble
ORCHESTRA
INDIANA UNIVERSITY SOUTHEAST ORCHESTRA Dr. Joanna Goldstein, director Sunday, April 27, 2014 · 3 p.m. Richard K. Stem Concert Hall Traci Bluhm, flute soloist
PRE-CONCERT EVENT A pictorial tour through the life of Haydn with Susan Reigler Millicent and Norman Stiefler Recital Hall 2:30 p.m.
CONCERT PROGRAM Symphony No. 82 in C Major, Hob. I:82 “The Bear”. . . Franz Joseph Haydn (1732–1809) I. Vivace assai II. Allegretto III. Menuetto: Un poco allegretto IV. Finale: Vivace assai
INTERMISSION Ballade for Flute, String Orchestra, and Piano . . . . . . . . Frank Martin (1890–1974) Traci Bluhm, flute Orchestral excerpts from Das Rheingold . . . . . . . . . . . . Richard Wagner (1813–1883) Prelude Entry of the Gods into Valhalla (ed. H. Zumpe)
IU SOUTHEAST ORCHESTRA · April 27, 2014 · 3 p.m.
IU Southeast
IU SOUTHEAST ORCHESTR A
TODAY’S SOLOIST Traci Bluhm began studying flute at the age of 10. She received a Bachelor’s of Sociology from the University of Illinois while staying active in the university’s band programs including the Marching Illini. She currently studies with Margaret Jamner at Indiana University Southeast. During her time at IU Southeast, Traci has been a member of the IU Southeast Orchestra and IU Southeast Concert Band and has served as principal flute and piccolo. She has performed with the Northshore Concert Band, Little Rock Wind Symphony, various musical companies and Fluteworks, a professional flute choir. Traci has enjoyed the opportunities to further her musical experience locally and nationally through performing in three flute orchestras at the National Flute Association convention and locally, playing with Mothership and Eight:db, both new music groups. After graduation from IU Southeast, she plans on entering a Masters program in Music performance and will pursue a career in performing, teaching, and writing music.
MUSICIANS OF THE
IU SOUTHEAST ORCHESTRA VIOLIN I Ana Sarbu, concertmaster Kojin Tashiro Stephen Taylor Kim Tichenor Stephanie Watson Amy Cissell Patricia Fong-Edwards Adrienne Hinkebein VIOLIN II Katelyn Wilkinson Cory Colmore Charles Brestel Janet Hamilton Blaise Poth Lisa Spalding VIOLA Kyle Williams Lisa Weaver Angela Elliott Laura Brown Clara Markham
FLUTE Traci Bluhm* Katie von Kanel * Jennifer Johanningsmeier
TROMBONE Robert Leach Jonathan East Marc Blackwell
OBOE Ben Williams Trevor Johnson Kirk Randolph
TUBA Russell Shartzer
CLARINET Jennifer Shulten Jenny Krider Kathryn Goldman
PERCUSSION Allison Bohm
BASS CLARINET Shane Evans BASSOON Nan Tate Jessica Hubbard Robert Rollings CONTRABASSOON Robert Rollings
CELLO Jon Silpayamanant Julia Blackwell-Aguilar Chelsea Getty Susan Hooe Joseph Caruso Deborah Caruso
HORN Colin Dorman Rachel Short Norma Ruble Sarah Tackett Susan Reigler (Wagner tuba) Andrew Herald Lynn Steeves
BASS Donna Kessinger Angela Thomas Christian Hannah Leo Klarer Richard Bealer
TRUMPET Philip Thomas * (bass trumpet) Jason Hougland * Dan Goldman Alecia Simonis Susan Reigler
TIMPANI Mike Kessinger
HARP Louisa Ellis Woodson PIANO Ryan Marsh LIBRARIAN Traci Bluhm * Co-principal
THANK YOU Ken Atkins Ogle Center Staff: Joey Leezer Jay Moore Kirk Randolph Kelly Scott Derek Young
The Three Rhinemaidens
Illustration by Arthur Rackham
Alberich and the Rhinemaidens Illustration by Arthur Rackham
Entry of the Gods into Valhalla from the Metropolitan Opera’s production of Das Rheingold
CONTRIBUTORS
Indiana University Southeast, the Paul W. Ogle Cultural and Community Center, the Music, Theatre, and Fine Arts departments, and our students and community have benefited from the generosity of our donors. Words cannot express the appreciation we have for the support you provide through these gifts. Thank you for being a part of this special community of donors at Indiana University Southeast.
Your support makes a difference!
OGLE CENTER CONTRIBUTORS
21c Museum Hotel and Proof on Main Actor’s Theater of Louisville James Allgood Anonymous Anytime Fitness of Corydon Drs. Aric and Linda Applewhite A Summerhouse Inn John and Phyllis Atz Bernie and Dr. Carolyn Babione Joseph and Linda Baker Roger Baylor Big Al’s Charity Thrift Store The Honorable Cecile A. Blau Maurice and Debra Bohrer William F. Bolte Mary C. Bradley, Ph.D. Brown-Forman Corporation Phil Burns Sheryl M. Burns Bush Brothers & Company Buskirk-Chumley Theatre Lorrain Chein Dad Daughter Designs David & Barbara A. Cannon Cardinal Stage Company Carmichael’s Bookstore Betty A. Carver Mark and Mariellen Cassidy Churchill Downs Clark Memorial Hospital Community Foundation of Southern Indiana Patricia A. Cress Crown Plaza Indianapolis Downtown Union Station Dr. Thomas J. and Carolyn S. Diener DJ & W Farms The Doo Wop Shop Dorothy J. Ramp Revocable Trust Duke Energy Foundation Samuel and Rebecca Eckart Jacob and Susan Ems Falls of the Ohio State Park/Indiana Department of Natural Resources Robin Fankhauser, Ed. D. FedEx Office Teesue H. Fields, Ed. D. Floyd Memorial Hospital Physical Therapy Foxhollow Farm Fund for the Arts Gannett Foundation, Inc. The Gheens Foundation Inc. Geraldine George Goldman, Sachs & Co. GMeals Saundra Gordon David and Carole Hammett Harrison County Community Foundation John and Martha Hartstern
Tracy Heightchew Hidden Hill Nursery Alan and Candace Hilderbrand Bob and Janet Hill Holiday Inn Express New Albany Diana G. Holman Horseshoe Foundation of Floyd County Indiana Arts Commission Indianapolis Symphony Orchestra IU Auditorium Janis Ian Joe Huber’s Family Farm Restaurant Lloyd Kelly Robert and Deena Kleehamer Jack Landis Helen Lang Dr. Carl E. Langenhop Kent W. Lanum Robert and Carol Lanum John and Dora Largent Richard and Elsy Lehman Patricia J. Loebig The Louisville Film Society D. Jack and Carol Mahuron James Y. McCullough, Jr, M.D Robert E. Marshall Glen A. Morris Dale W. and Jean T. Moss The New Albanian Brewing Company Stuart and Connie Newbanks LeAnne Nicholson Nick’s English Hut Old Bridge Inn of Jeffersonville Old Capital Golf Club Paul W. Ogle Foundation, Inc. Dr. Curtis H. and Pamela Peters Paul David Prather Elizabeth Raleigh Ramsey Popcorn Co. Carolyn K. Randolph Kirk and Meghan Randolph Dr. John and Carolyn Reisert Galen A. Renwick, Ph. D. Kyle R. and Susan K. Ridout, Ph. D. River City Field Trip Group River Valley Financial Bank Roberts Imports Rocksport Climbing Gym Morris Jean and Martha Mae Rosenbaum Col. and Mrs. William Ryall, USA (Ret.) Ronnie Scott Schrink’s Personal Training Ronald E. Severtis, Jr. Catherine A. Shea, Ph.D. Sheraton Riverside Louisville Patricia G. Sisloff Society of the Sons of the American Revolution Donald and Mary Ann Sodrel
Frank and Andrea Spicka Terry and Jane Spitznagel Frances H. Squires, Ph. D. S & T Creations Stage One Family Theatre Subway Sunflower Designs Robert P. Thurston M. Elise Tighe Michael V. Turley Turtle Run Winery Upland Brewing Company Valley View Golf Club Vital Force Naturopathy Jack K. and Marilyn Waldrip Washington County Community Foundation Dana and Sharon Wavle Roger and Janie Whaley Dorothy R. Witten Darrell and Sally Weslander Wild and Wooly Video Robert and Patricia Woehrle Dr. Thomas P. and Ella N. Wolf Yangming Acupuncture YMCA of Harrison County YMCA of Southern Indiana
THEATRE DEPARTMENT CONTRIBUTORS Gary and Maryann Carney Kirk and Meghan Randolph Nathan W. Wheatley
MUSIC DEPARTMENT CONTRIBUTORS
W. Jameson Aebersold, D.M. and Sara Aebersold Thomas and Mary Barnard Stephen and Marilyn Brewer Jack C. Bohannon Bruce G. Borntraeger, Sr. Care-Pets Animal Hospital Pc Conrad Music Service Jason and Jacqueline Cooper James A. Copelin Sara Cruse Diane S. Denning Eli Lilly & Company Edwin W. Ellmers Edmund and Margaret Goerlitz Joanna Goldstein, Ph.D. Richard L. Goldstein Fay Ross Greckel, Ph.D. Robert Gilewski Robert and Janet Hamilton, D.M Carl J. Helmich, Jr. Integrity HR Inc. Jamey Aebersold Jazz, Inc. Robert E. and Donna L. McMahel Klinglesmith
IU SOUTHEAST FINE ARTS CONTRIBUTORS
Barbara Carnighan Shelley A. Dickman Beanblossom-Cesar Funeral Home James M. Dickman, Jr. Samuel J. Chumley Robert Gilewski Charles Edelen Gail A. Fagan Laurel J. Fredrickson James D. Henry Sondra B. Morris Melford and Molly Johnson Kirk and Meghan Randolph Robert E. and Donna L. McMahel Klinglesmith Gregory Roberts Ronald and Doris Lind Kevin Rose Schultz Jo H. Lohmeyer Bennie N. Wyatt Demerese A. Lomond Carol Martin IU SOUTHEAST ARTS INSTITUTE Dr. and Mrs. Stephen W. Nale CONTRIBUTORS Ann R. and Howell Niren Catherine A. Shea, Ph.D. Carolyn K. Randolph DONALD E. AND ELIZABETH H. Kirk and Meghan Randolph McMAHEL MUSIC SCHOLARSHIP Carl R. Reckelhoff Kyle R. and Susan K. Ridout, Ph.D. CONTRIBUTORS Col. and Mrs. William Ryall, USA (Ret.) Anonymous IU SOUTHEAST NEW DYNAMIC RECORDS CONTRIBUTORS Ronald C. and Donna L. Schad Kenneth W. Atkins, Jr. Cynthia K. Stillman Edmund and Margaret Goerlitz Elizabeth Rose Bartelt Louise F. Suleiman, Ed.D. Robert E. and Donna L. McMahel Klinglesmith Molly H. Myles Bundy John Walczak Norma Robbins Carolyn B. Bates-Greenman James J. Woeppel, Ph.D. Col. and Mrs. William Ryall, USA (Ret.) Grace L. Baugh Bennett Stephen and Marilyn Brewer Gifts listed here were given from 1/1/2012 through 2/8/2014. To report an error or omission, please contact Kirk Randolph at (812) 941-2266 or by e-mail at karandol@ius.edu. For information about supporting Indiana University Southeast, please contact Melissa Weissinger in the Office of Development at (812) 941-2464.
GIVING OPPORTUNITIES In addition to ticket revenue, the Ogle Center and the IU Southeast Music and Theatre Departments depend on the generosity of businesses and individuals to continue and strengthen arts programming in our community. If you have enjoyed past performances at the Ogle Center, please consider making a contribution to our annual programming fund. If you are a regular contributor to the Fund for the Arts, you can earmark your donation for the Ogle Center.
Annual Fund Each year, your gift helps us bring the finest entertainment possible to Southern Indiana. Gifts to the Ogle Center Annual Fund can be unrestricted, which allows us to direct the funds where needed most. Programming Fund Our goal is to achieve a minimum of $2 million in endowed funds to support and maintain programming and operations at the Center, including providing free tickets to more than 20,000 children for our Children’s Series and supporting family-oriented programming at the Center, allowing us to bring high-quality entertainment to the community. Naming Opportunities There are opportunities for naming rooms and areas in the inside and outside of the Ogle Center. For details, please contact us at oglemail@ius.edu or call (812) 941-2266. Name Your Seat You can put your “John Hancock” on the seat of your choice (if available) in one of the three working venues at the Ogle Center. The cost is $300 per seat and includes a brass plaque which is placed on the seat you choose. For more information, please contact us at oglemail@ius.edu or call (812) 941-2266. “Give Now” to the Ogle Center, the Music Department, or the Theatre Department It’s easy to support the arts at Indiana University Southeast by making a gift online with your Visa, MasterCard, American Express, or Discover Card. Simply visit the Ogle Center’s web site at www.ius.edu/oglecenter, the Music Department’s web site at www.ius.edu/music, or the Theatre Department’s web site at www.ius.edu/theatre and click on the “Give Now” button.
CONTRIBUTORS
Jonathan and Alison Lane Wendell B. Lane Barbara Ann Maxwell Elizabeth L. McMahel Delores Mertl Kenneth and Wilma Mitchell Dane A. Poteet Kirk and Meghan Randolph Megan L. Renwick Norma O. Robbins Col. and Mrs. William Ryall, USA (Ret.) Dr. D. Eric and Tonia R. Schansberg Carroll Senior Terry and Jane Spitznagel Dr. Erich H. Stem Stephen and Sally Walker Raleigh and Joanne Wilson
AT CLARK, OUR TEAM AND TECHNOLOGY WORK IN PERFECT HARMONY. There are always two parts to every great Then there’s the technology we put in our performance. Talented people—both onstage team’s hands. The ability to get your EKG and off—and all the technology it takes to while you’re still in the ambulance made its make it work. At Clark Memorial Hospital, debut at Clark. We were first in the region we’re blessed with both. to offer WORK Arctic Sun, which lowers body AT CLARK, OUR TEAM AND TECHNOLOGY IN PERFECT HARMONY. temperature for cardiac arrest patients to Our team, from the caregivers you see in minimize damage. And we’re ahead of the the spotlight to those who work behind the curve in advanced laser There are always two parts to every great Then there’s theprocedures—from technology we put in our team’s scenes, continues to earn rave reviews from spine surgery and SI joint fixation/fusion for performance. Talented people — both onstage hands. The ability to get your EKG while you’re an audience of— grateful patients for itthe care and off and all the technology takes to make still inpain, the ambulance madehip its debut at Clark. lower back to anterior replacement they provide. the way our team works it work.And At Clark Memorial Hospital, we’re We were first in the region to offerare the less Arctic Sun, and radical catheterization—that together blessed is onewith of the main reasons we’ve both. which body lower temperature cardiac arrest invasive andlowers promote risk,for greater to minimize damage. And we’re ahead been recognized as one of Indiana’s Best comfortpatients and faster recovery. team, from the caregivers you see in the of the curve in advanced procedures — from laser Places toOur Work over the years. spotlight to those who work behind the scenes, spinecare surgery and SI joint fixation / fusion for For health that pairs advanced continues to earn rave reviews from an audience lower back pain, to anterior hip replacement technology with a top-notch team of caringand of grateful patients for the care they provide. radial catheterization — that are less invasive professionals, no one performs like Clark. And the way our team works together is one of the main reasons we’ve been recognized as one of Indiana’s Best Places to Work over the years.
and promote lower risk, greater comfort and faster recovery.
For health care that pairs advanced technology with a top-notch team of caring professionals, no one performs like Clark.
1220 Missouri Avenue, Jeffersonville (812) 282-6631 | www.clarkmemorial.org