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JUN-WEIDU
No.702,Section5,ZhonghuaRoad,XiangshanDistrict,HsinchuCity300,Taiwan(R.O.C.)
louie831024@gmail.com/+886937530216
EDUCATION
National Taipei University of Technology*, Taipei,Taiwan
BS Architecture
Relevant Coursework: Special Topic of Urban Design,Architecture Thesis Design
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Graduation Thesis Design Project:Who’s Pulling YourStrings: Space of Perceptually-Domesticated
Chung Hua University, Hsinchu, Taiwan
(Transferred to National Taipei University of Technology)
Architecture and Urban Planning
Freshman & sophomore year GPA:3.8/4.0
* Ranked 9th in Taiwan, 469th worldwide, QS WorldUniversity Rankings 2022
WORK EXPERIENCE
Project Designer, CHANG YIH CONSTRUCTION CO., LTD., Hsinchu, Taiwan
- In charge of designing site plansand managing constructiondrawings
- Decide on building materials and manage the budget for projects
- Supervise construction and control the progress of projects
- Discuss with different teams (interior design, landscape, and electric) to integrate ideas
Project Designer, HIGHWEALTH CONSTRUCTION CO., LTD., Taipei, Taiwan
- Designed site plans and managed construction drawings
- Conducted construction supervision to control the progress of projects
- Communicated with different teams to solve problems and integrate ideas
- Project: Okura Prestige Taichung
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PROJECT EXPERIENCE
Humanitarian Architecture Project – The Core Plan 6
- This project aims to build infrastructure for minority groups. After understanding the need for a learning environment for Atayal children in the Slaq Tribe, we designed and built a wood pavilion. The area can be used as both an outdoor art classroom and a playground for students.
Lutheran Indigenous Tribe Library – Designed and Executed Project
- Joined the Teaching Practice Research Program offered by the Ministry of Education, in which our team designed and built a local library for an indigenous tribe. The library’s visual design recalls the semiotics and morphology of the Atayal tribe.
EXTRACURRICULAR ACTIVITIES
Taipei Tech Architecture 2017 -2018 Thesis Design, Taipei, Taiwan
General Events Coordinator/Host of Opening Ceremony
- Conceived the name and visual presentation of the exhibition
- Designed the route and immersive experience for the exhibition
Student Association of Department of Architecture & Urban Planning, Hsinchu, Taiwan
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Chief of Event Planning
- Organized various events to improve the relationship between students in our department
- Planned “Freshman 24 Hours Architecture Experience Camp” to help first year students develop basic knowledge and experience of architecture
SELECTED AWARDS AND HONORS
1st Place in Architectural Design Exhibition, ChungHua University
Excellence Award in Bionics Land Art Exhibition, Chung Hua University
Academic Excellence Award in 1 st Semester, 2013/2014Academic Year, Chung Hua University
Sep. 2015 -
June 2018
Sep. 2013 -
June 2015
Mar. 2021Present
Feb. 2019 -
Mar. 2021
Aug. 2015
June 2015
June 2018 -
July 2018
Sep. 2014 -
June 2015
Apr. 2015
May 2014
Feb. 2014
SUSTENANCE IN TIME SERIES Space of Burial at Sea
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Subject: Special Topics on Architectural Design / 2017.03 Bachelor Studio Individual Project
This project aims to discuss the prospects of burial at sea. The Taiwan authorities formulated regulations for burial at sea and asked people to bury their deceased offshore, about 6000 kilometers from the coastline. I redefine this line that separates the living and the dead as the 'memory line'. The project helps people to rethink the modes of memory by transferring the ceremonies of burial at sea to the architectural design. The precision of longitude and latitude for burying as well as the perceived change of spaces will help the family and friends to sense the reality of burial at sea. Their love and memory for the deceased will become the power to protect the sea.
Analysis of Space
/ Water boundary
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Feeling the influence of water boundaries can make people slow down and absorb the things surrounding them.
/ Light in crevices
The guide from the light will bring peace to the living and calm their souls.
/ Prayer space
Pray in a space with the natural sound of waterflow; feel more close to the true purpose of burial at sea.
/ Path
/ Meditation
A space for meditation when people need to soothe their hearts.
/ The sound of water
A dusky space will strengthen the sense of hearing. The sound of water will purify the souls of families.
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/ Visual compression
Uses space to create visual compression, which symbolizes the spirit and soul after feeling relief from sorrow.
/ Tidal variation
Schematic diagram of the port for burial at sea
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Use large tread stairs and roundabout ramps to slow the speed of people.
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/ Separate space
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Separate spaces can help people enjoy peace and convey their feelings to the deceased.
Feel the tidal variation; feel like the deceased is still next to you.
/ View of Sea
Observation deck to see the sea view will help people feel relief from the visual compression and expand the mind.
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Precipitation after cremation
Get on board
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Sprinkle the ashes at the designated latitude and longitude
[ Step II ] [ Step III ] [ Step IV ]
Then, sprinkle the petals for the funeral
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Cemetery
Distributionoftourists
Walkingroute
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Populationdensity
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Climate
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Step V ]
Write down the latitude and longitude
Terrain
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Step I. Mourning
Through the emotional transfer after grinding the ashes, I developed a space that allows people to sprinkle the petals into a pond. The high ceiling design and light emanating from the area above will make family members feel relief and hope while in the dark.
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Step II. Memorizing
After sealing the ashes, the living will carry the ashes and walk through a road with water walls; they will be led by the sound of water to the next stage.
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Step III. Remembering
In the ceremony of burial near the end, the living can note down the date and the latitude and longitude, which symbolize the direction for memorization; there is a memorial space under the sea level in this building that allows people to stay and remember the deceased.
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Step IV. Missing
Family members can return to the space for meditation and heal the scars of the soul during each Qingming Festival.
① Ceremony space
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② Ashes storage space
③ Lounge
④ Floating aisle
⑤ Latitude and longitude space
⑥ Port
WHO'S PULLING YOUR STRINGS
Space of Perceptually-Domesticated
Subject: Architecture Thesis Design / 2017.08 - 2018.06 Bachelor Studio Individual Project
In an urban environment that lacks critical thought, people become rationalized by the rules of the space without understanding their underlying features. I define the phenomenon as “users domesticated by space”. The phenomenon appears because people have adapted to the place they live in; they are manipulated by routine. In an urban environment that lacks critical thought, people become rationalized by the rules of the space without understanding their underlying features. I define the phenomenon as “users domesticated by space”. The phenomenon appears because people have adapted to the place they live in; they are manipulated by routine.
The project uses an objective point of view, a drama script, and a Metro Station area as a "domesticated space" to discuss the manipulation. We set the routes for both rushing passengers (domesticated) and notrushing passengers. I developed the space from the position of a third party (domesticator). Under the status of domesticated, this space is not a container for activity but rather affects the choice of people who are inside it; people can select each path and find their own scripts.
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I selected Taipei’s Yuanshan Metro Station area in 2060 as the space for my project. This area of Taipei is close to an airport that is due to close and become part of the City Central Garden. I selected this area because the axis of the channel of airplanes changes the skyline in this area, which is also a symbol of a domesticated city.
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Under the basis of urban design, I try to transfer the invisible channels to the axis on the ground and make the intermediary point for the space. I also reserve the lower building volume on both sides of the spaces to help people remember the traces of history, because this trace is the most important domesticated trace of this city, and its people and will become the axis after this city changes its appearance.
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There are three entries on the ground floor—two of them are more covert so that the rushed passengers may use them as a shortcut to the platform.
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The last one is for people who are in no rush. They can walk on these paths and find themselves manipulated by the surrounding space. They can also see the people who are rushing yet find themselves on the wrong paths. There are additional visible spaces that cannot be entered. The purpose of this piece is to remind ourselves to think carefully before deciding which path we want to walk through to enter the next space; do not be domesticated by the environment.
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OKURA PRESTIGE TAICHUNG Work Experience
Company: Highwealth Construction / 2019.04
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Highwealth Construction
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Okura Hotel
The project is a twenty-nine-floor composite building that combines office space and a hotel. The location of the building is in the central area of Taichung's 7th Redevelopment Zone. As the most representative zone of Taichung, the geographic environment is suitable for business trips, sightseeing, and shopping.
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Molu Lane is one of the narrowest streets in Taiwan. So narrow, two people cannot pass without touching one another. It was and still is customary for the gentleman to allow the woman to pass first, adopting the name Gentleman Alley.
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PALAIS DE CONGREGATE HOUSE Work Experience
Company: Chang Yih Construction / 2022.04
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The design concept of this congregate housing project is mutualism with nature. For the exterior, I used wood grain grilles and strong stone walls on both sides. The night lighting utilized the natural lights from the stars as decoration, revealing a different view of the night sky. For the interior design, I select Orientalism as the central concept, and used different metal colors to define the stone grains.
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Handmade Models
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Rendering
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