20 03
fuchun.h@gmail.com
+
20 13
39 • 333 • 966 •1455
Keep curiosity and enthusiasm about life, willing to try everything with an open mind.
徐福君
Fu Chun, Hsu
TAIWAN
fuchun.h@gmail.com +39 333 966 1455 Viale Tibaldi 1, 20136 MI
SPECIALTY
Milano
Italy
Architectural Lighting Design Interior Lighting Design Theatre Lighting Design Exhibition Lighting Design Concert Lighting Design Product Design
EDUCATION
MASTER DEGREE
2012 ~ 2013
Domus Academy, Italy Master in Design BACHELOR DEGREE
2002 ~ 2006
Taipei National University of the Arts, Taiwan Theater Design and Technology Major in Lighting design EMPLOYMENT
Unolai Lighting Design Group
2008 ~ 2011
Associate & Senior Designer www.unolai.com HHNL Design Group
2006 ~ 2008
Lighting designer www.hhnl.net Freelance Lighting Designer
2003 ~ 2012
for theatre performance, exhibition, concert KEY PROJECTS
Interior Lighting design Ambassador Hotel / Taipei, Taiwan SPECIALTY RESTAURANTS & GUEST ROOMS
Hyatt Regency Danang / Danang, Vietnam SPECIALTY RESTAURANTS
Grand Hyatt Kuala Lumpur / Kuala Lumpur, Malaysia SPECIALTY RESTAURANT
Architecture Lighting design China Airline / Taoyuan, Taiwan ChongQing XINTIANDI / Chongqing, China Dalian Sport Center / Dalian, China Lumbini Udyana Mahachaitya / Lumbini, Nepal
Page 01 Page 05
2008 - 2011
Page 15
2009 - 2012
Page 19
interior lighting design
2009
2010
AMBASSADOR HOTEL TAIPEI − CANTON COURT
HYATT REGENCY RESORT DANANG − SPECIALTY RESTAURANT
GRAND HYATT KUALA LUMPUR − JP TERES
HOTEL KAPOK SHENZHEN BAY − GUEST ROOM
table of content
Page 25
MIRAGE Domus Academy Final Project Collaboration with Rotaliana
Page 33
academic work
2013
2013 THE GREY FOREST Domus Academy - Workshop 3 Collaboration with BLM
Page 39
2012 VENUS Domus Academy - Workshop 2 Collaboration with Gufram
Taipei / Guiling Street Avant-garde Theatre
SQUAT
Page 45
2011
Taipei / Ruin Academy
SPRING FOOD Taipei / Taiepi National University of Ar t / T205 Theatre
Page 47
2003
theatre lighting design
THE TRACKS ON THE BEACH
Page 43
2010
Interior lighting design
2009 台 北 國 賓 飯 粵 店 菜 廳
TAIPEI / TAIWAN AMBASSADOR HOTEL − CANTON COURT
This project located in Taipei Ambassador hotel 2F. It was part of the hotel modernized reconstruction. Canton court served fresh made Dim-Sum, exquisite seafood gourmetsquality Taiwanese tea.
Location Interior design Lighting design Position 01
int er ior lighting
The interior design concept was the tea. We use spot light to light up the beautiful tea pot walls, create rich layers and shadows. And we also designed some elegant ceiling fixtures, use the tea color fabric to match the concept.
Taipei, Taiwan / Ambassador Hotel 2F Celia Chu design Unolai design Lighting designer
1
3
2
1
Booth area: consider about the low ceiling, I design a flat fabric pendant combine with the booth structure.
3
Main dinning area: custom made light fixtures give the ceiling a rhythm of pattern, at the same time to illuminate in a different way.
2
Open kitchen: Not only functional use, but also use dramatic light effect to light up this area as a stage for cooking and showing all the fresh made dim-sum.
02
2009
TAIPEI / TAIWAN AMBASSADOR HOTEL − CANTON COURT
“The idea is to keep a perfect balance of eastern culture and modern fusion style.”
The idea of the custom fixture comes from traditional chinese window patterns. The window patterns ususally found in wealthy family, which represent to bring good luck. The main concept is to transform
the pattern to a solid shape. First my sketches are more complicate, then I decided to make a simple symmetrical design. Using polished stainless steel and tea colored fabric. The idea is to keep a perfect balance of eastern culture and modern fusion style.
1
03
int er ior lighting
2
3
1
The concept of custom fixture is from traditional chinese window decoration patterns.
2
The prototype of custom fixture.
3
Using polished stainless steel and tea colored fabric, a mixture of oriental sense and modern style.
04
This project located in Danang, Vietnam. Hyatt made this a resort hotel. It has a very beautiful sea view and privet beach. We designed three of the specialty restaurants - green house, beach house and pool house. Three of them has different Location Interior design Lighting design Position 05
int er ior lighting
interior design concept. Hyatt Regency Danang had just complete and had a grand opening in October 2012. It was so excited to see all the restaurants lighting atmosphere and custom light fixtures finished.
Danang, Vietnam / Hyatt Regency Resort Celia Chu design Unolai design Senior Lighting designer
2008 − 2011
HYATT REGENCY RESORT DANANG / VIETNAM DANANG − SPECIALTY RESTAURANT
2 1
Green House: Booth area.
2
Green House: Ceiling lighting plan.
3
Green House: Main dinning area.
1
3 06
2008 − 2011
Hyatt Regency Resort − Danang − Green House
1
int er ior lighting
07
Green house is the all day dinning restaurant. The concept of green house is “kitchen� which is the spiritual center of home, a place where family and friends gather together and enjoy sharing with each other.
ing fixtures. For dinning area, using simple downlight to focus on table; for bar and open kitchen, uplights and light box give dramatic stage effect. In addition, we designed a polished bronze pendant, inside with traditional embossed pattern of Vietnam. The pendant becomes a symbol of this restaurant and gives another layer to the ceiling.
To bring the bright and welcom atmosphere but at the same time having strong contrast to present the rich texture of interior design, we use a lot of different angle of light-
2 1
Green House: Private room.
2
Green House: Uplight to illuminate the pattern tile of drinks bar.
3
Custom made pendant: Keep the outer shape simple and elegant, but the inner part is with designed embossed pattern. While people sitting under, they could see this detail.
4
Details for mockup review.
3
4 08
For Green house, we designed few different custom lighting fixture to present the contrast between modern and classic Vietnam style.
1
2
09
int er ior lighting
1
Free-standing candle holder. Using cast iron and clear tempered glass, a mixture of rough and delicate.
2
Scale 1:1 wood mock-up and prototype.
3
3D sketch modle.
Instead of a simple floor lamp, we decide to make a free standing candle holder, which can use both indoor and outdoor. The idea is come from torch and traditional candle holder. It combine three different height stand, fixed by a simple ring fixture, in order to look graceful. The design is delicate but at the same time has a casual spirit inside.
2008 − 2011
Hyatt Regency Resort − Danang − Green House
3
10
2008 − 2011
Hyatt Regency Resort − Danang − Beach House
1 11
int er ior lighting
2
3
ers. At the same time, we apply uplight and linear light hidden inside millwork detail to highlight the black lacquer walls, special designed wine cellar and furnitures. Furthermore, we design a decorative casting glass chandelier base on the traditional Vietnam brick pattern. The surrounding feeling of light is soft but highly contrast on the well decorative and local art piece.
Beach house is the main restaurant in hotel which has the best view and close to the beach. The concept of interior is from Vietnam history. Beach house restaurant exemplity the marriage between the flair of french elegance and the quiet luster of vietnamese aethetic. To match the calm ambiance, our lighting design use dimmed focus light to create the intimate atmosphere for custom-
1
Beach House: Ceiling lighting plan.
2
Vietnam traditional brick pattern.
3
The very beging design of the chandelier.
4
Polished chrome structures with casting glass brick, evoke an intersection of east and west.
4
12
2008 − 2011
Hyatt Regency Resort − Danang − Pool House
The open air restaurant is a welcoming restaurant of relaxation adjacent to the main resort pool. With spectacular views of ocean and a spacious outdoor dining terrace, the design of the pool house is inspired by cabana. To match the leisure and natural atmosphere, we use mostly daylighting and limited spot lights. For out-door area, we designed 13
int er ior lighting
different size of candle holder, from table oil lamp to latern. Combining the light for landscape, the ambience of Pool house is calm and peaceful. Throught the glare-less light, people can enjoy their time with wonderful view, having the real touch of resort hotel.
1
Pool House: Out-door area.
2
Pool House: ceiling lighting plan.
3
In order to match the interior design style, we designed an adjustable spot light with the same material of furnishing.
4
The inspiration of this table oil lamp is from water drop, using polished chrome finish to have diversity reflection.
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3
2
4 14
1
2009 − 2012
GRAND HYATT KUALA LUMPUR − JP TERES KUALA LUMPUR / MALAYSIA
Location Interior design Lighting design Position 15
int er ior lighting
Kuala Lumpur, Malaysia / Grand Hyatt 1F Celia Chu design Unolai design Senior Lighting designer
This specialty restaurant within the hotel is conceived as an urban forest in the heart of the city. There’s a blur boundary between the interior and the outdoor terrance. through two level height window during the day time, bright and fresh daylight brimming the space, but in the night time, high contrast light focus on the decorations and create a mysterious atmosphere. The hanging tree branch sculpture as a main focus, and the irregular patterns of shadow extend the concept of forest.
1
The irregular pattern of shadow on wall.
2
1F ceiling lighting plan.
4
1F floor lighting plan.
3
2F ceiling lighitng plan.
5
2F floor lighitng plan.
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5
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The lighting concept is from natural patterns of shadow. To simulate the shadows of trees, transform space in a poetic way. 16
1
2
17
int er ior lighting
To present the two level high ceiling of JP Teres, we aim to design a chandelier which is outstanding but not take away the focus of tree branch sculpture behind. Respond the blur boundary between interior and out-door area, we decided to use casting glass and play with the transparency. Casting glass with multi-angle cutting create a crystal effect, that reflect the light inside to be glamourous but still keep the low profile.
1
Look down from the mezzanine level.
2
With different size of multi-angle cut casting glass, the chandelier gives an impression of mixing the elegant, luxery and modern. The material of structure is black cast iron which keep the shape simple.
3
Private dining room is in the mezzanine level, the atmosphere is more intimate and quiet.
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18
2010
HOTEL KAPOK SHENZHEN BAY SHENZHEN / CHINA − GUEST ROOM This project located in Shen Zhen, China. This hotel are still under construction. All area’s lighting designed by our company. Not only designed the general lighting effect, we also made more than 50 different kinds of custom décor light fixtures. The
Location Interior design Lighting design Position 19
int er ior lighting
interior design concept for the hotel is “books”. And each of the area has their own themes. The design are full of imagination and energy. I’m looking forward to see the result.
ShenZhen, China / Hotel Kapok Shenzhen Bay Celia Chu design Unolai design Senior Lighting designer
1
1
Standard guest room color elevation rendering.
2
Room sketch plan with light effect.
2 20
1
3
2
4
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The concept of guest room pendant is from paper roll.
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Paper has a soft and warm texture.
3
The fist sketch.
4
Final design rough sketch.
5
The prototype of custom made pendant fixture.
To respond the interior concept - Reading. The inspiration of guest room lighting fixture is roll paper. In ancient China, book was not bound as nowadays, it present like volume. We aim to transform this language into our pendant design. The pendant should look simple but has some interesting detail. The light shade has differant layer becasue of the fabric roll. 5
21
int er ior lighting
6
Mock-up room for standard guest room.
7
Section drawing of custom pendant.
8
Elevation drawing of custom pendant.
6
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8
22
2006
Ambassador Hotel Aqua Lounge Taipei, Taiwan
2006
Ambassador Hotel Star Restaurant Taipei, Taiwan
2007
Ambassador Hotel A Cut Steak House Taipei, Taiwan
2007- 2008
CQ Days inn Hotel All Public area & guest rooms Chongqing, China
2008- 2011
Hyatt Regency Danang Green House / Beach House / Pool House Danang, Vietnam
2 0 0 6 − 2 012
23
int er ior lighting
TIME LINE Interior Lighting Design
2008
Ambassador Hotel Ballroom Taipei, Taiwan
2008
Ambassador Hotel Dim Sum Restaurant Taipei, Taiwan
2009
Ambassador Hotel 9-11F Guest room Taipei, Taiwan
2009
Novotel Taoyuan All Public area & guest rooms Taoyuan, Taiwan
/
2009- 2012
Grand Hyatt Kuala Lumpur JP Teres Kuala Lumpur, Malaysia
2010
ShenZhen Bays Hotel Lobby & Guest room Shenzhen, China
24
academic work
Dimensions
175
225
Ă˜ 100
20
Color Black White
LIght bulbs 12 x 2 W LED 3000 K
Red Base
Materials Travertine marble Aluminum
MIRAGE
20 13 Domus Academy Final Project Collaboration with Rotaliana 25
academic w o r k
Brief Title Project Leader Project Assistant Student
Black, white or red fiber glass shade; inner part of the shade with gold colored leaf; aluminum pipe with wire inside; travertine or aluminum base; black power cable with cable dimmer.
Happy LED Dante Donegani, Giovanni Lauda Stefan Krivokapic Hsu Fu Chun
1
2
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4
ROTALIANA Both in the sense of enlightenment and of illumination. LED technology has created a sort of revolution within the lighting sector. A change that has had an impact on urban, technical, and architectural illumination that has reached the domestic market in the last few years.Compare with other light source such as incandescent, halogen or fluorescent, LED have an advantage of energy efficiency. They also provide the opportunity for new shape because of the small and customable size.
In this project, the aim is to create a lighting fixture that capable of expressing all these good points of LED, at the same time to discover the new aesthetic form. Also, in collaboration with Rotaliana, a company that specializes in lighting for the domestic market. We need to research which typology that the company lack of. To make a lighting fixture that only LED light sources and new electronic components can provide.
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The glare problem is more serious, because of the smaller size but brighter LED on spot.
2
Case study - “Taccia“: The light source is concealed in the base to prevent direct blinding light.
3
Use reflector to redirect the light and avoid the dazzling light.
4
How many lights do we need? 26
The moon itself does not actually give off any light, it reflect the light from sun.
MOON LIGHT
MIRAGE The main idea is start from solar system. When you look up at night, if the weather is good you’ll see a bright moon hanging on the sky. But actually the moonlight we see is not shine by itself; it is a reflection of sunlight. I want to put this atmosphere into the design, to make a lighting fixture that the user cannot see 27
academic w o r k
the light source, only can feel the soft and warm indirect light by reflector. To simulate the solar system movement, the reflector as a lampshade can be turned 180 degree. While user turning the reflector, the light performance differently – to be focus on the object or to be an ambience light in space.
The project is aim to provide a LED lighting fixture that takes advantage of new aesthetics and improved performance that only LED light sources can provide. To achieve this target, I design a floor light, which is combining the reflector and LED source. A well-designed reflector can improve the light fixture’s luminance, make it more efficient; at the same time, a reflected light is more tender and soft than the direct light. In the past time,
the traditional lighting fixtures usually have to separate the reflector and the light source because the size of light bulb and the heat problem. Those kinds of lighting fixture usually give people an image of heavy and too industrial shape. In this project, I’m trying to create a light weight reflector with LED coalesce together, to show the new aesthetics of LED floor lamp.
To fit different scenario.
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academic w o r k
3
4
The basic concept is from the reflect light of moon. The shape I want to keep very simple, just use geometry pattern to simulate the planet in the space - Circular, triangle and cone shape. Through sketches and making some paper model, I decided to make a cone shape reflector as a lampshade. It is a circular flat wood veneer with simple one cut to the center, the edge has metal button to clip both side together become a cone. The form is close to traditional Asian umbrella but without the umbrella structures inside. Instead of separate the light to lampshade and light source in different part, I designed an aluminum pipe through the lampshade as the main turning structure also the LED light embedding inside.
5
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Explo detail drawing of Mirage.
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Dimension of Mirage.
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Detail rendering.
4
Inner part of the reflector is gold colored leaf finish.
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Three different color choices.
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Material board.
6 30
31
academic w o r k
1
2
MIRAGE
20 13 Domus Academy Final Project Collaboration with Rotaliana
The best lighting design is not to show the light, to let people don’t even feel the light. To use the very simple natural phenomenon – reflection, make the light be gentle and soft. In the meanwhile, create a sense between oriental and moder style. I try to bring a new aesthetics language of light, to make this floor lamp not only functional but also decorative.
3 1
Rendering in space.
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Rendering in space.
3
Rendering in space.
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Scale 1:2 mock-up.
Simplicity, Minimal, Contemporary & Classic 4
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THE 2013 GREY FOREST
Domus Academy - Workshop 3 Collaboration with BLM
33
academic w o r k
BLM BLM group has advanced technology. Mainly they work with meal tube and laser cut. They already produced a lot of solution for products. The technology gains the possibility of the materials. They also have special experiences about joint and connection parts, and their solutions are always smart and beautiful. Espe-
Brief Title Project Leader Project Assistant Group Members
cially, their technology makes the assembly process simple and less welding. It leads to reduce the working steps and cost. Our idea is to give BLM group a new expression of products by using simple and a new process with their advanced technology.
The beauty of technology Renato Montagner Philippe Casens Hsu Fu Chun, Tomomi Sato 34
THE 2013 GREY FOREST
35
academic w o r k
Mass Production and Uniqueness
The typology of the product is a “side table”. The shape came from natural form, using hard material – metal, to create a soft and flexible atmosphere. Through laser cut with simple and symmetry patterns on the metal tube, it can be bend or extrude easily. Under the controlled processed, each pieces will still have slightly different structure. Thought it is a mass production, we aim to bring some uniqueness to this furniture. Combining high tech and even patterns, the end product can be diversity and have very natural aesthetic feeling inside. In addition, with different angle of light, the effect of shadow will have complex performance.
3D laser cut tube
Tube with sliced pattern
Expand & twist
Trough same process but having different result
Create a unique product by the industrial production, through the simple process with advanced technology. 36
THE 2013 GREY FOREST
Domus Academy - Workshop 3 Collaboration with BLM 37
academic w o r k
Possibility of Metal
Using the technique of laser cut, the metal sheet or pipe can be softer and flexible.
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20 12
VENUS
Domus Academy - Workshop 2 Collaboration with Gufram
Brief Title Laboratorio Gufram Project Leader Dante Donegani, Giovanni Lauda Project Assistant Aoi Hasegawa Gufram Staff Andrea Compagnoni, Axel Iberti, Charley Vezza Group Members Hsu Fu Chun Bharat Joshi Liu Wen Ai 39
academic w o r k
GUFRAM On studying Gufram’s furniture in detail a few conclusions were made. First was that Gufram’s designs are influenced heavily by art. Second, the furniture does not possess the typologies related to common household furniture. Third, the ideas showcased by the furniture are ironic and makes the user experience the concept through a slow process.
40
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VENUS Playing with the visible and invisible. Giving the user a sense of softness while being a hard surface.
The inspiration for the furniture came from the painting, Venus at her Mirror by Velazquez Diego in 1647-51. The painting is considered ironic because it shows Venus lying nude but facing away from the viewer. At the same time the viewer is able to get a clear view of her face in the mirror she is looking at. In the painting the figure of the woman is shown lying down on
Key wordsIronic / Invisible / Soft and Hard / Frozen / Past 41
academic w o r k
a bed covered by a blue cloth. The artist used this technique to soften the effect of the hard furniture on which the model posed and the cloth would also adapt its shape according to the shape of the model’s posture.
It is only the cloth cover without the furniture, which is being covered. The cloth is also seeing through which creates the illusion that the cloth is suspended in space or that the furniture it is covering is invisible. The surface of the furniture looks soft because of the form but is made from a hardened fabric.
Use the knitting lace or crochet in order to have stronger support while using the epoxy to make it harder.
HANDICRAFT & TECHNOLOGY
42
theatre lighting design
TPE / Guiling Street Avant-garde
Theatre
Lighting Design
THE TRACKS ON THE BEAC H 20 10
43
2010
台 北 \ 牯 嶺 街 小 劇 場
沙 灘 上 的 腳 印
theatre lighting
The show was performed in one of the most famous small experiments theatre in Taipei - Guling street avant-garde theatre. It was adapted from Marguerite Duras’s work “Le Ravissement de Lol.V.Stei “. There were only two actors and a live band on stage. The director used clips story, monologue, and modern dance to make a new interpretation of this story. This was rather experimental. The whole stage was wrapped by air bubble film from the wall to the ground, to symbolized a sand beach.
My lighting design concept was to visualize the female protagonist’s chaos mind with the use of the rope light hidden under the air bubble film. The audience saw the light either as blood vessel or memory flow like a river. I used 200m rope light which not only constituted a pictorial image but also create a rather interesting lighting effect. Dark blue down light with dimmed warm color rope light gave out strong and emotional feeling. The result was poetic and beautiful. It gained compliments in either the performance and the aesthetics.
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4
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Light on the characters.
2
Light sketch.
3
Use incandescent rope light to make a image of “mind river�.
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The hidden white led light made the sparkle effect. 44
2011
SQUAT
TPE / Ruin Academy Lighting Design
45
theatre lighting
2011
台 北 \ 廢 墟 學 臨 院 蹲
The show was performed a place called Ruin Academy, which is a truly ruin but reconstruct by a Finland artist. He broke all the partitions and made lots of holes on floors and walls.
this 5-floor building. My lighting design concept was to limited the light fixture, to create a very simple, pure environment. In this care, I didn’t use any theatrical lighting fixtures, just use some track light and simple light bulb to light up the space. The result was quit success, the visual image was strong and focus.
It was a very experimental performence. We try to mix modern dance, theatrical performance and visual art and painting in
1
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4
3 1
Just use track light on floor and hidden spot light behind the hole on wall.
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Minimal light to create a intimate space. Blurring the gap between audience and performers.
2
Strong color of light to reflect the character’s mind.
4
Light sketch. 46
2003
SPRIN G FOOD TPE / TUNA Teatre of school / T205 Theatre Lighting Design
2003
台 北 \ 台 北 藝 術 大 學
T205
春 天 的 果 實 在 乾 掉 之 實 後 驗 教 略 室 顯 默 生 了
47
theatre lighting
This was my first theatrical lighting design project performed in one of the experimental theatre class room in TNUA. It was part of Sara Kan’s scrip and a poetry from one of Taiwanese contemporary poet. We combined dance, theatrical performance and projection design into the show and remade it an new piece.
This was the first time I tried the skill I learned from the university and I therefore knew more about the relationship between theatrical lighting and projection design. The result was quit satisfactory, the scale was not big, though. And from this performance we received 2004 S-An Cultural Foundation art award.
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3
2
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From Sara Kan’s “4:48”. Using CYC up light to change the color of backdrop, in order to present the strong attration between two characters.
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2
Use CYC light color to change the atmosphere.
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Light sketch.
4
Different lighting layers in one science.
48
BOVARY
TAKE CA
Performance Lighting Design
TIME LINE
CONCERT OF SUMMER REI
2007
2006
2 0 0 3 − 2 012
2005
THE TALENTED MR. RIPLEY Taipei / Lighting design
2003
BOVARY
ONE NIGHT STAND
Taipei Lighting design assistant
Taipei / Lighting design
2009
2006
12TH NIGHT
DEATH
Taipei / Lighting d
Taipei / Lighting design
SPRING FRUIT
Taipei / Lighting design
2004
2006
OLD TIMES
THE APARTMENT
Taipei / Lighting design
Taipei / Lighting design assistant
2009
2007
WHAT IS FANTASY
Taipei / Lighting design assistant
2006
CONCERT SUMMER
Taipei / Lightin
WHAT IS MAN
Taipei / Lighting design assistant
SHIMMERY THE STARS WHAT IS MAN
THE SOUND OF LIVE OF SOUND
49
theatre lighting
ARE
T
design
T OF R REI
ng design
CONCERT OF MARY SEE THE FUTURE
2011
GOOD NIGHT CONCERT OF WAA WEI
TAKE CARE
2010
THE TRACKS ON THE BEACH Taipei / Lighting design
2010
MOON GIRL
Taipei / Lighting design
Taipei / Lighting design
2011
DRIFTING
2012 2012
GOOD NIGHT CONCERT OF WAA WEI
Taipei / Lighting design
CONCERT OF MARY SEE THE FUTURE
2011
Taipei / Lighting design
2012
2012
THE EXHIBITION OF THEO JANSEN
SQUAT
Taipei / Lighting design
INLLUNGAN NA KNERIL
Taipei / Lighting design
Taipei / Lighting design
Taipei / Lighting design
2010
LAUGH
Taipei / Lighting design
2011
THE SOUND OF LIVES OF SOUND Taipei / Lighting design
2011
TENDER BLACKMAIL Taipei / Lighting design
2012
2012
BEAUTIFUL CRUELTY Taipei / Lighting design
2012
LITTLE FOREST
Taipei / Lighting design
LITTLE DOT
Taipei / Lighting design
2012
I AM BEAUTIFUL FACETIVAL
Taipei / Lighting design
2011
SHIMMERY THE STARS Taipei / Lighting design
I AM BEAUTIFUL FACETIVAL
BEAUTIFUL CRUELTY
50
徐福君
Fu Chun, Hsu
TAIWAN
fuchun.h@gmail.com +39 333 966 1455 Viale Tibaldi 1, 20136 MI
Milano
Italy
THANK YOU FOR
YOUR
CONSIDERATION