ArtsBridge Spring 2011

A publication of the Allied Arts Council of Lethbridge (AAC)

Winter/Spring

2 0 11

2010 AAC ANNUAL REPORT INCLUDED

advancing the arts in Lethbridge

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ALLIED ARTS COUNCIL MEMBERSHIP

Join Us!

Whether you are an artist, arts supporter and lover or a member of a local arts organization, stay connected and support the arts in your community with a membership in the Allied Arts Council!

As a not-for-profit organization, the Allied Arts Council works to advance and enhance the arts in Lethbridge.

Show your support of the arts in Lethbridge by becoming a member:

Allied

Associate

Artist

Family

Friend

Available to not-for-profit groups and organizations dedicated to furthering the arts.

Available to any business or corporate enterprise that is supportive of arts endeavours.

Available to an individual with a personal interest in artistic endeavours.

Available to a family with an interest in the arts.

Available to an individual with an interest in the arts.

$75.00

$25.00

$25.00

$15.00

$75.00

Membership Benefits

• Subscription to AAC e-newsletter (all members) • Direct mail-out of AAC publications (all members) • Reduced rate on Bowman Arts Centre art programs & facility rentals* (all members) • Promotion of your events via the AAC website, Leisure Guide, ArtsBridge Magazine, AAC poster board and other publications. (Allied, Associate, Artist Members only) • Inclusion in the AAC’s annual Arts Directory (Allied, Associate, Artist Members only) * depending on availability

Make a donation: Support the work of the Allied Arts Council with a donation. Charitable Tax Receipts will be issued for all donations made to the AAC. Donations also qualify for the Government of Alberta’s Community Spirit Program which matches each dollar received.

For a listing of full benefits or to become a member today, please fill out the form on page 25, contact our office at 403.320.0555 or visit www.artslethbridge.org

Publisher Allied Arts Council of Lethbridge 318 . 7 Street South Lethbridge, AB T1J 2G2 T: 403.320.0555 F: 403.320.2450 info@artslethbridge.org www.artslethbridge.org Publication date March 2011 Administration Suzanne Lint Executive Director Jana MacKenzie Office Services & Finance Ashley Markus Communications Vanessa Eagle Bear Reception Programming Claire Hatton Education & Facility Services Darcy Logan Gallery Services

Board of Directors PRESIDENT Barb Cunningham VICE PRESIDENT Gloria Torrance TREASURER Mike Thiel

W i n t e r / S p r i n g 2 0 11

SECRETARY David Renter DIRECTORS Christopher Babits Carolla Christie Sarah Christensen Shirley DeBow Tyler Gschaid Melissa Manieri Ian Randell David Renter Kim Siever For additional copies contact the AAC office.

No part of this publication may be reproduced without the written consent of the publisher.

director’s

message

It can be said that the arts are the glue that hold a community together.

Whether it is dance, music, visual, new media, literary art or theatre, the arts capture our passions and emotions allowing us to explore new ideas, subject matter, and cultures.

The arts are part of our values and beliefs; an important part of our community. When Womanspace, a local community-based women’s organization was hit hard by a loss of federal Status of Women funding, a local music venue, The Geomatic Attic, organized a benefit concert featuring acclaimed musician Jill Barber (pg 3). The successful Shuffle up and Deal fundraiser brought together local artists to aid the Bowman Arts Centre’s Adult Special Needs program which also faced funding challenges (pg 5).

The arts give us the creativity to express ourselves and often bring groups of people together for memorable experiences.

The Schizophrenia Society of Alberta, Lethbridge chapter, has been bringing people together for its drama club for the past ten years. The group partners with students from the University of Lethbridge to create educational and fun performances (pg 8).

The AAC believes the arts improve the quality of communities and lives of individuals and continually strives to support the arts.

Construction of a new Community Arts Centre will begin shortly (pg 14), and once completed, will be at the core of the arts in Lethbridge, offering spaces and opportunity for everyone to experience the arts. The possibility for a new Performing Arts Centre (pg 15) continues to be explored, and may one day be co-located on the same site as the Community Arts Centre.

You’ll also notice we’re including the AAC’s 2010 Annual Report in this issue of ArtsBridge; on pages 19 – 22, you’ll find details on the mission, vision, goals and strategies of the AAC, as well as a breakdown of our financials from 2010.

It is an exciting time to be involved in the arts in Lethbridge; with upgraded and new facilities, a growing population, and ever expanding opportunities for everyone. Each day brings new possibilities; many of them life-changing.

We hope you enjoy this issue of ArtsBridge and the many stories of how the arts enhance our community.

Art also serves to educate; enhancing our understanding of the world around us. Local author Jane Harris-Zsovan’s latest book brings fragments of the past together to expose Alberta’s eugenics history (pg 10).

Suzanne Lint Executive Director

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Art from the Heart scroll By: Melissa Manieri Allied Arts Council Board Member, Youth Support Counsellor and Youth Advisory Council Board Member.

Since the beginning of human life, drawing and other forms of art have been commonly used as forms of communication and expression. Whether it is cave paintings, carvings, collages, sketches, graffiti, sculptures or any other art form; art can serve multiple purposes. Aside from being aesthetically pleasing, the creation of art can be a great communication tool- between individuals in different centuries and in different societies, and a great communication tool in a therapy setting. Having surrounded myself with several types of counselling models and

It can be said without reservation that most visual artists (at least the ones I know) certainly don’t make art for financial gain. Thus, it could be said that the issue of whether a community supports its artists or not is moot. That would be approaching the whole matter from a completely wrong perspective.

Art Therapy allows for an easier and more enjoyable experience of opening up to others. Talking

Let’s, instead, view it from the community point of view. In some ambiguous way there is a symbiotic relationship that exists between visual artists (and probably other

to relate with less invasiveness, more compassion, and is a chance to engage in therapy as a

board blog

a substantial inventory of work that, for a variety of reasons, will likely remain so for some time. Let’s just refer to it as Van Gogh Syndrome, though few if any will ever gain that artist’s posthumous fame.

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approaches during my educational and career path, I have fallen for one form—Art Therapy.

Art Therapy helps to create an open environment which allows clients to display their true feelings and views. Focusing on creativity, art, psychotherapy and self-exploration, this therapy helps improve the well-being of participants. One of my favourite aspects of Art Therapy is that it creates a non-threatening environment. A few years back, I engaged in the Art (and creative) Therapy process myself at the University of Lethbridge. At that time and still to this day, I find that

about artwork is a great way to communicate with and connect to others, even for professionals who are not certified therapists or counsellors.

One demographic which expresses themselves through art is youth. I have had several conversations with youth surrounding their art. When these conversations are looked at beneath the surface they are actually therapeutic. However, oftentimes the youth will not have felt as though the conversation surrounding their art resembled a therapeutic process. When a youth (or client) shows a piece of work such as a drawing, and explains what their piece means to them, it is a great time to connect--it is a sign of being “let in”. This time is great to utilize as “teachable moments” surrounding topics that have arisen due to the drawing (for example: how to handle negative feelings regarding a relationship). This time also allows for the therapist or counsellor

person to a person, rather than a therapist to a client. AB

Check out The Canadian Art Therapy Association website: http://www.catainfo.ca

Jill Barber singing for Womanspace at Southminster United Church, Dec. 2, 2010.

In the endless battle for funds, non-proďŹ t groups and the arts community need to support each other, because they are all in the same boat.

Building Community

through the Arts

Story and Photos by Richard Amery, L.A. Beat Editor

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Not only do Lethbridge musicians want to help out their community, but the art community does too.

So when you have community-minded people like Mike Spencer of the Geomatic Attic, and local arts promoter Todd Lacharite it is a perfect fit.

While Spencer has been regularly bringing in big names from the folk and blues world to play for music lovers above his business, Mike Spencer Geometrics Ltd, he also makes a point of combining his love for music with his love for helping out worthy causes.

The most recent was a very successful show featuring Toronto based songstress Jill Barber, held on Dec. 2, 2010 at Southminster United Church. Barber and her band played to a good sized crowd of approximately 250 paid ticket-holders who gathered to raise money for Womanspace.

“The numbers were very good. We definitely broke even and made some money for Womanspace. But more importantly, we were able to create awareness about that organization,” Spencer said, adding that Womanspace has held several fundraisers over

Participating Artist Aaron Hagan

the past few months, so he was glad to help out. “They were aware

hosted the auction for the Shuffle Up and

their federal financing was cut... so this (fundraiser) will do nothing

Deal fundraiser event, Nov. 10, 2010

but good for them,” Spencer said.

at the Owl Acoustic Lounge.

When choosing an organization to support, Spencer not only looks at an organization with a personal connection to him, but also groups which are generally overlooked and overshadowed by other more visible groups. “We had an interesting range of people at the show, from Jill Barber fans to people there to support Womanspace,” Spencer continued adding when booking acts for a special concert, he looks for acts who are not only available, but who also support the organizations’ goals. The show was also an opportunity for the artist to learn more. “It is a fundraiser, so I’ve got a lot of information about them. I’m really looking forward to being part of it. It’s going to be lots of fun” Barber said before the show.

Spencer said community organizations and the arts community are closely related, so it is important for them to support each other.

“The larger arts community is very strong. And (like organizations

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So there is a need to support other organizations in the same position,” Spencer said. This was his third fundraiser, the first being in the summer of 2009, when he had several local acts raising money for local Olympic athletes and the second held in the summer of 2010; a rockabilly round-up, which raised money for the organization “Feed The Children.”

Spencer doesn’t do it alone, of course, there are many volunteers who help events run smoothly, taking care of tickets, merchandise, and at the Attic, liquor sales. “And the Allied Arts Council was happy to support the Jill Barber concert because they understand what sort of things arts groups (and non-profits) are going through,” he said. He credits his community efforts to the positive example set by his parents who valued arts and taught that helping out was important.

Not only do Lethbridge musicians want to help out their community, but the visual art community does too. Todd Lacharite turned his attention to the Bowman Arts Centre’s Adult Special Needs program, which was also facing funding troubles. He engaged many of Lethbridge’s visual arts community in the ‘Shuffle Up and Deal’ event. Shuffle Up and Deal involved getting each artist to design individual playing cards for a special deck, which were sold to raise funds for the program.

Back in June 2010, Lacharite put the word out through Facebook about his project and was overwhelmed by the response he received, not just from Lethbridge, but as far away as Saskatoon and Edmonton. “It went better than I expected it to,” Lacharite said.

A bash at the Owl Acoustic Lounge was held in November where the original pieces were auctioned off through a silent auction as well as a live auction of several astounding prize packages donated by local businesses. “It was a really great event which raised about $5,000 with the live auction and silent auction he said,” adding they will reach $10,000 once all of the cards are sold.

“It’s definitely important to support the arts,” said Lacharite, who was originally going to donate the proceeds to one of the art studios in the city until he discovered the Special Needs Art program.

“Without these funds, a lot of the special needs people would not be able to attend these programs because they are on really fixed budgets,” Lacharite continued. “Personally, I enjoy art, just looking at the works. And I enjoy planning events. There is a lot of talent here and I enjoy supporting their endeavours,” he said. AB

Building Community through the Arts

such as Womanspace) the arts community is in a constant battle to find funding for their endeavours.

Richard Amery is the editor and creator of LA Beat, an online magazine devoted to the Lethbridge arts & entertainment scene.

Visit www.labeat.ca to find out more.

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Expanding

Lethbridge International Film Festival:

Expanding our Horizon

by Trevor Page, President, Lethbridge International Film Festival

The documentaries selected cover a wide range of issues from energy to climatechange, from terrorism to the plight of refugees and those displaced by war.

Refugees from Ethiopia’s 30-year war with Eritrea 6

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Photo: Trevor Page

For a quarter of a century, Lethbridge audiences have been casting their eyes (and thoughts) far beyond the prairies and Rocky Mountains that surround our city. For a week each year since 1985, films screened at the Lethbridge International Film Festival, or LIFF, have been attracting the attention of an interested and curious public. Not only do they provide a glimpse into some of the pressing social problems facing those in faroff lands, local audiences have an opportunity to discuss the issues and, in the process,

our Horizon broaden their understanding of people from other cultures.

The origins of the festival go back to the days when the World Citizen Centre functioned

in the city. The Centre’s mandate included public education about the developing world.

When the Center folded in 2000, two of its founding members, Louella Cronkhite and Bev Muendel-Atherstone, stepped forward and ran the festival annually with a team of

volunteers. In 2005, the volunteers formed a committee which now organizes the festival and strives to bring a selection of outstanding international films to the public each year.

LIFF is not the only film festival in town. What distinguishes it from others is that the films it screens are introduced by a discussant, who is knowledgeable about the issues portrayed and/or the area in which the film is set. The discussant also leads an audience discussion after the film has been screened. Discussants are usually local and are drawn from the community. Many teach at the University of Lethbridge and welcome the opportunity to interact with the public.

Although LIFF has been screened at various venues in the city, the Theatre Gallery at the Lethbridge Public Library has been its home since 2000. Sheila Braund, the Library’s audiovisual coordinator, is an active member of the LIFF coordinating committee. Admission to the festival is free but any donations received are used to cover the cost of mounting the festival including obtaining the rights to screen some of the films.

Most of the films screened are documentaries, although feature films are shown on Friday night and at the Saturday matinee. The documentaries selected cover a wide range of issues from energy to climate-change, from terrorism to the plight of refugees and those displaced by war. The LIFF committee tries to ensure that films are included from all parts of the world and that the issues portrayed are current or historically significant.

Films about Afghanistan have been a natural since the US-led invasion in 2001 and Canada’s heavy involvement in the country. Beneath the Veil, a film documenting the plight of women and girls in Afghanistan under the Taliban, shocked audiences around the world.

LIFF was able to get hold of the film directly from RAWA, the Revolutionary Association of the Women of Afghanistan, who secretly shot some of the sequences. The film was shown in Lethbridge a few months later, at the 2002 festival, to a packed and horrified audience.

Another film, in quite a different vein, but which also drew a large audience was Departures.

This was shown at LIFF’s 25th anniversary festival, last year. This feature film, set in Japan, won an Oscar as the best foreign language film of 2009. An orchestral musician, who

What distinguishes it from others is that the films it screens are introduced by a discussant, who is knowledgeable about the issues portrayed and/or the area in which the film is set.

suddenly finds himself unemployed, unwittingly takes a job as a funeral professional and learns the art of Nokanshi, preparing the deceased for departure. His emotional involvement with the families of the departed causes him to embark on a spiritual journey of his own. AB

The 2011 Lethbridge International Film Festival runs March 21 – 26 at the Lethbridge Public Library.

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The LSSA has a strong commitment to the arts in its programming and has seen the positive benefits it has provided.

by Ashley Markus, AAC Communications Coordinator The Lethbridge Chapter of the Schizophrenia Society of Alberta (LSSA) was established in 1989 by a group of concerned family members. They met as a support group and eventually formed an active Board. At first, the office was operated mostly by volunteers

Community-Engaged Theatre:

“Skits”-o-phrenia Drama Club

until a grant from Alberta Mental Health allowed the Chapter to initially hire part time, and then full time staff. The membership of clients and family members has grown steadily since.

Approximately ten years ago, a drama club was formed and has continued to run until today. In the past the group has performed in Lethbridge and area including Claresholm, Medicine Hat, Calgary, as well as the Lethbridge Regional Hospital and the Sterndale Bennett Theatre.

The drama club was formed by both the clients and workers to add something new to the roster of activities the society offered. Initially, the staff of the LSSA led the club and then the idea was put forth to partner with students from the University of Lethbridge’s Drama department; specifically from Professor Lisa Doolittle’s class on Community-Engaged Theatre. “My association with the group goes back several years - several senior drama students have volunteered to work with the group for full year periods. Many of these students have gone on to master’s degrees in Applied Theatre, Drama Therapy and Psychology. The group itself is amazing” says Doolittle. The group has grown in popularity over the years and has gotten so large that they often need to split off into groups to practice.

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During a typical “class”, the student instructors lead warm up exercises, drama games, bring new ideas and facilitate the creation of plays and performances. The instructors assign homework such as practicing and memorizing lines and each participant is expected to work on their part and bring their contribution forward each week. In addition to homework, participants get involved in other aspects of production such as costuming and prop making. The society hopes to be able to expand these opportunities in the future and recently received funding from Lethbridge Lifelong Learning Association. New student instructors arrive each semester and each has had a different approach.

Many plays are written and developed by the members of the club and often the performances have taken on an educational role; teaching the audience about schizophrenia. Chris Fujita, Branch Manager, has seen the positive effects the drama club has had on the participants. “It’s a very informal partnership, but an awesome collaboration. The students come here from the U of L and we draw from their enthusiasm and it’s a no holds barred approach. There’s an attitude that anything is possible, the participants really pick up on the energy and vibrancy of the instructors. Overall, it’s a very positive experience.”

When asked about how working with the group integrates with what she teaches in her classes, Doolittle talked about the theory behind her teaching which is heavily based on community engaged arts. “The group came to our class at the University in the fall and performed one of their reader’s theatre pieces for the class. We had a long discussion afterwards - it was one of the highlights of the class” says Doolittle. “All of my classes are influenced by my training in community engaged theatre and dance, because the theory and techniques are brilliant for involving students in connecting art and life, which is pretty fundamental to all creative work in the arts. Theatre for community engagement methods use arts-based inquiry to better understand, analyze and even find solutions for issues that are important to participants.” As for what the students learn, she says “the knowledge they gain in the class and in the community enables them to apply interactive, engaged theatre techniques and ideas in teaching; cultural, recreational and community planning; international development; historic and environmental sites; museums; social and correctional services; and healing and health agencies.”

The drama club also provides an easy way for the participants to create new friendships. “It’s been a good way to get to know each other, learn names, and we look forward to the student instructors coming” says Karen Christie, one of the members of the club. As anyone who has ever been involved in the theatre community can attest, one of the best parts is the camaraderie, being together and backing each other up. “A lot of pride comes from

Many plays are written and developed by the members of the club and often the performances have taken on an educational role; teaching the audience about schizophrenia.

the group, when they get out there, even though some of them are a little bit scared or rush through their lines.

But once they get going and have some experience, there is a lot of pride to be in the group” says Christie.

Fujita talked about the recent performance put on by the drama club at the society’s Christmas concert: “It was heart-warming to see the support of the drama club for each other. The play was very special, and at the end there was an eruption of applause, people had tears in their eyes, the support was tremendous.” Many of the student instructors even attended to show their support, despite the heavy crunch of exam time.

The LSSA has a strong commitment to the arts in its programming and has seen the positive benefits it has provided to its clientele. “We take working in the arts very seriously as a form of self-expression and personal creativity”, said Fujita. Anyone can sign up to the drama club by calling the LSSA office at 403-327-4305 or by stopping by the office located at 715 - 5th Avenue N. Drop-ins are always welcome. The schizophrenia society also offers many other fine arts classes such as visual arts, poetry, crafts, and music appreciation.AB

Thereʼs an attitude that anything is possible, the participants really pick up on the energy and vibrancy of the instructors.

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Shining a Light

on Alberta’s Past Interview with Jane Harris-Zsovan In 1928, the non-partisan United Farmers of Alberta (UFA) passed the first Sexual Sterilization Act. The UFA’s successor, the Social Credit Party, led by radio evangelist William Aberhart, and later by his protégé Ernest Manning, removed the need to obtain consent to sterilize “mental defectives” or Huntington’s Chorea patients with dementia. Between 1928 and 1972, nearly three thousand Alberta citizens were sterilized.

Whether it be theatre, music, visual or literary arts, it can be said that successful art often challenges traditions, makes us think outside the box, and can even make us feel uncomfortable. Local Author, Jane Harris-Zsovan recently released her latest book: Eugenics and the Firewall: Canada’s Nasty Little Secret. The book unearths some dark secrets from Alberta’s past. We sat down with Jane to talk about the book and what role the arts have in telling these stories.

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AAC: How would you describe your book?

I ask a lot of questions in the book, such as to protect our rights, are we willing to take away the rights of others?

JHZ: The book can be considered

AAC: Even though Eugenics laws are no longer in place in Alberta, what can these stories tell us about today?

a history of eugenics policies in Alberta. I wanted it to be accessible to a wide audience, not only academics. It focuses a lot on the cultural context of the time, as well as the people who created these policies. I try to take a cultural approach that will give readers a sense of what it would have been like to live in Alberta during this time and the fear surrounding people who were considered “defectives”.

The law started in 1928 and was voluntary; consent was needed in order for a person to be sterilized. These were usually people with ‘genetic defects’ or who had recently gotten out of a mental institution.

Within 10 years, there was concern that there weren’t enough people giving consent. The law was passed, and parents & teachers were required to report defective children, and often lost control of what happened to these kids. How much control the family had was often based on class. People with Huntington’s chorea or dementia, had little or no say for sterilization. Foster children, who were ward of the court and had no one to intervene, would also be sterilized by order of the minister. The eugenics board travelled over the province, seeking out ‘defective’ children in hospitals, health clinics and nursing missions. (picture on cover of book) nursing mission in Lethbridge, sterilized one single mother.

AAC: How did you find these stories?

JHZ: They were all on the public record- the Canadian Hansard records, legislative bills, old newsletter clippings, and even letters to the editor. The book pulls out dusty papers and what may seem like a number of disjointed events and puts them all together. This creates a picture of what society looked like at that time; more than each of these papers would separately.

JHZ: In some ways, the times aren’t that different. When people are dirt poor & afraid, those in power (whether they are in government or not) can come in and take control very easily. In some ways Alberta still holds this fear- and it’s easy to see where this comes from.

AAC: What is the role of the literary arts in telling stories like this?

JHZ: I think good art makes you ask questions and is often about shining a light on who we are and why. Some people don’t like art or artists, because it makes them uncomfortable- and this isn’t necessarily a bad thing. I wanted to ask the reader questions more than giving them answers- I wanted to get them talking, discussing and exploring. Writing can be a lot like a painting; my writing is very visual because our culture is very visual- I wanted to give a visual picture of what things were like at the time- which is why I included things like newspaper clippings.

AAC: Did you have any intentions for your book, and what it may make people think about?

JHZ: I wanted to be honest about eugenics and their history in Alberta. I didn’t want to blame anyone specifically, but to expose the culture at the time that allowed for this to happen. It wasn’t necessarily that all people agreed with it, but they didn’t care enough to say no and do something about it. Inch by inch, it became accepted. It would be great for people to think more critically about things we assume now are right and wrong- why not learn from the past? AB To date, victims of the Sexual Sterilization Act have received little sympathy from the political heirs to the populist political movements that created and expanded the Sexual Sterilization Act.

AAC: Why did you write this book?

JHZ: I wanted to understand why they (the government) did it- and why there were never any politicians in Alberta who renounced it- how no one at the time ever stood up and said it was wrong.

I also wanted to find out where the fear came from that helped these policies gain in popularity. They were very popular policiesmiddle class people were really afraid that their culture and their way of life were going to be swamped by insanity, vice and things like alcoholism and prostitution.

Jane’s book, Eugenics and the Firewall, published by J. Gordon Shillingford Publishers is available from the Galt Museum gift shop and Chapters.

Visit her blog at visionofcanada.blogspot.com

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CLASSES: GET McGill Blvd. Music & Arts School:

by Martha Laarman, Director McGill Blvd. Music & Arts School

Artistic, Affordable, and Available These three words describe the McGill Blvd. Music and

2010 saw several opportunities for the students to share

Arts School. Established in 2007 by Martha Laarman, this

their talents with the community. In June the school held

community based, registered not-for-profit organization

their year-end concert combined with a silent auction

is dedicated to music education and the promotion of

fundraiser. During November there was a performance

creative and performing arts for people of all ages in

at the Heart-To-Heart Trade Fair. In December, the drama

and around Lethbridge. Individual or group lessons in

students performed at an assisted living home, a dinner

numerous instruments and art forms are provided by

theatre (a fundraiser for programs) and a Christmas

qualified teachers, enriching and strengthening the lives

concert.

of students through the power of music and arts.

At the dinner theatre, the school’s drama students From very small beginnings the McGill School has seen

presented a variation of Dickens’ “A Christmas Carol,”

growth to over 100 students, with enrollment in piano,

(which they researched and wrote) to sixty guests.

guitar, voice, violin, drama, and flute.

Approximately 55 students gave renditions of music at the Christmas concert to appreciative relatives and friends.

Aside from affordable private lessons, the school also offers group lessons which allow students to share fees,

Because of growth in enrollments, the McGill School

and also provides subsidies for low income families.

currently is looking for additional locations in which to offer lessons. At present, the school is located at the

Most students pay for lessons, however others are given

Maranatha CRC building on the West side. In order to fulfill

scholarships (funded by public donations) to aid in their

the school’s goal to keep lessons available, they wish to

music education ensuring that no student will be deprived

setup satellite campuses on the North and South side of

of quality music or art education.

Lethbridge to bring music lessons closer to the students and the communities from which they come. AB

Students have found the lessons to be rewarding and the teachers to be encouraging, as they prepare for RCM exams, the Kiwanis Festival and other festivals. The students appreciate the supportive methods in instruction received from the teachers. Mixing students with an interest in learning and understanding with teachers who have a deep desire to share music and arts has created a synergy of success at all levels, from first time students to those returning to a much loved instrument after many years.

For more information about the McGill Blvd Music and Arts School visit: www.mcgillmusicandarts.com or contact Martha at mcgillmusicandarts@gmail.com or 403.308.0339

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INVOLVED! Moving in New Directions with Yoga Yoga/Moves is a yoga class for persons with disabilities that was started

You begin to explore what ‘stillness’ is; to see

in the fall of 2010 as part of “Yoga/Pilates with Ali” held at the Bowman

yourself without the limitations you have been

Arts Centre by yoga instructor Ali Freng. “The idea for the class came

taught about yourself, and simply be attentive

from an individual who liked yoga but was unable to afford regular

to what is happening in this moment”.

classes and felt that a regular class left her behind. She wanted to practice yoga in a safe environment where she could move at her own

There was a positive response to the class,

pace but still feel part of the class” says Freng. So Freng approached

and all ten spots were filled quickly. Some of

the Masons Lodge #39 for assistance and they offered to sponsor the

the comments she hears from participants

class; thus making it available to anyone. “The class is limited to ten

include “I have never tried to move like that”,

individuals so as an instructor I can be available to everyone, and there’s

“that feels good on my back” and “what fun

also space made for caregivers: everyone participates and there’s no

this is”. What is most important to Freng about

spectators.”

the class is not what happens in the class, but how it affects the lives of participants on a daily

Each class is structured similar to many yoga classes; participants start by

basis. As participants’ bodily strength increases,

sitting quietly in a chair and practicing deep breathing. The participants

breathing deepens and limbs become more

are then taught how to stretch; the goal is to increase awareness of their

flexible, movements are easier and daily

physical selves. The class works through many of the classic yoga poses

routines become less challenging.

including camel, tree, and warrior. Each person bends and shapes their

Moves is about change”, says Freng, “We move

bodies to the best of their ability. “We respect ourselves and others,

in-time to our own internal rhythms- there

and acknowledge the physical limitations we have and work within

is no need to hurry; it’s about taking time for

these perimeters” says Freng. Background music is played which helps

ourselves.” AB

“Yoga/

keep participants focused and relaxed. The class ends with a relaxation period where participants lay or sit quietly, focusing on the breath. “It is during these quiet periods that our bodies begin to let go, releasing any tension, easing any strain” says Freng.

When asked why she chose to offer the class and how she thought it would have a positive effect on the well-being of the participants, she

To find out more about future Yoga/Moves classes contact Ali Freng at 403.327.0560

explains that “doing yoga is not just about doing poses that are good for you or beneficial for your body; yoga is about being aware of yourself.

The AAC is looking for nominations for arts awards which will be presented at the 6th Annual Mayor’s Luncheon for Business and the Arts on September 22, 2011.

CALL FOR NOMINATIONS Do you know someone who has made an outstanding contribution to the arts in Lethbridge?

2011 Allied Arts Council Excellence Awards (AACE Awards): Recognizes members of the community that have made substantial philanthropic contributions to enhance the arts.

Individual Category

Service Organization Category

Business Category

2011 Joan Waterfield Memorial Award: Recognizes an individual who has made a substantial contribution to our community in the area of the arts; literary, music, dance, theatre or visual arts.

Nominations are due by April 29, 2011.

To receive a nomination package contact the AAC office at 403.320.0555 or by email at info@artslethbridge.org

ARTSBRIDGE

13

Expanding the Vision

by Margaret Mezei, Director, University of Lethbridge Music Conservatory

The Music Conservatory was established under the umbrella of the University of Lethbridge in 1968. Beginning with only a few instructors from the University’s Department of Music, together with local professional musicians, the Conservatory’s chief objective was to provide opportunities for aspiring musicians to receive quality instruction.

2011 has arrived and the Music Conservatory is thriving with 48 instructors offering private musical instruction in several areas.

Ensembles include string orchestras of different levels, choirs, Suzuki violin classes, Kindermusik, global drumming, fiddling groups and group guitar.

14

ARTSBRIDGE

The Lethbridge Performing Arts Centre Steering Committee was formed in March 2009 to lead the process for the

We continue to be a community based musical arts program, appealing to all ages, and providing quality music instruction and programs for all students.

functional planning and preliminary design of a Performing Arts Centre. The Steering Committee with the assistance of a consulting team of Ferrari Westwood

With over 600 students registered for private lessons and ensembles

James Penny Campus with performances and rehearsals held at local churches. In 2008, a program for children was established with the support of the Alberta Foundation for the Arts, called “Feel the Beat” where concerts, master classes and summer events are presented.

Change is an ongoing fact of life!

With the support of the University of Lethbridge, the Music Conservatory’s change will be to relocate to downtown Lethbridge.

The University of Lethbridge Music Conservatory will be part of the new Community Arts Centre, a vibrant cultural centre that will energize and animate the downtown core. This move will alleviate the current space pressures facing the Conservatory at its present locations, allow for growth and expansion, and provide many more opportunities for the community to be involved in music in this centralized location.

The new Community Arts Centre will allow everyone to focus attention on all the arts within our community. It will be a centralized location where individuals can participate in classes, and bring their children to experience the arts.

We continue to be a community based musical arts program, appealing to all ages, and providing quality music instruction and

Consultants, Threshold Acoustics, and Webb Management Services have completed

For more information or to get involved, visit lethbridgeperformingartscentre.org

and off campus, utilizing the University of Lethbridge’s Dr. Foster

Babits Architects, Theatre Projects

...it’s time.

every semester, the Music Conservatory offers instruction both on

a needs assessment, functional program, preliminary concept design, capital cost estimations and a business plan for facility operations.

The committee continues to work on promoting the need for this facility throughout the community. The consultant’s report was approved in principle and filed for further reference by the City of Lethbridge on May 3, 2010.

At this time, the committee was directed to report back to the City of Lethbridge

by September 2011 with information on funding options, operation and governance of the facility. Therefore, over the next six months, the committee will be reviewing the feasibility study and business plan prepared by the consultants to verify the findings are accurate for the Lethbridge market.

programs for all students.

The committee will also be researching

All of our instructors and students are excited and looking forward

capital and operating grants available from

to our new home. Our presence in the Community Arts Centre will

the Federal and Provincial governments,

allow us to meet our needs as we guide and educate our students

foundations and corporations. The

not only in music but all the arts. AB

operations and funding of similar theatres in our area will be researched in order to gain first-hand knowledge of the successes, obstacles and lessons learned by others.

ARTSBRIDGE

15

Uniting the Jazz Community: Lethbridge Jazz Society

by Donald Robb, President Lethbridge Jazz Society

For many years, musicians and music-lovers in Lethbridge were asking “Why don’t we have a jazz festival here in Lethbridge?” The response was “Great idea – but who will organize it? Who has the time, the inclination and the contacts to undertake such an event?” It seemed that a few things had to happen in order to turn the jazz festival dream into a reality. First, a core group of people needed to commit to the idea. Second, a couple of small “trial festivals” were needed to gauge response in the musical marketplace. Third, a formal organization was necessary to give a solid foundation for an annual Lethbridge Jazz Festival. Happily, all these things happened, and there is now a Lethbridge Jazz Society (LJS).

Much credit goes to Dave Renter for initiating a small jazz festival in June of 2009.

Dave was able to make a great connection with Lyle Rebbeck, producer of the Medicine Hat Jazz Festival. Through this connection a small, two day jazz festival was held, featuring both local and imported talent. Based on the success of this venture, June of 2010 saw a slightly expanded version of the Jazz Festival. It ran over three days and was sold out. Huge kudos go to the Medicine Hat Festival for underwriting these festivals.

It was clear that a jazz festival appealed to many people in Lethbridge. It was also clear that an organization was needed here in Lethbridge to work in conjunction with Medicine Hat (and hopefully other cities) to present an annual jazz festival. In the summer of 2010, a group of musicians drafted a plan to establish the Lethbridge Jazz Society. The structure, mandate and operational plan were developed, the papers of incorporation were drafted and submitted, and in September 2010, the first general meeting was held and the Lethbridge Jazz Society was founded. AB The Board of Directors are: Don Robb - President, Ryan Heseltine - Vice President, Carol Kundrik - Treasurer, Anne Baxter - Secretary, Directors - Dr. Dave Renter, Ken Lewis, Dr. Ed Wasiak, and Greg Farries. Currently there are approximately 60 members in the LJS. While the main goal of the LJS is to present an annual festival, there are a variety of jazz events throughout the year. On April 1, 2011, the LJS presents A Tribute to Ray Charles and Aretha Franklin – featuring Juran Greene and Anna Vander Heide with the Contemporary Works Jazz Orchestra. The event will take place at the newly re-opened Tongue ‘n Groove at 518 5 St S. The society’s biggest event will be JazzFest which runs from June 16 – 19, 2011. The line-up is not yet finalized, but you can count on hearing local jazz artists, local jazz groups as well as some very noteworthy jazz artists.

New members are very welcome. Please contact info@lethbridgejazz.com or phone 403.381.0443 for more information.

16

ARTSBRIDGE

In Memoriam:

Robert M. Cook

By Ken H. Lewis, Q.C. President, Lethbridge Community Band Society

So it began almost 25 years ago when

Bob’s legacy was his gift of inspiration

Robert M. (Bob) Cook stepped into the

to play, sing, and dance better and

beginnings of what became a hugely

better. His

productive and rich era of music making

“Now lets make music” meant much

in Lethbridge. It was a bit of a gamble

more than reading dots on a page.

in 1987 for a man of exemplary music

Thousands have heard this band over

and arts credentials and experience, to

its 24 years. Hundreds have performed

take on the notion that he could make

in or with the group. Businesses have

a distinguished concert ensemble from

recognized that LCBS is well organized,

a cosmopolitan collection of would be

well run and very musical indeed. Much

‘stars’ and long faded ‘promising high

of that can be credited to Bob Cook

school musicians’. But he did, and aren’t

who insisted on structure, progress

we grateful.

and vision.

oft

used

expression,

Bob’s driving determination to create not a band but an ‘excellent’

His groundings have led to a line of superb conductors. The

concert ensemble was recognized within 6 years when his Gold Band,

experiences of those humble beginnings have lead to guest

performed at a western music festival in Red Deer in a field of close

collaborations with Allan Vizzutti, Jens Lindemann, the late John

to 170 bands from Western Canada and the Northwest U.S. Our little

Griffiths, the Mantini Sisters, Howard Cable, many commissionings

band took all five of the top honours. He made Lethbridge and its

and premieres of new works.

musicians very proud that day.

Bob Cook passed away in the summer of 2010. His contribution to the Bob Cook’s history in music went much beyond the Lethbridge

arts in its broadest sense was his passion to push all artists whether

Community Band Society. He was always an involved supporter

amateur or professional always to a higher level. His contributions, in

and at times, conductor, of the Lethbridge Symphony. His history

part, can be credited with our City’s very enthusiastic appreciation of

of government service in the awakening of Alberta arts and culture

the arts. AB

under Peter Lougheed lead to many firsts. He was a founding executive member of the Alberta Foundation for the Arts, a revered peer amongst conductors, a sought after adjudicator and so much more. Bob was the Assistant Dean of Fine Arts at the University of Lethbridge until his retirement; in 1987 when he convened that first rehearsal of the Lethbridge Community Band.

“It’s time to open up that instrument case and blow out the dust and cobwebs.”

-Robert M. Cook

conductor emeritus ARTSBRIDGE

17

Annual General Meeting

Allied Arts Council

Tuesday, March 22, 2011 7:00pm • Bowman Arts Centre 811 5 Avenue South Presentation of the annual ďŹ nancial statements Presentation of the annual reports Appointment of auditors Election of Directors

Reception to follow Please RSVP your attendance to info@artslethbridge.org by March 15, 2011

Nominations to the Board of Directors Individuals interested in serving on the AAC Board of Directors are asked to submit a letter of interest to: Ian Randell, Nominations Chairperson c/o The Allied Arts Council of Lethbridge 318 7th Street South Lethbridge, AB T1J 2G2 info@artslethbridge.org Submission deadline: March 7, 2011

18

ARTSBRIDGE

highlight was the designation of Lethbridge as one of the five flagship cities for Alberta Arts Days 2010; three exciting days showcasing artists of all types, and encouraging Albertans to discover, experience and celebrate the arts.

The AAC

for a weekend full of events including the grand re-opening of the Southern Alberta Art Gallery, ArtWalk, Aboriginal Festival, and ArtsFest in Galt Gardens Park.

Our city’s arts facilities continue to be improved upon as a result of the Arts Re:building Together initiative started several years ago. The expansion of the Southern Alberta Art Gallery was completed in September, the first of three projects under this initiative.

The construction of the new Community Arts Centre (to be built at the former IGA site downtown) is underway and the facility is expected to open in late 2012. The Performing Arts Centre Steering Committee is actively working to promote the need for this facility in our community.

In 2010, the AAC continued to promote the value of the arts in Lethbridge through ArtsDays, Mayor’s Luncheon for Business and the Arts, ArtStage and with our print publications - the annual Arts Directory, ArtsBridge magazine, and our e-newsletter; Arts in Lethbridge.

2010 also saw a complete re-design of the AAC website; improvements included a fresh clean design, a layout that is easier to navigate and an improved online arts calendar.

Usage of the site has increased as more people turn to the internet for relevant information on the arts in Lethbridge.

The AAC board also spent a considerable amount of time reviewing policies and procedures resulting in an updated policy manual.

Thank you to all the artists, arts organizations, community groups and art lovers for your hard work and continued support for the Allied Arts Council!

Barb Cunningham, President Board of Directors, Allied Arts Council of Lethbridge (AAC)

2010 ANNUAL REPORT

coordinated the event which brought over 200 artists together

MISSION

To provide leadership

Allied Arts Council

Message from the President

March 2011

2010 was an exciting year for the Allied Arts Council (AAC). A

in advancing & enhancing the arts in Lethbridge

VISION Lethbridge is

enriched by a thriving arts community

STRATEGIES.2010

The Strategic Goals & Objectives of the AAC support the vision and mission of the organization.

Advocacy

The AAC is a strong advocate for the arts.

Members of the board and staff provided an arts perspective through various community committees including: The City of Lethbridge Public Art Steering Committee, Heart of the City Committee, The North Lethbridge Regional Park Steering Committee, Joint Promotions Committee, and the Alberta Summer Games 2012 Board of Directors. The AAC also advocated the value of the Arts to the community through a number of events and initiatives.

Public Art: The Allied Arts Council promotes the value of public art in Lethbridge through its participation in the City of Lethbridge Public Art Initiative. In 2010 artists Catherine Ross and Denton Frederickson, were commissioned to create a new piece entitled Aeolian Aviary which will be installed at SAAG in late 2011.

Mayor’s Luncheon for Business and the Arts: On September 16, 2010 the AAC hosted a sold out 5th annual luncheon. This event, designed to build awareness and support for the arts, brought together the civic, business and arts communities to celebrate the arts in Lethbridge and to recognize individuals and organizations for their outstanding contributions to the arts.

Allied Arts Council Excellence (AACE) Awards: Presented at the Mayor’s Luncheon for Business and the Arts, three awards were presented to an individual, a business and a service organization for outstanding philanthropic contributions that enhance the arts community. Recipients are selected from names submitted by community members from Lethbridge and area.

2010 Winners: • Individual Category: Carol Roberts, New West Theatre Volunteer • Business Category: CJOC/Clear Sky Radio • Service Organization Category: Southminster United Church Joan Waterfield Memorial Award: Presented at the Mayor’s Luncheon for Business and the Arts, this peer-to-peer award recognizes an individual who has made a substantial contribution to our community in the area of the arts; literary, music, dance, theatre or visual arts. Winners demonstrate an extraordinary contribution over an extended period. Recipients are selected from names submitted by community members from Lethbridge and area.

2010 Winners: George & Nellie Mann Ray Jolliffe Memorial Scholarship: Administered by the AAC, the Ray Jolliffe Memorial Scholarship was established by the Jolliffe Family in 2008 to recognize the contribution of Mr. Ray Jolliffe in the field of theatre production in the community of Lethbridge. The scholarship is awarded annually to a Canadian student pursuing study in the field of “Theatre Production Design and Management” and/or “Television Production and Design” at a recognized Canadian post-secondary educational institution.

2010 Winner: Emily Warlow ArtStage Act II, an Evening Engagement with the Arts: ArtStage Act II was held on January 16, 2010. This event brought many disciplines of the arts together on the Yates stage in a unique and stimulating creative showcase. The audience was challenged and entertained by their exposure to a truly eclectic art experience.

Economic Development Lethbridge - Team Lethbridge: from November 2 – 4 2010, AAC representatives joined Team Lethbridge representatives to meet provincial government officials including the Minister of Tourism, Parks and Recreation, Minister of Infrastructure, Minister of Advanced Education and Technology, Deputy Minister of Seniors and Community Support, and the Deputy Minister of Culture and Community Spirit. The AAC was included in a promotional video promoting the Team Lethbridge member organizations and displayed a promotional banner at the MLA Reception.

The AAC has a positive relationship with its members and provides opportunities to the membership for new and cooperative projects.

In 2010 the AAC Membership included 85 Allied and Associate organizational members and 168 individual members.

The AAC continued to act as an information source for artists and arts organizations while coordinating initiatives that brought the arts community together.

ArtsDays: Lethbridge was chosen as one of five flagship cities in the province for Alberta Arts Days 2010; held from September 17-19. Artists from all disciplines shared their talents with over 3000 arts devotees.

Lethbridge Arts Days included four main events: • Southern Alberta Art Gallery (SAAG) Grand re-opening - Sept 17 – 19: The newly renovated gallery was host to a weekend’s worth of events including new exhibitions, workshops, a pancake breakfast and free admission.

• ArtWalk - Sept 17 & 18, Downtown Lethbridge: 2010 was the largest year ever for ArtWalk; previous years averaged 30 venues while 2010 had approximately 50.

• AbFest - Sept 18, Yates Memorial Centre: Hosted by the Blackfoot Canadian Cultural Society, this event celebrated and showcased Blackfoot art & culture with performances by artists such as Shane Yellowbird, Red Star Women, and the Blackfoot Ambassadors.

• ArtsFest - Sept 18 & 19, Galt Gardens Park: This community celebration of the arts included live music & performers, an artisan market and a children’s festival.

Artist Learning Series: Held on April 29, 2010 at the Bowman Arts Centre, this workshop introduced web marketing concepts to artists seeking increased exposure and profit from their art online.

Communications

The AAC is viewed by the community as a valuable organization while successfully promoting the arts.

The AAC maintained its strong relationship with the local media throughout 2010; working in partnership with CJOC Radio, Global TV, LA Beat, the Lethbridge Herald and the Lethbridge Journal to bring arts information to the community.

2010 Municipal Election Arts Survey: The AAC sent out an Arts Survey to each Candidate running for office in Lethbridge’s 2010 Municipal Election. Results were posted on the AAC website and e-mailed out to all members.

Arts Directory: The 2010/11 directory provided artist, allied and associate members a listing in the Arts Directory as a benefit of their annual membership. The publication retained its bold, clear design while continuing to highlight artists and arts organizations in southern Alberta.

Facilities

ArtsBridge: The AAC continued to publish ArtsBridge biannually. Invitations to contribute were extended to the membership and broader community resulting in increased public engagement.

AAC Website: The AAC website received a complete makeover in 2010 resulting in a clean, fresh layout that is current with web standards, increased user content, and an enhanced arts calendar.

Arts in Lethbridge e-newsletter: The format of the bi-weekly e-newsletter was also updated, providing subscribers with an attractive, easy-to-read and informative e-newsletter.

Arts Facilities in Lethbridge have been improved.

The AAC continued to successfully support initiatives to improve Lethbridge Arts Facilities throughout 2010.

SAAG Renovation/Expansion Project: Grand Opening celebrations coincided with Lethbridge’s Art Walk, Alberta Arts Days and the nation-wide Culture Days. The architectural firms of Ferrari Westwood Babits and Savill Group Architecture joined forces to re-imagine the space.

Bowman Expansion/Community Arts Centre: The project moved ahead in 2010 with the former IGA site at 8 St & 3 Ave S being announced as the location for the new facility.

Performing Arts Centre: a needs assessment, business plan and a preliminary concept design were completed

by Ferrari Westwood Babits Architects in cooperation with Theatre Projects Consultants (TPC), Webb Management Services Inc., and Threshold Acoustics LLC. The report was approved in principle and filed for further reference by the City of Lethbridge on May 3, 2010. The Steering committee will report back to the City of Lethbridge

by September, 2011 with funding options, operation and governance of the facility.

2010 ANNUAL REPORT

Member Relations

The AAC is a financially stable and sustainable organization.

AAC REVENUE 2010

AAC EXPENSES 2010 Board 1% Programming 20%

AFA 14%

Program Fees/Membership 18%

Administration 22% Special Projects/Donations/Grants 22% Facility 18%

Arts Promotion 39%

City of Lethbridge 46%

The AAC gratefully acknowledges monetary and in-kind contributions from the following sponsors: Platinum ($2000 +) Val & Flora Matteotti 94.1 CJOC Lethbridge Herald Gold ($1000 - $1999) Lori G. Andreachuk, Q.C Deltec Power & Control Systems Ferrari Westwood Babits Architects Global Television Korite International National Salvage North & Company Precon Precast Products Royal LePage South Country Realty

Governance

Silver ($500 - $999) Advance Glass & Aluminum ATB Financial Davidson & Williams Douglas R. Lint From the Grapevine Impact Sound & Lighting Integrity Dental Kubik & Company Lethbridge Musical Theatre Melcor Development Meyers Norris Penny Pella Windows & Doors Stantec Consulting YPM Chartered Accountants

Bronze ($250 - $499) D.A. Building Systems Barrie & Marion Broughton Gerry & Shirley DeBow Amy Dodic Rod & Martha Draffin C. Dunford Consulting Inc. John & Barbara Fisher Godlonton Realty Co. Hantech Engineering Ltd. Tracy Hembroff Lethbridge College George Lomas KPMG Accountants Lethbridge Lodge Hotel

Martin Brothers Funeral Chapel McIntyre Ranch Co. Peggy Mezei & Robert Moffat Chet & Sharon Mook Peak Productions Playgoers of Lethbridge Dan Shapiro Southern Alberta Art Gallery Sterling Mutuals Studio Celeste

The AAC’s Board of Directors operates effectively.

Policy Review: In 2010 the AAC Board completed a policy review, updating the organizations’ policy manual.

Board of Directors PRESIDENT Barb Cunningham VICE PRESIDENT Gloria Torrance TREASURER Mike Thiel SECRETARY David Renter

DIRECTORS Christopher Babits Carolla Christie Sarah Christensen Shirley DeBow Tyler Gschaid Melissa Manieri Les Ostrowski Ian Randell Kim Siever Elizabeth Songer

Allied Arts Council

318 7 Street South Lethbridge, AB T1J 2G2 T: 403.320.0555 F: 403.320.2450 info@artslethbridge.org www.artslethbridge.org

2010 ANNUAL REPORT

Financial

Administration Suzanne Lint Executive Director

Programming Claire Hatton Education & Facility Services

Jana MacKenzie Office Services & Finance

Darcy Logan Gallery Services

Ashley Markus Communications Vanessa Eagle Bear Reception

Bowman Arts Centre 811 5 Avenue South Lethbridge, AB T1J 0V2 T: 403.327.2813 F: 403.327.6118 www.communityartscentre.org

The Allied Arts Council (AAC) is a registered not-for-profit organization with the mandate to advance the arts in our community. The AAC supports artistic

support the arts

endeavours that enhance the quality of life for individuals and our community.

The organization is supported by its members, corporate and private donations

AAC membership

and annual fundraising activities.

CONTACT THE AAC OFFICE FOR A LIST OF BENEFITS & FURTHER INFORMATION

Core funding support is gratefully received from:

NEW MEMBER

RENEWAL

Name Business (if applicable)

New Members: October 15/2010 – January 15/2011:

Address City

Individual Members: Jordan Mudrack Mark Nelson Pamela Vera Tanya Plonka Tracy Somerville Leon Barr Diana Zasadny

Province Postal Code Telephone Facsimile Email Website

Allied Members: HATRIX Lethbridge Jazz Society The Geomatic Attic

Associate Members:

Allied Organization

$75*

Artist

$25*

Associate

$75*

Friend to the AAC

$15

Family Friend to the AAC

$25

Galko Homes Lethbridge Masons Lodge #39 I would like to make a donation of $ TAX RECEIPTS WILL BE ISSUED FOR DONATIONS

CREDIT CARD INFORMATION Visa

Mastercard

Total Donation and/or Membership amount

Card# Expiry Date Signature CHEQUES ARE PAYABLE TO THE ALLIED ARTS COUNCIL OF LETHBRIDGE

I am interested in becoming an AAC volunteer *Inclusion in 2011/2012 AAC Arts Directory if information received before April 15/2011

ARTSBRIDGE

23

of events calendar of march

Ammena Dance Company . . . .

An Explosion of World Dance and Music March 5, 7pm Yates Theatre Bowman Arts Centre . . . . . . . . .

Works by Sonis McAllister and the Barracuda Orchestre March 5 - April 2 Film: Squatting the Palace: Kiki Smith March 7, 7 - 8pm

Annual General Meeting March 30, 5pm Evergreen Golf Centre

U of L Faculty of Fine Arts. . . . .

TheatreXtra Presents: The Musical, Title of Show March 3-5, 8pm David Spinks Theatre Plays and Prose Competition Winners - Evening Celebration March 16, 7pm David Spinks Theatre

Film: Eye of the Beholder: Artscape Nordland March 14, 7 - 8pm

La Virtuosissima Cantatrice: Songs by Italian Baroque Women March 17, 8pm University Recital Hall

Film: Les vies possibles: Christian Boltanski March 21, 7 - 9pm

Richard III by William Shakespeare March 22 - 26, 8pm University Theatre

Empress Theatre . . . . . . . . . . . . .

Carlos del Junco, Canadian Blues artist March 17 & 18, 8pm

Vox Musica . . . . . . . . . . . . . . . . . .

Awake, My Soul, and Sing: A Choral Celebration March 5, 7:30pm Southminster United Church

The Geomatic Attic . . . . . . . . . . .

Fred Eaglesmith March 7 & 8 Doors open at 7pm Colin Linden March 16 Doors open at 7pm Lethbridge International Film Festival. . . . . . . . . . . . . . . . . . . . . .

March 21 - 26 7pm nightly Lethbridge Public Library Theatre Gallery Lethbridge Folk Club . . . . . . . . .

Maria Dunn March 19, 8pm The Wolf’s Den Lethbridge Symphony Orchestra. . . . . . . . . . . . . . . . . . . .

Chamber Series 4 - Cold Comfort March 4, 8pm Southminster United Church Master Series IV – Shadowcatcher March 28, 8pm Southminster United Church Southern Alberta Art Gallery . . . . . . . . . . . . . . . . . .

Billy J. McCarroll: How to Play a Winning Game Your Natural Way March 12 - May 1

1 ARTSBRIDGE 24 ARTSBRIDGE

APRIL april Bowman Arts Centre . . . . . . . . . .

Bowman Spring Sale Featuring the Lethbridge Handicraft Guild of Weavers, Lethbridge Artist Club, Textile Surface Design Guild, Oldman River Potters Guild & Chinook Woodturning Guild April 30, 10am - 4pm Sculptures by Peter Gilligan in Main Gallery Work by the Lethbridge Figure Drawing Group in the Music Room Photographs by Kim Siever at the Yates Gallery April 9 - May 21 Film: Anything is Possible: William Kentridge April 4, 7 - 8pm Film: Illuminations: Sandra Blow and Marc Quinn April 11, 7 - 8pm

Rhonda Kupsch . . . . . . . . . . . . . .

Rocks, Water and Mud - B&W photography exhibit April 16 - May 23 Crowsnest Pass Public Art Gallery

Lethbridge Community Band .

LCBS Gold Band with clarinettist James Campbell April 16, 7:30pm University of Lethbridge Center for the Arts Lethbridge Folk Club . . . . . . . . .

Hashmagandy April 16, 8pm The Wolf’s Den Lethbridge Jazz Society . . . . . .

A Tribute to Ray Charles and Aretha Franklin Featuring Juran Greene and Anna Vander Heide with the Contemporary Works Jazz Orchestra April 1, 8pm Tongue n Groove Lethbridge Scottish Country Dance Club . . . . . . . . . . . . . . . . . .

Scottish Country Dance and Music Workshop, Banquet and Ball April 1 - 3 Lethbridge Lodge Hotel Lethbridge Symphony Orchestra. . . . . . . . . . . . . . . . . . . .

Chamber Series 5 - Life Lessons May 6, 8pm Southminster United Church Master Series V - The Titans May 9, 8pm Southminster United Church Southern Alberta Art Gallery . . . . . . . . . . . . . . . . . .

Osvaldo Ramirez Castillo: Mad Soldiers Until May 1 Billy J. McCarroll: How to Play a Winning Game Your Natural Way Until May 1 Happy Hour with Billy McCarroll April 15 Evergreen Golf Centre

Film: Space is Process: Olafur Elliason April 18, 7 - 8pm

Golfing With Billy April 30 Evergreen Golf Centre

The Geomatic Attic . . . . . . . . . . .

Alpha Ya Ya Diallo April 19 Doors open at 7pm

Southern Alberta Art Gallery, Galt Museum, New West Theatre Coulees and Culture Connections April 26 to 29

Vox Musica “Joining Forces” John Rutter’s ‘Mass of the Children’ April 5, 8pm Southminster United Church

MAY may Rhonda Kupsch . . . . . . . . . . . . . .

Rocks, Water and Mud - B&W photography exhibit Until May 23 Crowsnest Pass Public Art Gallery Lethbridge Folk Club . . . . . . . . .

Lynn Miles May 7, 8pm The Wolf’s Den Ben Sures May 28, 8pm The Wolf’s Den Bev Mazurick . . . . . . . . . . . . . . . .

Virtual Music: An exhibition of recent paintings May 28 – July 20 Opening reception: May 28 Waterfield Gallery, Yates Theatre Oldman River Potters Guild . . .

Spring Sale May 5 & 6, 10am - 8pm May 7, 10am - 4pm Southern Alberta Art Gallery . . . . . . . . . . . . . . . . . .

Art’s Alive and Well in the Schools May 8 - June 12 An Exhibition from the Buchanan Collection May 8 - June 12 Troyanda Ukrainian Dance Club . . . . . . . . . . . . . . . . . .

Year-end performance (Vesna) May 14, 6:30pm U of L Theatre University of Lethbridge Music Conservatory . . . . . . . . . . . . . . . .

Feel the Beat Children’s Concert Series – More Rocky Mountain Fairy Tales May 17 - 18,10am & 12pm Southminster United Church

events

JUNE june

JULY july

Lethbridge Centennial Quilters Guild. . . . . . . . . . . . . . . .

Lethbridge Festival of Quilts 2011 June 3, 10am - 8pm June 4, 10am - 6pm Main Gymnasium, Lethbridge College

Southern Alberta Art Gallery . . . . . . . . . . . . . . . . . .

House Tours & Tea July 23

Lethbridge Jazz Society . . . . . .

JazzFest- Jazz Festival 2011 June 16 - 19 Various locations Southern Alberta Art Gallery . . . . . . . . . . . . . . . . . .

Art’s Alive and Well in the Schools May 8 - June 12

Mapping a Prairie City: Lethbridge and its Suburbs June 24 - September 11 Mike McLean: Range June 24 - September 11 South Country Fair #25 . . . . . . .

July 15 - 17 Fish & Game Park, Lyndon Road, Fort MacLeod AUGUST

An Exhibition from the Buchanan Collection May 8 - June 12 Mapping a Prairie City: Lethbridge and its Suburbs June 24 - September 11 Mike McLean: Range June 24 - September 11

august

Southern Alberta Art Gallery . . . . . . . . . . . . . . . . . .

Mapping a Prairie City: Lethbridge and its Suburbs June 24 - September 11 Mike McLean: Range June 24 - September 11

Spirit in Motion Yoga . . . . . . . . .

Heart Yoga Workshop with Karuna Erickson June 10 & 11 Spirit in Motion Yoga Studio

Contact information for each event/organization: Ammena Dance Company 403.330.9084 ammenadance.com Bowman Ar ts Centre 403.327.2813 Empress Theatre 1.800.540.9229 e m p r e s s t h e a t r e . a b. c a The Geomatic Attic geomaticattic.ca Rhonda Kupsch 403.562.2218 rkupsch@telus.net Lethbridge Centennial Quilters Guild lethbridgequilters.ca Lethbridge Community Band 403.381.7822 lcbs.ca

Lethbridge Folk Club 403.381.2252 Lethbridge International Film Festival thpage@telusplanet.net Lethbridge Jazz Society info@lethbridgejazz.com Lethbridge Scottish Country Dance Club 403.320.0357 lethbridgescottishcountrydance.com Lethbridge Symphony Orchestra 403.328.6808 l e t h b r i d g e s y m p h o n y. o r g

Southern Alberta Art Gallery 403.327.8770 6 0 1 3 Av e S saag.ca S o u t h C o u n t r y Fa i r A s s o c i a t i o n s c f a i r. a b. c a S p i r i t i n M o t i o n Yo g a 403.320.6763 s p i r i t y o g a @ s h a w. c a Tr o y a n d a U k r a i n i a n D a n c e C l u b 403.320.8931

Bev Mazurick b e m a z @ s h a w. c a

University of Lethbridge Music Conser vatory 403.329.2304 uleth.ca/finearts/conservatory

Oldman River Potters Guild 403.329.3936

U o f L Fa c u l t y o f F i n e A r t s uleth.ca/finear ts/events Vo x M u s i c a deans2@telusplanet.net

2010 AAC ANNUAL REPORT INCLUDED

On the cover: Lethbridge Arts Days 2010; Galt Gardens Park 318 7 St S, Lethbridge, AB T1J 2G2

Ph: 403.320.0555

F: 403.320.2450

www.artslethbridge.org