Taylor Swift

Page 1


Taylor SwifT’S live performanceS are noT concerTS —iT would be exTremely reducTive To call Them So becauSe They are unique “live experienceS,” which include changeS of Scenography, dancerS, Special effecTS, and fireworkS, which go far beyond The muSic, making each Show an immerSive experience ThaT iS unforgeTTable for The audience.

From the Speak Now World Tour, where she surprised fans by playing a variety of instruments, to the 1989 World Tour, which featured a stage that seemed to come straight out of a futuristic pop dream, Taylor has always aimed to give her fans unforgettable performances. The Reputation Stadium Tour broke all records for its innovative use of technology such as giant screens and pyrotechnics, creating an electric atmosphere that left an enduring mark, while The Eras Tour even became a 2-hour-and-45-minute film.

ALBUM:

START: END:

CITIES: SHOWS:

Fearless

• Evansville April 23, 2009

• Cavendish July 10, 2010

CITIES: SHOWS: Red • Omaha March 13, 2014

• Singapore June 12, 2014 4 86

ALBUM: START: END:

CITIES: SHOWS: 1989

• Tokyo May 5, 2015

• Melbourne December 12, 2015 6 85

ALBUM: START: END: SHOWS: TOTAL ATTENDANCE:

Reputation

• Glendale May 8, 2018

• Tokyo November 21, 2018

53 2,545,379

ALBUM:

CITIES: SHOWS: her entire discography

START: END:

• Glendale March 17, 2023

• Vancouver December 8, 2024 7 152

Taylor SwifT iS noT juST a celebriTy of The muSic buSineSS, buT alSo an icon of faShion and STyle, wiTh The power To dicTaTe The TrendS of every SeaSon

Hailed as an icon of American fashion by ‘Vogue’ as early as 2011, in 2014 she was named by ‘People’ as the best-dressed celebrity and Woman of the Year at the Elle Style Awards. Those who remember her from the start of her career can’t help but recall a little girl with cowboy boots, floral-patterned dresses, and natural, curly hair; but with the evolution of her music and the transition to pop, her style has become more glamorous and refined. Taylor has thus passed from a country image to a decidedly more sophisticated and versatile one, reflecting the different phases of her life, but always managing to be easily recognizable, with looks that can connect to everyone, just like her lyrics.

w haT doe S i T mean To be T aylor S wif T in everyday life ?

In an interview a few years ago, the American pop star admitted that her life was rather strange and decidedly different from that of “normal” people: constantly in the spotlight, under pressure from the media, perpetually chased by fans, judged in every statement and appearance in public. Yet all this does not seem to bother or upset her too much as she candidly admits that she is able to live with this successful life and, indeed, that she has learned, not without difficulty, to enjoy what she has laboriously achieved.

THE AUTHOR

Francesca Pavesi was born and raised in Milan. Graduated in modern literature, Francesca has been an author and journalist since 2003. Masterfully reconciling private life and work, her days are spent with her computer and recorder always on, writing and interviewing personalities for various national newspapers and magazines. She would like to do a thousand things, but the day only has 24 hours. She is confident, sooner or later, that she will be able to do them all.

PHOTO CREDITS

Page 1: Jeff Kravitz/TAS23/Getty Images; page 3: Kevin Mazur/TAS23/Getty Images; pages 4-5: NBC-TV/Album/Alamy Foto Stock; page 6: Rick Day/Contour/Getty Images; page 11: Buda Mendes/TAS23/Getty Images; page 13: Buda Mendes/TAS23/Getty Images; page 15: Brian Friedman/Shutterstock; pages 16-17: Catrina Haze/Shutterstock; page 17: Taylor Hill/TAS23/Getty Images; pages 18-19: Sayre Berman/ Alamy Foto Stock; page 19 left: Sayre Berman/Alamy Foto Stock; page 19 center: Sayre Berman/Alamy Foto Stock; page 19 right: Jason Kempin/Getty Images; page 20: Kevin Mazur/WireImage/Getty Images; page 21 top: Sayre Berman/Alamy Foto Stock; page 21 left: Kevin Mazur/WireImage/Getty Images; page 21 right: Rodolfo Sassano/Alamy Foto Stock; page 22 left: Sam Hussein/TAS/Getty Images; page 22 center: Larry Busacca/TAS/Getty Images; page 22 right: Kevin Mazur/TAS/Getty Images; pages 22-23: Nicky Loh/TAS/Getty Images; pages 24-25: Christopher Polk/TAS/Getty Images; page 25 top: Larry Busacca/TAS/Getty Images; page 25 center: Dave Hogan/TAS/Getty Images; page 25 bottom: Christopher Polk/TAS/Getty Images; pages 26-27: Christopher Polk/Getty Images; page 27 left: Christopher Polk/TAS/ Getty Images; page 27 center: John Shearer/LP5/Getty Images; page 27 right: Christopher Polk/TAS/Getty Images; page 28: John Shearer/ LP5/Getty Images; page 29 top: Christopher Polk/TAS/Getty Images; page 29 center: John Shearer/LP5/Getty Images; page 29 bottom: Christopher Polk/TAS/Getty Images; page 30: Alexander Tamargo/TAS18/Getty Images; pages 30-31: WENN Rights Ltd/Alamy Foto Stock; page 31: Gareth Cattermole/TAS18/Getty Images; page 32: John Shearer/TAS23/Getty Images; page 33 top: Kevin Winter/Getty Images; page 33 left: Emma McIntyre/TAS23/Getty Images; page 33 right: Lisa Lake/TAS23/Getty Images; page 34: Mat Hayward/TAS23/Getty Images; page 35: Kevin Winter/TAS23/Getty Images; pages 36-37: Hector Vivas/TAS23/Getty Images; page 37 top: Ethan Miller/TAS23/Getty Images; page 37 bottom: TAS2023/Getty Images; page 38: Emma McIntyre/TAS23/Getty Images; page 39 top: Bob Levey/TAS23/Getty Images; page 39 center: John Shearer/TAS23/Getty Images; page 39 bottom: Kevin Winter/TAS23/Getty Images; pages 40-41: Jeff Kravitz/ TAS23/Getty Images; page 41: Buda Mendes/TAS23/Getty Images; pages 42-43: Taylor Hill/TAS23/Getty Images; page 45: John Shearer/ Getty Images; page 46 left: Joe Seer/Shutterstock; page 46 center: DFree/Shutterstock; page 46 right: Joe Seer/Shutterstock; pages 4647: Samir Hussein/WireImage/Getty Images; page 47 top: Jaguar PS/Shutterstock; page 47 bottom: John Shearer/Getty Images; page 48 left: DFree/Shutterstock; page 48 center: Stephen Lovekin/FilmMagic/Getty Images; page 48 right: Tinseltown/Shutterstock; pages 48-49: Theo Wargo/WireImage/Getty Images; page 50 left: Sydney Alford/Alamy Foto Stock; page 50 top: Timothy A. Clary/AFP/Getty Images; page 50 center: Featureflash Photo Agency/Shutterstock; page 50 bottom: Tinseltown/Shutterstock; page 51: Joe Seer/Shutterstock; page 52: Image Press Agency/Alamy Foto Stock; page 53: MediaPunch Inc/Alamy Foto Stock; pages 54-55: Andrew H. Walker/Getty Images; page 57: CelebrityArchaeology.com/Alamy Foto Stock; page 58 left: Gotham/GC Images/Getty Images; page 58 center: Robert Scott Button/ Shutterstock; page 58 right: MEGA/GC Images/Getty Images; pages 58-59: Liam Goodner/Shutterstock; page 59 top: Raymond Hall/GC Images/Getty Images; page 59 bottom: WENN Rights Ltd/Alamy Foto Stock; page 60: Headlinephoto Limited/Alamy Foto Stock; page 61 top: Ignat/Bauer-Griffin/GC Imagesr/Getty Images; page 61 left: James Devaney/GC Images/Getty Images; page 61 right: Ignat/Bauer-Griffin/ GC Imagesr/Getty Images; page 62: MEGA/GC Images/Getty Images; page 63 left: Raymond Hall/GC Images/Getty Images; page 63 center: GVK/Bauer-Griffin/GC Images/Getty Images; page 63 right: NCP/Star Max/GC Images/Getty Images. • Cover: Taylor Hill/TAS23/Getty Images • Poster: Sipa USA/Alamy Foto Stock

Project editor

Consulting D&D

Graphic design

Piacco

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© 2024 White Star s.r.l. Piazzale Luigi Cadorna, 6 20123 Milan, Italy www.whitestar.it

Translator: Gfb s.r.l

Editing: Phillip Gaskill

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ISBN 978-88-544-2118-9 1 2 3 4 5 6 28 27 26 25 24

Printed in China

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