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Now, becoming an artist is no longer have the question of a beauty. Nor criticize or just a cultural observer with a position that is above society. Because art, is no longer enough to do a critique of political behavior, cultural life of the community, the collapse of social morality. Society has now face to face with a television drama that is always present difficulties of life to silence their lives. Performative actions are no longer enough to surprise the public, because now in action initiatives have now become public property. We see how performative people commit suicide by crashing into electric trains.
Installation art is now as good as buildings belonging to semi-permanent living homeless and living under the bridge. Art is now supposed to be part of the society, without any attempt to distinguish itself as a form of the idea of ‘valuable’ difficult to understand. The idea presented in the exhibition are now no longer borrow some abstract form of a la Plato’s idea but takes the form existing in the society
Cut and Rescue works across mediums, from a collage of images and text, sound and video pieces, as well as experimental and performative action. The name of the group that can be simply defined as a cut and save, Cut and Rescue retrieve, copy, and save cultural artifacts intertwined around the community, which had been considered banal and low, such as newspapers headlines. In the context of art, Cut and Rescue has participated in several art activities such as: Jakarta 32∞C 2012 (5 Best Work), Jakarta Biennale 2013, and appeared in several music festivals. Cut And Rescue are Aditya Fachrizal Hafiz, Angga Cipta , Mario Julius, Rafsan Yuono, and Syaiful Ardianto. cutandrescue@yahoo.com
cutandrescue@gmail.com
http://cutandrescue.org @cutandrescue
Exhibition: 2012 | Jakarta 32°C, Indonesian National Gallery, Jakarta
open submission project, interpretating Jakarta with audio (mixtape)
2013 | Pelicin - Jakarta Biennale 2013, Salihara Gallery, Jakarta
Cut and Rescue work with theme of urban mythology; supernatural money. The money here, is mystification, and it can be intersect of some of the community. Taking stories collected from respondents also some print media and convert into various works such as: audio, video, comics, film posters and banners. Still using the cut-up method, Cut and Rescue processing multiple data sources with different aesthetics but still evoke collective memory of the themes raised.
2014 | Kaos Chaos, RK Gallery, Jakarta t-shirt exhibition
2014 | Jakarta 32°C Showcase, Library of Bank Indonesia, Surabaya
Jakarta 32°C Showcase is an activity that displays best visual works from the event Jakarta 32°C, a forum between college students in Jakarta and major biennial exhibition for the visual works of students in Jakarta. Held since 2004, Jakarta 32°C aims to foster critical dialogue of the students and introduce the best of their works to a wider public. Jakarta 32°C has a program of exhibitions, discussions, workshops, film screenings, musical performances and a bazaar. Its management involves the process of curatorial experimentation by young artists, writings, and organizing exhibitions performed by students and young artists in Jakarta.
2014 | Manifesto, Mencandra Keseharian, National Gallery Indonesia
The basic idea in this work is a cockroach, or have properties of very resistant to a nuclear of radiation and a complication of modern human mental which is called Alienation. This audio discussing a fictional profession that is “The Insects Trainer�, where the artist thinks the profession is very promising in the future.
2014 | Local Fest, Grand Indonesia Talking about local issues, Cut and Rescue interested in discussing local food products produced in the home (home industries). Visual and logos are made very attractive, also if the terms of the foods that contain harmful substances but still be addictive and enjoyable. Acculturation also be an ornamental visually displayed, because this cottage industry products is carried from generation to generation from the various tribes and races that exist in Indonesia, especially Java. Collage works are printed in a banner to the media which represent forms of distribution and promotion is usually done by a cottage industry
2014 | Hai Day - Regeneration, Parkir Timur Senayan, Jakarta
2014 | Pasar Seni ITB, Bandung
In this interactive work we try to invite visitors to play at once nostalgic. Games that will be presented is the game that was once contained in the Regional market or school. Games that had been designed in such a way by the dealer so that the player is difficult to win this game. it is closely related to people age children up to teenagers in the era of 80-90s. We tried to bring up the collective memory of the visitors on this point. The game is; pair of images, pull the thread, candy lottery lizard, and a bonus in the form of the zodiac forecasts. We also insert visuals are used to create these games on any instrument and play a playlist of songs that support the atmosphere of the game.
2014 | Kesedihan (Solo Exhibition), Ruru Gallery, Jakarta
The theme of “Kesedihan” (Sadness) raised in this exhibition originated from a conversation between Cut and Rescue with the curator of the exhibition, Iswanto Hartono. They talked of memories derived from products of popular culture past and its comparison with the entertainment industry today. There is a continuity that is always present in our mass culture production, which the entertainment industry, pop culture and national mass media continues to produce ‘sadness’ as a commodity which is presented to an urban society. Sadness, also misery, present in various forms as the main condiment popular culture products to be ‘fine dining’ favorite city residents. Seasoning “sadness” can be found in the melancholy drama movies, romance novels a la Mira W to hack writer, pop songs breakup until dangdut song lamenting the fate. Television programs ranging from crime news, reality shows, soap opera melodrama that never ended, celebrity gossip, until the call of religion all contribute to show sadness. Ironically, the sad story has become its own recipe for the success of the products of popular culture and entertainment program, which was produced continuously for urban consumption.
2015 | DAYDREAM PLAYGROUND, Green Skate Park TMII, Jakarta Game of Skate, Collaborative Showcase by Recording & Visual Artists
2015 | UGLY “PALMISTRY�, ART DEPT ID at THE GOODS DEPT, Jakarta In 2015 UGLY (fashion products) commemorates the anniversary-3, as a small celebration they create a collaborative exhibition that invites friends artists with the title of palmistry. Palmistry is the essence of the theme of the mystery of the future. Each artist is invited to get a bag that can be customized, but we did not do anything in the bag. We sell these bags to a person and the proceeds of our conversion into a marriage dowry. Mahar be a representation of the extension of the bag as an object commodity changing hands.
2015 | OK Video - Orde Baru, Indonesia Media Arts Festival National Gallery Indonesia
The crowd of the opening and a performance of Cut and Rescue (IDN) in collaboration with Genta Surya Choir The media arts festival known as OK Video returns this year with Orde Baru (New Order) as its central theme. Orde Baru, of course, refers to the period during the Soeharto Regime’s hold over Indonesia (1965-1998), and 2015 marks the 50th anniversary of Orde Baru. As you will read in OK Video’s explanation below, the use of analog technology used to control information, and the use of digital technology in providing a new perspective toward the beliefs that have been established during that era. We make a choir performance in collaboration with Genta Surya Choir sang national songs were very popular in the New Order era as the closing song of the television broadcast TVRI (Televisi Republik Indonesia).
2015 | XERO-FEST 2at THE GOODS DEPT, Jakarta The annual photocopy art event by Art Department of The Goods Dept. Signed editions of twenty-five from each participating artist .
2016 | TAHUN TANAH, Jatiwangi Art Factory, Majalengka, and SALIAN Art Space, Bandung
Cut And Rescue collaborate with Sedulur JAF Radio multimedia show presented AFTER RENDERING REGIME, with the play: “Tikus di Bawah Pabrik Genteng� (Rats Under Tile Factory). Tahun Tanah (The Earth Year) is a festival that was held by Jatiwangi Art Factory as a birthday celebration. Located in the town of Majalengka, which became the largest tile producer in Indonesia. The theme of the future Jatiwangi are beginning to lose some tile factories were closed due to bankruptcy. There is also the issue of urbanization due to be built International Airport that will indirectly change Jatiwangi into urban areas.
2016 | SONSBEEK Festival ‘16: transACTION, (Artist In Residence), Arnhem - Netherland
Gerobak Sablon Gerobak Sodor A unique kind of vehicle is traveling through the district of Malburgen: a Gerobak Sablon, “cart with prints” in Javanese. This cart has been created by the artists collective Cut And Rescue, from Indonesia. Do you have something you’d like to trade? Choose a print pattern, and Cut And Rescue will use it to print a T-shirt, bag, or sticker. These prints are inspired by their experiences during their month-long stay in Malburgen. Cut And Rescue is also organizing a festival where games take on a different meaning for the residents. Gerobak Sodor is a pun on “Gobak Sodor”, a traditional Javanese game. For SONSBEEK ’16, ruangrupa has invited various collectives to experience a given district of Arnhem, and to put it on the map. Cut And Rescue is one of these collectives. In a multidisciplinary way, Cut And Rescue researches and develops ideas that remind the ‘audience’ that culture has not yet become obsolete. After the Second World War, Malburgen was created as a new neighborhood on the other side of the Rhine river, in the south of Arnhem. ruangrupa and the ruru huis worked with various groups in Malburgen, including the football team Arnhemia.
2016 | Collective Society - Art Stage Jakarta 2016
At Art Stage 2016, we were invited by BEKRAF (Creative Economic Agency), a nonministerial government agency under and responsible to the President through a minister in charge of government affairs in tourism. Bekraf promotes 6 local artists to perform at Art Stage from Jakarta, Bandung and Yogyakarta. They are Cut and Rescue (Jkt), Guerrilla Artist Collective (Bdg), Graphics Huru - Hara (Jkt), JWAProject (Jkt), Studio Graphic Minggiran (Yog). We open a platform for the audience to interact directly with us and feel the creative process that is commonly done. Audiences pay Rp. 50.000 rupiah for cup noodles and free flow instant coffee or tea while chatting with us for half an hour. The result of the conversation that became the essence will be written on the audience’s glass (paper). The text becomes a souvenir as well as artifacts of interactive paid performance art results for a participating audience.
2017 | Pagggges - Book and Zine Exhibition, Jakarta
a platform of art book & zine makers & publishers, as they deliver their self-publishing manifesto.
2017 | Getok Tular (Lamunanku...) - Omunium Space Bandung, Indonesia Omnispace creates an Exhibition of Ideas “Get Tular # 2: Spacing Out (my daydream ...)”. As an idea-based exhibition, Get Tular # 2 has a focus on the issues facing immaterial workers: interpreting and managing leisure time. This exhibition presents the ideas artifacts of hundreds of artists and creative workers of our best friends in using the best time or leisure time to find interesting ideas.
Karya Cut and Rescue di pameran Getok Tular2 di Omni.Space Buku panduan “Menuju Bulan tahun 3031” Works of Cut and Rescue, exhibited in Getok Tular2 at Omni.Space Guidebook “Towards the Moon of 3031”
2017 | RRRec Fest at The Museum - National Museum Jakarta, Indonesia
The theme of the International Museum Day 2017 is the Museum and history that compete: Saying things unspoken in the museum. RRRECFEST this time will cooperate with the National Museum in order to celebrate the International Museum Day. The event is commemorated by all museums in the world is an effort to keep the role and benefits of the museum for the wider life of the community. *** Time gives legitimacy to its existance.Time is the only true unit of measure. An excerpt from the science fiction film, Lucy became the exact phrase to understand the collage work of the Cut And Rescue object. Cut And Rescue tries to see the most abstract and decisive aspect in human life: time.
2017 | Carte Blanche: Anxiety - Mizuma Gallery Singapore
At its first appearance (2014) we attempted to make the “Pelatih Serangga” (Cockroach Trainer) profession as real as possible. Using object findings and laboratory installations, we strive to build perceptions of the same cockroach activity as other animal cultures. In the follow-up work “Pelatih Serangga (Re-Edit) 2017“, we present the developmental results of cockroach enzyme research formulated into extracts. This extract is manufactured into a blotter-print, a kind of piece paper (5x5 mm) that can accommodate a special chemical fluid. The cockroach enzyme has in common with the lsd chemical formula but has opposite results. This work features a blotterprint design compilation of cockroach enzyme extracts, daily usability clues, and cockroach audio tutorials.
2017 | RESI(PRO)VOKASI, Participatory Art Practice in Indonesia Post-Reformation, National Gallery Indonesia - Jakarta
Recipro(vo)cation can be interpreted as “reciprocation and provocation” or “reciprocal provocation”, a two-way method of communication and egalitarian exchange of ideas between artists and the public, which is directly related to the creative process of artworks/art events – consciously or unconsciously – as if each is provoking the other. The emergence of artists’ awareness of these efforts towards public involvement or their own involvement in the public during their creative process begins with a rejection of the elitism of art, the cult of the artist, and the alienation that is created between art objects and visitors to galleries and museums. Creative experimentation in direct public participation is among the speculative efforts to bridge this distance, although the results can in fact engender a new kind of alienation. This exhibition aims to represent the tendency to participatory art practice from the post-Reformation era through to today as an “alternative” creative practice to the dominance of studio-based individual practice. The spectrum of participatory art practice addressed is in closely aligned in its approach to terms in Western art discourse, such as relational art, art and social practice, interactive art, activist art, community based art and so on. This exhibition is an effort to enrich readings of contemporary art practice in Indonesia. Through the concepts offered by these artists in diverse social contexts, the exhibition intends to provide a general picture of how artists respond to the conditions around them; to ignite critical thinking about contemporary social problems and to provide a different perspective in interpreting creative art practice based on processes and events, as an alternative artistic experience for the artists and an alternative aesthetic experience for the public. *** Bayu Genia Krishbie Curator We displaying Cut And Rescue selected archive artwork from 2012-2016. We also experiment with the audience’s gesture of how to see the object and archive closer.
Exhibitions: 2012 | Jakarta 32°C, Indonesian National Gallery, Jakarta 2013 | Pelicin - Jakarta Biennale 2013, Salihara Gallery, Jakarta 2014 | Kaos Chaos, RK Gallery, Jakarta 2014 | Jakarta 32°C Showcase, Library of Bank Indonesia, Surabaya 2014 | Manifesto, Mencandra Keseharian, Galeri Nasional Indonesia 2014 | Local Fest, Grand Indonesia 2014 | Pasar Seni ITB, Bandung 2014 | Kesedihan (Solo Exhibition), Ruru Gallery, Jakarta 2015 | DAYDREAM PLAYGROUND, Green Skate Park TMII, Jakarta 2015 | UGLY “PALMISTRY”, ART DEPT ID at THE GOODS DEPT, Jakarta 2015 | OK Video - Orde Baru, Indonesia Media Arts Festival National Gallery Indonesia 2015 | XERO-FEST 2at THE GOODS DEPT, Jakarta 2016 | TAHUN TANAH, Jatiwangi Art Factory, Majalengka,and SALIAN Art Space, Bandung 2016 | SONSBEEK Festival ‘16: transACTION, (Artist In Residence), Arnhem - Netherland 2016 | Collective Society - Art Stage Jakarta 2016 2017 | Pagggges - Book and Zine Exhibition, Jakarta 2017 | Getok Tular (Lamunanku...) - Omunium Space - Bandung, Indonesia 2017 | RRRec Fest at The Museum - National Museum - Jakarta, Indonesia 2017 | Carte Blanche: Anxiety - Mizuma Gallery - Singapore 2017 | RESI(PRO)VOKASI, Participatory Art Practice in Indonesia Post-Reformation, National Gallery Indonesia - Jakarta On Going Projects: Cut and Rescue “Zine Publishing” (2011 – Now) Cut and Rescue “Interpreting Jakarta with Audio” (2012 – Now) Cut and Rescue “Disrobot Mix Series” (2013 – Now) Cut and Rescue “Rumah” Exhibition (2015 – Now) Awards: 2012 | The Best 5 Artworks Jakarta 32°C, Indonesian National Gallery, Jakarta Others: 2012 | “The Return of Setan Tete” OST for “Superbad!” Vol.38 “Let’s All Meet Up in The Year 2012!”, Jayapub, Jakarta 2012 | Commision Works of Indonesia Cutting Edge Music Award 2012 2013 | “Disrobot Band Rock” Featured OST for Superbad! Vol.45 “Beginning TO See Left”, Jayapub, Jakarta 2013 | Artistic Director RRREC FEST #3 ‘The Showcase’, TIM, Jakarta 2013 | Artistic Director Hiburan Malam Minggu #2 Jakarta Biennale 2013, Salihara Gallery, Jakarta 2013 | Video Scratch Performance, Joyland Festival, Jakarta 2013 | Multimedia Performance at Sidang Hans Bague Exhibition Opening, Cemara Gallery, Jakarta 2014 | Jakarta 32°C showcase at Museum of Bank Indonesia, Surabaya 2014 | Collage Workshop, RRREC Fest in The Valley, Tanakita, Sukabumi Publication: http://www.thejakartapost.com/news/2013/10/28/playing-with-chaos-jakarta-s-mean-streets. html http://www.thejakartapost.com/news/2013/11/30/pelicin-visual-artists-take-money.html http://www.sonsbeek.org/en/sonsbeek-2016-transaction/artists/cut-and-rescue/
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU
do not clean. will be used Cut And Rescue’s artwork.
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU
TERIMA KASIH THANK YOU