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Eagan Apple Valley Rosemount
June 16, 2011 • V36.24
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Once more unto the breach with Eagan’s Shakespeare Festival
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BY MATTHEW HANKEY SUN NEWSPAPERS
An Apple Valley High School senior shares a moment with someone in the crowd during commencement exercises Friday, June 10, in the Apple Valley High School gym. For more pictures from Dakota County graduations, turn to page 16. (Photo by Joseph Palmersheim • Sun Newspapers)
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To quote William Shakespeare, “All the world is a stage.” Whether that’s true or not depends on the opinion of whomever hears it, but one stage in Eagan will host an event celebrating the works of the famous playwright Friday, June 24, at the Caponi Art Park, 1220 Diffley Road in Eagan. The Cromulent Shakespeare Company will perform “Julius Caesar” 6:30 p.m. that evening. The Minnesota Shakespeare Company will perform “A Midsummer Night’s Dream” 6:30 p.m. Saturday, June 25. In case of bad weather, a rain date for both plays is scheduled 6:30 p.m. Sunday, June 26. Caponi Art Park executive director Cheryl Caponi says this year’s productions offer something for everyone. The park has been host to lighthearted Shakespeare productions in the past, but “Julius Caesar” breaks that mold. “We’re really looking forward to having a different kind of play performed,” Caponi said. “Julius Caesar” director Mark Palmer thinks audiences will enjoy the play’s dark and
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intense parallels between the politics of Caesar’s time to current American politics. “It’s definitely something people can relate to the turbulence in the world today,” Palmer said. The production centers on the plot to murder Julius Caesar for fear he is becoming too powerful as dictator of Rome. This conspiracy involves one of his closest friends – Marcus Brutus – and audience members will recognize one of the most quoted lines in all of Shakespeare at the productions climax. “A Midsummer Night’s Dream” is the classic summer production for a park amphitheater, given the plays setting outside in the woods. “It’s very appropriate for it to be staged outdoors,” Caponi said. The play begins like many Shakespeare comedies – as a tragedy. Hermia refuses to marry her father’s choice for a suitor, leaving her with two options. She can either spend her life in a nunnery or face death. Three interlocking plotlines connect the audience with themes of love, fantasy, and
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