CO N F LU E N C E PARK Ros e Ci ty Par k Co m mun i t y C e n te r
Yi -Yun C hiu ( Ad a ) FA 18 I AD 610 PROC E SS BO OK
C o n tents 09
42
Ca se Stu d y
Prelimin ar y
Readin g
10
Reading
43
C o mmu nity Ce nte r
11
Matrix
44
Residen tial
26
Bub b le Diagiam
45
Restaurant
30
Bloc ks Diagiam
49
Of f ice
35
01
37
52
Si te A na l y s i s
B uil d in g A n alys is
C on cep t
D iscu s s i o n
2
Readin g
38
Reading
53
S i te An a ly s i s
3
B u il din g Analy sis
39
Conce p t Philosop hy
54
N e ighb o e ho o d An a ly s i s
6
P ro ject Program
40
Mood Board
55
D e mo g ra p hi c An a ly s i s
7
B u il din g Use rs
41
F inal Mood Board
57
C o n tents 09
42
Ca se Stu d y
Prelimin ar y
Readin g
10
Reading
43
C o mmu nity Ce nte r
11
Matrix
44
Residen tial
26
Bub b le Diagiam
45
Restaurant
30
Bloc ks Diagiam
49
Of f ice
35
01
37
52
Si te A na l y s i s
B uil d in g A n alys is
C on cep t
D iscu s s i o n
2
Readin g
38
Reading
53
S i te An a ly s i s
3
B u il din g Analy sis
39
Conce p t Philosop hy
54
N e ighb o e ho o d An a ly s i s
6
P ro ject Program
40
Mood Board
55
D e mo g ra p hi c An a ly s i s
7
B u il din g Use rs
41
F inal Mood Board
57
58
73
82
P ro g ra m mi ng
ADA Comp lian t
C on cep t Stateme nt
Rea ding
59
Readin g
74
Reading
83
S i te a n d B lo c k Di a g ra m C o n cept
62
En l arged Re stroom F loor Plan
76
Conce p t State me nt
84
Final i ze B lo c k D i a g ra m
63
65
77
85
Se c h e m a t i c Fl o o r P l a n
P ro ces s Sketch
Des ign Develop m e nt
Rea ding
66
Readin g
78
Reading
86
Mai n O pt i o n
67
P ro ces s S ketc h
79
S ketc h
87
Op tio n I I
71
C o n cl u s ion
81
58
73
82
P ro g ra m mi ng
ADA Comp lian t
C on cep t Stateme nt
Rea ding
59
Readin g
74
Reading
83
S i te a n d B lo c k Di a g ra m C o n cept
62
En l arged Re stroom F loor Plan
76
Conce p t State me nt
84
Final i ze B lo c k D i a g ra m
63
65
77
85
Se c h e m a t i c Fl o o r P l a n
P ro ces s Sketch
Des ign Develop m e nt
Rea ding
66
Readin g
78
Reading
86
Mai n O pt i o n
67
P ro ces s S ketc h
79
S ketc h
87
Op tio n I I
71
C o n cl u s ion
81
89
108
Furni ture Pla n
Ceil ing Plan
Fur n i tu re P l a n
90
Fur n i tu re S c h e d u l e
92
Inte ri o r E le va t i o n a n d Pres pect ive
99
C eil in g Plan
104
110
M a te r i a l B oard
Weekly Sketch
Lob by
105
Cafe
106
Re sidential
107
109
89
108
Furni ture Pla n
Ceil ing Plan
Fur n i tu re P l a n
90
Fur n i tu re S c h e d u l e
92
Inte ri o r E le va t i o n a n d Pres pect ive
99
C eil in g Plan
104
110
M a te r i a l B oard
Weekly Sketch
Lob by
105
Cafe
106
Re sidential
107
109
01 Site A nal y s i s D iscu s s i o n S i te An a ly s i s
01 Site A nal y s i s D iscu s s i o n S i te An a ly s i s
Assignment 1.1 / Discussion
C*D6<&$1#E-8*$^$ %<6#$3-4"-D*B*_$12332 !"#$%&'#($)#*+,-,.$/#,0#+ !"#$5#,0+#$-4$'&5*0#:$&,$0"#$5*8?64$&7$45-#,5#$*,:$0#5",&'&.<$6,-M#+4-0<$PFQ)=$*,:$-4$:#4-.,#:$9<$0"#$-,0#+,*0-&,*'$>*?*R ,#4#$*+5"-0#506+*'$?+*50-5#=$12322@
A2V$WIH$HI$ O-RO6,$/"-6$XHYZHG[\Y]
12322$-4$*,$*+5"-0#506+*'$7-+8$9*4#:$-,$!&;<&=$>*?*,@$A0$B*4$7&6,:#:$9<$*+5"-0#504$C*D6<&$1#E-8*$*,:$%<6#$ 3-4"-D*B*=$B"&$B#+#$*B*+:#:$0"#$F+-0D;#+$F+-D#$-,$GHIH@$3&0*9'#$B&+;4$-,5'6:#$0"#$!&'#:&$J64#68$&7$2+0K4$ L'*44$F*M-'-&,$-,$!&'#:&N$0"#$3#B$J64#68$&7$/&,0#8?&+*+<$2+0$-,$3#B$O&+;N$0"#$%&'#($)#*+,-,.$/#,0#+$*0$0"#$ PFQ)$-,$)*64*,,#@
THE FAVOR ITE A R CH IT E CT
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
2
Assignment 1.1 / Discussion
C*D6<&$1#E-8*$^$ %<6#$3-4"-D*B*_$12332 !"#$%&'#($)#*+,-,.$/#,0#+ !"#$5#,0+#$-4$'&5*0#:$&,$0"#$5*8?64$&7$45-#,5#$*,:$0#5",&'&.<$6,-M#+4-0<$PFQ)=$*,:$-4$:#4-.,#:$9<$0"#$-,0#+,*0-&,*'$>*?*R ,#4#$*+5"-0#506+*'$?+*50-5#=$12322@
A2V$WIH$HI$ O-RO6,$/"-6$XHYZHG[\Y]
12322$-4$*,$*+5"-0#506+*'$7-+8$9*4#:$-,$!&;<&=$>*?*,@$A0$B*4$7&6,:#:$9<$*+5"-0#504$C*D6<&$1#E-8*$*,:$%<6#$ 3-4"-D*B*=$B"&$B#+#$*B*+:#:$0"#$F+-0D;#+$F+-D#$-,$GHIH@$3&0*9'#$B&+;4$-,5'6:#$0"#$!&'#:&$J64#68$&7$2+0K4$ L'*44$F*M-'-&,$-,$!&'#:&N$0"#$3#B$J64#68$&7$/&,0#8?&+*+<$2+0$-,$3#B$O&+;N$0"#$%&'#($)#*+,-,.$/#,0#+$*0$0"#$ PFQ)$-,$)*64*,,#@
THE FAVOR ITE A R CH IT E CT
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
2
Assignment 1.2 / Site Analysis
Cor ner of ne 6 0 th avenue A nd ne holladay s tre et , p or tlan, oregon.
NE IG H B O RH OO D: Ros e cit y par k .
ROJ EC T T Y PE: A t wo -s tor y building compr ising a communit y center and four re sidential unit s .
CO NS TRUC TIO N T Y PE: Type V, wood frame construction, and sprinkered.
SITE INFORM ATION
PRO PE R T Y LOC ATIO N:
3
Assignment 1.2 / Site Analysis
Cor ner of ne 6 0 th avenue A nd ne holladay s tre et , p or tlan, oregon.
NE IG H B O RH OO D: Ros e cit y par k .
ROJ EC T T Y PE: A t wo -s tor y building compr ising a communit y center and four re sidential unit s .
CO NS TRUC TIO N T Y PE: Type V, wood frame construction, and sprinkered.
SITE INFORM ATION
PRO PE R T Y LOC ATIO N:
3
Assignment 1.2 / Site Analysis
SURROUNDING A RE A
S TRE E T ACCE SS
- NE . 6 0 th avenue is the main s tre et .
N O IS E
SITE A N A LYSIS
- Main nois e is from s outh of the r ailroad, but it 's almos t 10 0'- 0" away from proje c t building. However, the we s t side of the site is the main road to the viaduc t , it might b e nois y to o.
4
Assignment 1.2 / Site Analysis
SURROUNDING A RE A
S TRE E T ACCE SS
- NE . 6 0 th avenue is the main s tre et .
N O IS E
SITE A N A LYSIS
- Main nois e is from s outh of the r ailroad, but it 's almos t 10 0'- 0" away from proje c t building. However, the we s t side of the site is the main road to the viaduc t , it might b e nois y to o.
4
Assignment 1.2 / Site Analysis
V IE W
- We s t side of the site is viaduc t and s tore building , s o it would not provie d go o d view. On the other hand, the nor th side is the low r is e re sidential area with plant view, and eas t-s outheas t c an s e e the Mt . Hoo d, which is a f amous view of Por tland.
SUN A ND W IND DIREC TIO N
SITE A N A LYSIS
- T h e c l i m a t e o f t h i s a r e a i s w a r m , d r y s u m m e r, a n d co o l , r ainy w inte r. T h e s un ni e s t t im e s of yea r a r e May t h r o u g h O c t o b e r. T h u s , m o s t l y w i n d c o m e s f r o m t h e nor th - we s t .
5
Assignment 1.2 / Site Analysis
V IE W
- We s t side of the site is viaduc t and s tore building , s o it would not provie d go o d view. On the other hand, the nor th side is the low r is e re sidential area with plant view, and eas t-s outheas t c an s e e the Mt . Hoo d, which is a f amous view of Por tland.
SUN A ND W IND DIREC TIO N
SITE A N A LYSIS
- T h e c l i m a t e o f t h i s a r e a i s w a r m , d r y s u m m e r, a n d co o l , r ainy w inte r. T h e s un ni e s t t im e s of yea r a r e May t h r o u g h O c t o b e r. T h u s , m o s t l y w i n d c o m e s f r o m t h e nor th - we s t .
5
Assignment 1.2 / Site Analysis
PARK
PHARMACY
HOSPICE
DETENTION CENTER
SITE
HOSPITAL
SPORT CENTER
INDUSTRIAL RETAIL
LIGHT RAIL STATION
SUPERMARKET
PARK
NEIGHBORHOOD A N A LYSIS
PARK
6
Assignment 1.2 / Site Analysis
PARK
PHARMACY
HOSPICE
DETENTION CENTER
SITE
HOSPITAL
SPORT CENTER
INDUSTRIAL RETAIL
LIGHT RAIL STATION
SUPERMARKET
PARK
NEIGHBORHOOD A N A LYSIS
PARK
6
Assignment 1.2 / Site Analysis
S ummar y - The White p opulation is mos t HOUSEHOLD INCOME AND AVERAGE INCOME
- The ne x t is the s enior and children
R 65 OVE 5-64 4 4 25-425 R DE UN
MARITAL STATUS
NEVER MARRIED 44.3% MARRIED 40.7% SEPARATED 3.8% WIDOWED 1.5% DIVORCED 9.6%
$41,780 $64,600 $51,547 $31,500
EDUCATION STATISTICS
TWO OR MORE RACES 4% OTHER AFRICAN AMERICAN 1% 2%
ASIAN 4%
POPULATION DEMOGRAPHICS
FEMALE 51%
MALE 49%
ROSE CITY PARK
NO HIGH SCHOOL 3.4% SOME HIGH SCHOOL 6.1% SOME COLLEGE 26.8% ASSOCIATE DEGREE 7.8% BACHELORS DEGREE 35.1% GRADUATE DEGREE 20.8%
HISPANIC 4%
WHITE COLLAR 69.5%
RACES
OCCUPATIONAL EMPLOYMENT
WHITE 86%
Source: https://statisticalatlas.com/neighborhood/Oregon/Portland/Rose-City-Park/Ancestry
BLUE COLLAR 30.5%
NON-FAMILY 49.7% FAMILY 50.3%
NUMBER OF HOUSEHOLDS
DEMOGR A PHIC OF ROSE CIT Y PA RK
- A ge b et we en 4 0 - 6 4 is the mos t p opulation
7
Assignment 1.2 / Site Analysis
S ummar y - The White p opulation is mos t HOUSEHOLD INCOME AND AVERAGE INCOME
- The ne x t is the s enior and children
R 65 OVE 5-64 4 4 25-425 R DE UN
MARITAL STATUS
NEVER MARRIED 44.3% MARRIED 40.7% SEPARATED 3.8% WIDOWED 1.5% DIVORCED 9.6%
$41,780 $64,600 $51,547 $31,500
EDUCATION STATISTICS
TWO OR MORE RACES 4% OTHER AFRICAN AMERICAN 1% 2%
ASIAN 4%
POPULATION DEMOGRAPHICS
FEMALE 51%
MALE 49%
ROSE CITY PARK
NO HIGH SCHOOL 3.4% SOME HIGH SCHOOL 6.1% SOME COLLEGE 26.8% ASSOCIATE DEGREE 7.8% BACHELORS DEGREE 35.1% GRADUATE DEGREE 20.8%
HISPANIC 4%
WHITE COLLAR 69.5%
RACES
OCCUPATIONAL EMPLOYMENT
WHITE 86%
Source: https://statisticalatlas.com/neighborhood/Oregon/Portland/Rose-City-Park/Ancestry
BLUE COLLAR 30.5%
NON-FAMILY 49.7% FAMILY 50.3%
NUMBER OF HOUSEHOLDS
DEMOGR A PHIC OF ROSE CIT Y PA RK
- A ge b et we en 4 0 - 6 4 is the mos t p opulation
7
REFUGEE
Assignment 1.2 / Site Analysis
8
REFUGEE
Assignment 1.2 / Site Analysis
8
02 C a s e St u d y Rea ding Co m m u n i t y C e n te r Re sidential Re stau rant Office
02 C a s e St u d y Rea ding Co m m u n i t y C e n te r Re sidential Re stau rant Office
Assignment 2 / Reading
Suppor t the development of socially sustainable communities by providing physical spaces to help addre s s the s o cial ne e ds of a communit y. - Public locations - Gather for group ac tivitie s , s ocial supp or t , public infor mation, and other pur p os e s - Op en for whole communit y or a sp e cialize d group within the greater communit y (e x . For women, youth clubs , Jewish...) or for a sp e cif ic pur p os e but s er ving the whole communit y (e x . ar t s centre) - Par k al s o considere d communit y centre s - Pione er : Mar y Par ker Follet t : at tending to p e opleâ&#x20AC;&#x2122;s ne e ds , de sire s and aspir ations - S ome of that rente d building for the ac tivitie s , supp or t net wor k s , and ins titutional initiative s . Such as fre e k itchen, public computer labs , fre e housing space for p er for mance s and ar t e xhibitions .... thos e are more e s tablishe d s et ting conne c te d with public facilit y. (e x . libr ar y) - Move from quasi-legal/ illegal to regularized situation - Autonomous space - - - share re s ource s ideas and infor mation (dif ferent from NGO sp ons ore d communit y centre s)
Pr inciples for Succes s ful Communit y Cent res A communit y centre may provide: - The space for me eting , ac tivitie s or event s - The bas e/space/location for the local communit y s er vice s and progr amme s - Par ticular s er vice s , progr amme s , and ac tivitie s for sp e cif ic tar get groups - Space for hire for pr ivate f unc tions - Sp e cialis t facilitie s for par ticular focus on re creation, ar t s , cultur al ac tivit y, lear ning or s ocial supp or t .
Communit y Cent re D es ign G uidel ine A . Ide ntif y lo cal s o cial ne e ds and de s ire d s o cial outcom e s B . D e te r mine s ize and s cale C . Ide ntif y lo cation D. Cons ide r the f unc tional and de s ign feature s E . Co - lo cate with othe r facilitie s whe re ap p rop r iate F. D eve lop s us tainable manage m e nt , mainte nance and p olic y ar r ange m e nt s
- A numb er of the s e f unc tions within a single centre. A . A ddre s s Communit y ne e ds and promote s ocial outcom e s B . Provide a r ange of communit y s e r vice s , ac tivitie s and progr amme s C . Contr ibute to the public domain and s e ns e of place D. Sup p or t communit y cohe s ion ( unit y) E . D eve lop a s trong lo cal p rof ile F. Involve the communit y G . Prom ote p hys ical integr ation H . Provide a dive r s it y of p rogr amm e s , s e r vice s and ac tivitie s I . Encour age s taf f ing of ce ntre s
COMMUNIT Y CENTRE
O ver view of Communit y Cent re
10
Assignment 2 / Reading
Suppor t the development of socially sustainable communities by providing physical spaces to help addre s s the s o cial ne e ds of a communit y. - Public locations - Gather for group ac tivitie s , s ocial supp or t , public infor mation, and other pur p os e s - Op en for whole communit y or a sp e cialize d group within the greater communit y (e x . For women, youth clubs , Jewish...) or for a sp e cif ic pur p os e but s er ving the whole communit y (e x . ar t s centre) - Par k al s o considere d communit y centre s - Pione er : Mar y Par ker Follet t : at tending to p e opleâ&#x20AC;&#x2122;s ne e ds , de sire s and aspir ations - S ome of that rente d building for the ac tivitie s , supp or t net wor k s , and ins titutional initiative s . Such as fre e k itchen, public computer labs , fre e housing space for p er for mance s and ar t e xhibitions .... thos e are more e s tablishe d s et ting conne c te d with public facilit y. (e x . libr ar y) - Move from quasi-legal/ illegal to regularized situation - Autonomous space - - - share re s ource s ideas and infor mation (dif ferent from NGO sp ons ore d communit y centre s)
Pr inciples for Succes s ful Communit y Cent res A communit y centre may provide: - The space for me eting , ac tivitie s or event s - The bas e/space/location for the local communit y s er vice s and progr amme s - Par ticular s er vice s , progr amme s , and ac tivitie s for sp e cif ic tar get groups - Space for hire for pr ivate f unc tions - Sp e cialis t facilitie s for par ticular focus on re creation, ar t s , cultur al ac tivit y, lear ning or s ocial supp or t .
Communit y Cent re D es ign G uidel ine A . Ide ntif y lo cal s o cial ne e ds and de s ire d s o cial outcom e s B . D e te r mine s ize and s cale C . Ide ntif y lo cation D. Cons ide r the f unc tional and de s ign feature s E . Co - lo cate with othe r facilitie s whe re ap p rop r iate F. D eve lop s us tainable manage m e nt , mainte nance and p olic y ar r ange m e nt s
- A numb er of the s e f unc tions within a single centre. A . A ddre s s Communit y ne e ds and promote s ocial outcom e s B . Provide a r ange of communit y s e r vice s , ac tivitie s and progr amme s C . Contr ibute to the public domain and s e ns e of place D. Sup p or t communit y cohe s ion ( unit y) E . D eve lop a s trong lo cal p rof ile F. Involve the communit y G . Prom ote p hys ical integr ation H . Provide a dive r s it y of p rogr amm e s , s e r vice s and ac tivitie s I . Encour age s taf f ing of ce ntre s
COMMUNIT Y CENTRE
O ver view of Communit y Cent re
10
SHIH Y U - L A NG CENTR A L Y MC A
Assignment 2.1 / Case Study / Community Center
Shih Yu-Lang Central YMCA Tenderloin District, San Francisco, CA Yi-Yun Chiu (Ada) , Yu-Shan Liu (Ethan)
Source: WRNS Studio 11
SHIH Y U - L A NG CENTR A L Y MC A
Assignment 2.1 / Case Study / Community Center
Shih Yu-Lang Central YMCA Tenderloin District, San Francisco, CA Yi-Yun Chiu (Ada) , Yu-Shan Liu (Ethan)
Source: WRNS Studio 11
01 About The YMCA was established in London, England, in 1844. In San Francisco, the YMCA has a rich history of community and volunteerism, as one of the founding charitable organizations in the Bay Area. Shih Yu-Lang Central YMCA is one of the new YMCA community center.
Source: WRNS Studio
SHIH Y U - L A NG CENTR A L Y MC A
Assignment 2.1 / Case Study / Community Center
12
01 About The YMCA was established in London, England, in 1844. In San Francisco, the YMCA has a rich history of community and volunteerism, as one of the founding charitable organizations in the Bay Area. Shih Yu-Lang Central YMCA is one of the new YMCA community center.
Source: WRNS Studio
SHIH Y U - L A NG CENTR A L Y MC A
Assignment 2.1 / Case Study / Community Center
12
Assignment 2.1 / Case Study / Community Center
Architect
WRNS Studio
Location
246 Eddy St. , Tenderloin community. San Francisco, CA
Program
Clubhouse with multi-purpose room, meeting room, office and bathroom; outdoor park with lawn, adult exercise area, basketball courts, youth play structures, and area for socializing
Size
1-acre park, 4,000 sq ft clubhouse
Cost
$5 m
Delivery
Design-Bid-Build
Sustainability
Early participant in the Sustainable Sites Initiative; one of the
SHIH Y U - L A NG CENTR A L Y MC A
and gathering
first San Francisco projects to implement geothermal
Completion
2014
Client/Owenr
The Trust for Public Land
Source: WRNS Studio 13
Assignment 2.1 / Case Study / Community Center
Architect
WRNS Studio
Location
246 Eddy St. , Tenderloin community. San Francisco, CA
Program
Clubhouse with multi-purpose room, meeting room, office and bathroom; outdoor park with lawn, adult exercise area, basketball courts, youth play structures, and area for socializing
Size
1-acre park, 4,000 sq ft clubhouse
Cost
$5 m
Delivery
Design-Bid-Build
Sustainability
Early participant in the Sustainable Sites Initiative; one of the
SHIH Y U - L A NG CENTR A L Y MC A
and gathering
first San Francisco projects to implement geothermal
Completion
2014
Client/Owenr
The Trust for Public Land
Source: WRNS Studio 13
02 Site Analysis
SHIH Y U - L A NG CENTR A L Y MC A
Assignment 2.1 / Case Study / Community Center
14
02 Site Analysis
SHIH Y U - L A NG CENTR A L Y MC A
Assignment 2.1 / Case Study / Community Center
14
Assignment 2.1 / Case Study / Community Center
Adult Day Care Center m Tenderloin Museu
Tenderl
Commercial Area
Glide Foundation Hotel Area
Commercial Area
- residential
- residential - retail
Bussiness Area
Hotel
Commercial Area
s omeles ce most h la p g n i gather
SITE
Hotel San Francisco City Academy
Theatre
Commeral Area
• The transportation is very convenient. Many bus stops, BART station only 5
- resterial
SFPD
mins walk away, and Muni stop along the Market St.
College of the Law
Salvation Army Kroc Community Center
• Many homeless gather behind the SYL central. • SFPD across the street • The city academy students usually come to use the park.
SHIH Y U - L A NG CENTR A L Y MC A
ct n e t s i D oin
Church
15
Assignment 2.1 / Case Study / Community Center
Adult Day Care Center m Tenderloin Museu
Tenderl
Commercial Area
Glide Foundation Hotel Area
Commercial Area
- residential
- residential - retail
Bussiness Area
Hotel
Commercial Area
s omeles ce most h la p g n i gather
SITE
Hotel San Francisco City Academy
Theatre
Commeral Area
• The transportation is very convenient. Many bus stops, BART station only 5
- resterial
SFPD
mins walk away, and Muni stop along the Market St.
College of the Law
Salvation Army Kroc Community Center
• Many homeless gather behind the SYL central. • SFPD across the street • The city academy students usually come to use the park.
SHIH Y U - L A NG CENTR A L Y MC A
ct n e t s i D oin
Church
15
MainE Sunris
Entry t.
ntry Eddy S
Grocery
Residence
enter Adult Day Care C
Entry
e
SHIH Y U - L A NG CENTR A L Y MC A
Hotel
Hotel
Hotel
sco YWAM San Franci
Restaurant
t.
Hotel
t Ellis S
air Advance Auto Rep
Sunse
Grocery
SFPD
Apartments
Hotel
Chouch
Assignment 2.1 / Case Study / Community Center
16
MainE Sunris
Entry t.
ntry Eddy S
Grocery
Residence
enter Adult Day Care C
Entry
e
SHIH Y U - L A NG CENTR A L Y MC A
Hotel
Hotel
Hotel
sco YWAM San Franci
Restaurant
t.
Hotel
t Ellis S
air Advance Auto Rep
Sunse
Grocery
SFPD
Apartments
Hotel
Chouch
Assignment 2.1 / Case Study / Community Center
16
Assignment 2.1 / Case Study / Community Center
Before • San Francisco's Tenderloin is the City's densest neighborhood, and most of its yards or green space. • Re-built in 1985, Boeddeker Park never lived up to its potential as the neighborhood's largest public park. • Early attempts to address safety concerns resulted in a maze of fences and visibility across the space was poor. • Neighbors called it "Prison Park.” • In response, The Trust for Public Land, in partnership with the City of San Francisco's Recreation and Parks Department, teamed with WRNS Studio to redesign and completely rebuild the one-acre park and clubhouse to meet the needs of the community.
SHIH Y U - L A NG CENTR A L Y MC A
residents live below the poverty line in small apartments without access to back
Source: Google map 17
Assignment 2.1 / Case Study / Community Center
Before • San Francisco's Tenderloin is the City's densest neighborhood, and most of its yards or green space. • Re-built in 1985, Boeddeker Park never lived up to its potential as the neighborhood's largest public park. • Early attempts to address safety concerns resulted in a maze of fences and visibility across the space was poor. • Neighbors called it "Prison Park.” • In response, The Trust for Public Land, in partnership with the City of San Francisco's Recreation and Parks Department, teamed with WRNS Studio to redesign and completely rebuild the one-acre park and clubhouse to meet the needs of the community.
SHIH Y U - L A NG CENTR A L Y MC A
residents live below the poverty line in small apartments without access to back
Source: Google map 17
03 Purpose and Goal • Provide senior and after-school programs and group exercise classes to the community.
• Ensure that everyone, regardless of age, income, or background, has the opportunity to learn, grow and thrive.
SHIH Y U - L A NG CENTR A L Y MC A
Assignment 2.1 / Case Study / Community Center
18
03 Purpose and Goal • Provide senior and after-school programs and group exercise classes to the community.
• Ensure that everyone, regardless of age, income, or background, has the opportunity to learn, grow and thrive.
SHIH Y U - L A NG CENTR A L Y MC A
Assignment 2.1 / Case Study / Community Center
18
Assignment 2.1 / Case Study / Community Center
04 Programs & Target Every Week Class
Children
Junior
• Afterschool (Boy & Girl Club)
• Sports and technology class
Pantry Cuisine: Learn how to
• Homework assistance
• Culinary program
cook healthy meals
• Art, science, gardening days
• Learn music and DJ skills
• Culinary program
• Partnership w/ SF Public Library's teen space
SHIH Y U - L A NG CENTR A L Y MC A
Provide different kinds of sports class to people, such as Yoga, Boot camp, and TaiChi.
Senior • Senior Center: Enjoy coffee, ping-pong, and play game at morning • Field Trip: explore the natural places in SF
Source: YMCA SF 19
Assignment 2.1 / Case Study / Community Center
04 Programs & Target Every Week Class
Children
Junior
• Afterschool (Boy & Girl Club)
• Sports and technology class
Pantry Cuisine: Learn how to
• Homework assistance
• Culinary program
cook healthy meals
• Art, science, gardening days
• Learn music and DJ skills
• Culinary program
• Partnership w/ SF Public Library's teen space
SHIH Y U - L A NG CENTR A L Y MC A
Provide different kinds of sports class to people, such as Yoga, Boot camp, and TaiChi.
Senior • Senior Center: Enjoy coffee, ping-pong, and play game at morning • Field Trip: explore the natural places in SF
Source: YMCA SF 19
Assignment 2.1 / Case Study / Community Center
05 Functions
To senior fitness area
Glass at east side. Allow staff to easily notice the condition of the park outside. To park/ play ground Building main Entry
SHIH Y U - L A NG CENTR A L Y MC A
ADA Ramp, no stairs in whole building
es Two flexible spac t separate differen race of people's activity by different time
Source: https://inhabitat.com/ 20
Assignment 2.1 / Case Study / Community Center
05 Functions
To senior fitness area
Glass at east side. Allow staff to easily notice the condition of the park outside. To park/ play ground Building main Entry
SHIH Y U - L A NG CENTR A L Y MC A
ADA Ramp, no stairs in whole building
es Two flexible spac t separate differen race of people's activity by different time
Source: https://inhabitat.com/ 20
SHIH Y U - L A NG CENTR A L Y MC A
Assignment 2.1 / Case Study / Community Center
Source: WRNS Studio 21
SHIH Y U - L A NG CENTR A L Y MC A
Assignment 2.1 / Case Study / Community Center
Source: WRNS Studio 21
Assignment 2.1 / Case Study / Community Center
• Flexible spaces
• Separate activities by time
• Daily programs:
Afternoon: afterschool progams
SHIH Y U - L A NG CENTR A L Y MC A
Morning: senior programs
Source: WRNS Studio 22
Assignment 2.1 / Case Study / Community Center
• Flexible spaces
• Separate activities by time
• Daily programs:
Afternoon: afterschool progams
SHIH Y U - L A NG CENTR A L Y MC A
Morning: senior programs
Source: WRNS Studio 22
Assignment 2.1 / Case Study / Community Center
Sculpture • Depicts the protraits of 14 residents from
•
the Tenderloin neighborhood Representative of the diverse cultures, ethnic groups and ages of global Tenderloin Community
Fitness area • Senior usually come in the morning
• Private and quiet for • No disturb by child
senior
•
Safe to children and
everyone
Muilt-purpose court • The school nearby usually come to use the
•
place for student activity Basketball class for teenage program
Lawn Area • More adults here to do their things
• They
can also look for their child when they are
playing in the park
The ground in the Park • Provide the child to draw
• Play
everywhere
SHIH Y U - L A NG CENTR A L Y MC A
Childern's play area • 100% recycle rubber
23
Assignment 2.1 / Case Study / Community Center
Sculpture • Depicts the protraits of 14 residents from
•
the Tenderloin neighborhood Representative of the diverse cultures, ethnic groups and ages of global Tenderloin Community
Fitness area • Senior usually come in the morning
• Private and quiet for • No disturb by child
senior
•
Safe to children and
everyone
Muilt-purpose court • The school nearby usually come to use the
•
place for student activity Basketball class for teenage program
Lawn Area • More adults here to do their things
• They
can also look for their child when they are
playing in the park
The ground in the Park • Provide the child to draw
• Play
everywhere
SHIH Y U - L A NG CENTR A L Y MC A
Childern's play area • 100% recycle rubber
23
Assignment 2.1 / Case Study / Community Center
• Two Flexible gathering spaces • Main recreation room frames the main park entry • The form of the room reaches to the sky for light • The recreation room is transparent • Park amenities include different areas to sue
SHIH Y U - L A NG CENTR A L Y MC A
06 FUNCTIONAL INSIGHT
24
Assignment 2.1 / Case Study / Community Center
• Two Flexible gathering spaces • Main recreation room frames the main park entry • The form of the room reaches to the sky for light • The recreation room is transparent • Park amenities include different areas to sue
SHIH Y U - L A NG CENTR A L Y MC A
06 FUNCTIONAL INSIGHT
24
Assignment 2.1 / Case Study / Community Center
SHIH Y U - L A NG CENTR A L Y MC A
07 AESTHETIC INSIGHT
• The form of the room strengthen the feeling of park pavilion • Transparent glass • Minimalist line and shape
Source: WRNS Studio 25
Assignment 2.1 / Case Study / Community Center
SHIH Y U - L A NG CENTR A L Y MC A
07 AESTHETIC INSIGHT
• The form of the room strengthen the feeling of park pavilion • Transparent glass • Minimalist line and shape
Source: WRNS Studio 25
Assignment 2.2 / Case Study /Residential
Designer: Herman Coliver Locus Architecture Founder by : The Salvation Army Square Footage: 135,000 total s.f. / 113 studio & 2 bedroom units Budget: $42M Located:240-242 Turk Street, San Francisco
Award(s): AIA SF, 2009 Design Awards - Excellence in Architecture, Citation Award California Construction Best of 2008 Northern California Winner, Mixed-Use Category, Award of Merit
R AY & JOA N K ROC CORPS
SALVATION ARMY - RAY & JOAN KROC CORPS COMMUNITY CENTER & RAILTON PLACE HOUSING
26
Assignment 2.2 / Case Study /Residential
Designer: Herman Coliver Locus Architecture Founder by : The Salvation Army Square Footage: 135,000 total s.f. / 113 studio & 2 bedroom units Budget: $42M Located:240-242 Turk Street, San Francisco
Award(s): AIA SF, 2009 Design Awards - Excellence in Architecture, Citation Award California Construction Best of 2008 Northern California Winner, Mixed-Use Category, Award of Merit
R AY & JOA N K ROC CORPS
SALVATION ARMY - RAY & JOAN KROC CORPS COMMUNITY CENTER & RAILTON PLACE HOUSING
26
Assignment 2.2 / Case Study /Residential
Access to Program Services and Property Manager Convenient accessibility to the Ray & Joan Kroc Community Center with gymnasium, dance studio, fitness center, climbing wall, swimming pool, game room, computer lab, Senior nutrition and activities program, and a worship center.
• • • • • • • • • • • • • •
Case Management Substance Abuse Counseling Mental Health Counseling Employment Support Educational Support Permanent Housing Support Monthly House Meeting Celebrate Recovery Group Friday Food Market Group Activities Monthly Dinner Free Gym Membership Access to AA & NA Meetings On-site Property Managemen
R AY & JOA N K ROC CORPS
In-House Resources
27
Assignment 2.2 / Case Study /Residential
Access to Program Services and Property Manager Convenient accessibility to the Ray & Joan Kroc Community Center with gymnasium, dance studio, fitness center, climbing wall, swimming pool, game room, computer lab, Senior nutrition and activities program, and a worship center.
• • • • • • • • • • • • • •
Case Management Substance Abuse Counseling Mental Health Counseling Employment Support Educational Support Permanent Housing Support Monthly House Meeting Celebrate Recovery Group Friday Food Market Group Activities Monthly Dinner Free Gym Membership Access to AA & NA Meetings On-site Property Managemen
R AY & JOA N K ROC CORPS
In-House Resources
27
Assignment 2.2 / Case Study /Residential
- Free DirecTC - On-site laundry facility - Opened in 2008 -Furnished studio apartament with
INSIGHTS FOR OUR PROJECT - Separate bathrooms and kitchen - Big windows for natural light - Free access to community center - Yard for events
R AY & JOA N K ROC CORPS
personal kitchen and bathroom
28
Assignment 2.2 / Case Study /Residential
- Free DirecTC - On-site laundry facility - Opened in 2008 -Furnished studio apartament with
INSIGHTS FOR OUR PROJECT - Separate bathrooms and kitchen - Big windows for natural light - Free access to community center - Yard for events
R AY & JOA N K ROC CORPS
personal kitchen and bathroom
28
Assignment 2.2 / Case Study /Residential
• The building is part of the community center Salvation Army and Kroc center located in Tenderloin San Francisco. The exterior of the building has the aesthetic of the neighborhood. • The apartments units are simple and functional with what is necessary for each individual person. • Each unit of apartment has a kitchen and bathroom, this give more privacy for each person. Some people don`t like share this amenities, so it is important keep separately.
DESIGN IMPROVEMENT
R AY & JOA N K ROC CORPS
• The unit if has more fixed furniture with a counter top dividing the kitchen with the bed.
29
Assignment 2.2 / Case Study /Residential
• The building is part of the community center Salvation Army and Kroc center located in Tenderloin San Francisco. The exterior of the building has the aesthetic of the neighborhood. • The apartments units are simple and functional with what is necessary for each individual person. • Each unit of apartment has a kitchen and bathroom, this give more privacy for each person. Some people don`t like share this amenities, so it is important keep separately.
DESIGN IMPROVEMENT
R AY & JOA N K ROC CORPS
• The unit if has more fixed furniture with a counter top dividing the kitchen with the bed.
29
Assignment 2.2 / Case Study /Restaurant
REFEITORIO GASTROMOTIVA
REFEITORIO G A S TROMOTI VA
- Designer: Metto Arquitetos Associados - Founder by chef Massimo Bottura, food critic Alexandra Forbes and the NGO Gastromotiva - 450 m2 (4,843.76 ft2) - Location: Rio, Brazil - Large homeless population
30
Assignment 2.2 / Case Study /Restaurant
REFEITORIO GASTROMOTIVA
REFEITORIO G A S TROMOTI VA
- Designer: Metto Arquitetos Associados - Founder by chef Massimo Bottura, food critic Alexandra Forbes and the NGO Gastromotiva - 450 m2 (4,843.76 ft2) - Location: Rio, Brazil - Large homeless population
30
- Free dinner for homeless at night - Paying guests during lunch time - Opened in 2016 - Recycle the surplus of Olympic Village during the game period in Rio
REFEITORIO G A S TROMOTI VA
Assignment 2.2 / Case Study /Restaurant
31
- Free dinner for homeless at night - Paying guests during lunch time - Opened in 2016 - Recycle the surplus of Olympic Village during the game period in Rio
REFEITORIO G A S TROMOTI VA
Assignment 2.2 / Case Study /Restaurant
31
- The Last Supper - Refectory of the church and convent in Milan - Multiple use auditorium
REFEITORIO G A S TROMOTI VA
Assignment 2.2 / Case Study /Restaurant
32
- The Last Supper - Refectory of the church and convent in Milan - Multiple use auditorium
REFEITORIO G A S TROMOTI VA
Assignment 2.2 / Case Study /Restaurant
32
Assignment 2.2 / Case Study /Restaurant
- Office and Kitchen in the center
REFEITORIO G A S TROMOTI VA
- Keep an eyes to every corner
33
Assignment 2.2 / Case Study /Restaurant
- Office and Kitchen in the center
REFEITORIO G A S TROMOTI VA
- Keep an eyes to every corner
33
Assignment 2.2 / Case Study /Restaurant
INSIGHTS FOR OUR PROJECT - Large door interact with the outdoors - Locate the staff working area in the center - Free dinner program supported by lunch guest - Open space for flexible using - Double high in seating space
REFEITORIO G A S TROMOTI VA
- Very bright space
34
Assignment 2.2 / Case Study /Restaurant
INSIGHTS FOR OUR PROJECT - Large door interact with the outdoors - Locate the staff working area in the center - Free dinner program supported by lunch guest - Open space for flexible using - Double high in seating space
REFEITORIO G A S TROMOTI VA
- Very bright space
34
GOOD SHEPHERD CENTER - Design: East Tennessee Community Design Center - Location: Madisonville, Tennessee, USA - Good Shepherd Center is a non-profit organization - The crisis support services are offered to any resident of Monroe County who needs assistance. - Over 2,100 clients per month come to the center to request food, clothing, or financial aid.
Their Goals - Assist women and children in need. - Build for the future by breaking the cycle of poverty and homelessness, and by giving women the skills and resources to build independent, self-sufficient lives for themselves and their children. - Further the social and economic viability of our community, and its desirability as a place to live and work.
GOOD SHEPHERD CENTER
Assignment 2.2 / Case Study / Office
35
GOOD SHEPHERD CENTER - Design: East Tennessee Community Design Center - Location: Madisonville, Tennessee, USA - Good Shepherd Center is a non-profit organization - The crisis support services are offered to any resident of Monroe County who needs assistance. - Over 2,100 clients per month come to the center to request food, clothing, or financial aid.
Their Goals - Assist women and children in need. - Build for the future by breaking the cycle of poverty and homelessness, and by giving women the skills and resources to build independent, self-sufficient lives for themselves and their children. - Further the social and economic viability of our community, and its desirability as a place to live and work.
GOOD SHEPHERD CENTER
Assignment 2.2 / Case Study / Office
35
INSIGHTS FOR OUR PROJECT - Private vs Public - Five consulation rooms for residents - Free food and clothing program - Convenient access to ADA compliant - Need more natural lights
GOOD SHEPHERD CENTER
Assignment 2.2 / Case Study / Office
36
INSIGHTS FOR OUR PROJECT - Private vs Public - Five consulation rooms for residents - Free food and clothing program - Convenient access to ADA compliant - Need more natural lights
GOOD SHEPHERD CENTER
Assignment 2.2 / Case Study / Office
36
03 B uild i n g A nal y s is Rea ding Buil di n g An a ly s i s P ro je c t P ro g ra m Buil di n g Us ers
03 B uild i n g A nal y s is Rea ding Buil di n g An a ly s i s P ro je c t P ro g ra m Buil di n g Us ers
Assignment 3 / Reading
The Synt hes is Gap/ The D es ign Program - Us er s’ ne e ds for a given proje c t A . Inte r view - Us er - S et of que s tions - Take inter view note r ather than re cording device B . O bser vat ion - Obs er ving e xis ting f acilitie s - Unobtr usive obs er vation - Quantitie s of e xis ting f ur niture and e quipment C . E s tabl is h A rchite c tural Parame ter s - Bas e Flo or plan - Conte x tual data concer ning (his tor ical and s ocial fac tor s) - B uilding co de, Zoning co de re quirement s D. O rganize Colle c te d Data
(Fir s t- Phase Program)
- Or ganize the data - S e quential for mat and f ix ture tabulations (s q. Ft ., FF+E, e quipment…)
E . Res earch t h e Unk nowns - Not too much detail
H . Summar ize t he data
(t h e Finis h e d D ocum ent)
- Dimensional infor mation
- F inalize proje c t concept s —S TATE THE PROBLEM
- C as e s tudy (not to o much detail, only basic fac tor s on spatial or ganization…)
- O utline and tally basic budget is sue s
- Integrate researched data with f ir s t-phase progr am
- Prepare a package for client approval and to s er ve as the de signer ’s manual for space planning
F. A nalys is t he data - Spatial adjacencie s - Wor k ing relationships - Public and pr ivate f unc tions zone - Acous tic re quirement - Light , air, and view…. re quirement - FF&E re quirement - Re cord planning and de sign thought s and ideas - C ha r t s o r ma t r i xe s c a n b e d e ve l o p e d to f u r t h e r organize the data and ideas G . Char t s or Mat r ixes can be develope d to
fur t h er organize t h e data and ideas
- Def ine the func tional problems in planning ter ms - E s tablish a basic conceptual approach (in ter ms of human/s o cial and image/e s thetic obje c tive s) - Prepare relationship or adjacenc y diagr ams (for client and de signer visualization)
SPACE PL A NNING B A SIC S
- Wr it ten do cument s
38
Assignment 3 / Reading
The Synt hes is Gap/ The D es ign Program - Us er s’ ne e ds for a given proje c t A . Inte r view - Us er - S et of que s tions - Take inter view note r ather than re cording device B . O bser vat ion - Obs er ving e xis ting f acilitie s - Unobtr usive obs er vation - Quantitie s of e xis ting f ur niture and e quipment C . E s tabl is h A rchite c tural Parame ter s - Bas e Flo or plan - Conte x tual data concer ning (his tor ical and s ocial fac tor s) - B uilding co de, Zoning co de re quirement s D. O rganize Colle c te d Data
(Fir s t- Phase Program)
- Or ganize the data - S e quential for mat and f ix ture tabulations (s q. Ft ., FF+E, e quipment…)
E . Res earch t h e Unk nowns - Not too much detail
H . Summar ize t he data
(t h e Finis h e d D ocum ent)
- Dimensional infor mation
- F inalize proje c t concept s —S TATE THE PROBLEM
- C as e s tudy (not to o much detail, only basic fac tor s on spatial or ganization…)
- O utline and tally basic budget is sue s
- Integrate researched data with f ir s t-phase progr am
- Prepare a package for client approval and to s er ve as the de signer ’s manual for space planning
F. A nalys is t he data - Spatial adjacencie s - Wor k ing relationships - Public and pr ivate f unc tions zone - Acous tic re quirement - Light , air, and view…. re quirement - FF&E re quirement - Re cord planning and de sign thought s and ideas - C ha r t s o r ma t r i xe s c a n b e d e ve l o p e d to f u r t h e r organize the data and ideas G . Char t s or Mat r ixes can be develope d to
fur t h er organize t h e data and ideas
- Def ine the func tional problems in planning ter ms - E s tablish a basic conceptual approach (in ter ms of human/s o cial and image/e s thetic obje c tive s) - Prepare relationship or adjacenc y diagr ams (for client and de signer visualization)
SPACE PL A NNING B A SIC S
- Wr it ten do cument s
38
Assignment 3.0 / Building Analysis
S ummar y of B uilding A nalys is
Str uc tur al Wall s Non -Sturc tureal Par titions
- E x ter ior Wall s are s tuc tur al wall
Ver tical Shaf t Wall s
- Only one inter ior wall are non - s tuc tur al wall - B uilding without any column and b eam
BUILDING A N A LYSIS
S e c tion
Level 1 Floor Plan
Level 2 Floor Plan 39
Assignment 3.0 / Building Analysis
S ummar y of B uilding A nalys is
Str uc tur al Wall s Non -Sturc tureal Par titions
- E x ter ior Wall s are s tuc tur al wall
Ver tical Shaf t Wall s
- Only one inter ior wall are non - s tuc tur al wall - B uilding without any column and b eam
BUILDING A N A LYSIS
S e c tion
Level 1 Floor Plan
Level 2 Floor Plan 39
Assignment 3.1+4.1 / Project Program
Program Name
Qty.
Sq. Ft.
Total Sq. Ft.
Public vs. Private
Acoustics
Daylight & Views
FF&E
Lobby
1
500
500
Public
Low
Yes
Reception desk, task chairs, computer station, printer, panic button
Waiting Area
1
100
100
Public
Low
Yes
Café
1
800
800
Public
Low
Yes
Bar Area
1
200
200
Private
Low
Yes
Community Room
1
500
500
Public
Medium
Maybe
Classroom
3
400
1200
Private
High
Yes
Computer Lab Janitor Closet Mechanical Men's Restroom Women's Restroom
1 2 2 2 2
400 12 40 200 200
400 24 80 400 400
Public Private Private Public Public
Low Low Low High High
No No No No No
Reception
1
300
300
Public
Low
Yes
Reception Desk, Task Chair, Computer, Printer
Waiting Area Open Office Space Private Office Consultation Room
1 1 2 2
100 300 120 120
100 300 240 240
Public Private Private Private
Low Medium High High
Yes Yes Yes No
Lounge Chairs, Side Table, Magazine Rack Tables, Task Chairs, Computer Desk, Task Chair, Guest Chairs, Credenza/Bookcase Table, Conference Room AND/OR Lounge furniture
Living Area
4
300
1200
Public
Low
Yes
Sectional Sofa, Coffee Table, Lounge Chair, Side Tables, Area Rugs, Table Lamps, Coat Rack, TV, Media Console
Dining Area
4
150
600
Public
Low
Yes
Kitchen
4
300
1200
Public
Low
No
Bedrooms
12
120
1440
Private
Medium
Yes
Bathroom Laundry Area
8 4
80 60
640 240
Private Public
High Low
Yes No
GRAND TOTAL 20% CIRCULATION
11104 2220.8
TOTAL PROGRAMMED SF ACTUAL BUILDING SF
13324.8 14,950
Aesthetic
Sofa, Lounge Chairs, Coffee Table, Lamps, Area Rug Café Tables, Café Chairs, Booth Seating, Harvest Table, Barstools, Sofa, Lounge Chairs, Condiment Station, Speakers Cash Wrap Station, Beverage Cooler, Espresso Machine, Trash/Recycling, Warming Oven, Blenders, Cold Storage, Prep Sink, Clean Up Sink, Coffee Grinder, Prep Counter Area, Display Shelves, Display Case Mobile Chairs (Stackable), Mobile Tables, Catering Layout, Whiteboard Tables, Task Chairs, Whiteboard, Lecturn, Speakers, TV Screens Tables, Task Chairs, Computers, Printer Station Mop Sink, Storage Shelving
Dining Table, Chairs Cabinetry, Oven, Stove, Refrigerator, Dishwasher, Microwave, Sink, Island Queen Bed, Nightstands, Lamps, Lounge Chair, Ottoman, Art Vanity, Toilet, Shower, Bathtub Washer/Dryer, Folding Station, Ironing Board, Sink
PROGR A MMING
Residence
Social Services
Community Center
Column1
40
Assignment 3.1+4.1 / Project Program
Program Name
Qty.
Sq. Ft.
Total Sq. Ft.
Public vs. Private
Acoustics
Daylight & Views
FF&E
Lobby
1
500
500
Public
Low
Yes
Reception desk, task chairs, computer station, printer, panic button
Waiting Area
1
100
100
Public
Low
Yes
Café
1
800
800
Public
Low
Yes
Bar Area
1
200
200
Private
Low
Yes
Community Room
1
500
500
Public
Medium
Maybe
Classroom
3
400
1200
Private
High
Yes
Computer Lab Janitor Closet Mechanical Men's Restroom Women's Restroom
1 2 2 2 2
400 12 40 200 200
400 24 80 400 400
Public Private Private Public Public
Low Low Low High High
No No No No No
Reception
1
300
300
Public
Low
Yes
Reception Desk, Task Chair, Computer, Printer
Waiting Area Open Office Space Private Office Consultation Room
1 1 2 2
100 300 120 120
100 300 240 240
Public Private Private Private
Low Medium High High
Yes Yes Yes No
Lounge Chairs, Side Table, Magazine Rack Tables, Task Chairs, Computer Desk, Task Chair, Guest Chairs, Credenza/Bookcase Table, Conference Room AND/OR Lounge furniture
Living Area
4
300
1200
Public
Low
Yes
Sectional Sofa, Coffee Table, Lounge Chair, Side Tables, Area Rugs, Table Lamps, Coat Rack, TV, Media Console
Dining Area
4
150
600
Public
Low
Yes
Kitchen
4
300
1200
Public
Low
No
Bedrooms
12
120
1440
Private
Medium
Yes
Bathroom Laundry Area
8 4
80 60
640 240
Private Public
High Low
Yes No
GRAND TOTAL 20% CIRCULATION
11104 2220.8
TOTAL PROGRAMMED SF ACTUAL BUILDING SF
13324.8 14,950
Aesthetic
Sofa, Lounge Chairs, Coffee Table, Lamps, Area Rug Café Tables, Café Chairs, Booth Seating, Harvest Table, Barstools, Sofa, Lounge Chairs, Condiment Station, Speakers Cash Wrap Station, Beverage Cooler, Espresso Machine, Trash/Recycling, Warming Oven, Blenders, Cold Storage, Prep Sink, Clean Up Sink, Coffee Grinder, Prep Counter Area, Display Shelves, Display Case Mobile Chairs (Stackable), Mobile Tables, Catering Layout, Whiteboard Tables, Task Chairs, Whiteboard, Lecturn, Speakers, TV Screens Tables, Task Chairs, Computers, Printer Station Mop Sink, Storage Shelving
Dining Table, Chairs Cabinetry, Oven, Stove, Refrigerator, Dishwasher, Microwave, Sink, Island Queen Bed, Nightstands, Lamps, Lounge Chair, Ottoman, Art Vanity, Toilet, Shower, Bathtub Washer/Dryer, Folding Station, Ironing Board, Sink
PROGR A MMING
Residence
Social Services
Community Center
Column1
40
Assignment 3.2 / Building User
M os t Comm on O r igin of Refuge e
Fac t of B uilding User
- B ur ma, S omalia, and Ir aq
- The us er of this communit y center will b e b oth ref uge e s and neighb or of Ros e Cit y Par k
- Religion: Buddhism and Islam - Sport: football, basketball and caicket - Language: Burmese
- Mos t ref uge e s who c ame to the US is b e c aus e of war - Near ly half of the p opulation will probably b e children - English is not the mos t sp oken language of ref uge e s
BURMA
- English clas s might ne e d to add in the communit y center clas sprogr am - Multi - pur p os e sp or t s f ields might b e well suite d to b e built in new
- Religion: Islam - Sport: football, basketball - Language: Somali, Arabic
communit y center s
Summar y
SOMALIA
B ot h re f uge e s an d Ros e Cit y Par k n eig hb or s are t h e us e r s of t his communit y center, and the center will b e a place that provide s all the us er communic ate w i t h e a c h o t h e r. T h e c e n t e r g i v e s t h e u s e r s s p a c e f o r a c t i v i t y, s u c h a s a playg roun d for t h e child an d e xe rcis e for t h e a dult . A l s o, t h oug h t h e var ious c la s s a n d a c t i v i t y, p e o p le c a n t alk to ea c h ot h e r, a n d t his is a n o p p o r t uni t y for t he ref uge e s k now t he A me r ic a culture and p e ople. They c an ge t into t he new life here f as ter.
- Religion: Islam - Sport: football, basketball - Language: Arabic, Kurdish, Turkish
IRAQ
The Makeup of Refuge e
Children 38%
Spouses 17%
Prinicipal Applicants 46%
Pr inicipal A pplic ant s 4 6%
Source: https://therefugeecenter.org/help-refugees/portland-oregon/ https://www.acf.hhs.gov/orr/resource/refugee-arrival-data
SP OUSE S 17 %
CHILDREN 3 8%
BUILDING USER
- Single adult and children will b e the mos t of p opulation
41
Assignment 3.2 / Building User
M os t Comm on O r igin of Refuge e
Fac t of B uilding User
- B ur ma, S omalia, and Ir aq
- The us er of this communit y center will b e b oth ref uge e s and neighb or of Ros e Cit y Par k
- Religion: Buddhism and Islam - Sport: football, basketball and caicket - Language: Burmese
- Mos t ref uge e s who c ame to the US is b e c aus e of war - Near ly half of the p opulation will probably b e children - English is not the mos t sp oken language of ref uge e s
BURMA
- English clas s might ne e d to add in the communit y center clas sprogr am - Multi - pur p os e sp or t s f ields might b e well suite d to b e built in new
- Religion: Islam - Sport: football, basketball - Language: Somali, Arabic
communit y center s
Summar y
SOMALIA
B ot h re f uge e s an d Ros e Cit y Par k n eig hb or s are t h e us e r s of t his communit y center, and the center will b e a place that provide s all the us er communic ate w i t h e a c h o t h e r. T h e c e n t e r g i v e s t h e u s e r s s p a c e f o r a c t i v i t y, s u c h a s a playg roun d for t h e child an d e xe rcis e for t h e a dult . A l s o, t h oug h t h e var ious c la s s a n d a c t i v i t y, p e o p le c a n t alk to ea c h ot h e r, a n d t his is a n o p p o r t uni t y for t he ref uge e s k now t he A me r ic a culture and p e ople. They c an ge t into t he new life here f as ter.
- Religion: Islam - Sport: football, basketball - Language: Arabic, Kurdish, Turkish
IRAQ
The Makeup of Refuge e
Children 38%
Spouses 17%
Prinicipal Applicants 46%
Pr inicipal A pplic ant s 4 6%
Source: https://therefugeecenter.org/help-refugees/portland-oregon/ https://www.acf.hhs.gov/orr/resource/refugee-arrival-data
SP OUSE S 17 %
CHILDREN 3 8%
BUILDING USER
- Single adult and children will b e the mos t of p opulation
41
04 P relim i nar y P ro gram Rea ding Matri x Bub b le Di a g i a m Bl o ck s Di a g i a m
04 P relim i nar y P ro gram Rea ding Matri x Bub b le Di a g i a m Bl o ck s Di a g i a m
Assignment 4 / Reading
- Image the space that would really b e - The image of the space mus t more larger than we think - For get the s ens e go s cale, know the s cale of our s elf such as how tall we are - Always considerA LL size ofp e ople,notjus tour s elf
D eveloping a S ense of S cale - Measur ing the ro oms we live or we c an visit - Study the size of the e xiting space
Comm on Standards - Measur ing the ro oms we live or we c an visit - for e xample: usually public cor r idor is 5’- 0” ; pr ivate home is 4’- 0”
Proxr mic s - What the distance is comfor table bet ween t wo p e ople - The p er s onal space - S ocial sphere: 12’- 0”
Culture Contex t - Dif ferent culture have dif ferent feeling of their s ocial sphere
A rchite c tural A ppropr iatenes s - De signer can convey the dif ferent fe eling by the size of space - For e xample, the large s cale create the luxur y fe eling - Mos t subtle consider ations for create the space
Me t ho d to D e ter mine t he S pace - Pre ce dent Study Re s earch: V isiting and obs er ving the similar size of our own proje c t - S cale d Diagr ams: Measure the really size to c alculate how the space we will ne e d
UNDERS TA NDING SC A LE
The Elus ive Nature of S cale
43
Assignment 4 / Reading
- Image the space that would really b e - The image of the space mus t more larger than we think - For get the s ens e go s cale, know the s cale of our s elf such as how tall we are - Always considerA LL size ofp e ople,notjus tour s elf
D eveloping a S ense of S cale - Measur ing the ro oms we live or we c an visit - Study the size of the e xiting space
Comm on Standards - Measur ing the ro oms we live or we c an visit - for e xample: usually public cor r idor is 5’- 0” ; pr ivate home is 4’- 0”
Proxr mic s - What the distance is comfor table bet ween t wo p e ople - The p er s onal space - S ocial sphere: 12’- 0”
Culture Contex t - Dif ferent culture have dif ferent feeling of their s ocial sphere
A rchite c tural A ppropr iatenes s - De signer can convey the dif ferent fe eling by the size of space - For e xample, the large s cale create the luxur y fe eling - Mos t subtle consider ations for create the space
Me t ho d to D e ter mine t he S pace - Pre ce dent Study Re s earch: V isiting and obs er ving the similar size of our own proje c t - S cale d Diagr ams: Measure the really size to c alculate how the space we will ne e d
UNDERS TA NDING SC A LE
The Elus ive Nature of S cale
43
A DJACENC Y M ATRIX
Assignment 4.2 / Adjacenc y Matrix and Bubble Diagrams
44
A DJACENC Y M ATRIX
Assignment 4.2 / Adjacenc y Matrix and Bubble Diagrams
44
BUBBLE DI AGR A M - OV ER A LL
Assignment 4.2 / Adjacenc y Matrix and Bubble Diagrams
45
BUBBLE DI AGR A M - OV ER A LL
Assignment 4.2 / Adjacenc y Matrix and Bubble Diagrams
45
BUBBLE DI AGR A M A
Assignment 4.2 / Adjacenc y Matrix and Bubble Diagrams
46
BUBBLE DI AGR A M A
Assignment 4.2 / Adjacenc y Matrix and Bubble Diagrams
46
BUBBLE DI AGR A M B
Assignment 4.2 / Adjacenc y Matrix and Bubble Diagrams
47
BUBBLE DI AGR A M B
Assignment 4.2 / Adjacenc y Matrix and Bubble Diagrams
47
BUBBLE DI AGR A M C
Assignment 4.2 / Adjacenc y Matrix and Bubble Diagrams
48
BUBBLE DI AGR A M C
Assignment 4.2 / Adjacenc y Matrix and Bubble Diagrams
48
SCHEME A
Assignment 5.1 / Block Diagrams
49
SCHEME A
Assignment 5.1 / Block Diagrams
49
SCHEME B
Assignment 5.1 / Block Diagrams
50
SCHEME B
Assignment 5.1 / Block Diagrams
50
SCHEME C
Assignment 5.1 / Block Diagrams
51
SCHEME C
Assignment 5.1 / Block Diagrams
51
05 C o n ce p t P h i l oso ph y Rea ding Co ncept P hi los o p hy Moo d B oa rd Final M o o d B oa rd
05 C o n ce p t P h i l oso ph y Rea ding Co ncept P hi los o p hy Moo d B oa rd Final M o o d B oa rd
Assignment 5 / Reading
Cr it ical B uilding Element s
Elevator s
- Proje c t 's progr am
- Eas y to f ind, even for the f is t-time visitor s
- Func tional f ac tor s
- A DA acce s sibilit y
- Circulation : include par k ing , egre s s , main entr y, elevator s
Par k ing
Fenes t rat ion and S olar O r ientat ion
- A pproaching and enter ing the building
- Re duce energ y
- HOW many p e ople come by c ar or walk ing(using public tr ansp or tation)?
- V iew has the p ositive ps ychological ef fe c t on inter ior occupant s
- WHERE the par k ing for the building?
- In Nor th hemisphere, south-facing windows generally receive the most sunlight throughout the day
- S ame entr ance with walking or not?
- Heat from the sunlight
Egres s
- Nor th -facing , dar ke s t space in the building (e x . B e droom, bathroom)
- For safely, p e ople e xit when the emergenc y - F ire - r ate d s tair shaf t
B ubble Diagram and A djacenc y Mat r ix
- Minimum numb er of re quire d e xit s (e x . Occupanc y load of a f loor
- Create more than one de sign
- E xce e ds 49 p er s ons : t wo e xit s for that f loor)
- G o b eyond s atis fac tor y
- For mula:
- Challenge your as sumptions
SQ. F T. of Space O ccupant Load Fac tor - E xit Acce s s and E xit
= Ma ximum Numb er of Occupant s Per mit te d
CONCEP TUA L SPACE PL A NNING
- Daylight (dep ends on the s olar or ientation)
53
Assignment 5 / Reading
Cr it ical B uilding Element s
Elevator s
- Proje c t 's progr am
- Eas y to f ind, even for the f is t-time visitor s
- Func tional f ac tor s
- A DA acce s sibilit y
- Circulation : include par k ing , egre s s , main entr y, elevator s
Par k ing
Fenes t rat ion and S olar O r ientat ion
- A pproaching and enter ing the building
- Re duce energ y
- HOW many p e ople come by c ar or walk ing(using public tr ansp or tation)?
- V iew has the p ositive ps ychological ef fe c t on inter ior occupant s
- WHERE the par k ing for the building?
- In Nor th hemisphere, south-facing windows generally receive the most sunlight throughout the day
- S ame entr ance with walking or not?
- Heat from the sunlight
Egres s
- Nor th -facing , dar ke s t space in the building (e x . B e droom, bathroom)
- For safely, p e ople e xit when the emergenc y - F ire - r ate d s tair shaf t
B ubble Diagram and A djacenc y Mat r ix
- Minimum numb er of re quire d e xit s (e x . Occupanc y load of a f loor
- Create more than one de sign
- E xce e ds 49 p er s ons : t wo e xit s for that f loor)
- G o b eyond s atis fac tor y
- For mula:
- Challenge your as sumptions
SQ. F T. of Space O ccupant Load Fac tor - E xit Acce s s and E xit
= Ma ximum Numb er of Occupant s Per mit te d
CONCEP TUA L SPACE PL A NNING
- Daylight (dep ends on the s olar or ientation)
53
Assignment 5.2+6.2 / Concept Philosophy
CONFLUENCE Def inition: The junc tion of t wo r iver s , e sp e cially r iver s of approximately e qual width.
The communit y center will b e a place to gathe r b oth the Ros e Cit y Par k neighb or and the ref uge e s who live in the center. Thus , the conf luence will b e the concept of the communit y center. In the center, p e ople of dif ferent age or r ace come together. Al s o, the ref uge e s from the wor ld they might live together and s hare their life. Ever yone in the communit y center f lows and inte r weave to this CONFLUENCE PA RK .
CONCEP T PHILOSOPH Y
Concept /
54
Assignment 5.2+6.2 / Concept Philosophy
CONFLUENCE Def inition: The junc tion of t wo r iver s , e sp e cially r iver s of approximately e qual width.
The communit y center will b e a place to gathe r b oth the Ros e Cit y Par k neighb or and the ref uge e s who live in the center. Thus , the conf luence will b e the concept of the communit y center. In the center, p e ople of dif ferent age or r ace come together. Al s o, the ref uge e s from the wor ld they might live together and s hare their life. Ever yone in the communit y center f lows and inte r weave to this CONFLUENCE PA RK .
CONCEP T PHILOSOPH Y
Concept /
54
Assignment 5.3 / Mood Board
[ CONFLUENCE ]
C anyon
C AV E Home
C anopy S e cur it y
RI V ER Fores t
Tre e Fres h
SCHEME A
Fall
Prote c t
55
Assignment 5.3 / Mood Board
[ CONFLUENCE ]
C anyon
C AV E Home
C anopy S e cur it y
RI V ER Fores t
Tre e Fres h
SCHEME A
Fall
Prote c t
55
Assignment 5.3 / Mood Board
[ CONFLUENCE ] Fr iend
G ATHER
Inter wave
SE A
B lend
s hare
Light house
Sunr ise G uide
Hom e New
SCHEME B
coas t
56
Assignment 5.3 / Mood Board
[ CONFLUENCE ] Fr iend
G ATHER
Inter wave
SE A
B lend
s hare
Light house
Sunr ise G uide
Hom e New
SCHEME B
coas t
56
Assignment 6.3 / Final Mood Board
[ Inter wave ]
[ Life ]
[ Share ] [ Gather ] [ Flow ]
[ S ecurit y ]
MOOD BOA RD
[ B lend ]
57
Assignment 6.3 / Final Mood Board
[ Inter wave ]
[ Life ]
[ Share ] [ Gather ] [ Flow ]
[ S ecurit y ]
MOOD BOA RD
[ B lend ]
57
06 P ro g ra m m i n g Rea ding S i te a n d B lo c k Di a g ra m C o n cept Final i ze B lo c k D i a g ra m E gre s s P la n
06 P ro g ra m m i n g Rea ding S i te a n d B lo c k Di a g ra m C o n cept Final i ze B lo c k D i a g ra m E gre s s P la n
Assignment 6 / Reading
- A bs tr ac t concept
- Ac tivit y
- Create the fo c al p oint of the space
- Movement
- If the p oint is of f center, it implie s tension and movement
- Sp e e d
Line - Or ganize line s to create space s
- e x . Fas t r ide, s tair, as we r un our b o dy mus t b e at angle
Cur ve d Lines
- Def ine the e dge
- Organic
- Create r hy thm
- Flowing
- Te x ture on a sur f ace
- Billow y
- Create s ymmetr y
- Natur al is f ille d of organic , cur ve d shap e
Ver t ical Lines - Stabilit y - Streng th - Upr ight - Gr andeur - Per manence - e x . Tre e s grow, columns supp or t building
H or izontal Lines - Re s t - Leisure - Rep os e - e x . Flat , re s t f ul p osition, sun s et br inging another day to a clos e, b o dy lie down
Plane and Volum e Plane - Te x ture, color, pat ter n, mater ial, op ening , etc . - Clear ly def ine d: s olid wall - Implie d: line of columns - When de sign with plane s , volume will emerge
Volum e - Group of plane s enclosing a volume ( bas e plane s , wall plane s , and ceiling plane s) - Void as in the cas e of room - S olid as in the cas e of a pice of f ur niture
H or izontal Planes Base Plane - C an b e def ine d by the e dge s of ro om or mater ial s , sur f ace, or te x ture - Elevate d Bas e Plane: Emphasize d area by the r ais e d area e x . Stage - Depre s s e d Plane: De signate d area Pr ivate Ma ke s ur e t h e s c a le of t h e d e p r e s s e d p la n e , i t c anâ&#x20AC;&#x2122;t b e too nar row or small
Over head Plane - C an fre ely take any from the imagine - Def ining zone s of space on a subtle level - Higher ceiling plane: gr ander s c ale - Dropp e d ceiling : tighter, intimac y - B e us e d to sug ge s t paths of circulation space
DE SIGN PRINCIPLE S
Diagonal Lines
Point
59
Assignment 6 / Reading
- A bs tr ac t concept
- Ac tivit y
- Create the fo c al p oint of the space
- Movement
- If the p oint is of f center, it implie s tension and movement
- Sp e e d
Line - Or ganize line s to create space s
- e x . Fas t r ide, s tair, as we r un our b o dy mus t b e at angle
Cur ve d Lines
- Def ine the e dge
- Organic
- Create r hy thm
- Flowing
- Te x ture on a sur f ace
- Billow y
- Create s ymmetr y
- Natur al is f ille d of organic , cur ve d shap e
Ver t ical Lines - Stabilit y - Streng th - Upr ight - Gr andeur - Per manence - e x . Tre e s grow, columns supp or t building
H or izontal Lines - Re s t - Leisure - Rep os e - e x . Flat , re s t f ul p osition, sun s et br inging another day to a clos e, b o dy lie down
Plane and Volum e Plane - Te x ture, color, pat ter n, mater ial, op ening , etc . - Clear ly def ine d: s olid wall - Implie d: line of columns - When de sign with plane s , volume will emerge
Volum e - Group of plane s enclosing a volume ( bas e plane s , wall plane s , and ceiling plane s) - Void as in the cas e of room - S olid as in the cas e of a pice of f ur niture
H or izontal Planes Base Plane - C an b e def ine d by the e dge s of ro om or mater ial s , sur f ace, or te x ture - Elevate d Bas e Plane: Emphasize d area by the r ais e d area e x . Stage - Depre s s e d Plane: De signate d area Pr ivate Ma ke s ur e t h e s c a le of t h e d e p r e s s e d p la n e , i t c anâ&#x20AC;&#x2122;t b e too nar row or small
Over head Plane - C an fre ely take any from the imagine - Def ining zone s of space on a subtle level - Higher ceiling plane: gr ander s c ale - Dropp e d ceiling : tighter, intimac y - B e us e d to sug ge s t paths of circulation space
DE SIGN PRINCIPLE S
Diagonal Lines
Point
59
Assignment 6 / Reading
Single Plane - Not def ine a space - Backdrop to an implie d space of zone - S epar ate a larger space in t wo - Change f low of tr af f ic - Low single plane: s et apar t an area, while allowing visual conne c tivit y - Tall s olid plane: create a total division of space, b oth visually and acous tic ally - Tall glas s plane: acous tic al s epar ation, but not visual s epar ation - Tall op en lat ticewor k : visual s epar ation, but not acous tical
L-S hape Plane - Def ine a space - e x . Barcelona S ofa
Parallel Planes - Pair of par allel plane s def ine s a space in b et we en - Strongly b ordere d on t wo side s , but remains op en on the end - Not ne e d to identical in order to def ine space - C an b e implie d, such as a row of columns - C an b e slewe d or cur ve d
U -S hape Planes - Near ly a f ull enclosure, but allow op enne s s on one side - Focus inward or out ward to the space
Four Planes - Inwardly fo cus e d and well def ine s
O pening s - Door, windows , or simply op ening s b et we en plane s or within a plane
S pat ial qual it ies D egre e of Enclos ure - Light : change by time and s eas on Mor ning light : gentle, war m Af ter no on light : glare Nor th light : dif f us e d and indire c t S outh light : s trong and dire c t - V iew
S pat ial Relat ions hips - Adjacent Space s
- Al s o c an b e over head
- Space s Linke d by a Common Space
- Mus t think ab out :
- Space W ithin a Space
Locat ion - Af fe c t the fe eling - e x . of f- center op ening create s visual tension
S hape - Var ie d shap e d, e dge, and fr ame
Conf igurat ion - S epar ately, together as a group, or create a visual r hy thm
Size - Break down enclosure of plane and create vis tas to other space s
- Inter lo ck ing Space s
S pat ial O rganizat ions - Centr alize d Organizatio: s e condar y space s sur rounding a dominant centr al space - Linear Or ganiz ation: s er ie s of space - Radial Organization: dynamic out wardly fo cus e d; Fle xible than centr alize d or ganiz ation - Clus tere d Or ganiz ation: mos t f le xible; space s usually with similar size, space, or s t yle - Gird Organization: egular it y and continuit y c an f le xibilit y built into the s tr uc ture ; Gird al s o can b e ir regular in one or t wo dire c tions
DE SIGN PRINCIPLE S
Ver t ical Planes
60
Assignment 6 / Reading
Single Plane - Not def ine a space - Backdrop to an implie d space of zone - S epar ate a larger space in t wo - Change f low of tr af f ic - Low single plane: s et apar t an area, while allowing visual conne c tivit y - Tall s olid plane: create a total division of space, b oth visually and acous tic ally - Tall glas s plane: acous tic al s epar ation, but not visual s epar ation - Tall op en lat ticewor k : visual s epar ation, but not acous tical
L-S hape Plane - Def ine a space - e x . Barcelona S ofa
Parallel Planes - Pair of par allel plane s def ine s a space in b et we en - Strongly b ordere d on t wo side s , but remains op en on the end - Not ne e d to identical in order to def ine space - C an b e implie d, such as a row of columns - C an b e slewe d or cur ve d
U -S hape Planes - Near ly a f ull enclosure, but allow op enne s s on one side - Focus inward or out ward to the space
Four Planes - Inwardly fo cus e d and well def ine s
O pening s - Door, windows , or simply op ening s b et we en plane s or within a plane
S pat ial qual it ies D egre e of Enclos ure - Light : change by time and s eas on Mor ning light : gentle, war m Af ter no on light : glare Nor th light : dif f us e d and indire c t S outh light : s trong and dire c t - V iew
S pat ial Relat ions hips - Adjacent Space s
- Al s o c an b e over head
- Space s Linke d by a Common Space
- Mus t think ab out :
- Space W ithin a Space
Locat ion - Af fe c t the fe eling - e x . of f- center op ening create s visual tension
S hape - Var ie d shap e d, e dge, and fr ame
Conf igurat ion - S epar ately, together as a group, or create a visual r hy thm
Size - Break down enclosure of plane and create vis tas to other space s
- Inter lo ck ing Space s
S pat ial O rganizat ions - Centr alize d Organizatio: s e condar y space s sur rounding a dominant centr al space - Linear Or ganiz ation: s er ie s of space - Radial Organization: dynamic out wardly fo cus e d; Fle xible than centr alize d or ganiz ation - Clus tere d Or ganiz ation: mos t f le xible; space s usually with similar size, space, or s t yle - Gird Organization: egular it y and continuit y c an f le xibilit y built into the s tr uc ture ; Gird al s o can b e ir regular in one or t wo dire c tions
DE SIGN PRINCIPLE S
Ver t ical Planes
60
Assignment 6 / Reading
How W ill I Us e This Infor mat ion in D es ign? Circulat ion Size of Pat h - Is the path s tr ic tly for conne c ting t wo space s? - Or will p e ople s top along the way? - W ill the o ccupant s ne e d to e s tablish p er s onal space within the path of circulation?
Inte r s e c t ions - Two circulation paths cros s - Size and shap e of the inter s e c tion - Tr af f ic f low
Pat h/S pace Relat ions hips - Path can create a s trong a xis leading to an endp oint of hier archical imp or t ance
For m of t he Circulat ion S pace - C an b e enclos e path, op en, or op en on one side - Dif ferent for m of path can create dif ferent relationship b et we en space and path
DE SIGN PRINCIPLE S
- Relationship with the space s
61
Assignment 6 / Reading
How W ill I Us e This Infor mat ion in D es ign? Circulat ion Size of Pat h - Is the path s tr ic tly for conne c ting t wo space s? - Or will p e ople s top along the way? - W ill the o ccupant s ne e d to e s tablish p er s onal space within the path of circulation?
Inte r s e c t ions - Two circulation paths cros s - Size and shap e of the inter s e c tion - Tr af f ic f low
Pat h/S pace Relat ions hips - Path can create a s trong a xis leading to an endp oint of hier archical imp or t ance
For m of t he Circulat ion S pace - C an b e enclos e path, op en, or op en on one side - Dif ferent for m of path can create dif ferent relationship b et we en space and path
DE SIGN PRINCIPLE S
- Relationship with the space s
61
SITE A ND BLOCK DI AGR A MS CONCEP T
Assignment 6.1 / Finalize Block Diagrams
62
SITE A ND BLOCK DI AGR A MS CONCEP T
Assignment 6.1 / Finalize Block Diagrams
62
FIN A LIZE BLOCK DI AGR A MS
Assignment 6.1 / Finalize Block Diagrams
63
FIN A LIZE BLOCK DI AGR A MS
Assignment 6.1 / Finalize Block Diagrams
63
EGRE SS PL A N
Assignment 6.1 / Finalize Block Diagrams
64
EGRE SS PL A N
Assignment 6.1 / Finalize Block Diagrams
64
07 Sec he m a t i c Fl oo r Pl an Rea ding Mai n O pt i o n Op tio n I I
07 Sec he m a t i c Fl oo r Pl an Rea ding Mai n O pt i o n Op tio n I I
Assignment 7 / Reading
Prel iminar y Floor Plan - From Block Diagr am to Floor Plan
Comm on Challenges: S cale
E xample of Fre ehand S ch emat ic
- Me et the area re quirement s on the progr am - May ne e d to revis e the blo ck diagr am
Comm on Challenges: Circulat ion - Lifeblo o d of f lo or plan - Clear ance s mus t b e ade quate - A r apid br ains tom sketch - Mus t b e ef fcient - Minimize it
- Cons e cutive sketch; E xplor ator y sketch - S olving challenge s
- e x . Th e r ight one mak ing ro om le s s f le x ible for f ur niture layout s
A e x a m p l e / Fr e e h a n d s c h e m a t i c p l a n i s d r a w n t o s c a l e a n d i n c l u d e s f u r n i s h i n g s to e n s u r e t h e p l a n wor k s
Comm on Challenges: Program Re quirem ent s - Che ck the progr am regular ly - Ke ep the progr am on de sk Sp e e d
A e x a m p le/ Fur n i t ur e a n d la n d s c a p e e le m e n t s a r e shown. Using color to help bring visual clarit y to the de sign
PRELIMIN A RY FLOOR PL A N
- Fre ehand sketching
- Create t wo alter native ar r angement s for simple room
66
Assignment 7 / Reading
Prel iminar y Floor Plan - From Block Diagr am to Floor Plan
Comm on Challenges: S cale
E xample of Fre ehand S ch emat ic
- Me et the area re quirement s on the progr am - May ne e d to revis e the blo ck diagr am
Comm on Challenges: Circulat ion - Lifeblo o d of f lo or plan - Clear ance s mus t b e ade quate - A r apid br ains tom sketch - Mus t b e ef fcient - Minimize it
- Cons e cutive sketch; E xplor ator y sketch - S olving challenge s
- e x . Th e r ight one mak ing ro om le s s f le x ible for f ur niture layout s
A e x a m p l e / Fr e e h a n d s c h e m a t i c p l a n i s d r a w n t o s c a l e a n d i n c l u d e s f u r n i s h i n g s to e n s u r e t h e p l a n wor k s
Comm on Challenges: Program Re quirem ent s - Che ck the progr am regular ly - Ke ep the progr am on de sk Sp e e d
A e x a m p le/ Fur n i t ur e a n d la n d s c a p e e le m e n t s a r e shown. Using color to help bring visual clarit y to the de sign
PRELIMIN A RY FLOOR PL A N
- Fre ehand sketching
- Create t wo alter native ar r angement s for simple room
66
Assignment 7.1 / Schematic Floor Plan - Main Option
A
A
ENTR ANCE
PA N T R Y
T V SCREEN
T V SCREEN
C O N S U LTAT I O N ROOM #1
T V SCREEN
COMMUNIT Y ROOM
CL ASSROOM #3
CL ASSROOM #2
STOR AGE CLOSET STOR AGE CLOSET
C O N S U LTAT I O N ROOM #2 TV
SC
RE
OPEN OFFICE AREA
MECHANICAL STOR AGE CLOSET
EN
CL ASSROOM #1 WAITING AREA E L E V AT O R
UP
B
B' B
LOBBY
COMPUTER LAB
RECEPTION DESK
C O U R T YA R D
B'
RECEPTION WAITING AREA
DINING AREA
RECEPTION DESK
WAITING AREA
P R I V AT E OFFICE #1
DN
L AUNDARY
P R I V AT E O F F I C E # 2
FOLDING DOOR
LIVING AREA
KITCHEN KITCHEN ISL AND
WOMEN'S RESTROOM
WOMEN'S RESTROOM BAR AREA
MEN'S RESTROOM CAFE
CONDIMENT
B O O T H S E AT I N G A R E A
JANITOR CLOSET
BEDROOM
BEDROOM
B AT H R O O M
BEDROOM
MEN'S RESTROOM
H A R V E S T TA B L E A R E A
CONDIMENT
JANITOR CLOSET
B A R TA B L E
TO KID'S P L AY A R E A
B AT H R O O M
TO GARDEN
TO GARDEN
Level 1
Level 2 A'
A'
CIRCUL ATI ON CL A S SRO OM SER V ICE OFFICE IND O OR G A RDEN SLEEPING A RE A
M A IN OP TION - FLOOR PL A N
E L E V AT O R
67
Assignment 7.1 / Schematic Floor Plan - Main Option
A
A
ENTR ANCE
PA N T R Y
T V SCREEN
T V SCREEN
C O N S U LTAT I O N ROOM #1
T V SCREEN
COMMUNIT Y ROOM
CL ASSROOM #3
CL ASSROOM #2
STOR AGE CLOSET STOR AGE CLOSET
C O N S U LTAT I O N ROOM #2 TV
SC
RE
OPEN OFFICE AREA
MECHANICAL STOR AGE CLOSET
EN
CL ASSROOM #1 WAITING AREA E L E V AT O R
UP
B
B' B
LOBBY
COMPUTER LAB
RECEPTION DESK
C O U R T YA R D
B'
RECEPTION WAITING AREA
DINING AREA
RECEPTION DESK
WAITING AREA
P R I V AT E OFFICE #1
DN
L AUNDARY
P R I V AT E O F F I C E # 2
FOLDING DOOR
LIVING AREA
KITCHEN KITCHEN ISL AND
WOMEN'S RESTROOM
WOMEN'S RESTROOM BAR AREA
MEN'S RESTROOM CAFE
CONDIMENT
B O O T H S E AT I N G A R E A
JANITOR CLOSET
BEDROOM
BEDROOM
B AT H R O O M
BEDROOM
MEN'S RESTROOM
H A R V E S T TA B L E A R E A
CONDIMENT
JANITOR CLOSET
B A R TA B L E
TO KID'S P L AY A R E A
B AT H R O O M
TO GARDEN
TO GARDEN
Level 1
Level 2 A'
A'
CIRCUL ATI ON CL A S SRO OM SER V ICE OFFICE IND O OR G A RDEN SLEEPING A RE A
M A IN OP TION - FLOOR PL A N
E L E V AT O R
67
Assignment 7.1 / Schematic Floor Plan - Main Option
Community Center
3 1
4
< Concept of Confluence >
< 2 >
< 1 >
< 3 >
M A IN OP TION - INTERIOR CONCEP T SK E TCH
2
< 4 >
68
Assignment 7.1 / Schematic Floor Plan - Main Option
Community Center
3 1
4
< Concept of Confluence >
< 2 >
< 1 >
< 3 >
M A IN OP TION - INTERIOR CONCEP T SK E TCH
2
< 4 >
68
Assignment 7.1 / Schematic Floor Plan - Main Option
Residential Units 1
3
4
< 1 >
< 2 >
< 3 >
< 4 >
M A IN OP TION - INTERIOR CONCEP T SK E TCH
2
69
Assignment 7.1 / Schematic Floor Plan - Main Option
Residential Units 1
3
4
< 1 >
< 2 >
< 3 >
< 4 >
M A IN OP TION - INTERIOR CONCEP T SK E TCH
2
69
Assignment 7.1 / Schematic Floor Plan - Main Option
A
STANDING TABLE
B
PRINTER
AA'
B'
A' Level 2
B
B'
BB'
A' Level 1
M A IN OP TION - SEC TION
A
70
Assignment 7.1 / Schematic Floor Plan - Main Option
A
STANDING TABLE
B
PRINTER
AA'
B'
A' Level 2
B
B'
BB'
A' Level 1
M A IN OP TION - SEC TION
A
70
Assignment 7.1 / Schematic Floor Plan - Option II
A'
A'
P R I V AT E OFFICE #1
ENTR ANCE UP
T V SCREEN
LOBBY COMPUTER LAB P R I V AT E OFFICE #2 DN
MECHANICAL STOR AGE CLOSET
C O N S U LTAT I O N ROOM #1
E L E V AT O R
B
E L E V AT O R
B'
CL ASSROOM #1
B
B'
RECEPTION
C O N S U LTAT I O N ROOM #2
COMMUNIT Y ROOM
LIVING AREA
JANITOR CLOSET
KITCHEN
MEN'S RESTROOM
BAR AREA
CL ASSROOM #3
CL ASSROOM #2 DINING AREA
B AT H R O O M L A U N D A R Y
OPEN OFFICE AREA
JANITOR CLOSET
MEN'S RESTROOM
B AT H R O O M
CAFE
BEDROOM
Level 1
BEDROOM
BEDROOM
A
Level 2
A
CIRCUL ATI ON CL A S SRO OM SER V ICE OFFICE IND O OR G A RDEN SLEEPING A RE A
OP TION II - FLOOR PL A N
WOMEN'S RESTROOM
WOMEN'S RESTROOM
71
Assignment 7.1 / Schematic Floor Plan - Option II
A'
A'
P R I V AT E OFFICE #1
ENTR ANCE UP
T V SCREEN
LOBBY COMPUTER LAB P R I V AT E OFFICE #2 DN
MECHANICAL STOR AGE CLOSET
C O N S U LTAT I O N ROOM #1
E L E V AT O R
B
E L E V AT O R
B'
CL ASSROOM #1
B
B'
RECEPTION
C O N S U LTAT I O N ROOM #2
COMMUNIT Y ROOM
LIVING AREA
JANITOR CLOSET
KITCHEN
MEN'S RESTROOM
BAR AREA
CL ASSROOM #3
CL ASSROOM #2 DINING AREA
B AT H R O O M L A U N D A R Y
OPEN OFFICE AREA
JANITOR CLOSET
MEN'S RESTROOM
B AT H R O O M
CAFE
BEDROOM
Level 1
BEDROOM
BEDROOM
A
Level 2
A
CIRCUL ATI ON CL A S SRO OM SER V ICE OFFICE IND O OR G A RDEN SLEEPING A RE A
OP TION II - FLOOR PL A N
WOMEN'S RESTROOM
WOMEN'S RESTROOM
71
Assignment 7.1 / Schematic Floor Plan - Option II
A
B
B'
AA'
A' Level 2
B
B'
BB'
A' Level 1
OP TION II - SEC TION
A
72
Assignment 7.1 / Schematic Floor Plan - Option II
A
B
B'
AA'
A' Level 2
B
B'
BB'
A' Level 1
OP TION II - SEC TION
A
72
08 A DA C o m p l i an t Pl an Rea ding E nl arged Res t ro o m F loo r Pl an
08 A DA C o m p l i an t Pl an Rea ding E nl arged Res t ro o m F loo r Pl an
Assignment 8 / Reading
A wide range of disabilities can impac t one’s abilit y to fre ely acce s s a building , such as blindne s s , an ampute e condition, old age, or mus cular conditions af fe c ting one’s s t abilit y on s tair s . Al s o, each s tate has dif ferent degre e and manner of this integr ation var ie s by s tate.
A cces s ible Rou te of Travel Including all o ccupie d f lo or s of the building , o ccupie d ro oms , cor r idor s , elevator s , and plumbing f ix ture
Clear Pat h - Minimum 36” width (including clear ance b et we en individual f ur nishing s) - Ever y space mus t have a clear circular area with a 6 0” diameter in which a whe elchair c an tur n around - A clear area of 30” x 4 8” is re quire d at all counter and other building f ix ture s for whe elchair
A lter nate Pat h and Ent r ies - The gener al public and A DA route mus t b e e qually - The dif ferent level s on same f loor mus t b e conne c te d by a slop e d f loor, a r amp, or a plat for m - In s ome c as e, the re quirement might have dif ferent by the dif ferent condition
Egres s Re quirem ent s Ramp - No more than 1” of rise for each 12” of r un (1:12) -
Top landing : MIN. 6 0” long and 6 0” width B ot tom landing : MIN. 7 2” long and width of the b ot tom of the landing mus t b e no le s s than the r amp with
- A r amp r ising more than 30” is re quire d to have an inter me diar y level landing s omewhere within the r amp
D oor s - MIN. 32” clear ance inside of the do or (b et we en the door in it s 9 0 degre e op ening p osition and the face of the s top) - Thus , mus t account for the thickne s s of the door leaf it s elf - A s tandard inter ior door is 1-3/4” thick , s o the dimension is that a 3 4” do or will provide the A DA - compliant clear ance - 36” wide door s are far more commonly sp e cif ie d in commercial building simply
Stair s - Stair width: min. 3’- 8”(4 4”) for e xit s tair Tread depth: min. 11” Ris er hight : min. 4” and ma x . 7” - Handr ail re quire d: e x tend 12” b eyond the top nosing / 1 2” plus the depth of one tread b eyond the b ot tom nosing
Toile t Facil it ies Multiple -accommo dation A DA - compliant bathro om: - A 6 0” clear space for whe elchair tur narounds - Min. 27” clear ance ab ove the f loor under wallmounte d sink - Tur narounds circle c an NOT encroach into do or s wing more than 1 2” - A clear 30” x 4 8” f loor space for front of sink , may pas s under the sink up to 19” - A leas t one pap er-towel disp ens er and was te re ceptacle s with clear 30” x 4 8” f lo or space - Toilet room’s door NOT s wing op en through the clear space at any f ix ture - Clear-f lo or space at any f ix ture and whe elchair tur naround c an over lay At leas t one s tall in the toilet ro om for whe elchair : - Min. 6 0” wide inside clear - Door min. 32” wide when locate d on the end of a s tall; 3 4” wide when loc ate d on the side of a s tall At leas t one sink mus t b e f ully acce s sible: - 30” x . 4 8” clear space - A ny side wall ne x t to the acce s sible sink mus t b e at leas t 18” from the center line of sink - Provide k ne e space
A DA COMPLI A NT PL A N
The A mer icans wit h Disabil it ies A c t (A DA)
74
Assignment 8 / Reading
A wide range of disabilities can impac t one’s abilit y to fre ely acce s s a building , such as blindne s s , an ampute e condition, old age, or mus cular conditions af fe c ting one’s s t abilit y on s tair s . Al s o, each s tate has dif ferent degre e and manner of this integr ation var ie s by s tate.
A cces s ible Rou te of Travel Including all o ccupie d f lo or s of the building , o ccupie d ro oms , cor r idor s , elevator s , and plumbing f ix ture
Clear Pat h - Minimum 36” width (including clear ance b et we en individual f ur nishing s) - Ever y space mus t have a clear circular area with a 6 0” diameter in which a whe elchair c an tur n around - A clear area of 30” x 4 8” is re quire d at all counter and other building f ix ture s for whe elchair
A lter nate Pat h and Ent r ies - The gener al public and A DA route mus t b e e qually - The dif ferent level s on same f loor mus t b e conne c te d by a slop e d f loor, a r amp, or a plat for m - In s ome c as e, the re quirement might have dif ferent by the dif ferent condition
Egres s Re quirem ent s Ramp - No more than 1” of rise for each 12” of r un (1:12) -
Top landing : MIN. 6 0” long and 6 0” width B ot tom landing : MIN. 7 2” long and width of the b ot tom of the landing mus t b e no le s s than the r amp with
- A r amp r ising more than 30” is re quire d to have an inter me diar y level landing s omewhere within the r amp
D oor s - MIN. 32” clear ance inside of the do or (b et we en the door in it s 9 0 degre e op ening p osition and the face of the s top) - Thus , mus t account for the thickne s s of the door leaf it s elf - A s tandard inter ior door is 1-3/4” thick , s o the dimension is that a 3 4” do or will provide the A DA - compliant clear ance - 36” wide door s are far more commonly sp e cif ie d in commercial building simply
Stair s - Stair width: min. 3’- 8”(4 4”) for e xit s tair Tread depth: min. 11” Ris er hight : min. 4” and ma x . 7” - Handr ail re quire d: e x tend 12” b eyond the top nosing / 1 2” plus the depth of one tread b eyond the b ot tom nosing
Toile t Facil it ies Multiple -accommo dation A DA - compliant bathro om: - A 6 0” clear space for whe elchair tur narounds - Min. 27” clear ance ab ove the f loor under wallmounte d sink - Tur narounds circle c an NOT encroach into do or s wing more than 1 2” - A clear 30” x 4 8” f loor space for front of sink , may pas s under the sink up to 19” - A leas t one pap er-towel disp ens er and was te re ceptacle s with clear 30” x 4 8” f lo or space - Toilet room’s door NOT s wing op en through the clear space at any f ix ture - Clear-f lo or space at any f ix ture and whe elchair tur naround c an over lay At leas t one s tall in the toilet ro om for whe elchair : - Min. 6 0” wide inside clear - Door min. 32” wide when locate d on the end of a s tall; 3 4” wide when loc ate d on the side of a s tall At leas t one sink mus t b e f ully acce s sible: - 30” x . 4 8” clear space - A ny side wall ne x t to the acce s sible sink mus t b e at leas t 18” from the center line of sink - Provide k ne e space
A DA COMPLI A NT PL A N
The A mer icans wit h Disabil it ies A c t (A DA)
74
Assignment 8 / Reading
L ar ge group of p e ople together, such as movie theatre, churche s , re s taur ant s…
A -1 W ith f ixe d s eating , e.g. movie theater s
A -2 Us e s for fo o d and/or dr ink consumption, e.g. re s taur ant s
A -3 For wor ship, re creation or amus ement or us e s not clas sif ie d el s ewhere in group A , e.g. churche s
A-4 Indo or sp or ting event , e.g. arenas
A-5 Par ticipation in or viewing outdoor ac tivitie s , e.g. gr ands tands
G roup B (B us ines s) For busine s s us e, such as of f ice s , outpatient clinic s , higher e ducational facilitie s…
G roup E (Educat ion) For e ducation of children from kindergar ten up to gr ade 12
G roup F (Fac tor y) Manuf ac tur ing and amount of haz ardous mater ial us e d is under the limit for H o ccupanc y clas sif ication
G roup H (Hazardous) Us e s that involve s the pro ce s sing , gener ation, or s tor age of haz ardous mater ial s , such as f ac tor ie s of lab or ator ie s
G roup I (Ins t itu t ional) Us e s where re s tr ic tions are imp os e d on o ccupant s , such as hospital s , nur sing home s and pr is ons…
I -1 More than 16 occupant s are living under super vised conditions and re ceiving cus to dial c are in a re sidential environment on a 24 - hour s basis , e.g. half way hous e s
I -2 More than 5 o ccupant s are living under sup er vis e d conditions under me dic al c are on a 24 - hour s basis , e.g. hospital s
I -3 More than 5 o ccupant s are living under sup er vis e d conditions under s e cur it y on a 24 - hour s basis , e.g. pr is ons .
I-4 More than 5 o ccupant s living under sup er vis e d conditions and re ceiving cus to dial c are on le s s than 24 - hour s basis , e.g. day c are center s
G roup M (M ercant ile) Pr imar ily for retail including any incidental s tor age us e s
G roup R (Res ident ial) Re side in building s or space s over night , such as hotel s , b oarding hous e s , single or multifamily re sidence s…
R-1 Occupant s are tr ansient for 30 days or le s s , e.g. hotel s
R-2 Occupant s are p er manent , sle eping in building containing more than 2 dwelling unit s for more than 30 days , e.g. apar tment s
R-3 Occupant s are p er manent , sle eping in building s that is nor R-1, R-2 or I occupanc y foe more than 30 days , e.g. single f amily re sidence s
R- 4 More than 5 but le s s than 16 o ccupant s re ceiving cus to dial care on a 24 - hour basis , e.g. as sis te d living facilitie s
G roup S (Storage) Stor age, including hazardous mater ial under limit s for H o ccupanc y clas sif ic ation
G roup U (Ut il it y) Us e s that are mainly subs er vient to other us e s and where me chanic al, ele c tr ic al or other utilitie s are hous e d
BUILDING OCCUPA NC Y
G roup A (A s s embly)
75
Assignment 8 / Reading
L ar ge group of p e ople together, such as movie theatre, churche s , re s taur ant s…
A -1 W ith f ixe d s eating , e.g. movie theater s
A -2 Us e s for fo o d and/or dr ink consumption, e.g. re s taur ant s
A -3 For wor ship, re creation or amus ement or us e s not clas sif ie d el s ewhere in group A , e.g. churche s
A-4 Indo or sp or ting event , e.g. arenas
A-5 Par ticipation in or viewing outdoor ac tivitie s , e.g. gr ands tands
G roup B (B us ines s) For busine s s us e, such as of f ice s , outpatient clinic s , higher e ducational facilitie s…
G roup E (Educat ion) For e ducation of children from kindergar ten up to gr ade 12
G roup F (Fac tor y) Manuf ac tur ing and amount of haz ardous mater ial us e d is under the limit for H o ccupanc y clas sif ication
G roup H (Hazardous) Us e s that involve s the pro ce s sing , gener ation, or s tor age of haz ardous mater ial s , such as f ac tor ie s of lab or ator ie s
G roup I (Ins t itu t ional) Us e s where re s tr ic tions are imp os e d on o ccupant s , such as hospital s , nur sing home s and pr is ons…
I -1 More than 16 occupant s are living under super vised conditions and re ceiving cus to dial c are in a re sidential environment on a 24 - hour s basis , e.g. half way hous e s
I -2 More than 5 o ccupant s are living under sup er vis e d conditions under me dic al c are on a 24 - hour s basis , e.g. hospital s
I -3 More than 5 o ccupant s are living under sup er vis e d conditions under s e cur it y on a 24 - hour s basis , e.g. pr is ons .
I-4 More than 5 o ccupant s living under sup er vis e d conditions and re ceiving cus to dial c are on le s s than 24 - hour s basis , e.g. day c are center s
G roup M (M ercant ile) Pr imar ily for retail including any incidental s tor age us e s
G roup R (Res ident ial) Re side in building s or space s over night , such as hotel s , b oarding hous e s , single or multifamily re sidence s…
R-1 Occupant s are tr ansient for 30 days or le s s , e.g. hotel s
R-2 Occupant s are p er manent , sle eping in building containing more than 2 dwelling unit s for more than 30 days , e.g. apar tment s
R-3 Occupant s are p er manent , sle eping in building s that is nor R-1, R-2 or I occupanc y foe more than 30 days , e.g. single f amily re sidence s
R- 4 More than 5 but le s s than 16 o ccupant s re ceiving cus to dial care on a 24 - hour basis , e.g. as sis te d living facilitie s
G roup S (Storage) Stor age, including hazardous mater ial under limit s for H o ccupanc y clas sif ic ation
G roup U (Ut il it y) Us e s that are mainly subs er vient to other us e s and where me chanic al, ele c tr ic al or other utilitie s are hous e d
BUILDING OCCUPA NC Y
G roup A (A s s embly)
75
Assignment 8.1 / ADA Compliant Plan
2'-7"
Re side ntial Bathro om
3'-0" 5'-0"
3'-1"
2'-10"
"
-0
5'
Ø
2'-5"
3'-0"
5'-1"
"
-0
5'
Ø
5'-0"
10'-0"
Communit y Ce nte r Re s tro om
5'-0"
6'-21 2"
ENL A RGED PL A N OF RE S TROOM
2'-61 2"
6'-31 2"
2'-10"
2'-7"
2'-61 2"
76
Assignment 8.1 / ADA Compliant Plan
2'-7"
Re side ntial Bathro om
3'-0" 5'-0"
3'-1"
2'-10"
"
-0
5'
Ø
2'-5"
3'-0"
5'-1"
"
-0
5'
Ø
5'-0"
10'-0"
Communit y Ce nte r Re s tro om
5'-0"
6'-21 2"
ENL A RGED PL A N OF RE S TROOM
2'-61 2"
6'-31 2"
2'-10"
2'-7"
2'-61 2"
76
09 P ro ces s Sketch Rea ding P ro ce s s S ketc h
09 P ro ces s Sketch Rea ding P ro ce s s S ketc h
Assignment 9 / Reading
Func t ion vs . A es t h e t ic s Concept Statem ent - Focus e on A E S THE TIC value s
Proces s S ke tches - Ideation thr iugh conceptual sketching - S er ie s of loos e conceptual sketche s - E xplor ing ideas for proje c t
- E xample: " The de sign for this law of f ice will provide an atmosphere that is antique, s er ious , and mas culine." Thus , we would have a clearer under s tanding of which t yp e of chair s the de signer has in mind.
The Concept Statement: Values - What make s the space sp e cial or dif ferent - What make s client intere s ting
- His tor y - Sur rounding - Inspire ideas for the concept - S ometime s a concept can b e inspire d by the de sire d mo o d, emotional s tate, or ambiance.
The Concept as a Fundamental S olu t ion
A ES THE TIC CONCEP T
The Concept Statem ent: At m os p here and M oo d
78
Assignment 9 / Reading
Func t ion vs . A es t h e t ic s Concept Statem ent - Focus e on A E S THE TIC value s
Proces s S ke tches - Ideation thr iugh conceptual sketching - S er ie s of loos e conceptual sketche s - E xplor ing ideas for proje c t
- E xample: " The de sign for this law of f ice will provide an atmosphere that is antique, s er ious , and mas culine." Thus , we would have a clearer under s tanding of which t yp e of chair s the de signer has in mind.
The Concept Statement: Values - What make s the space sp e cial or dif ferent - What make s client intere s ting
- His tor y - Sur rounding - Inspire ideas for the concept - S ometime s a concept can b e inspire d by the de sire d mo o d, emotional s tate, or ambiance.
The Concept as a Fundamental S olu t ion
A ES THE TIC CONCEP T
The Concept Statem ent: At m os p here and M oo d
78
PROCESS SK E TCHES
Assignment 9.1 / Aesthetic Concept
79
PROCESS SK E TCHES
Assignment 9.1 / Aesthetic Concept
79
Assignment 9.1 / Aesthetic Concept
PROCESS SK E TCHES
Intere s ting entr ance to give the visitor a f ir s t impre s sion, then the lobby would b e the mos t sp e cial sp c ae, which ref le c t the concept of the proje c t . Al s o, ab out the building fac ade, the communit y center would b e a place that p e ople want to come, and the building fac ade might b e unique and b e come the landmar k of the Ros e Cit y Par k neighb or ho o d.
80
Assignment 9.1 / Aesthetic Concept
PROCESS SK E TCHES
Intere s ting entr ance to give the visitor a f ir s t impre s sion, then the lobby would b e the mos t sp e cial sp c ae, which ref le c t the concept of the proje c t . Al s o, ab out the building fac ade, the communit y center would b e a place that p e ople want to come, and the building fac ade might b e unique and b e come the landmar k of the Ros e Cit y Par k neighb or ho o d.
80
Assignment 9.2 / Conclusion
Challenges At f ir s t , b e c aus e I wante d to place a f lo or in the lobby space, I would rotate it along the round shap e of the hall to the s e cond f lo or, but the s ame s t airc as e would cros s the entr ance of the cof fe e area, s o to adjus t to the b e s t plan, and the or iginal de sign Dif ferent . Al s o, regarding the indoor garden space sur rounde d by large glas s in the hall, it may b e ne ce s s ar y to pay at tention to s afet y and ins tallation problems in the us e of glas s .
Conclus ion
CONCLUSION
I want this communit y ce nte r is a place for eve r yone, and it can b e a landmar k in the Ros e Cit y Par k . In this p roje c t , the communit y ce nte r p rovide s the s e r vice for not only the neighb or ho o d but al s o the ref uge e s . Like the conce pt , Conf lue nce, th e ce nte r gath e r the p e ople from all ove r the wor ld. Thus , I de s igne d to place the lob by in the ce nte r of th e building. That implie s the ce nte r gathe r the p e ople toge the r, they m e e t each othe r and s hare th eir life exp e r ie nce s as like the conf lue nce of the r ive r s . For example, the e ntr ance is de s igne d to give the canyon fe e ling for p e ople in the e ntr ance cor r idor, s o p e ople as the wate r f low into the lob by. The n, they go to each s pace they want to from the lob by. That is a conce pt that p e ople cam e into the ce nte r and got the he lp the n they can have a b e t te r life in the out s ide of the wor ld.
81
Assignment 9.2 / Conclusion
Challenges At f ir s t , b e c aus e I wante d to place a f lo or in the lobby space, I would rotate it along the round shap e of the hall to the s e cond f lo or, but the s ame s t airc as e would cros s the entr ance of the cof fe e area, s o to adjus t to the b e s t plan, and the or iginal de sign Dif ferent . Al s o, regarding the indoor garden space sur rounde d by large glas s in the hall, it may b e ne ce s s ar y to pay at tention to s afet y and ins tallation problems in the us e of glas s .
Conclus ion
CONCLUSION
I want this communit y ce nte r is a place for eve r yone, and it can b e a landmar k in the Ros e Cit y Par k . In this p roje c t , the communit y ce nte r p rovide s the s e r vice for not only the neighb or ho o d but al s o the ref uge e s . Like the conce pt , Conf lue nce, th e ce nte r gath e r the p e ople from all ove r the wor ld. Thus , I de s igne d to place the lob by in the ce nte r of th e building. That implie s the ce nte r gathe r the p e ople toge the r, they m e e t each othe r and s hare th eir life exp e r ie nce s as like the conf lue nce of the r ive r s . For example, the e ntr ance is de s igne d to give the canyon fe e ling for p e ople in the e ntr ance cor r idor, s o p e ople as the wate r f low into the lob by. The n, they go to each s pace they want to from the lob by. That is a conce pt that p e ople cam e into the ce nte r and got the he lp the n they can have a b e t te r life in the out s ide of the wor ld.
81
10 C o n ce p t S ta te me n t Rea ding Co ncept S ta te m e n t
10 C o n ce p t S ta te me n t Rea ding Co ncept S ta te m e n t
Assignment 10 / Reading
Ques t ions for Conce pt
- One main idea
- What problem are you s olving?
- The main idea bind the whole proje c t together
- Who’s your ideal us er? Complete your us er s cenar io ans wer ing to the que s tions b elow.
- Consis tent char ac ter and identif y - B e sp e cif ic — > more depth and te x ture
Wr it ing t he Concept Statement 1 De s cr ib e what the de sign should communicate (atmosphere, metaphor…)
- What do they want to do? - What do you want them to do?
At t r ibu tes of Concept - A mbience & De sign
2 Identif y the o ccupant s to whom the de sign should app eal
- Fle xibilit y of De sign
3 Br ief ly e xplain why you think the ae s thetic concept will help o ccupant s identif y with the proje c t
- Ergonomic s & Compliance s
Qual it ies of a St rong Concept Statement - Fo cus e d - Concis e - Clear
Avoid - Avoid common cliche s e x . War m and inviting (no one prefer s a cold and unwelcome space), Clean line s (what is dir t y line?) - Avoid a jumble of unrelate d ideas - Avoid broad or gener ic words e x . Mo der n, Contemp or ar y, Luxur ious
- Fle xibilit y of Func tionalit y - Space Optimization - Communication & Infor mation - Sus tainabilit y & Ener g y Ef f icienc y - Demogr aphic & Young vs . Old
CONCEP T S TATEMENT
For mulat ing Idea into a Concept
83
Assignment 10 / Reading
Ques t ions for Conce pt
- One main idea
- What problem are you s olving?
- The main idea bind the whole proje c t together
- Who’s your ideal us er? Complete your us er s cenar io ans wer ing to the que s tions b elow.
- Consis tent char ac ter and identif y - B e sp e cif ic — > more depth and te x ture
Wr it ing t he Concept Statement 1 De s cr ib e what the de sign should communicate (atmosphere, metaphor…)
- What do they want to do? - What do you want them to do?
At t r ibu tes of Concept - A mbience & De sign
2 Identif y the o ccupant s to whom the de sign should app eal
- Fle xibilit y of De sign
3 Br ief ly e xplain why you think the ae s thetic concept will help o ccupant s identif y with the proje c t
- Ergonomic s & Compliance s
Qual it ies of a St rong Concept Statement - Fo cus e d - Concis e - Clear
Avoid - Avoid common cliche s e x . War m and inviting (no one prefer s a cold and unwelcome space), Clean line s (what is dir t y line?) - Avoid a jumble of unrelate d ideas - Avoid broad or gener ic words e x . Mo der n, Contemp or ar y, Luxur ious
- Fle xibilit y of Func tionalit y - Space Optimization - Communication & Infor mation - Sus tainabilit y & Ener g y Ef f icienc y - Demogr aphic & Young vs . Old
CONCEP T S TATEMENT
For mulat ing Idea into a Concept
83
Assignment 10 / Concept Statement
The conf luence is the concept of the communit y center. This communit y center is a place to gather b oth the Ros e Cit y Par k neighb or s and the ref uge e s who live in the center. The Concept of conf luence is a metaphor by the circulation of space. Al s o, the ref uge e s from the wor ld they might live together and share their life. Thus , there is a comfor t s ocial place for ever y visitor, they f low and inter weave in this communit y center.
CONCEP T S TATEMENT
Concept Statem ent
84
Assignment 10 / Concept Statement
The conf luence is the concept of the communit y center. This communit y center is a place to gather b oth the Ros e Cit y Par k neighb or s and the ref uge e s who live in the center. The Concept of conf luence is a metaphor by the circulation of space. Al s o, the ref uge e s from the wor ld they might live together and share their life. Thus , there is a comfor t s ocial place for ever y visitor, they f low and inter weave in this communit y center.
CONCEP T S TATEMENT
Concept Statem ent
84
11 D esig n D eve l o pm e n t Rea ding S ketc h D e si g n P ro ces s B oa rd
11 D esig n D eve l o pm e n t Rea ding S ketc h D e si g n P ro ces s B oa rd
Assignment 11 / Reading
The S pe c t r um from Literal to A bs t rac t Usually, the concept is inspire d by the natur al or the sur rounding lands cap e, and the inter ior c an b e e xpre s s e d by the dif ferent way. For e xample, the inter ior wall can b e de signe d to or ganic cur ve s to e cho the organic shap e of the natur al . Al s o, the concept c an b e e xpre s s e d by the color or mater ial .
A pplying t he Element s of D es ign
DE SIGN DE V ELOPMENT
Using de sign pr inciple s to applying to the de sign at an abs tr ac t level . De sign pr inciple s including Line, Plane, For m, Color, Mater ial,....
86
Assignment 11 / Reading
The S pe c t r um from Literal to A bs t rac t Usually, the concept is inspire d by the natur al or the sur rounding lands cap e, and the inter ior c an b e e xpre s s e d by the dif ferent way. For e xample, the inter ior wall can b e de signe d to or ganic cur ve s to e cho the organic shap e of the natur al . Al s o, the concept c an b e e xpre s s e d by the color or mater ial .
A pplying t he Element s of D es ign
DE SIGN DE V ELOPMENT
Using de sign pr inciple s to applying to the de sign at an abs tr ac t level . De sign pr inciple s including Line, Plane, For m, Color, Mater ial,....
86
PRINTER STATION
STORAGE CLOSET
Assignment 11 / Sketch
SEATING AREA
LOBBY
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I UP
WD FOLDING DOOR
REF
W D TR
COND IRN STAT ENT ION
REF
T R
PRODUCT DISPLAY AREA
PRIVATE SEATING AREA
STANDING AREA
Lob by - 2nd Flo or V iew
Lob by
LOBBY
UP
87
PRINTER STATION
STORAGE CLOSET
Assignment 11 / Sketch
SEATING AREA
LOBBY
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I UP
WD FOLDING DOOR
REF
W D TR
COND IRN STAT ENT ION
REF
T R
PRODUCT DISPLAY AREA
PRIVATE SEATING AREA
STANDING AREA
Lob by - 2nd Flo or V iew
Lob by
LOBBY
UP
87
Assignment 11 / Sketch
PRINTER STATION
STORAGE CLOSET
CO M P U T E R LAB
SEATING AREA
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I UP
WD FOLDING DOOR
REF
W D TR
COND IRN STAT ENT ION
REF
T R
PRODUCT DISPLAY AREA
CAFE
PRIVATE SEATING AREA
STANDING AREA
P R I V AT E S E AT I N G
UP
Compute r L ab
C afe A rea
LOBBY A ND COMPUTER L A B
C afe A rea - Pr ivate S eating
88
Assignment 11 / Sketch
PRINTER STATION
STORAGE CLOSET
CO M P U T E R LAB
SEATING AREA
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I UP
WD FOLDING DOOR
REF
W D TR
COND IRN STAT ENT ION
REF
T R
PRODUCT DISPLAY AREA
CAFE
PRIVATE SEATING AREA
STANDING AREA
P R I V AT E S E AT I N G
UP
Compute r L ab
C afe A rea
LOBBY A ND COMPUTER L A B
C afe A rea - Pr ivate S eating
88
12 Fu r n it u re P l a n Fur n i tu re P l a n Fur n i tu re S c h e d u l e Inte ri o r E le va t i o n s / P res pect ives
12 Fu r n it u re P l a n Fur n i tu re P l a n Fur n i tu re S c h e d u l e Inte ri o r E le va t i o n s / P res pect ives
Assignment 12 / Furniture Plan A
ENTR ANCE
C5
Fur niture Lege nd
C6 T4
CO N S U LTAT I O N R O O M
CO M M U N I T Y ROOM C5 6' - 11 1/2"
T4
C6
CO N S U LTAT I O N R O O M MECH.
-4
"
C7
5'
PRINTER STATION
Ke y N a m e
4' - 0"
T4
O2
O3 5' -0 "
ELEVATOR
LOBBY
UP
O1
T6
UP
C
O3
CO M P U T E R LAB
B’
RC3
C4
O2
F1
STADING STATION
C5
RT3
CO U R T YYA E D
RC4 5' - 0"
DINING AREA
REF
WD
FOLDING DOOR 4' - 0"
UP
KITCHEN
CL ASSROOM
RECEPTION
I W
L AUNDRY
F2
D
TR
WOMEN'S RESTROOM
S1
RC1
RT1
B AT H ROOM
RT2
MEN'S RESTROOM
B AT H ROOM
RC2
4' - 0"
TR
RS1
CON DIRN ENT STA TION
REF
LIVING AREA
5'
0"
B
C AFE & BAR AREA
5' - 0"
C1
T2
BEDROOM
BEDROOM
C’
BEDROOM
C2
Platner Lounger Chair
C3
E a m e s W i r e C h a i r - C h r o m e/ B l a c k
C4
M a g i s To r y P l a s t i c C h a i r
C5
E a m e s E xe c u t i ve C h a i r
C6
S o f t Ed g e C h a i r - G r e e n
C7
L ow - B a c k C o s m C h a i r - N i g h t f a l l
O1
C a s t S to n e S e a t i n g P e b b l e - L a r g e
O2
C a s t S to n e S e a t i n g P e b b l e - M e d i u m
O3
C a s t S to n e S e a t i n g P e b b l e - S m a l l
S1
Ja m a i c a B a r s to o l
T1
N EU Ta b l e - R o u n d
T2
N EU Ta b l e - S q u a r e
T3
T1 2 D i n i n g Ta b l e - 78 . 5"x 37 "
T4
T1 2 D i n i n g Ta b l e - 6 3 "x 31"
T5
I n te r s e c t F o l d a w ay Ta b l e
T6
A n t e n n a D e s k - 6 0 "x 3 0 "
T7
N EU Ta b l e - 3 0 "x 3 0 "
F1
C u s t o m iz e d R e ce p t i o n D e s k
F2
C u s t o m iz e d K i t c h e n I s l a n d
F3
C u s t o m iz e d S t a n d i n g B a r Ta b l e
F4
C u s t o m iz e d D i s p l ay Ta b l e
RC2 Wireframe Sofa - 2 Seat Blue R C 3 S o f t Ed g e C h a i r - O a k RC4 Big Sur Dining Bench
F3 F4 PRODUCT DISPLAY AREA
Platner Arm Chair
RC1 Wireframe Sofa - 3 Seat Blue
C3
JANITOR CLOSET
C1
R S1 A d a S i d e Ta b l e STANDING AREA T3
UP
T1
C2
A’
R T1 H AY S LT Ta b l e - X L W h i te R T 2 H AY S LT Ta b l e - H e xa g o n M i r r o r R T 3 B i g S u r D i n i n g Ta b l e
FURNITURE PL A N - FIRS T FLOOR
STORAGE CLOSET
C4
90
Assignment 12 / Furniture Plan A
ENTR ANCE
C5
Fur niture Lege nd
C6 T4
CO N S U LTAT I O N R O O M
CO M M U N I T Y ROOM C5 6' - 11 1/2"
T4
C6
CO N S U LTAT I O N R O O M MECH.
-4
"
C7
5'
PRINTER STATION
Ke y N a m e
4' - 0"
T4
O2
O3 5' -0 "
ELEVATOR
LOBBY
UP
O1
T6
UP
C
O3
CO M P U T E R LAB
B’
RC3
C4
O2
F1
STADING STATION
C5
RT3
CO U R T YYA E D
RC4 5' - 0"
DINING AREA
REF
WD
FOLDING DOOR 4' - 0"
UP
KITCHEN
CL ASSROOM
RECEPTION
I W
L AUNDRY
F2
D
TR
WOMEN'S RESTROOM
S1
RC1
RT1
B AT H ROOM
RT2
MEN'S RESTROOM
B AT H ROOM
RC2
4' - 0"
TR
RS1
CON DIRN ENT STA TION
REF
LIVING AREA
5'
0"
B
C AFE & BAR AREA
5' - 0"
C1
T2
BEDROOM
BEDROOM
C’
BEDROOM
C2
Platner Lounger Chair
C3
E a m e s W i r e C h a i r - C h r o m e/ B l a c k
C4
M a g i s To r y P l a s t i c C h a i r
C5
E a m e s E xe c u t i ve C h a i r
C6
S o f t Ed g e C h a i r - G r e e n
C7
L ow - B a c k C o s m C h a i r - N i g h t f a l l
O1
C a s t S to n e S e a t i n g P e b b l e - L a r g e
O2
C a s t S to n e S e a t i n g P e b b l e - M e d i u m
O3
C a s t S to n e S e a t i n g P e b b l e - S m a l l
S1
Ja m a i c a B a r s to o l
T1
N EU Ta b l e - R o u n d
T2
N EU Ta b l e - S q u a r e
T3
T1 2 D i n i n g Ta b l e - 78 . 5"x 37 "
T4
T1 2 D i n i n g Ta b l e - 6 3 "x 31"
T5
I n te r s e c t F o l d a w ay Ta b l e
T6
A n t e n n a D e s k - 6 0 "x 3 0 "
T7
N EU Ta b l e - 3 0 "x 3 0 "
F1
C u s t o m iz e d R e ce p t i o n D e s k
F2
C u s t o m iz e d K i t c h e n I s l a n d
F3
C u s t o m iz e d S t a n d i n g B a r Ta b l e
F4
C u s t o m iz e d D i s p l ay Ta b l e
RC2 Wireframe Sofa - 2 Seat Blue R C 3 S o f t Ed g e C h a i r - O a k RC4 Big Sur Dining Bench
F3 F4 PRODUCT DISPLAY AREA
Platner Arm Chair
RC1 Wireframe Sofa - 3 Seat Blue
C3
JANITOR CLOSET
C1
R S1 A d a S i d e Ta b l e STANDING AREA T3
UP
T1
C2
A’
R T1 H AY S LT Ta b l e - X L W h i te R T 2 H AY S LT Ta b l e - H e xa g o n M i r r o r R T 3 B i g S u r D i n i n g Ta b l e
FURNITURE PL A N - FIRS T FLOOR
STORAGE CLOSET
C4
90
Assignment 12 / Furniture Plan
Fur niture Lege nd Ke y N a m e
CL ASSROOM
CL ASSROOM
CO M P U T E R LAB
C1
Platner Arm Chair
C4
M a g i s To r y P l a s t i c C h a i r
C5
E a m e s E xe c u t i ve C h a i r
C6
S o f t Ed g e C h a i r - G r e e n
C8
E a m e s W i r e C h a i r - W h i t e/ B l a c k
C9
To b o g g a n C h a i r D e s k - D a r k O r a n g e
P R I V AT E O F F I C E
T8
Eve r y w h e r e Ta b l e - F l i p To p 42"
T9
Eve r y w h e r e Ta b l e - F l i p To p 3 6"
T10 N o g u c h i R u d d e r Ta b l e
P R I V AT E O F F I C E
OPEN OFFICE
WOMEN'S RESTROOM
MEN'S RESTROOM
JANITOR CLOSET
FURNITURE PL A N -SECOND FLOOR
C 10 L ow - B a c l C o s m C h a i r - C a nyo n
91
Assignment 12 / Furniture Plan
Fur niture Lege nd Ke y N a m e
CL ASSROOM
CL ASSROOM
CO M P U T E R LAB
C1
Platner Arm Chair
C4
M a g i s To r y P l a s t i c C h a i r
C5
E a m e s E xe c u t i ve C h a i r
C6
S o f t Ed g e C h a i r - G r e e n
C8
E a m e s W i r e C h a i r - W h i t e/ B l a c k
C9
To b o g g a n C h a i r D e s k - D a r k O r a n g e
P R I V AT E O F F I C E
T8
Eve r y w h e r e Ta b l e - F l i p To p 42"
T9
Eve r y w h e r e Ta b l e - F l i p To p 3 6"
T10 N o g u c h i R u d d e r Ta b l e
P R I V AT E O F F I C E
OPEN OFFICE
WOMEN'S RESTROOM
MEN'S RESTROOM
JANITOR CLOSET
FURNITURE PL A N -SECOND FLOOR
C 10 L ow - B a c l C o s m C h a i r - C a nyo n
91
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
MANUFACTURER
O1
LOBBY/ WATING AREA
CAST STONE SEATING PEBBLE
LARGE PEBBLE
CREATIVE LIVING
Pebbles are organically-shaped seating sculptures. Molded fiber-reinforced lightweight concrete with
L 47” x W 37.5” x H 17.5” (160 lbs)
IMAGE
QTY
1
integral color pigment, pure curves in all-weather lightweight concrete.
O2
SMALL PEBBLE L 31.5” x W 23.75” x H 12” (80 lbs)
2
O3
MEDIUM PEBBLE
2
L 40” x W 31.5 x H 17.5” (110 lbs) L1
LOBBY
MAGIS CLOUD
LARGE
MAGIS
5
S1
CAFE/ BAR
JAMAICA BARSTOOL Jamaica barstool features a contoured seat that swivels 360o, complimented by a tubular metal frame that is both sturdy and light weight.
MEDIUM L 28” x W 22 x H 14”
11
SMALL L 22” x W 16 x H 12”
9
W 20” x H 30.5”
KNOLL
5
FURNITURE SCHEDULE
L 35” x W 24 ” x H 18”
92
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
MANUFACTURER
O1
LOBBY/ WATING AREA
CAST STONE SEATING PEBBLE
LARGE PEBBLE
CREATIVE LIVING
Pebbles are organically-shaped seating sculptures. Molded fiber-reinforced lightweight concrete with
L 47” x W 37.5” x H 17.5” (160 lbs)
IMAGE
QTY
1
integral color pigment, pure curves in all-weather lightweight concrete.
O2
SMALL PEBBLE L 31.5” x W 23.75” x H 12” (80 lbs)
2
O3
MEDIUM PEBBLE
2
L 40” x W 31.5 x H 17.5” (110 lbs) L1
LOBBY
MAGIS CLOUD
LARGE
MAGIS
5
S1
CAFE/ BAR
JAMAICA BARSTOOL Jamaica barstool features a contoured seat that swivels 360o, complimented by a tubular metal frame that is both sturdy and light weight.
MEDIUM L 28” x W 22 x H 14”
11
SMALL L 22” x W 16 x H 12”
9
W 20” x H 30.5”
KNOLL
5
FURNITURE SCHEDULE
L 35” x W 24 ” x H 18”
92
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
C1
CAFE & OPEN OFFICE
PLATNER ARM CHAIR IN GOLD
FRAME FINISH/ POLISHED NICKEL KNOLL UPHOLSTERY/ CIRCA, CAMEL
MANUFACTURER
IMAGE
QTY
5
C2
CAFE
PLATNER LOUNGER CHAIR IN GOLD
FRAME FINISH/ POLISHED NICKEL KNOLL UPHOLSTERY/ CIRCA, CAMEL W 36.5” x D 25.5” x H 30.25” (SEAT H 18.5”)
2
C3
CAFE
EAMES WIRE CHAIR WITH SEAT PAD
FRAME/ CHROME SEAT PAD/ BLACK W 18.75” x D 21.5” x H 31.75” (SEAT H 17.5”)
HERMAN MILLER
12
T1
CAFE
NEU TABLE ROUND Neu is a streamlined metal table.
ANTHRACITE POWDER COATED STEEL AND ALUMINUM
HAY
1
SKY GREY POWDER COATED STEEL HAY AND ALUMINUM L 23.62” x W 23.62” x H 29.13”
3
Ø27.56 “ x H 29.13”
T2
CAFE
NEU TABLE SQUARE Neu is a streamlined metal table.
FURNITURE SCHEDULE
W 26.5” x D 22” x H 28.75” (SEAT H 19”)
93
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
C1
CAFE & OPEN OFFICE
PLATNER ARM CHAIR IN GOLD
FRAME FINISH/ POLISHED NICKEL KNOLL UPHOLSTERY/ CIRCA, CAMEL
MANUFACTURER
IMAGE
QTY
5
C2
CAFE
PLATNER LOUNGER CHAIR IN GOLD
FRAME FINISH/ POLISHED NICKEL KNOLL UPHOLSTERY/ CIRCA, CAMEL W 36.5” x D 25.5” x H 30.25” (SEAT H 18.5”)
2
C3
CAFE
EAMES WIRE CHAIR WITH SEAT PAD
FRAME/ CHROME SEAT PAD/ BLACK W 18.75” x D 21.5” x H 31.75” (SEAT H 17.5”)
HERMAN MILLER
12
T1
CAFE
NEU TABLE ROUND Neu is a streamlined metal table.
ANTHRACITE POWDER COATED STEEL AND ALUMINUM
HAY
1
SKY GREY POWDER COATED STEEL HAY AND ALUMINUM L 23.62” x W 23.62” x H 29.13”
3
Ø27.56 “ x H 29.13”
T2
CAFE
NEU TABLE SQUARE Neu is a streamlined metal table.
FURNITURE SCHEDULE
W 26.5” x D 22” x H 28.75” (SEAT H 19”)
93
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
MANUFACTURER
T3
CAFE
T12
FRAME FINISH/ WHITE LAMINATE TABLETOP/ WHITE POWDER
HAY
IMAGE
QTY
3
T4
CONSULTING ROOM
T12
FRAME FINISH/ WHITE LAMINATE TABLETOP/ WHITE POWDER COATED ALUMINUM L 63” x W 31” x H 29”
HAY
T5
COMMUNITY ROOM
INTERSECT TABLE
FOLDAWAY TABLE W 36” x D 36” x H 29”
HERMAN MILLER
9
C4
COMMUNITY ROOM & CLASSROOM
MAGIS TROY PLASTIC CHAIR
SEAT FINISH/ BLACK FRAME/ BLACK
HERMAN MILLER
18
HERMAN MILLER
2
W 22” x D 20” x H 31” (SEAT H 18”)
C5
CONSULTING ROOM & RECEPTION
EAMES ALUMINUM GROUP EXECUTIVE CHAIR WITH PNEUMATIC LIFT
WHITE LEATHER
FURNITURE SCHEDULE
COATED ALUMINUM L 78.5” x W 37.5” x H 29”
94
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
MANUFACTURER
T3
CAFE
T12
FRAME FINISH/ WHITE LAMINATE TABLETOP/ WHITE POWDER
HAY
IMAGE
QTY
3
T4
CONSULTING ROOM
T12
FRAME FINISH/ WHITE LAMINATE TABLETOP/ WHITE POWDER COATED ALUMINUM L 63” x W 31” x H 29”
HAY
T5
COMMUNITY ROOM
INTERSECT TABLE
FOLDAWAY TABLE W 36” x D 36” x H 29”
HERMAN MILLER
9
C4
COMMUNITY ROOM & CLASSROOM
MAGIS TROY PLASTIC CHAIR
SEAT FINISH/ BLACK FRAME/ BLACK
HERMAN MILLER
18
HERMAN MILLER
2
W 22” x D 20” x H 31” (SEAT H 18”)
C5
CONSULTING ROOM & RECEPTION
EAMES ALUMINUM GROUP EXECUTIVE CHAIR WITH PNEUMATIC LIFT
WHITE LEATHER
FURNITURE SCHEDULE
COATED ALUMINUM L 78.5” x W 37.5” x H 29”
94
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
MANUFACTURER
IMAGE
QTY
C6
CONSULTING ROOM & PRIVATE OFFICE
SOFT EDGE 12
STAINED SOLID OAK - DUSTY GREEN
HAY
8
W 20.27” x D 20.66” x H 31.1” (SEAT D 18.11” x H 18.7”)
L2
CONSULTING ROOM & PRIVATE OFFICE
GEOMETRIC TRI LED PENDANT
BRASS
DESIGN WITHIN REACH
4
C7
COMPUTER LAB
LOW-BACK COSM CHAIR
NIGHTFALL
HERMAN MILLER
4
HERMAN MILLER
6
W 26.7-29.3” x D 15.5” x H
C8
COMPUTER LAB/ READING AREA
EAMES WIRE CHAIR WITH SEAT PAD
FRAME/ WHITE SEAT PAD/ BLACK W 18.75” x D 21.5” x H 31.75” (SEAT H 17.5”)
T6
CLASSROOM
ANTENNA DESKS
TABLETOP/ WHITE LAMINATE DESK END LEG/ PAINT BLUE W 30” x D 30” x H 28.5”
KNOLL
FURNITURE SCHEDULE
34-40.2” (SEAT H 16.4-20.9”)
95
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
MANUFACTURER
IMAGE
QTY
C6
CONSULTING ROOM & PRIVATE OFFICE
SOFT EDGE 12
STAINED SOLID OAK - DUSTY GREEN
HAY
8
W 20.27” x D 20.66” x H 31.1” (SEAT D 18.11” x H 18.7”)
L2
CONSULTING ROOM & PRIVATE OFFICE
GEOMETRIC TRI LED PENDANT
BRASS
DESIGN WITHIN REACH
4
C7
COMPUTER LAB
LOW-BACK COSM CHAIR
NIGHTFALL
HERMAN MILLER
4
HERMAN MILLER
6
W 26.7-29.3” x D 15.5” x H
C8
COMPUTER LAB/ READING AREA
EAMES WIRE CHAIR WITH SEAT PAD
FRAME/ WHITE SEAT PAD/ BLACK W 18.75” x D 21.5” x H 31.75” (SEAT H 17.5”)
T6
CLASSROOM
ANTENNA DESKS
TABLETOP/ WHITE LAMINATE DESK END LEG/ PAINT BLUE W 30” x D 30” x H 28.5”
KNOLL
FURNITURE SCHEDULE
34-40.2” (SEAT H 16.4-20.9”)
95
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
MANUFACTURER
C10
OPEN OFFICE
LOW-BACK COSM CHAIR
CANYON
HERMAN MILLER
IMAGE
QTY
4
S2
OPEN OFFICE
PLATNER STOOL
FRAME FINISH/ POLISHED NICKEL KNOLL UPHOLSTERY/ CIRCA, CAMEL W 15.25” x D 15.25” x H 22.75”
2
L3
OPENOFFICE
NUIT PROFILE
PENDANT MOUNTED - NUIT 2X5 WHITE
KREON
8
C9
CLASSROOM
TOBOGGAN CHAIR DESK
DARK RED WITH ACCENT LAMINATE TOP
KNOLL
20
HERMAN MILLER
2
W 16.2” x D 27.2” x H 27.1” (SEAT H 16.1”)
T7
CLASSROOM
EVERYWHERE TABLES
FLIP TOP W 42” x D 18” x H 28.5”
FURNITURE SCHEDULE
W 26.7-29.3” x D 15.5” x H 34-40.2” (SEAT H 16.4-20.9”)
96
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
MANUFACTURER
C10
OPEN OFFICE
LOW-BACK COSM CHAIR
CANYON
HERMAN MILLER
IMAGE
QTY
4
S2
OPEN OFFICE
PLATNER STOOL
FRAME FINISH/ POLISHED NICKEL KNOLL UPHOLSTERY/ CIRCA, CAMEL W 15.25” x D 15.25” x H 22.75”
2
L3
OPENOFFICE
NUIT PROFILE
PENDANT MOUNTED - NUIT 2X5 WHITE
KREON
8
C9
CLASSROOM
TOBOGGAN CHAIR DESK
DARK RED WITH ACCENT LAMINATE TOP
KNOLL
20
HERMAN MILLER
2
W 16.2” x D 27.2” x H 27.1” (SEAT H 16.1”)
T7
CLASSROOM
EVERYWHERE TABLES
FLIP TOP W 42” x D 18” x H 28.5”
FURNITURE SCHEDULE
W 26.7-29.3” x D 15.5” x H 34-40.2” (SEAT H 16.4-20.9”)
96
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
T8
RC1
TYPE
MANUFACTURER
FLIP TOP W 36” x D 18” x H 28.5”
RESIDENTIAL/ LIVING ROOM WIREFRAME SOFA
3 SEAT SOFA
IMAGE
QTY
8
HERMAN MILLER
4
FABRIC/ CADET FRAME/ WHITE W 89.25” x D 34.5” x H 30” (SEAT H 17”)
RC2
2 SEAT SOFA
4
FABRIC/ CADET W 63” x D 34.5” x H 30” (SEAT H 17”)
RT1
RESIDENTIAL/ LIVING ROOM SLIT TABLE
RT2
SLIT TABLE
XL/ WHITE Ø25.5“ x H 14”
HAY
4
HEXAGON/ MIRRIOR Ø18“ x H 14”
HAY
4
FURNITURE SCHEDULE
FRAME/ WHITE
97
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
T8
RC1
TYPE
MANUFACTURER
FLIP TOP W 36” x D 18” x H 28.5”
RESIDENTIAL/ LIVING ROOM WIREFRAME SOFA
3 SEAT SOFA
IMAGE
QTY
8
HERMAN MILLER
4
FABRIC/ CADET FRAME/ WHITE W 89.25” x D 34.5” x H 30” (SEAT H 17”)
RC2
2 SEAT SOFA
4
FABRIC/ CADET W 63” x D 34.5” x H 30” (SEAT H 17”)
RT1
RESIDENTIAL/ LIVING ROOM SLIT TABLE
RT2
SLIT TABLE
XL/ WHITE Ø25.5“ x H 14”
HAY
4
HEXAGON/ MIRRIOR Ø18“ x H 14”
HAY
4
FURNITURE SCHEDULE
FRAME/ WHITE
97
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
MANUFACTURER
RT4
RESIDENTIAL/ DIVING AREA
BIG SUR SMOKE 65" DINING TABLE
SMOKE
CRATE AND BARREL
IMAGE
QTY
L65” X W30” X H37.5”
RC3
RESIDENTIAL/ DIVING AREA
SOFT EDGE 12
LACQUERED SOLID OAD - MATT W 20.27” x D 20.66” x H 31.1” (SEAT D 18.11” x H 18.7”)
HAY
RC4
RESIDENTIAL/ DIVING AREA
BIG SUR SMOKE 55" BENCH
SMOKE
CRATE AND BARREL
12
RS1
RESIDENTIAL/ BEDROOM
ADA SIDE TABLE
WOOD - ASH & WHITE WASH W 16” x D 16” x H 20.5”
57 ST DESIGN
20
FURNITURE SCHEDULE
L65” X W14.5” X H18”
98
Assignment 12 / Furniture Schedule
ID
LOCATION
NAME
TYPE
MANUFACTURER
RT4
RESIDENTIAL/ DIVING AREA
BIG SUR SMOKE 65" DINING TABLE
SMOKE
CRATE AND BARREL
IMAGE
QTY
L65” X W30” X H37.5”
RC3
RESIDENTIAL/ DIVING AREA
SOFT EDGE 12
LACQUERED SOLID OAD - MATT W 20.27” x D 20.66” x H 31.1” (SEAT D 18.11” x H 18.7”)
HAY
RC4
RESIDENTIAL/ DIVING AREA
BIG SUR SMOKE 55" BENCH
SMOKE
CRATE AND BARREL
12
RS1
RESIDENTIAL/ BEDROOM
ADA SIDE TABLE
WOOD - ASH & WHITE WASH W 16” x D 16” x H 20.5”
57 ST DESIGN
20
FURNITURE SCHEDULE
L65” X W14.5” X H18”
98
PRINTER STATION
STORAGE CLOSET
Assignment 12 / Interior Elevation and Prespective
SEATING AREA
LOBBY
ELEVATOR
L 1
UP
UP
2
SEATING AREA
STADING STATION
RECEPTION
I UP
WD
REF
FOLDING DOOR
W D TR
COND IRN STAT ENT ION
REF
T R
PRODUCT DISPLAY AREA
PRIVATE SEATING AREA
STANDING AREA
2nd Flo or 10'-3"
1 s t Flo or 0'- 0" L-1 Lobby - S outh
L-2 Lobby - Eas t
LOBBY - ELE VATION
UP
99
PRINTER STATION
STORAGE CLOSET
Assignment 12 / Interior Elevation and Prespective
SEATING AREA
LOBBY
ELEVATOR
L 1
UP
UP
2
SEATING AREA
STADING STATION
RECEPTION
I UP
WD
REF
FOLDING DOOR
W D TR
COND IRN STAT ENT ION
REF
T R
PRODUCT DISPLAY AREA
PRIVATE SEATING AREA
STANDING AREA
2nd Flo or 10'-3"
1 s t Flo or 0'- 0" L-1 Lobby - S outh
L-2 Lobby - Eas t
LOBBY - ELE VATION
UP
99
PRINTER STATION
STORAGE CLOSET
Assignment 12 / Interior Elevation and Prespective
SEATING AREA
LOBBY
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I UP
WD FOLDING DOOR
REF
W D TR
COND IRN STAT ENT ION
REF
T R
PRODUCT DISPLAY AREA
PRIVATE SEATING AREA
STANDING AREA
LOBBY - PRESPEC TI V E
UP
Lob by 100
PRINTER STATION
STORAGE CLOSET
Assignment 12 / Interior Elevation and Prespective
SEATING AREA
LOBBY
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I UP
WD FOLDING DOOR
REF
W D TR
COND IRN STAT ENT ION
REF
T R
PRODUCT DISPLAY AREA
PRIVATE SEATING AREA
STANDING AREA
LOBBY - PRESPEC TI V E
UP
Lob by 100
PRINTER STATION
STORAGE CLOSET
Assignment 12 / Interior Elevation and Prespective
SEATING AREA
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I UP
W D TR
REF
T R
PRODUCT DISPLAY AREA
CAFE
C
3 PRIVATE SEATING AREA
2
C
STANDING AREA
1
P R I V AT E S E AT I N G
UP
1 s t Flo or 0'- 0" C-3 C afe - Bar
Ceiling 9'- 0"
1 s t Flo or 0'- 0" C-1 C afe - Eas t
C-2 C afe - Pr icate S eating
C A FE - ELE VATION
FOLDING DOOR
REF
COND IRN STAT ENT ION
WD
101
PRINTER STATION
STORAGE CLOSET
Assignment 12 / Interior Elevation and Prespective
SEATING AREA
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I UP
W D TR
REF
T R
PRODUCT DISPLAY AREA
CAFE
C
3 PRIVATE SEATING AREA
2
C
STANDING AREA
1
P R I V AT E S E AT I N G
UP
1 s t Flo or 0'- 0" C-3 C afe - Bar
Ceiling 9'- 0"
1 s t Flo or 0'- 0" C-1 C afe - Eas t
C-2 C afe - Pr icate S eating
C A FE - ELE VATION
FOLDING DOOR
REF
COND IRN STAT ENT ION
WD
101
PRINTER STATION
STORAGE CLOSET
Assignment 12 / Interior Elevation and Prespective
SEATING AREA
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I W D TR
COND IRN STAT ENT ION
REF
PRODUCT DISPLAY AREA
UP
C afe
CAFE
PRIVATE SEATING AREA
STANDING AREA
P R I V AT E S E AT I N G
C A FE - PRESPEC TI V E
T R
102
PRINTER STATION
STORAGE CLOSET
Assignment 12 / Interior Elevation and Prespective
SEATING AREA
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I W D TR
COND IRN STAT ENT ION
REF
PRODUCT DISPLAY AREA
UP
C afe
CAFE
PRIVATE SEATING AREA
STANDING AREA
P R I V AT E S E AT I N G
C A FE - PRESPEC TI V E
T R
102
PRINTER STATION
STORAGE CLOSET
Assignment 12 / Interior Elevation and Prespective
SEATING AREA
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I UP
WD
D TR
R
REF
T R
B
PRODUCT DISPLAY AREA
PRIVATE SEATING AREA
STANDING AREA
UP
A - Re s ide ntial - Public Space
Ceiling 9'- 0"
1 s t Flo or 0'- 0" R-1 Re side ntial - Public Space
B - Re s ide ntial - B e dro om
ELE VATION/PRE SPEC TI V E - RE SIDENTI A L
A
FOLDING DOOR
W
COND IRN STAT ENT ION
PUBLIC S PA C E
1
REF
103
PRINTER STATION
STORAGE CLOSET
Assignment 12 / Interior Elevation and Prespective
SEATING AREA
ELEVATOR
UP
SEATING AREA
UP
STADING STATION
RECEPTION
I UP
WD
D TR
R
REF
T R
B
PRODUCT DISPLAY AREA
PRIVATE SEATING AREA
STANDING AREA
UP
A - Re s ide ntial - Public Space
Ceiling 9'- 0"
1 s t Flo or 0'- 0" R-1 Re side ntial - Public Space
B - Re s ide ntial - B e dro om
ELE VATION/PRE SPEC TI V E - RE SIDENTI A L
A
FOLDING DOOR
W
COND IRN STAT ENT ION
PUBLIC S PA C E
1
REF
103
13 M a te ri a l B oa rd Fur n i tu re P l a n Fur n i tu re S c h e d u l e Inte ri o r E le va t i o n s
13 M a te ri a l B oa rd Fur n i tu re P l a n Fur n i tu re S c h e d u l e Inte ri o r E le va t i o n s
Assignment 13 / Material Board
Magis Cloud
Polis hed Undu lation M etal Cast Stone Seating Pebble
Terraz zo T ile F looring Soft Bronze Trim Ke y P la n
COMMUNIT Y CENTER - LOBBY
Float Concrete Wall and Floor
105
Assignment 13 / Material Board
Magis Cloud
Polis hed Undu lation M etal Cast Stone Seating Pebble
Terraz zo T ile F looring Soft Bronze Trim Ke y P la n
COMMUNIT Y CENTER - LOBBY
Float Concrete Wall and Floor
105
Assignment 13 / Material Board Terraz zo Cou ntertop
Float Concrete at Counter Jamaica Barstool
HAY/ Marble Pendant
Eames Wire Chair with Seat Pad
Glass
Terraz zo T ile F looring Soft Bronze Trim Platner Arm Chair Ke y Plan
COMMUNIT Y CENTER - C A FE
Oak Wood
Platner Lounger Chair
106
Assignment 13 / Material Board Terraz zo Cou ntertop
Float Concrete at Counter Jamaica Barstool
HAY/ Marble Pendant
Eames Wire Chair with Seat Pad
Glass
Terraz zo T ile F looring Soft Bronze Trim Platner Arm Chair Ke y Plan
COMMUNIT Y CENTER - C A FE
Oak Wood
Platner Lounger Chair
106
Assignment 13 / Material Board
HAY/ Marble Pendant HAY/ Soft Edge 12 Dining Chair
Benjamin Moore/ Rock Harbor Violet Wall Painted Ke y P la n Kennh a TE 016 Terrazzo Countertop White Oak with Smoke Finish - Dining Table and Living Room Storage
H erman Miller/ Wireframe Sofa
HAY/ SLIT Table White Oak Engineered flooring
RESIDENTI A L - PUBLUC SPACE
Float Concrete Wall and Floor
107
Assignment 13 / Material Board
HAY/ Marble Pendant HAY/ Soft Edge 12 Dining Chair
Benjamin Moore/ Rock Harbor Violet Wall Painted Ke y P la n Kennh a TE 016 Terrazzo Countertop White Oak with Smoke Finish - Dining Table and Living Room Storage
H erman Miller/ Wireframe Sofa
HAY/ SLIT Table White Oak Engineered flooring
RESIDENTI A L - PUBLUC SPACE
Float Concrete Wall and Floor
107
14 C eiling P l a n Ce il i n g P la n
14 C eiling P l a n Ce il i n g P la n
Assignment 13 / Ceiling Plan
PENDANT H65""
3' - 0"
8' - 10"
6' - 0" 4' - 0"
CLOUD AND BIRD SCULPTURES HANG ON CEILING WITH DIFFERENT HEIGHT
B’
CENTER POINT
GWB ON MTL. STUD. 9' - 8" A.F.F TYP.
4' - 5" 2' - 6"
POLISHED UNDULATION METAL SURFACE ON MTL. STUD. 19' - 11" A.F.F
EQ 5' - 6"
3' - 1"
3' - 0"
EQ
EQ
B 2' - 5
5/8"
0' - 8" 3' - 0"
5' - 0" TYP
5' - 0" TYP
GWB ON MTL. STUD. 9' - 3" A.F.F
LINEAR DOWNLIGHT DIFFUSION FROM THE CENTER POINT
2' 0" -1
C’
3' - 0"
GWB ON MTL. STUD. 19' - 11" A.F.F TYP. 3' - 8"
2' - 0"
EQ
B
2' - 1" TYP. 5/8"
3' - 3"
A’
C’
A’
CEILING PL A N
3' - 6"
2' - 10"
6' - 0"
5' - 6"
6' - 0"
3' - 6"
EQ
2' - 5
1' - 7"
EQ 2' - 10" 5' - 6" TYP
4' - 0"
2' - 0"
LINEAR LIGHTING CIRCLE ARRAY BASE ON CENTER POINT
5"
GWB ON MTL. STUD. 8' - 6" A.F.F
2' - 8"
4' - 0"
EQ
PENDANT H65""
PENDANT H72"
GWB ON MTL. STUD. 8' - 6" A.F.F
GWB ON MTL. STUD. 8' - 6" A.F.F
1' - 5" 3' - 11 1/2" 3' - 11 1/2"
EQ
2' - 6"
5' - 0"
GWB ON MTL. STUD. 8' - 6" A.F.F
EQ
5' - 6"
3' - 0"
EQ
4' - 10"
5' - 3"
1'
EQ
5' - 8"
4' - 6" 4' - 0"
2' - 6"
EQ EQ
C
4' - 0"
3' - 0"
PENDANT H65""
EQ
EQ 5' - 0" TYP
4' - 8"
4' - 3"
2' - 6"
EQ
EQ
EQ 3' - 0"
EQ
EQ
4' - 0"
5' - 0" TYP
CENTER POINT
EQ
EQ
OPEN TO 2ND FLOORING
EQ
EQ
EQ
EQ
EQ
EQ
EQ
6' - 10"
EQ
3' - 5"
LINEAR LIGHTING CIRCLE ARRAY BASE ON CENTER POINT TYP.
4' - 0 3/4"
EQ 1' - 3" EQ
EQ
4' - 1 1/4"
EQ
2' - 6"
EQ
2' - 6"
6' - 0"
5' - 0"
B’
1' - 6 1/2" TYP
EQ
EQ
1' - 6"
4' - 0"
CURTAIN TRACK RECESSED ON CEILING
4' - 0" EQ
4' - 0"
4' - 0"
2' - 5"
EQ
8' - 0"
4' - 5" 3' - 6"
C
EQ 6' - 0"
EQ
3' - 11"
EQ
EQ 3' - 0"
2' - 10"
PENDANT H65""
EQ
EQ
EQ
EQ
BLACK STRIP W/RECESSED DOWNLIGHT GWB ON MTL. STUD. 9' - 0" A.F.F TYP
EQ
EQ
EQ
EQ
EQ
FALSE CEILING 8' - 9" A.F.F.
1' - 0" EQ
5' - 0" TYP
EQ
EQ
4' - 0"
3' - 6"
EQ
EQ
5' - 1"
2' - 6"
EQ
4' - 11"
A 0' - 8 "
2' - 10"
1' - 2"
A
EQ
2' - 6"
EQ
T5 FLUORESCENT LIGHTING MOUNTED ON FALSE CEILING
109
Assignment 13 / Ceiling Plan
PENDANT H65""
3' - 0"
8' - 10"
6' - 0" 4' - 0"
CLOUD AND BIRD SCULPTURES HANG ON CEILING WITH DIFFERENT HEIGHT
B’
CENTER POINT
GWB ON MTL. STUD. 9' - 8" A.F.F TYP.
4' - 5" 2' - 6"
POLISHED UNDULATION METAL SURFACE ON MTL. STUD. 19' - 11" A.F.F
EQ 5' - 6"
3' - 1"
3' - 0"
EQ
EQ
B 2' - 5
5/8"
0' - 8" 3' - 0"
5' - 0" TYP
5' - 0" TYP
GWB ON MTL. STUD. 9' - 3" A.F.F
LINEAR DOWNLIGHT DIFFUSION FROM THE CENTER POINT
2' 0" -1
C’
3' - 0"
GWB ON MTL. STUD. 19' - 11" A.F.F TYP. 3' - 8"
2' - 0"
EQ
B
2' - 1" TYP. 5/8"
3' - 3"
A’
C’
A’
CEILING PL A N
3' - 6"
2' - 10"
6' - 0"
5' - 6"
6' - 0"
3' - 6"
EQ
2' - 5
1' - 7"
EQ 2' - 10" 5' - 6" TYP
4' - 0"
2' - 0"
LINEAR LIGHTING CIRCLE ARRAY BASE ON CENTER POINT
5"
GWB ON MTL. STUD. 8' - 6" A.F.F
2' - 8"
4' - 0"
EQ
PENDANT H65""
PENDANT H72"
GWB ON MTL. STUD. 8' - 6" A.F.F
GWB ON MTL. STUD. 8' - 6" A.F.F
1' - 5" 3' - 11 1/2" 3' - 11 1/2"
EQ
2' - 6"
5' - 0"
GWB ON MTL. STUD. 8' - 6" A.F.F
EQ
5' - 6"
3' - 0"
EQ
4' - 10"
5' - 3"
1'
EQ
5' - 8"
4' - 6" 4' - 0"
2' - 6"
EQ EQ
C
4' - 0"
3' - 0"
PENDANT H65""
EQ
EQ 5' - 0" TYP
4' - 8"
4' - 3"
2' - 6"
EQ
EQ
EQ 3' - 0"
EQ
EQ
4' - 0"
5' - 0" TYP
CENTER POINT
EQ
EQ
OPEN TO 2ND FLOORING
EQ
EQ
EQ
EQ
EQ
EQ
EQ
6' - 10"
EQ
3' - 5"
LINEAR LIGHTING CIRCLE ARRAY BASE ON CENTER POINT TYP.
4' - 0 3/4"
EQ 1' - 3" EQ
EQ
4' - 1 1/4"
EQ
2' - 6"
EQ
2' - 6"
6' - 0"
5' - 0"
B’
1' - 6 1/2" TYP
EQ
EQ
1' - 6"
4' - 0"
CURTAIN TRACK RECESSED ON CEILING
4' - 0" EQ
4' - 0"
4' - 0"
2' - 5"
EQ
8' - 0"
4' - 5" 3' - 6"
C
EQ 6' - 0"
EQ
3' - 11"
EQ
EQ 3' - 0"
2' - 10"
PENDANT H65""
EQ
EQ
EQ
EQ
BLACK STRIP W/RECESSED DOWNLIGHT GWB ON MTL. STUD. 9' - 0" A.F.F TYP
EQ
EQ
EQ
EQ
EQ
FALSE CEILING 8' - 9" A.F.F.
1' - 0" EQ
5' - 0" TYP
EQ
EQ
4' - 0"
3' - 6"
EQ
EQ
5' - 1"
2' - 6"
EQ
4' - 11"
A 0' - 8 "
2' - 10"
1' - 2"
A
EQ
2' - 6"
EQ
T5 FLUORESCENT LIGHTING MOUNTED ON FALSE CEILING
109
15 W eek l y Sketch
15 W eek l y Sketch
S A INT FR A NK COFFEE SHOP
Weekly Sketch / 1
111
S A INT FR A NK COFFEE SHOP
Weekly Sketch / 1
111
SIGHTGL A SS COFFEE SHOP
Weekly Sketch / 1
112
SIGHTGL A SS COFFEE SHOP
Weekly Sketch / 1
112
BLUE BOT TLE SOUTH PA RK
Weekly Sketch / 2
113
BLUE BOT TLE SOUTH PA RK
Weekly Sketch / 2
113
PINTERES T HE A DQUA RTER
Weekly Sketch / 2
114
PINTERES T HE A DQUA RTER
Weekly Sketch / 2
114
N A BE HOTPOT
Weekly Sketch / 3
115
N A BE HOTPOT
Weekly Sketch / 3
115
ACE HOTEL PORTL A ND
Weekly Sketch / 4
116
ACE HOTEL PORTL A ND
Weekly Sketch / 4
116
SFMOM A LOBBY
Weekly Sketch / 5
117
SFMOM A LOBBY
Weekly Sketch / 5
117
THE LINE HOTEL
Weekly Sketch / 6
118
THE LINE HOTEL
Weekly Sketch / 6
118
SHIH Y U - L A NG CENTR A L Y MC A
Weekly Sketch / 8
119
SHIH Y U - L A NG CENTR A L Y MC A
Weekly Sketch / 8
119
DE YOUNG MUSEUM
Weekly Sketch / 9
120
DE YOUNG MUSEUM
Weekly Sketch / 9
120
Weekly Sketch / 10
Impor ve/
S A INT FR A NK COFFEE SHOP
Existing /
121
Weekly Sketch / 10
Impor ve/
S A INT FR A NK COFFEE SHOP
Existing /
121
DE YOUNG MUSEUM
Weekly Sketch / 10
122