architectural portfolio Adriรกn Marmolejo Clarhed
CV
Adrián Marmolejo Clarhed
EDUCATIONAL BACKGROUND
PROFESSIONAL CAREER
University
Working experience
� Mar 2016___Master in Architecture. Superior Technical School of Architecture, Granada. Final Project about archaeology and heritage.
� Jun 2016___Collaboration in ‘Guamar Construcciones’. Urban furniture design for the city council of Marbella, Málaga.
� Sep 2011/Jul 2012___Master in Architecture. Catholic University of Leuven (K.U. Leuven,Belgium). Erasmus exchange programme.
� Apr 2016/Jul 2016___Architecture firm Francisco Álvarez Lloret. Design process, plan drawing, installations, constructive aspects. See recommendation letter.
Complementary education
� Nov 2015/Jul 2016___Beginner investigator fellowship. Urban Design and Spatial Planning department. University of Granada. Paper submitted: ‘Learning from Latin America’. Formality and informality.
� May 2016___Official course University of Granada “The Alhambra: history, art and heritage”.
Adrián Marmolejo Clarhed Architect & Artist Architecture and art have always been related for me. When I was a child, I started drawing houses and towns, imaginary castles, seascapes…where landscape and location where always very present. At the age of seven, I started to paint in the studio of the Belgian painter Annette Deletaille, who always insisted in capturing instants from the reality. This artistic vision, but always looking at perspective and understanding the environment, has helped me to develop a strong spatial vision. Starting an architectural project, imagining its spaces; is like going back to those imaginary castles, a game that is always different and traps you again and again. I think I could contribute to a group of work with a high understanding of complex programme proposals and urban issues, with a good graphic layout presentation and a careful design in the last details.
Adrián Marmolejo Clarhed │Date of birth│ 13/08/1989 │Nationalities│ Spanish / Swedish │ID numbers│ 76433942-C / 89731763 │Address│ Diestsestraat 76, 3000 Leuven (Belgium) │Tel│ +34 635790537 (roaming-same cost as belgian number) │e-mail │ amclarhed@gmail.com │Skype│ adrian.marmolejo.clarhed
amclarhed@gmail.com
� Sep 2013___International Workshop ‘Heritage and Urban Landcape Under Production’. University IUAV Venice. Erasmus intensive programme. � 1996/2006___Training on painting and drawing in the workshop of the belgian painter Annette Deletaille.
Computer programmes knowledge � Design Revit Architecture (52 h). 3DStudio Max and Mental Ray. Autocad 2D y 3D. Google Sketchup+Vray. � Document layout Adobe Illustrator (20h). Adobe InDesign (20h). Adobe Photoshop. � Measurements, quotations and installations Installations for buildings with CypeCad Mep (32h). Measurements and quotations for buildings with Presto. � Structures Design and calculus of metallic and concrete structures with CypeCad (67h). Calculus of metallic structures with Nuevo Metal 3D (20h).
Languages � Spanish___Mother tongue � English___Advanced C1 C2 level intensive course in ‘Universidad Internacional Menéndez Pelayo’ (40 h). � German___lntermediate B1 B1 by the Official Language School of Granada and Goethe Institut. � French___Intermediate B1 � Swedish___Mother tongue
� Apr 2015/Jun 2015___Santander Bank scholarship CRUE CEPYME in Architecture firm Francisco Álvarez Lloret. Design process, plan drawing, technical documents. � Nov 2014/Jun 2015___Collaboration fellowship at Urban Design and Spatial Planning department. University of Granada. Preparation and following of lectures, investigation and publications, Europan competition. � Oct 2012/Jun 2016___Teacher of course “Apuntes y técnicas de dibujo al aire libre”. Drawing and perspective course, belonging to the innovative teaching project InterCambio Etsag, PID 12/26 UGR .E.T.S. Arquitectura Granada. � Oct 2012/Jan 2013___Internship in U.T.E. Arquitectura Granada. Managment during construction of the new Architecture School of Granada (400 h).
Publications � Mar2015/present___Active collaboration in the AAAA Magazine. Illustrations and articles. Edited by Ana Asensio Rodríguez. ISSN 2386-2610. � Mar 2015___Cabrera-Manzano, D.; et al. ‘Itinerarios culturales de patrimonio urbano de Granada’. Universidad de Granada. CEI BioTic (2015). [http://hdl.handle.net/10481/35388] � Jul 2014___Marguerita Vanore . ‘Heritage and Urban Landscape Under Production’. Erasmus Intensive programme 2013-14. Tricase (LE). Youcan print.it. ISBN 978-88-91150-40-0. � Jun 2014___University of Granada. Premios de la Universidad de Granada a la Creación Artística y Científica para estudiantes universitarios. Bodonia Artes Gráficas S.L. ISBN 978-84-338-5670-8.
Prices and awards � Jun 2014___1st Price Alonso Cano in Architecture. Universidad of Granada. � Jul 2016___Biennal europea de paisatge. Collegi d’Arquitectes de Catalunya. Selected projects: “Miscelánea”, with Daniel Usero and Isabel Muñoz and “Reordenación, re-habilitación, re-activación de S. Pedro”, with Daniel Usero Guerrero.
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Index
Adrián Marmolejo Clarhed
amclarhed@gmail.com
INDEX Architecture
Design
1. ‘Adarve Peñapartida’........................................................................................................................................4 Study Centre and archaeological centre in the garden of Peñapartida, Granada (Spain) Architecture/Heritage and landscape. Final master architecture degree work.
7. ‘ABC-UGR’......................................................................................................................................................26 Access pavilion to the orientation days for students of the University of Granada Design/Temporary pavilion. 1st price Alonso Cano Architecture competition, 2014.
2. ‘Intersection’....................................................................................................................................................10 Guard and instruction court in ‘Carretera de la Sierra’, Granada (Spain) Architecture/Complex programme building and public space.
8. ‘Bella Mar’.......................................................................................................................................................29 Urban furniture design for the city council of Marbella, Málaga (Spain) Design/Urban furniture.
3. ‘Looping platform’............................................................................................................................................13 Handicaped Centre in ‘Het Dorp’, Arnhem (Holland) Architecture/Complex programme building and public space.
Urbanism 4. ‘Miscelánea’....................................................................................................................................................16 New uses in the eastern outskirts of Murcia (Spain) Urbanism/New urban development. 5. ‘Juncaril Stream, the continuous environment’.................................................................................................19 Great scale urban proposal along the Juncaril Stream, Granada (Spain) Urbanism/Great scale urban proposal. 6. ‘ICPUG’...........................................................................................................................................................22 Cultural itineraries of the urban heritage of Granada Urbanism/Investigation project.
Infographics 9. ‘House for a photographer’..............................................................................................................................32 Detached house in the Zaidín district in Granada (Spain) Infographics/Single family house.
3 Paintings 10-Watercolour paintings...................................................................................................................................35 Selection of works.
Architecture/Heritage and landscape
1. ‘ADARVE PEÑAPARTIDA’
Adrián Marmolejo Clarhed
amclarhed@gmail.com
The proposal in relation with the archeological garden
study centre and archaeological service in the garden of peñapartida, granada (spain) � Heritage and landscape � Academic work: Architecture School of Granada (ETSA Granada). Final master architecture degreeproject � 2014/2016 � Abstract The purpose of this final project, is to build a Study Centre and Archeological Service in the archeological garden of Peñapartida, really close to la Alhambra moorish palace, in Granada. This Centre will have both public spaces for the visitors as exposition rooms, workshops, library. café... and private ones for the workers as Archeological Service, archive, offices... Everything is merged in the same building, trying to have a sense of continuity in the whole proposal and connecting it as much as possible with the exterior. The building works as part of the envelop of the archeological garden, being part of the wall, an inhabited wall. In Spanish ‘adarve’ means a perimetral wall, normally from ancient times.
4 Urban plans for ‘La Alhambra’ and its environment -New uses and functions Scale 1/10000
-Territorial circulations and communicative axis Scale 1/10000
Architecture/Heritage and landscape
Adrián Marmolejo Clarhed
amclarhed@gmail.com
� Circulations and functions 3 types of circulations: garden visitors, building visitors and workers, trying not to overlap them. The most public ones are near the Peñapartida Square, located in the south-east part of the garden. The building works in a very flexible way. The different parts can be closed or opened depending on the needs. This minimizes energy usage and staff workers needed.
Circulations
INSTALATIONS ARCHEOLOGICAL SERVICE
Functions
STUDY CENTRE Investigation
STUDY CENTRE Divulgation CAFÉ
� Project strategies 1. The Alhambra urban plans expect the most connection as possible between the proposal and the surroundings, this is why it is extended along the south façade of the garden, making the building more permeable towards the outside. 2. It is a real coincidence, that precisely this south façade was an old Nasri wall in Granada. Rebuilding this wall again reinforces this idea. You can still se part of a tower buried inside the existing house. 3. Studying the morpholofy of a ‘Carmen’ in Granada, I found that the buildings are always in the border of the plot, leaving the inside for the development of the garden.
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Architecture/Heritage and landscape
Adrián Marmolejo Clarhed
� Ground floor. 1/1000 -Relation with the outside -Patioes , Study Centre -Library -Laboratories -Offices and space for workers
archeological service offices installations
labs instalations
amclarhed@gmail.com
archive library
workshops expositions
Cross section. Tower Study Centre. Public uses 1/1000
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Cross section. Library Study Centre. Public uses 1/1000
South façade. Adarve-wall. 1/1000
Architecture/Heritage and lanscape
Adrián Marmolejo Clarhed
amclarhed@gmail.com
General view of the proposal: adarve-wall Scale 1/1000
‘Peñapartida square’ and entrance to Study Centre
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View from the inside of the garden
Architecture/Heritage and landscape
Adrián Marmolejo Clarhed
archeological service offices entrance garden terrace views
amclarhed@gmail.com
� First floor. . 1/1000 -Relation with the inside of the garden -Entrance to garden for visitors -Workshops for visitors -Offices and space for workers workshops entrance information
Cross section. Existing building and buried nasri tower. Private uses 1/1000 � Second floor. 1/1000 -Relation with the city -Views, terrace and sightseing -Café
8 café views over city
Lengthwise section. Relation between levels. 1/1000
Cross section. Instalations and Carmen Rguez Acosta. Private uses 1/1000 instalations
archeological service offices
archive
labs
Library
Café workshops
Architecture/ Heritage and landscape
AdriĂĄn Marmolejo Clarhed
amclarhed@gmail.com
ďż˝ Constructive section scale 1/100 The building structure is composed by a one-directional concrete structure, attached to concrete resistant walls. The envelope consists on white brick walls and the concrete resistant walls themselves. The roofs are gardened, melting the building with the surroundings.
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Architecture/Complex programme building and public space
2. ‘INTERSECTION’
Location: city border, in between the city and the countryside
Adrián Marmolejo Clarhed
amclarhed@gmail.com
Building and urban design strategies
GUARD AND instruction court in ‘Carretera de la sierra’, granada (spain) � Complex programme building and public space � Academic work: Architecture School of Granada (ETSA Granada) � 2010/2011
� Abstract The situation of this central Court building proposal for the city of Granada in between the limits of the urban tissue and the countryside, determines definetely its form. It decreases gradually starting from a massive tower that evidences the importance of the buiding and ends in a one-floor volume that connects with the river and the public space.
View from the street ‘Carretera de la Sierra’, urban façade
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The project title is due to the intersection between two main volumes: the horizontal one that hosts the public uses (court rooms, guard court, wedding hall...) and the vertical one, where you can find the private ones (instruction courts for example).
� Circulations and uses The complex progamme requiered, influences the building form and produces de optimization of circulations trying to solve them avoiding inappropiate confrontations e.g. prisoners versus judges. The first strategy lies in separating the circulations horizontally (same level). The public circulations are placed next to the public exterior space and the privates ones on the back of the building, both connected by controlled passages. Circulations are also segregated vertically. Public uses are located in the ground floor while private ones are found on upper floors.
� The drecreasing structure of levels and patios, continues outside, giving form to the public space.
Architecture/Complex programme building and public space
Adriรกn Marmolejo Clarhed
amclarhed@gmail.com
Ground floor. Public uses
Guard court
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Wedding hall Courtrooms (x3)
Lengthwise section
Instruction courts (x6, 2 per floor)
Common services
Main level ground floor Private uses (prisoners & archive) Genil river
Architecture/Complex programme building and public space
AdriĂĄn Marmolejo Clarhed
amclarhed@gmail.com
D1
D2
-System of horizontal metallic panels to filter the light in tower Collocation fixed to a steel sub-structure. -Floodable roof Finished in adjustable heights plots
Courtrooms separed by patioes
-System of metallic panels Collocation in front of one-way spanning slab -Terrace floor (exterior) Micro-grain 60x60cms
Public hall and staircases
-System GRC Stud Frame Concrete/sandwich panels fixed to metallic sub-structure
D3
ďż˝ Materials The structure of the building consists in a one-directional metallic structure (IPE for beams and 2UPN for columns). The building envelope is solved with metallic panels fixed to a sub-structure and glass under it for the tower, and with the grc-stud frame system for the rest of the horizontal part of the building. The rooftops are solved with adjustable plots that make possible a floodable cover.
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Architecture/Complex programme building and public space
3. ‘LOOPING PLATFORM’
Adrián Marmolejo Clarhed
amclarhed@gmail.com
Section scheme towards open field
HANDICAPED CENTRE in ‘het dorp’, arnhem (holland) � Complex programme building and public space � Academic work: Architecture School of Leuven K.U. Leuven (Belgium) � Collaboration with Cristina Filip (Masterplan) � 2011/2012 � Abstract The aim of the proyect is to create a multiple level platform, to help the handicapped people feel more free and move towards them.
Masterplan. Insertion in the environment
Masterplan and given proposal
Heights of buildings decrease from 8 levels to only one, integrating them with the surrounding landscape.
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The proposal tries to put together the different parts that were given in the masterplan to make an unique complex. The platform that forms a loop creates a square inside it and a real view level with many activities happen. � Functions A-Commercial centre/housing B-Medical services/sport C-Restaurant D-Kindergarden E-Atelier/workshop � Form -High buildings near main road. Gives idea of urban street. -Closed square with view to open field. -Idea of everything seen as the same building (unity or complex).
Main volumes
Architecture/Complex programme building and public space
Adriรกn Marmolejo Clarhed
amclarhed@gmail.com
Vertical development
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Final section towards open field
Residential (3-8)
Public levels (1-3)
Architecture/Complex programme building and public space
AdriĂĄn Marmolejo Clarhed
amclarhed@gmail.com
ďż˝ Residential units The interaction between inhabitants is even present in the residential units, where different type of units are combined in the same floor to not provocate segregation. Both residential units (SIZA housing for handicapped people) and private market houses (2 stories) combine in the way we can observe in the section, creating a dynamic facade. The public levels, including shops, bike repair, sport centre... enhances this public feeling.
15 Situation of units and structural scheme of the tower
Private market housing
SIZA housing
level 1
level 2 Private market housing
SIZA housing
Urbanism/New urban development
4. ‘MISCELANEA’
Adrián Marmolejo Clarhed
amclarhed@gmail.com
Location within the city
NEW USES IN THE EASTERN OUTSKIRTS OF MURCIA (SPAIN) � New urban development in the outskirts of a big city � Architecture School of Granada (ETSA Granada) � Collaboration with Isabel Muñoz Cámara and Daniel Usero Guerrero � 2009/2010 � Abstract The intervention’s aim is to create a mixture of uses, that’s why we assign the title of ‘miscelanea’ . A new center, where residential, finantial, cultural and leisure uses are combined to breath life into this part of the city and the surrounding areas.
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The restructuration of the road network provides new entrances to the city, enhancing the communications. Current state of location
� Existing conditions and strategies adopted a) Tranformation of ‘La huerta murciana’ in a green band. b) ...that works as a new eastern limit of the city. c) The association ‘Amigos de la Huerta’ will keep their actual headquarters and will have the opportunity to keep a close relation to the market. d) Market that will be located between existing buildings so it gives the image of an urban square. e) New refurbishment of the fair area.
Urbanism/New urban development
roads and paths
Adriรกn Marmolejo Clarhed
amclarhed@gmail.com
public space
17 uses and functions
everything together
Urbanism/New urban development
Adrián Marmolejo Clarhed
Housing. 3 stories
2
1
Passages between dwellings
amclarhed@gmail.com
� Public vs private There is a clear differentiation between the intimate space of the housing provided and the exterior open spaces. We propose a mixture of functions in a general level but ‘zonifiction’ in particular areas, so incompatible uses such as sleeping and leisure do not disturb each other. The residential structure is defined by groups of dwellings of 3 heights and only one central bay and an entrance for each two of them.
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In the café...
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6 4
8
11 7
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9 17
10 13 � Uses and functions 1. Offices 2. Green strip 3. Underground parking 4. Proposed housing 5. Playgrounds 6. Skating 7. ‘Amigos de la Huerta’ 8. Market 9. Café 10. Administration 11. Parking 12. Fair zone entrance 13. Museum and library 14. Culture square 15. Auditorium 16. Administration 17. Fair
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In the square...
16 14
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Throug the market...
Urbanism/Great scale urban proposal
5. ‘JUNCARIL STREAM, THE CONTINUOUS ENVIRONMENT’
Adrián Marmolejo Clarhed
amclarhed@gmail.com
Whole territorial proposal. Principal and secondary axis
gREAT SCALE URBAN PROPOSAL ALONG THE JUNCARIL STREAM, GRANADA (SPAIN) � Great scale urban proposal � Academic work: Architecture School of Granada (ETSA Granada) � Collaboration with Daniel Usero Guerrero � 2010/2011
� Abstract Along the history, the city growth and the territorial occupancy have not taken into accout the elements that really give sense to the territorial structure, like the hydrographic paths. Starting from an earlier analysis, we decide to intervene along the Juncaril stream, that starts in Alfacar and flows across the towns of Jun and Pulianas to finally end in the Genil river. We try though to regenerate the river basin by means of different proposals with their own identity according to their situation and functions.
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� Principal axis of relation P1-A high zone before Jun, where the premises are hiking, pedestrian walks related to sport uses, picnic area and staying outdoor zones . P2-Highlight of the complete riverbanks of The Juncaril stream, including the villages Pulianas and Pulianillas. These villages have grown without considering the Juncaril and we propose to provide these voids with institutional uses, public space... while the river vaults are uncovered to show the river again.
P3-Itinerary between Pulianas and the Asegra industrial park and intersection with the highway A-44. Uses as ecologic agriculture, rural accomodations... P4-Revaluation of the contact between the Asegra industrial park and the river. Itinerary related with industrial uses, such as exposition of products...The workers are also provided with some comfort areas as restaurants, relaxing zones...
� Secondary axis S1-Axis of services and equipment/institutional. It is located in the border of Pulianas, in which one of the routes that communicate with Granada is provided with uses. S2-Leisure-touristic axis. It communicates Asegra with the village of Peligros. It contains functions that go from rural accomodations, equestrain itineraries, to hostels/accomodations, social housing...
Urbanism/Great scale urban proposal
Adriรกn Marmolejo Clarhed
amclarhed@gmail.com
P1-Proposal for industrial park Asegra
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Contact of the Juncaril river with the industrial park of Asegra Exposition, museum, dwellings, zones of amusement and relax for workers.
Office tower, hostel, park, co-working centre.
Urbanism/Great scale urban proposal
AdriĂĄn Marmolejo Clarhed
P2-Central intervention in Pulianas
amclarhed@gmail.com
Before and after
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Public space in Pulianas and CafĂŠ in the park
Border zone in Pulianas with sport features and free space
Urbanism/Investigation project
7. ‘ICPUG’ CULTURAL ITINERARIES OF the URBAN HERITAGE OF GRANADA � Investigation I+D+I urbanism project � Department of Urban Design and Spatial Planning. Architecture School of Granada (ETSA Granada) � Collaboration in this work. Head investigators: Cabrera Manzano, David; Huertas, Miguel � 2014/2015
Adrián Marmolejo Clarhed
amclarhed@gmail.com
� Abstract We propose, with this ‘micro-project’ about cultural itineraries of the urban patrimony of Granada, the beggining of an investigation centered in the ‘tiny’ and the value of the ‘specific’; the documentation and the experience based in the knowledge of the places we live in, about the processes of construction and transformation that have taken place in Granada; the study of the evolution of historic plots, the uses and the urban tissue, the different social and historical episodes that have been materialized in places and specifical architectural features within the city. We consider this work a pending task in this city, and without any doubt, its complexion and improvement would be a great contribution to the cultural heritage of the city. Granada has been approached studying its water, ancient walls, markets and squares, historical paths... helping to discover its hidden urban heritage.
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� Selected cultural itinerary Realejo-Fuentenueva This is the university axis in Granada. From ‘Campo del Príncipe,’ to the centre and the Fuentenueva Campus.
Urbanism/Investigation project
Adriรกn Marmolejo Clarhed
amclarhed@gmail.com
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Urbanism/Investigation project
AdriĂĄn Marmolejo Clarhed
amclarhed@gmail.com
ďż˝ Extracts from Dalmau Plan (1796) and Bertuchi (1894) where it is possible to clearly see the previous plot distribution and the amount of important buildings that existed in this part of the city.
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Urbanism/Investigation project
Adrián Marmolejo Clarhed
amclarhed@gmail.com
� Gran Vía Maybe this is the environment that has suffered a major transformation in Granada. Layers are yuxtaposed from Nasri times until now. The old Aljama Mosque, with its demolishment leads to the Sagrario church. Close to it, the great cathedral from the renaissance, built by Diego de Siloé, and buildings such as ‘La Alhóndiga’ and ‘La Madraza’. We can also look at buildings as ‘El Corral del Carbón, a corn-exchange building from the XIV century. From the 1900’s, observe the impressive cut of the opening of ‘La Gran Vía’, destroying buildings as the Convento of ‘Ángel Custodio’ or the building of the Spanish Bank. In red the ancient times and in white and black the contemporary days.
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Design/Temporary pavilion
PABELLÓN DE ACCESO PARA JORNADAS DE RECEPCIÓN DE ESTUDIANTES DE LA UGR
abc - ugr
Adrián Marmolejo Clarhed
1 de 2
Arab markets, colour and light, shades, products and information
amclarhed@gmail.com
8. ‘ABC-UGR’ ACCESS PAVILION to THE ORIENTATION DAYS FOR STUDENTS OF THE UNIVERSITY OF GRANADA � Temporary pavilion for students � Competition: Alonso Cano, architecture modality 1st price � Architecture school of Granada. (ETSA Granada) � 2014
Un mundo de luces filtradas y frescor se respira en los mercados de origen islámico. Un corredor de brisa recorrido en un paseo lineal en el que los distintos productos se pueden ir contemplando. Para el caso del estudiante es la oferta de formación en la ugr.
El pabellón de Acceso debe ser entendido como un distribuidor abierto que funcione como antesala a los pabellones posteriores de Órganos e Instituciones Universitarias. En este sentido se busca que realmente ofrezca información práctica para los estudiantes que acceden un poco desorientados al lugar del evento.
� Abstract The access pavilion must be understood as an open hall that works like a preview to the following ones of the different organisms of the University of Granada. In this sense, it is meant to be useful offering practical information to students that arrive a bit disoriented for the first time to the event. This is why the pavilion, besides offering shadows and a meeting point, tries to be an informative index and map for all the students. A code of colours will be guiding them through the different degrees the could study. These colours will also form a play of light and shades inside the pavilion.
Carpas existentes para Jornadas
SITUACIÓN EN PASEILLOS UNIVERSITARIOS E: 1/1000 La situación de la propuesta es tras la rotonda. Se prefiere dejar este espacio circular de respiración abierto y luego introducir al visitante a través de esta pieza intermedia entre la apertura de la entrada y la linealidad de los Paseillos Universitarios.
Por tanto, el Pabellón, además de propiciar sombra y un punto de encuentro, servirá como índice informativo y mapa para todos los estudiantes. Un código de colores les irá guiando según las distintas titulaciones . Colores que formarán juegos de luz en el interior según las sombras arrojadas y su combinación.
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Propuesta lineal para inicio de Jornadas (marrón oscuro) Propuesta en 3 piezas para otro tipos de usos (marrón claro)
EL PABELLÓN, ABC-UGR, ÍNDICE PARA TODOS Para definir formalmente la propuesta, se parte de un módulo básico que se presenta en 3 alturas distintas, integrado por una estructura ligera de madera y la colocación sobre ella de elementos textiles de sombra. Estos elementos textiles tendrán 5 colores distintos según las ramas de los estudios (ver imagen superior), que combinados según el orden alfabético de las titulaciones crea un mosaico de colores (ver proyecciones e:1/75)
Edificio Politécnico
E.U. de Ingeniería de la Edificación
Se pueden observar las 66 titulaciones que la ugr oferta en cuanto a grados en las proyecciones de la izquierda, número que coincide con la cantidad de elementos de sombra verticales coloreados.
ASOCIACIÓN MÓDULOS LINEAL E:1/75
ALZADO NORTE E:1/75 EL PABELLÓN, REALMENTE GRANADINO
� Linear association of modules One coulour for each of the fields: Este juego dinamiza la composición y reinterpreta el juego de cotas y topografía que presenta la ciudad de Granada en su sinfín de ejemplos Science, Social Sciences and notables. La topografíaart y el colorand pues, son humanities, dos elementos que se tratan engide evocar law, aquí fuertemente arraigados en el inconsciente colectivo de Granada. neering and architecture. La combinación de estas 3 alturas a lo largo de los 15 módulos crea un juego aparentemente irregular pero que esconde leyes de composición en segundo plano. Existen patrones de funcionamiento pero predominan la asimetría y la organicidad (Manifiesto de la Alhambra).
� The pavilion, so very from Granada... The combination of these 3 heights through the 15 moduls creates a play apparently irregular but that keeps compositional patterns inside reminding us of the city of Granada with things such as the topography and levels.
Alzado Norte
CONSTRUCCIÓN EN SECO Y DESMONTABLE Para minimizar gastos materiales y de tiempo, se ha concebido la construcción de la propuesta totalmente en seco y desmontable, para su posterior utilización en otros eventos y en diversas localizaciones. Véase en el cuadro inferior el presupuesto material aproximado para la construcción de la propuesta. Aunque están representados todos los gastos, algunos de ellos, como las maderas o los textiles se pueden conseguir de reutilización de productos como vallas para el gandado (madera) o lonas de carpas para eventos (cortadas posteriormente e imprimadas con la información correspondiente para este uso). PLANTA E:1/75 Alzado Sur MATERIAL Postes madera torneada 6cm
CARÁCTERÍSTICAS Longitudes 1.20m (arriostran) 3.00m (módulo menor) 4.20m (módulo mediano) 5.40m (módulo grande)
Taco goma apoyo estructura
Plancha prefabricada Airblock
Dimensiones 1.35x0.40x0.06 (normal) 1.35x0.40x0.12 (acces)
E/UNIDAD
CANTIDAD
E/TOTAL
1.3 3.15 4.4 5.7
120 28 20 12
156 88.2 88 68.4
0.4
60
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7.8 7.8
104 16
811.2 124.8
Design/Temporary pavilion
ďż˝ Collocation of modules at the beginning of the orientation days The linear collocation favors the orientation and information for the students. It works as a corridor.
AdriĂĄn Marmolejo Clarhed
amclarhed@gmail.com
Linear collocation of moduls at the beginning of the orientation days
ďż˝ A flexible proposal The modular construction allows other possibilites of collocation. This may be interesting in the last days of the orientation days, when the students are already familiar with the degrees and the information and other activities such as concerts, expositions... can take place. In the diagrams below, other alternatives are shown where all the materials are used, fulfilling different needs.
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Materials (skin)
Basic modules
Linear association
Other possibilities
Design/Temporary pavilion
AdriĂĄn Marmolejo Clarhed
ďż˝ Materials
amclarhed@gmail.com
Circular collocation of moduls later on the orientation days
Textile elements
60mm diameter pine wood bar
Concrete floor panels
28 Anodized aluminium connectors
We start from a modular element, of 3 different heights. It is formed by a light wood structure and some textil elements on 5 different colours representing the different 66 grades one can study in the university of Granada. These informative textile elements would be arranged by name to serve as an index for the students. This structure is anchored by concrete panels that also have this modular disposition. The structure connectors are made of aluminium.
Design/Urban furniture
Adrián Marmolejo Clarhed
amclarhed@gmail.com
9. ‘BELLA MAR’ URBAN FURNITURE DESIGN FOR THE CITY COUNCIL OF MARBELLA, málaga � Urban furniture design, under construction � Clients: ‘Guamar Construcciones’ and City Council of Marbella, Málaga �2016 � Concept The ‘Bella Mar’ urban bench has been designed taking into acount a contemporary approach without forgetting the elegance and the easy realization. It is designed in just one line that folds from the solid part, goes across the bench and finishes in the corbel, giving a sense of ingravity in this last part because of the contrast. � Geometry It is composed by a solid block of granite, the one that forms the bench. Next to it we put a granite planter that holds the garden vegetation. � Materials It combines the robustness and durability of a material such as the granite and the warmth of the wood. Iroko wood and grey Quintana granite will be used. Stainless steel for the fixation of the wood plates to the granite.
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Design/Urban furniture
Adriรกn Marmolejo Clarhed
amclarhed@gmail.com
WOOD PLATE TYPE C, FOR SEAT BACK
Isometric perspective 1/20 IROKO WOOD, PREPARED FOR OUTDOORS
WOOD PLATE TYPE B, FOR SEAT
WOOD PLATE TYPE A, FOR SEAT STAINLES STEEL PLATES
STAINLES STEEL PLATES
BENCH QUINTANA GREY GRANITE BENCH QUINTANA GREY GRANITE PLANTER
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Design/Urban furniture
Adriรกn Marmolejo Clarhed
amclarhed@gmail.com
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Infographics/Single family house
10. ‘HOUSE FOR a PHOTOGRAPHER’
Adrián Marmolejo Clarhed
amclarhed@gmail.com
Floor plans: Scale 1/200
DETACHED HOUSE IN ZAIDÍN district, GRANADA (spain) � Single family house for a fotographer and his mother � Architect: Jorge Mingorance � Infographics: Adrián Marmolejo � 2015 � Abstract This detached house is located in a quiet neighbourhood in the Zaidín district of Granada. The house had to be renewed. The client’s mother was getting old and no longer could go up and down the stairs so easily. The ground floor is meant to be her part of the residence. Everything is open and connected to the garden, so it can then be enjoyed most part of the time. The first floor is going to be the son’s photography studio, requiring open space and good light.
32 First floor
� Geometry and materials The geometry is very similar to the original house, but everything is covered by an unique grey monolayer mortar, giving it a sense of continuity. In the inside we have wood plates on the floor and white plastic paint for the walls. There are filters for the windows and doors, made in aluminium.
Ground floor
Infographics/Single family house
Courtyard and barbecue zone
Adriรกn Marmolejo Clarhed
amclarhed@gmail.com
Photography studio in first floor
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Infographics/Single family house
Open living room in ground floor
Adriรกn Marmolejo Clarhed
amclarhed@gmail.com
Entrance to bedrooms, first floor
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Art/Watercolour paintings
Adrián Marmolejo Clarhed
amclarhed@gmail.com
11. ‘WATERCOLOUR PAINTINGS’ Paralelly to architecture, I try to develop a career as an artist. These are paintings from two plein-air contests. � Up: Street of Gúejar-Sierra, Granada. 100x81cms. Watercolour/paper. 1st price Güejar Sierra painting contest 2016 � Down: Armilla Avenue, Granada. 120x81cms. Watercolour/ paper. 3rd rpice Armilla painting contest 2016
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Art/Watercolour paintings
Adrián Marmolejo Clarhed
amclarhed@gmail.com
� Left: Grote Markt, Leuven. 56x38cms. Watercolour/paper. � Right: The University Square, Granada 50x44cms. Watercolour/ paper.
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THANK YOU! Adrián Marmolejo Clarhed +34 635790537 mail │amclarhed@gmail.com Skype│adrian.marmolejo.clarhed