Affordable Art Fair SC16 Fair Guide

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FAIR GUIDE & MAP Battersea Park, London. 10 – 13 March 2016


CONTENTS

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HOME IS WHERE THE ART IS

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IT’S A GALLERY AFFAIR

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PLATFORM PROJECTS

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EXHIBITING GALLERIES

AFFORDABLE ART FAIR TEAM Will Ramsay FAIR MANAGEMENT Luci Noel Sarah Barrett

Fair Founder

Carla Dolan Kate Parrott Alison Clarke

Fair Director Programmes & Partnerships Manager Fair Manager Fair Coordinator Financial Controller

MARKETING AND DESIGN Jessica Hall Emma Mansell Noni Clayton Callum Bowdler Mischief PR the7stars

Marketing Manager Marketing Assistant Art Director Designer PR Advertising

MANAGEMENT TEAM Nicky Wheeler Romy Westwood Laura Peebles Sally Bufton Stacey Forshaw


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COLLECT LIKE AN EXPERT

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WORKSHOPS, TALKS & TOURS TIMETABLE

WORKSHOPS, TALKS & TOURS

There’s a real buzz around Battersea this year, and we’re thrilled to be back for this edition of the Affordable Art Fair. 2016 marks our seventeenth year in Battersea Park, and there’s a palpable sense of excitement building around the Power Station redevelopment, with the first phase set to be finished later this year. This weekend also marks one year since the Battersea Arts Centre fire, the aftermath of which has proven the arts community in the area to be stronger and more vibrant than ever. So, we’re delighted to be back in Battersea with another bumper edition of the fair, packed with arty delights for you to enjoy. We’re particularly excited this spring to announce the launch of Platform Projects – a series of unmissable curated installations placed throughout the fair, showcasing some of the best conceptually-led work being produced today (more details on pp. 20 – 21). Highlights include Chuck Elliott’s digital reinterpretation of fine art printmaking in the form of his 24-minute kinetic screen work, and Dorcas Casey’s colossal found-media sculptures, fresh from a stint at Banksy’s Dismaland exhibition.

As ever, you’ll find plenty of art (by an incredible 1,100 artists!) waiting to be taken to a new home too. New galleries aplenty have joined our family of exhibitors this spring, including emerging art specialists BEARSPACE, and online gallery Gala Fine Art, representing artists working with unconventional processes. Chiefs & Spirits are also making their fair debut, flying in from The Hague to present their selection of artists from Africa, Asia and the Americas. Whether you’re searching for the perfect work to bring your home to life, browsing for inspiration, or simply enjoying a family day out at the fair, we hope you’ll find plenty of ways to fall in love with art this March.

Luci Noel, Fair Director


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1. Clare Halifax. Power at Battersea (detail). Screenprint, edition of 75. 23 x 23cm. £150 from Rostra Gallery.

HOME IS WHERE THE ART IS The first two decades of the twenty-first century have seen more people than ever being given the opportunity to fall in love with, and collect, art. Investing in art was previously seen solely as the domain of the super-wealthy, confidently waving away millions in auction houses. However, the global explosion of art fairs and opportunities to discover work online, has presented a plethora of exciting new ways for art lovers, regardless of budget and background, to dip their toes into the market and purchase pieces for their homes.

Providing people with the opportunity to become an art collector is at the heart of the Affordable Art Fair ethos. We’ve been chatting to some of our wonderful galleries and visitors to discover why collecting art has become such a popular activity, and to find out why having original art in your home provides such a unique pleasure… Bath-based Rostra Gallery are well known for offering accessible original artworks, and are firm Affordable Art Fair favourites. For Gallery Manager Rebecca Darch it is the potential to personalize a home with art that makes collecting so appealing. Rebecca introduced us to one customer, Isabel Morley, whose collection holds an intensely personal significance. Having bought three pieces from Rostra Gallery, Isabel recalls, ‘the first, by Trevor Price, reminds me of my youth – dancing around and having fun – and I see it as soon as I wake up in the morning, which instantly puts me in a good mood.’ Of the other works she says: ‘The second piece is a beautiful screen print by Graham Carter. It reminds me of the Scottish Highlands where I spent a long time working and soaking up the scenery; I could get lost in the detail of this work for hours. The third work is by Clare Halifax, of the gorgeous city of Bath where I live now. I couldn’t be happier to be surrounded by such amazing artworks every day.’



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HOME IS WHERE THE ART IS


2. David O’Connor. Blue Hills. Acrylic on canvas board. 36 x 36cm. £630 from Hadfield Fine Art.

For another fair visitor, Honor Stanley, the process of buying the work was an integral, and exciting, part of becoming a collector. She recalls, ‘my husband and I bought our first piece of art at the Affordable Art Fair, having just moved in to our new home together in Battersea. We spent the whole evening at the fair, champagne in hand, going up and down the aisles looking for the perfect picture.’ She continues, ‘inevitably we found it on the last stand, as we were about to leave! The large abstract oil painting now hangs in our living room. I love it because it was the first picture (of many!) that we chose and bought together.’ Sally Coelho, founder of Cotswold-based gallery Hadfield Fine Art, agrees that collecting art can serve as a beautiful, personal reminder of a particular time in our lives. Sally says: ‘It goes without saying that art can visually transform the appearance and atmosphere of a home, but one cannot assume that art is merely decoration. There is something far more subliminal in our choices. Art is more like a personal treasure that transcends the constraints of our four walls. It can be a marker in the passage of time following us from house to house; lifting the humble surroundings of our first flat, through to our family home, then on to our later years. It can be a reflection of our personality, tastes and memories.

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Sally concludes, ‘if we surround ourselves with these treasures, we transform our houses into environments in which we feel intensely comfortable, relaxed and, really truly, at home.’




8 1. Annette Pugh. Riviera Bay. Oil and acrylic on canvas. 152 x 117cm. £3,800 from Gala Fine Art. 2. Clare Bonnet. Wallowing in the Wait. Oil on board. 118 x 125cm. £2,800 from Gala Fine Art.

IT’S A GALLERY AFFAIR At each edition of the Affordable Art Fair Battersea we welcome over 110 carefully selected galleries from across the globe to showcase the best of what their artists have to offer. Between them, these galleries represent an impressive 1,100 artists, and are dedicated to nurturing and showcasing their work to the widest possible art loving audiences. As an organisation that champions galleries, we’re frequently asked why are galleries so important to the art industry? To get the lowdown, we’ve caught up with two Affordable Art Fair galleries and their artists to get the insider info on the crucial, fascinating relationship between artist and gallerist.

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Gala Fine Art Kate Bignold launched online gallery Gala Fine Art in 2015 and currently represents an exciting group of 11 British and Irish artists. Amongst them are Annette Pugh, who explores the relationship between photography and painting, and Clare Bonnet, who paints candid portraits of semiabstract female figures. What’s the selection procedure for the gallery? Kate: There’s no set procedure; I spend a lot of time talent spotting at open studio events, degree shows and open submission exhibitions. I might stumble across a new artist when researching an existing gallery artist or when visiting their studio. The artists I represent typically juxtapose traditional painting or photography with modern or unconventional processes; I’m always on the lookout for work that boasts a very individual creative style. As an artist, how did you first start working with the gallery? Annette: Kate saw my work at the Royal West of England Academy in Bristol and got in contact. I then set up a meeting to learn more about Kate’s intentions for Gala Fine Art, and her stable of artists. Like Kate, I’m interested in the interaction between painting and photography, so I felt we had a strong common ground for a working relationship. Clare: Kate also approached me initially,


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having seen my work at Jamaica Street Studios in Bristol. From the word go I could see Kate had a vision for the gallery that really suited my work. It also helps that we get on well, so can be completely honest with each other. Other than representing artists work to clients, as a gallery, how else do you work with your artists? Kate: Essentially my mission is to support artists at all stages of their careers both on a practical level, by providing them with a platform to sell their work, but also on a personal and creative level, by offering encouragement and advice, and feedback about their work and its reception. Clare: We talk‌ a lot! Kate holds a genuine interest in how work is made and developed, but she also respects the creative decision-making process, so will never impose an idea. Her diplomacy skills are impeccable!

Why do you think galleries are important? Kate: Galleries, whether online – as we are – or bricks-and-mortar, play a vital role. Their support lends artists third-party credibility. Particularly in a social media age of self-publicity, gallery representation provides art collectors with a seal of approval. Galleries show their artists work to well-targeted interested audiences, and, of course, galleries shoulder the costs and administration involved in putting on exhibitions giving artists the chance to focus fully on the actual creation of the work. Clare: Kate works so hard on our behalf! My paintings are relatively large, so I always admire the fact she transports them all around the country to show for me. I also trust Kate implicity, which is important for this kind of working relationship. Being part of a gallery that represents such talent is also an honour.


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IT’S A GALLERY AFFAIR

Caiger Contemporary Art Amy Caiger heads up Caiger Contemporary Art, a nomadic gallery which represents a small, carefully selected, group of contemporary artists. Amongst them are Blandine Bardeau, who uses a variety of unusual media to create her semi-abstract works, and Rod McIntosh, whose material-driven works focus on the process of mark making.

3. Blandine Bardeau. Your Smile is Beautiful and it Makes me Happy (detail). Mixed media on linen. 75 x 95cm. £1,250 from Caiger Contemporary Art. 4. Rod McIntosh. Never the Same (detail). Indian ink on mulberry paper with 24ct gold leaf. 95 x 95cm. £1,200 from Caiger Contemporary Art.

What’s the selection procedure for the gallery? Amy: We spend a lot of time researching and going to see new artists’ work. We look for something that catches our eye, and then consider how it would fit with other works in our gallery. Sometimes artists also contact us directly if they think they’d be a good fit for our gallery. Either way, the work needs to speak to us, we have to love it. Then, once we’ve spoken with the artist, and are sure we’d have a great working relationship, we’ll ask them on board. As an artist, how did you first start working with the gallery? Blandine: My meeting with Caiger Contemporary Art was through Twitter initially, in a typical 21st century fashion! After a few interactions online I looked them up and liked what I saw, so invited them to one of my shows – we chatted there and they asked me to come on board. For me, it was as much about the artists they represent as it was about the feeling I got from interacting with them; it’s important that something clicks, and that you’re on the same page I think.


Other than representing artists work to clients, as a gallery, how else do you work with your artists? Amy: We ask our artists what they are hoping to achieve each year – this may be a creative goal, or something more unusual – and we see how we can support them with this. We’re also always on hand to advise our artists whenever they need it, perhaps on a new body of work, trying out new sizes, framing or prices. We also like to plan projects that would be good for our artists to help them in other areas such as their CV or growing their reputation.

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Blandine: We also get a lot of feedback from the gallery which I really take in to consideration. I like to hear how customers react to my work, as well as hearing Amy and her colleagues’ opinions on my new works. They understand my work very well and it’s great to talk through my plans for future pieces, as well as sizes and prices. I like that they are really approachable, that Caiger Contemporary Art is a family business – I joined close to their beginnings and there’s a real sense that we’re growing together. Rod: Likewise, I meet with the gallery regularly to review and plan. It allows me to present new ideas, get feedback and throw ambitious, wild-card ideas at them and see how we could work together to achieve them.

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Rod: I did lots of research initially and drew up a shortlist of galleries where I felt my work could fit. From there I started to build up relationships with the gallerists and it then became more of a mutual selection process between me, them and my work.

Why do you think galleries are important? Amy: I think they’re important for both the client and the artist. For the client, we’re knowledgeable about our artists and a trustworthy source they can go to. In effect we’re giving our artists a stamp of approval – as a gallery we endorse the high standard and value of their work. We’re also there to help and advise clients on artworks, especially if they’re new to collecting or aren’t sure what would best suit their space. Galleries are important for artists as it means they can get on with what they do best, making art! We take the strain off them by marketing their work and showing it to clients. We’re also able to talk about their work with enthusiasm and without feeling self-conscious, as a lot of artists can when discussing their own work. And, of course, we’re here to help and support them in their work and career.


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COLLECT LIKE AN EXPERT At the Affordable Art Fair we’re firm believers that anyone can collect art. But, for those of us who aren’t au fait with the ways of the art world, dipping your toe into the market can feel like a daunting experience. So, just how do you overcome the dreaded FOBRO (a.k.a. Fear Of Being Ripped Off), and how do you know, before you take the plunge, that the piece you’re purchasing is really the one for you? We’ve been chatting with some of our gallerists and have complied a list of things to do and questions to ask to help you collect like an expert …

that affects artwork pricing is probably the artist’s name … ask where they studied, where they currently are in their career and where they’ve shown their work recently’. 3. Embrace the unconventional Don’t buy an artwork because you think it’s what you should be buying; if an unusual work captures your imagination, go for it. As Mark Jason says, ‘on many occasions people arrive at the fair looking for something quite specific and leave with something completely different. You really don’t know what your reaction is going to be to an artwork until you see it. Who knows, you could have just spotted a future masterpiece!’ 4. Examine the materials As Diane Tuckey of Outline Editons (stand G3) says, ‘an artwork’s materials can have a big impact on pricing. For example, we’ve sold pieces by an artist which command a considerably higher price than her normal works because they were done in gold leaf – the resultant art is priced to reflect these material costs.’

1. Explore the options Explore as much as you can at the fair and get an overview of the range of artworks on offer. As Mark Jason, of Mark Jason Gallery (stand E7), explains, ‘do some research, take your time. See as much work as you can, and make a note of your top 5-10 pieces.’ Comparing works also gives you an idea of what’s available in your price range. Mark continues, ‘buy the best piece you can in your budget … sometimes it’s a case of buying a major work by a minor artist or if your budget is modest, a minor piece by a major artist.’

5. Be confident in the originality At the Affordable Art Fair all artwork on show is original, so there’s no need to worry that your investment isn’t unique. However, for limited edition prints, there are certain factors to be aware of to give you confidence in your purchase. As Angie Davey explains, ‘a limited edition print from a run of five will be valued higher than a print in an edition of 50, even if it’s the same size and by the same artist. This is because there are fewer of that particular print and it’s therefore rarer – fewer people in the world will have it.’

2. Get to know the artist One of the most exciting parts of collecting contemporary art is discovering unknown and emerging artists, and it’s important to get to know as much as you can about their status and background. As Angie Davey, Creative Director of Eyestorm (stand J12), points out, reputation is key: ‘the first factor

6. Value your personal reaction As Diane Tuckey concludes, ‘the best reason for buying an artwork is the obvious one: because you like it’. Collecting art is, ultimately, about developing and learning to trust your taste, and as Angie Davey declares, there is such a thing as ‘love at first sight when it comes to art!’


Malika Favre. Susie (detail). Archival print, edition of 50. 50 x 70cm. ÂŁ120 from Outline Editions.





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WORKSHOPS, TALKS & TOURS ADULT WORKSHOPS, TALKS AND TOURS Taking place in the Education Space unless stated otherwise. THURSDAY 12pm: Cowling and Wilcox present: Everything but the Kitchen Sink A still life session with a difference – no fruit bowls or vases of flowers and a whole range of exciting art materials from Cowling and Wilcox. 2pm: Central Saint Martins Short Courses: Demystifying Drawing Guy Noble will show you how a good understanding of the basics of drawing can open up a whole new creative world. Find out how your signature can improve your life drawing or how making 10 dots can help you see differently. 3pm: Tour du Jour: How to start a Photography Collection Led by an expert tutor from Central Saint Martins Short Courses Meet in the Talks Lounge. 4pm: Chemigram Workshop with Sandy Hon Learn how to make your own chemigram print using ordinary household chemicals, drawing materials and photo developing techniques. Artist Sandy Hon will take you through the process step-by-step. FRIDAY 12pm: Cowling and Wilcox present: Strange Fruit The suppliers of fine art materials invite you to take part in another still life session with a difference: A contemporary take on the classic still life with everything you need to get started. Great for beginners. 2pm: Central Saint Martins Short Courses: The Creative Spark Ilga Leimanis presents an experimental one-hour workshop exploring the creative process. You will use drawing, 2D and 3D paper craft, and mixed media, to play with making changes to an initial source, through a simple and fun process.

3pm: Tour du Jour: Own Art Tour A great opportunity to hear personal insights from gallery owners and see an overview of the range of artwork that is covered by the Own Art interest-free loan scheme, including established and emerging artists. Meet in the Talks Lounge. 4pm: CoolTan Arts Colouring-in Club Join our Charity Beneficiary CoolTan Arts, whose art therapists will be discussing the benefits of colouring-in on mental health, with colouring-in designs by artists who have experienced forms of mental distress. SATURDAY 10am: CoolTan Arts Colouring-in Club Join our Charity Beneficiary CoolTan Arts, for another therapeutic morning of colouring-in. Bring a coffee, we’ll provide the felt-tips. 3pm: Tour du Jour: SLAM presents Emerging Art and Markets South London Art Map are the definitive hub for arts in SW and SE London and give you the insiders view of the emerging contemporary art market with examples from the fair. Meet in the Talks Lounge. SUNDAY 10am: CoolTan Arts Colouring-in Club Join our Charity Beneficiary CoolTan Arts, for another therapeutic morning of colouring-in. 1pm: Sunday Sofa Sessions: Platform Projects Artists talking part in the Affordable Art Fair’s newly launched Platform Projects introduce their work and inspirations. In the Talks Lounge. 3pm: Sunday Sofa Sessions: Art and Interior Styling Presented by Central Saint Martins Short Courses with Tara Larkin. In the Talks Lounge.


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4pm: OKIDO loves LEGO®: 2D - 3D Shapes and Building Workshop Draw some crazy buildings on a large, collaborative, drawing sheet and then recreate them in 3D using LEGO® and LEGO® DUPLO® bricks! This workshop is suitable for families with children aged 3 and above. SUNDAY 12pm: Lemon Art Lab: STICK-IT Forget pastels and pencils! Lemon Art Lab will show you how to make sculptures from lolly sticks and abstract art using washi tape and stickers.

ACTIVITIES FOR KIDS AND FAMILIES Kids bags are available for free from the Education Space, which include drawing materials from Cowling and Wilcox. All workshops are free of charge and take place in the Education Space unless stated otherwise. Children must be accompanied all times. EVERY DAY Thursday – Saturday: 12, 2 and 4pm Sunday: 12 and 2pm Artichoke Printmakers bring their Brixton Studio to Battersea! From rollers to ink, toy cars to flasks and caulking guns, find all sorts of printmaking paraphernalia to inspire you to create original drypoint masterpieces. Taking place in the Print Studio. SATURDAY 12pm: Lemon Art Lab: Shapes in Space Create Alexander Calder-inspired abstract sculptures with clay and wire or cardboard and stickers. 2pm: Cowling and Wilcox present Zentanglemania: Part One Join Cowling and Wilcox and help create a GIANT zentangle drawing. The tables will be covered in paper – fill in the circles with shapes, patterns and colour.

2pm: Cowling and Wilcox presents: Zentanglemania: Part Two The Zentangle fun continues with fine art suppliers Cowling and Wilcox – draw new patterns and designs or colour in other people’s creations. Silly, creative, family fun. 4pm: OKIDO loves LEGO®: 2D - 3D Shapes and Building Workshop If you missed Saturday’s OKIDO loves LEGO® workshop fret not, it’s back with more 2D and 3D fun with LEGO® and LEGO® DUPLO® bricks. This workshop is suitable for families with children aged 3 and above. SPECIAL EVENTS Sipsmith and Fever-Tree Sipping Sessions: Every hour on the hour Head to the the Sipsmith and Fever-Tree Artisanal Gin & Tonic Bar on the mezzanine to tantalise your tastebuds with guided Sipping Sessions of the locally distilled Sipsmith gin and award-winning mixers from Fever-Tree. Sessions will start each hour on the hour, or you can explore the exclusive menu of finely crafted cocktails and watch out for other special events announced at the bar. Drink and Draw with Frui: Thursday 10 March: 6.30 – 7.30pm A chance to practice your drawing skills with guidance from Frui’s very own art tutors. Grab a Sipsmith and Fever-Tree Gin and Tonic and get involved! All levels welcome. Suitable for adults only.


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1. Viktor Fresšo. Army of the Niemands. White resin with acrylic paint, edition of 10. Each 95 x 250 x 250cm. 2. Chuck Elliott. Flow 8VO. Digital screen art, edition of 4.

3. Sarah Fortais. Things Being What I Want Them To Be And Not What They’re Supposed To Be. Mixed media installation. 300 x 600 x 300cm.


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PLATFORM PROJECTS Championing contemporary artists, and providing them with a platform to showcase and develop their practice, has always been central to the Affordable Art Fair mission. So, this March, we’re thrilled to announce the launch of Platform Projects – a series of large-scale, curated installations where emerging artists meet mid-career practitioners. Platform Projects takes artwork out of the confines of the traditional art fair stand space, creating purposeful interruptions at points throughout the fair, which encourage visitors to enjoy and engage with some of the best conceptually-led work being produced today.

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4. Dorcas Casey. Bull. Hand stitched fabric and mixed media. 120 x 200 x 120cm. 5. Joanna Sands. Untitled. Plywood. 24 x 244 x 204cm.

Fair Director Luci Noel explains the inspiration behind the showcase: ‘Platform Projects is a natural and exciting progression from the Project Space Collective, which has been a central feature at the past two editions of the Battersea Spring fair as a hub for artists breaking new ground in contemporary art. This time, we’ve further pushed the boundaries of the traditional art fair set up with the large-scale projects which really command the space, and allow visitors to explore and engage with some truly innovative, immersive and diverse work, which you may not have expected to see at an Affordable Art Fair!’

Project 1: Viktor Frešso, Army of the Niemands Project 2: Helen Wilson, Carol Project 3: Sarah Fortais, Things Being What I Want Them To Be And Not What They’re Supposed To Be Project 4: Dorcas Casey, Bull Project 5: Joanna Sands, Untitled Project 6: Chuck Elliott, Flow 8VO


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EXHIBITING GALLERIES 4Impressions Oxford, UK 01865 516 556 fourimpressions.com

Amanda Aldous Fine Art Hampshire, UK 01256 471 422 aafineart.co.uk

Antlers Gallery

E1

ars,-tis, f. Munich, Germany +49 8441 803658 ars-tis.com

Bristol, UK 07780 503 180 antlersgallery.com

Aperture Contemporary

H3

Art H

I3

UK & USA 07976 294 985 art8star.co.uk

K5

Paris & Singapore +33 6 61 74 19 69 aperturecontemporary.com

H8

ArtDog London

J6

London, UK 07903 194 591 artdoglondon.co.uk

L6


ArtĂŞria Broment, Canada +1 450 919 3133 arteriagallery.com

Artichoke

F3

The Art Movement London, UK 020 7501 4049 art-movement.com

Bath, UK 01672 569 177 artsalon.co.uk

Bath, UK 01225 464 850 beauxartsbath.co.uk

J10

bo.lee gallery

E4

London, UK 07970 492 858 bo-lee.co.uk

Rochester, UK 01634 843 222 artistsofrussia.com

A4

The Barker Gallery

J1

Beaux Arts Bath

L2

Beyond the Sea Padstow, UK 01841 533 588 beyondthesea.co.uk

Artists of Russia

L9

ART Salon

F10

BEARSPACE London, UK 020 8694 8097 bearspace.co.uk

London, UK 020 7924 0600 artichokeprintmaking.com

Eton, UK 07932 064 799 thebarkergallery.com

Bernard Chauchet Contemporary Art London, UK 07711 436 868 chauchet.com

G4

A10

Brian Sinfield Gallery

J11

Oxfordshire, UK 01993 824 464 briansinfield.com

B1


Bristol Contemporary Art Bristol, UK 07786 431 497 bristolcontemporaryart.com

Brita Prinz Arte

B3

Byard Art Cambridge, UK 01223 464 646 byardart.co.uk

London, UK 020 3287 4411 caigerart.com

Great Missenden, UK 01494 866 914 carinahaslamart.com

Bristol, UK 01179 256 952 cliftonfineart.com

A7

Brighton & Hove, UK 01273 727 234 cameroncontemporary.com

F7

Catharine Miller

E5

Clifton Fine Art

D3

Ebeltoft, Denmark +45 50 80 95 94 brunodahl.dk

Cameron Contemporary Art

H1

Carina Haslam Art

G5

Chiefs & Spirits The Hague, Netherlands +31 64 77 68 556 chiefsandspirits.nl

Bruno Dahl Gallery

A5

Caiger Contemporary Art

G8

Capital Culture Gallery Norfolk, UK 020 7183 3770 capitalculture.eu

Madrid, Spain +34 915 221 821 britaprinzarte.com

London, UK 020 7351 1973 catharinemiller.com

K1

Colorfield Gallery

I1

Paris, France +33 9 81 13 84 97 colorfield-gallery.com

D8


Colourbox

London, UK A8 020 8980 0395 contemporarycollective.com

The Contemporary Fine Art Gallery Eton Windsor, UK 01753 854 315 cfag.co.uk

The Contemporary London

Coombe Gallery

Cricket Fine Art

London, UK H9 07747 635 823 thecontemporarylondon.com

Dartmouth, UK 01803 835 820 coombegallery.com

Cube Gallery

Cynthia Corbett Gallery

David Stacey Fine Art

C8 London, UK 020 8947 6782 thecynthiacorbettgallery.com

East Sussex, UK 07938 703 718 davidstaceyart.com

Dreipunkt Edition

The Drugstore Gallery

Yorkshire, UK 01943 468 989 reltonmarine.com

London, UK 020 7935 2600 cube-gallery.co.uk

Contemporary Collective

C3

D7

The Doorway Gallery Dublin, Ireland +353 1764 5895 thedoorwaygallery.com

F2

Munich, Germany +49 89 17 84 721 dreipunkt-edition.de

F9

E3

London, UK 020 7352 2733 cricketfineart.co.uk

Somerset, UK 01934 732 588 thedrugstoregallery.com

L1

D6

C2

H10


Edgar Modern

Duncan R. Miller Fine Arts London, UK 020 7839 8806 duncanmiller.com

A6

Envie d’Art Galleries Paris & London +33 1 53 30 00 10 enviedart.com

London, UK 020 3397 3676 eyestorm.com

London, UK 020 7738 0838 fossfineart.com

Perth, UK 01738 631 085 framesgallery.co.uk

K6

London, UK 020 7631 0551 woolffgallery.co.uk

H6

Four Square Fine Arts

J8

Frames Gallery

K9

Oxford, UK 01865 331 365 edition3.co.uk

Fflow Gallery

J12

Foss Fine Art

A9

FOUR-WALLS Brighton & Hove, UK 07909 511 159 four-walls.co.uk

Edition3

F8

Eyestorm

H7

First Contemporary Bristol, UK 0117 329 6047 firstcontemporary.com

Bath, UK 01225 443 746 edgarmodern.com

East Sussex, UK 01273 474 005 foursquarearts.co.uk

D5

Francis Iles

L3

Rochester, UK 01634 843 081 francis-iles.com

B4


Gagliardi Gallery

french art studio London, UK 020 7584 1821 frenchartstudio.com

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Galerie NUMMER40 Doetinchem, Netherlands +31 314 362 062 nummer40.com

C7

C1

Galerie Virginie Barrou Planquart Paris, France +33 682 030 956 galeriebarrouplanquart.com

London, UK 07789 264 998 grandyart.com

G2

London, UK 020 8944 7171 hicksgallery.co.uk

Bristol, UK 07799 412 631 galafineart.uk

K8

Galleri Final

F1

Malmรถ, Sweden +46 40 30 78 36 gallerifinal.se

H4

Gravity

H5

Hicks Gallery

Hadfield Fine Art Cheltenham, UK 01242 821 251 hadfieldfineart.co.uk

Gala Fine Art

H12

Grandy Art

GAS Gallery London, UK 020 3627 2350 gasgallery.co.uk

London, UK 020 7352 3663 gagliardigallery.org

London, UK 020 7603 9953 gravitygallery.co.uk

L4

Iona House Gallery

L11

Oxfordshire, UK 01993 811 464 ionahousegallery.org

B2


Richmond, UK 020 8940 7741 johniddonfineart.com

F6

Broadway, UK 01386 858 969 john-noott.com

K10

Bristol & Suffolk 0117 929 2527 limetreegallery.com

London Contemporary Art

Lumitrix

London, UK K7 020 7580 2118 londoncontemporaryart.co.uk

London, UK 01586 554 077 lumitrix.com

Marine House at Beer

Mark Jason Gallery

Devon, UK 01297 625 257 marinehouseatbeer.co.uk

I6

L8

London, UK 020 7258 5800 markjasongallery.com

J4

Barcelona, Spain +34 66 48 61 414 lesiants.com

The Linda Blackstone Gallery

Lime Tree Gallery

Lilford Gallery Kent, UK 01227 639 086 lilfordgallery.com

Le Siants Galerie

John Noott Galleries

John Iddon Fine Art

J9

London, UK 07808 612 193 lindablackstone.com

I12

Mae Gallery

F4

Hampshire, UK 01730 268 697 maegallery.com

D2

My Life in Art

E7

London, UK 07751 233 695 mylifeinart.com

E8


Nicholas Bowlby

Neville Contemporary Art Winchester, UK 07980 659 352 artneville.com

K3

Outline Editions London, UK 07990 898 295 outline-editions.co.uk

Piacenza, Italy +39 3459 056581 galleriapalmaarte.it

London, UK 020 7351 6121 pleinaircontemporary.co.uk

Amsterdam, Netherlands +31 20 24 02 551 publichouseofart.com

G1

London, UK 020 7399 9999 panterandhall.com

A11

Portal Painters

J3

The Public House of Art

L12

Great Missenden, UK 01494 868 151 onechurchstreet.com

PH2 Gallery

C5

PLEIN AIR Contemporary

F5

Priory Gallery Broadway Worcestershire, UK 01386 853 783 priorybroadway.com

One Church Street

L10

Palma Arte

G3

Platform X London, UK 07737 011 176 platformxgallery.com

East Sussex, UK 07831 255 691 nicholasbowlby.co.uk

London, UK 020 7286 0940 portalpainters.co.uk

I5

Quantum Contemporary Art

A3

London, UK 020 7498 6868 quantumart.co.uk

E12


Raquelle Azran Vietnamese Fine Art C4 New York, USA +1 212 715 0565 artnet.com/razran.html

Red Corridor Gallery

Redleaf Gallery

Retrospect Galleries

Tunbridge Wells, UK 01892 526 695 redleafgallery.com

J5

Rostra Gallery Bath, UK 01225 448 121 rostragallery.co.uk

Byron Bay, Australia +61 2 6680 8825 retrospectgalleries.com

Red Gallery

I2

Rentrewshire, UK 01505 612 077 scottishartportfolio.co.uk

Madrid, Spain +34 91 57 73 741 galeriaestandarte.com

K2

London & New York 020 7436 4899 rebeccahossack.com

J13

Sheridan Russell Gallery

J2

standARTe

L14

Loudwater Village, UK 07799 642 755 redgallery.co.uk

RHG NYC

E9

Scottish Art Portfolio

K4

Sol Art Gallery Dublin, Ireland +353 1 675 0972 solart.ie

Fulda, Germany +49 661 20619957 redcorridor.com

Nr. Borehamwood, UK 07985 469 620 sheridanrussellgallery.com

I11

St Anne’s Galleries

H2

Lewes, UK 07777 691 050 stannesgalleries.com

D4


Store Street Gallery London, UK 020 7580 2118 storestreetgallery.com

Tracey McNee Fine Art Glasgow, UK 07950 335 737 traceymcnee.com

London, UK 020 7688 8446 tagfinearts.com

G6

Triangle

I4

Wanrooij Gallery Amsterdam, Netherlands +31 64 57 00 280 wanrooijgallery.com

Tallantyre Gallery

TAG Fine Arts

B7

London, UK 020 8673 0026 hensher.co.uk/triangle

Devon, UK 01803 864 088 whitespaceart.com

Woodbine Contemporary Arts

Wren Gallery

Rutland, UK B5 07980 167 404 woodbinecontemporaryarts.co.uk

Burford, UK 01993 823 495 wrenfineart.com

A1

Villa del Arte Galleries

L7

Barcelona, Spain +34 93 26 80 673 villadelarte.com

E6

Will’s Art Warehouse

White Space Art

B6

Northumberland, UK 01670 517 214 tallantyre-gallery.co.uk

G7

London, UK 020 8246 4840 wills-art.com

I9

Wychwood Art

J7

Stow-on-the-Wold, UK 01869 338 349 wychwoodart.com

A2


WORKSHOPS, TALKS & TOURS TIMETABLE See page 18 for full workshop details

SATURDAY 12 MARCH

THURSDAY 10 MARCH

ES

12pm: Everything but the Kitchen Sink Cowling and Wilcox Still Life Workshop

ES

10am: Colouring-in Club Cooltan Arts Workshop

ES

2pm: Demystifying Drawing with Guy Noble Central Saint Martins Short Courses Workshop

ES

12pm: Shapes in Space Alexander Calder inspired workshop with Lemon Art Lab

TL

3pm: Tour du Jour: Starting a Photography Collection with Central Saint Martins Short Courses

ES

2pm: Zentanglemania: Part One Cowling and Wilcox Drawing Workshop

TL

3pm: Tour du Jour: Emerging art and markets with South London Art Map

ES

4pm: OKIDO loves LEGO® Building and Drawing: Creating in 2D and 3D

ES

4pm: Make a Chemigram Workshop with artist Sandy Hon

SUNDAY 13 MARCH

FRIDAY 11 MARCH

ES

12pm: Strange Fruit Cowling and Wilcox Still Life Workshop

ES

10am: Colouring-in Club Cooltan Arts Workshop

ES

2pm: The Creative Spark with Ilga Leimanis Central Saint Martins Short Courses Workshop

ES

12pm: STICK-IT Creating art with washi-tape and lolly sticks with Lemon Art Lab

TL

3pm: Tour du Jour: Own Art A tour of member galleries

TL

1pm: Sunday Sofa Sessions Meet the artists: Introduction to Platform Projects artists

ES

4pm: Colouring-in Club Cooltan Arts Workshop

ES

2pm: Zentanglemania: Part Two Cowling and Wilcox Drawing Workshop

TL

3pm: Sunday Sofa Sessions Art and Interiors with Central Saint Martins Short Courses

ES

4pm: OKIDO loves LEGO® Building and Drawing: Creating in 2D and 3D

EVERY DAY Print Studio

PS Drypoint workshop with Artichoke Printmakers Thursday – Saturday : 12, 2 & 4pm Sunday: 12pm and 2pm

KEY:

ES Education Space

PS Print Studio

TL

Talks Lounge


OUR SPONSORS & PARTNERS

FIND US ONLINE w

affordableartfair.co.uk facebook.com/AffordableArtFair @AAFLondon pinterest.com/affordableart @affordableartfairuk


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GALLERIES & STAND NUMBERS 4Impressions Amanda Aldous Fine Art Antlers Gallery Aperture Contemporary ars,-tis, f. Art * ArtDog London ArtĂŞria Artichoke Artists of Russia The Art Movement ART Salon The Barker Gallery BEARSPACE Beaux Arts Bath Bernard Chauchet Contemporary Art Beyond the Sea bo.lee gallery Brian Sinfield Gallery Bristol Contemporary Art Brita Prinz Arte Bruno Dahl Gallery Byard Art Caiger Contemporary Art Cameron Contemporary Art

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Capital Culture Gallery Carina Haslam Art Catharine Miller Chiefs & Spirits Clifton Fine Art Colorfield Gallery Colourbox Contemporary Collective The Contemporary Fine Art Gallery Eton The Contemporary London Coombe Gallery Cricket Fine Art Cube Gallery Cynthia Corbett Gallery David Stacey Fine Art The Doorway Gallery Dreipunkt Edition The Drugstore Gallery Duncan R. Miller Fine Arts Edgar Modern Edition3 Envie d'Art Galleries Eyestorm Fflow Gallery First Contemporary

G5 E5 K1 D3 I1 D8 C3 A8 L1 H9 F9 D6 D7 C8 C2 F2 E3 H10 A6 F8 K6 H7 J12 H6 A9

Foss Fine Art Four Square Fine Art FOUR-WALLS Frames Gallery Francis Iles french art studio Gagliardi Gallery Gala Fine Art Galerie NUMMER40 Galerie Virginie Bar Planquart Galleri Final GAS Gallery Grandy Art Gravity Hadfield Fine Art Hicks Gallery Iona House Gallery John Iddon Fine Art John Noott Galleries Le Siants Galerie Lilford Gallery Lime Tree Gallery The Linda Blackston Gallery London Contempora


MEZZANINE A11

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Sipsmith & Fever-Tree Artisanal Gin & Tonic Bar

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Lumitrix Mae Gallery Marine House at Beer Mark Jason Gallery My Life In Art Neville Contemporary Art Nicholas Bowlby One Church Street Outline Editions Palma Arte PH2 Gallery Platform X PLEIN AIR Contemporary Portal Painters Priory Gallery Broadway The Public House of Art Quantum Contemporary Art Raquelle Azran Vietnamese Fine Art Red Corridor Gallery Red Gallery Redleaf Gallery Retrospect Galleries RHG NYC Rostra Gallery Scottish Art Portfolio

F4 D2 L8 E7 E8 K3 L10 G1 G3 C5 A11 F5 J3 I5 L12 A3 E12 C4 I2 K2 J5 E9 J13 K4 J2

Sheridan Russell Gallery Sol Art Gallery standARTe St Anne's Galleries Store Street Gallery TAG Fine Arts Tallantyre Gallery Tracey McNee Fine Art Triangle Villa del Arte Galleries Wanrooij Gallery White Space Art Will's Art Warehouse Woodbine Contemporary Arts Wren Gallery Wychwood Art Key: Education Space Info desk Print Studio Press Sipsmith & Fever-Tree Talks Lounge Wrapping Station Platform Projects Look for Art Under £500

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STILL HAVEN'T FOUND WHAT YOU'RE LOOKING FOR? Hampstead | 16 – 19 June 2016 Bristol | 9 - 11 September 2016 Battersea Autumn | 20 - 23 October 2016


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