Welcome to this edition of African Whistle, where we celebrate the essence of Africa, its people, cultures, challenges, and triumphs. As the heartbeat of a continent brimming with resilience and innovation, we are reminded that our stories are not just tales; they are testimonies, reflections, and visions of a future we are crafting together.
In these pages, you will find voices that challenge the status quo, perspectives that inspire transformation, and artistry that ignites pride. From Nollywood Actor/Director redefining success, to communities weaving the fabric of solidarity, this issue captures the essence of who we are and what we can become.
Africa’s heartbeat is its resilience, its creativity, and its people—each word we publish is a step toward reclaiming our narrative and inspiring a generation to dream beyond borders.
Dr.
Hadiza Osuji Dr. Hadiza Osuji Dr. Hadiza Osuji Editor-In-Chief
Making A Difference Together
Dr. Grace Adepoju Saran Doumbouya
Omolola Onayinka Rakiya Idris
Ada Oparaugo Manjadda Imah Beatrice Udeani
Aichata Bamba
Dr. Hadiza Osuji Angela Paulino Ahmed Wahab Anita N. Lasbrey
Funmi Olarenwaju Raphael Adewebi Fiona Adam Adam Alli
Compliments of the Season
Dr. Emmanuel Adepoju
Hajia Rabi Abdulkadir
Audu Kadiri Anthony Osuji
Edwidge Samou Faith Ohakam Dr. Celine Orjii
Evangelist Babalola
Agnes N. Foda Dr. Ednah Madu Victoria McEwen Joyce I. Butler
Mayor Adams expands outreach and education effort to support small businesses, help them avoid federal fines and fees.
US Presidential Election And It's Implications On Africa. This attitude is bewildering when viewed against the backdrop of the historical antecedents of both parties.
I ask again, who is the rightful owner of the Benin artifacts? Is it the Edo State government...
Naila is three
MUMBASA CULTURAL CARNIVAL
The event often includes competitions in areas such as dance, fashion, beauty, and art, allowing different cultural groups to display their rich traditions and talents.
UNVEILING
NIGERIA'S ARTISTIC HERITAGE
The Third installment in this article series. It is my hope that readers gain a deeper understanding and appreciation of Nigeria's rich artistic heritage, from its ancient origins to its contemporary expressions.
Fred mentions another significant project, the film Amazing Grace, which was shot on celluloid and directed by his nephew, Jeta Amata. The movie is based on the life of John Newton and the famous hymn "Amazing Grace."
A school is in a unique position to provide a child with opportunities to learn and practice healthy eating behaviours.
CONGRATULATIONS TO LUCIA PONS, CEO AND ENTIRE STAFF
Lowest West Side 55 and Dennellisse 37 Anniversary
CHIJIOKE EIYEBHOLORIA
Congratulations to Ceejay as she turns 50 and fabulous!
ACHIEVING HAPPINESS THROUGH DREAMS
Utilitarian, science of happiness was intended to be a means by which governments could measure the expected pleasures and pains resulting from policy proposals and select those that produce the greatest net happiness.
TRADITION OF AFRICAN FOLKTALE
Among African folktales, animal trickster tales are particularly favored as they feature animal tricksters with human habits, beliefs, and weaknesses, instilling moral values in children within the community.
English Language Learning for New Migrants and Asylum Seekers, Unity in Action, Hands on Photography for youths.
The night she gave birth to her
because my
I caught hubby crying in the
SMALL BUSINESS SATURDAY
Mayor Adams Expands Outreach And Education Effort To Support small Businesses, Help Them Avoid Federal Fines And Fees
Businesses Could Face Civil Penalties of More Than $500 Daily for Not Completing Corporate Transparency Act Filing Requirement. City Agencies Have Made Over 320,000 Contacts, Reached 39,000 Businesses, Representing a Potential Savings of Approximately $19.5 Million Per Day for New York City Businesses. Outreach Efforts Come as Adams Administration Celebrates Milestones in Employment, Entrepreneurship Before ‘Small Business Saturday.'
NEW YORK – New
York City Mayor Eric Adams and New York City Department of Small Business Services (SBS) Commissioner Dynishal Gross announced efforts to support small businesses in advance of “Small Business Saturday”
and the holiday season by educating small businesses ahead of the filing deadline for the federal Corporate Transparency Act (CTA). The federal law requires U.S. corporations and LLCs to disclose ownership information to the U.S. Department of Treasury. Under the new federal guidelines, most businesses will need to file a Beneficial Ownership Information Report about the individuals who own or control them by December 31, 2024, and newly formed businesses must do the same within 90-days of being registered Eligible businesses and entrepreneurs that fail to comply with the new federal guidelines may be subject to civil penalties of more than $500 for each day that they have not completed the filing requirement by the federal government. The outreach, set against the backdrop of the upcoming holiday shopping season in New York City, is another example of how the Adams administration remains committed to helping small businesses succeed, including through connecting small businesses to over $290 million in grants and loans and nearly $30 million in commercial revitalization for Business Improvement Districts
“Since day one, our administration has prioritized cutting red tape for small businesses and helped them better navigate regulations at all levels of government, and, as a result, we’ve created more small businesses than at any time in our city’s history,” said Mayor Adams. “Educating small businesses about the Corporate Transparency Act is fundamental to making sure small businesses avoid unnecessary fines and continue to power New York City's recovery, unhampered. This outreach is a great way to provide substantial support to small businesses in advance of ‘Small Business Saturday’ and a busy holiday season, and has already helped us potentially save 39,000 businesses $19.5 million each day in federal fines.”
“SBS is here to ensure that small businesses across the city can grow, thrive, and reach their full potential,” said SBS Commissioner Gross. “We know that small business owners want to be compliant with the law. Our education and compliance specialists help entrepreneurs across New York City save time and money while avoiding fines, fees, and scams. Beneficial Ownership Information reporting is fast, free, and easy — and so are our informational webinars.”
The city launched a multi-agency campaign — including SBS, New York City Department of Buildings, New York City Department of Consumer and Worker Protection, New York City Department of Finance, New York City Department of Veterans’ Services, New York City Economic Development Corporation, New York City Mayor’s Community Affairs Unit, New York City Mayor’s Office of Contract services, New York City Mayor’s Office of Immigrant Affairs (MOIA), New York City Mayor’s Public Engagement Unit (PEU), and the Taxi and Limousine commission -- to deliver resources
to small business owners about this federal law and how to comply with its mandates ahead of the December31,2024filingdeadline.
Through this multi-agency outreach and education initiative, the city has reached at least 320,000 contacts through email and newsletters and is working with PEU to conduct additional business owneroutreachviatextmessage,andhavealready reached approximately 39,000 businesses. This outreach represents a total potential savings of at least $19.5 million per day in fines under CTA guidelines.
Last week, SBS and MOIA hosted a media roundtable to answer questions from community and ethnic media and provide multilingual CTA compliance resources to the public. The agencies also shared resources with over 600 community partners, 76 business improvement districts, and all chambers of commerce. SBS is raising awareness through social media and is canvassing neighborhoods across all five boroughs of the city, targetingsmallbusinessownersandentrepreneurs. Additionally, SBS has hosted eight webinars in partnership with The Legal Aid Society and Patterson, Belknap, Webb, and Tyler LLP, which have drawn 1,450 unique attendees, with presentationsavailablein18languages.
The city is also educating New Yorkers about how to protect themselves from bad actors preying on small business owners, especially in the city’s immigrant communities. While compliance with the CTA is fast, free, and easy, several third-party actors have been advertising services charging upwards of $1,000 to file Beneficial Ownership Information forms. SBS will continue to host webinars through the end of 2024, including two in conjunction with the United States Department of Treasury. Those interested can register on Eventbrite. The city’s outreach and education efforts follow the Adams administration’s commitmenttoputtingmoneybackintothe
pocketsofNewYorkers.
Recognizing the importance of small businesses to the health and vibrancy of the city’s neighborhoods and commercial corridors, the administration has prioritized cutting red tape, improving public safety, fostering the public realm, and promoting economic development. As a result of the administration’s efforts, New York City reached a record of 183,000 small businesses across the city — the most in its history — with one in five businesses operating in thecityhavingstartedintheAdamsadministration.
Since the start of the Adams administration, SBS has helped businesses save millions of dollars in fines and fees through its "NYC Business Express Service Team" and has facilitated the disbursement of more than $290 million in financing through grants and loans. SBS has also overseen the direct investment of more than $35 million in grants to communitybased development organizations, merchants’ organizations,andBusinessImprovementDistricts.
As “Small Business Saturday” approaches, the administration is asking all New Yorkers to shop small and shop local, and encourages everyone to take SBS’s “Shop Your City Challenge.” New Yorkers can support small businesses through committing to purchase from neighborhood shops listed on “Shop YourCity.”
“Our 220,000diversesmall businesses, half of which are immigrant-owned, make New York City tick,” said New York State Assemblymember Jenifer Rajkumar. “They are there 24/7 offering what we need when we need it, and we are committed to making sure they have every spare dollar to operate. With ‘Small Business Saturday’ upon us, we aresuperchargingoursmallbusinessesbyeducating them on new federal ownership disclosure rules. We will save owners from fines that can exceed $500 per day, giving them more money to invest back into their businesses and create jobs. Together, we will do everything we can to uplift our small businesses andthecommunitiestheyserve.”
NOVEMBER
US Presidential Election And It's Implications On Africa
On July 21st 2024 the current president of the United States of America, Joe Biden of the Democratic Party withdrew from the presidential race due to what many political pundits called diminishing cognitive ability, and endorsed his vice president, Kamala Harris, as his replacement. He had earlier called Kamala Harris to inform her of his decision.
The presidential race is now between the Republican nominee, Donald Trump and former president, and Kamala Harris. In fact, at the time of writing this report some states had already commenced early voting, and this would culminate in the nationwide election slated for November 5th 2024.
Our concern here is to examine the implication of the election for Africa and Africans, and whether any of the candidates has the potential to instigate a policy shift that would enhance the political economy of African states. This is especially so considering that a majority of African Americans, and indeed the whole of Africa do tend to lean towards the Democratic Party at every election circle. This attitude is bewildering when viewed against the backdrop of the historical antecedents of both parties. Most political pundits agree that in the 1800s it was the Republican party that stood firmly for the abolition of slavery and pursued civil rights reforms for blacks after the American civil war. However, there are those who counter that since the 1960s the Democratic Party has transformed into a bastion of support for black rights movements and has endeared itself to the black electorate.
Be that as it may, it is the position of this paper that over the years there has been no significant difference in the policy initiatives of both parties with regards to the plight of Africa. One could therefore ask, does Trump or Kamala represent a potential shift in policy on Africa? Every possible indicator would suggest a negative conclusion to this claim. This is because, as we will show shortly, this is not about individual presidents, it is about the system that ensures that an advantageous status quo (in favor of America and its elite) is maintained by any means necessary.
Article by Manjadda Imah
America, like other super powers, would protect only h interests in Africa regardless of who was in power. civil wars, terrorism and banditry, trade deficits an chronic debts that has bedeviled Africa for several decades have transcended many American presidents from both sides of the aisle. At this moment war is ravaging some countries across Africa – Libya, Sudan, Somali, the Democratic Republic of the Congo, etc. Some of the other countries suffer massacres and mass destruction by terrorists and bandits, including countries like Nigeria, Mali, Niger, Chad, and Cameroon. The current instability in Libya has NATO imprints all over it. Ever since Libya was bombed by NATO in 2011 under the watch of Obama, a Democrat, the country has remained lawless, ungovernable, and a haven for human trafficking and slavery. Nothing changed with Trump, a Republican, as president. And nothing has changed with Biden, another Democrat, as president. Somalia has remained a nation of perennial wars, and the periodic interventions by the US military under different presidents from both sides of the aisle only seem to worsen matters.
Trade with Africa has essentially been based on the socalled comparative advantage policy that has ensured that Africa remains the provider of raw materials and the dumping ground for all manner of manufactured goods. This is amply demonstrated by the lithium mines in the Democratic Republic of the Congo in which child labor is exploited. Irrespective of the party they belong to there is no US president that would change this trend.
Added to all of this is a litany of mainly dubious debts that continue to grow exponentially without an end in sight. The servicing of these debts alone has continued to drain scarce financial resources from African coffers and therefore, exacerbating the dire economic situation of Africa. By the end of 2023 it was estimated that Africa owed more than $1.2 trillion. To assume that any American president can intervene to arrest this trend is to hope for too much.
In Mali, Niger, Nigeria, Burkina Faso marauding bands of terrorists and bandits have made life unbearable and virtually brought economic activities and social life to a standstill in some towns and villages as they pillage and plunder to assert their authority over prime land laden with gold and other precious mineral resources to be exploited by local political elite and their foreign collaborators. Attempts to buy latest military equipment, including armed drones to be used in fighting these enemies of the state from the US and Europe is usually thwarted by the policies in these countries.
In summary, one can conclude that regardless of who wins the American presidential election on November 5th 2024, there won’t be any major policy shift in tackling any of the pressing challenges besetting the African continent, for, in the end, “the fortunes of Africa are ours to make or mar,” and cannot be dependent on the none existing benevolence of an American president, Democrat or Republican.
Benin Artifacts and their rightful return?
The debate surrounding the rightful ownership of the returned artifacts from the Benin Empire needs to reach a resolution. Who holds the claim: the Edo State government, the Federal Republic of Nigeria, or His Royal Majesty, Omo N’ Oba N’ Edo Uku Akpolokpolo, Oba Ewaure II of the Benin Kingdom? In an interview with the Vanguard newspaper on July 31, 2022, Oba Ewaure II stated, “These artifacts are integral to the cultural and spiritual life of the Benin people.” He emphasized that his great-grandfather, Oba Eweka II, began efforts to reclaim the items, which are now dispersed globally, shortly after he ascended the throne following the death of his father, Oba Ovonramwen, in Calabar in 1914. His Royal Majesty asserted that the artifacts were taken from his great-grandfather and should be returned to his palace, from which they were looted by the British Royal Army.
Anyone who argues against these facts about where the artifacts belong or that they were stolen may inadvertently be perpetuating the injury that the British Royal Marines inflicted on the Benin people, their ancestors, and the Kingdom of Benin in 1897.
I ask again, who is the rightful owner of the Benin artifacts? Is it the Edo State government and the Federal Government of Nigeria, as proclaimed by the Governor of Edo State, Godwin Obaseki, or do the artifacts belong to the Palace of the Benin Kingdom, His Royal Majesty Oba Ewuare II?
Queen Idia of the Benin Kingdom, Mother of Oba Esigie 1504 -1550
Oba of Benin and his queen
An interview conducted by the News International 101 will help put closure to this matter. This article, on the last interview with OBA Ovonramwen Nogbaisi a day before he joins his Ancestors, published by Pen Pushers, on Jun 23, 2021, reinforces the position of the current Oba of the Great Benin Kingdom, Oba Ewuare II regarding the returned Benin Artifacts.
An audience with his Majesty
Oba Ovonramwen Nogbaisi
Interview notes
Q: Thank you for having us today. Your Majesty how are you feeling?
A: Very frail from my illness.
Q: Your Majesty, it is exactly 17 years to the day today that the British put together a naval squadron of 1200 Royal marines to capture Your Majesty and burn down your city. We apologize for their cruelty, but we would just like to get your views on what happened and on life for you after that punitive expedition.
Q: The British claimed that they were acting in response to your soldiers eliminating a peaceful party they had sent to bring you presents at Christmas, what would you like to say in response to that?
A: What is Christmas? My people had no idea about Christmas, we had our sacred ancestral ceremony during that period (the Igue Festival) and the Briti Party led by Lawyer Phillips knew that and was told wait for just two days for me to complete my fasting but he said he was too big and too busy to wait for us to complete our ceremonies. He decided to invade our private ceremonies during my fasting and prayer period and when no one was allowed to talk to or disturb me; putting together a party of over 270 officials and soldiers, he set out to march on our ci against all advice that this was an unwise move. My Chief of Army Staff saw this as a deliberate act of unprovoked war declaration and acted accordingly to defend our city. What would you have done if you ha been in his position?
News International 101: We are very sorry, Your Majesty. We will move on to another question.
Q: The British reported that you were the last person to evacuate your city when it was being burnt to the ground; it must have been very painful for you to watch centuries of your ancestors’ hard work burnt to cinders. Why did you wait till the bitter end?
A: You just imagine this, I had recently in the new year, blessed all my peoples’ households and prayed for their prosperity this year; then one month on, the city is burning, and I flee with the people, how would that have made us look as Divine King of the people? My duty was to watch over their houses and the city until there was nothing left, my ancestors would have expected this of us.
Q: The papers reported widely about the treasure trove in your storerooms, the British reported finding intricates bronze plaques, ivory and terracotta artwork ‘of the highest quality covered in the dust of age’. What was the idea behind this?
A: We were renovating the palace and put these away for safe keeping. I must add that most of the works the British found there had been in the storerooms for centuries; my ancestors wanted to record and preserve their history in expensive and durable forms, it is one’s duty to uphold this desire.
Q: Your Majesty, you now live in Calabar, how have things been with you?
A: Traumatic. Losing one’s place in the world is never easy. Having to cope with being a nobody after being a king in charge of a proud and industrious people and of a country is very humiliating but one has to do all one can to survive, even a once upon a time king like me. One lesson we made sure we taught our people was ‘when the going gets tough, the tough must get going’; this mindset sets superior stock apart from ordinary stock and I am made of a superior stock, this trying period attests to this fact.
Q: Has it been difficult adjusting to your new position?
A: You have no idea just how difficult it has been. Some people deliberately scorn you with impunity for the sake of just being able to do so.
Q: What one incident stands out for you?
A: One day, one of my children was playing with other children, one of them deliberately head butted her, injuring her badly. She suffered a fractured jaw and eye inflammation and was in pain for months. When her mother complained to the local chiefs here, all they did was to ask that child to apologize whereas in my custom back home, the child’s parents would have been fined heavily for not having their child under control. It was painful for me as a father knowing that I cannot even protect my own family when others want to deliberately hurt or harm them.
Q: What would you like to say to the British?
A: I have this message for the British; congratulations, now that you have opened up your trade routes on our soil, but make no mistake about this; this is not the end of the Kingdom of Benin.
Q: Your Majesty, thinking back about it all, is there anything that you would have done differently?
A: NO. I was trained from an early age to defend my people’s interests and to safeguard our history. I performed that duty to the best of my ability even in the face of bribery with presents from British officials to abandon my people and to pursue my own riches. My ancestors would have turned in their graves if we had behaved any differently. Anyhow, history will be the judge of whether we should have done anything differently.
Q: Your Majesty, have you any final words?
A: Yes, tell all peoples everywhere in the world, that whenever they come across a Benin artwork, they should look deeply at the composition and use the narrative it tells to pass on the history of a great Rain-forest Kingdom that existed on the West African Coast from 40BC till the British sacked it in 1897. The world should tell our story well.
News International 101: Your Majesty, thank you for giving us so much of your time today. We hope you get better soon so you can leave the hospital and return home.
His Majesty Ovonramwen Nogbaisi died on Wednesday 14th January 1914. Tuesday 14th January 2014, marks his 100 years death anniversary. His Majesty Oba Ovonramwen Nogbaisi was never informed that his captor and judge Ralph Moor who put him in chains and exiled him from his kingdom, on return to England after his African duties suffered insanity and committed suicide on September 14th 1909; ‘The coroner’s jury determined that “the poison was deliberately taken whilst temporarily insane after suffering acutely from insomnia”, they had heard evidence that Moor had suffered for the last four years on his return from Africa with malarial and backwater fever that induced insomnia.’ Source Wikipedia
Article by Dr. Napoleon Imarhiagbe
Happy Birthday Naila Osuji
SEPTEMBER 19, 2024
MOMBASA CULTURAL CARNIVAL MOMBASA CULTURAL CARNIVAL
Kenya lies on the East Africa coast, bordered by the Indian Ocean and Somalia to the east, Ethiopia and South Sudan to the north, and Uganda and Tanzania, west and south respectively. A home to wildlife like lions, elephants and rhinos. From Nairobi, the capital, a visit to Amboseli National Park will offer you views of Tanzania's 5,895m Mt. Kilimanjaro.
ABOUT MOMBASA CITY
Mombasa city is one of the largest cities in Kenya, it is recognized as a tourist hub. Tourism is a major contributor to the economy, and therefore attracts many forms of events and festivities due to the presence of several beaches and historic sites. Mombasa is also a home of sanctuary for wildlife such as the Antelope, Elephants, and Monkeys among others, and due to the presence of a national reserve it provides visitors with the opportunity to experience the wonders of nature at a close view.
THE CARNIVAL
The Mombasa Carnival is an annual festival celebrated throughout November, one of Kenya’s most vibrant celebrations of culture, music, and art, showcasing the city's rich cultural diversity. A rich display of ancient music and dancing. Live concerts in a variety of local music like Taarab, Chakacha, Giriama, and more, are featured. The event brings together all the different cultures and traditions, offering visitors the opportunity to experience the rich traditions, ethnic diversity, and heritage of the country.
Article by Adam Alli
HIGHLIGHTS OF THE CULTURAL PARADE
One of the most important features of the Mombasa Carnival is the parades. The carnival usually commences with two major parades which later converge at the city center for the climax of the festival. The colorful street parades features participants dressed in traditional attire from various Kenyan communities, including Swahili, Arab, Indian, and African influences.
The parade showcases traditional dances, music, and cultural displays representing the rich ethnic diversity of the country all march through the streets of Mombasa adorned in different ethnic costumes. The humming beat of African drums, the swaying local beats of Kikuyu and Luo music, as well as the electrifying beats of the Swahili and Arab influences, and other musicians that cut across the traditional and modern style continue to entertain visitors as dancers move to the rhythmic tunes all through the parade festivities.
Event Competitions
The event often includes competitions in areas such dance, fashion, beauty, and art, allowing different cultural groups to display their rich traditions and talents. Since Mombasa is located on the Indian Ocean the carnival often features traditional boat races, highlighting the maritime heritage of the Swahili peo
Food Stands
The wide range of delectable food offered is one of t highlights of the Mombasa Carnival. Traditional meals and other culinary treats can be found at food stand The carnival offers a range of local coastal delicacies, including seafood and Swahili dishes like biryani and pilau, and various aromas filling up the air, reflecting the culinary diversity of the region.
Craft Stands
The carnival offers opportunities for local artisans and craftsmen to create stands where they sell unique handmade goods. These could include stunning wood carvings, pottery, beadwork, woven baskets, masks, beaded jewelry, traditional textiles, wooden sculptures, and other crafts. These exhibits reflect the cultural traditions of Mombasa people.
Economic Boosts
The carnival offers a major boost for the city’s local economy as well as the country. Local businesses continue to benefit from the patronage due to the influx of tourists, restaurants, hotels. And also considering the beautiful sandy beaches, vibrant nightlife, national wildlife reserves, and historical sites,
UNVEILING AFRICA'S ARTISTIC HERITAGE A Journey Through
History
Africa's artistic heritage is as ancient and diverse as the land itself, with a rich tapestry of cultures and traditions spanning thousands of years. From the enigmatic rock art of the Nok civilization to the majestic terracotta sculptures of the Ife kingdom, the roots of Nigerian art run deep, weaving a narrative of creativity, spirituality, and cultural expression.
Independence and Modernity The Birth of Contemporary Nigerian Art
This is the third installment in this article series. It is my hope that readers gain a deeper understanding and appreciation of Nigeria's rich artistic heritage, from its ancient origins to its contemporary expressions. By celebrating the diversity and resilience of Nigerian art, we honor the creativity and cultural legacy of generations past and present:
Article 1: Ancient Origins: Tracing the Roots of Nigerian Art.
Article 2: Colonial Encounters: Artistic Responses to Colonialism and Cultural Exchange.
Article 3: Independence and Modernity: The Birth of Contemporary Nigerian Art.
Article 4: Challenges and Resilience: Nigerian Art in the 21st Century.
The Foundations of Contemporary Nigerian Art
Before independence, Nigerian art was rooted in traditional practices, from the terracotta works of the Nok civilization to the intricately carved masks of the Yoruba, Igbo, and Benin Kingdoms. These forms were more than aesthetic; they held spiritual, ceremonial, and communal significance.
Independence brought a shift. The postcolonial era saw Nigerian artists grappling with their identity in a rapidly modernizing world. While deeply connected to their roots, they began exploring new mediums, themes, and techniques. The establishment of institutions like the Zaria Art School in the late 1950s marked a turning point. The "Zaria Rebels," led by artists like Uche Okeke, Yusuf Grillo, Bruce Onobrakpeya, and Demas Nwoko, championed a philosophy of "natural synthesis" — blending traditional Nigerian art with modern styles.
Post-independence, Nigerian artists began addressing themes like cultural heritage, identity, and sociopolitical change. The Biafran War (1967–1970) deeply influenced art, as creators used their work to process trauma, document history, and call for unity. Modernity also brought new challenges: urbanization, globalization, and the interplay of tradition and innovation.
Contemporary Nigerian art often examines the duality of preserving cultural traditions while embracing the future. Artists explore topics like migration, technology, gender, and climate change, using their platforms to spark dialogue and inspire change.
Famous Nigerian Painters Today
Today, Nigerian painters are among the most sought-after artists in the world, bringing the richness of their heritage to global audiences.
Njideka Akunyili Crosby Known for her mixed-media collages, Akunyili Crosby combines photography, textiles, and painting to explore themes of identity, memory, and belonging. Her works often depict intimate domestic scenes, blending Nigerian and Western influences.
Yusuf Grillo’s work, characterized by a unique use of blues and geometric patterns, draws heavily on Yoruba culture and spirituality. He remains a key figure in bridging traditional and modern Nigerian art.
Toyin Ojih Odutola known for her meticulous pen and ink drawings, Odutola explores the complexity of identity, family, and storytelling. Her works are often described as visual narratives, drawing viewers into deeply personal worlds.
Obiora Udechukwu is a leading figure in contemporary Nigerian art, Udechukwu combines poetry and painting to address social and political issues, particularly those rooted in Nigeria’s history.
Victor Ehikhamenor an innovative artist and writer, Ehikhamenor blends traditional motifs with abstract forms, often addressing themes of colonialism, religion, and memory. His works have been featured in major exhibitions worldwide, including the Venice Biennale.
Kelani Abass' works merge printmaking and painting to explore themes of history, memory, and the power of archives. His art often reflects on the evolution of Nigerian society through personal and collective narratives.
Article by Mahraja Suleman
The Global Stage: Nigerian Art Today
Nigerian artists are now central figures in the global art market, with works being showcased in prestigious galleries and auctions. Institutions like the Art X Lagos art fair and the Nigeria Pavilion at the Venice Biennale have amplified Nigerian art's visibility, creating opportunities for artists to connect with global audiences.
Social media and digital platforms have also revolutionized the way Nigerian artists share their work. Platforms like Instagram and online marketplaces have allowed emerging artists to gain recognition, sell their art, and build communities beyond geographic boundaries.
Challenges and Opportunities
While Nigerian artists thrive globally, challenges persist. Limited infrastructure, inadequate funding, and inconsistent government support hinder the growth of the art industry at home. However, private initiatives and collaborations with international organizations are addressing these gaps, fostering a new generation of Nigerian artists. At the same time, the global art market's increasing interest in African art offers immense opportunities. Nigerian artists are not only redefining contemporary African art but also challenging stereotypes and promoting nuanced narratives about Africa's cultural and historical richness.
A Legacy of Creativity and Innovation
The birth of contemporary Nigerian art is a testament to the country’s resilience and creativity. From the traditional practices of ancient civilizations to the dynamic, boundary-pushing works of today, Nigerian art continues to evolve, reflecting the complexity of its history, identity, and future. As Nigerian artists continue to captivate global audiences, their works remain a powerful expression of independence, modernity, and cultural pride.
Fred Amata The Man Behind the Magic
Fred Amata’s interview provides insight into the life of a filmmaker who has played a pivotal role in the development of Nigerian cinema. His journey, deeply rooted in a family tradition of creativity, has seen him navigate challenges, reshape perceptions about the arts in Nigeria, and maintain a commitment to highquality productions. Through his work, Fred Amata has contributed to Nollywood's rise as a global force in filmmaking, while also inspiring the next generation of Nigerian artists.
The interview begins with an introduction by Dr. Osuji, who expressed her excitement to have Fred Amata, a prominent Nigerian filmmaker, director, and actor, as the guest. Dr. Osuji acknowledged Fred Amata's significant contribution to Nollywood, and notes that this particular interview is special because it's being conducted in person in New York City. Amata responds warmly, expressing his pleasure at being in New York and recognizing the strong sense of community among Nigerians in the city.
Fred Amata’s Background and Early Influences
Fred Amata delves into his background by emphasizing his family's deep involvement in the arts. His father, Pa Johnny Fogarty Amata, was a trailblazing filmmaker who made a significant impact with his 1957 film "Freedom," which premiered in San Francisco. Growing up, Fred was heavily influenced by his father's work, and this legacy of creativity deeply shaped his path. Amata recounts how, while other children were excited about international actors like John Wayne, he was inspired by his own father’s work. This familial atmosphere led Fred and his siblings to study theater arts, with Fred graduating from the University of Jos with a degree in the field.
Early Career and Transition into Nollywood
Fred Amata's career began in 1986 while he was serving in the National Youth Service Corps. At that time, the Nigerian Television Authority (NTA) was the sole provider of dramatic content in Nigeria. He quickly made his mark by directing the soap opera "Ripples," which became one of the most popular programs on Nigerian television. Amata reflects on how this early work, along with his family's artistic legacy, laid the foundation for his longlasting career in the creative industry. By 1993, he was actively contributing to the birth of Nollywood, a revolutionary moment for Nigerian cinema.
Inspiration from Family and Challenges in Pursuing a Career in the Arts
Fred Amata delves into his background by emphasizing his family's deep involvement in the arts. His father, Pa Johnny Fogarty Amata, was a trailblazing filmmaker who made a significant impact with his 1957 film "Freedom," which premiered in San Francisco. Growing up, Fred was heavily influenced by his father's work, and this legacy of creativity deeply shaped his path. Amata recounts how, while other children were excited about international actors like John Wayne, he was inspired by his own father’s work. This familial atmosphere led Fred and his siblings to study theater arts, with Fred graduating from the University of Jos with a degree in the field.
Fred Amata reveals how his brother, Zack Amata, was another key influence in his life. Zack was a renowned actor, known for his portrayal of Baba Efe, a principled Nigerian father in the soap opera "Behind the Clouds." Fred admired his brother's integrity and wanted to follow in his footsteps. This, combined with the legacy of his father’s career, led him to pursue theater arts. However, the early years were not easy, as there was a widespread perception that a career in the arts would lead to financial hardship. Fred shares a story of an aunt who predicted that he would "suffer" for choosing to follow his father's path. Despite this, Fred continued, and by the time Nollywood became successful, public perception shifted. People began to see the value of a career in the arts, and the stigma around it started to fade.
In the past, professions like acting or dancing were viewed as inferior to more traditional fields such as law, medicine, and engineering. Fred recounts how families would discourage their children from pursuing artsrelated careers, but this has changed, especially with the rise of Nollywood. He gives the example of a Nigerian dancer named Kaffy, who transformed public opinion by becoming a successful professional dancer. Today, arts are seen as a viable and respected career path, and many parents encourage their children to study theater arts.
Commitment to Quality in Filmmaking
Fred Amata discusses the challenges he has faced throughout his filmmaking career. He explains that every project comes with its own set of difficulties, whether he is acting, directing, or producing. One of his most memorable early challenges was producing his first film, where he had to juggle multiple roles as an actor, director, and writer. This was made even more difficult by the limited technology available at the time. For instance, in one scene, they needed to create a light that shone on a character in a symbolic way, but achieving the desired effect was nearly impossible with the tools at hand. Despite these obstacles, they managed to create something close to their vision and used it as the poster for the film.
Fred mentions another significant project, the film Amazing Grace, which was shot on celluloid and directed by his nephew, Jeta Amata. The movie is based on the life of John Newton and the famous hymn "Amazing Grace." A movie that tells the story of John Newton and the hymn Amazing Grace. The movie faced unique challenges, particularly because it was set in Calabar, Nigeria, and Amata, not fluent in the local language, struggled to perform convincingly in the epic scenes. He humorously recalls speaking "gibberish" during parts of the production. Despite these difficulties, Amata managed to learn important aspects of the culture and language while working on the film. However, Fred is proud of the continuity of creativity within his family and how they continue to contribute to contribute to Nigerian cinema. The film, which is still remembered today, highlights the enduring impact of the Amata family in Nollywood.
Amata also reflects on another film project in Sierra Leone, which portrayed a local hero who successfully fought the British. Despite featuring two of Nigeria's biggest stars, internal conflicts between the actors caused delays, and eventually, the film was never completed. The sponsor and producer both passed away, and the film’s whereabouts remain unknown. Amata emphasizes that challenges like these vary from project to project, making filmmaking an unpredictable and demanding industry.
Evolution of Nollywood: From Humble Beginnings to Technological Advancement
Reflecting on the evolution of Nollywood, Amata speaks of the humble beginnings where filmmakers had to work with limited resources. He shares how his first film required borrowing money from various people, including his wife’s family members, to fund the production. At the time, the equipment was rudimentary, and they had to make do with subpar technology. He recalls how absurd it seemed then to use cameras with built-in microphones and the lack of specialized sound equipment.
Today, things have improved significantly with the availability of more advanced technology. Filmmakers now have access to better cameras, sound equipment, and other tools, allowing for higher production quality. While the technological landscape has evolved, Amata points out that the core essence of African storytelling in Nollywood has remained. However, he notes that Nollywood faced an influx of mediocrity at some point, which hurt the industry's reputation.
Mediocrity in Nollywood and Its Impact
Amata elaborates on how mediocrity crept into Nollywood, drawing parallels to the rise of "Onitsha market literature." In this period, untrained individuals, motivated by the success of renowned Nigerian authors like Chinua Achebe, began writing and publishing poorly crafted books for profit. Similarly, in Nollywood, there was a time when amateur filmmakers with little to no training began producing low-quality films. These individuals had the funds to hire top actors but lacked the skills or vision to create meaningful, quality films.
This influx of substandard productions tarnished Nollywood’s reputation, leading many to believe that the industry primarily produced "quack films." However, Amata asserts that even during this period, there were always skilled and committed filmmakers working to maintain high standards. Today, with the rise of different platforms, including YouTube and mobile screens, more filmmakers are emerging with diverse and creative approaches. The focus now is more on the artistic quality of films, and mediocrity has been largely pushed aside.
Perfectionism in Filmmaking
Amata admits that even though audiences may not notice certain details, he often finds himself reflecting on things he could have done better in his films. He recalls a scene from A Stranger where a line of dialogue still bothers him, even though no one else noticed at the time. This illustrates the perfectionism that many filmmakers grapple with long after a project has been completed. However, he also acknowledges that sometimes a scene turns out differently from the original vision, only to surprise everyone by being just as impactful, if not more.
Advice to Aspiring Filmmakers and Actor
Amata's key advice to aspiring filmmakers, directors, and actors is simple: "Hard work will beat talent that does not work hard." He believes that while talent is essential, it must be paired with dedication and relentless effort to truly succeed. This is the mantra he encourages young people in the industry to adopt if they wish to thrive.
Final Thoughts
Article by Hadiza Osuji
When asked to share something unknown about himself, Amata finds it challenging, stating that his life has been quite an open book. He emphasizes that his career has been a legacy of creativity, continuously contributing to Nollywood's growth while being transparent about his experiences. His reflections offer a unique perspective on the challenges, evolution, and personal triumphs that have shaped him into one of Nollywood’s enduring figures.
Dr. Osuji thanked Amata for sharing such a heartfelt reflection on both his professional journey and personal life, particularly becoming a grandfather. Amata shared that it is certainly a wonderful experience for him, especially seeing his son thriving and starting his own family. It’s touching that he was able to visit them and spend time with his granddaughter. It seems like this new chapter in Amata’s life is filled with joy and love and passing on some cherished family traditions along the way.
His reflections on the balance between art and finances are particularly insightful. It’s a common challenge for many creative professionals to focus on the passion for the art itself while sometimes overlooking the financial structures that sustain it. As he pointed out, back then, it was all about getting the art right, but perhaps looking at the financial aspects earlier could have provided more stability. Amata’s story about hiding the game show ‘Talk About’ because he was not satisfied with it, only for his wife to sell it and bring in the money, is such a relatable moment for any creative mind.
Dr. Osuji thanked him for sharing his journey with the African Whistle. It's inspiring to hear how his passion for storytelling, film, and the creative process has influenced not only his professional life but also the lives of so many others. We look forward to seeing what’s next for Amata both in film and in his role as a proud grandfather!
Nutrition For The School-age Child
In this edition, I will be discussing the nutrition for the school aged African children. This is most important as childhood and adolescence are critical periods for health and development of the child. Nutrition at this stage is important as it is the cornerstone of good health and development. It not just about preventing illness; it’s about fostering growth, learning and a vibrant, energetic childhood. Understanding the importance of nutrition in school aged children is crucial for parents, educators and communities. This is a period of physiological need for nutrients increases and the consumption of a diet of high nutritional quality is particularly important. Eating habits, lifestyle and behaviour patterns are established during this period, that may persist throughout adulthood. Patterns of eating have a significant influence on the child’s health and well-being.
A healthy diet and physical exercise during childhood and adolescence reduce the risk of immediate nutritionrelated health problems of primary concern to a school child, namely obesity, dental caries, micronutrient deficiency (such as Vitamin A, iron, zinc and calcium deficiency,), and lack of physical activity. In addition, young people who develop healthy eating habits early in life are more likely to maintain them and thus be at reduced risk of chronic ailments such as cardiovascular diseases, cancer, type II diabetes and osteoporosis in adulthood. Undernutrition in a school-age child has proven to be responsible for poor academic performance as well as declined work capacity, and poor health/reproductive function later in life.
The school-age child (6 – 12 years) need to eat foods from all the healthy food groups such as grains/cereals, roots and tubers, legumes and nuts, dairy products/eggs, fruits and vegetables. School-age children need healthy foods and nutritious snacks (e.g. Groundnut, cashew nut, bambara nut, awara/tofu) etc).
article by Adam Alli
cabbage,potatoes,andonions,spices,andofcourse, the main ingredient, joumou (squash). Today, several variations of the soup can be found in CaribbeanandLatinAmericancuisines.
Eating healthy after-school snacks is important, as these snacks may contribute up to one-fourth of the total calories’ intake for the day. Limit salty, fatty, and sugary foods, low-fibre foods, and drinks with caffeine or a lot of sugar. Many food habits, likes, and dislikes are set during this time. Family, friends, and the media (TV) influence their food choices and eating habits.
School-age children are often willing to eat a wider variety of foods than their younger siblings. A schoolage child can also help with food preparation.
A school is in a unique position to provide a child with opportunities to learn and practice healthy eating behaviours. Eating a healthy breakfast is associated with improved cognitive function (especially memory), reduced absenteeism, and improved mood. Adequate hydration may also improve cognitive function in a child and an adolescent, which is important for learning. In many African countries there is limited access to diverse and nutritious foods which can result in deficiencies in essential micronutrients, such as Iron, Zinc, Iodine, and Vitamin A. In addition, School-age adolescent girls may be especially vulnerable, as discrimination and cultural norms often affect intake of nutritious foods in African communities.
Animal Source Food
Veges & Fruits
article by Adam Alli
Furthermore, external influences – such as peer pressure, the desire to fit in among friends, and aggressive food marketing heavily influence what a school aged children eat. Fast foods, instant foods, energy-dense snacks, and soft drinks are widely available in urban areas, including in and around schools. The diets which are mostly consumed away from home are nutritionally poor, and higher in calories, saturated fat, salt, cholesterol and lower in fibre, calcium, and iron, which can lead to malnutrition. These junk food items are often found to be more appealing and accessible to children.
School feeding is critical component of the school health programme in most African countries such as Nigeria, Benin, Kenya, Sierra Leone, Mali, Burundi, Central Africa Republic, Guyana, Rwanda, Ehtiopia, Ghana, and Uganda, Nepal, Madagascar etc and one way to ensure that every child receives a healthy meal every day.
Furthermore, examples of Vitamin A rich foods are Dark-green leaves and yellow-coloured fruits and vegetables which help children to have healthy eyes and fewer infections.
It is also worthy to note that consumption of energydense and fatty diet from fast food outlets, reduced active commuting to school, and use of energy-saving devices (computer games and television programmes) have been associated with malnutrition in the area of overnutrition.
Building A Strong Foundation For School-aged Child
Balanced Meals and Snacks: Provide regular meals (3 meals) and healthy snacks (2-3 snacks) throughout the day. Include a variety of foods from fruits, vegetables, whole grains, lean protein, and healthy fats to ensure a well-rounded intake of nutrients.
Fuelling Growth and Activity
2.
Increased Calorie Intake: Children this age are actively growing and becoming more involved in physical activities. They will need an increased calorie intake compared to preschool years.
1. Nutrient-Dense Choices: Focus on nutrient-dense foods that are high in vitamins, minerals, and fibre but lower in unhealthy fats and added sugars. Examples include whole grains, brightly coloured vegetables, fruits, lean protein sources (chicken, fish, beans), and healthy fats (avocado, nuts, seeds).
Encouraging
Healthy Habits
Family Meals: Make mealtimes a positive family experience. Eat together whenever possible and encourage conversation around the table. This fosters a sense of connection and allows for modelling healthy eating behaviours.
Shared Decision-Making: Allow children some involvement in meal planning and food preparation. This can increase their interest and ownership over healthy choices. Let them choose from a few healthy options or help with age-appropriate tasks in the kitchen.
Fats & Oils
Article by Rakiya Idris
Portion Control: Guide children on appropriate portion sizes to avoid overeating. Use visual cues like their hand size or bowls designated for specific foods.
Limit Unhealthy Options: Discourage sugary drinks, processed snacks, excessive fast food, and unhealthy fats. Offer readily available healthier alternatives like fruits with nut butter, whole-wheat crackers with cheese, or yogurt with berries.
Addressing Common Challenges For School-aged Children
Picky Eaters: Be patient and persistent. Offer a variety of foods and expose children to new tastes repeatedly. Involve them in selecting new options at the grocery store and be creative with the presentation.
Peer Pressure: Talk to children about healthy choices and how to navigate peer pressure around food. Encourage them to make friends who share similar values about healthy eating. Role-play scenarios where they can practice saying no to unhealthy options.
article by Adam Alli
Busy Schedules: With school activities and commitments, planning and preparation are key. Pack healthy lunches that include a variety of food groups, involve children in meal-prepping snacks (like washing fruits and vegetables), and find quick and easy recipes that are still nutritious.
The additional consideration to note include the Cultural and Socioeconomic Factors: Be mindful of cultural food practices and financial limitations. Explore affordable options for healthy foods and involve children in planning meals within budgetary constraints. Look for seasonal produce or incorporate cultural favourites in healthy ways.
Congratulates
LUCIA PONS (CEO) & THE ENTIRE STAFF AS THEY CELEBRATE
In loving memory of late Chief Joseph Olunwa Eziri
Family
CHIJIOKEM EIYEBHOLORIA
Achieving Achieving Happiness Happiness Through Through Dreams Dreams
Author : Dr. Napoleon Imarhiagbe
Chapter 4. Happiness
and Governmental Policies and Society
All human beings, whether they are black or white, are striving by the laws of nature to seek happiness. Life is a gift from God, and happiness is what all human beings desire. In the history of human race, it is difficult to find a political party or a government that introduced laws to prevent citizens from seeking happiness. Even in the United States and the French governments Declaration of Independence, the policy of the “pursuit of happiness” was enacted. “According to Benthams utilitarian, science of happiness was intended to be a means by which governments could measure the expected pleasures and pains resulting from policy proposals and select those that produce the greatest net happiness” (Walker and Kavedzija, 2015, p. 2). Governments should not only use Growth Domestic Product (GDP) and Growth National Product (GNP) for measuring the national achievement or performance of its country.
As cited in Happiness, Mental Health, and SocialDemographic Associations Among a National Cohort of Thai Adults (Yienggprugsawan et al., 2012, p. 2), Derek Bok drew from his vast experience in education, development, and economics, noting that governments should use happiness and its distribution as the key measures for national achievement. These factors have been discussed in both developed and developing world on how governments can measure the happiness or welfare of their citizens (Yienggprugsawan et al., 2012). However, the intended policy enactments of any government, whether it is about health care, social, national security, political or economics, are for the peoples happiness.
A responsible government provides an enabling environment through policies or laws for citizens to drive and pursuit happiness.
Aristotle reinforced the notion that “when citizens are happy, the state is performing well.” All human beings have one similar interest, which is happiness, whether they are in a well-functioning state or not. A wellfunctioning state is the one that implements rules and regulations that enable all citizens to seek happiness under the jurisdiction of fairness and justice. It is the duties of the state to provide a system that the meet the morale, norm, and integrity of human beings.
“The best form of government is also the one in which everyman, whoever he is, can act best and live happily” (McGill, 1967, p. 33). In addition, the best system of government has equal opportunities that allow every citizen to obtain happiness (McGill, 1969). Aristotle restated his philosophy that an effective government is also the one that creates a conducive atmosphere for its citizens to compete for their interests, whether it is economics, political, or social aspects. The fundamental aspect is that a fair playing field is what is needed in any well-functioning state. The best a state could do is to create fair systems that allow citizens choose the best way to be happy. Whatever makes people happy, it is their right to choose what make them happy; it might be through friendship, marriage, career, money, wealth, voluntarism, or sport, etc. Every human being has God-given rights to pursue happiness through effort in the land he or she dwells.
When we talk of happiness, freedom, and rights, they are every important because in a society where individuals cannot exercise freedom and rights, there is no happiness. You cannot be happy in a country with a calamity and civil war. There is no happiness in a society ruled by an autocratic leader where freedom of movement is prohibited. A society with freedom and rights creates a conducive environment for individuals to pursue their dreams of happiness. A society without freedom of movement or to “choose, there can be neither meaning to virtue to achievement, nor flavor to happiness” (Magoun, 1960, p. 3). When citizens have freedom to choose, there are opportunities for open heart discussions. It opens ways for individuals not only to talk about the problems facing their country, but also about their desires and interests that would ultimately make them happy.
Happiness is a God-given right that no one or government has the right to infringe or take away from you ___Dr. Napoleon Imarhiagbe
In the United States constitution, life, liberty, and pursuit of happiness were emphasized by the founding fathers. These notions are critical to guarantee individuals rights and the welfare of the citizens. They are fundamental under the constitution and they cannot be infringed by the government. Life, liberty, and happiness are not only God-given rights, but they are also basic democratic ideas that guide and advance the well-being of all human beings. Indeed, everyones life is meaningful, and the right to happiness is the main purpose of individuals living.
It paves ways to a democratic governance and value where there are freedom of expression and liberty. When citizens are allowed to express their minds without fear of repercussion or being punished by the governmental laws, it creates a form of unity and brotherhood of happiness. This is not an analogy that people who reside in democratic governments are more happy than those who are ruled by dictators or any other form of autocratic governments; however, freedom of expression and liberty are central to humans well-being and happiness.
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THETRADITIONOFAFRICANFOLKTALES
Storytelling in Africa has manifested in many ways and served various purposes, including interpreting the universe, teaching morals, maintaining cultural values, and praising God. The oral tradition of storytelling enables African culture to transmit knowledge and history from one generation to the next. Africans seeking to learn more about their cultural roots often gain a deeper understanding of the history, values, and traditions of African culture by reading and listening to African folktales. Analyzing these folktales allows individuals to connect to their cultural heritage, teaching principles of morality, valuable life lessons, and providing a sense of identity. Among African folktales, animal trickster tales are particularly favored as they feature animal tricksters with human habits, beliefs, and weaknesses, instilling moral values in children within the community.
AICC PROGRAMS
NewYork
AICC’s mission is to serve African immigrants and other underserved communities with a focus on empowering African immigrant women and youth for success and to build a stronger and healthier African immigrant families and communities.
We extend a warm welcome to new migrants by providing specialized English Language Learning (ELL) classes tailored to meet their unique needs and challenges. Our program is specifically designed to support individuals who are new to the country and seeking to develop their English proficiency. With a focus on practical language skills essential for everyday life, our classes cover a range of topics including greetings, navigating public transportation, accessing healthcare services, and interacting with community members. Through interactive lessons, cultural immersion activities, and personalized support, we aim to empower migrants with the language skills and confidence needed to integrate successfully into their new surroundings. Our experienced instructors are sensitive to the cultural backgrounds and learning styles of our diverse student body, creating a welcoming and inclusive environment where everyone feels valued and supported on their language learning journey.
We extend our deepest gratitude to “The Bronx Community Foundation” for their generous support in funding this project.
NYICRegrant:REMAP2024
REMAP (Register, Educate, Mobilize, Advocate, and Protect) funded by the New York Immigration Coalition is a civic engagement program to conduct non-partisan civic and voter engagement activities leading up to the General Election. AICC conducts Voter registration drives, voter education, door to door canvassing, text banking, and phone banking.
Unityinaction
Empowering Youth Voices Against Hate and Violence In Our Community. This event is aimed at mobilizing and empowering youth to advocate and stand against bias, hate and violence in our community. The event focuses on providing networking opportunity, relationship building to develop mutual respect and to promote empathy, tolerance & acceptance.
HandsOnPhotographyforYouth
Hands-On Photography involves Bronx based youth aged 13-21 in an exploration of photography. The program enables youth to develop their creativity and cultural awareness through the appreciation of photography. The current popularity and accessibility of photography makes it a powerful means to engage youth in creative programming, while at the same time teaching them fundamental skills for their personal and academic goals.
AICC PROGRAMS
NewYork
YouthMentalHealthAwareness&CopingWorkshops
The program aims to promote mental health awareness and build coping skills among youth aged 13-21 years residing in the Bronx. Components of the workshop include:
Mental Health Awareness - Teaching youth about the importance of mental health, reducing stigma and recognizing signs of mental health issues.
Coping Skills - Providing practical skills and strategies for dealing with stress, anxiety, and other mental health challenges such as mindfulness, emotional regulation, and problem-solving techniques.
Related Activities: Incorporating activities that reinforce learning, such as group discussions, art therapy, physical activities, or mindfulness exercises. This is to make the workshops engaging and help youth apply what they've learned.
WraparoundServicesforNewMigrants&AsylumSeekers
Provide educational resources including identifying local schools for referral, tabling to assist with school enrollment for school-age children, support in obtaining assistance with applications where needed. Navigation to community health/mental health providers to address any health/mental health issues and connection to community-based resources for which they are eligible, such as food banks, volunteer services, and faith communities as well as housing assistance.
Provide know-your rights orientation.
Referral to secure legal counsel.
FoodSecurity
Through partnership, donations, and grant funding AICC distributes culturally responsive foodstuffs to alleviate the “food insecurity impacting a growing number of families in the community we serve.
ThePeople’sMoney
The NYC Civic Engagement Commission (CEC) is excited to launch the third year of The People’s Money 2024/25 participatory budgeting process! All New Yorkers aged 11 and up, regardless of immigration or incarceration status will be able to decide how to spend part of the city’s budget. Last year, the CEC ran this process for the second time in NYC history, inviting thousands of residents to submit ideas and ultimately vote on programs for their communities.
The first phase of the process - Idea Generation - takes place from October 11th through November 22, 2024, and involves inviting residents from across the city to 1.5 hour long workshops to engage in activities to learn about the city budget, talk about their needs and priorities, and collectively discuss ideas that can be evaluated and turned into projects to be voted on. The process will culminate with a citywide vote on these community-vetted projects in the spring of 2025.
AICC is excited to facilitate these efforts in the Williamsbridge, Norwood, Olinville, Edenwald, and Wakefield neighborhoods.
AICC WIDOWS EMPOWERMENT
AFRICA
AICC WIDOWS & ORPHANS EMPOWERMENT PROGRAMS IN NIGERIA
The AICC Orphans scholarship program is designed to give most vulnerable orphans five years full scholarship for basic education, from primary one to graduation from primary five.
The Scholarship Package
The scholarship covers tuition fee, books & writing materials, school uniforms, school shoes & socks, book bags, lunch box, and other academic materials to aid them complete the basic/primary education.
Ten orphans were registered on AICC Nigeria data base in May 2023, and five orphans were shortlisted to benefit from first phase of the scholarship program in Nigeria.
SHORTLISTED ORPHANS
1. ADAMU TANKO
2. AMOS ADAMU
3. MIRACLE EMMANUEL
4. FATIMA ZARA AUWAL
5. PROSPER JACOB
The five orphans officially resumed school after the registration process on September 11, 2023 to begin the first term academic session in their various classes. And today, from update report from their school shows that the orphans are steadily progressing in their academic pursuits.
How To Support A Widow Or Orphan
You can also participate in any of AICC empowerment programs in Nigeria to support a great cause by sponsoring a widow or orphan, or you can donate to support AICC charitable programs. For more details, please contact the Executive Director of AICC through info@africanicc.com
CIN AMANAR AURE
Wannan labarin da Turanci aka yi ta sai na fasara da Hausa. Labarin, gaskiya ta taba ni kwarai da gaskiye. Ina ji babu wata cin amana da zai wuce wannan.
Kanuwa ta ce miji na ya yi wa ciki, kuma abin da ya sa na zama bazawara kenan. Iyayen mu na sane da abinda ke faruwa ama su ka yi shiru basu giya man ba. Ciki na farko sai aka hada baki aka yi man karya har zuwa shekara uku ana cewa wani masoyinta ne da ke kasar waje ya yi mata ciki. Ana zaune hakanan sai ta sake dauka wata ciki. Na yi mamaki domin ban gan wani mazauni kasan waje da ya zo wajen ta ba, bale ace shi ya bata ciki.
Miji na a lokacin bai giya mun komai ba kuma iyayen sa da yan’uwan sa duk babu wanda ya fada mun abinda ke faruwa. Ran da ta haifi da na farko muna tare da ita a asibiti. Ban san cewa dan na miji na bane. Miji na ne ya sa hanu amincewa a yi mata tiyata domin a fito da yaro ta ciki (abin da turawa ke kira Cesarean section ko kuma C-Section) a matsayin mijin ta. Na ta yabon sa cewa ya nuna wa yan’uwa na soyaya na kwarai. Aka kuma kara yi ,mun karya cewa masoyin ta ne da ke turai ya turo kudi daloli. Domin na yi mamaki irin kudi masu yawa da aka kashe a ranar. Ko lokacin da na haifi dan mu na farko ba’a kashe kudi haka ba. Na jima ina tunani me ya sa wai sai kanuwa ta zata yi man haka.
Daren da za ta haifi da na biyu na kama mijina a bayan gida a asibitin yana kuka domin ta wahala sosai, har mun doka zata rasu. Bayan an yi mata tiyata an cire yaro sai ta fara nufanshi sama sama. Sai aka mayar da ita tiyata domin a kara yi mata aiki. Yaron kuma aka saka shi wajen renon jarirai da basu da kwari. To, a lokacin da na same shi cikin bayi yana kuka sai na tambaye shi me ya sa yana kuka haka, sai yace wani abu ne ya tuna. Lokacin ne na fara tuhumar sa.
Bayan an yi kwana biyu tana kan na’uran shakan iskan sai miji na ya fara ikirari abin da ke faruwa. Suma iyaye na suka yi mun ikirari suka kuma roki gafara. Ban tanka musu ba. Sun dauka cewa bazani dawo asibitin ba, ama sai gani, na dawo asibitin. Na je wajen gadon kanuwa ta na durkusa na dinga adu’a a bayane da karfi. Da miji na da iyaye na da kowa da ke kusa suka matso kusa muna adu’ar tare. Sai na kama kuka ban san lokacin da kanuwa ta ta taba hanuna ba, sai na rike hanun nace mata tashi kina da yara da suke bukatar kula wajen ki. Sai kuwa ta tashi ta zauna.
Da na bar asibitin sai na je gida na kwashi yara na na yi gaba. Haka na rabu da mijina, kuma har yau babu wanda ya san inda nake, ni ma bani so wani abu ya sake hada ni da su. Yanzu dai bani da iyali. Na zama dan maraya. Na canza lambobin waya na, ba na so hurda da su sai dai in fiskanci gaba na. Ranar da na sami saki uku muka hadu da iyaye na da kanuwa na, sun zo neman gafara. Sai na ce na yafe masu na hau tazi na wuce. Yanzu shekara tara ya wuce bamu hadu da kowani cikin su ba. Mun cigaba da zaman duniya. Gwanma mutum ya zauna ita kadai da zama da makiya. Kuma kowa ya cigaba da adu’a domin kiyayewa cin amana. Na ji bakin ciki kwarai da gaskiye. Wannan ya zama basira ga kowa.
Article by Manjadda Imah
Betrayal In Marriage
My own sister is the reason I am no longer a married woman. She got pregnant for my own husband, now ex.
My parents knew about it and covered it up for three years and lied to me that the man responsible was abroad. Before I knew it, my ex got her pregnant again. I wondered when the guy staying abroad came and got her pregnant again. My ex did not mention it. His family knew, but I was the only one who did not now.
The day she gave birth to her first child, I was there throughout, not knowing that she was there throughout, not knowing that she was giving birth to my own husband's child. Hubby pretended to sign the approval for her C- section operation at the hospital as the husband. Me, I was praising him for being there for my family. They also lied that the man abroad sent down some dollars. The things they bought for the baby were out of this world. Even when I gave birth to our first child, he did not close his bank account. But, every day, I kept asking myself why was it my own sister?
The night she gave birth to her second child, I caught hubby crying in the hospital toilet because my sister almost gave up. After the operation, the baby was incubated. My sister started breathing heavily and was sent back to theatre. While the whole process was going on, I looked for my hubby and did not see him. It was later that I saw him crying in the toilet. I asked him why he was so emotional, and he said he remembered something that was making him sad. That was when my suspicion began to grow. Two days later, while my sister was still on oxygen, Hubby started to confess. My mom and dad also confessed and told me everything, but they begged me not to feel bad about the situation. I did not even say anything. To their surprise, I went back to the hospital to see my sister. I knelt down beside her bed and prayed. Hubby joined me. My mom and everybody also joined us. I raised my voice, and I cried. I did not even know when she touched my hand. I held on to her and said, "rise up, your child, your children, need you. She sat up. When I left the hospital, I came home, took my kids, and left.
I filed for divorce three years later. As I am now, I don't have any family but my children. I am an orphan. They don't know where I am, and I don't want to know what is going on in their lives. changed my lines, and I'm unreachable to any of them. Life goes on.
It was the day of the divorce that my dad and mom came along with my sister to beg me. I told them I had forgiven them, and I left with a taxi. It's been nine years without any of them. Life goes on. I'd better be alone than in the midst of enemies. Pray never to be a victim of betrayal.
