Blackbox - a portfolio by Nyoman Agastyasana

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BLACK BOX a

port fol io by

nyoman agastyasana

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x


M y n ame is Nyom a n Agastya sana , i wa s born o n 4t h Ju l y 1991. I have a passion and love to work acco rd i ng to my joy, na m ely design. I like to t ry so me t h i ng new a nd not afra id to take risk s. I am a h o ne st and ha rdwork ing person, able to work und er p re ssure and rea lly enjoy the process. Perfec tionist , al ways p ay attention to every detail.

Pe r so nal l y i a m a Catoptrophobic -young m an w ho ad o re s music so m uc h and enjoying intera c t wit h p e o p l e.

Th an k yo u

a nd this is my Portfolio.



THE WORKS

The a rtworks in t his p ort folio a re p rop ert y of Nyom an Aga st ya s a na

printe d

di gi t al


/ / / /

p er su asi o n

5 18

co mp o si t i o n

21

30

p h i l o so p hy

31

32

move me nt

35

36

v i sual ae st h e t i cs

39

44

f i n al p ro j e ct

47

56

s el fi e

57

58

Th e in formation, idea s, a nd im a ges a re copyrighted by N yoman Ag a stya sa na a nd m ay not be copied and /or mod ified without a perm ission.


2 01 1

01 .

project Fies ta con d om p rin t a d : Bed time s tories

.

type g rou p w ork , a s an A rt D irector

This task wa s to c ha ng ed t he m ood of a p rod uc t . We c hanged th e f iest a cond om m ood p rod uc t s that a re identi c a l w it h m at urit y, into a c hild is h with a fa iry tale illust rat ions like lit t le red rid ing

p er s ua si o n - ad vert i si ng

hood, three litt le p ig s a nd a la d d in


5 6



7 8


2 01 0

02 .

p roj ect

p er s ua si o n - a d ver t i sin g

Gi l et t e pri nt ad : M agazi ne ad

.

t ype indi vi dual wo r k


9 10

Th e ta sk wa s to m ade an ads for gilette’s

p ro d u ct . Th e concept was “be the spotlight ” ( ja dil a h p us at p e r hat i an) and it ’s very c lea rly visible in the exec u t ion. I u se d G e st al t t heory for the hiera rc hy


Bersiaplah menjadi pusat perhatian



p er s ua si o n - a d ver t i sin g

2 01 0


13

03 .

p r o jec t green s a n d s pri n t a d s : o ri g i n a l

.

type st u d en t work : c rea t i n g a d s wi t h fu l l vect or u s i n g m es h t ool s

At f irst i m a d e a c a n of d rink us ing m es h tool in illust rator. When it finis hed , event ua lly my lec t urer d em a nd ed to m a ke a p oster us ing t hat c a n, s o i d ec id ed to m a ke a n a d w it h “ no a lcohol cont a ined � a s a concep t

14


2 01 1

04 .

p roject i lleg a l a d : p lu mber promotion

.

t ype grou p w ork a s a n art d irector.

The b rief wa s s o s im p le,

its how you prom ote a s erv ice w it hout a persua sive words. My tea m c hoos e p lum b er service to be prom oted a nd we ha d s om e

p er s ua si o n - a d ver t i sin g

resea rc h for the exec ut ion


15 16


We m ade a sim ple lea ked s ewer, a nd

just put the num ber of the plum ber s erv ice on it. We paste it above the fa ucet, so it would gave the see-through effec t to the faucet

*


17 18


2 01 1

05 co mp o si t i o n - e d i to ri a l

.

proj ect e di t o ri al : J i f f e st b o o kl e t l ayo ut

.

type i ndi vi dual wo r k


19 20

This ta s k wa s to m a d e a b ooklet a nd

m ust do layout on my own. The t yp og ra p hy at t he cover and its elem ents wa s m a de by m e. I p res ent s d yna m ic layout a nd m odern by diagona l elem ent s


co mp o si t i o n - d ig i t a l ed itor ia l

2 01 2


21 22

06 .

p roj ect we bs i t e relayout : s h a v e f or h op e

.

t ype i n d i v i d u al w ork wi t h H TML a n d CSS

Shave for hop e wa s a s oc ia l

c harity to help c hildren w it h a c a ncer. The c ha rity was unique, just s have your hair and you’re a part of t he c ha rit y.

i use vintage style to rep res ent s t he c hara c teristic s of the word s “ s have “ a nd put a m an as a “ Gent lem en “ sym bol, or “Brave “ sym b ol.



23 24


co mp o si t i o n - d ig i t a l ed itor ia l

2 01 3


25 26

07 .

p roject Tem a tic is s u e : Poin trek con trol w ebs ite hom ep a g e

.

t ype profes s ion a l w ork with Poin trek a s a clien t

Pointrek is a G P S com p a ny,

trac k ing the c a rgo ships a c ross t he world from I ndonesia. This web s ite wa s used by their c lient to t ra c k w here t he c argo ship has sailed.

The owner of Pointrek wa nted a tem at ic sk in for the website’s hom ep a g e, just like Google does.


A s im p le View m a ster p la ced

in the hom ep a g e, rep res ent s t hat we m ight need a tools to look b a c k at where the H eroes Day ( H a ri Pa hlawa n ) took pla ce


27 28

Af te r en ter i ng t he Vi ew master, the film w i l l i n st a n t l y sp i n as yo u cl ic k ing the b l u e h a n dl e at t he r i g h t . N ow we got s o m e h i stor y l e sso ns to l e arn

i st ill p ut t he log in b ox at t he lef t , s o t he workers c a n st ra ig ht ly a ccess to t heir t ra c k p a g es


2 01 2

08 .

project Nok ia p romotion p os ter

.

type p rofes s ion a l w ork : a s a g ra p h ic d es ig n er in tern a t JW T Ja k a rta

Nok i a wa s g oing to relea s e

their brand new s m a rt p hone a nd t hey wants a prom o t ion p oster for I nd ones ia m a rket. The c ustom ized t ile - ( w hic h

co mp o si t i o n - p oste r

is one of som e feat ures) of t his p hone was the m ain id ea . A d istort ion g ave it a m odern look s a s t he p rod uc t it s elf.


29 30


2 01 1

09 .

Blood for L ife is a s oc ia l com m unit y that cointains p eop le w ho c a res ea c h other, in the f ield of b lood d onat ion. The com m unit y wa s form ed in Ma rc h 2009 a nd no fees collec ted

proj ect B l o od f or L ife : br a n d n ew log o

.

type i n d i v i d u a l w ork

The concep t for t he

new Blood for L ife log o a re “ hum a nit y” a nd “c heer s up ” . H um a nit y rep res ent s the people w ho g iv ing help, a nd “c heers up ” rep res ent s t he p eop le w ho

p hi l o so p hy - b ran d ing

get the help


31 8.05 x

32

6.2 x

1.95 x

4.25 x

I a m us ing a ha nd -w rit ten t yp og ra p hy

for representin g “ hum a nit y” a nd t he c heer up hum an in between “ B lood ” a nd “ L ife”

*



33 34


10

2 01 1

.

pr oj ect S ajama Cut musi c vi de o

.

ty pe

m ove me n t - vi d eo c li p

indi vi dual wo rk

S a ja m a c ut is a b a nd f rom

Ja ka rta wit h ind ie roc k, nois e p op, lo- f i styles of m us ic . The s ong , Less Af ra id tells about b et rayed love, a f fa ir, a nd revenge


35 36


the g i r l

Th e characte r s were m anua l-

m a d e, i s c an ne d t h e m afte r i drew it, a n d t u r n i t i nto ve cto r. The style was ur b a n a r t st y l e, my l ove l y style since hi g h s ch o ol .


the af f ai r g uy

37 t h e gu y 38


v is ua l ae st he t i cs - p o ster

2 01 2


39 40

11 .

project even t p os ter : Kelu a rg a Ma h a s is w a H in d u Bin u s b lend ed

.

w it h type in d iv id u a l w ork : D ig ita l Pa in tin g

This was my ex perim ent a ccord ing to the cover of STEFAN SAGME I ST E R’s book .I wonder how to m a ke t hat cool covers, so this is the res ult of my c uriosity



41 42

*

Mak ra b ( ma la m kea kra b a n) a nd L DK

( Latiha n dasar kepem im p ina n) a re im p ort a nt events to bring our com m unit y a g ood lea d ers , but friendly at the sa m e t im e. I p ic k H ANOMAN as a sym bol to repres ent t hos e keyword s ins id e Mak ra b and LDK


2 01 4

12 .

p roject t h e Bla ck K eys fa n - a rt : L ittle Bla ck Su bma rin e

Blac k Keys is my favorite b a nd , t he

best roc k n roll- b lues b a nd a nd everyt hing . The

.

t ype i n d iv id u a l w ork : Dig ita l Pa in tin g

song titled “ L I T T L E B L AC K S U B MARI NE “ is ha s a deep lyric s-m ea ning , s o i d ec id ed to m a d e a fa n-a rt for this awes om e b a nd

I t ’s all about the d iver, w it h a v int a g e helm et , represents the g enre of t he B la c k keys -w hic h is vinta ge roc k n roll- b lues , g ot d row ned when nobody els e a round a nd s ud d enly he rem em bered a ll t hos e t hing s a b out his life a s he

v is ua l ae st he t i cs - p o ster

contac ted the op erator of lit t le b la c k s ub m a rine


43 44




f i na l pro j e ct - b oo k

2 01 3


47 48

13 .

pro j ect Fin al Pro ject : Wedab hat ar a

.

typ e in d ivi dual wo r k : illu st r at i o n b o o k

Weda Bhata ra wa s my f ina l p rojec t in U nivers it y. This book revea led t he 33 H ind u g od s b a s ed by Veda . This is a n illust rat ion b ook w it h a b out 40-50 illust rat ion in B a li st yle w it h s em i d ig it a l m ethod

The func tion of t he b ook is to g iv ing a k nowledge to p eop le w ho interested in g od s a nd for the Hind u’s it s elf. A lot of H ind u p eop le just k now a few com m on g od s , b ut not t heir root s


The typefa ce wa s

h andlettered-m ade. I t using Ba li c hara c terist ic , dyna m ic . The font k inda like Ba linese a ks a ra b ut i n the m odern way

*


49 50



51 52


*

Th e p o ste r s c am e with two colors,

w h i te an d re d . Th e w hite one just for a display a n d th e re d o ne j u st for a m erc ha ndise.


53 54



55 56

*

The p rocess wa s not q uite ha rd . I

finished it f irst by m a nua l d raw ing , t hen s c a nned it into the com p uter. I n com p uter, t here g oes coloring process a nd layout .


2 01 3

14 .

p roject B u s in es s ca rd : l ie a n d h on es t

Well this is my serious b us iness c a rd . I m a d e 4 versions for this business c a rd . The t it le of t his projec t was Lie and Hon est , a nd w hy is t hat ?

se l f i e - bu s i ne ss ca rd

.

bec a use i just sa id som et hing t hat litera lly my t ype

c hildhood-dream job that obv ious ly im not into

i n d iv id u a l w ork

that job


57 58


THANK ht t p s : //www.face b ook.com/aga stya sa na

https://www.t w i t ter.co m/a g a st ya s a na


YOU Nyo ma n Ag a stya s a n a wou ld s ay th a n k you for you r attention a n d a n tu s ia s m v iewin g this p o r tfo lio. Th e ar twor ks in th is p ort fol io are p rop e r ty of Nyoma n Ag astyasan a The i nfor mation , ide as, an d i m ag e s are copyr igh te d by Nyo m an Agastyas an a an d may no t b e copie d an d/or modifie d w i t ho ut a pe r miss ion .

h t t p s : //www.issu u.com/ag astya sa na



“call me” and hire me, of course


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