Velvet issue 54 by aie agenzia italiana di esportazione srl

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Publisher and Editor-In-Chief

Hend F Al Qassemi

Editor and Art Director

Anton Rodionov (anton@velvet-mag.com)

Fashion Editor (Italy)

Ameni Shafik (ameni@velvet-mag.com)

Sales & Marketing

Taruna Sajnani (taruna@velvet-mag.com)

Public Relations

Heba Dajani (heba@velvet-mag.com)

Features Editor

Sarah White (sarah@velvet-mag.com)

Contributing Beauty Editor

Rawan Bin Hussein

Photographers, Assistant Photographers and Photo Editors

Debora Barnaba, Mattia Pastore, Tina Patni, Marco Tassini, Ursu, Sean Ferritto, Cosimo Buccolieri, Riccardo Modena

Contributing Stylists and Creative Directors

Mahra Al Qassimi, Silvia Stesy, Furne One, Anton Rodionov, Tara Ziegfeld, Gwendoline Franco, Elisabetta Cavatorta, Letizia Maria Allodi

Hair and Make-up

Lucia Giacomin, Silvia Acquapendente, Jojo Dantespadua, Jha Jha Rivera, Julian Kempster, Emilie Plume, Eden Tonda, Mayu Morimoto, Claudia Ferri

Models

Deborah Hung, Lada @Wonderwall, Tiana, Maria, Marie and Jasmine, Martina @Nur Models, Elias el Indari

Images

Getty Images

Editorial Submissions

info@velvet.ae

Administration Support

Sheila Fernandez, Joyce Bito-on

Distribution and Circulation

UAE, Qatar, Kuwait - Al Nisr Publishing

Digital Editions

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Cover

by Marco Tassini Deborah Hung wearing Stephane Rolland Haute Couture dress

PLNY Publishing, Distribution & Events LLC P.O. Box 68800; Sharjah, UAE Tel: +971 6 525 4114 Fax: +971 6 525 4224 www.velvet-mag.com | www.velvet-mag.ru | www.velvet-mag.it Velvet Magazine is published by PLNY Publishing, Distribution & Events. Reproduction in whole or part of the magazine without permission from the publishing house is strictly prohibited. Velvet Magazine is fully independent and its views are those of any company mentioned herein. All copyrights and trademarks are recognised and all images are used to the purpose of review only. For subscription rates please contact: info@velvet-mag.com

etro.com

Contents EDITOR’S PICKS 10 12 14 134

LA BEAUTÉ Editor's Letter Fresh Mint Pastels & Cream All Yellow

48 52 54 56

One In a Million: Rhea Jacobs Makeup Play Bobbi Brown's Beauty Drill Rawan's Diary: Windows to the Soul

PERFUMERY 40 42 44 46 130 132

The Magic Twelve Young Rebel of Miu Miu A Look Inside Ferragamo An Hour, Just For You Parisian Luxury Now In Dubai Scent of a Man

BAGS 16 Ramadan Inspiration Chopard Green Carpet

M2Malletier

ALWAYS ON TIME

102 30 Years of Chanel Horlogerie 113 Best of Baselworld 2017

FASHION 22 24 26 98 136

The Magical World of Yanina Loris Azzaro: 50 Years Young Fashion Law May Birthstone: Emerald Larusmiani: the Luxury In Detail

EVENTS

18 The Royal Gala 28 Billion-Dollar Breakup 80 Tea With the Lady Velvet

BOARDING PASS 144 Escape to Salalah 150 Chateau d'Estoublon

PEOPLE 30 Founding the Future: Muna Al Gurg 158 The Legendary Royals: Alexander II 166 Gabrielle Choo Maison Francis Kurkdjian Oud Satin Mood

EDITORIAL SHOOTS

Paule Ka

34 58 66 86 138

Land of the Free Summer Ballad Deborah Hung (Cover Feature) The Star of Mediterranean Etro Jungle (Men)

ASTROLOGY 170 Words of Zodiac

TRUE STORY

172 The Christian Leading the Muslim

Dear Velveteers, Every now and then there comes a time when fate plays a little game with us and we all feel like we need superpowers to go through the tests we face. The process of creating this issue felt similarly to that; at times it felt like a superpower of some sort would be the only solution to bring it all together. The reason is not the actual work that goes into creating an issue, but the great task of combining all the content that was created for VELVET 54.

We’ve discovered hidden gems of luxury travel and yet again proved that one does not have to travel far to have a fantastic vacation; however, we did go far as well just to bring you back both options. We also discovered some magnificent gems back at Baselworld and compiled an impressive collection of this year’s novelties as well as the impressive story of the 30-year history of Chanel Horlogerie. In the end, this issue is not only full of insight from truly moving people who have already proved themselves in their respective spheres, but it is also full of phenomenal ideas, creations and stories that guarantee to impress and inspire you, dear Velveteers. Love, Hend F Al Qassemi

Givenchy AW17

On the fashion front, we start with the trends of the coming season with mint and pastels being there to help you cool down during the hotter months of the year. PLNY, the publisher of VELVET, hosted an incredible group of designers for The Royal Gala in Dubai - a night of true Haute Couture with Yanina and Loris Azzaro being the Guests of Honour. We’ve spoken to the designers and brought you the best bits of the night. A fabulous Etro shoot with our favourite influencer Elias, the trends for the season as well as an insightful interview with the Italian house Larusmiani - are some of the things to expect in the men's wear section of this issue.

Editor’s Letter

Our cover girl is the fabulous and charming Deborah Hung - an entrepreneur on a global scale, who also happens to be the queen of Haute Couture. Deborah’s friend has made an appearance in this issue as well; her name is Gabrielle Choo, a modern aristocrat who happens to have an enormous collection of vintage Chanel and Haute Jewellery. Our Royal section brings you a beautiful and tragic story of HH Alexander II Romanov - The Emperor of All Russia in the 19th Century- who had happened to have seven lives.

Editor's Picks

PASTELS & CREAM

Rami Al Ali 15

Ralph & Russo

Rami Kadi

Ashi Studio

Viktor & Rolf

Valentino

ight and ethereal gowns have been making the centrestage of all the couture shows for this season. From lavender to coral - the pastel notes take femininity to almost-divine heights. Cream-coloured fabrics add a note of nature and summery sun-kissed skin. Here are the inspirations for the top looks of the season.

RAMADAN INSPIRATION

righten up this Ramadan with Palestyle’s bags in pops of yellow. The collection utilises a unique technique of laser cutting leather into the famous embroidery motif ‘Moon of Betlehem’ with a continued focus on luxury combined with functionality and fashion flair. Handcrafted in Italy, a key feature adorning this collection is the intricate laser cut work on each of the designs highlighting the embroidery motif and bold gold medallion buckles. Made of genuine calf leather, each piece in the collection represents a part of the quintessential Arabian culture through choice of embroidery, crafted lovingly by refugee women, or Arabic Calligraphy carrying messages of femininity, both adorning the designs. The Palestyle collection is available to shop online at www.palestyle.com.

rada has released a capsule collection that combines some of its iconic styles and new developments with variations and details to meet the market preferences this Ramadan. The collection is inspired by precious stones, in particular Emerald, Ruby, and Sapphire. It is composed of sophisticated materials, such as Velvet, Leather, and Precious skins. Elegant, detachable jewel chains give the bags extra flexibility and modular function. Among this collection which will consist of a first exclusive Middle East release during Ramadan, a limited special edition of the new Frame bag will be presented in Sapphire blue Crocodile as well as Ruby red and Emerald green Ostrich versions holding a special edition middle east inner tag. Blue Sapphire frame bag in Crocodile version will be available in very limited quantity: one piece each in UAE, Kuwait, Qatar, KSA Prada stores.

Yanina Couture

THE ROYAL GALA: HAUTE COUTURE

he first annual Royal Gala was held at the Palazzo Versace under the patronage of H.E Sheikha Hend Al Qassemi. Celebrating the melting pot of styles and nationalities in Dubai, designers from Russia, Iran, France and the Emirates showcased their collection to a concentration of royals in the region along with media and influencers. Entertainment kicked off with Aiza Dzhabrailova of ASET who added a touch of ‘Arabian Nights’ to her exquisite embroidery and sharp silhouettes that dazzled with detail. After each show, one of the five-course dishes was served as models prepared for the next show.

Palais Des Argano

ASET

COMES TO DUBAI

Iranian designer, Nakisa, hit the runway next with a style and vision that floored the crowd based on Baroque inspiration recreating a nostalgic 16th century feel. Sheikha Hend’s collection from House of Hend encompassed Eastern and Western cultures, creating global silhouettes while Rodery Jewellery who launched in Italy in 1986, presented their precious gems during the show. Sheikha based her designs on traditional Islamic fashion and transforming them through a modern interpretation with embellishments of pearls and floral detailing for a soft, feminine touch. Sara Mohamed, of Palais Des Argano, 19

showcased a collection inspired by Moroccan Kaftans proving royalty was the theme of the night through colours, details and deluxe designs. Amato‘s couture SS’17 collection delivered true avant-garde style aptly entitled ‘Flowers of War’, the collection was inspired by bold, brave women of war during the invasion of Japan on China. Amato portrayed dreamy designs brought to life through vivid colours and the tales of history. Yanina Couture, the world-renowned Russian fashion house showcased for the first time in Dubai. The exquisite pieces presented the designer's vision of

ASET Amato

Loris Azzaro the modern Russian couture that retains its national culture and pride. Closing the show was Parisian maison, Loris Azzaro that calebrates 50 years of creativity with the SS Couture collection this year. The collection was designed in collaboration with Bianca Brandolini and Eugenie Niarchos and pays tribute to the houseâ&#x20AC;&#x2122;s most iconic dresses. Iranian designer, Sadaf Dabiralai presented her dresses in the main hall leading to the ballroom along with THARB who exhibited their elegantly designed handbags made with excellent craftsmanship. NC ROCKS exhibited jewellery designs from the mother and daughter duo for the contemporary

and modern women and Hysideis,a leather fashion house from Italy displayed their signature leathers for the rock and roll chic crowd. The event was sponsored by Paris Gallery, the luxury retailer with a premium collection of over 450 international brands across several product categories including perfumes, skin care, makeup, watches, jewellery, fashion apparel, sunglasses and accessories; Schwarzkopf Professionals who styled the runway models with their products, along with Hair Creators Academy. Lipstick Makeup Institute and Heart In A Box - a luxury florist based in the UAE. 20

House of Hend

Nakisa

Sadaf Dabiralai

the MAGICAL WORLD

of YANINA

by Anton Rodionov

"The idea is to make this world more beautiful" er name is widely known in the Haute Fashion industry across the world; from Paris to Hong Kong, Yulia Yanina, or simply Yanina, is admired by celebrities, VIPs and movie stars. Her atelier is based in Moscow, but she is seen during every Haute Couture week in Paris; her style is at times traditionally Russian, however her elegance is modern and globally admired. Yanina is a designer whose love for fashion knows no boundaries and whose work has been pushing Russian Couture far and beyond the country’s borders. Her most recent appearance was in Dubai at The Royal Gala, organised by PLNY Events & Publishing, owned by H.E. Sheikha Hend Al Qassimi. Yanina was chosen to be one of the honorary guests to close the evening along the French Maison Loris Azzaro, who celebrates its 50th anniversary this year. We’ve sat down with Yulia to see what is in store for the brand’s fans. Your work is often deeply inspired by the Russian culture and identity, would you say it is one of the main goals to bring Russian Haute Couture to the world stage? Honestly, I’m not sure, that it is the main goal. The big idea of our Fashion House is to make this world more beautiful, to spread

the beauty all over the world and help women feel themselves more confident in our dresses. But surely, we are very proud about the fact that we can create the new vision of the Russian style using traditional master crafts, which we have carefully preserved and restored bit by bit from the archives. This special way helps us make our brand more popular not only in Russia, but in the other countries too. You are prominently present in Paris and show at every Haute Couture week. Would you say Paris is your main stage to reveal new collections and why? Paris was my big dream from childhood, because this is the place where the Haute Couture was born. There is no doubt that every designer wishes to be at this level and be able to show their collection in Paris, but for me, at the same time, this is a huge pleasure and a very serious exam. It is very stimulating and I love getting the feedback after each of my collections is released. What is your view on the Middle Eastern fashion and women of the region? When I met the Arab women for the first time, honestly, I was startled and surprised. Before that, Arab countries had always been a beautiful mystery for me with a 23

deep culture and incredible heritage. I was inspired by Oriental patterns and traditional costumes. However, it is very difficult to understand the country when you do not know its people closer. When I met the Arab women, they conquered me with their beauty, intelligence, knowledge and deep insight into their style and fashion with great attention to detail. They have great confidence in what they want. It was very interesting to work and to communicate with them. Do you have any plans in bringing Yanina Couture brand to Dubai aside from the shows? Any plans to being present in retail in the near future? So far, we had a very kind invitation from H.E. Sheikha Al Qassimi to visit Dubai. We got a chance to get to know this beautiful country closer and to feel the culture and the level of hospitality a little deeper. Now we feel the interest from the buyers and private clients in this region and I’m sure that we will develop this direction and will be present in retail soon. For now we have our international window in the face of Moda Operandi web store. What is couture to you? Couture is always a big dream for me!

YEARS YOUNG

Azzaro turns 50 this year, a major milestone. What is the key to a long-lasting and successful business? The Azzaro house has always been obsessed by making its clients dazzling and outstanding rather than following the fashion clamours. Loris Azzaro used to say: “Fashion is an eternal resumption and the best proof of it is that women today, rightly, dress as they feel like". He was a flamboyant designer who worshipped style; he knew better than anyone how to make women beautiful. At the end this is probably the most important: sharing with your customers a passion for style igniting their inner sparkles. What are the main values of the brand? It’s a legendary fashion house where timeless elegance, seduction and glamour are at the very heart of creation. It is all about festive and iconoclastic values: life as the most wonderful party, la bella vita of an endless summer. Loris Azzaro cultivated a hedonism without concession and without conformism, a love for life, a taste for the beautiful and the unexpected. Seriously glamour but without taking it too seriously. The Azzaro woman and man impose themselves without ever imposing anything.

LORIS AZZARO

Maxime Simoëns

rends come and go, but the true style remains. This year, Loris Azzaro celebrates its fiftieth anniversary, drawing attention to the core values of the brand and presenting a tribute collection for the Haute Couture SS17 season. The brand is known for its magnificent ability to skilfully use fluid fabrics and suggest the true feminine beauty without revealing the body. The French Maison was invited to participate in The Royal Gala in Dubai in a glamorous celebration of timeless luxury and exquisite fashion. With the recent announcement of Maxime Simoëns being appointed the new Creative Director for the brand, we asked a few questions to find out what has been going on and what to expect from Loris Azzaro.

by Anton Rodionov

With the appointment of the new creative director, Maxime Simoëns, what is the direction that the brand is hoping to take? Provoking dream and desire is one of Maxime’s main ambitions in this new chapter with Azzaro. He would like to exalt women’s bodies, and men’s too. His main aim is to overthrow conventions and subvert codes while maintaining the notions of elegance and refinement that this great fashion house is known for. Name the iconic signature styles that put Loris Azzaro apart from anyone else. Loris Azzaro became famous with his ultraglamour bold style, iconoclastic and festive, a magnet for Hollywood stars and European socialites. A subtle blend of grace, elegance, audacity and sexiness, that exalts women and men by underlining what is most individual about them. Some of his most iconic dresses became instantly famous with the celebrities that dressed in it: the “three rings dress” worn by Naomi Campbell, the “chain dress” by Tina Turner, the “Loralie” by Jane Birkin, or the Graffiti by Kristen Stewart. Maxime Simoëns desires obviously to continue this “red carpet” saga, but also to develop daytime wear for every occasion. 24

What are the plans for 2017 and what can we expect from Loris Azzaro in the near future? We are celebrating this year our 50th anniversary with five memorable initiatives: starting the year with a capsule collection curated by Bianca Brandolini and Eugénie Niarchos, then the nomination of Maxime Simoëns as Creative Director of the fashion house, with his first collection due in July during the Haute Couture week (the brand has just been nominated by the Chambre syndicale de la Haute Couture to join the official calendar). Subsequently the house will develop a new women ready-to-wear collection alongside a brand new Premium ready-to-wear range for men. And finally, a first Men flagship in Paris will be open by the end of the year with all the men products categories together. This will be the first step toward an international retail acceleration.

"Itâ&#x20AC;&#x2122;s a legendary fashion house where timeless elegance, seduction and glamour are at the very heart of creation" 25

THOU SHALL NOT COMPETE by Heba Dajani

on-compete clauses are a common contractual provision when two parties enter into business, either upon signing the initial contract or at the end of a business relationship. The clause states that the hired party agrees not to compete with their employer either through another company or through a individual venture for a set period of time. Given the limited protections offered to fashion designs, specifically in the United States, such clauses serve more to protect the employer’s valuable designs from being copied. A non-compete clause is particularly relevant in the fashion industry as Creative Directors and employees work in advance and are privy to designs and branding direction. Carolina Herrera filed suit against its rival fashion house, Oscar de la Renta in December 2016 in an attempt to enforce a six-month long non-compete provision with Carolina Herrera’s former Senior Designer, Laura Kim.

Kim, who had worked for Oscar de la Renta for 12 years decided to depart from the fashion house after their decision to bypass her and her Creative Co-designer, Fernando Garcia, as the successors following the death of their mentor, Mr. Oscar de la Renta. The company instead hired Peter Copping of Nina Ricci. Kim and Garcia decided to part from the company and struck out on their own, creating Monse, a label that drew praise from the industry and attracted celebrities including Amal Clooney, Brie Larson and Sarah Jessica Parker. Alex Bolen, the Chief Executive at Oscar de la Renta, quickly realised that losing the pair was a mistake. The duo also consulted for Carolina Herrera, soon after, Kim joined the Herrera team in October 2015. However, in July 2016, Kim resigned from her role and two months later in September, appeared to be back working at Oscar de la Renta with Garcia as the Co-Creative Directors.

Herrera’s Chief Executive Officer, Francois Kress, sent Kim a letter after their new appointment at Oscar de la Renta stipulated the company’s six-month non-compete provision was effective until April 2017. The lawsuit accuses Kim of breach of contract, stating that she breached the non-compete clause with Carolina Herrera by joining the team at Oscar de la Renta. According to the conditions of her Herrera contract, Kim’s was barred from designing for anyone else, although Carolina Herrera would continue to give Kim 50 percent of her monthly base salary during the noncompete period. This meant that the duo’s first collection as Creative Directors for Oscar de la Renta would not be the Fall Winter’17 collection that they were set to showcase during New York Fashion Week in February. Herrera’s lawsuit stated that they informed Oscar de la Renta promptly upon Kim’s departure of her contractually binding obligations to her former employer and

that it would be in violation to employ her. Therefore, Oscar de la Renta was aware of Kim’s obligations and still employed her in a business that was in direct competition with their brand. Furthermore, Herrera claims that Oscar de la Renta had with full knowledge, interfered with business relations existing between Herrera and Kim asserting a claim of Tortious Interference with Contractual Relations for allegedly luring Kim away from Herrera. Although Mrs. Carolina Herrera is Creative Director of the brand, Kim alleges Kress was trying to “transition” her out of that role and for Kim to take over. Kim’s lawyers argue that the non-compete clause was unenforceable, alleging that she was pushed out of the company due to Mrs. Herrera’s unwillingness to let go of the reigns and Kim was mislead and therefore, was not obligated to comply with the non-compete clause. Although the late Mr. Oscar de la Renta and Mrs. Carolina Herrera were personal friends, Herrera’s legal team stated, “Carolina Herrera has no objection to Ms. Kim working for any fashion house other then Oscar de la Renta, Carolina Herrera’s direct competitor.”

The two design houses are bitter rivals on a commercial scale as they compete in the same specific segment of the market. Meanwhile, Oscar de la Renta’s lawyers fired back to the lawsuit expressing anger at Carolina Herrera’s “pattern and practice of poaching” Oscar de la Renta employees. According to the letter, nearly a dozen employees had been recruited during the past few years and accused the house of having “a record of unclean hands and unfair competition.” Yet, the court sided with Herrera and granted a temporary restraining order that upholds the non-compete agreement set to last until the next hearing on January 10th 2017. Noting that the non-compete agreement signed was fair and plainly worded. The press was having in a frenzy and things were heated as Carolina Herrera continued to ethically and forcefully protect their business interests and another court was set for January 10th and both parties we driving full force to protect their interest. Herrera sought to bar Kim from working at Oscar de la Renta until April 8th 2017 as Carolina Herrera would stand to lose business. 27

"Kim... was pushed out of the company due to Mrs. Herrera's unwillingness to let go of the reigns" Under constant scrutiny and under the eye of the press, there seem to be a turn of events after months of legal drama, with days before the scheduled court date, all parties discreetly settled the lawsuit in confidentiality. Kim and her creative partner were allowed to continue developing Oscar de la Renta’s Fall/Winter collection and debuted their first collection at New York Fashion Week in February 2017.

BILLION-DOLLAR BREAKUP

M A S S I W ill the Untimely Divorce to Janet Jackson Affect the Wealth of Wissam Al Mana, of Al Mana Group? Wissam Al Mana, Executive Director of Al Mana Group married American pop icon Janet Jackson in 2012, in a secretive wedding, which let her masses of fans questioning her relationship, and her future if anything else. The tightlipped couple was rarely seen in public together, however, they were spotted on a few occasions in Italy for fashion shows and events. It’s claimed Janet, whom was once known as ‘the bad girl’ of pop, with her controversial ways, daring style and attitude became very conservative and compliant with Islamic culture and their rules of marriage. With the world speculating on her future as a pop icon, and the damage she is dong in the process, can it ever be undone? Furthering her announcement on April 6, 2016, Janet announced, "My husband and I are planning our family", resulting in her postponing her tour, leaving her fans more disappointed than ever before. On October 12, 2016, Janet confirmed she was expecting her first child with Wissam, their son Eissa was born January 3, 2017, and at the age of fifty she got mixed reviews and unwanted opinions on the whole subject.

According to reports, 37-year-old Wissam Al Mana went against the advice of his lawyers and tore up the pre-nuptial agreement designed to protect his fortune, made from the Al Mana group. Instead he drew up an agreement that states that Janet will receive $500 million Dollars if they stay married for at least five years. In April 2017, Janet’s representative confirmed She and Wissam had separated on an undisclosed date, however most recently, and some may say conveniently on Monday the 2nd of May, Janet announced officially via a special message on her Instagram, that she and Wissam are now separated, and they are currently in Court over the whole divorce proceedings and the payout agreement, quoting “It’s in God’s hands”. However, in the same video she then goes to tell her fans, she’s coming back, her tour is reinstated- something she didn’t do whilst married to Wissam. Is this her way at getting back at him, throwing it in his face? Wissam Saleh Al Mana, is the Executive Director of Al Mana Group; a Qatar-based conglomerate operating primarily in the GCC region, their group activities are vast, and operate is most divisions- including automotive (exclusively operates Infiniti, Nissan, Renault and National Car Rental in Qatar's auto sector) distribution and services, to real estate and investments, to retail, food & beverage, 28

JANET technology, media and entertainment. Operating over 300 outlets, Al Mana represents brands covering most areas of retail including Beauty (Sephora), Fashion- Zara, Mango, to Diesel, Sunglass Hut, Reebok, as well as Crocs, Damas and British Home Stores. They operate within home interiors, watches and jewellery too, not to mention their impressive portfolio of food and beverages. Which is composed partially of La Maison du Chocolat, to Emporio Armani Caffe, illy, Haagen-Dazs, to Gloria Jean's Coffees as well as the distribution of San Pellegrino and Acqua Panna products. However within the Luxury Fashion retail sector they are dominant across the GCC; their retail holdings include Saks Fifth Avenue, Harvey Nichols, Hermès, as well as Giorgio Armani, Dolce & Gabbana, and Balenciaga. To Alexander McQueen, Stella McCartney, Chloé, to Giuseppe Zanotti, Agent Provocateur, Emporio Armani and Dior Homme. In sport retail, they coined ‘Go Sport’, with whom they have helped develop the sports outlet's biggest retail space in the world; with the GCC retail industry expected to grow by 7.3 percent CAGR between 2013 and 2018, to an estimated $284.5 billion, proves Al Mana is at the fore-front of the retail industry and setting the bench mark, whilst taking a reasonable percentage of that estimated revenue. Their investment within multiple industries is significant-they invest heavily within real-estate; currently their Al Mana group’s realestate portfolio includes Doha Mall and Mirqab Mall, alongside Al Waha Tower, Citywalk residences and Al Mana tower. They also further cemented their name by stepping into the art industry, in London, UK, by investing in Lazarides Rathbone Urban Art Gallery, resulting in the gallery to expand into an e-commerce platform for street art prints, as well as transferring their galleries Head-Quarters from Fitzrovia to plush Mayfair in the process.

$500 MILLION CLAIM

Wissam, which he co-owns the namesake conglomerate with his two brothers, Hisham Saleh Al Mana and Kamal Saleh Al Mana, in which was founded by his father whom Wissam often cites as a major influence due to his work ethic, management style and humble demeanour. In press interviews he has said he joined the family business to carry on his father's name and legacy as a merchant. However, with his One Billion Dollar fortune on the line with Janet’s agreement payout of 500 Million Dollars, it’s a colossal dent in his life and work; that cannot be dismissed nor taken lightly, financially and emotionally. After all he was married to one of the most famous women in the world, and constantly living under the watchful eye of the global media and trying to avoiding the spotlight.

by Sarah White

FOUNDING THE FUTURE MUNA AL GURG by Sarah White

"I AM DEEPLY GRATIFIED WHEN I SEE A YOUNG ENTREPRENEUR START FROM SCRATCH" 30

una Al Gurg is a true business, philanthropist and initiative advocateher awards, achievements and titles are impressive to say the least: from joining her family’s leading conglomerate, sitting on numerous boards of directors, to producing her own charity foundation. Muna is the living proof that you can be an iron lady of the business world with a heart of gold when it comes to giving back- the true empathy of idealist. In 2001, she joined Easa Saleh Al Gurg Group, her family's business and a leading conglomerate in the United Arab Emirates, as director of marketing and communications. She followed the example of her father, H.E Sir Easa Saleh Al Gurg and eldest sister Raja Al Gurg Since 2009; she has been director of retail, responsible for strategy and operational development. Simultaneously to this she obtained her BA in Business Administration from the American University in Dubai and her Executive MBA in Business Administration from London Business School in 2009. Founded in 1960, by H.E. Easa Saleh Al Gurg, KCVO, CBE, the Easa Saleh Al Gurg Group LLC (ESAG), is a multidivisional conglomerate with twenty-seven companies. The Group has a range of diverse product and business interests that predominantly include retail, building and construction, industrial and joint ventures. Muna started out with her first seat on a board of directors within the Dubai Community Theatre and Arts Centre, where she served from 2004 to 2009, helping build the cultural centre. However, from 2008 until now, she is Chairwoman of Young Arab Leaders UAE; where she promotes education, entrepreneurship and youth development. She is also a founding board member of Hub Dubai, a nonprofit collaborative playground for social, environmental and economic development: she has been advocating a greater role for women in business. Following this she was received the Emirates Women’s Award for outstanding achievers from the hands of Sheikh Ahmed bin Saeed Al Maktoum in 2010. Fast-forward to 2013 and she was given the Arabian Business Startup Award for Women in Business. Once Muna proved that she valuable within the board of directors, and within

philanthropy, she started the Al Gurg Women's Empowerment Forum, within her families company Easa Saleh Al Gurg Group. The program provides a platform for women to voice their opinions to company board members. In 2015 she launched the Muna Al Gurg Scholarship at London Business School, supporting female students studying on the school’s MBA and Executive MBA program. At the same time she was featured within Emirati Women Achievers, a book with inspiring stories of twenty-one successful Emirati women. Also noting Muna is a Fellow of the Middle East Leadership Initiative of the Aspen Institute and a member of the Aspen Global Leadership Network, which is one of her endless, astounding achievements. At the Easa Saleh Al Gurg Charity Foundation, she is responsible for strategy and initiatives both in the UAE and internationally, including primary education support for underprivileged children in Zanzibar. However, it does not stop there with children organisations; She is also on the advisory board of the Palestine Children's Relief Fund, and an Ambassador of the UAE's Pink Caravan's breast cancer awareness initiative- she really shows true inventive inspiration in every single thing she is involved in. Today, as Chairwoman of Young Arab Leaders UAE along with working as director of marketing and communications within her family conglomerate; Easa Saleh Al Gurg Group, she is also a founding board member and Co-Chair of Endeavour UAE, a nonprofit organisation promoting high-impact entrepreneurship in emerging and growth market. Getting a moment to converse with Muna Al Gurg on her impressive timeline of work and achievements are one thing, but to also divulge deeper and ask questions on current markets and developments is another. If this doesn’t inspire you to work harder, and believe you can achieve more I don’t know what will. What was the initial driving force behind such valuable aspirations and goals? As a child I would always hear my father discussing philanthropic projects and ideas with the family. They would usually be about digging wells in villages where people 31

suffered water shortages or building schools in remote parts of the world. These shaped my adult perceptions of the importance of giving and developing solutions led mind-set. I’m now fortunate to be part of the Al Gurg Foundation’s board where we develop our global strategy to maximise our philanthropic impact. As responsible for strategy and operational development for the Easa Saleh group’s international and local retail brands, how do you plan on capitalising on Dubai; as the Capital of Fashion within the MiddleEast’, and also described as ‘On the verge of going Global’? My job entails a great deal of marketing and branding. In my 15 years with the Al Gurg Group I’ve set up a full-fledged marketing team with in-house social and digital media. I also work closely on our CSR initiatives and employee training. My love for branding has left me in awe of brand Dubai, quite honestly. I have a great deal of respect of the way Dubai has put itself on the map both regionally and globally. At the Al Gurg Group we recently signed a contract to take on a space at the hub of design ‘D3’ – Dubai Design District. This space, we believe, will put us on a global footing when it comes to design for our home lifestyle brands. As a previous board member of Dubai Community Theatre and Arts Centre (DUCTAC) and a general lover of art, and Art collector, who or what are your most prized works, and how do you see the future of DUCTAC within such a growing community? I could talk all day about the arts, as this is something I am very passionate about. DUCTAC is my baby project as I saw it go from being on paper to being built. The theatrical performances and art workshops that entertain and educate the diverse communities in the UAE is something that makes me proud of it as an organisation. One of my favourite pieces, that my husband recently gifted me, is a piece by Hayv Kahraman.The artist is an Iraqi refugee who escaped to Sweden. In her own words ‘the repeated figures of women in my works, having these women violently detaching their limbs is very reminiscent of the psyche of a refugee…and that sense of detachment from your land that you’ve had to leave’. The depth of her work makes my Hayv Kahraman piece one of my prized possessions.

In June 2010, you received the Emirates Women’s Award for outstanding achievers from the hands of Sheikh Ahmed bin Saeed Al Maktoum, how did it feel then, and how does it translate into your work and life now? Receiving an award is always a life-changing experience, so when I received the award from Sheikh Ahmed bin Saeed Al Maktoum I was deeply humbled. At the time, I decided to reflect on what I had achieved and how much more I could impact in this world. The award was a milestone that made me think and plan towards everything I have achieved so far. What was the key motivation behind the charity school in Zanzibar? One project close to my heart began 6 years ago, when the Al Gurg Foundation built a school in the village of Bwejuu in Zanzibar, Tanzania. I proposed the project to our foundation after visiting Zanzibar with my friend Aisha Al Kharusi who is very passionate about education. I then supervised it from start to finish. This particular village didn’t have a school that could take children beyond grade four. Children would reach grade four and go back to grade three because they didn’t have schooling to go beyond that, now, there are over 300 children from the village getting a very good education using the Tanzanian curriculum. The foundation went a step further, facilitating teacher training and looking at sustainable ways of keeping the project going and creating more jobs for teachers at the school. The new school teaches children until grade seven,

or age 14, and has a large library space, a computer lab and students quarters – a stark contrast to the previous shabby structure where children didn’t have tables or chairs and sat on the floor during class. As chairwoman of Young Arab Leaders (YAL) what would you describe as the most gratifying element? Last year we impacted over 700 entrepreneurs within YAL through our workshops. I’m deeply gratified when I see a young entrepreneur start from scratch and see their business grow exponentially. I also enjoy watching our members mentor young entrepreneurs and share their wealth of experience.

In 2015 you launched the Muna Al Gurg Scholarship at London Business School, supporting female students studying on the school’s MBA and Executive MBA program- how effective is this since its launch? My experience with London Business School was so rewarding so I thought; why not allow other women to grow. The Muna Al Gurg scholarship stems from my belief in the incredible potential of Arab women. I am very proud of the first graduate Shayma Al Terkait who works at Microsoft and has a dream to become the first female CEO of Microsoft Middle East. Her ambition and drive has made me realise

how much more I’d like to do for Arab women. We are now receiving applications for the next recipient of the scholarship and I aim towards You are a founding board member and Co-Chair of Endeavour UAE, a non-profit organisation promoting high-impact entrepreneurship in emerging and growth markets, what impact on the economy do you hope it will achieve? Endeavour is a brilliant organisation that supports the growth of Endeavour entrepreneurs’ companies throughout their business “life-cycle” by developing and providing a comprehensive, unparalleled array of demand-driven services. Endeavour helps scale-up these firms in order to create wealth, jobs, and a culture of mentorship. Globally and regionally, Endeavour entrepreneurs have generated $8.16 billion in 2015. In the UAE we have selected many successful entrepreneurs to mentor – Property finder, Fetchr, Herbal Essentials and Right Bite are a few. These entrepreneurs multiply their success by mentoring and investing in other entrepreneurs. Endeavour helps the impact of their companies by showcasing Endeavour Entrepreneurs as national icons to influence education and policy reform, spur local venture capital, and inspire others to take risks. This is why I believe in Endeavour.

Dress: Mario Dice 35

Photographer: Debora Barnaba @Bruna Caldi Photo assistant: Mattia Pastore Styling: Silvia Stesy@Tom Folwarkow Management Make Up: Lucia Giacomin Hair: Silvia Acquapendente Model: Lada@Wonderwall Location: All American Diner

Tshirt: Chanel Jacket: Dior

Shirt: Valentino Pants: GCDS

Vest: Philipp Plein Pants: GCDS Shoes: Dior

Shirt: Valentino

THE MAGIC TWELVE

3 2

ith the hotter months upon us, there is the alwaysdreaded aspect of having not-so-pleasant scent halfway through the day. This season the main trends are simple: keep it fresh throughout the day and go a little more seductive in the evening. We've put together twelve scents that will take you from dawn til dusk feeling fresh and fabulous.

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1. Alexandre.J Altesse Mysore (musky, balsamic, rose) 2. Calvin Klein Deep Euphoria Eau de Toilette (aquatic, rose, fresh) 3. Guerlain Mon Guerlain (vanilla, powdery, aromatic) 4. Paco Rabanne Lady Million Monopoly (floral, honey, sweet) 5. Juicy Couture Royal Rose (rose, balsamic, smoky) Majestic Woods (sweet, amber, woody) 6. Elie Saab Le Parfum Resort (citrus, woody, white flower) 7. Miu Miu Lâ&#x20AC;&#x2122;Eau Bleue (green, white flower, rose) 8. Bonpoint Eau Fraiche (fresh, basil, grapefruit) 9. L`Occitane en Provence Ambre (amber, vanilla, balsamic) 10. Jean Paul Gaultier Classique Wonder Woman (sweet, citrus, vanilla) 11. Maison Francis Kurkdjian Aqua Celestia (green, musky, citrus) 12. Nina Ricci L'Extase Rose Absolue (rose, musky, vanilla)

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esigner Miuccia Prada created Miu Miu as a platform to explore the edges of fashion, to follow whims, to be light and thoughtful and intelligently frivolous. The first Miu Miu Eau de Parfum evoked feminine youth, freedom, and a touch of rebellion. In Miu Miu L’Eau Bleue, the next iteration in the Miu Miu fragrance family, perfumer Daniela Andrier evokes a specific moment that we all share: that yearly experience when, seemingly out of nowhere, you realise that spring has arrived. Following on from Miu Miu’s signature matelassé bottle, the Miu Miu L’Eau Bleue revisits the iconic blue but in a glittering transparent glass – glinting light refracts through the faceted glass, flirting with its surroundings, adding reflection. The glittering glass is topped off with an evocative yellow pastel disk reminiscent of the radiant Miu Miu girl. We’ve sat down with the perfumer Daniela Andrier for a quick chat to find out a little more about the scent and its inspiration. What were your main sources of inspirations when creating “Miu Miu L’Eau Bleue”? Exploring the wonderful smell of lily of the valley, a very Miu Miu flower, graceful, a joyful smell we all associate to springtime, looking for the smell of lily of the valley in the blue light of dawn in a garden awakening....

How could you describe “Miu Miu L’Eau Bleue”? Why is this new fragrance unique? L'Eau Bleue is a tribute to spring, to rebirth. It's the early morning smell of a dewy lily of the valley, green notes, rosy notes and a big diffusion of tender lily of the valley notes. What key words would you associate to this fragrance? Sparkling, tender, fresh flowers, green, joyful. What is the difference between “Miu Miu L’Eau Bleue” and “Miu Miu Eau de Parfum”? Which aspect of the Lily of the valley did you want to reveal? L'Eau Bleue emphasize on the dewy, light full smell of very young lily of the valley flowers, it's all about new, young, beginning, and joy. L'Eau de parfum's interpretation of the lily of the valley is the smell of its heart, richer, sweeter, yet both are underlined by Akigalawood. How do you think this fragrance relates to Miu Miu universe? Look at the latest Miu Miu ad, she plays cricket on the lawn, she has a very playful and joyful way to explore life.

"L'Eau de parfum's interpretation of the lily of the valley is the smell of its heart"

A LOOK INSIDE

SALVATORE FERRAGAMO PERFUMERY "...a perfume instantly communicates a part of you that people will associate with your personality"- L. Bertinelli

uciano Bertinelli is at the realm of Ferragamo Parfums as its CEO launching successful scents one after another. Considering the market challenges of today, we had a few questions for Mr. Bertinelli to find out what drives the company on day to day basis and how he keeps it ahead of the race. You've always been in the perfume sector. What is the perfect fragrance for you? I choose the fragrance to wear depending on the occasion and personal mood, therefore I do not have one favourite scent, but I can tell you that our latest male fragrance Uomo Salvatore Ferragamo is at the top of my list; it is very elegant and charismatic. What is the difference between a man and a woman when it comes to choosing the perfume? I think that more than any other product you use or wear, a perfume expresses and underlines your personality and therefore the choice is an individual one equally for men as well as for woman. The division between female and male fragrances has a historical origin, as women were much more attentive and demanding for scents; the olfactive proposals for women have always been wider and various than those for men. Recently this has started to

change, men are more open to try new olfactive notes and compositions and there are scents and ingredients that once were linked to female or male consumers and now are also proposed to both. What does the perfume we use say about us? A perfume is like a personal note you leave; the olfactive sense is one of the strongest in terms of evoking feelings and memories. Therefore a perfume instantly communicates a part of you that people will associate with your personality. What is the main focus when you promote a new fragrance? When promoting a fragrance we approach it from various levels. On the one hand we push through a visible presence in the stores through impactful display, dedicated beauty assistant and special activities with our local partners. On the other hand through a multichannel communication approach which includes a strong buzz in print, online and social press as well as a targeted campaign in selected key press, including also the collaboration with bloggers and influencers. Do you think the tastes for fragrances change by region, if so, what have you noticed?

There is a different preference of fragrances not only individually but also comparing some macro-regions and each culture has its own: the Middle East is more oriented on deep, woody, intense ones whereas the Asian markets in general love floral and fruity fragrances, but with differences also within that region. In Japan for example women prefer fresh floral and fruity notes, whereas in China the fragrance choice is more like Europe with fresh fruity, watery and floral notes as well as woody accords. In the USA, female consumers can be characterised by two main groups. The first preferring fresh and natural floral-fruity notes for an easy and delicate fragrance touch, the second group choosing warm accords made of floral ingredients enriched by gourmand o woody notes for a more sensual aspect for the perfume. Since you are also the CEO of accessories division, what is the ultimate accessory one shouldn't leave the house without? To be precise, I am the CEO of Ferragamo Parfums and the Licensing Director for watches and eyewear for the Salvatore Ferragamo Group. The ultimate accessory for me? Never leave my house without a pocket handkerchief. I enjoy collecting them from each part of the world.

AN HOUR, JUST FOR YOU ive years after the initial release of diptyque’s successful diffuser, the French maison reinterprets the iconic Le Sablier with an updated design and enhanced technology. The promise of diptyque’s new fragrance is a creation with a form symbolising a pact with time. Saying “yes” to time instead of giving in to

haste. The key value of the diptyque lines and collections is to allow us to savour each moment in life, to make it more intense, more present, more luminous. Le Sablier carries on this same spirit, focusing on an hour: sixty minutes for a fragrance to travel through the new sablier. An hour just for you.

LA BEAUTÃ&#x2030;

One In a Million: Rhea Jacobs Faces of Beauty Bobbi Brown's Beauty Drill Rawan's Diary

"I believe no dream is impossible" 48

ONE IN A MILLION

by Anton Rodionov

hea Jacobs runs a fabulous beauty and fashion blog, sheâ&#x20AC;&#x2122;s also become the only Marc Jacobs Beauty Ambassador from the GCC region. Out of 104,000 applicants only 10 were chosen in the end. How did this charming Dubai-born girl achieve that? We sat down with Rhea to speak about her experience and get a few beauty tips from her. What made you get into beauty in the first place? Being an artist evokes the want for creative expression; fashion and beauty have always been my medium. As a child, I remember being mesmerised and amused by colours and strokes. I used to observe my mother apply her eyeliner and lipstick in total awe. My love for makeup was born then. Much later as a BA Fashion Honours student, art transpired through my style and makeup. What was the first thing you decided to do when you were told you had been chosen to be the GCC ambassador for Marc Jacobs? It was such an overwhelming situation and gratitude seeped through every thought and emotion. The first thing I wanted to do was to use the platform given to inspire everyone to follow their dream and fuel their passion with determination and belief, and to share the art of makeup I learnt from the professionals at Marc Beauty with the world. What was the best part about working with Marc Jacobs for you? Just being in the presence of fashion's most treasured icon is a blessing by itself. The Marc Jacobs team is truly like an extended family, where everyone looks out for each other. The Team truly taught me to fuel my passion through my work and surpass all creative boundaries.

Would you say the beauty trends differ in the US from the GCC, if so, what trend did you bring back with you from your trip? I feel social media bridges the gaps between the distance and boundaries; there are a lot of similarities that both sides of the world share. Although, the one trend I did bring back with me was expressive and colourful eye makeup. A lot of us usually resort to darker tones where eye makeup is concerned. But, honestly, experimentation with bold colours is a revelation. What is the worst beauty trend of the year for you? Probably using anything and everything to apply foundation/concealer. Instead of the perfectly useful and effective beauty blender or brushes. What is the best beauty trend of the year for you? A strong highlight and defined eyeliner.

How do you fight the region’s climate to keep your makeup in check? Any tips? Sometimes with a perfectly glam face. The heat does take a toll. However Marc Jacobs Beauty got you covered! I start my make up regime by priming my face with the Marc Beauty Coconut primer. It creates the perfect base, is incredibly hydrating, and truly feels like a holiday on your face in this intense heat. After I’ve applied the makeup, I set my face with the Coconut finishing spray. This keeps my makeup intact for the longest time. Finally, what is makeup to you? Makeup to me is not just a pigment on the eyes or the lips, it truly is a medium to express one’s individuality and creativity. It’s like you’re the artist and your face is your canvas. follow Rhea on Instagram at @therjacobs 51

MAKEUP by Sarah White

PLAY The social media makeup sensation; Watiey Abdullah came to the watchful eye of the world through her detailed and gruesome reality of domestic violence, and horrifying and belligerent bloody tales: tales that are told out via her colourful and in depth Instagram page- FACES By Watiey Abdullah.

atiey, an Indonesian makeup artist, who is impressively skilled within special effects makeup (SFX) plays with her talent, in a more realistic fashion; touching upon unthinkable subjects that are dismissed within society- which is sad but true. From a young age, Watiey had adored makeup- whether it was playing with colours, or her mother’s cosmetics she was fascinated. However, as a Mass Communication University Student, sadly makeup took a backseat, however, that never stopped her of dreaming about it; knowing in the near future she would paint an impression within the industry, and brush up society with sensitive subjects. Watiey professes that this field is more art than cosmetic application; ‘For Example a singer uses their lyrics to deliver a message, whereas I, I use makeup as a medium to convey messages and in particular awareness. It gives me pure satisfaction every time I work on something- every piece is a masterpiece.’ Specializing in SFX makeup, Watiey transforms people into characters, creatures and even changes the normal to abnormal. SFX is a completely different perspective within the makeup field, it’s about details, focus and patience. However, the reason she chose something so real and raw such as domestic violence, is simply because it sadly still happens; she wanted to address the subject as real as she could. Something so sensitive and so realistic definitely touched a nerve or two- as this look she created went viral within her home country Indonesia, as well as Thailand and Cambodia. Peoples reaction was a strong mix of shock, anger and frustration, she claims ‘It was such a relief to receive a good response on the subject- people showed concern, and were disgusted by the act; thus meaning people truly believed it was real’. This was the compliment she’d hoped for, within such a serious area; she managed to create real, raw awareness through her passion of makeup, and SFX. In order to potentially help victims, or highlight patterns of concern to their family and

friends. However, she also re-creates gruesome eye infections, or freak accidents and general bloody violence just because it’s something you don’t really see every day, obviously within films, but not close up with such consistent details. Nevertheless, apart from social stigma subjects, portrayed through Special Effects, Watiey is a fully-certified and completely experienced bridal and fashion makeup artist. With an immense portfolio of Brides, Engagements and flawless fashion makeup, Watiey really does know what is best for you, your skin and look, but above all; your individuality. Asking her of the most popular trends Brides opt for, she says indefinitely smoky eyes. Public figures within the makeup cosmetic industry such as; Nikkie Tutorials and Huda Beauty are her biggest inspiration. Watiey also goes on to share some top valuable tips for us beauty junkie’ ladies; saying primer is a must, whether its day or night makeup! Also know your event or occasion well enough- for example, day makeup should be light coverage of foundation applied with a stippling brush, whereas evening makeup should be full coverage foundation with a beauty blender’. Informing us that the top, freshest makeup trend this season is ‘Cut crease application’ and that the trending cosmetic names such as Anastasia Beverly Hills’, Huda Beauty and Makeup Forever coming out on top-they really know makeup, and really know products through experience. Their ranges are for all skin tones, with a vast of colour combinations; their products are advanced in comparison to other beauty brands, that’s why they are market staples, and so popular for professionals and consumers. I you want seriously stylish inspiration, top tips or to be brought back to the sad reality of violence and freak accidents- FACES By Watiey Abdullah is the social media makeup sensation you should be following on Instagram at @makeupbyasmawati 53

BOBBI BROWN’S

BEAUTY DRILL by Heba Dajani

In a tribute to Bobbi Brown, who stepped down from her namesake brand after 25 years, we take a look at her recommended steps for applying full coverage make up and the order will surprise you!

THE BASE

Corrector: Works as a colour corrector for dark circles however, since each person has a different degree and tint, your corrector needs to be the complimentary colour of your dark circles to counteract the tints of purple, brown, red or yellow discolouration. Apply a layer over the bags of your eyes until it is blended in. Concealer: Add a coat of concealer to work as a double layer to cover your dark circles however, the quantity used should be less than that of the corrector. Only apply your concealer under your eyes, do not apply it over your eyelids as it leave creases. Should you need colour correction for your eyelids, invest in an eye base that not only coats your discolouration but also absorbs your eye shadow allowing a longer lasting colour. It is also important to note that your concealer needs to be an exact colour match to your foundation. Foundation: Bobbi Brown always helps you “Be Who You Are” and recommends to keep your foundation colour closer to the true tone of your cheeks to ensure a natural look. Apply your foundation downward from your cheekbones. With the matching concealer you have used, everything works together to give you a unified colour and coverage.

THE POWDER Powder: Applying powder is an important step that is often over looked as it sets in your concealer and foundation. It is also beneficial in that it protects your skin from oil and outside pollution and prevents creases. Should you not have a powder, you can use your bronzer or blush to set in your foundation instead! Bronzer: If you want to achieve a glow, use a bronzer and apply it in a circular motion up your cheekbones and all the way up to your forehead. Blush: If you would like a pop of colour, use blush and only apply it to the cherry of your cheeks as you smile. If you are feeling adventurous, Bobbi Brown strikes a balance between the two looks by applying both a bronzer and then adding a dollop of blush to make your face come alive.

THE EYES

THE LIPS Lipstick: Usually lips are considered to be the final touch of your makeup however, Bobbi Brown recommends that before your eyes, work on your lips in order to ensure you keep balance to your face and do not over do the eye makeup.

Brows: It is important to first shape and fill your eyebrows before you apply eye shadow as by this step you already have colour from your blush/bronzer and lips. Once you apply the colour to your eyebrows you can accurately balance the intensity of our your eyes. Eye Shadow: To achieve a daytime look, apply eye shadow in a thin line as if you were applying eyeliner. For a nighttime look, apply a light eye shadow under your eyebrow and then apply a medium colour on your eyelids and finish it off by blending in a darker colour in the corner.

Lip Liner: Even more interesting is that Bobbi Brown applies lipstick before lip liner, which for most of us seems to be a step in reverse! She recommends that in order to avoid an outline of lip liner after your lipstick has been removed from food or a drink, apply the liner on top of your lipstick to set it in.

Eyeliner: Bobbie leaves us with a steady tip for people who donâ&#x20AC;&#x2122;t have a straight hand when applying eyeliner, make sure to start from the middle of your lash line to the corner instead of trying to draw one straight line corner to corner. Mascara: The final step of Bobbi Brownâ&#x20AC;&#x2122;s recommended beauty routine is to apply your mascara by nuzzling the wand at the base of your lashes and then upwards in the direction of your eyebrow.

RAWAN'S DIARY:

WINDOWS TO THE SOUL Hannah Rott by Rawan Bin Hussain

hen we think of makeup and cosmetics, we think of numerous associations; such as everyday necessity or the final touch to your look or even some see it as a luxury option. However, when you get passed the initial thoughts and engage what makeup really is, it is true art. Your extended creativity comes out and flows; meaning the face you’re working on becomes a masterpiece, naturally. Makeup art is a real talent, and upon discovering such a young, bold and beautiful portfolio created by Hannah Rott, or as she is known on her social media as just ‘Atlantip’. Hannah is a real testament to enthusiasm within cosmetics, turning the ordinary into extraordinary- something older generations and her age group alike can aspire to and admire. Hannah’s approach to makeup application, more specifically eye makeup application, is somewhat intriguing; the way she highlights the most individual feature we have. She uses non ordinary materials and thought processes to create her inspirational thoughts, yet the results are flawless and mind-blowing: colourful, characteristic and oh-so original. Think velour effect liquid lipsticks applied to eyes, household goods such as Clingfilm arranged beautifully given a textured look, to daisies and leaves from the garden- enchanted never looked so refreshing! As Hannah is such a young creative, and so inspiring to myself, as well as my peers, I thought it would be best to find out about this stunning work she creates, and most importantly where does all this inspiration come from to create such distinctiveness. You are self-taught makeup artist, and incredibly young, do you plan this to be your definite career choice, or is it more of a hobby? Well, I wouldn’t consider myself a makeup artist actually, since I don’t have any certificates or gone to makeup/beauty school, I’m self taught. I’m more of an enthusiast and I definitely view it as a hobby rather than a career path; it’s very fun and relaxing to me, its art but on another level. When people say makeup is art, literally you are creating art, tell us what inspires each masterpiece look you create. Thank you for that, I’m flattered. I’m very much inspired by different fun and unusual textures, so that’s why I even choose obscure items such as household goods; like Clingfilm. I love textures and the appearance of them, its individuality and an extension of your own personality. On the other hand, I adore just

sitting down and playing around with products and materials’, seeing what catches my eye and fits my initial idea. The creativity of other creators on Instagram for example inspires me a lot as well, it’s beautiful to see what unique ideas are created from different minds and how everyone is inspired by everything, and it really is a beautiful place to be. Why do you choose to highlight a certain feature, such as eyes, rather than lips for example? Personally, I love eyes. They are the window to the soul, as they say, and exceptionally beautiful to me. Every iris is as unique as one’s fingerprint, none is like another- and you can always see something new in them, depending on lighting, mood and angle. My eyes were always something I liked about myself, no matter how bad I felt, I always found my eyes to be particularly beautiful, so I thought it would be fitting! What’s your most favourite look you have created? This is extremely hard for me to choose, as I’m incredibly critical of myself. However, if I had to choose, I would probably say either my Clingfilm textured look, or my Earth inspired look; since I love textures and the feel of them. Also I chose these as it’s always a talking point for people, because it’s unusual- it gave mixed reactions, as it’s not something ordinary, yet it’s mesmerising.

Rawan Bin Hussain is a lifestyle influencer who is passionate about beauty and fashion and currently studies Law in London. She has been an avid reader of VELVET and has recently joined our editorial team as a Contributing Beauty Editor. Rawan's Diary is the latest addition to our editorial scope, bringing you the best beauty news and ideas from one of the Middle East's most-followed influencer.

Which cosmetic brand products do you use? I am currently transitioning to being cruelty Follow Rawan on @rawan free, which means I won’t purchase any . products of companies that test on animals in any way, shape or form. Some of my personal favourite brands are Makeup Geek, Anastasia Beverly Hills and Glisten Cosmetics, but I always try out different brand names as part of experimentation, however, if anyone is curious to know what I’m using on certain looks, they can find it within each image on my social media- it states all products and brands. Also what type of beauty care products do you recommend, or use for eye skincare? I personally struggle with extremely dry and acne-prone skin. For the eye area I recommend using a deeply hydrating eye cream to ensure that the makeup doesn’t look caky on your skin, and to also prevent premature wrinkles! The canvas you work on should be as smooth and healthy as possible to ensure the best result. Also, be very conscious when removing glitter; it could scratch the sensitive skin around the eyes if you’re not careful, so it’s best to gently remove as much glitter as you can with your nails, before fully washing your face. Follow Hannah on @atlantip 57

Photographer: Tina Patni Designer: Amato Couture Styling: Furne One Key Makeup Artist: Jojo Dantespadua Assistant Makeup Artist: Jha Jha Rivera Hairstylist: Julian Kempster of Pastels Salon Models: Tiana, Maria, Marie and Jasmine 58

Coat: Burberry Blouse: Handmade Tribal collection Jeans: Vetements Shoes: Calvin Klein Bracelets, earrings: Helene Zubeldia Bag: Dsquared2 Hat: Maison Michel 61

Vest: Dries Van Noten Blouse: Handmade Tribal collection Earrings: Erickson Beamon 62

Coat: Sandro Top: Sportmax Pants: 3.1 Phillip Lim Boots: Valentino 63

Cover Story

DEBORAH HUNG

by Anton Rodionov

Art Direction: Anton Rodionov Photography: Marco Tassini Styling: Tara Ziegfeld Styling: Gwendoline Franco MUA: Emilie Plume Pants, shirt: Human Scales MUA: Eden Tonda Shoes: Melvin & Hamilton Socks: Falke Hair: Mayu Morimoto 66

Pants, shirt: Jacob Cohen Coat: Raffaele Scarf: Edsor Socks: Burlington Shoes: Melvin& Hamilton Watch: Kapten & Son 67

Total look : Schiaparelli Earrings : Blanchin Joaillerie Ring : Blanchin Joaillerie Bracelet : Mikimoto

er name has become associated with every fashion week and the VIP event only a few chosen get invited to; she's been on the covers of many fashion magazines and walked the runways of couture shows in Paris. Deborah Hung is the modern-day Marie Antoinette when it comes to living a life of fine luxury filled with glamorous parties, elegant fashion and jet-set lifestyle. Her husband Stephen Hung, a Hong Kong native and Chairman of THE 13 HOLDINGS, SH Capital Group and Vice Chairman of Rio Hotel & Casino , is best known for creating the most luxurious hotel in the world, THE 13 in Macau, China. They were named Couple of the Year at the Hong Kong Tatler Ball and have hosted numerous top-level VIP events around the globe. It was a cold morning in Paris and the fashion weeks had just finished with Guo Pei closing the Haute Couture week in a true Chinese grandeur. Myself, along with my Parisian team, were met by Deborahâ&#x20AC;&#x2122;s bodyguard in the lobby of The Ritz, the cityâ&#x20AC;&#x2122;s legendary historic luxury hotel in Place Vendome in the heart of the French capital. Deborah met us in her Salon Imperiale - the recently renovated suite which takes one back in the times of the royal palaces of pre-revolutionary France; she was wearing a robe and had a candid and genuinely warm smile. We had a full day of a Haute Couture shoot ahead of us and some of the dresses had already arrived.

Total look : Schiaparelli Earrings : Damiani

Pants, shirt, vest: Jacob Cohen Hat: Y3 69

Dress: Atelier Versace Ring: Damiani

Deborah Valdez-Hung, Valdez is her family name by birth, took up modelling in 2004 while pursuing studies in law. She’s had successful shows and soon after found herself at the head of her own modelling agency Dreamodels- a top-tier, exclusive agency working with top luxury brands including Chanel, Louis Vuitton, Versace, Dior and many more. What is the image of an ideal woman for you? - I asked Deborah as she was looking over at the Place Vendome wearing Atelier Versace’s purple ombre gown with pleated flares and a silver braid wrapping around her statuesque body - a true masterpiece. “For me, an ideal woman is someone who does whatever she feels like and has her goals. She's confident, she is happy with what she does and what she thinks.” Her modelling agency represents over 500 models around the world, keeping Deborah busy all the time. I asked her how she manages to stay focused and on top of her game. “Time is everything. I have to be very organised, especially because I travel all the time. I have a lot of shoots, meetings, personal things. I have to be very careful on timing.”

Total look : Zuhair Murad Ring : Blanchin Joaillerie - Dahlia Fou Necklace : Buccellati

Pullover: Ermenegildo Zegna Coat, pants: Jacob Cohen Gloves: Tigha Boots: Kiomi 72

"...an ideal woman is someone who does whatever she feels like and has her goals"

There is a strong belief that behind every successful man is a powerful and successful woman. It is safe to say that the Hungs are exactly that. The couple is always busy, being together or apart, there seems to be no time for the two to relax. Many would suggest that one has to sacrifice something for success, but when I asked if that appealed to her, Deborah replied, “To be successful you don’t have to sacrifice. I think it is more about work, you put so much effort and you enjoy it so much that you do not feel like it is a sacrifice.” Walking back and forth along the corridor in a sheer red Valentino couture gown, she continued, “But yes, you have to work a lot and you leave a few things on the way, be it free time, comfort, or whatever else as you need to leave a few things to follow your dreams.” Dressed in the orange Jean Paul Gaultier suit and drawing a curious crowd at Place Vendome. Deborah is known for her daring and unique style, often turning heads and making the front row

look just as good as the runway. I wanted to see what fashion meant to her, “Fashion is always evolving, it is never the same. It always moves forward. Wear the clothes that suit you. There is a saying in Spanish “de la moda lo que te acomoda” It means “from fashion, take what fits you”. Don’t wear pieces just because you want to show you have them, wear what looks good on you. If it is not for you, don’t wear it. Be a bit daring and playful, try something different. You have to have fun and enjoy fashion. Go fashion, go fun!” As we wrapped up the day, we had a genuine laugh over some coffee and tea. We spent eight hours but the day felt shorter and Deborah showed that there is a lot of strength, passion and motivation in a woman so delicate and warm. Her love for Stephen is overwhelming and he showers her with kisses whenever he can. The Hungs were named Couple of The Year at Tatler Ball in Hong Kong in 2014 and we can see exactly why.

Total look : Valentino Necklace : Chopard

"You have to work a lot and you leave a few things on the way, be it free time, comfort, or whatever else..."

Pants, shirt: Jacob Cohen Pullover: Dolce & Gabbana Scarf: Edsor 77

Dress : Giambattista Valli Necklace : Boucheron

BEAU TY TIPS

from Deborah

Rest. Try to sleep as much as you can. Sleep is the best for everything. Good taste. Not everyone has it, and not everyone is born with it. No matter who you are, if you have sense of style and beauty, you can present yourself very well. Be happy. Confident girls are the best! A lot of girls donâ&#x20AC;&#x2122;t feel good about themselves and then go trashing one another, always jealous - that is the worst. No matter what your body is, if you work out who you are, if you are happy, you are good to go and everyone will want to look at you. Eat right, drink water. Shopping as it's therapeutic.

Total look : Jean Paul Gaultier Ring : Damiani Watch: Damiani

TEA WITH THE LADY VELVET Yanina Couture D. Porthault SICIS Jewels Di Gregorio Ettore Bilotta

YULIA YANINA: RUSSIA'S PRINCESS

anina Couture, the Russian couture house displayed their latest collection in a private presentation for the first time in Dubai at the Imperial Suite of Palazzo Versace Hotel. The private trunk show showcased their luxurious details and exquisite fabrics to the crĂ¨me de la crĂ¨me clientele lead by the designer, Yulia Yanina, who brought her vision, creativity and powerful personality to the Gulf. Since the fashion house has formed in Russia two decades ago, fashionistas visit Yanina for the same purpose they went to Dior in the fifties - to get gorgeous dresses that embody luxury and sophistication. The collection can be purchased online on Moda Operandi for the GCC region.

DI GREGORIO: MADE TO AMAZE

iovanni Di Gregorio and his wife Laura started their journey from passionate and dedicated steps, which in seven years brought them to launch an actual brand of high jewellery. Between infinite collections and numerous works of art, all handcrafted, more â&#x20AC;&#x153;easy-to- wearâ&#x20AC;? lines can be found. Everything comes from a cooperation with young, dynamic art and beauty lovers, which irradiates the maximum creativity and passion, reaching a joint goal - to amaze. In addition to this, Di Gregorio dedicates his more demanding clientele a numbered collection of exclusive and unique jewels.

ETTORE BILOTTA: ITALIAN DREAM

ttore Bilotta showcased his collection on models in a private fashion show hosted by her excellency, Sheikha Hend, at Vesna in the Conrad Hotel. The Italian fashion house which came in contact with the Middle-East lead Ettore Bilotta to design the first uniforms of Etihad Airways in 2003. 83

Sheikha Hend Al Qassemi and Zainab Alaskari

SICIS JEWELS: PRECIOUS MOSAICS icis mosaic masters create tiny rods of gold and venetian enamel, obtained by melting nine different base colours at 1,200 degrees, producing infinite combinations of colours and shades. It takes dozens of hours to complete the micro-mosaic in a jewel. Sicis Jewels was hosted by H.E Sheikha Hend for a private showing of their latest jewellery collection at the Conrad Hotel, showcasing for the first time in Dubai to Royals from different parts of the Emirates.

HAUTE LIVING: D.PORTHAULT

or about a century, D. Porthault has been the only â&#x20AC;&#x153;Haute Coutureâ&#x20AC;? home linen company, setting the trend in its field which originated in France. Since 1920, D. Porthault decorates the most prestigious residences, hotels and royal palaces with its home linen. D. Porthault was hosted by H.E Sheikha Hend at the imperial suite, Palazzo Versace for a private preview of their latest collection.

Sheikha Hend Al Qassemi and Danielle Navarro 85

Photography Ursu www.ursu.it Styling Elisabetta Cavatorta Hair and make-up Claudia Ferri using Lancome-Nars for makeup and Artego for hair Stylist assistant Letizia Maria Allodi Model Martina @ Nur Models Photographer assistant Sean Ferritto

White tulle vest Lanvin White silk tanktop (underneath) Lanvin White silk skirt Lanvin Black plain sandals Giuseppe Zanotti

Embroidered jacket Dolce&Gabbana

89 Embroidered dress Dsquared2

90 Printed dress Moncler Silver pendant earrings with votive detail Paola Grande Gioielli

Embroidered bustier dress Giorgio Armani Bronze and silver earring Paola Grande Gioielli

93 Red silk dress Sportmax Studded ankle boots Giuseppe Zanotti Pendant silver earring OMV by Madina Visconti

94 Floral sequins embroidery dress Michael Kors Black belt with golden detail Lanvin Pendant silver earrings Paola Grande Gioielli

Printed floral silk dress Alberta Ferretti Pendant silver earrings Paola Grande Gioielli

Painted tulle gown Dior Bronze leaf earrings OMV by Madina Visconti 96

MAY BIRTHSTONE

EMERALD

by Sary Rayess

merald’s lush green has soothed souls and excited imaginations since antiquity. The word comes from the ancient Greek word for green ‘smaragdus’ means quite literally. Rome’s Pliny the Elder described emerald in his Natural History, published in the first century AD:’…nothing greens greener,” was his verdict .

He described the use of emerald by early lapidaries, who ‘ have no better method of restoring their eyes than by looking at the emerald, its soft, green colour comforting and removing their weariness and lassitude.’’ Even today, the colour green is known to relieve stress and eye strain. The first known emerald mines were in Egypt, dating from at least 330 BC into 1700s. Cleopatra was known to have been passionate about emeralds and used it in her royal adornments. Emeralds, from what is now Colombia, were part of the plunder when sixteenth-century Spanish explorers invaded the New World. The Indians had already been using emeralds in their jewellery and religious ceremonies for over 500

years. The Spanish, who treasured gold and silver far more than gems, traded emeralds for precious metals. their trades opened the eyes of European and Asian Royalty to emerald’s majesty.

Emerald is often mined and sold under peril—the natural resource Colombians cherish, is also coveted by underworld drug traders. The availability of fine-quality emerald is limited, and emerald was plagued in the late 1990s by negative publicity about treatments commonly used to improve its clarity. Legend has it that emeralds give the power to make its wearer more intelligent and quick-witted. It was once also believed to cure diseases like cholera and malaria. The colour reflects new spring growth, which makes it the perfect choice of a birthstone for the month of May. Emerald is the most famous member of the beryl family. It’s also the gemstone for twentieth and thirty-fifth wedding anniversaries.

SOURCES Afghanistan Brazil Colombia (highly regarded for their colour) Pakistan Russia Zambia (known for good clarity) Zimbabwe

Chopard Green Carpet 98

CARE AND CLEANING Most emeralds have been fracture-filled. An emerald’s appearance may change over time due to the instability of its filling material. Depending upon their condition, emeralds may be retreated by an experienced professional. Never steam clean or ultrasonic clean your emeralds alway; use warm soapy water for safety and to avoid vigorously scrubbing your gem. Never wear your emeralds while showering, swimming or sleeping. Always put your jewellery on after you’ve applied make-up, hairspray or perfumer the chemicals may damage the emeralds. Your emerald jewellery can be easily scratched, so be sure to store it separately from other gemstones.

3 MOST

TOP

EXPENSIVE EMERALDS

Elizabeth Taylor’s Emerald and Diamond Necklace, Brooch, Ring, Bracelet, and Earrings - $100 Million

Elizabeth Taylor was known for many things including her acting roles and multiple marriages. She was also known to have one of the most impressive jewellery collections in the world. Among her many jewels was her emerald set, which included a necklace, brooch, ring, bracelet, and pair of drop earrings. Together the pieces come to a sum of nearly $100 million! Her husband, Richard Burton, gifted her with these incredible jewels as well as many others.

“I adore wearing gems, but not because they are mine. You can't possess radiance; you can only admire it.” - Elizabeth Taylor

The Emerald and Diamond Tiara - $12.76 Million In 1900, German Prince Guido Henckel von Donnersmarck commissioned this fabulous emerald and diamond tiara for his second wife Katherine. The exquisite, not to mention costly piece, features 11 pear-shaped polished emeralds totalling 500 carats as well as countless colourless diamonds. It is no surprise that this tiara managed to sell for nearly $13 million.

Angelina Jolieâ&#x20AC;&#x2122;s Emerald Earrings - $2.5 Million Hollywood stars all seem to shine but some do shimmer more than others, especially those with extraordinary beauty, acting talent and personality, and phenomenal taste in fashion and jewellery. The darling Angelina Jolie falls into every one of these categories. It is therefore not surprising to find one of the most expensive pieces of emerald jewellery of all times on the fabulous Ms. Jolie. Her $2.5 million emerald drop earrings absolutely stole the show at the 2009 Oscars. That was a tough feat considering the fact that Angelina was wearing a sensational strapless black ensemble. The emerald look was such a hit that it instantly started a trend among jewellery and fashion enthusiasts alike.

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CHANEL

30 YEARS OF HORLOGERIE 102

n only thirty years of CHANEL’s watchmaking journey, the House has touched on every métier contributing to the art of Fine Watchmaking. Defining a unique vision of Fine Watchmaking through the creation of watches conceived as objects of desire and beauty, without compromising the craftsmanship and technical expertise required to create exceptional timepieces. Timepieces designed to withstand the test of time.

1989 Carole Bouquet - Premiere

In October 1987, when CHANEL first created a watch, no one was expecting it. It was called Première.

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Première: - adjective feminine, singular. French for first: that which precedes others in time, space, and rank. Principal. Superior. - noun feminine, singular. That which is realised for the first time. That which is classed at the top. In transport, the most comfortable class. In Haute Couture, the Director of the atelier. In watchmaking, the Première was the first watch created exclusively by CHANEL for women; drawing on the shape of the N°5 bottle stopper and the Place Vendôme. Unlike anything before, this timepiece, destined for women and defining a uniquely feminine style, was not a simple reworking of a man’s watch. The Première, whose femininity is embodied by original ambassador Ines de la Fressange, is both an authentic timekeeper

and a statement of style, or as some would say a fashion accessory. The Première watch opened the first chapter of the story between the House and the world of watchmaking. With it, CHANEL gave time the place it deserved: a surface without limits, dials or markers. A surface both flat and smooth. The watch thus became a genuine piece of jewellery, the embodiment of femininity, above and beyond its functional role. The House’s drive to create is fuelled by the desire to celebrate the art of surprise and wonder. The iconic motifs inspire and become timekeepers: Pearls, Camélias, Comets, Quilting and Ribbons enlace the wrist. Not only do these symbols serve as an eternal source of inspiration for the House, but they also contribute to the renewal and creation of new feminine watchmaking codes in the world of Fine Watchmaking. From the start, everything is sketched, conceived, developed and made in-house. No subcontracting, no licensing.

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In 2000, a new revolution: the J12. Created in black ceramic, the J12 became the first watchmaking icon of the 21st century. The dazzling, resolutely indelible black captured in the rotor created shock waves when it first arrived in the Place VendĂ´me. Its supple link strap, at ease with its own masculine style, naturally adjusts to the bodyâ&#x20AC;&#x2122;s temperature, unlike metal. CHANEL transformed hightech ceramic into a precious material, and made deepest black an essential colour in the watchmaking world. In 2003, with the creation of the immaculate and opalescent white J12, CHANEL reinvented the colour white, making it the must-have colour in watchmaking for the next decade. By creating multiple variations, ephemeral series and exceptional editions, while always respecting the stylistic integrity of the J12, CHANEL continues today, 17 years after its creation, to reinterpret this watchmaking icon. In its latest chapter, the J12 is rendered in a petite and highly feminine XS version.

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The J12 didn’t simply mark a watchmaking revolution at CHANEL. It initiated a fundamental shift in the world of watchmaking through the House’s use of black, white and ceramic. In 2005, the J12 Tourbillon watch opened up a new field of expertise and creation. Five years after the launch of the J12, CHANEL went even further with the J12 Mysterious Retrograde. Highly complicated, the movement of the J12 Mysterious Retrograde established CHANEL’s place in the world of Haute Horlogerie.

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2012: Mademoiselle Privé CHANEL launched the Mademoiselle Privé collection, a rare and unique set of one-of-a-kind pieces, created turn both heads and time. Exquisite watch dials, refined movements, and artisanal techniques, all expressed within the unforgiving confines of the timepiece: embroideries threaded with gold, diamond and mother-of-pearl marquetry, ancient glyptic techniques — nothing is impossible. In the hands of the greatest enamelers, engravers, chiselers and gem setters, this collection marks a new chapter in the creative history of CHANEL Watches and uncovers new ground for expressing the House’s unsurpassed skill and know how.

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The Mademoiselle Privé Camélia Brodé watch, with its dial embroidered in coloured silk thread using a “needle-painting” technique, allows CHANEL to garner its second Watchmaking Grand Prix in Geneva in 2013 in the “Artistic Crafts” category.

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2015: the BOY·FRIEND The watch reimagines the androgynous codes of feminine watchmaking. A watch that is masculine in appearance, but totally dedicated to women. Once again, creating a timepiece that surprised everyone. The following year, the BOY·FRIEND collection is expanded with the launch of BOY·FRIEND Tweed, which possesses a uniquely supple metal bracelet, inspired by the tweed motif. The engraved strap, woven from steel thread, required immense technical prowess in order to be able to capture the richness of the fabric.

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2017: PremiĂ¨re Camelia Skeleton In 2017, CHANEL Horlogerie turns thirty. Only thirty, yet still that same desire to push further and reach higher. The House proudly introduces its second in-house caliber, reinterpreting the PremiĂ¨re watch and elevating it to a new level of Fine Watchmaking. The new skeleton movement, in deepest black, is one of a kind. Representing the camellia, one of the iconic symbols of the House, this new timepiece is an expression of the liberty of the Studio of Creation. Only thirty, yet still that same desire and passion to create. CHANEL has stayed true to its own vision of watchmaking and, in so doing, created new watchmaking codes. 112

ALWAYS ON TIME Baselworld 2017

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FOR HER

AROUND THE WORLD ijoumontreâ&#x20AC;&#x2122;s The Around the World watch conjures up ten iconic landmarks as "world charms", and transforms them into enchanting compositions for the wrist. This is definitely something special for the world travellers. Mother-of-pearl, or perhaps howlite or amazonite, blend with sparkling diamonds for a touch of eternity. Whether a dream of faraway horizons or the memory of a romantic getaway, the Around the World watch transforms to reflect the place nearest to its wearer's heart. Thanks to a system of interchangeable elements, the ten world charms, which include the Eiffel Tower, the Statue of Liberty, the Pyramids of Egypt and the Sphinx, alternate on the dial as the starting point for a journey to remember, right there on the wrist.

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DISTINCTIVE AND ORIGINAL e GRISOGONO unveiled a new collection of ladies’ watches that naturally seem to have been part of the brand forever. A watch whose proportions, together with the succession of offcentred circles composing its silhouette, immediately instil it with a distinctive and original character. By deliberately creating a nonconformist design based on a set of nested circles with varying diameters and centres, Fawaz Gruosi has found the key to a perfectly balanced geometry. The result is

an impetuous watch that proclaims its bold nature. Its name – ECCENTRICA – naturally evokes its extravagant and original character and its singular and extraordinary nature. A case designed like an anthem to roundness, with a spellbinding depth effect created by the off-centred circles and the play on diamonds. A dial that tells the story of time in a sweep of stylised Arabic numerals opulently laid out around a 115

bevelled inner bezel ring. An asymmetrical architecture that extends through to the lugs – like two arms in which the round case nestles gently, enhanced by the seductive cadence of dense gem-setting. Its crown adorned with a black diamond and its galuchat-dotted strap set the perfect finishing touches of elegance to a watch endowed with the inimitable identity codes of the Maison de GRISOGONO that naturally predestine it for success.

SPECIAL OCCASION

n the occasion of the 25th anniversary of the manufacture, Franck Muller unveiled a special edition that pays tribute to its iconic shape, the Cintrée Curvex™. Released in the early 90’s, the Cintrée Curvex revolutionised the watchmaking trends with its tonneau shape. The curves of the case are adorned with the slender and distinctive relief numerals. The numerals are first engraved on the case and then covered with ceramic to finally be re-machined to let themselves appear more vividly. This new model specially designed to celebrate this milestone displays Franck Muller signature appliqué numerals as well as the 25th anniversary logo of the brand on an enamel dial. Powered by an in-house movement, this special edition carries the story of Franck Muller through a very identifiable design.

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CLASSIC BLOSSOMS

he House of Harry Winston captured the beauty of the cherry blossom tree on the dial of its Avenue Classic Cherry Blossom Timepiece. The gorgeous scenery celebrates the tree with diamonds and pink sapphires and is protected in a case that mirrors the architecture of Harry Winstonâ&#x20AC;&#x2122;s Fifth Avenue Flagship Salon in New York. Executed with great flair, the dial of the Avenue Classic Cherry Blossom Timepiece is a recreation of the flowering of the cherry blossom tree. The background is crafted from pale green-blue mother-of-pearl and uses the natural iridescence of the nacre to simulate clouds on a blustery spring day. A flurry of 39 brilliant-cut white diamonds and 29 brilliant-cut pink sapphires dispersed across the dial represent the flowers and petals of the cherry blossom tree; some of the flowers are still attached to the white gold branches of the tree while others are captured as they float gently to the ground. Cut in different sizes to create a sensation of depth and movement, the precious gemstones ensure that the beauty of the bloom will never fade.

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PRECIOUS 88

he Grande Seconde Tourbillon Mother-of-Pearl by Jaquet Droz, is the new marvel of feminine beauty and watchmaking virtuosity. Previewed at Baselworld 2017, it is equipped with a tourbillon. The shimmering effects play off the gleam of red gold on the 39 mm case set with brilliant-cut diamonds plus the highlight on the dial and the folding clasp. Roman numeral indexes for hours and minutes are a touch of classicism in their own right, accentuating the blued-steel hands. Laid on a white satin strap, there is also a bit of mystery about the Grande Seconde Tourbillon Mother-ofPearl, like the gold oscillating weight adorned with white mother-of-pearl and the movement's bridges with a fanned CĂ´tes de GenĂ¨ve design. Countering the effects of gravity on the mechanics, tourbillons are a window into their own untold complexity. Like a tiny hypnotic sculpture deserving of high-precision surgery, this is the first time Jaquet Droz has given it a silicon balance spring and pallet horns. Flexible yet sturdy silicon is rust-proof as well as insensitive to magnetism, non-extreme temperature changes and atmospheric pressure. The balance spring gives the Grande Seconde Tourbillon Mother-of-Pearl unmatched time-telling precision. With a 7-day power reserve, the Grande Seconde Tourbillon Mother-of-Pearl comes in a limited edition of 88 pieces. The silhouette of the number is reminiscent of the dial's design imbued with the light of mother-of-pearl and the shimmer of diamonds.

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SHINE LIKE FENDI

endi Timepieces presented the new Fendi IShine Watch Collection, celebrating the eternal power of light. It features unique bright effects enhanced by a sophisticated colour palette ranging from white to pink and red. By rotating the crown adorned with a prong-set precious stone at 3 oâ&#x20AC;&#x2122;clock, three different gemstone configurations are revealed: 12 white topazes, 12 gradient pink and red topazes, or 12 black spinels adorn the dial alternating with Arabic numerals and indexes for shining effects. The watch is proposed in many different versions. The first one features a black lacquered dial enhanced by a faceted white mother-of-pearl cabochon at the centre, drawing reflection effects like those of a diamond-cut jewel, in a contrast with the 18-karat gold-plated bezel, case flanks and black spinel-adorned crown. The refined allure is further emphasised by the satin-brushed stainless steel bracelet featuring faceted 18-karat gold plated central links. The second one is a polished and satin-brushed stainless steel version, graced with a white lacquered dial enhanced with a white mother-of-pearl central zone, a pink topaz-set crown and pink soft-touch flanks. The pink tone-on-tone stitched leather strap in semi-matt alligator is edged with matching pink matt rubber and lined in calfskin leather. Elegant and feminine, the new Fendi IShine Watch Collection infuses time with light, celebrating the elegance of precious stones in a balance between tradition and innovation.

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OMEGA SEAMASTER his year, the Seamaster Aqua Terra Ladies’ Collection features 30 new models in three different sizes. The new models, available in 38 mm, 34 mm or 28 mm versions, the patented screw-and-pin bracelet itself has been updated with re-proportioned and domed links that give a more feminine appearance. The dials of the Aqua Terra Ladies’ models remain clean and crisp, and are enhanced by diamond hour-markers. Mother-of-pearl dials remain the firm favourite, completed with 14 different refined colours with an opaline, sandy or lustrous finish. The “water-resistance” wording on the dial has been taken away and engraved on the case-back instead. The case-back features a wave-edged design with sapphirecrystal through which you can see the OMEGA Master Chronometer calibre 8800, used in both of the larger watch sizes. This movement, along with each watch, has reached the highest level of certification for precision and performance as approved by METAS. All timepieces in 34 mm and 38 mm are delivered with a 4-year warranty.

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GREEN LIGHT amed for its glamour and its feminine style, the St-Tropez™ appears this year adorned with a splendid cascade of green tsavorites. These gems featuring a slightly lighter shade than emeralds catch the light, giving an exceptional sparkle to the bezel and lugs. Twelve of them are also set as hour-markers on the dial, creating an elegant contrast with the white mother-of-pearl background. Vividly evoking the scenic splendour of the tiny village on the Côte d’Azur after which the collection is named, the GreenLight sends a precious breeze wafting across wrists, enhanced by the sparkle of around 432 tsavorites. Loyal to the hallmarks for which the line is renowned, it is teamed with the signature cable bracelet, duly fitted with a tiny nautical-inspired chain and decorative clips.

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FOR HIM

SUPEROCEAN HERITAGE II he Superocean professional diver’s watch launched in 1957 has given rise to several generations of instruments boasting peerless aquatic performance. To celebrate its 60th anniversary, Breitling has revamped its iconic design. The main development is a new steel bezel with an ultra-hard high-tech ceramic ring that is scratch-proof and extremely shock-resistant. The elimination of the metal ring surrounding the minute circle means that this bezel appears to form a seamless whole with the dial bearing the original Superocean logo. The shape of the hands – triangular for the hours and lozenge-like for the minutes – as well as the slightly cone-shaped hour-markers, reinforces ties with the 1957 model, while ensuring optimal legibility. In terms of performance, this new Superocean Héritage II is water-resistant to 200 metres and beats to the rhythm of the Manufacture Calibre 20, chronometer-certified by the COSC and endowed with a more than 70-hour power reserve.

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CENTRAL TOURBILLON atchmaking is a tradition that goes back centuries for the Haldimann family, to 1642 precisely. A mechanical wizard and the inventor of the flying central tourbillon, Beat Haldimann is surely the pride of his ancestors. This child of the Bernese Oberland believes watches are first and foremost pieces of art. Moreover, time is nothing more than a pretext for his concept of watchmaking. The production never exceeds a handful of pieces a year. The H1 Flying Central Tourbillon is one of these rare works. Fitted with three barrels, it has been entirely designed, developed and produced in the Haldimann workshops in Thun. The platinum or gold case is also crafted in-house and hand-finished. This watchâ&#x20AC;&#x2122;s classic aesthetic, together with its mechanical sobriety, convey the brand's artistic vocation. Were there a competition for the most beautiful flying central tourbillon, few if any could challenge the H1.

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MANERO FLYBACK

arl F. Bucherer launched three new interpretations of its Manero Flyback, with a petroleum blue, black or champagne-toned dial, framed by a case in steel or 18K pink gold. The resulting compositions are each unique, yet consistently elegant and refined, imbued with a clever blend of classicism and modernity. Beneath these difference faces beats a particularly sophisticated movement: the automatic CFB 1970 calibre. This chronograph equipped with a flyback function serves to consecutively measure several intervals of time. Simply pressing the zero-resetting pusher is enough to restart a new measurement while the chronograph is still running, contrary to a conventional chronograph that would require three successive stop, reset and restart operations.

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L.U.C XPS TWIST QF FAIRMINED hopard launched a new limited-series L.U.C watch crafted in ethical rose gold. The L.U.C XPS Twist QF Fairmined is an ultra-thin model that contributes to improving the living conditions of the miners who extract its raw material. The L.U.C XPS Twist QF Fairmined exudes an aura of rare elegance and cultivates signature tokens of authentic character. It is distinguished by a dial with a stamped sunburst texture featuring a slate grey colour that stands out against the rose gold case. The dial effect is inspired by the raw composition of gold nuggets extracted from mines. The crown and the small seconds, respectively off-centred at 4 and 7 o’clock, endow the dial with a subtle asymmetric appeal and exceptional personality. The 7.20 mm case make this a slim watch featuring satin-brushed finishes on the sides, complemented by a polished case-back and bezel. The alligator leather strap of the L.U.C XPS Twist QF Fairmind is hand-sewn and dyed with plant-based pigments – in matt black for the main part and cognac-coloured for the lining. Produced in a 250-piece limited series, the L.U.C XPS Twist QF Fairmined has also successfully undergone all the testing stages of the Fleurier Quality Foundation certification process – the most demanding in the watch industry. Awarded by the eponymous foundation, an independent certification authority, it relates to the precision of the calibre, its reliability, its durability and the quality of its finishes. Upstream of these rigorous tests, the Fleurier Quality Foundation regulations stipulate that the entire watch – including movement and external components must be produced in Switzerland. The L.U.C XPS Twist QF Fairmined is equipped with a self-winding movement: L.U.C Calibre 96.09-L equipped with two barrels (Twin® technology), wound by a 22-carat gold micro-rotor in 22-carat gold ensuring a comfortable 65-hour power reserve. Its precision is tested by the Swiss Official Chronometer Testing Institute (COSC), which awards the watch the sought-after chronometer title. Its reliability is then verified by the Chronofiable protocol – involving three weeks of “ageing tests” during which the watch is subjected to heat, cold and damp, repeated pull and push forces on the winding-stem, magnetic fields and repeated shocks. The operation of the finished watch is subsequently tested on the Fleuritest machine. Specially developed for the Fleurier Quality Foundation, it reproduces the conditions of wear on the wrist during a 24-hour cycle. Stemming from the watchmaking expertise acquired by Chopard Manufacture over the past 20 years, the L.U.C XPS QF Fairmined is an exceptional object combining original design, technical performance, a resolutely ethical approach and supreme refinement.

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ASTRONOMIA SOLAR acob & Co. sets a new milestone in its representation of the Earth within the solar system with this first-ever reproduction of all eight planets on a dial around a majestic Sun, formed by a citrine displaying the 288 facets of the Jacob CutÂŽ. The hand-engraved Earth rotates around its axis once every 60 seconds and makes one complete revolution of the dial in 10 minutes, as do the flying tourbillon and the hours and minutes dial, all three forming an assembly. Specially created for the Astronomia Solar, the hand-wound JCAM19 calibre is faster than any of the previous movements in the Astronomia collection, despite its smaller size and new functions. By rotating 360Â° clockwise in 10 minutes, while the aventurine base turns counter-clockwise at the same speed, it creates a captivating, accelerated view of our solar system and an impression of zero gravity.

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ONE OF A KIND: SON OF SEA TOURBILLON rtyA introduced yet another creative work with the oneof-a-kind Son of Sea Tourbillon. Inspired by the famous Geneva herbarium discovered by John Briquet more than a century ago, the artist Dominique Arpa-Cirpka decided to create her own algae collection on a dial. Mingling seabed treasures, natural pigments and gold leaf with real butterfly wings and fish scales, she has composed a unique description of this fascinating scenery that appears to have emerged directly from the blue waters of the Mediterranean. A tribute to the beauty and vulnerability of the seabeds, this one-off creation beats to the rhythm of a movement exclusive to ArtyA and featuring another treasure â&#x20AC;&#x201C; this time of a mechanical nature: a flying tourbillon whose rotations at 6 oâ&#x20AC;&#x2122;clock appear to bring the aquatic dial scene to life.

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FLAGSHIP HERITAGE 60th ANNIVERSARY

ongines celebrates this year the 60th anniversary of its first Flagship collection. For this occasion, the watchmaking brand introduces the Flagship Heritage – 60th Anniversary 1957-2017. This timepiece was inspired by a Flagship model kept in the Swiss watchmaker’s headquarters, favoured by Longines’ Ambassador of Elegance, Kate Winslet. Available in steel, yellow gold or rose gold, these numbered and limited-edition models display a flagship on the back, as did the original pieces.

Available in steel, yellow gold or rose gold, the numbered timekeepers house an L609 mechanical calibre in their 38.5 mm case. Exclusive timepieces, the gold versions are limited to 60 watches while the steel versions are limited to 1957 watches. The brushed silvery dial is adorned with eight indexes and four Arabic numerals, in yellow gold or rose gold colours. As with the original timepieces, the back of these commemorative watches bears a stamped caravel – the flagship. A brown leather watch strap completes this exceptional timepiece.

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MOVADO ULTRA SLIM

mbodying the definitive trend toward thinner, sleeker cases and Movado’s simple, minimalist aesthetic, Movado introduced the new Ultra Slim watch collection. Crafted in solid stainless steel, or yellow or rose gold PVD-finished steel, each of the four men’s styles in this new collection features a round 40 mm case, a mere 6.3 mm deep, with polished bezel. This simple round, ultra-slim case frames a soleil-textured dial defined by a signature concave dot at 12 o’clock, thin stick markers, elegant dauphine hour and minute hands and subtle contrast printing. All models are presented on impeccably

top-stitched leather straps, finished with matching steel, yellow or rose gold-toned classic tongue buckles. Sleek and simple presented on a black leather strap, the all-steel version features a black dial with silver-toned accents. Richly on-trend, the rose gold PVD-finished model has a silvered-white dial with rose gold-toned details and a rich chocolate brown leather strap. Two yellow gold PVD-finished models are also available – one with a black dial on a matching black leather strap, the second with a blue dial on a chocolate brown strap.

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PARISIAN ULTRA-LUXURY LAUNCHES IN DUBAI eal luxury should be unique, total, exclusive, exceptional, elegant and of unreserved quality. It expresses itself through a new idea which fulfils the desire of the client. EX NIHILO is an alternative Parisian perfume house. An alternative to luxury products, which are no longer such, an alternative to the mass personalisation, which is a contradiction in itself. Taking inspiration from the creative avant-garde and the French spirit of pure refinement, EX NIHILO gives true luxury, in bringing to the fore the pinnacle of savoir faire and the most splendid raw materials in perfumery. EX NIHILO created an exclusive ritual based on an innovative technology in order to offer, in its’ unique environment on rue

Saint-Honoré, a subtle personalisation of all the perfumes in its’ collection, and now replicated at Bloomingdales Dubai. This ritual allows the person to receive a fragrance, which will be the expression of his profound nature, or of his momentary whim. Perfume thus rediscovers its’ primary significance: being the faithful spokesperson of the individual who chose it. Curious and open by nature, EX NIHILO is a brand which draws its’ inspiration from emerging talents in perfumery, but also in architecture, design or artisanal glassmaking. In opening new collaborative paths between perfume creators, the latest technology and the artistic community, EX NIHILO wants to respond to the demands and desires of a generation searching for brand new and inspiring sensations.

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SCENT OF A MAN he more options we have, the better. We've put some incredible scents together with the cooler Issey Miyake fragrance that just launched to the deeper and more pronounced Gucci Guilty. Here are the top ten scents to wear this season that can fit a man with the most sophisticated taste.

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1. Issey Miyake Nuit d'Issey Bleu Astral (citrus, woody, leather) 2. Jean Paul Gaultier Le Male Superman (aldehydic, aromatic, soapy) 3. Antonio Banderas Play In Black Seduction (fruity, patchouli, marine) 4. Bottega Veneta Pour Homme Parfum (aromatic, warm, spicy, woody) 5. Prada Luna Rossa Carbon (aromatic, amber, woody) 6. Gucci Guilty Absolute (woody, leather, aromatic) 7. Ajmal Aristocrat (bergamot, watermelon, lime) 8. Dior Dior Homme Sport 2017 (citrus, fresh spicy, woody) 9. Davidoff Horizon Extreme (woody, fresh spicy, leather) 10. Paco Rabanne 1 Million (cinnamon, citrus, leather)

Bottega Veneta

Salvatore Ferragamo

Hermes

Boglioli

Editor's Picks Kenzo

ALL YELLOW

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Hermes

Coach Gucci

Topman

Hermes

Fendi

right, fun, and daring - these are the moods for this season and what colour better to wear for the summer if not yellow? From the earthy deep yellow to almost acid and neon yellow - the runways screamed the sunny tone at most of the fashion shows. The best part about this trend is you are free to wear any part of the outfit in yellow, in fact, you are encouraged to wear something bold and bright this season. Here are some ides for you, dear gents. Let the summer time begin.

LARUSMIANI:

THE LUXURY IN DETAIL by Ameni Shafik

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orn in Milan in 1976, Guglielmo Miani decided to continue his university education in the United States, gaining a degree in Entrepreneurship and Finance from Babson College, Wellesley. After graduating in 2000, Miani came back to Italy and began to work in the textile industry and acquire specialist know-how. He subsequently became Export Manager and in 2004, Director Business Development. In 2006 he was appointed CEO and in 2011, President of Larusmiani. Ten years’ experience and know- how accumulated in the textile and high-end tailoring sectors – which Guglielmo Miani has “breathed” since birth – together with the great enthusiasm and determination that distinguish him, have enabled him to give continuity to the company. Today he is the custodian of Larusmiani’s values, and through the constant pursuit of quality, craftsmanship and impeccable, deliberately understated style, contributes to making the brand and “Made in Italy” a success throughout the world. Since 2010 he has been President of the Associazione MonteNapoleone, which represents more than 150 of the world’s most prestigious luxury brands present in Milan’s fashion district. We met Guglielmo Miani in the Montenapoleone Lounge, and drinking Italian coffee, we started to chat . Larusmiani store is the oldest luxury menswear brand in Via Montenapoleone. This means solid bases and a great heritage. What does it make Larusmiani so powerful? My grandfather, Guglielmo (I was called after him), opened the first tailoring boutique in Milan in 1922. At that time, pret-aporter collections didn’t exist. In fact my grandfather used to handmade any single piece, and he was so in love with fabrics and materials, that he started to import fabrics and sell to other tailors, becoming number one importer of British fabrics in Italy. We now have our very own fabrics, and whoever wants a handmade suit, they can choose every single fabric for the whole look. We are able to offer a ready to wear suit which is completely handmade, from the fabric cuts, to the seams, to the complete absence of any label inside the clothes, just the logo: a blue seagull (Larus in latin). Our pieces are meticulously created with a sort of obsessiveness to details, and the result is what I call “understated luxury” and at the current times Larusmiani textile division supplies designers all over the world with more than 2 million meters of fabrics every year.

What is the main focus when creating a collection? Bespoke tailoring and prestigious fabrics, weather for a sporty look or a formal tie, are at the base of any collection. We do want to dress a classic gentleman but adding that fresh touch of modern times. You are considered a style icon, tell us about the 3 items a man should never leave the house without. First of all: a beautiful watch. This in the only “jewel” a man should wear. Then I would say a white pocket square, as it gives a sense of elegance and understate elegance, and a good suit: a blue or black handmade tuxedo is always a good idea, and every man should have (good) one in the closet Is the Middle East an important market for Larusmiani? Yes, indeed. We are focusing a lot about this market and we currently have a point of sale in Tehran (Le Couturier) and we have two points of sale in KSA (Rubaiyat) and we are working in order to extend our presence in GCC, like a mono-brand in Dubai very soon. Can you tell us about Larusmiani’s next projects? The most important one for me actually started a year ago when we acquired Lorenzi know-how: high-end knives, men’s grooming tools, pipes and cigar cutters as well as cuff links, including some embellished with precious details in luxury materials such as buffalo or ox horn, ivory, ebony, tortoiseshell and crocodile, everything hand made by an artisanal that made the history of craftsmanship in Milan. We are now showcasing and selling all the products in our shop’s basement, but I want to keep producing this iconic pieces. I’m very proud of this acquisition as Lorenzi is very close to Larusmiani in terms of craftsmanship and obsession for details. The choice of the best steel for a knife, as Larusmiani chooses the best fabric for a jacket. Theres a big connection between the two worlds as both have obsession for every single detail. We have also created something special for Salone Del Mobile along with designer Ora Ito. As per other projects, we will be working on expanding our brand in the Far and Middle East, we will keep working on special collaborations like the one we just had with La Double J and of course keep working on our new fabrics and more ways to deliver the best of the best to our customers.

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"We are able to offer a ready to wear suit which is completely handmade"

Model: Elias El Indari Photography: Cosimo Buccolieri Assistant: Riccardo Modena Sp. thanks: Mohammed Jaber - Paris Gallery

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BOARDING PASS

Escape to Salalah Chateau d'Estoublon

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NEAR OR FAR

here are two types of holidayers: those who travel far and those who prefer to stay closer to home but still getting all the benefits of a getaway. No, we are not about to offer you a few options of yet another staycation, we found something better. In this issue of VELVET we present the perfect, ultra-luxury getaway in one of the worldâ&#x20AC;&#x2122;s most beautiful places, South of France, as well as an option that is a mere couple of hours away by plane to the neighbouring country that enjoys far better weather during the scorching Summer months. It is time to pack your bags, dear Velveteers.

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Salalah Rotana Resort by Anton Rodionov

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The Beach restaurant

here is an age-old saying, "the grass is always greener on the other side" and while it's perfectly acceptable to disagree, it is rather difficult to do that when talking about Oman in the UAE. Surrounded by the desert, most of us feel it would require at least three to four hours of flight to get to the lush green landscapes and cooler temperatures, however, it is not necessarily the whole truth. Salalah is the second largest town situated in the south of the Sultanate of Oman, not far off the border of Yemen; the city is humble, with scattered villas, vegetable fields, camel ranches - all with the mountain range dominating the land and the Indian Ocean washing the shore. When it comes to resorts, Salalah is still largely undeveloped, with a few luxury options available one of which is Rotana

Suite Villa

Silk Road restaurant

Salalah Resort - a five star luxury resort comprised of villas and canals creating the atmosphere of a luxurious village. The five-star Salalah Rotana Resort opened in March 2014 and is the largest free-standing hotel in the Sultanate. A mere 20 kilometres from Salalah Airport, Salalah Beach is spread over 15.6 million square metres, with an 8.2 kilometre beachfront, and is home to Salalah Rotana Resort. Surrounded by one of Oman’s most breathtaking natural settings. Each of the resort’s luxury rooms and suites are located directly on lagoons. A network of manmade Venetian waterways connect the property to the Indian Ocean and are filled with 105,000 square metres of seawater, refreshed every four days using natural tidal patterns. 146

Ranging from 43 to 143 square metres, the rooms range from the comfortable double rooms with terraces and balconies to the private suites that resemble a private villa more rather than a suite at a resort. In-room furnishings have been carved from desert rock while Arabesque geometric designs and stone archways, constructed using traditional techniques, resemble atriums. We highly recommend booking the suites or rooms with the sea view in blocks 6 or 7; they guarantee the best ocean views in the entire resort. With four restaurants including Saffron, The Beach Restaurant, Silk Road and Olive, as well as the Arabesque Lounge & Terrace, the lobby lounge, the resort offers the perfect mélange of dining options from casual beachside cuisine and all-day-dining to fine dining Middle Eastern and Western cuisine.

Mughsail cave and blowholes

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The beach is where you spend most of your stay at Rotana Salalah, even though there is a fabulous pool available. Part of that beach is dedicated to the VIP clientele who prefer a little more privacy and a little bit of personal service. There, the guests are offered their own cabanas or beach lounge chairs with the choice of complimentary soft drinks, water, tea, coffee, or coconut water. A glass of bubbly is distributed to each guest at the end of the day to add that little bit of glamour to the golden hour. If you are an active type and love a bit of hiking for a glimpse of truly magnificent scenery, the resort organises excellent tours with the local company First Tours. You may ask why you would want to go on a tour in Salalah. Well, nature is the answer. It takes just a quick drive away from the city towards the mountains and an incredible shoreline that could easily make it into the next part of The Lord of the Rings saga, should there ever be a new one, reveals itself. The views are jaw-dropping and visiting the blowing holes of Mughsail or going hundreds of meters up truly-terrifying zig-zag roads to find the perfect Frankincense tree are just a few fantastic things to spend an afternoon doing. Do not forget to stop by one of the tiny food huts to try out the camel meat prepared by the locals; it’s delicious. For those looking to rejuvenate and pamper themselves, there is the ‘Bodylines Fitness and Wellness Club’ and three impressive outdoor pools, Jacuzzi and tennis clubs. We tried out spa treatments at ‘Zen the spa at Rotana’ and they were everything you look in a spa: relaxation, rejuvenation and total rest. The spa features eight treatment rooms that blend natural Omani elements with holistic treatments and rituals including full body massages, facials and soothing wraps. Salalah Rotana Resort is a beautiful resort for those looking for a quick getaway from the madness and fast-pace lifestyle of the region. Whether it is the beach and quiet that you are looking for or a simple curiosity to experience something other than the major cities of the Gulf, this resort has got you covered. We highly recommend going in the end of Summer until the early Winter as the whole landscape turns into a lush green heaven. Bookings: www.rotana.com

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"The resort organises excellent tours for a glimpse of truly magnificent scenery"

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Chateau d'Estoublon

by Anton Rodionov

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"It has to be personal, I did not build this as a hotel, because I want people to feel like it is a family home"- Valerie Schneider

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h, the French Provence, the lush green mountains, the authentic living of the magnificent South of France - a dream location for a dream holiday. Chateau d’Estoublon is a a beautiful property dating back to the 18th Century situated in the heart of the Provence region and surrounded by the picturesque Alpilles Regional National Park. It is a special experience to be in the South of France; one almost feels like being on a set of a fairytale movie where the nature is magnificent, the food is divine and the people are friendly and welcoming. Chateau d’Estoublon is situated close to Antibes and Monaco, laying on 200-hectare estate made up of vineyards, olive groves and pine trees, and produces authentic French wine and extra-virgin olive oil. It has a long history, being built in the Middle Ages and originally called Le Grand Mas, it first belonged to the family of the Count of Baux. The it was destroyed in a siege by Queen Yolande d'Aragon, and after it was rebuilt in the 17th Century as the Château de Mont-Paon . Eventually, the Chateau was renamed the Chateau d'Estoublon in honour of the fiefdom of Estoublon in the 18th Century. In 1999 the Chateau was purchased by the Schneider family and today it is run by Valérie Schneider and her husband Rémy Reboul.

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Valérie Schneider and Rémy Reboul Valérie Schneider’s father Ernest Frédéric Schneider, who was the Chairman of the Board of Directors of Breitling, always wanted to have a chateau. He was passionate about hunting and had been eyeing the old Chateau d’Estoublon for a while before buying it in 1999, which came to his daughter Valérie as a complete surprise. She recalls, “When I left Breitling, I wanted to do bed and breakfast for people and I loved it. We had 7 rooms in my house and it was absolutely fantastic. My father saw me being happy doing that and he asked me to join. I declined his request as I had been there when Breitling had tougher days and I did not want to go through it again. I heard that a Swiss man bought the Chateau and I was so happy. I thought it was someone else and I wouldn’t have to deal with this subject anymore. My father asked me to join for dinner. He was the man who bought it. He was so happy.” The journey had just started for Rémy and Valérie, “There was nothing. When it rained, the rail was full of water. There were rats and it was disgusting. We only had 30,000 litres of olive oil that was also very bad. It was bought from the previous owners by my father as part of the acquisition. I had no idea about olive oil. I know how to sell a watch but I had no idea how to make oil and sell it. However, I said, one day Chateau d’Estoublon will be like Breitling. If I start something, I do it properly.” While Valérie took on the marketing, PR and design of the Chateau, its image and its product, Rémy dove into the production of the clean and high-end wine as well as olive oil, “it wouldn’t be where it is without my husband Rémy, who taught me everything about olive oil and wine," says Valerie. "He works from early morning to late night.” Having taken Breitling to the top level of a watch brand that it is today, it was particularly interesting to see a completely different product like a chateau become the talk of the town. “I started with the nice press coverage, I drew the first bottle. We went to the first international show of Olive Oil in Paris. I asked people around our area if they were going to participate. They all said no, they weren't going. So I decided to do it my way. I had a fantastic stand, better than Chateau d’Estoublon as most of the shots were done in either our family house or my father’s house and the actual Chateau was still in ruins then. And when the show opened, the journalists were fascinated by my stand, asking about the Chateau and then, asking about the olive oil and how it is made. From then on, it picked up. Oh, and those people who said they’d not be there were actually there! Imagine.” 155

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The property features accommodation for up to twenty guests with three king-size suites, six queen-sized double rooms and one queen-sized double room with access for the disabled. It boasts over 1500m² of living space over three levels, including a dining room, a lounge, a bar, a high-tech gym, hammam, grand salon and a private sound-proof cinema. Chateau d’Estoublon comes staffed with a house-manager, a butler, a nanny, a head chef and housekeeping personnel. Essentially, it is a home with the amenities and services of a luxury hotel. Each suite and room have a theme; be it the butterfly-inspired Papillons room or L’horloge - a fabulous room with interior design based on the concept of a clock - the accommodation at Chateau d’Estoublon is breathtaking. “I do not know how I came up with the design and decoration. I always liked to decorate and when I started the Chateau with a decorator at first, who cost me a fortune, and it was not exactly what I wanted. This place is all about our family and we poured our hearts into it. It’s not a caprice, it is my actual work. My father died before the Chateau was finished and in the end I decided to decorate the Chateau by myself. It was as if someone guided me,” says Valérie, “for example, when I found the clock, I thought it was special, so I collected more clocks and sketches of clocks. I started to collect different objects that I then put together along with the curtains. I always start with something and then I build around it. If I find something very special, I build around it.” As your stay wraps up, it is hard to leave this quiet heaven on Earth. From the heart-warming comfort of a home away from home to the high-tech amenities and impeccable service and food, Chateau d’Estoublon is an absolute gem in luxury travel for those who appreciate privacy, nature and impeccable gourmet food. It is a testament of the results that can only be achieved through hard work and perseverance. Online boutique: www.estoublon.com/Boutique Bookings: www.estoublon.com

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by Anton Rodionov

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hen his father, the Emperor Nicholas I of Russia, told him, “I hand over command, though I do not leave things in a state I would have wished” as he lay dying from a severe pneumonia, Alexander II Nicholayevich had become the Emperor of Russia, the King of Poland and the Grand Duke of Finland on February 18, 1855. He was only 37 years old and had no idea then that he would be able to achieve something that not one of his predecessors, including Catherine II the Great, were able to. Alexander II would go on to become the last Russian Liberator. Alexander II was born in Moscow on April 17, 1818 within the walls of Kremlin. His father used to say , “I want to raise a man first before I raise an emperor”. Alexander was surrounded by the liberal tutors. After finishing his studies, the prince went on a trip across the Russian Empire, covering over 30,000km and visiting 30 provinces. He was the first Romanov to cross the border of Europe and also go onto

Siberia. During his journey, he visited those in exile for the Decembrists revolt and did all he could to make their lives easier. It is said that one day, when Alexander was only 13 years old, his father Nicholas I, then the Emperor, asked what he would do to the Decembrists. Alexander’s reply was, “I’d forgive them.” Nicholas I often accused his son of being too gentle and thinking more with his heart than his mind. He was a galant and very handsome prince, who was constantly falling in love with palace chambermaids. At the age of 20, the young prince was sent to Europe by his parents to find a suitable and eligible princess to marry. In Darmstadt he met a beautiful 14-year old princess Maximilianne Wilhelmine Auguste Sophie Marie, who was the youngest of seven children of Ludwig II and Princess Wilhelmine of Baden. When he reached London, he was presented to the newly-crowned Queen Victoria, Ruler of the British Empire on her 20th birthday 159

at the Winter Castle. She described him as a delightful man, with a sweet smile and a manly figure. “He is so very strong, that in running around, you must follow quickly,” the Queen wrote in her diary, “You are whisked around, which is very pleasant. I have never enjoyed myself more.” Alexander fell in love instantly and was ready to renounce the Russian throne to become the British Prince Consort. His courtiers were forced to talk him out of that madness and reminded him of his duties to his country, his family, and the young Princess of Hessa he met in Darmstadt. That union was encouraged and approved by the entire Russian court and by 1841 the couple were officially married in Saint Petersburg. The Princess converted to Russian Orthodoxy and became known as Maria Alexandrovna Romanova. The couple were deeply in love for the first few years and Alexander showered his wife with compliments, gifts and gestures. However, after a few years of frequent child birth and humid and cold climate of Saint Petersburg, the Empress’ health took a downturn and the couple grew apart; they would appear together at the official ceremonies and functions, but did not have much to talk about and slept in separate chambers. Alexander II had many affairs, but was forgiven everything because the people of Russia looked up to him as the new hope and someone who could bring change to the country and its monarchy.

Alexander II became the Emperor on February 19, 1855, and was crowned in the Dormition Cathedral of the Moscow Kremlin on August 26, 1856. He'd had enough experience of the inner workings of the State and got to work immediately. He later became known to bring the end of the Crimean War, which resulted in the elimination of the Russian losses. But his most achievement and what gave him the name of “Tsar-Liberator” was due to his focus on the Russian serfdom. Upon becoming the Emperor, Alexander II announced to the nobility that the existing system of owning souls cannot stay unchanged. He famously said, “It is better to abolish the system from above than to wait for it to abolish itself from below.” Until now none of the Russian rulers dared to bring such reforms fearing an uprising and a revolt from the nobility. Indeed, Catherine the Great had looked into the possibility of such reform, however she was eventually convinced by her advisors not to proceed. As for Alexander II, the time of moral, economic and political reform was impossible to postpone. On February 19, 1861, the Emperor issued a reform freeing Russia’s serfs. The Act of Emancipation freed the serfs from private ownership and gave them the right to buy the land from the landowner. It helped peasants pay for the lands through instalments and loans.

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"I want to raise a man first before I raise an emperor"-Tsar Nicholas I

Alexander II Romanov by N. Lavrov

Maria Alexandrovna by Franz Xaver Winterhalter

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Alexander II, Catherine Dolgorukova and their children.

"I would forgive them"

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Shortly after 100 million peasants of Russia, 71% of the country’s population, owned half of the land owned by 1,7 million of nobles, which were 1.5% of the population. Liberal reforms followed, Zemstva were formed in 1864, granting each district its own elected assembly-the authority of the local education, medical establishments, infrastructure and social welfare. There were more secondary schools and universities for the poor, the first general education courses for women, and the increased immunity for universities. Justice reforms included greater equality between social classes, public trials and juries. The army was modernised. Alexander’s main goal was to work on delivering what the Russian people had wanted and that included the work started by his father, Nicholas I. By 1864, the war in Caucasus was brought to an end with the conquest of Chechnya, Dagestan, Caucasia and Cherkessia. Following that, the Russian Empire would expand further East reaching the town of Kushka, previously being part of the Emirate of Bukhara. However, it must be mentioned that during Alexander II reign, Alaska was sold to the US for $7,2 million, about $108 million in today’s money. The deal was considered very profitable by both nations at the time. While it seems that the Emperor would be adored by the public, he was often hunted on the streets of Saint Petersburg and became the last Russian Emperor who would be able to walk the streets without the guard. He was 48 when he began his relationship with the 18-year old Catherine Dolgorukova. He fell in love with her just after a few meetings and the two were almost inseparable. He treated her as a jewel and swore to her to be faithful and, if he could, he’d marry her. Earlier in Alexander’s life, an old psychic told the Emperor he’d survive 7 attempts on his life. Alexander II never forgot this prediction. On April 4, 1866, the first assassination attempt happened at the Summer Garden after the Emperor’s meeting with Catherine. The man fired but missed due to a farmer who pushed the assassin’s hand the last moment. His name was Dmitry Karakozov, he was an impoverished nobleman and was a loner in his attack. He wanted to inspire a revolution. The hero farmer’s name was Osip Kommisarov.

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His affair with Catherine was pushing the Emperor’s friends and family away. She was soon forced to go abroad, which resulted in the Emperor taking a trip to Paris to spend a few days with his newly-found love. He used The World Fair in Paris as a pretext to visit Catherine. They were deeply in love and had no idea that they were constantly followed by the French secret police. The second attempt on Alexander’s life was orchestrated by the Polish nationalist, Anton Berezovsky, who shot at the Emperor while he was riding in a carriage with Napoleon III. Fortunately, the bullet hit the horse. The Emperor became accustomed to the threats and was under fire during his visit to the south during yet another war with the Turks. The war was triggered by the Muslim Turks brutal treatment of the Orthodox Bulgarians. The Empire wanted to liberate Bulgaria and succeeded resulting in Bulgaria becoming an independent state. The Tsar-Liberator’s name Alexander II is still commemorated to this day during each service in every Bulgarian church. The third assassination attempt came on April 2, 1879 when Alexander II was greeted by a man passing by on the street. The man was holding a gun, and the Emperor of Russia immediately started to run in a zig-zag manner to try and save his life. He knew that running this way would give him a greater chance at survival. The perpetrator was a young student, Alexander Solovyev, who was working alone, yet was a member of the revolutionary secret society “Land and Freedom”. He fired several times and missed. It was around this time when terrorism started to gain ground in Russia and a new terrorist leftwing group emerged with a name “The People’s Will”. Its leaders, Andrey Jelyabov and Sofya Perovskaya, began planning a more elaborate assassination, hoping for a more definite result. The attempt was made in November of 1879 by having a mine planted under the railway. It was supposed to detonate itself as the Emperor passed over it on his way to the city of Alexandrovsk. Fortunately, the mine did not explode. The terrorists did not give up and planted another mine under a railway nearby Moscow. It was the fifth attempt on Alexander’s life. It was his fate to survive that day, as the Emperor’s train left early

and a wrong train was blown up instead, resulting in casualties of the innocent citizens. May 22, 1880 brought darkness onto the Palace for the Empress Maria passed away. However, his wife’s passing did not seem to shake the Emperor much as he went on to marry his long-term mistress Catherine Dolgorukova a mere 40 days later. It was a morganatic marriage and she took the title of Princess Yurievskaya. The wedding took place in secret as both, the Royal family and the public opposed the Emperor’s marriage. The terrorist group “The People’s Will” shortly followed with its sixth attempt on the life of Alexander II. Its member, Stepan Halturin, who was hired as a carpenter into the Winter Palace, managed to smuggle in 30 kg of dynamite in a period of six months of his employment. The dynamite was placed in the cellar under the Tsar’s dining room. The explosion happened on February 5, 1880, killing eleven people and wounding 56. The Emperor was not in the room as he went to meet a guest who arrived late. Alexander II was exhausted and wanted to pass the throne onto his son, Alexander III. He wanted to move to Nice with his wife and children to spend the rest of his life in peace. However, one of the reforms he had started was not yet complete, and the Emperor couldn’t leave it unfinished. Alexander II had started a process of setting up an elected assembly- Russia’s first step towards a constitution. The plan was approved by him and was to be put in front of the cabinet on March 4, 1881 and then be announced to the public. On his way back from a visit to his sister, the Grand Duchess Catherine at Mihailovskyi Palace on March 1, 1881, the Emperor’s carriage turned onto the embankment along the Catherine Canal. Alexander saw a signal done by a woman with a

white handkerchief, then a man appeared with a package in his hand. The Emperor understood an attempt on his life would be unavoidable. It was Sofya Perovskaya who gave the signal and the man with a package was a member of the the same terrorist group “The People’s Will”, his name was Nicholas Rysakov. Rysakov threw the bomb package at the carriage. The blast killed two Cossacks and a boy, injured three horses and shattered the coach, however Alexander II was unharmed. Rysakov was immediately apprehended. Alexander was begged to leave the scene, however the Emperor replied, “Alright, but show me the criminal first.” He insisted on seeing Rysakov, and when he made a few steps to approach the assassin, a second explosion shook the street. The Emperor cried for help, he had survived seven attempts, but not the eighth. The second terrorist’s name was Ignatyi Grenovitskyi, who blew himself up next to Alexander II. His Highness’ legs were shattered and he was bleeding heavily. “Hurry home, I want to die in the Palace.” the Emperor asked and died an hour later in his study room at the Winter Palace. A massive crowd gathered outside the palace as the Tsar laid dead inside. Today, there is a beautiful cathedral built on the place of Alexander's assassiination in Saint Petersburg, The Church of the Savior on Spilled Blood, where the tourists and citizens alike come to lay the flowers and pay respect to the liberal Emperor. Alexander II assassination was the end of the old Russian Empire. He did not only liberate the serfs and helped the nation, but he also involuntarily unleashed a monster - the Revolution which would slowly bring the monarchy to its demise.

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Who said Arab women are weak?

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GABRIELLE I LOVE THE FOR CHOO: CALL PRAYER IN DUBAI

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written by Sophie Bogarne; edited by Anton Rodionov hristophe Choo and his sublimely charming wife, Gabrielle Choo, are the quintessential modern Beverly Hills couple who work hard and take pride in giving back to the community in which they live. Gabrielle is the modern aristocrat who lives in the US, but considers herself to be the daughter of the world. She's an avid fan of large jewellery, a collector of antique art and a fashion guru. Gabrielle, I can't help to begin our interview by saying that I absolutely adore your style and femininity! Where did it come from? I knew what I liked as far as fashion goes by the time I was three years old. I remember seeing Princess Grace of Monaco and her family in “Life” magazine and thinking, “I love her lifestyle and the way she suggested her social status.” Where were you born? My husband and I were both born in Los Angeles. However, I truly feel international.I feel that all the places I have traveled to are what made me who I am today and have contributed to my ideas about life and an appreciation for other traditions and customs. Is there any place on Earth you would like to move to? I truly love Dubai. It has everything I love: international people, a beautiful city, polo and amazing fashion, but most of all, I love the culture and how people are so very gracious over there. What do you like about Dubai? My favourite thing about Dubai is the prayer

call, although I am not Muslim when I hear the call I think of how grateful I am for all the blessings in my life. It reminds me to wish good fortune for all the people and to pray for peace on Earth. Do you think it has the future in fashion industry? Two of my favourite designers are based in Dubai, Amato and Ezra Santos. What do you think about Muslim fashion nowadays? In Russia and in Europe it has become exciting to wear long dresses or to cover the hair. I admire that the look is inspired by modesty, I think it is a very elegant and feminine look . Are there any Arabic designers you admire? I love Mohammed Ashi and his taste. Does Muslim talent get support in LA? I think LA welcomes International talent. What is your reaction to all the changes that are happening in the world of Couture? All of the changes keep Couture alive, fresh and modern. They create a platform for new talent. What do you think about bespoke service? Do you believe it will become more popular? Oh yes, I do! Everyone loves having something made just for them. I know you are a huge fan of vintage. Tell me about your Chanel collection ?

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I started my Chanel collection in 1984. It was my first trip to Paris and my first time at the fashion show in Paris. It was Karl Lagerfeld’s first collection for Chanel and the suits were Couture quality and cost $1,200 at the time. I do not buy just to buy, I have to love a piece to buy it. One of my favourite collections was the Chanel’s Paris - New York collection from 2006; it was inspired by Jackie Onasis and I bought every jacket in the collection, which I often wear. Are there any other brands that will stay in your closet forever? Dior and Oscar de la Renta. What do you think makes a woman a lady? Nothing to do with clothes or outer appearance. It has everything to do with how you treat people, a warm smile and and the ability to make people at ease. How do you see the future of fashion in general? I think it will continue to grow and change. It will be inspired by the past and by the modern day life. Do you attend fashion weeks? I attend New York and Paris. I have to ask about your jewellery collection. What is your favourite brand today and how did you become so addicted to gems? I have a huge collection of Iradj Moini - a very talented Persian designer who is based in New York. I wear Iradj as my daytime looks and I like Estate jewellery for my evening

"I am all about foreign movies"

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looks. I also like David Webb, Graff and vintage Van Cleef. Brands often send gifts to you more than they do to celebrities. What was the most spectacular gift that you couldn't resist taking with you? I had the good fortune to be invited to Chanel Beverly Hills to select a handbag as a gift and I found two evening bags I loved. I could not decide which bag I liked more so they insisted that I take both. That was so nice. Your husband is at the head of the most fascinating real estate agency in Los Angeles. Tell me about your house? How does it look? My home is small, but filled with European art and antiques that my husband and I have collected for the past 30 years. Do you have any "before sleep" home habits, like drinking a glass of milk before going to bed or having a bath with something specific? I pray for peace on Earth. What are your beauty tips? I would suggest avoidance of sugar , coffee and soda and plenty of exercise. You live in Los Angeles, the city of film. Do you consider yourself a fan of cinema? Do you go to the Oscars? I am all about foreign movies and I have never been to the Oscars. We do not even watch it on TV. What about celebrities? Are there any you are particularly friends with? I had the pleasure of meeting Tyrece Gibson

at Dubai Airport and we had so much fun during out last trip to Dubai. We had lunch together and we went with him to his friend’s palace who was a Sheikh. Tyrece is such a gentle spirit who is interested in helping people and using his celebrity to help those with no opportunities. If you had a chance to meet one person, gone or alive, and ask only one question, who would it be? And if you don't mind, what would you ask? I would like to ask the Great Yogi Paramahansa Yogananda why God joined spirit with matter. You are a very spiritual person, can you recommend our readers the perfect way of life from Gabrielle Choo? I am inspired by a book titled “Autobiography of a Yogi.” It is a book about the science of religion and self-realisation. What are your rules for success? if everyone else is doing something, do something different. By wishing Great success for other people you are creating good energy for yourself. What are the secrets of the eternal love? Do you believe in it? Yes I believe in eternal love. Life is held together by love. Do you have any plans to visit Russia in the near future? I love Russia! I was so fortunate to have the pleasure of visiting St Petersburg. We visited The Chinese Rococo Palace in Oranienbaum. I never forgot the magnificence and the

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beauty of the pavilion built during the time of Catherine the Great; the attention to detail was overwhelming. What do you think about Russian designers? Are you familiar with any of them? I love Yanina Couture and her gowns. Such old-world elegance, yet perfect for the modern times. If you could choose, what era would you like to be born in and why? I love the art, architecture and interior design of the 18th century and the fashion of the 1950s. And now a little quiz: Coffee or tea? Tea. Honey or sweets? Honey. Surgery or natural beauty? Natural. Bright colours or dark? Bright. Elizabeth Taylor or Marilyn Monroe? Elizabeth Taylor. Los Angeles or Paris? Paris. Paris or London? London. Velvet or tweed? Velvet, of course. Marriage or career? Marriage. Lunch or dinner? Lunch. Follow Gabrielle on Instagram @gabriellechoo

WORDS OF ZODIAC

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Chopard "Garden of Kalahari" Secret watch in 18ct white â&#x20AC;&#x2DC;Fairminedâ&#x20AC;&#x2122; gold set with two exceptional D-flawless pear-shaped and brilliant-cut diamonds and fully set with brilliant-cut and pearshaped diamonds. Equipped with a Haute Horlogerie L.U.C 96.17-L caliber; micro-rotor in platinum set with diamonds.

Aries

Taurus

Gemini

You will find yourself full of energy and unexpected ideas. Creativity will be flowing your way non-stop, so use it, dear Aries. There may have been some hiccups on the financial front earlier, but it should all get better now as Venus goes direct. Try to avoid doing anything that you are not sure about, however, do make sure to think twice before giving up on the idea.

You may find yourself traveling in the middle of this year, so make sure to get your travel gear ready; get a trendy suitcase from Tumi or Louis Vuitton and book your trip. Your health is strong and you will feel very powerful throughout the summer. Do not commit to anything exceptionally important until August this year. Just keep it until then.

Socialise, socialise and socialise. This is your time and you are the best at making connections and meeting new people. Finances will be okay, but make sure to always keep your eye on the spendings. Another important point is to keep your head cool as you may be provoked negatively and it won't do you any good should you reply to the provocation in the same manner.

Cancer

Leo

Virgo

This year brings a major test to you and you have been feeling it since it started. You tend to overshink and go deep into your emotions dragging every other aspect of your life along with you. This is not good. Try to take things a little lighter at heart and do not pay much attention to struggles that are not even that significant for you. Stay clear of drama and you will be ok.

This year started on a rather messy note and you have been feeling it in its all glory. First, the worst has passed; second, you have survived it and kept your head high. The harder the Universe tests you, the more beautiful the rewards will be. You have excellent planet positioned in the sky and all you have to do is stay grateful, calm, diplomatic and totally ignore anyone who tries to talk behind your back. Remember, they are behind you for a reason.

Things are stirring up for you, dear Virgo. You have a lot of prospective opportunities that may or may not bring major changes in your everyday life. How do you make sure not to fall flat on your face? Stay cool-headed and think twice. Although, the latter comes to you naturally and with ease. Finances will improve and you should be seeing some sunshine pretty soon in that department. Do not make any rush decisions until you know every tiny detail.

Libra

Scorpio

Sagittarius

Work, work, and more work! Libra, this is your time to shine and you must use it. The opportunities are there for grabbing while Jupiter is in your sign, so make sure to make the best of it now before it is too late. Love, money, career - everything is in the expansion mode. You feel it, so do not let this one go.

This is the time to sit back and relax whenever possible because you simply deserved it. You have worked hard and you need to take some rest to avoid any major collapse, be it health or your emotional well-being. You need to be a little bit more aware of the spendings though, as you may be inclined to spontaneous shopping and that can turn ugly in a blink of an eye. Aside from this, enjoy it.

You may find yourself in a midst of a professional conflict and you won't enjoy it but you will find a solution to it. The summer is full of travel for you, dear Sagittarius. We won't be jealous, so just enjoy the well-deserved rest and new experiences as you whisk away on a holiday. Aside from all the traveling, you may find yourself in a romantic encounter that you may actually find interesting, so keep your eyes and ears open.

Capricorn

Aquarius

Pisces

You are at the top of your game, dear Capricorn. You will find an immence amount of energy flowing through your veins and you will most definitely be using it freely. When such rush happens, it is often best to channel it somewhere productive and on the tasks you never thought you would have the time to do. Try this technique out and see what comes out of it.

It is all about being around friends and relatives these days for you, dear Aquarius. On one hand, you do not mind it, however, on the other- you may want some alone-time. Try to find the space for both as this is the best way to go in this situation. You will not see yourself amongst any conflicts or anything that could possibly upset you. However, if it does happen, stay cool and you will be able to handle it beautifully.

While this year has not been going so well so far for you, dear Pisces, there is some good news coming your way. It will get better very soon. In fact, it probably already started to. You need to focus on your health these days and make sure to not overthink and overwork yourself. It is vital that you keep your head clear and your body taken care for. Stay healhty and keep on going.

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TRUE STORY

THE CHRISTIAN LEADING THE MUSLIM 172

he rain was torrential and the wind howled. “Don’t cry, Sameer, I’ll help you.” said Mohammed, an eightyear-old blind boy as he felt his way across a series of dumpster bins. He feared the containers would rapidly fill with rainwater and his friend, ten-year-old Sameer, would surely drown.

body strength prevented him from escaping. Shortly after that, it started to rain and the water level began to rise in Sameer’s small prison. With no hope in sight, he wished he were dead.

Sameer was handicapped and suffered from a condition called kyphosis, resulting in a rounded spine and deformed limbs. His paralysed legs, which were smaller than that of an average boy his age, were stunted in growth and hung like two sticks. The legs were not functional, meaning that basic mobility and walking was impossible for Sameer. He hated feeling so weak.

“Yes, keep speaking so I can see you,” Mohammed responded excitedly as he tried to find his troubled friend amongst the boxes. Having heard a rustling in one box, he outstretched his hand only for it to be scratched by a disgruntled cat. Mohammed fell back into the mud and gasped for air as the rain continued to roar and pour. “Mohammed, brother, are you okay?” said Sameer having heard the commotion. “I’m in the very last box, feel your way to the very end. There are palm branches on top of mine.”

“Mohammed, is that you?” Sameer cried feebly.

Sameer’s redeeming features were his beautiful blue eyes and dusty blonde hair. He was also bright and articulate, telling colourful stories that his mother told him as a child. He came from a poor family and his father, a teacher, couldn’t afford adequate medical treatment for his only son. Research into Sameer’s condition was extremely limited during the 1860s, with only a wheelchair provided for assistance. Not that his father could afford one. The most basic of necessities were too expensive for Sameer’s father and the family home didn’t even have a table and chairs.

Mohammed, blind since birth, was one of nine children. Most of his siblings had died in their childhood; there were three who survived. There was a sister who got married and moved to Damascus and a brother who became a woodcutter and a merchant. Every month, it was he that would visit his parents and his small blind brother, providing them with food and firewood. Mohammed learned the Quran in his local mosque and aspired to be a successful attendant. His dream was scuppered, however, as his voice wasn’t melodious and he lacked the perfect memory which was necessary to repeat verses, laws and stories.

As for Sameer’s kind-hearted mother, she had suffered several miscarriages and was very grateful to have been blessed with a baby, despite his disabilities. Sameer’s father had thought his child would be healthy and would help make life easier. His grief, however, was insurmountable when he noticed that his son’s legs weren’t growing or moving normally.

He made his daily ration from selling chickpeas in the market. It was there that he would often sit and listen to his little friend Sameer as he told stories in exchange for snacks. The two had been friends for as long as Mohammed could remember and they bonded on their daily rounds in the market, attempting to make a living. Mohammed was never without his trusty stick, which was roped and slung around his shoulder. He used it, not only to guide him, but also when he was scared. He would lean on it whenever he felt betrayed by the world and his disabilities.

Sameer’s arms were shorter than usual and he used a stick and small wooden board on wheels to help him travel to the village market and back. He was an expert at navigating the cobblestones along the route, which sometimes proved too far apart for him to trundle over. At other times his board would shake so violently it would cause him to fall over. Sympathetic to his mobility woes, Sameer’s mother would collect him from the local school after his father would drop him there in the morning, before his hour-long trek to town. Sameer had ambitions to become a scholar, but couldn’t afford the books, let alone have the strength to carry them.

Mohammed had become disorientated in his scrabble to find his friend in the boxes. It was autumn in Syria, making the inside of the boxes slimy and causing the wooden bins to hold water like barrels. Mohammed feared the rain, slipping was probable and he commonly relied on hearing his footsteps to keep him safe.

That particular day, Sameer was extremely unlucky, as he had bumped into the bullies of the village. They took his board, played with it and broke it. In desperation, Sameer yelled at the boys and prayed that God may curse them. In reaction, the bullies picked him up and threw him in a rubbish bin so deep that his short arms and lack of

Given his visual impairment, he depended on all his other senses to navigate his way home each day. It was a terrifying ordeal but Mohammed had become skilled at identifying the geography of places by smells that hung 173

in the air. He also relied on his hearing - attuned to the clucking of chickens, the shuffling of the sheep in their pen and children at play in the house of Abu Ghazal. Now, all he heard was rain, thunder and wind as the tempest raged. Together at last, Mohammed lifted Sameer from his watery jail. This was no mean feat given that Sameer was older, heavier and had small, weak arms. “I heard you yelling for help,” said a relieved Mohammed as he fished his friend out of the barrel. “May God punish those bullies and take my vengeance on them,” said Sameer, as he struggled to catch his breath after such prolonged sobbing. “They broke my riding board. What will I do now?” He began to cry again and pray to God, Mary and Jesus. He beseeched them for help, convinced that his fate was to die where he was. He had not eaten all day and business had not been good in the village because too few people were willing to listen to his stories in the rain. Trade in the village was weak overall, but Sameer feared moving to the big city of Damascus because of his mobility issues. “I’m so hungry and cold,” said Sameer.

their misery. What they knew of each other was enough. They were alone in the world, and depended on each other to survive. Sameer gathered the few belongings he had and moved in with Mohammed. The pair also partnered to build an entertainment company, with Sameer telling stories and Mohammed selling chickpeas to the audience. Business flourished with children and adults sitting down to listen to heroic tales of war, history and comedy while enjoying snacks they had bought. Sameer was articulate and sensitive to his blind companion’s plight, embellishing his stories with details of the sounds and smells of places he imagined. The audience relished the rich tapestry of Sameer’s elaborate yarns, hanging on his every word and huddling around dimming candles until late in the evening. It was a match made in heaven for the lonely blind boy and the disadvantaged cripple. They completed each other. They lived a simple life, and became inseparable. They didn’t let poverty define them and considered themselves rich in each other’s company. In moments of escapism they pondered how different their lives might have been, if they had been born into great wealth. How would they have been treated? Would they never have been ridiculed? How would they have acted towards others?

“I have chickpeas,” Mohammed replied.

They are buried now side by side at a Damascus cemetery As he reached for the food supplies, he quickly realised that they must have been lost along the way. Instead he searched his pockets for the hard, broken, green and black chickpeas that were not fit for sale. These emergency rations were the chickpeas Mohammed would discard or keep for himself when sales were bad in the village.

The pair’s loyal friendship spanned a further twenty years, until one day Sameer fell gravely ill. Strong of spirit but weak of body, his sickness quickly escalated and he became delirious. After seven days of restlessness and frenzied fever, Sameer’s poor body could take no more and he passed away.

“At least we have free water now, our barrels at home will be full,” said Mohammed, in an attempt to console his heartbroken friend, “Now we can bathe and drink as much as we want daily.”

Mohammed bitterly mourned the loss of his dear comrade and followed his destiny shortly thereafter. Some say that Mohammed died of a broken heart and simply lost the will to live.

Mohammed took Sameer home with him. Sleep enveloped them as soon as they lay down, yet Sameer’s slumber was punctuated by traumatized gasps every few minutes.

For when Sameer died, all that Mohammed had ever cherished faded away.

In the morning, Mohammed headed straight to his chicken coop. He was delighted to discover that there would be eggs for breakfast that day. He collected a tin pan of burning charcoals from his neighbour and the pair ate the cooked food from a flat thin stone. Mohammed was generous and kind, happy to share his meal and his humble dwellings with Sameer. Sameer was happy, he finally felt safe. Tears escaped his eyes and he felt no embarrassment expressing his emotions in front of his blind friend. A beautiful friendship had bloomed between the two orphans. The duo never pried into each other’s lives and didn’t want to be reminded of

He’d lost his family, his friend, his sight and light, his other half. Reunited once more, and finally at peace, both men are buried side-by-side in a Damascus cemetery. Their legends live on in the stories of adults who once made up their audience in the village market. They regale tales to their own families about the dynamic duo who overcame adversity, prejudice and disability to garner the respect and compassion of those around them.

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