مجلة البناء العدد ٣٢٦

‫‪٣٢٦‬‬ ‫اﻟﺴﻨﺔ ‪ / ٣٧‬رﺑﻴﻊ ا ول ‪ ١٤٣٩‬ﻫـ‬

‫ﻣﺴﺎﺑﻘﺔ إﻋﺎدة ﺗﺄﻫﻴﻞ أﻋﻠﻰ ﺑﺮج ﻓﻲ ﺑﺎرﻳﺲ‬

‫‪December 2017 / Volume 37‬‬

‫‪326‬‬

‫اﻟﻤﺤﺘﻮﻳﺎت‬ ‫ا ﻓﺘﺘﺎﺣﻴﺔ‬ ‫‪±¥‬‬

‫ﻃﺮق اﻟﻌﻤﻞ اﻟﻤﻌﻤﺎري اﻟﺠﺪﻳﺪ‬

‫« ‪≥≤∂ œbF « ¨5Łö¦ «Ë WFÐU « WM‬‬ ‫—‪ ≤∞±∑ d³L ¹œ Ø?¼ ±¥≥π ‰Ë_« lOÐ‬‬ ‫« ‪d¹dײ « fOz—Ë dýUM‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ ”bMN‬‬ ‫«*‪ÂUF « d¹b‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž e¹eF « b³Ž ”bMN‬‬ ‫«*‪ÍcOHM² « d¹b‬‬ ‫ ×‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ bL‬‬ ‫ ‪W U)« «—«b ù« …d¹b‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ …u u WÝbMN‬‬ ‫«‪wMH « ëdšù‬‬ ‫ ‪WO½«dLF « ÊËRAK ¡UM³ « WK−‬‬ ‫«‪∫l¹“u² «Ë U «d²ýô‬‬ ‫’ ‪±±¥≤± ÷U¹d « μ≤≤ » Æ‬‬ ‫«*‪W¹œuF « WOÐdF « WJKL‬‬ ‫« ‪¥∂μ ? π∑¥π ¨ ¥∂¥ ? ≤μμ∂ ÷U¹d‬‬ ‫ ‪¥∂¥ ? ∂≥¥∏ f U‬‬ ‫‪info@albenaamag.com‬‬ ‫‪ÆÊ«bK³ « q w «bM² *« q sŽ WþuH× dAM « ‚uIŠ‬‬ ‫«‪ ôUI*UÐ …œ—«u « UDD *«Ë —u?B «Ë U uKF*«Ë ¡«—ü‬‬ ‫‪WK−*« ÁcNÐ WHK² *« UŽËd?A*«Ë U?Ý«—b «Ë Àu׳ «Ë‬‬ ‫‪¨UÎ OK Ë√ UÎ Ozeł U¼d?A½ …œUŽ≈ Ë√ ¨UNM ”U³² ôUÐ `L? ¹ ô‬‬ ‫√‪vKŽ ‰uB(« bFÐ ô≈ ¨X½U U?LN WI¹dÞ ÍQÐ U?NM¹e ð Ë‬‬ ‫ ‪Æd¹dײ « fOz— s WOÐU² WI «u‬‬

‫أﺧﺒﺎر اﻟﻤﺸﺎرﻳﻊ‬ ‫∂‪±‬‬ ‫∏‪±‬‬ ‫∏‪±‬‬ ‫∞≤‬ ‫≤≤‬ ‫‪≤¥‬‬ ‫∂≤‬ ‫∏≤‬

‫ﺑﺮج ﺑﻮرا اﻟﺴﻜﻨﻲ ـ اﻟﻤﻜﺴﻴﻚ‬ ‫اﻟﻤﻘﺮ اﻟﺮﺋﻴﺲ ﻟﺒﻨﻚ ﻟﻮﻣﺒﺎرد أودﻳﺮ ـ ﺳﻮﻳﺴﺮا‬ ‫إﻋﺎدة ﺗﺄﻫﻴﻞ ﺑﺮج ﻣﺎدﻳﺴﻮن ﻓﻲ ﻧﻴﻮﻳﻮرك‬ ‫اﻟﻤﻮﺟﺔ ــ ﻣﺸﺮوع ﻣﺘﻌﺪد اﻻﺳﺘﺨﺪاﻣﺎت‪ ،‬ﺗﻮرﻧﺘﻮ ـ ﻛﻨﺪا‬ ‫ﺑﺮج ﻟﻮﻣﻴﻴﺮ ـ ﻓﺮﻧﺴﺎ‬ ‫ﻣﺴﺎﺑﻘﺔ ﻋﺎﻟﻤﻴﺔ ﻟﺘﺼﻤﻴﻢ ﺳﻜﻦ ﻟﻠﻄﻼب ـ ﻓﺮﻧﺴﺎ‬ ‫ﺑﺮج ﺳﻜﻨﻲ ﻓﻲ ﻣﻨﻬﺎﺗﻦ‬ ‫ﻣﻘﻬﻰ ﺑﻴﺖ اﻟﻐﺼﻦ ـ اﻟﻴﺎﺑﺎن‬

‫إﻋﺎدة ﺗﺄﻫﻴﻞ أﻋﻠﻰ ﺑﺮج ﻓﻲ ﺑﺎرﻳﺲ‬

‫)ﻗﺴﻢ ﺧﺎص ﺑﺎﻟﻤﺸﺘﺮﻛﻴﻦ(‬

‫ﻣﺴﺎﺑﻘﺔ ﻣﻌﻤﺎرﻳﺔ ــ إﻋﺎدة ﺗﺄﻫﻴﻞ أﻋﻠﻰ ﺑﺮج ﻓﻲ ﺑﺎرﻳﺲ‬ ‫اﻟﻤﺮﻛﺰ ا‪I‬ول ‪ :‬ﻣﻌﻠﻢ ﺷﻔﺎف ﻓﻲ ﺳﻤﺎء ﺑﺎرﻳﺲ‬ ‫اﻟﻤﺮﻛﺰ اﻟﺜﺎﻧﻲ ‪ :‬ﺑﺮج إﺳﺘﺪاﻣﻲ ﻧﻤﻮذﺟﻲ‬ ‫ﻣﺸﺎرك ‪ :‬ﺻﻮرة ﺑﺎرﻳﺲ اﻟﺴﺮاﺑﻴﺔ‬ ‫ﻣﺸﺎرك ‪ :‬ﺑﺮﺟﺎن ﺑﺪﻻً ﻣﻦ ﺑﺮج واﺣﺪ‬ ‫ﻣﺸﺎرك ‪ :‬ﺑﺮج ‪TM 2‬‬ ‫ﻣﺸﺎرك ‪ :‬ﺑﺮج ﻟ‪Q‬ﻧﺎﻗﺔ اﻟﺒﺎرﻳﺴﻴﺔ‬

‫≤≥‬ ‫‪¥Â‬‬ ‫‪±∞Â‬‬ ‫‪±∂Â‬‬ ‫‪≤∞Â‬‬ ‫‪≤¥Â‬‬ ‫‪≤∏Â‬‬

‫ﻣﺸﺎرﻳﻊ ﺳﻌﻮدﻳﺔ ﺣﺪﻳﺜﺔ‬ ‫ﻣﺸﺎرﻳﻊ ﺳﻌﻮدﻳﺔ ﺣﺪﻳﺜﺔ )اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة ـــ ﻣﻨﻄﻘﺔ ﺗﺒﻮك (‬ ‫ﻣﺠﻤﻊ ﺗﺠﺎري ﻓﻲ اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة‬ ‫ﺗﺒﻮك ﺑﺎرك‬

‫∂∂‬ ‫∞∑‬ ‫‪∑¥‬‬

‫اﻟﺠﺪﻳﺪ ﻓﻲ اﻟﺒﻨﺎء‬ ‫‪∫…bŠ«u « W M « dFÝ‬‬ ‫—‪Î U¹‬‬ ‫‪UÎ ¹œuFÝ ô‬‬ ‫«*‪≥∞ W¹œuF « WOÐdF « WJKL‬‬ ‫‪w²¹u —UM¹œ ≤[μ‬‬ ‫« ‪X¹uJ‬‬ ‫‪WOM¹d×Ð dO½U½œ‬‬ ‫‪π‬‬ ‫« ‪s¹d׳‬‬ ‫‪UÎ Oð«—U ≈ UÎ L¼—œ‬‬ ‫‪≥∞ WOÐdF « «—U ù« W Ëœ‬‬ ‫—‪Î U¹‬‬ ‫‪ÎU¹dD ô‬‬ ‫∞≥‬ ‫ ‪dD‬‬ ‫—‪Î U¹‬‬ ‫‪UÎ O½ULŽÔ ô‬‬ ‫‪π‬‬ ‫‪ÊULŽÔ‬‬ ‫‪UÎ ¹dB UÎ NOMł‬‬ ‫∞∂‬ ‫ ‪dB‬‬ ‫‪—ôËœ‬‬ ‫∏‬ ‫ ‪ÊUM³‬‬ ‫‪w½œ—√ —UM¹œ‬‬ ‫≤‬ ‫«_—‪Êœ‬‬ ‫‪Ë—u¹‬‬ ‫∂‬ ‫√*‪UO½U‬‬ ‫‪Ë—u¹‬‬ ‫∂‬ ‫ ‪U ½d‬‬ ‫‪wMO d²Ý« tOMł‬‬ ‫∂‬ ‫«‪«d²K$‬‬ ‫« ‪—ôËœ ∏ Èdš_« ‰Ëb « lOLłË …bײ*« U¹ôu‬‬ ‫‪ISSN: 1319 - 206 X‬‬ ‫∞∞ « ‪¡UM³‬‬

‫‪00 Albenaa‬‬

‫ﻧﻈﺎم ﻟﻠﻨﻮاﻓﺬ إﻧﺰﻻﻗﻴﺔ‬ ‫أﻟﻮاح ﺟﺪارﻳﺔ ﻋﺎﻟﻴﺔ اﻟﻤﻘﺎوﻣﺔ‬ ‫أﻧﻈﻤﺔ اﺳﺘﺸﻌﺎر ﺟﺪﻳﺪة ﻟﻠﻤﻨﺎزل‬ ‫ﻃﻼء ﺣﺮاري ﻟ‪Q‬رﺿﻴﺎت واﻟﺠﺪران‬

‫‪∏¥‬‬ ‫‪∏¥‬‬ ‫∂∏‬ ‫∂∏‬

‫ﻣﻠﺤﻖ اﻟﺒﻨﺎء‬ ‫ﻣﻘﺎﻻت ﻋﻦ أﺣﺪث ﻣﻨﺘﺠﺎت وﻣﺸﺎرﻳﻊ اﻟﺸﺮﻛﺎت‬

‫∞‪π‬‬

WOŠU²² ù«

New Architectural Methods

For 20 years the building industry have witnessed huge transformation to apply sustainability standards and requirements in buildings. With this new trend; that aims at preserving the environment from climate change and natural resources scarcity that resulted from negative practices by humans and over consuming of earth’s natural resources without any consideration for future generations as well as the unbalanced urbanism that led to inequality among the society members and on top of that the failure of buildings to reduce energy consumption and carbon emissions; it became apparent that each phase of a building life cycle affects in a way or another economical, environmental, and social elements of city’s residents. In the construction phase, manufacturing and transporting building materials and installing it in sites causes huge greenhouses emissions.

During the usage phase, the need to condition, artificial And over the years architects worked on adapting their work to achieve sustainability standards incites and their buildings.

Thus the emergence of new domains and restructuring the architectural teams , reordering the design priorities, taking into consideration scientific designs and new technologies that are new to the architectural dictionary.

Today this radical transformation in the profession of architecture adds more considerations to the traditional tasks of site studies, area , and project components, etc..

With these considerations, the design should reckon all the phases of the building life cycle to consider the future generations, monitor wasting land with urban expansion, find new solutions that are flexible to reduce commuting, increase the life span of a building, and reducing waste. These are among many considerations that relies on the architects awareness and his design capabilities to achieve it.

This radical transformations also aims at correcting the wrong habits of design that were predominant and focused only on achieving the aesthetic part at the expense of its effectiveness and efficiency. This led local authorities to focus on the architect’s role as he is the main coordinator of the many specialists to achieve the many new design considerations, that propel the economy and the search for new building materials and technologies to cap energy consumption and bleeding natural resources. Thus, nations have given more importance to the education of architects and subsidised and developed building design professions as well as encouraged manufacturing building materials and technologies that achieve the many sustainability standards. In our region we are still at the early stages of awareness of these new transformation in architecture, and we hope this can be reached in the near future.

Editor in Chief

‫ﻃﺮق اﻟﻌﻤﻞ اﻟﻤﻌﻤﺎري اﻟﺠﺪﻳﺪ‬ WO³K² …d?O³ «—u?Dð U UŽ ÊËd?AŽ c?M w*UF « ¡U?M³ « WŠU?Ý bN?Að ‰U−*« p – ¨w?½U³*« w W «b²?Ýù« U?³KD² Ë dO¹UF o?O³Dð …—Ëd?{Ë WOšUM*« ôuײ « s WOðUO(« W¾O³ « vKŽ WE U;« v ≈ ·bN¹ Íc « b¹b'« ·«dÝù«Ë ÊU ½û WO³K « UÝ—UL*« W−O²½ ¨ WOFO³D « œ—«u*« »uC½Ë ‰UOłú —U?³²Ž≈ ÊËœ WOFO³D « U?¼œ—«u Ë ÷—_«Ë W? UD « „öN²?Ý≈ w W «bF « »UOžË w{«—_« w ·d œb9 s Êb*« Ê«dLŽ ‰ö²š≈Ë ¨W œUI « Ë W UD « „öN²?Ý≈ s b(« w UNO½U³ ‚U?Hš≈Ë UN½UJ?Ý 5Ð WOŽUL²łô« dŁRð w½U³*« …UOŠ qŠ«d s? WKŠd q Ê√ 5³ð bIK Æ ÊuÐdJ « U?ŁUF³½≈ ÊUJ? WOŽUL²łô«Ë WO¾O³ «Ë W¹œUB² ù« wŠ«uM « vKŽ ÈdšQÐ Ë√ WI¹dDÐ w UN³O dðË ¡U?M³ « œ«u qI½Ë lOMBð ÍœR?¹ ¡U?A½ù« WKŠd wH ¨Êb*« UN ULF²?Ý≈ WKŠd ÍœRð UL ¨W¾O b « «“UGK …dO³ UŁUF³½≈ v ≈ l? «u*« ‰ULF²?Ý≈Ë Î UOŽUM UNð—U½≈Ë UNHOOJð Ë UN²¾ bð v ≈ WłU(« s UNKOG?AðË W UDK dO³ „öN²?Ý≈ v ≈ WOŽUMB «Ë WO³²J*«Ë WO eM*« ôü« s? b¹bF « Z²M¹ UL ¨ UN−²Mð w² « W¾O³K WŁuK*« U¹UHM « s qzUN « rJ « v ≈ W? U{ùUÐ d _« Æ UNKI½Ë UN ULF²?Ý≈ …œUŽ≈ VFB¹ w² « U¹UHM « s dO¦J « ÂbN « s?Ž Æ Í—ULF*« r?OLB² «Ë Êb*« jOD ð ‚d?Þ w dEM « …œUŽ≈ v? ≈ Èœ√ Íc? « oI% wJ r?NKLŽ ‚dÞ l¹uDð v?KŽ Êu¹—ULF*« q?LŽ 5M?Ý Èb vKŽË ¨…b¹bł UBB ð —uNþ p – qLý Æ UNO½U³ Ë Êb*« w W «b²Ýù« dO¹UF WOLOLB² « U¹u Ë_« V?OðdðË ¨ Í—ULF*« rOLB² « ‚d qOJ?Að …œUŽ≈Ë sJ¹ r …b?¹bł WOMIðË W?OLKŽ WOLOLBð «—U?³²ŽSÐ c?š_«Ë ¨ b?¹bł s? sN*« w Í—cł ‰u?% „UM¼ ÂuO « Æ Í—ULF*« r?OLB² « r−F U?NMLC²¹ l u*« W?Ý«—œ q¦ W¹bOKI² « ÂUN*« v ≈ W U{ùU³ ¨ UNKLŽ ‚dÞË W?¹—ULF*« s `³ √ ¨ a? ≈ì vM³*« U?½uJ l¹“uð W?Ý«—œË UŠU? *« b¹b% Ë ¡U?A½≈ s vM³*« …UOŠ qŠ«d q Á—U³²Ž≈ w rOLB² « cšQ¹ Ê√ Í—ËdC « V−¹ UL ÆU½bFÐ s ‰UOł_« wŽ«d½ w?J ¨ Âb¼Ë qO¼Qð …œUŽ≈Ë ‰ULF²?Ý≈Ë w ·«dÝù«Ë Êb*« Ê«dLŽ w l?Ýu² UÐ w{«—_« ·«eM²?Ý≈ ÂbŽ W³ «d dOGð s Ë qIM² « s qOKI² « s sJ9 W½d ‰uKŠ .bIðË ¡UM³ « UŠU? …b d¦ √ vM³*« s …œUH²?Ýù« sJ1 YO×Ð tðUOŠ Èb vKŽ vM³*« W?HOþË …dO¦ «—U³²Žù« Æ U?¹UHM « …œU¹“Ë w½U³*« Âb?¼ s p – qKIO Ë ¨ W?MJ2 WOLOLB² « Í—ULF*« …—bI Ë wŽËË ¡U – Èb vKŽ bL²Fð w¼Ë W³FA² Ë `O×Bð Í—U?LF*« q?LF « w b?¹b'« ‰uײ « ·b?N¹ U?L Æ U?N²O³Kð w? w² «Ë ¨5MÝ cM Í—ULF*« qLF « œU?Ý w² « W¾ÞU)« WOLOLB² « «œUF « »U? Š vKŽ w½U³LK WO UL'«dO¹UF*« oOI% vKŽ UNO e d¹ rOLB² « ÊU WOK;« WOL?Ýd « UN'« ÂUL²¼≈ v ≈ tK p – Èœ√ bI Æ UNð¡UH Ë U?N²O UF 5BB ²*« s b¹«e²*« œbFK fOzd « o? M*« t½u Í—ULF*« qLF « —ËbÐ r¼U? ð UN½u …b¹b'« WOLOLB² « «—U³²Žù« s? qzUN « œbFK o?I;« Ë s b×K …b¹bł ¡UMÐ UOMIð Ë œ«u s?Ž Y׳ « v ≈ l bðË œUB² ù« w? l dÐ ‰Ëb « XL²¼≈ p c Ë Æ WOFO³D « œ—«u*« ·«eM²Ý≈ Ë W UD « „öN²?Ý≈ WO d(«Ë WOLOLB² « ¡U?M³ « sN d¹uDðË rŽœË ¨ Í—U?LF*« r?OKF² « ¡«œ« oOI% v ≈ ·bNð ¡UMÐ UOMIðË œ«u ‰ULF²Ý≈Ë lOMBð vKŽ lO−?A² «Ë s WO Ë√ W?KŠd w U?M “U UM²IDM w? ÆW?HK² *« W «b²?Ýù« d?O¹UF Ê√ 5K ¬ ¨ Í—ULF*« qLF « w? …b¹b'« ôuײ « ÁcNÐ wŽu «Ë ÂU?L²¼ù« Æ qłUF « V¹dI « w p – oIײ¹ d¹dײ « fOz— 14 Albenaa

¡UM³ « ±¥

l¹—UA*« —U³š√

‫ﺑﺮج ﺑﻮرا اﻟﺴﻜﻨﻲ‬ ‫اﻟﻤﻜﺴﻴﻚ‬ Bora Residential Tower : ‫اﻟﻤﺼﻤﻢ‬ Architect: Zaha Hadid Architects ‫ﺑﺪأت ا ﻋﻤﺎل ا ﻧﺸﺎﺋﻴﺔ ﻣﺆﺧﺮ‬ ‫ﻓﻲ ﻣﺸﺮوع ﺑﺮج ﺑﻮرا اﻟﺴﻜﻨﻲ‬ ‫ ﻓﻲ ﻣﺪﻳﻨﺔ‬Bora Tower ‫ ﻳﺘﻤﻴﺰ اﻟﻤﺸﺮوع‬. ‫اﻟﻤﻜﺴﻴﻚ‬ ‫ﺑﻤﻮﻗﻌﻪ ﻓﻲ ﻣﻨﻄﻘﺔ ﺣﻴﻮﻳﺔ‬ ‫ وﻳﺤﻴﻂ‬، ‫ﻣﻬﻤﺔ ﻓﻲ اﻟﻤﺪﻳﻨﺔ‬ ‫ﺑﻪ اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﺨﺪﻣﺎت‬ ‫ﻣﺜﻞ اﻟﻤﺪارس واﻟﺠﺎﻣﻌﺎت‬ ‫واﻟﻤﺤﻼت اﻟﺘﺠﺎرﻳﺔ واﻟﻤﻄﺎﻋﻢ‬ ‫ ﺻﻤﻢ اﻟﻤﺸﺮوع‬. ‫وﻏﻴﺮﻫﺎ‬ ‫ﻟﺘﻘﺪﻳﻢ أﻓﻀﻞ ﻣﺴﺘﻮﻳﺎت‬ ‫ا ﺿﺎءة واﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ‬ ‫ﻣﻦ ﺧﻼل ﺗﻮزﻳﻊ اﻟﺸﻘﻖ ﻓﻲ‬ ‫ أﺟﺰاء ﺣﻴﺚ‬٦ ‫ﻛﻞ ﻃﺎﺑﻖ ﻋﻠﻰ‬ ‫ ﺷﻘﻖ‬٢٢٥‫ﻳﺤﺘﻮي اﻟﺒﺮج ﻋﻠﻰ‬ ،‫ﺳﻜﻨﻴﺔ ﻣﺘﻔﺎوﺗﺔ ا ﺣﺠﺎم‬ ‫رﺗﺒﺖ ﺣﻮل ﻣﺮﻛﺰ اﻟﺒﺮج ﻟﻀﻤﺎن‬ ‫ﺗﻮﻓﻴﺮ اﻟﺨﺼﻮﺻﻴﺔ وا ﺿﺎءة‬ ‫اﻟﻄﺒﻴﻌﻴﺔ واﻟﺘﻬﻮﻳﺔ ﺑﺎ ﺿﺎﻓﺔ‬ ‫إﻟﻰ ﺗﻮﻓﻴﺮ إﻃﻼﻟﺔ ﺑﺎﻧﻮراﻣﻴﺔ‬ ‫ ﻳﺮﺗﻔﻊ اﻟﺒﺮج‬.‫ﻟﺠﻤﻴﻊ اﻟﺸﻘﻖ‬ ‫ ﻃﺎﺑﻘﺎ ﻟﻴﺼﺒﺢ‬٥٠ ‫ ﻛﺜﺮ ﻣﻦ‬ .‫أﻃﻮل ﺑﺮج ﺳﻜﻨﻲ ﻓﻲ اﻟﻤﺪﻳﻨﺔ‬

The Bora Residential Tower is a short walk from local schools, theatres, cafes and restaurants, as well as the new Santa Fe Transit Hub that will offer a 5-minute train journey into Observatorio Station, connecting with the city’s metro network when the Toluca commuter rail line opens next year. Being adjacent to the 28 hectare parklands, lakes, sports fields, basketball and tennis courts of La Mexicana park, the largest new public space created in Mexico City for 50 years, the tower has been designed to provide excellent levels of natural light and ventilation, with the apartments optimising Santa

Fe’s extremely comfortable environmental conditions of prevailing winds and mild annual temperatures. With more than 50 floors, Bora will be the highest residential tower in Mexico City and incorporates over 220 apartments of 1, 2,& 3 bedrooms.

Each floor houses a variety of unit sizes to create an integrated & diverse community of families, first-time homeowners, professionals and retirees. The arrangement and layout of the apartments maximises natural light, ensures privacy and offers panoramic, double-aspect views from all units that are also surrounded by balconies,

providing residents with outdoor living areas to enjoy Santa Fe’s mild, elevated subtropical climate. The distribution of varied apartments across each floor defines the formal composition of the tower. The six apartment layouts surround a central core and are extruded vertically, with the tower’s façade articulating the folds and pleats created from the juxtaposition of these six volumes. A sense of dynamism is introduced by the geometric configuration of the balconies which follow a harmonic variation that is optimised to ensure the best use of these outdoor living areas.

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‫√‪l¹—UA*« —U³š‬‬

‫اﻟﻤﻘﺮ اﻟﺮﺋﻴﺲ ﻟﺒﻨﻚ‬ ‫ﻟﻮﻣﺒﺎرد أودﻳﺮ‬ ‫ﺳﻮﻳﺴﺮا‬ ‫‪Lumbard Bank HQ‬‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architect: Herzog & de Meuren‬‬ ‫ﻋﻠﻰ ﻣﺴﺎﺣﺔ ‪ ٢٧٫٤٠٠‬م‪ ٢‬ﻳﻘﻊ اﻟﻤﻘﺮ‬ ‫اﻟﺮﺋﻴﺲ ﻟﺒﻨﻚ ﻟﻮﻣﺒﺎرد أودﻳﺮ‬ ‫اﻟﺴﻮﻳﺴﺮي ﻓﻲ ﺷﻤﺎل ﻣﺪﻳﻨﺔ‬ ‫ﺟﻨﻴﻒ ‪ ،‬ﺗﻢ اﺧﺘﻴﺎر اﻟﺘﺼﻤﻴﻢ ﺿﻤﻦ‬ ‫ﻣﺴﺎﺑﻘﺔ ﻋﺎﻟﻤﻴﺔ‪ .‬ﻳﺘﻤﻴﺰ اﻟﻤﺸﺮوع‬ ‫ﺑﻌﻤﺎرة ﻣﻌﺎﺻﺮة ﺗﺠﻤﻊ ﺑﻴﻦ ا‪9‬رﺗﺒﺎط‬ ‫ﺑﺎﻟﺒﻴﺌﺔ اﻟﻤﺤﻴﻄﺔ وا‪B‬ﻧﺎﻗﺔ واﻻﺑﺘﻜﺎر‪.‬‬ ‫ﻳﺘﻜﻮن اﻟﻤﺸﺮوع ﻣﻦ ﻣﺒﻨﻰ واﺣﺪ‬ ‫ﺑﻄﺎﻗﺔ اﺳﺘﻴﻌﺎﺑﻴﺔ ﺗﺼﻞ إﻟﻰ‪٢٦٠٠‬‬ ‫ﻣﻮﻇﻒ وﻳﻀﻢ ﻗﺎﻋﺔ ﻣﺤﺎﺿﺮات‬ ‫ﺗﺤﺘﻮي ﻋﻠﻰ ‪ ٦٠٠‬ﻣﻘﻌﺪ‪ .‬وﻳﺘﻤﻴﺰ‬ ‫ﺑﺘﺼﻤﻴﻢ واﺟﻬﺎت ﻣﻮﺣﺪ ﺣﻴﺚ‬ ‫ﻻوﺟﻮد ﻟﻮاﺟﻬﺔ أﻣﺎﻣﻴﺔ وﻻ ﺧﻠﻔﻴﺔ‪،‬‬ ‫ﻛﻤﺎ ﺗﻤﻴﺰ ﺑﻮﺟﻮد ﺑﻼﻃﺔ ﺧﺮﺳﺎﻧﻴﺔ‬ ‫ﺑﺎرزة ﺗﺤﺘﻮي ﻋﻠﻰ اﻧﺤﻨﺎءات‪ .‬ﻳﻬﺪف‬ ‫اﻟﺘﺼﻤﻴﻢ إﻟﻰ رﺑﻂ اﻟﻤﺒﻨﻰ ﺑﺎﻟﺒﻴﺌﺔ‬ ‫اﻟﻤﺤﻴﻄﺔ وﺗﻮﻓﻴﺮ أﻛﺒﺮ ﻗﺪر ﻣﻦ‬

‫ا‪9‬ﺿﺎءة اﻟﻄﺒﻴﻌﻴﺔ ﺑﺎﺳﺘﺨﺪام‬ ‫واﺟﻬﺎت زﺟﺎﺟﻴﺔ ﺷﻔﺎﻓﺔ‬ ‫ذات ﻓﺘﺤﺎت ﻟﺘﻮﻓﻴﺮ اﻟﺘﻬﻮﻳﺔ‬ ‫اﻟﻄﺒﻴﻌﻴﺔ‪ .‬ﻳﻀﻢ اﻟﻤﺒﻨﻰ‬ ‫ﺗﻘﻨﻴﺎت وأﻧﻈﻤﺔ ﻟﺘﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ‬ ‫ﺣﻴﺚ ﻳﺠﻤﻊ اﻟﻘﻴﻢ اﻟﺒﻴﺌﻴﺔ‬ ‫واﻻﺟﺘﻤﺎﻋﻴﺔ واﻻﻗﺘﺼﺎدﻳﺔ‪،‬‬ ‫وﻳﻬﺪف إﻟﻰ ﺗﻄﺒﻴﻖ أﻋﻠﻰ‬ ‫ﻣﻌﺎﻳﻴﺮ اﻻﺳﺘﺪاﻣﺔ واﺳﺘﺨﺪام‬ ‫أﻓﻀﻞ اﻟﺘﻘﻨﻴﺎت اﻟﻤﺘﺎﺣﺔ‪.‬‬

‫إﻋﺎدة ﺗﺄﻫﻴﻞ ﺑﺮج ﻣﺎدﻳﺴﻮن ﻓﻲ ﻧﻴﻮﻳﻮرك‬ ‫‪Renovation of Madison Tower in New York‬‬ ‫اﻟﻤﺼﻤﻢ ‪Architect: Snohetta :‬‬ ‫‪Snøhetta has been‬‬ ‫ﻛﺸﻒ ﻣﻜﺘﺐ ‪ Snohetta‬ﻋﻦ ﺗﺼﻤﻴﻤﻪ‬ ‫‪commissioned to reimagine‬‬ ‫ﻟﺘﺮﻣﻴﻢ ﺑﺮج ﻣﻦ ﺗﺼﻤﻴﻢ ﻓﻴﻠﻴﺐ ﺟﻮﻧﺴﻮن‬ ‫‪the 1980’s postmodern tower‬‬ ‫ﻋﺎم ‪١٩٨٤‬م وﻗﺪ ﻋﺮف اﻟﺒﺮج ﺑﺈﺳﻢ ‪AT&T‬‬ ‫وﻣﻦ ﺛﻢ ‪ Sony Tower‬وا`ن ‪located at 550 Madison Avenue. Madison ٥٥٠‬‬ ‫‪The recognizable top of the‬‬ ‫ﻳﺒﻠﻎ ارﺗﻔﺎع اﻟﺒﺮج ‪ ١٩٨‬ﻣﺘﺮ‪ b‬وﻳﺤﺘﻮي ﻋﻠﻰ‬ ‫‪tower will remain a fixture‬‬ ‫ﻣﺴﺎﺣﺎت ﻣﻜﺘﺒﻴﺔ وﺗﺠﺎرﻳﺔ وﻋﺎﻣﺔ‪ .‬ﻳﺘﻤﻴﺰ‬ ‫‪of the New York City skyline.‬‬ ‫اﻟﺘﺼﻤﻴﻢ اﻟﺠﺪﻳﺪ ﺑﺘﺤﻮﻳﻞ اﻟﺒﺮج إﻟﻰ واﺟﻬﺔ‬ ‫‪Completed in 1984, 550‬‬ ‫زﺟﺎﺟﻴﺔ ﺟﺬاﺑﺔ ﺗﻌﻜﺲ اﻟﻤﺒﻨﻰ ﻣﻦ اﻟﺪاﺧﻞ‪،‬‬ ‫‪Madison, formerly known as‬‬ ‫ﺑﺎ‪9‬ﺿﺎﻓﺔ إﻟﻰ ﺗﻮﺳﻴﻊ اﻟﻤﺴﺎﺣﺎت اﻟﻌﺎﻣﺔ‬ ‫‪the AT&T Building and then‬‬ ‫اﻟﻤﺤﻴﻄﺔ ﺑﺎﻟﺒﺮج وإﻧﺸﺎء ﺣﺪﻳﻘﺔ ﻋﺎﻣﺔ‪ .‬ﺻﻤﻢ ‪the Sony Building, was originally‬‬ ‫‪designed by Philip Johnson for‬‬ ‫اﻟﺒﺮج ﻓﻲ اﻟﺴﺎﺑﻖ ﻟﻴﻜﻮن ﻟﻤﺴﺘﺄﺟﺮ واﺣﺪ‪،‬‬ ‫‪single-tenant occupancy.‬‬ ‫أﻣﺎ ﻓﻲ اﻟﺘﺤﺪﻳﺜﺎت اﻟﺠﺪﻳﺪة ﻓﻘﺪ ﺗﻢ ﺗﻐﻴﻴﺮ‬ ‫‪The building’s redesign‬‬ ‫اﻟﺘﺼﻤﻴﻢ اﻟﺪاﺧﻠﻲ ﻟﻴﻮاﻛﺐ اﻟﻤﺘﻄﻠﺒﺎت‬ ‫‪modernizes interior spaces‬‬ ‫اﻟﻌﺼﺮﻳﺔ‪ ،‬واﻟﻤﺴﺎﻋﺪة ﻋﻠﻲ اﻟﺘﺄﺟﻴﺮ ﻟﻌﺪة‬ ‫‪to meet the contemporary‬‬ ‫ﺷﺮﻛﺎت ﺑﺎ‪9‬ﺿﺎﻓﺔ إﻟﻰ ﺗﻮﻓﻴﺮ ﻣﺴﺎﺣﺎت ﺗﺠﺎرﻳﺔ‬ ‫‪needs of a variety of office‬‬ ‫وﻋﺎﻣﺔ وﻏﻴﺮﻫﺎ ﻣﻦ اﻟﻤﺮاﻓﻖ‪ .‬ﻛﻤﺎ ﻗﺎم اﻟﻤﺼﻤﻢ‬ ‫‪tenants and adds high-quality‬‬ ‫ﺑﺈزاﻟﺔ ﻣﺒﻨﻰ ﺧﻠﻒ اﻟﺒﺮج وإﻧﺸﺎء ﺣﺪﻳﻘﺔ ﻋﺎﻣﺔ‬ ‫‪amenities, world-class retail‬‬ ‫ﻟﻼﺳﺘﺮﺧﺎء‪ .‬وﺗﻤﻴﺰ اﻟﺒﺮج ﺑﺎﺳﺘﺨﺪام ﻧﻈﺎم‬ ‫‪and restaurants. The renewed‬‬ ‫ﺗﻬﻮﻳﺔ )‪ (DOAS‬اﻟﺬي ﻳﻘﻮم ﺑﺘﺰوﻳﺪ اﻟﺒﺮج‬ ‫‪550 Madison aspires to be a‬‬ ‫ﺑﺎﻟﻬﻮاء اﻟﻄﺒﻴﻌﻲ وﻳﺘﻤﻴﺰ ﺑﺎﺳﺘﻬﻼك ﻃﺎﻗﺔ‬ ‫‪leader for commercial tower‬‬ ‫‪renovations in the future.‬‬ ‫أﻗﻞ ﻣﻦ أﻧﻈﻤﺔ اﻟﺘﻜﻴﻴﻒ اﻟﺘﻘﻠﻴﺪﻳﺔ ‪.‬‬

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‫‪18 Albenaa‬‬

‫‪Faithful to the title of the‬‬ ‫‪international architecture‬‬ ‫‪competition ‘One Roof ’, the‬‬ ‫‪new project will consist of a‬‬ ‫‪single building with neither a‬‬ ‫‪front nor a back; all sides are‬‬ ‫‪treated equally.‬‬ ‫‪The most salient feature‬‬ ‫‪of the building are the‬‬ ‫‪generously cantilevered,‬‬ ‫‪curved and conspicuously‬‬ ‫‪slender floor slabs.‬‬

‫‪The Swiss private bank‬‬ ‫‪Lombard Odier launched‬‬ ‫& ‪their project with Herzog‬‬ ‫‪de Meuron publicly today.‬‬ ‫‪On a 27,400 m2 plot of land‬‬ ‫‪bordering on Lake Geneva‬‬ ‫‪in Bellevue, north of Geneva,‬‬ ‫‪Lombard Odier will build a‬‬ ‫‪new headquarters providing‬‬ ‫‪space for 2,600 employees,‬‬ ‫‪an auditorium seating 600,‬‬ ‫‪and a staff restaurant.‬‬

l¹—UA*« —U³š√

‫اﻟﻤﻮﺟﺔ ﻣﺸﺮوع‬ ‫ﻣﺘﻌﺪد اﻻﺳﺘﺨﺪاﻣﺎت‬ ‫ﺗﻮرﻧﺘﻮ ـ ﻛﻨﺪا‬ Waves at Bayside : ‫اﻟﻤﺼﻤﻢ‬ Architect: 3XN ‫ ﻓﻲ‬The Wave ‫ﻳﻘﻊ ﻣﺸﺮوع‬ ‫ﻣﺪﻳﻨﺔ ﺗﻮرﻧﺘﻮ ﻋﻠﻰ ﺿﻔﺎف‬ ‫ وﻫﻮ ﻣﺸﺮوع‬، Ontario ‫ﺑﺤﻴﺮة‬ ‫ﻣﺘﻌﺪد اﻻﺳﺘﺨﺪاﻣﺎت ﻳﺤﺘﻮي‬ ‫ﻋﻠﻰ وﺣﺪات ﺳﻜﻨﻴﺔ وﻣﺴﺎﺣﺎت‬ ‫ ﻳﻌﺪ ﻣﻮﻗﻊ‬. ‫ﺗﺠﺎرﻳﺔ واﺟﺘﻤﺎﻋﻴﺔ‬ ً ‫اﻟﻤﺸﺮوع ﻋﺎﻣ‬ ‫ ﻓﻲ‬2‫ﻼ أﺳﺎﺳﻴ‬ . ‫ﺗﺼﻤﻴﻢ اﻟﻤﺒﻨﻰ واﻟﺸﺮﻓﺎت‬ ‫ﻳﺘﻜﻮن اﻟﻤﺸﺮوع ﻣﻦ ﻣﺒﻨﻴﻴﻦ‬ ‫ﻳﺤﺘﻮﻳﺎن ﻋﻠﻰ ﺷﻘﻖ ﺳﻜﻨﻴﺔ‬ ‫ﻳﺮﺗﺒﻂ اﻟﺒﺮﺟﺎن ﺑﻴﻦ ﺑﻌﻀﻬﻤﺎ‬ ‫وﻟﻰ‬A‫اﻟﺒﻌﺾ ﻓﻲ اﻟﻄﻮاﺑﻖ ا‬ ‫اﻟﺘﻲ ﺗﺤﺘﻮي ﻋﻠﻰ ﺷﺮﻓﺎت‬ ‫أﻣﺎ اﻟﺸﺮﻓﺎت‬. ‫وﻣﺴﺒﺢ ﺧﺎرﺟﻲ‬ ‫اﻟﻤﻠﺤﻘﺔ ﺑﺎﻟﺸﻘﻖ ﻓﺼﻤﻤﺖ‬ ‫ﺑﺈﻧﺤﻨﺎءات ﻓﻲ أرﻛﺎﻧﻬﺎ ﺗﺤﺎﻛﻲ‬ ،‫اﻟﻄﺒﻴﻌﺔ اﻟﻤﺤﻴﻄﺔ ﺑﺎﻟﻤﺸﺮوع‬ ‫ﻛﻤﺎ ﻳﻌﺰز اﻟﺘﺼﻤﻴﻢ إﻳﺠﺎد ﺷﺮﻓﺎت‬ .‫ﺑﻤﺴﺎﺣﺎت ﻛﺒﻴﺮة ﻟﻜﻞ ﺷﻘﺔ‬ Anchoring the Eastern edge of the Bayside Development on Toronto’s Revitalized Waterfront, ’The Waves’ at Bayside is born out of its spectacular lakeside location.

Its playful façade is a reflection of the waves across Lake Ontario.

The unique aspects of the site constraints have been the primary driver behind the building design, massing, and terraces strategy. The building is shaped as a landscape with two high points and a valley in-between. By shifting these two “peaks” slightly apart - 3XN was able to maximize waterfront views from each unit. As the building steps back on higher floors, a large percentage of the suites benefit from the steps becoming spacious terraces. Within the “valley” of the project, the building’s shared amenities are found; both indoor spaces such as community rooms, along with an expansive deck space with an outdoor pool.

20 Albenaa

¡UM³ « ≤∞

l¹—UA*« —U³š√

‫ﺑﺮج ﻟﻮﻣﻴﻴﺮ‬ ‫ﻓﺮﻧﺴﺎ‬ Tour Lumière : ‫اﻟﻤﺼﻤﻢ‬ Architect: Jacques Ferrier Architecture ‫( ﻫﻮ‬Le Galion) ‫ﻣﺸﺮوع‬ ‫ﻣﺸﺮوع ﻣﺘﻌﺪد اﻻﺳﺘﺨﺪاﻣﺎت‬ ‫ﻳﺘﻤﻴﺰ ﺑﻤﻮﻗﻌﻪ اﻟﻤﺤﺎط‬ ‫ﺑﺎﻟﻤﻨﺎﻇﺮ اﻟﻄﺒﻴﻌﻴﺔ و اﻟﺘﻲ‬ ‫ﺗﻤﺘﺰج ﻣﻊ ﺿﻔﺎف ﻧﻬﺮ ﺷﻴﺮ‬ .‫ﻓﻲ ﻣﺪﻳﻨﺔ ﺗﻮر ﻓﻲ ﻓﺮﻧﺴﺎ‬ ‫ﻳﺘﻜﻮن اﻟﻤﺸﺮوع ﻣﻦ ﺑﺮج‬ (La Tour Lumiere) ‫ﺳﻜﻨﻲ‬ ‫ وﻳﻀﻢ‬، ‫وﻣﺒﻨﻰ ﻣﻜﺘﺒﻲ‬ ٨٩ ‫ ﻃﺎﺑﻘ< و‬١٧ ‫اﻟﺒﺮج اﻟﺴﻜﻨﻲ‬ ١٦ ‫ﺷﻘﺔ ﺳﻜﻨﻴﺔ وزﻋﺖ ﻋﻠﻰ‬ ‫ ﻛﻤﺎ‬،‫رﺿﻲ‬G‫ﻃﺎﺑﻖ واﻟﻄﺎﺑﻖ ا‬ ‫ﻳﻀﻢ اﻟﻤﺸﺮوع ﻣﺠﻤﻮﻋﺔ ﻣﻦ‬ ‫اﻟﻤﻄﺎﻋﻢ اﻟﺘﻲ ﺗﻮﻓﺮ إﻃﻼﻟﺔ‬ ‫ﺑﺎﻧﻮراﻣﻴﺔ ﻋﻠﻰ اﻟﻨﻬﺮ ﻣﻦ‬ ‫ ﻳﻌﺪ‬. ‫ﺧﻼل واﺟﻬﺔ ﺷﻔﺎﻓﺔ‬ ‫اﻟﺒﺮج اﻟﺴﻜﻨﻲ ﺑﻤﺜﺎﺑﺔ ﻣﻌﻠﻢ‬ ‫ﺣﻀﺮي ﻟﻠﻤﺪﻳﻨﺔ ﺑﻔﻀﻞ ارﺗﻔﺎﻋﻪ‬ ‫ ﺗﻢ‬.‫ﺳﻄﻮاﻧﻲ‬S‫وﺗﺼﻤﻴﻤﻪ ا‬ ‫ﺗﻜﺴﻴﺔ اﻟﺒﺮج ﺑﺄﻟﻮاح ﻣﻌﺪﻧﻴﺔ‬ ‫ﺣﺴﺎس ﺑﺨﻔﺔ‬S‫ﺑﻴﻀﺎء ﺗﻌﻄﻲ ا‬ ‫اﻟﻮزن و ﺗﺘﻐﻴﺮ ﻃﺒﻘ< ﻟﻠﻀﻮء‬ ‫ ﻛﻤﺎ ﻳﻮﻓﺮ اﻟﺒﺮج‬. ‫اﻟﻄﺒﻴﻌﻲ‬ ‫إﻃﻼﻟﺔ ﺑﺎﻧﻮراﻣﻴﺔ ﻋﻠﻰ اﻟﻨﻬﺮ‬ ‫واﻟﻤﺪﻳﻨﺔ واﻟﻤﻨﺎﻇﺮ اﻟﻄﺒﻴﻌﻴﺔ‬ ‫ اﺣﻴﻂ اﻟﺒﺮج ﻓﻲ‬. ‫اﻟﻤﺤﻴﻄﺔ ﺑﻪ‬ . ‫ﻛﻞ ﻃﺎﺑﻖ ﺑﺸﺮﻓﺎت ﺧﺎرﺟﻴﺔ‬ ‫وﻳﻀﻢ اﻟﻤﺸﺮوع ﻣﺒﻨﻰ ﻣﻜﺘﺒﻲ‬ ‫ﻓﻲ اﻟﺠﻬﺔ اﻟﺠﻨﻮﺑﻴﺔ ﻣﻦ اﻟﺒﺮج‬ .‫ﻣﺤﺎط ﺑﻤﺴﺎﺣﺎت ﺧﻀﺮاء‬ Le Galion, a combined architectural project, is characterised by a unique landscape that blends in seamlessly with the banks of the Cher river.

The project, which includes an office building, a residential building (La Tour Lumière) and a company restaurant, is built around a garden that extends

like a belvedere over the Cher river.

With its transparent façades, the company restaurant offers panoramic views of the river. The Tour Lumière acts as an urban landmark owing to its height and unique cylindrical shape. Subtle white and metallic reflections bring the building’s façade

to life, providing a sense of lightness and clarity that vary according to the natural light.

The building offers panoramic views over the river, the city and the surrounding landscape. The Tour Lumière provides social housing for rent and for sale, as well as standard housing for sale.

A balcony runs around each

floor. This unique residential building is the highlight of the mixed-use plot.

Offices are located to the south, around the garden.

The landscape runs seamlessly into the office buildings.

This horizontal design is emphasised by the panels of the brise-soleil and the terraced layout.

22 Albenaa

¡UM³ « ≤≤

l¹—UA*« —U³š√

‫ﻣﺴﺎﺑﻘﺔ ﻋﺎﻟﻤﻴﺔ‬ ‫ﻟﺘﺼﻤﻴﻢ ﺳﻜﻦ ﻟﻠﻄﻼب‬ ‫ﻓﺮﻧﺴﺎ‬ Students Housing-France : ‫اﻟﻤﺼﻤﻢ‬ Architect: Kingo Kuma Associates Kingo Kuma ‫ﻓﺎز ﻣﻜﺘﺐ‬ ‫ ﺑﻤﺴﺎﺑﻘﺔ ﻋﺎﻟﻤﻴﺔ‬Associates ‫ﻟﺘﺼﻤﻴﻢ ﺳﻜﻦ ﻟﻠﻄﻼب ﻓﻲ‬ ‫ﻓﺮﻧﺴﺎ وﺗﻬﺪف اﻟﻤﺴﺎﺑﻘﺔ إﻟﻰ‬ ‫إﻧﺸﺎء ﺳﻜﻦ ﻟﻠﻄﻼب ﺑﻄﺎﻗﺔ‬ ‫ ﺿﻤﻦ‬،‫ ﺳﺮﻳﺮ‬٧٥٠ ‫اﺳﺘﻴﻌﺎﺑﻴﺔ‬ ‫ﺿﺎﻓﺔ‬/‫ ﺑﺎ‬، ‫ﺣﺠﺎم‬3‫ﺷﻘﻖ ﻣﺨﺘﻠﻔﺔ ا‬ ‫إﻟﻰ ذﻟﻚ ﻳﺤﺘﻮي اﻟﻤﺴﻜﻦ‬ ‫ﻣﺴﺎﺣﺎت ﻋﺎﻣﺔ وﻣﺸﺘﺮﻛﺔ ﻣﺜﻞ‬ ‫ ﻏﺮف ﻟﻐﺴﻴﻞ‬،‫ﻣﻄﺎﺑﺦ ﻣﺸﺘﺮﻛﺔ‬ ،‫ ﻣﺮاﻓﻖ رﻳﺎﺿﻴﺔ‬،‫اﻟﻤﻼﺑﺲ‬ ‫ ﻣﺴﺎﺣﺎت‬، ‫ﻣﺴﺎﺣﺎت ﻣﻜﺘﺒﺔ‬ ‫ ﻳﺘﻤﻴﺰ‬. ‫ﻟﻠﺪراﺳﺔ وﻛﺎﻓﺘﻴﺮﻳﺎ‬ ‫اﻟﺘﺼﻤﻴﻢ ﺑﺮﺑﻂ ﻃﻮاﺑﻖ اﻟﻤﺒﻨﻰ‬ ‫ﺑﻤﻤﺮات ذات ﻣﻨﺤﺪرات ﺑﺪﻻً ﻣﻦ‬ ‫اﺳﺘﺨﺪام اﻟﻤﺼﺎﻋﺪ ﻓﻲ اﻟﺘﻨﻘﻞ‬ ‫ﺑﻴﻨﻬﺎ وﺑﻬﺪف اﻟﻲ إﻟﻐﺎء اﻟﻔﺼﻞ‬ ‫ﺑﻴﻦ اﻟﺸﻘﻖ وﻣﺮاﻓﻖ اﻟﻤﺸﺮوع‬ ‫ ﺗﺮﺑﻂ اﻟﻤﻤﺮات اﻟﻤﺒﻨﻰ‬.‫ﺧﺮى‬3‫ا‬ ‫رﺿﻲ وﺻﻮﻻً إﻟﻰ‬3‫ﻣﻦ اﻟﻄﺎﺑﻖ ا‬ ‫ ﻛﻤﺎ ﻳﻬﺪف اﻟﺘﺼﻤﻴﻢ‬.‫اﻟﺴﻄﺢ‬ ‫إﻟﻰ إﻧﺸﺎء ﺑﻴﺌﺔ ﻣﻨﺎﺳﺒﺔ ﻟﻜﺎﻓﺔ‬ .‫اﻟﻄﻼب ﻣﻦ ﻣﺨﺘﻠﻒ أﻧﺤﺎء اﻟﻌﺎﻟﻢ‬ KKAA wins the international competition “Résidence étudiante du Grand Morillon” organized by the Graduate Institute of International and Development Studies, Geneva, Switzerland. This competition requested a proposal for a 750 beds student housing building. Besides the various types of apartments, there was the need of public and common spaces, common kitchens, laundry rooms, sport facilities, library, study areas, cafeteria etc. We wanted to avoid the usual vertical program segregation (of public facilities on the ground floor and apartments on the above floors) that heavily

depends on elevator circulations.

Instead, we proposed an ascendant promenade “carved” into the building’s volume, which would allow pedestrian access to all floors, from the ground floor all the way up to the rooftops. All the necessary public facilities would be allocated along this promenade. In this way, the architecture encourages a more walking-conscious lifestyle and provokes encounters between its inhabitants. The hope is to offer a community-like experience to all these hundreds of students who will be coming from very different origins and that will be cohabitating here for the years to come.

24 Albenaa

¡UM³ « ≤¥

l¹—UA*« —U³š√

‫ﺑﺮج ﺳﻜﻨﻲ ﻓﻲ‬ ‫ﻣﻨﻬﺎﺗﻦ‬ Residential Building in Manhattan : ‫اﻟﻤﺼﻤﻢ‬ Architect: Snohetta Snohetta ‫ﻛﺸﻒ ﻣﻜﺘﺐ‬ ‫ﻋﻦ ﺗﺼﻤﻴﻤﻪ ﻟﺒﺮج ﺳﻜﻨﻲ‬ ‫ﺟﺪﻳﺪ ﻓﻲ ﻣﻨﻬﺎﺗﻦ ﻓﻲ ﻣﺪﻳﻨﺔ‬ ‫ ﻳﻬﺪف اﻟﺘﺼﻤﻴﻢ‬. ‫ﻧﻴﻮﻳﻮرك‬ ‫إﻟﻰ اﻻﺳﺘﺠﺎﺑﺔ اﻟﻲ ﻣﻔﺮدات‬ ‫ﻋﻤﺎرة اﻟﻤﻨﻄﻘﺔ وﺳﻴﺎﻗﻬﺎ‬ ‫ وﺗﻜﺮار‬، ‫ﻣﻦ ﺧﻼل ﺷﻜﻠﻬﺎ‬ ‫اﺳﺘﺨﺪام اﻟﻤﻮاد ﺣﻴﺚ‬ ‫اﺳﺘﺨﺪم اﻟﺤﺠﺮ واﻟﺒﺮوﻧﺰ‬ ‫ﻳﺮﺗﻔﻊ‬.‫واﻟﺰﺟﺎج ﻓﻲ اﻟﻮاﺟﻬﺎت‬ ١٢٧ ‫ ﻣﺘﺮا وﻳﻀﻢ‬٢٣٦ ‫اﻟﺒﺮج‬ ‫ وﻳﻨﻘﺴﻢ‬،‫وﺣﺪة ﺳﻜﻨﻴﺔ‬ ‫إﻟﻰ ﻗﺴﻤﻴﻦ ﺗﻔﺼﻞ ﺑﻴﻨﻬﻤﺎ‬ ‫ﻣﺴﺎﺣﺎت ﻋﺎﻣﺔ وﺷﺮﻓﺎت‬ ،١٦ ‫ﺧﺎرﺟﻴﺔ ﻋﻨﺪ اﻟﻄﺎﺑﻖ‬ ‫وﺗﻌﺪ ﻫﺬه اﻟﻤﻨﻄﻘﺔ اﻟﻤﺮﻛﺰ‬ ‫اﻻﺟﺘﻤﺎﻋﻲ ﻟﻠﺴﻜﺎن وﻳﺮﺗﻔﻊ‬ ‫ ﺑﺰاواﻳﺔ‬١٦ ‫اﻟﺒﺮج ﻓﻮق اﻟﻄﺎﺑﻖ‬ ‫ﻣﺸﻄﻮﻓﺔ ﻳﻨﺸﺄ ﻋﻨﻬﺎ‬ ‫ﺷﺮﻓﺎت ﺧﺎﺻﺔ ﻟﻠﻮﺣﺪات‬ .‫اﻟﺴﻜﻨﻴﺔ ﻓﻲ أرﻛﺎن اﻟﺒﺮج‬ ‫ﻛﻤﺎ ﺗﺤﺘﻮي ﻗﺎﻋﺪة اﻟﺒﺮج ﻋﻠﻰ‬ .‫ﻣﺪﺧﻞ ذو ﺑﻬﻮ ﻣﻤﻴﺰ‬

Snøhetta is leading the design of the new residences at 50 West 66th Street in Manhattan’s Upper West Side. Embracing features found in the neighborhood, the design reveals its base, body, and crown in contemporary terms.

The striking geometry expands New York City’s rich legacy of tower design while embodying an identity formed by human scale at the street. Situated at the heart of the neighborhood’s cultural core, steps from Lincoln Center to the west and Central Park to the east, the building will join the

neighborhood, sensitively responding to its context and referencing the area’s architectural character with a natural palette of refined materials.

At street level, the building’s podium is sheathed in hand-set and textured limestone with bronze and glass storefronts, complementing the warm material palette of its surrounding neighbors. The north side residential entrance is clad in burnished bronze and limestone that presents a welcoming face to the street, and a similar treatment

identifies the entrance to a synagogue at 65th street.

The building steps back on the second floor, creating an approachable neighborhood character along the sidewalk.

The design is achieved through a series of sculptural excavations, evocative of the chiseled stone of Manhattan’s geologic legacy. As the building rises, its bulk is carved away, splitting the tower volume into two. Chamfered corners refine its silhouette and form a shared amenity terrace on the 16th floor.

Above the 16th floor terrace, the

design becomes more slender as it continues to rise into the sky. The opposing corners of the building are sliced away to create balconies with broad views of the city. This zipper of loggias runs the full length of the upper volume, visually connecting the body to its lustrous, sculpted crown. Angled facets evoke this chiseled vocabulary, revealing the same gleaming bronze found at the building’s base.

50 West 66th will glow as a warm lantern, a new friend in the New York City skyline.

26 Albenaa

¡UM³ « ≤∂

l¹—UA*« —U³š√

‫ﻣﻘﻬﻰ ﺑﻴﺖ اﻟﻐﺼﻦ‬ ‫اﻟﻴﺎﺑﺎن‬ Coeda House : ‫اﻟﻤﺼﻤﻢ‬ Architect: Kingo Kuma Associates ‫ﻳﻘﻊ ﻣﻘﻬﻰ ﺑﻴﺖ اﻟﻐﺼﻦ‬ ‫ﻋﻠﻰ ﻣﻨﺤﺪر ﺻﺨﺮي ﻳﻄﻞ‬ ‫ﻋﻠﻰ اﻟﻤﺤﻴﻂ اﻟﻬﺎدئ ﻓﻲ‬ ‫ وﺑﺴﺒﺐ اﻟﻤﻮﻗﻊ ﻗﺎم‬، ‫اﻟﻴﺎﺑﺎن‬ ‫ﻋﻤﺪة‬.‫اﻟﻤﻌﻤﺎري ﺑﺈﻟﻐﺎء ﺟﻤﻴﻊ ا‬ ‫واﺳﺘﺒﺪاﻟﻬﺎ ﺑﻌﺎﻣﻮد واﺣﺪ ﻓﻲ‬ ‫وﺳﻂ اﻟﻤﺸﺮوع ﺣﻴﺚ اﺳﺘﻮﺣﻰ‬ ‫ﻫﺬه اﻟﻔﻜﺮة ﻣﻦ ﻃﺒﻴﻌﺔ‬ ‫اﻟﺸﺠﺮة اﻟﻀﺨﻤﺔ اﻟﺘﻲ ﺗﺴﺘﻄﻴﻊ‬ ‫أن ﺗﺤﻤﻞ ﻣﺠﻤﻮﻋﺔ ﻣﻦ‬ ‫ ﻳﺘﻜﻮن‬. ‫اﻟﺴﻴﻘﺎن ﺑﺠﺬع واﺣﺪ‬ ‫اﻟﻤﺸﺮوع ﻣﻦ ﻣﺒﻨﻰ ﺑﻄﺎﺑﻖ‬ ‫واﺣﺪ ﺑﻮاﺟﻬﺎت زﺟﺎﺟﻴﺔ ﺷﻔﺎﻓﺔ‬ ‫ﻟﻼﺳﺘﻤﺘﺎع ﺑﺎﻟﺒﻴﺌﺔ اﻟﻤﺤﻴﻄﺔ‬ K‫ وﻳﻀﻢ اﻟﻤﺒﻨﻰ ﻋﺎﻣﻮد‬. ‫ﺑﻪ‬ ‫ ﻓﻲ وﺳﻄﻪ ﻣﻜﻮن ﻣﻦ‬K‫واﺣﺪ‬ ‫ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﻘﻮاﺋﻢ اﻟﺨﺸﺒﻴﺔ‬ ‫ﺷﻜﻠﺖ ﻋﻠﻰ ﻫﻴﺌﺔ ﺷﺒﻜﺔ ذات‬ ‫ وﻣﻌﺰزة‬،‫ ﺳﻢ‬٨X٨ ‫ﻣﺮﺑﻌﺎت‬ ‫ﺑﺄﻋﻤﺪة ﻣﻦ أﻟﻴﺎف اﻟﻜﺮﺑﻮن اﻟﺘﻲ‬ . ‫ﺗﺘﻤﻴﺰ ﺑﻘﻮة ﺗﺤﻤﻠﻬﺎ‬ Randomly stacking 8cm square cedar boards, we made a huge tree-like structure. Reinforcing with a carbon fiber rod (with a tensile strength 7 times that of iron) it becomes possible to have a single trunk with large branches while still diminishing movement during earthquakes. The site lies on a cliff overlooking the Pacific Ocean, and due to the tree-like form, we were able to eliminate columns at the perimeter which would otherwise obscure the landscape.

28 Albenaa

¡UM³ « ≤∏

‫ﻓﻲ ﻋﺎم ‪٢٠١٥‬م ﻛﺸﻒ إﺗﺤﺎد ﻣﻼك ﻋﺰﻣﻪ ﻋﻠﻰ إﻋﺎدة ﺗﺄﻫﻴﻞ‬ ‫ﺑﺮج ﻣﻮﻧﺒﺎرﻧﺎس وﻫﻮ أﺣﺪ أﻫﻢ وأﻋﻠﻰ ﻣﻌﺎﻟﻢ ﻣﺪﻳﻨﺔ‬ ‫ﺑﺎرﻳﺲ ) ﻳﺒﻠﻎ إرﺗﻔﺎع اﻟﺒﺮج ‪٢١٠‬م ( واﻟﺬي ﻣﻀﻰ ﻋﻠﻰ إﻧﺸﺎﺋﻪ‬ ‫ﻣﺎ ﻳﻘﺮب ﻣﻦ ‪٤٥‬ﻋﺎﻣﺎ ) ﻋﺎم‪١٩٧٣‬م ( ‪.‬‬ ‫ﻳﺄﺗﻲ ﺗﺄﻫﻴﻞ اﻟﺒﺮج ﻓﻲ إﻃﺎر ﻣﺸﺮوع ﻟﺘﺄﻫﻴﻞ اﻟﻤﻨﻄﻘﺔ‬ ‫اﻟﺘﻲ ﻳﻘﻊ ﻓﻴﻬﺎ و اﻟﺘﻲ ﺗﻀﻢ ﻛﺬﻟﻚ ﻣﺮﻛﺰ ﺗﺠﺎري ﻛﺒﻴﺮ‬ ‫وﺑﺮج وﻣﺒﻨﻰ ﻣﻜﺘﺒﻲ ﺑﻤﺴﺎﺣﺔ إﺟﻤﺎﻟﻴﺔ ﺗﺒﻠﻎ ‪ ٣٠٠‬أﻟﻒ م‪٢‬‬ ‫وﻳﻤﺘﻠﻜﻬﺎ ﻛﻠﻬﺎ ا‪P‬ﺗﺤﺎد‪ ،‬ﻳﻘﻊ اﻟﺒﺮج ﻓﻲ ﺣﻲ ﻣﻮﻧﺒﺎرﻧﺎس‬ ‫اﻟﺘﻘﻠﻴﺪي اﻟﺬي إﺷﺘﻬﺮ ﻓﻲ اﻟﻤﺎﺿﻲ ) ﻧﻬﺎﻳﺔ اﻟﻘﺮن اﻟﺜﺎﻣﻦ‬ ‫واﻟﻨﺼﻒ ا‪X‬ول ﻣﻦ اﻟﻘﺮن اﻟﻌﺸﺮﻳﻦ ( ﺑﺈﺣﺘﻀﺎﻧﻪ ﻣﺨﺘﻠﻒ‬ ‫ا‪X‬ﻧﺸﻄﺔ اﻟﻔﻨﻮﻧﻴﺔ واﻟﺬي ﻫﻮ أﻳﻀ[ ﻳﺤﺘﺎج اﻟﻲ إﺣﻴﺎء ﺟﺪﻳﺪ‪.‬‬ ‫اﻟﻤﺸﺮوع وإن ﻛﺎن ﻣﺸﺮوع ﺗﻄﻮﻳﺮ ﻋﻘﺎري ﺧﺎص إﻻ أﻧﻪ‬ ‫ﻳﺪﻋﻢ ﺗﻮﺟﻪ ﺑﻠﺪﻳﺔ ﺑﺎرﻳﺲ ﻟﺘﻄﺒﻴﻖ إﺳﺘﺮاﺗﻴﺠﻴﺔ إﻗﺘﺼﺎدﻳﺔ‬ ‫ﺟﺪﻳﺪة ﺗﻬﺪف اﻟﻲ زﻳﺎدة ﺗﻨﺎﻓﺴﻴﺔ اﻟﻤﺪﻳﻨﺔ ﻣﺤﻠﻴ[ وﻋﺎﻟﻤﻴ[‪،‬‬ ‫وإﻳﺠﺎد ﻓﺮص ﻋﻤﻞ ﺟﺪﻳﺪة وإﻓﺴﺎح اﻟﻤﺠﺎل ﻟﻔﻌﺎﻟﻴﺎت‬ ‫ووﻇﺎﺋﻒ ذات ﺗﻮﺟﻬﺎت ﺣﺪﻳﺜﺔ ﻣﺜﻞ ﺗﻮﻓﻴﺮ ﻣﺴﺎﺣﺎت‬ ‫‪X‬ﺳﺎﻟﻴﺐ اﻟﻌﻤﻞ اﻟﻤﻜﺘﺒﻲ اﻟﺤﺪﻳﺚ وﻣﺸﺎرﻳﻊ اﻟﻔﻨﺪﻗﺔ ‪،‬‬ ‫وﺗﺤﺪﻳﺚ وﺗﺤﺴﻴﻦ ﺟﻮاﻧﺐ اﻟﺤﻴﺎة اﻟﻤﺨﺘﻠﻔﺔ ﻟﻠﺴﻜﺎن ﻣﻦ‬ ‫إﻋﺎدة ﺗﺄﻫﻴﻞ ﻟﻠﻔﻀﺎء اﻟﻌﺎم ﻣﻦ ﺳﺎﺣﺎت وﺷﻮارع وﺣﺮﻛﺔ‬ ‫ﻣﺸﺎة ‪ .‬ﻛﻞ ذﻟﻚ ﻓﻲ إﻃﺎر ﻣﻬﻨﻲ ﺟﺪﻳﺪ ﻳﺮاﻋﻲ اﻟﺠﻮاﻧﺐ‬ ‫ا‪P‬ﺳﺘﺪاﻣﻴﺔ اﻟﺘﻲ ﺗﺨﺪم اﻟﺴﻴﺎﺳﺎت اﻟﻤﻌﺎﺻﺮة ﻟﻠﻤﺤﺎﻓﻈﺔ‬ ‫ﻋﻠﻰ اﻟﺒﻴﺌﺔ وﻣﻘﺎوﻣﺔ ا‪P‬ﺣﺘﺒﺎس اﻟﺤﺮاري‪ .‬وﻟﺘﺤﻘﻴﻖ‬ ‫ذﻟﻚ أﻃﻠﻖ ا‪P‬ﺗﺤﺎد ﻣﺴﺎﺑﻘﺔ ﻣﻌﻤﺎرﻳﺔ ﻋﺎﻟﻤﻴﺔ ﻓﻲ ﻋﺎم‬ ‫‪٢٠١٦‬م ‪P‬ﻋﺎدة ﺗﺄﻫﻴﻞ اﻟﺒﺮج واﻟﺘﻌﺮف ﻋﻠﻰ آراء اﻟﻤﻌﻤﺎرﻳﻴﻦ‬ ‫اﻟﻜﺒﺎر ﺣﻮل ﻫﺬا اﻟﺘﺄﻫﻴﻞ ‪ .‬دﻋﻲ إﻟﻰ اﻟﻤﺴﺎﺑﻘﺔ ‪ ٧‬ﻣﻜﺎﺗﺐ‬ ‫ﻣﻌﻤﺎرﻳﺔ ﻋﺎﻟﻤﻴﺔ ﻫﻲ ‪:‬‬ ‫ﻣﻜﺘﺐ ‪ Nouvelle AOM‬ﺗﺤﺎﻟﻒ ‪ ٣‬ﻣﻜﺎﺗﺐ ﻓﺮﻧﺴﻴﺔ ‪.‬‬ ‫ﻣﻜﺘﺐ ‪ Studio Gang‬ا‪X‬ﻣﺮﻳﻜﻲ‪.‬‬ ‫ﻣﻜﺘﺐ ‪ OMA‬اﻟﻬﻮﻟﻨﺪي ‪.‬‬ ‫ﻣﻜﺘﺐ ‪ MAD‬اﻟﻴﺎﺑﺎﻧﻲ ‪.‬‬ ‫ﻣﻜﺘﺐ ‪ Dominique Perrault‬اﻟﻔﺮﻧﺴﻲ ‪.‬‬ ‫ﻣﻜﺘﺐ ‪ PLP‬ا‪P‬ﻧﺠﻠﻴﺰي ‪.‬‬ ‫ﻣﻜﺘﺐ ‪ Architecture Studio‬اﻟﻔﺮﻧﺴﻲ ‪.‬‬ ‫ﻓﻲ ﺳﺒﺘﻤﺒﺮ ‪٢٠١٧‬م اﻟﻤﺎﺿﻲ ﻓﺎز ﻣﻜﺘﺐ اﻟﺘﺤﺎﻟﻒ اﻟﻔﺮﻧﺴﻲ‬ ‫‪ Nouvelle AOM‬ﺑﺎﻟﻤﺮﻛﺰ ا‪X‬ول ‪ ،‬ﻓﺒﻌﺪ اﻟﻤﺮﺣﻠﺔ ا‪X‬وﻟﻰ ﻣﻦ‬ ‫اﻟﺘﻘﺪﻳﻢ و اﻟﺘﺤﻜﻴﻢ ﺗﻢ إﺧﺘﻴﺎر ﻣﻘﺘﺮﺣﻴﻦ أﺣﺪﻫﻤﺎ ﻟﻬﺬا‬ ‫اﻟﻤﻜﺘﺐ وا‪p‬ﺧﺮ ﻟﻤﻜﺘﺐ ‪ Studio Gang‬وﺗﻢ إﻋﺎدة اﻟﺘﺴﺎﺑﻖ‬ ‫ﺑﻴﻨﻬﻤﺎ ﻓﻲ ﻣﺮﺣﻠﺔ ﺛﺎﻧﻴﺔ‪ ،‬إﻧﺘﻬﺖ ﺑﻔﻮز اﻟﺘﺤﺎﻟﻒ اﻟﻔﺮﻧﺴﻲ‪.‬‬ ‫اﺷﺘﻤﻠﺖ اﻟﻤﺴﺎﺑﻘﺔ ﻋﻠﻰ ﻋﺪد ﻣﻦ ا‪X‬ﻓﻜﺎر واﻟﺤﻠﻮل اﻟﻤﻌﻤﺎرﻳﺔ‬ ‫ﺑﻨﻴﺖ ﻋﻠﻰ ﺗﺤﻘﻴﻖ ا‪X‬ﻫﺪاف اﻟﻤﺒﺎﺷﺮة ﻟﻠﺠﻬﺔ ﺻﺎﺣﺒﺔ‬ ‫اﻟﻤﺸﺮوع واﻟﺘﻮﺟﻬﺎت ا‪P‬ﺳﺘﺮاﺗﻴﺠﻴﺔ ﻟﻠﺒﻠﺪﻳﺔ ﻣﻦ أﻫﻤﻬﺎ ‪:‬‬

‫‪ÂuO « tOKŽ u¼ UL ±π∑≥ ÂUŽ TA½√ Íc « ”U½—U³½u ÃdÐ‬‬

‫إﻋﺎدة ﺗﺄﻫﻴﻞ اﻟﻤﺒﺎﻧﻲ ‪:‬‬ ‫اﻟﻤﺴﺎﺑﻘﺔ ﺗﺜﻴﺮ ﻣﺸﻜﻠﺔ ﻋﺎﻣﺔ ﻫﻲ ﻫﺪم ﻣﺒﺎﻧﻲ ا‪X‬ﺑﺮاج ﺑﻌﺪ‬ ‫إﻧﺘﻬﺎء ﺻﻼﺣﻴﺔ إﺳﺘﻌﻤﺎﻻﺗﻬﺎ‪ ،‬ﺑﻌﺾ اﻟﻤﺸﺎرﻛﻴﻦ ﻳﺮى أن‬ ‫ﻫﺪم ا‪X‬ﺑﺮاج اﻟﺘﻲ ﺷﻴﺪت داﺧﻞ اﻟﻤﺪن ﻳﺘﺴﺒﺐ ﻓﻲ ﻣﺸﺎﻛﻞ‬ ‫إﻗﺘﺼﺎدﻳﺔ وإﻧﺸﺎﺋﻴﺔ وإﺳﺘﺪاﻣﻴﺔ ﺗﻤﻨﻊ ﻫﺪﻣﻬﺎ ‪ ،‬وﻟﺬﻟﻚ ﻳﺠﺐ‬ ‫ﻣﺤﺎوﻟﺔ إﻋﺎدة ا‪P‬ﻧﺘﻔﺎع ﺑﻬﺎ ﻣﻦ ﺧﻼل إﻋﺎدة ﺗﺄﻫﻴﻠﻬﺎ ‪ .‬ﻓﻜﺮة‬ ‫إﻋﺎدة ﺗﺄﻫﻴﻞ اﻟﻤﺒﺎﻧﻲ ﻟﻴﺴﺖ ﺟﺪﻳﺪة ‪ ،‬ﻓﻔﻲ اﻟﺴﺎﺑﻖ ﻛﺎن‬ ‫ﻳﺘﻢ اﻟﻠﺠﻮء إﻟﻴﻬﺎ ﻛﺤﻞ إﻗﺘﺼﺎدي ﻋﻨﺪ ﻋﺪم ﺗﻮﻓﺮ اﻟﻤﺒﺎﻟﻎ‬ ‫اﻟﻜﺎﻓﻴﺔ ‪P‬ﻧﺸﺎء ﻣﺒﺎﻧﻲ ﺟﺪﻳﺪة ‪ .‬اﻟﻴﻮم وﺑﺎ‪P‬ﺿﺎﻓﺔ إﻟﻰ ﻛﻮﻧﻬﺎ‬ ‫ﻣﺎزاﻟﺖ ﺣ ً‬ ‫ﻼ إﻗﺘﺼﺎدﻳ[ ﻓﻠﻘﺪ أﺻﺒﺤﺖ إﻋﺎدة اﻟﺘﺄﻫﻴﻞ ﺿﺮورة‬ ‫إﺳﺘﺪاﻣﻴﺔ ﻫﺎﻣﺔ‪ ،‬ﻓﺼﻨﺎﻋﺔ ﻣﻮاد اﻟﺒﻨﺎء وأﻋﻤﺎل إﻧﺸﺎء اﻟﻤﺒﺎﻧﻲ‬ ‫ﻣﻦ أﻛﺜﺮ ا‪X‬ﻧﺸﻄﺔ اﻟﺘﻲ ﺗﺰﻳﺪ ﻣﻦ إرﺗﻔﺎع ﻣﻌﺪل إﻧﺒﻌﺎﺛﺎت‬ ‫اﻟﻐﺎزات اﻟﺪﻓﻴﺌﺔ اﻟﻤﻀﺮة ﺑﺎﻟﺒﻴﺌﺔ ‪ ،‬وﻟﺬﻟﻚ ﻛﺎن ﻣﻦ اﻟﻀﺮوري‬ ‫اﻟﺒﺤﺚ ﻋﻦ ﺣﻠﻮل ﺗﻘﻠﻞ ﻣﻨﻬﺎ ﻋﻤﻠﻴﺎت اﻟﺘﺼﻨﻴﻊ واﻟﺒﻨﺎء ‪.‬‬ ‫إﻋﺎدة اﻟﺘﺄﻫﻴﻞ ﻫﻲ أﺣﺪ اﻟﺤﻠﻮل ﻓﻬﻲ ﺗﺴﺎﻋﺪ ﻋﻠﻰ ا‪P‬ﻗﺘﺼﺎد‬ ‫ﻓﻲ ﻣﻮاد وأﻋﻤﺎل اﻟﺒﻨﺎء ‪ ،‬ﻓﻘﺪ ﻳﺘﻢ ﻣﺜﻼ ا‪P‬ﺑﻘﺎء ﻋﻠﻰ ﻫﻴﻜﻞ‬ ‫اﻟﻤﺒﻨﻰ أو ﻳﺘﻢ إﻋﺎدة إﺳﺘﻌﻤﺎل اﻟﻌﻨﺎﺻﺮ اﻟﺒﻨﺎﺋﻴﺔ ﻣﺜﻞ إﻋﺎدة‬ ‫إﺳﺘﻌﻤﺎل اﻟﻨﻮاﻓﺬ أو ا‪X‬ﺑﻮاب ‪.‬‬

‫‪¡UM³ « ± Â‬‬

‫‪S1 Albenaa‬‬

‫ﻣﺴﺎﺑﻘﺔ ﻣﻌﻤﺎرﻳﺔ‬

‫إﻋﺎدة ﺗﺄﻫﻴﻞ أﻋﻠﻰ ﺑﺮج ﻓﻲ ﺑﺎرﻳﺲ‬ ‫إﻋﺪاد ‪ :‬اﻟﻤﻬﻨﺪس إﺑﺮاﻫﻴﻢ ﻋﺒﺪ ا أﺑﺎ اﻟﺨﻴﻞ‬

‫اﻟﻤﻘﺪﻣﺔ ‪:‬‬

‫‪S1‬‬

‫ـ إﻋﺎدة ﺗﺄﻫﻴﻞ اﻟﻤﺒﺎﻧﻲ ‪.‬‬ ‫ـ ﻣﻌﺎﻟﺠﺔ ﺟﻮاﻧﺐ ﻣﻌﻤﺎرﻳﺔ وإﻧﺸﺎﺋﻴﺔ ‪.‬‬ ‫ـ ا ٍ‪K‬ﻗﺘﺼﺎد ﻓﻲ اﻟﻄﺎﻗﺔ ‪.‬‬ ‫ـ زﻳﺎدة اﻟﺮﻗﻌﺔ اﻟﺨﻀﺮاء داﺧﻞ اﻟﻤﺪن ‪.‬‬ ‫ـ ﺗﺤﺴﻴﻦ ﺣﻴﺎة اﻟﺴﻜﺎن‬

‫اﻟﻤﺸﺎرﻳﻊ ‪:‬‬ ‫اﻟﻤﺮﻛﺰ ا)ول ‪ :‬ﻣﻌﻠﻢ ﺷﻔﺎف ﻓﻲ ﺳﻤﺎء ﺑﺎرﻳﺲ‬

‫‪S4‬‬

‫اﻟﻤﺼﻤﻢ ‪Nouvelle AOM :‬‬

‫اﻟﻤﺮﻛﺰ اﻟﺜﺎﻧﻲ ‪ :‬ﺑﺮج اﺳﺘﺪاﻣﻲ ﻧﻤﻮذﺟﻲ‬

‫‪S 10‬‬

‫اﻟﻤﺼﻤﻢ ‪Studio Gang :‬‬

‫ﻣﺸﺎرك ‪ :‬ﺻﻮرة ﺑﺎرﻳﺲ اﻟﺴﺮاﺑﻴﺔ‬

‫‪S 16‬‬

‫اﻟﻤﺼﻤﻢ ‪MAD :‬‬

‫ﻣﺸﺎرك ‪ :‬ﺑﺮﺟﺎن ﺑﺪﻻً ﻣﻦ ﺑﺮج واﺣﺪ‬

‫‪S 20‬‬

‫اﻟﻤﺼﻤﻢ ‪Dominique Perrault :‬‬

‫ﻣﺸﺎرك ‪ :‬ﺑﺮج ‪TM 2‬‬

‫‪S 24‬‬

‫اﻟﻤﺼﻤﻢ ‪OMA :‬‬

‫ﻣﺸﺎرك ‪ :‬ﺑﺮج ﻟ‪9‬ﻧﺎﻗﺔ اﻟﺒﺎرﻳﺴﻴﺔ‬ ‫اﻟﻤﺼﻤﻢ ‪PLP :‬‬

‫≤≥ « ‪¡UM³‬‬

‫‪32 Albenaa‬‬

‫‪S 28‬‬

PLP

V²J â&#x2C6;Ť â&#x20AC;&#x17E;â&#x20AC;&#x201D;UA

OMA

V²J â&#x2C6;Ť â&#x20AC;&#x17E;â&#x20AC;&#x201D;UA

Rehabilitation of Tour Montparnasse In 2015, the owners of Tour Montparnasse organised a competition to rehabilitate the iconic tallest tower in Paris.

The competition tackled the issue of demolition tower buildings as it causes economical and environmental problems. Though the concept is not new, it was resolved to when there was limited budget to build new buildings. With more importance now gained with sustainability, rehabilitation helps reducing both greenhouse emissions caused by the building industry as well as carbon dioxide by limiting urban expansion.

In addition, the competition aimed at solving negative elements in the old tower such as lacking architectural expressions as an iconic building as well as its V shape side facades that caused wind to move downward and causes discomfort to all visitors at the ground level.

The success of the competition is illustrated by the latest in architectural design brought up to reduce energy consumption. These designs focused on using both positive energy and passive solutions available today in addition to using vertical green spaces.

The proposals in the competition also encourage improvement of public life by relating the tower to its surrounding through public spaces and squares.

Furthermore, these proposed designs focused on solutions of attractiveness to the building.

S3 Albenaa

ÂĄUMÂł ÂŤ â&#x2030;Ľ Ă&#x201A;

Dominique Perrault

V²J â&#x2C6;Ť â&#x20AC;&#x17E;â&#x20AC;&#x201D;UA

â&#x20AC;Ťďť&#x2039;ďť ďť´ďťŞ ďť&#x203A;ďş&#x17D; أﺣﺪ اďť&#x;ďş¤ďť ďťŽŮ&#x201E; اďť&#x;ďş&#x17D;ďş&#x;ďť&#x152;ďş&#x201D; ďť&#x;ďş°ďťłďş&#x17D;ŘŻŘŠ ا Ů&#x2C6;ďť&#x203A;ďş´ďş ďť´ďťŚ ďť&#x201C; اإâ&#x20AC;Ź â&#x20AC;Ť ďť&#x203A;ďş&#x17D; ďť&#x153; ا(ďşłďş&#x2DC;ďť&#x201D;ďş&#x17D;ŘŻŘŠ â&#x20AC;Ź.â&#x20AC;ŤŘ§ďť&#x;ﺪďş&#x201D; Ů&#x2C6;ؼďş&#x2DC;ďşźďş&#x17D;Řľ اďť&#x;ďť&#x153;ﺎďş&#x2018;Ů&#x2020; â&#x20AC;Ź â&#x20AC;ŤďťŤďşŹŮ&#x2021; اďť&#x;ﺎďť&#x2014;ďť&#x152;ďş&#x201D; اďť&#x;ﺨďť&#x20AC;ﺎاإ ďť&#x203A;ďť&#x152;ﺟﺎ ďş&#x2014;ﺎŮ&#x2C6;ﺤ Ů&#x2C6;ďş&#x2014;ﺎďť&#x201C; Ů&#x2C6;ﺟﺪعâ&#x20AC;Ź â&#x20AC;Ťďť&#x;ďť ďť¤ďť¨ďş&#x2DC;ďş ďş&#x17D;ŘŞ اďť&#x;ﺰعاďť&#x2039;ďť´ďş&#x201D; ďş&#x153;ďť&#x17E; اďť&#x;ﺰع Ů&#x2C6;اďť&#x;ďť&#x201D;اďť&#x203A; Ů&#x2C6;اďť&#x;ﺨďť&#x20AC;ﺎŮ&#x2C6;ات اďť&#x;ďş&#x2DC;â&#x20AC;Ź â&#x20AC;Ťďťłďť¤ďť&#x153; ŘŁŮ&#x2020; ďş&#x2014;ﺤďť&#x2DC;ďť&#x2013; ŘĽďşżďş&#x17D;ďť&#x201C;ďş&#x201D; ďť&#x2039;ďť´ďş&#x201D; ďť&#x201C; زعاďť&#x2039;ďş&#x2DC;ďş&#x17D; داﺧďť&#x17E; اďť&#x;ﺪŮ&#x2020; ďť&#x;ďş&#x2DC;ďť&#x153;Ů&#x2020;â&#x20AC;Ź . â&#x20AC;Ťďť&#x2014;ﺎďş&#x2019;ďş&#x201D;  أďş&#x17D;ďť&#x203A; ŘĽďşłďş&#x2DC;ďť&#x203A;ďş&#x17D;â&#x20AC;Ź : â&#x20AC;Ťďş&#x2014;ﺤﺴ ﺣďş&#x17D;ŘŠ اďť&#x;ďş´ďť&#x153;ďş&#x17D;Ů&#x2020;â&#x20AC;Ź â&#x20AC;Ťďş&#x2014;ﺤﺴ ﺣďş&#x17D;ŘŠ اďť&#x;ďş´ďť&#x153;ďş&#x17D;Ů&#x2020;  أﺣﺪ ا ﺪا٠اďť&#x;ﺎďş&#x2039;ďť´ďş´ďş&#x201D; اďť&#x;ďş&#x2DC; ďťłďş ďş? ŘŁŮ&#x2020;â&#x20AC;Ź Fâ&#x20AC;Ť Ů&#x2C6;ďť&#x;ďş&#x2DC;ﺎďş&#x;ďş&#x201D; ﺏŮ&#x2021; ا ﺪا٠ďť&#x152;ďş&#x17D;Řąďťłâ&#x20AC;ŹŘ&#x152;â&#x20AC;Ťďş&#x2014;ďş´ďť&#x152;ďť° ŘĽďť&#x;ďş&#x17D; ا ďş&#x;ﺰ؊ اďť&#x;ďş&#x2019;ďť ďşŞďťłďş&#x201D;â&#x20AC;Ź Fâ&#x20AC;Ť Ů&#x2C6;ďť&#x201C;ďť&#x152;ďť ďť´â&#x20AC;ŹFâ&#x20AC;Ťďť&#x203A;ďş&#x17D;Ů&#x2020;  اďť&#x;ďť&#x20AC;ﺎŮ&#x2C6;ŘąŮ&#x160; ا(ďş&#x2DC;ďş&#x17D;Ů&#x2026; ďş&#x2018;ﺎďş&#x2018;ďť&#x201A; اďť&#x;ďş&#x2019;ﺎ؏ ďş&#x2018;ﺤďť&#x201E; ďş&#x2018;ﺟﺎâ&#x20AC;Ź â&#x20AC;Ťďş§ďş&#x17D;ďşťďş&#x201D;  ﺣďş&#x161; ďş&#x2014;ﺟ اďť&#x;ďť&#x201D;ďť&#x20AC;ďş&#x17D;إات اďť&#x;ﺨďş&#x17D;Řąďş&#x;ďť´ďş&#x201D; Ů&#x2C6;ا(ďş&#x2DC;ďş&#x17D;Ů&#x2026; ďş&#x2018;ﺎاﺣďş&#x201D;â&#x20AC;Ź â&#x20AC;ŤďşŁďşŽďť&#x203A;ďş&#x201D; ﺎďş&#x2014;ďş&#x17D;ŘŻŮ&#x160; اďť&#x;ďş&#x2019; ďť&#x201C; اďť&#x;ďş´ďş&#x17D;ﺣďş&#x17D;ŘŞ اďť&#x;ﺨďş&#x17D;Řąďş&#x;ďť´ďş&#x201D; Ů&#x2C6;ďť&#x152;ďş&#x17D;ďť&#x;ďş ďş&#x201D; ﺸďť&#x153;ďť ďş&#x201D;â&#x20AC;Ź â&#x20AC;Ť Ů&#x2C6;ďş&#x2014;ﺤďť&#x2DC;ďť´ďť&#x2013;â&#x20AC;ŹŘ&#x152;â&#x20AC;ŤŘ§ďť&#x;ﺎďş&#x17D;Ř­ ďş&#x2018;ďş&#x2C6;ďťłďş ďş&#x17D;ŘŻ ŘŁďť&#x201C;ďş&#x201D; ﺨďť&#x201D;ďť&#x20AC;ďş&#x201D; ďť&#x2039; اďť&#x;ﺴďş&#x2DC;Ů&#x2030; ا عﺿâ&#x20AC;Ź â&#x20AC;Ťďť&#x2039;ďťźďť&#x2014;ďş&#x17D;ŘŞ ďş&#x2018;ﺟﺎďş&#x201D; ďş&#x2018; اďť&#x;ﺪاﺧďť&#x17E; Ů&#x2C6;اďť&#x;ﺨďş&#x17D;ع؏ ďť&#x2039;ďť ďť° اďť&#x;ﺴďş&#x2DC;Ů&#x2030; ا عﺿâ&#x20AC;Ź â&#x20AC;Ťďş&#x2014;ďş ďşŹŘ¨ Ů&#x2C6;ďş&#x2014;ďť&#x152;ﺎ٠اďť&#x;ďş°Ů&#x2C6;اع ďť&#x2039;ďť ďť° ďť&#x201C;ﺎاďť?ďş&#x17D;ŘŞ اďť&#x;ďş&#x2DC;ﺴŮ&#x201A; Ů&#x2C6;اďť&#x;ďş&#x2DC;ﺎďť&#x201C; اďť&#x;ďş&#x2DC; ďş&#x2014;ďť&#x2DC;ďť&#x160;â&#x20AC;Ź â&#x20AC;Ť  ďş&#x;ďş&#x201D; أﺧﺎŮ&#x2030; ďşłďş&#x17D;ďş&#x2013; اďť&#x;ﺤﺪاďş&#x2039;ďť&#x2013; اďť&#x;ďť&#x152;ďť ďť&#x2DC;ďş&#x201D;â&#x20AC;Ź. â&#x20AC;ŤŘŻŘ§ďş§ďť&#x17E; ďť&#x2014;ďş&#x17D;ďť&#x2039;ﺪ؊ اďť&#x;ďş&#x2019;ﺎ؏â&#x20AC;Ź â&#x20AC;Ťďť&#x201C; ŘĽďťłďş ďş&#x17D;ŘŻ ﺡﺎďť&#x201C;ďş&#x17D;ŘŞ ďş&#x2018;ďş&#x17D;عز؊ ďť&#x201C; اďť&#x;اďş&#x;ďş&#x17D;ŘŞ ďť&#x153; ŘĽďşłďş&#x2DC;ďť&#x152;ďş&#x17D;ďť&#x;ďş&#x17D;â&#x20AC;Ź â&#x20AC;Ťďť&#x203A;ďť&#x201D;ﺎاďť?ďş&#x17D;ŘŞ ďť&#x201C; اďť&#x;اإ اďť&#x;ďť&#x201E;ďť ďť&#x2013; ﺧďş&#x17D;ďşťďş&#x201D; ďť&#x201C; ا ŘŻŮ&#x2C6;اع اďť&#x;ďş´ďť&#x201D;ďť ďť´ďş&#x201D; ďť&#x;ďť ďş&#x2019;ﺎ؏â&#x20AC;Ź â&#x20AC;Ťďş&#x2014;ďş´ďş&#x17D; ďť&#x201C; ŘĽďťłďş ďş&#x17D;ŘŻ ďť&#x2039;ďťźďť&#x2014;ďş&#x201D; ďş&#x2018;ﺟﺎďş&#x201D; Ů&#x2C6;ďş&#x2014;ďťŽŘ§ďşťďť ďť´ďş&#x201D; ďş&#x2018; ďşłďť&#x153;ďş&#x17D;Ů&#x2020; اďť&#x;ďş&#x2019;ﺎ؏â&#x20AC;Ź â&#x20AC;Ť اďť&#x;ďş&#x2DC;ﺟ اďť&#x;ďť&#x152;ďş&#x17D;ŘąŮ&#x160; ďťłďş ďş? ŘŁŮ&#x2020; ďťłďť&#x152;ďť&#x17E;â&#x20AC;Ź. â&#x20AC;ŤŮ&#x2C6;ďşłďť&#x153;ďş&#x17D;Ů&#x2020; اďť&#x;ďş&#x2019;ďş&#x17D; اďť&#x;ďť¤ďş ďş&#x17D;Ů&#x2C6;ع؊â&#x20AC;Ź â&#x20AC;Ťďť&#x2039;ďť ďť° ďş&#x2014;ﺤďť&#x2DC;ďť´ďť&#x2013; اďť&#x;ďş&#x2DC;ďş&#x201E;ďş&#x203A;ﺎ اďť&#x;ďť&#x201E;ďť ďťŽŘ¨  ﺧŮ&#x201E; اďť&#x;ďş&#x2DC;ﺸďť&#x153;ďť´ďť&#x17E; اďť&#x;ďť&#x152;ďş&#x17D;Ů&#x2026; ďť&#x;ďť ďş&#x2019;ﺎ؏â&#x20AC;Ź â&#x20AC;Ť Ů&#x2C6;ďť&#x;ďť&#x2DC;ﺪ ďť§ďş ďş¤ďş&#x2013; ďť&#x2039;ﺪدâ&#x20AC;ŹŘ&#x152; Fâ&#x20AC;Ťďť&#x2039;ďť ďť° ďş&#x;ﺏب اďť&#x;ďş´ďť&#x153;ďş&#x17D;Ů&#x2020; ďť&#x;ďť¨ďş ďş&#x17D;Ř­ اďť&#x;ﺸﺎŮ&#x2C6;Řš ﺣâ&#x20AC;Ź â&#x20AC;ŤďťŁďťŚ اďť&#x;ďť&#x2DC;ďş&#x2DC;ﺎﺣďş&#x17D;ŘŞ ďť&#x2039;ďť ďť° ďş&#x2014;ﺤďť&#x2DC;ďť´ďť&#x2DC; Ů&#x2C6;ؼďş&#x2DC;ďş&#x2013; ďş&#x2018;ﺪعاﺳďş&#x201D; ﺡďť&#x153;ďť&#x17E; اďť&#x;ďş&#x2019;â&#x20AC;Ź â&#x20AC;Ť ﺴďş&#x2DC;ďť&#x152;ﺎ؜ ďť&#x201C; ﺏا اďť&#x;ďť&#x152;ﺪدâ&#x20AC;Ź. â&#x20AC;ŤďťŁďťŚ ŘĽďş&#x2014;ďş ďş&#x17D;ďş&#x17D;ŘŞ ﺨďş&#x2DC;ďť ďť&#x201D;ďş&#x201D;  اďť&#x;ﺪďş&#x201D;â&#x20AC;Ź .â&#x20AC;ŤďťŁďť&#x2DC;ďş&#x2DC;ﺎﺣďş&#x17D;ŘŞ ďť&#x;ďş´ďş&#x2DC;ďş&#x201D; ďş&#x2DC;ďş´ďş&#x17D;ďş&#x2018;ďť&#x2DC;  ďş&#x2018;ďş&#x17D; اďť&#x;ﺸﺎŮ&#x2C6;Řš اďť&#x;ďť&#x201D;ďş&#x17D;ďş&#x2039;ďş°â&#x20AC;Ź

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‫«*‪V²J ∫ w½U¦ « e d‬‬

‫‪Studio Gang‬‬

‫إن إﻋﺎدة ﺗﺄﻫﻴﻞ ﺑﺮج ﻣﻮﻧﺒﺎرﻧﺎس ﺗﻌﻨﻲ ﻛﺬﻟﻚ اﻟﺤﺪ ﻣﻦ‬ ‫اﻟﺘﻤﺪد اﻟﻌﻤﺮاﻧﻲ ﻟﻠﻤﺪﻳﻨﺔ‪ ،‬ﻓﺄي ﺑﻨﺎء ﺟﺪﻳﺪ ﻳﺆدي إﻟﻰ‬ ‫إﺳﺘﻬﻼك اﻟﻤﺰﻳﺪ ﻣﻦ اﻟﻔﻀﺎءات اﻟﺒﻴﻀﺎء ﺧﺎرج اﻟﻤﺪن وﻳﺪﻓﻊ‬ ‫إﻟﻰ ﺗﻤﺪدﻫﺎ وإﺗﺴﺎﻋﻬﺎ واﻟﺘﺒﺎﻋﺪ ﺑﻴﻦ ﻋﻤﺮاﻧﻬﺎ وﻛﻠﻬﺎ‬ ‫ﺳﻠﺒﻴﺎت ﺗﺆدي إﻟﻰ زﻳﺎدة ﺣﺮﻛﺔ اﻟﻨﻘﻞ ‪ ،‬زﻳﺎدة اﻧﺒﻌﺎﺛﺎت‬ ‫اﻟﻜﺮﺑﻮن‪ ،‬ﺧﻔﺾ اﻟﻜﺜﺎﻓﺔ اﻟﺴﻜﺎﻧﻴﺔ اﻟﻀﺮورﻳﺔ ﻟﺤﻴﻮﻳﺔ اﻟﻤﺪن‪،‬‬ ‫إﺑﺘﻌﺎد اﻟﺨﺪﻣﺎت اﻟﻀﺮورﻳﺔ ﻋﻦ اﻟﻔﺌﺎت ا‪D‬ﻗﻞ ﺣﻈ‪ A‬اﻟﺬﻳﻦ‬ ‫ﻳﺴﻜﻨﻮن اﻟﻤﻨﺎﻃﻖ رﺧﻴﺼﺔ ا‪D‬ﺳﻌﺎر اﻟﺒﻌﻴﺪة ﻋﻦ ﻣﺮاﻛﺰ‬ ‫اﻟﻤﺪن ‪ ،‬ا‪D‬ﻣﺮ اﻟﺬي ﻳﺆدي إﻟﻰ إﺧﺘﻼل ﻣﻴﺰان اﻟﻌﺪاﻟﺔ اﻻﺟﺘﻤﺎﻋﻴﺔ ‪.‬‬ ‫ﻣﻌﺎﻟﺠﺔ ﺟﻮاﻧﺐ ﻣﻌﻤﺎرﻳﺔ وإﻧﺸﺎﺋﻴﺔ ‪:‬‬ ‫ﺗﺤﺎول اﻟﻤﺴﺎﺑﻘﺔ ﻣﻌﺎﻟﺠﺔ ﺑﻌﺾ اﻟﺠﻮاﻧﺐ اﻟﺴﻠﺒﻴﺔ اﻟﻤﻌﻤﺎرﻳﺔ‬ ‫وا‪S‬ﻧﺸﺎﺋﻴﺔ اﻟﺘﻲ اﺣﺘﻮاﻫﺎ اﻟﺒﺮج اﻟﻘﺪﻳﻢ ‪ ،‬ﺣﻴﺚ ﻋﺎﻧﻰ ﻣﻨﺬ‬ ‫إﻧﺸﺎﺋﻪ ﻣﻦ ﻧﻘﺪ ﻣﻌﻤﺎري ﻻذع ‪ ،‬أوﺿﺤﻪ ﺑﻌﺾ اﻟﻤﺸﺎرﻛﻴﻦ ﻓﻲ‬ ‫اﻟﻤﺴﺎﺑﻘﺔ ‪D ،‬ﻧﻪ ﻣﻦ ﺧﻼل ﺣﺠﻤﻪ وإرﺗﻔﺎﻋﻪ ﻗﺪ ﺷﻜﻞ ﻣﻌﻠﻢ ﻫﺎم‬ ‫ﻛﺒﻴﺮ ﻟﻜﻨﻪ إﻓﺘﻘﺪ إﻟﻰ اﻟﺮﺳﺎﻟﺔ اﻟﻤﻌﻤﺎرﻳﺔ اﻟﺘﻌﺒﻴﺮﻳﺔ اﻟﻤﺜﻴﺮة‬ ‫واﻟﻤﺆﺛﺮة اﻟﺘﻲ ﻳﺠﺐ أن ﻳﺤﻤﻠﻬﺎ أي ﻣﻌﻠﻢ ﻫﺎم ﻟﺴﻜﺎن اﻟﻤﺪﻳﻨﺔ‪.‬‬ ‫ﻛﻤﺎ ﻋﺎﻧﻰ ﻣﺮﺗﺎدي اﻟﺒﺮج ﻣﻦ ﺧﻼل اﻟﺸﻜﻞ اﻟﻤﻌﻤﺎري ﺣﻴﺚ‬ ‫إرﺗﺪت اﻟﻮاﺟﻬﺎت اﻟﺠﺎﻧﺒﻴﺔ إﻟﻰ اﻟﺪاﺧﻞ ﻋﻠﻰ ﺷﻜﻞ ﺣﺮف ‪،٧‬‬ ‫ا‪D‬ﻣﺮ اﻟﺬي أدى إﻟﻰ ﺣﺼﺮ اﻟﺮﻳﺎح داﺧﻠﻬﺎ ﺗﻮﺟﻴﻬﻬﺎ إﻟﻰ ا‪D‬ﺳﻔﻞ‬ ‫ﺑﺴﺮﻋﺔ ﺷﺪﻳﺪة ﺗﺆﺛﺮ ﻳﺸﻜﻞ ﻛﺒﻴﺮ ﻋﻠﻰ اﻟﻤﺎرة ﻓﻲ اﻟﺴﺎﺣﺎت‬ ‫اﻟﻤﺤﻴﻄﺔ ﺑﺎﻟﺒﺮج‪ ،‬ﻛﻤﺎ أن اﻟﻮاﺟﻬﺎت اﻟﺰﺟﺎﺟﻴﺔ أﺻﺒﺤﺖ ﺗﻌﺎﻧﻲ ﻣﻦ‬ ‫ﺿﻌﻒ ﻣﻘﺎوﻣﺘﻬﺎ إﻧﺸﺎﺋﻴﺔ ﻟﻠﺮﻳﺎح ﺑﻔﻌﻞ إرﺗﻔﺎع اﻟﺒﺮج اﻟﺸﺎﻫﻖ ‪.‬‬ ‫ا ﻗﺘﺼﺎد ﻓﻲ اﻟﻄﺎﻗﺔ‪:‬‬ ‫ﻧﺠﺤﺖ اﻟﻤﺴﺎﺑﻘﺔ ﻓﻲ ﻃﺮح وإﻗﺘﺮاح أﺣﺪث ﻣﺎﺗﻮﺻﻞ إﻟﻴﻪ‬ ‫اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري اﻟﻤﻌﺎﺻﺮ ﻟ‪d‬ﻗﺘﺼﺎد ﻓﻲ إﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‪،‬‬

‫‪¡UM³ « ≤ Â‬‬

‫‪S2 Albenaa‬‬

‫ ‪V²J ∫ „—UA‬‬

‫‪MAD‬‬

‫ﻓﻤﻨﺬ ‪ ٢٠‬ﻋﺎﻣ‪ A‬و اﻟﺘﻮﺟﻬﺎت وا‪D‬ﺑﺤﺎث وا‪S‬ﺑﺘﻜﺎرات اﻟﺘﻘﻨﻴﺔ ﻟﻢ‬ ‫ﺗﺘﻮﻗﻒ وﻣﺎزاﻟﺖ ﺣﺘﻰ ا‪g‬ن ‪ ،‬ﺗﺮﻛﺰت ا‪D‬ﺑﺤﺎث ﻓﻲ إﺗﺠﺎﻫﻴﻦ‬ ‫ا‪D‬ول ﻫﻮ ﻣﺤﺎوﻟﺔ إﺣﻜﺎم ﻋﺰل اﻟﻤﺒﺎﻧﻲ ﺗﻤﺎﻣ‪ A‬ﺑﻮاﺳﻄﺔ ﺣﻮاﺋﻂ‬ ‫ذات ﻣﻮاد ﺑﻨﺎء ﻋﺎزﻟﺔ وﻧﻮاﻓﺬ زﺟﺎﺟﻴﺔ ﻣﺘﻌﺪدة اﻟﻄﺒﻘﺎت ‪.‬‬ ‫وا‪S‬ﺗﺠﺎه ا‪g‬ﺧﺮ ﻫﻮ اﻟﺒﺤﺚ ﻋﻦ ﻃﺮق ﺑﺪﻳﻠﺔ ﻟﺘﻮﻓﻴﺮ ﻃﺎﻗﺔ‬ ‫ﻧﻈﻴﻔﺔ ورﺧﻴﺼﺔ ﻣﻦ ﺧﻼل ﻣﺎ ﻳﻌﺮف ﺑﻨﻈﺎم اﻟﻄﺎﻗﺔ ا‪S‬ﻳﺠﺎﺑﻴﺔ‬ ‫)‪ (Positive Energy‬ﺑﺈﺳﺘﺨﺪام ا‪D‬ﻟﻮاح اﻟﺸﻤﺴﻴﺔ أو ﻃﺎﻗﺔ‬ ‫اﻟﺮﻳﺎح أو اﻟﻄﺎﻗﺔ اﻟﺤﺮارﻳﺔ ا‪D‬رﺿﻴﺔ أو اﻟﺤﺮارة اﻟﺼﻨﺎﻋﻴﺔ ‪ ،‬و ﻛﺬﻟﻚ‬ ‫ﻣﺎ ﻳﻌﺮف ﺑﺎ‪D‬ﺳﺎﻟﻴﺐ اﻟﺴﻠﺒﻴﺔ ﻟﻠﺘﻬﻮﻳﺔ )‪(Passive Cooling‬‬ ‫وﻫﻲ أﻧﻈﻤﺔ ﻟﻠﺘﻬﻮﻳﺔ أو اﻟﺘﺪﻓﺌﺔ اﻟﻄﺒﻴﻌﻴﺔ إﺳﺘﺨﺪﻣﺘﻬﺎ‬ ‫وﺟﺎءت ﺑﻬﺎ اﻟﻌﻤﺎرة اﻟﺘﻘﻠﻴﺪﻳﺔ ﻓﻲ أﻧﺤﺎء ﻣﺨﺘﻠﻔﺔ ﻣﻦ اﻟﻌﺎﻟﻢ‬ ‫وﻫﻲ أﻧﻈﻤﺔ ﻻ ﺗﺤﺘﺎج إﻟﻰ اﻟﻄﺎﻗﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﻓﻲ ﺗﺸﻐﻴﻠﻬﺎ‬ ‫وﻟﻜﻨﻬﺎ أﻧﻈﻤﺔ ﻣﺪﻣﺠﺔ داﺧﻞ اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري ﻣﺜﻞ ﻣﻼﻗﻒ‬ ‫اﻟﻬﻮاء وا‪D‬ﻓﻨﻴﺔ وﻏﻴﺮﻫﺎ ﻣﻦ اﻟﻌﻨﺎﺻﺮ اﻟﻤﻌﻤﺎرﻳﺔ اﻟﺘﻘﻠﻴﺪﻳﺔ ‪.‬‬ ‫اﻟﺤﻠﻮل اﻟﻤﻘﺘﺮﺣﺔ ﻓﻲ اﻟﻤﺴﺎﺑﻘﺔ ﺗﺘﻨﺎول ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﺤﻠﻮل‬ ‫ﻟ‪d‬ﻗﺘﺼﺎد ﻓﻲ اﻟﻄﺎﻗﺔ اﺳﺘﻌﻤﻠﺖ ﻓﻴﻬﺎ ا‪D‬ﻧﻈﻤﺔ ا‪S‬ﻳﺠﺎﺑﻴﺔ‬ ‫واﻟﺴﻠﺒﻴﺔ اﻟﻤﺘﺎﺣﺔ ﺣﺘﻰ اﻟﻴﻮم ﺑﺤﻴﺚ ﻳﻤﻜﻦ اﻟﻘﻮل أن‬ ‫اﻟﻤﺴﺎﺑﻘﺔ ﻛﺎﻧﺖ ﻣﻨﺎﺳﺒﺔ ﻓﺮﻳﺪة ﻟﻠﺘﻌﺮف ﻋﻠﻰ أﺣﺪث ا‪D‬ﻧﻈﻤﺔ‬ ‫اﻟﺒﻴﺌﻴﺔ ﻟﻠﺘﺤﻜﻢ ﻓﻲ إﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ ‪.‬‬ ‫زﻳﺎدة اﻟﺮﻗﻌﺔ اﻟﺨﻀﺮاء داﺧﻞ اﻟﻤﺪن ‪:‬‬ ‫ﻧﻈﺮا ﻟﻠﻄﺒﻴﻌﺔ اﻟﺮأﺳﻴﺔ ﻟﻌﻤﺎرة اﻟﺒﺮج ﻓﺈن زﻳﺎدة اﻟﺮﻗﻌﺔ اﻟﺨﻀﺮاء‬ ‫ﻟﻢ ﻳﻜﻦ ﻟﻴﺘﺤﻘﻖ إﻻ ﺑﺰراﻋﺔ ﺣﺪاﺋﻖ ﻣﻌﻠﻘﺔ ﺗﻤﺘﺪ ﻋﻠﻰ ﻃﻮل‬ ‫إرﺗﻔﺎع اﻟﺒﺮج ‪ .‬وﻟﻘﺪ اﺳﺘﺠﺎﺑﺖ ﻣﻌﻈﻢ اﻟﻤﻘﺘﺮﺣﺎت ﻟﻬﺬا اﻟﺤﻞ‬ ‫وذﻟﻚ ﻳﺮﺟﻊ إﻟﻰ أن إﺳﺘﻌﻤﺎل اﻟﺰراﻋﺔ اﻟﺮأﺳﻴﺔ أﺻﺒﺢ أﻣﺮ‪ p‬ﺳﻬﻞ‬ ‫اﻟﺘﻨﻔﻴﺬ ‪ ،‬و أﺻﺒﺤﺖ زﻳﺎدة اﻟﺮﻗﻌﺔ اﻟﺨﻀﺮاء أﻣﺮ‪ p‬ﻣﻘﺒﻮﻻً وﻣﺘﻌﺎرف‬

S5 Albenaa

¡UM³ « μ Â

© Nouvelle AOM - RSI Studio

WO UŽ WO UHý Ë– ÃdÐ

‫اﻟﻤﺮﻛﺰ ا‪-‬ول‬

‫ﻣﻌﻠﻢ ﺷﻔﺎف ﻓﻲ ﺳﻤﺎء ﺑﺎرﻳﺲ‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architects : Nouvelle AOM‬‬ ‫ﻳﺴﻌﻰ اﻟﺘﺼﻤﻴﻢ إﻟﻰ إﻋﺎدة ﺻﻴﺎﻏﺔ ﻟﻌﻤﺎرة اﻟﺒﺮج وإﻳﺠﺎد ﻟﻐﺔ‬ ‫ﻣﻌﻤﺎرﻳﺔ ﻣﻌﺎﺻﺮة ﺗﻮاﻛﺐ وﺗﺴﺘﻌﻴﻦ اﻟﺘﻄﻮر اﻟﻔﻜﺮي واﻟﺘﻘﻨﻲ‬ ‫ﻟﻠﻌﻤﺎرة اﻟﻤﻌﺎﺻﺮة وذﻟﻚ ﻣﻦ ﺧﻼل ﺗﺤﻘﻴﻖ ا‪-‬ﻫﺪاف اﻟﺘﺎﻟﻴﺔ ‪:‬‬ ‫أوﻻً ‪ :‬أن ﻳﻮاﻛﺐ اﻟﺒﺮج ﻋﺼﺮه وﻳﺘﻨﺎﻏﻢ ﻣﻊ اﻟﺒﻴﺌﺔ واﻟﻌﻮاﻣﻞ‬ ‫اﻟﻄﺒﻴﻌﻴﺔ ﻣﻦ رﻳﺎح وﺿﻮء وأن ﻳﺤﻘﻖ اﻟﺒﺮج أﻗﺼﻰ اﻟﻤﻌﺪﻻت‬ ‫اﻟﻌﺎﻟﻴﺔ ﻣﻦ ﻛﻔﺎءة اﻟﻄﺎﻗﺔ )ﺳﻠﺒﻴﺔ واﻳﺠﺎﺑﻴﺔ ( و اﻧﺒﻌﺎﺛﺎت‬ ‫ﻛﺮﺑﻮن ﻣﻨﺨﻔﻀﺔ‪.‬‬ ‫ﺛﺎﻧﻴ‪ : Q‬ﺗﺼﻤﻴﻢ واﺟﻬﺎت ﺟﺪﻳﺪة ‪N‬ﺳﺘﻌﺎدة اﻟﺒﺮج ﻟﻤﻘﺎوﻣﺘﻪ‬ ‫ا‪N‬ﻧﺸﺎﺋﻴﺔ ﻟﻠﺮﻳﺎح ﻓﻲ اﻟﻄﻮاﺑﻖ اﻟﻌﻠﻴﺎ واﻟﺘﻘﻠﻴﻞ ﻣﻦ ﺗﺄﺛﻴﺮ‬ ‫اﻟﺮﻳﺎح ﺣﻮل ﻗﺎﻋﺪﺗﻪ ‪.‬‬ ‫ﺛﺎﻟﺜ‪ : Q‬إﺳﺘﻐﻼل ﺳﻄﺢ اﻟﺒﺮج ‪N‬ﻧﺘﺎج ﻃﺎﻗﺔ ﻣﺴﺘﺪاﻣﺔ‬ ‫ﺑﻮاﺳﻄﺔ ا‪-‬ﻟﻮاح اﻟﺸﻤﺴﻴﺔ ﻟﺘﺰوﻳﺪ اﻟﻤﺒﻨﻰ ﺑﺎﻟﻜﻬﺮﺑﺎء‬ ‫ﻳﻮﻣﻴ‪ ،Q‬ﺗﺨﺰﻳﻦ ﻣﻴﺎه ا‪-‬ﻣﻄﺎر ‪N‬ﺳﺘﺨﺪاﻣﻬﺎ ﻟﺰراﻋﺔ اﻟﺤﺪاﺋﻖ ﻓﻲ‬ ‫اﻟﻤﻨﺎﻃﻖ اﻟﺘﻲ ﻻ ﺗﺼﻞ إﻟﻴﻬﺎ ﻣﻴﺎه ا‪-‬ﻣﻄﺎر ‪ ،‬ﺑﻨﺎء ﺑﻴﺖ ﻣﺤﻤﻲ‬ ‫ﻛﺒﻴﺮ ﻓﻮق اﻟﺴﻄﺢ ﻟﺰراﻋﺔ اﻟﻔﻮاﻛﻪ واﻟﺨﻀﺮوات ‪.‬‬ ‫راﺑﻌ‪ : Q‬إﻧﻔﺘﺎح اﻟﺒﺮج ﻋﻠﻰ ا‪-‬ﻫﺎﻟﻲ وﺟﻌﻞ ﻓﻌﺎﻟﻴﺎت اﻟﺒﺮج‬ ‫ﻇﺎﻫﺮة ﻟﻠﻌﻴﺎن ﻣﻦ اﻟﺨﺎرج ﻣﻦ ﺧﻼل ﻏﻼف ﻣﻦ ﻃﺒﻘﺘﻴﻦ ﻣﻦ‬ ‫اﻟﺰﺟﺎج وﻟﻜﻦ ﺑﺤﻴﺚ ﻳﺒﺪو اﻟﺒﺮج اﻟﺠﺪﻳﺪ ﺷﻔﺎﻓ‪ ، Q‬ﺑﺎ‪N‬ﺿﺎﻓﺔ‬ ‫إﻟﻰ ﺗﺰوﻳﺪ اﻟﺒﺮج ﺑﺄﻋﻠﻰ ﺣﺪﻳﻘﺔ ﻣﻌﻠﻘﺔ ﻓﻲ اﻟﻤﺪﻳﻨﺔ ﺗﺤﻘﻖ‬ ‫إﺿﺎﻓﺔ ﻟﻠﺤﻴﺎة اﻟﻄﺒﻴﻌﻴﺔ ‪.‬‬ ‫ﺧﺎﻣﺴﺎ ‪ :‬ﺗﺤﻘﻴﻖ ﻣﻌﺎﻳﻴﺮ ﺟﻤﺎﻟﻴﺔ ﺗﺤﺴﻦ ﻣﻦ ﻣﻈﻬﺮ اﻟﺒﺮج‬ ‫اﻟﻘﺪﻳﻢ ﻓﻲ ﺳﻤﺎء اﻟﻤﺪﻳﻨﺔ‪.‬‬ ‫ﻣﻦ ﺟﻬﺔ أﺧﺮى ﻣﻦ اﻟﻤﺘﻮﻗﻊ أﻧﻪ ﻣﻊ ﺣﻠﻮل ﻋﺎم‪ ٢٠٣٠‬م ﺳﻮف‬ ‫ﺗﻜﻮن اﻟﻤﺪﻳﻨﺔ ﻗﺪ ﻃﻮرت أﺳﺎﻟﻴﺐ ﺟﺪﻳﺪة ‪N‬ﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ‬ ‫ﻓﻲ ﻣﺒﺎﻧﻴﻬﺎ وﺳﻮف ﻳﻜﻮن اﻟﺒﺮج اﻟﺠﺪﻳﺪ أﺣﺪ اﻟﻤﺴﺎﻫﻤﻴﻦ ﻓﻲ‬ ‫ﺗﺤﻘﻴﻘﻬﺎ ‪ ،‬ﻣﻦ ﺧﻼل اﻟﺘﺼﻤﻴﻢ اﻟﺠﺪﻳﺪ ﻟﻠﺒﺮج اﻟﺬي ﻳﻬﺪف إﻟﻰ ‪:‬‬ ‫ ﺗﺤﻘﻴﻖ ﺗﻔﺎﻋ ً‬‫ﻼ وﺛﻴﻘ‪ Q‬ﻣﻊ ﻋﻨﺎﺻﺮ اﻟﻄﺒﻴﻌﺔ اﻟﻤﺨﺘﻠﻔﺔ‬ ‫ﻣﻦ ﺧﻼل ﺗﺰوﻳﺪ اﻟﻮاﺟﻬﺎت اﻟﺰﺟﺎﺟﻴﺔ ﻓﻲ اﻟﻄﻮاﺑﻖ اﻟﻌﺸﺮ‬ ‫ا‪-‬وﻟﻰ ذات اﻟﻤﺴﺎﺣﺎت اﻟﻤﻜﺘﺒﻴﺔ ﺑﺸﺮﻓﺎت ﺧﺎرﺟﻴﺔ ﻣﻌﻠﻘﺔ‬ ‫ﻋﻠﻰ اﻟﻤﺒﻨﻰ و ﻣﺴﺘﻤﺮة‪ ،‬ﻳﻤﻜﻦ زراﻋﺘﻬﺎ وإﺳﺘﻌﻤﺎﻟﻬﺎ‬ ‫ﻣﻦ ﻗﺒﻞ اﻟﻤﻮﻇﻔﻴﻦ‪ ،‬وﺗﻬﺪف إﻟﻰ ﺗﺤﻘﻴﻖ إرﺗﺒﺎط‬ ‫وﺗﻔﺎﻋﻞ إﻧﺴﺎﻧﻲ ﺑﻴﻦ اﻟﺒﺮج وﻣﺤﻴﻄﻪ‪ .‬ﻛﻤﺎ ﺳﻮف ﺗﻌﻤﻞ‬ ‫ﻫﺬه اﻟﺸﺮﻓﺎت ﻋﻠﻰ اﻟﺘﻘﻠﻴﻞ ﻣﻦ ﻗﻮة اﻟﺮﻳﺎح اﻟﻤﻨﺴﺤﺒﺔ‬ ‫ﻣﻦ ا‪-‬ﻋﻠﻰ إﻟﻰ ا‪-‬ﺳﻔﻞ ﻋﻨﺪ ﻣﺴﺘﻮى ﻗﺎﻋﺪة اﻟﺒﺮج‬ ‫ﻣﻌﺎﻳﻴﺮ راﺣﺔ ﺑﺎ‪N‬ﺿﺎﻓﺔ إﻟﻰ ﻋﻤﻞ أﻓﻨﻴﺔ ﺗﺤﺖ اﻟﻤﺴﺘﻮى‬ ‫ا‪-‬رﺿﻲ ﻓﻲ اﻟﺴﺎﺣﺎت اﻟﻤﺤﻴﻄﺔ ﺑﺎﻟﻤﺒﻨﻰ ﺗﺤﻤﻲ اﻟﻤﺎرة‬

‫‪¡UM³ « ¥ Â‬‬

‫‪S4 Albenaa‬‬

‫ﻣﻦ اﻟﺮﻳﺎح ﻟﺘﺤﺴﻴﻦ ﻣﻌﺎﻳﻴﺮ راﺣﺔ ﻣﺮﺗﺎدي اﻟﺒﺮج ‪.‬‬ ‫ اﻟﻮﺻﻮل إﻟﻰ درﺟﺔ ﻋﺎﻟﻴﺔ ﻣﻦ ﻛﻔﺎءة اﻟﻄﺎﻗﺔ ﺑﺈﺳﺘﺨﺪام‬‫وﺳﺎﺋﻞ ﺳﻠﺒﻴﺔ ﻟﻠﺘﻬﻮﻳﺔ ﺣﻴﺚ ﺗﺘﻤﺘﻊ اﻟﻮاﺟﻬﺎت ﻓﻲ‬ ‫اﻟﻄﻮاﺑﻖ اﻟﻌﻠﻴﺎ ﺑﺘﺼﻤﻴﻢ أﺳﻠﻮب ﺗﻬﻮﻳﺔ ﺳﻠﺒﻲ‬ ‫) ‪ ( Passive Cooling‬ﻳﺴﺘﻔﻴﺪ ﻣﻦ ﻣﺤﺎزاة ﺟﺴﻢ اﻟﺒﺮج‬ ‫ﻟﻠﺮﻳﺢ اﻟﻐﺮﺑﻲ اﻟﺠﻨﻮﺑﻲ ﻣﻦ ﺧﻼل ﺗﻘﺴﻴﻢ اﻟﻮاﺟﻬﺎت إﻟﻰ‬ ‫ﻣﺮﺑﻌﺎت ذات ﺑﺮوزات ﺑﺰواﻳﺎ ﺗﻔﺘﺢ ﻓﻲ ﻣﻘﺎﺑﻠﺔ اﻟﺮﻳﺢ ‪ ،‬ا‪-‬ﻣﺮ‬ ‫اﻟﺬي ﻳﻘﻠﻞ ﻣﻦ إﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ ﺑﻨﺴﺒﺔ ‪ ٪٧٠‬وﺑﻨﺴﺒﺔ ‪٪٤٠‬‬ ‫ﺑﺎﻟﻤﻘﺎرﻧﺔ ﺑﺈﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ ﻓﻲ اﻟﻤﺒﺎﻧﻲ اﻟﻤﻤﺎﺛﻠﺔ‪ ،‬وﻳﻮﻓﺮ‬ ‫ﺗﻬﻮﻳﺔ ﻃﺒﻴﻌﻴﺔ ﻃﻮال ﺳﺎﻋﺎت اﻟﻌﻤﻞ ﻓﻲ ﻣﻌﻈﻢ أﻳﺎم‬ ‫اﻟﺴﻨﺔ ‪ ،‬وﺑﻤﺎ أن ﺳﺮﻋﺔ اﻟﺮﻳﺢ ﺗﺰداد ﻛﻠﻤﺎ ارﺗﻔﻊ اﻟﺒﺮج ﻓﺈن‬ ‫اﻟﻔﺘﺤﺎت ﻓﻲ ﻣﺮﺑﻌﺎت اﻟﻮاﺟﻬﺎت ﺗﻀﻴﻖ ﻟﻠﺘﻘﻠﻴﻞ ﻣﻦ ﺳﺮﻋﺔ‬ ‫اﻟﺮﻳﺢ وﺗﻘﻞ ﺗﺪرﻳﺠﻴ‪ Q‬ﺑﺮوزات اﻟﻮاﺟﻬﺔ ﻛﻠﻤﺎ إرﺗﻔﻊ اﻟﺒﺮج ‪.‬‬ ‫ ﺗﺤﻘﻴﻖ ﻣﻌﺪل اﻧﺒﻌﺎث ﻛﺮﺑﻮن ﻣﻨﺨﻔﺾ ﻣﻦ ﺧﻼل ﺗﺠﻨﺐ‬‫ﻫﺪم وإﻋﺎدة ﺑﻨﺎء ﻫﻴﻜﻞ اﻟﺒﺮج ‪ ،‬وﻫﻲ ﻣﻦ أﻛﺜﺮ أﻋﻤﺎل‬ ‫اﻟﺒﻨﺎء اﻧﺘﺎﺟ‪ Q‬ﻟﻠﻐﺎزات اﻟﺪﻓﻴﺌﺔ اﻟﻤﺴﺒﺒﺔ ﻟ‪t‬ﺣﺘﺒﺎس اﻟﺤﺮاري ‪.‬‬ ‫ ﺗﺤﻘﻴﻖ ﺳﻄﺢ اﻟﺒﺮج اﻟﺠﺪﻳﺪ إﻗﺘﺼﺎد ﻣﻠﺤﻮظ ﻓﻲ‬‫اﻟﻄﺎﻗﺔ اﻻوﻟﻴﺔ اﻟﻤﺴﺘﺨﺪﻣﺔ ﻓﻲ اﻟﻤﺒﻨﻰ ﺗﺒﻠﻎ ‪ ٣٥٠‬ﻣﻴﺠﺎوات‬ ‫‪ /‬ﺳﺎﻋﺔ وﻳﺰود اﻟﻤﺒﻨﻰ ﺑﻨﺴﺒﺔ ‪ ٪١٠٠‬ﻣﻦ اﻟﻄﺎﻗﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫اﻟﺘﻲ ﺗﺤﺘﺎﺟﻬﺎ اﻟﻔﻀﺎءات اﻟﻌﺎﻣﺔ ﻟﻠﻤﺸﺮوع ﺑﻮاﺳﻄﺔ ا‪-‬ﻟﻮاح‬ ‫اﻟﺸﻤﺴﻴﺔ اﻟﻤﻮﺟﻮدة ﻓﻲ اﻟﺴﻄﺢ ‪.‬‬ ‫ ﺗﻮﻓﻴﺮﻛﻞ اﺣﺘﻴﺎﺟﺎت اﻟﺤﺪاﺋﻖ داﺧﻞ اﻟﻤﺸﺮوع ﻣﻦ اﻟﻤﺎء‬‫ﻣﻦ ﺧﻼل ﺗﺨﺰﻳﻦ ﻣﻴﺎه ا‪-‬ﻣﻄﺎر ﻓﻲ ﺧﺰاﻧﺎت اﻟﺴﻄﺢ ‪.‬‬ ‫ ﺗﺨﺼﻴﺺ ﺑﻴﺖ ﻣﺤﻤﻲ ‪ ١٨‬م ﻓﻮق اﻟﺴﻄﺢ واﻟﺬي‬‫ﺳﻴﻜﻮن ﻣﻔﺘﻮﺣﺎ ﻟﻠﺠﻤﻬﻮر ﺑﺎ‪N‬ﺿﺎﻓﺔ إﻟﻰ ﻣﺎ ﻳﻨﺘﺠﻪ ﻣﻦ‬ ‫اﻟﻔﻮاﻛﻪ واﻟﺨﻀﺮوات واﻟﺰﻫﻮر ‪.‬‬ ‫ أن ﻳﻜﻮن اﻟﺒﺮج ﻗﺒﻠﺔ ﻟﺴﻜﺎن اﻟﻤﺪﻳﻨﺔ ﻧﻈﺮ} ﻟﺘﻨﻮع‬‫ﻓﻌﺎﻟﻴﺎﺗﻪ وﻓﻀﺎءاﺗﻪ ﺣﻴﺚ ﻳﻌﻤﻞ اﻟﺘﺼﻤﻴﻢ ﺗﺤﻘﻴﻖ ﺷﻔﺎﻓﻴﺔ‬ ‫ﻋﺎﻟﻴﺔ وﺗﺤﺪﻳﺚ ﻓﻀﺎءاﺗﻪ اﻟﺨﺎرﺟﻴﺔ ﺑﻮاﺳﻄﺔ اﻟﺴﻤﺎح‬ ‫ﻟﻠﺘﻈﺎﻫﺮات اﻟﺜﻘﺎﻓﻴﺔ ﻓﻲ ﻣﻌﻈﻢ ﻣﺴﺘﻮﻳﺎﺗﻪ وﺗﻮزﻳﻊ‬ ‫ﻣﻜﻮﻧﺎﺗﻪ ﻋﻠﻰ ﻃﻮل إرﺗﻔﺎع اﻟﺒﺮج ﻣﻦ ﺧﻼل ﺗﻮﺳﻴﻊ أﺑﻬﺎءه‬ ‫اﻟﻤﺨﺘﻠﻔﺔ ‪ ،‬ﻋﻤﻞ ﻓﻨﺪق ﺑﻴﻦ اﻟﻄﻮاﺑﻖ ‪ ٤٢‬و‪ ٤٥‬و إﻋﺎدة‬ ‫ﺗﺼﻤﻴﻢ اﻟﺴﻄﺢ ﻋﻠﻰ اﻟﻨﺤﻮ اﻟﺬي ﺳﺒﻖ ذﻛﺮه‪ ،‬ﻛﻤﺎ ﻳﻮﻓﺮ‬ ‫اﻟﺘﺼﻤﻴﻢ ‪٤٥٠٠‬م‪ ٢‬ﻣﻦ اﻟﺤﺪاﺋﻖ و‪٥٠٠٠‬م‪ ٢‬ﻣﻦ اﻟﺸﺮﻓﺎت‬ ‫و‪ ٩٠٠٠‬م‪ ٢‬ﻣﻦ ﺑﺮوزات اﻟﻮاﺟﻬﺎت و ﻋﻤﻞ أﻋﻠﻰ ﺣﺪﻳﻘﺔ‬ ‫ﻣﻌﻠﻘﺔ ﻓﻲ اﻟﻤﺪﻳﻨﺔ ﻓﻲ اﻟﻄﺎﺑﻖ ‪.١٤‬‬

From the Architect Report: The tower must reflect many different identities, and we feel that this plurality of vision begins with a team that has shown itself able to integrate conflicting ideas and views, right from the beginning of the project. When we decided to undertake the extraordinary adventure that the Demain Montparnasse (‘Tomorrow’s Montparnasse’) international competition represented, it was with a desire to place the tower firmly within the 21st century’s environmental revolution. We nurture five ambitions for the new Montparnasse Tower, which constitute the core of our architectural project. Firstly, Montparnasse Tower must be a tower of its time; in osmosis with the climate, the wind and the changing light of the sky.

Consequently, the super-passive, positive- energy, very low carbon tower will be raised to the ranks of the most energyefficient new buildings. Secondly, the innovative approach to the facade allows the tower to respond to the wind in two ways – recovering the force of the dominant winds at the upper levels, and reducing unpleasant wind currents caused by downdraft around the base. A ‘tower of winds’.

We also wanted to use the top of the new Montparnasse Tower to produce sustainable energy: solar panels to supply the tower’s day-to-day electricity, and rainwater is captured in order to water the areas of planting not exposed to rainfall. The vast glasshouse is to produce fruit and vegetables to supply the tower’s restaurants. Our project is also about opening the tower up to the people of Paris. The tower’s various functions will be visible from the exterior via a new, double-skin facade; leaving behind the opacity of the existing tower, the new, transparent Montparnasse Tower will be clear and bright. From the 14th floor, the highest gardens in Paris will add to the natural life of the city. Our fifth ambition is to bring out the beauty of Montparnasse Tower, to exalt this familiar form on the Parisian skyline.

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‫اﻟﻤﺮﻛﺰ اﻟﺜﺎﻧﻲ‬

‫ﺑﺮج إﺳﺘﺪاﻣﻲ‬ ‫ﻧﻤﻮذﺟﻲ‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architects : Studio Gang‬‬

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‫ﺗﻮاﺟﻪ ﻣﺪﻳﻨﺔ ﺑﺎرﻳﺲ ﺻﻌﻮﺑﺔ ﻓﻲ ﺗﻮﻓﻴﺮ ﻣﻮاﻗﻊ ﺑﻨﺎء‬ ‫ﺟﺪﻳﺪة ﻓﻲ ﻣﺤﻴﻂ ﻣﺮﻛﺰﻫﺎ ﻛﻮﻧﻬﺎ أﻋﻠﻰ ﻣﺪن أوروﺑﺎ ﻣﻦ‬ ‫ﺣﻴﺚ اﻟﻜﺜﺎﻓﺔ اﻟﺴﻜﻨﻴﺔ‪ ،‬وﺑﺎ‪.‬ﺿﺎﻓﺔ إﻟﻰ ﺗﻮﺟﻬﺎت اﻟﻤﺪﻳﻨﺔ‬ ‫ا‪.‬ﺳﺘﺪاﻣﻴﺔ ﻳﺤﺎول ﻫﺬا اﻟﻤﺸﺮوع أن ﻳﻘﺪم ﺣ ً‬ ‫ﻼ ﻟﺰﻳﺎدة‬ ‫اﻟﻜﺜﺎﻓﺔ اﻟﺴﻜﻨﻴﺔ ورﻓﻊ اﻟﻤﺴﺘﻮى اﻟﺤﻴﺎﺗﻲ ﻟﺴﻜﺎن‬ ‫اﻟﺒﺮج وزﻳﺎدة ﻓﻌﺎﻟﻴﺔ وﻇﺎﺋﻔﻪ‪ ،‬ﻛﻤﺎ ﻳﻬﺪف اﻟﺘﺼﻤﻴﻢ إﻟﻰ‬ ‫إﻋﺎدة ﺗﺸﻜﻴﻞ ﻣﺴﺘﻮى اﻟﺒﺮج ا‪L‬رﺿﻲ اﻟﺬي ﻳﻌﺎﻧﻲ ﻣﻦ‬ ‫ﻣﺸﻜﻠﺔ ﺗﻌﺮض زواره ﻟﺮﻳﺎح ﻗﻮﻳﺔ ﻓﻲ اﻟﺴﺎﺣﺎت اﻟﻤﺤﻴﻄﺔ‬ ‫ﺑﻪ ﻋﻨﺪ ﻣﺴﺘﻮى ﻗﺎﻋﺪﺗﻪ ‪ .‬وﻣﻦ ﺧﻼل إﻋﺎدة رﺳﻢ ﻣﺴﻘﻄﻪ‬ ‫ﺑﺈﺳﺘﻜﻤﺎل ﺷﻜﻠﻪ اﻟﺒﻴﻀﺎوي ﺗﺘﺤﻮل ﻣﺴﺎﺣﺎت اﻟﻤﺒﻨﻰ‬ ‫إﻟﻰ ﻓﺮاﻏﺎت ﻣﺮﻧﺔ ﻗﺎدرة ﻋﻠﻰ إﺳﺘﻴﻌﺎب ﻣﺘﻄﻠﺒﺎت ﺑﺮﻧﺎﻣﺞ‬ ‫اﻟﻤﺸﺮوع اﻟﺠﺪﻳﺪ‪ ،‬ﺑﻴﻨﻤﺎ ﺗﻮﻓﺮ واﺟﻬﺎﺗﻪ اﻟﺰﺟﺎﺟﻴﺔ ﻧﺤﺘ‪ Z‬ﻳﻘﻠﻞ‬ ‫ﻣﻦ اﻧﺰﻋﺎﺟﺎت اﻟﻀﻮﺿﺎء اﻟﻨﺎﺗﺠﺔ ﻋﻦ اﻟﺮﻳﺎح ﻓﻲ ﻣﺤﻴﻂ‬ ‫اﻟﻤﺸﺮوع ‪ .‬ﻓﻲ اﻟﻤﺴﺘﻮى ا‪L‬رﺿﻲ ﺗﺘﺤﻮل اﻟﺴﺎﺣﺔ اﻟﻜﺒﻴﺮة‬ ‫إﻟﻰ ﻓﻀﺎء ﺣﻴﻮي ﻣﻠﻲء ﺑﺤﺮﻛﺔ اﻟﺰوار واﻟﻤﺮﺗﺎدﻳﻦ ﻟﻠﻤﻄﺎﻋﻢ‬ ‫واﻟﻤﺤﻼت وﻓﻀﺎءات ﻟﻠﺠﻠﻮس واﻻﻟﺘﻘﺎء واﻟﺮاﺣﺔ اﻟﺘﻲ ﻳﻮﻓﺮﻫﺎ‬ ‫اﻟﺒﺮج ﻓﻲ إﻃﺎر ﻣﺤﻴﻄﻪ اﻟﻌﻤﺮاﻧﻲ ‪ ،‬ﺣﻴﺚ ﻻ ﺗﻮﺟﺪ ﻓﻴﻪ ﺣﺪود‬ ‫ﺑﻴﻦ اﻟﻔﺮاﻏﺎت اﻟﺪاﺧﻠﻴﺔ واﻟﺨﺎرﺟﻴﺔ‪ .‬ﻓﻲ اﻟﻄﻮاﺑﻖ ﺗﻮﻓﺮ ا‪L‬ﺟﺰاء‬ ‫اﻟﺒﺎرزة اﻟﻤﺘﻌﺪدة ﻓﻲ اﻟﻮﺟﻬﺎت اﻟﻤﻨﺤﻮﺗﺔ إﺿﺎءة ﻃﺒﻴﻌﻴﺔ‬ ‫وﻓﻴﺮة داﺧﻞ اﻟﻤﺒﻨﻰ‪ ،‬ﻛﻤﺎ ﺗﻮﻓﺮ إﻃﻼﻟﺔ راﺋﻌﺔ ﻋﻠﻰ اﻟﻤﺪﻳﻨﺔ‬ ‫إﻃﻼﻟﺔ ﻟﻴﺴﺖ ﺣﻜﺮ‪ b‬ﻋﻠﻰ ﻓﺌﺔ دون أﺧﺮى ﺑﻞ ﻳﺴﺘﻔﻴﺪ‬ ‫ﻣﻨﻬﺎ ﻛﻞ ﻣﺴﺘﻌﻤﻠﻲ وﻣﺮﺗﺎدي اﻟﺒﺮج ‪ .‬ﻣﻦ ﺟﻬﺔ أﺧﺮى ﻓﺈن‬ ‫اﻟﻮاﺟﻬﺎت اﻟﻤﻨﺤﻮﺗﺔ ﺗﻮﻓﺮ ﻇﻼل ذاﺗﻴﺔ ﻋﻠﻰ ﺑﻌﻀﻬﺎ اﻟﺒﻌﺾ‬ ‫ﻟﺘﻘﻠﻞ ﻣﻦ ﺗﺄﺛﻴﺮ أﺷﻌﺔ اﻟﺸﻤﺲ اﻟﺴﺎﻗﻄﺔ ﻋﻠﻴﻬﺎ ‪ .‬وﺗﻘﻠﻞ‬ ‫ا‪.‬ﺟﺮاءات ا‪.‬ﺳﺘﺪاﻣﻴﺔ اﻟﻤﺘﺨﺬة ﻓﻲ اﻟﻤﺸﺮوع ﻧﺤﻮ ‪ ٪٨٩‬ﻣﻦ‬ ‫اﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ ا‪L‬وﻟﻴﺔ ﺑﺎﻟﻤﺒﻨﻰ ‪ ،‬ﺑﺎ‪.‬ﺿﺎﻓﺔ إﻟﻰ ﺗﺼﻤﻴﻢ‬ ‫اﻟﻔﻀﺎءات اﻟﻌﺎﻣﺔ واﻟﺘﺼﻤﻴﻢ ا‪.‬ﻧﺸﺎﺋﻲ اﻟﺘﻲ إﺟﺘﻤﻌﺖ ﻛﻠﻬﺎ‬ ‫ﻟﺘﺼﻴﻎ اﻟﻤﺒﻨﻰ ﺑﻠﻐﺔ ﻣﻌﻤﺎرﻳﺔ ﺗﺪﻣﺞ اﻟﺴﻴﻮﻟﺔ اﻟﺸﻜﻠﻴﺔ‬ ‫اﻟﻜﺒﻴﺮة ﻟﻠﺒﺮج ﺑﺄﻋﻠﻰ اﻟﻤﻮاﺻﻔﺎت ا‪.‬ﺳﺘﺪاﻣﻴﺔ وﻟﺘﺤﻘﻖ ﻣﻌﻠﻤ‪Z‬‬ ‫ﻣﺘ‪ Lo‬وﺑﺮاق ‪ .‬ﻳﻀﻢ اﻟﻤﺸﺮوع ﻣﺴﺎﺣﺎت ﻣﻜﺘﺒﻴﺔ ﻣﻮزﻋﺔ‬ ‫ﻋﻠﻰ‪ ٥٠‬ﻃﺎﺑﻘﺎ وﻣﺮﺻﺪ ﺑﺎﻧﻮراﻣﻲ ذو‪٣٦٠‬درﺟﺔ ﻋﻠﻰ اﻟﻤﺪﻳﻨﺔ‬ ‫وﺣﺪﻳﻘﺔ أﻋﻠﻰ ﻗﻤﺘﻪ ‪ ،‬ﻛﻤﺎ ﻳﻀﻢ ﻓﻨﺪﻗ‪ Z‬وﻣﻘﺎﻫﻲ وﻣﺴﺎﺣﺎت‬ ‫ﻣﻜﺘﺒﻴﺔ ‪L‬ﺳﺎﻟﻴﺐ اﻟﻌﻤﻞ اﻟﻤﺸﺘﺮك اﻟﺤﺪﻳﺚ وﻣﺤﻼت ﺗﺠﺎرﻳﺔ‬ ‫وﺻﺎﻟﺔ رﻳﺎﺿﻴﺔ وﻣﺮﻛﺰ ﻣﺆﺗﻤﺮات ‪.‬‬

From the Architect Report:The team’s project transforms the existing monolithic skyscraper into a vibrant place that is simultaneously a hub for economic innovation, a center of community life, and a global model of sustainability.

A new, faceted façade gives the building a shimmering silhouette that marks its presence in the Parisian landscape. A diverse mix of new uses and amenities, including public spaces, encourage social connection and creativity and support contemporary ways of working. In addition, the design’s synthesis of sustainable systems reduce the building’s current primary energy consumption by 89%, achieving an exemplary level of environmental performance commensurate with Paris’s leading role in the battle against climate change.At the tower’s base, what is currently an uninviting and windy plaza is reimagined as a topography of gardens and pedestrian spaces that bring daylight and greenery into the building while accommodating a range of outdoor public activities.

The tower’s transparent ground level provides a visible front door for its many programs, which include 50 floors of work space, an observatory with indoor garden, restaurants with terraces, a hotel, cafés, a co-working hub, retail, a gym, and conference center.Inside, the facets of the new façade form bay windows that produce generous, flexible work spaces and gathering spaces that are filled with natural daylight and open up vistas of Paris. At its top, the building culminates in a glass pavilion that offers 360-degree views of the city. Supported by a steel corolla structure, this observatory houses a garden that gives a taste of the French terroir, as well as a théâtre de verdure that can host a variety of events. This airy space where people, nature, and culture mix is designed to be an ideal belvedere from which to watch Paris’s future unfold.

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‫ﻣﺸﺎرك‬

‫ﺻﻮرة ﺑﺎرﻳﺲ‬ ‫اﻟﺴﺮاﺑﻴﺔ‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architects : MAD‬‬ ‫ﻳﺮى اﻟﻤﺼﻤﻢ أن اﻟﺒﺮج اﻟﺬي أﻧﺸﺊ ﻓﻲ ﻋﺎم ‪١٩٧٣‬م واﻟﺬي‬ ‫ﺑﻠﻎ إرﺗﻔﺎﻋﻪ ‪٢١٠‬م ﺗﻌﺮض إﻟﻰ اﻟﻜﺜﻴﺮ ﻣﻦ اﻟﻨﻘﺪ ﻋﻠﻰ ﻣﺪى ‪45‬‬ ‫ﻋﺎﻣ< ﻣﻦ ﻗﺒﻞ ﺳﻜﺎن اﻟﻤﺪﻳﻨﺔ اﻟﺬﻳﻦ ﻟﻢ ﻳﻜﻮﻧﻮا راﺿﻴﻦ ﻋﻦ‬ ‫ﻋﻤﺎرﺗﻪ ‪C‬ﻧﻬﺎ ﻟﻢ ﺗﺤﻤﻞ أي رﺳﺎﻟﺔ ﺗﻌﺒﻴﺮﻳﺔ ﻣﻦ ﺧﻼل ﺷﻜﻠﻪ‬ ‫ﻛﻮﻧﻪ اﻟﻤﻌﻠﻢ ا‪C‬ﻋﻠﻰ ﻓﻲ اﻟﻤﺪﻳﻨﺔ‪ ،‬ﻓﻌﺎدة ﻣﺎ ﺗﻀﻴﻒ ﻋﻤﺎرة‬ ‫اﻟﻤﻌﺎﻟﻢ اﻟﻤﻌﻤﺎرﻳﺔ اﻟﻜﺒﻴﺮة ﻓﻲ اﻟﻤﺪن ﻋﻼﻣﺔ ﺑﺎرزة إﻟﻴﻬﺎ ‪،‬‬ ‫ﺗﻮﺟﻪ رﺳﺎﻟﺔ اﻳﻘﻮﻧﻴﺔ إﻟﻰ زوار وﺳﻜﺎن اﻟﻤﺪﻳﻨﺔ ‪ ،‬إﻻ أن ﻋﻤﺎرة‬ ‫اﻟﺒﺮج ﺟﺎءت ﺑﺸﻜﻞ ﻻ ﻳﻮﺣﻲ ﺑﺄي ﺷﻲء ‪ .‬اﻟﺒﺮج ﻟﻪ ﻣﺴﻘﻂ‬ ‫ﺷﺒﻪ ﺑﻴﻀﺎوي ﻳﺮﺗﺪ إﻟﻰ داﺧﻞ ﻋﻠﻰ ﺟﺎﻧﺒﻴﻪ ﺑﺸﻜﻞ ﺣﺮف ‪،7‬‬ ‫ﻛﻤﺎ أن واﺟﻬﺎﺗﻪ اﻟﺰﺟﺎﺟﻴﺔ ذات ﻟﻮن داﻛﻦ ﺑﻨﻲ وذات اﻧﺤﻨﺎء‬ ‫ﻳﺘﺒﻊ ﺷﻜﻞ اﻟﻤﺴﻘﻂ وﺗﺘﺒﻊ ﺗﻘﺴﻴﻤﺎت رأﺳﻴﺔ واﻓﻘﻴﺔ‬ ‫ﻣﺘﻌﺎﻣﺪة ‪ .‬ﻫﺬا اﻟﺘﺸﻜﻴﻞ ﻟﻠﻮاﺟﻬﺎت ﻛﺎن ﺷﺎﺋﻌ< ﻓﻲ ﺗﻠﻚ‬ ‫اﻟﻔﺘﺮة وﻛﺎن ﻳﺮدد ﻋﻠﻰ اﻟﻤﺒﺎﻧﻲ اﻟﻤﻜﺘﺒﻴﺔ ذات اﻟﻌﻤﺎرة‬ ‫اﻟﻌﺎدﻳﺔ ‪C‬ﻧﻪ ﻻ ﻳﺤﻤﻞ أي ﺷﻜﻞ ﻳﻤﻜﻦ أن ﻳﻨﻔﺮد ﺑﻪ اﻟﺒﺮج‬ ‫وﻳﻤﻴﺰه ﻋﻦ أي ﻣﺒﻨﻰ ‪.‬‬ ‫ﻳﻬﺪف اﻟﺘﺼﻤﻴﻢ إﻟﻰ ﺗﺤﻮﻳﻞ اﻟﺒﺮج اﻟﻘﺪﻳﻢ ذي اﻟﻜﺘﻠﺔ‬ ‫اﻟﺪاﻛﻨﺔ اﻟﻠﻮن واﻟﻤﻮﻗﻊ اﻟﻤﺘﻮﺳﻂ ﻣﻦ اﻟﻤﺪﻳﻨﺔ إﻟﻰ ﻋﻤﻞ‬ ‫ﺿﻮﺋﻲ ﻓﻨﻲ ﻳﻌﺮض ﺻﻮرة ﻣﻘﻠﻮﺑﺔ ﻟﻠﻤﺪﻳﻨﺔ ‪.‬‬ ‫ﻳﻌﺘﻤﺪ اﻟﺘﺼﻤﻴﻢ ﻋﻠﻰ ﺗﻘﺴﻴﻢ اﻟﻮاﺟﻬﺎت إﻟﻰ وﺣﺪات‬ ‫زﺟﺎﺟﻴﺔ ﺑﺰواﻳﺎ ﻣﻴﻞ ﺗﺠﻌﻞ اﻟﻮاﺟﻬﺔ ﻣﺮآة ﻣﻘﻌﺮة ﻋﺎﻛﺴﺔ‬ ‫ﻟﺼﻮرة اﻟﻤﺪﻳﻨﺔ ‪ ،‬ﺣﻴﺚ ﺗﻈﻬﺮ اﻟﻄﺮق واﻟﻤﺒﺎﻧﻲ اﻟﻤﺤﻴﻄﺔ‬ ‫ﻣﻌﻠﻘﺔ‪ ،‬ﺑﻴﻨﻤﺎ ﺗﻈﻬﺮ ﺻﻮرة اﻟﺴﻤﺎء ﻓﻲ اﺳﻔﻞ اﻟﻤﺒﻨﻰ ‪.‬‬ ‫اﻟﺼﻮرة اﻟﻤﻌﻜﻮﺳﺔ ﺗﻈﻬﺮ وﻛﺄﻧﻬﺎ ﺻﻮرة ﺳﺮاﺑﻴﺔ ﻟﺒﺎرﻳﺲ‬ ‫وﻟﻜﻨﻬﺎ ﻣﻘﻠﻮﺑﺔ ‪ ،‬ﻛﻤﺎ ﺳﺘﻌﺮض ﻛﺬﻟﻚ ﻋﻠﻰ واﺟﻬﺔ اﻟﺒﺮج‬ ‫ﻣﻌﺎﻟﻢ ﺑﺎرﻳﺲ اﻟﻬﺎﻣﺔ ﻣﺜﻞ ﺑﺮج اﻳﻔﻞ وﻏﻴﺮه ﻣﻦ اﻟﻤﻌﺎﻟﻢ‬ ‫اﻟﻤﻌﻤﺎرﻳﺔ اﻟﻬﺎﻣﺔ ‪.‬‬

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‫‪S16 Albenaa‬‬

From the Architect Report: MAD Architects, led by Ma Yansong, unveils “Mirage” ─ a renovation proposal for Montparnasse Tower in Paris, France. MAD’s design transforms this huge black monolithic building ─ positioned in the city center ─ into an artistic lighting installation that reflects the city upside down.

After its completion in 1973, the 210 meter-high Montparnasse Tower became the tallest building in Paris.

But through the years, there has been constant criticism over its intrusive existence in the city, that it has been coined the ‘scar of Paris’. In 2016, the owner called an international competition to renovate the tower, and MAD was one of seven short-listed firms out of more than 700 teams to participate.

MAD’s design uses concave principles to create an optical illusion by setting every glass panel of the façade to a specific angle, so that the building itself turns into a city-scale concave mirror. The streets and rooftops of the neighboring buildings appear as if they are hanging in the sky; while the sky is mirrored onto the lower section of the building, blending into the atmosphere. The design creates a mirage of Paris, but upside-down, as if it is floating in the air. And, Paris’ other city landmark, the Eiffel Tower, will also appear upside down when looking at Montparnasse Tower from that direction.

Ma Yansong on the design: “At the time when it was built, Montparnasse Tower, like the Eiffel Tower, represented the pride and achievements of its era. It is mankind’s worship of technology and power that has created this tyrannical monument. It stands out amidst classical Paris. Today, we cannot really demolish this building and the historical regrets it stands for, but we can establish a new perspective to re-examine and think about how humanity can co-exist and interact with the tower and its environment, to bring meaning to our hearts.”

MAD’s “Mirage design proposal is currently on show in the Tour Montparnasse Exhibition at Pavillion de l’Arsenal, Paris.

WHK² UNł s Ãd³K Ê«—uEM S19 Albenaa

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…dFI*« WOłUłe « UNł«u « «bŠË qO UHð S18 Albenaa

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© Dominique Perrault

ÎöO ŸËdA*« S21 Albenaa

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‫ﻣﺸﺎرك‬

‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architects : Dominique Perrault‬‬

‫‪© Dominique Perrault‬‬

‫‪¡UM³ « ≤∞ Â‬‬

‫‪S20 Albenaa‬‬

‫‪f¹—U³ W Ozd « r UF*UÐ ŸËdA*« W öŽ‬‬

‫‪© Dominique Perrault‬‬

‫ﺗﻤﺘﻊ ﺑﺮج ﻣﻮﻧﺒﺎرﻧﺎس ﺑﺤﻀﻮر ﻣﻦ ﺧﻼل ﺣﺠﻤﻪ اﻟﻜﺒﻴﺮ‬ ‫وﺑﻤﻮﻗﻌﻪ اﻟﻤﺘﻤﻴﺰ وﻫﻮ أﺣﺪ ﻣﻌﺎﻟﻢ اﻟﻤﺪﻳﻨﺔ اﻟﺘﻲ ﻳﺠﺐ‬ ‫ﻣﺸﺎﻫﺪﺗﻬﺎ‪ .‬ﻓﻬﻮ ﺑﺎرز ﻓﻲ ﺧﻂ ﺳﻤﺎء اﻟﻤﺪﻳﻨﺔ وﻫﻮ أداة‬ ‫ﻣﻘﺎرﻧﺔ وﻗﻴﺎس ﻟﻤﻌﺎﻟﻢ اﻟﻤﺪﻳﻨﺔ ا<ﺧﺮى ﻣﺜﻞ ﺑﺮج اﻳﻔﻞ ‪ .‬ﻳﺒﻠﻎ‬ ‫ﻋﺪد زواره ‪ ١،٤‬ﻣﻠﻴﻮن زاﺋﺮ‪ ،‬وﻳﻌﻤﻞ ﻓﻴﻪ ﻳﻮﻣﻴﺎ ‪ ٦٠٠٠‬ﻋﺎﻣﻞ ﻛﻤﺎ‬ ‫أﻧﻪ ﻳﻘﻊ ﺑﺠﺎﻧﺐ ﻣﺤﻄﺔ ﻗﻄﺎر اﻟﻐﺮب اﻟﺘﻲ ﺗﺨﺪم ‪٥٤‬ﻣﻠﻴﻮن‬ ‫ﻣﺴﺎﻓﺮ ﺳﻨﻮﻳ‪ ،O‬ﻛﻤﺎ ﻳﺠﺎور اﻟﺒﺮج ﻣﺮﻛﺰ ﺗﺠﺎري ﻛﺒﻴﺮ وﻣﺤﻄﺔ‬ ‫ﻣﺘﺮو رﺋﻴﺴﺔ ﻣﺘﻌﺪدة ا‪S‬ﺗﺠﻬﺎت ‪ ،‬ا<ﻣﺮ اﻟﺬي ﻳﺠﻌﻞ ﻣﻮﻗﻌﻪ‬ ‫ﺟﺎذﺑ‪ O‬ﻟﺘﺪﻓﻘﺎت ﻫﺎﺋﻠﺔ ﻣﻦ ﺳﻜﺎن اﻟﻤﺪﻳﻨﺔ وﻣﻦ اﻟﺴﻴﺎح ‪.‬‬ ‫ﻳﻬﺪف اﻟﺘﺼﻤﻴﻢ إﻟﻰ ﺗﻌﺰﻳﺰ دور اﻟﻤﻮﻗﻊ اﻟﺮﻳﺎدي وإﻗﺘﺮاح‬ ‫ﺗﺠﺮﺑﺔ ﻋﻤﺮاﻧﻴﺔ ﺟﺪﻳﺪة ﻟﻠﺒﺎرﻳﺴﻴﻴﻦ و اﻟﺰوار ﻓﻲ اﻟﻤﻌﻴﺸﺔ‬ ‫واﻟﻌﻤﻞ واﻟﺰﻳﺎرة ‪ ،‬وﺑﺤﻴﺚ ﻳﺼﺒﺢ اﻟﺒﺮج ﻋﻨﻮاﻧ‪ O‬ﻣﻌﺮوﻓ‪ O‬ﻟﻜﺎﻓﺔ‬ ‫اﻟﺴﻜﺎن ‪ .‬ﻳﻘﺘﺮح اﻟﺘﺼﻤﻴﻢ ﺗﺤﻮﻳﻞ اﻟﺒﺮج إﻟﻰ ﻣﺪﻳﻨﺔ رأﺳﻴﺔ‬ ‫ذات ﻣﻌﺎﻳﻴﺮ إﺳﺘﺪاﻣﻴﺔ ﻋﺎﻟﻴﺔ ‪ ،‬ﻣﺪﻳﻨﺔ ﻣﺘﻌﺪدة اﻟﺒﺮاﻣﺞ‬ ‫اﻟﻮﻇﻴﻔﻴﺔ وذات ﺣﻴﻮﻳﺔ ﺣﻴﺎﺗﻴﺔ ‪ ٢٤‬ﺳﺎﻋﺔ ﻳﻮﻣﻴ‪. O‬‬ ‫ﻳﻄﺒﻖ ﺑﺮﻧﺎﻣﺞ اﻟﻤﺸﺮوع اﻟﺠﺪﻳﺪ اﻟﻤﻘﺘﺮح ﻣﻘﺮرات ﻣﺆﺗﻤﺮ‬ ‫اﻟﺒﻴﺌﺔ ‪ ٢١‬اﻟﺬي ﻋﻘﺪ ﻓﻲ ﺑﺎرﻳﺲ )‪٢٠١٥‬م ( وإﻋﺘﻤﺪﺗﻬﺎ ﺑﻠﺪﻳﺘﻬﺎ‬ ‫وﻳﺘﻜﻮن اﻟﺒﺮﻧﺎﻣﺞ ﻣﻦ ‪ :‬وﻇﺎﺋﻒ ﻣﺘﻌﺪدة ﻣﻦ ﺧﺪﻣﺎت ﻓﻨﺪﻗﻴﺔ‬ ‫وﺳﻜﻦ وﻣﻜﺎﺗﺐ وﻣﺤﻼت ﺗﺠﺎرﻳﺔ وﻣﺮﺻﺪ ﻋﻠﻮي وﻣﻄﺎﻋﻢ‬ ‫وﻗﺎﻋﺔ إﺣﺘﻔﺎﻻت وﻣﻮاﻗﻒ ﺳﻴﺎرات وﻣﺮاﻓﻖ ﺗﻘﻨﻴﺔ ﻣﻮزﻋﺔ‬ ‫ﻋﻠﻰ اﻟﺒﺮج اﻟﺤﺎﻟﻲ ﺑﺈرﺗﻔﺎع ‪ 210‬وﻋﺪد ﻃﻮاﺑﻘﻪ ‪ ٥٨‬وﺑﺮج إﺿﺎﻓﻲ‬ ‫ﺟﺪﻳﺪ ﺑﺈرﺗﻔﺎع ‪٣١٠‬م وﻋﺪد ﻃﻮاﺑﻘﻪ ‪ ٧٩‬وﺑﻤﺴﺎﺣﺔ إﺟﻤﺎﻟﻴﺔ‬ ‫ﻟﻠﺒﺮﺟﻴﻦ ‪ ١٥٠‬أﻟﻒ م‪ . ٢‬ﺗﻬﺪف ﻣﻌﺎﻳﻴﺮ ا‪S‬ﺳﺘﺪاﻣﻴﺔ ﻟﻬﺬا‬ ‫اﻟﺘﺼﻤﻴﻢ إﻟﻰ إﻧﺸﺎء ﻣﺸﺮوع ﻳﻨﺘﺞ ﻃﺎﻗﺔ أﻛﺜﺮ ﻣﻦ ﺣﺎﺟﺘﻪ‬ ‫وﻳﻮﻓﺮ ﻣﺮوﻧﺔ ﺗﺴﻤﺢ ﺑﺎﻟﺘﻄﻮﻳﺮ واﻟﺘﻐﻴﺮ ﻓﻲ ﺗﺼﻤﻴﻤﻪ وﺗﺤﻮﻳﻞ‬ ‫اﻟﻤﺴﺎﺣﺎت اﻟﻤﻜﺘﺒﻴﺔ إﻟﻰ ﺳﻜﻨﻴﺔ وذﻟﻚ ﺣﺴﺐ إﺣﺘﻴﺎﺟﺎت‬ ‫اﻟﺒﺮج اﻟﻤﺘﻮﺳﻄﺔ واﻟﺒﻌﻴﺪة اﻟﻤﺪى ‪ .‬ﻳﺘﻤﻴﺰ اﻟﺘﺼﻤﻴﻢ اﻟﺨﺎرﺟﻲ‬ ‫اﻟﺠﺪﻳﺪ ﻟﻠﺒﺮج ﺑﻮاﺟﻬﺎت ﻣﻘﺴﻤﺔ إﻟﻰ ﺷﺮﻓﺎت ﺻﻐﻴﺮة ﺑﺄﺣﺠﺎم‬ ‫ﻣﺘﻨﻮﻋﺔ ﺗﺘﻴﺢ زراﻋﺘﻬﺎ وﺑﺤﻴﺚ ﺗﺘﻜﻮن اﻟﻮاﺟﻬﺎت اﻟﺠﺪﻳﺪة‬ ‫ﻟﻠﺒﺮج ﻣﻦ ﻏﻼف ﻣﺰدوج ﻣﻦ أﻟﻮاح زﺟﺎﺟﻴﺔ ﻣﺘﻌﺪدة اﻟﻨﻔﺎذﻳﺔ‬ ‫وﻣﺜﺒﺘﺔ ﻋﻠﻰ ﻗﻮاﺋﻢ ﻣﻌﺪﻧﻴﺔ ‪ ،‬ﻳﻮﻓﺮ اﻟﻐﻼف اﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ‬ ‫داﺧﻞ اﻟﺒﺮج وﻳﻨﺘﺞ اﻟﻄﺎﻗﺔ ﺑﻮاﺳﻄﺔ زﺟﺎج ﻣﻐﻄﻲ ﺑﻄﺒﻘﺔ‬ ‫ﻓﻮﺗﻮﻓﻮﻟﺘﺎﺋﻴﺔ ﺷﻤﺴﻴﺔ‪ ،‬ﺑﻴﻨﻤﺎ ﺗﻢ إﻧﺸﺎء ﺑﺮج ﺟﺪﻳﺪ ﺑﺠﺎﻧﺐ‬ ‫اﻟﺒﺮج اﻟﻘﺪﻳﻢ ﻣﻦ ﻫﻴﻜﻞ ﺧﺸﺒﻲ ﻳﺨﻔﻒ ﻣﻦ وزن اﻟﺒﻨﺎء‬ ‫وﺗﺄﺛﻴﺮه اﻟﺒﻴﺌﻲ وﻳﺰﻳﺪ ﻣﻦ اﻟﻜﺜﺎﻓﺔ اﻟﺴﻜﻨﻴﺔ ﻟﻠﻤﺸﺮوع ‪.‬‬

‫‪© Dominique Perrault‬‬

‫ﺑﺮﺟﺎن ﺑﺪ ًﻻ ﻣﻦ واﺣﺪ‬

‫ ‪vKŽ√ s WM¹b*« …b¼UA0 `L ¹ Ãd³ « b d‬‬

‫‪Ãd³ « WNł«Ë‬‬

Ãd³K ÊUŽUD

© Dominique Perrault

© Dominique Perrault

From the Architect Report: Concept - The Montparnasse tower has a unique size and position in Paris. It’s a mustsee building in the capital. Its silhouette marks the Parisian horizon and weaves relations of scale with other monuments, in particular with the Eiffel Tower. The Montparnasse Tower is a landmark in the city, a tourist attraction and symbol of an era. But with 1.4 million visitors per year and 6,000 people working there daily, it is also a place of work and transit. Its strategic location close to the Montparnasse train station connects it directly to the West with more than 54 million annual travelers. The shopping center and the intersection of metro lines 4, 6, 12 and 13 drain a continuous flow of Parisians and tourists. Our ambition is to assume and amplify its leading role and to offer a new experience to Parisians and visitors: living, working, visiting. The tower must become an unmissable address by the new uses. We offer a vertical city with multiple programs, to create a lively tower, at any time of the day or night.

Responsible Commitment - The aim of the project is to carry out a committed and ambitious project in terms of sustainability, with the wish to achieve the E + C- label (Positive Energy & Carbon Reduction) by building a tower able to produce more energy than its consumes. The sustainability of the project results also from the reversibility and adaptability. Thus, offices could be transformed into housing and so on, depending on the needs in the medim/ long term. The conception of the building will be able to anticipate future energy regulations by affirming itself as pilot project and laboratory of positive energy experimentation and development.

Volume and structure - The new tower will be carved out of loggias of variable sizes in order to offer new vegetalized spaces. The Vertical City will feature a dual-skin facade conceived as a breathable skin, composed of an envelope with variable porosity in glass scales fixed on steel blades.

The double skin allows natural indoor ventilation, and produces energy thanks to a photovoltaic layer applied to the glazing. The contemporary extension offers a wooden structure, lightening the building and its ecological impact.

A dynamic shock absorber, a vast metal sphere in the upper portion of the edifice, will dissipate the energy of the tower’s displacement.

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‫ﺗﻌﺘﺒﺮ ا ﺑﺮاج ﺣﺎﻟﺔ ﻣﻌﻤﺎرﻳﺔ ﺧﺎﺻﺔ ﻓﻲ ﺗﺎرﻳﺦ اﻟﻌﻤﺎرة ﻣﻦ ﺣﻴﺚ‬ ‫ا*ﺻﺮار ﻋﻠﻰ ا*ﺑﻘﺎء ﻋﻠﻴﻬﺎ ﺑﺪﻻً ﻣﻦ ﻫﺪﻣﻬﺎ ﺑﺎﻟﺮﻏﻢ ﻣﻦ إﻧﺘﻬﺎء‬ ‫ﺻﻼﺣﻴﺘﻬﺎ‪ ،‬واﻟﺴﺒﺐ ﻻ ﻳﺮﺟﻊ إﻟﻰ ﺻﻌﻮﺑﺔ إﻗﺎﻣﺘﻬﺎ ﺑﻞ ﻳﺮﺟﻊ‬ ‫إﻟﻰ ﺻﻌﻮﺑﺔ اﻟﺘﺨﻠﺺ ﻣﻨﻬﺎ ﺣﺘﻰ ﺑﺎت ﻳﺮى أﻧﻬﺎ أﻗﻴﻤﺖ ﻟﻜﻲ‬ ‫ﺗﺪوم‪ .‬وﻫﺬا ﻳﺠﻌﻞ ﻣﺸﺮوع إﻋﺎدة ﺗﺄﻫﻴﻞ ﻣﺸﺮوع ﻣﻬﻢ ﻣﻦ‬ ‫اﻟﻨﺎﺣﻴﺔ اﻟﺘﺼﻤﻴﻤﻴﺔ‪ ،‬ﻓﻬﻮ ﻟﻴﺲ ﻣﺸﺮوع ﺗﺄﻫﻴﻠﻲ ﻻ ﻳﺘﻌﺪى‬ ‫ﻛﻮﻧﻪ ﻋﻤﻠﻴﺔ ﺗﺠﺪﻳﺪ ﻟﻨﻮاﻓﺬ اﻟﺒﺮج‪ ،‬ﺑﻞ ﻫﻮ ﻣﺸﺮوع ﻳﻔﺘﺢ‬ ‫اﻟﻤﺠﺎل *ﻳﺠﺎد ﻧﻤﺎذج ﺗﺼﻤﻴﻤﻴﺔ ﺟﺪﻳﺪة ﻟ‪L‬ﺑﺮاج ﺗﺮاﻋﻲ ﺗﺒﻌﺎت‬ ‫إﻧﺸﺎء ا ﺑﺮاج ﻓﻲ ا ﻧﺴﺠﺔ اﻟﻌﻤﺮاﻧﻴﺔ اﻟﻤﺘﺠﺎﻧﺴﺔ ﻟﻠﻤﺪن‪.‬‬ ‫ﻓﺒﺮج ﻣﻮن‪0‬ﺑﺎرﻧﺎس اﻟﺬي ﻳﺮﺗﻔﻊ ﻋﺎﻟﻴ‪ V‬أﻧﺸﻰء ﺣﺪﻳﺜ‪١٩٧٣ ) V‬م(‬ ‫ﻓﻲ ﻧﺴﻴﺞ ﻋﻤﺮاﻧﻲ ﺗﺎرﻳﺨﻲ ﻗﻠﻴﻞ ا*رﺗﻔﺎع ﻧﺴﺒﻴ‪ ،V‬ﺻﻨﻊ‬ ‫ﺗﺠﺎﻧﺴﻪ ﻋﺒﺮ ﺳﻨﻴﻦ ﻃﻮﻳﻠﺔ وأﻋﻄﻰ ﻟﻤﺪﻳﻨﺔ ﺑﺎرﻳﺲ ﻃﺎﺑﻌ‪V‬‬ ‫ﻋﻤﺮاﻧﻴ‪ V‬ﻓﺮﻳﺪ‪ a‬ﻳﻤﻴﺰ ﻫﺬه اﻟﻤﺪﻳﻨﺔ ﻋﻦ ﺑﺎﻗﻲ ﻣﺪن اﻟﻌﺎﻟﻢ ‪.‬‬ ‫وﻋﻠﻲ ﻣﺎ ﻳﺒﺪو ﻓﺈن اﻟﻌﻤﺎرة اﻟﻤﺒﺴﻄﺔ ﻟﻬﺬا اﻟﺒﺮج ﻟﻢ ﺗﻜﻦ‬ ‫ﺗﺤﺎول أن ﺗﻨﺎﻓﺲ ﻧﺴﻴﺞ اﻟﻤﺪﻳﻨﺔ ﺑﻞ اﻛﺘﻔﺖ ﺑﺘﻄﺒﻴﻖ ﻣﺒﺎدئ‬ ‫اﻟﻌﻤﺎرة اﻟﻔﺮﻧﺴﻴﺔ اﻟﺤﺪﻳﺜﺔ ﻓﻲ ﺳﺒﻌﻴﻨﻴﺎت اﻟﻘﺮن اﻟﻌﺸﺮﻳﻦ ‪.‬‬ ‫اﻟﻴﻮم وﺑﻌﺪ ﻣﺮور زﻫﺎء ﻧﺼﻒ ﻗﺮن ﻫﻨﺎك ﻓﺮﺻﺔ ﻟﺘﺤﺴﻴﻦ‬ ‫ﻣﺴﺘﻮى اﻟﺒﺮج وﺟﻌﻠﻪ أﻛﺜﺮ ﻣﻌﺎﺻﺮة ﻟﻤﺘﻄﻠﺒﺎت إﺳﺘﻌﻤﺎﻟﻪ‬ ‫ﻣﻦ ﺣﻴﺚ اﻟﺨﺪﻣﺎت واﻟﻔﺮاﻏﺎت وﻟﺰﻳﺎدة وﺳﺎﺋﻞ ﺟﺬﺑﻪ ﻟ‪L‬ﻧﺸﻄﺔ‬ ‫اﻟﻌﺎﻣﺔ اﻟﻤﺨﺘﻠﻔﺔ ﻟﻠﺴﻜﺎن وإﻗﺎﻣﺔ ﻋﻼﻗﺔ ﺗﻘﺎرب ﻋﻠﻰ‬ ‫اﻟﻤﺴﺘﻮى ا رﺿﻲ ﺑﻴﻦ اﻟﺒﺮج ﻣﺤﻴﻄﻪ وﻣﻦ ﺣﻴﺚ ﺗﻌﺰﻳﺰ ﻗﻴﻤﺘﻪ‬ ‫ﻛﻤﻌﻠﻢ ﻓﻲ ﺳﻤﺎء اﻟﻌﺎﺻﻤﺔ ﺑﺠﺎﻧﺐ ﻣﻌﻠﻢ ﺑﺮج اﻳﻔﻞ اﻟﺸﻬﻴﺮ‬ ‫وإﺳﺘﻠﻬﺎم ﻋﻤﺎرﺗﻪ اﻟﺠﺪﻳﺪة ﻣﻦ اﻟﺨﺼﺎﺋﺺ اﻟﺘﻘﻨﻴﺔ واﻟﺠﻤﺎﻟﻴﺔ‬ ‫اﻟﻤﻌﺎﺻﺮة ‪ .‬ﻳﻘﺘﺮح اﻟﺘﺼﻤﻴﻢ ﺗﻘﺪﻳﻢ ﺣﻞ ﻣﻌﻤﺎري أﻳﻘﻮﻧﻲ‬ ‫ﺟﺪﻳﺪ ﻳﻘﻀﻲ ﺑﺈﻋﺎدة ﻋﻤﺎرة اﻟﺸﻜﻞ اﻟﻤﻨﺤﻨﻲ ذي اﻟﻠﻮن‬ ‫اﻟﺒﺮوﻧﺰي ا ﺻﻠﻲ ﻟﻠﺒﺮج وﻟﻜﻦ ﺑﺈﺳﺘﻌﻤﺎل اﻟﺘﻘﻨﻴﺎت اﻟﺤﺪﻳﺜﺔ‬ ‫ﻟﻠﺰﺟﺎج‪،‬ﻣﻊ ﻋﻤﻞ إﻧﺤﻨﺎءات ﺑﺮوﻧﺰﻳﺔ ﻣﺘﻌﺪدة ﺑﻴﻦ ﻃﺒﻘﺘﻴﻦ ﻣﻦ‬ ‫اﻟﺰﺟﺎج ﻓﻲ اﻟﻮاﺟﻬﺎت ﺗﻮﻓﺮ ﻣﻌﺎﻳﻴﺮ ﺟﺪﻳﺪة ﻟﻠﻌﻤﻞ اﻟﻤﻜﺘﺒﻲ‬ ‫داﺧﻞ اﻟﺒﺮج‪ ،‬ﻛﻤﺎ ﺗﻮﻓﺮ ﻟﻠﻤﺪﻳﻨﺔ ﻫﻮﻳﺔ ﺟﺪﻳﺪة ﻗﻮﻳﺔ ﻗﺎدرة‬ ‫ﻋﻠﻰ أن ﺗﺘﻨﺎﻓﺲ ﻣﻊ اﻟﻤﻌﺎﻟﻢ اﻟﻤﻌﻤﺎرﻳﺔ اﻟﻬﺎﻣﺔ ﻓﻲ ﺳﻤﺎء‬ ‫اﻟﻤﺪﻳﻨﺔ ‪ .‬اﻟﻮاﺟﻬﺎت اﻟﺠﺪﻳﺪة ﺣﺮة اﻟﺘﺸﻜﻴﻞ ﻧﻬﺎ ﻣﻨﻔﺼﻠﺔ‬ ‫إﻧﺸﺎﺋﻴ‪ V‬ﻋﻦ ا ﺳﻘﻒ اﻟﻤﺨﺘﻠﻔﺔ ﻟﻄﻮاﺑﻖ اﻟﺒﺮج ﺑﺤﻴﺚ ﺗﺘﻤﻜﻦ‬ ‫ﻣﻦ ﺗﺤﺴﻴﻦ اﻟﺨﺼﺎﺋﺺ اﻟﻌﻤﺮاﻧﻴﺔ ﻟﻠﺒﺮج ﻋﻨﺪ ﻣﺴﺘﻮى‬ ‫ﻗﺎﻋﺪﺗﻪ وﻣﺴﺘﻮى ﻗﻤﺘﻪ وﺑﻔﺮص ﺟﺬﺑﻪ ﻟﻠﺴﻜﺎن واﻟﺰوار ‪ .‬ﺗﺒﻠﻎ‬ ‫اﻟﻤﺴﺎﺣﺎت اﻟﻤﻜﺘﺒﻴﺔ ‪١٢٢‬اﻟﻒ م‪. ٢‬‬

‫‪© Image courtesy of OMA - Photography by Frans Parthesius‬‬

‫ﻣﺸﺎرك‬

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From the Architect Report: Skyscrapers are a special case in the history architectural longevity, and in the history of preservation. It is not because they are so hard to construct that many of them are still alive but because they are so hard to take down. They are around not because they deserve eternal life, but because they refuse to die.

That makes the renovation of Paris’ Tour Montparnasse so deeply interesting. The first – as far as we know – renovation of a tower that goes further than mere refenestration, offering a chance not only to reinvent this particular tower but to think of an entirely new model to face a common but perplexing issue: the redundancy of towers. The original Tour Montparnasse was in an impossible situation – to share the skies of Paris with the world’s most universal icon. Maybe wisely, it did not try to compete. It offered a respectable iteration of French Modernity in the seventies.

Half a century later, the present moment offers us a double opportunity: to make the tower a better place, offering more contemporary working conditions, facilities and spaces, to extend the offer of its public attractions, to create a more sympathetic relationship with the ground and its immediate context, but also, almost retroactively, to assume it’s rightful place next to the Eiffel Tower and to explore the current technological and esthetic repertoire for the creation of architectural meaning. We propose a Janus-faced icon.

The first face is familiar: the smoky brown curve of the original tower, subtly renewed by a façade that shows the increased technical sophistication of the glass industry; the second face is a movement of strategic undulations multiple curves of bronze mesh sandwiched between glass plates that, internally offer radically new working conditions, and to the city a completely new identity that is ready to confront the icons of Paris ‘skyline. The new façades create complementary environments for the ‘new work’ so that each floor offers classic and contemporary options. They are based on self-supporting structures’, so that readability is not compromised by over-ambitious structural solutions.

The combination of these relatively straightforward steps enables us to vastly improve the urban environment on the ground, the public dimension of the top, the life in and of the building, and its performances as attraction for both Parisians and its visitors.

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‫ﻣﺸﺎرك‬

‫ﺑﺮج ﻟ ﻧﺎﻗﺔ اﻟﺒﺎرﻳﺴﻴﺔ‬ ‫اﻟﻤﺼﻤﻢ ‪:‬‬ ‫‪Architects : PLP‬‬ ‫ﻳﻘﺘﺮح اﻟﺘﺼﻤﻴﻢ إﻟﺒﺎس اﻟﺒﺮج ﺛﻮب ﺟﺪﻳﺪ ﻟﻠﺘﻌﻴﺒﺮ ﻋﻦ اﻧﺎﻗﺔ اﻟﻤﺮأة‬ ‫اﻟﺒﺎرﻳﺴﻴﺔ وﻣﺎﻋﺮﻓﺖ ﺑﻪ ﺑﺎرﻳﺲ ﻣﻦ إﻫﺘﻤﺎم ﺑﺎ'زﻳﺎء ‪.‬‬ ‫اﻟﺜﻮب اﻟﺠﺪﻳﺪ ﻫﻮ ﻋﺒﺎرة ﻋﻦ واﺟﻬﺔ زﺟﺎﺟﻴﺔ ﻛﺒﻴﺮة ﺗﺰﻳﺪ ﻓﻲ‬ ‫ﻋﺮﺿﻬﺎ ﻋﻦ ﻋﺮض اﻟﺒﺮج ﺗﺸﻜﻞ أﺟﻨﺤﺔ ﻋﻠﻰ ﺟﺎﻧﺒﻲ اﻟﺒﺮج‪،‬‬ ‫ﻛﻤﺎ زﺧﺮف اﻟﺒﺮج ﻋﻠﻰ ﺟﺎﻧﺒﻴﻪ ﺑﺤﺪاﺋﻖ ﻣﻌﻠﻘﺔ ﻣﻮزﻋﺔ رأﺳﻴ‪ A‬ﻋﻠﻰ‬ ‫إرﺗﻔﺎﻋﺎت ﻣﺨﺘﻠﻔﺔ ‪ .‬ﻳﻘﺪم اﻟﺘﺼﻤﻴﻢ ﺣ ًﻼ ﻓﻨﻴ‪ A‬ﻳﻌﺒﺮ ﻋﻦ اﻟﻤﺎﺿﻲ‬ ‫وﻣﺎ إﺷﺘﻬﺮ ﺑﻪ اﻟﺤﻲ ﻣﻦ رﻋﺎﻳﺘﻪ وﺗﺸﺠﻴﻌﻪ ﻟﻠﻔﻨﻮن‪ ،‬ﻛﻤﺎ ﻋﻮﻟﺠﺖ‬ ‫اﻟﺴﺎﺣﺎت اﻟﺨﺎرﺟﻴﺔ اﻟﻜﺒﻴﺮة ﺑﺘﻨﺴﻴﻖ ﻣﻮاﻗﻊ ﻣﺘﻤﻴﺰ ‪ .‬ﻋﻠﻰ ﻣﺴﺘﻮى‬ ‫إﻋﺎدة ﺗﺄﻫﻴﻞ اﻟﻔﻀﺎءات اﻟﻌﺎﻣﺔ ﺗﻢ إﻋﺎدة ﺗﺼﻤﻴﻢ اﻟﺴﺎﺣﺎت‬ ‫وﺗﻮﻓﻴﺮ ﻋﺪد ﻣﻦ اﻟﻔﻌﺎﻟﻴﺎت ﻟﺰﻳﺎدة ﺣﻴﻮﻳﺘﻬﺎ ‪ ،‬ﺑﻴﻨﻤﺎ ﺗﺘﻤﻴﺰ ﻋﻤﺎرة‬ ‫اﻟﺒﺮج اﻟﺠﺪﻳﺪة ﻋﻦ اﻟﻤﺒﺎﻧﻲ اﻟﻤﺠﺎورة ﻣﻦ ﺧﻼل إﻗﺘﺮاح ﻣﺠﻤﻮﻋﺔ‬ ‫ﻣﻦ اﻟﻔﻌﺎﻟﻴﺎت ﻓﻲ ﻣﻤﺮات اﻟﺒﺮج اﻟﺪاﺧﻠﻴﺔ ﺗﺘﻮاﺻﻞ رأﺳﻴﺎ ﻟﺘﺼﻞ‬ ‫اﻟﻤﺴﺘﻮي ا'رﺿﻲ ﺑﺄﻋﻠﻰ ﻣﺴﺘﻮﻳﺎت اﻟﺒﺮج اﻟﺘﻲ ﺗﺤﺘﻮي ﻋﻠﻰ‬ ‫اﻟﺤﺪاﺋﻖ اﻟﻤﻌﻠﻘﺔ واﻟﻤﺮﺻﺪ واﻟﻤﻄﻌﻢ اﻟﺒﺎﻧﻮراﻣﻲ ﻓﻲ رﺣﻠﺔ ﺗﺠﻮﻟﻴﺔ‬ ‫ﺷﻴﻘﺔ ‪ .‬و ﺑﺈﺳﺘﺨﺪام ﻣﺼﺎﻋﺪ ﻓﺎﺋﻘﺔ اﻟﺴﺮﻋﺔ ﻳﻤﻜﻦ ﺗﺴﻬﻴﻞ‬ ‫اﻟﺤﺮﻛﺔ اﻟﺮأﺳﻴﺔ ﻟﻤﺎ ﻳﻌﺎدل ‪ 7000‬ﻣﻦ ﻣﺮﺗﺎدي اﻟﺒﺮج ﻳﻮﻣﻴﺎ‪.‬ﻣﻦ اﻟﻨﺎﺣﻴﺔ‬ ‫ا[ﻧﺸﺎﺋﻴﺔ ﻓﺈن اﻟﺘﺄﻫﻴﻞ إﻋﺘﻤﺪ ﻋﻠﻰ إﺳﺘﺨﺪام ﻫﻴﻜﻞ إﻧﺸﺎﺋﻲ‬ ‫ﺧﺎرﺟﻲ ﺑﺤﻴﺚ ﻻ ﻳﺘﺤﻤﻞ اﻟﻬﻴﻜﻞ اﻟﻘﺪﻳﻢ زﻳﺎدة اﻟﻮزن اﻟﻨﺎﺗﺞ ﻋﻦ‬ ‫ﺑﻨﺎء ﻣﺴﺒﺢ ﻋﻠﻮي وﺣﺪاﺋﻖ ﻣﻌﻠﻘﺔ ‪ .‬ﺑﺎﻟﻨﺴﺒﺔ ﻟﻠﻮاﺟﻬﺎت اﻟﺨﺎرﺟﻴﺔ‬ ‫ﻓﻠﻘﺪ ﺗﻢ ﺗﻐﻠﻴﻒ اﻟﺒﺮج ﺑﻐﻼف زﺟﺎﺟﻲ ﺧﺎرﺟﻲ ذو ﺗﺠﻮﻳﻒ داﺧﻠﻲ‬ ‫ﻳﺤﺘﻮي ﻋﻠﻰ ﺳﺘﺎﺋﺮ ﻣﺘﺤﺮﻛﺔ ﺗﻘﻠﻞ ﻣﻦ إﺳﺘﻬﻼك اﻟﻄﺎﻗﺔ ﺑﺎ[ﺿﺎﻓﺔ‬ ‫إﻟﻰ اﻟﻮاﺟﻬﺔ اﻟﺰﺟﺎﺟﻴﺔ اﻟﻘﺪﻳﻤﺔ اﻟﺘﻲ ﺗﺒﻌﺪ ﻋﻨﻬﺎ ‪ 3‬أﻣﺘﺎر اﻟﻐﻼف‬ ‫اﻟﺠﺪﻳﺪ ﻳﺴﻤﺢ ﺑﺎﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ ﺣﻴﺚ ﺗﺘﻮﻓﺮ ﻟﻠﻤﺴﺘﻌﻤﻠﻴﻦ‬ ‫إرﺷﺎدات ﺗﺘﻴﺢ ﻓﺘﺢ وﺣﺪات اﻟﻐﻼف اﻟﺰﺟﺎﺟﻴﺔ ﻳﺪوﻳ‪.A‬‬

‫« ‪f¹—UÐ Ÿ—«uý bŠ√ s Ãd³‬‬

‫‪© Courtesy of PLP Architecture‬‬

‫—‪s —U² √ ≥ bFÐ vKŽ vM³*« nKG¹ Íc « wł—U)« włUłe « ·öG « …dJH w×O{uð rÝ‬‬ ‫‪.bI « qJON UÐ t² öŽË w U{ù« wzUA½ù« qJON « …dJ `{u¹ UL ¨.bI « Ãd³ « WNł«Ë‬‬ ‫‪¡UM³ « ≤∏ Â‬‬

‫‪S28 Albenaa‬‬

‫ ‪WM¹b*« vKŽ W öÞù«Ë UOKF « —«Ëœ_« UO UFH wKš«œ —uEM‬‬

∂∂ —Ëb « jI

∂μ —Ëb « jI

© Courtesy of PLP Architecture

From the Architect Report: The elegant and simple silhouette of the existing tower is magnified by the extension of glass sails of the principal façades, amplifying the building’s height and slenderness. The suspended gardens of double and triple height distributed internally and externally across the entire height reinforce the perception of a new identity from all of Paris.The proposal reconciles La Parisienne with the building’s urban environment and the artistic and innovative past of the Montparnasse district. The vast external spaces are given definition by a new landscape, with a large cloister connecting the below ground train lines,and by new green roof canopies contributing to biodiversity and thermal comfort, reducing the effect of the urban island at street level.In PLP’s proposal, the wide plaza forecourt in front of the Gare Montparnasse is reinvented to encourage new activities and events. Its remodeled texture, an oblique reference to the Atlantic destinations of the train station, provides spaces for lingering and encounters, with views to the vertical promenade of the tower. A new cloistered piazza at the south entrance of the tower, comparable in scale to Rockefeller Center, welcomes underground train commuters, and reactivates the artistic identity of the district in sheltering a school of art.A new piazza at the north entrance of the tower bathes the canteen with natural light. The panoramic observatory at the top of the tower is directly accessed from ground level at the northeast corner, and panoramic lifts make a joyful signal.

La Parisienne distinguishes itself from all other towers in Paris by proposing uses for tenants and public all along an internal promenade, snaking from the public spaces at the foot of the tower toward the gardens suspended from the summit. The promenade transforms in a touristic and poetic journey, a vertical transcription of the riches offered by the Parisian boulevards.La Parisienne can accommodate more than 7000 occupants. This high density necessitates the insertion of new high speed double deck lifts. The restaurant and observatory benefit from an independent access thanks to two dedicated double deck public lifts.The structural interventions proposed for La Parisienne permit both the addition of dead loads (swimming pool, cantilevered terraces) by the insertion of tremies in the offices to open the double height spaces, and at the foot of the tower to welcome and orient users and visitors. The north and south gardens are supported by new structure which avoid adding load to the existing columns.The external façade is a high performance glass cavity façade with internal movable blinds, to reduce energy consumption and carbon footprint while maximising natural light. A finished ceiling height of 2.7m is increased at the perimeter to 3m clear, increasing daylight penetration into the offices.The internal glass surface is structured by the office module to offer the tenant a maximum flexibility. A manual opening permits occupants to naturally ventilate their own space. The external glass surface extends across two office modules to favour the views across the Parisian landscape. Fresh air quality is improved by new technical plant, relocated on each office floor. This decentralised approach reduces overall energy consumption by permitting individual occupant control, while foreseeing a potential change to other uses in future such as residential or hotel.

Ãd³ « s UNF u V Š —«ËeK WBB *« W UF « Už«dHK w×O{uð rÝ— S31 Albenaa

¡UM³ « ≥± Â

μ∏ —Ëb « jI

≥∞ —Ëb « jI

¥≤ —Ëb « jI

±μ —Ëb « jI

Ãd³ « s UNF u V Š WOKš«b « ôULF²Ýô«Ë Ãd³K w×O{uð rÝ—

Ãd³ « w dO−A² « ‰ULŽ_ w×O{uð rÝ— S30 Albenaa

¡UM³ « ≥∞ Â

‫ﻓﻴﻬﺎ أرﻛﺎن اﻟﺪوﻟﺔ واﻟﻤﺠﺘﻤﻊ ا ﺳﻼﻣﻲ وأﺳﺲ ﻓﻴﻬﺎ‬ ‫اﻟﻤﺴﺠﺪ اﻟﻨﺒﻮي اﻟﺸﺮﻳﻒ‪ ،‬وﻫﻲ ﺑﺬﻟﻚ ﺗﺤﺘﻞ اﻟﻤﻜﺎﻧﺔ‬ ‫اﻟﺜﺎﻧﻴﺔ ﻓﻲ ﻗﻠﻮب اﻟﻤﺴﻠﻤﻴﻦ اﻟﻘﺎﺻﺪﻳﻦ إﻟﻰ ا‪.‬راﺿﻲ‬ ‫اﻟﻤﻘﺪﺳﺔ ‪.‬داء ﻓﺮﻳﻀﺔ اﻟﺤﺞ أو ﺷﻌﻴﺮة اﻟﻌﻤﺮة‪ .‬وﻓﻲ‬ ‫ﻫﺬا ا ﻃﺎر ﺣﻈﻴﺖ اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة ﻋﻠﻰ إﻫﺘﻤﺎم ﻛﺒﻴﺮ‬ ‫ﻣﻦ اﻟﺪوﻟﺔ ‪ ،‬ﺣﻴﺚ ﺣﺮﺻﺖ اﻟﺪوﻟﺔ ﻋﻠﻰ ﺗﻘﺪﻳﻢ أﻓﻀﻞ‬ ‫اﻟﺨﺪﻣﺎت ﻟﺰوار اﻟﻤﺴﺠﺪ اﻟﻨﺒﻮي ﻣﻦ ﺧﻼل إﻋﺪاد ﻣﺨﻄﻂ‬ ‫ﺷﺎﻣﻞ ﻳﻬﺪف إﻟﻰ اﺣﺘﺮام ﻗﺪﺳﻴﺔ اﻟﻤﺴﺠﺪ اﻟﻨﺒﻮي‬ ‫اﻟﺸﺮﻳﻒ واﻟﺨﺼﺎﺋﺺ اﻟﺒﻴﺌﻴﺔ اﻟﻄﺒﻴﻌﻴﺔ ﻟﻠﻤﺪﻳﻨﺔ‬ ‫اﻟﻤﻨﻮرة وﺗﻮﻓﻴﺮ اﻟﺨﺪﻣﺎت واﻟﻤﺮاﻓﻖ واﻻﺳﺘﻌﻤﺎﻻت‬ ‫اﻟﺘﻲ ﺗﻠﺒﻲ اﺣﺘﻴﺎﺟﺎت اﻟﺴﻜﺎن واﻟﺰوار ﻋﻠﻰ ﺣﺪ ﺳﻮاء‪.‬‬ ‫وﻗﺪ ﻗﺎﻣﺖ اﻟﺪوﻟﺔ ﺑﺘﻮﺳﻌﺔ اﻟﻤﺴﺠﺪ اﻟﻨﺒﻮي اﻟﺸﺮﻳﻒ‬ ‫ﻻﺳﺘﻴﻌﺎب ا‪.‬ﻋﺪاد اﻟﻤﺘﺰاﻳﺪة ﻣﻦ اﻟﺰوار وذﻟﻚ ﻣﻦ ﺧﻼل‬ ‫ﺗﻮﻓﻴﺮ اﻟﻜﻢ واﻟﻨﻮع ﻣﻦ اﻟﻔﺮاﻏﺎت اﻟﻌﺎﻣﺔ وﻓﻲ اﻟﺘﺨﻄﻴﻂ‬ ‫اﻟﻤﺴﺘﺪام وﺗﺤﺴﻴﻦ اﻟﺒﻴﻨﺔ اﻟﺘﺤﺘﻴﺔ واﻟﺨﺪﻣﺎت وﺗﻮﻓﻴﺮ‬ ‫ﺑﻴﺌﺔ ﻋﻤﺮاﻧﻴﺔ ﺻﺤﻴﺔ وﺿﻤﺎن ا‪.‬ﻣﻦ واﻟﺴﻼﻣﺔ‪.‬‬ ‫ﻳﻬﺪف اﻟﻤﺨﻄﻂ اﻟﺸﺎﻣﻞ إﻟﻰ ﺗﻄﻮﻳﺮ اﻟﻤﻨﻄﻘﺔ‬ ‫اﻟﻤﺮﻛﺰﻳﺔ واﻟﻤﻨﻄﻘﺔ اﻟﻌﻤﺮاﻧﻴﺔ اﻟﺤﻀﺮﻳﺔ واﻟﺒﻴﺌﻴﺔ‪ .‬ﻛﻤﺎ‬ ‫ﻗﺎﻣﺖ اﻟﺪوﻟﺔ ﺑﺈﻧﺸﺎء ﺑﻮاﺑﺎت ﻟﻠﻤﺪﻳﻨﺔ ﻛﻤﺮاﻛﺰ ﻟﺘﻘﺪﻳﻢ‬ ‫اﻟﺨﺪﻣﺎت اﻟﻤﻤﻴﺰة اﻟﺘﻲ ﻳﺤﺘﺎﺟﻬﺎ ﺟﻤﻴﻊ اﻟﺰوار واﻟﺤﺠﺎج‬ ‫ﻋﻨﺪ اﻟﻘﺪوم واﻟﻤﻐﺎدرة‪ ،‬ﺑﺎ ﺿﺎﻓﺔ إﻟﻰ ذﻟﻚ ﺗﻢ إﻧﺸﺎء‬ ‫واﺣﺔ ﻟﻠﻘﺮآن اﻟﻜﺮﻳﻢ اﻟﺘﻲ ﺗﻌﺪ أﻫﻢ ﻣﺮﻛﺰ ﺛﻘﺎﻓﻲ ﻓﻲ‬ ‫اﻟﻌﺎﻟﻢ ﻣﺘﺨﺼﺺ ﻓﻲ اﻟﺒﺮاﻣﺞ واﻟﻔﻌﺎﻟﻴﺎت اﻟﻤﺮﺗﺒﻄﺔ‬ ‫ﺑﺎﻟﻘﺮآن اﻟﻜﺮﻳﻢ وﻋﻠﻮﻣﻪ‪ ،‬وﻣﻦ اﻟﻤﺸﺎرﻳﻊ اﻟﻤﻬﻤﺔ‬ ‫ﻓﻲ اﻟﻤﺪﻳﻨﺔ ﻣﺸﺮوع ﺗﻄﻮﻳﺮ ﻣﺴﺠﺪ ﻗﺒﺎء اﻟﺤﻀﺎري‬ ‫واﻟﻤﻨﻄﻘﺔ اﻟﻤﺤﻴﻄﺔ ﺑﻪ‪ ،‬ﺑﺎ ﺿﺎﻓﺔ إﻟﻰ اﻟﻌﺪﻳﺪ ﻣﻦ‬ ‫اﻟﻤﺸﺎرﻳﻊ ﻣﺜﻞ إﻋﺎدة ﺗﻄﻮﻳﺮ وﺑﻨﺎء اﻟﺠﺎﻣﻌﺔ ا ﺳﻼﻣﻴﺔ‬ ‫وﺟﺎﻣﻌﺔ ﻃﻴﺒﺔ‪ ،‬و إﻧﺸﺎء ﻣﺪﻳﻨﺔ اﻟﻤﻌﺮﻓﺔ ا ﻗﺘﺼﺎدﻳﺔ‬ ‫اﻟﺘﻲ ﺗﻬﺪف إﻟﻰ ﺧﺪﻣﺔ ﻗﻄﺎﻋﺎت ﻣﺨﺘﻠﻔﺔ ‪ .‬ﻛﻤﺎ ﺗﻢ‬ ‫إﻋﺎدة ﺗﻄﻮﻳﺮ ﻣﻄﺎر ا‪.‬ﻣﻴﺮ ﻣﺤﻤﺪ ﺑﻦ ﻋﺒﺪ اﻟﻌﺰﻳﺰ ورﺑﻂ‬ ‫اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة ﺑﻘﻄﺎر اﻟﺤﺮﻣﻴﻦ ‪ .‬وأﺧﻴﺮ‪ a‬أﺳﺲ‬

‫‪…—uM*« WM¹b*« ? tÐ WDO;« WIDM*«Ë ¡U³ b− d¹uDð‬‬

‫ ‪…—uM*« WM¹b*« UЫuÐ rOLB² ÂUŽ —uEM‬‬

‫‪…—uM*« WM¹b*« w .dJ « ʬdI « WŠ«Ë‬‬

‫∑∂ « ‪¡UM³‬‬

‫‪67 Albenaa‬‬

‫ﻣﺸﺎرﻳﻊ ﺳﻌﻮدﻳﺔ ﺣﺪﻳﺜﺔ‬ ‫• اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة‬ ‫• ﻣﻨﻄﻘﺔ ﺗﺒﻮك‬ ‫اﻟﻤﻘﺪﻣﺔ‬ ‫ﺗﺴﻌﻰ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ إﻟﻰ ﺗﺤﻘﻴﻖ‬ ‫ﺗﻨﻤﻴﺔ ﻣﺴﺘﺪاﻣﺔ وﻣﺘﻮازﻧﺔ ﻣﻦ ﺧﻼل ﻣﺸﺎرﻳﻊ ﺗﺨﺪم‬ ‫اﻟﻮﻃﻦ ﻓﻲ ﺷﺘﻰ اﻟﻤﺠﺎﻻت‪ .‬وﻗﺪ أوﻟﺖ اﻟﺤﻜﻮﻣﺔ‬ ‫اﻫﺘﻤﺎﻣ< ﻛﺒﻴﺮ‪ :‬ﻓﻲ إﻋﻤﺎر وﺑﻨﺎء اﻟﺒﻼد ﺗﻀﻤﻨﺖ ﻣﺸﺎرﻳﻊ‬ ‫ﻋﻤﺮاﻧﻴﺔ ﻛﺒﻴﺮة ﻓﻲ ﻣﺠﺎﻻت ﻣﺨﺘﻠﻔﺔ ﻣﺜﻞ ﺗﺨﻄﻴﻂ‬ ‫اﻟﻤﺪن وإﻋﺪاد اﻟﻤﺨﻄﻄﺎت ا‪D‬ﻗﻠﻴﻤﻴﺔ‪ .‬وإﻧﺸﺎء اﻟﺼﺮوح‬ ‫اﻟﺘﻌﻠﻴﻤﻴﺔ اﻟﻜﺒﺮى ﻓﻲ ﺟﻤﻴﻊ أﻧﺤﺎء اﻟﻤﻤﻠﻜﺔ‪ ،‬ﻣﺜﻞ‬ ‫إﻋﺎدة ﺗﻄﻮﻳﺮ وﺑﻨﺎء اﻟﺠﺎﻣﻌﺔ ا‪D‬ﺳﻼﻣﻴﺔ وﺟﺎﻣﻌﺔ‬ ‫ﻃﻴﺒﺔ ﺑﺎﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة و ﺗﺪﺷﻴﻦ ﻣﺸﺎرﻳﻊ ﺟﺪﻳﺪة‬ ‫ﺑﺎﻟﻤﺪﻳﻨﺔ اﻟﺠﺎﻣﻌﻴﺔ ﺑﻤﺪﻳﻨﺔ ﺗﺒﻮك ‪ ،‬ﺑﺎ‪D‬ﺿﺎﻓﺔ إﻟﻰ‬ ‫ﻣﺸﺮوﻋﺎت ﺻﺤﻴﺔ ﻛﺜﻴﺮة ﺑﻤﺨﺘﻠﻒ اﻟﺘﺨﺼﺼﺎت ﻣﻦ‬ ‫ﻣﺪن ﻃﺒﻴﺔ وﻣﺴﺘﺸﻔﻴﺎت ﻟﻠﺼﺤﺔ اﻟﻨﻔﺴﻴﺔ وﻣﺮاﻛﺰ‬ ‫ﻟﻌﻼج اﻟﺴﺮﻃﺎن‪ .‬وﻗﺎﻣﺖ اﻟﻤﻤﻠﻜﺔ ﺑﺠﻬﻮد ﻛﺒﻴﺮة‬ ‫ﻟﺘﻄﻮﻳﺮ اﻟﺴﻜﻦ وﺑﻨﺎء ﻣﺴﺎﻛﻦ ﻣﻨﺎﺳﺒﺔ ﻟﻤﺨﺘﻠﻒ‬ ‫ﺷﺮاﺋﺢ اﻟﻤﺠﺘﻤﻊ‪ .‬و أوﻟﺖ اﻟﻤﻤﻠﻜﺔ اﻫﺘﻤﺎﻣ< ﻓﻲ ﺗﻄﻮﻳﺮ‬ ‫اﻟﺤﺮﻣﻴﻦ اﻟﺸﺮﻳﻔﻴﻦ وإﻋﻤﺎر ﻣﻜﺔ اﻟﻤﻜﺮﻣﺔ واﻟﻤﺪﻳﻨﺔ‬ ‫اﻟﻤﻨﻮرة وا‪D‬ﻫﺘﻤﺎم ﺑﺎﻟﻤﺒﺎﻧﻲ اﻟﺪﻳﻨﻴﺔ‪ ،‬ﺣﻴﺚ ﺣﺮﺻﺖ‬ ‫ﻋﻠﻰ ﺗﻘﺪﻳﻢ أﻓﻀﻞ اﻟﺨﺪﻣﺎت ﻟﺨﺪﻣﺔ زوار اﻟﺤﺮﻣﻴﻦ‬ ‫اﻟﺸﺮﻳﻔﻴﻦ ‪ ،‬وإﻋﺪاد ﻣﺨﻄﻂ ﺷﺎﻣﻞ ﻟﺘﻄﻮﻳﺮ اﻟﺤﺮم‬ ‫اﻟﻨﺒﻮي اﻟﺸﺮﻳﻒ واﻟﻤﻨﺎﻃﻖ اﻟﻤﺤﻴﻄﺔ ﺑﻪ‪ ،‬ﻛﻤﺎ ﺗﻢ رﺑﻂ‬ ‫ﻣﻜﺔ اﻟﻤﻜﺮﻣﺔ واﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة ﺑﻘﻄﺎر اﻟﺤﺮﻣﻴﻦ ﻣﺎر‪:‬‬ ‫ﺑﻤﺪﻳﻨﺔ ﺟﺪة وﻣﺪﻳﻨﺔ اﻟﻤﻠﻚ ﻋﺒﺪ ا‪ W‬ا‪D‬ﻗﺘﺼﺎدﻳﺔ ﻓﻲ‬ ‫راﺑﻎ‪ .‬وﻓﻲ ﻫﺬا اﻟﻤﻘﺎل ﻧﺴﻠﻂ اﻟﻀﻮء ﻋﻠﻰ اﻟﻤﺪﻳﻨﺔ‬ ‫اﻟﻤﻨﻮرة وﻣﺎ ﺷﻬﺪﺗﻪ ﻣﻦ ﻣﺸﺎرﻳﻊ ﺗﻄﻮﻳﺮﻳﺔ ﻋﻤﺮاﻧﻴﺔ‬ ‫ﻣﺨﺘﻠﻔﺔ‪ ،‬وﻣﻨﻄﻘﺔ ﺗﺒﻮك وﻣﺎ ﺗﺸﻬﺪه ﻣﻦ ﻣﺸﺎرﻳﻊ‬ ‫ﺣﺪﻳﺜﺔ ﻓﻲ ﺷﺘﻰ اﻟﻤﺠﺎﻻت ‪.‬‬

‫«(‪n¹dA « Íu³M « Âd‬‬

‫ ‪…eOL*« „u³ð r UF bŠ√ s¹b «u « b−‬‬

‫اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة‬ ‫اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة ﻋﺎﺻﻤﺔ ا‪D‬ﺳﻼم ا\وﻟﻰ ﺑﻌﺪ أن ﻫﺎﺟﺮ‬ ‫إﻟﻴﻬﺎ رﺳﻮل ا‪ W‬ﺻﻠﻰ ا‪ W‬ﻋﻠﻴﻪ و ﺳﻠﻢ وأﺳﺲ‬ ‫ ‪…—uM*« WM¹bLK q UA « d¹uD² « jD‬‬

‫∂∂ « ‪¡UM³‬‬

‫‪66 Albenaa‬‬

‫اﻟﻬﻮاﺋﻴﺔ ﺗﻌﺰزﻫﺎ ﻣﺼﺎدر اﻟﻄﺎﻗﺔ اﻟﻤﺘﺠﺪدة ‪.‬‬ ‫ﺗﻮاﻛﺐ ﻣﻨﻄﻘﺔ ﺗﺒﻮك رؤﻳﺔ ‪ 2030‬ﻣﻦ ﺧﻼل اﻻﻧﺘﻬﺎء‬ ‫ﻣﻦ ﺗﺸﻐﻴﻞ ﻣﺤﻄﺔ ﺗﻮﻟﻴﺪ اﻟﻄﺎﻗﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ”ﺿﺒﺎء‬ ‫اﻟﺨﻀﺮاء“ اﻟﺘﻲ ﺗﻌﺪ ﻣﻦ أﻛﺒﺮ ﻣﺸﺮوﻋﺎت ﺗﻮﻟﻴﺪ‬ ‫اﻟﻜﻬﺮﺑﺎء ﺑﺎﻟﻄﺎﻗﺔ اﻟﺸﻤﺴﻴﺔ ﻓﻲ اﻟﻌﺎﻟﻢ‪ .‬وﺗﻌﺪ واﺣﺪ=‬ ‫ﻣﻦ أﺿﺨﻢ وأﻧﺪر اﻟﻤﺸﺎرﻳﻊ اﻟﺨﺎﺻﺔ ﺑﺘﻮﻟﻴﺪ اﻟﻜﻬﺮﺑﺎء‬ ‫اﻟﺼﺪﻳﻘﺔ ﻟﻠﺒﻴﺌﺔ ﻓﻲ اﻟﻌﺎﻟﻢ ‪ ،‬ﻟﻤﺎ ﻳﺘﻤﻴﺰ ﺑﻪ ﻣﻦ‬ ‫ﺧﺎﺻﻴﺔ ﺗﻌﻤﻞ ﻣﻦ ﺧﻼل أﻧﻈﻤﺔ ﺷﻤﺴﻴﺔ ﻣﺘﻜﺎﻣﻠﺔ‪،‬‬ ‫وﺗﺴﺘﺨﺪم ﻣﻜﺜﻔﺎت اﻟﻐﺎز ﻛﻮﻗﻮد ﺑﺪﻳﻞ وﻣﺴﺎﻫﻢ‬ ‫ﻓﻲ ﺧﻔﺾ إﺳﺘﻬﻼك اﻟﻮﻗﻮد اﻟﻤﻜﺎﻓﺊ ﺑﻄﺎﻗﺔ إﻧﺘﺎﺟﻴﺔ‬ ‫ﺗﺘﺠﺎوز اﻟـ ‪ 605‬ﻣﻴﺠﺎوات ‪ ،‬ﻣﻨﻬﺎ ‪ 50‬ﻣﻴﺠﺎوات ﻃﺎﻗﺔ‬ ‫ﻣﺘﺠﺪدة‪ ،‬ﻛﻤﺎ ﺳﻴﺘﻴﺢ اﻟﻤﺸﺮوع ا‪W‬ﺳﺘﻔﺎدة ﻣﻦ اﻟﺮﺑﻂ‬ ‫ﺑﻴﻦ ﻣﻨﻄﻘﺔ اﻟﺸﻤﺎل اﻟﻐﺮﺑﻲ وﻣﻨﻄﻘﺔ اﻟﺸﻤﺎل‬ ‫اﻟﺸﺮﻗﻲ‪ .‬ﻛﻤﺎ ﻳﺘﻀﻤﻦ أرﺑﻌﺔ ﺧﻄﻮط ﻧﻘﻞ ﻫﻮاﺋﻴﺔ‬ ‫ﺟﻬﺪ ‪ 380‬ﻛﻴﻠﻮﻓﻮﻟﺖ‪.‬‬ ‫ﻛﻤﺎ ﺗﻌﺪدت وﺗﻨﻮﻋﺖ ﻣﺸﺎرﻳﻊ ﺗﻄﻮﻳﺮ ﻣﺪﻳﻨﺔ ﺗﺒﻮك‬ ‫ﻣﻦ ﺧﻼل اﻟﺤﺪاﺋﻖ واﻟﻤﻨﺘﺰﻫﺎت ﻣﺜﻞ ﺗﻄﻮﻳﺮ ﻣﻨﺘﺰه‬ ‫ا`ﻣﻴﺮ ﻓﻬﺪ‪ ،‬وﺗﻄﻮﻳﺮ اﻟﻄﺮق وﺗﻌﺒﻴﺪﻫﺎ ﻣﺜﻞ ﺗﻄﻮﻳﺮ‬ ‫ﻃﺮﻳﻖ اﻟﻤﻠﻚ ﻓﻴﺼﻞ‪ ،‬ﺑﺎ‪W‬ﺿﺎﻓﺔ إﻟﻰ اﻟﻤﺸﺎرﻳﻊ اﻟﻌﻤﺮاﻧﻴﺔ‬ ‫اﻟﻤﺨﺘﻠﻔﺔ ﻣﺜﻞ ﺗﻄﻮﻳﺮ ﻣﺴﺠﺪ اﻟﻮاﻟﺪﻳﻦ‪ .‬ﻛﻤﺎ ﺗﻢ‬ ‫ا‪W‬ﻫﺘﻤﺎم ﺑﺎﻟﻤﻮاﻗﻊ اﻟﺴﻴﺎﺣﻴﺔ وﺗﻄﻮﻳﺮﻫﺎ وﻣﺸﺮوع‬ ‫ﺳﻮق ا`ﺳﺮ اﻟﻤﻨﺘﺠﺔ )ﺳﻮق اﻟﺨﻤﻴﺲ( ﻟﺘﻜﻮن وﺟﻬﺔ‬ ‫ﺳﻴﺎﺣﻴﺔ ﺟﺎذﺑﺔ ﻓﻲ ﻣﺨﺘﻠﻒ ﻣﺤﺎﻓﻈﺎت ﻣﺪﻳﻨﺔ ﺗﺒﻮك‬ ‫ﻣﺜﻞ ﺗﻄﻮﻳﺮ ﻣﻨﻄﻘﺔ اﻟﺴﺠﺪة ﻓﻲ ﻣﺤﺎﻓﻈﺔ ﺿﺒﺎء‪.‬‬ ‫ﻛﻤﺎ ﺗﻢ ﺗﺪﺷﻴﻦ ﻣﺸﺮوﻋﺎت ﺟﺪﻳﺪة ﺑﺎﻟﻤﺪﻳﻨﺔ اﻟﺠﺎﻣﻌﻴﺔ‬ ‫ﺑﺠﺎﻣﻌﺔ ﺗﺒﻮك ﺗﻀﻤﻨﺖ ﻓﻲ إﻧﺸﺎء ﺻﺎﻟﺔ رﻳﺎﺿﻴﺔ‬ ‫ﻣﺘﻌﺪدة ا`ﻏﺮاض وإﺳﻜﺎن `ﻋﻀﺎء ﻫﻴﺌﺔ اﻟﺘﺪرﻳﺲ‬ ‫وإﺳﻜﺎن اﻟﻄﻼب وﻣﺒﺎﻧﻲ إدارﻳﺔ ﺑﺎ‪W‬ﺿﺎﻓﺔ إﻟﻰ ﻣﺒﺎﻧﻲ‬ ‫ﻟﻜﻠﻴﺎت اﻟﺼﻴﺪﻟﺔ وإدارة ا`ﻋﻤﺎل اﻟﺘﺮﺑﻴﺔ ﻟﻠﺒﻨﺎت‬ ‫وﻣﺴﺠﺪ ﺟﺎﻣﻊ ‪.‬‬ ‫ﻓﻲ ﻫﺬا اﻟﻌﺪد ﻧﺴﺘﻌﺮض ﻋﺪد ﻣﻦ اﻟﻤﺸﺎرﻳﻊ‬ ‫اﻟﺤﺪﻳﺜﺔ اﻟﻤﺘﻨﻮﻋﺔ ﻓﻲ ﻛﻞ ﻣﻦ اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة‬ ‫وﻣﻨﻄﻘﺔ ﺗﺒﻮك‪ ،‬واﻟﺘﻲ ﺗﻀﻤﻨﺖ ﻣﺠﻤﻊ ﺗﺠﺎري ﻓﻲ‬ ‫اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة ﻳﻀﻢ ﻣﻄﺎﻋﻢ وﻣﻘﺎﻫﻲ وﺗﻤﻴﺰ‬ ‫ﺑﺘﺼﻤﻴﻤﻪ اﻟﻤﻌﻤﺎري ‪.‬‬ ‫أﻣﺎ ﻓﻲ ﻣﻨﻄﻘﺔ ﺗﺒﻮك ﻧﺴﺘﻌﺮض ﻣﺸﺮوع ﺗﺒﻮك ﺑﺎرك‬ ‫وﻫﻮ ﻣﺸﺮوع ﺗﺠﺎري ﺣﺪﻳﺚ ﻳﺨﺪم ﺳﻜﺎن اﻟﺤﻲ ‪.‬‬

‫‪„—UÐ „u³ð‬‬

‫‪„—UÐ „u³ð‬‬

‫ ‪…—uM*« WM¹b*« ? Í—U& lL−‬‬

‫‪¡UM³ « ∂π‬‬

‫‪69 Albenaa‬‬

‫ﺻﻨﺪوق ا ﺳﺘﺜﻤﺎرات اﻟﻌﺎﻣﺔ ﺷﺮﻛﺔ »رؤى اﻟﻤﺪﻳﻨﺔ« وﻫﻲ‬ ‫ﺷﺮﻛﺔ ﻋﻤﺮاﻧﻴﺔ ﺗﻬﺪف إﻟﻰ ﺗﻌﺰﻳﺰ ﺟﺎﻫﺰﻳﺔ اﻟﻤﺴﺠﺪ‬ ‫اﻟﻨﺒﻮي ﺳﺘﻘﺒﺎل أﻛﺒﺮ ﻋﺪد ﻣﻦ اﻟﺰوار وﺗﻄﻮﻳﺮ ﻣﺸﺎرﻳﻊ‬ ‫ﻓﻨﺪﻗﻴﺔ وﺳﻜﻨﻴﺔ وﺗﺠﺎرﻳﺔ ‪.‬‬

‫ﻣﻨﻄﻘﺔ ﺗﺒﻮك‬

‫وﺗﻌﺪ ﻣﺪﻳﻨﺔ ﺗﺒﻮك أﻛﺒﺮ ﻣﺪن اﻟﻤﻤﻠﻜﺔ ﺷﻤﺎﻻً ‪ ،‬وﻫﻲ‬ ‫اﻟﺒﻮاﺑﺔ اﻟﺸﻤﺎﻟﻴﺔ ﻟﻠﺠﺰﻳﺮة اﻟﻌﺮﺑﻴﺔ‪ ،‬ﺑﺎ ﺿﺎﻓﺔ إﻟﻰ ﻛﻮﻧﻬﺎ‬ ‫ﻃﺮﻳﻘ‪ D‬ﺣﻴﻮﻳ‪ D‬ﻟﻠﺘﺠﺎر واﻟﺤﺠﺎج واﻟﻤﻌﺘﻤﺮﻳﻦ ﻣﻦ ﺧﺎرج‬ ‫اﻟﺠﺰﻳﺮة اﻟﻌﺮﺑﻴﺔ‪ ،‬ﻛﻤﺎ أﻧﻬﺎ ﻣﻦ أﻫﻢ اﻟﻤﻨﺎﻃﻖ اﻟﺰراﻋﻴﺔ‬ ‫ﻓﻲ اﻟﻤﻤﻠﻜﺔ‪.‬‬ ‫وﺗﺴﻌﻰ اﻟﺪوﻟﺔ إﻟﻰ ﺗﻄﻮﻳﺮ ﻣﻨﻄﻘﺔ ﺗﺒﻮك ﻟﻤﺎ ﺗﺘﻤﺘﻊ ﺑﻪ‬ ‫ﻣﻦ ﻣﻘﻮﻣﺎت ﺳﻴﺎﺣﻴﺔ وﺻﻨﺎﻋﻴﺔ وﺗﺠﺎرﻳﺔ و ﻋﻤﺮاﻧﻴﺔ ﻓﻲ‬ ‫ﺟﻤﻴﻊ ﻣﺤﺎﻓﻈﺎﺗﻬﺎ‪ :‬ﺿﺒﺎء‪ ،‬ﺗﻴﻤﺎء‪ ،‬أﻣﻠﺞ‪ ،‬اﻟﻮﺟﻪ‪ ،‬اﻟﺤﻘﻞ‪،‬‬ ‫اﻟﺒﺪع‪ ،‬ﺑﺎ ﺿﺎﻓﺔ إﻟﻰ اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﻤﺮاﻛﺰ واﻟﻘﺮى واﻟﻬﺠﺮ‬ ‫اﻟﺘﻲ ﺗﺮﺗﺒﻂ ﻓﻴﻤﺎ ﺑﻴﻨﻬﺎ ﻣﻦ ﺧﻼل ﺷﺒﻜﺔ ﻃﺮق ﺣﺪﻳﺜﺔ‬ ‫ﺗﻐﻄﻲ ﻣﻌﻈﻤﻬﺎ‪.‬‬ ‫وﻳﺄﺗﻲ ﻣﺸﺮوع ”ﻧﻴﻮم“ ﻓﻲ إﻃﺎر اﻟﺘﻄﻠﻌﺎت اﻟﻄﻤﻮﺣﺔ‬ ‫ﻧﻤﻮذج ﻋﺎﻟﻤﻲ راﺋﺪ‬ ‫ﻟﺮؤﻳﺔ ‪ 2030‬ﺑﺘﺤﻮل اﻟﻤﻤﻠﻜﺔ إﻟﻰ‬ ‫ٍ‬ ‫ﻓﻲ ﻣﺨﺘﻠﻒ ﺟﻮاﻧﺐ اﻟﺤﻴﺎة‪ ،‬ﻣﻦ ﺧﻼل اﻟﺘﺮﻛﻴﺰ ﻋﻠﻰ‬ ‫اﺳﺘﺠﻼب ﺳﻼﺳﻞ اﻟﻘﻴﻤﺔ )‪ (Chain Value‬وﻫﻲ‬ ‫ﻣﺠﻤﻮﻋﺔ أﻧﺸﻄﺔ ﻟﺸﺮﻛﺔ ﺻﻨﺎﻋﻴﺔ ﺗﻬﺪف إﻟﻰ رﻓﻊ‬ ‫اﻟﻘﻴﻤﺔ اﻟﺴﻮﻗﻴﺔ ﻟﻤﻨﺘﺞ ﻣﺎ ﻓﻲ اﻟﺼﻨﺎﻋﺎت واﻟﺘﻘﻨﻴﺔ‬ ‫داﺧﻞ اﻟﻤﺸﺮوع‪.‬‬ ‫ﻳﻘﻊ اﻟﻤﺸﺮوع ﻋﻠﻰ ﻣﺴﺎﺣﺔ ‪ 26,500‬ﻛﻢ‪ ،2‬وﻳﻄﻞ ﻣﻦ‬ ‫اﻟﺸﻤﺎل واﻟﻐﺮب ﻋﻠﻰ اﻟﺒﺤﺮ ا‪d‬ﺣﻤﺮ وﺧﻠﻴﺞ اﻟﻌﻘﺒﺔ‬ ‫ﺑﻄﻮل ‪ 468‬ﻛﻢ‪ ،‬وﻳﺤﻴﻂ ﺑﻪ ﻣﻦ اﻟﺸﺮق ﺟﺒﺎل ﺑﺎرﺗﻔﺎع‬ ‫‪ 2,500‬ﻣﺘﺮ‪ .‬وﺗﺸﻤﻞ اﻟﺘﻘﻨﻴﺎت اﻟﻤﺴﺘﻘﺒﻠﻴﺔ ﻟﺘﻄﻮﻳﺮ‬ ‫ﻣﻨﻄﻘﺔ ”ﻧﻴﻮم“ ﻣﺰاﻳﺎ ﻓﺮﻳﺪة‪ ،‬ﻳﺘﻤﺜﻞ ﺑﻌﻀﻬﺎ ﻓﻲ‪:‬‬ ‫ﺣﻠﻮل اﻟﺘﻨﻘﻞ اﻟﺬﻛﻴﺔ ﺑﺪء‪ j‬ﻣﻦ اﻟﻘﻴﺎدة اﻟﺬاﺗﻴﺔ وﺣﺘﻰ‬ ‫اﻟﻄﺎﺋﺮات ذاﺗﻴﺔ اﻟﻘﻴﺎدة‪ ،‬ا‪d‬ﺳﺎﻟﻴﺐ اﻟﺤﺪﻳﺜﺔ ﻟﻠﺰراﻋﺔ‬ ‫وإﻧﺘﺎج اﻟﻐﺬاء‪ ،‬اﻟﺮﻋﺎﻳﺔ اﻟﺼﺤﻴﺔ اﻟﺘﻲ ﺗﺮﻛﺰ ﻋﻠﻰ ا ﻧﺴﺎن‬ ‫وﺗﺤﻴﻂ ﺑﻪ ﻣﻦ أﺟﻞ رﻓﺎﻫﻴﺘﻪ‪ ،‬اﻟﺸﺒﻜﺎت اﻟﻤﺠﺎﻧﻴﺔ‬ ‫ﻟ‪n‬ﻧﺘﺮﻧﺖ اﻟﻔﺎﺋﻖ اﻟﺴﺮﻋﺔ أو ﻣﺎ ُﻳﺴﻤﻰ ﺑـ“اﻟﻬﻮاء‬ ‫اﻟﺮﻗﻤﻲ“‪ ،‬ﻣﻌﺎﻳﻴﺮ ﺟﺪﻳﺪة ﻟﻜﻮد اﻟﺒﻨﺎء ﻣﻦ أﺟﻞ ﺑﻨﺎء‬ ‫ﻣﺴﺎﻛﻦ ﻣﺴﺘﺪاﻣﺔ‪ ،‬وﺗﺼﻤﻴﻢ إﺑﺪاﻋﻲ وﻣﺒﺘﻜﺮ‬ ‫ﻟﻤﻨﻄﻘﺔ ”ﻧﻴﻮم“ ﻳﺤﻔﺰ ﻋﻠﻰ اﻟﻤﺸﻲ وإﺳﺘﺨﺪام اﻟﺪراﺟﺔ‬

‫ ‪„u³ð WIDM ? ¡U³{ l u ŸËdA‬‬

‫‪„u³ð WIDM ? qBO pK*« o¹dÞ d¹uDð‬‬

‫‪„u³ð WIDM ? ©fOL)« ‚uÝ ® W−²M*« dÝ_« ‚uÝ‬‬

‫∏∂ « ‪¡UM³‬‬

‫‪68 Albenaa‬‬

W Ozd « WNł«u «

w½U¦ « —ËbK wI _« jI *« 71 Albenaa

‰Ë_« —ËbK wI _« jI *« ¡UM³ « ∑±

‫ﻣﺠﻤﻊ ﺗﺠﺎري ﻓﻲ‬ ‫اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة‬ ‫اﻟﻤﺎﻟﻚ ‪ :‬ﺷﺮﻛﺔ ﺷﺒﻪ اﻟﺠﺰﻳﺮة ﻟ‪Z‬ﺳﺘﺜﻤﺎر و اﻟﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري‬ ‫اﻟﻤﺼﻤﻢ ‪ :‬ﻣﻜﺘﺐ دار اﻟﻤﺪﻳﻨﺔ ﻟ[ﺳﺘﺸﺎرات اﻟﻬﻨﺪﺳﻴﺔ‬ ‫اﻟﻤﻬﻨﺪس ﻋﺪﻧﺎن ﺧﻠﻴﻞ اﻟﺮﺣﻤﻦ‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬اﻟﻄﺮﻳﻖ اﻟﺪاﺋﺮي اﻟﺜﺎﻧﻲ‬ ‫ﻃﺮﻳﻖ اﻟﻤﻠﻚ ﻋﺒﺪ ا_ ‪ -‬اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة‬ ‫ﻣﺴﺎﺣﺔ اﻟﻤﻮﻗﻊ ‪ 4375٫61 :‬م‪٢‬‬ ‫ﻳﺤﻈﻰ ﻫﺬا اﻟﻤﺸﺮوع اﻟﺘﺠﺎري ﺑﻤﻮﻗﻊ ﻣﺘﻤﻴﺰ ﻓﻲ اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة‬ ‫ﺣﻴﺚ ﻳﻘﻊ ﻋﻠﻲ اﻟﻄﺮﻳﻖ اﻟﺪاﺋﺮي اﻟﺜﺎﻧﻲ و ﻳﺘﻜﻮن ﻣﻦ ﺛﻼﺛﺔ أدوار ‪:‬‬ ‫اﻟﺪور ا‪9‬رﺿﻲ ‪ :‬ﻣﺨﺼﺺ ﻟﻠﻤﻌﺎرض اﻟﺘﺠﺎرﻳﺔ ﺣﻴﺚ ﻋﺪدﻫﺎ‬ ‫ﺛﻤﺎﻧﻴﺔ ﻣﻌﺎرض ﻣﺠﻬﺰة ﺑﻜﺎﻓﺔ اﻟﺨﺪﻣﺎت ‪.‬‬ ‫اﻟﺪور ا‪9‬ول ‪ :‬ﻣﺨﺼﺺ ﻟﻠﻤﻄﺎﻋﻢ ﺣﻴﺚ ﻳﻀﻢ ‪ 4‬ﻣﻄﺎﻋﻢ ﺗﻄﻞ‬ ‫ﻋﻠﻰ ﺷﺮﻓﺔ ﻛﺒﻴﺮة ﺑﺤﻴﺚ ﻳﺘﻜﻮن ﻛﻞ ﻣﻄﻌﻢ ﻣﻦ ﺟﺰء داﺧﻠﻲ‬ ‫وآﺧﺮ ﺧﺎرﺟﻲ ﻣﻜﺸﻮف ‪ ،‬ﻛﻤﺎ زودت اﻟﻤﻄﺎﻋﻢ ﺑﻜﺎﻓﺔ اﻟﺨﺪﻣﺎت‪.‬‬ ‫اﻟﺪور اﻟﺜﺎﻧﻲ ‪ :‬ﻣﺨﺼﺺ ﻟﻠﻜﺎﻓﻴﻬﺎت وﻳﻀﻢ أرﺑﻌﺔ ﻛﺎﻓﻴﻬﺎت ﺗﻄﻞ‬ ‫ﻋﻠﻰ ﺷﺮﻓﺔ ﻛﺒﻴﺮة وﺑﺤﻴﺚ ﻳﺘﻜﻮن ﻛﻞ ﻛﺎﻓﻴﻪ ﻣﻦ ﺟﺰء داﺧﻠﻲ‬ ‫وآﺧﺮ ﺧﺎرﺟﻲ ﻣﻜﺸﻮف وزودت اﻟﻜﺎﻓﻴﻬﺎت ﺑﻜﺎﻓﺔ اﻟﺨﺪﻣﺎت‪.‬‬ ‫أﻋﺘﻤﺪت اﻟﻔﻜﺮة اﻟﻤﻌﻤﺎرﻳﺔ ﻋﻠﻰ ﺗﺼﻤﻴﻢ ﻣﺒﻨﻰ ذو واﺟﻬﺎت‬ ‫رﺋﻴﺴﺔ ﻣﺘﺪرﺟﺔ ﺑﺤﻴﺚ ﻳﺼﺒﺢ ﻛﻌﻼﻣﺔ ﻣﻤﻴﺰة وﻣﻌﻠﻤ‪ Q‬ﺑﺼﺮﻳ‪Q‬‬ ‫ﻋﻠﻰ اﻟﻄﺮﻳﻖ اﻟﺪاﺋﺮي ﺗﻮﻓﺮ إﻃﻼﻟﺔ راﺋﻌﺔ ﻋﻠﻰ اﻟﻤﻨﻄﻘﺔ‬ ‫اﻟﻤﺤﻴﻄﺔ ﻣﻦ ﺧﻼل ﻋﻤﻞ ﺷﺮﻓﺎت ﻛﺒﻴﺮة ﻟﺮواد اﻟﻤﻄﺎﻋﻢ‬ ‫واﻟﻜﺎﻓﻴﻬﺎت وﺗﻮﻓﺮ ﺗﻮاﺻ ً‬ ‫ﻼ ﺑﻴﻨﻬﺎ وﺑﻴﻦ ﻣﺤﻴﻄﻬﺎ وﺗﺤﻘﻖ‬ ‫اﻟﺤﻴﻮﻳﺔ ﻓﻴﻬﺎ‪ .‬وﺑﻴﻨﻤﺎ ﻣﺪاﺧﻞ اﻟﻤﻌﺎرض اﻟﺘﺠﺎرﻳﺔ ﻋﻠﻰ‬ ‫اﻟﻮاﺟﻬﺔ اﻟﺮﺋﻴﺴﺔ ﻓﺈن ﻣﺪاﺧﻞ ﺧﺪﻣﺔ اﻟﻤﻌﺎرض اﻟﺘﺠﺎرﻳﺔ‬ ‫واﻟﻤﻄﺎﻋﻢ واﻟﻜﺎﻓﻴﻬﺎت ﻓﻲ اﻟﻮاﺟﻬﺔ اﻟﺨﻠﻔﻴﺔ ﻳﻤﻜﻦ اﻟﺼﻌﻮد‬ ‫إﻟﻰ ا‪9‬دوار ﺑﻮاﺳﻄﺔ ﻋﺪد ﻣﻦ اﻟﻤﺼﺎﻋﺪ واﻟﺴﻼﻟﻢ ‪.‬‬

‫«* ‪w{—_« —ËbK wI _« jI‬‬ ‫∞∑ « ‪¡UM³‬‬

‫‪70 Albenaa‬‬

‫ﻟﻪ ﻛﺤﻲ اﻟﻤﺼﻴﻒ واﻟﺮواد واﻟﺘﻲ ﺗﻌﺘﺒﺮ أﺣﻴﺎء ﺣﻴﻮﻳﺔ ﻓﻲ‬ ‫اﻟﻤﺪﻳﻨﺔ ﻣﻤﺎ ﻳﻌﻄﻲ رﻓﺎﻫﻴﺔ ﻟﻤﻮﻗﻊ اﻟﻤﺮﻛﺰ ﺑﻘﺮﺑﻪ ﻣﻦ ا ﺣﻴﺎء‬ ‫اﻟﺴﻜﻨﻴﺔ اﻟﺮاﻗﻴﺔ‪ .‬وﻳﺘﻤﻴﺰ اﻟﻤﺸﺮوع ﺑﺘﺼﻤﻴﻤﻪ اﻟﻤﻌﻤﺎري‬ ‫اﻟﻔﺮﻳﺪ واﻟﻤﻌﺎﺻﺮ ﻓﻲ اﻟﻮاﺟﻬﺎت اﻟﺨﺎرﺟﻴﺔ وﻣﻤﺮات‬ ‫اﻟﻤﺸﺎة واﻟﺤﺪاﺋﻖ واﻟﻤﺴﻄﺤﺎت اﻟﺨﻀﺮاء وأﺷﺠﺎر اﻟﻨﺨﻴﻞ‬ ‫اﻟﺘﻲ ﺗﺤﻴﻂ ﺑﺎﻟﻤﺮﻛﺰ وﺗﺘﻴﺢ ﻟﻠﺰوار اﻣﻜﺎﻧﻴﺔ اﻟﻤﺸﻲ‬ ‫واﻟﻮﺻﻮل ﻟﻤﺪاﺧﻞ اﻟﻤﺮﻛﺰ ﺑﻄﺮﻳﻘﺔ ﺳﻠﺴﺔ‪ .‬وأﻗﻴﻢ‬ ‫ﻫﺬا اﻟﻤﺸﺮوع ﻋﻠﻰ ﻣﺴﺎﺣﺔ ﺗﺘﺠﺎوز ‪70000‬م‪ 2‬وﺣﺮص‬ ‫اﻟﻤﺮﻛﺰ ﻋﻠﻰ ﺗﻮﻓﻴﺮ ﻛﻞ ﻣﺎﻳﻬﻢ اﻟﺰاﺋﺮ ﺧﻼل ﺗﻮاﺟﺪه اذ‬ ‫ﻳﺤﺘﻮي ﻋﻠﻰ ‪ 271‬ﻣﺤﻞ ﺗﺠﺎري ﻣﻮزﻋﺔ ﺑﻴﻦ اﻟﻄﺎﺑﻖ اﻻول‬ ‫واﻟﺜﺎﻧﻲ وﻣﻨﻮﻋﺔ ﺑﻴﻦ ﻣﺤﻼت اﻟﻤﻠﺒﻮﺳﺎت واﻟﻤﺠﻮﻫﺮات‬ ‫ﻛﺪاﻣﺎس وﻻزورد‪ ،‬وﻟﻮﻟﻮ ﻫﺎﻳﺒﺮ ﻣﺎرﻛﺖ وﻫﻮ ﻣﻜﻮن ﻣﻦ‬

‫ﻃﺎﺑﻘﻴﻦ ﻋﻠﻰ ﻣﺴﺎﺣﺔ ‪12538‬م‪ 2‬واﻟﺸﺎﻳﻊ ﻟﻠﺴﺎﻋﺎت‪،‬‬ ‫ادﻳﺪاس‪ ،‬ﺳﻮاﺗﺶ‪ ،‬وﻣﻦ ﺳﻴﻜﺮﻳﺖ‪ ،‬وﺻﻴﺪﻟﻴﺔ واﻳﺘﺲ‬ ‫وﻏﻴﺮﻫﻢ اﻟﻜﺜﻴﺮ‪ .‬وﺣﺎﻟ ًﻴﺎ ﻳﺘﻢ اﻻﺳﺘﻌﺪاد ﻻﻓﺘﺘﺎح ﻣﻜﺘﺒﺔ ﺟﺮﻳﺮ‬ ‫ﻗﺮﻳﺒﺎ ﻟﺘﻜﺘﻤﻞ اﻟﺨﺪﻣﺎت اﻟﻤﻘﺪﻣﺔ ﻟﺰوار اﻟﻤﺮﻛﺰ‪ .‬وﻟﻤﻨﺢ اﻟﺰاﺋﺮ‬ ‫ﺗﺠﺮﺑﺔ ﺗﺴﻮق ﻓﺮﻳﺪة وﻣﺘﻜﺎﻣﻠﺔ وﻓﺮ اﻟﻤﺮﻛﺰ ﻣﺴﺎﺣﺎت ﺗﻔﻮق‬ ‫‪ 4000‬م‪ 2‬ﻟﻠﻤﻄﺎﻋﻢ واﻟﻜﺎﻓﻴﻬﺎت ﺣﻴﺚ ﺗﺤﺘﻮي ﻣﻨﻄﻘﺔ اﻟﻤﻄﺎﻋﻢ‬ ‫ﻋﻠﻰ ‪ 25‬ﻣﺤ ًﻼ ﺗﺠﺎرﻳ‪ d‬ﻛﺴﻤﻴﺖ ﺳﺮاي‪ ،‬ﺑﺎﺑﺎروﺗﻲ‪ ،‬وﻛﺮﻳﺐ ﻛﺎﻓﻴﺔ‪،‬‬ ‫وﻛﻮﻓﻲ ﺑﻴﻦ )‪ .(Coffee Bean‬ﻛﻤﺎ ﺣﺮص اﻟﻤﺮﻛﺰ ﻋﻠﻰ اﻟﺠﺎﻧﺐ‬ ‫اﻟﺘﺮﻓﻴﻬﻲ ﻟﻼﻃﻔﺎل ﻣﻊ ﻋﻮاﺋﻠﻬﻢ وذﻟﻚ ﺑﺘﻮﻓﻴﺮ ﻣﺴﺎﺣﺎت ﺗﺮﻓﻴﻬﻴﺔ‬ ‫وﺣﺮﺻﺎ ﻣﻦ اﻟﻤﺮﻛﺰ وﻟﻀﻤﺎن‬ ‫ ﻟﻌﺎب ﻓﺎﺑﻲ ﻻﻧﺪ ﻓﻲ اﻟﺪور اﻟﻌﻠﻮي‪.‬‬ ‫ً‬ ‫راﺣﺔ ﻣﺮﺗﺎدﻳﻪ ﺗﻢ اﻟﻌﻤﻞ ﻋﻠﻰ ﺗﺼﻤﻴﻢ ﻣﺪاﺧﻞ رﺋﻴﺴﻴﺔ وﻓﺮﻋﻴﺔ‬ ‫وﻣﻮاﻗﻒ ﺧﺎرﺟﻴﺔ ﻋﻠﻰ ﻣﺴﺎﺣﺔ ‪ 28361‬م‪ 2‬ﺗﺘﺴﻊ ﻟـ ‪ 2000‬ﺳﻴﺎرة‪.‬‬

‫ﻣﺮﻛﺰ ﺗﺠﺎري ﺣﺪﻳﺚ‬

‫ﺗﺒﻮك ﺑﺎرك‬ ‫اﻟﻤﺎﻟﻚ ‪ :‬ﺷﺮﻛﺔ أﺻﺎﻟﺔ اﻟﻘﺎﺑﻀﺔ‬ ‫اﻟﻤﻮﻗﻊ ‪ :‬ﻣﺪﻳﻨﺔ ﺗﺒﻮك‬ ‫اﻟﻤﺴﺎﺣﺔ ‪ 109632 :‬ﻣﺘﺮ ﻣﺮﺑﻊ‬

‫ﺗﻌﺪ اﻟﻤﺮاﻛﺰ اﻟﺘﺠﺎرﻳﺔ اﻟﻴﻮم أﺣﺪ أﻫﻢ اﻟﻮﺟﻬﺎت اﻟﺘﺮﻓﻴﻬﻴﺔ‬ ‫ﻓﻲ اﻟﻤﺪن ﺑﺎ‪5‬ﺿﺎﻓﺔ إﻟﻰ ﻛﻮﻧﻬﺎ ﻣﺮاﻛﺰ ﺗﺠﺎرﻳﺔ ﻟﻠﺘﺴﻮق وﻟﺒﻴﻊ‬ ‫اﻟﺴﻠﻊ ا‪5‬ﺳﺘﻬﻼﻛﻴﺔ‪ .‬اﻟﻴﻮم ﻳﺘﺠﻪ اﻟﻤﻄﻮرون إﻟﻰ إﻧﺸﺎء ﻣﺮاﻛﺰ‬ ‫ﻋﻤﻼﻗﺔ ﺗﺤﺘﻮي ﻋﻠﻰ أﻧﺸﻄﺔ ﺗﺮﻓﻴﻬﻴﺔ ﻣﺘﻨﻮﻋﺔ ﻓﻲ ﻓﻀﺎءات‬ ‫ﺗﻠﺒﻲ اﺣﺘﻴﺎﺟﺎﺗﻬﻢ ﻣﻦ اﻟﻤﺘﻌﺔ واﻟﺘﺮﻓﻴﻪ أوﻻً واﻟﺘﺴﻮق ﻋﺒﺮ‬ ‫اﻟﻤﺤﻼت اﻟﺘﺠﺎرﻳﺔ ﺛﺎﻧﻴ‪ .J‬وﻓﻲ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‬ ‫إﻧﺘﺸﺮت اﻟﻤﺮاﻛﺰ اﻟﺘﺠﺎرﻳﺔ ﻓﻲ اﻟﻤﺪن وأﺻﺒﺤﺖ ﻣﺮاﻛﺰ‪ L‬ﺣﻴﻮﻳﺔ‬ ‫ﻟﻠﻤﻨﺎﻃﻖ اﻟﺘﻲ ﺗﻘﻊ ﻓﻴﻬﺎ ‪ ،‬ﺑﺤﻴﺚ ﺗﻌﺪ اﺣﺪ اﻫﻢ اﻟﻤﺘﻨﻔﺴﺎت‬ ‫اﻟﺮﺋﻴﺴﺔ ﻟﻠﻤﺪن وﻫﻲ اﻟﻤﻜﺎن ا‪S‬ﻛﺜﺮ أﻫﻤﻴﺔ ﻟﻠﺘﺴﻮق واﻟﺘﺮﻓﻴﻪ‪.‬‬ ‫ﺗﻤﻴﺰت اﻟﻤﺮاﻛﺰ اﻟﺘﺠﺎرﻳﺔ ﻓﻲ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‬ ‫ﺑﺘﺼﺎﻣﻴﻤﻬﺎ اﻟﻌﺼﺮﻳﺔ ﺣﻴﺚ ﺟﻬﺰت ﺑﻜﻞ اﻟﺨﺪﻣﺎت واﻟﻤﺮاﻓﻖ‬ ‫ووﺳﺎﺋﻞ اﻟﺮاﺣﺔ ‪ .‬ﺑﺤﻴﺚ ﺗﺤﻮﻟﺖ اﻟﻤﺮاﻛﺰ اﻟﺘﺠﺎرﻳﺔ إﻟﻰ ﻣﺮاﻛﺰ‬

‫ﺗﺮﻓﻴﻪ وﺗﻮاﺻﻞ اﺟﺘﻤﺎﻋﻲ أﻛﺜﺮ ﻣﻦ ﻛﻮﻧﻬﺎ ﻣﺮاﻛﺰ ﻟﻠﺘﺴﻮق‬ ‫واﻫﺘﻢ اﻟﻤﻄﻮرون ﺑﺘﻄﻮﻳﺮ ﻫﺬه اﻟﺠﻮاﻧﺐ ﻓﻴﻬﺎ ﻣﻦ ﺧﻼل إﻧﺸﺎء‬ ‫ﻣﺴﺎﺣﺎت ﻋﺎﻣﺔ اﻛﺜﺮ وﺗﻄﻮﻳﺮ ﺻﺎﻻت أﻟﻌﺎب ﻟﺠﺬب ا‪S‬ﻃﻔﺎل ﻟﻬﺎ‪.‬‬ ‫وﻣﻦ ا‪S‬ﻣﺜﻠﺔ ﻋﻠﻰ اﻟﻤﺮاﻛﺰ اﻟﺘﺠﺎرﻳﺔ اﻟﺤﺪﻳﺜﺔ ﻣﺸﺮوع ﺗﺒﻮك ﺑﺎرك‬ ‫اﻟﺠﺪﻳﺪ واﻟﺬي أﻧﺸﺄﺗﻪ ﺷﺮﻛﺔ أﺻﺎﻟﺔ اﻟﻘﺎﺑﻀﺔ وﺗﻘﻮم ﺑﺈدارﺗﻪ‬ ‫وﺗﺸﻐﻴﻠﻪ ﺷﺮﻛﺔ ﻫﺎﻣﺎت اﻟﻌﻘﺎرﻳﺔ‪.‬‬ ‫ﻳﺘﻤﺘﻊ ﺗﺒﻮك ﺑﺎرك ﺑﻤﻮﻗﻊ ﻣﺘﻤﻴﺰ ﻓﻲ اﻟﺠﺰء اﻟﺸﻤﺎﻟﻲ ﻣﻦ‬ ‫اﻟﻤﺪﻳﻨﺔ ﻓﻲ ﺣﻲ اﻟﻤﺮوج ﺣﻴﺚ ﻳﺤﻴﻂ ﺑﻪ ﺛﻼث ﻃﺮق ﺣﻴﻮﻳﺔ‬ ‫وﻫﺎﻣﺔ ﻣﻨﻬﺎ ﻃﺮﻳﻖ اﻟﻤﻠﻚ ﻋﺒﺪا‪ f‬وﻃﺮﻳﻖ اﻟﻤﻠﻚ ﻓﻴﺼﻞ‬ ‫وﻃﺮﻳﻖ اﺑﻮ ﺑﻜﺮ اﻟﺼﺪﻳﻖ واﻣﺘﺪاد واﺟﻬﺎﺗﻪ ﻋﻠﻰ ﻫﺬه اﻟﻄﺮق‬ ‫ﻫﻮ ﻣﺎﻳﺠﻌﻠﻪ ﻋﻼﻣﺔ ﻣﻤﻴﺰة ﻓﻲ اﻟﻤﻨﻄﻘﺔ‪ .‬وﺗﻜﻤﻦ أﻫﻤﻴﺔ ﻫﺬا‬ ‫اﻟﻤﺸﺮوع ﻓﻲ ﺧﺪﻣﺘﻪ ﻟﺴﻜﺎن اﻟﺤﻲ واﻻﺣﻴﺎء اﻟﻤﻤﻴﺰة اﻟﻤﺠﺎورة‬

rŽUD*« WIDM

e dLK wDÝu « dL*« 77 Albenaa

w dA « w ULA « qšb*« ¡UM³ « ∑∑

w Ozd « rFD*« WO Ozd « ö;« ‰UHÞ_« ö× W¹—U−² « ö;«

w{—_« —ËbK wI _« jI *«

»UF _« WIDM X —U d³¹UN « WO Ozd « ö;« W¹—U−² « ö;« WF¹d « U³łu « rŽUD

‰Ë_« —ËbK wI _« jI *«

WO dA « WNł«u «

e d*« jÝË w w{dŽ ŸUD

rŽUD*«Ë »UF ô« WIDM w w{dŽ ŸUD e dLK qš«b*« bŠ_ …—u 76 Albenaa

¡UM³ « ∑∂

w dA « wÐuM'« qšb*«

„—UÐ „u³ð w d¹dł W³²J dI* —u

ÍuKF « —Ëb « v ≈ W¹œR*« r ö « bŠ_ …—u

e dLK WOKš«œ …—u

n «u*« s V½Uł

e d*« w ÁUO*« «—Ëb …—u

79 Albenaa

¡UM³ « ∑π

w dA « w ULA « qšb*« WЫuÐ

×U)« s »UF _«Ë rŽUD*« WIDM WNł«Ë 78 Albenaa

¡UM³ « ∑∏

¡UM³ « w b¹b'«

‫ﻧﻈﺎم ﻟﻠﻨﻮاﻓﺬ إﻧﺰﻻﻗﻴﺔ‬ ‫ﻧﺰﻻﻗﻴﺔ ﺣﻴﺚ ﻳﻤﻜﻦ ﺗﺜﺒﻴﺖ اﻟﻨﻮاﻓﺬ‬+‫ﻧﻈﺎم ﺟﺪﻳﺪ ﻟﻠﻨﻮاﻓﺬ ا‬ ‫ ﻳﺠﻤﻊ اﻟﻨﻈﺎم‬. ‫ درﺟﺔ ﻣﺎﺋﻠﺔ ﻧﺤﻮ اﻟﺪاﺧﻞ أو اﻟﺨﺎرج‬20 ‫ﺑﺰواﻳﺔ‬ ‫ﻣﻜﺎﻧﻴﺎت‬+‫ﺿﺎﻓﺔ إﻟﻰ ا‬+‫ﺟﻤﻴﻊ ا"ﻧﻈﻤﺔ اﻟﺘﻘﻠﻴﺪﻳﺔ ﻟﻠﻨﻮاﻓﺬ ﺑﺎ‬ ‫ ﻳﺘﻤﻴﺰ اﻟﻨﻈﺎم ﺑﻘﻮة ﺗﺤﻤﻞ ﺟﻤﻴﻊ اﻟﻘﻮة‬.‫اﻟﺠﻴﻮﻣﺘﺮﻳﺔ اﻟﻤﻤﻴﺰة‬ ‫ ﻛﻤﺎ ﻳﺘﻤﻴﺰ اﻟﻨﻈﺎم‬.‫اﻟﻌﻤﻮدﻳﺔ أو ا"ﻓﻘﻴﺔ وﺑﺎﻟﺘﺎﻟﻲ ﺗﻌﺰﻳﺰ ا"داء‬ . ‫ﺑﺘﻮﻓﺮ ﻧﻈﺎم ﺗﺼﺮﻳﻒ رﻏﻢ اﻟﻤﻴﻮل‬

Sky Frame Sloop Sky-Frame Slope sliding windows can be installed with an inward or outward inclination depending on requirements. The system meets all Sky-Frame standards while generating a distinctive spatial geometry. The bearing assembly is able to accommodate all vertical and horizontal forces, thereby achieving superior running performance. Regardless of inclination, the drainage system meets all driving rain resistance requirements. www.sky-frame.com

‫أﻟﻮاح ﺟﺪارﻳﺔ ﻋﺎﻟﻴﺔ اﻟﻤﻘﺎوﻣﺔ‬ ‫ اﻟﻤﻘﺎوﻣﺔ ﻟﺠﻤﻴﻊ اﻟﺘﺤﺪﻳﺎت ﻓﻬﻲ‬Habito ‫أﻟﻮاح ﺟﺪارﻳﺔ‬ ‫ﻣﻘﺎوﻣﺔ ﻟﻠﺼﺪأ وﻗﺎدرة ﻋﻠﻰ ﺗﺤﻤﻞ ا"وزان اﻟﺜﻘﻴﻠﺔ ﻣﺜﻞ أﺟﻬﺰة‬ ‫ﺿﺎﻓﺔ إﻟﻰ ﻣﻘﺎوﻣﺔ‬+‫ ﺑﺎ‬، ‫ ﺧﺰاﺋﻦ اﻟﻤﻄﺎﺑﺦ أو اﻟﺤﻤﺎﻣﺎت‬، ‫اﻟﺘﻠﻔﺎز‬ .‫ﻋﺎﻟﻴﺔ ﺿﺪ اﻟﺼﺪﻣﺎت‬

HABITO Innovation that will revolutionize the housing market: Habito, the wall that meets all the challenges of everyday life. Habito resists to everyday impacts and facilitates fixing of all types of loads.

Habito can be fitted everywhere in the home and it enables the occupants to arrange the spaces according to their wishes. www.particuliers.placo.fr

84 Albenaa

¡UM³ « ∏¥

¡UM³ « w b¹b'«

‫أﻧﻈﻤﺔ اﺳﺘﺸﻌﺎر ﺟﺪﻳﺪة ﻟﻠﻤﻨﺎزل‬ ‫ﻧﻈﺎم ﺟﺪﻳﺪ ﺟﻬﺰة اﻻﺳﺘﺸﻌﺎر اﻟﻤﻨﺰﻟﻴﺔ اﻟﺘﻲ ﺗﻌﻤﻞ‬ ‫ ﻓﻲ ﻓﺘﺢ وإﻏﻼق وﺗﻈﻠﻴﻞ اﻟﻨﻮاﻓﺬ واﻟﺴﻘﻒ ﻟﺘﻮﻓﻴﺮ‬+‫أوﺗﻮﻣﺎﺗﻴﻜﻴ‬ ‫ ﻳﻌﻤﻞ اﻟﻨﻈﺎم ﺑﺎﺳﺘﺸﻌﺎر درﺟﺔ اﻟﺤﺮارة‬.‫ﻣﻨﺎخ ﺟﻴﺪ داﺧﻞ اﻟﻤﻜﺎن‬ ‫واﻟﺮﻃﻮﺑﺔ وﻣﺴﺘﻮﻳﺎت ﺛﺎﻧﻲ أﻛﺴﻴﺪ اﻟﻜﺮﺑﻮن داﺧﻞ اﻟﻤﻜﺎن ﻣﻤﺎ‬ ‫ وﻳﻤﻜﻦ‬،‫ﻳﺴﺎﻋﺪ ﻓﻲ اﻟﺤﻔﺎظ ﻋﻠﻰ ﻣﻨﺎخ ﺻﺤﻲ داﺧﻞ اﻟﻤﻜﺎن‬ . ‫اﻟﺘﺤﻜﻢ ﺑﺎﻟﻨﻈﺎم ﻣﻦ ﺧﻼل ﺗﺤﻤﻴﻞ ﺗﻄﺒﻴﻖ ﻓﻲ ا ﺟﻬﺰة اﻟﺬﻛﻴﺔ‬

Velux Active with Netatmo VELUX ACTIVE with Netatmo is a smart sensor-based home solution that automates the opening, closing and shading of VELUX roof windows to deliver a better indoor climate. It automatically regulates temperature, humidity and CO2 levels, which keeps indoor air healthy at all time. VELUX ACTIVE with Netatmo is a fully automated system, but can also be operated with a simple remote or through an intuitive smartphone app. www.velux.fr

‫ﻃﻼء ﺣﺮاري ﻟ رﺿﻴﺎت واﻟﺠﺪران‬ ‫رﺿﻴﺎت واﻟﺠﺪران ﻫﻮ اﺑﺘﻜﺎر‬I‫ اﻟﺤﺮاري ﻟ‬Bioactive + ‫ﻃﻼء‬ ‫ﺟﺪﻳﺪ ﻣﺼﻨﻮع ﻣﻦ ﻣﻜﻮﻧﺎت ﻃﺒﻴﻌﻴﺔ ﻳﻌﻤﻞ ﻋﻠﻰ ﺗﺤﺴﻴﻦ‬ ‫ ﻳﺘﻤﻴﺰ ﻫﺬا اﻟﻄﻼء‬.‫ا داء اﻟﺤﺮاري وأداء اﻟﻄﺎﻗﺔ ﻓﻲ اﻟﺒﻴﺖ‬ ‫ﻋﻠﻰ ﻗﺪرﺗﻪ ﻟﺘﺨﺰﻳﻦ واﻣﺘﺼﺎص اﻟﺤﺮارة وﻣﻦ ﺛﻢ إﻃﻼﻗﻬﺎ‬ ‫ﻋﻨﺪ إﻧﺨﻔﺎض درﺟﺔ ﺣﺮارة اﻟﻐﺮﻓﺔ وذﻟﻚ ﺑﻔﻀﻞ اﺣﺘﻮاﺋﻪ ﻋﻠﻰ‬ ‫ وﻳﻬﺪف‬. (PCM) ‫ﻛﺒﺴﻮﻻت ﺻﻐﻴﺮة ﺟﺪ^ ﻣﻦ ﻣﻮاد ﻣﺘﻐﻴﺮة‬ ‫اﻟﻄﻼء ﻋﻠﻰ اﻟﺤﻔﺎظ ﻋﻠﻰ درﺟﺔ ﺣﺮارة داﺧﻠﻴﺔ ﻣﻨﺎﺳﺒﺔ ﻓﻲ‬ ‫ ﻋﻠﻰ اﻟﺤﺪ‬Bioactive + ‫ﺟﻤﻴﻊ ﻓﺼﻮل اﻟﺴﻨﺔ وﻳﻀﻤﻦ ﻃﻼء‬ . ‫ﻣﻦ اﻧﺒﻌﺎﺛﺎت اﻟﻤﺮﻛﺒﺎت اﻟﻌﻀﻮﻳﺔ اﻟﻤﺘﻄﺎﻳﺮة‬

Bioactive+ Bioactiv + is a very thin thermoregulating coating for walls and floors, designed to improve the thermal comfort and to improve the energy performance of a house. Thanks to phase-changing materials integrated into invisible microcapsules, the coating, which applies to any support, absorbs, stores and then restitutes the heat as soon as the ambient temperature of a room comes down again. A comfortable atmosphere can be maintained in all seasons. Bioactiv+ is an ecological paint which is guaranteed to be free from VOCs emission. www.franceinnov.fr

86 Albenaa

¡UM³ « ∏∂

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﻨﻊ ﺷﺒﻪ اﻟﺠﺰﻳﺮة ﻟﻠﺨﺮﺳﺎﻧﺔ ﻣﺴﺒﻘﺔ اﻟﺼﺐ‬ ‫ﺧﺒﺮة ‪ ١٧‬ﻋﺎﻣ ﻓﻲ ﻣﺠﺎل اﻟﺒﺮﻳﻜﺎﺳﺖ‬

‫ﻣﺸﺎرﻳﻊ ﺟﺎﻣﻌﺔ ﻃﻴﺒﺔ ‪:‬‬ ‫ﺗﺼﻨﻴـــﻊ وﺗﻮرﻳﺪ وﺗﺮﻛﻴﺐ اﻟﺤﻮاﺋﻂ ﻣﺴـــﺒﻘﺔ‬ ‫اﻟﺼـــﺐ واﻟﻤﺸـــﺮﺑﻴﺎت وا‪Q‬ﺳـــﻘﻒ ﺑﻨﻈـــﺎم‬ ‫اﻟﺒﻼﻃـــﺎت اﻟﻤﻔﺮﻏـــﺔ ﻟﻌـــﺪد ﺳـــﺘﺔ ﻣﺒﺎﻧـــﻲ‬ ‫ﻟﺠﺎﻣﻌﺔ ﻃﻴﺒﺔ ﻣﻨﻬﺎ ﻣﺒﻨﻰ ﻗﺎﻋﺔ اﻟﻤﺆﺗﻤﺮات‬ ‫وﻣﺒﺎﻧﻰ ا`دارة اﻟﻌﻠﻴﺎ واﻟﻌﻤﺎدات اﻟﻤﺴـــﺎﻧﺪة‬ ‫وﻟﻌﺪد ﻣﻦ ﻣﺒﺎﻧﻲ ﻛﻠﻴﺎت اﻟﺠﺎﻣﻌﺔ ﺑﺎ‪Q‬ﺿﺎﻓﺔ‬ ‫اﻟﻲ ا‪Q‬ﺳـــﻮار اﻟﺨﺎرﺟﻴﺔ ‪ ٣٦‬ﻣﻠﻴﻮن رﻳﺎل ﺧﻼل‬ ‫ﻣﺪة ﺗﻨﻔﻴﺬ ‪ ٢٩‬ﺷﻬﺮ ‪.‬‬

‫ ‪l¹d « 5 d(« —UD – WM¹b*« WD× ŸËdA‬‬

‫ﺗﻌﺪ ﺷـــﺮﻛﺔ ﺷــﺒﻪ اﻟﺠﺰﻳﺮة ﻟﻠﻤﻘﺎوﻻت ﻣﻦ‬ ‫اﻟﺸﺮﻛﺎت اﻟﺴـــﻌﻮدﻳﺔ اﻟﻮﻃﻨﻴﺔ اﻟﺮاﺋﺪة ذات‬ ‫اﻟـــﺪور اﻟﺒـــﺎرز ﻓـــﻲ ﻣﺠـــﺎل اﻟﺒﻨﺎء واﻟﺘﺸـــﻴﻴﺪ‬ ‫واﻟﻤﻘﺎوﻻت‪ .‬ﻓﻘﺪ ﺗﻢ إﻧﺸـــﺎؤﻫﺎ ﻋﺎم ‪١٩٦٥‬م ‪/‬‬ ‫‪ ١٣٨٥‬ﻫـ ﺑﺮأس ﻣﺎل ﺳﻌﻮدي ﻳﺒﻠﻎ ‪ ٤٠٠‬ﻣﻠﻴﻮن‬ ‫رﻳـــﺎل‪ .‬وﻣﻨـــﺬ إﻧﺸـــﺎﺋﻬﺎ ﺣﺘـــﻰ ا‪I‬ن ﺣﺎﻓﻈﺖ‬ ‫اﻟﺸﺮﻛﺔ ﻋﻠﻰ أن ﻳﻈﻞ ﺗﺼﻨﻴﻔﻬﺎ ﻓﻲ اﻟﻔﺌﺔ‬ ‫ا‪Q‬وﻟﻰ داﺋﻤﺎ ﻓﻲ اﻟﻤﻘﺎوﻻت‪.‬‬ ‫واﺳﺘﻤﺮارا ﻟﻬﺬا اﻟﺪور اﻟﻘﻴﺎدي ﻟﻠﺸﺮﻛﺔ ﻓﻲ‬ ‫ﻗﻄـــﺎع اﻟﻤﻘـــﺎوﻻت ﻓﻘﺪ ﻗﺎﻣﺖ اﻟﺸـــﺮﻛﺔ ﻋﺎم‬ ‫‪٢٠٠٠‬م ﺑﺈﻧﺸﺎء ﻣﺼﻨﻊ ﺷﺒﻪ اﻟﺠﺰﻳﺮة ﻟﻠﺨﺮﺳﺎﻧﺔ‬ ‫ﻣﺴـــﺒﻘﺔ اﻟﺼﺐ ﻟﻴﻐﻄﻲ اﺣﺘﻴﺎﺟﺎت اﻟﻘﻄﺎع‬ ‫ﻣﻦ اﻟﺨﺮﺳﺎﻧﺔ ﻣﺴﺒﻘﺔ اﻟﺼﺐ ﺑﻜﺎﻓﺔ أﻧﻮاﻋﻬﺎ‬ ‫اﻟﺮﻣﺎدﻳﺔ واﻟﺒﻴﻀﺎء واﻟﻤﻠﻮﻧﺔ وﻛﺎﻓﺔ ﻣﻨﺘﺠﺎت‬ ‫اﻟﺠﻲ ار ﺳـــﻲ واﻟﺒﻼﻃﺎت ﻣﺴـــﺒﻘﺔ ا`ﺟﻬﺎد )‬ ‫ﻫﻠﻮﻛﻮر ودﺑﻞ ﺗﻲ( ‪.‬‬ ‫واﻧﻄﻼﻗـــﺎ ﻣـــﻦ ﺗﻔﻌﻴـــﻞ رؤﻳـــﺔ ‪ ٢٠٣٠‬ﻟﻠﻤﻤﻠﻜﺔ‬

‫ﻣﺸﺮوع ﻣﺤﻄﺔ اﻟﻤﺪﻳﻨﺔ – ﻗﻄﺎر اﻟﺤﺮﻣﻴﻦ‬ ‫اﻟﺴﺮﻳﻊ ‪:‬‬ ‫ﺗﺼﻨﻴـــﻊ وﺗﻮرﻳـــﺪ اﻟﻌﻨﺎﺻـــﺮ ﻣﺴـــﺒﻘﺔ اﻟﺼﺐ‬ ‫اﻟﻼزﻣـــﺔ ﻟﻤﺤﻄﺔ اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة ﻣﻦ ﻛﻤﺮات‬ ‫وﺑﻼﻃﺎت ﻣﻨﺤﻨﻴﺔ وﺑﻼﻃﺎت ﻣﻔﺮﻏﺔ وﺳـــﻮاﺗﺮ‬ ‫ﻣﻌﻤﺎرﻳـــﺔ ﻟﻠﻤﺤﻄـــﺔ وﻛﺮاﻧﻴـــﺶ ووﺣـــﺪات‬ ‫دﻳﻜﻮرﻳﺔ ﻣﻦ اﻟﺨﺮﺳـــﺎﻧﺔ اﻟﻤﺴـــﻠﺤﺔ ﺑﺎ‪Q‬ﻟﻴﺎف‬ ‫اﻟﺰﺟﺎﺣﻴﺔ ﻟﻤﺒﻨﻰ اﻟﻤﺴﺠﺪ ﺑﻘﻴﻤﺔ ‪ ١٤‬ﻣﻠﻴﻮن‬ ‫رﻳﺎل ﺧﻼل ﻣﺪة ‪ ١٢‬ﺷﻬﺮ ‪.‬‬

‫ﻣﺒﻨــﻰ ﻗﺎﻋــﺔ اﻟﻤﺤﺎﺿــﺮات واﻟﻤﺠﻠــﺲ‬ ‫اﻟﺒﻠــﺪي واﻟﻤﻜﺘﺒــﺔ ﺑﺄﻣﺎﻧــﺔ اﻟﻤﺪﻳﻨــﺔ‬ ‫اﻟﻤﻨﻮرة‪.‬‬ ‫ـ ﺗﻜﺴـــﻴﺔ ﻛﺎﻣﻞ ﺣﻮاﺋـــﻂ اﻟﻤﺒﻨـــﻰ وا‪Q‬ﻓﻨﻴﺔ‬ ‫اﻟﺨﺎرﺟﻴﺔ ﺑﺤﻮاﺋﻂ ﻣﻠﻮﻧﺔ ﻣﺴﺒﻘﺔ ﺧﻼل ﻣﺪة‬ ‫‪ ٧‬ﺷﻬﻮر ‪.‬‬ ‫ﺑﺎ`ﺿﺎﻓﺔ إﻟﻰ اﻟﻌﺪﻳﺪ ﻣﻦ ﻣﺸﺎرﻳﻊ اﻟﺠﺎﻣﻌﺎت‬ ‫ﻓﻲ ﺗﺒﻮك وﺣﺎﺋﻞ واﻟﺠﺎﻣﻌﺔ ا`ﺳﻼﻣﻴﺔ وﻋﺪد‬ ‫ﻣﻦ ﻛﺒﺎر اﻟﻤﺸـــﺎرﻳﻊ داﺧـــﻞ اﻟﻤﺪﻳﻨﺔ اﻟﻤﻨﻮرة‬ ‫وﻓﻲ ﻣﺨﺘﻠﻒ أﻧﺤﺎء اﻟﻤﻤﻠﻜﺔ ‪.‬‬

‫√‪WO öÝù« WF U'« —«uÝ‬‬

‫ ‪W¹e d*« WIDM*« ? VO uOð Êb uł ‚bM‬‬

‫ ‪Æ…—uM*« WM¹b*« W½U QÐ W³²J*«Ë ÍbK³ « fK−*«Ë «d{U;« WŽU vM³‬‬

‫∞‪¡UM³ « π‬‬

‫‪90 Albenaa‬‬

‫اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ ﻓﻘﺪ ﻗﺎﻣﺖ اﻟﺸﺮﻛﺔ ﻓﻲ‬ ‫‪ ٢٠١٧‬ﺑﺈﺿﺎﻓﺔ ﺻﺮح ﺟﺪﻳﺪ ﻣﻦ ﺻﺮوح اﻟﺼﻨﺎﻋﺔ‬ ‫ﺑﺎﻟﻤﺪﻳﻨـــﺔ اﻟﻤﻨﻮرة ﻳﻌﺪ إﺿﺎﻓﺔ ‪I‬ﻓﺎق اﻟﺘﻨﻤﻴﺔ‬ ‫ﺑﺎﻟﻤﻤﻠﻜﺔ ‪.‬‬ ‫ﻧﻤﺎذج ﻟﺒﻌﺾ ﻣﺸﺎرﻳﻊ اﻟﻤﺼﻨﻊ ﺑﺎﻟﻤﺪﻳﻨﺔ‬ ‫اﻟﻤﻨﻮرة ‪:‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺆﺳﺴﺔ اﻟﺤﺴﻴﻨﻲ اﻟﺘﺠﺎرﻳﺔ‬ ‫ﻣﺘﺨﺼﺼﻮن ﻓﻲ ﻣﻨﺘﺠﺎت اﻟﻔﺎﻳﺒﺮ ﺟﻼس واﻟﺒﻮﻟﻲ إﻳﺜﻴﻠﻴﻦ‬

‫ﺧﺰاﻧﺎت إﺳﻄﻮاﻧﻴﺔ ﻓﻮق وﺗﺤﺖ ا رض ) ﺣﺴﺐ اﻟﻄﻠﺐ(‬

‫ﻣﻊ ﻣﻄﻠﻊ اﻟﻌﺎم ‪١٩٧٥‬م وﻓﻲ ﻣﺪﻳﻨﺔ اﻟﺨﺒﺮ ﺗﺄﺳﺴﺖ‬ ‫ﻣﺆﺳﺴـــﺔ اﻟﺤﺴـــﻴﻨﻲ اﻟﺘﺠﺎرﻳـــﺔ ﻛﺄول ﻣﺆﺳﺴـــﺔ‬ ‫ﻣﺘﺨﺼﺼـــﺔ ﻓـــﻲ ﺗﻮرﻳﺪ وﺗﺴـــﻮﻳﻖ اﻟﺨﺰاﻧـــﺎت‪ ،‬واﻟﺘﻲ‬ ‫ﺣﺮﺻـــﺖ اﻟﻤﺆﺳﺴـــﺔ أن ﺗﻜـــﻮن ﻣﻮاﻓﻘـــﺔ ﻟﻠﺠـــﻮدة‬ ‫وﻛﺬﻟـــﻚ ﺗﻮﻓﺮ ﺣﻠـــﻮل إﺑﺘﻜﺎرﻳـــﺔ وﻋﻤﻠﻴـــﺔ ﻟﻠﻌﻤﻼء ‪،‬‬ ‫وﺑﻔﻀـــﻞ ا‪ N‬ﺗﺤﻘـــﻖ ﻟﻠﻤﺆﺳﺴـــﺔ اﻟﻨﺠﺎح اﻻﻧﺘﺸـــﺎر‪،‬‬ ‫ا ﻣـــﺮ اﻟﺬي دﻋﻰ ﺑﺈدارﺗﻬﺎ ﺑﺈﺗﺨﺎذ اﻟﻘﺮار ﺑﺎ‪R‬ﻧﺘﻘﺎل إﻟﻰ‬ ‫ﻣﺮﺣﻠـــﺔ اﻟﺘﺼﻨﻴﻊ اﻟﻤﺤﻠـــﻲ داﺧـــﻞ اﻟﻤﻤﻠﻜﺔ ﻟﺘﺤﻘﻖ‬ ‫ﺑﻬـــﺬا وﻟﻠﻤـــﺮة اﻟﺜﺎﻧﻴـــﺔ اﻟﺮﻳـــﺎدة ﻓـــﻲ ﻫـــﺬا اﻟﻤﺠـــﺎل‬ ‫ﻣﺪﻋﻮﻣـــﺔ ﺑﺄﺣـــﺪث اﻟﺘﻘﻨﻴـــﺎت واﻟﺨﺒـــﺮات اﻟﺒﺸـــﺮﻳﺔ‬ ‫اﻟﻤﺘﻤﻴـــﺰة ﺛـــﻢ ﻛﺎن ﻧﺠﺎ ح اﻟﻤﺆﺳﺴـــﺔ ﻓﻲ اﻟﺤﺼﻮل‬ ‫ﻋﻠـــﻰ ﺷـــﻬﺎدة ا ﻳـــﺰو ‪ ٩٠٠١‬ﻟﻤﺼﻨـــﻊ اﻟﻔﺎﻳﺒـــﺮ ﺟـــﻼس‬ ‫ﺗﺄﻛﻴـــﺪا ﻋﻠﻰ اﻟﺘﻔـــﻮق واﻟﺮﻳـــﺎدة وﻣﺤﺼﻠـــﺔ ﻟ]ﻟﺘﺰام‬ ‫ﺑﺘﻄﺒﻴﻖ ﻣﻌﺎﻳﻴﺮ اﻟﺠﻮدة اﻟﻌﺎﻟﻤﻴﺔ‪.‬‬ ‫وﺗﺘﻄﻠـــﻊ اﻟﻤﺆﺳﺴـــﺔ ﻟﻠﻐـــﺪ ﺑﺎﻟﻤﺰﻳـــﺪ ﻣـــﻦ اﻟﺘﺤﺪي‬ ‫واﻟﻌﺰم ﻋﻠﻰ ﺗﺤﻘﻴﻖ اﻟﻤﺰﻳﺪ ﻣﻦ اﻟﻨﺠﺎﺣﺎت واﻟﺘﻮﺳﻊ‬ ‫ﺑﻤـــﺎ ﻳﻀﻤـــﻦ ﻟﻬـــﺎ اﺳـــﺘﻤﺮارﻳﺔ اﻟﺮﻳـــﺎدة وﻧﻴـــﻞ رﺿـــﺎ‬ ‫اﻟﻌﻤﻴﻞ‪.‬‬ ‫إﻧﺠﺎزاﺗﻨﺎ‬ ‫ﻟﻌـــﻞ ﻣﺎ ﺣﻘﻘﺘﻪ ﻣﺆﺳﺴـــﺔ اﻟﺤﺴـــﻴﻨﻲ اﻟﺘﺠﺎرﻳﺔ ﻣﻦ‬ ‫ﻧﺠﺎﺣﺎت ﻣﻨﺬ ﺗﺄﺳﻴﺴـــﻬﺎ ﻫﻮ ﻣـــﺎ ﻳﺠﻌﻠﻨﺎ ﻧﻔﺘﺨﺮ ﺑﻤﺎ‬ ‫ﻗﺪﻣﻨـــﺎه ﻟﻌﻤﻼءﻧـــﺎ‪ ،‬ﻛﻤﺎ أﻧﻨـــﺎ ﻧﻌﺘﺒﺮ ﻫـــﺬه ا‪R‬ﻧﺠﺎزات‬ ‫ﻣﺴـــﺌﻮﻟﻴﺔ ﻋﻠـــﻰ ﻋﺎﺗﻘﻨـــﺎ ﻛﻮﻧﻨـــﺎ ﻧﺴـــﻌﻰ ﻟﺘﻘﺪﻳﻢ‬ ‫اﻟﻤﺰﻳﺪ وا ﻓﻀﻞ داﺋﻤ‪.f‬‬ ‫ﺳﻴﺎﺳﺘﻨﺎ‬ ‫ﺗﺘﺒﻨﻰ اﻟﻤﺆﺳﺴـــﺔ ﻓﻠﺴـــﻔﺔ ﻣﺤﺪدة أرﺳـــﺖ ﻋﻠﻴﻬﺎ‬ ‫اﻟﺘﺰاﻣﺎﺗﻬﺎ ﺗﺠـــﺎه ﻋﻤﻼءﻫﺎ وﻣﻮﻇﻔﻴﻬـــﺎ واﻟﻤﺠﺘﻤﻊ إﻳﻤﺎﻧﺎ‬ ‫ﻣﻨﻬـــﺎ ﺑﺄﻫﻤﻴﺔ ﻣﺎ ﺗﻘﻮم ﺑﻪ ﻣﻦ دور ﺧﺪﻣﻲ وﺣﻴﻮي ﻳﺮﺟﻊ‬ ‫ﺑﺎﻟﻨﻔﻊ ﻋﻠﻴﻬﺎ وﻋﻠﻰ اﻟﻤﺘﻌﺎﻣﻠﻴﻦ ﻣﻌﻬﺎ‪.‬‬ ‫اﻟﺘﺰاﻣﺎﺗﻨﺎ‬ ‫نﻟﺘﺰم ﺑﺘﻘﺪﻳﻢ أﻋﻠﻰ درﺟﺎت اﻟﺠﻮدة ﻓﻲ ﻣﻨﺘﺠﺎﺗﻨﺎ‬ ‫وﺧﺪﻣﺎﺗﻨﺎ ﺑﺎﻟﺸﻜﻞ اﻟﺬي ﻳﻔﻮق ﺗﻮﻗﻌﺎت ﻋﻤﻼءﻧﺎ‪.‬‬ ‫ﻧﻠﺘﺰم ﺑﺘﻨﻔﻴﺬ ﺗﻌﻬﺪاﺗﻨﺎ وأﻗﻮاﻟﻨﺎ ﺑﺼﺪق وأﻣﺎﻧﺔ‪.‬‬ ‫ﻧﻠﺘـــﺰم ﺑﻤﺮاﻋـــﺎة اﻟﺴـــﻼﻣﺔ واﻟﻤﻌﺎﻳﻴـــﺮ اﻟﺼﺤﻴـــﺔ‬ ‫واﻟﺒﻴﺌﻴﺔ‪.‬‬

‫≤‪¡UM³ « π‬‬

‫‪92 Albenaa‬‬

‫‪ ١٩٧٥‬ﺗﻢ ﺗﺄﺳﻴﺲ ﻣﺆﺳﺴﺔ اﻟﺤﺴﻴﻨﻲ اﻟﺘﺠﺎرﻳﺔ ﻓﻲ‬ ‫اﻟﺨﺒﺮ ‪ ،‬اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‪.‬‬ ‫‪ ١٩٧٧‬ﺗـــﻢ ﻃـــﺮح ﺧﺰاﻧﺎت اﻟﻜﺒـــﺲ ا‪j‬ﻟﻲ ﻣـــﻦ اﻟﻔﺎﻳﺒﺮ‬ ‫ﺟﻼس ول ﻣﺮة ﻓﻲ أﺳﻮاق اﻟﻤﻤﻠﻜﺔ‪.‬‬ ‫‪ ١٩٨٠‬ﺑﺪأت ﺗﺼﻨﻴﻊ ﻣﻨﺘﺠﺎت اﻟﻔﺎﻳﺒﺮ ﺟﻼس وأﺻﺒﺤﺖ‬ ‫ﻣﻦ اﻟﺮواد ﻓﻲ ﺻﻨﺎﻋﺔ اﻟﻔﺎﻳﺒﺮ ﺟﻼس‪.‬‬ ‫‪ ١٩٩٣‬ﺗـــﻢ ﻃﺮح ﺧﺰاﻧـــﺎت اﻟﺒﻮﻟـــﻲ إﻳﺜﻴﻠﻴـــﻦ اﻟﺼﺤﻴﺔ‬ ‫اﻟﻤﺼﻨﻌﺔ ﺑﻮاﺳﻄﺔ ﺑﻮﻟﻴﻜﻮن اﻟﺨﻠﻴﺞ ا‪R‬ﻣﺎراﺗﻴﺔ ول‬ ‫ﻣﺮة ﻓﻲ أﺳﻮاق اﻟﻤﻤﻠﻜﺔ‪.‬‬ ‫‪ ١٩٩٨‬ﺗﻢ إﻧﺸـــﺎء ﻣﺼﻨﻊ ﺑﻮﻟﻴﻜﻮن اﻟﺴﻌﻮدﻳﺔ ‪R‬ﻧﺘﺎج‬ ‫ﺧﺰاﻧﺎت وﻣﻨﺘﺠﺎت اﻟﺒﻮﻟﻲ إﻳﺜﻴﻠﻴﻦ ﺑﻤﺸﺎرﻛﺔ ﻣﺼﻨﻊ‬ ‫ﺑﻮﻟﻴﻜﻮن اﻟﺨﻠﻴﺞ ا‪R‬ﻣﺎرات‪.‬‬ ‫ﺗـــﻢ ﻃﺮح ﺧﺰاﻧـــﺎت اﻟﺒﻮﻟﻲ إﻳﺜﻴﻠﻴﻦ )ﻋﺎﻟﻴـــﺔ اﻟﻜﺜﺎﻓﺔ(‬ ‫اﻟﻤﺨﺼﺼﺔ ﻟﻠﺪﻓﻦ اﻟﻤﺒﺎﺷﺮ ﺗﺤﺖ ا رض واﻟﻤﺼﻨﻌﺔ‬ ‫ﺑﻮاﺳـــﻄﺔ اﻣﻴﺎﻧﺘﻴـــﺖ ﻋﻤـــﺎن ول ﻣـــﺮة ﻓﻲ أﺳـــﻮاق‬ ‫اﻟﻤﻤﻜﺔ‪.‬‬ ‫‪ ١٩٩٩‬ﺗـــﻢ ﻃـــﺮح أول ﺧـــﺰان ﺑﻮﻟﻲ إﻳﺜﻠﻴـــﻦ ‪ ٤‬ﻃﺒﻘﺎت‬ ‫ ول ﻣﺮة ﻓﻲ أﺳﻮاق اﻟﻤﻤﻠﻜﺔ‪.‬‬ ‫‪ ٢٠٠٦‬ﺗـــﻢ ﻃﺮح ﺧﺰاﻧﺎت ﺑﻮﻟﻴﻜﻮن ﻓﺎﻳﺒﺮ ﻓﻮم اﻟﻤﻌﺰوﻟﺔ‬ ‫واﻟﻤﺼﻨﻌﺔ ﺑﻮاﺳﻄﺔ ﻣﺼﻨﻌﻲ ﺑﻮﻟﻴﻜﻮن اﻟﺴﻌﻮدﻳﺔ‬ ‫وﻣﺼﻨﻊ ﻋﺒﺪ ا‪ N‬ﻣﺸـــﺎري اﻟﺤﺴﻴﻨﻲ ﻟﻠﻔﺎﻳﺒﺮ ﺟﻼس‬ ‫ ول ﻣﺮة ﻓﻲ أﺳﻮاق اﻟﻤﻤﻠﻜﺔ‪.‬‬ ‫‪ ٢٠٠٩‬اﻟﺤﺼﻮل ﻋﻠﻰ ﺷـــﻬﺎدة ا ﻳﺰو ‪ ٢٠٠٨ : ٩٠٠١‬ﻟﻤﺼﻨﻊ‬ ‫اﻟﻔﺎﻳﺒﺮ ﺟﻼس‪.‬‬ ‫ﺧﺰاﻧــﺎت ﺑﻮﻟﻴﻜــﻮن اﻟﺴــﻌﻮدﻳﺔ اﻟﻤﻌﺰوﻟــﺔ‬ ‫)‪٤‬ﻃﺒﻘﺎت(‬ ‫ﺑﻮﻟﻴﻜـــﻮن اﻟﺴـــﻌﻮدﻳﺔ ﻣـــﻦ إﻧﺘﺎج ﻣﺼﻨﻊ اﻟﺸـــﺮﻛﺔ‬ ‫اﻟﺴـــﻌﻮدﻳﺔ ﻟﺼﻨﺎﻋـــﺔ ﺧﺰاﻧـــﺎت وﺣﺎوﻳـــﺎت اﻟﺒﻮﻟـــﻲ‬ ‫إﻳﺜﻴﻠﻴـــﻦ اﻟﻤﺤـــﺪودة ﺑﺎﻟﺨﺒـــﺮ وﺗﻌﺘﺒـــﺮ ﻣـــﻦ أﺟـــﻮد‬ ‫اﻟﺨﺰاﻧـــﺎت اﻟﻤﺼﻨﻌـــﺔ ﻓـــﻲ اﻟﻤﻤﻠﻜـــﺔ وذﻟـــﻚ ﻟﻜـــﻮن‬ ‫اﻟﺸﺮﻛﺔ اﻟﻤﺎﻟﻜﺔ ﻣﻊ اﻟﺸﺮﻳﻚ اﻟﺴﻌﻮدي ﻫﻲ ﺷﺮﻛﺔ‬ ‫ﺑﻮﻟﻴﻜـــﻮن اﻟﺨﻠﻴﺞ ﻓﻲ أﺑﻮﻇﺒـــﻲ ذات اﻟﺨﺒﺮة اﻟﺮاﺋﺪة‬ ‫ﻓـــﻲ ﺻﻨﺎﻋﺔ اﻟﺒﻮﻟﻲ إﻳﺜﻴﻠﻴﻦ وﻣﺸـــﺎرﻛﺔ ﻣﺆﺳﺴـــﺔ‬ ‫اﻟﺤﺴـــﻴﻨﻲ اﻟﺘﺠﺎرﻳﺔ ذات ﺧﺒﺮة ﻣﻨﺬ ﻋﺎم ‪١٣٩٥‬ﻫـ ﻓﻲ‬ ‫ﺻﻨﺎﻋﺔ وﺗﺴﻮﻳﻖ ﺧﺰاﻧﺎت اﻟﻤﻴﺎه‪،‬‬

‫وﻣﻦ ﻣﻤﻴﺰات ﺑﻮﻟﻴﻜﻮن اﻟﺴﻌﻮدﻳﺔ‪:‬‬ ‫ـ ﻳﺘﻢ ﺗﺼﻨﻴﻊ ﺧﺰاﻧﺎت ﺑﻮﻟﻴﻜﻮن اﻟﺴـــﻌﻮدﻳﺔ ﺑﻄﺮﻳﻘﺔ‬ ‫اﻟﻘﻮﻟﺒـــﺔ )‪ (ROTOMOLDING‬ﻛﻘﻄﻌـــﺔ واﺣـــﺪة‬ ‫ﺑﺪون وﺟـــﻮد أي ﻓﻮاﺻﻞ ﻓﻴﻬﺎ ﻟﺬﻟـــﻚ ﻻﻳﻮﺟﺪ ﻣﻨﻬﺎ‬ ‫ﺗﺴﺮب أو ﺗﻬﺮﻳﺐ وﻻﺗﺤﺘﺎج إﻟﻰ ﺻﻴﺎﻧﺔ‪.‬‬ ‫ـ ﻧﺘﻴﺠﺔ ﻟﻠﻄﺒﻴﻌﺔ اﻟﻤﺘﻮاﻓﻘﺔ ﻟﻤﺎدة اﻟﺒﻮﻟﻲ إﻳﺜﻴﻠﻴﻦ‬ ‫اﻟﺘـــﻲ ﺗﺼﻨﻊ ﻣﻨﻬـــﺎ ﺧﺰاﻧـــﺎت ﺑﻮﻟﻴﻜﻮن اﻟﺴـــﻌﻮدﻳﺔ‬ ‫ﻓﺈﻧﻬﺎ ﻻﺗﺴﻤﺢ ﺑﺎﻟﻨﻀﺢ أو اﻟﺘﺴﺮب‪.‬‬ ‫ـ اﻟﻄﺤﺎﻟـــﺐ واﻟﻔﻄﺮﻳﺎت ﺗﻌﺘﻤﺪ ﻓـــﻲ ﺗﻮاﺟﺪﻫﺎ ﻋﻠﻰ‬ ‫اﻟﻮﺳـــﻂ اﻟﻐﺬاﺋـــﻲ واﻟﺴـــﻄﺢ اﻟﺨﺸـــﻦ واﻟﻀـــﻮء‬ ‫وﺑﻮﻟﻴﻜﻮن اﻟﺴـــﻌﻮدﻳﺔ وﺑﻮﻟﻴﻜﻮن اﻟﺨﻠﻴﺞ ﻫﻢ أول‬ ‫ﻣﻦ وﺿﻌﻮا ﻫﺬه ا ﻣﻮر ﺑﻌﻴﻦ ا‪R‬ﻋﺘﺒﺎر ﻋﻨﺪ اﻟﺘﺼﻤﻴﻢ‬ ‫واﻟﺘﺼﻨﻴـــﻊ ﻓﻬﻲ ﻣﻜﻮﻧﺔ ﻣـــﻦ أرﺑﻌﺔ ﻃﺒﻘﺎت‪ :‬ﻃﺒﻘﺔ‬ ‫ﺑﻴﻀـــﺎء ﻧﺎﻋﻤﺔ اﻟﻤﻠﻤﺲ ﻣﻦ اﻟﺨﺎرج وﻃﺒﻘﺔ ﺳـــﻮداء‬ ‫ﻓﻲ اﻟﻮﺳـــﻂ ﻟﻤﻨﻊ دﺧﻮل أو اﺧﺘﺮاق اﻟﻀﻮء ﺑﺎ‪R‬ﺿﺎﻓﺔ‬ ‫إﻟـــﻰ ﻃﺒﻘﺔ ﺛﺎﻟﺜﺔ ﻋﺎزﻟﺔ ﻟﻠﺤﺮارة وﻃﺒﻘﺔ راﺑﻌﺔ ﺑﻴﻀﺎء‬ ‫ﻧﺎﻋﻤﺔ ﻣﻼﻣﺴﺔ ﻟﻠﻤﺎء‪.‬‬ ‫ـ ﻳﺘـــﻢ ﺗﺼﻨﻴـــﻊ ﺧﺰاﻧـــﺎت ﺑﻮﻟﻴﻜـــﻮن اﻟﺴـــﻌﻮدﻳﺔ‬ ‫وﺗﺸـــﻜﻴﻠﻬﺎ ﺑﻌـــﺪ ﻣﻌﺎﻟﺠـــﺔ ﻣﻮادﻫـــﺎ اﻟﺨـــﺎم ﺣﺮارﻳ‪f‬‬ ‫ﻟﺬﻟـــﻚ ﻓﻬﻲ ﺗﺘﻤﺘﻊ ﺑﺎﻟﻘـــﻮة واﻟﻤﺘﺎﻧﺔ ﻛﻤﺎ أﻧﻬﺎ ﺗﻜﺎد‬ ‫ﺗﻜﻮن ﻏﻴﺮ ﻗﺎﺑﻠﺔ ﻟﻠﻜﺴﺮ ﻧﺘﻴﺠﺔ اﻟﺴﻘﻮط واﻻرﺗﻄﺎم‬ ‫ﻣـــﻦ ﻋﻠﻮ ﻳﻘـــﺎرب أرﺑﻌﺔ أﻣﺘﺎر ﺗﻘﺮﻳﺒـــ‪ f‬ﻓﻲ ﺣﺠﻢ اﻟﻮزن‬ ‫اﻟﻔﺎرغ‪.‬‬ ‫ـ ﺧﺰاﻧﺎت ﺑﻮﻟﻴﻜﻮن اﻟﺴـــﻌﻮدﻳﺔ ذات ﺳﻄﺢ وﻣﻠﻤﺲ‬ ‫ﻧﺎﻋـــﻢ وذات ﺑﻴـــﺎض ﻧﺎﺻـــﻊ ﻣـــﻦ اﻟﺪاﺧـــﻞ واﻟﺨـــﺎرج‬ ‫ﻧﺘﻴﺠﺔ ﻟﻨﻘـــﺎوة اﻟﻤﻮاد وﺟﻮدة اﻟﺘﺼﻨﻴـــﻊ وﺑﺎﻟﺘﺎﻟﻲ ﻻ‬ ‫ﺗﺤﺘـــﺎج إﻟﻰ ﻋﻤﻠﻴﺎت ﺗﻨﻈﻴﻒ وﻳﺴـــﻬﻞ اﻟﺘﺤﻘﻖ ﻣﻦ‬ ‫ﺧﺼﺎﺋﺼﻬﺎ اﻟﺘﻲ ﺗﻤﻴﺰﻫﺎ ﻋﻦ ﻏﻴﺮﻫﺎ‪.‬‬ ‫ـ ذات ﻏﻄـــﺎء ﻣﺤﻜـــﻢ ﻳﻮﻓـــﺮ اﻟﺤﻤﺎﻳـــﺔ اﻟﻘﺼـــﻮى ﻣﻦ‬ ‫اﻟﺸﻮاﺋﺐ وا ﺗﺮﺑﺔ‪.‬‬ ‫ـ ﺟﻤﻴـــﻊ ﻣﻨﺘﺠـــﺎت ﺑﻮﻟﻴﻜـــﻮن اﻟﺴـــﻌﻮدﻳﺔ ﺗﺨﻀـــﻊ‬ ‫ﻟﻠﻔﺤﺺ اﻟﺸـــﺎﻣﻞ ﻣﻦ ﻗﺒﻞ ﻗﺴـــﻢ ﻣﺮاﻗﺒـــﺔ اﻟﺠﻮدة‬ ‫ﻗﺒـــﻞ وأﺛﻨـــﺎء وﺑﻌـــﺪ ﻋﻤﻠﻴـــﺔ اﻟﺘﺼﻨﻴـــﻊ ﻟﻠﺘﺄﻛﺪ ﻣﻦ‬ ‫ﻣﻄﺎﺑﻘﺘﻬﺎ ﻟﻠﻤﻮاﺻﻔﺎت ﻗﺒﻞ اﻟﺴﻤﺎح ﺑﺈﻋﺘﻤﺎدﻫﺎ‪.‬‬ ‫ـ ﺻﺤﻴـــﺔ وﻣﻌﺘﻤـــﺪة ﻣـــﻦ ﻫﻴﺌـــﺔ ا ﻏﺬﻳـــﺔ وا دوﻳـــﺔ‬ ‫ا ﻣﺮﻳﻜﻴﺔ )‪ (FDA‬وا‪R‬ﺗﺤﺎد ا وروﺑﻲ )‪. (EU‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﺷﺮﻛﺔ اﻟﻔﻨﺎر ﻟﻠﻜﻬﺮﺑﺎء‬

‫اﻟﺸﺒﻜﺎت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ اﻟﺬﻛﻴﺔ‬

‫ﺗﻘﺪم اﻟﺸـــﺒﻜﺎت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ اﻟﺬﻛﻴﺔ‬ ‫ﻛﻤـــﺎ ّ‬ ‫اﻟﻌﺪﻳـــﺪ ﻣـــﻦ اﻟﺤﻠـــﻮل ﻓـــﻲ ﻧﻘـــﻞ وﺗﻮزﻳـــﻊ‬ ‫واﺳـــﺘﻬﻼك اﻟﻄﺎﻗـــﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ‪ ،‬إذ ﺗﻬﺪف‬ ‫ﺑﺸـــﻜﻞ رﺋﻴﺴـــﻲ ﻋﻠﻰ ﺗﺤﻘﻴﻖ اﻻﺳـــﺘﻐﻼل‬ ‫ً‬ ‫ﻧﻘـــﻼ وﺗﻮزﻳﻌ‪I‬‬ ‫ا ﻣﺜـــﻞ ﻟﻠﻄﺎﻗـــﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫واﺳـــﺘﻬﻼﻛ‪ I‬وﺧﺼﻮﺻ‪ I‬ﻋﻨـــﺪ اﻟﺤﺪﻳﺚ ﺣﻮل‬ ‫اﻻﺳـــﺘﺠﺎﺑﺔ ﻟﻠﻄﻠـــﺐ اﻟﻤﺘﺰاﻳﺪ ﻋﻠـــﻰ اﻟﻄﺎﻗﺔ‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﻓﻲ ﻇـــﻞ اﻟﺘﻐﻴﺮات واﻟﺘﺤﺪﻳﺎت‬ ‫اﻟﻤﺘﻌﻠﻘﺔ ﺑﻤﺴﺘﻘﺒﻞ اﻟﻄﺎﻗﺔ ‪.‬‬ ‫«*‪w(«uB « œuL× ”bMN‬‬ ‫‪¡UÐdNJK —UMH « W dý‬‬

‫وﻛﺬﻟﻚ اﻟﺤﺎل ﻋﻨﺪ ﺗﻮزﻳﻊ اﻟﻄﺎﻗﺔ اﻟﻜﻬﺮﺑﺎء‬ ‫ﺣﻴـــﺚ ﻳﺘـــﻢ ﺗﻮﻇﻴـــﻒ ﻧﻈـــﺎم أﺗﻤﺘـــﺔ ﺗﻮزﻳـــﻊ‬ ‫اﻟﻄﺎﻗﺔ اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ‪DAS- Distribution‬‬ ‫‪ Automation System‬واﻟـــﺬي ﻳﺘـــﻢ ﻣـــﻦ‬ ‫ﺧﻼﻟـــﻪ ﺗﻨﻔﻴـــﺬ ﺟﻤﻴـــﻊ ﻋﻤﻠﻴـــﺎت اﻟﺘﺤﻜـــﻢ‬ ‫واﻟﻤﺮاﻗﺒـــﺔ واﻻﺷـــﺮاف ﻋﻠـــﻰ ﻣﻜﻮﻧﺎت ﻧﻈﺎم‬ ‫ﺗﻮزﻳـــﻊ اﻟﻄﺎﻗﺔ اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ﻛﻮﺣﺪات اﻟﺮﺑﻂ‬ ‫اﻟﺤﻠﻘﻲ اﻟﺬﻛﻴﺔ ‪ Smart RMU‬وﻣﺎ ﺗﺤﺘﻮﻳﻪ‬ ‫ﻣـــﻦ ﻣﻌﺪات اﻟﻮﺻـــﻞ و اﻟﻔﺼﻞ وﻣـــﺎ ﻳﻠﻴﻬﺎ‬ ‫ﻣـــﻦ ﻣﻐﺬﻳﺎت اﻟﺠﻬﺪ اﻟﻤﺘﻮﺳـــﻂ و ﻣﻐﺬﻳﺎت‬ ‫اﻟﺠﻬـــﺪ اﻟﻤﻨﺨﻔـــﺾ ﻓـــﻲ ﺷـــﺒﻜﺔ اﻟﺘﻮزﻳـــﻊ‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ‪.‬‬

‫ﻛﺜﺮ اﻟﺤﺪﻳﺚ ﻓﻲ ا وﻧﺔ ا ﺧﻴﺮة ﻋﻦ اﻟﺸﺒﻜﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ اﻟﺬﻛﻴﺔ ‪ ،‬وﻗﺪ ﺗـــﻢ ﻋﻘﺪ اﻟﻜﺜﻴﺮ‬ ‫ﻣﻦ اﻟﻤﺆﺗﻤـــﺮات اﻟﻬﻨﺪﺳـــﻴﺔ اﻟﻌﺎﻟﻤﻴﺔ ﺣﻮل‬ ‫ﻣﺴـــﺘﻘﺒﻞ اﻟﻄﺎﻗـــﺔ اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ و ﻋﻼﻗﺘﻬﺎ‬ ‫ﺑﺎﻟﺸـــﺒﻜﺎت اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ اﻟﺬﻛﻴـــﺔ ‪ ،‬ﻓﻤـــﺎ‬ ‫اﻟﻤﻘﺼﻮد ﺑﺎﻟﺸﺒﻜﺎ ت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ اﻟﺬﻛﻴﺔ ؟‬ ‫وﻣـــﺎ ﻫﻲ ﻣﻘﻮﻣﺎﺗﻬﺎ ؟ وﻣﺎ ﻫﻮ اﻟﻔﺮق ﺑﻴﻨﻬﺎ‬ ‫وﺑﻴﻦ اﻟﺸﺒﻜﺎت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ اﻟﺘﻘﻠﻴﺪﻳﺔ ؟‬

‫اﻟﺸـــﺒﻜﺎت اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ اﻟﺬﻛﻴـــﺔ ﻫـــﻲ‬ ‫ﻣﺠﻤﻮﻋـــﺔ ﻛﺒﻴـــﺮة ﻣـــﻦ ﻣﻜﻮﻧـــﺎت اﻟﻨﻈـــﺎم‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻲ اﻟﺘﻲ ﺗﺒـــﺪأ ﻣﻦ ﻣﺤﻄﺎت اﻟﻄﺎﻗﺔ‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ﻣـــﺮور‪ S‬ﺑﻨﻈﺎﻣـــﻲ ﻧﻘـــﻞ وﺗﻮزﻳﻊ‬ ‫اﻟﻄﺎﻗﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ وﺻﻮﻻً إﻟﻰ اﻟﻤﺴﺘﻬﻠﻚ‬ ‫اﻟﻨﻬﺎﺋﻲ واﻟﺘﻲ ﻳﺘﻢ اﻟﺘﺤﻜﻢ ﺑﻬﺎ و ا‪V‬ﺷﺮاف‬ ‫ﻋﻠﻴﻬﺎ وﻣﺮاﻗﺒﺘﻬﺎ ﺑﺎﻟﻜﺎﻣﻞ ﺑﺄﺣﺪث وﺳﺎﺋﻞ‬ ‫اﻻﺗﺼـــﺎل و اﻟﺘﻜﻨﻮﻟﻮﺟﻴـــﺎ اﻟﻤﺘﻘﺪﻣـــﺔ ‪ ,‬ﻟﻬﺬا‬ ‫ﻓﺈن اﻟﺸـــﺒﻜﺎت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ اﻟﺬﻛﻴﺔ ﺗﺸﻜﻞ‬ ‫ّ‬ ‫ﻧﻘﻄـــﺔ اﻟﺘﻘـــﺎء ﻛﻞ ﻣـــﻦ ﻗﻄﺎﻋـــﺎت اﻟﻄﺎﻗـــﺔ‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ واﻻﺗﺼﺎﻻت وﺗﻘﻨﻴﺔ اﻟﻤﻌﻠﻮﻣﺎت‬ ‫وﺑﺬﻟﻚ ﺗﺠﻤﻊ ﻣﺎ ﺑﻴﻦ اﻟﺸـــﺒﻜﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫اﻟﺘﻘﻠﻴﺪﻳـــﺔ وﺗﻘﻨﻴﺎت اﻟﻤﻌﻠﻮﻣـــﺎت واﻻﺗﺼﺎل‬ ‫ّ‬ ‫واﻟﺘﺤﻜﻢ‪.‬‬

‫‪¡UM³ « π¥‬‬

‫‪94 Albenaa‬‬

‫ﻓﻔـــﻲ ﻣﺠـــﺎل اﻟﻤﺤﻄـــﺎت اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ﻳﺘـــﻢ‬ ‫اﺳﺘﺨﺪام ﻧﻈﺎم أﺗﻤﺘﺔ اﻟﻤﺤﻄﺎت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫‪SAS – Substation Automation System‬‬ ‫ﺣﻴـــﺚ ﻳﺘﻢ ﻣـــﻦ ﺧﻼل ﻫﺬا اﻟﻨﻈـــﺎم اﻟﺘﺤﻜﻢ‬ ‫ا ﻟـــﻲ و اﻟﺴـــﻴﻄﺮة ورﺻـــﺪ ﺟﻤﻴـــﻊ اﻟﺤـــﺎﻻت‬ ‫واﻟﻌﻤﻠﻴـــﺎت اﻟﺘﺸـــﻐﻴﻠﻴﺔ ﻓـــﻲ اﻟﻤﺤﻄـــﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﻣﻦ ﺧـــﻼل ا ﺟﻬﺰة ا‪V‬ﻟﻜﺘﺮوﻧﻴﺔ‬ ‫اﻟﺬﻛﻴﺔ وﺗﻘﻨﻴـــﺔ اﻻﺗﺼﺎﻻت اﻟﻤﺘﻘﺪﻣﺔ ‪ ،‬ﺣﻴﺚ‬ ‫ﻳﻤﻜﻨﻨـــﺎ إﺟﺮاء اﻟﺘﺤﻜﻢ وا ﺗﻤﺘﺔ وا‪V‬ﺷـــﺮاف‬ ‫ﻋﻠـــﻰ ﻣﻜﻮﻧﺎت ﻧﻈـــﺎم اﻟﻄﺎﻗـــﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫ﻓـــﻲ اﻟﻤﺤﻄـــﺎت ﻛﺎﻟﻘﻮاﻃـــﻊ اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ‬ ‫وﻣﻌﺪات اﻟﻮﺻﻞ و اﻟﻔﺼﻞ و ﺧﻄﻮط اﻟﻨﻘﻞ‬ ‫و أﺟﻬﺰة اﻟﻘﻴﺎس و اﻟﺤﻤﺎﻳﺔ و ﻏﻴﺮﻫﺎ ‪.‬‬ ‫إﻟـــﻰ ﺟﺎﻧـــﺐ ذﻟـــﻚ ﺗﺴـــﺘﻄﻴﻊ اﻟﺸـــﺒﻜﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ اﻟﺬﻛﻴـــﺔ ﺗﻘﻠﻴـــﻞ اﻟﻔﻘـــﺪ ﻓـــﻲ‬ ‫اﻟﻄﺎﻗـــﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﺳـــﻮاء ﺗﻠﻚ اﻟﻤﻔﻘﻮدة‬ ‫أﺛﻨـــﺎء ﻧﻘﻞ اﻟﻄﺎﻗﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﻓﻲ ﻣﻜﻮﻧﺎت‬ ‫اﻟﻨﻈـــﺎم اﻟﻜﻬﺮﺑﺎﺋـــﻲ ذاﺗﻪ ﻛﺨﻄـــﻮط اﻟﻨﻘﻞ‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ و اﻟﻤﺤﻮﻻت أو ﺗﻠـــﻚ اﻟﻤﻔﻘﻮدة‬ ‫ﻋﻨﺪ ﻃﺮف اﻟﻤﺴﺘﻬﻠﻚ ‪.‬‬

‫وﺣــــﻮل اﻟﺤﺪﻳــــﺚ ﻋﻦ ﺟﺎﻧﺐ اﻟﻤﺴــــﺘﻬﻠﻚ‬ ‫ـــﺈن اﻟﺸــــﺒﻜﺎت اﻟﻜﻬﺮﺑﺎﺋﻴــــﺔ اﻟﺬﻛﻴــــﺔ‬ ‫‪ ،‬ﻓـ ّ‬ ‫ّ‬ ‫ـــﺘﻤﻜﻦ اﻟﻤﺴــــﺘﻬﻠﻚ ﻓــــﻲ أن ﻳﻀﺒــــﻂ‬ ‫ﺳـ‬ ‫اﺳــــﺘﻬﻼﻛﻪ ﻣــــﻦ اﻟﻄﺎﻗــــﺔ اﻟﻜﻬﺮﺑﺎﺋﻴــــﺔ‬ ‫ﺑﺸــــﻜﻞ ﺗﻔﺎﻋﻠﻲ ﻣﻊ ﺗﻐﻴﺮ ﺳﻌﺮ اﻟﺘﻌﺮﻓﺔ‬ ‫ﻋــــﻦ ﻃﺮﻳــــﻖ آﻟﻴــــﺔ ﻣﺤــــﺪدة ﺳــــﻠﻔ‪ I‬أو ﻋﻦ‬ ‫ﻃﺮﻳــــﻖ ﻣﻨــــﺢ اﻟﺸــــﺒﻜﺔ اﻟﻜﻬﺮﺑﺎﺋﻴــــﺔ‬ ‫اﻟﺬﻛﻴــــﺔ اﻟﺘﺤﻜﻢ ﻓﻲ ﻛﻤﻴﺔ ﻣﺤﺪدة ﻣﻦ‬ ‫اﻻﺳﺘﻬﻼك ‪.‬‬ ‫ﻫﺬا وﺳــــﻴﺘﻢ ﻣﻨﺢ اﻟﻔﺮﺻﺔ ﻟﻠﻤﺴــــﺘﻬﻠﻚ‬ ‫ﻓﻲ أن ﻳﺼﺒﺢ ﻣﻨﺘﺠﺎ ﻟﻠﻄﺎﻗﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫ﺣﻴــــﺚ ﻳﺴــــﺘﻄﻴﻊ ﺗﺮﻛﻴﺐ وﺣــــﺪات ﺗﻮﻟﻴﺪ‬ ‫ﻃﺎﻗﺔ ﻛﻬﺮﺑﺎﺋﻴﺔ ﻛﺎﻟﺨﻼﻳﺎ اﻟﺸﻤﺴﻴﺔ ﻣﺜﻼ‬ ‫وﺑﻴــــﻊ اﻟﻔﺎﺋﺾ ﻣــــﻦ اﻟﻄﺎﻗــــﺔ اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫إﻟﻰ اﻟﺸﺮﻛﺎت اﻟﻤﺰودة ﻟﻠﻄﺎﻗﺔ و ذﻟﻚ ﻣﻦ‬ ‫ﺧﻼل أﺟﻬــــﺰة اﻟﻘﻴﺎس واﻟﻌﺪادات اﻟﺬﻛﻴﺔ‬ ‫ﺛﻨﺎﺋﻴــــﺔ ا‪V‬ﺗﺠﺎه اﻟﻤﻮﺟﻮدة ﻓﻲ اﻟﺸــــﺒﻜﺔ‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴﺔ اﻟﺬﻛﻴﺔ ‪.‬‬ ‫‪Mahmoud.alsawalhi@alfanar.com‬‬ ‫‪alfanar Electric‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﻨﻊ اﻟﺒﺮاك ﻟ ﺑﻮاب ا وﺗﻮﻣﺎﺗﻴﻜﻴﺔ‬ ‫أﺑﻮاب أوﺗﻮﻣﺎﺗﻴﻜﻴﺔ ﺑﻤﻌﺎﻳﻴﺮ ﻋﺎﻟﻤﻴﺔ‬

‫ﻋﻠـــﻰ ﻣﺪى أﻛﺜﺮ ﻣـــﻦ ‪ ٢٥‬ﻋﺎﻣﺎ ﻧﺠـــﺢ ﻣﺼﻨﻊ اﻟﺒﺮاك‬ ‫ﻟ‪.‬ﺑﻮاب ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ ﻓـــﻲ ﺑﻨﺎء ﻣﻜﺎﻧﺔ راﺋﺪة ﻓﻲ‬ ‫ﻋﺎﻟـــﻢ ﺗﺼﻨﻴـــﻊ أﺑـــﻮاب اﻟﻜﺮاﺟـــﺎت ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴـــﺔ‬ ‫ﺑﺄﻧﻮاﻋﻬـــﺎ اﻟﻤﺨﺘﻠﻔـــﺔ و ﺑﻔﻀـــﻞ ﻣﺎﺗﺘﻤﻴـــﺰ ﺑـــﻪ ﻣﻦ‬ ‫ﺗﻘﺪﻳـــﻢ ﻣﻨﺘﺠـــﺎت ﻣﺼﻨﻌﻪ ﺑﺠـــﻮدة ﻋﺎﻟﻴـــﻪ وﻋﻠﻰ‬ ‫ﻣﻌﺎﻳﻴـــﺮ ﻋﺎﻟﻤﻴﺔ و ﻟﺘﻌﺎوﻧﻬﺎ ﻣﻊ أﻓﻀﻞ اﻟﺸـــﺮﻛﺎت‬ ‫اﻟﻌﺎﻟﻤﻴـــﺔ ﻓـــﻲ ﻫـــﺬا اﻟﻤﺠـــﺎل ﻣﺜـــﻞ ﺷـــﺮﻛﺔ ﻛﻴﻢ‬ ‫ا‪C‬ﻳﻄﺎﻟﻴﺔ وﺷـــﺮﻛﺔ ﺟﺮﻳﻔﻜـــﻮ ا‪-‬ﻟﻤﺎﻧﻴﺔ واﻟﺸـــﺮﻛﺔ‬ ‫اﻟﺘﻜﻨﻮﻟﻮﺟﻴﺔ ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ ا‪-‬ﺳـــﺘﺮاﻟﻴﺔ وﻏﻴﺮﻫﺎ‬ ‫ﻣﻜﺘﺴـــﺒﺔ ﺑﺬﻟﻚ ﺛﻘـــﺔ ووﻻء ﻋﻤﻼﺋﻬﺎ و ‪-‬ﺟﻞ ذﻟﻚ‬ ‫ﺣﻘﻘـــﺖ ﻧﺠﺎﺣﺎت ﺳـــﺎﻫﻤﺖ ﻓﻲ ﺗﻨﻮﻳـــﻊ ﻣﻨﺘﺠﺎﺗﻬﺎ‬ ‫ﻟﺘﺸـــﻤﻞ ا‪-‬ﺑﻮاب ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ اﻟﺴﺤﺎﺑﺔ‪ ،‬ا‪-‬ﺑﻮاب‬ ‫اﻟﻤﻨﺰﻟﻴـــﺔ اﻟﻤﻘﻄﻌﻴـــﺔ‪ ،‬أﺑـــﻮاب اﻟﻘﻄﻌـــﺔ اﻟﻮاﺣﺪة‪،‬‬ ‫أﺑﻮاب اﻟﺸـــﺮاﺋﺢ اﻟﻤﻌﺪﻧﻴﺔ‪ ،‬أﺑـــﻮاب ﺣﻤﺎﻳﺔ اﻟﻤﺘﺎﺟﺮ‬ ‫)اﻟﺤﺪﻳـــﺪ وا‪-‬ﻟﻤﻨﻴـــﻮم( ‪ ،‬ا‪-‬ﺑـــﻮاب اﻟﺼﻨﺎﻋﻴـــﺔ‬ ‫اﻟﺨﻔﻴﻔﻪ و ا‪-‬ﺑﻮاب اﻟﺴـــﺤﺎﺑﺔ ﻟﻠﺸـــﺮاﺋﺢ اﻟﻤﻌﺰوﻟﺔ‪،‬‬ ‫ا‪-‬ﺑﻮاب اﻟﺼﻨﺎﻋﻴـــﺔ اﻟﻤﻘﻄﻌﻴـــﺔ اﻟﻤﻌﺰوﻟﺔ‪ ،‬ا‪-‬ﺑﻮاب‬ ‫اﻟﺼﻨﺎﻋﻴـــﺔ اﻟﺴـــﺤﺎﺑﺔ‪ ،‬ا‪-‬ﺑـــﻮاب اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳﻖ‬ ‫و ﺳـــﺘﺎﺋﺮ اﻟﻨﻮاﻓـــﺬ اﻟﺴـــﺤﺎﺑﺔ و ا‪-‬ﺑـــﻮاب اﻟﻤﻌﺪﻧﻴﺔ‬ ‫اﻟﻤﺠﻮﻓـــﺔ اﻟﻤﻌﺰوﻟـــﺔ اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳـــﻖ‪ ،‬ا‪-‬ﻧﻈﻤﺔ‬ ‫ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴـــﺔ ﻟﻔﺘﺢ اﻟﺒﻮاﺑﺎت اﻟﺴـــﺤﺎﺑﺔ و ﺑﻮاﺑﺎت‬ ‫اﻟﺪرﻓﺘﻴﻦ )ﻧﻈﺎم ا‪-‬ذرﻋﻪ ( ﻓﺘﻮﺳﻌﺖ ﻓﻲ ﻣﺨﺘﻠﻒ‬ ‫ﻣﻨﺎﻃـــﻖ اﻟﻤﻤﻠﻜـــﺔ ﻣﻠﺒﻴـــﻪ إﺣﺘﻴﺎﺟـــﺎت ﻣﺨﺘﻠـــﻒ‬ ‫اﻟﻘﻄﺎﻋـــﺎت ﻓـــﻲ اﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ اﻟﺴـــﻌﻮدﻳﺔ‬ ‫وﻧﻈـــﺮا ﻟﻠﺨﺒـــﺮه اﻟﻄﻮﻳﻠﻪ ﺣﺼﻠﺖ ﻋﻠـــﻰ ﺛﻘﻪ أﻛﺒﺮ‬ ‫ﻓﻲ ﻣﺨﺘﻠﻒ اﻟﻘﻄﺎﻋﺎت اﻟﺤﻜﻮﻣﻴﺔ وأﻫﻢ ﺷـــﺮﻛﺎت‬ ‫اﻟﻘﻄـــﺎع اﻟﺨـــﺎص وﺧﺼﻮﺻـــﺎ ﻓﻲ اﻟﻘﻄـــﺎع ا‪-‬ﻣﻨﻲ‬ ‫ﻟﺘﺮﻛﻴـــﺐ اﻟﻤﺼـــﺪات ا‪-‬رﺿﻴـــﻪ اﻟﻬﻴﺪروﻟﻴﻜﻴـــﺔ‬ ‫واﻟﺤﻮاﺟـــﺰ ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ ا‪-‬رﺿﻴـــﺔ اﻟﻘﺎﺑﻠﺔ ﻟﻠﻄﻲ‬ ‫وﺣﻮاﺟﺰ اﻟﻄﺮق و اﻧﻬﺎ ﻋﻠﻰ إﺳﺘﻌﺪاد ﺗﺎم ﻟﺘﻘﺪﻳﻢ‬ ‫اﻟﻤﺸـــﻮرة اﻟﻔﻨﻴﺔ ﻛﻤﺎ ﻳﺘﻮاﻓـــﺮ ﻟﺪﻳﻬﺎ ﻃﺎﻗﻢ ﻓﻨﻲ‬ ‫ﻋﻠﻰ أﻋﻠﻰ ﻣﺴﺘﻮى ﻣﻦ اﻟﺘﺪرﻳﺐ و اﻟﻤﻬﺎرة وذﻟﻚ‬ ‫ﺣﺮﺻﺎ ﻣﻦ اﻟﺸﺮﻛﺔ ﻋﻠﻰ ﺗﻘﺪﻳﻢ ﺧﺪﻣﺎﺗﻬﺎ ﻟﻠﻌﻤﻼء‬ ‫ﺑﺸﻜﻞ ﻣﺘﻜﺎﻣﻞ ﺑﻤﺎ ﻳﻠﺒﻲ اﺣﺘﻴﺎﺟﺎﺗﻬﻢ‪.‬‬

‫∏‪¡UM³ « π‬‬

‫‪98 Albenaa‬‬

‫ا ﺑﻮاب اﻟﺼﻨﺎﻋﻴﺔ اﻟﺴﺤﺎﺑﺔ اﻟﺨﻔﻴﻔﺔ‬ ‫ﻣﺼﻨﻊ اﻟﺒﺮاك ‪-‬ﺑﻮاب اﻟﻜﺮاﺟﺎت راع ﻓﻲ ﺗﺼﻤﻴﻤﻪ‬ ‫ﻟﻬﺬا اﻟﻤﻨﺘﺞ ﺳــــﻬﻮﻟﺔ اﻟﺘﺮﻛﻴــــﺐ و اﻟﺤﺪ ا‪-‬دﻧﻰ‬ ‫ﻣــــﻦ اﻟﺼﻴﺎﻧــــﻪ ﻟﻌﻤــــﺮ أﻃﻮل ﻛﻤــــﺎ ﺗﺘﻤــــﺎز ﺑﺎﻟﻘﻮه‬ ‫و ا‪-‬ﻣــــﺎن وﻳﺘﻮﻓــــﺮ ﻫــــﺬا اﻟﻄــــﺮاز ﻣــــﻦ اﻟﺸــــﺮاﺋﺢ‬ ‫اﻟﻤﻌﺰوﻟﺔ وﺑﺄﻟﻮان ﻣﺘﻌــــﺪدة ﻛﻤﺎ ﺗﻌﻤﻞ ﺑﻨﻈﺎم‬ ‫ﻳﺪوي وآﻟﻲ‪.‬‬ ‫ﺳﺘﺎﺋﺮ اﻟﻨﻮاﻓﺬ اﻟﻤﻌﺪﻧﻴﺔ اﻟﺴﺤﺎﺑﺔ‬ ‫ﺳـــﺘﺎﺋﺮ اﻟﻨﻮاﻓـــﺬ اﻟﻤﻌﺪﻧﻴﺔ إﺳـــﺘﺜﻤﺎر ﻣﺜﺎﻟﻲ‬ ‫ﻟﻤﺴﺎﻫﻤﺘﻪ ﻓﻲ اﻟﻌﺰل اﻟﺤﺮاري و ﻋﺰل ا‪-‬ﺗﺮﺑﻪ‬ ‫و ا‪-‬ﻣﻄـــﺎر ﻛﻤـــﺎ ﺗﺼﻨـــﻊ ﺑﺎﺳـــﺘﺨﺪام أﻓﻀـــﻞ‬ ‫ا‪-‬ﺟـــﺰاء وﻗﻄـــﻊ اﻟﺘﺼﻨﻴـــﻊ اﻟﻤﺴـــﺘﻮردة ﻣﻦ‬ ‫اوروﺑﺎ و ﺗﺼﻨﻊ ﺣﺴـــﺐ اﻟﻤﻘﺎﺳﺎت اﻟﻤﻄﻠﻮﺑﺔ‬ ‫ﻛﻤﺎ ﻳﻤﻜﻦ ﺗﺸﻐﻠﻴﻬﺎ ﺑﻨﻈﺎم ﻳﺪوي و آﻟﻲ ‪.‬‬ ‫ا ﺑﻮاب اﻟﺴﺤﺎﺑﺔ اﻟﻤﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ‬ ‫ﻳﻮﻓﺮ ﻣﺼﻨـــﻊ اﻟﺒﺮاك ﻟ‪.‬ﺑـــﻮاب ا‪-‬وﺗﻮﻣﺎﺗﻴﻜﻴﺔ‬ ‫أﺑـــﻮاب ﺗﺘﻮاﻓـــﻖ ﻣﻊ أﻛﺜﺮ ﻗﻴﺎﺳـــﺎت اﻟﺴـــﻼﻣﺔ‬ ‫اﻟﻤﻘﺎوﻣـــﺔ ﻟﻠﺤﺮﻳـــﻖ ﺻﻤﻤـــﺖ ﻟﻠﻐﻠـــﻖ‬ ‫أوﺗﻮﻣﺎﺗﻴﻜﻴﺎ ﻋﻨﺪ إﻧﻄﻼق ﺻﺎﻓﺮة ا‪C‬ﻧﺬار أو ﻓﻲ‬ ‫ﺣﺎﻟﺔ اﻟﺤﺮﻳﻖ ﻣﺘﻮاﻓﻘﺔ ﻣﻊ ﻣﺘﻄﻠﺒﺎت ‪،NFPA‬‬ ‫ﻋﻨﺪ اﻟﺤﺮﻳﻖ ﻳﻘﻮم اﻟﻨﻈﺎم ﺑﺎﻟﺴـــﻴﻄﺮه ﻋﻠﻰ‬ ‫إﻏـــﻼق اﻟﺒـــﺎب ﻣـــﻦ أﺟـــﻞ ﺣﻤﺎﻳﺔ أﻓﻀـــﻞ‪ ،‬ﻛﻤﺎ‬ ‫ﺗﺘﻮﻓـــﺮ ا‪-‬ﺑﻮاب اﻟﻤﻌﺪﻧﻴﺔ اﻟﻤﻌﺰوﻟﺔ اﻟﻤﻘﺎوﻣﺔ‬ ‫ﻟﻠﺤﺮﻳﻖ ﺑﻤﻮاد ﻋﺰل ﻣﺜﻞ اﻟﺒﻮﻟﻴﺮﻳﺜﻴﻦ و ﻫﻨﻲ‬ ‫ﻛﻤﺐ و اﻟﻔﻮﻻذ اﻟﻤﻘﺴـــﻰ ﻣـــﻊ اﻟﻔﺎﻳﺒﺮﺟﻼس‬ ‫أو اﻟﺼﻮف اﻟﺼﺨﺮي‪ ,‬ﻳﺘﻮﻓﺮ ﻣﻨﻬﺎ ﺗﺼﺎﻣﻴﻢ و‬ ‫أﻟﻮان ﻣﺘﻌﺪدة ا‪C‬ﺳﺘﺨﺪاﻣﺎت ‪.‬‬ ‫اﻟﻤﺼﺪات ا رﺿﻴﺔ اﻟﻬﻴﺪروﻟﻴﻜﻴﺔ‬ ‫اﻟﺠﻬــــﺎز اﻟﻬﻴﺪروﻟﻴﻜــــﻲ ﻳﻮﻓــــﺮ ﺣﻤﺎﻳــــﺔ ﻋﺎﻟﻴــــﻪ‬ ‫ﻟ‪.‬ﻣﺎﻛﻦ اﻟﺤﺴﺎﺳﺔ واﻟﺘﻲ ﺗﺘﻄﻠﺐ أﻧﻈﻤﺔ اﻣﻨﻴﺔ‬ ‫ﻋﺎﻟﻴﺔ اﻟﻜﻔﺎءة ﻛﻤﺎ ﻳﻌﻤﻞ ﺑﻨﻈﺎم ﻫﻴﺪروﻟﻴﻜﻲ‬ ‫ﻛﻬﺮﺑﺎﺋﻲ و ﻳﺪوي ﻋﻨﺪ إﻧﻘﻄﺎع اﻟﺘﻴﺎر اﻟﻜﻬﺮﺑﺎﺋﻲ‬ ‫و ﻳﺘﻮﻓﺮ ﺑﺄﺣﺠﺎم ﻣﺨﺘﻠﻔﻪ ﺣﺴﺐ ﻃﻠﺐ اﻟﻌﻤﻴﻞ‬ ‫ﻣﻊ أﻟﻮان وأﻧﻮار ﺗﺤﺬﻳﺮﻳﻪ‪.‬‬

‫ﻧﻈﺎم ﻣﺘﻌﺪد اﻻﺳـــﺘﻌﻤﻼت ي ﻧﻮع ﻣﻦ أﻧﻮاع‬ ‫اﻟﺸﺒﺎﺑﻴﻚ وا ﺑﻮاب اﻟﻌﺎزﻟﺔ‪ ،‬واﻟﺘﻲ ﺗﺘﻮاﻓﻖ ﻣﻊ‬ ‫أﻏﻠـــﺐ اﻟﻤﺘﻄﻠﺒﺎت اﻟﻬﻨﺪﺳـــﻴﺔ ‪ .‬ﺗﻨﻮع واﺳـــﻊ‬ ‫ﻣﻦ اﻟﺤﻠـــﻮل واﻟﻘﻄﺎﻋﺎت ‪ .‬ﻳﻤﻜﻦ اﻟﻨﻈﺎم ﻣﻦ‬ ‫إﺑﺘﻜﺎر ﻛﻞ أﻧﻮاع أ ﺷﻜﺎل اﻟﻤﺘﻌﻠﻘﺔ ﺑﺎ‪8‬ﻃﺎرات‬ ‫اﻟﻤﻔﺼﻠﻴﺔ وﺗﻘﺪم اﻟﺨﺼﺎﺋﺺ اﻟﺘﺎﻟﻴﺔ ‪:‬‬ ‫• ﺷﺒﺎﺑﻴﻚ ﻣﻔﺼﻼت ﺑﺄﺷـــﻜﺎل ﻋﺪﻳﺪة )ﻣﻔﺮد‬ ‫وﻣﺰدوج( ﻟﻀﻮء ﻃﺒﻴﻌﻲ أﻛﺜﺮ‪.‬‬ ‫• ﻧﻈﺎم ﺣﻤﺎﻳﺔ ﺿﺪ اﻟﺴﺮﻗﺔ‪.‬‬ ‫• ﻣﺘﻮﻓـــﺮ ﻗﻄﺎﻋـــﺎت ﺧﺎﺻـــﺔ ي ﺷـــﻜﻞ ﻣـــﻦ‬ ‫أﺷﻜﺎل أﺑﻮاب اﻟﻤﺪاﺧﻞ‪.‬‬ ‫• ﻳﺴﺘﻌﻤﻞ ﺷﻜﺎل اﻟﺸﺒﺎﺑﻴﻚ اﻟﻤﺤﻮرﻳﺔ‪.‬‬ ‫‪ ٣‬ـ واﺟﻬﺎت ا ﻟﻮﻣﻨﻴﻮم ‪:‬‬

‫‪§M11000 - Hinged Thermal Break System‬‬

‫ﻧﻈـــﺎم واﺟﻬﺎت أﻟﻤﻨﻴﻮم ﻣﻌﺰول ﺣﺮارﻳﺎ ﻳﺤﻘﻖ ﻛﻔﺎءة‬ ‫اﻟﻄﺎﻗـــﺔ ﺑﺠﻮدة ﻣﻌﻤﺎرﻳﺔ ﻋﺎﻟﻴﺔ وﻳﺤﻘﻖ اﻟﻘﻴﻤﺔ ا ﻋﻠﻰ‬ ‫ﻟﻠﺘﻮﻓﻴﺮ وﻳﺘﻮاﻓﻖ ﻣﻊ ﻣﺘﻄﻠﺒﺎت ا ﻣﺎن واﻻﺳﺘﻘﺮار‪.‬‬ ‫• ﻋﻮارض وﻗﻮاﻃﻊ ﺑﺴﻤﺎﻛﺔ ‪ ٥٠‬ﻣﻠﻢ‪.‬‬ ‫• ﻋﺎزل ﺣﺮاري ﻋﺎﻟﻲ اﻟﻜﻔﺎءة ﺑﺴـــﺒﺐ اﻟﻌﻮازل اﻟﺨﺎﺻﺔ‬ ‫اﻟﻤﺴـــﺘﻌﻤﻠﺔ واﻟﺘـــﻲ ﺗﻤﻜـــﻦ ﻫـــﺬا اﻟﻨﻈـــﺎم ﻟﻴﻜـــﻮن‬ ‫ﻣﻨﺎﺳﺒﺎ ﻟﻤﺨﺘﻠﻒ ﻋﻮاﻣﻞ اﻟﻄﻘﺲ‪.‬‬ ‫• ﺣﻠـــﻮل واﺟﻬـــﺎت زﺟﺎﺟﻴـــﺔ ﺑﻌـــﻮازل )‪(SGG‬‬ ‫واﻟﺴﻴﻠﻴﻜﻮن )‪ (SSG‬ﻟﺬات اﻟﻌﻮارض واﻟﻘﻮاﻃﻊ‪.‬‬ ‫• ﺳﻤﺎﻛﺔ اﻟﺰﺟﺎج ﻣﻦ ‪ ٢٨‬ﻣﻠﻢ إﻟﻰ ‪ ٥٠‬ﻣﻠﻢ‪.‬‬ ‫• ﺳـــﻤﺎﻛﺔ اﻟﻘﻄﺎﻋـــﺎت ﺗﺨﺘﻠـــﻒ ﻣﻦ ‪ ١٫٧‬ﻣﻠـــﻢ ‪٢-‬ﻣﻠﻢ‪.‬‬ ‫)‪ ٦‬ﻣﻠﻤﻔـــﻲ اﻟﻘﻄﺎﻋﺎت اﻟﻜﺒﻴـــﺮة( وذﻟﻚ ﻟﺘﺤﻘﻴﻖ ﻗﻴﻢ‬ ‫ﻋﺎﻟﻴﺔ ﻣﻦ اﻟﻨﺴﺐ اﻟﻤﻘﺎوﻣﺔ‪.‬‬ ‫• ﺑﺮاﻏـــﻲ اﻟﻘﻮاﻃـــﻊ ﻣﻐﻄـــﺎة ﺑﻌـــﻮازل اﻟﻌـــﻮارض‪ ،‬ﻣﻤﺎ‬ ‫ﻳﺨﻔﺾ ﻣﻦ ﻣﺸﺎﻛﻞ دﺧﻮل ااﻟﻤﺎء واﻟﻬﻮاء‪.‬‬

‫‪M7-Curtain Wall System‬‬

‫‪M85S – Structural Glasing‬‬

‫‪ ٤‬ـ واﺟﻬﺎت ا ﻟﻤﻨﻴﻮم اﻟﺰﺟﺎﺟﻴﺔ‬ ‫اﻟﻘﻄـــﺎع ا‪8‬ﻧﺸـــﺎﺋﻲ اﻟﺠﺪﻳـــﺪ اﻟﻌـــﺎزل ﻟﻠﻮاﺟﻬـــﺎت‬ ‫اﻟﺰﺟﺎﺟﻴــــﺔ ) ﻧﻈﺎم ﻣﻮﺣﺪ ـ وﺣﺪات ﻣﺴــــﺒﻘﺔ اﻟﺼﻨﻊ‬ ‫ﻣﻦ اﻟﻤﻤﻜﻦ ﺗﺸــــﻴﻴﺪﻫﺎ ﺑﺪون ﺳﻘﺎﻻت( ﻣﻊ ﻗﻄﺎع‬ ‫داﺧﻠﻲ ﺑﻌﺮض ‪ ٨٥‬ﻣﻠــــﻢ‪ .‬إﻧﻪ اﺧﺘﻴﺎر اﻟﻘﻄﺎع ا ﻣﺜﻞ‬ ‫ﻟﻤﻮاﻗﻊ اﻟﻌﻤﺎرات اﻟﻜﺒﻴﺮة‪.‬‬ ‫ﻫﺬا اﻟﻨﻈﺎم اﻟﻤﺘﻘﺪم ﻟﻪ اﻟﺨﺼﺎﺋﺺ اﻟﺘﺎﻟﻴﺔ ‪:‬‬ ‫• ﻓﻘﻂ ﺑﺎ‪8‬ﻣﻜﺎن ﺗﺮﻛﻴﺐ اﻟﺰﺟﺎج ﺑﺴـــﻤﺎﻛﺔ إﺟﻤﺎﻟﻴﺔ‬ ‫‪ ٣٢‬ﻣﻠﻢ أو ‪ ٤٤‬ﻣﻠﻢ‪.‬‬ ‫زﺟﺎج ﻣﺰدوج أو اﻟﺰﺟﺎج اﻟﺜﻼﺛﻲ‪.‬‬ ‫• ﻣﺜﺒـــﺖ اﻟﺰﺟـــﺎج اﻟﺨﺎرﺟﻲ ﻳﺘﻢ ﺗﺮﻛﻴﺒﻪ ﺑﺴـــﻬﻮﻟﺔ‬ ‫وﺳﺮﻋﺔ وذﻟﻚ ﻟﺘﻮﻓﻴﺮ وﻗﺖ اﻟﺒﻨﺎء اﻟﻘﻴﻢ‪.‬‬ ‫• إﻣﻜﺎﻧﻴﺔ ﺗﻐﻴﻴﺮ اﻟﺰﺟﺎج اﻟﻤﻜﺴﻮر ﺑﺴﻬﻮﻟﺔ‪.‬‬ ‫• وﺣـــﺪات اﻟﻔﺘﺤـــﺎت ﻣﺘﻜﺎﻣﻠـــﺔ ﻣـــﻊ ﻧﻈـــﺎم‬ ‫اﻻﻛﺴﺴـــﻮار اﻟﺨﺎص ) اﻟﻔﺘﺤـــﺔ ﻣﻦ أﻋﻠﻰ‪ ،‬ﺛﺎﺑﺖ أو‬ ‫ﺗﻔﺘﺢ ﻟﻠﺨﺎرج(‪.‬‬

‫‪Shopfront Frameless Glass‬‬

‫‪ ٥‬ـ واﺟﻬﺎت ﻣﺤﻼت زﺟﺎج ﺳﻴﻜﻮرﻳﺖ‬ ‫إن واﺟﻬﺔ اﻟﻤﺤﻞ ي ﻋﻤﻞ ﻫﻲ اﻟﻔﺮﺻﺔ ا وﻟﻰ‬ ‫ﻻﻧﻄﺒـــﺎع اﻟﺰﺑﻮن‪ .‬ﻣﺪﻳﻨﺎل ﺗﻘﺪم اﻟﺘﺸـــﻜﻴﻠﺔ‬ ‫اﻟﻜﺎﻣﻠﺔ ﻟﻨﻈﺎم واﺟﻬﺎت اﻟﻤﺤﻼت ﻣﻦ اﻟﺰﺟﺎج‬ ‫اﻟﺴـــﻴﻜﻮرﻳﺖ‪ ،‬ﻣﺘﻜﺎﻣﻠـــﺔ ﻣـــﻊ اﻛﺴﺴـــﻮات‬ ‫وأدوات اﻟﺴـــﺘﺎﻧﻠﺲ ﺳﺘﻴﻞ ‪8‬ﻇﻬﺎر أﻋﻤﺎﻟﻚ‪.‬‬ ‫ﻣﺪﻳﻨﺎل ﺗـــﻮرد وﺗﺮﻛﺐ واﺟﻬﺎت اﻟﻤﺤﻼت ﻣﻦ‬ ‫ﺗﺸـــﻜﻴﻠﺔ واﺳـــﻌﺔ ﻣﻦ اﻟﺰﺟﺎج اﻟﺴﻴﻜﻮرﻳﺖ‬ ‫ﺑﺴـــﻤﺎﻛﺔ ‪ ١٢‬ﻣﻠـــﻢ و ‪ ١٠‬ﻣﻠﻢ‪ .‬ﻫـــﺬا اﻟﺼﻨﻔﺎن‬ ‫ﻳﺴـــﺘﻌﻤﻼن ﻟﻮاﺟﻬـــﺎت اﻟﻤﺤـــﻼت اﻟﺪاﺧﻠﻴﺔ )‬ ‫ﻓﻲ اﻟﻤﺠﻤﻌﺎت اﻟﺘﺠﺎرﻳﺔ وﻓﻮاﺻﻞ اﻟﻤﻜﺎﺗﺐ(‬ ‫ﻛﻤـــﺎ ﻓـــﻲ واﺟﻬـــﺎت اﻟﻤﺤـــﻼت اﻟﺨﺎرﺟﻴـــﺔ‬ ‫)اﻟﻤﺼـــﺎرف‪ ،‬ﻣﺮاﻛﺰ اﻟﺘﺴـــﻮق‪ ،‬ﺻﺎﻻت اﻟﻌﺮض‬ ‫وﻣﺤﻼت اﻟﺘﺠﺰﺋﺔ( ‪.‬‬

‫‪Shopfront Frameless Glass‬‬

‫‪¡UM³ « ±∞±‬‬

‫‪101 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﻨﻊ ﻣﻜﻤﻦ اﻟﻌﺮﺑﻴﺔ ﻟ ﻟﻤﻨﻴﻮم‬ ‫أﻧﻈﻤﺔ أﻟﻤﻨﻴﻮم ﻣﻌﻤﺎرﻳﺔ‬

‫ﻋﻠـــﻰ اﻟﺮﻳـــﺎدة ﻓـــﻲ ﺗﺼﻨﻴـــﻊ‬ ‫ﺗﻌﻤـــﻞ‬ ‫ﻣﻨﺘﺠـــﺎت ا‪3‬ﻟﻤﻨﻴﻮم ﻋﺎﻟﻴﺔ اﻟﺠﻮدة ﻟﻤﺨﺘﻠﻒ أﻧﻈﻤﺔ‬ ‫ا‪3‬ﻟﻤﻨﻴـــﻮم اﻟﻤﺨﺼﺼﺔ ﻟ‪c‬ﻫﺪاف اﻟﻤﻌﻤﺎرﻳﺔ‪ ،‬ﻣﺒﻨﻴﺔ‬ ‫ﻋﻠﻰ ﺧﺒﺮة ‪3‬ﻛﺜﺮ ﻣﻦ ﺛﻼﺛﺔ ﻋﻘﻮد ﻓﻲ ﻣﺠﺎل ﺻﻨﺎﻋﺔ‬ ‫ا‪3‬ﻟﻤﻨﻴـــﻮم‪ ،‬وﻫـــﻲ ﻋﻠﻰ اﺳـــﺘﻌﺪاد ﺗـــﺎم ﻟﺘﺼﻨﻴﻊ‬ ‫ا‪3‬ﻟﻤﻨﻴﻮم ﻟﻜﺎﻓﺔ اﻟﻤﺸﺎرﻳﻊ اﻟﻜﺒﻴﺮة واﻟﻤﺘﻮﺳﻄﺔ‬ ‫واﻟﻔﻠـــﻞ ﺑﻤﻮاﺻﻔـــﺎت ﻋﺎﻟﻤﻴـــﺔ ﻟ‪c‬ﻧﻈﻤـــﺔ وﻋﺎﻟﻴـــﺔ‬ ‫اﻟﺠـــﻮدة‪ ،‬ﺑﺎ‪g‬ﺿﺎﻓـــﺔ إﻟﻰ ﺗﺮﻛﻴﺒﻬﺎ ﻓـــﻲ اﻟﻤﻮﻗﻊ ﻣﻦ‬ ‫ﻗﺒـــﻞ ﻓﺮﻳﻖ ﻓﻨﻲ ﻣﻨﺨﺼﺺ‪ ،‬ﻛﻤﺎ وﻟﺪﻳﻬﺎ اﻟﻜﻔﺎءة‬ ‫ﻟﺘﻘﺪﻳـــﻢ اﻟﺪراﺳـــﺎت اﻟﻔﻨﻴـــﺔ ﻟﻤـــﺎ ﺑﺘﻨﺎﺳـــﺐ ﻣـــﻊ‬ ‫ﻣﺘﻄﻠﺒﺎت ا‪g‬ﺳﺘﺸـــﺎرﻳﻴﻦ واﻟﻤﻬﻨﺪﺳﻴﻦ وﻣﺎﻟﻜﻲ‬ ‫اﻟﻤﺸـــﺎرﻳﻊ اﻟﻤﻌﻤﺎرﻳﺔ‪ .‬وﻳﻘـــﻊ اﻟﻤﺼﻨﻊ ﻓﻲ اﻟﻤﺪﻳﻨﺔ‬ ‫اﻟﻤﻨﻮرة ﺑﺎﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‪.‬‬ ‫ﻗﺎﺋﻤﺔ اﻟﻤﻨﺘﺠﺎت ‪:‬‬ ‫‪ ١‬ـ ﺷﺒﺎﺑﻴﻚ وأﺑﻮاب اﻟﺴﺤﺎﺑﺎت‬ ‫‪ ٢‬ـ ﺷﺒﺎﺑﻴﺎك وأﺑﻮاب اﻟﻤﻔﺼﻼت‪.‬‬ ‫‪ ٣‬ـ واﺟﻬﺎت ا‪3‬ﻟﻮﻣﻨﻴﻮم‪.‬‬ ‫‪ ٤‬ـ اﻟﻮاﺟﻬﺎت اﻟﺰﺟﺎﺟﻴﺔ ‪.‬‬ ‫‪ ٥‬ـ واﺟﻬﺎت زﺟﺎج اﻟﺴﻴﻜﻮرﻳﺖ ﻟﻠﻤﺤﻼت‪.‬‬ ‫‪ ٦‬ـ أﺑﻮاب أوﺗﻮﻣﺎﺗﻴﻜﻴﺔ ‪.‬‬ ‫‪ ٧‬ـ ﻗﺒﺐ ا‪3‬ﻟﻤﻨﻴﻮم اﻟﺰﺟﺎﺟﻴﺔ ‪.‬‬ ‫‪ ٨‬ـ أﻟﻮاح أﻟﻮﻣﻨﻴﻮم ﻟﻜﺴﻮة اﻟﺠﺪران‪.‬‬ ‫‪ ١‬ـ ﺷﺒﺎﺑﻴﻚ وأﺑﻮاب اﻟﺴﺤﺎﺑﺎت‬

‫‪M9200 - Sliding System‬‬

‫• ﻧﻈﺎم ﺳﺤﺎب ﻏﻴﺮ ﻋﺎزل ﻣﻊ ﺷﻜﻞ ﻣﻨﺤﻨﻲ‪.‬‬ ‫• ﻋﺮض اﻟﺪرﻓﺔ ‪٣٨‬ﻣﻠﻢ‪.‬‬ ‫• ﻳﺴـــﺘﺨﺪم اﻟﺰﺟﺎج اﻟﻤﻔﺮد أو اﻟﻤﺰدوج ﻟﺴـــﻤﺎﻛﺔ‬ ‫أﻗﺼﺎﻫﺎ ‪ ٢٠‬ﻣﻠﻢ‪ .‬واﻟﻮزن ا‪3‬ﻗﺼﻰ ﻟﻠﺪرﻓﺔ ‪ ١٢٠‬ﻛﻠﻎ‪.‬‬ ‫• ﻣﻨﺎﺳﺐ ‪3‬ي ﻧﻮع ﻣﻦ ﺷﺒﺎﺑﻴﻚ وأﺑﻮاب اﻟﺴﺤﺎب‬ ‫واﻟﺘﻲ ﻣـــﻦ اﻟﻤﻤﻜﻦ ﻛﺬﻟﻚ دﻣﺠﻬﺎ ﻣﻊ اﻟﺴـــﺘﺎرة‬ ‫اﻟﺴﺤﺎﺑﺔ ‪ /‬أو ﻋﺎزل اﻟﺤﺸﺮات‪.‬‬ ‫• ﺗﺴـــﻤﺢ اﻟﺴـــﻜﺔ اﻟﺴـــﺘﺎﻧﻠﺲ ﺳـــﺘﻴﻞ ﺑﺎﻧﺰﻻﻗﺔ‬ ‫ﻧﺎﻋﻤﺔ وﻫﻴﻨﺔ ﻟﻠﺪرف‪.‬‬ ‫• أداة اﻟﻘﻔــــﻞ ﺗﻌﻤــــﻞ ﻣﻦ ﻧﻘﻄﺘﻴﻦ ﻟﻤﺴــــﺘﻮى‬ ‫أﻣﺎن أﻋﻠﻰ‪.‬‬

‫∞∞‪¡UM³ « ±‬‬

‫‪100 Albenaa‬‬

‫‪S450 GS - Sliding Thermal Break System‬‬

‫ﻫﻮ ﻧﻈــﺎم ﻳﻌﻤﻞ ﺑﻄﺮﻳﻘﺘﻲ اﻟﺮﻓﻊ واﻟﺴــﺤﺐ‬ ‫ﻣﺘﻌﺪد اﻟﻌﺰل ﻻﺑﻮاب وﺷﺒﺎﺑﻴﻚ اﻟﻔﺘﺤﺎت‪.‬‬ ‫ﻳﺴﺘﻌﻤﻞ ﻟﻬﺬا اﻟﻨﻈﺎم أﻛﺴﺴﻮارات ﻣﺘﻌﺪدة‬ ‫ﻛﻤﺎ ﺗﻘﺪم اﻟﺨﺼﺎﺋﺺ اﻟﻔﻨﻴﺔ اﻟﺘﺎﻟﻴﺔ‪:‬‬ ‫ﻋﺮض اﻟﺪرﻓﺔ ‪ ٤٥‬ﻣﻠﻢ‪.‬‬ ‫ﺗﺴـــﻤﺢ اﻟﺴـــﻜﺔ اﻟﺴـــﺘﺎﻧﻠﺲ ﺳـــﺘﻴﻞ ﺑﺎﻧﺰﻻﻗـــﺔ‬ ‫ﻧﺎﻋﻤﺔ وﻫﻴﻨﺔ ﻟﻠﺪرف‪.‬‬ ‫ﺗﻘﻨﻴـــﺔ رﻓـــﻊ اﻟﺪرﻓﺔ إﻟﻰ أﻋﻠﻰ ﺛﻢ ﺳـــﺤﺒﻬﺎ ﺗﺼﻞ‬ ‫ﻟﻮزن ‪ ٢٠٠‬ﻛﻠﻎ ﺑﻮاﺳﻄﺔ أﻛﺴﺴﻮار ﻣﻦ ا‪3‬ﻟﻤﻨﻴﻮم‪.‬‬ ‫ﻋﺰل ﻋﺎﻟﻲ اﻟﺠﻮدة‪.‬‬ ‫ﻣﺘﻨﺎﺳﺐ ﻣﻊ اﻟﺴـــﺘﺎﺋﺮ اﻟﺨﺎرﺟﻴﺔ ‪ /‬ﺷﺒﻚ ﺳﺤﺎب‬ ‫ﻃﺎرد اﻟﻨﺎﻣﻮس‪.‬‬ ‫ﻣﺴـــﺘﻮى ﻋـــﺎل ﻣـــﻦ ا‪3‬ﻣـــﺎن إﺧﺘﻴﺎري ﺑﺎﺳـــﺘﻌﻤﺎل‬ ‫أدوات ا‪3‬ﻗﻔﺎل اﻟﻤﺘﻌﺪدة‪.‬‬

‫‪M15000 - Hinged System‬‬

‫‪ ٢‬ـ ﺷﺒﺎﺑﻴﻚ وأﺑﻮاب اﻟﻤﻔﺼﻼت‬ ‫ﻧﻈـــﺎم ﻣﻔﺼـــﻼت ﻏﻴـــﺮ ﻋﺎزل ﺣـــﺮاري ﻟﻠﺸـــﺒﺎﺑﻴﻚ‪،‬‬ ‫أﺑـــﻮاب اﻟﻤﺪاﺧﻞ واﻟﻤﻤﺮات ﻳﻮﻓـــﺮ ﺣﻠﻮل ﻣﺘﻌﺪدة‬ ‫ﺗﺤﻘﻖ اﻟﺨﺼﺎﺋﺺ اﻟﺘﺎﻟﻴﺔ‪:‬‬ ‫• ﺗﺼﺎﻣﻴـــﻢ ﻋﺪﻳـــﺪة )ﺧﻄـــﻮط ﻧﺎﻋﻤـــﺔ‪،‬‬ ‫ﻣﺴﻄﺤﺔ‪،‬ﻣﺎﺋﻠﺔ‪ ،‬ﻛﻼﺳﻴﻜﻴﻴﺔ(‪.‬‬ ‫• ﺷـــﻴﺎﺑﻴﻚ واﺑـــﻮاب ﻣﺪاﺧـــﻞ ﺛﻨﺎﺋﻴـــﺔ اﻟﻔﺘﺤـــﺎت )‬ ‫ﻟﻠﺪاﺧﻞ واﻟﺨﺎرج(‪.‬‬ ‫• ﻳﻘﺪم ﻫﺬا اﻟﻨﻈﺎم أﻧﻮاع ﻣﻦ اﻟﺸﻴﺎﺑﻴﻚ وأﺑﻮاب‬ ‫اﻟﻤﺪاﺧﻞ اﻟﻤﻔﺼﻠﻴﺔ )ﻣﻔﺮدة أو ﻣﺰدوﺟﺔ(‪.‬‬ ‫• أﺑﻮاب ﻣﺨﺎرج اﻟﻄﻮاريء‪.‬‬ ‫• أﺑﻮاب ﻣﺎﻧﻌﺔ ﻟﺘﺴﺮب اﻟﺪﺧﺎن‪.‬‬ ‫• أﺑﻮاب ﻣﺮوﺣﻴﺔ‪.‬‬ ‫• ﺷـــﺒﺎﺑﻴﻚ واﺑـــﻮاب ﻣﺪاﺧـــﻞ ﻣﺤﻮرﻳـــﺔ أﻓﻘﻴـــﺔ‬ ‫أوﻋﻤﻮدﻳﺔ‪.‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫اﻟﻄﻮب ا ﺣﻤﺮ أم ا ﺳﻤﻨﺘﻲ‬ ‫ﺑﻘﻠﻢ ‪ /‬أ‪ .‬ﻫﺸﺎم رأﻓﺖ ـ ﻣﺼﺎﻧﻊ اﻟﻤﻴﻤﻨﻲ ﻟﻠﻄﻮب ا ﺣﻤﺮ‬

‫إن ﻗـــﺮار اﺳـــﺘﺨﺪام اﻟﻄـــﻮب ا ﺣﻤـــﺮ ﻓـــﻲ‬ ‫اﻟﻤﺒﺎﻧـــﻲ ﻗﺮار ﻓﻲ ﻏﺎﻳـــﺔ ا ﻫﻤﻴﺔ ﺣﻴﺚ ﺑﻌﺪ‬ ‫إﻧﺘﻬﺎء ﻋﻤﻠﻴﺔ اﻟﺒﻨﺎء واﻟﺘﺸﻄﻴﺐ واﻟﺴﻜﻦ‬ ‫ﻻﺗﺴـــﺘﻄﻴﻊ اﻟﺘﻐﻴﻴﺮ ﻛﻤﺎ ﻓﻲ أي ﻗﺮار ﻳﺘﺨﺬه‬ ‫ا‪A‬ﻧﺴـــﺎن وﻟﺬﻟـــﻚ وﻟ?ﻣﺎﻧـــﺔ اﻟﻤﻬﻨﻴـــﺔ ﻓـــﺈن‬ ‫ﻛﻮد اﻟﺒﻨﺎء اﻟﺴـــﻌﻮدي ﻗﺪ أﻧـــﺎر ﻟﻨﺎ اﻟﻄﺮﻳﻖ‬ ‫ﺑﺎﺳـــﺘﺨﺪام ﺟﺪارﻳـــﻦ ﻣـــﻦ اﻟﻄـــﻮب ا ﺣﻤـــﺮ‬ ‫ﺑﻴﻨﻬﻤـــﺎ ﺻـــﻮف ﺻﺨـــﺮي ﺑﺴـــﻤﺎﻛﺔ ‪ ١٠‬ﺳـــﻢ‬ ‫وﻫـــﻲ اﻟﻄﺮﻳﻘـــﺔ اﻟﻤﺜﻠـــﻰ ﻟﻠﻌـــﺰل اﻟﺤـــﺮاري‬ ‫وﺗﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ‪.‬‬ ‫واﻟﻄـــﻮب ا ﺣﻤﺮ اﻟﻔﺨـــﺎري ﻳﻤﺘﺎر ﻋﻦ اﻟﻄﻮب‬ ‫ا ﺳـــﻤﻨﺘﻲ ﺑﻤﻴـــﺰات ﻋﺪﻳـــﺪة ﻧﻮﺟﺰﻫـــﺎ ﻓﻴﻤﺎ‬ ‫ﻳﻠﻲ ‪:‬‬ ‫‪ ١‬ـ ﻳﺼﻨﻊ ﻣﻦ ﻣﺎدة ﻃﻴﻨﻴﺔ‪.‬‬ ‫‪ ٢‬ـ ﺧﻔﺔ اﻟﻮزن ‪.‬‬ ‫‪ ٣‬ـ ﻗﻮة اﻟﺘﺤﻤﻞ‪.‬‬ ‫‪ ٤‬ـ ﻣﻘﺎوﻣﺔ اﻟﺤﺮﻳﻖ ‪.‬‬ ‫‪ ٥‬ـ ﻋﺎزل ﺻﻮﺗﻲ ‪.‬‬ ‫‪ ٦‬ـ ﺳﻬﻮﻟﺔ اﻻﺳﺘﺨﺪام‪.‬‬ ‫‪ ٧‬ـ ﻻﻳﺘﺄﺛﺮ ﺑﺎﻟﻌﻮاﻣﻞ اﻟﺠﻮﻳﺔ‪.‬‬ ‫وﻣﻦ ﺧـــﻼل ﻋﻨﺼـــﺮ واﺣﺪ ﻓﻘﻂ وﻫـــﺎم ﺟﺪ_‬ ‫وﻫﻮ ﺧﻔﺔ اﻟﻮزن ﻣﺎذا ﺗﺴـــﺘﻔﻴﺪ وا‪A‬ﺟﺎﺑﺔ إذا‬ ‫ﻗﺎرﻧﺎ ﺑﻴﻦ اﻟﻄﻮب ا ﺣﻤﺮ واﻟﻄﻮب ا‪A‬ﺳﻤﻨﺘﻲ‬ ‫ﻓـــﻲ ﻫـــﺬا اﻟﻤﺠـــﺎل ﻧﺠـــﺪ أن اﻟﻄـــﻮب ا ﺣﻤﺮ‬ ‫ﻣﻘـــﺎس ‪ ٤٠ x ٣٠ x ٢٠‬ﻳـــﺰن ﺣﻮاﻟـــﻲ ‪ ١٦‬ﻛﻴﻠـــﻮ‬ ‫ﺟـــﺮام أﻣﺎ ا ﺳـــﻤﻨﺘﻲ ﻓﻴـــﺰن ‪ ٢٦‬ﻛﻴﻠﻮ ﺟﺮام‬

‫وﻫﺬا اﻟﻔﺮق ﻳﺴـــﺎﻋﺪ ﻋﻠﻰ ﺧﻔـــﺾ ا ﺣﻤﺎل‬ ‫ﻋﻠﻰ اﻟﻜﻤﺮات واﻟﺠﺴـــﻮر اﻟﺨﺮﺳـــﺎﻧﻴﺔ وﻫﺬا‬ ‫اﻟﻔﺮق ﻳﺆدي إﻟﻰ ‪:‬‬ ‫‪ ١‬ـ ﺗﺨﻔﻴـــﺾ اﻟﺘﻜﺎﻟﻴـــﻒ ) وذﻟـــﻚ ﻟﻌﻨﺎﺻـــﺮ‬ ‫اﻟﻬﻴﻜﻞ اﻟﺨﺮﺳﺎﻧﻲ ( ‪.‬‬ ‫‪ ٢‬ـ ﺗﺨﻔﻴـــﺾ وﻗـــﺖ اﻟﺘﻨﻔﻴﺬ ) ﺳـــﺮﻋﺔ اﻟﺒﻨﺎء‬ ‫وا‪A‬ﻧﺠﺎز( ‪.‬‬ ‫‪ ٣‬ـ إﻃﺎﻟﺔ ﻋﻤﺮ اﻟﻤﺒﻨﻰ )ﻟﺘﺨﻔﻴﺾ ا ﺣﻤﺎل( ‪.‬‬ ‫‪ ٤‬ـ ﻣﻮﻓـــﺮ ﻟﻠﻄﺎﻗـــﺔ ) ﺣﻴﺚ ﻣﻘﺎوﻣـــﺔ اﻟﻄﻮب‬ ‫ا ﺣﻤﺮ ﻟﻠﺤﺮارة ﻳﻌـــﺎدل ﺛﻼث أﺿﻌﺎف اﻟﻄﻮب‬ ‫ا ﺳـــﻤﻨﺘﻲ وﺑﺬﻟـــﻚ ﺗﺨﻔﻴـــﺾ اﺳـــﺘﻬﻼك‬ ‫اﻟﻜﻬﺮﺑﺎء وﺗﻘﻠﻴﻞ اﻟﺘﻜﺎﻟﻴﻒ ‪.‬‬ ‫وإذا ﻛﻨـــﺖ ﺗﺮﻛﻴـــﺪ ﺗﺮﻛﻴـــﺐ اﻟﺮﺧـــﺎم ﻋﻠـــﻰ‬ ‫اﻟﻤﺒﻨﻰ ﻣﻦ اﻟﺨﺎرج وﺗﺮﻳﺪ ﻋﺰل ﺣﺮاري ﻓﻠﺪﻳﻨﺎ‬ ‫ﺑﻤﺼﺎﻧﻊ اﻟﻤﻴﻤﻨﻲ ﻟﻠﻄﻮب ا ﺣﻤﺮ اﻟﺤﻞ وﻫﻮ‬ ‫ﻃﻮب ﺧﺎرﺟﻲ ﺣﺎﻣﻞ ‪ Load Bearing‬ﻳﺼﻠﺢ‬ ‫ﻟﺘﺮﻛﻴﺐ اﻟﺮﺧﺎم ﺑﺎﺳﺘﺨﺪام ﻣﺴﺎﻣﻴﺮ ﺗﺜﺒﻴﺖ‬ ‫اﻟﺮﺧـــﺎم ﺛـــﻢ ﻋﺎزل ﺻـــﻮف ﺻﺨﺮي ﺳـــﻤﺎﻛﺔ ‪١٠‬‬ ‫ﺳـــﻢ وإذا ﻛﻨـــﺖ ﺗﺮﻳـــﺪ ﻃﺮﻳﻘﺔ أﺧـــﺮى ﻟﻌﺰل‬ ‫اﻟﺠـــﺪران اﻟﺨﺎرﺟﻴﺔ ﻓﻨﺤﻦ أﻳﻀـــ‪ p‬ﻟﺪﻳﻨﺎ اﻟﺤﻞ‬ ‫وﻧﻨﻔـــﺮد ﺑﺘﻮﻓﻴـــﺮ ﻣﻨﺘﺠـــﺎت ﻣﻨﻮﻋـــﺔ وأﻳﻀـــ‪p‬‬ ‫ﻣﻌﺰوﻟﺔ ﺑﺎﻟﺼﻮف اﻟﺼﺨﺮي‪.‬‬ ‫ﺳﻤﺎﻛﺔ ‪ ٢٠‬ﺳﻢ وﺳﻤﺎﻛﺔ ‪ ٢٥‬ﺳﻢ‬ ‫و ﺳﻤﺎﻛﺔ ‪ ٣٠‬ﺳﻢ ‪.‬‬ ‫اﻟﻤﺼﻨﻊ اﻟﻮﺣﻴﺪ ﺑﺎﻟﻤﻤﻠﻜﺔ اﻟﺬي ﻳﻨﺘﺞ ﻃﻮب‬ ‫ﻋﺮﺿﻪ ‪ ٣٠‬ﺳﻢ ﻣﻌﺰول وﺑﻤﻮاﺻﻔﺎت ﺧﺎﺻﺔ ‪.‬‬

‫‪ ٢٦‬ﻛﻴﻠﻮﺟﺮام‬

‫‪ ١٥,٥‬ﻛﻴﻠﻮﺟﺮام‬

‫ﻣﻘﺎوم ﻟﻠﺤﺮﻳﻖ‬

‫≥∞‪¡UM³ « ±‬‬

‫‪103 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫اﻟﺤﻤﻼت اﻟﺘﻮﻋﻮﻳﺔ ﺑﻔﻮاﺋﺪ اﻟﻌﺰل اﻟﺤﺮاري‬ ‫ﺗﻮاﺻﻞ ﺟﻬﻮدﻫﺎ اﻟﻤﻜﺜﻔﺔ ﺑﺸﻜﻞ ﻧﺎري‬ ‫ﻣﺼﻨﻊ ﻋﺎزل ﻟﻠﺼﻮف اﻟﺼﺨﺮي اﻟﻌﺎزل‬

‫«_‪wMLO*« sLŠd « b³Ž Ø –U²Ý‬‬ ‫ ‪o¹u ² «Ë UFO³*« d¹b‬‬

‫واﺻﻠـــﺖ اﻟﺤﻤﻠﺔ اﻟﺘﻮﻋﻮﻳﺔ اﻟﺘﻰ أﻃﻠﻘﻬﺎ‬ ‫اﻟﻤﺮﻛـــﺰ اﻟﺴـــﻌﻮدى ﻟﻜﻔـــﺎءة اﻟﻄﺎﻗـــﺔ‬ ‫ﺑﻤﺪﻳﻨـــﺔ اﻟﻤﻠـــﻚ ﻋﺒـــﺪ اﻟﻌﺰﻳـــﺰ ﻟﻠﻌﻠـــﻮم‬ ‫واﻟﺘﻘﻨﻴﺔ ﺑﺎﻟﺮﻳﺎض ﺑﺎﻟﺘﻌﺎون ﻣﻊ اﻟﻌﺪﻳﺪ‬ ‫ﻣﻦ اﻟﺠﻬﺎت اﻟﺤﻜﻮﻣﻴﺔ وا‪2‬ﻫﻠﻴﺔ ﺟﻬﻮد‪/‬‬ ‫ﻣﻜﺜﻔـــﺔ ﺣﻮل ﻓﻮاﺋﺪ اﻟﻌـــﺰل اﻟﺤﺮارى ﻓﻰ‬ ‫اﻟﻤﺒﺎﻧـــﻰ ﺣﻴﺚ ﻗﺪﻣـــﺖ اﻟﻠﺠﻨﺔ ﻋﺪد‪ /‬ﻣﻦ‬ ‫اﻟﺘﻮﺻﻴﺎت أﺑﺮزﻫﺎ ﺗﻮﺻﻴﺎت ﻣﻨﻬﺎ ﺗﺨﺰﻳﻦ‬ ‫اﻟﻤــــﻮاد اﻟﻌﺎزﻟﺔ ﻟﻠﺤــــﺮارة ﻓﻰ أﻣﺎﻛﻦ ﺟﺎﻓﺔ‬ ‫وﻋــــﺪم ﺗﻌﺮﻳﻀﻬــــﺎ ‪2‬ﺷــــﻌﺔ اﻟﺸــــﻤﺲ‬ ‫ﻟﻔﺘــــﺮات ﻃﻮﻳﻠــــﺔ وﻋــــﺪم ﺗﻬﺸــــﻴﻤﻬﺎ أو‬ ‫ﺛﻘﺒﻬــــﺎ‪ .‬ﻛﻤﺎ أوﺻﺖ اﻟﺤﻤﻠــــﺔ اﻟﺘﻰ ﺗﺤﻤﻞ‬ ‫ﻋﻨــــﻮان ) اﻟﻔﺮق واﺿﺢ ( واﻟﺘﻰ إﺳــــﺘﻤﺮت‬ ‫ﻟﺒﻀﻌــــﺔ أﺷــــﻬﺮ ﺑﻌــــﺪد ﻣــــﻦ ا‪2‬ﻣــــﻮر ﻓﻰ‬ ‫ﻛﻴﻔﻴــــﺔ اﻟﺘﻌﺎﻣــــﻞ اﻟﺘﻄﺒﻴﻘﻰ ﻣــــﻊ ﻣﻮاد‬ ‫اﻟﻌﺰل اﻟﺤﺮارى ﻟﻠﻤﺒﺎﻧﻰ وأﻫﻤﻬﺎ ا‪2‬ﺗﻰ ‪ :‬ـــ‬ ‫أوﻻً‪ :‬ﻋﻨﺪ ﻋﺰل ا‪2‬ﺳﻘﻒ ﻳﺠﺐ ﻣﺮاﻋﺎة وﺿﻊ‬ ‫ﺣﺎﺟﺰ ﻣﻦ اﻟﺒﻼﺳﺘﻴﻚ ) اﻟﺒﻮﻟﻰ إﻳﺜﻴﻠﻴﻦ (‬ ‫أو ا‪2‬ﻟﻴـــﺎف )اﻟﻔﻴﺒﺮ( ﻟﻠﻔﺼـــﻞ ﺑﻴﻦ اﻟﻌﺰل‬ ‫اﻟﻤﺎﺋـــﻰ واﻟﻌـــﺰل اﻟﺤـــﺮارى وإﺿﺎﻓﺔ ﺣﺎﺟﺰ‬ ‫أﺧـــﺮ ﺑﻴﻦ اﻟﻌـــﺰل اﻟﺤـــﺮارى واﻟﺒﺤﺺ ﻓﻰ‬ ‫ﺣﺎﻟـــﺔ ﻋـــﺪم إﺳـــﺘﺨﺪام اﻟﺒـــﻼط ﻛﻄﺒﻘﺔ‬ ‫ﻧﻬﺎﺋﻴﺔ‪.‬‬ ‫ﺛﺎﻧﻴـــ‪ :Z‬وﻗﺎﻳـــﺔ اﻟﻌـــﻮازل اﻟﺤﺮارﻳـــﺔ وﻋـــﺪم‬ ‫ﺗﻌﺮﻳﻀﻬـــﺎ ‪2‬ى ﺗﻠـــﻒ ﻋﻨـــﺪ اﻟﻨﻘـــﻞ أو‬ ‫اﻟﺘﺨﺰﻳﻦ أو اﻟﺘﺮﻛﻴﺐ ‪.‬‬ ‫ﺛﺎﻟﺜـــ‪ :Z‬ﺗﺜﺒﻴـــﺖ ﻋـــﻮازل اﻟﺤـــﺮارة دون ﺗﺮك‬ ‫ﻓﺮاﻏﺎت ﺑﻴﻨﻬﺎ ﺗﺘﺠﺎوز رﺑﻊ ﺳﻨﺘﻴﻤﺘﺮﻋﻠﻰ‬ ‫ا‪2‬ﻛﺜﺮ ‪.‬‬ ‫≤∞‪¡UM³ « ±‬‬

‫‪102 Albenaa‬‬

‫راﺑﻌـــ‪ :Z‬إذا ﻛﺎن ﺳـــﻄﺢ اﻟﻤﺒﻨـــﻰ ﻓـــﻮق‬ ‫اﻟﺴـــﻄﺢ اﻟﻤﺴـــﺘﻌﺎر ﻣـــﻦ ﻧﻮع اﻟﺠﺴـــﻮر‬ ‫اﻟﻤﻌﺪﻧﻴـــﺔ اﻟﺸـــﺒﻜﻴﺔ ﻓﻴﺠـــﺐ ﺗﻮﻓﻴـــﺮ‬ ‫ﺗﻬﻮﻳﺔ ﻟﻠﻔﺮاغ اﻟﻤﻮﺟﻮد ﺑﻴﻦ اﻟﺴـــﻘﻔﻴﻦ‬ ‫اﻟﻤﺴﺘﻌﺎر واﻟﺸﺒﻜﻰ ‪.‬‬ ‫ﺧﺎﻣﺴـــ‪ :Z‬ﻓﻰ اﻟﻤﺒﺎﻧﻰ اﻟﺘﻰ ﺗﺴﺘﺨﺪم ﻓﻰ‬ ‫إﻧﺸـــﺎﺋﻬﺎ أو ﺗﺼﻔﻴﺤﻬﺎ ا‪2‬ﻟـــﻮاح اﻟﻤﻌﺪﻧﻴﺔ‬ ‫ﻛﺎﻟﻤﺴـــﺘﻮدﻋﺎت وﻏﺮف اﻟﺘﺒﺮﻳﺪ ﻓﺈﻧﻪ ﻳﺠﺐ‬ ‫ﻣﺮاﻋﺎة إﺳـــﺘﺨﺪام ﻋـــﻮازل ﺣﺮارﻳﺔ ﻣﻘﺎوﻣﺔ‬ ‫ﻟ‪d‬ﻧﺼﻬﺎر وذات ﻣﻘﺎوﻣﺔ ﻣﻨﺎﺳـــﺒﺔ ﻟﻠﺤﺮﻳﻖ‬ ‫ﺗﺠﻨﺒ‪ Z‬ﻟ‪d‬ﻧﺘﺸﺎر اﻟﺴﺮﻳﻊ ﻟﻠﺤﺮﻳﻖ ﻻ ﻗﺪر ا‪e‬‬ ‫وﻋﻠـــﻰ رأس ﻫﺬه اﻟﻤـــﻮاد وأﻫﻤﻬـــﺎ ﻣﺎدة‬ ‫اﻟﺼﻮف اﻟﺼﺨﺮى ‪.‬‬ ‫ﺳﺎدﺳـــﺎ‪ :‬أن ﺗﻜﻮن ﺟﻤﻴﻊ أﺳـــﻄﺢ اﻟﻤﺎدة‬ ‫اﻟﻌﺎزﻟﺔ ﺧﺎﻟﻴﺔ ﻣﻦ اﻟﻐﺒﺎر أو اﻟﺸـــﺤﻮم ﻗﺒﻞ‬ ‫وﺿﻌﻬﺎ ‪.‬‬ ‫ﺳﺎﺑﻌ‪ :Z‬ﻳﺠﺐ أن ﺗﺘﻢ أﻋﻤﺎل اﻟﻌﺰل اﻟﺤﺮارى‬ ‫ﺑﺈﺷﺮاف ﻣﻬﻨﺪس ﻣﺨﺘﺺ ‪.‬‬ ‫ﺛﺎﻣﻨـــ‪ :Z‬ﻋﻨﺪ ﺷـــﺮوﻋﻚ ﻓـــﻰ ﺑﻨﺎء ﻣﻨـــﺰل أو‬ ‫ﻣﻨﺸـــﺄة ﻳﺠﺐ ا‪l‬ﺳـــﺘﻌﺎﻧﺔ ﺑﺄﺣـــﺪ اﻟﻤﻜﺎﺗﺐ‬ ‫ا‪l‬ﺳﺘﺸﺎرﻳﺔ اﻟﻬﻨﺪﺳﻴﺔ اﻟﻤﻌﺘﻤﺪة ﻟﻀﻤﺎن‬ ‫ﺗﻄﺒﻴـــﻖ إﺷـــﺘﺮاﻃﺎت ﺗﺮﺷـــﻴﺪ إﺳـــﺘﻬﻼك‬ ‫اﻟﻜﻬﺮﺑﺎء ﺑﻜﻮد اﻟﺒﻨﺎء اﻟﺴﻌﻮدى ‪.‬‬ ‫ﻳﺬﻛـــﺮ أن ﺣﻤﻠـــﺔ ) اﻟﻔـــﺮق واﺿـــﺢ ( ﺗﻬﺪف‬ ‫إﻟـــﻰ ﺗﻮﻋﻴـــﺔ اﻟﻤﻮاﻃﻨﻴـــﻦ ﺑﺄﻫﻤﻴـــﺔ اﻟﻌﺰل‬ ‫اﻟﺤﺮارى ﻟﻠﻤﺒﺎﻧﻰ وا‪2‬ﺛﺎر ا‪l‬ﻳﺠﺎﺑﻴﺔ اﻟﻤﺘﺮﺗﺒﺔ‬ ‫ﻋﻠـــﻰ إﺳـــﺘﺨﺪاﻣﻪ واﻟﻔـــﺮق اﻟﺬى ﻳﻠﻤﺴـــﻪ‬ ‫اﻟﻤﻮاﻃـــﻦ ﺑﻴـــﻦ اﻟﻤﺒﻨﻰ اﻟﻤﻌـــﺰول وا‪2‬ﺧﺮ‬ ‫ﻏﻴﺮ اﻟﻤﻌﺰول ‪.‬‬

‫ ‪WO½öŽ≈ …œU ¡UM³ « o×K‬‬

‫‪QA Therm‬‬

‫أﻧﺎﺑﻴﺐ ووﺻﻼت ﺣﺮارﻳﺔ‬

‫ﻗﺎﻣـــﺖ ﺷـــﺮﻛﺔ ‪ QA‬ﺑﺘﺰوﻳـــﺪ ﻣﺠـــﺎل‬ ‫اﻟﻜﻬﺮوﻣﻴﻜﺎﻧﻴﻜـــﻲ ﻛﺜـــﺮ ﻣـــﻦ ﺛﻼﺛـــﺔ‬ ‫ﻋﻘـــﻮد‪ ،‬ﻣﺤﺎﻃﻴـــﻦ ﺑﻨﺨﺒـــﺔ ﻣـــﻦ ﺧﺒﺮاء‬ ‫اﻟﺒﻼﺳـــﺘﻴﻚ ﺑﺨﺒـــﺮات ﻣﻨـــﺬ ‪١٩٨٩‬م‪،‬‬ ‫ﻣﺴـــﺘﺜﻤﺮﻳﻦ ﻓـــﻲ أﻋﻠـــﻰ اﻟﺘﻘﻨﻴـــﺎت‬ ‫ﻣﺴـــﺘﻮردﻳﻦ ﺟﻮد اﻟﻤـــﻮاد ﻣﻦ أﻓﻀﻞ‬ ‫اﻟﻤﺼﻨﻌﻴـــﻦ ﺣﻮل اﻟﻌﺎﻟـــﻢ‪ ،‬ﻣﺼﻤﻤﻴﻦ‬ ‫ﻋﻠﻰ أن ﻧﻮﺻﻞ ﻟﻌﻤﻼﺋﻨﺎ اﻟﻜﺮام أﻓﻀﻞ‬ ‫اﻟﻤﻨﺘﺠﺎت اﻟﻌﺎﻟﻤﻴﺔ‪.‬‬ ‫وﻣﻦ ﻫﻨـــﺎ ﺑـــﺪأت ‪ QA Therm‬ﻟﻴﻜﻮن‬ ‫أﺣـــﺪث إﺳـــﺘﺜﻤﺎراﺗﻨﺎ وﻓﻲ ﺑﺎﻟﻨـــﺎ ﺟﻤﻴﻊ‬ ‫اﻟﺨﺒﺮات اﻟﻤﻜﺘﺴﺒﺔ‪.‬‬ ‫ﻟـــﺪى ‪ QA Therm‬ﻣﻨﺘﺠـــﺎت ﻣﺘﻨﻮﻋـــﺔ‬ ‫ﻣـــﻦ أﻧﺎﺑﻴﺐ ووﺻﻼت اﻟﺒﻮﻟـــﻲ ﺑﺮوﺑﻠﻴﻦ‬ ‫ﺑﺈﺳـــﺘﺨﺪام ﻣـــﻮاد اﻟﺨـــﺎم ﻧﻘﻴـــﺔ ﻓﺎﺋﻘﺔ‬ ‫اﻟﺠـــﻮدة ﻣـــﻦ أﻓﻀـــﻞ اﻟﻤﻮردﻳـــﻦ ﻓـــﻲ‬ ‫اﻟﻌﺎﻟـــﻢ ﻣﺜـــﻞ ﺑﻮرﻳﺎﻟـــﺲ وﺳـــﺎﺑﻚ‪،‬‬ ‫ﻣﺴـــﺘﺨﺪﻣﻴﻦ ﻛﺎﻓﺔ ﻣﻜﺎﺋﻦ إﻧﺘﺎج ذات‬ ‫ﺟﻮدة ﻋﺎﻟﻴﺔ وﺗﻘﻨﻴـــﺎت ﺟﻮدة ﻟﻠﻮﺻﻮل‬ ‫ﻟﻠﻤﻨﺘﺞ اﻟﺬي ﻧﻔﺘﺨﺮ ﺑﻪ‪.‬‬ ‫اﻟﻤﻴﺰات‬ ‫ـ ﺻﻨﺎﻋﺔ ﺳﻌﻮدﻳﺔ ﺑﻤﻮاﺻﻔﺎت أﻟﻤﺎﻧﻴﺔ‪.‬‬ ‫ـ ﺗﺘﺤﻤﻞ درﺟﺔ ﺣﺮارة ﻋﺎﻟﻴﺔ ‪.‬‬ ‫ـ ﺗﺘﺤﻤﻞ اﻟﻀﻐﻂ اﻟﻌﺎﻟﻲ ‪.‬‬ ‫ـ ﺳﻬﻮﻟﺔ اﻟﺘﺮﻛﻴﺐ‪.‬‬ ‫ـ ﻻﺗﺤﺘﺎج إﻟﻰ ﺻﻴﺎﻧﺔ‪.‬‬ ‫ـ ﺿﺪ اﻟﺼﺪأ واﻟﺘﻜﻠﺲ واﻟﺘﺮﺳﺒﺎت‪.‬‬ ‫ـ ﻻﺗﺘﻔﺎﻋﻞ ﻣﻊ اﻟﻤﻴﺎه‬ ‫ـ ﺗﺘﺤﻤﻞ ا ﻣـــﻼح وا ﺣﻤﺎض واﻟﻘﻠﻮﻳﺎت‬ ‫واﻟﻤﻮاد اﻟﻜﻴﻤﻴﺎﺋﻴﺔ‪.‬‬ ‫ـ ﻧـــﻮع واﺣـــﺪ ﻟﺨﻄـــﻮط اﻟﻤﻴـــﺎه اﻟﺒـــﺎردة‬ ‫واﻟﺤﺎرة‪.‬‬

‫ـ ﺗﻤﺪﻳــــﺪات اﻟﻤﻴــــﺎه اﻟﺴــــﺎﺧﻨﺔ ﻟﻠﻤﻨــــﺎزل‬ ‫واﻟﻤﺴﺘﺸــــﻔﻴﺎت واﻟﻔﻨــــﺎدق وا ﺑــــﺮاج‬ ‫واﻟﻤﺼﺎﻧﻊ‪.‬‬ ‫ـ ﺗﻤﺪﻳــــﺪات اﻟﻤﻴــــﺎه ‪c‬ﺳــــﺘﺨﺪاﻣﺎت‬ ‫اﻟﺘﺪﻓﺌﺔ‪.‬‬ ‫ـ ﺗﻤﺪﻳﺪات اﻟﻤﻴﺎه ‪c‬ﺳﺘﺨﺪاﻣﺎت اﻟﺘﺒﺮﻳﺪ‪.‬‬ ‫ـ ﺗﻤﺪﻳــــﺪات ﻧﻘــــﻞ اﻟﺰﻳــــﻮت واﻟﻤــــﻮاد‬ ‫اﻟﻜﻴﻤﻴﺎﺋﻴﺔ اﻟﻤﺼﻨﻔﺔ ﻓﻲ اﻟﻜﺘﺎﻟﻮج‪.‬‬

‫أﻣﺎﻛﻦ اﻻﺳﺘﺨﺪام‬ ‫ـ ﺗﻤﺪﻳـــﺪات اﻟﻤﻴـــﺎه اﻟﺒـــﺎردة ﻟﻠﻤﻨـــﺎزل‬ ‫واﻟﻤﺴﺘﺸـــﻔﻴﺎت واﻟﻔﻨـــﺎدق وا ﺑـــﺮاج‬ ‫واﻟﻤﺼﺎﻧﻊ‪.‬‬

‫اﻟﺠﻮدة‬ ‫ﻧﻘــــﺪم أﻧﺎﺑﻴــــﺐ اﻟﺒﻮﻟــــﻲ ﺑﺮوﺑﻠﻴــــﻦ‬ ‫واﻟﻮﺻﻼت ﺑﺄﻓﻀﻞ ﺟــــﻮدة داﺋﻤ‪ ، e‬وﻳﺘﻢ‬ ‫ﺗﻌﺰﻳــــﺰ ﻣﻨﺘﺠﺎﺗﻨﺎ وﺧﺪﻣﺎﺗﻨــــﺎ ﺑﺎزدﻳﺎد ﻣﻦ‬

‫∂∞‪¡UM³ « ±‬‬

‫‪106 Albenaa‬‬

‫ﺧــــﻼل اﻟﺘﻘﻴﺪ اﻟﺼــــﺎرم ﺑﻨﻈﺎﻣﻨﺎ اﻟﻔﻌﺎل‬ ‫ﻟﻀﻤﺎن اﻟﺠﻮدة ﺑﺎﺳــــﺘﺨﺪام اﻟﻤﺨﺘﺒﺮات‬ ‫اﻟﻌﺎﻟﻤﻴــــﺔ اﻟﺤﺪﻳﺜــــﺔ ‪ .‬وﻧﺤــــﻦ ﻧﺘﺄﻛﺪ ﻣﻦ‬ ‫ﺗﻠﺒﻴــــﺔ ﻣﺘﻄﻠﺒــــﺎت اﻟﺠــــﻮدة ﻟﺘﻘﺪﻳــــﻢ‬ ‫اﻟﻤﻼءﻣــــﺔ واﻟﻔﻌﺎﻟﻴــــﺔ واﻟﻜﻔــــﺎءة ﻓــــﻲ‬ ‫ﻣﻨﺘﺠﺎﺗﻨﺎ‪.‬‬ ‫اﻟﻀﻤﺎن‬ ‫ﻧﺤﻦ ﻧﻘﺪم ﺿﻤﺎﻧ‪ e‬ﻣﺪﺗﻪ ‪ ١٥‬ﻋﺎﻣ‪ e‬ﻟﺠﻤﻴﻊ‬ ‫ﻣﻨﺘﺠﺎت ﺷــــﺒﻜﺔ ا ﻧﺎﺑﻴﺐ ﻋﻠﻰ اﻟﻌﻴﻮب‬ ‫اﻟﻤﺼﻨﻌﻴــــﺔ ﺗﺒــــﺪأ ﻣــــﻦ ﺗﺎرﻳــــﺦ اﻟﺸــــﺮاء‪.‬‬ ‫ﻳﺮﺟﻰ ا‪c‬ﺗﺼﺎل ﻋﺒــــﺮ اﻟﺒﺮﻳﺪ ا‪c‬ﻟﻜﺘﺮوﻧﻲ‬ ‫ﻟﻤﺰﻳﺪ ﻣﻦ اﻟﺘﻔﺎﺻﻴﻞ‪.‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫أﻓﻀﻞ اﻟﺴﺒﻞ ﻟﻠﺒﻨﺎء ا ﻗﺘﺼﺎدي‬ ‫ﺷﺮﻛﺔ ﺑﺪاﺋﻞ اﻟﺒﻨﺎء ﻟﻠﺠﺪران اﻟﻤﻌﺰوﻟﺔ واﻟﺒﻮﻟﻴﺴﺘﺎﻳﺮﻳﻦ‬

‫ﺗﺄﺳﺴﺖ ﻣﺆﺳﺴﺔ ﺑﺪاﺋﻞ اﻟﺒﻨﺎء ﻟﻠﻤﻘﺎوﻻت‬ ‫ﻓﻲ ﻋﺎم ‪2008‬م ‪ ،‬و ﺧﻼل ﻫﺬه اﻟﻔﺘﺮة ﻻﺣﻈﺖ‬ ‫اﻟﺸﺮﻛﺔ اﻟﺨﻠﻞ اﻟﻘﺎﺋﻢ ﻓﻲ ﻃﺮق اﻟﺒﻨﺎء واﻟﺘﻲ‬ ‫ﺗﻜﻤﻦ ﻓﻲ ‪:‬‬ ‫ـ اﻟﻤﺒﺎﻟﻐﺔ ﻓﻲ اﺳﺘﻬﻼك ﻣﻮاد ﺑﻨﺎء ﻛﺜﻴﺮة‬ ‫ﺑﻨﻴﺔ إﻋﻄﺎء ﻗﻮة وﻣﺘﺎﻧﺔ ﻟﻠﻤﺒﻨﻰ‪.‬‬ ‫ـ ﻋﺪم وﺟﻮد ﻣﻜﺎﺗﺐ ﻫﻨﺪﺳﻴﺔ ﺗﻘﻮم‬ ‫ﺑﺎﻟﺘﺨﻄﻴﻂ اﻟﻬﻨﺪﺳﻲ اﻟﻤﻨﺎﺳﺐ ﻟ‪O‬ﺣﻤﺎل ‪.‬‬ ‫ـ ﻣﺒﺎﻟﻐﺔ اﻟﻤﻬﻨﺪﺳﻴﻦ ﻓﻲ اﻟﻤﻜﺎﺗﺐ‬ ‫اﻟﻬﻨﺪﺳﻴﺔ ﻟﻌﻮاﻣﻞ اﻟﺴﻼﻣﺔ ﻟﻠﺨﺮوج ﻣﻦ‬ ‫ﺣﺮج اﻟﻤﺴﺆوﻟﻴﺔ‪.‬‬ ‫ـ ﻋﻨﺪ ا‪R‬ﻧﺘﻬﺎء ﻣﻦ ا‪S‬ﻋﻤﺎل ا‪R‬ﻧﺸﺎﺋﻴﺔ ﻳﻜﻮن‬ ‫ﻣﺒﻠﻎ ﻛﺒﻴﺮ ﻣﻦ اﻟﻤﻴﺰاﻧﻴﺔ اﺳﺘﻬﻠﻚ‪.‬‬ ‫ـ ﻳﻨﺘﻬﻲ اﻟﻤﺒﻨﻰ ﻟﻴﻜﻮن ﻗﻠﻌﺔ اﺳﻤﻨﺘﻴﺔ‬ ‫ﻏﻴﺮ ﻣﻌﺰﻟﻪ وﻳﺼﺮف أﻗﻞ اﻟﻤﺒﺎﻟﻎ ﻓﻲ أﻋﻤﺎل‬ ‫اﻟﺘﺸﻄﻴﺐ واﻟﻌﺰل ﻟﻤﺤﺪودﻳﺔ اﻟﻤﻴﺰاﻧﻴﺔ‪.‬‬ ‫وﻗﺪ ﻫﺪﻓﺖ اﻟﺸﺮﻛﺔ إﻟﻰ ‪:‬‬ ‫ــ ﺟﻠﺐ ﻃﺮق ﻋﺎﻟﻤﻴﺔ ﺣﺪﻳﺜﺔ ﻓﻲ اﻟﺒﻨﺎء‪.‬‬ ‫ــ اﻟﺤﺮص ﻋﻠﻰ ﻣﺮاﻋﺎة اﻟﺜﻘﺎﻓﺔ اﻟﻤﺤﻠﻴﺔ اﻟﻘﺎﺋﻤﺔ‪.‬‬ ‫ــ ا‪R‬ﺳﺘﻔﺎدة ﻣﻦ اﻟﻤﻮارد اﻟﻤﺤﻠﻴﺔ واﻟﺼﻨﺎﻋﺎت‬ ‫اﻟﻘﺎﺋﻤﺔ‪.‬‬

‫∏∞‪¡UM³ « ±‬‬

‫‪108 Albenaa‬‬

‫ــ اﻟﺤﺮص ﻋﻠﻰ اﻟﻤﺒﺎﻧﻲ اﻟﺼﺪﻳﻘﺔ ﻟﻠﺒﻴﺌﺔ‪.‬‬ ‫ــ اﻟﻌﻤﻞ ﻋﻠﻰ اﻗﺘﺼﺎدﻳﺔ اﻟﺘﻨﻔﻴﺬ ﻣﻦ دون‬ ‫ا‪R‬ﺧﻼال ﺑﺎﻟﺠﻮدة اﻟﻤﺘﺎﻧﺔ‪.‬‬ ‫ﺗﺘﻤﻴﺰ ﺟﺪران ﺑﺪاﺋﻞ اﻟﻤﻌﺰوﻟﺔ ﺑﺎﻟﺘﺎﻟﻲ ‪:‬‬ ‫ــ ﻣﻜﻮﻧﺎﺗﻬﺎ ا‪S‬ﺳﺎﺳﻴﺔ ﻣﻦ اﻟﻤﻮاد‬ ‫اﻟﻤﺴﺘﺨﺪﻣﺔ ﺣﺎﻟﻴ^ ﻓﻲ اﻟﺒﻨﺎء ‪ ،‬ا‪R‬ﺳﻤﻨﺖ‬ ‫واﻟﺮﻣﻞ واﻟﺒﻮﻟﻴﺴﺘﺎﻳﺮﻳﻦ‪.‬‬ ‫ــ ﺧﻔﺔ اﻟﻮزن ﺣﻴﺚ ﻳﺼﻞ وزﻧﻬﺎ ﻧﺼﻒ وزن‬ ‫اﻟﺒﻠﻚ ا‪R‬ﺳﻤﻨﺘﻲ‪.‬‬ ‫ــ ﺳﻬﻮﻟﺔ اﻟﺘﺮﻛﻴﺐ ﺣﻴﺚ ﺗﺼﻨﻊ ﻋﻠﻰ ﺷﻜﻞ‬ ‫أﻟﻮاح ﺑﺎرﺗﻔﺎع ‪ 3‬ﻣﺘﺮ وﻋﺮض ‪ 60‬ﺳﻢ‪.‬‬ ‫ــ ﻣﺘﻌﺪدة ا‪R‬ﺳﺘﻌﻤﺎل ﻟﺘﻌﺪد اﻟﺴﻤﺎﻛﺎت‬ ‫ــ ﻻﺗﺤﺘﺎج إﻟﻰ أﻋﻤﺎل ﻟﻴﺎﺳﺔ‪.‬‬ ‫ــ ﻗﺎﺑﻠﻴﺘﻬﺎ ﻟﺠﻤﻴﻊ أﻧﻮاع اﻟﺘﺸﻄﻴﺐ‬ ‫اﻟﻨﻬﺎﺋﻲ ﺳﻮاء ا‪S‬ﺻﺒﺎغ أو اﻟﺤﺠﺮ أو‬ ‫اﻟﺴﻴﺮاﻣﻴﻚ‪.‬‬ ‫ــ ﺧﻔﺔ اﻟﻮزن‪ ،‬ﺟﻮدة اﻟﻌﺰل‪ ،‬اﻟﻌﺰل اﻟﺼﻮﺗﻲ‪،‬‬ ‫اﻟﻌﺰل اﻟﻤﺎﺋﻲ‪ ،‬ﻣﻀﺎدة ﻟﻠﺤﺮﻳﻖ‪ ،‬ﻗﻮة‬ ‫اﻟﺘﺤﻤﻞ‪.‬‬ ‫ﻛﻤﺎ ﺗﺸﺘﻤﻞ ﻣﺠﻤﻮﻋﺔ ﺑﺪاﺋﻞ اﻟﺒﻨﺎء ﻋﻠﻰ‬ ‫ﺷﺮﻛﺎت أﺧﺮى ‪:‬‬

‫ﺷﺮﻛﺔ ﺑﻠﻮر ﻟﻠﺰﺟﺎج‪:‬‬ ‫ﻫﻲ ﺷﺮﻛﺔ ﻣﺘﺨﺼﺼﺔ ﻓﻲ ﻣﻌﺎﻟﺠﺔ اﻟﺰﺟﺎج‬ ‫وﻣﻘﺮﻫﺎ ﻣﺪﻳﻨﺔ اﻟﺠﺒﻴﻞ اﻟﺼﻨﺎﻋﻴﺔ‪.‬‬ ‫ﺗﺸﺘﻤﻞ ﻣﻨﺘﺠﺎت ﺷﺮﻛﺔ ﺑﻠﻮر ﻟﻠﺰﺟﺎج ﻋﻠﻰ‬ ‫اﻟﺘﺎﻟﻲ ‪:‬‬ ‫اﻟﺰﺟﺎج اﻟﻤﻘﺴﻰ ‪ ،‬زﺟﺎج اﻟﻮاﺟﻬﺎت ‪ ،‬زﺟﺎج‬ ‫ا‪S‬ﺑﻮاب واﻟﻨﻮاﻓﺬ ‪ ،‬اﻟﺰﺟﺎج اﻟﻤﻌﺰول ‪ ،‬اﻟﺰﺟﺎج‬ ‫اﻟﻤﻘﺎوم ﻟﻠﺮﺻﺎص واﻻﻧﻔﺠﺎرات‪.‬‬ ‫ﺷﺮﻛﺔ ﺑﺪاﺋﻞ ﻟ ﻟﻮﻣﻨﻴﻮم‬ ‫ﻫﻲ ﻋﺒﺎرة ﻋﻦ ﺷﺮﻛﺔ ﻣﺘﺨﺼﺼﺔ ﻓﻲ‬ ‫ا‪S‬ﻟﻮﻣﻨﻴﻮم ﺣﻴﺚ ﺗﻨﺘﺞ ﺟﻤﻴﻊ اﻟﻤﻨﺘﺠﺎت‬ ‫اﻟﺘﺎﻟﻴﺔ‪ :‬ا‪S‬ﺑﻮاب ‪ ،‬اﻟﻨﻮاﻓﺬ ‪ ،‬اﻟﻤﻄﺎﺑﺦ‪ ،‬واﺟﻬﺎت‬ ‫اﻟﻤﺒﺎﻧﻲ )ﻛﻼدﻳﻨﺞ( ‪.‬‬ ‫وﻳﻘﻊ ﻣﻘﺮ اﻟﺸﺮﻛﺔ ﺑﻤﺪﻳﻨﺔ اﻟﺠﺒﻴﻞ اﻟﺼﻨﺎﻋﻴﺔ‪.‬‬ ‫ﺷﺮﻛﺔ ﺑﺪاﺋﻞ اﻟﺒﻨﺎء ﻟﻠﺒﻮﻟﻴﺴﺘﺎﻳﺮﻳﻦ‬ ‫ﺗﻨﺘﺞ ﻫﺬه اﻟﺸﺮﻛﺔ أﻟﻮاح اﻟﺒﻮﻟﻴﺴﺘﺎﻳﺮﻳﻦ‬ ‫اﻟﻌﺎزﻟﺔ اﻟﺘﻲ ﺗﺴﺘﺨﺪم ﻓﻲ أﻧﻈﻤﺔ اﻟﺒﻨﺎء‪.‬‬ ‫ﻛﻤﺎ ﺗﻨﺘﺞ أﻳﻀ^ اﻟﺪﻳﻜﻮرات ا‪R‬ﺳﻤﻨﺘﻴﺔ‬ ‫ﺑﺎ‪R‬ﺿﺎﻓﺔ إﻟﻰ اﻟﻘﻮاﻟﺐ اﻟﺠﺎﻫﺰة ‪ .‬واﻟﺘﻲ‬ ‫ﺗﺴﺘﺨﺪم ﻓﻲ اﻟﻤﻜﻴﻔﺎت واﻟﺜﻼﺟﺎت‬ ‫واﻟﻤﻨﺘﺠﺎت ا‪S‬ﺧﺮى ‪.‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﺷﺮﻛﺔ دار اﻟﻤﻌﺪن ﻟﻠﺼﻨﺎﻋﺔ‬

‫أﻋﻤﺎل ﻣﻌﺪﻧﻴﺔ ﻣﻌﻤﺎرﻳﺔ وإﻧﺸﺎﺋﻴﺔ ﻋﺎﻟﻴﺔ اﻟﺠﻮدة‬

‫ﺗﺒﻮك ﺑﺎرك ﻣﻮل‬

‫ﺗﻘـــﺪم ﺷـــﺮﻛﺔ دار اﻟﻤﻌـــﺪن ﺣﻠـــﻮﻻً‬ ‫ﻣﺜﺎﻟﻴـــﺔ ﻟ ﺣﺘﻴﺎﺟـــﺎت اﻟﻤﺘﺰاﻳـــﺪة‬ ‫ﻟ‪+‬ﻋﻤﺎل اﻟﻤﻌﺪﻧﻴﺔ ﺳـــﻮاء ا&ﻧﺸﺎﺋﻴﺔ‬ ‫أو اﻟﻤﻌﻤﺎرﻳﺔ‪.‬‬ ‫ﻓﻤﻦ ﺧﻼل ﻓﺮﻳﻖ ﻫﻨﺪﺳﻲ ﻣﺘﻜﺎﻣﻞ‬ ‫ﻳﻀﻢ ﻣﻬﻨﺪﺳـــﻴﻦ ﻣﻬـــﺮة وﻓﻨﻴﻴﻦ‬ ‫ذوي ﻛﻔﺎءة وﺗﺪرﻳﺐ ﻋﺎﻟﻲ ﺗﺴﺘﻄﻴﻊ‬ ‫دار اﻟﻤﻌﺪن إدراك ا‪D‬ﻓﻜﺎر وﺗﺤﻮﻳﻠﻬﺎ‬ ‫إﻟـــﻰ ﺗﺼﺎﻣﻴـــﻢ إﺑﺪاﻋﻴـــﺔ‪ ،‬ﺛـــﻢ ﻳﻘﻮم‬ ‫ﻓﺮﻳﻖ اﻟﺘﻨﻔﻴـــﺬ ﺑﺘﺤﻮﻳﻠﻬﺎ إﻟﻰ واﻗﻊ‬ ‫ﻣﻠﻤـــﻮس ﺑﻜﻔـــﺎءة ﻋﺎﻟﻴـــﺔ ودﻗـــﺔ‬ ‫ﻣﺘﻨﺎﻫﻴـــﺔ وﺟﻮدة ﻓﺎﺋﻘـــﺔ وﻛﻞ ذﻟﻚ‬ ‫ﺑﺄﺳﻌﺎر ﻣﻨﺎﺳﺒﺔ‪.‬‬ ‫إن ﺗﻀﺎﻓـــﺮ اﻟﺠﻬـــﻮد ﺑﻴـــﻦ أﻗﺴـــﺎم‬ ‫∞‪¡UM³ « ±±‬‬

‫‪110 Albenaa‬‬

‫اﻟﻬﻨﺪﺳـــﺔ وا&ﻧﺘﺎج وﻣﺮاﻗﺒﺔ اﻟﺠﻮدة‬ ‫ً‬ ‫ﻓﻀـــﻼ ﻋﻦ ا‪D‬ﻗﺴـــﺎم ا&دارﻳﺔ ﻳﻀﻤﻦ‬ ‫داﺋﻤ‪ U‬ﺳﻴﺮ اﻟﻌﻤﻞ ﺑﻄﺮﻳﻘﺔ ﻣﻨﺘﻈﻤﺔ‬ ‫ﺗﺴـــﻔﺮ ﺑﻼ ﺷـــﻚ ﻋـــﻦ ﻋﻼﻗـــﺔ ﻣﻤﻴﺰة‬ ‫ﻣﻊ ﻋﻤﻼءاﻟﺸـــﺮﻛﺔ اﻟﺬﻳـــﻦ ﻧﻮﻟﻴﻬﻢ‬ ‫إﻫﺘﻤﺎﻣﻨﺎ وﺟﻬﺪﻧﺎ‪.‬‬ ‫ﻛﻤـــﺎ أن ا‪W‬ﻻت واﻟﻤﻌـــﺪات وﺧﻄﻮط‬ ‫ا&ﻧﺘـــﺎج اﻟﻤﺘﻄـــﻮرة ﺗﻤﻜﻨﻨـــﺎ ﻣـــﻦ‬ ‫ا&ﻧﺘﺎج ﺑﻜﻤﻴﺎت ﻛﺒﻴﺮة وﺑﻤﻮاﺻﻔﺎت‬ ‫وﻣﻌﺎﻳﻴـــﺮ دوﻟﻴـــﺔ وﺗﺘﻴـــﺢ ﻟﻨـــﺎ ﺗﻠﺒﻴﺔ‬ ‫ﻃﻠﺒـــﺎت ﻛﺎﻓـــﺔ اﻟﻌﻤـــﻼء ﻓـــﻲ أوﻗﺎت‬ ‫ﻗﻴﺎﺳـــﻴﺔ وﻣﻦ ﺛﻢ ﺗﺄﻛﻴﺪ اﻟﺜﻘﺔ اﻟﺘﻲ‬ ‫ﻧﺤﻈـــﻰ ﺑﻬﺎ ﻣـــﻦ ﻋﻤﻼﺋﻨـــﺎ واﻟﻌﻤﻞ‬ ‫ﻋﻠﻰ ﺗﻌﺰﻳﺰﻳﻬﺎ ‪.‬‬

‫اﻟﺴــﻘﺎﻟﺔ ا ﺗﻮﻣﺎﺗﻴﻜﻴــﺔ آر ‪ 2000‬ذات‬ ‫)اﻟﻘﻠﻌﺘﻴﻦ( أو اﻟﺮأﺳﻴﻦ ‪:‬‬ ‫ـ ﻳﺘـــﻢ ﺗﻌﻴﻴـــﻦ اﻟﻄـــﻮل وﻓﻘـــ ﻟﻠﺤﺎﺟـــﺔ ) ﺑﺤـــﺪ‬ ‫أﻗﺼﻰ ‪ 30‬م(‪.‬‬ ‫ـ ﻳﻮﺟـــﺪ ﻓﺮاﻏـــﺎت وﺗﻀﺎرﻳـــﺲ ‪%‬ﺗﺎﺣـــﺔ إﻣﻜﺎﻧﻴـــﺔ‬ ‫اﻟﺘﻤﺪﻳﺪ واﻟﺘﻮﺳﻴﻊ ‪.‬‬ ‫ـ ﻳﻤﻜﻦ ﻟـ ‪ 4‬أﻓﺮاد ﺳـــﻬﻮﻟﺔ إﺗﻤﺎم ﻋﻤﻠﻴﺔ اﻟﺒﻨﺎء‬ ‫واﻟﺘﺮﻛﻴـــﺐ ﻓﻲ ﺑـــﺮج ﺑﺈرﺗﻔـــﺎع ‪25‬م ﻋﻠـــﻰ ﻣﺪار‬ ‫ﺳﺎﻋﺘﻴﻦ ﻓﻘﻂ ‪.‬‬ ‫ـ اﻟﺤﺎﻣـــﻼت واﻟﻤﺼﺎﻋـــﺪ اﻟﻤﺰدوﺟﺔ ﺗﺤﺘﻮي ﻋﻠﻰ‬ ‫ﻣﻨﺼـــﺔ ﻋﻤـــﻞ واﺳـــﻌﺔ اﻟﻨﻄـــﺎق ﻟﻠﻐﺎﻳـــﺔ ﻣـــﻦ‬ ‫اﻟﺠﻮاﻧـــﺐ وﻣﻔﻴﺪة ﺟـــﺪ‪ M‬ﻟﻠﻤﺸـــﺎرﻳﻊ اﻟﻌﻈﻴﻤﺔ‬ ‫واﻟﻜﺒﻴﺮة ‪ ،‬ﺳﻮف ﺗﻮﻓﺮ ﻟﻚ اﻟﻤﺼﺎﻋﺪ اﻟﻤﺰودﺟﺔ‬ ‫ﺗﻮﻓﻴـــﺮ أﻛﺒﺮ ﻗﺪر ﻣﻤﻜﻦ ﻣﻦ اﻟﻌﻤﻞ وﻓﻲ وﻗﺖ‬ ‫أﻗﻞ ﺑﻜﺜﻴﺮ ﻓﺘﻮﻓﺮ اﻟﺠﻬﺪ واﻟﻮﻗﺖ ﻣﻌ ‪.‬‬ ‫ـ ﺟﻤﻴـــﻊ ﻧﻤـــﺎذج ا‪V‬ﻻت اﻟﻤﺼﻤﻤـــﺔ واﻟﻤﺎﻛﻴﻨـــﺎت‬ ‫اﻟﻤﺼﻤﻤـــﺔ ﺗﺘﻤﺘـــﻊ ﺑﺠﻤﻴـــﻊ ﺧﺼﺎﺋـــﺺ ا‪Y‬ﻣﺎن ‪،‬‬ ‫وﺣﺎﺻﻠﺔ ﻋﻠﻰ ﺷﻬﺎدات اﻟﺠﻮدة وا‪Y‬ﻳﺰو رﻗﻢ‬ ‫‪. 9001 : 2008‬‬ ‫اﻟﻤﻨﺘﺠﺎت اﻟﻤﺴﺘﻌﻤﻠﺔ‬ ‫ﻳﻮﺟـــﺪ ﻟـــﺪى ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔـــﺖ أﻳﻀـــ ﻣﺼﺎﻧﻊ‬ ‫وأﻣﺎﻛـــﻦ ﺑﻴﻊ اﻟﻤﻨﺘﺠﺎت واﻟﻘﻄﻊ اﻟﻤﺴـــﺘﻌﻤﻠﺔ‬ ‫وذﻟﻚ ﻟﺘﻮﻓﻴﺮ اﻟﺮاﺣﺔ وا‪Y‬ﻣﺎن ﻟﻌﻤﻼﺋﻨﺎ اﻟﺮاﻏﺒﻴﻦ‬ ‫ﻓـــﻲ اﻟﺤﺼﻮل ﻋﻠـــﻰ ﻣﻨﺘﺠﺎت ﻣﺴـــﺘﻌﻤﻠﺔ ﻣﻦ‬ ‫ﻗﺒﻞ ﻟﺘﻜﻮن أﻗﻞ ﻓﻲ اﻟﺘﻜﻠﻔﺔ ‪.‬‬ ‫ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔـــﺖ ﺗﻀﻊ ﻣـــﻦ أوﻟﻮﻳﺎﺗﻬـــﺎ داﺋﻤ ‬ ‫ﺗﻮﻓﻴﺮ اﻟﺮاﺣـــﺔ وا‪Y‬ﻣﺎن ﻟﻌﻤﻼﺋﻬﺎ ‪ ،‬ﻟﺬﻟﻚ ﺗﻌﻤﻞ‬ ‫اﻟﺸﺮﻛﺔ ﻋﻠﻰ ﺗﻮﻓﻴﺮ ﺟﻤﻴﻊ اﻟﺨﻴﺎرات ﻣﻦ ﻣﻨﺘﺠﺎت‬ ‫ﺟﺪﻳﺪة وﻣﺴﺘﻌﻤﻠﺔ ﻟﻌﻤﻼﺋﻬﺎ اﻟﻜﺮام ‪.‬‬ ‫وﺗﻘـــﻮم ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔـــﺖ ﺑﺘﻘﺪﻳـــﻢ ا‪V‬ﺗـــﻲ‬ ‫ﻟﻌﻤﻼﺋﻬﺎ ‪:‬‬ ‫ـ ﺿﻤـــﺎن ﻟﻤﺪة ﻋـــﺎم )ﻳﺘﺤﻤـــﻞ اﻟﻀﻤـــﺎن ﺟﻤﻴﻊ‬ ‫ﻋﻴـــﻮب اﻟﻤﺎﻛﻴﻨـــﺎت وا‪Y‬ﺟﻬﺰة اﻟﺘـــﻲ ﺗﺨﺮب ﻣﻦ‬ ‫ﻋﻴﺐ ﻓﻲ اﻟﻤﻮاﺻﻔﺎت ا‪Y‬ﻓﻨﻴﺔ ﻟ‪i‬ﺟﻬﺰة(‪.‬‬ ‫ـ ﺗﻘـــﺪم اﻟﺸـــﺮﻛﺔ ﺧﺪﻣﺎﺗﻬﺎ ﻋﻠﻰ ﻣـــﺪار ‪ 24‬ﻓﻲ‬ ‫ﺟﻤﻴﻊ أﻳﺎم اﻻﺳﺒﻮع )‪ 7‬أﻳﺎم(‪.‬‬ ‫ـ ﺷﺮوط وﻃﺮﻳﻘﺔ اﻟﺪﻓﻊ وا‪Y‬ﺳﻌﺎر ﻣﻨﺎﺳﺒﺔ ﺟﺪ‪M‬‬ ‫وﺗﻨﺎﺳـــﺐ ﺟﻤﻴﻊ اﻟﻔﺌﺎت ﻟﺸﺮاء ﺟﻤﻴﻊ ﻣﻨﺘﺠﺎت‬ ‫ﺷﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ ‪.‬‬ ‫ﻣﺎ ﺑﻌﺪ اﻟﺒﻴﻊ‬ ‫اﻟﻀﻤﺎن ‪ :‬ﺟﻤﻴﻊ ﻣﻨﺘﺠﺎت ﺷــــﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ‬ ‫وﺟﻤﻴــــﻊ أﺟﻬﺰﺗﻬﺎ ﺗﺤﺖ اﻟﻀﻤﺎن ﺣﺘﻰ ﺿﺪ‬ ‫اﻟﻌﻴــــﻮب اﻟﻨﺎﺗﺠــــﺔ ﻣﻦ اﻟﺘﺴــــﻠﻴﻢ أو ﻋﻴﻮب‬ ‫اﻟﺘﺮﻛﻴــــﺐ أو ﻗﻄــــﻊ اﻟﻐﻴــــﺎر اﻟﻤﻜﺴــــﻮرة أو‬

‫اﻟﻤﻌﻴﻮﺑــــﺔ‪ ..‬إﻟــــﺦ‪ .‬ﺟﻤﻴﻊ ﻣﺘﺠــــﺎت رﻳﻮﻟﻴﻔﺖ‬ ‫ﻳﺘــــﻢ ﺗﺴــــﻠﻴﻤﻬﺎ ع اﻟﻀﻤــــﺎن ﺑﺎﻟﻨﺴــــﺒﺔ‬ ‫ﻟﺸﺮوط اﻟﻀﻤﺎن ﺗﺴﺘﻄﻴﻊ ا‪%‬ﻃﻼع ﻋﻠﻴﻬﺎ‬ ‫ﻣــــﻦ ﺧﻼل ﻗﺮاءة وﺗﺼﻔــــﺢ اﻟﻜﺘﻴﺐ اﻟﻤﺮﻓﻖ‬ ‫ﻣﻊ اﻟﻤﻨﺘﺞ‪.‬‬ ‫اﻟﺘﺴـــﻠﻴﻢ ‪ :‬ﻣﺘﻮﻓـــﺮ ﻟﺠﻤﻴـــﻊ اﻟﻤﻨﺘﺠـــﺎت اﻟﺘـــﻲ‬ ‫ﺗﺘﻄﻠﺐ ﻋﻤـــﻞ ﺗﺮﻛﻴﺐ وﻣﻮﻧﺘﺎج ﻟﻬﺎ ﻣﻮﻇﻔﻮن‬ ‫ﻣﺨﺘﺼـــﻮن ﺑﺎﻟﺘﺮﻛﻴـــﺐ‪ ،‬وﻟﻜﻦ ﻳﺠـــﺐ اﻟﻤﻮاﻓﻘﺔ‬ ‫ﻋﻠﻰ ﻃﻠﺐ اﻟﺘﺮﻛﻴﺐ ﻋﻨﺪ ﻃﻠﺐ اﻟﻤﻨﺘﺞ وﻋﻠﻰ‬ ‫أن رﺳـــﻮم اﻟﺘﺮﻛﻴـــﺐ ﻳﺘﻢ دﻓﻬـــﺎ ﺑﺎﻟﺰﻳﺎدة ﻋﻠﻰ‬ ‫ﺳﻌﺮ اﻟﻤﻨﺘﺞ‪.‬‬ ‫اﻟﺘﺮﻛﻴـــﺐ ‪ :‬ﺑﻌـــﺪ اﻟﻤﻮاﻓﻘـــﺔ ﻋﻠﻰ دﻓﻊ رﺳـــﻮم‬ ‫اﻟﺘﺮﻛﻴـــﺐ ﺳـــﻴﺘﻢ إرﺳـــﺎل ﻣﻮﻇـــﻒ اﻟﺘﺮﻛﻴـــﺐ‬ ‫اﻟﺨﺒـــﺮاء ﻣـــﻦ ﻗﺒـــﻞ اﻟﺸـــﺮﻛﺔ ‪%‬ﺟـــﺮاء ﻋﻤﻠﻴـــﺔ‬ ‫اﻟﺘﺮﻛﻴـــﺐ ﻟﻠﻤﻨﺘـــﺞ اﻟﻤﻄﻠـــﻮب ‪ ،‬وﺳـــﻮف ﺗﺘـــﻢ‬ ‫ﻋﻤﻠﻴﺔ اﻟﺘﺮﻛﻴﺐ ﻣﻦ ﻗﺒﻞ ﻣﻮﻇﻔﻴﻦ ﺧﺒﺮاء ﻓﻲ‬ ‫ﻫﺬا اﻟﻤﺠﺎل‪.‬‬ ‫اﻟﻨﻘـــﻞ ‪ :‬ﻋﻤﻠﻴﺔ ﻧﻘﻞ اﻟﻤﻨﺘـــﺞ وﺣﻤﻠﻪ وﺗﺮﻛﻴﺒﻪ‬ ‫وﻓﻜـــﻪ ﻳﺘـــﻢ ﻣـــﻦ ﻗﺒـــﻞ ﻣﻮﻇﻔﻴﻦ ﺧﺒـــﺮاء ﻓﻲ‬ ‫ﻋﻤﻠﻴـــﺎت اﻟﻨﻘـــﻞ واﻟﻔـــﻚ واﻟﺘﺮﻛﻴـــﺐ ﺑﻌﺪ دﻓﻊ‬ ‫رﺳﻮم ﻫﺬه اﻟﺨﺪﻣﺔ ﻣﻦ ﻗﺒﻞ اﻟﻌﻤﻴﻞ ‪.‬‬

‫≥‪¡UM³ « ±±‬‬

‫‪113 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﺳﻘﺎﻻت أوﺗﻮﻣﺎﺗﻴﻜﻴﺔ ﺗﻮﻓﺮ ا ﻣﻦ وا ﻣﺎن‬ ‫ﻣﺠﻤﻮﻋﺔ اﻟﺸﺮﻳﻒ رأﻓﺖ ﻣﻮﺳﻰ ﻟﻠﻤﻨﺘﺠﺎت اﻟﺼﻨﺎﻋﻴﺔ‬ ‫ﻣﻬﻤﺔ اﻟﺸﺮﻛﺔ ‪:‬‬ ‫ﺗﻄﻤﺢ ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ داﺋﻤ> إﻟـــﻰ أن ﺗﻨﺎل وﺗﺤﻮز‬ ‫ﻋﻠـــﻰ رﺿﺎ ﻋﻤﻼﺋﻬﺎ اﻟﻜـــﺮام ﻓﻲ اﻟﻌﻤـــﻞ و اﻟﺘﺠﺎرة ‪.‬‬ ‫وذﻟﻚ ﻣـــﻦ ﺧﻼل ﺗﻮﻓﻴـــﺮ ا‪%‬ﻣﻦ وا‪%‬ﻣـــﺎن واﻟﻤﻨﺘﺠﺎت‬ ‫اﻟﺘﻲ ﺗﻮاﻛﺐ اﻟﻌﺼﺮ ﻓﻲ أﻣﺎﻛﻦ اﻟﻌﻤﻞ وﺧﺎﺻﺔ ﻓﻲ‬ ‫ﻣﺠﺎل ا‪A‬ﻧﺸﺎءات واﻟﺘﺠﺎرة‪.‬‬ ‫ﺗﻬﺪف ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ داﺋﻤ> إﻟـــﻰ ﺗﻘﺪﻳﻢ أﻓﻀﻞ‬ ‫وأﺣـــﺪث اﻟﺘﻜﻨﻮﻟﻮﺟﻴـــﺎ إﻟـــﻰ ﻋﻤﻼﺋﻬـــﺎ ﻋـــﻦ ﻃﺮﻳـــﻖ‬ ‫زﻳﺎدة ﻗﻴﻤﺔ اﻟﻤﻨﺘﺠﺎت وﺗﻮﺳـــﻴﻊ ﺷﺮﻛﺘﻬﺎ واﻟﺘﻘﺪم‬ ‫ﺑﺎﻟﺨﻄـــﻮات إﻟـــﻰ ا‪%‬ﻓﻀـــﻞ ‪ .‬وﻟﺬﻟـــﻚ ﺗﻘـــﻮم ﺷـــﺮﻛﺔ‬ ‫رﻳﻮﻟﻴﻔﺖ ﻗﺒﻞ إﻧﺘﺎج ﻣﻨﺘﺠﺎﺗﻬﺎ ﺑﺎﻟﺘﻌﺎﻣﻞ ﻣﻊ ﻣﺮاﻛﺰ‬ ‫اﻟﺒﺤـــﻮث واﻟﺘﻄﻮﻳـــﺮ ﻟﻤﺘﺎﺑﻌﺔ أﺣـــﺪث اﻟﺘﻘﻨﻴﺎت ﻓﻲ‬ ‫إﻧﺘﺎج وﺗﺼﻨﻴﻊ ﻣﻨﺘﺠﺎﺗﻬـــﺎ وﺗﻘﺪﻳﻢ أﻓﻀﻞ ا‪%‬ﺟﻬﺰة‬ ‫ا‪b‬ﻣﻨـــﺔ ﻟﻌﻤﻼﺋﻬﺎ‪ .‬ﻟﺪى ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ رؤﻳﺔ ﺧﺎﺻﺔ‬ ‫ﻟﻠﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري وﺗﺸـــﻜﻴﻞ ﺣﻴﺎة اﻟﻤﺪﻳﻨﺔ اﻟﺮاﻗﻴﺔ‬ ‫ﻛﻤـــﺎ ﺗﻌﻤـــﻞ ﻋﻠـــﻰ ﺗﻄﻮﻳﺮ ﺑﻨﻴـــﺔ ﻋﻤﻼﺋﻬﺎ وﻛﺴـــﺐ‬ ‫ﺛﻘﺘﻬﻢ وزﻳﺎدة ﻧﺴـــﺒﺔ اﻟﻌﻤـــﻼء اﻟﺨﺎﺻﺔ ﺑﻬﻢ‪ ..‬ﻛﻤﺎ‬ ‫ﻳﻮﺟـــﺪ ﻟـــﺪى اﻟﺸـــﺮﻛﺔ رؤﻳـــﺔ ﻟﺘﻄﻮﻳـــﺮ أﻋﻤﺎﻟﻬﺎ ﻋﻦ‬ ‫ﻃﺮﻳـــﻖ اﻟﺘﻌﻠﻢ ﻟﻤـــﺎ ﺗﻤﻠﻜﻪ ﻣﻦ ﺗﺠﺮﺑﺔ ﺳـــﺎﺑﻘﺔ ﻓﻲ‬ ‫اﻟﺼﻨﺎﻋﺎت اﻟﺨﻔﻴﻔﺔ ‪ .‬ﻣﻦ ﻣﻬﻤﺘﻬﺎ ﻛﺬﻟﻚ اﺳﺘﻐﻼل‬ ‫ﻫـــﺬه اﻟﺘﺠﺎرب ﺑﺼﻮرة إﻳﺠﺎﺑﻴﺔ و ﺳـــﻮف ﺗﻌﻤﻞ ﻋﻠﻰ‬ ‫ﺻﻨـــﻊ ﻟﻤﺴـــﺎت اﻟﺤﻴﺎة ﺑﻨﻔـــﺲ اﻟﻄﺎﻗـــﺔ واﻟﻘﻮة ﻋﻦ‬ ‫ﻃﺮﻳﻖ ﺗﺼﻨﻴﻊ أﻧﻈﻤﺔ اﻟﺴﻘﺎﻻت اﻟﺘﻠﻘﺎﺋﻴﺔ‪.‬‬

‫رؤﻳﺔ اﻟﺸﺮﻛﺔ ‪:‬‬ ‫ﺗﻮﻓﻴــــﺮ ا‪%‬ﻣــــﻦ واﻟﺴــــﻼﻣﺔ ﻟ!ﻓــــﺮاد واﻟﺤـــﺮص ﻋﻠـــﻰ‬ ‫ﺳـــﻼﻣﺘﻬﻢ ﺑﺘﻘﺪﻳﻢ ﻣﻨﺘﺠـــﺎت ﺗﻌﺰز ذﻟـــﻚ أﻣﺮ ﺿﺮوري‬ ‫وﻫـــﺎم ‪ ،‬وﻫـــﻮ ﻣـــﺎ ﺗﺴـــﻌﻰ إﻟﻴـــﻪ اﻟﺸـــﺮﻛﺎت وﺗﺄﺧﺬه‬ ‫ﻓـــﻲ ﻋﻴﻦ ا‪A‬ﻋﺘﺒﺎر ‪ ،‬وﻫﺬا أﻳﻀ> ﻣﺎﺳـــﻌﺖ إﻟﻴﻪ ﺷـــﺮﻛﺔ‬ ‫رﻳﻮﻟﻴﻔﺖ ﻣﻨﺬ ﻧﺸـــﺄﺗﻬﺎ وﺗﻀﻌﻪ ﻓﻲ أوﻟﻮﻳﺎﺗﻬﺎ‪ .‬وﺑﻨﺎء‪C‬‬ ‫ﻋﻠﻰ ذﻟﻚ زادت اﻟﻨﺠﺎﺣﺎت ﻟﺸﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ وﺗﻮﺳﻌﺖ‬ ‫ﻓﻲ اﻟﺴـــﻨﻮات ا‪%‬ﺧﻴﺮة وزادت ﻣﻌﻬﺎ اﻟﺴـــﻤﻌﺔ اﻟﻄﻴﺒﺔ‬ ‫ﺑﻴﻦ اﻟﻌﻤـــﻼء وﺑﻴﻦ ﻣﻮﻇﻔﻴﻬﺎ ﺟﻴ ًﻼ ﺑﻌﺪ ﺟﻴﻞ‪ .‬وﺑﻬﺬا‬ ‫اﻟﺸـــﻌﺎر ﺗﺘﻘـــﺪم ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔـــﺖ داﺋﻤ> إﻟـــﻰ ا‪%‬ﻣﺎم‬ ‫وﺗﺘﻘﺪم ﻣﻌﻬﺎ ﺟﻮدة ﻣﻨﺘﺠﺎﺗﻬﺎ‪.‬‬ ‫ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔـــﺖ ﻟﺪﻳﻬـــﺎ اﻟﺨﺒـــﺮة اﻟﻜﺎﻓﻴـــﺔ اﻟﺘـــﻲ‬ ‫ﺗﺆﻫﻠﻬـــﺎ ﻓـــﻲ أن ﺗﻜﺒـــﺮ و ﺗﺘﻮﺳـــﻊ ﻋـــﻦ ﻃﺮﻳـــﻖ‬ ‫ﻣﻮﻇﻔﻴﻬـــﺎ ﻋﻠﻰ ﻣـــﺪار اﻟﺴـــﻨﻮات وﻋﻤﻠﻬﺎ اﻟﻤﻤﻴﺰ‬ ‫ﺑﻴﻦ اﻟﻜﺜﻴﺮ ﻣﻦ اﻟﺸﺮﻛﺎت‪ .‬ﻓﻘﺪ زادت ﻗﻴﻤﺔ اﻟﺤﻴﺎة‬ ‫ﺑﻨﺎء ﻋﻠﻰ ﺟﻮدة ﻣﻨﺘﺠﺎﺗﻬﺎ‪.‬‬ ‫اﻟﻌﻤﻠﻴﺔ ﻋﺎم ﺑﻌﺪ ﻋﺎم ً‬ ‫وﻟﻬـــﺬا اﻟﺴـــﺒﺐ داﺋﻤ> ﻣﺎ ﺗﻬﺪف ﺷـــﺮﻛﺔ رﻳﻮﻟﻴﻔﺖ‬ ‫‪A‬ﻧﺘـــﺎج أﻓﻀﻞ اﻟﻤﻨﺘﺠـــﺎت ﺑﺠﻮدة ﻋﺎﻟﻴﺔ وإرﺳـــﺎﻟﻬﺎ‬ ‫إﻟـــﻰ ﻋﻤﻼﺋﻬـــﺎ اﻟﻜـــﺮام ﻓـــﻲ وﻗـــﺖ وﺟﻴـــﺰ‪ .‬وﻫـــﻲ‬ ‫ﻛﺸـــﺮﻛﺔ ﺗﺮﻛﻴﺔ ﺗﻬﺪف إﻟﻰ أن ﻳﺮﻓﺮف ﻋﻠﻢ ﺑﻠﺪﻫﺎ‬ ‫ﻋﺎﻟﻴ> وذﻟﻚ ﺑﺘﺼﺪﻳـــﺮ ﻣﻨﺘﺠﺎﺗﻬﺎ وأﺟﻬﺰﺗﻬﺎ‪ ،‬ﻓﻬﻲ‬ ‫ﺗﻬـــﺪف إﻟﻰ زﻳﺎدة اﻗﺘﺼﺎد ﺑﻠﺪﻫـــﺎ ﺑﺘﺼﺪﻳﺮ أﺟﻬﺰة‬ ‫وﻣﻨﺘﺠﺎت ﻋﺎﻟﻴﺔ اﻟﺠﻮدة إﻟﻰ اﻟﻌﺎﻟﻢ ‪.‬‬

‫≤‪¡UM³ « ±±‬‬

‫‪112 Albenaa‬‬

‫اﻟﺴﻘﺎﻟﺔ ا ﺗﻮﻣﺎﺗﻴﻜﻴﺔ آر ‪ 1000‬ذات )اﻟﻘﻠﻌﺔ(‬ ‫أو اﻟﺮأس اﻟﻮاﺣﺪة ‪:‬‬ ‫ـ ﻳﺘـــﻢ ﺗﻌﻴﻴـــﻦ اﻟﻄـــﻮل وﻓﻘـــ> ﻟﻠﺤﺎﺟـــﺔ ﺣﺘـــﻰ‬ ‫)‪10.3‬م(‪.‬‬ ‫ـ ﻳﻮﺟـــﺪ ﻓﺮاﻏـــﺎت وﺗﻀﺎرﻳـــﺲ ‪A‬ﺗﺎﺣـــﺔ إﻣﻜﺎﻧﻴﺔ‬ ‫اﻟﺘﻤﺪﻳﺪ واﻟﺘﻮﺳﻴﻊ ‪.‬‬ ‫ـ ﻳﻤﻜﻦ ﻟﺸـــﺨﺼﻴﻦ ﺳـــﻬﻮﻟﺔ إﺗﻤﺎم ﻋﻤﻠﻴﺔ‬ ‫اﻟﺒﻨـــﺎء واﻟﺘﺮﻛﻴﺐ ﻓﻲ ﺑﺮج ﺑﺈرﺗﻔﺎع ‪25‬م ﻋﻠﻰ‬ ‫ﻣﺪار ﺳﺎﻋﺘﻴﻦ ﻓﻘﻂ ‪.‬‬ ‫ـ ﻫـــﺬه اﻟﻤﺎﻛﻴﻨﺔ ﺗﻌﺘﺒﺮ ﻫـــﻲ اﻟﻮﺣﻴﺪة اﻟﺘﻲ‬ ‫ﻳﻤﻜـــﻦ أن ﺗﺴـــﺘﺨﺪﻣﻬﺎ ﺑﺮاﺣـــﺔ وأﻣـــﺎن ﻟﻤـــﺎ‬ ‫ﺗﺘﻤﺘـــﻊ ﺑﻪ ﻣـــﻦ ﻣﺰاﻳﺎ وﺧﺼﺎﺋـــﺺ ﻣﺘﻌﺪدة ‪،‬‬ ‫ﻓﻴﻤﻜﻦ اﺳﺘﺨﺪام ﻫﺬه اﻟﻤﺎﻛﻴﻨﺔ ﻓﻲ ﺟﻤﻴﻊ‬ ‫أﻋﻤﺎل اﻟﺒﻨﺎء وا‪A‬ﻧﺸﺎءات ﻣﺜﻞ أﻋﻤﺎل اﻟﺰﺟﺎج‬ ‫وا‪%‬ﻟﻮﻣﻨﻴـــﻮم‪ ،‬وأﻋﻤـــﺎل ﻛﺴـــﻮة وﺗﻐﻄﻴـــﺔ‬ ‫اﻟﺒﻨـــﺎء‪ ،‬وأﻋﻤـــﺎل اﻟﻄـــﻼء‪ ،‬وأﻋﻤـــﺎل اﻟﺠـــﺺ‪،‬‬ ‫وﺗﺮﻛﻴـــﺐ وﺗﻐﻄﻴـــﺔ اﻟﺮﺧـــﺎم ﺑﺠﻤﻴـــﻊ أﻧﻮاﻋﻪ‬ ‫اﻟﻤﺨﺘﻠﻔـــﺔ‪ ،‬وﻳﻤﻜﻦ اﺳـــﺘﺨﺪاﻣﻬﺎ أﻳﻀ> ﻓﻲ‬ ‫ﺟﻤﻴﻊ أﻋﻤﺎل اﻟﺒﻨﺎء ﻟﻠﻄﺒﻘﺎت واﻟﺘﺼﻤﻴﻤﺎت‬ ‫اﻟﺨﺎرﺟﻴﺔ ‪.‬‬ ‫ـ ﺟﻤﻴـــﻊ ﻧﻤـــﺎذج ا‪b‬ﻻت اﻟﻤﺼﻤﻤـــﺔ واﻟﻤﺎﻛﻴﻨـــﺎت‬ ‫اﻟﻤﺼﻤﻤـــﺔ ﺗﺘﻤﺘـــﻊ ﺑﺠﻤﻴـــﻊ ﺧﺼﺎﺋـــﺺ ا‪%‬ﻣﺎن ‪،‬‬ ‫وﺣﺎﺻﻠﺔ ﻋﻠﻰ ﺷﻬﺎدات اﻟﺠﻮدة وا‪%‬ﻳﺰو رﻗﻢ‬ ‫‪. 9001 : 2008‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫اﻟﻤﺼﻨﻊ اﻟﺴﻌﻮدي ﻟﻠﺜﺮﻳﺎت‬ ‫ﺛﻼﺛﻮن ﻋﺎﻣ ﻧﺰداد ﺗﺄﻟﻘ و ﺷﺒﺎﺑ ‬ ‫ﻧﻴﻞ ﺣﺼﺔ ا‪N‬ﺳﺪ ﻣﻦ إﻧﺎرة ﻣﺴﺎﺟﺪ و ﺑﻴﻮت‬ ‫أﻧﻪ ﻣﻦ ﺣﻖ اﻟﻌﻤﻴﻞ أن ﻳﺘﻤﺘﻊ ﺑﻀﻤﺎن‬ ‫ﻣﻦ إﺳﻢ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‬ ‫ا‪ T‬ﻓﻲ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‪،‬‬ ‫ﺣﻘﻴﻘﻲ ﺷﺎﻣﻞ ﻓﺄوﺟﺪﻧﺎ ﻟﻪ اﻟﻀﻤﺎن‬ ‫اﺳﺘﻠﻬﻤﻨﺎ إﺳﻤﻨﺎ‪ ،‬ﻓﻜﺎن اﻟﻤﺼﻨﻊ‬ ‫اﻟﺴﻌﻮدي ﻟﻠﺜﺮﻳﺎت ‪ ،‬وﻋﺒﺮ ﺛﻼﺛﻮن ﻋﺎﻣ ﻣﻦ اﻟﺬﻫﺒﻲ اﻟﻤﺠﺎﻧﻲ اﻟﻄﻮﻳﻞ ا‪N‬ﻣﺪ ﻋﻠﻰ ﻛﻞ وﻛﺎن اﻟﻬﺪف ﻣﻦ ذﻟﻚ ﻟﻴﺲ رﺑﺤﻴ ‬ ‫ﺛﺮﻳﺎﺗﻨﺎ و ﻣﻨﺘﺠﺎﺗﻨﺎ‪ ،‬وأﻋﻄﻴﻨﺎ ﻫﺬا اﻟﻀﻤﺎن ﻓﻘﻂ‪ ،‬إﻧﻤﺎ ﻛﺎن اﻟﻬﺪف ﻫﻮ ﻧﻴﻞ ﺷﺮف‬ ‫اﻟﻌﻄﺎء اﺳﺘﻄﻌﻨﺎ ﻣﻦ ﺧﻼﻟﻬﺎ أن ﻧﺒﻨﻲ‬ ‫إﻧﺎرة ﻣﺴﺎﺟﺪ اﻟﻤﻤﻠﻜﺔ ‪ ،‬ﻓﺄﻳﻨﻤﺎ اﺗﺠﻬﺘﻢ‬ ‫أﻫﻤﻴﺔ ﻗﺼﻮى ﻟﺪﻳﻨﺎ‪ ،‬ﻓﺒﻮﺟﻮد ﻣﺼﻨﻊ‬ ‫إﺳﻤ ﻳﻠﻤﻊ ﻣﺜﻞ اﻟﺬﻫﺐ و ﻳﺒﺮق ﻣﺜﻞ‬ ‫ودﺧﻠﺘﻢ ﻣﺴﺠﺪ‪ Z‬أو ﺑﻴﺘ ﻣﻦ ﺑﻴﻮت ا‪،T‬‬ ‫ﺣﻘﻴﻘﻲ ﻣﺘﻜﺎﻣﻞ ﻋﻠﻰ أرض اﻟﻤﻤﻠﻜﺔ‬ ‫اﻟﻤﺎس ﻛﻤﺎ ﺛﺮﻳﺎﺗﻨﺎ ﺗﻤﺎﻣ ‪.‬‬ ‫اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‪ ،‬ﻫﻮ ﻣﻦ ﻳﺼﻨﻊ اﻟﻤﻨﺘﺞ ﻏﺎﻟﺒ ﺳﻨﻜﻮن ﺣﺎﺿﺮﻳﻦ ﺑﺜﺮﻳﺎﺗﻨﺎ ا[ﺳﻼﻣﻴﺔ‬ ‫ﺛﻼﺛﻮن ﻋﺎﻣ ﻛﻨﺎ ﻧﺒﻨﻲ ﻋﻠﻰ أﺳﺎﺳﺎت‬ ‫ﻣﻦ ا‪N‬ﻟﻒ إﻟﻰ اﻟﻴﺎء‪ ،‬ﻛﺎن اﻟﻀﻤﺎن اﻟﺬﻫﺒﻲ اﻟﻤﺘﻔﺮدة ‪ .‬ﻛﻤﺎ ﻛﻨﺎ ﺣﺎﺿﺮﻳﻦ ﻓﻲ أﻏﻠﺐ‬ ‫راﺳﺨﺔ ﻣﻨﻬﺎ ‪:‬‬ ‫أن ﻟﻠﻌﻤﻴﻞ ﺣﻖ اﻟﺘﻤﺘﻊ و ﻣﺸﺎﻫﺪة وإﺧﺘﻴﺎر ﻟﻠﻤﺼﻨﻊ اﻟﺴﻌﻮدي ﻟﻠﺜﺮﻳﺎت ﻋﻨﺼﺮ ا‪N‬ﻣﺎن اﻟﻤﺸﺎرﻳﻊ اﻟﺤﻜﻮﻣﻴﺔ ‪ ،‬ﻓﺄﻏﻠﺐ اﻟﻮزارات‬ ‫وا[دارات واﻟﻬﻴﺌﺎت ﻛﺎن ﻟﻨﺎ ﺷﺮف إﻧﺎرة‬ ‫اﻟﻤﻨﺘﺞ ﻋﻠﻰ اﻟﻮاﻗﻊ ﻓﺄﻧﺸﺄﻧﺎ ﻣﻌﺎرﺿﻨﺎ اﻟﺘﻲ ﻟﻠﻤﺴﺘﻬﻠﻚ‪.‬‬ ‫ﺗﻮزﻋﺖ ﻋﻠﻰ أﻏﻠﺐ ﻣﻨﺎﻃﻖ اﻟﻤﻤﻠﻜﺔ ‪ .‬ﻛﻤﺎ ﻛﻤﺎ رﻛﺰ اﻟﻤﺼﻨﻊ اﻟﺴﻌﻮدي ﻟﻠﺜﺮﻳﺎت ﻋﻠﻰ وﺗﺰﻳﻴﻦ ﻗﺎﻋﺎﺗﻬﺎ و ﺻﺎﻻﺗﻬﺎ ‪.‬‬

‫‪¡UM³ « ±±¥‬‬

‫‪114 Albenaa‬‬

‫ﻣﺸــﺎرﻛﺔ ﻣﺘﻤﻴــﺰة ﻟﺪﻫﺎﻧــﺎت ﺳــﻴﻠﻜﻮت اﻟﺘﺮﻛﻴــﺔ‬ ‫ﻓــﻲ ﻣﺸــﺎرﻳﻊ ﺣﺪﻳﺜــﺔ ﺑﺎﻟﻤﻤﻠﻜــﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴــﻌﻮدﻳﺔ‬

‫ﺗﻌﺘﺒﺮ ﻣﺆﺳﺴﺔ ﻋﻴﺴﻰ ﻋﺒﺪ اﻟﻌﺰﻳﺰ اﻟﺮاﺑﻐﻲ‬ ‫اﻟﺘﺠﺎرﻳﺔ ﻫﻲ اﻟﻮﻛﻴﻞ اﻟﺤﺼﺮي ﻓﻲ اﻟﻤﻤﻠﻜﺔ‬ ‫اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ واﻟﺒﺤﺮﻳﻦ ﻟﻤﻨﺘﺠﺎت ﺷﺮﻛﺔ‬ ‫ﺳﻴﻠﻜﻮت اﻟﺘﺮﻛﻴﺔ واﻟﺘﻲ ﺗﺄﺳﺴﺖ ﺳﻨﺔ ‪١٩٩٣‬م‬ ‫واﻟﻨﺎﺷﻄﺔ ﻓﻲ ﻫﻴﻜﻠﺔ اﻟﻤﺠﻤﻮﻋﺔ ﺷﺮﻛﺔ ﻣﺼﺪرة‬ ‫ﻟـ ‪ ٥٢‬دوﻟﺔ وذﻟﻚ ﺑﺈﺿﺎﻓﺔ أﺻﺒﺎغ اﻟﺘﻈﻠﻴﻞ ﻟﻠﺠﺪار‬ ‫اﻟﺪاﺧﻠﻲ وا‪A‬وراق اﻟﺠﺪارﻳﺔ اﻟﻤﺰﺧﺮﻓﺔ ﻟﻠﺠﺪار‬

‫اﻟﺨﺎرﺟﻲ واﻟﻮرﻧﻴﺶ وا‪A‬ﺻﺒﺎغ اﻻﺻﻄﻨﺎﻋﻴﺔ‬ ‫وا‪A‬ﺻﺒﺎغ اﻟﺒﻨﺎﺋﻴﺔ واﻟﺠﺺ اﻟﻤﻌﺪﻧﻲ وﻧﻈﺎم‬ ‫ﺳﻴﻠﻜﻮﺗﺮم اﻟﻌﺎزل اﻟﺤﺮاري ﻟﻠﺠﺪار اﻟﺨﺎرﺟﻲ إﻟﻰ‬ ‫ﻧﺸﺎﻃﻬﺎ اﻟﺘﻲ ﺑﺪأت ﻣﻨﻬﺎ ﺑﺄول ﺧﻄﻮة ﻓﻲ إﻧﺘﺎج‬ ‫اﻟﺠﺺ اﻟﺤﺮﻳﺮي ‪ ،‬ﺣﻴﺚ ﺗﺴﺘﻤﺮ ﺳﻴﻠﻜﻮن اﻟﻴﻮم‬ ‫ﺑﺈﻧﺘﺎج ﻣﻨﺘﺠﺎت ﻋﺎﻟﻴﺔ اﻟﺠﻮدة وﺗﻄﺮﺣﻬﺎ ﻓﻲ‬ ‫ﺳﻮق ا‪A‬ﺻﺒﺎغ اﻟﻌﺎﻟﻤﻴﺔ ﻣﻦ ﺧﻼل ﻣﻨﺸﺄﺗﻬﺎ ﻓﻲ‬ ‫اﺳﻄﻨﺒﻮل وأوزﺑﻜﻴﺴﺘﺎن وﻃﺎﺟﻴﻜﺴﺘﺎن‪.‬‬ ‫وﺗﺘﻤﺮﻛﺰ رؤﻳﺔ اﻟﺸﺮﻛﺔ وﺗﻮﺟﻬﻬﺎ ﻋﻠﻰ اﻟﺠﻮدة‬ ‫اﻟﻌﺎﻟﻴﺔ ﻟﻠﻤﻨﺘﺠﺎت واﻟﺨﺪﻣﺎت اﻟﻤﺼﺎﺣﺒﺔ ﻟﻬﺎ‬ ‫ﻛﺴﺒﻴﻞ ﻟﺘﻮﻓﻴﺮ اﻟﺜﻘﺔ ﻟﻠﻌﻤﻴﻞ‪.‬‬ ‫وﺗﺘﻠﺨﺺ أﻫﺪاف اﻟﺸﺮﻛﺔ ﻓﻲ اﻟﺘﻌﺮف ﻋﻠﻰ‬ ‫اﺣﺘﻴﺎﺟﺎت وﻣﺘﻄﻠﺒﺎت اﻟﻌﻤﻼء ورﻏﺒﺎﺗﻬﺎ وﻣﺮاﺟﻌﺔ‬ ‫وﺗﺤﻠﻴﻞ أداء أﻋﻤﺎﻟﻬﺎ ﺑﺼﻔﺔ ﻣﺴﺘﻤﺮة وإﻳﺠﺎد‬ ‫اﻟﺴﺒﻞ ]ﻧﺠﺎزﻫﺎ ﺑﺸﻜﻞ ﻣﺤﺘﺮف ‪ ،‬واﻟﻤﺴﺎﻫﻤﺔ‬ ‫ﻓﻲ إﻳﺠﺎد ﺑﻴﺌﺔ وﺛﻘﺎﻓﺔ ﺟﺪﻳﺪة ﺗﺠﺬب ﻓﺮﻳﻖ‬ ‫اﻟﻌﻤﻞ ﻟﻴﺴﺎﻫﻢ ﻓﻲ ﺗﻄﻮﻳﺮ ا‪A‬داء وﻓﻘ‪A d‬رﻓﻊ‬ ‫اﻟﻤﺴﺘﻮﻳﺎت‪.‬‬ ‫وﺗﺒﺮز ﻗﻴﻢ اﻟﺸﺮﻛﺔ ﻓﻲ أﻧﻬﺎ ﺗﻌﻤﻞ ﺑﺤﻤﺎس‬ ‫وإدراك ﻋﻤﻴﻖ ‪A‬ﻫﻤﻴﺔ ﻣﺎ ﺗﻘﻮم ﺑﻪ ﻟﺘﺤﺪث أﺛﺮ‪h‬‬ ‫ﻧﻮﻋﻴ‪ d‬ﺑﻤﺎ ﻓﻴﻪ ﻣﺼﻠﺤﺔ اﻟﺠﻤﻴﻊ ﻣﻦ ﺧﻼل اﻟﻌﻤﻞ‬ ‫ﺑﺮوح اﻟﻔﺮﻳﻖ اﻟﻮاﺣﺪ‪ ،‬ﻣﺘﺄزرﻳﻦ ﻧﺤﻮ ﺗﺤﻘﻴﻖ اﻟﻨﺠﺎح‬ ‫واﻟﻨﻤﻮ‪.‬‬

‫وﺗﺒﺮز رﺳﺎﻟﺔ اﻟﺸﺮﻛﺔ ﻣﻦ ﺧﻼل إﺿﺎﻓﺔ اﻟﻘﻴﻤﺔ‬ ‫ﻟﻤﻨﺘﺠﺎﺗﻬﺎ ﻋﺒﺮ اﻻﺣﺘﺮاﻓﻴﺔ وأن ﻋﻤﻠﻬﺎ ﻫﻮ ﻋﻤﻞ‬ ‫ﻳﻬﺘﻢ ﺑﺎﻟﻨﺎس ورﻏﺒﺎﺗﻬﻢ وﻛﺬﻟﻚ اﻟﻤﺤﺎﻓﻈﺔ‬ ‫ﻋﻠﻰ اﻟﻌﻼﻗﺎت اﻻﺳﺘﺜﻨﺎﺋﻴﺔ ﻣﻊ ﺟﻤﻴﻊ ﺷﺮﻛﺎﺋﻬﺎ‪.‬‬ ‫وﺗﻘﻮم ﻣﺒﺎدئ وأﺳﺲ ﺟﻮدة أﺻﺒﺎغ ﺳﻠﻴﻜﻮت‬ ‫ﻋﻠﻰ ﺗﻠﺒﻴﺔ ﻃﻠﺒﺎت اﻟﺰﺑﺎﺋﻦ ﻋﻠﻰ أﻋﻠﻰ ﻣﺴﺘﻮى‬ ‫ﻛﻤﺎ أﻧﻬﺎ ﺗﻘﺪم ﻟﻬﻢ ﻣﻨﺘﺠﺎت ﻣﺼﻨﻌﺔ وﻓﻖ‬ ‫اﻟﻤﻌﺎﻳﻴﺮ اﻟﻘﻴﺎﺳﻴﺔ واﻟﻮﻃﻨﻴﺔ واﻟﻌﺎﻟﻤﻴﺔ‪.‬‬ ‫وﺗﻘﻮم ﻓﻠﺴﻔﺔ اﻟﺠﻮدة ﻟﺪى اﻟﺸﺮﻛﺔ ﺑﺘﻨﻔﻴﺬ‬ ‫وﺗﻠﺒﻴﺔ اﻻﺣﺘﻴﺎﺟﺎت واﻟﻄﻠﺒﺎت وﺗﻬﺪف داﺋﻤ‪d‬‬ ‫إﻟﻰ ﺗﻘﺪﻳﻢ أﺟﻮد اﻟﻤﻨﺘﺠﺎت وﺗﺤﺘﺮم اﻟﺒﻴﺌﺔ‬ ‫واﻟﻄﺒﻴﻌﺔ‪ .‬وﺗﻄﺒﻖ اﻟﺸﺮﻛﺔ أﺣﺪث أﻧﻈﻤﺔ ﺿﻤﺎن‬ ‫اﻟﺠﻮدة ﺑﻤﺎ ﺗﺘﻮاﻓﻖ ﻣﻊ اﻟﺘﺸﺮﻳﻌﺎت اﻟﻘﺎﻧﻮﻧﻴﺔ‬ ‫ﺑﺠﺎﻧﺐ إﺟﺮاء اﻟﻔﺤﻮﺻﺎت ﻋﻠﻰ اﻟﻤﻨﺘﺠﺎت‪ ،‬ﺑﺄﺣﺪث‬ ‫ﻣﺎ ﺗﻮﺻﻠﺖ إﻟﻴﻪ اﻟﺘﻜﻨﻮﻟﻮﺟﻴﺎ اﻟﺤﺪﻳﺜﺔ ‪.‬‬

‫‪¡UM³ « ±±π‬‬

‫‪119 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺆﺳﺴﺔ ﺳﺎﻟﻢ ﺳﻠﻤﺎن اﻟﺒﻠﻮي ﻟﻠﻤﻘﺎوﻻت‬ ‫اﻟﺘﻤﻴﺰ ﻓﻲ أﻋﻤﺎل اﻟﻤﻘﺎوﻻت اﻟﻌﺎﻣﺔ‬ ‫ﺗﻌﺘﺒﺮ ﻣﺆﺳﺴﺔ ﺳﺎﻟﻢ ﺳﻠﻤﺎن اﻟﺒﻠﻮي أﺣﺪ أﻛﺒﺮ‬ ‫اﻟﻤﺆﺳﺴﺎت اﻟﻌﺎﻣﻠﺔ ﻓﻲ ﻗﻄﺎع اﻟﻤﻘﺎوﻻت اﻟﻌﺎﻣﺔ‬ ‫ﺑﺘﺒﻮك‪ ،‬إذ ﺣﺮص ا`ﺳــــﺘﺎذ ‪ /‬ﺳــــﺎﻟﻢ اﻟﺒﻠﻮي ﻣﻨﺬ‬ ‫أن ﺷــــﺮع ﻓﻲ ﺗﺄﺳﻴﺴــــﻬﺎ أن ﻳﻀﻊ ﻧﺼﺐ ﻋﻴﻨﻴﻪ‬ ‫ﻫﺪﻓــــ‪ D‬رﺋﻴﺴــــﻴ‪ D‬وﻫــــﻮ اﻟﻤﺴــــﺎﻫﻤﺔ ﻓــــﻲ ﻧﻬﻀﺔ‬ ‫اﻟﺒﻼد ـ ﺣﻔﻈﻬﺎ ا‪ m‬ـ وأن ﺗﻜﻮن اﻟﻤﺆﺳﺴﺔ ﻟﺒﻨﺔ‬ ‫ﻓﻲ ﺑﻨﺎﺋﻬﺎ ا?ﻗﺘﺼﺎدي اﻟﻤﺘﻴﻦ‪.‬‬ ‫ﻓﺤﺮص ﺳﻌﺎدﺗﻪ ﻋﻠﻰ أن ﻳﻀﻢ إﻟﻰ ا?دارة ﺧﻴﺮة‬ ‫اﻟﻤﻮﻇﻔﻴــــﻦ ﻟﻀﻤﺎن ﺳــــﻴﺮ اﻟﻌﻤــــﻞ ا?داري ﻋﻠﻰ‬

‫اﻟﻮﺟﻪ ا`ﻣﺜــــﻞ‪ ،‬ﻓﻀ ً‬ ‫ﻼ ﻋﻦ اﻟﺠﺎﻧــــﺐ اﻟﻔﻨﻲ اﻟﺬي‬ ‫دﻋﻤــــﻪ ﺑﺎﻟﻤﻬﻨﺪﺳــــﻴﻦ اﻟﻤﺆﻫﻠﻴــــﻦ واﻟﻔﻨﻴﻴــــﻦ‬ ‫اﻟﻤﺪرﺑﻴﻦ‪.‬‬ ‫واﺳــــﺘﻜﻤﺎﻻً ﻟﻤﻘﻮﻣــــﺎت اﻟﻨﺠــــﺎح ﻓﻘــــﺪ دﻋــــﻢ‬ ‫اﻟﻤﺆﺳﺴــــﺔ ﺑﺎﻟﻌﺸــــﺮات ﻣﻦ اﻟﻤﻌﺪات وا‪q‬ﻟﻴﺎت‬ ‫اﻟﻼزﻣﺔ ?ﻧﻬــــﺎء اﻟﻌﻤﻞ ﺑﺄﻋﻠﻰ ﺟــــﻮدة وﺑﺄﻗﺼﻰ‬ ‫ﺳﺮﻋﺔ‪.‬‬ ‫وﻧﻈــــﺮ‪ r‬ﻟﻤــــﺎ ﺗﻘــــﺪم ﻓﻘــــﺪ ﺣــــﺎزت اﻟﻤﺆﺳﺴــــﺔ‬ ‫ﻋﻠﻰ ﺛﻘــــﺔ ﻋﻤﻼﺋﻬﺎ ﻣﻦ ﻛﺎﻓــــﺔ اﻟﻘﻄﺎﻋﺎت اﻟﺘﻲ‬

‫ﺗﻌﺎﻣﻠــــﺖ ﻣﻌﻬــــﺎ ‪ ،‬واﻟﻤﺆﺳﺴــــﺔ ﺗﺤــــﺮص ﻋﻠﻰ‬ ‫دﻋﻢ ﻫﺬه اﻟﺜﻘﺔ دوﻣ‪ D‬ﺑﺒﺬل اﻟﻤﺰﻳﺪ ﻣﻦ اﻟﺠﻬﺪ‬ ‫ﻓﻲ ﺳﺒﻴﻞ ﺧﺪﻣﺔ ﻋﻤﻼﺋﻬﺎ‪.‬‬ ‫وﺟﺪﻳــــﺮ ﺑﺎﻟﺬﻛﺮ أن ﻣﺆﺳﺴــــﺔ ﺳــــﺎﻟﻢ ﺳــــﻠﻤﺎن‬ ‫اﻟﺒﻠــــﻮي ﺗﻘــــﺪم ﺧﺪﻣﺎﺗﻬــــﺎ ﻓﻲ ﻣﻨﻄﻘــــﺔ ﺗﺒﻮك‬ ‫وﻣﻌﻈــــﻢ ﻣﺪن اﻟﻤﻨﻄﻘــــﺔ اﻟﻐﺮﺑﻴﺔ ﻓﻲ ﻣﺠﺎﻻت‬ ‫اﻟﻤﻘﺎوﻻت اﻟﻌﺎﻣﺔ وﺗﺸﻤﻞ اﻟﻤﺒﺎﻧﻲ وا?ﻧﺸﺎءات‬ ‫وأﻋﻤــــﺎل اﻟﻄــــﺮق ﺑﺎ?ﺿﺎﻓــــﺔ إﻟــــﻰ أﻋﻤــــﺎل اﻟﺤﻔﺮ‬ ‫واﻟﺮدم‪.‬‬

‫اﻟﺤﺮص اﻟﺪاﺋﻢ ﻋﻠﻰ ﺗﻘﺪﻳﻢ اﻟﺠﻮدة‬ ‫ﻣﻦ ﺷﺮﻛﺔ اﻟﻤﻨﺎرة اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﻟﻠﺘﺠﺎرة‬ ‫ﻳﻌﺘﺒـــﺮ ﻣﺼﻨـــﻊ اﻟﻤﻨـــﺎرة ﻟﻠﻮﺣـــﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ﻣﻦ اﻟﻤﺼﺎﻧـــﻊ اﻟﺮاﺋﺪة‬ ‫ﺑﺎﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ اﻟﺴـــﻌﻮدﻳﺔ ـ‬ ‫ﺑﺎﻟﻤﻨﻄﻘﺔ اﻟﺼﻨﺎﻋﻴﺔ اﻟﺜﺎﻧﻴﺔ ـ وﻫﻮ‬ ‫ﻣـــﻦ اﻟﺸـــﺮﻛﺎت اﻟﺘﺎﺑﻌـــﺔ ﻟﻤﺠﻤﻮﻋﺔ‬ ‫اﻟﻤﻨﺎرة اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ﻟﻠﺘﺠﺎرة واﻟﺘﻲ‬ ‫ﺗﺄﺳﺴـــﺖ ﻋـــﺎم ‪١٩٨٧‬م اﻟﺘﻲ ﻟﺪﻳﻬﺎ‬ ‫ﺗﻮﻛﻴﻼت ﻣﻦ ﺷـــﺮﻛﺎت ﻋﺎﻟﻤﻴﺔ ﻣﺜﻞ‬ ‫)ﻣﻔﺎﺗﻴـــﺢ وأﻓﻴـــﺎش ﺑﺎﻧﺎﺳـــﻮﻧﻴﻚ ـ‬ ‫ﻓﺮﻳﻤﻮن ا?ﻳﻄﺎﻟﻴﺔ ـ أﻋﻤﺪة ﻓﻮﻣﺠﺎﻟﻲ‬ ‫ا?ﻳﻄﺎﻟﻴـــﺔ وﺷـــﺮﻛﺔ أوﺑـــﻞ ﻟ‪A‬ﻧـــﺎرة‬ ‫اﻟﺪاﺧﻠﻴـــﺔ وﺗﻜﻨﻮﻟﻮﺟﻴـــﺎ اﻟﻠﻴـــﺪ‬ ‫اﻟﺤﺪﻳﺜـــﺔ )‪ (LED‬وﻏﻴﺮﻫـــﺎ ‪.‬وﺣﺮﺻ‪D‬‬ ‫ﻣـــﻦ إدارة ﺷـــﺮﻛﺔ اﻟﻤﻨـــﺎرة ﻋﻠـــﻰ‬ ‫ﺗﻘﺪﻳـــﻢ أﻋﻠـــﻰ ﻣﺴـــﺘﻮﻳﺎت اﻟﺠﻮدة‬ ‫ﻟـــﺬا وﻗـــﻊ ا?ﺧﺘﻴـــﺎر ﻋﻠـــﻰ ﺷـــﺮﻛﺔ‬ ‫ﺗﻴﺮاﺳـــﺎﻛﻲ اﻟﻴﺎﺑﺎﻧﻴـــﺔ ﻟﻠﻘﻮاﻃـــﻊ‬ ‫وذﻟـــﻚ ﺣﺮﺻـــ‪ D‬ﻣـــﻦ ﺷـــﺮﻛﺔ اﻟﻤﻨﺎرة‬ ‫?رﺿـــﺎء ﻋﻤﻼﺋﻬـــﺎ ﻣﻦ ﺧـــﻼل اﻟﺘﻤﻴﺰ‬ ‫وﺗﻘﺪﻳﻢ أﻓﻀﻞ ﻣﺴﺘﻮﻳﺎت اﻟﺠﻮدة‬ ‫واﻟﺨﺪﻣـــﺎت ﻛﻞ ذﻟـــﻚ ﺑﺄﺳـــﻌﺎر‬ ‫ﻣﻨﺎﻓﺴـــﺔ وﻣﺮﺿﻴﺔ ﺣﻴﺚ ﻳﻌﺪ إﺳﻢ‬ ‫ﺗﻴﺮاﺳـــﺎﻛﻲ ﻣﻦ اﻟﻌﻼﻣـــﺎت اﻟﺘﺠﺎرﻳﺔ‬ ‫واﺳﻌﺔ ا?ﻧﺘﺸـــﺎر ﻓﻲ ﻛﻼ ﻣﻦ أﺳﻴﺎ‬ ‫وأوروﺑﺎ وأﻓﺮﻳﻘﻴﺎ وأﻣﺮﻳﻜﺎ اﻟﺠﻨﻮﺑﻴﺔ‬

‫∏‪¡UM³ « ±±‬‬

‫‪118 Albenaa‬‬

‫ﺣﻴـــﺚ ﺗﺄﺳﺴـــﺖ ﻋـــﺎم ‪١٩٢٣‬م أﻛﺜﺮ‬ ‫ﻣﻦ ‪ ٩٠‬ﻋﺎم ﺧﺒﺮة ﻓﻲ ﻣﺠﺎل ﺗﺼﻨﻴﻊ‬ ‫اﻟﻘﻮاﻃﻊ اﻟﺮﺋﻴﺴﻴﺔ واﻟﻔﺮﻋﻴﺔ وﻫﻲ‬ ‫راﺋﺪة ﻓﻲ ﻣﺠﺎل اﻟﺼﻨﺎﻋﺎت اﻟﻮﻗﺎﺋﻴﺔ‬ ‫وﻟﺪﻳﻬـــﺎ ﻣﺼﺎﻧﻊ ﺑـ )اﻟﻴﺎﺑﺎن ـ ﻣﺎﻟﻴﺰﻳﺎ ـ‬ ‫أﻧﺪوﻧﻴﺴﻴﺎ ـ اﻟﺼﻴﻦ‪ ..‬وﻏﻴﺮﻫﺎ( ‪.‬‬ ‫ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬ ‫اﻟﺤـــﺮص اﻟﺪاﺋﻢ ﻋﻠﻰ ﺗﻘﺪﻳﻢ أﻓﻀﻞ‬ ‫اﻟﻤﻨﺘﺠـــﺎت ﻧﻘـــﺪم ﻟﻜـــﻢ ﻣﻨﺘﺠﻨـــﺎ‬ ‫اﻟﺠﺪﻳﺪ ﻣـــﻦ ﻣﺼﻨﻊ اﻟﻤﻨﺎرة ﻟﻠﻮﺣﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ )ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳـــﻮﻧﻴﻚ(‬ ‫ﻣﻊ ﻗﻮاﻃﻊ ﻣﻦ ﺷـــﺮﻛﺔ ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬ ‫اﻟﻴﺎﺑﺎﻧﻴـــﺔ ﺣﻴـــﺚ اﻟﺘﺼﻤﻴـــﻢ اﻟﻔﺮﻳﺪ‬ ‫واﻟﺸﻜﻞ اﻟﻌﺼﺮي‪.‬‬ ‫ﻣﻨﺘﺠﺎت ﻣﺼﻨﻊ اﻟﻤﻨﺎرة ﻟﻠﻮﺣﺎت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫ـ ﻟﻮﺣـــﺎت ﻧﻈـــﺎم اﻟﻘﺎﻃﻊ اﻟﺤﺴـــﺎس‬ ‫ا`وروﺑﻲ ) ﻛﻮزﻣﻮ(‪.‬‬ ‫ـ ﻟﻮﺣﺎت اﻟﻨﻈﺎم ا`وروﺑﻲ )ﻛﻼﺳﻴﻚ(‬ ‫اﻟﻤﻘﺎس ا`ﻣﺮﻳﻜﻲ ‪.‬‬ ‫ـ ﺻﻨﺪوق اﻟﺨﺪﻣـــﺔ ﻣﺘﻌﺪد اﻟﻤﺨﺎرج‬ ‫ﻣﺘﻮﻓﺮ ﺑﺎﻟﻘﺎﻃﻊ وﺑﺪون اﻟﻘﺎﻃﻊ‪.‬‬ ‫ـ ﻋﻠﺒﺔ ﻣﻊ اﻟﻘﺎﻃﻊ )داﺧﻠﻲ ـ ﺧﺎرﺟﻲ(‬ ‫ـ ﻟﻮﺣﺎت اﻟﺘﻮزﻳﻊ اﻟﺮﺋﻴﺴـــﻴﺔ ) ﻟﻮﺣﺎت‬ ‫ﺗﺼﻨﻴﻊ(‪.‬‬ ‫ـ ﻟﻮﺣﺎت إﻧﺎرة أﻋﻤﺪة اﻟﺸﻮارع‪.‬‬

‫ﻟﻮﺣﺎت ﻛﻮزﻣﻮ‬

‫ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬

‫ﻟﻮﺣﺎت ﻛﻼﺳﻴﻚ‬

‫ﻋﻠﺒﺔ ﺑﺎﻟﻘﺎﻃﻊ )ﺣﺴﺎس(‬

‫ﻗﻮاﻃﻊ ﻣﻦ ﺷﺮﻛﺔ ﺗﻴﺮاﺳﺎﻛﻲ اﻟﻴﺎﺑﺎﻧﻴﺔ‬

‫ﻋﻠﺒﺔ ﺑﺎﻟﻘﺎﻃﻊ )اﻳﺰوﻟﻴﺘﻮر(‬

‫ﺻﻨـــﺪوق ﺧﺪﻣـــﺔ ﻣﺘﻌـــﺪد اﻟﻤﺨـــﺎرج ﻣـــﻊ‬ ‫وﺑﺪون اﻟﻘﺎﻃﻊ ‪٦٥ IP‬‬

‫ﻟﻮﺣﺎت ﺗﻮزﻳﻊ رﺋﻴﺴﻴﺔ‬ ‫ﻟﻮﺣﺔ إﻧﺎرة أﻋﻤﺪة اﻟﺸﻮارع‬

‫ ‪WO½öŽ≈ …œU ¡UM³ « o×K‬‬

‫ﻣﻌﺮض ﺑﺎرﻳﺲ ﻟ ﺛﺎث واﻟﻤﻨﺰل ﻳﻨﺎﻳﺮ ‪٢٠١٨‬‬ ‫‪Maison et Objet Paris January 2018‬‬ ‫ﻳﻌﺪ ﻣﻌﺮض ﺑﺎرﻳﺲ ﻟ ﺛﺎث واﻟﻤﻨﺰل ﻣﻦ‬ ‫أﻓﻀﻞ اﻟﻤﻌﺎرض اﻟﻌﺎﻟﻤﻴﺔ اﻟﺘﻲ ﺗﺠﻤﻊ‬ ‫أﺣﺪث اﻟﻤﻨﺘﺠﺎت واﻟﻤﻔﺮوﺷﺎت وﻗﻄﻊ ا‪#‬ﺛﺎث‬ ‫وﻣﺼﻤﻤﻲ أﺛﺎث ودﻳﻜﻮر ﻣﻦ ﺷﺘﻰ أﻧﺤﺎء‬ ‫اﻟﻌﺎﻟﻢ ﺗﺤﺖ ﺳﻘﻒ واﺣﺪ‪.‬‬ ‫ﻳﻨﻌﻘﺪ اﻟﻤﻌﺮض ﻓﻲ ﻧﺴﺨﺘﻪ ا‪#‬وﻟﻰ ﻟﻌﺎم ‪٢٠١٨‬‬ ‫ﻓﻲ ﺷﻬﺮ ﻳﻨﺎﻳﺮ ﻓﻲ اﻟﻔﺘﺮة ﻣﻨﻦ ‪ ١٩‬ﺣﺘﻰ ‪٢٣‬‬ ‫ﻟﻤﺪة ﺧﻤﺲ أﻳﺎم‪.‬‬ ‫ﻳﻨﻘﺴﻢ اﻟﻤﻌﺮض إﻟﻰ ‪ ٣‬أﻗﺴﺎم رﺋﻴﺴﺔ ‪:‬‬ ‫)‪ (Maison‬و )‪ (Objet‬و )‪ (Influences‬وزﻋﺖ‬ ‫ﻋﻠﻰ ﺧﻤﺲ ﻗﺎﻋﺎت ﻓﻲ ﻣﺮﻛﺰ اﻟﻤﻌﺎرض ﻓﻲ ﺑﺎرﻳﺲ‪.‬‬ ‫ﻳﻌﺪ اﻟﻘﺴﻢ ا‪#‬ول )‪ (Maison‬ﻫﻮ ا‪#‬ﻛﺒﺮ ﺣﻴﺚ‬ ‫ﻳﺸﻐﻞ ‪ ٥‬ﻗﺎﻋﺎت وﻳﻀﻢ اﻟﻤﻔﺮوﺷﺎت وﻗﻄﻊ‬ ‫ا‪#‬ﺛﺎث اﻟﺼﻐﻴﺮ وا‪U‬ﺿﺎءة وا‪#‬ﻗﻤﺸﺔ‪ .‬وﻗﺴﻢ‬ ‫ﻫﺬا اﻟﻘﺴﻢ إﻟﻰ ﺳﺘﺔ ﻣﻮاﺿﻴﻊ ﺻﻨﻔﺖ ﻣﻦ‬ ‫ﺧﻼﻟﻬﺎ اﻟﻤﻌﺮوﺿﺎت‬ ‫)‪Electic, Elegaut , Complements , Co Sg‬‬ ‫‪. (, Frogromces , Actued‬‬ ‫أﻣﺎ اﻟﻘﺴﻢ اﻟﺜﺎﻧﻲ )‪ (Objet‬ﻓﻬﻮ ﻳﺠﻤﻊ ﻗﻄﻊ‬ ‫ا‪#‬ﺛﺎث ﻣﺨﺘﻠﻔﺔ ا‪#‬ﺣﺠﺎم وا‪#‬ﺷﻜﺎل وﻳﻨﻘﺴﻢ‬ ‫إﻟﻰ أرﺑﻌﺔ ﻣﻮاﺿﻴﻊ‬ ‫)‪Craft, Metiers Dart, Home and‬‬ ‫‪. (Fashion Cook and share, Smart Gift‬‬ ‫وﻳﻘﺪم اﻟﻘﺴﻢ ا‪#‬ﺧﻴﺮ )‪ (Influence‬ﻣﺠﻤﻮﻋﺔ‬

‫∞≤‪¡UM³ « ±‬‬

‫‪120 Albenaa‬‬

‫ﻗﻄﻊ ا‪#‬ﺛﺎث اﻟﻤﺒﺘﻜﺮة واﻟﻐﺮﻳﺒﺔ واﻟﺮاﻗﻴﺔ‪.‬‬ ‫وﻳﻘﺴﻢ إﻟﻰ ﺛﻼﺛﺔ ﻣﻮاﺿﻴﻊ ‪:‬‬ ‫)‪Now ! Design a Vivre , Scenes d interieur‬‬ ‫‪. (Gallery, Scenes D interieur Paris‬‬ ‫ﻛﻤﺎ ﻳﻘﺪم اﻟﻤﻌﺮض ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﺒﺮاﻣﺞ ﻣﺜﻞ‬ ‫اﻟﻤﺤﺎﺿﺮات اﻟﺘﻲ ﺗﻘﺪم ﺗﺰاﻣﻨﺎ ﻣﻊ اﻟﻤﻌﺮض‬ ‫ﻣﻮاﺿﻴﻊ ﻣﺨﺘﻠﻔﺔ وﺗﻘﺪم آراء وأﻓﻜﺎر ﺟﺪﻳﺪة‬ ‫وﺗﺠﺎرب وﺣﻠﻮل ﺑﺎ‪U‬ﺿﺎﻓﺔ إﻟﻰ ﺗﺤﻠﻴﻞ ا‪U‬ﺗﺠﺎﻫﺎت‬ ‫ﻓﻲ ﻋﺎﻟﻢ اﻟﺪﻳﻜﻮر واﻟﻤﻨﺰل‪.‬‬ ‫وﻓﻲ ﻛﻞ ﻧﺴﺨﺔ ﻣﻦ اﻟﻤﻌﺮض ﻳﺘﻢ اﺧﺘﻴﺎر‬ ‫ﻣﺼﻤﻢ اﻟﺴﻨﺔ ﺣﻴﺚ ﻳﻘﺪم ﻣﻦ ﺧﻼﻟﻬﺎ‬ ‫ﺗﺼﺎﻣﻴﻤﻪ واﺑﺘﻜﺎراﺗﻪ‪.‬‬ ‫ﻛﻤﺎ ﻳﻘﻮم اﻟﻤﻌﺮض ﺑﺎﺧﺘﻴﺎر ﺳﺘﺔ ﻣﻮاﻫﺐ‬ ‫ﺟﺪﻳﺪة ﻣﻦ اﻟﺸﺒﺎب وﺗﺴﻠﻴﻂ اﻟﻀﻮء ﻋﻠﻴﻬﻢ‬ ‫ﻓﻲ اﻟﻤﻌﺮض‪.‬‬ ‫وأﻃﻠﻖ اﻟﻤﻌﺮض ﻓﻲ ﺳﻨﺘﻪ ا‪#‬ﺧﻴﺮة ﻣﻨﺼﺔ‬ ‫اﻟﻜﺘﺮوﻧﻴﺔ ‪ MOM‬واﻟﺘﻲ ﺗﻌﺪ ﺟﺰء‪ d‬ﻣﻬﻤ‪ c‬ﻓﻲ‬ ‫اﻟﻤﻌﺮض ﺣﻴﺚ ﺗﻮﻓﺮ ﻣﻨﺼﺔ ﻣﺘﻜﺎﻣﻠﺔ ﻟﻠﻌﻼﻣﺎت‬ ‫اﻟﺘﺠﺎرﻳﺔ اﻟﻤﺸﺎرﻛﺔ ﻓﻲ اﻟﻤﻌﺮض واﻟﻤﺼﻤﻤﻴﻦ‬ ‫ﺑﻌﺮض ﻣﻨﺘﺠﺎﺗﻬﻢ اﻟﺠﺪﻳﺪة ﻃﻮال اﻟﻌﺎم‬ ‫ﻟﻴﻄﻠﻊ ﻋﻠﻴﻬﺎ اﻟﺠﻤﻴﻊ ﻋﺒﺮ ﻣﻮﻗﻌﻬﺎ‬ ‫ا‪U‬ﻟﻜﺘﺮوﻧﻲ ‪ .‬واﺣﺘﻔﻞ اﻟﻤﻌﺮض ﻓﻲ ﻧﺴﺨﺘﻪ‬ ‫ا‪#‬ﺧﻴﺮة ﻓﻲ ﺷﻬﺮ ﺳﺒﺘﻤﺒﺮ ‪٢٠١٧‬م ﺑﻤﺮور ﺳﻨﺔ‬ ‫ﻋﻠﻰ إﻃﻼق ﻫﺬه اﻟﻤﻨﺼﺔ‪.‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﻨﻊ ﺷﺮﻛﺔ اﻟﺤﺪﻳﺪ اﻟﻮﻃﻨﻲ اﻟﺴﻌﻮدي ـ اﻟﺪﻣﺎم‬ ‫ﺗﻜﻨﻮﻟﻮﺟﻴﺎ ﻣﺘﻄﻮرة ﻓﻲ ﺻﻨﺎﻋﺔ اﻟﺼﻠﺐ ا‪+‬ﻧﺸﺎﺋﻲ ﺑﺠﻮدة ﻋﺎﻟﻴﺔ‬

‫‪Saudi National Steel‬‬ ‫‪Factory, Dammam‬‬

‫ﻳﺴـــﺘﺨﺪم اﻟﺼﻠـــﺐ ﻛﻤـــﺎدة أﺳﺎﺳـــﻴﺔ ﻓـــﻲ‬ ‫ا‪+‬ﻧﺸـــﺎءات وﻣﻄﻠﻮﺑﺔ ﺧﻼل ﻣﺮﺣﻠﺔ ﻧﻤﻮ اﻟﺒﻨﻰ‬ ‫اﻟﺘﺤﺘﻴـــﺔ ‪2‬ي اﻗﺘﺼـــﺎد وﻃﻨـــﻲ‪ ،‬وﻣـــﻊ ﺳـــﻌﻲ‬ ‫اﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ اﻟﺴـــﻌﻮدﻳﺔ ﻧﺤـــﻮ ﺗﻌﺰﻳـــﺰ‬ ‫ﻗﺎﻋـــﺪة اﻟﺘﺼﻨﻴﻊ ﺑﻬﺎ‪ ،‬ﻓﺴـــﺘﺤﺘﺎج إﻟﻰ اﻟﻜﺜﻴﺮ‬ ‫ﻣﻦ اﻟﺼﻠﺐ‪ .‬وﻣﻦ ﻫﺬا اﻟﻤﻨﻄﻠﻖ ﺗﻢ ﺗﺄﺳﻴﺲ‬ ‫ﻣﺼﻨﻊ ﺷﺮﻛﺔ اﻟﺤﺪﻳﺪ اﻟﻮﻃﻨﻲ اﻟﺴﻌﻮدي ﻓﻲ‬ ‫اﻟﺪﻣﺎم ﻟﺘﺰوﻳﺪ اﻟﺒﻼد ﺑﺎﻟﺨﺪﻣﺔ اﻟﻤﻄﻠﻮﺑﺔ‪.‬‬ ‫ﻳﻠﺘـــﺰم ﻣﺼﻨـــﻊ ﺷـــﺮﻛﺔ اﻟﺤﺪﻳـــﺪ اﻟﻮﻃﻨـــﻲ‬ ‫اﻟﺴـــﻌﻮدي ﺑﺘﻘﺪﻳـــﻢ ﻣﻨﺘﺠـــﺎت اﻟﺼﻠـــﺐ‬ ‫ا‪+‬ﻧﺸـــﺎﺋﻴﺔ ذات اﻟﺠـــﻮدة اﻟﻌﺎﻟﻴـــﺔ ﻟﻠﺴـــﻮق‬ ‫اﻟﻤﺘﻨﺎﻣﻲ ﻓﻲ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴـــﻌﻮدﻳﺔ‪،‬‬ ‫ﻛﻤـــﺎ أن ﺑﻪ ﻓﺮﻳﻖ ﻣﺘﺨﺼﺺ ﻣـــﻦ اﻟﻤﺤﺘﺮﻓﻴﻦ‬ ‫ذوي اﻟﺨﺒﺮة وﻣﻌـــﺪات ﻋﺎﻟﻴﺔ اﻟﺠﻮدة ﻟﺘﺤﻘﻴﻖ‬ ‫أﻫﺪاﻓﻪ اﻟﻤﺮﺟﻮة‪ ،‬وﻗﺪ ﺑﺪأ إﻧﺘﺎج ﻣﺼﻨﻊ ﺷﺮﻛﺔ‬ ‫اﻟﺤﺪﻳﺪ اﻟﻮﻃﻨﻲ اﻟﺴﻌﻮدي ﻓﻲ إﺑﺮﻳﻞ ‪.2017‬‬ ‫ﻳﻨﺘـــﺞ اﻟﻤﺼﻨﻊ ﻛﺘـــﻞ اﻟﺼﻠﺐ ﻋﺎﻟﻴـــﺔ اﻟﺠﻮدة‬ ‫ﻓﻲ ورﺷـــﺔ ﺻﻬﺮ اﻟﺼﻠـــﺐ اﻟﺤﺪﻳﺜﺔ ﺑﺎﻟﻤﺼﻨﻊ‬ ‫ﺑﺎﺳـــﺘﺨﺪام ﻣﻌﺎدن ﺧﺮدة ﻣﺘﺎﺣـــﺔ ﻣﺤﻠﻴ‪ ،S‬ﺛﻢ‬ ‫ﻳﺘـــﻢ ﻟﻒ ﻋﺮوق اﻟﺼﻠﺐ ﻓﻲ آﻟﺔ درﻓﻠﺔ اﻟﺼﻠﺐ‬ ‫ﺣﺴـــﺐ ا‪2‬ﻗﺴـــﺎم وا‪2‬ﺣﺠـــﺎم اﻟﺘـــﻲ ﻳﺮﻳﺪﻫـــﺎ‬ ‫اﻟﻌﻤﻴـــﻞ‪ ،‬ﺣﻴﺚ ﻳﺘـــﻢ اﺳـــﺘﺨﺪام ﺗﻜﻨﻮﻟﻮﺟﻴﺎ‬

‫≤≤‪¡UM³ « ±‬‬

‫‪122 Albenaa‬‬

‫اﻟﻤﻌﺎﻟﺠـــﺔ اﻟﺤﺮارﻳـــﺔ اﻟﻤﻴﻜﺎﻧﻴﻜﻴـــﺔ ﻟﻀﻤـــﺎن‬ ‫اﻟﺼﻼﺑﺔ ﻣﻊ اﻟﻘﻮة ﻓـــﻲ ﻣﻨﺘﺠﺎت اﻟﻤﺼﻨﻊ ﻣﻦ‬ ‫اﻟﺼﻠـــﺐ ﺣﺘﻰ ﻳﺘـــﻢ ﺗﻮﻓﻴـــﺮ اﻟﻤﻨﺘﺠـــﺎت اﻟﺘﻲ‬ ‫ﺗﻄﺎﺑﻖ اﻟﻤﻮاﺻﻔﺎت اﻟﻘﻴﺎﺳﻴﺔ اﻟﺪوﻟﻴﺔ‪.‬‬ ‫ﺗﺘﺮﻛـــﺰ ﻣﺠﻤﻮﻋـــﺔ ﻣﻨﺘﺠـــﺎت ﺷـــﺮﻛﺔ اﻟﺤﺪﻳـــﺪ‬ ‫اﻟﻮﻃﻨﻲ اﻟﺴﻌﻮدي ﻓﻲ ﻣﺎ ﻳﻠﻲ‪:‬‬ ‫• ﻗﻨـــﻮات اﻟﺼﻠـــﺐ – ‪ 50×100‬ﻣﻠﻢ و ‪40×75‬‬ ‫ﻣﻠﻢ‪ ،‬ﻣﺘﻮﺳﻂ‪.‬‬ ‫• زواﻳﺎ اﻟﺼﻠﺐ – ‪ 65×65‬ﻣﻠﻢ و ‪ 60×60‬ﻣﻠﻢ‪،‬‬ ‫ﻣﺘﻮﺳﻂ‪.‬‬ ‫• ﻗﻀﺒﺎن اﻟﺼﻠﺐ اﻟﻤﺴﻠﺢ – اﻟﺤﺠﻢ‪ :‬ﻣﻦ ‪8‬‬ ‫إﻟﻰ ‪ 32‬ﻣﻠﻢ‪ ،‬اﻟﺪرﺟﺔ ‪.60‬‬ ‫اﻟﺸـــﺮﻛﺔ ﻣﻌﺘﻤـــﺪة وﻓﻘـــ‪ S‬ﻟﻤﻮاﺻﻔـــﺔ اﻟﺠﻮدة‬ ‫اﻟﺪوﻟﻴﺔ ا‪2‬ﻳﺰو ‪9001:2015‬‬ ‫ﺗﻨﺘﺞ ﺷﺮﻛﺔ اﻟﺤﺪﻳﺪ اﻟﻮﻃﻨﻲ اﻟﺴﻌﻮدي ‪150.000‬‬ ‫ﻃﻦ ﻣـــﻦ ﻗﻀﺒـــﺎن اﻟﺼﻠـــﺐ ﺳـــﻨﻮﻳ‪ ،S‬ﻛﻤـــﺎ ﺗﺘﻤﻴﺰ‬ ‫اﻟﺸﺮﻛﺔ ﺑﺎﻻﺳـــﺘﺠﺎﺑﺔ اﻟﻌﺎﻟﻴﺔ واﻟﻮﻓﺎء ﺑﺎﻟﺘﺰاﻣﺎﺗﻬﺎ‬ ‫ﻓﻲ اﻟﻮﻗﺖ اﻟﻤﻄﻠﻮب‪ .‬ﻧﺤﻦ ﻧﺆﻣﻦ ﺑﺄﻧﻨﺎ ﺳـــﻨﻜﻮن‬ ‫ﺷﺮﻳﻜ‪ S‬ﺟﺪﻳﺮ‪ a‬ﺑﺎﻟﺜﻘﺔ ﻟﻌﻤﻼﺋﻨﺎ وﻧﺘﻄﻠﻊ إﻟﻰ اﻟﻮﻓﺎء‬ ‫ﺑﺎﻻﻟﺘﺰاﻣﺎت ﻣـــﻦ أﺻﺤﺎب اﻟﻤﺼﻠﺤﺔ‪ ،‬ﻛﻤﺎ ﻧﺘﻮﻗﻊ أن‬ ‫ﺗﺸـــﻬﺪ ﻋﻼﻗﺎﺗﻨﺎ ﻧﻤﻮ‪ a‬ﻗﻮﻳ‪ S‬ﻓﻲ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ‬ ‫اﻟﺴﻌﻮدﻳﺔ ﻓﻲ ا‪2‬ﻳﺎم اﻟﻘﺎدﻣﺔ‪.‬‬

‫‪Steel is a basic construction material‬‬ ‫‪which is required during Infra‬‬‫‪structure growth phase of any National‬‬ ‫‪economy. As Saudi Arabia ramps up its‬‬ ‫‪manufacturing base, it will need a lot‬‬ ‫‪of steel. It is with this understanding‬‬ ‫‪that Saudi National Steel Factory was‬‬ ‫‪established in Dammam to provide‬‬ ‫‪yeoman service to the country.‬‬ ‫)‪Saudi National Steel Factory (SNS‬‬ ‫‪is committed to provide quality‬‬ ‫‪construction steel products for the‬‬ ‫‪growing market of Saudi Arabia. It‬‬ ‫‪has a dedicated experienced team of‬‬ ‫‪professionals and quality equipment to‬‬ ‫‪meet its stated objectives. SNS started‬‬ ‫‪production in April 2017.‬‬ ‫‪SNS makes high quality steel billets at‬‬ ‫‪its modern Steel Melting Shop using‬‬ ‫‪locally available scrap metal. It then‬‬ ‫‪rolls the billets in its Rolling Mill into‬‬ ‫‪customer desired sections & sizes. It‬‬ ‫‪uses the thermo-mechanical treatment‬‬ ‫‪technology to ensure toughness‬‬ ‫‪with strength in its steel products‬‬ ‫‪to provide products specified to‬‬ ‫‪International standards.‬‬ ‫‪SNS has a product range focused on:‬‬ ‫& ‪i) Steel Channels -100x50 mm‬‬ ‫‪75x40 mm, medium.‬‬ ‫‪ii) Steel Angles -65x65 mm & 60x60‬‬ ‫‪mm, medium.‬‬ ‫‪iii) Reinforced Steel Bars - 8 mm to 32‬‬ ‫‪mm size, Grade 60.‬‬ ‫‪The company is certified for the‬‬ ‫‪International Quality Standard of ISO‬‬ ‫‪9001:2015.‬‬ ‫‪SNS is capable of producing 150,000‬‬ ‫‪tons of steel bars per annum. SNS is a‬‬ ‫‪highly responsive company and delivers‬‬ ‫‪to its time commitments. We believe‬‬ ‫‪in being a trusted partner for our‬‬ ‫‪customers and look forward to repeat‬‬ ‫‪commitments from both stakeholders.‬‬ ‫‪We envision a strong growth in our‬‬ ‫‪relationships in Saudi Arabia in the‬‬ ‫‪days ahead.‬‬