ARCHITECTURE
AE
P O R T F O L I O ALDRIN ESTILLORE
Architecture Portfolio - 2021-2022
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Hello! I’m Aldrin Estillore This is my Portfolio I’m a recent graduate at the University of Westminster where I’ve completed my Masters degree. Situated within DS13, I’ve always wanted to work with larger development, retail, commercial projects. I wanted my final academic year to push boundaries and explore typologies that haven’t yet been considered and creating playful and collective spaces that best reflects on the projects ambitional narrative. During my time working for ON Architecture, I’ve helped with projects ranging from residential and commercial projects from all scales. As a personal matter, I enjoy travelling around the world to go and visit architectural landmarks, I like to sketch, draw, reading architecture magazines. During my spare time, I like to help other architects with their practices and businesses with their marketing efforts, and having networked alongside with Architect Marketing Institute, The Business of Architecture, and being selected with Two Worlds Design Podcast as a past student guest. Currently, being a recent graduate, I am now a junior architecture assistant with professional experience who have assisted in the residential and commercial projects from past experience and has tackled RIBA work Stage 0-3 and has a passion to work alongside the top leading architecture practices around the UK. Im excited to showcase you some of my latest selected architecture works that I’ve been working with for the past years. -Aldrin Estillore
ALDRIN ESTILLORE
Mobile: +44 7504215457 Email: estillore_aldrin@hotmail.co.uk Website: revealcollaborative.myportfolio.com LinkedIn: https://www.linkedin.com/in/estillore-aldrin Instagram: real.aldrin_
EDUCATIONAL EXPERIENCE ABOUT ME A junior architecture assistant professional who have assisted in the residential and commercial projects from past experience and has tackled RIBA work Stage 0-3 and has a passion to work alongside the top leading architecture practices around the UK .
September 2020 - July 2022
Masters in Architecture / RIBA Part 2 Accredited University of Westminster MArch | 1st Class Honours Degree
September 2017July 2019
Bachelorss in Architecture / RIBA Part 1 Accredited University for the Creative Arts BArch | 1st Class Honours Degree
PROFESSIONAL EXPERIENCE July 2020 March 2021
Architectural Assitant Part 1 ON Architecture Farringdon, Clerkenwell | London - Tasked to make Design Access Statements for current and future projects - Project Assistant for a Modular Residential Project from Latis Group - Assisting on Pre-App and Consulation Meetings from clients - Research and Fact finding for design preparation - Assisting in RIBA work stages 0-3 for multiple selected projects
December 2018 - January 2019
RIBA Mentorship Scheme RX Architects Rye, East Sussex| Kent - Learning fundemental practices for running an architectural studio - Strategies for pricing and overheads - Site visits and conducting initial site research for an upcoming local seaside projects including Seabreeze, Bridgepoint and Tillingham Winery
September 2017 - July 2018
Intern / Assistant Angus Brown Architects Architects Canterbury| Kent -Assisted on large Residential Projects in Central London and Kent. -Attended in assisting on-site feedback reviews and meetings -Structural Details and Architectural Drawings fit for Planning Application
EXTRACIRICULAR ACTIVITIES September 2021 - Current
Reservationist & Receptionist Luton Hoo Hotel Golf & Spa Luton, Bedfordshire
September 2017July 2019
University for the Creative Arts Student Ambassador University for the Creative Arts Canterbury, Kent
PUBLICATIONS June 2021
University of Westminster Top Design Studio Student - Architecture Journal Student Award Winner.
September 2019
RIBA Bronze Project Selected Nominee - Crypto Currency Exchange Project - Servita Ter, Budapest
July 2018
The Archiologist - Project and Drawing Entry Publication - Dine to Infinity - Cable Street, London.
SOFTWARES 3D Modelling + 3D Printing Rhino 6/7 - Sketchup - 3DS Max 3D Rendering Enscape - V-ray (Latest Updates) 2D Drawing AutoCAD Adobe Creative Suites Photoshop - Indesign - Illustrator - Lightroom - Acrobat
Physical Modelling Hand Sketching & Drawing Photography
ACHIEVEMENTS 2019
Student Award from Architectural Journal Architectural Journal Online Publication
2019
Student Candidate AIA Charrette Competition London -Worked closely with my colleagues from UCA -Able to finish the competition at 3rd Place out of a team of 10 Universities around the UK
2016
Awarded for best student in Product Design Team Godalming College Godalming, Surrey
Academic I
11 Brannan Street
8-45
Maritime Expo
46-55
Heron Crypto Currency Exchange
56-69
Hylands Road Development
70-73
Berrylands Development
74-77
Latis Modular Housing
78-81
Crypto Currency Exchange
AP
Co-living & Co-working House
AP
Dine to Infinity
AP
Academic
Academic
Academic
Professional
Professional
Professional
Professional
Academic II
Academic/Competition
Academic
Academic/ Competition
CONTENTS
11 Brannan Street
Maritime Expo
Heron Crypto Currency Exchange
Hyland Roads Development
Berrylands Development
Latis Modular Housing
Crypto Currency Exchange
Co-Living & Co-Working
Dine to Infinity
Maritime Museum + Boat House
Aldrin Estillore : Portfolio 2021-2022
Project Name 11 Brannan Street
Typology:
01 11 BRANNAN STREET TYPOLOGY MARITIME MUSEUM AND BOAT HOUSE YEAR 2022 LOCATION CANARY WHARF, LONDON INSTITUTE ROYAL NEW ZEALAND YACHT SQUADRON LEVEL FINAL YEAR 2 PROJECT
11 Brannan Street is a waterfront high-rise production tower, the typology revolves around a speedcraft production warehouse and maritime museum. The intent of the project derives from the dying profession of boat building, and aims the revival of traditional speedcrafting with contemporary boat building production in order to host The America’s Cup.
Academic Year: 2022
The project consists of having mix-use commercial and residential spaces, restaurants, production zones, museum spaces that promotes exhibitions and events. But unlike any other boat house, this building provides an alternative approach towards facilitating high-end boats as well as giving an extraordinary way to view a museum within a high-rise tower.
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Site: Wood Wharf
TUtors: Andrei Martin & Andrew Yau
Project: 11 Brannan Street
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Project Name 11 Brannan Street
Typology:
Maritime Museum + Boat House
Shipbuilding: 1800–Present From the 19th century onwards, ships began to be built from iron and steel. Sails were also replaced with steam engines and paddles with propellers. For thousands of years people have navigated the world’s oceans by ship, whether it was to trade, travel, fight or explore. Up to the 19th century, ships were made out of wood. It was only in the 1800s that iron and steel ships were introduced and sails were replaced with steam engines.
Iron ships
TIMELINE
Ships built out of wood could not be built much longer than 80 metres. The timber frames also took up quite a lot of space. In the 19th century, the industrial revolution meant that shipbuilders could buiald ships using iron. These iron ships could be much larger, with lots more space for cargo. They didn’t need as much work to keep them in good condition. Isambard Kingdom Brunel’s Great Britain, built in 1843, was the first ship to be built entirely of wrought iron.
Steel and steam ships In the 1880s steel began to be used instead of iron. Ships also began to be fitted with steam engines. Steam engines were first used in paddle steamers. The engine turned two paddle wheels. Paddle steamers were not suited to the open sea because in heavy seas the waves lifted one wheel right out of the water while the other one went right under, and this strained the engines. The first steam-powered vessel to be introduced was the Charlotte Dundas, engineered in 1801 by William Symington, the British pioneer of marine steam propulsion. She was used on the Forth-Clyde canal to tow vessels.
Aldrin Estillore : Portfolio 2021-2022
Shipping today Since around 1940, ships have been produced almost exclusively of welded steel. They are built in prefabricated sections and then lifted into place – this is known as ‘block construction’. As of 2014, the longest ship ever built was the oil tanker Seawise Giant, measuring 1,504.1 ft.
02 THE REVIVAL OF SHIPBUILDING Towards a Contemporary Traditional Crafstmanship
Academic Year: 2022
Shipbuilding or shipwright is a profession that is increasingly becoming obselete, a dying profession under craftsmanship that is now replaced with mass production, technologically driven processes which aims to be the forefront future of crafting and manufacture. The basis of this project comes from the notion of reviving the lost craft and bring a contemporary standard of traditional boatmaking processes and bring it to life within the architecture.
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Site: Wood Wharf
Project:
11 Brannan Street
TUtors: Andrei Martin & Andrew Yau
RE-THINK RE-INVENT RE-LOCATE RE-VIVE
THE DAWN OF A NEW KING OF THE SEA RACE
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Maritime Museum + Boat House
Project Name 11 Brannan Street
Typology:
THE BEAUTY OF BOATBUILDING AND SPEED CRAFTING
Aldrin Estillore : Portfolio 2021-2022
THE OPPORTUNITY FOR AN INTERNATIONAL COMPETITION
03 A DYING PROFESSION? The Need to Revive a Lost Craftsmanship
Academic Year: 2022
The Americas Cup is the world’s leading national boat racing competition. Originally based in New Zealand, the narrative of this project derives from the notion of having The Cup to be a potential relocation within Canary Wharf that aims to revive traditional speedcrafting and contemporary boat building methods to host the worlds global boat racing competition.
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Site: Wood Wharf
Project:
11 Brannan Street
A NEED OF RELOCATION: The AC40 hull shape is based on that of Te Rehutai, the boat Team New Zealand sailed to victory in the last America’s Cup, with a few developments and the 40-foot boat will be used in competition by both the Women’s and Youth America’s Cup’s. Hulls are being made in China by McConaghy Boats with specialised elements like the rigs being built by Auckland-based Southern Spars, the foil arms being produced in-house by Team New Zealand and North Sails Marine group doTUtors: Andrei Martin & Andrew Yau
ing the aero package.
AN OPPORTUNITY FOR GLOBAL GATHERING: Earlier this week it was announced that the New Zealand entry in The Ocean Race 2022/23 was withdrawing, citing COVID issues and the bypassing of Auckland as a stopover port. On Friday it was announced that the Auckland Boat Show, which had been heavily oversubscribed for space, and due to be staged in mid-March was being cancelled - due to the COVID restrictions imposed by the New Zealand Government after some very creative modelling of the impact of the Omicron variant of the virus.
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Maritime Museum + Boat House
Project Name 11 Brannan Street
Typology:
Dockside image showing cranes, ships and cars. Circa 1950.
Aldrin Estillore : Portfolio 2021-2022
Row of cranes on dock edge - dockworker warehouses in front of the dockland rivers.
The windmills disappeared and new factories began to pop up in their place on the banks of the river Thames to allow ships to be unloaded.
Dockers with sacks of sugar marked for British expditionary forces in France. Circa 1940.
04 SITE HISTORY Re-inventing the Dry Dock-Lands
Academic Year: 2022
Canary Wharf is significant in Maritime history including shipping, ports and marine science. Ships from every corner of the world would navigate in and out of the Lodnon Docklands, importing raw materials such as tobacco, timber, and animal skins. By 1802, the West India Docks were open for business which was known as the greatest civil engineering structure of its day in England it became soon after one the world’s busiest shipping ports.
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Site: Wood Wharf
Project:
RE-
11 Brannan Street
INVENTING THE
the challenges of re-working
for the tenants of the future.
TUtors: Andrei Martin & Andrew Yau
DOCK-
an industrial past
LANDS
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Typology:
Maritime Museum + Boat House
Site: Wood Wharf
Project Name 11 Brannan Street
WOOD WHARF IN NUMBERS 1.9
MILLION SQ FT OF WORKSPACE
350K SQ FT OF HAND PICKED RETAIL & LEISURE SPACE
3,300 NEW HOMES WITH 25% AFFORDABLE HOUSING ONSITE
9 ACRES OF RIVERSIDE PARKLANDS AND GARDENS
Aldrin Estillore : Portfolio 2021-2022
200 DIVERSE AND INSPIRING EVENTS
WOOD WHARF THE FUTURE DEVELOPMENT OF CANARY WHARF 2.0
05 CONTEXT ANALYSIS Canary Wharf, London’s future financial district
Academic Year: 2022
Canary Wharf is now a growing district for London’s new financial district that quickly progressed of high-rising buildings all around the Isle of Dogs within Canary Wharf consisting of 100,000 people during work weeks. Most people who live in Canary Wharf are mostly for work and high-leisure lifestyle and it is a great place for dining and shopping. Most of the wokrplaces consisting of investment banks, large shopping districts and large corporate companies.
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Project:
Museum of London Docklands
7 8 1
2
5 6 9
4
3
T N
E M
C I G N
E O I T T A OCA
L E R T I S T S IAL T N OTE
TUtors: Andrei Martin & Andrew Yau
P
E C A L P
Key
City Centre Train Station DLR Station Hospital GP Surgery Supermarket Shops Library Church and Cathedral Sport and Leisure Centre Play Area Adult Education University and College Secondary School Primary School Hotel Pub Restaurant
N
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Project Name 11 Brannan Street
Typology:
15 CANADA SQUARE
SHAPING THE FUTURE
Maritime Museum + Boat House
30 NORTH COLONADE
Site: Wood Wharf
ONE CHURCHILL PLACE
How can architecture cultivate a city? How will we concieve our Free Zone? NORTHCOLONNADE
The short answer is within a single building. 16-19 CANADA SQUARE
Aldrin Estillore : Portfolio 2021-2022
300M SOUTH COLONNADE
WOOD WHARF
MONTOEMY STREET
06
20 CANADA SQUARE
25/30 CHURCHILL PLACE
MONTOEMY SQUARE
Site Location
MATER SQUARE
1 WATER STREET
5W ST
JUBILEE LINE
Wood Wharf offers a very different district because it’s effectively an island connected to Canary Wharf by an isthmus or bridge. As a site of interest Wood Wharf is made up of a series of major buildings – the main generators of activity. Because of the water side city, unusually the buildings get taller towards the edge, because they’re near the water. Wood Wharf is for people that love their city and make the most of it. A neighbourhood curated by the world’s leading leisure hotspots where cafes, bars, workspaces and independent retailers sit within 9 acres of riverside parklands and gardens 10 UPPER BANK STREET
8 WATER STREET
Academic Year: 2022
ONE PARK DRIVE
HAR
BOU
18
SOUTH DOCK
R QU AY
Project:
Project: 11 Brannan Street
Key
Commercial
Residential (market) Residential (intermediate rent) Hotel/services apartments Residential (affordable rent) Community
Retail
THE ELIZABETH LINE
LIVERPOOL STREET 6 MINS FARRINGDON 8 MINS STRATFORD 8 MINS BOND STREET 13 MINS PADDINGTON 17 MINS HEATHROW AIRPORT 39 MINS
5 CHURCHILL PLACE
CARTIER CIRCLE
DOCKLANDS LIGHT RAILWAY
ONE CHARTER STREET
GREENWICH 9 MINS CITY AIRPORT 15 MINS TOWER GATEWAY 11 MINS BANK 11 MINS STRATFORD INTERNATIONAL 11 MINS
CHURCHILL PLACE
JUBILEE LINE 20 CHURCHILL PLACE
F3
GD VIN GRA
ALK W E OV EDR
LOV
TIMBER QUAY
4 CHARTER STREET
OCK
ONE BRANNAN STREET
F2
F1
F4
BRANNAN STREET
CHARTER STREET
15 WATER STREET
G2 THE MARKET BUILDING
G3
G1 G4
WATER TREET
H3
H1 G10
MATER STREET
L1
WRAYBURN PLACE G5 PRESTON’S ROAD
20 WATER STREET
G7
FRAMEWORKS
H4 G6 PARK DRIVE
10 PARK DRIVE
TUtors: Andrei Martin & Andrew Yau
LONDON BRIDGE 6 MINS WATERLOO 9 MINS WESTMINSTER 11 MINS
H3
M1
GEORGE STREET
J2 10 GEORGE STREET
PARK
J1 40 CHARTER STREET
J3
J5 J4
DRIV
E HARBOUR QUAY GARDENS
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Project Name 11 Brannan Street
4
F3
1 E LOV
TIMBER QUAY
PM
2
K WAL E V DRO AM
F2
F1
F4
G2 G3
G1 G4
NOON
H1 G10
WRAYBURN PLACE G5 G7 H4 G6
H3
M1
J2
Aldrin Estillore : Portfolio 2021-2022
J1
J3
J4
07 SITE LOCATION Opportunities and Constraints
Academic Year: 2022
The site location will be at 11 Brannan Street near Timber Quays. Adjacent is One Brannan Street, a large high-rise development. The reason for the site is that often masterplans are more of a pie shape, with the taller buildings in the centre. In this case, it’s almost the reverse: lower in the middle and higher at the edge, to deliberately exploit the views seen from a long distance because of the wide horizon of the waterscape. This produces a composition of buildings along the water’s edge that will be a prime location for a boat house.
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BLAC
KW
Key
Site boundary Timber Quay Boundary
1
11 Brannan Street
2
7 Brannan Street
3
One Brannan Street
4
Blackwall Basin Existing building to be modified
3
AL
WALL BASIN
CI ER
ER QU AY
L
M
1
M CO
TIMB
ENTIA
RESIDENTIAL
RESID
4
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TUtors: Andrei Martin & Andrew Yau
2
WAREHOUSE
AUTOMOBILE
Project Name 11 Brannan Street
Amazon Warehouse Organisation by Building Program
Aston Martin’s Manufacture Organisation by Building Program
Rec e Ma ving ter ials
Des
ign
ing
tion
duc
Pro
g kin Pac
e rag
Sto
Shi
ng
ppi
BAC HO K OF USE
STA RT
FRO HO NT OF USE
FIN
ISH
TYPICAL
PROPOSED An alternative approach to Manufacturing Processes
Aldrin Estillore : Portfolio 2021-2022
Organisation by Building Program
LOBBY 1
A
B
C
D
E
B
LOBBY 2
LOBBY 1
A
E
LOBBY 2
D
C F
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DESIGN PROPOSAL What happens if we re-invent the wheel of a production line? When we look at Warehouses and Manufacturing Buildings, they are composed of typically having a linear line-up arrangement whereby the goal of the process of the built product is derived from a straight line, from start-to-finish, this gives allocations of facilities to be arranged in a linear fashion that can maximise the production process and maximise output and time. We can say that typically a production process begins and ends within a linear arrangement. But the Academic Year: 2022
Design proposal for this building will change this processes into a looping process where we can re-use and manipulate the production line to be circulated around these spaces.
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DESIGN PHASE
SHIP OWNER’S REQUIRMENTS PRELIMINARY DESIGN CONCEPT DESIGN BASIC DESIGN DETAIL DESIGN CONSTRUCTION PHASE
MACHINERY RECEIVING
PART FABRICATION
UNIT ASSEMBLY
PART ASSEMBLY
ON-BLOCK OUTLINING
BLOCK ASSEMBLEY
PIPE FABRICATION
PAINTING
PIPE RECEIVING
PRE-ERECTION
PRE PROCESSING
ERECTION
TUtors: Andrei Martin & Andrew Yau
DEPLOYMENT PHASE
LAUNCHING ON-BOARD OUTFITTING OPERATION AND TRIAL DELIVERY
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SPEEDCRAFT PRODUCTION A Historical Respect in Reviving Traditional Craftsmanship The building will be derived through three specific zones. The Production Zone, Museum Zone, and the Public Zone. The intent of the building programme is to understand and learn about the importance of traditional towards contemporary craftsmanship. A place of activity in building, constructing and learning the process of building ships, boats and shipdocks. The idea stemmed on having an apprentice to be able to teach and support the user to learn the craftsmanship in building ships and boats.
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Project Name 11 Brannan Street
10
DESIGN DEVELOPMENT Aldrin Estillore : Portfolio 2021-2022
Tectonic Components / A Cast of Precarious Characters
I took inspiration of marine characteristics in order to create five sets of distinctive characters that are able to demonstrate the effectual spaces needed to inhabit the programmatic zoning within its volume.
Academic Year: 2022
The design is conducted through a series of Boolean Operations. These objects are a combination of subtractions and intersections in order to convey the characteristics of these objects. Through Object Manipulation we can create a set of characters that conveys the effectual qualities of objects that defy gravity through Character Study.
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OBJECT CONNECTION
OBJECT SUBTRACTION
TUtors: Andrei Martin & Andrew Yau
OBJECT INTERSECTION
C2
C5
C1
C4
C3
Sketchfab link: https://skfb.ly/otvYR
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Project Name 11 Brannan Street Aldrin Estillore : Portfolio 2021-2022
11
PHYSICAL CONSTRUCT 1:200 Scale Model of Building Proposal
The model consisted of 3D printed characters with detailed interiority of floorplates within the character cavity. The accomodation blocks are laser-cutted using frosted acrylic which gives a translucency within the frontal view of the characters which are nested within the middle zone of the construct.
Academic Year: 2022
This gives an inviting creation of from the street level which entices views to wander within the ground alleyways into the greenland archipelagos.
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27 TUtors: Andrei Martin & Andrew Yau
12 Project Name 11 Brannan Street
DESIGN EVOLUTION Effectual and Programmatic Study
Academic Year: 2022
Aldrin Estillore : Portfolio 2021-2022
The design processes is as follows, that when we take a typical production line and somewhat manipulate the production to be in a repeating circular pattern that creates a looping effect that creates the production line to be reused and re-structured. On the other hand, another relationship that we can also look at is to enhance the typology of a production building and create objects that can be inserted within these volume and form an advancement crafting space.
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1
CONTEXT AND SITE LOCATION
2
EXTRUDE
3
ATRIUM
4
SUBTRACT
5
PRODUCTION SPACE
6
CHARACTER LOCATION
7
NEIGHBOURING VIEWS
8
CHARACTER INSERTION
9
FINAL PROPOSED DESIGN
29 TUtors: Andrei Martin & Andrew Yau
Site: Wood Wharf
Maritime Museum + Boat House
Project Name 11 Brannan Street
Typology:
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22 21
21
20
Aldrin Estillore : Portfolio 2021-2022
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16 15
14
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11
10
09
12
Academic Year: 2022
02
13 30
Long-Section Drawing | 11 Brannan Street | Wood Wharf
As part of the buildings forefront features a double glazed glass facade. The part section explores the connection between the existing core, cantilevered floor-plates and the insertion of new fit-out architectures. These fit-out secondary structures are an example of what the final assembly could potentially look like.
Project:
11 Brannan Street
E
D
18
TUtors: Andrei Martin & Andrew Yau
19
C
B
A GF - 1st Floor 01 02 03 04
08
05 06
Entrance Atrium Entrance to First Character Auditorium Museum Continued path to 2nd Character
B 2nd - 4th Floor 07 08 09 10 11 12
13
Office Spaces Studio Spaces Escalators Continued path to 2nd Character Museum Zone, America’s Cup Boats Continued path to 3rd Character, with public display hung onto character Atrium
C 5th - 8th Floor
07
Escalator 15 Continued path to 3rd Character 16 Zoned Museum Zone, Traditional Crafting Boats 17 Continued path to 4th Character Metalic Beam D 9th - 12th Floor 14
A
06
18 19
20
21 04
E 12th - 15th Floor 21 22
01
03
Museum Zone, Speed Crafting Boats Overhang Experience of boats being suspended. Platform views overlooking towards the character Continued path to 5th Character
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Museum Zone, Archive and Aritfacts Rooftop Cafe, and Exhibition Spaces for events and Skyline View Platform views overlooking towards the character
Boat House + Maritime Museum
Construction Starts: 2025 Planned Completion: 2030
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A Ceiling Build-out 01 02 03 04 05 06
300mm Steel Trusses 10mm Tile Roof Ceiling PPC Aluminium Panel with Backpanel Fixed onto Castellated Beam Curtain Wall Mullion Double Glazing Glass
B Floor to Ceiling Build-out 07 08 09 10 11 12
13
14
150mm Steel Beam 150mm Insulation 150mm Concrete Floor Slab 610mm Steel Castellated Beam 150mm Void to fit ceiling ducts 50mm Glulam Timber Lattice Framework - Vapour Barrier 10mm Tile Roof Ceiling
C Steel Framing Structure Layout 14 15
16
17
10mm Floor Finish Exterior walkway, facade maintenance Composite slab, concrete-profiled steel decking Metalic Beam
D Foundation Strategy 18 19
20
Concrete pilings 6m deep Insitu concerete-profiled base, 6m deep Composite slab, concrete-profile decking Metalic Beam
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E Intelligent Skin Build-out
Cross-Section Drawing | 11 Brannan Street | Wood Wharf The project consists of two distinct relationships that derive the final proposal. First is the normative structure, mostly consisting of steel frames, trusses and floor plates to encapsulate a high-rise boat production warehouse. Secondly is the Object Structure which is designed in a monoque, stress-skinned structure that are wrapped to form the built form. Water is the “common space” par excellence because, at the same time, it brings us closer and distances us from the Other, that is, from the unknown and the unpredictable - everything that contemporary cities seem to deny symptomatically. It is precisely there, in this inconstant “common space”, that the navigations cross, articulate, and dispute the different cultural and natural identities. Therefore, if before the horizon of the navigations was the encounter with new lands, today it is the encounter with new waters, or rather, with new “commons”.
Boat House + Maritime Museum
Construction Starts: 2025 Planned Completion: 2030
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4
5
1
7 2
8
3
BUILDING STRUCTURAL STRATEGY
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12
6
13
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9
15
1
Boat Production- Steel Frame Structure
2
Steel Railings
3
AC34 boat
4
Steel Framing Structure North Face
5
Museum Zone Top Floor Character 1
6
Museum Zone Top Floor Character 2
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Museum Zone Middle Floor Character 3
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Museum Zone Middle Floor Character 4
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Museum Zone Bottom Floor Character 5
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Prefabricated concrete floorplates
11
Concrete Core / Lift
12
Escalators
13
Steel Framing Structure South Face
14
Steel Frame Trusses
15
Secondary Steel Frame Structure Interior
EFFECTUAL MOMENT / MUSEUM ZONE / C2
EFFECTUAL MOMENT / MUSEUM ZONE / C5
EFFECTUAL MOMENT / MUSEUM ZONE / C1
EFFECTUAL MOMENT / MUSEUM ZONE / C3+C4
Project Name 11 Brannan Street Aldrin Estillore : Portfolio 2021-2022
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A PLACE OF HISTORY Effectual Experiences
Academic Year: 2022
A place of activity in building, constructing and learning the process of building ships, boats and shipdocks. The idea stemmed on having an apprentice to be able to teach and support the user to learn the craftsmanship in building ships and boats.
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39 TUtors: Andrei Martin & Andrew Yau
Project Name 11 Brannan Street Aldrin Estillore : Portfolio 2021-2022
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A PLACE OF MEMORY Effectual Experiences
Academic Year: 2022
The long and noble history of the British Maritime history unfolds in a continuous motion within and around the London docklands, 7 metres (23 ft.) below the ground. All floors - connecting exhibition spaces with the auditorium, classroom, offices, café and the dock floor within the museum - connected escalators creating exciting and sculptural spaces.
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41 TUtors: Andrei Martin & Andrew Yau
Project Name 11 Brannan Street Aldrin Estillore : Portfolio 2021-2022
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Re-INVENTING THE DOCKLANDS A Free Zone of Business, Trade and Transport
Academic Year: 2022
In order to achieve the transition, these new buildings employ brick and masonry materials, as well as colour to keep people engaged with the wateredge, rather than raised above it, to connect them with the docks. Allowing the buildings to face the water, building them with materials that feel significant and providing for houseboat moorings are all things that enhance rather than take away from the waterscape. The other thing is the way in which we name and brand the place, the parks, the streets to connect the history. These effect help evoke memories.
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43 TUtors: Andrei Martin & Andrew Yau
Project Name 11 Brannan Street
A
PRIMARY STRUCTURE
B
SECONDARY STRUCTURE
TERTIARY STRUCTURE
Aldrin Estillore : Portfolio 2021-2022
C
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Re-INVENTING THE WATER LINE Cultural & Conventional Intervention
Academic Year: 2022
The Docklands offers a historic uniquness within the area, the best way to honour and preserve history is through people, blending the edges of Canary Wharf into the remaining community of those who used to live and work on the island. Many of their family histories go back to working on the docks. As part of the output production boats, we can create a place that links the past to the present and invent a future mode of transportation within water buses or owning your own boat to travel around the The London River Thames Services. A Freezone of water-transports.
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45 TUtors: Andrei Martin & Andrew Yau
Maritime Expo
Aldrin Estillore : Portfolio 2021-2022
Project Name
Maritime Expo
Typology:
B MARITIME EXPO Project Details YEAR: 2022 LOCATION: NORTH QUAY, CANARY WHARF, LONDON INSTITUTE: ROYAL NEW ZEALAND YACHT SQUADRON LEVEL: ACADEMIC, FINAL YEAR 2 PROJECT
A building mixture of exhibitions, museums and artifacts surrounded in residential spaces. We explored our interpretation of what is considered as “Building as a City”. The effectual qualities that a building as a city can convey and produce exciting, strange and peculiar worlds through the use of Free Zones through object extraction and manipulation.
Academic Year: 2022
The project uses distinct themes of gravity and linearity, the project is organised as a longitudinal distribution of character objects containing leisure spaces flanked by two volumes of living accommodation.
46
Site: North Quay
TUtors: Andrei Martin & Andrew Yau
Project: Maritime Expo
47
Typology:
Site: North Quay
Maritime Expo
Maritime Expo
01
Project Name
DESIGN EV
Aldrin Estillore : Portfolio 2021-2022
The Sequence Design Diagram E
Site
Enclosure
Laying out green spaces
Site Boundary
The project sits within the entrance of Canary Wharf. The site is located next to the river canal that enters towards the Isle of Dogs. The green spaces allow pedestrians to freely roam on the ground level.
The site is enclosed within the boundary line, indicating the zone of which the character is inserted and placed within a bounded box.
2
1
Building Blocks
Accomodation Volumes
Accomodation Towers Lifted
Two blocks of living accomodations
The living accommodation volumes, in contrast, hover suspended above the ground exuding lightess.
As opposed to the exuberant, idiosyncratic and heavy expression of the character objects, the residential floor plates adopt a muted, generic and light expression
Academic Year: 2022
5
50
6
Project:
Maritime Expo
1
VOLUTION
Character
Tower Blocks
Object Insertion
Two blocks of living accomodations
ACC
ACC
The character objects form a family of forms, a cast of characters. These characters are concieved as large volumes that exudes mass, weight and gravity
OM
OD
AT I
ON
TOW
OM
OD
AT I
ON
TOW
TUtors: Andrei Martin & Andrew Yau
Evolution of the Maritime Expo
ER
ER
Two tower blocks are divided into two blocks on either wing to enclose the surrounding mega objects. 4
3
Interconnecting Bridges
Interconnecting Bridges
The connection between the bridges and the towers
The connection between the bridges and the towers
A series of bridges and stairs form a circulation cloud that connects the residential spaces to the central character objects. 7
This transitional interface enables vertical movement to the residential spaces through a series of stairs, while the lateral connection, established through cross bridges, echoes and enhances the transversal expression of the objects. 8
51
Academic Year: 2022
Aldrin Estillore : Portfolio 2021-2022
Project Name
Maritime Expo
Typology:
02
OBJECT MANIPULATION The Effectual Performance of the Exhibition Spaces In section, the objects establish large cavernous voids, enabling the sense of proportion and weight to be experienced from the point of view of an interior user. The objects are conceived to express mass, weight and gravity through thick sectional poché, as well as a series of deep cantilevers with articulated undercrofts that enhance the perception of levitation and suspension. The sense of defying gravity is further expressed through the connections between the objects: they lean precariously onto each other to create a continuous ribbon, a set of dominos in a provisional state of arrested collapse.
52
Maritime Expo
Site: North Quay
Project:
LEGEND
1
Artifacts Room
Left Wing / Zone 1 / 11th & 12th Floor This is the starting point of the Expo, one wing of the building that exhibits and showcases artifacts of past maritime history.
2
Transition Space
Left Wing / Zone 2 / 9th Floor The construct is circulated through voids and tunnels that leads to the next zone of the expo. This is where the linearity that horizontally transitions from one end to another.
3
Maritime Exhibit A
Left Wing / Zone 2 / 5th Floor This old artifact of the ships and docks used from the Martime periods of old ships used for London Docklands back in the 12th century.
4
Gathering Space A
Left Wing / Zone 2 / 3rd Floor This is where you can get educated, toured and learn more about the martime history where the public are curious about the historical importance of the old shipment yards and techniques used to make the ships.
5
Maritime Exhibit B
Left Wing / Zone 2 / 4th Floor This artifact displays a large crewship used for modernday travelling and transport, most well known to be present in city rivers like the Thames, Venice and France.
6
Auditorium
Middle / Zone 3 / 7th Floor This zone is where the auditorium is held, where visitors and public can learn, expose and shown exhibitions of maritime history and films.
7
Artifacts Room
Middle / Zone 3 / 4th Floor This is the middle section zone of the Expo where central gathering and activity will take place. Displaying and Crafting Exhibits and artifacts of martime and historical archives.
8
Outdoor Pavillion
Middle / Zone 3 / Green Zone Alongside artifacts inside the building, there is an outdoor pavillion outside as well.
9
Outdoor Pavillion
Middle / Zone 4 / Green Zone Alongside artifacts inside the building, there is an outdoor pavillion outside as well. This display is the second pavillion located outside the building.
10 Artifacts Room Right Wing / Zone 4 / 7th Floor This is the right wing of the Expo where central gathering and activity will take place. Displaying and Crafting Exhibits and artifacts of martime and historical archives.
11 Maritime Exhibit C Right Wing / Zone 4 / 3rd Floor This artifact displays a modern day America’s Cup Speed craft boat. This transition from old to new creates the journey from the transveral movement from one building to another.
12 Performance Zone Left Wing / Zone 5 / 3rd Floor This level is where the exit or end of the building which is a chance for buskers and public performances can take place.
53
TUtors: Andrei Martin & Andrew Yau
Maritime Expo
Academic Year: 2022
Aldrin Estillore : Portfolio 2021-2022
Project Name Maritime Expo
Typology:
54 Maritime Expo
Site: North Quay
TUtors: Andrei Martin & Andrew Yau
Project: Maritime Expo
55
Heron Crypto Currency Exchange
Aldrin Estillore : Portfolio 2021-2022
Project Name Heron Crypto Currency Exchange
Typology:
C HERON CRYPTO CURRENCY EXCHANGE Project Details YEAR: 2021 LOCATION: 110 BISHOPSGATE, LONDON SQUARE MILE INSTITUTE: THE SALESFORCE TOWER LEVEL: ACADEMIC, YEAR 1 PROJECT
The Hero Crypto Currency Exchange is London’s leading Crypto Currency Exchange which explors the radical changes of finance and the future of its trajectory towards a digitalised and decentralised monetary blockchain tower.
Academic Year: 2022
Located in 110 Bishops Gate, the aim is to re-use and re-imagine these buildings as hybrids between old and new, retained and proposed structures. Within their forms we will inject new constructs and study the myriad interactions and new relationships they deploy. We will study digital fabrication and form-making with an emphasis on discrete forms of production.
56
Site:
110 Bishopgate
Heron Crypto Currency Exchange
TUtors: Andrei Martin & Andrew Yau
Project:
57
Heron Crypto Currency Exchange
Site:
Aldrin Estillore : Portfolio 2021-2022
Project Name Heron Crypto Currency Exchange
Typology:
01
CRYPTOCURRENCY & BLOCKCHAIN Visualising the new Crypto Currency Ecosystem Cryptocurrencies: a digital currency that is secured and encoded through computer algorithms (cryptography) for security. There are loads of cryptocurrencies now, and being Bitcoin as the most recognisable and popular choice of digital currency. The premise is that as banks became increasingly untrusthworthy, back at the financial crisis occurred, Bitcoin was created to develop a “A Peer-to-Peer Electronic Cash System” that doesn’t interfere with a third party like banks or government or organisation to swap that transaction.
Academic Year: 2022
Blockchain technology is a new type of technology that turned human trust into digital trust. This happens within a server that computes a long list of codes to bypass transactions. That’s why it is decentralised.
58
110 Bishopgate
Heron Crypto Currency Exchange
TUtors: Andrei Martin & Andrew Yau
Project:
59
Project Name Heron Crypto Currency Exchange
Typology:
4
5
Heron Crypto Currency Exchange
6 3
1
2
Aldrin Estillore : Portfolio 2021-2022
all information is taken from the visualcapitalist.com
7
02
CRYPTO MINING FACILITIES The Future and Evolution for Cryptocurrencies
Cryptocurrency is done through a process of mining - In order to mine these cryptocurrencies, you only require a computer, and internet connection to solve really complex algorithms. Back then people use to call it “The Modern Day Gold Rush”.
Academic Year: 2022
Fast forward to today, cryptocurrency mining facilities started to emerge around the world. These Crypto Mining Facilities are located on the suburbs of cold environment countries in order to keep the servers cooled due to the amount of heat it produces.
60
Site:
110 Bishopgate
1 CryptoCurrency Mining Facility in Texas
1 CryptoCurrency Mining Facility in Texas
2. CryptoCurrency Mining Facility in Venezuela
3. CryptoCurrency Mining Facility in China
3. CryptoCurrency Mining Facility in China
3. CryptoCurrency Mining Facility in China
4. CryptoCurrency Mining Facility in Iceland
5. CryptoCurrency Mining Facility in Canada
6. CryptoCurrency Mining Facility in Russia
Heron Crypto Currency Exchange
TUtors: Andrei Martin & Andrew Yau
Project:
61
Project Name Heron Crypto Currency Exchange
Typology:
Heron Crypto Currency Exchange
Site:
110 Bishopgate
03 CITY OF LONDON Site Analysis
SHOPPING
RESTAURANTS
1
Royal Exchange
1
The Mercer
1
Deutsche Bank
2
Leadenhall Market
2
Forge
2
ING
3
One New Change
3
SUSHISAMBA
3
BNP Paribas
4
Devonshire Row and the Plaza
4
Duck and Waffle
4
Cazenove
5
Old Spitalfields Market
5
1 Lombard Street
5
Bank of England
6
Angler
6
Lloyds Banking Group
7
Boisdale of Bishopgate
7
Bank of China
8
Bread Street Kitchen
8
Swiss Re
COCKTAIL BARS
Aldrin Estillore : Portfolio 2021-2022
BUSINESSES
1
Neo Barbican
2
The Alchemist
9
Darwin Brasserie
9
Nomura
3
Vertigo 42
10
Chiswell Street Dining Rooms
10
Mitsubishi UFJ Financial Group
4
The Anthologist
11
La Dame de Pic
11
Bloomberg
5
Mayor of Scarey Town
12
Mei Ume
12
UBS
6
Proud Babaret City
13
The Ivy City Garden
13
London Stock Exchange
14
Goldman Sachs
15
Bank of America
16
Linklaters LLP
17
Allianz Global Investors
18
Ashurst
19
AXA Investment Managers
7 8
Demon, Wise & Partners
ART & CULTURE
Oriole Bar
MEMBERS’ CLUB
1
Tate Modern
2
Barbican Centre
3
Museum of London
4
Guildhall Art Gallery
5
London Mithraeum Bloomberg
1
The Ned
2
Shoreditch House
3
The Curtain
20
DLA Pipers UK
4
Eight
21
Henderson Global Investors
EDUCATION
22
QBE
1
Guildhall School of Music & Drama
23
SAS
2
CASS Business School
24
TP ICASP
3
London Metropolitan University
4
City of London School for Girls
From Liverpool Street Station CROSSRAIL
AIRPORT & EUROSTAR
Academic Year: 2022
10
62
LONDON UNDERGROUND
11 min
Eurostar
6 min
Canary Wharf
11 min
King’s Cross St. Pancras
27 min
London City
7 min
Bond Street
11 min
Oxford Circus
35 min
Heathrow T1
10 min
Paddington
13 min
Bond Street
47 min
Stansted
33 min
Heathrow Central
13 min
London Bridge
50 min
Gatwick
13 min
Farringdon
Project:
Heron Crypto Currency Exchange
2
3
Site Analysis SHOREDITCH HIGH STREET
2
1 2
BARBICAN
10 10
1
8
18
1
17
4
MOORGATE
20 3
4
12
6
19
3
7
4 1
15 2 7
4
GHERKIN
7
3 1
5
1
2
ALDGATE
8 2 min
BANK 1 5
11
2
3
5 8
ONE BISHOPGATE PLAZA THE HERON TOWER
3 4
6
ST PAUL’S
14
23
13
9
4
5
24
LIVERPOOL STREET
3
3
13
21
TUtors: Andrei Martin & Andrew Yau
16
4
2
5
5 min
FENCHURCH STREET 10 min
MANSION HOUSE MONUMENT
9
22
6 12 11
CANNON STREET
TOWER HILL
1
N
LONDON BRIDGE
Sources: Google Maps, www.crossrail.co.uk
63
Aldrin Estillore : Portfolio 2021-2022
Project Name Heron Crypto Currency Exchange
Typology:
04
1. Vertical Tower The crypto servers are installed within the vertical stacking that produces heat that stacks vertically upwards the building creating a new core lift that views the servers
2. Village Gardens The byproducts of its energy production gives the programme spaces intergration within nature and private rooftop gardens that is accessible for each office space aggregated vertically around the building footprint creating a vertical building within a high-rise tower.
3. Object Circulation
Academic Year: 2022
The insertion of the objects weaves the moments of full navigation and communication of the village spaces.
64
Heron Crypto Currency Exchange
Site:
110 Bishopgate
Heron Crypto Currency Exchange
TUtors: Andrei Martin & Andrew Yau
Project:
65
Heron Crypto Currency Exchange
Aldrin Estillore : Portfolio 2021-2022
Project Name Heron Crypto Currency Exchange
Typology:
05
AN EXTRAORDINARY WAY OF LIVING AND WORKING Office Space | Effectual Moments
There is no subtitute for businesses and office spaces that are genuinely on demand - The Heron Crytpo Currency Exchange offers the best quality of office spaces in the centre of London.
Academic Year: 2022
The village concept is designed to occupy the space requirement of 12-36,000 sq ft. The village concept is unique because it allows the spaces to be arranged in an open plan or modular arrangement.
66
Site:
110 Bishopgate
Heron Crypto Currency Exchange
TUtors: Andrei Martin & Andrew Yau
Project:
67
Heron Crypto Currency Exchange
Aldrin Estillore : Portfolio 2021-2022
Project Name Heron Crypto Currency Exchange
Typology:
06
TAKE AN UNEXPECTED BREAK! Break-out Space | Effectual Moments
It is a rare opportunity to live in the heart of the City of London. The Heron Crypto Currency Exchange gives you this access to this opportunity and the powerful benefits it brings. The village breakout space allows the workers, public and private roles can use for leisure and comfort.
Academic Year: 2022
London is a global financial centre and the Square Mile is at its historic heart, populated by the FTSE100 businesses and the HQ of global multicorporational businesses- many within walking distance of the development.
68
Site:
110 Bishopgate
Heron Crypto Currency Exchange
TUtors: Andrei Martin & Andrew Yau
Project:
69
Typology:
Hylands Road Development
04 DESIGN
BLOCK B [BOTH SECTIONS]
Project Name
Hylands Road Development
04.5.27 ELEVATIONS
ELEVATION 1 (NORTH)
ELEVATION 2 (WEST)
ELEVATION 4 (SOUTH)
ELEVATION 3 (SOUTH EAST)
ELEVATION 5 (EAST)
1
5
Aldrin Estillore : Portfolio 2021-2022
2
D
3 4
HYLANDS ROAD DEVELOPMENT
ELEVATION KEY
WALTHAMSTOW, LONDON Client London Borough of Waltham Forest Sector Residential Location Walthamstow, London Ward London Borough of Waltham Forest Status On site The Hylands Road Development provides 120 new homes for social rent in the Walthamstow area of London. An extensive site analysis was conducted to address the site constraints and social challenges within the area, enabling an informed production of a spatially considered and thoughtful layout.
Academic Year: 2022
The proposal steps away from the existing built environment to reduce impact, whilst public and private amenity space and views from each unit have been prioritised. The result is a high-quality attentive scheme serving the local community whilst also respecting the existing built environment.
70
Site: Walthamstow
Project:
Hylands Road Development
05 COMPUTER GENERATED IMAGE
TUtors: Andrei Martin & Andrew Yau
W LOOKING SOUTHEAST TOWARDS BLOCK B
71
Hylands Road Development
Site: Walthamstow
Project Name
Hylands Road Development
Typology:
ECTION THROUGH BLOCK C]
Academic Year: 2022
Aldrin Estillore : Portfolio 2021-2022
BLOCK A [BEHIND]
72
BLOCK B [NO
Hylands Road Development
04 DESIGN
BLOCK B [SOUTH]
BLOCK C TUtors: Andrei Martin & Andrew Yau
ORTH]
Project:
73
04 DESIGN Typology:
Berrylands Development
ANDSCAPE DESIGN
y
Berrylands Development
andscape Strategy
1
Vehicle and Pedestrian Access
2
Shared Vehicular Access with Adjoining Properties
3
Parking Provision
4
Enclosed Car Parking Area
5
Secure Cycle Storage
Promoting residents health and well-being through high quality design of outdoor space. Amenity space is overlooked by dwellings that share the space, engendering a sense of ownership among residents. Receives direct sunlight to enable residents to use all year round.
Existing trees to retained
1
3
3
Proposed trees
Project Name
Vehicular access Pedestrian access
3
Cycle storage access Communal Amenity Space Provision for Each Block for General Amenity Spaces. To Incorporate Soft Landscaping, Grassed Areas & Trees.
4
5
2
Hard Surface Amenity Space Play Area This Area features trees for shade, benches, designed for play. The area is framed by evergreen maintained at around 1.2 m height
5 5
Seating Areas Spaces to Sit and Socialise for the Residents framed with Trees with Good Autumn Colouring
N Not to scale
The amenity space elements enable the home to be a comfortable place of retreat, both in an internal and external environment. The proposed scheme’s amenity provision is formed from a series of spaces, ranging from public, to semi-private and to private. Materials that are repeatedly used in all levels of spaces provides a coherent visual narrative as the resident passes through the scheme to their private retreat.
Aldrin Estillore : Portfolio 2021-2022
A SERIES OF INTERLINKED SPACES FOR MULTI-GROUP USE (AS OPPOSED TO A LARGE UNDEFINED SPACES), WITH INTEGRATED PLAYSPACE WITHIN THE CENTRAL AREA
CHILTERN DRIVE : DESIGN AND ACCESS STATEMENT
Designed to maximise tenure integration, the spaces between the buildings form areas that can be appreciated from the proposed dwellings through private terrace design, increasing visual security of the scheme. The landscaping engenders ground floor activity, complimented by an active frontage provided by the flexible office space, and designed to promote informal social activity and play opportunities for various age groups.
POLICY REQUIREMENTS Private Amenity Space Req. 10 sqm per dwelling + 1 sqm per additional occupant Communal Amenity Space Requirement 50sqm per development plus where less than 10sqm private amenity space is provided per flat, the shortfall in provision should be added to communal amenity space
E
Unit type no Amenity(sqm) per flat Amenity(sqm) 1 bed 2person 18 10 180 2 bed 3person 7 11 77 2 bed 4person 15 12 180 3 bed 4person 3 12 36 3 bed 5person 13 13 169 Total 56 642 Communal 50 TOTAL AMENITY REQUIREMENT 692 TOTAL PROPOSED AMENITY SPACE (PRIVATE)437.7 + (COMMUNAL)650 = 1087.7sqm
BERRYLANDS DEVELOPMENT KINGTON UPON THAMES, LONDON Client: Bugler Homes Limited Sector: Residential Location: Kington Upon Thames Ward: London Borough of Waltham Forest Status: On site
Academic Year: 2022
A Mixed use development comprising the retention of 127 Chiltern Drive in association with the demolition of remaining buildings and erection of 2 no. 7 storey buildings for the provision of 56 self-contained residential units, situated at Chiltern Works, Berrylands, Royal Borough of Kingston upon Thames. The scheme consists of 43 apartments and flexible commercial space on the ground floor.
74
Site: Kingston Upon Thames
Project:
1
Berrylands Development
2
3
TUtors: Andrei Martin & Andrew Yau
4
5 6
7
70
CHILTERN DRIVE : DESIGN AND ACCESS STATEMENT 75
Berrylands Development
Site: Kingston Upon Thames
Aldrin Estillore : Portfolio 2021-2022
Project Name
Berrylands Development
North Elevation & South Elevation
Typology:
North Elevation
Block 2 Access
Academic Year: 2022
Railway Line
76
South Elevation External Bike Storage
Central Amenity Space
Berrylands Development
TUtors: Andrei Martin & Andrew Yau
Project:
Perforated Brick
77
29
28
27
26
25
24
23
22
21
20
19
GROUND TO FIRST
2
PROVISION TO INDICATE CLEAR ACCESS ROUTE OF 750mm WIDE FROM DOOR TO WINDOW (PART M)
FIRST TO SECOND
900
300
2
906
750
PROVISION TO INDICATE CLEAR ACCESS ZONE OF 750mm TO ALL SIDES OF PRINCIPLE BED OF 750mm TO BOTH SIDES AND FOOT OF BED (PART M)
1190
700
1500mm x 1500mm Turning Space
W/C 4.2 SQM
1100
PRINCIPAL BEDROOM 13.1 SQM
2200
1917
750
1
2
300
1 1
PROVISION FOR LEVEL ACCESS SHOWER TO BE INSTALLED [BUILD UP DETAIL TBC ON MODULE CONSTRUCTION] (PART M)
450
ST. 2.7 SQM
SINGLE BEDROOM 9.8 SQM
ALL DOORS TO PROVIDE MINIMUM CLEAR OPENING WIDTH OF 906mm (PART M)
750
PROVISION OF CLEAR ACCESS ZONE OF 750mm TO ONE SIDE OF BED (PART M)
Aldrin Estillore : Portfolio 2021-2022
F
LATIS MODULAR HOUSING LATIS GROUP - PRE FABRICATED HOUSING
1
3
5m
Client: Latis Group Sector: Residential / Modular Location: Pre-Fabricated Status: Planning
Academic Year: 2022
Latis Homes has given us the task to design 5 house types that provide a 2B2P, 2B3P, 3B3P, 3B4P, 3B5P. These houses are pre-fabricated and designed to suite building regulations. Each floors are designed to be modular and constructed per-floor. The houses are then inreturn are customised so that each house can fit the home occupancy.
78
Site: Pre-fabricated
18
1282
806
750
Project Name
900
Latis Modular Housing
17
32
PROVISION TO INDICATE CLEAR ACCESS ROUTE OF 750mm WIDE FROM DOOR TO WINDOW (PART M)
Typology:
906
31
30
FF TO SF TO CONSIST OF 16 STEPS WITH STAIR DRAWN TO GOING 220mm / RISER 170.5mm (PART K)
300
900 800
Latis Modular Housing
PROVISION FOR STAIRLIFT INSTALLATION BETWEEN GROUND AND FIRST FLOOR ONLY, TO FACILITATE MOVEMENT BETWEEN ENTRANCE STOREY AND PRINCIPLE BEDROOM & ACCESSIBLE BATHROOM (PART M)
STAIRS TO PROVIDE CLEAR WIDTH OF 800mm UP TO HANDRAIL, WITH OVERALL WALL-TO-WALL WIDTH OF 900mm (PART K)
400
e:
DOOR TO PROVIDE MINIMUM OPENING OF 806mm FOR MINIMUM 400mm LANDING (PART M)
TUtors: Andrei Martin & Andrew Yau
Project: Latis Modular Housing
79
Latis Modular Housing
Typology:
Site: Pre-fabricated
Kitchen and Dining 12.5sqm
Project Name
HOUSE TYPE 4 (C) - 3B5P A
(9.15m in
FD
St.
FD W/C 3.6 sqm 1500mm x 1500mm Turning Space
FD
Aldrin Estillore : Portfolio 2021-2022
Living Room 18.8 sqm
DW
B
Kitchen and Dining 12.5sqm
FF
GROUND FLOOR
FD
1500mm x 1500mm Turning Space
FD
W/C 4.2 sqm
W/C 3.6 sqm
1500mm x 1500mm Turning Space
FD
FD
Storage 2.7 sqm
St.
Academic Year: 2022
FD
Living Room 18.8 sqm
Scale:
0
Latis Modular Housing
1
80
3
5
10m
B
Project:
Latis Modular Housing
Bedroom 1 12.5 sqm
nternal length) FD
W/C 4.2 sqm
FD
Storage 2.7 sqm
St.
FD
TUtors: Andrei Martin & Andrew Yau
Bedroom 2 11.6 sqm
Bedroom 1 12.5 sqm
Ensuite 2.8 sqm
FD
St.
FD
FIRST FLOOR FD
D
Bedroom 3 18.3 sqm
D
FD
1
Bedroom 2 9.8 sqm
81
ARCHITECTURE
AE
P O R T F O L I O ALDRIN ESTILLORE
Architecture Portfolio - 2021-2022
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