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THE VENICE LOOM Genealogy
Theme: Città. Architettura e società
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Curator: Richard Burdett
Image of the catalogs, were obtained from fadu.edu.uy and the images of the events of labiennale.org
Curators: Marcelo Danza and Miguel Fascioli
Assistants: Federico Parra and Felipe Ridao
Advisor curator: - - -
Theme: Out There: Architecture Beyond Building
Curator: Aaron Betsky
Form: Open contest: Raised Terms by As. Ac. Louis oreggioni File 031130-000629-10
Jury: Salvador Scheloto, Gustavo Scheps, Mario Sagradini and Patricia Bentacur Does not appear in the resolution But Angela Perdomo participates.Advisors: Cristina Bausero, Miguel Fascioli and As. Ac. louis oreggioni
Minister: Emb. Luis Almagro
Director of Culture: Emb. Alberto
Open contest
Jury: Fernando Miranda, Enrique Aguerre, Juan Carlos Apolo, Conrado Pintos, Diego Capandeguy. Advisors: As. Ac. Luis Oreggioni Lucio de Souza (cur. 2010), Marcelo Danza (cur. 2008) and Ricardo Cordero
Jury: Pedro livni and Marcelo Dance. Advisors: As. Ac. louis oreggioni
Jury: Patricia Bentancor, Bernardo Martín and Emilio Nisivoccia
Advisors: As. Ac. Carina Strata
Jury: Sebastián Alonso, Martín Cobas, Marcelo Danza, Alejandro Denes, Ricardo Pascale.Advisors: As. Ac. Carina Strata
Gustavo Scheps Marcelo Danza
Minister: Ricardo Erlich
Director of Culture: Dr. Hugo Achugar
Minister: Emb. Luis Almagro
Director of Culture: Pablo Scheiner
Minister: Maria Julia Muñoz
Director of Culture:Sergio Mautone
Minister: Rodolfo Nin Novoa
Director of Culture: Omar Mesa
SP / IT / EN 233 pág 15x21 SP / EN 247 pág 22x27 SP / EN 343 pág 15.5x20 SP / IT / EN 184 pág 15.5x20 SP 112 pág 21x29.5
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10 5 NARRATIVES, 5 BUILDINGS
Curators: Emilio Nisivocia, Lucio de Souza, Martin Craciun and Sebastian Alonso
Advisor curator: - - -
12 PANAVISIÓN:
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ALDEA FELIZ: episodes of modernization in Uruguay.
Curators:Pedro Livni and Gonzalo Carrasco
Assistants: Federico Lapeyre
Advisor curator: Daniela Freiberg
Guests: Marcelo and Martin Gualano de g+; Horacio flora and Alejandro Baptista de 11:54 pm; Marrio Baez and Adrian Duran de MBAD; Marcelo Bednarik and Federico Mirabal de BM, Diego Perez, Fabio Ayerra, Marcos Castaings, Martin Cobas and Javier Lanza de Fábrica de paisaje; and Matias Carballal, Andres Goba and Mauricio Lopez de MAAM.
Theme: Common Ground
Curators: Emilio Nisivocia, Mary Méndez, Martin Craciun, Jorge Nudelman, Sanitago Medero and Jorge Gambin
Assistants: Laura Nozar, Martín Cajade and Oficina 206u, Súbito, LabMVD, Carolina Gilardi and Mariana Diaz
Advisor curator: Daniela Freiberg
Guest writers: Jorge F. Liernur, Patricio del Real, Lucio de Souza, Lorena Logiuratto, Jorge sierra, Leandro Villalba and Nicolas
16 REBOOT: Two Architecture Lessons
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Curators: Marcelo Danza, Miguel Fascioli, Marcelo Starico, Borja Fermoselle, Diego Cataldo and José de los Santos
Assistants: Mateo Vidal, Facundo Romero and Matteo Locci
Advisor curator: Miguel Fascioli.
Curators: Sergio Aldama, Federico Colom, Diego Morera, Jimena Ríos y Mauricio Wood
Assistants: Bruna Baietto and Sebastián Lambert.
Advisor curator: Alejandro Denes
Curator: Kazuyo Sejima
Curator: David Chipperfield
Theme: Fundamentals
Curator: Rem Koolhaas
Theme: Reporting from the Front
Curator: Alejandro Aravena
Theme: Freespace
Curator: Yvonne Farrell e Shelley McNamara
Note: names underlined, participated in previous instances of the Biennale, or have some curatorial experience at the time of the contest.
Discussion panel
The first architecture commission was made just in the seventh edition of the Architecture Biennale in the year 2000, directed by Massimiliano Fuksas under the name “Less Aesthetics, More Ethics.” It sought to abandon the focus on the built object and turn attention to the contemporary city from work in three thematic axes: The social, the environmental, and the technological. It proposed to search for new “ethical” responses to the accelerated transformation of the cities of the underdeveloped world (Latin America, Southeast Asia, and Africa were the focus of this call).9
Uruguay sends —sponsored by the Ministry of External Relations, the Municipality of Montevideo with Mariano Arana as mayor, and the embassies of Spain, France, and Italy— a project called “Montevideo: a city for a theater, a theater for a city” to charge of Carlos Pascual and Alvaro Farina, and with Ricardo Pascale as adivsor curator. The project consists of an audiovisual installation of three screens that showed images of Montevideo, its historic center, and the cultural district (comprising the Solís Theater, the Sodre, the AFE station, and the Sarandí-18 de Julio pedestrian axis).10
Mercader in his column in the newspaper El País “Arana reopened the History of the Solís restoration in the Departmental Board, an epic that has already lasted six years and that has consumed 16 million dollars in a sequence of errors, marches, and counter-marches paid for by the taxpayer”. The journalist affirms that the object of the exhibition was to attract those interested in financing the works of Solís. Unfortunately, the interested parties never showed up. 11 Also, it was also not well recognized by the academic field regarding the involvement of —at that time— the School of Architecture in submissions to the Venice Biennale.12
This edition was controversial in many ways, even more so as it was Uruguay’s first participation in the Biennial. Regardless, one aspect is noteworthy: Mariano Arana, an architect and a history professor at the School of Architecture with an extensive background in patrimonial aspects, was in a position of authority, which made possible the start using the pavilion for the Architecture Venice Biennale.
Curators: Carlos Pascual & Alvaro Fariña