Architecture Portfolio _Alessandro Martinelli by Alessandro Martinelli

ARCHITECTURE

PORTFOLIO ALESSANDRO MARTINELLI alessandromartinelli.com

TABLE OF CONTENTS

CURRICULUM VITAE ��3

Projects Sustainability Industry/city Hibrid Built Theoretical Urban Technical

REtype �� 5 Flexible Coexistence �� 19 Horizontal Skyscraper ��29 House Caffar �� 37 Chicago column ��43 Green net ��49 Greenhouse housing ��55

Collateral Activities PHOTOGRAPY �� 63 REPRESENTATION ��67

CURRICULUM VITAE SUMMARY My complete CV in european format at: https://drive.google.com/open?id=101EHUM3 m 6 D A n Q g d G t r o Tu W n u t m j 3 j 4 q 2

WORK EXPERIENCE June 2016 – September 2017 May 2014 - August 2014 Architect Assistant Movio Poletto architetti associati Ronchi dei Legionari

- Projects designer - Photomontages - 3D Modelling Architectural Firm November 2013 – March 2014 Illustrator and Designer Ing.Lorenzo Marini, MARINI77@lorenzomarini.191.it 34072 Gradisca D’Isonzo (GO) ITALY

EDUCATION September 2014 - June 2016 Master of Architecture (M.Arch.) graduated cum laude Architecture and Sustainability KU Leuven, Ghent campus September 2009 - March 2013 Bachelor Diploma in Architectural Science 110/110 University of Trieste Faculty of Architecture (ITALY)

September 2004 - June 2009 Technical Diploma of Land Surveyor 83/100 Technical Institute for L.S. “N.Pacassi” Gorizia

- Projects designer - Photomontages - 3D Modelling - Co-coordinator construction site Architectural and Engineering Firm May 2013 – September 2013 Photographer and Web Designer Foto e Grafica IMMAGINI s.r.l. http://www.fotoegraficaimmagini.net 33058 San Giorgio di Nogaro (UD) ITALY

- Studio pictures - Events pictures - Web site developing Photography studio June 2007 – September 2007 Apprentice Bricklayer Edilcora Srl,

via morelli 6 34170 GORIZIA (GO) ITALY

- Construction site skills - Knowledge of working methods Construction and building company

REtype MASTER THESIS

Royal Stockholm Seaport, Louden area, Stockholom, Sweden.

June 2016

Individual Project

This project has been carried out as an individual, developed as master thesis during the academic year 2015/2016 counting 30 credits had as a final result a 17/20 (in the top 10% of the all students).

Professor: Prof. Dr. AdriĂ Carbonell adria.carbonell@kuleuven.be How is it possible to transform the city with the elements already within? Reversing the typical way we look at architecture, starting from a finished object and then ending up by its constituent elements. This has been my modus operandi throughout this project, guiding me into new approaches and solutions. Sometimes the things which are causing damage turn out to be unexpectedly helpful, in fact I worked with the oil silos which contain the substance that has caused huge damages to our planet. Nevertheless I believe that we can still turn them into something better. My project wants to challenge with this new type the canonical way, proving that even with an element destined to be demolished is possible to achieve interesting spaces and new kinds of interactions.

The complete reflection paper:

https://issuu.com/alessandromartinelli3/docs/reflection_paper/1

THEORETICAL FRAMEWORK TYPOLOGICAL ANALYSIS I have been immediately interested by the Stockholmâ&#x20AC;&#x2122;s urban tissue and by how the context around me was changing drastically from area to area. In fact, moving around the city, the morphology of the types differs completely in the various areas of the city, creating every time a new kind of spaces and of atmosphere. Many spontaneous questions then come out: which are those types? How many different kinds are there? What do they have in common? How do they relate with the context? In order to analyse them deeply, I decided to catalogue them into 3 main categories: historical centre, multi-family housing, single-family dwelling.

In addition to these three customary typological categories, I am introducing a fourth one, the fossil fuel silos, which of course is not residential, but composed by industrial buildings. I decided to include it since the disposition of the silos in the space is comparable to the other categories: the same kind of elements, with the same cylindrical shapes and almost the same sizes, spread homogeneously on the site, in the same way as the other types do. Moreover, I am interested in focusing on this last type too, in order to explore the possibilities and potentialities of this unusual space they create.

SITE POSITION AND STRATEGY In the first map, it is possible to notice the position of the site in relation with the whole city of Stockholm. It is immediately evident how its composition differs from the rest of the city, since the chosen area is a mainly industrial one, really in contrast with the rest of the residential buildings. It is formed by old brownfields, and it has been chosen because it is part of the new masterplan that the Municipality of Stockholm is proposing for the new future developments and densifications of the city. The new proposed project aim to a requali-

fication of a large part of the area, with the idea of an eco residential district. In the following map the new masterplan is confronted with the actual situation. It is evident how the project has a strong impact on the area, for two reasons. The new residential buildings will have a completely different shape, that will lay on the ground regardless the existing structure, and it will cover entirely the site. The masterplan aims at the construction of a total of 14.300 new dwellings, divided into five smaller subdivisions. The second reason is the addition of new pieces

of land into the sea, that will drastically change the coastline shape. In the zoom-in of the area of Louden, it is possible to see the presence of different elements. There are two main warehouses, areas for the storage of the containers and 72 oil silos. The particular conformation of the silos area will be completely lost with the future developments, even if it is evident even from a diagrammatic plan how the silos themselves and the space around them have a spatial unique quality.

Stockholm want to become a completely fossil fuel free city by the year 2040

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2040

PROJECTCONCEPT All the oil silos present in the Louden area will be empty

In particular, in this area I decided to focus on the silos. The main reason for that is because the plan for Stockholm is to become a Fossil Fuel Free city within 2040. This means that, while the other functions â&#x20AC;&#x201C;storage and the other industries â&#x20AC;&#x201C; will be relocated, the silos will be completely useless in few decades. They will not have any reason to be relocated somewhere else, they will just be dismantled. The aim of my project is to find alternative ways to reuse them. They have a great potential due to their strength, materiality, location in the site and shape. The new masterplan I propose will challenge the planned one, but it will aim at the same standards of densification. It will then host the 1500 dwellings planned in the area, with the addition of services and offices.

Idle oil silo

Cleaning from polluting agents

Reinforcement and openingâ&#x20AC;&#x2122;s frame weld to the metal plates

Disassembling non structural elements

Cutting openings

Casting in situ using the metal plates as formwork

Detail Axonometry

expressing the layering and stucture of the silos

MASTERPLAN A sequence of layers compose my design strategy, adding to it at the same time the simplicity of each layer, and the complexity of their intersection. The first layer composed by the existing elements, the silos, which have different heights, dimensions and position in the space. The atmosphere they create already without any other intervention is extremely unique and interesting, without edges and corners. On the top of that lays the layer of the connections. The links between the silos are of different kinds in order to create a major complexity and to allow different experiences while passing through the area. The main road is external to the site, which will be only for pedestrian and bicycles. It is connected with silos used as parking, which are situated on the border too, to be easily accessible. In the center of the area a tram line runs, which will provide public transport connection with the rest of the city. The pedestrian and cycle path interlinked with the silos in a precise way. Where the function is residential,

and the privacy has to be higher, the paths touch the silos only at the main entrance, where they widen to create the â&#x20AC;&#x153;add-onâ&#x20AC;?, small squares that the inhabitants can use daily to rest or parking their bikes. The relation with the other functions is different. Dealing with the services, the footpaths change their direction, encircling the whole silos, which become accessible from more than one point. With the offices, where more than one silos is agglomerated together, the route enters directly inside the area, creating an inner square between the buildings. The third and last layer is formed by rectangles of different dimensions, that vary depending on the amount of privacy they provide. In fact, they can be small canopies only for a small amount of people, or they can be much bigger and ensure a proper public space. Those last ones will be for the majority sportive functions, since 3 out of 4 Swedish people practice and love, indeed, sports. They will then be tennis and football fields, but also platforms for ice skating or bandy.

HOUSING TYPE

OFFICE TYPE

THESISCONCLUSION The astonishing aspect that characterised those types is that they are divided and enclosed into precise areas, in which exclusively one typology is present. The absence of mixture between functions and shapes creates an evident segregation in the city, which instead could be mitigated by blending them. From that observation, the first postulate for my design comes immediately out: I want to reach a situation of mixture between typologies, functions and services. The idea is to challenge the actual situation. In the whole Stockholm there is always the same repetition of buildings with always the same function inside: the project will externally keep the repetitive motif of the type, but will at the same time change the silos completely, adding new various functions and integrating them with each other. The design will then have as a starting point the already existing cityâ&#x20AC;&#x2122;s structures, but with a reinterpretation and adaptation of them in order to reach a wider variety of possible activities and interactions. The monofunctionality of the existing fabric will be challenged with a differentiation of functions, that will include residences but also services and offices. The monotony of the materials will also be confronted with the same strategy: the external material of the silos, metal plates coated with whether resistant white film, will be kept as it is, but it will be cut in different ways, creating various patterns and textures. 16

SERVICE TYPE

FLEXIBLE COEXISTENCE DESIGN STUDIO 3

January 2016

Project for the city of Gent, Belgium

Individual Project

I have never had the opportunity before this project to develop a design related to the industry field, but I have always wanted to confront myself within this Architectural challenge. I believe that this particular theme could lead the relationship between the Industry and the City to a new understanding of the urban system. Perhaps it will create a new social catalyst changing how people imagine the City, and with my design I would like to analyse and answer it. In addition, industrial processes have always fascinated me, I always been interested in how things are made and how behind a simple object a complex production process hides. It will be very interesting for me to design an Architecture which may face the complexity of different functions, solved with simple and smart choices.

Professor: Prof. Dr. Arch. Dieter De Vos d.devos@kuleuven.be

The Corridor The project bases its strength the corridor, transforming a common space into a passage where a passing-by-space became an opportunity.

Coexistence Instead of having only one enterprise operating in the structure I chose to experiment more workshops in the same building, giving the chance to expand or decrease the working space during time.

Flexible The building is designed with the consciousness that in 15/20 years the request of this kind of facility will change and it will be possible to adapt the spaces to the future needs.

Tipical Plan 1:500 24

HORI ZONTA L SKYSCRAPER LABORATORY COURSE IN ARCHITECTURAL PLANNING 3 Project for the city of Gorizia, Friuli Venezia Giulia, Italy

June 2012

Group Project

This project has been carried out by a group of 8 people, mine role was that of the group leader, I had been chosen to lead the group because the basic idea is my own, but the final solution contains a contribution of the whole group.

Professors: Prof. Stefano Gri e Prof. Piero Zucchi geza@geza.it The demands of the project include: the creation of a studentâ&#x20AC;&#x2122;s dorm and community services within an area located upon the Isonzo, a river near Gorizia.

PLANIMETRY AND CONCEPT

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The idea behind the project is a building consisting of a single block that rests on the banks of the river, which creates a inhabited bridge, alters the surrounding land and connects two districts of the city of Gorizia. The initial project concept originates from the desire to create a new polarity in the city, creating a tie with the river: in the current situation, the city is completely alien to the river. The project has evolved in stages while maintaining the formal characteristics of the initial idea and developing gradually more and more issues. The building changes the surrounding landscape and the two blocks’ ends in contact with the banks are treated in two different ways: to the east side the horizontal skyscra-

per stands on a square, creating a filter space and opening up towards the city; to the west, on the other hand, the building faces the mountain, drilling it and creating a relationship of full-empty. This difference also affects the design of the two shores: ordered and stiff the east, natural and romantic the west. In addition, to contrast the grandeur of the horizontal skyscraper, a “volume”. In addition to this, I imagined some trees to contrast the volume of the horizional skyscraper: its lightness and similarity in size and shape is in contrast with the massive volume of the building. The “volume” is positioned relative to the guideline of the historical neighboring buildings, which rule the entire composition of the east bank.

INTERIOR LAYOUT The building is divided into 7 levels, which are divided into 3 areas: the mobility area -the automotive (-1) and cycle and pedestrian (0)-; the area of public services (1 and 2); the area of residence for students (3:04) and the green cover an the upper level. The appearance of the building is unified by an outer skin made of metal mesh, which provides both shading for the inside and view to the outside. The internal structure is characterized by solids and voids, because of the design choice to create spaces with different functions inside the building.

STUDENTâ&#x20AC;&#x2122;S DORM AND SERVICES

34 View of the library

The Student House is located in levels 3 and 4 and has a modular arrangement with the common areas positioned between two blocks of rooms. Throughout the building we find four residential areas connected with the rest of the building by four lifts (one for each area) and two vertical connections that also act as meeting and rest places (represented in the render below). There are single or double rooms; each room has its own toilet and study space, while the remaining part of the services, such as the kitchen and living room, are located in the common area. The blocks of rooms are made up of eight rooms per floor on two levels and they all overlook the inner gardens, that are meant to bring in enlightenment. These gardens are located at Level 2, togheter with the services (the render below shows an example of the study classroom).

View of vertical connections

net, balsa, spong e.

TERRITORIAL IN PROJECT WIT TEGRATION MODEL 1:500 120 X220cm materials used: w H INTERIORS MODEL 1:50 8 oodpaper, depro 0 X 380cm n, metallic

HOUSE CAFFAR PROFESSIONAL PROJECT

September 2012

Project for the city of Villesse, Friuli Venezia Giulia, Italy This project was my first work experience, it taught me how to relate with the client and how to design thinking about the realization phases. My task has been the architectural design and supervision during the construction work.

Chief Engineer: Ing.Lorenzo Marini marini77@lorenzomarini.191.it The demands of the project include: - accommodation for 4 people, 2 adults and 2 children.

PLANIMETRY AND CONCEPT The building is located between residential and industrial areas; in the lot of the project there are two pre-existing homes of other clientâ&#x20AC;&#x2122;s family members. The concept is very simple: the creation of openings, oriented to favour the view

of the countryside and limiting those to the industry and to the neighboring houses, in order to ensure the privacy of the family. Due to the presence of disturbing elements of moderate height, the floor was raised to allow a view over them.

EXPLODED DIAGRAM AND PLANT Roofing tiles in cement

Glulam beam structure

The client set a limit on the size of the project to 120 square meters; the spending threshold was placed to 200,000 â&#x201A;Ź. The budget did not allow the building of a two levels structure, hence the need to design everything on a unique floor. To take full advantage of the space,I designed an

open space that embeds the living room, dining room and kitchen, and which is illuminated from the large window that allows the view of the countryside from the living area. The sleeping area has 2 single rooms and one double bedroom; the client has also required 2 bathrooms and 2 service rooms.

Roof slab

Internal partitions in brick

Ground floor slab

Load-bearing brick masonry

Continuous foundations reinforced concrete m0

1- Structure 2- Insulation 3- Interspace ventilated 4- Ridge beam

cm 0

SECTION AND DETAILS

Window frame Inner insulating layer

Outer insulating layer Ventilated interspace

Curb

Boarding

cm 0

Continuous foundations

Concrete tiles

Lean concrete

Copper roof gutter

Plaster

Concrete and masonry flooring system

Glulam beam

Load-bearing brick

From the section we can see that the foundations are continuous and a sanitary vacuum was created by raising the ground floor. Foundations and supporting beams are made of reinforced concrete, the perimeter walls and the partition walls are made of hollow brick, the roof covering is supported by Glulam beams and Boarding, and it consists of concrete tiles. The highlighted executive details show the more complex parts of the building, representing the materials used and the building elementsâ&#x20AC;&#x2122; stratigraphy.

PICTURES OF THE

COSTRUCTION SITE DURING THE VARIOUS WORK STAGES

CHICAGO C O LU M N FINAL THESIS

May 2013

Individual Project The thesis has been a very formative experience, I appreciated the research work and the in-depth analysis of an interesting architecture like this. Supervisors: Prof.Alberto Sdegno and Prof. Denis Mior sdegno@units.it denis@media-network.it

Title: ADOLF LOOSâ&#x20AC;&#x2122;S PROJECT FOR THE CHICAGO TRIBUNE. Geometric analysis, typological references and digital representation

PERSPECTIVE COMPARISON The purpose of my thesis is the analysis of the project for the Chicago Tribune by Adolf Loos, obtained through the study of drawings by the same architect, documents and sources found. The project by A. Loos was not chosen as the winner of the competition but, thanks to its morphology and its use of an architectural order as arketipo, stands out for its uniqueness and innovation. The lot of the competition is located in Chicago, specifically in an allotment owned by the Chicago Tribune, placed at the intersection of Michigan Avenue and Austin Avenue. Its is 100 feet wide and 130 feet long, with a height limit set at 400 feet. The thesis starts from the study of Greek and Roman architectural orders, especially focusing on the proportions of the ancient Doric column, and then it starts with the research and then continues individuation of the proportions used in the composition of this building, highlighting the similarities or differences with the classical orders.

The digital reconstruction -based only on the documents of the front elevation, a type-plant of the shaft and a perspective, submitted for the competition in 1922- was created using Autodesk Revit, a parametric design software, which has been a fundamental tool, because making possible to manage a very complex project and to represent adequately the drawings.

E L E V AT I O N With the architect’s intention to reintroduce the theme of the Greek Doric column, is natural to wonder how the figure of A. Loos, openly against the ornament, can review the ancient orders, although it is clear that in the project there are many points in contrast with the classical order. The first point to deal with is the presence of a base that recalls the function of a socle, which was not foreseen by the Greek Doric order, but it is not even comparable to the proportions oo the Roman one. In fact, it is without cymatium or plinth, and it has a ratio between height and base that is unbalanced compared to the other orders: the latter usually is about 2/2.5, while the A. Loos’ order has a ratio of 1.4, that is very squat.

The shaft’s height is another aspect to be analyzed: the Doric order defines the height of the column to 7 or 8 modules, while the project’s column measures 3 and ¾ modules, so this is also very stocky compared to the classicals proportions. In the event that in the competition announcement height limits was not fixed, the architect imagined the total height of the building would had been more than 200 meters -maintaining the classic proportions and using the same diameter of the designed column-.

EXPLODED

AXONOMETRIC VIEW

Is it clear how the proportions of the Doric Greek order are not observed. The motivation for this is given in the competition notice, because it demanded a minimum height of 175 feet for the entire surface of the lot: this is, in fact, the height of the base volume. Therefore A. Loos has used (non Ă¨ un present perfect, used past simple va benissimo!) the greater height restrictions-225 feetpermitted by for the building and, to avoid a sudden change in width between the base and column, he has thought of designing the final

part of the base with terraces, thereby increasing the visibility of the column from below. The choice of such a squat column is definitely influenced by the competition notice, which required large office spaces, and a thin column-as from classical proportions- would not have been adequate.

AUGMENTED REALIT Y

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The term ‘Augmented Reality’ refers to a set of technologies that enable the fusion/merger of real and virtual. Augmented Reality allows the visualisation of a three-dimensional object by filming a “marker” -a printed image associated with the object- with a video camera and it allows the interactions with it by moving it physically. The camera recognizes the marker, and the software reproduces on the screen the image of the associated object. Moving the marker will cause the projected image of the building to move as well. Presenting a project, a client (who is usually profane in the architectural representation) could hardly understand with the traditional methods of representation. Despite that, the Augmented Reality could be a turning point: it could really overturn the idea of canonical representation as the client could simply interact with the three-dimensional model of the building just by turning the marker or approaching it to the camera.

GR E E N N E T LABORATORY COURSE IN URBAN PLANNING 2

March 2012

Project for the city of Gorizia, Friuli Venezia Giulia, Italy

Group Project

This project has been carried out by a group of 3 people, we did not choose a leader, because we have found it very useful to openly discuss our ideas in a democratic manner.

Professors: Prof.Paola Di Biagi and Prof. Maurizio Bonizzi maurizio@ufficioxarchitettura.it pdibiagi@units.it

The purpose of the project is to analyze in the first place and then to determine a development plan for the city of Gorizia.

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ANALYSIS AND PLANNING STRATEGIES

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Our work began with the analysis of the city of Gorizia, where we observed in particular the relationship between different elements: the study of the buildings, the cataloguing of the green materials, the historical development, the relationship with the surrounding area, the infrastructure analysis and the distribution of productive sectors. From this analysis of the main solid volumes (the buildings and the river)

it is possible to see that how Gorizia has developed primarily in the space between the river and the border between Italy-Slovenia. These borders have caught our attention, prompting us to seek the causes of the urban development. The first step was to identify a strip of urban fabric containing the main green spaces, which would create a connection over the two borders and resew the city. The second was to identify some green areas that, overlapped with the road networks, created a link along the way: the GreenNet. Finally, we have themed these areas to link them to the urban context.

MASTERPLAN This table shows the project on a territorial scale in which the most important elements are represented: the starting and ending points A and B -which serve as a link with the â&#x20AC;&#x153;Great Parksâ&#x20AC;? system of paths-, the GreenNet and the green spaces inside the urban fabric. The thematic educational area will be further explained in detail, because it is central and representative of the project concept, which we believe to be applicable in the other areas.

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IN-DEPTH EDUCATION AREA The study of this area shows that it is possible to adopt a territorial scale concept even on the small scale: the “link” is seen as a tool for interaction of the urban fabric with the different thematic areas. Woonerf composition

Woonerf sketch

Plan of the Area 100

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Woonerf entry

Woonerf concept

DETAILS AND URBAN ELEMENTS The study of the project has led us to investigate the functioning of the Woonerf. We researched a module that will facilitate the realization of the project; we studied the various possibilities and necessary combinations; we looked for new methods of the roadside’s design, investigating the citizens’ habits, needs and requirements.

The project aims to create a new synergy at the urban level, starting from solutions such as the woonerf, which allows the citizens to rediscover new spaces, to identify the street as a meeting and rest place -and not just as a mere infrastructure- and, above all, to reconsider the pedestrian’s main role in the street.

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GREENHOUSE H O U S I N G BUILDING TECHNOLOGY

January 2015

Project for the city of Ghent, Belgium

Group Project

This project has been carried out by a group of 4 people, four different nationalities, I have carried out the coordination and the grafical part of the project, including a BIM model with Autodesk Revit which comprises also structure and installations.

Professors:

Sandy De Bruycker (coordinator) Patrick Lints Johan Nielsen Rudi De Backer Jeroen da Conceicao Carolien Pasmans Rashwan Jala

The purpose of the course was to develop in depth all the aspects and RE-DESIGNING our bachelor project.

4.50 m 4.50 m

9.74 m 15.17 m

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Building Specifications Building Type: Medium-High Building (MH) Building Type: Residential Building Maximum Height: 24 meters above the ground level Maximum Withd: 54 meters Maximum Length: 14,5 meters Number of Floors: 6 + 1 underground floor (parking) Number of Apartments per floor: 7 Number of Apartments in total: 42 Number of Users per floor: minimum of 18 / maximum of 20 58

prospective section

Number of Users in total: minimum of 108 / maximum of 120

1.50 m

3.74 m

B 54.74 m

6.00 m

Entrance 4 m²

2.01 m

Kitchen/Living 21 m²

1.98 m

Entrance 4 m²

0.11 m

1.53 m 0.11 m

4.35 m

3.28 m

1.40 m 0.11 m

4.35 m

1.00 m 1.08 m

2.67 m

1.98 m

7.25 m

Entrance 5 m²

0.11 m

2.99 m

4.53 m

Bathroom 5 m²

Kitchen/Living 39 m²

0.32 m

1.40 m

2.78 m

Corridor 4 m²

0.11 m

1.58 m

1.05 m 0.98 m

Bathroom 2 m²

4.53 m

SR 1 m²

0.11 m

Corridor 2 m² Service Room 5 m²

0.11 m

2.97 m

2.49 m

4.35 m

Room 17 m²

Corridor 6 m²

Kitchen/Living 41 m²

2.73 m

Bedroom 19 m²

2.69 m

3.01 m

1.34 m

0.11 m

Bathroom 11 m²

4.31 m

6.15 m

Bedroom 10 m²

Bedroom 20 m²

Studio 12 m²

2.67 m

9.05 m

1.10 m

4.05 m

1.20 m UP

e f 24.00 m Level 6

3.59 m

0.45 m

floor type plan 1:200

d a

3.55 m

0.45 m

20.00 m Level 5

3.55 m

0.45 m

16.00 m Level 4

3.55 m

0.45 m

12.00 m Level 3

3.55 m

0.45 m

8.00 m Level 2

3.47 m

0.53 m

4.00 m Level 1 0.00 m Level 0

0.45 m

2.44 m

3.55 m

1.98 m

3.00 m

0.30 m

4.69 m

0.31 m

4.18 m

0.32 m

4.18 m

0.31 m

5.67 m

section B 1:500

north elevation 1:500

bath drainage Ø50mm

a gray water column Ø90mm

sanitary drainage Ø40mm

black water column Ø150mm hot/cold water supply Ø20mm

toilet connector Ø110 toilet drainage Ø90 gray water column Ø110mm

water supply collector Ø22mm

black water column Ø150mm

Y intersection Ø60mm washing m. drainage Ø50mm

c d

1 water supply and drainage section 1:500

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4 6

1. BRICKWALL 80 X 256 X 600 mm 2. EXPANSION JOINT 15mm 3. TILLES 20mm 4. CONCRETE 60 mm 5. FLOORHEATING 6. INSULATION EUROFLOOR 40 mm 7. LEAN CONCRETE 80 mm 8. CONCRETE LEVELING LAYER 150 mm 9. PRECASTED FLOOR 60 mm

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1 2

4 1. 2. 3. 4. 5.

EAVES PROFILE OVERFLOW PIPE (1.5% INCLINATION) 20mm FIBER CEMENT PLATES 8mm PRECASTED FLOOR 60 mm STEEL BEAM

1. 2. 3. 4. 5. 6. 7. 8.

EAVES PROFILE RECTICEL POWERDECK 1.5% INCLINATION 2x100mm PRECASTED FLOOR 60 mm STEEL BEAM REAIN DRAINAGE DUCT 150 mm D ARCHITECTURAL CONCRETE PANELS 8mm RECTICEL EUROWALL 2x100mm ANCHOR POINT

shaft detail 1

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7. THERMALLY INSULATION BRICK 1. RAINWATER DRAINAGE 2. POROTHERM THERMOBRICK 288x188x188 mm

FOAMGLASS 288x188x188 mm 8. RECTOCEM POWERDECK 2x100 mm 9. EXHAUST FAN 220x220 mm

3. VENTILATION UNIT 1000x1000 mm

10.RECTICEL EUROWALL 2x100mm

4. EPDM

11. CONCRETE PLATE 160 mm

5. AERATION WC Ø 40 mm

12.RAINWATER DRAINAGE Ø 150 mm

6. RECTICEL EUROWALL 2x 95 mm

13.ACOUSTIC INSLULATION

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5 6 7 4

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1. 2. 3. 4. 5. 6. 7. 8. 9. 10.

WATERPROOF BACKING 1mm RECTICEL EUROWALL 2x100mm ARCHITECTURAL CONCRETE PANELS 8mm POROTHERM THERMOBRICK 288x188x188mm CONCRETE LEVELING LAYER 150 mm PRECASTED FLOOR 60 mm THERMALLY INSULATION BRICK 288x188x188mm THERMO INSULATED SPACERS WOODEN FRAME WORK FIBER CEMENT PLATES

1. 2. 3. 4.

POROTHERM THERMOBRICK 288x188x188mm TILES 20mm INSULATION EUROFLOOR 40mm RECTICEL POWERDECK 2x100mm

P H OT O GR A P H Y Collateral Activities

from 2010

Photography is my passion: shoot, entrap life in a picture, capture the emotion of a moment for eternity; I assure you that shooting a orchestra director at its maximum expression, grasp the eyes of two lovers just before a kiss or stop an athlete at the moment of the jump are the satisfactions that make me continue with more effort this passion. My photography aims to capture the spontaneity of people and use light to produce images more and more interesting. My training started from a course on studio portrait photography and exterior photography, continues through research and experimentation in new fields and in new light situations, cues, ideas in order to always chasing the perfect shot.

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Borneo Sporenburg, Amsterdam, Netherlands; Bruder Klaus Kapelle, Mechernich-Wachendorf, Germany (Peter Zumthor); Oslo Opera House, Norway (Tarald Lundevall); Hilversum Town Hall in Hilversum, Netherlands (Willem Marinus Dudok);

ARCHITECTURE and PHOTOGRAPHY In my opinion this is not just a hobby or an amusement, but photography is a way to look things in a different way, with its own eye. It is an observation that it has been developed with time and practice, shoot after shoot. For me it is an instrument to approach architecture, in fact I think 66

that the composition in the pictures has many common aspects compared with the architectural one. The dynamics, the placement and the proportions of an image are really similar, I belive that this similitude lead to their aim, both arts are t rying to entrap the emotions in their essence through shape and frames.

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Hair Cap; Sundown on the Alps; BabyCross; Lightning intra clouds;

MULTIFACED INTEREST Photography is my connection to the world, a way to analyze and express my perceptions on what surrounds me. People, colors, shapes, nature all become part of a vision that aims to create images that describe feelings and emotions.

REPRESENTATION Collateral Activities

from 2009

Iâ&#x20AC;&#x2122;ve always been fascinated by the representation, it was always one of the strongest motivations in my training. What I like about the representation is the opportunity to present something that is not really for me is an incentive to improve my artistic expression. Today, with new technology you can recreate a realistic image that provides an exact reconstruction of a project. I always tried to learn new methods and tools of representation in order to better transmit my ideas, I first learned the simplest programs, as Sketchup, Autocad and Photoshop, then moving to programs such as Autodesk Revit BIM that allow you to manage the project each discipline.

PROJECT Representation

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Axonometry section, ground floor; Rendered view, ground floor; Axonometry section, first floor; Rendered view, first floor;

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House Casseri existing; Hause Casseri project appearance; House Bertoli existing; House Bertoli project appearance;

PHOTO

MONTAGES It is started for fun, as an experiment, then it proved to be a very potential tool. I developed many photomontages requested by several firms and professionals, these are in my opinion one of the most successful. Their purpose was mainly to show the client the future look of the project, or the times required by the government for the analysis of environmental impact. 71