Catalog 2 by Alexandra Petrenko

ART 2017 CATALOG • EKATERINA ABRAMOVA • CARLOS AQUILINO • DIMAS BENCOMO ••••••••••••••••

•••••••••• KUZMA VOSTRIKOV• OXANA URYASEV • ANNE SCHLUETER• HENRIK SARR• ART 2017 CATALOG

ART 2017 CATALOG •KARL LU • JULIANA MEDVEDEVA • DMITRIY MOSKALENKO • KAREN MOSS •••••••••

ART 2017 CATALOG • ALEKSANDRA BZDZIKOT• SHI DONG • ANNITA FAITAKI • WENJUN FU • STAINSLAW GOC ••••

Ekaterina Abramova Painting http://www.artabramova.info

In my art, I am searching for Man. And my mission is to dig that Man out and bring Him forth in each of us. My goal is to be channeling information from subtle spheres to the material worlds by using color, symbols, and images on canvas.

My art helps people fine-tune their inner tuning fork, connect to their unique frequency. I am a tightrope walker balancing between the worlds, my brushes and palette in my hands, and connecting them like a bridge joining continents.

1. Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

4. Doves Sky, 70 x 90 cm

Jersey City, NJ, USA

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Carlos Aquilino Painting http://www.carlosaquilino.com Madrid, Spain

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Carlos Aquilino was born in Madrid (Spain), the city where he lives and works today. He grew up painting, drawing and sculpting as a self-taught artist. He has had the good fortune to build his own personality shaped by cross-cultural experiences that have taken him from artists residencies at the Spanish Academy of Fine Arts in Rome to the Creative Arts Center of Virginia or the New Mexico desert at the Helen Wurlitzer Foundation, to Izvorul Mures Workshop in the Romanian Carpathians, to Abadzsalok Workshop in the Hungarian Plane and to Point B Worklodge in Williamsburg, Brooklyn, NY. His work has been shown in many different national and international art exhibitions. It has been spoken of in a lot of magazines and catalogs and it belongs to some private and public collections. Some of his works have been on the front cover of poetry books and art magazines like Ojo a la copa! from his Drawing Series that was the front cover of New York Arts Magazine, VOL 15, Spring 2010, or his oil on canvas Buscadores de perlas was featured in The

The Cumberland River Review, issue 2-4, Autum 2013. Trevecca Nazarene University. Carlos Aquilino writes in his statement: â&#x20AC;&#x153;My works emerge from the emotion, in a spontaneous and intuitive way. I find inspiration in every aspect of my daily life. My creation is always direct. I create my works on many different platforms. My paintings, executed in oil or acrylics on canvas, cardboard or panels, are focused in a humanized world where people appear deeply in touch with their surroundings. I use any and all found materials and objects around myself to utilize in my sculptures. I never leave without my sketchbook. I draw and paint almost every day in my life. It is a real priority for meâ&#x20AC;?.

1. Untitled, 50 x 50 cm, Oil on canvas, 2016

2. La Sonrisa Del Paisaje, 46 x 33 cm, Oil on canvas, 2016

3. Selfie, 65 x 53 cm, Oil on canvas, 2015

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Grace Arledge Painting http://www.gracearledgefinearts.com Lawrenceville GA, USA

Commercial Artist for 10 years in Chicago; studied at College of DuPage, American Academy of Art, and some on-line Art History at Oxford University, UK. I never do commissions these days. That’s not me anymore. I want to express what God intended. I need to communicate messages of a positive and spiritual nature in everything I do, inspirational and hopeful feelings are to be found even in the smallest things. It is now my intention to do this; but I can only hope for the best as I am human and am still evolving. - Exhibited numerous times in Chicago area, some of them are permanent exhibits in suburban Chicago area; - Exhibited in suburban Atlanta GA area with several local art groups, donated art to local libraries; - Have a permanent exhibit at the Laurel & Hardy Museum in Harlem, GA - Have exhibited in NYC, Florida, and Italy - Have won numerous art awards from Celeste, Noenga Global Art Platform, and GA Art League

Coonley House, Riverside Il, 20”x16”, Acrylic, 2015

Rune Baashus

In The Okeefenokee Swamp, 20”x16”, Colored Ink, 2016

3. Star Forest, 16”x20”, Acrylic, 2015

Photography http://www.baashus.com/ Moss, Norway

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My work is my eyes. I always work for the perfect picture and search for the moment that never comes back. My photographs are almost always composed through the lense. During my search for the perfect picture, I find power and beauty in the details that sorrunds us. The silence in the details is deafening. Awareness of the details makes us see in a new way. As a photographer, I am always moving. What is important today is perhaps unimportant tomorrow. With my eyes fixed to the camera, I try to capture the meaning of the past”. Biography: Rune Baashus, 1956, educated in Sweeden 1979 1983. His works have travelled the world as much as himself. Rune Baashus has worked as a freelance photographer for many big companies in different parts of the world. Earlier he worked mostly with advertising, architectural and industrial photography. Cars represent a huge interest for him. His photographs have been used for several covers in international magazines. Baashus is known especially for his distinctive photographs of cars. And also is pictures of cars have chaged over the last years. Now it’s all art-photography. Today his carreer contains a lot more - and in recent years his focus has moved to landscape and art photography.

Golden Sand, 90 cm x 60 cm, Hahnenmüle William Turner paper, 310 gsm 100 % cotton, Acrylic, 2015

2. Sky High Over Europe, 150 cm x 100 cm, B rushed aluminium, 2016

3. Mosshorten, 42 cm x 27 cm, Hahnenmüle William Turner paper, 310 gsm 100 % cotton, 2015

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Dimas Bencomo Painting http://www.dimasbencomo.com Habana, Cuba

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Already in this opportunity I look with a broader vision and I go further than an always illustrated patchwork or solution of the object, not forgetting that these are the foundation of all the evolutionary stages already seen in my work. They are objects that raise them to a step further and endow them with certain emotions, to the point that they could be perceived humanized. It is like the story of the man told by his things. For this reason, I do not need the human presence in my work I am an artist who interprets my life and everything that surrounds me, what I do is to reflect that accumulated experience that these objects have and through them I tell my story showing experiences and concerns, where I customize the viewer the way I like Quixote At last I conceive and visualize everything through my tarecos, which take center stage and are a constant in my pictorial creation, engendered since the beginning of the work. It is a work that comes from painting as the highest expression of the genuine and awe-inspiring. Transforming it into an ideo-aesthetic construction, it is enough to observe the mechanism and composition of these crazy artifacts to take us as a reference or starting point, I show the synopsis of the metaphor life and death, memory and oblivion, where

My work was born from experiences with my maternal grandparents, people, who never discarded anything, always found a solution to prolong life to these objects, I as a child was at last a sponge and observed all the creation that Emanated from his patches. That is where I felt the need to show my experiences and concerns through art, these objects that for many were useless to others served to mend their “lives” and it is there that with these objects with which I grew up, I felt the security of Show my speech to the world. I am a recycler of beautiful things showing waste of worldly evidence where they investigate in the complex minutiae of Cuban daily life; Denoting our anguish of clinging to the most elementary things and not being able to take them away even though they have lost their use value, which I as a transmute artist in a symbolic value and even renewed In my beginnings, the central objective was to continue to give life to these tarecos, even if they had exceeded their limits of use, thus giving them different and new functions for those who were created or conceived from the beginning. Nowadays these objects are already part of my life and what I do is to represent emotions, experiences, experiences and concerns through my icons and objects, without losing the irony and suggestion that has carried the work from the beginning.

1. En Lo Más Alto Del Umbral, 39.5 x 27.5, Mixed Canvas, 2011

2. Visiones De Un Quijote, 1.30 x 1.50 m,

Mixed Canvas, 2016

3. Optimista O Soñador, 0.75 x 1.25, Mixed Canvas, 2013 4. Eco Perturbador, 0.91 x 1.30, Mixed Canvas, 2011 5. Desorientado,1.11 x 1.38, Mixed Canvas, 2017

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the most diverse elements Reveal united with each other by secret relationships, where the human being is alluded to by the objects he produces, which he personalizes, giving us new visions and perspectives when looking at what we are and why we exist, thus showing the becoming of man of one Singular way: through my objects. I consider myself a dreamer and consequently in many cases the titles are based on the perspective of my allegation. I work in shaping the serialization of a group of objects found and aesthetically re-complexing them. So this idea gave me the necessary foundation to reveal the reflections about my world and everything that surrounds it.

Aleksandra Bzdzikot Painting

Aleksandra Bzdzikot was born in 1988 in Poland and currently lives in Switzerland. She is a self-taught artist and painting has been her passion since early years of her childhood. Her artwork is inspired by feminine beauty, elegance and fashion. Aleksandra portrays women as delicate yet strong creatures that are able to show the beauty of the universe by their energy.

She finds great inspiration in travelling and creating landscapes and nature impressions in oil and acrylic.She has had a few exhibitions in Poland and abroad and her artworks belong to private collections worldwide.

1. Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

http://www.aleksandrabzdzikot.pl

Betty Collier Sculpture, Drawing, Painting

Doves Sky, 70 x 90 cm

Zurich, Switzerland

Ballarat, Australia

Betty Collier is a qualified tertiary art teacher in painting, drawing and sculpture, with over 50 years experience in the world of art. Betty has been involved in 5 solo exhibitions and more than 174 group shows. Bettyâ&#x20AC;&#x2122;s works belong in public and private collections in Australia, Turkey, New Zealand and Ireland, receiving several awards. Betty has been published in several international art books, including International Biennale of Florence Editions 2011 and 2015, World Wide Art Books Current Masters 2, and International Masters Volume 11. Her subject matter includes different aspects of nature and the human figure.

Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

4. Doves Sky, 70 x 90 cm

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Shi Dong Painting http://www.dongshiart.com

Poems of nature is my inspiration. I use the properties of my medium to create abstract paintings that respond to both the atmosphere of my surroundings and poetry. I started them with unconscious, and completed them with conscious artistic taste. My paintings dance on the boundaries of realism and abstraction where consciousness meets the unconscious, and language meets the unspeakable.

Rocklin, CA, USA

Like the meeting of these binaries, my work contains many layers of ideas and examines these interactions as a continuum. I use layers of transparent color, reveal forms by concealing and unearthing pentimenti and suggests elements of landscape in my process. The method of looking inward and outward and, in the moments of painting, finding my way on the surface is my approach to creating paintings infused with poetry and the memory of landscape.

1. Folsom Dam, 25cm x 27cm, Acrylic and mixed media on paper, 2017

Annita Faitaki

2. Folsom Dam, 25cm x 27cm, Acrylic and mixed media on paper, 2017

Painting http://www.artabramova.info Jersey City, NJ, USA

My name is Annita Faitaki. I am a sculptor and painter. I was born on the island of Crete and grew up among a family of goldsmiths. It is easy to see the influence of ancient art in my work; I bring the classical world into the modern era, giving my pieces a sense of timelessness while confronting modern issues. Much of my work addresses social concerns such as the place of women in society, communication between people and groups, the importance of respecting human rights, and the necessary freedom of people to express themselves. I see sculpture as a reflection of the energy of the earth and therefore a powerful means of expression, building community and connecting the heart with the mind.

The process by which i create my sculptures is highly technical, time consuming, and expensive. I first create each piece in clay or wax, then have them cast in bronze at a foundry. Later, i may add on a patina in order to create colour. I describe the process as one of manifestation: the search for an unknown world waiting to be discovered. My paintings, too, depict a sculptural quality in their texture, energy, and depth.

1. Woman, 5,05’’x 9,09’’x5,09, Bronze with Patine, 2006

2. Piggy - Big Heads, 8’’ x 8’’ x 8’’, Bronze with patine, 2007

3. Red Theme, 78’’ x35’’, Acrylic on canvas, 2013

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Doves Sky, 70 x 90 cm

Wenjun Fu Photography http://www.fuwenjun.com Chongqing, China

Yan Shu, one of the most noted litterateurs in Northern Song dynasty, wrote a line which endured through ages: “Last night, the west wind withered green trees. Ascending the tall building alone, I had a full view of the road that stretched far way.” A modern scholar Wang Guowei once cited this sentence as a metaphor to describe the mental state that one had to go through in order to be successful. The reason why so many Chinese people love this line is because there is a vivid dichotomy in it: the withered trees remind people that time is fleeting.

However, seen from a distance, the depressed scene is but only one part of the view. Long as the way is, people will keep on searching the unknown. Conceptual photography “A Wind from Yesterday” presents a similar tension: the image of euphrates poplar, a plant that grows in northwest China, is displayed on a page made from woodblock printing in Song Dynasty. People can sense a vitality which has lasted for over a thousand years. The truth is that withered euphrates poplars stubbornly stand in the desert.

1. A Wind From Yesterday No.2, 51x97cm/71x122cm, Giclée on Chinese Xuan Paper, 2016

2. A Wind From Yesterday No.5, 51x97cm/71x122cm,

Giclée on Chinese Xuan Paper, 2016

3. A Wind From Yesterday No.10, 51x97cm/71x122cm, Giclée on Chinese Xuan Paper, 2016

4. A Wind From Yesterday No.4, 51x97cm/71x122cm, Giclée on Chinese Xuan Paper, 2016

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Books of Song woodblock printing are regarded as priceless cultural heritages by Chinese people for their complicated and exquisite craftsmanship. Two seemingly lifeless old forms are brought back to life in superposition, which conveys the very aesthetic purpose of postmodernism. History is not always heavy and depressing, it can also be fresh. The artist captures a glimpse of the history, but his final aim is to direct our attention to the future.

Dmitriy Geller

Photography http://www.gotoslawek.org/ gallery.html Indianapolis, IN, USA

Looking at the world through camera lens sometimes reveals a perspective or a secret one does not see with the naked eye. These striking images of “REFLECTION” in display windows and optical illusions are capturing glimpses of people, buildings, cars, emotions, and the passage of time (all my photographs are one shut photo, NO photo-montage).

My camera interprets Pop-Art which originated in America many years ago. Pop-Art is dominant today in our streets, stores, and even in our homes. While classic photography is capturing a moment, my Photo-Reflection records CREATION OF LIGHT, THE BEST MASTER IN ART.

1. Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

4. Doves Sky, 70 x 90 cm

Stanislaw Goc

Photography

1. Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

http://www.gotoslawek.org/ gallery.html

Doves Sky, 70 x 90 cm

Indianapolis, IN, USA

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Eelena Iosilevich Photography http://www.gotoslawek.org/ gallery.html Indianapolis, IN, USA

1. Between Sky and Earth, 70 x 90 cm

Helen Kagan

Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

4. Doves Sky, 70 x 90 cm

Photography http://www.gotoslawek.org/ gallery.html Indianapolis, IN, USA

1. Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

4. Doves Sky, 70 x 90 cm

Jiwon Kim Painting http://www.artabramova.info Seoul, Korea

My name is Ji-Won Kim, and I hail from Seoul, South Korea. I graduated from Hongik University, where I majored in Oriental Painting. In my work, I am capturing the mundane beauty of afternoons. My pieces are meditations on the brief sighs of respite between the rigors of contemporary life. When we withdraw from the guilty idleness we indulge in from time to time and take a panoptic perspective, there is a certain orderliness and simplicity to the wasted midday. One can liken my artistic philosophy to the position articulated by the 20th century philosopher Walter Benjamin, who, ironically, worked on the phenomenon of being idle. Technically, I endeavor to provide a fresh take on the texture of flowing water to provide a visually exciting and even pleasantly unsettling interpretation of the element. The figures in my work are, in some ways, extensions of the water which both envelop and flank them -- fluid and regular, unified but not monolithic.

Just as they share in lethargy, I hope viewers will share the contemplation of those lazy Sunday noons beckoning around the corner. I am both honored and happy to have the chance to share my work with eyes around the world.

1. 2:30Am, 53x41cm, Mixed media, 2017

Karl Lu

11:00Am, 130.3x162.2cm, Mixed media, 2015

3. 3:00Pm, 100x72.7cm, Mixed media, 2016

Painting http://www.kwluart.com Hornsby, Sydney Australia

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Karl W. Lu is regarded as a true global Renaissance man, his life and art spans from East to West, in his ongoing quest for knowledge and creativity. In 1991, the celebrated Hangzhou artist relocated to Australia to have postgraduate studies in philosophy, international studies, finance, and further achieve triple Master’s degrees in Art, Architecture and Design. Lu has worked in civil engineering, architecture, fashion, stock trading and web linked e-business, but he never abandoned his artistic passion. “All my interests—in art, science and philosophy—come together in my artwork,” he explains. With the new millennium, he’s returned to the art practice professionally in his Sydney studio and exhibited globally at major world art fairs and galleries in China, Australia, USA, UK, Germany, Austria, Switzerland, France, Italy, Japan, Holland, Spain, etc. He has also become a leading contemporary Chinese art critic since 2012 with top-ranked Chinese art webzines and online media. Lu’s art style reflects his personal journey and respected position within the early 1980’s Chinese Elite Student Movement and the significant “85 New Wave Art Movement”( 85 美术新潮）.

Trained in both Eastern and Western traditions, he often combines the two to create unique hybrid styles of mixed media of acrylic and / or oil with both oil and Chinese ink brush techniques. “The Memory Series” evokes both real and imaginary landscapes where 1980’s students pondered philosophy, literature, art and science. Lu first created his original “Dripping Flow” technique in his “Memory Series” in 2003 and fully embraces the distinctive abstract style in his ongoing “The Dripping Fluid Series”. His most recent, “The Origin Series” employs Chinese ink brush skills in an homage to science, bio-forms, life, time space, and universe, which have created Lu’s unique and distictive style of abstract beauty. That is the nature, character, essence which all great masters of art must to have.

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1. Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

4. Doves Sky, 70 x 90 cm

Cristina Maya Caetano Painting http://www.cristina-mayacaetano.webnode.pt/ Aveiro/ Pinhel Portugal

Cristina Maya Caetano is Portuguese and she lives between the cities of Pinhel and Aveiro. In her oil-on-canvas she is inspired from her own poems and both were born in her heart and in her soul in a better conception than the existing reality. It is in tune with the essence of spirituality that she expresses herself using bold colors and wave forms in the breeze of her soul, in a greeting to life and to nature. What her eyes see, what her five senses feel, she analyze inwardly and in the silence of her being she create with love each work, uniquely. She works with international curators, museums and galleries and her work is published in specialized Magazines and Art books. Mentions and awards are also part of her curriculum.

She participates in important international exhibitions (Spain, France, Italy, Sweden, Germany, Hungary, USA, Scotland, Portugal, Japan, Denmark, Austria, England, Switzerland). Cristina participates in exhibitons permanent in Denmark (European Art Museum) and in Austria (MAMAG). Cristina is a writer, an artist, a poet and an illustrator. She has a degree in Regional and Urban Planning, Post-Graduation in European and Communitarian Studies and the Master Degree in African Studies.

2:30Am, 53x41cm, Mixed media, 2017

2. 11:00Am, 130.3x162.2cm, Mixed media, 2015

3. 3:00Pm, 100x72.7cm, Mixed media, 2016

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Juliana Medvedeva Painting http://www.juliana-medvedeva.com

I`m the oil lacquered miniature painter. I paint oil lacquered miniatures to orders on the wood, on the ceramics, on the enamel, on the paper mach`e, on the agate, on the jasper and etc. For example, I like making oil lacquered miniature painting on the small caskets for the jewellery or making oil lacquered miniature painting on the agate pendants. I always take with pleasure orders for lacquered miniature painting of your choice and to your taste!!!

Moscow, Russian Federation

1. Between Sky and Earth, 70 x 90 cm

Dmitriy Moskalenko

Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

4. Doves Sky, 70 x 90 cm

Painting

Iâ&#x20AC;&#x2122;m an abstract expressionist painter. This style allows me to express my creativeness. I like to transform ordinary subject to unusual form. Iâ&#x20AC;&#x2122;m inspired by real photos of space and fantastic illustrations. My works can be compared with music which completely immerse people into peculiar mood. My sentiments and favourite music are the main tools for creating artworks.

Pondering, 75x95cm, Acrylic, 2016

2. Girl in Space, 75x95cm, Acrylic, 2016 3. Galactic Ocean, 85x115cm, Acrlyic, 2016

http://www.dmitriydanko.com Ukraine

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Karen Moss Painting

Karen Moss was born in Brisbane, Australia in 1972 and relocated to Melbourne in 1997. Self-taught, her urge to create is impulsive, intuitive and therapeutic. “I start unopposed to the blank canvas and begin its reveal usually starting with three oil colours. The painting takes form and I work within its perimeters and add in opposing, defining and exposing colours.

http://www.art-3000.com/ artist/karenmossart/ Melbourne, Australia

I enjoy working on what I consider ‘movement’ and do deliberate over the paintings depth, flow and balance. I enjoy developing the initial lines into my finished product. “ She has been working consistently on her art since 2006.

1. Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

4. Doves Sky, 70 x 90 cm

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Anna Paola Pizzocaro Photography http://www.annapaolapizzocaro.com New York, NY, USA

Graduated at first from The Academy of fine Art in Milan, ENSAD and Sorbonne in Paris, I studied Photography at ICP in New York graduating in 2009. In my art workflow, the digital work of composition and of editing using photoshop is preferred over traditional techniques. For example, in several of my works some parts of the pictures were photographed in the analogical and traditional manner on the optical bench using a low sensitivity film, some scenes were then virtually computer edited and later animals, water and people were added using 3D or digital cameras to create a hybrid photographic image. My aesthetic concept is based on preferring those daily life scenes that seem apparently trivial, moments that may be part of a dull daily moment and which can then be distorted with an incredible or catastrophic event. (Such as the introduction of a massive

water flow in a New York flat on a sleepy morning or sirens swimming in the ice in this world in perennial change due to global worming). This aspect is influenced by my background in cinema, and in particular my passion for that cinematic aesthetics typical in Hitchcock movies, in fact, almost in any of his scripts he takes a single ordinary event and, by adding a detail, he transforms the whole situation into a series of extraordinary events. The “unusual” is in the detail. With digital manipulation I like to create surreal photographic artworks that transcend normal expectations into extraordinary. Selected Recent Past Exhibitions : SOLO MUSEUMS EXHIBITIONS June 14th 2016 - January 17th, 2017, Villa Firenze in Washington DC Residence of the Ambassador of Italy in US, Solo Exhibition “Parallel Journeys”, this

1. Between Sky and Earth, 70 x 90 cm

Henrik Saar

Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

4. Doves Sky, 70 x 90 cm

Painting

Separation frieze The paintings that I show here are all part of my “Separation frieze”, which is a number of paintings above the theme: Living together as a family and apart in a life as single at the same time They are made extremely complex and detailed with a transparent additive colour mixing of pure primary and secondary colours.

1. Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

http://www.henriksaar.dk Fredericia, Denmark

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Anne Schlueter Photography http://www.anneschlueter.com

Peering through the camera lens makes all the ‘noise’ of daily life melt behind me. Rather than restricting my view, the boundary of the lens frees me to see curiosities of light, shadow, color, line, shape, texture, and structure. My goal in framing the subject before the ‘click’ is to capture images that challenge everyday perception, or conjure thoughts of earthly myths, legends and geological stories, or an emotional response to the details of this

astonishing planet everyone calls ‘Home’. I process my own work to complete my artistic vision, employing pigment based inks on natural fine art papers, or dye sublimation aluminum to dramatize fine details and enhance depth and tonality in the finished prints.

1. Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

Los Angeles, CA, USA

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Oxana Uryasev Painting

I was born in Ukraine to a family of academics in 1960. Following the family tradition, I completed a doctoral degree in mathematics and was almost ready to start teaching mathematics in a military college in Kiev. Instead I had moved to USA and became an artist. I have studied under several

prominent painters. They helped me with the academic technique, but my imagination could not be framed into the traditional way for viewing the objects. Mathematical background played tricky roll and made me to see unusual but logical in usual but un logical life events.

1. Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

http://www.oxana.com

Doves Sky, 70 x 90 cm

Gainesville, FL, USA

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Julia Verbitskaya Painting http://www.oxana.com Gainesville, FL, USA

1. Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

4. Doves Sky, 70 x 90 cm

Kuzma Vostrikov Photography http://www.kuzmavnutriva.com New York, NY, USA

Kuzma Vostrikov was born in 1977 in New York. He started his art career as an editor and writer in 1996. Since 2007 he has been working as a producer and director in art cinematography field. In 2008 he founded an independent film company named Kuzmacinema. Between 2008-2011 the company has produced four art movies that participated more than 50 film festivals around the world. www.imdb.me/kuzma. vostrikov Since 2011 Kuzma Vostrikov has been working in experimental photography, connected with social networks and psychology. www.kuzmavnutriva.com

His long-term art project called “One thousand photos in which I have never been” is studying social connections through aesthetics and mass media psychology on Facebook. Since 2015 Vostrikov creates the second part of the orange project. In 2016 he started two new projects: “Moods of New York” and “If only to fly to Tokyo”. Today Kuzma Vostrikov works and lives in New York.

1. Between Sky and Earth, 70 x 90 cm

David Wile

Night of Double Bass, 130 x 110 cm

3. Walking Dalmatian, 70 x 90 cm

4. Doves Sky, 70 x 90 cm

David Wile has been traveling the globe for 20 years taking photographs of landscapes that continue to inspire people. His work has been published various publications all over the world.

Between Sky and Earth, 70 x 90 cm

2. Night of Double Bass, 130 x 110 cm

Photography

Walking Dalmatian, 70 x 90 cm

http://www.davidwile.com

Doves Sky, 70 x 90 cm

Toronto, Canada

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