This book further explores the beauty of typography and is an extension of the first project. In this book, imagery and typography become one in the same, and asks the question: can imagery enhance typography? Each spread is connected either because of similar imagery, color or typography. It’s your job to see if they work together or not. NOTE: The text is either from my first book (i.e. ‘wacko’ and ‘ugh’) or from other sources, like the web. Most images and text are from their respective owners, and are not owned or made by me and is purely used for educational purposes. This book further explores the beauty of typography and is an extension of the first project. In this book, imagery and typography become one in the same, and asks the question: can imagery enhance typography? Each spread is connected either because of similar imagery, color or typography. It’s your job to see if they work together or not. NOTE: The text is either from my first book (i.e. ‘wacko’ and ‘ugh’) or from other sources, like the web. Most images and text are from their respective owners, and are not owned or made by me and is purely used for educational purposes. This book further explores the beauty of typography and is an extension of the first project. In this book, imagery and typography become one in the same, and asks the question: can imagery enhance typography? Each spread is connected either because of similar imagery, color or typography. It’s your job to see if they work together or not. NOTE: The text is either from my first book (i.e. ‘wacko’ and ‘ugh’) or from other sources, like the web. Most images and text are from their respective owners, and are not owned or made by me and is purely used for educational purposes. This book further explores the beauty of typography and is an extension of the first project. In this book, imagery and typography become one in the same, and asks the question: can imagery enhance typography? Each spread is connected either because of similar imagery, color or typography. It’s your job to see if they work together or not. NOTE: The text is either from my first book (i.e. ‘wacko’ and ‘ugh’) or from other sources, like the web. Most images and text are from their respective owners, and are not owned or made by me and is purely used for educational purposes. This book further explores the beauty of typography and is an extension of the first project. In this book, imagery and typography become one in the same, and asks the question: can imagery enhance typography? Each spread is connected either because of similar imagery, color or typography. It’s your job to see if they work together or not. NOTE: The text is either from my first book (i.e. ‘wacko’ and ‘ugh’) or from other sources, like the web. Most images and text are from their respective owners, and are not owned or made by me and is purely used for educational purposes. This book further explores the beauty of typography and is an extension of the first project. In this book, imagery and typography become one in the same, and asks the question: can imagery enhance typography? Each spread is connected either because of similar imagery, color or typography. It’s your job to see if they work images together or not. NOTE: The text is either from my first book (i.e. ‘wacko’ and ‘ugh’) or from other sources, like the web. Most images and text are from their respective owners, and are not owned or made by me and is purely used for educational purposes. This book further explores the beauty of typography and is an extension of the first project. In this book, imagery and typography become one in the same, and asks the question: can imagery enhance typography? Each spread is connected either because of similar imagery, color or typography. It’s your job to see if they work together or not. NOTE: The text is either from my first book (i.e. ‘wacko’ and ‘ugh’) or from other sources, like the web. Most images and text are from their
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ABCDEFGHIJKLMNOPQRST UVWXYZ abcdefghijklmnopqrstuvwxyz This book further explores the beauty of typography and is an extension of the first project. In this book, imagery and typography become one in the same, and asks the question: can imagery enhance typography? Each spread is connected either because of similar imagery, color or typograhy. It’s your job to see if they work together or not.
NOTE: The text is either from my first book (i.e. ‘wacko’ and ‘ugh’) or from other sources, like the web. Most images and text are from their respective owners, and are not owned or made by me and is purely used for educational purposes.
Typography is the art and technique of arranging type to make written language legible, readable, and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths,
line-spacing
(leading),
and letter-spacing
(tracking),
and adjusting the
space between pairs of letters (kerning). The term typography is also applied to the style, arrangement, and appearance of the letters, numbers, and symbols created by the process.
Typography is the art and technique of arranging type to make written language legible, readable, and appealing when
Never let typography break you down.
Never let typography break you down.
Memphis Lt Std (Light)
Who is the real mouse? Century Gothic (Bold)
Didot (Regular)
Caslon 540 Lt Std (Roman)
Typography Typography is the art and technique of arranging type to make written language legible, readable, and appealing when displayed. The arrangement of type involves selecting typefaces, point sizes, line lengths, line-spacing (leading), and letter-spacing (tracking), and adjusting
Bar
the space between pairs of letters
The horizontal stroke in letters. Also referred to as Crossbar.
ntennae (singular antenna)
(kerning).
Antennae are sensory appendages attached to the head of butterflies and moths. Antennae are used for the sense of smell and balance. Butterflies have two segmented antennae with a small club at the end of each. Moths have antennae without the club.
horax
Counter Terminal A circular form at the end of the arm in letters.
Link
The open space in a fully
ings
The thorax is the locus
or partly closed area within
Butterfly wings are made of
for locomotion. The
a letter.
two chitonous layers
thorax is divided into
(membranes) that are
three segments; on each
nourished and supported
segment is a pair of
by tubular veins. The veins
jointed legs. The four
also function in oxygen
wings of the butterfly (or
Leg
A stroke that
Short, descending portion of a letter.
exchange ("breathing").
moth) are also attached to
and bottom bowls
Serif
Covering the wings are
the thorax. The thorax
of lowercase
A stroke added as a stop to the
thousands of colorful
contains the muscles that
double-story g’s. Stem
beginning and end of the main
scales, together.
make the legs and wings
connects the top
move.
strokes of a character.
Vertical, full-length stroke in upright
The Butterfly
characters.
Butterflies are beautiful, flying insects with large scaly wings. Like all insects,
Crossbar Short, descending portion of a
Aperture
they have six jointed legs, 3 body parts,
letter.
The partially enclosed, somewhat
a pair of antennae, compound eyes, and
rounded negative space in some
an exoskeleton. The three body parts
characters.
are the head, thorax (the chest), and abdomen (the tail end). bdomen The butterfly's body is covered by tiny
The abdomen is relatively soft and is divided into 10 segments (7-8 are easily
sensory hairs. The four wings and the
seen, the others are fused). The abdomen contains the butterfly or moth's
six legs of the butterfly are attached to
simple, flexible, tube-like heart, Malpighian tubules, reproductive organs
the thorax. The thorax contains the
(claspers or ovipositors), many spiracles (breathing pores), and most of the
muscles that make the legs and wings
digestive system (foregut, hindgut and rectum).
move.
WORLD DOMI NATION IS JUST A F E W S T E P S A W AY f r o m our grasp!
A L I E N S 1 %
A L I E N S
H U M A N s
9 9 %
1 % C O W S They might have won the battle, but they sure didn’t win the war. Yeah, because we have mad cow disease, that’s why!
...
9 9 %
UGH WACKO | 'wakoÂŻ |
chiefly North American noun informal
1. a person who is crazy or very strange and unusual 2. a person who is regarded as eccentric or mad 3. a crazy person 4. adjective mad, insane
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