Design portfolio

Page 1

Alexandra van Zyl vanzylalexandra@gmail.com


A. van Zyl


Content

MSc Landscape Architecture

Bachelor of Environmental Design

Artworks

01- 06

1316

Dam Housing

2324

Into the Ether

1718

Grading + Drainage

Immerse

Resort Landscape Design

2527

1922

The Crow’s Nest

28

Various

Groningen Gets Fresh Lenses Regional Landscape Design

0710

Westerpark Grows Up

1112

Pollinator Garden

Medium-Scale Park Design

Wageningen Student Farm Design

Farm Housing + Landscape Design

Urban Design + Housing Scheme

Public Sculpture Commission

Completed Public Sculpture Work

Public Sculpture Works

2930

Personal Sketches

*Sketched on the cover is a mountain range directly visible from Fernie, a small town in British Columbia, Canada.

i


Groningen Gets Fresh Lenses Water as Supplier, Connector & Protector for the Province WINTER OUTLET

Project selected to be presented to Groningen Province in June 2017 and then displayed on WUR Open Day, November 2017. COURSE: LAR 35806 Studio Regional Design, Spring 2017 PROGRAM: MSc. Landscape Architecture & Planning at WUR, Netherlands INSTRUCTORS: P. Boone, D. Jauslin, C. Buys, P. de Kort SUMMER INLET

Design Site The Fresh Lenses The Friese Boezem Objectives The changing climate will affect the north of the Netherlands greatly in

1. Space for water excess and storage

3. New Identity with Recreation & Ecological Connectivity

the coming years. Temperature increase and sea level rise will put stress on livelihoods and the provincial economy. Groningen Gets Fresh Lenses is a scheme that proposes a series of fresh water bodies that will address these

evapotranspiration in hot months

challenges and therefore serve important economic, environmental and

fresh water lens

cultural functions. They will supply water for irrigation, space for floodwater, salt water intrusion

a salination buffer, subsidence control, and an exciting new identity for the province. Our site, at the eastern border of Groningen, presents a unique set of

AREAS WITH A HIGH WATER TABLE

DESIGN INTERVENTION SURPLUS WATER AGRTICULTURAL WATER SUPPLY

FRESH GROUNDWATER SALINE/BRACKISH WATER

COUNTER-SALINATION PROCESS

2. Buffer against salination

conditions: its population is declining and its agricultural economy will face a high drought risk in the future. On the other hand, its landscape is incredibly

+

diverse with a rich architectural heritage and great potential to be a lively and resilient region. Through an analysis of regional and local elevation differences, soil types, climate patterns, present and past built fabric, and land division systems, this project proposes local, water-responsive solutions that connect and celebrate the region for an optimistic future. A. van Zyl

SALINATION PROCESS

COUNTER SALINATION PROCESS

EXPLORE GRONINGEN BY BOAT CULTURAL HERITAGE DESTINATIONS

INTERCONNECTED, NATURAL HABITATS

1


Analysis

IT

Infiltration and seepage

INFILTRATION PREDOMINANTLY SAND HEAVY CLAY / PEAT ON SAND MARINE CLAY PEAT AND CLAY

(MM)

20 (ºC)

25

15

2100

20

10

2100 2050

120

80

EVAPOTRANSPIRATION

100

2100

60

2050

80

2050

15

2100 2050

CURRENT

40 60

2100

0

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F

M

A

PRECIPITATION

40 20

2100

20

5

M 0

J

J F

J M

A A

M

S J

O J

N A

0

D S

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N

0

D

CURRENT

CURRENT PRECIPITATION

CURRENT 10

5

Reservoir edges and topography

Drip irrigation priority map

EVAPOTRANSPIRATION

100

25

SEEPAGE

WATER LEVEL

(ºC)

AVG.120Precipitation + E.T. Fluctuations

(MM)

J J

F F

M M

A

A M

M J

J J

J A

A S

O

S N

O D

N

D

2050

WATER LEVEL

AVG. Regional Temperatures

RATION

G DEFICIT

Predominant soil types

AREA ≤ 0m NAP

AREA ≤-0.25m NAP

MORE NATURAL LEVELS (∆0.40M) ECOLOGICAL LEVELS (∆0.60M) MORE NATURAL LEVELS (∆0.40M)

2050

CURRENT

CURRENT

GROWING DEFICIT

GROWING DEFICIT

ECOLOGICAL LEVELS (∆0.60M)

J

CURRENT LEVEL MANAGEMENT(∆0.20M) > Ex. Ijsselmeer

J F

M

A

M

J

J

F A

S

M

A

O

N

M

J

J

A

S

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N

CURRENT LEVEL MANAGEMENT(∆0.20M) > Ex. Ijsselmeer

D

D

ECOLOGICAL LEVELS (∆0.60M) WATER LEVEL

WATER LEVEL

Water Level Management

J

ECOLOGICAL LEVELS (∆0.60M)

MORE NATURAL LEVELS (∆0.40M)

MORE NATURAL LEVELS (∆0.40M)

CURRENT LEVEL

MANAGEMENT(∆0.20M) CURRENT LEVEL MANAGEMENT(∆0.20M) > Ex. Ijsselmeer > Ex. Ijsselmeer

F

J

M

F

A

M

M

A

M

J

J

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J

A

A

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O O

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HIGHEST

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LOWEST

A. van Zyl

2


Regional Design Structural Plan (Original 1:25 000) 0

0.5

1

2 KM

WATER CHANNELS RESERVOIR (DEEP + SHALLOW) NAVIGATION ROUTES + HARBOURS RIPARIAN/LOW-LYING VEGETATION CULTIVATION WITHIN NATURE FOREST DRIP IRRIGATED FLOWER FIELDS ROW TREES AS WIND BUFFERS DRIP IRRIGATED FOOD CROPS FUTURE DRIP IRRIGATION EXPANSION SITE DESIGN LOCATION

Concept

Reservoir: Ecologically-Managed The 1800 HA reservoir provides 9 million m3 of water to the surrounding agricultural area. On average, the Oldambt municipality uses 6 million m3 yearly. This leaves 3 million m3 for Westerwolde.

Site Design: The Exchange At the edge of Winschoten, this recreational destination is where all the water systems converge. It celebrates and enhances connectivity between the areas within the region and becomes an iconic feature in the landscape.

Water Use This area is irrigated by the expanded Oldambtmeer and no longer relies on input from the Ijsselmeer.

Drip: Inverted Peat Landscape Drip irrigation in suitable, sandy areas will reduce demand from the Ijsselmeer by 50%. Combined with a transition to more profitable crops, such as cut-flowers, bulbs and novelty vegetables, the landscape will be transformed into a colourful, sustainable economy.

River: Reinforced and Redirected The banks of the Westerwoldsche-Aa are enhanced with vegetation to improve water quality and reduce evaporation. In areas with a high water table, trees are chosen to absorb excess water. The river will be redirected to connect the south to Winschoten and the north with an ecological corridor combined with Agro-forestry to cater to the boutique food markets.

A. van Zyl

3


Reservoir: Ecologically-Managed Summer low: nap -0.5m Winter high: nap -0.2m

Furrow around reservoir diverts nutrient-rich agricultural run-off

Marine clay Potential for reed harvest and other plants Excavated navigation channel (min depth 1.8m for medium recreational boats)

Peat

I considered this region at a geomorphological, national, provincial, and local

Fine sand and clay

scale, including the buildings themselves. Scattered through-out Groningen are large and grand landhuizen (land homes), remnants of the Graanrepubliek (grain republic) of the twentieth century. I imagine the large homes and barns within

River: Reinforced and Redirected

the reservoir to be partially submerged and artfully decayed into destinations Extend woods to reduce evaporation and foster agro-forestry business Redirect Westerwoldsche-aa to where Oosteinde Road used to be Heritage homes become boutique accommodations along the river. arrive by boat

for canoers and other visitors. The age and decomposition of these structured is embraced as part of the new vision for north-east Groningen.

Relocated access road Marine clay Sand

Drip: Inverted Peat Landscape

A newly parceled landscape of flowers and specialty foods Lines of trees buffer against wind from the south-west Water distributed through a main line

Predominantly fine sand Drip irrigation is 50% more efficient than furrow irrigation. Initial cost is high, but water quantity and timing can be precisely controlled, so crops produce better.

A. van Zyl

Predominantly coarse sand Drip irrigation replaces furrow irrigation

4


Detailed Site Plan (Original 1:200) Situated at the edge of Winschoten, this recreational destination is where all the water systems converge. It celebrates and enhances connectivity between the areas within the region and becomes an iconic feature in the landscape. The sharper language and program on the west of the site reflects its proximity to the adjacent urban centre, Winschoten and the nearby peat colonies. The eastern side reflects the organic language used in the reservoir to the north and the nature area to the east. The waterway to Oldambtmeer

THE BRIDGE

and the Westerwoldsche-Aa run north-south and arrive at a lower level than

PRIVATE ISLAND CAMPING

the Eemskanaal. A two-directional boat lock is designed to connect these

WINDING ELEVATED WALKWAY

waterways and create an iconic moment at the centre of the region.

SOUTH-FACING BEACH HARBOUR BICYCLE ACCESS

The centre of this design features a parallelogrammatic, two-directional boat lock. It is a monument to the region’s new water connections and a functional feature that allows recreational boats to pass between the north and south

VEHICLE ACCESS, PARKING

2

BOAT FACILITIES, PUBLIC SPACE 1

FLOWER FIELDS

in one step. Wide accessible walkways allow visitors to experience this novel system. D

Two-Directional Boat Lock

A

A’

Eemskanaal + Pekel-Aa Level: 0.40 to 0.70 NAP Wester.-Aa + Oldambtmeer: -0.50 to -0.20 NAP

3

C

D’

4

C’

Default position: boats can freely navigate east-west down the Eemskanaal

5

Gates close and system adjusts for the level change as the boat travels north-south

B

GROUP CAMPING TRAIN STOP EVENT AND FESTIVAL SPACE Gates open and boat continues north

6

B’

1-6 1 2 3 4 5 6

WATERWAYS

Eemskanaal Waterway to Oldambtmeer Two-Directional Boat Lock Rensel to Winschoten Pekel-Aa Westerwolsche-Aa

WATER CHANNELS FLUCTUATING WATER’S EDGE RIPARIAN/LOW-LYING VEGETATION FOREST DRIP IRRIGATED FLOWER FIELDS 0

A. van Zyl

20

40

80m

5


Section D - D’

FOREST

FLOWER FIELDS

RECREATIONAL FACILITIES

WALKWAY

Section A - A’

HARBOUR

BOAT LOCK

Section B - B’

EEMSKANAAL

WATERWAY TO OLDAMBTMEER

NATURE AREA

TRAIN TRACKS

Section C - C’

(NAP) 0.4 to 0.7m 0m

A. van Zyl

ISLAND CAMPING

(NAP) 0.4 to 0.7m 0m PEKEL-AA WESTERWOLDSCHE-AA

THE RENSEL

6


Sections 1.200 Sections 1.200 Sections (Original 1.200)

Westerpark Grows Up

raised island with native wetland plants

sheep grazing + marshland

pedestrian + bicycle path

An Edible Landscape Project 1.7

A

10

4

14

4

10

6.5

8.3

6.0

9.3

7.3

A’

4.0

2.0

Finger marshlands

COURSE: LAR 39306 Studio Park Design, Fall 2017 PROGRAM: MSc. Landscape Architecture & Planning at WUR, Netherlands INSTRUCTORS: A. Geuze, D. Jauslin, M. Skjonsberg, B. Kuipers

long rows of poplars and willows

pedestrian + bicycle path

Five master-planned suburbs have emerged to the north of Amersfoort, a

market garden

fast-growing city in the centre of the Netherlands. They have now reached a deactivated landfill, an artificial mountain in the middle of the flat, agrarian

B

B’ 7.5

4.0

4.0

3.6

3.0

1.6

3.0

7.5

Tree-lined market gardens

landscape. It is discussed to transform this unusual terrain and adjacent corridor into a park. Vathorst, the municipality to the east of the site, is expanding so rapidly that it does not yet have an established identity. For this reason, I propose Westerpark Grows Up, a place in which the people of Vathorst cultivate

native forbes buffer, wildlife habitat

community by growing their own food and drink, and accommodating livestock.

open grass field

wildflower pollinator field margin pedestrian path

the hop forest

pedestrian + bicycle path

pedestrian path

row of linde trees along the dike

6.0

The concept of land for productivity is transformed into productivity as

1.0

aesthetic experience. As one cycles north along the water, one encounters

C

C’ 7.0

8.3

5.0

2.0

3.5

D

D’

6.5

4.0

Walking along the dike

various grids and forms within the orchards. The landscape transitions into

4.5

2.0

Hop forest

an open central space with a vineyard in the background and continues on A

A’

through a forest of hops, rows of crops, and finally towards the fields along B’

B

hillside vineyards

water bound parcels remnant of a peat landscape. The shifted grid provides the

shared road herb and vegetable garden to supply the restaurant

accessible rooftop

illusion of width in such a narrow corridor. The circulation is highly cognizant

1.75 1.8

of its edges and its interaction with the surrounding neighbourhood. It will be

restaurant, artisan, and flex space

4.3

covered outdoor market space

B’

enjoyed from both outside-in and inside-out.

0.5

E’

E

B

4.5

6.0

1.7

2.8

22

18

7.0

1.7

7.0

1.7

Vineyards and a view

C

field behind framed by a row of linde trees

C’

primary water line and orchard drainage

mixed community orchard, semi-dwarf rootstock

community cherry orchard, semi-dwarf rootstock

D’

pedestrian + bicycle path

community plum orchard, semi-dwarf rootstock

D P

5.5

E

1.0

F

E’

7.5

16

6.7

6.7

6.7

6.7

6.7

0.6 1.5

15

7.0

4.0

2.0

5.0

F’

5.0

Community orchards and the Westerpark waterway

P

F

F’

traditional, vigorous rootstock apple and pear orchard

traditional, vigorous rootstock apple and pear orchard

native tree and forbes buffer, wildlife habitat

wildflower pollinator field margin

G’

9.0

G

7.0

daffodils and amaryllis as ground cover

G

8.5

Fruit, flowers and forbes

A. van Zyl

7.5 2.5

16

20

13

10

10

G’

7


Westerpark Site Plan 1.750 Detailed Site Plan (Original 1:750)

C’

C

market and community garden plots provide local food for the community

ground floor of new development zoned for restaurants and recreational amenities

a forest of hops takes the visitor out of the mundane and into an unusual spatial experience. The hops is looked after by local enthusiasts and the beer is served in the local restaurants

two elevated islands with wetland trees including rough birch, willow, and alder

open field for gatherings and daily use

grass fields with a high water table used for walking, sheep gazing and wildlife habitat. Native reeds and rush line the edges

D’ D

P

primary circulation route for pedestrians and cyclists

road shared access

n

up the mountai

greenhouses in the winter, private event venues in the summer

A’

A

E

B’

grazing meadows for sheep

E’

B

park green space extends into residential neighbourhood

P

ter p

ark

Wa ter wa y

a variety of native tree species line the parcels to provide a range of aesthetic experiences and cater to local biodiversity. Grand linde trees line the dike on the other side

Th e

We s

grazing slopes for goats enclosed in bright fences and scattered with native forbes vineyards on south and south-east facing slopes

detailed planting plan site

F

dense food forest provides both enjoyment for park visitors and a sense of passage upon entering the park. Pickings inlcue cranberries, currants, blackberries, blueberries, amongst others.

large-scale traditional pear and apple orchard enjoyed by those that visit visit the hidden cafe

F’

park centre with restaurant, event space, variety of herbs and produce to sell onsite. Immediately surrounded by small, community orchards. Adjacent mountain base can function as seating for outdoor performances. band of semi-dwarf fruit trees for the local community.

market and community garden plots provide local food for the community

B’

sequence of experimental and ornamental orchard gardens enclosed by high hedges. Staircase at west end takes the visitor up the mountain

G’

wide band of Japanese persimmon trees. Bright orange fruit stay on the tree until winter.

B

east-west ramps provide a gradual transition between the dike and wetland area. They also respond to platforms of raised soil for better crop growing conditions

wildflower field margins with native vegetation around plots for pollinators and birds plots continue across the road to create physical continuity through out the park wide native plant vegetation buffer for biodiversity and proection from southwesterly winds.

G location of park ornament

A. van Zyl

C

C’

8


Detailed Planting Plan 1.200

200

The detailed site design elaborates on the form of a traditional orchard.

Detailed Planting Plan (Original 1:200)

Reflective of the rest of the park, it incorporates aesthetic elements that also enhance biodiversity (such as the wildflower pollinator belts) and considers

rows of persimmons

seasonality through its choice of trees and flowers (daffodils and amaryllis under the apples). Hidden within the orchard is a small tea house for the spring

rows of persimmons

time wanderer. Unseen from the road, one has to know where to look for it.

Malus pumilia and Malus domestica Two or three varieties of vigorous rootstock domesticated apple trees.

base of the mountain

Pyrus species

native tree and forbes buffer; wildlife habitat

A few species of vigorous rootstock pear trees plum(p) seating elements

native tree and forbes buffer; wildlife habitat

plum(p) seating elements

Diospyros kaki (Japanese persimmon) It is a unique fruit tree because it flowers later than most (late June), and its unpicked orange fruit can remain on the tree until winter

Malus x ‘Harvest Gold’ (ornamental crab apple) wild flower pollinator belt

It is a unique fruit tree because it flowers later than most (late June), and its unpicked orange fruit can remain on the tree until winter

traditional apple and pear orchard

wild flower pollinator belt traditional apple and pear orchard

south entrance

Prunus avium Plena (double flowered wild cherry) It is a unique fruit tree because it flowers later than most (late June), and its unpicked orange fruit can remain on the tree until winter

Tilia cordata

bulbs fields as spring understory

The winter linde is an important supplier of nectar during the winter.

restaurant hidden bulbs in the fruitfields treesas spring understory

Liriodendron tulipifera Also known as the tuliptree Magnolia, it grows to be a large tree and gets covered in a blanket of pink flowers through spring and summer.

Amelanchier ovalis, Cornus sanguinea, Acer campestre Native ‘service berries’ and winter interest plants that provide a focal point under the canopy and provide habitat for native animals.

crab apple feature trees

Wild flower pollinator belt

crab apple feature trees

Westerpark Waterway along primary circulation route Westerpark Waterway along primary circulation route

tall hedge border

A. van Zyl

south park entrance

Fruit trees have to be surrounded with enough sustenance for their pollinators. Wild flower belts are incredibly valuable for this purpose and also cater to the bird population

Daffodils and amaryllis Before the leaves return on the fruit trees, early blooming daffodils and amaryllis emerge as bursts of yellow and red. In addition to their beauty, ground cover prevents weeds from growing and bring greater diversity into the orchard.

9


I accompanied the park design with a personal photography project. This candy photo series is titled Edible Landscapes and illustrates the flavours and atmospheres of the spaces within the park. 1. Frogs and Sheep

Grazing in Westerpark 2. Picking Berries Food Forest in Westerpark 3. Fields and Flowers Market Gardens and Wildflower Pollinator Margins 4. Sitting on Plums

1

Seating Concept for Westerpark 5. Moon and the Persimmons Fruit Orchards in Westerpark

2

A. van Zyl

2

3

4

5

3

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Pollinator Garden Perennial Planting Beds for Wageningen Student Farm ROLE: Landscape designer in collaboration with Maria-Franca Dekkers ORGANIZED BY: Elike Wijnheijmer, WUR LOCATION: The Field: Leren en Delen, Wageningen STATUS: Under construction

Maria-Franca and I took the vague existing idea of creating a flower garden on The [Student Farm] Field west of Wageningen University (shown above) and decided to pursue the project. Due to the neglect of that portion of The Field, we gained support from our colleagues and the from university to realize it. This garden is for the public to enjoy, for the pollinators to feed on, and for us to experiment. We have a small budget and a number of limitations, which means we are positively challenged and it is a pleasure to apply academic learning into practice.

View looking south between the marsh and flowerbeds

View looking south between the tall forbes and grasses A. van Zyl

Design process

11


Detailed Planting Plan (Original 1.50)

View looking south between the marsh and flowerbeds The design considers poor soil and drainage, the desire for low maintenance, the existing plants on site, pollinators, and the choice to use perennials. The plants at the entrance are relatively low-lying and brightly-coloured. As one moves farther south, they gradually increase in height and fade in colour. The original design was circular, so the pathways echo this form and thereby provide the illusion that the beds are bigger because one cannot look immediately to the end of the path. Bulbs, not shown here, will be planted in the autumn and next spring will bring The Field to life before anything else does.

Final plan layout A. van Zyl

Colour-coded plant list

12


Dam Housing Living on the UBC Farm Winner of ‘Best in Studio’ Design Award (Fall 2013) COURSE: ENDS 401 Institution(s) PROGRAM: B. Environmental Design at UBC, Vancouver PROFESSORS: Oliver Neumann + Alissa Reem COLLABORATOR: Matthew Di Prata

Unit Section A 1

Farmwalk Public Walkway

2

Semi-Extensive Green Roof

3

Unit Entrance + Patio Space

4

Private Dwelling

5

Rainwater Catchment Pool

6

Holding Basin

7

Distribution System

1

2

3 4

7

5

6

Render We explore the relationship between student housing, farming, and public amenity on the University of British Columbia’s farm. There is potential to provide all water needed for agrarian and domestic use with water collected and treated entirely on site. The farm relies on municipal water even though annual precipitation supplies more than necessary. We propose a terraced line of housing that ‘dams’ water with a series of catchment pools along the forested and highest edge of the site. Farmwalk, a public walkway and green roof traverses over the length of housing and provides access to residential units below. Publicity and spectacle overhead descend to privacy and intimacy beneath.

A. van Zyl

13


Farm Boundary Existing Road Existing Forest

A

B

Housing Intervention Elevated Public Walkway (Farmwalk) Rainwater Catchment Pools Existing Productive Farmland

Site Plan

Overall Section B Key Plan

A. van Zyl

Render

Sectional Unit Model 1.50

14


Isometric Details

Unit Shower Connected to Water

Farmwalk, Public Walkway Rooftop

Bedroom Connected to Farm

Rain-Garden with Cleansing Biotope

Unit Plans Unit A (2 bdrm)

Unit B (3 bdrm)

Unit A (2 bdrm)

Unit B (3 bdrm)

5

2 4

4

7 6

9

3 10 8

1

Ground Floor - Private Dwelling

Upper Floor - Living Spaces

Farmwalk + Unit Entrance - Public Amenity

Grass Slope

Short Grasses

Cleansing biotopes placed intermittently along the public walkway

7

Bicycle Parking

Biotope Plantings

filter rainwater and provide varied visual and tactile experiences.

Shared Patio Space

8

Walking Path

Tall Grasses

The biotopes incorporate a semi-extensive green roof to guide

4

Main Entrances

9

Cleansing Biotope

5

Access to Public Farmwalk

10 Water Conveyance Furrow

1

Private Farm Access (below grade) 6

2

Access to Living Quarters

3

1

2

3

5

filtered water down into the pools below. Wildflowers, grasses, low perennials, bulbs, and sub-shrubs are supported by a biotope of this scale.

A. van Zyl

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100 100

50

0

Site Analysis: Precipitation + Water Catchment 50 50

200

I

Existing Topography on the Farm

II

Existing Road and Path Network

III

Natural Drainage Vectors

IV

Areas of Slow Drainage

V

Storm Water Drainage

JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC

50000

Avg Rainfall (mm)

Volume of Rainfall on Farm (m3) Volume of Rainfall on Catchment Pools (m3)

40000 150

0 0 JAN FEB MAR APR 30000 MAY JUN JUL AUG SEP OCT NOV DEC JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC 100

200 50

0

20000

50000 50000

150

JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC

Avg Rainfall (mm)(mm) Avg Rainfall Volume of on (m3) Rainfall Volume Farm (m³) Volume of Rainfall Rainfall on Farm Farmon (m3) Volume Volume of of Rainfall Rainfall on on Catchment Catchment Pools Pools (m3) (m3)

10000

0

40000 40000

Intervention Catchment Volume (m³)

JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC

50000

Volume of Rainfall on Farm (m3)

I

II

III

40000

30000 30000

100

Volume of Rainfall on Catchment Pools (m3)

IV

V

30000

20000 20000 20000

50 10000

0

10000 10000 JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC

0

0 JAN FEBFEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC 0 JAN MAR APR MAY JUN JUL AUG SEP OCT NOV DEC JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC

50000

Volume of Rainfall on Farm (m3) Volume of Rainfall on Catchment Pools (m3) 40000

Render Looking North-West 30000

20000

10000

0

A. van Zyl

JAN FEB MAR APR MAY JUN JUL AUG SEP OCT NOV DEC

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Grading + Drainage Resort Landscape Design COURSE: LARC 531 Site Engineering, Spring 2014 PROGRAM: B. Environmental Design at UBC, Vancouver PROFESSOR: Daniel Roehr COLLABORATOR: James Freeman The resort design grew out of a preliminary clay model from which we interpolated the topography. Our building massing, circulation routes, and recreational elements respond harmoniously to the terrain and waterfront condition. We incorporate storm-water management, drainage principles, and site-sensitive design to create a unique sense of place within the existing landscape. This is highlighted in the amphitheatre, which meanders down with the hillside and cantilevers gently over the water’s edge.

Amphitheatre Section A

1:200 Plan of Interpolated Points A. van Zyl

Amphitheatre Plan Detail

1.500 Preliminary Clay Terrain Model

1.500 Final Physical Model

17


Grading and Drainage Plan

A

A. van Zyl

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The Crow’s Nest Urban Design + Housing Scheme: PART I

Winner of ‘Best in Studio’ Design Award (Winter 2014) COURSE: ENDS 402 Settlement(s) PROGRAM: B. Environmental Design at UBC, Vancouver PROFESSOR: Bill Pechet COLLABORATORS: Mika Futz + Marlena Ginocchio Lodged between the residential towers of the West End in Vancouver, we designed a single dwelling (PART I), a dozen dwellings (PART II), and lastly, a strategy for their dissemination though-out the neighbourhood (PART III). A Single Dwelling Within the constrained dimensions of a parallel parking lot, we imagine a warm and protective home for a family to retreat into. The site is accessed by an alleyway whose expanse of asphalt is punctured only by towers, telephone poles, and the local crow community. The crows can live here because they perch their homes off the street and build textured nests with thick walls.

Unit Model 1.50

Their opportunistic use of unwanted space inspires us, and consequently the atmosphere, materials, and spatial arrangement of our home.

Nest Render

A. van Zyl

Unit Sections

Nest Physical Model

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Floor Plans

commercial space commercial seating

bathroom bedroom

studiolo kitchen bar seating

nest bedroom

aluminium sheets exposed timber frame

Ground Floor

First Floor

Second Floor

Third Floor

Roof Plan

Unwrapped Walk-Through Section

Inhabitants leave the exposed, cold alley and disappear into glowing spaces. The spiraling ascent passes small rooms scaled for the sleeping person. Carved out of thick walls are spaces to sit, hide, and store things in. The communal living space is elevated within a terraced and translucent volume. Indirect light floods the space through the edges of the soffit, where the wood frame structure is revealed.

(top) Third Floor Bedroom (bottom) Built-In Study Space

A. van Zyl

20


The Crow’s Nest: PART II Site Plan 2B

2 br unit

3B

3 br unit

LW

Live Work

C

Communal Bldg

1

Pedestrian path

2

Rainwater furrows

3

Terraced raingardens

4

Reflection pools

Alleyway

LW

3B

3B

2B

2B

C

A Dozen Dwellings

variation of the row house. The privacy embraced within

Twelve units take over the parking lot between two towers. In a

each unit is complimented by the communal orientation

neighbourhood where inhabitation is in the sky and views are

of the porch entrances. High, overhanging roofs frame the

directed outwards, our objective is to bring intrigue and focus to

pedestrian walkway and offer refuge from the rain.

3B

1 2B

street level. 2br, 3br and live-work units are for families, groups and entreWe carve out a terraced topography to reconcile the height

preneurs in an area predominated by 1br apartments. Our site

difference between the two streets and host a series of pools

gives its community a few short-cuts, space for spontaneous

and rain gardens. The layout recalls a perforated and terraced

encounter, and an invitation to stay and relax.

2B

2

3

LW

4

Elevation A

Sidewalk

Haro Street A. van Zyl

A 21


The Crow’s Nest: PART III An Urban Projection The final phase considers the role of these homes within the built fabric of the West End. Although the ubiquitous modernist towers cater to the needs of their inhabitants, this intervention enlivens the streets and infuses social and ecological connectivity into its underutilized spaces. Four housing channels are inserted into lots adjacent to Haro Street to connect it to its flanking alleys and break up the lengthy blocks. This scheme diversifies living options, encourages commerce en-route to the nearby Stanley Park, and creates moments of pause along the new and rejuvenated circulation routes. Haro Street Model 1.400

Concept Mapping (above)

2

1

Four Sites

1

water market

bike storage

2

3

4

HARO STREET

art water play

3

user-defined space restaurant patio

4

water filtration + storage community garden

2 br unit. 84m�

Live Work A. 84m�

Denman Street

3 br unit. 96m�

Live Work B. 96m� Communal Bldg

A. van Zyl

22


Into the Ether Public Sculpture Commission ROLE: Student Artist in collaboration with Samantha Melnyk COMMISSIONED BY: AMS Sustainability, UBC LOCATION: New Student Union Building at UBC, Vancouver STATUS: Completed Winter 2015 Ethereal means ‘to resemble the lightest and most subtle of elements’. Paper, a humble material that quietly carries our knowledge, is transformed from an overlooked, two-dimensional surface into an elevated, ethereal form. 602 petri dishes house hand-ripped pieces of chemical pulp (the precursor to white paper products) and present it as a material worthy of observation. As a collective, they become a delicate ribbon that dances with the late afternoon sun and scatters light through-out the space.

(Left to right) Section, process images, final artwork.

A. van Zyl

23


(Left to right) Final artwork, overall elevation, concept sketch. Into the Ether was Melnyk’s and my first venture into public sculpture. From the design onset, we were interested in paper as a medium to examine and discuss the relationship between the university, student body and their aspiration of sustainability. Our design developed through our engagement with the UBC Pulp + Paper Centre. Their rigorous testing processes and efforts in developing more sustainable uses of paper were of inspiration to us and they resulted in an artwork that expresses the labour of many pieces.

A. van Zyl

24


Integrated into the grand staircase that connects the South 200th plaza to the parking garage

Immerse

below, the artwork will become a spatial and experiential element that both captures and plays with light andSculpture patterns to reveal a varietyStudio of shapes depending on where you stand. Public | Jill Anholt Immerse is comprised of a series of cross-sectional waves-like forms that cascade through ROLE: Project Designer I beganthe with Anholt after the initial conceptual design of Immerse had been

the angle of view. Immerse is suspended within the stairwell that connects the

Jill Anholt, sculpture artist, Canada established. open EMPLOYER: space, occupying the public void from beyond theVancouver, inner railing of the spiral staircase to its outer We developed the design significantly due to financial constraints

public plaza with a parking garage below, it leaves the plaza open for events

concrete edge at the plaza level. It is intended that the connections of the artwork become STATUS: Completed 2016 concept. The artwork was completed shortly after I left the studio.

the staircase.

LOCATION: Exterior plaza stairwell at Angle Lake LRT, Seatac, WA, USA

and structural complexity, which consequently strengthened the artwork

and pedestrian movement but submerges the commuter when they descend

seamlessly integrated into the walls of the plaza staircase. This will involve collaboration with the design and engineering team for the plaza and parking structure.

A. van Zyl

Immerse celebrates and amplifies a single moment in the pouring rain when

(Top left) Artwork inserted into existing render by project architect.

a water droplet’s energy radiates outwards. Water’s simultaneous materiality

(Bottom left) Photo, taken by Jill Anholt, of realized project.

and immateriality is articulated as the ribs coalesce and disperse depending on

(Right) Day render by Emily Sims; 3D Rhino model by Alex van Zyl.

25


Plan + Sections: Final Design Drawing Set (Extract)

4 4

5 5

TOP CURVED TOP CURVED HSS CHORD HSS CHORD TYP. TYP. 5"Ø 41" THICK 5"Ø 41" THICK

NOTE: NOTE: REFER REFER TO RHINO TO RHINO MODEL MODEL FOR FOR ARTWORK ARTWORK GEOMETRY. GEOMETRY. ALL DIMENSIONS ALL DIMENSIONS TO BE TOCONFIRMED BE CONFIRMED BY FABRICATOR. BY FABRICATOR.

2@38" THICK 2@38" THICK STRUCTURAL STRUCTURAL STEELSTEEL RIB TYP. RIB TYP. STEELSTEEL CORBEL CORBEL SUPPORT SUPPORT TYP. TYP. FOR HSS FOR CHORD HSS CHORD (TYPE (TYPE A CONNECTION) A CONNECTION) (SEE STRUCTURAL) (SEE STRUCTURAL)

SHEERSHEER STEELSTEEL TAB SUPPORT TAB SUPPORT TYP. FOR TYP. RIB FOR RIB (TYPE (TYPE C CONNECTION) C CONNECTION) (SEE STRUCTURAL) (SEE STRUCTURAL)

DIM. VARIES

DIM. VARIES

U U

EMBEDEMBED PLATEPLATE (SEE STRUCTURAL) (SEE STRUCTURAL)

LEVELLEVEL 3 3 418'-0"418'-0"

30'-3" 30'-3"

DIM. VARIES DIM. VARIES

BOTTOM BOTTOM CURVED CURVED HSS CHORD HSS CHORD TYP. TYP. 5"Ø 41" THICK 5"Ø 41" THICK WELD AROUND WELD AROUND HSS CHORD HSS CHORD (SEE STRUCTURAL) (SEE STRUCTURAL)

V V

PEDESTRIAN STAIRCASE PEDESTRIAN STAIRCASE

LEVELLEVEL 2 2 406'-6"406'-6"

EMBEDEMBED PLATEPLATE I I6 (CRD_01_STR) (CRD_01_STR) PA07

6

PA07

19 18

1

1 1 TOP HSS TOP CHORDS; HSS CHORDS; 3@5"Ø3@5"Ø 4" THICK 4" THICK SINGLESINGLE CURVATURE CURVATURE ARCS (X, ARCS Y, Z) (X, Y, Z)

19 18 17

STRUCTURAL RIB: RIB: TYPICAL TYPICAL SECTION SECTION 1 STRUCTURAL

W W

1/4" = 1'-0" 1/4" = 1'-0" PA.02 PA.02

16

EMBEDEMBED PLATEPLATE H H5 (CRD_02_STR) (CRD_02_STR) PA07

5

3 3 3@5"Ø3@5"Ø BOTTOM BOTTOM HSS CHORDS; HSS CHORDS; 8" THICK 8" THICK SINGLESINGLE CURVATURE CURVATURE ARCS (A, ARCS B, C) (A, B, C)

17 16 15

PA07

15 14

14 13

12 11

11 10

10 9

Z Y 9 8

X Y 87

X

76

C

65

54

A B

C B 3 4

A 1 2

2 3

1

PLATEPLATE A A 3EMBEDEMBED (CRD_01_END) (CRD_01_END) PA06

4

EMBED EMBED PLATEPLATE B B 4 (CRD_02_END) (CRD_02_END) PA06

3 THICK NON-STRUCTURAL NON-STRUCTURAL 4" THICK STEELSTEEL RIB TYP. RIB TYP.

PA06

EMBEDEMBED PLATEPLATE G G 4 (CRD_03_STR)(PLT_01) (CRD_03_STR)(PLT_01) PA07

4

PA07

DIM. VARIES

X X 5

PA06

3 LEVELLEVEL 3 418'-0"418'-0" EMBEDEMBED PLATEPLATE F F8 (PLT_02) (PLT_02) PA06

DIM. VARIES DIM. VARIES

6@ STEEL CORBEL SUPPORT TYP. FOR 6@ STEEL CORBEL SUPPORT TYP. FOR HSS CHORD (SEE STRUCTURAL) HSS CHORD (SEE STRUCTURAL) STAIRWELL STAIRWELL WALL INNER WALL INNER EDGE EDGE

PA06

6

PA06

WELD AROUND WELD AROUND HSS CHORD HSS CHORD (SEE STRUCTURAL) (SEE STRUCTURAL)

EMBEDEMBED PLATEPLATE E E7 (PLT_03) (PLT_03)PA06

EMBED EMBED PLATEPLATE D D 6 (PLT_04) (PLT_04) PA06

7

PA06

PEDESTRIAN PEDESTRIAN STAIRCASE STAIRCASE

15@ 34" 15@ NON34STRUCTURAL " NON STRUCTURAL RIB RIB TYP. TYP.

Y Y

LEVELLEVEL 2 2 406'-6"406'-6"

PLATEPLATE C C 5EMBEDEMBED (CRD_03_END) (CRD_03_END) PA06

8

BOTTOM BOTTOM CURVED CURVED HSS CHORD HSS CHORD TYP. TYP. 5"Ø 38" THICK 5"Ø 38" THICK

3 4@ (2X) 4@ (2X)38" STRUCTURAL RIBS TYP. RIBS TYP. 8" STRUCTURAL

4@ STRUCTURAL 4@ STRUCTURAL STEELSTEEL RIB SUPPORT RIB SUPPORT TYP. TYP. (SEE STRUCTURAL) (SEE STRUCTURAL)

3

NON-STRUCTURAL RIB: RIB: TYPICAL TYPICAL SECTION SECTION 2 NON-STRUCTURAL

DRAFT DRAFT REVIEW REVIEW SET SET

2

2 16/01/14 16/01/14

FINAL REVIEW FINAL REVIEW SET SET

SCALE: SCALE:

DRAWN DRAWN BY: BY:

AVZ AVZ CHECKED CHECKED BY: BY:

230 - 230 3 WEST - 3 WEST 3RD AVENUE 3RD AVENUE VANCOUVER VANCOUVER BC BC

FULL SCALE

1 15/12/18 15/12/18

DESIGNED DESIGNED BY: BY: FULLIS SCALE LINE 1" AT

CONSTRUCTION FORCONSTRUCTION NOT NOTFOR

A. van Zyl

1

OVERALL ARTWORK ARTWORK KEY KEY PLAN PLAN 3 OVERALL

1/4" = 1'-0" 1/4" = 1'-0" PA.02 PA.02

1/4" = 1'-0" 1/4" = 1'-0" PA.02 PA.02

LINE IS 1" AT

2

3

PA06

STEELSTEEL CORBEL CORBEL SUPPORT SUPPORT TYP. TYP. FOR HSS FOR CHORD HSS CHORD (TYPE (TYPE A CONNECTION) A CONNECTION) (SEE STRUCTURAL) (SEE STRUCTURAL)

DIM. VARIES

ON\SOUND TRANSIT\06_CONSTRUCTION AND FABRICATION\01_DRAWINGS\01_AUTOCAD\JA_ST_FINAL REVIEW SET_160114.DWG 0:29 AM | ######### ON\SOUND TRANSIT\06_CONSTRUCTION AND FABRICATION\01_DRAWINGS\01_AUTOCAD\JA_ST_FINAL REVIEW SET_160114.DWG

TOP CURVED TOP CURVED HSS CHORD HSS CHORD TYP. TYP. 5"Ø 41" THICK 5"Ø 41" THICK 3 4"

Z

13 12

ARTWORK ARTWORK ATAT ANGLE ANGLE LAKE: LAKE: FILENAME: FILENAME: JA_ST_FINAL JA_ST_FINAL SECTIONS SECTIONS + PLAN + PLAN REVIEW REVIEW SET_160114 SET_160114 CONTRACT CONTRACT No.: No.:

DRAWING DRAWING No.: No.:

26 LOCATION LOCATION ID: ID:


13’-0 1/4”

ed segment E into

9

Attach and aim 6 lights to pre-installed conduit and junction boxes. Remove scafolding and enjoy.

tach to segment TheD.large span of the unsupported arcs, the location, suspension, and the weight tach to 1 wall plate.

of this artwork made construction, transport, and installation challenging. A

h: 32.4 ft continuous dialogue with the engineers and fabricators allowed me to 3D model rib S.A: 47.5 sq ft rib S.A: 17.6 sq ft artwork to a high degree of completion and accuracy. This model was used the

for fabrication and also to illustrate an installation sequence that accommodated Jill Anholt Studio the fabricators’ needs.

18/06/2015

The artwork is composed of a series of painted, laser-cut steel plates welded to arced metal pipes and bolted to one another. They are painted a light turquoise with lighting calibrated to add an extra coating of blue at night.

Artwork at Angle Lake Station

Artwork at Angle Lake Station

Installation Sequence INSTALLATION SEQUENCE

1

Photo, taken by Jill Anholt, of realized project

INSTALLATION SEQUENCE

2

3

4

5

6

7

8

18’-2”

16’-7 1/4”

16’-7 1/4”

5’-9”

5’-0”

7’-10 1/4”

8’-3”

A

5’-9”

5’-0”

7’-10 1/4”

B

5’-6 3/4”

5’-6 3/4”

5’-11 1/2”

8’-3

A

16’-3 1/4” 18’-2”

13’-0 1/4”

11’-2 3/8”

7’-2”

8’-3”

C

A. van Zyl 1

Install nine 12”x15” embed plates as

6 2

Weld 6 steel support corbel plates

3

Build scaffolding platform in place.

4

Lower pre-welded segment A into

51

Install pre-welded nine 12”x15”segment embed plates Lower B into as

2

Lower pre-welded segment C into place. Weld 6 steel support corbel plates Mechanically attach to segment B.

D

7 3

Lower pre-welded segment D into place. Build scaffolding platform in place. Mechanically attach to segment C.

E

8 4

27

Lower pre-welded segment E into place. Lower pre-welded segment A into Mechanically attach to segment D.

9 5

At R Low


Various Public Sculpture Projects | Jill Anholt Studio

During my employment as Project Designer at Jill Anholt Studio, I was involved in a number of projects at various stages. I was intimately involved with the detailed design of Bloom. I built the 3D Rhino model and created preliminary construction drawings for the fabrication team. Bloom went into construction after I left and was completed in 2017. Thrive and Passage are both unbuilt, short-listed competition entries in which I built the maquettes and worked with Anholt on the design and proposal entry. I also worked with Anholt on the preliminary design of Turbulent. I built both a physical model and 3D Rhino model that were adopted by the next project designer and ultimately also completed in 2017. All of the projects directly address their site and are

1

intertwined in different ways with local narratives.

2

1, 2

Bloom

Located in Burnaby, Canada

Completed in 2017

(Photographs by Michael Elkan)

3 Thrive

3

4

Short-listed competition entry

Virginia Beach, USA

(Unbuilt) 4 Passage

Short-listed competition entry

Edmonton, Canada

(Unbuilt)

5 A. van Zyl

5, 6

Turbulent

Located in Edmonton, Canada

Completed in 2017

(Photographs by DCM Photography)

6 28


Personal Sketches Portraits of Fur and Furry Places

A. van Zyl

29


A. van Zyl

30


Alexandra van Zyl vanzylalexandra@gmail.com


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