Nail 0607 web by Allegro Media Group

NEW RELEASES JUNE 2007 STREET DATES 6-12-07 & 6-26-07 A DIVISION OF ALLEGRO CORPORATION

INSIDE Legendary Music - New Label! • Immaculate Machine • Vells • Two Lone Swordsmen Mill Pond - New Label! • X27 • Sugar & Gold • Fred Katz • Forty Marshas • Dr. Dog LP Child Abuse • Elemae • The Flying Burrito Bros

Can you sell over a quarter of a million records and still be called “underground”? Living Legends probably don’t care what you call them, as long as you keep calling, and they’re confident you will. With ten individual members and multiple groups within the group, calling them prolific would be an understatement. The core crewmembers are Murs, The Grouch, Eligh, Luckyiam, Scarub, Bicasso, Sunspot Jonz, Aesop the Black Wolf, and Arata. Heading out in July on the appropriately named Paid Dues tour (co-founded by Legends breakout success story Murs), they’ll join fellow indie hip-hop luminaries Felt (Murs with Slug & Ant from Atmosphere), Brother Ali, Cage, Mr. Lif, and others. In July, the Paid Dues tour will meet up three times with the monumental Rock the Bells phenomenon. These shows will undoubtedly be some of the biggest hip-hop events ever assembled, boasting a lineup that includes Rage Against the Machine, Wu-Tang Clan, Cypress Hill, The Roots, Nas, Mos Def, Public Enemy, MF Doom, Blackalicious, and plenty more. These three events will take place at Randall’s Island (NYC), PacBell Park (SF), and NOS Events Center (San Bernardino). Hundreds of thousands of people will be exposed to the Living Legends, in person, this summer!

Living Legends Legendary Music Vol. 1 Genre: Hip-Hop Label: Legendary Music CD: LGM 60 Price Code: J Previously Available NOT AVAILABLE IN CANADA

Living Legends Classic

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The Living Legends (The Grouch, Murs, Luckyiam, Eligh, Sunspot Jonz, Scarub, Bicasso, and Aesop) are back with a summertime prelude to their tenth anniversary release. Legendary Music Vol. 1 presents brand-new music from each of the Legends, as well as unreleased tracks from 3MG and G&E. As a follow-up to the highly successful releases Classic (over 25,000 sold) and Creative Differences (over 35,000 sold), this is a sure shot for all hip-hop fans. Features production by Eligh, The Grouch, Scarub, Bean One, Hecktik, Dirt Nasty, DJ Fresh, and Brycon as well as featured appearances by Slug (Atmosphere) and Marty James (One Block Radius).

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Living Legends Crappy Old Shit

Genre: Hip-Hop Label: Legendary Music CD: LGM 406 Price Code: O Previously Available

Genre: Hip-Hop Label: Legendary Music CD: LGM 282 Price Code: O Previously Available

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Amazing Living Legends crew album! This is one album that truly lives up to its name, and exceeds expectations! Most of the album was recorded in February 2004 when the eight Living Legends were all staying together in a house on Maui for a month. That was the first time in recent memory all eight members were together with the purpose of recording a new project, and what came out of those sessions is definitely their strongest material yet. The cover photo shows all eight LL members. Production by Madlib, Eligh, Grouch, Sunspot, DJ Khalil, Kruse, DJ Epik, and Bean One.

Living Legends Creative Differences

“A throwback to the first golden age of classic hip-hop albums: early De La Soul’s pop culture giggles, Digital Underground’s playful rudeness, A Tribe Called Quest’s cross-cultural fearlessness, Public Enemy’s sonic fingerprints and the no-rules aesthetic of the Wu-Tang Clan are all touched upon at different points in this sprawling masterwork … Topics range from the goofily scatological … to the pointedly political.” — All Music Guide

Genre: Hip-Hop Label: Legendary Music CD: LGM 522 Price Code: O Previously Available

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Recorded between the years of 1995 and 1998, this music represents a moment in time when all of the Legends lived under one roof in the Outhouse Village with one bathroom and four studios. Untamed bass, tape hiss, young voices, and years of flavor—all on one disc! Enjoy this chapter of Living Legends music history. Track 1 produced by Elusive. Tracks 2-8, 10, 11,14 & 16 produced by The Grouch. Tracks 9 & 12 produced by Sunspot. Tracks 13 &15 produced by Eligh.

Nail welcomes LEGENDARY MUSIC to its roster Without a real label structure outside of their own much-lauded, do-ityourself energy, Legendary Music has been fielding worldwide requests for more of the Living Legends’ music without reprieve since the early 1990s. Now, Legendary Music comes to NAIL via Cornerstone RAS! The Living Legends crew is a family of independent hip-hop creators bringing a raw, unique sound and an unfiltered glimpse into the members’ daily lives. It is this personal connection with the audience that has caused their loyal fan base to extend around the world, and it is their talent as emcees and producers that has garnered them the respect of their peers. It all started with BFAP (now known as Sunspot Jonz) and PSC (Luckyiam), who laid claim to the name of Mystik Journeymen in the early 1990s. By ’94 they were local legends for throwing Underground Survivors shows, house-party style. That’s where The Grouch hooked up with the Journeymen in 1995, just before they took off on their renowned first European tour. In 1999 the Legends shifted their center of gravity to Los Angeles, but their presence has definitely not diminished in Oakland and the Bay. You know it makes no difference where they stay, because the universe revolves around them anyway! Now in 2007, Legendary Music’s catalog has grown substantially, including releases from not only the Living Legends but also solo albums from the Mystik Journeymen, Luckyiam.PSC, and Scarub.

Mystik Journeymen Magic

Mystik Journeymen The Black Sands ov Eternia

Genre: Hip-Hop Label: Legendary Music CD: LGM 1252 Price Code: O Previously Available

Genre: Hip-Hop Label: Legendary Music CD: LGM 1251 Price Code: N Previously Available

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This album bumps! It’s still the same ‘ol Mystik Journeymen, just more mature and more evolved. That’s it. Mystik have been putting it down for so long and are so tight at doing what they do, this is a classic album not to miss.

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Ever hear of the Black Sands of Eternia? The Mystik Journeymen explain this deep metaphor for yah in their 1999 release featuring Aceyalone, The Grouch, and more. “Trippy, blunted stuff, full of lazy beats and philosophical rhymes.” — All Music Guide

Luckyiam.PSC Justify the Mean$

Luckyiam.PSC Extra Credit 2

Genre: Hip-Hop Label: Legendary Music CD: LGM 1250 Price Code: N Previously Available

Genre: Hip-Hop Label: Legendary Music CD: LGM 302 Price Code: N Previously Available

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Luckyiam.PSC’s official debut solo full-length. With Eligh on the beats and so many dope guests, how can you front? We’ve seen PSC grow as an artist, from his early days in the Mystik Journeymen to his more recent collaboration with The Grouch as the CMA. Highly anticipated yet very underrated.

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Second volume of Extra Credit, previously only available from PSC on tour and at Access/llcrew.com, now available in a town near you! Don’t be deceived—this is a full-length, fullstrength album of all new material. PSC’s best solo release yet! Production by The Nothing, Ugly Duckling, A.M., and Mils. Cuts by Dark Toof; additional vocals by Sappy Sapson.

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Immaculate Machine Fables Genre: Alt Rock Label: Mint Records CD: MRI 103 Price Code: Q NOT AVAILABLE IN CANADA

LP: MRI 103 Price Code: Q NOT AVAILABLE IN CANADA

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Featured Artists

Overview

Brooke Gallupe: guitar, vocals/Kathryn Calder: keyboards, vocals/Luke Kozlowski: drums, vocals/Owen Pallett, Michael Olson: strings/Alex Kapranos, The Cribs, Caitlin Callupe, Leslie Rewaga: backing vocals/John Collins: percussion, synthesizer/Olivia Meek: musical saw

Recorded at JC/DC Studios by Dave Carswell and John Collins, with Colin Stewart handling additional recording and mixing at Gallupe Manor and Vogville Studios, Fables shows another dimension of the Immaculate Machine sound. Warm reverb envelops the songs, capturing the feel of classic ’60s recordings—a time when the source of the sound and the feel of the room exceeded the desire for the unnecessary overdubbing of so many of today’s recordings. These dulcet sounds represent Immaculate Machine at its best: intimate, personal, and urgent compositions with a focus on the interplay between a tightly knit trio of close friends. The members are adept at reading the next move within a song, creating subtle dynamics that are so rewardingly apparent to the listener. Features string arrangements by Owen Pallett (Final Fantasy, Arcade Fire) as well as special guest vocals by UK group The Cribs and Franz Ferdinand’s Alex Kapranos.

Press Quotes “The songs sound like the best of retro Canadian new wave.” — Bay Area Reporter “Together for a scant three years,Victoria indie trio Immaculate Machine sounds remarkably cohesive and fearlessly energetic on their Mint debut. With guitarist Brooke Gallupe and drummer Luke Kozlowski switching off vocal duties with able-voiced keyboardist Kathryn Calder, the he said/she said dynamic makes for a charming listen.” — Eye Weekly “Together they create dense layers of sound, three-part harmonies, and hooks where Calder’s voice rings like a bell aimed at the heart.” — Bitch

Selling Points • Features Kathryn Calder of The New Pornographers. • String arrangements by Owen Pallett of Final Fantasy and Arcade Fire. • Special guest vocals by The Cribs and Franz Ferdinand’s Alex Kapranos. • US, Canadian, and European tours. • US college radio promotion by Pirate Promotion. National press campaign. • Ads in Big Takeover, Pitchfork, Skyscraper, Harp, Paste, Magnet, Bust, Under the Radar, and more.

Key Markets Seattle, Portland, Los Angeles, Chicago, New York, San Francisco

Track Listing Jarhand • Dear Confessor • Roman Statues • Old Flame • Small Talk • Nothing Ever Happens • Northeastern Wind • C’mon Sea Legs • Pocket • Blinding Light ALSO AVAILABLE

Immaculate Machine Ones And Zeros CD: MRI 87 (M) NOT AVAILABLE IN CANADA

STREET DATE JUNE 12, 2007

A TRIPLE RE-RELEASE OF SOME MINT RECORDS CLASSICS Overview “Come Out Come Out is Cub’s masterpiece, transcending the cutesy limitations of cuddlecore to create music of genuine originality and meaning. Each of the eleven original tracks here is an absolute gem, buoyed by Ramones-like abandon but anchored by an ever-expanding melodic sophistication and lyrical depth … cuddlecore’s finest hour.” — All Music Guide One of Mint Records’ top five sellers to date! The label is happy to reissue cuddlecore pioneers Cub’s sophomore effort Come Out Come Out, presented in a re-mastered format. Featuring the songs “New York City” and “Flaming Red Bobsled,” 1995’s Come Out Come Out presented the amazing growth of Cub as a band, with bassist Lisa Marr, guitarist Robynn Iwata, and Lisa G on drums. This album proved to be the fantastic pop creation that made Cub a mainstay on the independent music scene.

Selling Points

Cub Come Out Come Out Genre: Alt Rock Label: Mint Records CD: MRI 5 Price Code: Q

• #1 on Canadian college radio for two months running!

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Overview “[An] insanely catchy debut … The performances grow more assured with each passing track; whether tackling Lisa Marr’s own infectious compositions (highlighted by the idyllic ‘Motel 6,’ the buoyant ‘My Chinchilla,’ and the wistful ‘Someday’) or well-chosen covers (Beat Happening’s ‘Cast a Shadow,’ The Beach Boys’ ‘Surfer Girl’), Cub’s naive charm is irresistible.” — All Music Guide

Cub Betti-Cola Genre: Alt Rock Label: Mint Records CD: MRI 2 Price Code: Q

This is the album that put Mint Records and Cub on the map! Betti-Cola, the debut album from the founders of cuddlecore, is now available again in an expanded and re-mastered format featuring classic artwork by Dan Decarlo of Archie Comics fame. Originally released in 1994, this release compiles songs from early Cub 7”s as well as fifteen songs recorded for the album. An essential Cub release, Betti-Cola topped the Canadian college charts for three months and garnered positive press from critics and fans around the globe.

Selling Points • #1 on Canadian college radio for three consecutive months!

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“Full of wheezing bluegrass fiddles, tributes to Hank Williams, a Wanda Jackson cover, and several testimonies to the virtues of being an ornery, Jack-bottle-wielding-wild-woman and is, therefore, totally entertaining.” — Eye Weekly

Overview Featuring Neko Case on vocals and drums! Mint Records is happy to reissue this well-trained cow-punk trio’s hard-hitting garage sounds. Released in 1996, The Unforgiving Sounds of Maow is full of highlights, such as Neko Case belting out some Wanda Jackson and Nancy Sinatra numbers while spanking the cans in full Levon Helm style. Sounding kind of like Nancy Sinatra going out drinking with The Cramps, Maow references brazen, raunchy garage and rock ‘n’ roll in the tradition of The Trashwomen and The Shitbirds!

Selling Points • Features Neko Case on vocals and drums! File Under: Neko Case

Maow The Unforgiving Sounds of Maow Genre: Alt Rock Label: Mint Records CD: MRI 19 Price Code: Q NOT AVAILABLE IN CANADA

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Overview

The Choir Practice The Choir Practice Genre: Alt Rock Label: Mint Records CD: MRI 104 Price Code: Q

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Like an infectious musical sewing circle, The Choir Practice grew and grew, secretly creating rich harmonies and conventional pop arrangements with a choral delivery until their first official show: opening for the always eccentric Antony & The Johnsons. Mint Records is very proud to introduce the debut from this ensemble, a featured act at the last two Mint Records Ridiculously Early Christmas Parties and runners up in Shindig!, the Vancouver indie rock battle of the bands. Choirmaster Coco Culbertson is no stranger to the Vancouver music scene (The Gay, A.C. Newman, The Tennessee Twin). Acknowledging the need for musical camaraderie, she recruited new and old friends including Larissa Loyva (P:ano, Kellarissa), Naomi Mepham, Olivia Fetherstonhaugh (Fanshaw), Jenn Chycoski (Pokiok Falls), classical music enthusiast Kristen Halliday, Chris Kelly (Gay Straights), Shane Turner (Love and Mathematics), DJ Scotty “Ska-T” Stewart, photographic sensation Karin Bubas, filmmaker Shira Blustein (Blood Meridian), Ida Nilsen (Great Aunt Ida, The Buttless Chaps), outsider artist/musician Sydney Vermont (Hello Blue Roses), florist Marcy Emery (Heartbreak Scene), and Kurt Dahle (The New Pornographers, The Basement). The resulting debut from this ever-expanding indie rock choir recalls the beautiful harmonies of ’60s psych-folk sensations The Free Design combined with the unique song presentation of The Langley Schools Music Project.

Selling Points • Features Coco Culbertson (The Gay), Larrissa Loyva (P:ano), and Ida Nilsen (Great Aunt Ida, Buttless Chaps). • Produced by New Pornographers drummer Kurt Dahle; mastered by Peter Moore. • National press & college radio promotion. • Ads in Pitchfork, Bust, Big Takeover, and more.

Key Markets Seattle, Portland, San Francisco, Los Angeles, Olympia, Chicago, New York

Track Listing Running On • Redfox • I See Things • Pretty • White Hat • Believe In Something • Failsafe • Little Hands • Things I Say • Loose Lips • Up All Day

Overview “A refined sense of melody in motion, capturing the lively patterns that surround us but are so easily overlooked.” — XLR8R Recorded live on KXLU in Los Angeles, Psychic Emperor strips down the sounds of their überorchestrated debut album to knock out the songs on Communication with assured simplicity. Tristan Marcum (Vells) sings and plays guitar, while Darrin Wiener (Plastiq Phantom) plays bass, drums, and melodies on a Gameboy running LSDJ, all while mixing the session live to the airwaves.

Selling Points • Darrin Wiener has recently been working with Modest Mouse in the studio, and occasionally plays shows with the band, operating samples and electronics. • Tristan Marcum’s unique voice and songwriting style have caught the attention of dedicated listeners worldwide. • Wiener & Marcum’s collaboration as Vells (with Modest Mouse’s Jeremiah Green) has garnered much praise from critics and fans. • Includes a live version of “Attitude” by The Misfits. • Unique packaging includes a ceramic tile mounted in a standard jewel case. • Service to college radio, key press outlets, and online webzines.

Key Markets Hometown: Seattle. Also: Portland, San Francisco, Los Angeles, New York, San Diego, Austin, Miami, Chicago

Track Listing Sever Heavy Hands • Royal Brohams • I’m So Glad • Thrice Three’s Nine • Solar Mountain Sundown • Attitude

Psychic Emperor Communication Genre: Alt Rock Label: Imputor? CD: ITR 39 Price Code: E

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Psychic Emperor Psychic Emperor CDEP: ITR 28 (J) NOT AVAILABLE IN CANADA

STREET DATE JUNE 12, 2007

Vells Integretron

Cross-File Under: Modest Mouse

Genre: Alt Rock Label: Imputor? CD: ITR 41 Price Code: N

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Featured Artists

Overview

Jeremiah Green: drums, guitar, amps, vocals Adam Howrey: bass Tristan Marcum: vocals, organ, temple piano, guitar Tony Palmasani: guitar Tom Peloso: fiddle Mary Thinnes: piano, vibraphone, synth, vocals Darrin Wiener: Moog, dust

What hits you first about this band is that it includes Modest Mouse drummer Jeremiah Green. Add singer/songwriter Tristan Marcum, and your ears will surely want to welcome Integretron. Vells formed back in 2002 with classical pianist Mary Thinnes and bassist Adam Howrey (Fruit Bats, Helvatia). This album also features the talents of Red Stars Theory’s ultra-melodic guitarist Tony Palmasani and fiddle magic from fellow Modest Mouse member Tom Peloso. The sheer amount of musical texture on Integretron is matched by Marcum’s lyrical detail and suave flow, melded with Vells’ signature celestial harmonies to create a surreal, dreamlike masterpiece. The band’s style is reminiscent of the modern straightforwardness of friends (and fans) The Shins, combined with the psychedelic sonic characteristics of The Beatles and infused with innovative new sounds similar to The Knife. The result is a dazzling collection of spun-sugar songs that woo listeners with a gleeful brand of apocalyptic pop.

Press Quotes “Featuring members of Modest Mouse, Red Stars Theory, and Stagger Lee, Vells follows up their brilliant Flight From Echo Falls LP with this excellent album reminiscent of The Shins on steroids.” — Don Yates, KEXP “Tristan Marcum’s ether-worldly rising harmonies conspire with shiny melodies and steadily bouncing meters to craft perfectly visceral pop songs.” — Pitchfork “File under: magical realism for urban cynics. Vells’ unicorn pop is catchier than any disease indigenous to the land of make-believe … Tristan Marcum’s dream-weaving tones are haltingly beautiful.” — Seattle Weekly “Put Tristan Marcum and Jeremiah Green (yes, that Jeremiah Green) in a studio and you get gold, friend, gold. Gold stamped gold, even.” — Bandoppler [9.5]

Selling Points • Features Jeremiah Green and Tom Peloso of Modest Mouse. • First album, Flight From Echo Falls, charted high on college radio. • Named Best Artist in Seattle by Seattle Weekly and The Stranger. • Artwork by Brazilian designer Nando Costa. • Recorded, mixed, and produced by Darrin Wiener (Plastiq Phantom), who assists Modest Mouse both live and in the studio. • Massive mailing/promotion to college radio, magazines, and websites.

Key Markets Hometown: Seattle. Also: Portland, New York, San Diego, San Francisco, Los Angeles, Austin, Miami, Chicago

Track Listing Precious Sweet • Crystalline Meeting • All Eleven Lull • Belle of the Wood • Tom Cruise Control • Integretron • Duessa and Fidessa • Testify Prestify • Silver Dagger • Ninja Please • Fair’s Fair • Once Upon a Whirlpool ALSO AVAILABLE

Vells

Flight From Echo Falls CD: ITR 23 (N) NOT AVAILABLE IN CANADA

STREET DATE JUNE 12, 2007

Two Lone Swordsmen Wrong Meeting II Genre: Electronica Label: Rotters Golf Club CD: RGC 14 Price Code: M

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Featured Artists

Overview

Andrew Weatherall: vocals, keyboards Keith Tenniswood: guitar, bass Nick Burton: drums Sophie Braithwaite, Nina Walsh: backing vocals

Following on from the success of their last album, From the Double Gone Chapel, Two Lone Swordsmen return and the evolution of their sound continues. Generally credited with inventing indie dance through his work with Primal Scream, Flowered Up, and My Bloody Valentine, Andrew Weatherall pioneered the crossover between big electronic beats and equally big guitar chords—and his fondness for good old-fashioned rock ‘n’ roll is celebrated on this release. Featuring elements of garage and rockabilly, but also the more familiar layer of electronica, Wrong Meeting II moves in a new direction. What is particularly striking about this album is Weatherall’s growth in stature—not only as a singer and frontman, but also as a sharp wordsmith. Here, we find tales of love and rejection that rip open a seething underbelly of mistrust, tension, revenge, and redemption. Wrong Meeting II wears its influences on its sleeve while still sounding utterly contemporary. Once again, Two Lone Swordsmen have created an album that pushes the boundaries between musical genres and remains challenging to the listener.

Press Quotes “There is a staggeringly high level of quality that infests just about everything Two Lone Swordsmen touch.” — Pitchfork “Superb, attitude-heavy tracks driven along by rattling drums, fine percussion, and Joy Division bass lines showcase Weatherall’s excellent voice and first-class lyrics.” — Mojo “Raw scuzz-rock that sounds like PiL remixing The Birthday Party.” — DJ Magazine “That wonky charm, which Wrong Meeting II has in abundance, is a strong balance between lo-fi rhythms, beautifully real and organic groove drums, and moody bass lines. On top are addictive vocal lines as sinister as they are simple.” — Music-News.com (UK)

Selling Points • The newest album from legendary artists/producers Andrew Weatherall and Keith Tenniswood (a.k.a. Radioactive Man). • Will appeal to fans of electronica and guitar-based music.

Key Markets New York, Los Angeles, San Francisco, Chicago, Austin, Atlanta, Boston, Seattle

Track Listing Glories Yesterday • Ten Long Minutes • Dark Heart Sun • Born Bad, Born Beautiful • Blue Flames • Mountain Man • Psyche

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Two Lone Swordsmen Emissions Audio Output V.1 CD: RGC 12 (M) NOT AVAILABLE IN CANADA

STREET DATE JUNE 12, 2007

NAIL WELCOMES MILL POND RECORDS TO ITS ROSTER! Mill Pond Records began in 2003 and has continued to keep its head above water just long enough to keep things moving. An eclectic roster and a sunny disposition are all you really need! Home to Luke Temple, Flying, and many other quality projects.

Luke Temple S/T EP Genre: Alt Rock Label: Mill Pond CDEP: MLL 2 Price Code: D Previously Available

Luke Temple Hold a Match for a Gasoline World Genre: Alt Rock Label: Mill Pond CD: MLL 3 Price Code: O Previously Available NOT AVAILABLE IN CANADA

Temple’s full-length debut on Mill Pond taps into a wealth of talent, effortlessly bridging the dichotomy between linear, driving rock and delicately complex melody. Recorded in two weeks during April 2004 at Seattle’s Avast! Recording Co. Co-produced by Luke Temple and Troy Tietjen (The Shins, Death Cab for Cutie.) “Deceptively simple, with Simon and Garfunkel-style melodies, and Temple’s sleepy vocals belie a melancholy just beneath the surface … enough understated soul to give Conor Oberst a run for his money.” — Rolling Stone

Flying Just One Second Ago Broken Eggshell Genre: Alt Rock Label: Mill Pond CD: MLL 5 Price Code: O Previously Available

NOT AVAILABLE IN CANADA NOT AVAILABLE IN CANADA

Luke Temple’s self-titled EP was the first sneak peek into Hold a Match for a Gasoline World. Recorded with Burke Sampson (guitar), Robert Stillman (keys, horns), and drummer Matt Chamberlain (David Bowie, Elvis Costello, Fiona Apple), this four-song collection is a wonderful way to get acquainted with Temple’s music and should serve as a fine introduction. “One of the prettiest voices in all of indie rock, hands down.” — Ben Gibbard.

Flying’s debut full-length on Mill Pond. Old accordions, broken pianos, buzzing guitars, and thickets of drum claps mingle with harsh trills and murky creaks. Eggshell is a search-and-discovery mission, a set of narratives balanced between song & sound, and a testament of anxiety and hope, a dense and fantastic adventure. Based out of Brooklyn, Flying have played with Deerhoof, Tunnel of Love, The USA is a Monster, Dirty Projectors, and Lavender Diamond. “Found instruments and incidental noises give each song a warm depth.” — CMJ

Robert Stillman Horses

Blessed Light Love Lights the Way

Genre: Alt Rock Label: Mill Pond CD: MLL 4 Price Code: N Previously Available

Genre: Alt Rock Label: Mill Pond CD: MLL 1 Price Code: O Previously Available

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A collection of songs by instrumentalist/composer Robert Stillman that uses an eclectic sonic palette consisting of saxophones, clarinets, old pianos, pump organs, and drums to create short musical narratives that exist on their own, but also work together to create a vivid, self-contained world echoing the composer’s interest in all things mysterious. “Robert Stillman moves warily and wittily, more or less doing away with the mainstream jazz harmony of the 1960s.” — New York Times

The first album since 2000’s well-received EP on Made In Mexico is a long-awaited collection of tender and trippy soft rock stylings, shaded with a reverence for the music of the ’60s and ’70s via influences like Gram Parson, The Beatles, Beachwood Sparks, pre-disco Bee Gees and the Cosmic Rough Riders. “The gentle, gliding tones on the album’s ’60s-tinged songs are effortlessly enjoyable and pretty enough to soundtrack cinematic daydreams.” — The Stranger

AVAILABLE NOW!

Nail welcomes LIDKERCOW to its roster Owned and operated by Blitzen Trapper, LidKerCow exists to help disseminate fine rock music throughout the known world and beyond. An inevitable result of the Blitzen’s studio profligacy and bottomless archive of recordings, LidKerCow lifts a sonic kaleidoscope up to the music lover’s eye.

Blitzen Trapper Wild Mountain Nation Genre: Alt Rock Label: LidKerCow CD: LKC 4 Price Code: N

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Featured Artists

Overview

Eric Earley: guitar, vocals Erik Menteer: guitar, synth Brian Adrian Koch: drums, vocals Michael VanPelt: bass, cowbell Drew Laughery: organ, keys, synth Marty Marquis: guitar, synth, vocals

Teeming Portland-based musical clan Blitzen Trapper is pleased to announce the arrival of its third brood of offspring—songs, that is—in the shape of an album called Wild Mountain Nation. Brought forth in a spasm of creative mania, Nation is rough-hewn but lush, crackling (sometimes audibly) with a weird and lucid energy. From outer space to down on the farm, campfire sing-along to atonal dystopia, the new album is a raucous constellation of favorite souvenirs from the Trapper’s gamut-running musical adventures. As usual, the group’s trusty fourtrack was used to capture the “souls” of the songs, which were then buried in a rich soil of sweat and love so that in due time a delicious, varied harvest of fresh music was drooping from the vine. Taste it—it’s good! A sextet of old friends whose youths were spent wandering the hoary forests and high desert plateau of the Pacific Northwest, Blitzen Trapper has long been a stalwart of the Portland music community, rocking audiences of all ages, socioeconomic groups, and species with its unique sonic blend of Zane Grey, Darjeeling tea, candy wrappers, and Choose Your Own Adventure. Though you may mistake the members for can collectors or immigrant day laborers, the group loves you very much and promises to slave away at the office to keep Wild Mountain Nation and the other kids well fed and tastefully attired.

Press Quotes “Remember Beck before his career devolved into magazine-pleasing genre exercises? These guys have the same bent, rustic perspective on popcraft, and a heap of ambition.” — Pitchfork “A chewy mash-up of groovy, Syd Barrett-y quirkiness and Elephant Six-style songsmithing … strangely, lucidly polished.” — CMJ “A dense but playful collage of indie rock, folk, and junkyard aesthetic electronic music. It’s messy and loose and joyful and full of shouts and lo-fi drums.” — Skyscraper

Selling Points • Featured in multiple online Best of 2007 shortlists, including that of New Yorker critic Sasha Frere-Jones. • Blitzen Trapper is scheduled to perform at this year’s Sasquatch Festival alongside Björk, Arcade Fire, Manu Chao, and many more. • Confirmed features in Anthem, DIW, and Ghetto Blaster, with more to come. • National Summer/Fall 2007 tour booked by Aero Booking (Death Cab For Cutie). • Full service/promotion to press and e-media by Forcefield PR (Sufjan Stevens). • Full service/promotion to college radio by SPECTRE (Built to Spill, Ladytron). • Ads in Skyscraper, Pitchfork, and more.

Key Markets Hometown: Portland. Also: Seattle, San Francisco, Los Angeles,Tucson, Austin, Minneapolis, Chicago, New York, Philadelphia, Boston, Miami, Raleigh

Track Listing Devil’s A-Go-Go • Wild Mountain Nation • Futures & Folly • Miss Spiritual Tramp • Warp & Woof of the Quiet Giant’s Hem • Sci-Fi Kid • Wild Mtn. Jam • Hot Tip/Tough Cub • The Green King Sings • Summer Town • Murder Babe • Country Caravan • Badger’s Black Brigade

STREET DATE JUNE 12, 2007

ALSO AVAILABLE FROM BLITZEN TRAPPER! Overview “Combining ’60s country-rock with cartoonish psychedelia and hyperactive thrash, the group’s selftitled debut is two parts hook-laden pop and one part pure acid freakout.” — Willamette Week The first Blitzen Trapper album had an initial limited release in late 2003, surprising local critics with its confident mix of musical styles and ambitious songwriting, and powering the group into the venerable Willamette Week’s Top 10 New Portland Bands of 2004. Chock-full of hooks and references to guns, the debut veers from stadium rock to Haight-Ashbury to dank lounge to trailer park rave-up to gas station balladry with devious glee. The only Blitzen Trapper work to have been recorded largely in a proper studio, the making of this album so ruined the band financially that the members were reduced to conditions of complete squalor for many years afterwards, out of which straits came the gloriously ramshackle follow-up, Field Rexx.

Selling Points • Previously hard-to-find debut. • Recorded and mixed with Gregg Williams (Sheryl Crow, Dandy Warhols). • New release (Wild Mountain Nation) is currently receiving a big media push. • National tour during Summer & Fall 2007.

Key Markets Hometown: Portland. Also: Seattle, San Francisco, Los Angeles, Tucson, Austin, Minneapolis, Chicago, New York, Philadelphia, Boston, Miami, Raleigh

Blitzen Trapper Blitzen Trapper Genre: Alt Rock Label: LidKerCow CD: LKC 1 Price Code: N Previously Available

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Track Listing The All-Girl Team • Cunning Revolution • Apple Trees • Reno • Whiskey Kisser • Triggafinga • Ansel & Emily DeSader • Cracker Went Down • Christmas Is Coming Soon • Donkie Boy • Texaco

Overview “Field Rexx is an earnest crack at bluegrass, country, and folk that’s young and brazen enough to incorporate elements from multiple genres … It simply (and successfully) aims a backporch countryfolk album for left-of-the-dial tastes.” — Pitchfork [7.0] A classic DIY release, Field Rexx was made in the sweltering summer of 2004 with no budget amidst the hiss of flies and tape. “Recorded,” according to the liner notes, “at the carny shack, fer shook n timsel on Duke’s shoot-o-matic for tisks & soda & that ol’ broke 4-track what 3-fingrd mike poured old English on and lit on fire,” Rexx’s warped eclectic pop Americana proves that great songs and performances can transcend squalor and bad album art. Features archival material of the original Trapper, James Earley, performing snippets of traditional hillbilly tunes.

Blitzen Trapper Field Rexx Genre: Alt Rock Label: LidKerCow CD: LKC 3 Price Code: N Previously Available

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Selling Points • “Summer Twin” nominated for Portland’s National Anthem by the Portland Mercury. • 2006 UK release by Good Time Folk received praise from The Guardian,The Times, NME, and more. • New release (Wild Mountain Nation) is currently receiving a big media push. • National tour during Summer & Fall 2007.

Key Markets Hometown: Portland. Also: Seattle, San Francisco, Los Angeles, Tucson, Austin, Minneapolis, Chicago, New York, Philadelphia, Boston, Miami, Raleigh

Track Listing James & Larry Earley (1982) • Lux & Royal Shopper • Love I Exclaim! • Summer Twin • Cold Gold Diamond • Concrete Heaven • 40 Stripes • Asleep for Days • Dreamers & Giants • Turkey in the Straw (James 1982) • Dirty Pearls • Leopard’s Will To Live • Country Rain • Moving Minors Over County Lines • Love (Reprise)

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X27 Antilove Genre: Alt Rock Label: Narnack Records CD: NNK 7042 Price Code: N

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Featured Artists Overview

Rikkeh Suhtn: vocals, guitar Carmen X: vocals, bass

X27 is the rhythmic dream of Rikkeh Suhtn and Carmen X, two musicians obsessed with mixing pure, potent dance rock with gunky pop, a sound well embraced by both the incredibly miserable and incredibly blissful masses. Dark and menacing yet delightful and heavenly, X27 produces an alluring sound that will have every hip shifting and every heart oozing with caramel-laced dreams. Carmen X’s vocals surround her bass with a sexy, delectable sting while Rikkeh Suhtn delivers his melodically encrusted roar and guitar. The boy-girl vocals complement one another along the same lines as Exene Cervenka and John Doe of eighties punk rock band X. X27’s sophomore album, Antilove, was recorded in Chicago by the ingenious Steve Albini (The Pixies, Big Black, Nirvana, Shellac). The album’s punchy opening track, “Da Na Do,” establishes the fact that a rambunctious dance party is about to go down, while “Antilove” is a tune so thickened with honest emotion the band felt it should take the appropriate position as title track, summing up the entire album’s feel. Both songs showcase and embrace two completely separate sides of the rock ‘n’ roll spectrum.

Press Quotes “X27 plays hard, throbbing music with one intention: to shake the internal organs of humans.” — Agouti Music “This is what the Yeah Yeah Yeah’s would sound like if they were interested in seriously rocking the house instead of making the next fashion spread.” — Interpunk “The noisiest element that ever picked up an instrument.” — WNUR (Chicago) “Another Narnack trio (though an American one) that’s drenched in distortion while adding bad-natured luridness to its percussive roar. X27 features one member of the ’90s underground fixture Duotron, but more closely resembles gratifyingly savage Australian groups from the ’80s such as King Snake Roost and Feedtime.” — Time Out New York “Like Atari Teenage Riot meets Sonic Youth meets early Who.” — CMJ Bulletin

Selling Points • Produced by Steve Albini. • X27 have toured the US, UK, France, Germany, Switzerland, and Italy. • US tour in the works to revolve around the album’s release. • Ads in Spin, Harp, Magnet,The Onion, and various online blogs and music magazines.

Key Markets Hometown: Brooklyn. Also: New York, Chicago, Minneapolis, Los Angeles, Seattle, San Francisco, Portland

Track Listing Da Na Do • Come On Down • Red Is Green • It’s All for You • Inside-Out World • Luna • Chemical Romance • Antilove • Brainless Mind ALSO AVAILABLE

X27

Your Neu Favourite Band CD: NNK 7005 (G) NOT AVAILABLE IN CANADA

STREET DATE JUNE 12, 2007

Bitter Bitter Weeks Peace is Burning Like a River Genre: Alt Rock Label: High Two CD: HGH 11 Price Code: P

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Overview

Brian McTear: vocals, guitar Ric Menck: drums Mike Fleming: bass, backing vocals Brian Christinzio: piano, organ, glockenspiel Jesse Gallagher: organ, backing vocals Quentin Stoltzfus, Amy Morrissey, Sean Aylward, Mike Kennedy, Joey Sweeney: backing vocals

Noted indie producer and engineer Brian McTear (Matt Pond PA, Mazarin, Espers, Danielson, The A-Sides) returns with his third album as Bitter Bitter Weeks. While past albums were dark and minimal, Peace is vast, honest, assured, and dare we say, triumphant. It taps into McTear’s work with Mazarin, as well as subtle Eno-esque beds of organ & tape echo and the American jangle of ’80s college underground music. With Peace, Bitter Bitter Weeks has arrived in a new era, presenting an extraordinary album of fully orchestrated, memorable songs with featured guest performances by members of Mazarin, Apollo Sunshine, The A-Sides, BC Camplight, The Velvet Crush, and more. There are songs about life and death, mid-air daydreams, cold war apocalyptic fantasy, ghost dreams, hyperawareness in the last seconds of life, friendship gone sour, apologies to future generations, and much more.

Press Quotes “McTear delivers the tough news like a resilient troubadour heavily versed in singer-songwriters as diverse as Donovan and Sunny Day Real Estate’s Jeremy Enigk, and yet with enough personality to call the territory his own.” — RollingStone.com “Flashes of Paul Westerberg’s most sensitive moments mix with the irresistible commercial quality that allowed The Shins to cross over to a segment of the mainstream.” — Splendid “McTear’s austere arrangements foreground a voice that brings to mind Uncle Tupelo-era Jeff Tweedy, while guest musicians contribute pedal steel, harmonica, and a lovely vocal chorus on the last few tracks. Great music for big rooms or slow nights.” — Alternative Press “Dashes of Alex Chilton’s ragtag pop and Jonathan Richman’s childlike wonder give a warm glow to this boy-and-his-guitar bundle of agreeable, melodic, soft-pedaled laments.” — Uncut

Selling Points • First two albums (My Pal God Records, Southern Distribution) garnered much press attention and college radio airplay. • Fronted by Brian McTear, who has produced albums by Matt Pond PA, Mazarin, Espers, Danielson, The A-Sides, Hail Social, BC Camplight, and Spinto Band. • Features members of Mazarin, Apollo Sunshine, The A-Sides, BC Camplight, The Velvet Crush, Audible, and more. • Six-week national tour planned. • College and specialty radio campaign by Team Clermont. • Innovative internet promotion campaign by Philebrity. • Full press campaign by Tell All Your Friends PR (Art Brut, Yoko Ono, We Are Scientists). • Ads in Amplifier, Big Takeover, CMJ, Copper Press, Paste, Harp, Magnet, Pop Culture Press, Under the Radar, PopMatters, and more.

Key Markets Hometown: Philadelphia. Also: New York, Boston, Washington DC, Minneapolis, Chicago, Louisville, San Francisco, Los Angeles, Austin, Portland, Baltimore

Track Listing Once and For All • Writing Letters • Danger in the Halls • Lo-Res • Terrified • Oxbow Lake Syndrome • Peace Is Burning Like a River • Lion Has His Pride • Hanna • Sincerely, The Last Century

STREET DATE JUNE 12, 2007

Matt McCormick Very Stereo Genre: Alt Rock Label: Marriage Records CD: WED 45 Price Code: P

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Featured Artists Overview

Matt McCormick: all instruments and programming

Oft-awarded filmmaker Matt McCormick has recently gathered together the music recordings he made for his films into a beautiful ambient collection called Very Stereo. McCormick loops, manipulates, edits, and duplicates stunning sounds into songs that are so striking that they make their own movies in the listener’s head. Using computer programming, sparse instrumentation, pedals, and keyboards, he creates intriguing soundtrack music that sounds as amazing accompanying his films as it does standing alone. Matt McCormick’s film work and accompanying soundtrack music have screened in film festivals, art museums, and micro-cinemas around the globe; appeared on MTV and the Sundance Channel; and received positive reviews from Art Forum, New York Times, and Film Comment. He has collaborated with many artists and musicians including The Shins, Miranda July, Sleater-Kinney, The Postal Service, and Calvin Johnson. He has had three films screen at the Sundance Film Festival, is the founder of Peripheral Produce (an internationally recognized video distribution label specializing in short experimental work), and is director of the Portland Documentary and eXperimental Film Festival, Portland’s premiere event for experimental, documentary, and otherwise obscure contemporary cinema.

Press Quotes “Mixing documentation of real graffiti removal practices by the city of Portland with theories that the removers are ‘collaborating’ with graffiti artists to create unconsciously-motivated collaborative works of art, Matt McCormick crafts an argument so elegant, with achingly beautiful cold-color visuals floating in a warm bath electronic score, that it’s hard not to be seduced.” — New York Press “McCormick’s The Subconscious Art of Graffiti Removal, a send-up of art criticism and urban planning, is a seemingly off-handed but exceptionally intelligent foray into American vernacular art.” — Village Voice “A constantly surprising filmmaker whose disarming, low-key films are steeped in a wicked sense of humor not always apparent on first viewings, McCormick’s importance as promoter, distributor, and programmer of experimental film over the past decade cannot be overemphasized.” — Res Magazine

Selling Points • Matt McCormick did the videos for Sleater-Kinney’s “Jumpers,” The Shins’ “The Past and Pending,” Scared of Chaka’s “All My Friends are Ghosts,” and TV spots for Jackpot Records. • Service to writers as well as college and nonprofit radio stations. • Ads in Resonance.

Key Markets Hometown: Portland. Also: Philadelphia, New York, Los Angeles, San Francisco, Seattle, Chicago, Austin, Providence

Track Listing Oh, Sunshine • Elevator Muzac • The Electric Can Opener • It Was a Crushing Defeat • For Homesick Memories • Blue Remains Grey • Refrigerator Dance Musics • Tugboat Muzac • Ride a Wave to Tomorrow’s Sunset

STREET DATE JUNE 12, 2007

Ms. Led Shake Yourself Awake Genre: Alt Rock Label: Fish the Cat Records CD: FTC 28 Price Code: O

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Overview

Lesli Wood: vox, guitar, piano Peg Wood: guitar Matt Menovcik: bass, bells Steph Hasselman: drums

Seattle’s favorite political band returns this summer with its highly anticipated third album, Shake Yourself Awake! Written over a span of two years in a highly divided political climate, Shake Yourself Awake offers a call to action with unapologetic energy and enthusiasm. During this time, Ms. Led has continued to tour, bringing its high-energy live show to the masses while sharing bills with The Avengers, The Thermals, The Reputation, and The Gossip. Ms. Led’s first two albums quickly sold out of their first pressings, and all the while the band maintained its DIY ethic and built a strong following. Shake Yourself Awake contains Lesli Wood’s strongest and most eclectic songwriting to date, varying from the punk energy of opening track “New Agenda” to the ’60s girl group stylings highlighted in “Up to the Old Tricks.” Shake Yourself Awake is Ms. Led at their best.

Press Quotes “Lesli Wood tackles subjects that, in the hands of a lesser musician, would turn into tired and sentimental clichés, but Ms. Led’s leader is a surprising success … an addictive listen from start to finish.” — Devil in the Woods “Driven by taut guitar lines, rhythms that propel dancing feet, and vocals that seethe with quiet intensity one moment, then suddenly ignite into barely controlled yowling the next.” — Time Out New York “With a sound that falls somewhere in between other NW female-fronted bands like Sleater-Kinney and Visqueen, Ms. Led are a power-pop four-piece with a strong but not heavy-handed feminist message and a straightforward punch … an energetic, inspired act with enough experience and stage presence to give their sincere songwriting a solid backbone.” — Seattle Weekly

Selling Points • Mixed and mastered by Grammy-winning producer Kramer. • Ms. Led’s last release was voted one of the Top Overall Albums of 2004 by KEXP listeners (charting higher than Le Tigre, Camera Obscura, and Beastie Boys), reached #8 in the Top Northwest Albums of 2004, and their track “Stigma” was voted one of the Best Local Singles of the Year by Seattle Weekly. • Multiple Seattle Weekly nominations for Best Garage Rock/Punk Band. • Recorded at Seattle’s legendary London Bridge Studio (Pearl Jam, Alice in Chains). • Canary Promotions hired for national publicity campaign with a focus on activist, queer, and women’s press. • National radio campaign with a focus on college stations. • Ads in Venus, Magnet, Filter,Time Out New York,The Advocate, and The Stranger.

Key Markets Hometown: Seattle. Also: Austin, Albuquerque, San Francisco, Portland, Las Vegas, Tucson, Boise, Salt Lake City, Spokane, Chicago, Detroit

Track Listing New Agenda • Waiting’s Overrated • Up to the Old Tricks • Have It All • Willing to Stay (Shattered) • I Said Jump, Damnit! • Somewhere On 101 • There’s No Room For You Here • Because Light Is a Woman • Fools ALSO AVAILABLE

Ms. Led

These Things We Say CD: FTC 21 (O) NOT AVAILABLE IN CANADA

STREET DATE JUNE 12, 2007

The Ghost Lullaby Button Eyes Genre: Alt Rock Label: Orange Recordings CD: ORG 26 Price Code: L

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Overview

Perrin Newell: guitar, vocals Valerie Aiello: guitar, vocals Oliver Newell: bass Sam DiGiovanni: drums

What happens when a band combines the abstract sounds of Sonic Youth with the earth-shattering, dynamic melodies of Smashing Pumpkins, and then mixes it with psychedelia and shoegaze? The Ghost Lullaby, a rock group from Los Angeles, which will crush you with guitar riffs, dreamy swirls of delay pedals, and drums that leave your ears and hearts bleeding. Residing in Silverlake, The Ghost Lullaby performs regularly at venues like Spaceland, The Scene, Knitting Factory, Bar 107, The Gig, King King, The Whiskey, and the Viper Room. This matchless group has shared the bill with everyone from Robin Guthrie (Cocteau Twins) to Broaddaylight. The Ghost Lullaby began promotion for Button Eyes in March 2007, making the journey to Austin during SXSW, and will continue to tour the US throughout the summer.

Press Quotes “Formed in Austin in 2003, it’s been a long road for The Ghost Lullaby. The band’s sound is dominated by a pair of blaring guitars and riffage that incorporates elements of classic metal, noise, and alternative rock … Once the band relocated to Los Angeles in 2004, they hooked up with drummer extraordinaire Sam DiGiovanni, who brought intricate, precise rhythms to solidify The Ghost Lullaby’s powerful sound.” — CitizineMag.com “Authentic … a really unified voice.” — KVRX (Austin)

Selling Points • During SXSW 2007, The Ghost Lullaby opened for The Viet Ming (Alex and Christian from The Black Angels) and played several shows and parties. • Tracked and engineered by Lars Stalfors (Mars Volta, Starlite Desperation). • Mastered by Pete Lyman (Mars Volta, Bloc Party, Lion Fever, Tsk Tsk). • Beautiful digipak with a unique, detailed UV coating. • Digital marketing campaign through various blogs; heavy MySpace promotion. • Service to college and city radio as well as magazines, websites, and promoters. • US tour dates starting in March 2007 will continue throughout the summer.

Key Markets Hometown: Los Angeles. Also: Austin, New York, San Francisco, Chicago, Portland, Phoenix, Las Vegas, Dallas, Houston

Track Listing Dirty • All Was Lost • Just Because • Texture • Goodnight Twilight, Hello Mischief • Black Page • Clocks • Some Tales Have Sad Endings • Oliver’s Ending

STREET DATE JUNE 12, 2007

The Soular System All the Way Out & All the Way In Genre: Funk/Rock Label: Nuttsactor 5 CD: NSF 7 Price Code: M

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Featured Artists Michael Maloney: guitar, backing vocals, percussion\ Christopher “Ral” Bryant: bass\Jes Bradley: drums, percussion\ Desmond D’Angelo: lead vocals, backing vocals, percussion\ Danny Bedrosian: keyboards, backing vocals\Christopher Rothenberg: trombone\Eric “Diz” Shaw: trumpet\Pedro Pizarro: saxophone\ Cordell “Boogie” Mosson: guitar

Overview

All the Way Out & All the Way In is a transcendent, energetic, and contemplative innovation of sounds in the world of futuristic soul music that collides with raw funk, space-age concepts, and gospel inspiration. Bearing no sophomoric misfortunes, The Soular System has struck pay dirt with their newest ten-track songbook of eclectic musical styles and conceptual lyrical treatises, evoking the beauty, madness, and scatological hilarity so often found in the band’s massive set list. The awe-inspiring unity of this band is what initially draws in its listeners. The tight-knit group exemplifies an interdependent spirit of collective oneness wholeheartedly, with all the members depending on each other’s important ingredients. Keyboardist and producer Danny Bedrosian (George Clinton/Parliament-Funkadelic keyboardist) brings his passionate, elusive, colorful values to the overall soundscape of the album, while also pulling longtime P-Funk member Cordell “Boogie” Mosson to the table on a guitar cameo. All the Way Out & All the Way In is a monster of an album, introducing the world to a band that has been a marvel in the Southeast for almost a decade.

Press Quotes “Need more funk in your system? The Soular System could be your fix … This band likes to bring the party and does not shy away from the challenge … Its live show has more of the energy and bombast of a punk rock outfit than a traditional funk act.” — The Spectator “Summer heated up even more when The Soular System played at Skipper’s Smokehouse in Tampa recently. On an already steamy night, this eight-piece band … jazzed the crowd with its unique blend of funk and rock ‘n’ roll that they brought with them from their home base in Tallahassee.” — Accent on Tampa Bay

Selling Points • Features George Clinton/P-Funk keyboard player Danny Bedrosian. • Engineer Dwayne Dungey tours the world running sound for George Clinton and Parliament-Funkadelic. He received a 1997 Grammy Award for sound engineering. • Guest appearance by Rock N’ Roll Hall of Fame inductee Cordell “Boogie” Mosson. • Upcoming tours will promote the album. • The Soular System has full access to Danny Bedrosian’s worldwide street team.

Key Markets Hometown: Tallahassee. Also: Los Angeles, San Francisco, Seattle, Portland, San Diego, Boulder, Denver, New Orleans, Chicago, Washington DC, New York, Austin, Burlington, Providence, San Antonio, Salt Lake City, Phoenix, Atlanta, Tampa, Birmingham, Nashville, Memphis, Miami, Detroit, Minneapolis, Boston

Track Listing R/U Receiving Me • La Cuesta • Hot Sauce’ll Put Hair On Ya Chest • Walkin’ Tall • Financially, It Makes ¢ • So Far Out • Prehistorictribalinthemudfunkylovesong • Bushwhacked • Bitches…pfbt • Normal Folk

STREET DATE JUNE 12, 2007

Overview “Sugar & Gold, a San Francisco combo made up of ex-members of Dura-Delinquent, sound perfectly at home slipped in beside selections by Call and Response and a tranquilized Tower of Power.” — SF Bay Guardian

Sugar & Gold Crème Genre: Alt Rock Label: Antenna Farm CD: ANT 521 Price Code: O NOT AVAILABLE IN CANADA

DELAYED FROM APRIL 24

AVAILABLE NOW! ALSO AVAILABLE

Sugar & Gold takes classic harmony-based songwriting and yacht rock, then kicks them into the twenty-first century with a healthy dose of Rick James and Young Americans-era David Bowie. Like contemporaries Scissor Sisters and Phoenix, Sugar & Gold reaps the benefits of the last three decades in electronic and soul music, blending sampled beats, live drums, and an array of classic funk and electro instrumentation. With the little money they could scrape together, the members bought a van instead of a producer, toured the US, and ended up recording everywhere along the way. The result is Crème, their eleven-song debut, which reflects the moods and characters of neighborhoods across the country, and blends them all into a harmonious whole by finding a common denominator. In a country that has been continually polarized by politics and economics, S&G finds that music is still the language of the soul, and the greatest uniting force.

Selling Points • Phillip Minnig and Nicolas Dobbratz were formerly chief songwriters for Connexion and DuraDelinquent, who shared stages with the likes of White Stripes, BJM, BMRC, and have served as backing band for Neil Haggerty. • Mastered by JJ Golden. • Radio by AAM; national press promotion. • Ads in Arthur.

Key Markets Hometown: San Francisco. Also: New York, Los Angeles, Portland, Seattle, San Diego, Santa Cruz

Sugar & Gold

Track Listing

12”: ANT 519 (D)

Do It Well • Burnin’ • Workout • Neighborhood • Sex in the City • Shadow People • What Kind of Lover Are You? • On Time • Sometimes • Diamond Tears • Technical Difficulties

Workout b/w Do It Well

NOT AVAILABLE IN CANADA

Overview “We haven’t heard much from Sweden’s Skull Defekts, but what we have heard we like. A lot. In fact, if there were any justice in the world, these guys would be battling Wolf Eyes for the hipster noise rock crown for sure. It’s not that these guys sound like Wolf Eyes, although they do a bit … it’s more that they are exploring the same territory, but without the goofy in-your-face vibe of Wolf Eyes, instead choosing to open up their sound a bit more, make it lighter, more abstract, and in the process a whole lot more compelling.” — Aquarius Records Blood Spirits & Drums Are Singing is The Skull Defekts’ first album recorded in a professional studio. It is also the group’s first release with an avant rock sound; previous releases included heavy sound experimentation, doom variations, and electronic noise. Blood Spirits, however, is all about the rhythm, the circle, the repetition, and the sound. Noise. Sweat. Funk. Sex. The Skull Defekts’ sound is a beast going for your brain, feet, and the place in between. Beware.

Selling Points • The Skull Defekts collaborated with Damo Suzuki (ex-Can), Carl Michael von Hausswolff, and Lasse Marhaug. The group has plans to record with experimental musician Kevin Drumm and Swedish saxophonist Mats Gustafsson. • Members have played in Anticimex, Cortex, Lucky People Center, The Flesh Quartet, Ocsid, Blue For Two Union Carbide Productions, Kid Commando, Alvars Orkester, Trapdoor Fucking Exit, The Members of Tinnitus, and 8 Days of Nothing.

Key Markets New York, Chicago, Boston, Washington DC, Los Angeles, San Francisco, Portland, Seattle

Track Listing Unholy Drums Are Singing • Rhythm is the Key • The Secret • A Skull Defekt • The Sound • White Lights Burning Eyes

STREET DATE JUNE 12, 2007

The Skull Defekts Blood Spirits & Drums Are Singing Genre: Avant Rock Label: Conspiracy Records CD: CNS 52 Price Code: Q NOT AVAILABLE IN CANADA

Spare Lead Let’s Run Faster When We Have Lost Our Way Genre: Punk Label: New School Records CD: NSR 131 Price Code: N

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Featured Artists Evan White: vocals, bass Jeremy Ball: guitar Ronnie Endres: guitar Mike Gende: drums

Overview

Spare Lead has been stirring the Northwest’s punk scene since 1997 with unique, original song organization and writing skills. The band started its career by releasing a number of self-produced CDs. In mid-2000, Spare Lead signed with New School Records, then released debut album Secluded in mid-2001. After its release, the members found themselves frequently touring the West Coast, sharing the stage with familiar acts such as Good Riddance, Death By Stereo, and The Casualties while achieving venue sales of over 2,500 units. Even though a number of years have passed, Spare Lead continues to tour regularly and write new music. In mid-2006, the band entered the studio to track its new masterpiece, Let’s Run Faster When We Have Lost Our Way. Now, Spare Lead is back with an exceptional new full-length, and this time around the members have stepped up their skills to a new level that will leave punk fans begging for more. Let’s Run Faster offers a unique blend of all punk genres, from hardcore to pop, with fast-melodic guitar riffs, technical drumbeats, and an original vocal style. This is a definite must for any fan of aggressive punk in the vein of Rise Against, Good Riddance, or Strike Anywhere.

Press Quotes “Bringing back the true spirit of punk rock with an all-out vengeance, Spare Lead has delivered an album that will not disappoint. The songs on the record are raw and brimming with passion and energy. Making the emo bands that call themselves punk look more like whiny-ass wimps in comparison, Spare Lead dare to get in your face with songs that make ya really wanna slam.” — Highwire Daze

Selling Points • Sales history of over 4,000 units. • Have shared the stage with known punk artists Suicide Machines, Good Riddance, Slick Shoes, Death By Stereo, Agnostic Front, The Casualties, TSOL, Teen Idols, Ann Beretta, Voodoo Glow Skulls, The Hippos, and more! • Service to college and city radio as well as magazines, websites, and promoters. • Ads in Alternative Press, Skratch, Modern Fix, Chord, Highwire Daze, Fat City, AMP, and more. • Heavy marketing in Oregon and Washington. Thousands of flyers and color postcards will be handed out at select venues and stores.

Key Markets Hometown: Portland. Also: Seattle, Los Angeles, San Francisco, San Diego, Phoenix, Salt Lake City, Denver, Reno, Tucson, Tulsa, Oklahoma City, San Antonio, Houston, Las Vegas, Kansas City, Chicago, Minneapolis, Atlanta, Jacksonville, Miami, Baltimore, Pittsburgh, Cincinnati, Nashville, Raleigh, Philadelphia, Washington DC, Boston, New York

Track Listing Forever • The End • Is It Useless? • Round Like an 8 • Stay Ahead • The Threat Is Real • If You Don’t Want Me To Eat You, Say Something • See Pages Burn • Just Try • You’re Single, So Mingle • Giving Up On Breaking Down • Nothing For You

ALSO AVAILABLE

Spare Lead

Various Artists

CD: NSR 106 (N)

CD: NSR 113 (C)

CD: NSR 126 (A)

Secluded

NOT AVAILABLE IN CANADA

Shut the Punk Up! Vol. 3

NOT AVAILABLE IN CANADA

Punk Off! Vol. 1

NOT AVAILABLE IN CANADA

STREET DATE JUNE 12, 2007

Overview The Stockholm JazzBeat Project unites the new elite of the Swedish jazz scene, featuring Anders Johansson, Jonas Kullhammar, Bosse Broberg, Per “Ruskträsk” Johansson, and Gustavo Bergalli, to name a few. With this debut, the band presents a perfect jazz album for the 21st century. The group started with a weekly session at the great jazz club Jazzroom, where musicians of various styles meet with DJs and electronica artists. It did not take long before the members realized that they had found a fantastic, unique musical spirit in one another. Many live gigs followed, with big names such as The Buena Vista Social Club. This debut was created out of the ambition to unite modern electronic elements with club music and organic jazz to forge a unique sound and groove. Includes guest appearances by Jonas Kullhammar, Lisa Östergren, Bosse Broberg, Martin Höper, and Alfredo Chacon.

Stockholm JazzBeat Project Stockholm JazzBeat Project Genre: Jazz Label: COP International CD: COP 3035 Price Code: M

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Selling Points • In Top 20 on iTunes electronica charts. • Sweden’s top modern jazz musicians in one supergroup! • Crossover appeal to modern jazz & electronica fans. • Promo copies will be sent to DJs, radio stations, and print media. • MySpace campaign.

Key Markets New York, Chicago, Boston, Washington DC, Los Angeles, San Francisco, Portland, Seattle

Track Listing Divine • Get Paid • Driving Too Fast • Peach Beach • Country Chicks • Fly • Nothing Less • Flight of B.B. • Marylin • Big Band Frenzy

STREET DATE 6.12.2007 Overview Much like Gershon Kingsley, Fred Katz has had one of the more extraordinary, if offbeat, careers in contemporary music. A vet of Army bands and Hollywood orchestras, plus sessions with Lena Horne and Carmen McRae, Katz made his biggest mark by bringing the cello to the forefront of the jazz repertoire. He did this best as a member of the Chico Hamilton Quintet, the ever-experimental ensemble that dropped Zen, a Pacific jazz gem of Katz compositions. Of course, he also did all the arranging for Harpo Marx’s Harpo in Hi-Fi LP, Ken Nordine’s classic Word Jazz project, the original score to Little Shop of Horrors, and the ever-popular Sidney Poitier Reads Plato record. He did an A&R stint at Decca before settling into a longtime academic gig as a must-take music professor. The most admired (if under-discussed) Katz album is probably this one, which is dedicated to the idea that all jazz is born from “the roots of people.” The roots explored here are folk songs—American, Hebrew, and African. “Baal Shem Tov” and “Rav’s Nigun” feature guest appearances by Paul Horn on sax and legendary LA jazzman Buddy Collette on flute. The tracks, from 1959, sound prophetic—an avant tackle of jazz and Jewish tradition.

Selling Points • Originally released in 1959. • Fred Katz was the composer of the Little Shop of Horrors original score. • Upcoming coverage from New York Times and NPR. • Upcoming reviews in Pitchfork,Village Voice,Time Out New York, and more. • Ads in Guilt & Pleasure.

Key Markets Hometown: Brooklyn. Also: New York, Los Angeles, San Francisco, Denver, Boston, Houston, Chicago, Miami, Philadelphia

Track Listing Mate’ka • Sometimes I Feel Like a Motherless Child • Been In the Pen So Long • Chili’lo • Rav’s Nigun • Old Paint • Manthi-ki • Baal Shem • Foggy, Foggy Dew

STREET DATE JUNE 12 & 26, 2007

Fred Katz Folk Songs for Far Out Folk Genre: Jazz Label: Reboot Stereophonic CD: RBS 7 Price Code: M

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DELAYED UNTIL 7.10.2007

Forty Marshas Forty Marshas Genre: Rock Label: Beatville Records CD: BVR 1026 Cross-File Under: Price Code: M Goo Goo Dolls

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Featured Artists

Overview

Mike Malinin: drums, vocals/John Avila: bass/ Efrem Schulz: vocals, metal consultation/Jason Freese: keyboards/Korel Tunador: keyboards, guitar, vocals/ Brad Femquist, Jason Sikora: guitars/ Robert Cooper: bass, vocals/Mitch Marine: drums/ Brian Schulmeister: keyboards, voice manipulation/ Rick Garcia: timbales/Krista Galante: vocals, vibra-slap/ Sarah Meech: vocals

The story of how Forty Marshas came to be is a classic example of putting the carriage before the horse. The end result, however, is a truly beautiful and creative album. Conceived by the Goo Goo Dolls’ Mike Malinin several years ago as nothing more than “a great name for a band,” Forty Marshas evolved into a true collaborative effort. In early 2007, Malinin gathered a collection of very talented friends and musicians at Los Angeles’s Swing House Studio. A week later—with friends like Death By Stereo’s Efrem Schulz, LA bass legend John Avila, Green Day sideman Jason Freese, and Goo Goo Dolls touring members Korel Tunador and Brad Frenquist—the self-titled debut release by Forty Marshas was complete, and is nothing shy of a musical tour de force. Featuring the indie rock anthem “Think Big” and a scorching cover of The Kinks’ “Sold Me Out,” this eclectic album covers a large part of the musical spectrum.

Press Quotes “Yet again, Mike Malinin has more then proved his prowess as a hard- grooving, straight-ahead, no-nonsense rock skinsman.” — Modern Drummer “Drummer Mike Malinin is determined to keep improving musically with each album.” — South Bend Tribune “Talent makes a great band.” — Drum Magazine

Selling Points • Mike Malinin is a member of the hugely successful Goo Goo Dolls, who have sold over six million units worldwide. The band’s latest release, Let Love In, has scanned over 400,000 units. • Members have played with Death By Stereo, Green Day, and more. • Currently on tour through the end of 2007. • Feature planned in Modern Drummer. • All relevant press and radio outlets will be targeted. • MySpace e-media campaign. • Ads in Modern Drummer.

Key Markets Hometown: Los Angeles. Also: Chicago, Dallas, San Francisco, New York, Washington DC, Boston, Philadelphia

Track Listing God Is an Anchorman • Screaming at the Shadows • Sold Me Out • Think Big • Thanks For Nothing • Bucket of Fire • Would You • Wasted Life Is Not Worth Remembering (Advice from the Forty) • Forget • Thirty-Six • Revenge! • Another Time

STREET DATE JUNE 26, 2007

Overview Dr. Dog’s groundbreaking 2007 release, We All Belong, is now available on 12” vinyl! In the first few weeks since its release, the CD has scanned over 8,000 at retail. Visibility is high—the band performed on Conan O’Brien’s show on March 12, and is in the middle of a nationwide tour. More television performances are in the works for the coming months, so now is the time to stock up on all Dr. Dog releases!

Press Quotes “It’s hard to find fault when the result is this enjoyable, appealing to both indie hipsters and their babyboomer parents.” — People [HHH1/2] “An utterly gorgeous, tightly crafted assembly of golden pop songs.” — Seattle Weekly

Dr. Dog We All Belong LP

“The most appealing thing about Dr. Dog’s music is its unwavering knack for harmonies and hookfilled choruses.” — Billboard

Genre: Alt Rock Label: Park the Van LP: PTV 17 Price Code: O

“Philly rockers Dr. Dog are your favorite band’s favorite band.” — Esquire “Continuing a Philly psychedelic tradition that spans from Bardo Pond to Sun Ra.” — Spin

Selling Points

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• Rolling Stone ran Dr. Dog as lead “Breaking Artists” story in the April issue. • Recent tours with the Raconteurs, Black Keys, Clap Your Hands Say Yeah, Strokes, Magic Numbers, Architecture in Helsinki, My Morning Jacket, and more. • Two music videos have played over a dozen times on MTV2 program Subterranean. • Recently featured on the IFC Film Channel music program The Dozens alongside artists such as Joanna Newsom, The Hold Steady, and Björk. • Specialty radio airplay increases every week; 200+ college stations have reported spins. • Features and reviews have run in Rolling Stone, GQ, People (twice!), Entertainment Weekly,Washington Post, Magnet, Harp, Relix, Alternative Press, Spin, Marie Claire, Elle, Under the Radar, and more. • Media campaign by Big Hassle. • National college/specialty radio by Pirate Promotions. • AAA radio campaign to follow release date. • Major digital ad campaign targeting Pitchfork. • Ads in Magnet, DIW, ReadyMade, Under the Radar, Daytrotter, Stereogum, and more.

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Key Markets Hometown: Philadelphia. Also: New York, Los Angeles, Chicago, San Francisco, Austin, Seattle, Portland, Denver, Nashville, Detroit, Boston, San Diego, Tucson, Dallas, Orlando, Durham/Raleigh, Pittsburgh, Washington DC, Columbus, Cleveland, Richmond, New Orleans, Sacramento, Salt Lake City, Omaha, Tulsa, Atlanta, Louisville

Track Listing Old News • My Old Ways • Don’t Pretend • The Girl • Alaska • Weekend • Ain’t It Strange • Worst Trip • The Way the Lazy Do • Die Die Die • We All Belong

We All Belong CD: PTV 12 Price Code: O

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We All Belong features all the charms of Dr. Dog’s critically acclaimed Easy Beat, but introduces the listener to a rich complexity only hinted at in the band’s earlier work. “Loaded with three-part harmonies, orchestral strings, heavy reverb, and fuzzy guitars.” — Rolling Stone

STREET DATE JUNE 26, 2007

Takers and Leavers CDEP: PTV 9 Price Code: J

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A preview to the We All Belong full-length! “‘Gondrylike’ is how this mellowed gold sounds, trapped in the amber of classic songcraft, illuminated by an in-the-moment joy, intentionally oblique but never evasive, and with a terrific payoff at the end.” — SF Weekly

Easy Beat CD: PTV 1 Price Code: N

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Easy Beat was the first release on Park the Van. It’s easier to compare and contrast than it is to take something for face value, love it, and never let go. Rarely does a record change the course of one’s life … until now. “Sure to attract a rabid cult of indie-rock fan.” — New York Times

Child Abuse Child Abuse Genre: Avant Rock/Experimental Label: Lovepump United CD: LPU 11 Price Code: N

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Featured Artists Luke Calzonetti: vocals, keyboards Oran Canfield: drums Timothy S. Dahl: bass

Overview Hot on the heels of the critically acclaimed 2006 split with Miracle of Birth, Brooklyn’s utterly insane Child Abuse returns to Lovepump United with its debut full-length! Recorded with Colin Marston of Dysrhythmia (Relapse Records) and Behold...The Arctopus (Metal Blade), the group’s self-titled debut is a glorious mess of fuzzy keyboards, tumbling rhythms, and dense, growling vocals that fall somewhere between Suffocation and Boredoms. Sinister art by renowned painter Albert Oehlen completes an album that is as brutal as it is catchy, and as rewarding as it is bizarre. Invite Child Abuse into your home!

Press Quotes “Child Abuse has a gift for conveying the giddy, volcanic rush of jazz losing its patience.” — Alarm “Child Abuse shrieks, albeit like a robot more than a human.You’ll hear the ominous screams rise and clot above the quirky din of fill-heavy drumming and keys like a giant talking head, only to dissolve and break apart as the rhythms continue to pulsate and bend around each other. No matter how hard you try to be ready for anything, a new band always steps out of the crowd and jams its boot down your throat hole.” — Skyscraper “Child Abuse’s thumping, keyboard-heavy out-punk blew my mind and left me in need of more psychological trauma.” — Free Williamsburg

Selling Points • Recorded with Colin Marston (Dysrhythmia, Behold…The Arctopus). • Artwork by the highly revered Albert Oehlen, a member of psych legends Red Krayola and Jailhouse. • Child Abuse has toured with Adult, Genghis Tron, Dead Meadow, Coachwhips, and Erase Errata. The group has cultivated a rabid underground following from a slew of limited cassette releases and 7”s with the likes of Mick Barr (Orthrelm, Ocrillim, Octis) and Zs. • Full US tour in Fall 2007 booked by Panache Booking (The Slits, Mika Miko). • Mastered by Nick Zampiello (Converge, Isis, Daughters). • Full PR run with Blueghost Publicity. • Full college radio promotion through AAM. • Ads in Impose, Skyscraper, Modern Fix, Insound, and Pitchfork.

Key Markets Hometown: Brooklyn. Also: San Francisco, Los Angeles, Austin, Chicago, Portland

Track Listing Wrong Hole • Poor Snoo • I Hate Me • Age of Reason • Supplicant • Violent Utopia Part 1 • Penile Jihad • Internal Projections • Violent Utopia Part 2 ALSO AVAILABLE

Child Abuse/Miracle of Birth Child Birth Split

CDEP: LPU 7 (G) NOT AVAILABLE IN CANADA

STREET DATE JUNE 26, 2007

Overview Black Magic Disco is a new all-star band featuring Tom Greenwood (Jackie-O Motherfucker), Maurizio & Roberto Opalio (My Cat Is An Alien), and Ramona Ponzini (Painting Petals On Planet Ghost, Praxinoscope). The project was born when Greenwood invited the Opalios and Ponzini to perform with him during two months of European touring in May/June 2005. As one can imagine, the result was killer. The music that came out of these live performances was totally explosive, combining Ponzini’s Japanese vocals and hypnotic chimes with Greenwood’s psych-blues guitar attitude and wild turntablism. This is all layered over MCIAA’s alien cosmic flux of electric guitars, space toys, and percussion to create a mixture of sounds unifying archaic & post-modern, Western & Eastern, and sky & earth. This debut represents a unique chance to experience almost eighty minutes of pure, magical live action, divided into four long tracks taken from the original live recordings.

Black Magic Disco Black Magic Disco Genre: Experimental Label: Important Records CD: IPT 148 Price Code: P NOT AVAILABLE IN CANADA

Selling Points • Debut release from Black Magic Disco, which includes members of My Cat Is An Alien and Jackie-O Motherfucker. • Gatefold jacket CD artwork, curated by MCIAA, contains band photos taken during the live performances heard on this album.. • Promotional mailing by Important Records. • Ads in The Wire.

Key Markets New York, Los Angeles, Chicago, Portland, San Francisco, San Diego, Austin

Track Listing 20:19 • 18:13 • 17:23 • 18:12 ALSO AVAILABLE

My Cat Is An Alien

Leave Me in the Black No-Thing CD: IPT 116 (P) NOT AVAILABLE IN CANADA

Overview “Surprisingly gentle inflections combining low voices, ground-hugging mists of keyboards, genial electronic hucklebuck, and even acoustic guitar to create small vistas of delightful otherness.” — The Wire In Pink is the third ( r ) album. It took almost two years to finish, because Fabrizio Modonese Palumbo was very busy with Larsen and XXL, and because it came to life during troubled and sometimes painful times. Whereas previous album Under the Cables, Into the Wind was very warm and relaxed, In Pink is pretty extreme, swinging between joy and fear with introspective, moody songs and explosions of desperately optimistic energy. Still, it is more a diary than an exorcism, including Fabrizio Modonese Palumbo’s versions of an Irish traditional theme (which Johnny Cash interpreted on one of his American albums) and Joy Division’s classic “Atmosphere.” Features contributions from Paul Beauchamp (Blind Cave Salamander, Steve McKay Band), Ango (Mariae Nascenti), il Bue (Larsen), and the amazing Baby Dee.

Selling Points • ( r ) is Larsen member Fabrizio Modonese Palumbo’s solo project. • Previous recording for Important Records was critically acclaimed. • Promotional mailing by Important Records. • Ads in The Wire.

(r) In Pink Genre: Experimental Label: Important Records CD: IPT 157 Price Code: P NOT AVAILABLE IN CANADA

Key Markets New York, Los Angeles, Chicago, Portland, San Francisco, San Diego, Austin

Track Listing The Straw That Broke the Camel’s Back • Fagolose • Eva Drink • The Unfortunate Rake • Atmosphere • In Spring With My Diamond Ring • Martini Cocktail • The Blue Lagoon • Landscape #2

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(r)

Under the Cables, Into the Wind CD: IPT 57 (P) NOT AVAILABLE IN CANADA

STREET DATE JUNE 26, 2007

Overview “Campbell’s music derives its essence from white light. Or, better yet, from an exploding star in some distant galaxy. Regardless of the source, Astral Social Club can only be described as pure bliss; ecstatic movement coupled with the pleasure of watching clouds go by … Imagine placing sections of Terry Riley’s Rainbow in Curved Air over the most blissed-out fuzz from Heroin.” — Foxy Digitalis Neon Pibroch, the brand new full-length CD from Astral Social Club, is dedicated to the memory of Textile Records founder Benoit Sonnette. Astral Social Club is the current project of Neil Campbell, formerly of Vibracathedral Orchestra, Sunroof!, A Band, and many more. Campbell’s approach as Astral Social Club could be seen as both a continuation and a refutal of his work with Vibracathedral Orchestra—a continuation in that it continues the quest into the unknown stellar regions of improvised drone-based music, and a refutal in its espousal of most of the elemental organic rock modes that made that band so special. The focus here is more on alien electronics and overloaded Astral Social Club loop disorientation, sometimes even working with sounds more readily associated with the far end of Neon Pibroch Genre: Experimental dance music, to produce a truly vast 21st century psychedelic sound. Although largely a solo project, Label: Important Records Astral Social Club collaborators have included Tirath Singh Nirmala, Richard Youngs, and CD: IPT 155 Arttu Partinen. Price Code: P

Selling Points

• Astral Social Club is a project from influential UK musician Neil Campbell, who has been involved in numerous underground UK outfits including Vibracathedral Orchestra and Sunroof! • Press mailing by Important Records. • Ads in The Wire.

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Key Markets New York, Los Angeles, Chicago, Portland, San Francisco, San Diego, Austin

Track Listing

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Vibracathedral Orchestra

Tripel Foment • Neon Pibroch • The Big Spree

Tuning to the Rooster CD: IPT 61 (O) NOT AVAILABLE IN CANADA

Overview “It’s chaos and atoms smashing, more about the jarring mood change and full-body immersion than stitched together beats … Astral Social Club does what all good music should do: it plucks you from where you are and propels you into a new, better place.” — Dusted

Astral Social Club Super Grease Genre: Experimental Label: Important Records LP: IPT 156 Price Code: R NOT AVAILABLE IN CANADA

Super Grease is a limited edition vinyl-only release from Neil Campbell, a member of Sunroof!, Vibracathedral Orchestra, and A Band. Late last year, VHF Records released a compilation CD drawn from an earlier string of self-released CD-Rs that showcased the diverse methods employed in Astral Social Club’s recordings. These encompass straight-ahead drumbox/synthesizer jamming, computer processing, swirling loops, primitive vocal hollers, noise catharsis, tranquil guitar shimmer, and a busload of other angles. The live experience throws these methods up in the air, cranks up the volume, and adds a visceral, seething human presence before letting it fall all over the audience. Despite the excessive use of electronics and processing, the overriding feeling is one of a raw, ecstatic communion with the music, a million miles from sterile “electronica.”

Selling Points • A limited edition LP-only release (500 copies). • Astral Social Club is a project from influential UK musician Neil Campbell, who has been involved in numerous underground UK outfits including Vibracathedral Orchestra and Sunroof! • Promotional mailing by Important Records. • Ads in The Wire.

Key Markets New York, Los Angeles, Chicago, Portland, San Francisco, San Diego, Austin

Track Listing Super Grease • Manifold Flange / Nitrous Fomen

STREET DATE JUNE 26, 2007

Overview Twenty great bands on one awesome DVD sampler from Engineer Records! Great production, great packaging, and twenty videos ready to melt your DVD player. Bands range from metal and punk to indie, emo, and good old hardcore. Welcome to Building On Sight and Sound—believe us, it rocks!

Selling Points

Various Artists Engineer Records: Building On Sight and Sound Genre: Punk/Hardcore Label: Engineer Records DVD: ENG 101 Price Code: S

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• The first DVD compilation from the diverse Engineer Records roster! • Region 1 (NTSC) DVD. Approximate run time: 84 min. • Twenty band videos, plus slideshow extras, feature bands of diverse styles that span the world—metal, punk, emo, indie, and hardcore. • Includes footage previously available on VHS only—Chamberlain playing “Manhattan’s Iron Horses” live and “The Fire Still Burns” video courtesy of Blackout! Records. • Homepage promo with Interpunk. Over 200 promos will be sent out to magazines, zines, radio stations, and websites. • Ads in MRR, Heartattack, Flipside, Status, Mass Movement, Enough, Punk News, FireAlive,Trust, Ox, Suspect Device, Rocksound, Kerrang, NME,Terrorizer, Big Cheese, zines, and websites.

Key Markets New York, Chicago, Boston, Washington DC, Gainesville, Austin, Los Angeles

Track Listing We’re All Broken: Ambrosia • Nine Days To No One: Gala Contemplating • AndTheWinnerIs: All This Was Funny Until She Did the Same Thing To Me • Kover: Deathbed Reflections • Catalyst: This Heart Won’t Heal On Its Own • Son of the Mourning: August 29th, 1997 • Cashless: Take Away • Cornflames: The Speakers • Worlds Between Us: Red Eyed Figures Follow Black Cats • Elemae: Worthwhile • The No One: Sensation • Cohesion: G.I. Joe Vs. Cobra • Rydell: Nothing By Morning • Red Car Burns: Regrets and Memories • Six Second Hero: Cairo’s Crimson Centrefold • Sometimes Why: Bitter Pills • Nathaniel Sutton: Is This What Love’s Like? • Losing Six Seconds: Rebuilding Jericho • Chamberlain: Manhattan’s Iron Horses (Live) • The Fire Still Burns: Insert Motivation Here

Overview “Full of beautiful and sleepy songs that coax a climax out of an ardent melody.” — PunkNews.org Both bold and beautiful, Elemae’s follow-up to the Sleeping With Adrenaline single is finally at your fingertips! Popular Misconceptions of Happiness is a strong move forward for an already ambitious group. From the powerful Jimmy Eat World catchiness of opener “Sleeping With Adrenaline” to the hazy dream-pop of “The Fall of Summer,” this disc will linger in your mind for ages. Running the gamut of influences from post-hardcore to shoegaze, Popular Misconceptions paints many pictures. Past comparisons have been made to the melodic leanings of Sense Field, Chamberlain, and even Swervedriver, all the while leaving opportunities for Elemae to break the mold. This is rock music you can think about.

Selling Points • Contains two bonus tracks and a mini documentary. • Have appeared on Metal Hammer’s Sound of the Underground comp alongside Stretch Arm Strong and Snapcase, and on Curmudgeon Music comp alongside Bouncing Souls and Nora. • Currently recording split with Memorial (Revelation Records) and Soon (Funtime Records). • Over 200 promos will be sent out to magazines, zines, radio, and websites. • Ads in MRR, Heartattack, Flipside, Status, Mass Movement, Enough, Punk News, FireAlive,Trust, Ox, Suspect Device, Rocksound, Kerrang, NME,Terrorizer, Big Cheese, zines, and websites.

Key Markets Hometown: Hoboken. Also: New York, Boston, Philadelphia, Chicago, Seattle, Portland, Atlanta, San Francisco

Track Listing Sleeping With Adrenaline • Worthwhile • Soulsweeper • Happily Cinematic • Kamikaze • Soapbox Podium • Country Pink • To Heel the Sole • End a Year • The Fall of Summer • Sleeprise • X-French Tee Shirt • The Earth Stopped and the Bottle Fell

STREET DATE JUNE 26, 2007

Elemae Popular Misconceptions of Happiness Genre: Alt Rock Label: Engineer Records CD: ENG 53 Price Code: O

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CLASSIC PUNK/HARDCORE TITLES FROM ENGINEER RECORDS ON

% DISCOUNT JUNE 1 – 30, 2007 SA # 88629

Planes Mistaken For Stars Fucking Fight

Joshua Baggage EP

Genre: Punk/Hardcore Label: Engineer Records CD: ENG 17 Price Code: K

Genre: Punk/Hardcore Label: Engineer Records CDEP: ENG 34 Price Code: H

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The CD version of this classic 7” release on DimMak Records! These two songs were recorded in the period between the band’s first self-titled CD and Knife in the Marathon, both on Deep Elm Records. “Brings back the days of ear-wrecking emocore with a heavy-handed blend of hard-assed metal, pummeling dynamics, and all the dirt and grime that’s sure to keep Planes in the top percentile of punk/metal’s most threatening and nasty acts.” — Aversion

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Joshua’s final release features five sweet songs that maintain the aggressive, energetic post-punk feel that the band became famous for while touring with the likes of Get Up Kids and Burning Airlines. “A very refreshing sound that gives me an escape from my daily noisy-core play list … The CD has three rockin’ tracks and two acoustic tracks that add some more interest to the release. If you want to relax, listen to Joshua.” — Railroad

Chamberlain Five-Year Diary [1996-2000]

Rydell Hard on the Trail

Genre: Alt Rock Label: Engineer Records 2XCD: ENG 26 Price Code: 2E

Genre: Punk/Hardcore Label: Engineer Records CD: ENG 35 Price Code: O

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This incredible twenty-eight-track retrospective introduces Chamberlain’s demo works and lost gems. Most notably, the double CD includes material from the original line-up and unveils much-awaited songs from the time between the band’s debut, Fate’s Got a Driver, and its last record, The Moon My Saddle. “A great collector’s item for fans of the Indiana-based rock band formerly known as Split Lip.” — Action Attack Helicopter

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The third and final full-length album from Rydell, the UK’s emo champions, proves that the band just keeps getting better and better. Compared with hardcore luminaries from Hot Water Music to Joan of Arc, the band still comes back with its own expressive, definitive sound. “Honest music, with honest melodies and honest lyrics … definitely one of the most important indie records so far in 2004 … amazing!” — PunkNews.org

The Moirai Bury Yourself

Kover Assembly

Genre: Punk/Hardcore Label: Engineer Records CDEP: ENG 75 Price Code: H

Genre: Punk/Hardcore Label: Engineer Records CD: ENG 94 Price Code: L

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Eight dynamic tracks spanning forty minutes of music cohesive in both tonality and structure. Features ¾ members of the defunct yet highly sought-after Penfold, and the low end of the crushing December Aeternalis. “Art waves of sound and emotion make you crave more from this New Jersey band … captures you and moves you endlessly through a good forty minutes of music without stopping.” — Highwire Daze

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Featuring ex-members of Canada’s beloved Blue Skies at War, Heroes for Sale, Going Nowhere, and Hope to Die, Kover will instantly hit you in the heart, gut, and head with just the right amount of classic post-hardcore, classic rock, and classic songwriting. “Featuring members of some of Toronto’s better acts … contains all the elements that a good punk record should: balls, chops, and hooks.” — Under the Volcano

ASK FOR A COMPLETE LIST OF ENGINEER RECORDS TITLES, FEATURING RELEASES FROM SQUAREWELL, BODIES, ELEMAE, AND MORE! STREET DATE JUNE 26, 2007

The Flying Burrito Bros The Gilded Palace of Sin Genre: Rock Label: 4 Men With Beards LP: FMN 135 Price Code: T

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CLASSIC REISSUES ON 180 GM AUDIOPHILE VINYL! Terry Reid River Genre: Rock Label: 4 Men With Beards LP: FMN 108 Price Code: T NOT AVAILABLE IN CANADA

Now available on 180-gram vinyl, this 1973 Atlantic Records rock classic features David Lindley on lead and slide guitar. River blends the heavy rock sounds of the early Jeff Beck Group (Truth and Beck-Ola) with the folky vibe of “acoustic” Led Zeppelin (Led Zep III) and Tim Buckley. Terry Reid’s highly melodic songwriting and scintillating vocals distinguish him from his peers.

Originally released in 1969, this is the debut release from one of the most influential country-rock outfits of all time. Helmed by the legendary Gram Parsons, with help from ex-Byrd Chris Hillman and L.A. pedal steel maverick “Sneaky” Pete Kleinow, it features “Sin City” (later covered by Emmylou Harris), “Christine’s Tune,” and other classics. Deluxe 180-gram vinyl reissue.

John Cale Paris 1919 Genre: Rock Label: 4 Men With Beards LP: FMN 125 Price Code: T NOT AVAILABLE IN CANADA

Originally released in 1973, Paris 1919 is Cale’s fourth solo release following his departure from the Velvet Underground. Recorded with Lowell George and Richie Hayward of Little Feat, and the UCLA Symphony Orchestra. Deluxe 180-gram vinyl reissue. “The most accessible and most purely beautiful record of Cale’s storied, multi-faceted career.” — Pitchfork [9.5]

Tim Buckley Blue Afternoon

Tim Buckley Starsailor

Genre: Rock Label: 4 Men With Beards LP: FMN 133 Price Code: T

Genre: Rock Label: 4 Men With Beards LP: FMN 134 Price Code: T

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Originally released in 1969, this is Buckley’s fourth album, and first for Frank Zappa’s Straight label. The songs are complemented by classy arrangements featuring vibes player David Friedman and Lee Underwood’s beautifully understated guitar work. A classic and long out-of-print work from perhaps the most unique American singersongwriter of the ’60s and ’70s. Deluxe reissue on 180-gram vinyl.

The Fugs It Crawled Into My Hand, Honest Genre: Rock Label: 4 Men With Beards LP: FMN 148 Price Code: T

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Originally released in 1970, Starsailor is the most unique and uncompromising release of Buckley’s career. Combining jazz and avant-garde elements with folk-rock and acrobatic vocal performances, Starsailor is one of the most experimental singersongwriter albums of all time, and has become a sought-after cult classic. Deluxe 180-gram vinyl reissue.

The Fugs Tenderness Junction Genre: Rock Label: 4 Men With Beards LP: FMN 147 Price Code: T NOT AVAILABLE IN CANADA

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The Fugs began their career recording for the legendary avantgarde label ESP-Disk’ in the mid 1960s before signing to Reprise. This is their second Reprise release from 1968, reissued on 180gram virgin vinyl with a deluxe gatefold reproduction of the original artwork. The original NYC freak-folk! 28

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The Fugs were the original outsider artists. This is their first Reprise release from 1967, reissued on 180-gram virgin vinyl with a deluxe gatefold reproduction of the original artwork. Features the classics “Turn On/Tune In/Drop Out” and “Exorcising the Evil Spirits From the Pentagon October 21, 1967.”

Get nailed... on the road Dr. Dog

We All Belong LP

LP: PTV 17 Price Code: O UPC: 723721171513 5/5/07 Nashville, TN – Mercy Lounge 5/8/07 Asheville, NC – Grey Eagle Tavern 5/9/07 Raleigh, NC – Local 506 5/11/07 Charlottesville,VA – Starr Hill Music Hall 5/15/07 Washington, DC – Rock and Roll Hotel 6/14–17/07 Manchester, TN – Bonnaroo Festival

Ms. Led

Shake Yourself Awake

CD: FTC 28 Price Code: O UPC: 837101321136 5/24/07 San Francisco, CA – Thee Parkside 5/26/07 Tucson, AZ – Plush 5/27/07 Las Vegas, NV – Double Down Saloon

Pink Martini Hey Eugene!

CD: HNZ 3 Price Code: S UPC: 723721289454 5/3–5/07 Nashville, TN – Schermerhorn Symphony Center 5/16/07 Portland, OR – Arlene Schnitzer Concert Hall 6/13/07 New York, NY – Carnegie Hall 6/15/07 Westhampton Beach, NY – Perf. Arts Center 6/17/07 Boston, MA – Symphony Hall 6/19/07 Glenside, PA – Keswick Theatre 6/20/07 Cleveland, OH – House of Blues 6/23/07 Minneapolis, MN – Orchestra Hall 6/24/07 Chicago, IL – Ravinia Festival 7/8/07 Reno, NV – Artown Festival

Koenjihyakkei Viva Koenji!!

CD: GRA 83 Price Code: M UPC: 647216608325 5/14/07 New York, NY – Tonic 5/15/07 Chicago, IL – Abbey Pub 5/19/07 Victoriaville, QC – Festival de Musique Actuelle

Bleach 03

The Head That Controls Both Right and Left Sides Eats Meats and Slobbers Even Today CD: ACG 15 Price Code: O UPC: 733792737327 * on tour w/ Lozen 5/8/07 Seattle, WA – The Funhouse 5/10/07 Portland, OR – Towne Lounge 5/11/07 Eugene, OR – Samurai Duck 5/14/07 San Diego, CA – The Casbah 5/15/07 Hollywood, CA – Amoeba Records 5/15/07 Glendale, CA – The Scene Bar 5/16/07 Las Vegas, NV – Double Down 5/17/07 Hollywood, CA – Mr. T’s Bowl 5/18/07 San Jose, CA – Blank Club 5/19/07 San Francisco, CA – Thee Parkside 5/22/07 San Francisco, CA – Hemlock Tavern

The High Strung Get the Guests

CD: PTV 15 Price Code: O UPC: 723721284558 5/3/07 Ft. Worth, TX – Ridglea Theater 5/4/07 Austin, TX – Stubb’s 5/6/07 Houston, TX – Continental Club 5/8/07 New Orleans, LA – House of Blues 5/9/07 Memphis, TN – Young Avenue Deli 5/10/07 Birmingham, AL – Workplay 5/11/07 Atlanta, GA – Variety Playhouse 5/17/07 Washington, DC – 9:30 Club

Alela Diane

The Pirate’s Gospel

CD: HCM 4 (M) UPC: 751937292227 5/9/07 Santa Cruz, CA – UC Santa Cruz 5/10/07 Davis, CA – KDVS (live in studio) 5/11/07 Davis, CA – Whole Earth Festival 5/15/07 San Luis Obispo, CA – Steynberg Gallery 5/16/07 San Francisco, CA – Mission Creek Festival

Acid Mothers Temple & The Melting Paraiso UFO

Crystal Rainbow Pyramid Under the Stars CD: IPT 146 Price Code: P UPC: 793447514628 5/1/07 Toronto, ON – Lee’s Palace 5/2/07 Buffalo, NY – Soundlab 5/3/07 Cleveland, OH – Grog Shop 5/4/07 Detroit, MI – Magic Stick 5/5/07 Chicago, IL – Empty Bottle 5/6/07 Minneapolis, MN – Triple Rock Social Club 5/9/07 Vancouver, BC – Richards On Richards 5/10/07 Seattle, WA – Chop Suey 5/11/07 Portland, OR – Doug Fir Lounge 5/12/07 San Francisco, CA – Bottom of the Hill 5/13/07 Santa Cruz, CA – The Attic

The Toasters One More Bullet

CD: STM 55 Price Code: O UPC: 626177005527 5/5/07 New York, NY – Knitting Factory 5/6/07 Allentown, PA – Sterling Hotel 5/8/07 Cambridge, MA – Middle East 5/9/07 Newmarket, NH – Stone Church 5/12/07 Cleveland, OH – Agora Ballroom 5/13/07 Buffalo, NY – Mohawk Place 5/14/07 Millvale, PA – Mr. Small’s 5/15/07 Cincinnati, OH – Poison Room 5/16/07 DeKalb, IL – Otto’s 5/17/07 Chicago, IL – Abbey Pub 5/18/07 Minneapolis, MN – Triple Rock Social Club 5/19/07 Des Moines, IA – Vaudeville Mews 5/20/07 St. Louis, MO – Creepy Crawl

TOURDATES

NAIL NEW RELEASE ORDER FORM

ARTIST

TITLE

FMT

LBL

CAT#

UPC

JUNE 2007>>1 $$ DISC QTY

Living Legends

Legendary Music Vol. 1

LGM

693405006021

n/a

Living Legends

Classic

LGM

522

693405005222

n/a

Living Legends

Creative Differences

LGM

406

693405004027

n/a

Living Legends

Crappy Old Shit

LGM

282

693405002825

n/a

Mystik Journeymen

Magic

LGM

1252

659057047423

n/a

Mystik Journeymen

Black Sands ov Eternia, The

LGM

1251

659057013824

n/a

LuckyIAm.PSC

Justify the Mean$

LGM

1250

631037075220

n/a

LuckyIAm.PSC

Extra Credit 2

LGM

302

693405003020

n/a

Immaculate Machine

Fables

MRI

103

773871010323

Immaculate Machine

Fables

MRI

103

773871010316

Immaculate Machine

Ones and Zeroes

MRI

773871008726

n/a

Cub

Come Out Come Out

MRI

773871000522

n/a

Cub

Betti-Cola

MRI

773871000225

n/a

Maow

Unforgiving Sounds of Maow, The

MRI

773871001925

n/a

Choir Practice, The

Choir Practice, The S/T

MRI

104

773871010415

Psychic Emperor

Communication

ITR

723721299255

Psychic Emperor

CDEP

ITR

723721059651

n/a

Vells

Integretron

ITR

723721299156

Vells

Flight from Echo Falls

ITR

723721025656

n/a

Two Lone Swordsmen

Wrong Meeting II

RGC

809651401422

Two Lone Swordsmen

Emissions Audio Output V.1

RGC

809651401224

n/a

Temple, Luke

Hold a Match for a Gasoline World

MLL

678277090828

n/a

Temple, Luke

S/T EP

CDEP

MLL

751937257226

n/a

Flying

Just One Second Ago Broken Eggshell

MLL

827912040890

n/a

Stillman, Robert

Horses

MLL

766433111125

n/a

Blessed Light

Love Lights the Way

MLL

751937238423

n/a

Blitzen Trapper

Wild Mountain Nation

LKC

751937302728

Blitzen Trapper

LKC

634479129728

Blitzen Trapper

Field Rexx

LKC

751937261223

X27

Antilove

NNK

7042

825807704223

X27

Your Neu Favourite Band

NNK

7005

825807700522

n/a

Bitter Bitter Weeks

Peace is Burning Like a River

HGH

642623501122

McCormick, Matt

Very Stereo

WED

851431001452

Ms. Led

Shake Yourself Awake

FTC

837101321136

Ms. Led

These Things We Say

FTC

825346414324

n/a

Ghost Lullaby, The

Button Eyes

ORG

641444997725

Soular System, The

All the Way Out & All the Way In

NSF

723721303358

Sugar & Gold

Creme

ANT

521

646315452129

n/a

Sugar & Gold

Workout b/w Do It Well

12”

ANT

519

646315451917

n/a

Skull Defekts, The

Blood Spirits & Drums Are Singing

CNS

5425015710365

n/a

Spare Lead

Let’s Run Faster When We Have Lost Our

NSR

131

678277127920

Spare Lead

Secluded

NSR

106

783707350226

n/a

P>> 503–257–8480 F>> 503–257–9061 ORDERS>> 800–288–2007

NAIL NEW RELEASE ORDER FORM

ARTIST

TITLE

FMT

LBL

CAT#

UPC

JUNE 2007>>2 $$ DISC QTY

Various Artists

Shut the Punk Up! Vol. 3

NSR

113

775020474727

n/a

Various Artists

Punk Off! Volume 1

NSR

126

775020505421

n/a

Stockholm JazzBeat Project

Stockholm JazzBeat Project S/T

COP

3035

703513101829

Katz, Fred

Folk Songs for Far Out Folk

RBS

824247014428

Forty Marshas

Forty Marshas S/T

BVR

1026

652447102627

Dr. Dog

We All Belong LP

PTV

723721171513

Dr. Dog

We All Belong

PTV

723721265557

n/a

Dr. Dog

Takers & Leavers

CDEP

PTV

723721239558

n/a

Dr. Dog

Easy Beat

PTV

749322100127

n/a

Child Abuse

Child Abuse S/T

LPU

880270099122

Child Abuse/Miracle of Birth

Child Birth Split

CDEP

LPU

880270077922

n/a

Black Magic Disco

Black Magic Disco S/T

IPT

148

793447514826

n/a

My Cat is an Alien

Leave Me in the Black No-Thing

IPT

116

793447511627

n/a

(r)

In Pink

IPT

157

793447515724

n/a

(r)

Under the Cables, Into the Wind

IPT

793447505725

n/a

Astral Social Club

Neon Pibroch

IPT

155

793447515526

n/a

Vibracathedral Orchestra

Tuning to the Rooster

IPT

793447506128

n/a

Astral Social Club

Super Grease

IPT

156

793447515625

n/a

Various Artists

Engineer Records: Building On Sight and

DVD

ENG

101

5021449097951

Elemae

Popular Misconceptions of Happiness

ENG

616822010921

Planes Mistaken For Stars

Fucking Fight

ENG

723721083359

15%

Joshua

Baggage EP

CDEP

ENG

803341150928

15%

Chamberlain

Five-Year Diary [1996-2000]

2XCD

ENG

723721083250

15%

Rydell

Hard on the Trail

ENG

803341151024

15%

Moirai, The

Bury Yourself

CDEP

ENG

616822013823

15%

Kover

Assembly

ENG

616822029121

15%

Flying Burrito Bros, The

Gilded Palace of Sin, The

FMN

135

646315113518

n/a

Reid, Terry

River

FMN

108

646315110814

n/a

Cale, John

Paris 1919

FMN

125

646315112511

n/a

Buckley, Tim

Blue Afternoon

FMN

133

646315113310

n/a

Buckley, Tim

Starsailor

FMN

134

646315113419

n/a

Fugs, The

It Crawled Into My Hand, Honest

FMN

148

646315114812

n/a

Fugs, The

Tenderness Junction

FMN

147

646315114713

n/a

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