Film Festival Process Journal
June 26 – 28 Film Festival, 2017
Alma Kamal
8
10
14
Director
Creative Brief
Movie Moodboards
36
38
42
Logo Sketches
Poster Explorations
Type Explorations
72
74
75
76
Schedule
Tickets
Soundtrack
Website
58
60
64
68
70
Poster
Catalogue
Ads
Media Package
Environmental Signage
contents.
Paul Thomas Anderson
Process Journal
Concept
20
32
Buckets
Dashboard
Design
46 Catalogue Concepts
Deliverables
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
4–4
Concept
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
Director Creative Brief Movie Moodboards Buckets Dashboard
June 26 – 28
DAMAGED GOODS
6–6
Wounded souls in search of self and family re-creation in the most unlikely places
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
—PTA
I'm completely aware of the fact that I'm a control
June 26 – 28
DAMAGED GOODS
8–8
Wounded souls in search of self and family re-creation in the most unlikely places
About
Alma Kamal
Process Journal
Biography of director Paul Anderson was born in 1970 in Studio City, California. He was one of the first “video store” generation of film-makers. His father was the first man on his block to own a V.C.R., so Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson would shoot films on video and edit them from V.C.R. to V.C.R.
Paul Thomas Anderson
Color (movie)
Line Thickness (amount of work produced that year)
Paul Thomas Anderson
Film Festival, 2017
Anderson grew up in “The Valley” which shaped his artistic self, especially since three or four of his features were set in the Valley. His most significant amateur film was The Dirk Diggler Story (1988). Anderson applied to NYU, and dropped out two days later. His tuition money was thus refunded and he used it to make Cigarettes & Coffee (1993). “My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films, I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges’ audio track on the Bad Day at Black Rock laserdisc than you can in 20 years of film school.” —PTA 2012 The Master
2014 2007 2002
Inherent Vice
There Will Be Blood
Punch-Drunk Love
1988
1993
1996
1997
1998
1999
2000
2001
2003
2013
2015
2016
(Short) (as Paul Anderson) The Dirk Diggler Story
(Short) (as Paul Anderson) Cigarettes & Coffee
Hard Eight
(Video short) Michael Penn: Try
(Video short) Fiona Apple: Across the Universe
(Video short) Aimee Mann: Save Me
(Video short) Fiona Apple: Paper Bag
(Video short) Blossoms & Blood
(Video short) Back Beyond
(Video short) Joanna Newsom: Divers
(Video short) Radiohead: Daydreaming
(Video short) Fiona Apple: Fast as You Can
(TV Series) (1 episode) Saturday Night Live
(segment “Fanatic”) Saturday Night Live: The Best of Molly Shannon
(Video short) Back Beyond Mattress Man Commercial
(Video short) Fiona Apple: Hot Knife
(Video short) Joanna Newsom: Sapokanikan
(Video short) Radiohead: Present Tense
Boogie Nights
(Video short) Flagpole Special
Magnolia
(segment “Fanatic”) Ben Affleck/Fiona Apple (TV short) SNL Fanatic (Video short) Fiona Apple: Limp
(TV short) Couch
(Documentary)
Junun
(Video short) Present Tense: Jonny, Thom & a CR78 (Video short) Untitled Paul Thomas Anderson Fashion Project
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
10–10
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
Initial Thread There is an alienated, strange drifting character, unbound by family connections… in search for something, comes across a ‘master’ figure who sees him as a challenge to establish his position and power… The characters then have deep connections, but the ‘master’ always fails to keep this student. The drifting soul then leaves and is free once again, for a while. There's always rage, physical and sometimes even murderous, there’s religion, but not in a pure form. There's crying and an overwhelming sense of loss and guilt.
1. When lost, we look for inspiration from higher places. However, we must not blindly succumb to them, we must find our own way.
Location & Dates
2. Family is very important, whether it’s your biological one or one you create for yourself. 3. We lose ourselves in trying to blindly defend our leaders. They don't need us, we mean nothing to them.
Paul Thomas Anderson was born on June, 26th. Therefore, I've chosen this to be the date of my festival. The festival goes on for three consecutive days. Location wise, I considered The Valley, which influenced Anderson a lot and was featured in many of his movies. I also considered having the festival at an ‘unconventional’ place to fit the thread. In that case, it could be an industrial area or NYU filming school as an inside joke, but also because his experience really affected him. My final decision was to have it take place at the warehouse where the movie Punch-Drunk Love was shot. The reason being is: it reflects the industrial sides of Anderson's movies, it shows the 'ugly, but real' side of LA—something Anderson is very fond of showing, it's an unconventional place to have a film festival. The address for the warehouse is 10101 Canoga Ave, Chatsworth, CA 91311. It's car-repair garage called Eckhart Auto Body.
4. Constant struggle between following authority, which gives you a sense of belonging, and being free spirited. 5. Damaged characters are the result of a broken home (abusive parent(s)) 6. Each one of the characters has one special gift/skill that sets his story in motion. 7. Some people never fit into any kind of social circles… they’re doomed to be alone.
Inherent Vice – Story Chart
After trying to come up with all the common themes amongst PTA's films, I rested on one very important and very strong thread, which is: Thread
Damaged characters searching for family and finding it in unconventional places, which helps them achieve reconciliation, forgiveness and ease the burden of their past.
Guiding Narrative
Who: late 20s, uneducated male, works in sales at a department store, but was fired today for showing up to work drunk, again.
Girftfrield comes back |
Where: back at my apartment. |
What: feeling stressed and lost, smoking and drinking, trying to decide what to do with my life.
The Master – Story Chart
Gets beaten
Positioning/ This festival is to celebrate the movies of Paul Thomas Anderson and History of Festival to encourage people to rethink the people they’ve put on pedestals
Gets a girl in the end | Loves the family, but struggles to fit in | |
and to follow their own visions instead of authority figures. We live in a time where, despite the social media and the fake smiles, we are lonely and damaged and extremely parched. We are all frantic to find that one source of energy and power that would tell us what to do and how to be so we can be happy. That's why we search for such figures and blindly follow them, but they lead us to war and greed and destruction. We need a reminder that our own voices are as powerful and insightful and we can walk our own journeys. Audience
People who feel lost and are drifting through life searching for something, have had troubling family dynamic and/or have had success in finding a sense of family in unconventional places.
| Poisons old man
Charts
These charts were drawn to show the story development in PTA's movies. Things usually start out badly, but always end up in a better place for the main character
|
Walks away from Dodd
Finds out Doris is married
June 26 – 28
DAMAGED GOODS
12–12
Wounded souls in search of self and family re-creation in the most unlikely places
Festival Name & Subtitle Options
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Deviating From The Path celebrating the unique storytelling of Paul Thomas Anderson Absent Havens Damaged Goods Masters Left Behind
Looking into the lives of Paul Thoman Anderson’s complicated characters Celebrating the free-minded characters of Paul Thomas Anderson
Poor Direction Following the lonely characters of Paul Thomas Anderson We Can Fix You Following the misfit characters of Paul Thomas Anderson Devoid Of Self Celebrating the raw characters of Paul Thomas Anderson Between Id And Superego The surpassed need for a support group in the movies of PTA The Search For Family The Inner Desires Of A Troubled Man Falling For The Misfit
The unrealized craving for a family in the life of PTA Pilgrims of an unforgiving journey reach the ultimate goal of happiness through unprecedented connections
In-between Circles The unexpected meeting of people that will pull you through when you’ve reached the bottom Bastard In A Basket The desperate need to belong in the movies of PTA Hopeless Wanderers The family you choose is sometimes better than the one you’re born into in the movies of PTA Defective Circles Finding home and forgiveness in the least expected places in the movies of PTA Troubled Situations An Emergence Of Truth Half Families
Finding hope through surrogate families in the movies of PTA Hope and reconciliation are only possible when surrounded by family in the movies of PTA
Childish Men Inner struggles will be put to peace when arriving at a place you can call home in the movies of PTA Stray Men Going through life without a family is a virtual suicide in the life of PTA Polluted Souls Drifting through life without support leads to madness and rock-bottom in the movies of PTA Devolved Men Spiraling out of control until presented with a sense of love and support in the movies of PTA Barely Suppressed Rage Aimless Existence Compelling Dysfunctions
Happy endings can be achieved only through a loving family in the movies of PTA Reaching a better self through the support of others in the movies of PTA
Dysfunctions The subliminal reach for a loving family in the movies of PTA A Stabilizing Force
Final Name & Subtitle
DARREN ARONOFSKY GUS VAN SANT
Damaged Goods Wounded souls search for self and family re-creation in the most unlikely places
PTA JIM JARMUSCH
SAM MENDES
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
14–14
Film Festival, 2017
Paul Thomas Anderson
PTA's Movie Moodboards
The Master 2012
A Naval veteran arrives home from war unsettled and uncertain of his future - until he is tantalized by The Cause and its charismatic leader.
There Will Be Blood 2007
A story of family, religion, hatred, oil and madness, focusing on a turn-of-the-century prospector in the early days of the business.
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
16–16
Film Festival, 2017
Paul Thomas Anderson
Punch-Drunk Love 2002
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Magnolia 1999
An epic mosaic of interrelated characters in search of love, forgiveness, and meaning in the San Fernando Valley.
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
18–18
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Inherent Vice
Boogie Nights
2014
1997
In 1970, drug-fueled Los Angeles private investigator Larry “Doc” Sportello investigates the disappearance of a former girlfriend.
The story of a young man’s adventures in the Californian pornography industry of the late 1970s and early 1980s.
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
Buckets
20–20
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
2. Photo Style
Running, searching
3. Photo Style
Objects that show distress, very popular in all of PTA’s movies
Buckets are collections of photo style, type, material, graphic elements and/or textures we had to gather according to the director's style and keep updating each week, until we get to a final selection that we use throughout our system. The following are my initial buckets, which included 3 different directions for each of the categories; this will give an idea of what I started out with and how I was able to narrow it down to exclude other directors whose styles are close to Paul Thomas Anderson.
1. Photo Style
Trying to break free
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
1. Type
Old style, heavy
2. Type
Distortion
22–22
Film Festival, 2017
3. Type
Paul Thomas Anderson
Modern, clear
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
1. Material
Old West vernacular
2. Material
Slightly elegant
24–24
Film Festival, 2017
3. Material
Paul Thomas Anderson
Cheap, practical
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
1. Graphic Style
Inspired by elements from the movies
2. Graphic Style
Old West style ornamentation
26–26
Film Festival, 2017
Paul Thomas Anderson
3. Graphic Style
Basic lines/shapes.
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
28–28
Film Festival, 2017
Paul Thomas Anderson
1. Photo Style
3. Material
2. Type
4. Graphic Style
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
30–30
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
Final buckets
1. Photo Style
Sad mundane
3. Material
Everyday, available at one's apartment
2. Type
Grotesque
4. Graphic Style
Simple, geometric shapes
June 26 – 28
DAMAGED GOODS
32–32
Wounded souls in search of self and family re-creation in the most unlikely places
Paul Thomas Anderson
Film Festival, 2017
Dashboard Given the Guiding narrative, the imagery selections should be refined.
LEVEL 1
This moodboard is a selection of the images which will be used for the festival; it includes a total of 18 images divided into three levels— Level 1, Level 2 and Level 3—Level-I are the main images while Level 3 are the background images and textures, Level 2 is in between. Level 1 images are often on the covers of things: posters, catalogue, ads, etcetera. 'These images will need to be able to share their space a bit with type and graphic elements, but as "alpha" imagery, the image will indeed be a primary focus.
LEVEL 2
Level 2 images (secondary) will be less objective, less alpha than L1. They will share space with type and graphic elements (50/50) and be useful for chapter-openers, text backgrounds, and the like. Level 3 (tertiary) imagery will not simply be a textural wash (that's potentially a separate bucket and something layered in independently, but will share most 0f its space with other elements. It will be abstract or far less objective than L1 and L2, but will still retain something from the visual language established in L1 and L2 images. These will be useful as backgrounds for full-spread quotes, for instance.
Textures
These images represent the final selection that was used throughout the Damaged Goods festival
LEVEL 3
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
34–34
Design
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
Logo Sketches Poster Exploration Type Exploration Catalogue Concept
June 26 – 28
DAMAGED GOODS
36–36
Wounded souls in search of self and family re-creation in the most unlikely places
DAMAGED Damaged GOODS Goods damaged goods Damaged Goods damaged damaged goods damaged goods damaged goods damaged goods DAMAGED GOODS DAMAGED GOODS DAMAGED GOODS
damaged goods damaged goods damaged goods damaged goods
damaged goods damaged goods goods damaged goods damaged
Dama Goo
Damaged Goods Dam Goo
Damaged Goods
Damaged Goods
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
This is the final logo design that was used in the festival
June 26 – 28
DAMAGED GOODS
38–38
Wounded souls in search of self and family re-creation in the most unlikely places
Paul Thomas Anderson
Film Festival, 2017
Alma Kamal
Process Journal
Poster Explorations Damaged Goods Damaged Goods
Dam Goo
Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson
Dama Goo
The Film Festival takes the movie Punch-drunkplace at the wareho use where Love was shot.
Damaged Goods Film s Show ing Inhe re The nt Vice M Ther aster e Punc Will Be Mag h-Drunk Blood nolia Love Boogi e Nig hts
FEB 28 – MARCH 2
Damaged Goods
Damaged Goods
Damaged Goods
www.damaged-goods.com
Dam Goo
FEB 28 – MARCH 2
Feb 28–March 2
10101 Canoga Ave,
Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson
Chatsworth CA
10101 Canoga Ave, Chatsworth CA
Damaged Goods
Dama Goo
10101 Canoga Ave, Chatsworth CA
Damaged Goods
feb 28– march 2
Wounded souls desperate for self{ reinvention and family even in the
most unlikely places in the movies of Paul Thomas Anderson
}
Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson
Damaged Goods
Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson
feb 28 – march 2
Inherent Vice The Master There Will Be Blood Punch-Drunk Love Magnolia
10101 Canoga Ave, Chatsworth CA
Boogie Nights
Wounded souls desp erate in the most unlikely place for self-reinvention and creation of family even s in the movies of Paul Thomas Anderson
www.damaged-goods.com
10101 Canoga Ave, Chatsworth CA
Feb 28–March 2
Inherent Vice The Master There Will Be Blood Punch-Drunk Love Magnolia Boogie Nights
Dam Goo
Feb 28 11:00 AM
INHERENT VICE | 11:00 AM
Damaged Goods
Wounded souls desperate for selfreinvention and family even in the most unlikely places in the movies of Paul Thomas Anderson
Dam Goo
Damaged Goods
Damaged Goods Damaged Goods
Dama Goo
feb 28–march 2
Damaged Goods
June 26 INHERENT VICE THE MASTER June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE June 28 MAGNOLIA BOOGIE NIGHTS
June 26 INHERENT VICE THE MASTER
June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE www.damaged-goods.com
June 28 MAGNOLIA BOOGIE NIGHTS
Dam Goo Inherent Vice The Master There Will Be Blood Punch-Drunk Love Magnolia Boogie Nights
Wounded souls search for self and family re-creation in the most unlikely places
w w w.damaged-goods.com
Inherent Vice
The Master
There Will Be Blood
Punch-Drunk Love
Damaged Goods
Damaged June 26–28 Goods
June 26– 28 June 26 INHERENT VICE THE MASTER June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE
Damaged Goods
w w w.damaged-goods.com
Damaged Goods
Dam Dam Goo Goo Inherent Vice The Master
Punch-Drunk Love Boogie Nights
–march 2
June 26 INHERENT VICE THE MASTER
June 26 INHERENT VICE THE MASTER
June 26 INHERENT VICE THE MASTER
June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE
June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE
June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE
June 28 MAGNOLIA BOOGIE NIGHTS
June 28 MAGNOLIA BOOGIE NIGHTS
June 28 MAGNOLIA BOOGIE NIGHTS
www.damaged-goods.com
www.damaged-goods.com
www.damaged-goods.com
Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson
feb 28–
There Will Be Blood
Damaged Goods Feb 28–March 2 INHERENT VICE | 11:00 AM THE MASTER | 2:30 PM
March 1
THERE WILL BE BLOOD | 5:30 PM PUNCH-DRUNK LOVE | 9:00 PM
March 2
PAUL THOMAS ANDERSON
PAUL THOMAS ANDERSON
FILM FESTIVAL
FILM FESTIVAL
June 26–28
Damaged Goods
Feb 28
MAGNOLIA | 6:00 PM BOOGIE NIGHTS | 9:45 PM
www.damaged-goods.com
www.damaged-goods.com The Film Festival takes place at the warehouse where the movie Punchdrunk Love was shot.
June 28 MAGNOLIA BOOGIE NIGHTS
www.damaged-goods.com
Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson
Dama Goo
Wounded souls search for self and family re-creation in the most unlikely places
10101 Canoga Ave, Chatsworth CA
www.damaged-goods.com
Damaged Goods Damaged Goods
June 26–28 10101 Canoga Ave, Chatsworth CA
10101 Canoga Ave, Chatsworth CA
Magnolia
PAUL THOMAS ANDERSON FILM FESTIVAL
PAUL THOMAS ANDERSON FILM FESTIVAL
For more information please visit our website
10101 Canoga Ave, Chatsworth CA
Inherent Vice The Master There Will Be Blood Punch-Drunk Love Magnolia Boogie Nights
PAUL THOMAS ANDERSON FILM FESTIVAL
Wounded souls search for self and family re-creation in the most unlikely places
The film festival takes place at the warehouse where the movie Punch-Drunk Love was shot as a tribute to Paul Thomas Anderson.
Magnolia
10101 Canoga Ave, Chatsworth CA
Damaged Damaged Goods
10101 Canoga Ave, Chatsworth CA
Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson
< Feb 28 – March 2 >
www.damaged-goods.com
Damaged Goods
Goo
Dama Goo
For more information
Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places.
10101 Canoga Ave, Chatsworth CA
9:45 PM BOOGIE NIGHTS
www.damaged-goods.com
Goods
Damaged feb 28–march 2 Goods Dama
MAGNOLIA
9:45 PM BOOGIE NIGHTS
Damaged Dam Damaged Goods Goo Goods Damaged
Goods
MAGNOLIA | 6:00 PM BOOGIE NIGHTS | 9:45 PM
March 2 6:00 PM
MAGNOLIA
Goods Damaged
www.damaged-goods.com
March 2
THERE WILL BE BLOOD 9:00 PM PUNCH-DRUNK LOVE
March 2 6:00 PM
THERE WILL BE BLOOD | 5:30 PM PUNCH-DRUNK LOVE | 9:00 PM
March 1 5:30 PM
THERE WILL BE BLOOD 9:00 PM PUNCH-DRUNK LOVE
Damaged Goods
March 1
2:30 PM THE MASTER
March 1 5:30 PM
Damaged Goods Damaged
Inherent Vice The Master There Will Be Blood Punch-Drunk Love Magnolia Boogie Nights
INHERENT VICE
2:30 PM THE MASTER
Damaged Goods
feb 28–march 2 10101 Canoga Ave, Chatsworth CA
Feb 28 11:00 AM
INHERENT VICE
www.damaged-goods.com
damaged goods
Dama Goo
Damaged Goods
THE MASTER | 2:30 PM
www.damaged-goods.com
Goods
Damaged Goods
Feb 28
10101 Canoga Ave, Chatsworth CA
Dama Goo Damaged
Damaged Goods
Damaged Goods
10101 Canoga Ave, Chatsworth CA
Damaged Goods
Damaged Goods
10101 Canoga Ave, Chatsworth CA
Wounded souls search for self and family re-creation in the most unlikely places
June 26–28 10101 Canoga Ave, Chatsworth CA
June 26–28 10101 Canoga Ave, Chatsworth CA
Wounded souls search for self and family re-creation in the most unlikely places
PAUL THOMAS ANDERSON FILM FESTIVAL
Wounded souls search for self and family re-creation in the most unlikely places
June 26 – 28
DAMAGED GOODS
40–40
Wounded souls in search of self and family re-creation in the most unlikely places
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
final Poster
26 INHERENT VICE THE MASTER
PAUL THOMAS ANDERSON FILM FESTIVAL
26 INHERENT VICE THE MASTER
27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE
26 INHERENT VICE THE MASTER
27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE
28 MAGNOLIA BOOGIE NIGHTS
27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE
28 MAGNOLIA BOOGIE NIGHTS
www.damaged-goods.us
PAUL THOMAS ANDERSON FILM FESTIVAL
27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE
June 26–28
June 26–28 10101 Canoga Ave, Chatsworth CA
26 INHERENT VICE THE MASTER
28 MAGNOLIA BOOGIE NIGHTS
PAUL THOMAS ANDERSON FILM FESTIVAL
10101 Canoga Ave, Chatsworth CA
June 26–28
28 MAGNOLIA BOOGIE NIGHTS
10101 Canoga Ave, Chatsworth CA
Wounded souls search for self and family re-creation in the most unlikely places www.damaged-goods.us
Wounded souls search for self and family re-creation in the most unlikely places
Wounded souls search for self and family re-creation in the most unlikely places www.damaged-goods.us
PAUL THOMAS ANDERSON FILM FESTIVAL
June 26–28 Eckhart Auto Body 10101 Canoga Ave, Chatsworth CA
Wounded souls search for self and family re-creation in the most unlikely places
w w w.damaged-goods.us
June 26 – 28
DAMAGED GOODS
42–42
Wounded souls in search of self and family re-creation in the most unlikely places
Film Festival, 2017
Paul Thomas Anderson
Type Exploration
Feb 2 8 –Ma rch 2
I went through a long list of type combinations
Feb 2 8 –M a rch 2
Feb 2 8 –M a rch 2
Feb 2 8 –M a rc h 2 Feb 28 –Ma rch 2 Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson
Feb 2 8 –Ma rch 2 Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson
Feb 2 8 –Ma rch 2 Feb 2 8 –Ma rch 2 Feb 2 8 –Ma rch 2 Feb 2 8 – M a r ch 2 Fe b 28–Ma r ch 2 Feb 2 8 –M a rch 2
Feb 28 –Ma rch 2
Feb 2 8 –Ma rch 2
F eb 2 8 – M a r c h 2
Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson
Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson
Feb 28 –Ma rch 2
Feb 2 8 –Ma rch 2
Feb 2 8 –M a rch 2
Feb 2 8 –Ma rch 2
Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson
Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson
Feb 2 8–M a rc h 2
Feb 2 8 –Ma rch 2
Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson
Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson
Feb 2 8 – M a rc h 2
Feb 2 8 – M a r ch 2
Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson
Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson
Feb 2 8 –Ma rch 2
Feb 2 8 –Ma rch 2
Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson
Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson
Feb 2 8 – M a rc h 2
Alma Kamal
Process Journal
Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
44–44
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
1
46–46
Wounded souls in search of self and family re-creation in the most unlikely places
Paul Thomas Anderson
Film Festival, 2017
Barry Eagon at the beginning of the movie The location for the film festival
Damaged Goods
About Paul
Anderson was born in 1970. He was one of the first of the “video store” generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from V.C.R. to V.C.R.
The Valley may have been immortalized in the 1980s for its mall-hopping “Valley Girls”, but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren’t there. Would-bes and burn-outs populated the area. Anderson’s experiences growing up in “The Valley” have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley.
2016
Film Festival
2016
4
5
2016
Film Festival
PTA
Damaged Goods
When we’re in love we experience pleasure, and extreme pain.
The film was often joyous in its look at the 1970s and the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet “Boogie Nights” did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered.
Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.’s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to call Hard Eight (1996), but would later become known to the public as “Hard Eight”.
Film Festival
PTA
The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino’s Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson’s films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and retitled) by Rysher Entertainment against Anderson’s wishes. It was admired by critics, but didn’t catch on at the box office. Still, it was enough for Anderson to eventually get his next movie financed. “Boogie Nights” was, in a sense, a remake of “The Dirk Diggler Story”, but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers.
Part of Anderson’s artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks’ films and would later play “The Colonel” in Anderson’s Boogie Nights (1997). Anderson was also very much shaped by growing up in “The Valley”, specifically the suburban San Fernando Valley of greater Los Angeles.
PTA
Process Journal
The idea behind this concept is its unusual size, which reflects the common characteristic amongst all of PTA's main personas. The lines dividing the contents are the rigid societal rules in which everyone is forced to function within.
Damaged Goods
Alma Kamal
Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly
2
3
2016
—Quote from The Master
Film Festival
PTA
Damaged Goods
Damaged Goods
PTA
Film Festival
2016
6
7
2016
Film Festival
PTA
Damaged Goods
The Films The Master
Boogie Nights
Inherent Vice
Magnolia
There Will Be Blood
Punch-Drunk Love
Catalogue: 3 Concepts
Damaged Goods
PTA
Film Festival
2016
8
PunchDrunk Love
9
2016
Film Festival
PTA
Damaged Goods
Film Festival
PTA
Damaged Goods
Barry Egan hates himself and hates his life. The only male among eight siblings, Barry is treated poorly by his overbearing sisters without them probably even realizing it. Despite owning his own business, he has gotten nowhere in life largely because of his insecurities. He leads a solitary life, which allows him to hide his violent outbursts that occur when he’s frustrated.
R | 1h 35min | Comedy, Drama, Romance | 1 November 2002 (USA)
His solitude however allows him to think, he stumbling upon a scheme to travel the world on a pittance, travel which he has never done. Concurrently, he meets two people who pull him in two different directions. The first is Lena Leonard, a friend of his sister Elizabeth. Barry is slow to realize that Lena is attracted to him, he making her make all the first moves. Lena is eventually able to get Barry out of his shell, she who sticks around despite his obvious problems. His burgeoning relationship and thus new life with Lena is threatened by the second, “Georgia”, who he contacted in an effort to alleviate his loneliness. Georgia and her “band of brothers” do whatever they can get get out of Barry what they want, no matter the price to Barry.
Damaged Goods
PTA
Film Festival
2016
10
11
2016
June 26 – 28 Paul Thomas Anderson
Film Festival, 2017
Process Journal
Alma Kamal
PTA
Damaged Goods
No. 7
Films
2016
CATALOGUE
The
No. 9
No. 11
PunchDrunk Love Damaged Goods
R | 1h 35min | Comedy, Drama, Romance | 1 November 2002 (USA)
PTA
PTA
Damaged Goods
When we’re in love we experience pleasure, and extreme pain.
°1
°2
Barry Egan hates himself and hates his life. The only male among eight siblings, Barry is treated poorly by his overbearing sisters without them probably even realizing it. Despite owning his own business, he has gotten nowhere in life largely because of his insecurities. He leads a solitary life, which allows him to hide his violent outbursts that occur when he’s frustrated. His solitude however allows him to think, he stumbling upon a scheme to travel the world on a pittance, travel which he has never done. Concurrently, he meets two people who pull him in two different directions. The �irst is Lena Leonard, a friend of his sister Elizabeth. Barry is slow to realize that Lena is attracted to him, he making her make all the �irst moves.
2016
CATALOGUE
2016
CATALOGUE
Lena is eventually able to get Barry out of his shell, she who sticks around despite his obvious problems. His burgeoning relationship and thus new life with Lena is threatened by the second, “Georgia”, who he contacted in an effort to alleviate his loneliness. Georgia and her “band of brothers” do whatever they can get get out of Barry what they want, no matter the price to Barry.
[
Stars: Adam Sandler,
°1 Barry Eagon at the be-
°2 The location for the �ilm
Emily Watson, Philip Sey-
ginning of the movie
festival
mour Hoffman
continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson’s �ilms. The �ilm deals with a guardian angel type (played by Hall) who takes down-on-
ing 8 mm �ilms, Anderson cut his teeth shooting �ilms on video and editing them from V.C.R. to V.C.R.
his-luck Reilly under his wing. The deliberately paced �ilm featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the �ilm was reedited (and retitled) by Rysher Entertainment against Anderson’s wishes. It was admired by critics, but
outs populated the area. Anderson’s experiences growing up in “The Valley” have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley. Anderson got into �ilm-making at a young age. His most signi�icant amateur �ilm was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.’s �ilm program for two days, Anderson got his tuition back and made his own short �ilm, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his �irst feature, something he liked to call Hard Eight (1996), but would later become known to the public as “Hard Eight”. The �ilm was developed and �inanced through The Sundance Lab, not unlike Quentin Tarantino’s Reservoir Dogs (1992). Anderson cast three actors whom he would
The �ilm was often joyous in its look at the 1970s and the days when pornography was still shot on �ilm, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet “Boogie Nights” did not �linch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered. Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terri�ic performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at the time of “Boogie Nights”, but who found themselves to be that much more employable afterwards.
CATALOGUE
The Valley may have been immortalized in the 1980s for its mall-hopping “Valley Girls”, but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren’t there. Would-bes and burn-
didn’t catch on at the box o�ice. Still, it was enough for Anderson to eventually get his next movie �inanced. “Boogie Nights” was, in a sense, a remake of “The Dirk Diggler Story”, but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers.
PTA
Nights (1997). Anderson was also very much shaped by growing up in “The Valley”, speci�ically the suburban San Fernando Valley of greater Los Angeles.
The success of “Boogie Nights” gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman’s Nashville (1975) in its number of characters.
2016
Part of Anderson’s artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks’ �ilms and would later play “The Colonel” in Anderson’s Boogie
Damaged Goods
Anderson was born in 1970. He was one of the �irst of the “video store” generation of �ilm-makers. His father was the �irst man on his block to own a V.C.R., and from a very early age Anderson had an in�inite number of titles available to him. While �ilm-makers like Spielberg cut their teeth mak-
No. 5
CATALOGUE
Damaged Goods
No. 3
PTA
2
48–48
The concept here was to use a clinically organized and clean grid as an ironic statement since PTA's characters are anything but organized… They're always a mess and are ready to crash and burn.
2016
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
June 26 – 28 Paul Thomas Anderson
Film Festival, 2017
The idea here was to overlayer, use strange cutouts and crowd the reader with content in order to visually reflect the emotional storm and confusion within the characters. Hence, their thoughts and feelings are scattered across the catalogue pages.
Alma Kamal
Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This
3
Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.’s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to
the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet “Boogie Nights” did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered. Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at
Anderson was awarded a “Best Director” award at Cannes for Punch-Drunk Love (2002).
5
Dodd testing the guy in a don’t-blink game
stival
omas on
2016
GED S
first is Lena Leonard, a friend of his sister Elizabeth. Barry is slow to realize that Lena is attracted to him, he making her make all the first moves. Lena is eventually able to get Barry out of his shell, she who sticks around despite his obvious problems. His burgeoning relationship and thus new life with Lena is threatened by the second, “Georgia”, who he contacted in an effort to alleviate his loneliness. Georgia and her “band of brothers” do whatever they can get get out of
—Barry Eagon
Barry what they want, no matter the price to Barry.
7
6
Running from window to the wall scene
Film Festival
His solitude however allows him to think, he stumbling upon a scheme to travel the world on a pittance, travel which he has never done. Concurrently, he meets two people who pull him in two different directions. The
When we’re in love we experience pleasure, and extreme pain.
Scenes from the movie The Master
Paul Thomas Anderson
2016
Film Festival
Paul Thomas Anderson
I didn't do anything. I'm a nice man. I mind my own business. So you tell me 'that's that' before I beat the hell from you. I have so much strength in me you have no idea. I have a love in my life. It makes me stronger than anything you can imagine. I would say 'that's that', Mattress Man. DAMAGED GOODS
2016
Film Festival
The success of “Boogie Nights” gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman’s Nashville (1975) in its number of characters.
Paul Thomas Anderson
nowhere in life largely because of his insecurities. He leads a solitary life, which allows him to hide his violent outbursts that occur when he’s frustrated.
The film was often joyous in its look at the 1970s and
the time of “Boogie Nights”, but who found themselves to be that much more employable afterwards.
DAMAGED GOODS
Barry Egan hates himself and hates his life. The only male among eight siblings, Barry is treated poorly by his overbearing sisters without them probably even realizing it. Despite owning his own business, he has gotten
2016
artistic self, especially since three of his four theatrical features are set in the Valley.
R | 1h 35min | Comedy, Drama, Romance | 1 November 2002 (USA)
Film Festival
for its mall-hopping “Valley Girls”, but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren’t there. Would-bes and burn-outs populated the area. Anderson’s experiences growing up in “The Valley” have no doubt shaped his
Running from window to the wall scene
at the box office. Still, it was enough for Anderson to eventually get his next movie financed. “Boogie Nights” was, in a sense, a remake of “The Dirk Diggler Story”, but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers.
Punch-Drunk Love
Dodd testing the guy in a don’t-blink game
retitled) by Rysher Entertainment against Anderson’s wishes. It was admired by critics, but didn’t catch on
Los Angeles.
Scenes from the movie The Master
very much shaped by growing up in “The Valley”, specifically the suburban San Fernando Valley of greater
V.C.R. to V.C.R.
11
Part of Anderson’s artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks’ films and would later play “The Colonel” in Anderson’s Boogie Nights (1997). Anderson was also
The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino’s Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson’s films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and
The Valley may have been immortalized in the 1980s
2
call Hard Eight (1996), but would later become known to the public as “Hard Eight”.
Paul Thomas Anderson
about ⁄ PTA
Anderson was born in 1970. He was one of the first of the “video store” generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from
10
Paul Thomas Anderson
DAMAGED GOODS
8
9
The Films ›
4
3
50–50
DAMAGED GOODS
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
52–52
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
54–54
The final design was a combination of the three concepts… It has a bit of character from each.
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
The grid has no margins, indicating the characters' overwhelming desire to break free and live
Final Catalogue Design as the free spirits they truly are.
DAMAGED GOODS
�43
June 26 – 28 Act. 01
Film Festival, 2017
Paul Thomas Anderson
Wounded souls in search of self and family re-creation in the most unlikely places
Thomas Anderson said this was Claudia was the first character Paul his favorite film of his own at the time created, the other characters of release. This was originally supposed to be a were branched off from her. short film. But the more Paul Thomas worked on the characters Paul Thomas Anderson wrote Anderson the more intricate it became. So the the bulk of the script during plot expanded from there. two weeks he spent at William Every time we see Donnie (William H. Macy) in his car, the same song is playH. Macy’s Vermont cabin— ing on the radio (“Dreams” by UK artist afraid to go outside because Gabrielle). The title “Magnolia” not only refers to he’d seen a snake. Magnolia Blvd in LA, where much of the movie takes place, but is also similar Exodus 8:2 is alluded to over to the term Charles Fort (who is refera hundred times throughout enced many places in this movie) coined for a hypothetical region where the movie. things that fall from the sky come The story about the man being from—“Magonia.” The story of the scuba diver killed by a gunshot while fall- being dropped from an airplane is ing off a building has for years a debunked urban legend. Director/writer Paul Thomas Anderson been used as a hypothetical also designed the poster and cut the case in criminal law classes to trailers for the film. In every living room there is a picture illustrate causation. of a flower on the wall.
�42
1 Boogie Nights 2 Magnolia 3 PunchDrunk Love 4 There Will Be 5 Blood The Master 6 Inherent Vice DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
�26
DAMAGED GOODS
�27
Films �77
Act. 02
≈ THE MASTER Soundtracks
Written by
Perfomed by
Baton Sparks
Jonny Greenwood
The Aukso Chamber Orchestra
Credits
Courtesy of Unreliable Ltd.
Get Thee Behind Me Satan
Irving Berlin
Ella Fitzgerald
Courtesy of The Verve Music Group
Dahil Sa Iyo
Mike Velarde (as Miguel Velarde Jr.)
Uncredited
Uncredited
Sweet Sue, Just You
Victor Young & Will J. Harris
Noro Morales
Overtones
Jonny Greenwood
The Aukso Chamber Orchestra
Haven Gillespie & J. Fred Coots
Larry Clinton & His Orchestra
Courtesy of RCA Records Label
Courtesy of Unreliable Ltd.
Courtesy of RCA Records Label
Don’t Sit Under the Apple Tree
Lew Brown, Charles Tobias & Sam Stept
Madisen Beaty
Uncredited
Dancers in Love
Duke Ellington
Duke Ellington
Courtesy of Columbia Records
Lotus Blossom
Billy Strayhorn
I’ll Go No More A-Rovin’
Justin Goldman & Hal Willner
Duke Ellington
Philip Seymour Hoffman
Courtesy of Columbia eRcords
Uncredited
Children of the Family
Eban Schletter
Eban Schletter
Uncredited
Celebration Solaire
Eban Schletter
Eban Schletter
Uncredited
A-Tisket A-Tasket
Ella Fitzgerald & Van Alexander
Melora Walters
No Other Love
Bob Russell and Paul Weston
Jo Stafford
The Deep Boo Sea
Winston Sharples
Uncredited
Uncredited
On a Slow Boat to China
Frank Loesser
Philip Seymour Hoffman
Uncredited
Changing Partners
Able-Bodied Seamen
Time Hole
Larry Coleman Jr. & Joe Darion
Jonny Greenwood
Jonny Greenwood
Helen Forrest
London Contemporary Orchestra
London Contemporary Orchestra
Film Festival, 2017
Paul Thomas Anderson
The
You Go To My Head
Wounded souls in search of self and family re-creation in the most unlikely places
June 26 – 28 Act. 01
Uncredited
Courtesy of Capitol Records
Courtesy of Olden Golden Inc.
Uncredited
Uncredited
Alethia
Jonny Greenwood
London Contemporary Orchestra
Uncredited
Atomic Healer
Jonny Greenwood
London Contemporary Orchestra
Uncredited
Application 45 Version 1
Jonny Greenwood
London Contemporary Orchestra
Uncredited
Sweetness of Freddie
Jonny Greenwood
London Contemporary Orchestra
Uncredited
N. ¹
N. ²
N. 3
N. 4
N. 5
N. 6
N. 7
N. 8
N. 9
N. ¹⁰
N. ¹¹
N. ¹²
N. ¹³
N. ¹⁴
N. ¹⁵
N. ¹⁶
N. ¹⁷
N. ¹⁸
N. ¹⁹
N. ²⁰ N. ²⁰ N. ²¹ N. ²²
June 26 – 28 Film Festival, 2017
Paul Thomas Anderson
Process Journal
�76
June 26 â&#x20AC;&#x201C; 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
56â&#x20AC;&#x201C;56
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
Poster Catalogue Ads Media Package Environmental Signage
Schedule Tickets Soundtrack Website
Deliverables
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
1. Poster
58–58
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
June 26 â&#x20AC;&#x201C; 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
60â&#x20AC;&#x201C;60
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
2. Catalogue
The main idea of this catalogue, just like the other deliverables, is the unusual size which reflects the strangeness of PTA's characters.
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
62–62
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
Paul Thomas Anderson Film Festival,
Paul Thomas Anderson Film Festival,
2017
2017
Alma Kamal, F16 Ads
Alma Kamal, F16 Ads
3. Ads
Process Journal Alma Kamal Paul Thomas Anderson Film Festival, 2017
64â&#x20AC;&#x201C;64 DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
June 26 â&#x20AC;&#x201C; 28
Paul Thomas Anderson Film Festival,
Paul Thomas Anderson Film Festival,
2017
2017
Alma Kamal, F16 Ads
Alma Kamal, F16 Ads
Paul Thomas Anderson Film Festival,
Paul Thomas Anderson Film Festival,
2017
2017
Alma Kamal, F16 Ads
Alma Kamal, F16 Ads
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
66–66
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
68–68
Wounded souls in search of self and family re-creation in the most unlikely places
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
4. Media Package
Starring Tom Cruise Jason Robards Julianne Moore
Ma gnolia
Punch-Drun k Love
PAUL THOMAS ANDERSON
PAUL THOMAS ANDERSON
Starring Adam Sandler Emily Watson Philip Seymour Hoffman
R | 3h 8min | Drama R | 1h 35min | Romance
Starring Tom Cruise Jason Robards Julianne Moore Starring Joaquin Phoenix Josh Brolin Owen Wilson
Punch-Drun k Love
The Ma ster
Inherent Vice
Ma gnolia PAUL THOMAS ANDERSON
PAUL THOMAS ANDERSON
(Above) Spreads from various movies—DVD booklets (Left) DVD case and booklet cover
PAUL THOMAS ANDERSON
Starring
PAUL THOMAS ANDERSON
Adam Sandler Emily Watson Philip Seymour Hoffman
Starring Philip Seymour Hoffman Joaquin Phoenix Amy Adams
R | 3h 8min | Drama R | 1h 35min | Romance
R | 2h 24min | Drama R | 2h 28min | Comedy
Starring Tom Cruise Jason Robards Julianne Moore
Starring Joaquin Phoenix Josh Brolin Owen Wilson
There Wi ll Be Blood
Boog ie Nig hts
Starring Daniel Day-Lewis Paul Dano Ciarán Hinds
Inherent Vice
The Ma ster PAUL THOMAS ANDERSON
Punch-Drun k Love
Ma gnolia PAUL THOMAS ANDERSON
PAUL THOMAS ANDERSON
PAUL THOMAS ANDERSON
Starring Adam Sandler Emily Watson Philip Seymour Hoffman
PAUL THOMAS ANDERSON
Starring
Starring
Philip Seymour Hoffman Joaquin Phoenix Amy Adams
Mark Wahlberg Julianne Moore Burt Reynolds
R | 3h 8min | Drama R | 1h 35min | Romance
R | 2h 24min | Drama
PAUL THOMAS ANDERSON R | 2h 28min | Comedy R | 2h 35min | Drama R | 2h 38min | Drama
Starring Joaquin Phoenix Josh Brolin Owen Wilson
June 26 â&#x20AC;&#x201C; 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
70â&#x20AC;&#x201C;70
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
5. Environmental Signage
Shots from the warehouse where the film festival takes place
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
72–72
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
6. Schedule
Inventory
A child of the cinema, Anderson went about making movies right out of school, and by the time he was 25 he was directing his first feature, Hard Eight. His provocative 1997 movie, Boogie Nights, made a splash, and Anderson’s Oscar-nominated script got just as much attention as Mark Wahlberg‘s performance as a porn star. Anderson’s next film, Magnolia (1999), earned him even more praise for his mature dramatic sensibilities, and brought him a second Oscar nomination for screenwriting. He then made Punch-Drunk Love (2002), a dramatic feature with comedian Adam Sandler, and oversaw parts of the Robert Altman film A Prairie Home Companion (2006), before embarking on the American epic There Will Be Blood (starring Daniel Day-Lewis), the 2008 movie that earned eight Oscar nominations, including two for Anderson, for best director and best adapted screenplay.
The date of the festival is in celebration of Paul Thomas Anderson’s birth—June 26, 1970—and goes on for three consecutive days due to the heavy schedule and duration of the films. The location—10101 Canoga Ave, Chatsworth CA—is the warehouse where the movie Punch-Drunk Love was shot. The reason for the choice of this venue is to reflect Paul Thomas Anderson’s vision in his movies where he insists on presenting a very raw and realistic version of the truth and, in turn, of Los Angeles. Unlike the commercial way in which it’s been glamorized and romanticized, in PT Anderson’s movies we get to see the grunge and fall in love with its beauty nevertheless.
2017
2017
Festival Concept
Paul Thomas Anderson Film Festival,
Paul Thomas Anderson Film Festival,
About
�3
The name of the festival was purely inspired by the recurring characters in the movies; they’re always damaged and are constantly looking for a family and a home to replace the one they were born in, but kicked out of for a different reason each time.
June 26–28 Eckhart Auto Body 10101 Canoga Ave, Chatsworth CA
Paul Thomas Anderson Film Festival, 2017
�5
Paul Thomas Anderson
“I’ ll rebel against powers and principalities, all the time. Always, I will.”
June 26 â&#x20AC;&#x201C; 28
DAMAGED GOODS
74â&#x20AC;&#x201C;74
Wounded souls in search of self and family re-creation in the most unlikely places
7. Tickets
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
8. Soundtracks
The tickets are part of the schedule. You can pull them out and carry them separately to the festival. Also, they're perforated so you can tear them out as the days pass
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
9. Website
76–76
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
Film Festival, 2017
10. Business System
© Alma Kamal, 2016.
All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means—digitally or physically—without permission from the owner This book was designed and printed in San Francisco, CA for a project at the Academy of Art University (AAU) The typefaces used are Siri and Kepler The paper used to print this book is Mohawk Superfine Eggshell, Ultrawhite
almakamal@yahoo.com www.behance.net/alma-k
Paul Thomas Anderson
Alma Kamal
Process Journal
June 26 – 28
DAMAGED GOODS
Wounded souls in search of self and family re-creation in the most unlikely places
80–80
Film Festival, 2017
Paul Thomas Anderson
Alma Kamal
Process Journal