Alma kamal apj

Film Festival Process Journal

June 26 – 28 Film Festival, 2017

Alma Kamal

8

10

14

Director

Creative Brief

Movie Moodboards

36

38

42

Logo Sketches

Poster Explorations

Type Explorations

72

74

75

76

Schedule

Tickets

Soundtrack

Website

58

60

64

68

70

Poster

Catalogue

Ads

Media Package

Environmental Signage

contents.

Paul Thomas Anderson

Process Journal

Concept

20

32

Buckets

Dashboard

Design

46 Catalogue Concepts

Deliverables

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

4–4

Concept

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

Director Creative Brief Movie Moodboards Buckets Dashboard

June 26 – 28

DAMAGED GOODS

6–6

Wounded souls in search of self and family re-creation in the most unlikely places

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

—PTA

I'm completely aware of the fact that I'm a control

June 26 – 28

DAMAGED GOODS

8–8

Wounded souls in search of self and family re-creation in the most unlikely places

About

Alma Kamal

Process Journal

Biography of director Paul Anderson was born in 1970 in Studio City, California.

He was one of the first “video store” generation of film-makers. His father was the first man on his block to own a V.C.R., so Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson would shoot films on video and edit them from V.C.R. to V.C.R.

Paul Thomas Anderson

Color (movie)

Line Thickness (amount of work produced that year)

Paul Thomas Anderson

Film Festival, 2017

Anderson grew up in “The Valley” which shaped his artistic self, especially since three or four of his features were set in the Valley. His most significant amateur film was The Dirk Diggler Story (1988). Anderson applied to NYU, and dropped out two days later. His tuition money was thus refunded and he used it to make Cigarettes & Coffee (1993).

“My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films, I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges’ audio track on the Bad Day at Black Rock laserdisc than you can in 20 years of film school.” —PTA 2012 The Master

2014 2007 2002

Inherent Vice

There Will Be Blood

Punch-Drunk Love

1988

1993

1996

1997

1998

1999

2000

2001

2003

2013

2015

2016

(Short) (as Paul Anderson) The Dirk Diggler Story

(Short) (as Paul Anderson) Cigarettes & Coffee

Hard Eight

(Video short) Michael Penn: Try

(Video short) Fiona Apple: Across the Universe

(Video short) Aimee Mann: Save Me

(Video short) Fiona Apple: Paper Bag

(Video short) Blossoms & Blood

(Video short) Back Beyond

(Video short) Joanna Newsom: Divers

(Video short) Radiohead: Daydreaming

(Video short) Fiona Apple: Fast as You Can

(TV Series) (1 episode) Saturday Night Live

(segment “Fanatic”) Saturday Night Live: The Best of Molly Shannon

(Video short) Back Beyond Mattress Man Commercial

(Video short) Fiona Apple: Hot Knife

(Video short) Joanna Newsom: Sapokanikan

(Video short) Radiohead: Present Tense

Boogie Nights

(Video short) Flagpole Special

Magnolia

(segment “Fanatic”) Ben Affleck/Fiona Apple (TV short) SNL Fanatic (Video short) Fiona Apple: Limp

(TV short) Couch

(Documentary)

Junun

(Video short) Present Tense: Jonny, Thom & a CR78 (Video short) Untitled Paul Thomas Anderson Fashion Project

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

10–10

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

Initial Thread There is an alienated, strange drifting character, unbound by family connections… in search for something, comes across a ‘master’ figure who sees him as a challenge to establish his position and power… The characters then have deep connections, but the ‘master’ always fails to keep this student. The drifting soul then leaves and is free once again, for a while.

There's always rage, physical and sometimes even murderous, there’s religion, but not in a pure form. There's crying and an overwhelming sense of loss and guilt.

1. When lost, we look for inspiration from higher places. However, we must not blindly succumb to them, we must find our own way.

Location & Dates

2. Family is very important, whether it’s your biological one or one you create for yourself.

3. We lose ourselves in trying to blindly defend our leaders.

They don't need us, we mean nothing to them.

Paul Thomas Anderson was born on June, 26th. Therefore, I've chosen this to be the date of my festival. The festival goes on for three consecutive days.

Location wise, I considered The Valley, which influenced Anderson a lot and was featured in many of his movies. I also considered having the festival at an ‘unconventional’ place to fit the thread. In that case, it could be an industrial area or NYU filming school as an inside joke, but also because his experience really affected him.

My final decision was to have it take place at the warehouse where the movie Punch-Drunk Love was shot. The reason being is: it reflects the industrial sides of Anderson's movies, it shows the 'ugly, but real' side of LA—something Anderson is very fond of showing, it's an unconventional place to have a film festival. The address for the warehouse is 10101 Canoga Ave, Chatsworth, CA 91311. It's car-repair garage called Eckhart Auto Body.

4. Constant struggle between following authority, which gives you a sense of belonging, and being free spirited.

5. Damaged characters are the result of a broken home (abusive parent(s)) 6. Each one of the characters has one special gift/skill that sets his story in motion.

7. Some people never fit into any kind of social circles… they’re doomed to be alone.

Inherent Vice – Story Chart

After trying to come up with all the common themes amongst PTA's films, I rested on one very important and very strong thread, which is: Thread

Damaged characters searching for family and finding it in unconventional places, which helps them achieve reconciliation, forgiveness and ease the burden of their past.

Guiding Narrative

Who: late 20s, uneducated male, works in sales at a department store, but was fired today for showing up to work drunk, again.

Girftfrield comes back |

Where: back at my apartment. |

What: feeling stressed and lost, smoking and drinking, trying to decide what to do with my life.

The Master – Story Chart

Gets beaten

Positioning/ This festival is to celebrate the movies of Paul Thomas Anderson and History of Festival to encourage people to rethink the people they’ve put on pedestals

Gets a girl in the end | Loves the family, but struggles to fit in | |

and to follow their own visions instead of authority figures.

We live in a time where, despite the social media and the fake smiles, we are lonely and damaged and extremely parched. We are all frantic to find that one source of energy and power that would tell us what to do and how to be so we can be happy. That's why we search for such figures and blindly follow them, but they lead us to war and greed and destruction. We need a reminder that our own voices are as powerful and insightful and we can walk our own journeys.

Audience

People who feel lost and are drifting through life searching for something, have had troubling family dynamic and/or have had success in finding a sense of family in unconventional places.

| Poisons old man

Charts

These charts were drawn to show the story development in PTA's movies.

Things usually start out badly, but always end up in a better place for the main character

|

Walks away from Dodd

Finds out Doris is married

June 26 – 28

DAMAGED GOODS

12–12

Wounded souls in search of self and family re-creation in the most unlikely places

Festival Name & Subtitle Options

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Deviating From The Path celebrating the unique storytelling of Paul Thomas Anderson Absent Havens Damaged Goods Masters Left Behind

Looking into the lives of Paul Thoman Anderson’s complicated characters Celebrating the free-minded characters of Paul Thomas Anderson

Poor Direction Following the lonely characters of Paul Thomas Anderson We Can Fix You Following the misfit characters of Paul Thomas Anderson Devoid Of Self Celebrating the raw characters of Paul Thomas Anderson Between Id And Superego The surpassed need for a support group in the movies of PTA The Search For Family The Inner Desires Of A Troubled Man Falling For The Misfit

The unrealized craving for a family in the life of PTA Pilgrims of an unforgiving journey reach the ultimate goal of happiness through unprecedented connections

In-between Circles The unexpected meeting of people that will pull you through when you’ve reached the bottom Bastard In A Basket The desperate need to belong in the movies of PTA Hopeless Wanderers The family you choose is sometimes better than the one you’re born into in the movies of PTA Defective Circles Finding home and forgiveness in the least expected places in the movies of PTA Troubled Situations An Emergence Of Truth Half Families

Finding hope through surrogate families in the movies of PTA Hope and reconciliation are only possible when surrounded by family in the movies of PTA

Childish Men Inner struggles will be put to peace when arriving at a place you can call home in the movies of PTA Stray Men Going through life without a family is a virtual suicide in the life of PTA Polluted Souls Drifting through life without support leads to madness and rock-bottom in the movies of PTA Devolved Men Spiraling out of control until presented with a sense of love and support in the movies of PTA Barely Suppressed Rage Aimless Existence Compelling Dysfunctions

Happy endings can be achieved only through a loving family in the movies of PTA Reaching a better self through the support of others in the movies of PTA

Dysfunctions The subliminal reach for a loving family in the movies of PTA A Stabilizing Force

Final Name & Subtitle

DARREN ARONOFSKY GUS VAN SANT

Damaged Goods Wounded souls search for self and family re-creation in the most unlikely places

PTA JIM JARMUSCH

SAM MENDES

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

14–14

Film Festival, 2017

Paul Thomas Anderson

PTA's Movie Moodboards

The Master 2012

A Naval veteran arrives home from war unsettled and uncertain of his future - until he is tantalized by The Cause and its charismatic leader.

There Will Be Blood 2007

A story of family, religion, hatred, oil and madness, focusing on a turn-of-the-century prospector in the early days of the business.

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

16–16

Film Festival, 2017

Paul Thomas Anderson

Punch-Drunk Love 2002

A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.

Magnolia 1999

An epic mosaic of interrelated characters in search of love, forgiveness, and meaning in the San Fernando Valley.

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

18–18

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Inherent Vice

Boogie Nights

2014

1997

In 1970, drug-fueled Los Angeles private investigator Larry “Doc” Sportello investigates the disappearance of a former girlfriend.

The story of a young man’s adventures in the Californian pornography industry of the late 1970s and early 1980s.

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

Buckets

20–20

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

2. Photo Style

Running, searching

3. Photo Style

Objects that show distress, very popular in all of PTA’s movies

Buckets are collections of photo style, type, material, graphic elements and/or textures we had to gather according to the director's style and keep updating each week, until we get to a final selection that we use throughout our system.

The following are my initial buckets, which included 3 different directions for each of the categories; this will give an idea of what I started out with and how I was able to narrow it down to exclude other directors whose styles are close to Paul Thomas Anderson.

1. Photo Style

Trying to break free

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

1. Type

Old style, heavy

2. Type

Distortion

22–22

Film Festival, 2017

3. Type

Paul Thomas Anderson

Modern, clear

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

1. Material

Old West vernacular

2. Material

Slightly elegant

24–24

Film Festival, 2017

3. Material

Paul Thomas Anderson

Cheap, practical

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

1. Graphic Style

Inspired by elements from the movies

2. Graphic Style

Old West style ornamentation

26–26

Film Festival, 2017

Paul Thomas Anderson

3. Graphic Style

Basic lines/shapes.

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

28–28

Film Festival, 2017

Paul Thomas Anderson

1. Photo Style

3. Material

2. Type

4. Graphic Style

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

30–30

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

Final buckets

1. Photo Style

Sad mundane

3. Material

Everyday, available at one's apartment

2. Type

Grotesque

4. Graphic Style

Simple, geometric shapes

June 26 – 28

DAMAGED GOODS

32–32

Wounded souls in search of self and family re-creation in the most unlikely places

Paul Thomas Anderson

Film Festival, 2017

Dashboard Given the Guiding narrative, the imagery selections should be refined.

LEVEL 1

This moodboard is a selection of the images which will be used for the festival; it includes a total of 18 images divided into three levels— Level 1, Level 2 and Level 3—Level-I are the main images while Level 3 are the background images and textures, Level 2 is in between.

Level 1 images are often on the covers of things: posters, catalogue, ads, etcetera.

'These images will need to be able to share their space a bit with type and graphic elements, but as "alpha" imagery, the image will indeed be a primary focus.

LEVEL 2

Level 2 images (secondary) will be less objective, less alpha than L1. They will share space with type and graphic elements (50/50) and be useful for chapter-openers, text backgrounds, and the like.

Level 3 (tertiary) imagery will not simply be a textural wash (that's potentially a separate bucket and something layered in independently, but will share most 0f its space with other elements. It will be abstract or far less objective than L1 and L2, but will still retain something from the visual language established in L1 and L2 images. These will be useful as backgrounds for full-spread quotes, for instance.

Textures

These images represent the final selection that was used throughout the Damaged Goods festival

LEVEL 3

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

34–34

Design

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

Logo Sketches Poster Exploration Type Exploration Catalogue Concept

June 26 – 28

DAMAGED GOODS

36–36

Wounded souls in search of self and family re-creation in the most unlikely places

DAMAGED Damaged GOODS Goods damaged goods Damaged Goods damaged damaged goods damaged goods damaged goods damaged goods DAMAGED GOODS DAMAGED GOODS DAMAGED GOODS

damaged goods damaged goods damaged goods damaged goods

damaged goods damaged goods goods damaged goods damaged

Dama Goo

Damaged Goods Dam Goo

Damaged Goods

Damaged Goods

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

This is the final logo design that was used in the festival

June 26 – 28

DAMAGED GOODS

38–38

Wounded souls in search of self and family re-creation in the most unlikely places

Paul Thomas Anderson

Film Festival, 2017

Alma Kamal

Process Journal

Poster Explorations Damaged Goods Damaged Goods

Dam Goo

Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson

Dama Goo

The Film Festival takes the movie Punch-drunkplace at the wareho use where Love was shot.

Damaged Goods Film s Show ing Inhe re The nt Vice M Ther aster e Punc Will Be Mag h-Drunk Blood nolia Love Boogi e Nig hts

FEB 28 – MARCH 2

Damaged Goods

Damaged Goods

Damaged Goods

www.damaged-goods.com

Dam Goo

FEB 28 – MARCH 2

Feb 28–March 2

10101 Canoga Ave,

Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson

Chatsworth CA

10101 Canoga Ave, Chatsworth CA

Damaged Goods

Dama Goo

10101 Canoga Ave, Chatsworth CA

Damaged Goods

feb 28– march 2

Wounded souls desperate for self{ reinvention and family even in the

most unlikely places in the movies of Paul Thomas Anderson

}

Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson

Damaged Goods

Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson

feb 28 – march 2

Inherent Vice The Master There Will Be Blood Punch-Drunk Love Magnolia

10101 Canoga Ave, Chatsworth CA

Boogie Nights

Wounded souls desp erate in the most unlikely place for self-reinvention and creation of family even s in the movies of Paul Thomas Anderson

www.damaged-goods.com

10101 Canoga Ave, Chatsworth CA

Feb 28–March 2

Inherent Vice The Master There Will Be Blood Punch-Drunk Love Magnolia Boogie Nights

Dam Goo

Feb 28 11:00 AM

INHERENT VICE | 11:00 AM

Damaged Goods

Wounded souls desperate for selfreinvention and family even in the most unlikely places in the movies of Paul Thomas Anderson

Dam Goo

Damaged Goods

Damaged Goods Damaged Goods

Dama Goo

feb 28–march 2

Damaged Goods

June 26 INHERENT VICE THE MASTER June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE June 28 MAGNOLIA BOOGIE NIGHTS

June 26 INHERENT VICE THE MASTER

June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE www.damaged-goods.com

June 28 MAGNOLIA BOOGIE NIGHTS

Dam Goo Inherent Vice The Master There Will Be Blood Punch-Drunk Love Magnolia Boogie Nights

Wounded souls search for self and family re-creation in the most unlikely places

w w w.damaged-goods.com

Inherent Vice

The Master

There Will Be Blood

Punch-Drunk Love

Damaged Goods

Damaged June 26–28 Goods

June 26– 28 June 26 INHERENT VICE THE MASTER June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE

Damaged Goods

w w w.damaged-goods.com

Damaged Goods

Dam Dam Goo Goo Inherent Vice The Master

Punch-Drunk Love Boogie Nights

–march 2

June 26 INHERENT VICE THE MASTER

June 26 INHERENT VICE THE MASTER

June 26 INHERENT VICE THE MASTER

June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE

June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE

June 27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE

June 28 MAGNOLIA BOOGIE NIGHTS

June 28 MAGNOLIA BOOGIE NIGHTS

June 28 MAGNOLIA BOOGIE NIGHTS

www.damaged-goods.com

www.damaged-goods.com

www.damaged-goods.com

Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson

feb 28–

There Will Be Blood

Damaged Goods Feb 28–March 2 INHERENT VICE | 11:00 AM THE MASTER | 2:30 PM

March 1

THERE WILL BE BLOOD | 5:30 PM PUNCH-DRUNK LOVE | 9:00 PM

March 2

PAUL THOMAS ANDERSON

PAUL THOMAS ANDERSON

FILM FESTIVAL

FILM FESTIVAL

June 26–28

Damaged Goods

Feb 28

MAGNOLIA | 6:00 PM BOOGIE NIGHTS | 9:45 PM

www.damaged-goods.com

www.damaged-goods.com The Film Festival takes place at the warehouse where the movie Punchdrunk Love was shot.

June 28 MAGNOLIA BOOGIE NIGHTS

www.damaged-goods.com

Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson

Dama Goo

Wounded souls search for self and family re-creation in the most unlikely places

10101 Canoga Ave, Chatsworth CA

www.damaged-goods.com

Damaged Goods Damaged Goods

June 26–28 10101 Canoga Ave, Chatsworth CA

10101 Canoga Ave, Chatsworth CA

Magnolia

PAUL THOMAS ANDERSON FILM FESTIVAL

PAUL THOMAS ANDERSON FILM FESTIVAL

For more information please visit our website

10101 Canoga Ave, Chatsworth CA

Inherent Vice The Master There Will Be Blood Punch-Drunk Love Magnolia Boogie Nights

PAUL THOMAS ANDERSON FILM FESTIVAL

Wounded souls search for self and family re-creation in the most unlikely places

The film festival takes place at the warehouse where the movie Punch-Drunk Love was shot as a tribute to Paul Thomas Anderson.

Magnolia

10101 Canoga Ave, Chatsworth CA

Damaged Damaged Goods

10101 Canoga Ave, Chatsworth CA

Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places in the movies of Paul Thomas Anderson

< Feb 28 – March 2 >

www.damaged-goods.com

Damaged Goods

Goo

Dama Goo

For more information

Wounded souls desperate for self-reinvention and creation of family even in the most unlikely places.

10101 Canoga Ave, Chatsworth CA

9:45 PM BOOGIE NIGHTS

www.damaged-goods.com

Goods

Damaged feb 28–march 2 Goods Dama

MAGNOLIA

9:45 PM BOOGIE NIGHTS

Damaged Dam Damaged Goods Goo Goods Damaged

Goods

MAGNOLIA | 6:00 PM BOOGIE NIGHTS | 9:45 PM

March 2 6:00 PM

MAGNOLIA

Goods Damaged

www.damaged-goods.com

March 2

THERE WILL BE BLOOD 9:00 PM PUNCH-DRUNK LOVE

March 2 6:00 PM

THERE WILL BE BLOOD | 5:30 PM PUNCH-DRUNK LOVE | 9:00 PM

March 1 5:30 PM

THERE WILL BE BLOOD 9:00 PM PUNCH-DRUNK LOVE

Damaged Goods

March 1

2:30 PM THE MASTER

March 1 5:30 PM

Damaged Goods Damaged

Inherent Vice The Master There Will Be Blood Punch-Drunk Love Magnolia Boogie Nights

INHERENT VICE

2:30 PM THE MASTER

Damaged Goods

feb 28–march 2 10101 Canoga Ave, Chatsworth CA

Feb 28 11:00 AM

INHERENT VICE

www.damaged-goods.com

damaged goods

Dama Goo

Damaged Goods

THE MASTER | 2:30 PM

www.damaged-goods.com

Goods

Damaged Goods

Feb 28

10101 Canoga Ave, Chatsworth CA

Dama Goo Damaged

Damaged Goods

Damaged Goods

10101 Canoga Ave, Chatsworth CA

Damaged Goods

Damaged Goods

10101 Canoga Ave, Chatsworth CA

Wounded souls search for self and family re-creation in the most unlikely places

June 26–28 10101 Canoga Ave, Chatsworth CA

June 26–28 10101 Canoga Ave, Chatsworth CA

Wounded souls search for self and family re-creation in the most unlikely places

PAUL THOMAS ANDERSON FILM FESTIVAL

Wounded souls search for self and family re-creation in the most unlikely places

June 26 – 28

DAMAGED GOODS

40–40

Wounded souls in search of self and family re-creation in the most unlikely places

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

final Poster

26 INHERENT VICE THE MASTER

PAUL THOMAS ANDERSON FILM FESTIVAL

26 INHERENT VICE THE MASTER

27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE

26 INHERENT VICE THE MASTER

27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE

28 MAGNOLIA BOOGIE NIGHTS

27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE

28 MAGNOLIA BOOGIE NIGHTS

www.damaged-goods.us

PAUL THOMAS ANDERSON FILM FESTIVAL

27 THERE WILL BE BLOOD PUNCH-DRUNK LOVE

June 26–28

June 26–28 10101 Canoga Ave, Chatsworth CA

26 INHERENT VICE THE MASTER

28 MAGNOLIA BOOGIE NIGHTS

PAUL THOMAS ANDERSON FILM FESTIVAL

10101 Canoga Ave, Chatsworth CA

June 26–28

28 MAGNOLIA BOOGIE NIGHTS

10101 Canoga Ave, Chatsworth CA

Wounded souls search for self and family re-creation in the most unlikely places www.damaged-goods.us

Wounded souls search for self and family re-creation in the most unlikely places

Wounded souls search for self and family re-creation in the most unlikely places www.damaged-goods.us

PAUL THOMAS ANDERSON FILM FESTIVAL

June 26–28 Eckhart Auto Body 10101 Canoga Ave, Chatsworth CA

Wounded souls search for self and family re-creation in the most unlikely places

w w w.damaged-goods.us

June 26 – 28

DAMAGED GOODS

42–42

Wounded souls in search of self and family re-creation in the most unlikely places

Film Festival, 2017

Paul Thomas Anderson

Type Exploration

Feb 2 8 –Ma rch 2

I went through a long list of type combinations

Feb 2 8 –M a rch 2

Feb 2 8 –M a rch 2

Feb 2 8 –M a rc h 2 Feb 28 –Ma rch 2 Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson

Feb 2 8 –Ma rch 2 Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson

Feb 2 8 –Ma rch 2 Feb 2 8 –Ma rch 2 Feb 2 8 –Ma rch 2 Feb 2 8 – M a r ch 2 Fe b 28–Ma r ch 2 Feb 2 8 –M a rch 2

Feb 28 –Ma rch 2

Feb 2 8 –Ma rch 2

F eb 2 8 – M a r c h 2

Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson

Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson

Feb 28 –Ma rch 2

Feb 2 8 –Ma rch 2

Feb 2 8 –M a rch 2

Feb 2 8 –Ma rch 2

Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson

Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson

Feb 2 8–M a rc h 2

Feb 2 8 –Ma rch 2

Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson

Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson

Feb 2 8 – M a rc h 2

Feb 2 8 – M a r ch 2

Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson

Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson

Feb 2 8 –Ma rch 2

Feb 2 8 –Ma rch 2

Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson

Wounded souls in search of self and family re-creation in the most unlikely places in the movies of Paul Thomas Anderson

Feb 2 8 – M a rc h 2

Alma Kamal

Process Journal

Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson Wounded souls in search of self and family re-creation in the the most unlikely places in the movies of Paul Thomas Anderson

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

44–44

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

1

46–46

Wounded souls in search of self and family re-creation in the most unlikely places

Paul Thomas Anderson

Film Festival, 2017

Barry Eagon at the beginning of the movie The location for the film festival

Damaged Goods

About Paul

Anderson was born in 1970. He was one of the first of the “video store” generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from V.C.R. to V.C.R.

The Valley may have been immortalized in the 1980s for its mall-hopping “Valley Girls”, but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren’t there.

Would-bes and burn-outs populated the area. Anderson’s experiences growing up in “The Valley” have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley.

2016

Film Festival

2016

4

5

2016

Film Festival

PTA

Damaged Goods

When we’re in love we experience pleasure, and extreme pain.

The film was often joyous in its look at the 1970s and the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet “Boogie Nights” did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered.

Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.’s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to call Hard Eight (1996), but would later become known to the public as “Hard Eight”.

Film Festival

PTA

The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino’s Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson’s films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and retitled) by Rysher Entertainment against Anderson’s wishes. It was admired by critics, but didn’t catch on at the box office. Still, it was enough for Anderson to eventually get his next movie financed. “Boogie Nights” was, in a sense, a remake of “The Dirk Diggler Story”, but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers.

Part of Anderson’s artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks’ films and would later play “The Colonel” in Anderson’s Boogie Nights (1997). Anderson was also very much shaped by growing up in “The Valley”, specifically the suburban San Fernando Valley of greater Los Angeles.

PTA

Process Journal

The idea behind this concept is its unusual size, which reflects the common characteristic amongst all of PTA's main personas.

The lines dividing the contents are the rigid societal rules in which everyone is forced to function within.

Damaged Goods

Alma Kamal

Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly

2

3

2016

—Quote from The Master

Film Festival

PTA

Damaged Goods

Damaged Goods

PTA

Film Festival

2016

6

7

2016

Film Festival

PTA

Damaged Goods

The Films The Master

Boogie Nights

Inherent Vice

Magnolia

There Will Be Blood

Punch-Drunk Love

Catalogue: 3 Concepts

Damaged Goods

PTA

Film Festival

2016

8

PunchDrunk Love

9

2016

Film Festival

PTA

Damaged Goods

Film Festival

PTA

Damaged Goods

Barry Egan hates himself and hates his life. The only male among eight siblings, Barry is treated poorly by his overbearing sisters without them probably even realizing it. Despite owning his own business, he has gotten nowhere in life largely because of his insecurities. He leads a solitary life, which allows him to hide his violent outbursts that occur when he’s frustrated.

R | 1h 35min | Comedy, Drama, Romance | 1 November 2002 (USA)

His solitude however allows him to think, he stumbling upon a scheme to travel the world on a pittance, travel which he has never done. Concurrently, he meets two people who pull him in two different directions.

The first is Lena Leonard, a friend of his sister Elizabeth. Barry is slow to realize that Lena is attracted to him, he making her make all the first moves.

Lena is eventually able to get Barry out of his shell, she who sticks around despite his obvious problems. His burgeoning relationship and thus new life with Lena is threatened by the second, “Georgia”, who he contacted in an effort to alleviate his loneliness. Georgia and her “band of brothers” do whatever they can get get out of Barry what they want, no matter the price to Barry.

Damaged Goods

PTA

Film Festival

2016

10

11

2016

June 26 – 28 Paul Thomas Anderson

Film Festival, 2017

Process Journal

Alma Kamal

PTA

Damaged Goods

No. 7

Films

2016

CATALOGUE

The

No. 9

No. 11

PunchDrunk Love Damaged Goods

R | 1h 35min | Comedy, Drama, Romance | 1 November 2002 (USA)

PTA

PTA

Damaged Goods

When we’re in love we experience pleasure, and extreme pain.

°1

°2

Barry Egan hates himself and hates his life. The only male among eight siblings, Barry is treated poorly by his overbearing sisters without them probably even realizing it.

Despite owning his own business, he has gotten nowhere in life largely because of his insecurities. He leads a solitary life, which allows him to hide his violent outbursts that occur when he’s frustrated.

His solitude however allows him to think, he stumbling upon a scheme to travel the world on a pittance, travel which he has never done. Concurrently, he meets two people who pull him in two different directions. The �irst is Lena Leonard, a friend of his sister Elizabeth. Barry is slow to realize that Lena is attracted to him, he making her make all the �irst moves.

2016

CATALOGUE

2016

CATALOGUE

Lena is eventually able to get Barry out of his shell, she who sticks around despite his obvious problems. His burgeoning relationship and thus new life with Lena is threatened by the second, “Georgia”, who he contacted in an effort to alleviate his loneliness. Georgia and her “band of brothers” do whatever they can get get out of Barry what they want, no matter the price to Barry.

[

Stars: Adam Sandler,

°1 Barry Eagon at the be-

°2 The location for the �ilm

Emily Watson, Philip Sey-

ginning of the movie

festival

mour Hoffman

continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson’s �ilms. The �ilm deals with a guardian angel type (played by Hall) who takes down-on-

ing 8 mm �ilms, Anderson cut his teeth shooting �ilms on video and editing them from V.C.R. to V.C.R.

his-luck Reilly under his wing. The deliberately paced �ilm featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the �ilm was reedited (and retitled) by Rysher Entertainment against Anderson’s wishes. It was admired by critics, but

outs populated the area. Anderson’s experiences growing up in “The Valley” have no doubt shaped his artistic self, especially since three of his four theatrical features are set in the Valley.

Anderson got into �ilm-making at a young age. His most signi�icant amateur �ilm was The Dirk Diggler Story (1988), a sort of mock-documentary a la This Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.’s �ilm program for two days, Anderson got his tuition back and made his own short �ilm, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his �irst feature, something he liked to call Hard Eight (1996), but would later become known to the public as “Hard Eight”.

The �ilm was developed and �inanced through The Sundance Lab, not unlike Quentin Tarantino’s Reservoir Dogs (1992). Anderson cast three actors whom he would

The �ilm was often joyous in its look at the 1970s and the days when pornography was still shot on �ilm, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars. Yet “Boogie Nights” did not �linch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered.

Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terri�ic performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at the time of “Boogie Nights”, but who found themselves to be that much more employable afterwards.

CATALOGUE

The Valley may have been immortalized in the 1980s for its mall-hopping “Valley Girls”, but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren’t there. Would-bes and burn-

didn’t catch on at the box o�ice. Still, it was enough for Anderson to eventually get his next movie �inanced. “Boogie Nights” was, in a sense, a remake of “The Dirk Diggler Story”, but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers.

PTA

Nights (1997). Anderson was also very much shaped by growing up in “The Valley”, speci�ically the suburban San Fernando Valley of greater Los Angeles.

The success of “Boogie Nights” gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman’s Nashville (1975) in its number of characters.

2016

Part of Anderson’s artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks’ �ilms and would later play “The Colonel” in Anderson’s Boogie

Damaged Goods

Anderson was born in 1970. He was one of the �irst of the “video store” generation of �ilm-makers. His father was the �irst man on his block to own a V.C.R., and from a very early age Anderson had an in�inite number of titles available to him. While �ilm-makers like Spielberg cut their teeth mak-

No. 5

CATALOGUE

Damaged Goods

No. 3

PTA

2

48–48

The concept here was to use a clinically organized and clean grid as an ironic statement since PTA's characters are anything but organized…

They're always a mess and are ready to crash and burn.

2016

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

June 26 – 28 Paul Thomas Anderson

Film Festival, 2017

The idea here was to overlayer, use strange cutouts and crowd the reader with content in order to visually reflect the emotional storm and confusion within the characters. Hence, their thoughts and feelings are scattered across the catalogue pages.

Alma Kamal

Anderson got into film-making at a young age. His most significant amateur film was The Dirk Diggler Story (1988), a sort of mock-documentary a la This

3

Is Spinal Tap (1984), about a once-great pornography star named Dirk Diggler. After enrolling in N.Y.U.’s film program for two days, Anderson got his tuition back and made his own short film, Cigarettes & Coffee (1993). He also worked as a production assistant on numerous commercials and music videos before he got the chance to make his first feature, something he liked to

the days when pornography was still shot on film, still shown in theatres, and its actors could at least delude themselves into believing that they were movie stars.

Yet “Boogie Nights” did not flinch at the dark side, showing a murder and suicide, literally in one (almost) uninterrupted shot, and also showing the lives of these people deteriorate, while also showing how their lives recovered.

Anderson not only worked with Hall, Reilly and Hoffman again, he also worked with Julianne Moore, Melora Walters, William H. Macy and Luis Guzmán. Collectively, Anderson had something that was rare in U.S. cinema: a stock company of top-notch actors. Aside from the above mentioned, Anderson also drew terrific performances from Burt Reynolds and Mark Wahlberg, two actors whose careers were not exactly going full-blast at

Anderson was awarded a “Best Director” award at Cannes for Punch-Drunk Love (2002).

5

Dodd testing the guy in a don’t-blink game

stival

omas on

2016

GED S

first is Lena Leonard, a friend of his sister Elizabeth.

Barry is slow to realize that Lena is attracted to him, he making her make all the first moves.

Lena is eventually able to get Barry out of his shell, she who sticks around despite his obvious problems. His burgeoning relationship and thus new life with Lena is threatened by the second, “Georgia”, who he contacted in an effort to alleviate his loneliness. Georgia and her “band of brothers” do whatever they can get get out of

—Barry Eagon

Barry what they want, no matter the price to Barry.

7

6

Running from window to the wall scene

Film Festival

His solitude however allows him to think, he stumbling upon a scheme to travel the world on a pittance, travel which he has never done. Concurrently, he meets two people who pull him in two different directions. The

When we’re in love we experience pleasure, and extreme pain.

Scenes from the movie The Master

Paul Thomas Anderson

2016

Film Festival

Paul Thomas Anderson

I didn't do anything. I'm a nice man. I mind my own business.

So you tell me 'that's that' before I beat the hell from you. I have so much strength in me you have no idea. I have a love in my life. It makes me stronger than anything you can imagine.

I would say 'that's that', Mattress Man. DAMAGED GOODS

2016

Film Festival

The success of “Boogie Nights” gave Anderson the chance to really go for broke in Magnolia (1999), a massive mosaic that could dwarf Altman’s Nashville (1975) in its number of characters.

Paul Thomas Anderson

nowhere in life largely because of his insecurities. He leads a solitary life, which allows him to hide his violent outbursts that occur when he’s frustrated.

The film was often joyous in its look at the 1970s and

the time of “Boogie Nights”, but who found themselves to be that much more employable afterwards.

DAMAGED GOODS

Barry Egan hates himself and hates his life. The only male among eight siblings, Barry is treated poorly by his overbearing sisters without them probably even realizing it. Despite owning his own business, he has gotten

2016

artistic self, especially since three of his four theatrical features are set in the Valley.

R | 1h 35min | Comedy, Drama, Romance | 1 November 2002 (USA)

Film Festival

for its mall-hopping “Valley Girls”, but for Anderson it was a slightly seedy part of suburban America. You were close to Hollywood, yet you weren’t there. Would-bes and burn-outs populated the area. Anderson’s experiences growing up in “The Valley” have no doubt shaped his

Running from window to the wall scene

at the box office. Still, it was enough for Anderson to eventually get his next movie financed. “Boogie Nights” was, in a sense, a remake of “The Dirk Diggler Story”, but Anderson threw away the satirical approach and instead painted a broad canvas about a makeshift family of pornographers.

Punch-Drunk Love

Dodd testing the guy in a don’t-blink game

retitled) by Rysher Entertainment against Anderson’s wishes. It was admired by critics, but didn’t catch on

Los Angeles.

Scenes from the movie The Master

very much shaped by growing up in “The Valley”, specifically the suburban San Fernando Valley of greater

V.C.R. to V.C.R.

11

Part of Anderson’s artistic D.N.A. comes from his father, who hosted a late night horror show in Cleveland. His father knew a number of oddball celebrities such as Robert Ridgely, an actor who often appeared in Mel Brooks’ films and would later play “The Colonel” in Anderson’s Boogie Nights (1997). Anderson was also

The film was developed and financed through The Sundance Lab, not unlike Quentin Tarantino’s Reservoir Dogs (1992). Anderson cast three actors whom he would continue working with in the future: Altman veteran Philip Baker Hall, the husky and lovable John C. Reilly and, in a small part, Philip Seymour Hoffman, who so far has been featured in all four of Anderson’s films. The film deals with a guardian angel type (played by Hall) who takes down-on-his-luck Reilly under his wing. The deliberately paced film featured a number of Anderson trademarks: wonderful use of source light, long takes and top-notch acting. Yet the film was reedited (and

The Valley may have been immortalized in the 1980s

2

call Hard Eight (1996), but would later become known to the public as “Hard Eight”.

Paul Thomas Anderson

about ⁄ PTA

Anderson was born in 1970. He was one of the first of the “video store” generation of film-makers. His father was the first man on his block to own a V.C.R., and from a very early age Anderson had an infinite number of titles available to him. While film-makers like Spielberg cut their teeth making 8 mm films, Anderson cut his teeth shooting films on video and editing them from

10

Paul Thomas Anderson

DAMAGED GOODS

8

9

The Films ›

4

3

50–50

DAMAGED GOODS

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

52–52

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

54–54

The final design was a combination of the three concepts… It has a bit of character from each.

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

The grid has no margins, indicating the characters' overwhelming desire to break free and live

Final Catalogue Design as the free spirits they truly are.

DAMAGED GOODS

�43

June 26 – 28 Act. 01

Film Festival, 2017

Paul Thomas Anderson

Wounded souls in search of self and family re-creation in the most unlikely places

Thomas Anderson said this was Claudia was the first character Paul his favorite film of his own at the time created, the other characters of release.

This was originally supposed to be a were branched off from her. short film. But the more Paul Thomas worked on the characters Paul Thomas Anderson wrote Anderson the more intricate it became. So the the bulk of the script during plot expanded from there. two weeks he spent at William Every time we see Donnie (William H. Macy) in his car, the same song is playH. Macy’s Vermont cabin— ing on the radio (“Dreams” by UK artist afraid to go outside because Gabrielle).

The title “Magnolia” not only refers to he’d seen a snake.

Magnolia Blvd in LA, where much of the movie takes place, but is also similar Exodus 8:2 is alluded to over to the term Charles Fort (who is refera hundred times throughout enced many places in this movie) coined for a hypothetical region where the movie. things that fall from the sky come The story about the man being from—“Magonia.”

The story of the scuba diver killed by a gunshot while fall- being dropped from an airplane is ing off a building has for years a debunked urban legend.

Director/writer Paul Thomas Anderson been used as a hypothetical also designed the poster and cut the case in criminal law classes to trailers for the film.

In every living room there is a picture illustrate causation. of a flower on the wall.

�42

1 Boogie Nights 2 Magnolia 3 PunchDrunk Love 4 There Will Be 5 Blood The Master 6 Inherent Vice DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

�26

DAMAGED GOODS

�27

Films �77

Act. 02

≈ THE MASTER Soundtracks

Written by

Perfomed by

Baton Sparks

Jonny Greenwood

The Aukso Chamber Orchestra

Credits

Courtesy of Unreliable Ltd.

Get Thee Behind Me Satan

Irving Berlin

Ella Fitzgerald

Courtesy of The Verve Music Group

Dahil Sa Iyo

Mike Velarde (as Miguel Velarde Jr.)

Uncredited

Uncredited

Sweet Sue, Just You

Victor Young & Will J. Harris

Noro Morales

Overtones

Jonny Greenwood

The Aukso Chamber Orchestra

Haven Gillespie & J. Fred Coots

Larry Clinton & His Orchestra

Courtesy of RCA Records Label

Courtesy of Unreliable Ltd.

Courtesy of RCA Records Label

Don’t Sit Under the Apple Tree

Lew Brown, Charles Tobias & Sam Stept

Madisen Beaty

Uncredited

Dancers in Love

Duke Ellington

Duke Ellington

Courtesy of Columbia Records

Lotus Blossom

Billy Strayhorn

I’ll Go No More A-Rovin’

Justin Goldman & Hal Willner

Duke Ellington

Philip Seymour Hoffman

Courtesy of Columbia eRcords

Uncredited

Children of the Family

Eban Schletter

Eban Schletter

Uncredited

Celebration Solaire

Eban Schletter

Eban Schletter

Uncredited

A-Tisket A-Tasket

Ella Fitzgerald & Van Alexander

Melora Walters

No Other Love

Bob Russell and Paul Weston

Jo Stafford

The Deep Boo Sea

Winston Sharples

Uncredited

Uncredited

On a Slow Boat to China

Frank Loesser

Philip Seymour Hoffman

Uncredited

Changing Partners

Able-Bodied Seamen

Time Hole

Larry Coleman Jr. & Joe Darion

Jonny Greenwood

Jonny Greenwood

Helen Forrest

London Contemporary Orchestra

London Contemporary Orchestra

Film Festival, 2017

Paul Thomas Anderson

The

You Go To My Head

Wounded souls in search of self and family re-creation in the most unlikely places

June 26 – 28 Act. 01

Uncredited

Courtesy of Capitol Records

Courtesy of Olden Golden Inc.

Uncredited

Uncredited

Alethia

Jonny Greenwood

London Contemporary Orchestra

Uncredited

Atomic Healer

Jonny Greenwood

London Contemporary Orchestra

Uncredited

Application 45 Version 1

Jonny Greenwood

London Contemporary Orchestra

Uncredited

Sweetness of Freddie

Jonny Greenwood

London Contemporary Orchestra

Uncredited

N. ¹

N. ²

N. 3

N. 4

N. 5

N. 6

N. 7

N. 8

N. 9

N. ¹⁰

N. ¹¹

N. ¹²

N. ¹³

N. ¹⁴

N. ¹⁵

N. ¹⁶

N. ¹⁷

N. ¹⁸

N. ¹⁹

N. ²⁰ N. ²⁰ N. ²¹ N. ²²

June 26 – 28 Film Festival, 2017

Paul Thomas Anderson

Process Journal

�76

June 26 â&#x20AC;&#x201C; 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

56â&#x20AC;&#x201C;56

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

Poster Catalogue Ads Media Package Environmental Signage

Schedule Tickets Soundtrack Website

Deliverables

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

1. Poster

58–58

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

June 26 â&#x20AC;&#x201C; 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

60â&#x20AC;&#x201C;60

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

2. Catalogue

The main idea of this catalogue, just like the other deliverables, is the unusual size which reflects the strangeness of PTA's characters.

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

62–62

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

Paul Thomas Anderson Film Festival,

Paul Thomas Anderson Film Festival,

2017

2017

Alma Kamal, F16 Ads

Alma Kamal, F16 Ads

3. Ads

Process Journal Alma Kamal Paul Thomas Anderson Film Festival, 2017

64â&#x20AC;&#x201C;64 DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

June 26 â&#x20AC;&#x201C; 28

Paul Thomas Anderson Film Festival,

Paul Thomas Anderson Film Festival,

2017

2017

Alma Kamal, F16 Ads

Alma Kamal, F16 Ads

Paul Thomas Anderson Film Festival,

Paul Thomas Anderson Film Festival,

2017

2017

Alma Kamal, F16 Ads

Alma Kamal, F16 Ads

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

66–66

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

68–68

Wounded souls in search of self and family re-creation in the most unlikely places

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

4. Media Package

Starring Tom Cruise Jason Robards Julianne Moore

Ma gnolia

Punch-Drun k Love

PAUL THOMAS ANDERSON

PAUL THOMAS ANDERSON

Starring Adam Sandler Emily Watson Philip Seymour Hoffman

R | 3h 8min | Drama R | 1h 35min | Romance

Starring Tom Cruise Jason Robards Julianne Moore Starring Joaquin Phoenix Josh Brolin Owen Wilson

Punch-Drun k Love

The Ma ster

Inherent Vice

Ma gnolia PAUL THOMAS ANDERSON

PAUL THOMAS ANDERSON

(Above) Spreads from various movies—DVD booklets (Left) DVD case and booklet cover

PAUL THOMAS ANDERSON

Starring

PAUL THOMAS ANDERSON

Adam Sandler Emily Watson Philip Seymour Hoffman

Starring Philip Seymour Hoffman Joaquin Phoenix Amy Adams

R | 3h 8min | Drama R | 1h 35min | Romance

R | 2h 24min | Drama R | 2h 28min | Comedy

Starring Tom Cruise Jason Robards Julianne Moore

Starring Joaquin Phoenix Josh Brolin Owen Wilson

There Wi ll Be Blood

Boog ie Nig hts

Starring Daniel Day-Lewis Paul Dano Ciarán Hinds

Inherent Vice

The Ma ster PAUL THOMAS ANDERSON

Punch-Drun k Love

Ma gnolia PAUL THOMAS ANDERSON

PAUL THOMAS ANDERSON

PAUL THOMAS ANDERSON

Starring Adam Sandler Emily Watson Philip Seymour Hoffman

PAUL THOMAS ANDERSON

Starring

Starring

Philip Seymour Hoffman Joaquin Phoenix Amy Adams

Mark Wahlberg Julianne Moore Burt Reynolds

R | 3h 8min | Drama R | 1h 35min | Romance

R | 2h 24min | Drama

PAUL THOMAS ANDERSON R | 2h 28min | Comedy R | 2h 35min | Drama R | 2h 38min | Drama

Starring Joaquin Phoenix Josh Brolin Owen Wilson

June 26 â&#x20AC;&#x201C; 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

70â&#x20AC;&#x201C;70

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

5. Environmental Signage

Shots from the warehouse where the film festival takes place

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

72–72

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

6. Schedule

Inventory

A child of the cinema, Anderson went about making movies right out of school, and by the time he was 25 he was directing his first feature, Hard Eight. His provocative 1997 movie, Boogie Nights, made a splash, and Anderson’s Oscar-nominated script got just as much attention as Mark Wahlberg‘s performance as a porn star.

Anderson’s next film, Magnolia (1999), earned him even more praise for his mature dramatic sensibilities, and brought him a second Oscar nomination for screenwriting. He then made Punch-Drunk Love (2002), a dramatic feature with comedian Adam Sandler, and oversaw parts of the Robert Altman film A Prairie Home Companion (2006), before embarking on the American epic There Will Be Blood (starring Daniel Day-Lewis), the 2008 movie that earned eight Oscar nominations, including two for Anderson, for best director and best adapted screenplay.

The date of the festival is in celebration of Paul Thomas Anderson’s birth—June 26, 1970—and goes on for three consecutive days due to the heavy schedule and duration of the films.

The location—10101 Canoga Ave, Chatsworth CA—is the warehouse where the movie Punch-Drunk Love was shot. The reason for the choice of this venue is to reflect Paul Thomas Anderson’s vision in his movies where he insists on presenting a very raw and realistic version of the truth and, in turn, of Los Angeles.

Unlike the commercial way in which it’s been glamorized and romanticized, in PT Anderson’s movies we get to see the grunge and fall in love with its beauty nevertheless.

2017

2017

Festival Concept

Paul Thomas Anderson Film Festival,

Paul Thomas Anderson Film Festival,

About

�3

The name of the festival was purely inspired by the recurring characters in the movies; they’re always damaged and are constantly looking for a family and a home to replace the one they were born in, but kicked out of for a different reason each time.

June 26–28 Eckhart Auto Body 10101 Canoga Ave, Chatsworth CA

Paul Thomas Anderson Film Festival, 2017

�5

Paul Thomas Anderson

“I’ ll rebel against powers and principalities, all the time.

Always, I will.”

June 26 â&#x20AC;&#x201C; 28

DAMAGED GOODS

74â&#x20AC;&#x201C;74

Wounded souls in search of self and family re-creation in the most unlikely places

7. Tickets

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

8. Soundtracks

The tickets are part of the schedule.

You can pull them out and carry them separately to the festival. Also, they're perforated so you can tear them out as the days pass

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

9. Website

76–76

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

Film Festival, 2017

10. Business System

© Alma Kamal, 2016.

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means—digitally or physically—without permission from the owner This book was designed and printed in San Francisco, CA for a project at the Academy of Art University (AAU) The typefaces used are Siri and Kepler The paper used to print this book is Mohawk Superfine Eggshell, Ultrawhite

almakamal@yahoo.com www.behance.net/alma-k

Paul Thomas Anderson

Alma Kamal

Process Journal

June 26 – 28

DAMAGED GOODS

Wounded souls in search of self and family re-creation in the most unlikely places

80–80

Film Festival, 2017

Paul Thomas Anderson

Alma Kamal

Process Journal